{"0-texts-found": {"created_at": "2018-05-30T00:00:00", "creator": "Karnickel", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Karnickel", "author_href": "https://www.wikidot.com/user:info/karnickel", "comment": "initial", "date": "2018-05-30T00:00:00"}, {"author": "Karnickel", "author_href": "https://www.wikidot.com/user:info/karnickel", "comment": "Uploaded file \"the_horizon_initiative_by_sunnyparallax-d8i98ob.jpg\".", "date": "2018-05-30T00:01:00"}, {"author": "Karnickel", "author_href": "https://www.wikidot.com/user:info/karnickel", "comment": "Added tags: doomsday2018, goi-format, horizon-initiative. ", "date": "2018-05-30T00:02:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _horizon-initiative. ", "date": "2018-05-30T16:07:00"}, {"author": "Karnickel", "author_href": "https://www.wikidot.com/user:info/karnickel", "comment": "Spelling and Format correction", "date": "2018-06-02T02:38:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-25T01:36:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T21:52:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "License box.", "date": "2020-10-19T22:54:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "Added tags: _licensebox. ", "date": "2020-10-19T22:54:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "License box", "date": "2020-10-19T22:54:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mystery, religious-fiction, serpents-hand. ", "date": "2024-10-03T17:38:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: the-serpent. ", "date": "2025-03-27T15:53:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "0-texts-found", "page_id": "82861423", "rating": 85, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"display:block;margin:auto;width:50%;padding:20px;border:dashed 2px #112211;background:#FFFFFF;\">\n\n<p><em>Verifying Horizon Initiative credentials\u2026</em><br/>\n<em>Accessing Universal Texts\u2026</em><br/>\n<em>Querying \"St. Manos\"\u2026</em></p>\n<p><em>3 texts found.</em><br/>\n<em>Bartholomew's Lett$^%$#^%%$^</em><br/>\n<em>Commentaries on th@%@#$%@#</em><br/>\n<em>Coral@#$%#$%$^</em></p>\n<p><em>Error retrieving file</em><br/>\n<em>Error retrieving file</em><br/>\n<em>Error retrieving file</em></p>\n<p><em>Restarting session\u2026</em></p>\n<p><em>Verifying Horizon Initiative credentials\u2026</em><br/>\n<em>Accessing Universal Texts\u2026</em><br/>\n<em>Querying \"St. Manos\"\u2026</em></p>\n<p><em>1 text found.</em><br/>\n<em>Bartholomew's Let%^&amp;$%&amp;%^&amp;$&amp;</em></p>\n<p><em>Error retrieving file</em></p>\n<p><em>Restarting session\u2026</em></p>\n<p><em>Verifying Horizon Initiative credentials\u2026</em><br/>\n<em>Accessing Universal Texts\u2026</em><br/>\n<em>Querying \"St. Manos\"\u2026</em></p>\n<p><em>\u2026</em><br/>\n<em>\u2026</em></p>\n<p><em>0 texts found.</em></p>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:dashed 1px #112211;background:#FFFFFF;\">\n<p><em>Reestablishing connection to SoulChat\u2026</em><br/>\n<em>Verifying Horizon Initiative credentials\u2026</em></p>\n<p><strong>Cherubot:</strong> Welcome to SoulChat!</p>\n<p><strong>FatherK:</strong> HELP</p>\n<p><strong>Cherubot:</strong> Thank you for connecting to SoulChat Assistance!</p>\n<p><strong>Cherubot:</strong> Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.</p>\n<p><strong>FatherK:</strong> I want to talk to a human.</p>\n<p><strong>Cherubot:</strong> I'm sorry. I do not understand your request.</p>\n<p><strong>Cherubot:</strong> Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.</p>\n<p><strong>FatherK:</strong> Universal Texts</p>\n<p><strong>Cherubot:</strong> Thank you!</p>\n<p><strong>Cherubot:</strong> We are assisting other petitioners at the moment.</p>\n<p><strong>Cherubot:</strong> We have received your help request and will be providing assistance shortly.</p>\n<p><strong>FatherK:</strong> You've said that ten times already! And you keep disconnecting me!</p>\n<p><strong>Cherubot:</strong> I'm sorry. I do not understand your request.</p>\n<p><strong>Cherubot:</strong> Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.</p>\n<p><strong>FatherK:</strong> You are the most completely useless thing we've spent money on.</p>\n<p><strong>Cherubot:</strong> I'm sorry. I do not understand your request.</p>\n<p><strong>Cherubot:</strong> Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.</p>\n<p><strong>TechJames:</strong> Sorry Father.</p>\n<p><strong>FatherK:</strong> Finally! A real person. Do you know how long I've been talking to that bloody bot?</p>\n<p><strong>TechJames:</strong> We've got issues all over the network, and everyone is on the help server. We're doing what we can.</p>\n<p><strong>FatherK:</strong> What the hell is going on?</p>\n<p><strong>FatherK:</strong> Sorry.</p>\n<p><strong>TechJames:</strong> As far as we can tell, it's a worm of some kind. It's choking the bandwidth, so queries keep timing out, but doesn't seem to have done much damage otherwise. We think we've almost got it locked down.</p>\n<p><strong>FatherK:</strong> But I didn't time out. It says that the texts aren't there!</p>\n<p><strong>TechJames:</strong> If they're in a remote database, and we're having server issues, that can happen. What was your query?</p>\n<p><strong>FatherK:</strong> St. Manos. And I know there should be at least 10 files out there. My first request got me 3, and none of the links worked!</p>\n<p><strong>TechJames:</strong> Just a moment, Father.</p>\n<p><strong>FatherK:</strong> Fine.</p>\n<p><strong>FatherK:</strong> Well?</p>\n<p><strong>FatherK:</strong> I'm not getting any younger here.</p>\n<p><strong>TechJames:</strong> Father, I'm not seeing anything. St. Manos or Saint Manos.</p>\n<p><strong>FatherK:</strong> I tracked down one of those manuscripts myself! I know they entered it. It was during my trip to blast it where was that? Doesn't matter. I know that that file at least should be there. And I was working with the other files a few days ago!</p>\n<p><strong>TechJames:</strong> Father, I'm sorry.</p>\n<p><strong>FatherK:</strong> I never should have let Mrs. Carrington talk me out of printing everything out. Killing trees my eye!</p>\n<p><em>SoulChat disconnected</em></p>\n</div>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:solid 1px #112211;background:#FFFFFF;\">\n<p>To: Robert Keene<br/>\nFrom: Michael Dobbs</p>\n<p>Bob,</p>\n<p>You weren't alone in having files go missing. We think we've cleared out the worm, but it seems to have played holy hell with the databases, if you'll pardon the expression.</p>\n<p>The odd thing is, it didn't wipe out drives, or even drive sectors wholesale. This was targeted, but we're not sure what it was targeting. To make matters worse, there seems to be some sort of issue with the physical archives. Some of the original documents have apparently been 'misplaced.' If I was a suspicious man, I'd almost put this down to malice, rather than incompetence.</p>\n<p>We're managing to cobble together reconstructions of some of the 'missing' data. Not all of the files, or backups of the files were destroyed in quite the same way. So I can give you some fragments of what you were looking for. They're attached. But I'm worried, Bob. I read through them. What someone didn't want us to have.</p>\n<p>I think I'm becoming a suspicious man.</p>\n<p>-Mike</p>\n</div>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p>\u2026as they ate, the Fruit took hold within them, <span style=\"font-size:0.75em;\"><sup><strong>42</strong></sup></span> and within the bodies of the Male and Female, the Fruit of the Tree, which was the Word which was God, began to grow. <span style=\"font-size:0.75em;\"><sup><strong>43</strong></sup></span> First in the discovery of the simplest things, <span style=\"font-size:0.75em;\"><sup><strong>44</strong></sup></span> Sight and Hearing and Smell and Taste and Touch. <span style=\"font-size:0.75em;\"><sup><strong>45</strong></sup></span> That which was outside them was made manifest within them as the Tree of Life. <span style=\"font-size:0.75em;\"><sup><strong>46</strong></sup></span> And then the Tree began to multiply within them. <span style=\"font-size:0.75em;\"><sup><strong>47</strong></sup></span> More and smaller Trees formed, Root and Branch connecting.</p>\n</div>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p>\u2026you shall go forth from the center of the Garden, <span style=\"font-size:0.75em;\"><sup><strong>65</strong></sup></span> to the edges where its Splendor shall not consume you. <span style=\"font-size:0.75em;\"><sup><strong>66</strong></sup></span> This shall be a lesser place, and as such you must toil to survive. <span style=\"font-size:0.75em;\"><sup><strong>67</strong></sup></span> But you will grow, and the Tree which is the Word which is God will grow within you slowly. <span style=\"font-size:0.75em;\"><sup><strong>68</strong></sup></span> And one day you will be ready, and the Word within you will be ready, <span style=\"font-size:0.75em;\"><sup><strong>69</strong></sup></span> and you will seek the Garden again, and find the places where the Tree has sent out its Roots and Branches\u2026</p>\n</div>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p>\u2026Serpent was angered by this. <span style=\"font-size:0.75em;\"><sup><strong>12</strong></sup></span> It slunk back into the shadows of the Tree, saying: <span style=\"font-size:0.75em;\"><sup><strong>13</strong></sup></span> You did not forbid me to eat of the Fruit. <span style=\"font-size:0.75em;\"><sup><strong>14</strong></sup></span> You did not forbid me to give the Fruit to others. <span style=\"font-size:0.75em;\"><sup><strong>15</strong></sup></span> You did not speak to me at all. <span style=\"font-size:0.75em;\"><sup><strong>16</strong></sup></span> Therefore why should I be punished and sent forth? <span style=\"font-size:0.75em;\"><sup><strong>17</strong></sup></span> And if you will put the blame upon my Hand, you may have it.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>18</strong></sup></span> Then the Serpent opened its jaws, and bit through its arm, and cast its Hand down into the dust, saying: <span style=\"font-size:0.75em;\"><sup><strong>19</strong></sup></span> There, let my Hand be cursed then, to go forth into the dust, and follow the Male and Female. <span style=\"font-size:0.75em;\"><sup><strong>20</strong></sup></span> For they too will curse it and me. <span style=\"font-size:0.75em;\"><sup><strong>21</strong></sup></span> I shall remain where I am, <span style=\"font-size:0.75em;\"><sup><strong>22</strong></sup></span> and none but I shall have the Fruit of the Tree from henceforth, <span style=\"font-size:0.75em;\"><sup><strong>23</strong></sup></span> for I have seen the wages of a gift given, and those wages are Injustice. <span style=\"font-size:0.75em;\"><sup><strong>24</strong></sup></span> And may this fall on the Male and Female as well.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>25</strong></sup></span> And where the drops of blood fell from the Serpent, smaller serpents arose from the dust and fled throughout the Garden, and to the edges of Creation. <span style=\"font-size:0.75em;\"><sup><strong>26</strong></sup></span> And those serpents, produced from the rage and the curse of the Serpent, went forth to harry and contend with the Male and the Female, <span style=\"font-size:0.75em;\"><sup><strong>27</strong></sup></span> and to devour the shoots of the Tree as it spread into the edges of Creation. <span style=\"font-size:0.75em;\"><sup><strong>28</strong></sup></span> Then the Serpent twined around the Tree, and through the branches and roots, and began to devour\u2026</p>\n</div>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p>\u2026God, who was the Word, picked up the Hand of the Serpent, and spake the Word, so that Life came into the Serpent\u2019s Hand\u2026</p>\n</div>\n</div>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p>\u2026the Hand which was many Hands went forth to Teach and to Guide and to Spread the Word, and contend with the serpents\u2026</p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/0-texts-found\">0 Texts Found</a>\" by Karnickel, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/0-texts-found\">https://scpwiki.com/0-texts-found</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> the_horizon_initiative_by_sunnyparallax-d8i98ob.jpg<br/>\n<strong>Name:</strong> the_horizon_initiative_by_sunnyparallax-d8i98ob.jpg<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/sunnyclockwork\" onclick=\"WIKIDOT.page.listeners.userInfo(1621343); return false;\"><img alt=\"SunnyClockwork\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1621343&amp;amp;size=small&amp;amp;timestamp=1788006663\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1621343)\"/></a><a href=\"http://www.wikidot.com/user:info/sunnyclockwork\" onclick=\"WIKIDOT.page.listeners.userInfo(1621343); return false;\">SunnyClockwork</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-wiki.wikidot.com/0-texts-found\">http://scp-wiki.wikidot.com/0-texts-found</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"display:block;margin:auto;width:50%;padding:20px;border:dashed 2px #112211;background:#FFFFFF;\"]]\n\n[[=image the_horizon_initiative_by_sunnyparallax-d8i98ob.jpg]]\n\n//Verifying Horizon Initiative credentials...//\n\n//Accessing Universal Texts...//\n\n//Querying \"St. Manos\"...//\n\n\n\n//3 texts found.//\n\n//Bartholomew's Lett$^%$#^%%$^//\n\n//Commentaries on th@%@#$%@#//\n\n//Coral@#$%#$%$^//\n\n\n\n//Error retrieving file//\n\n//Error retrieving file//\n\n//Error retrieving file//\n\n\n\n//Restarting session...//\n\n\n\n//Verifying Horizon Initiative credentials...//\n\n//Accessing Universal Texts...//\n\n//Querying \"St. Manos\"...//\n\n\n\n//1 text found.//\n\n//Bartholomew's Let%^&$%&%^&$&//\n\n\n\n//Error retrieving file//\n\n\n\n//Restarting session...//\n\n\n\n//Verifying Horizon Initiative credentials...//\n\n//Accessing Universal Texts...//\n\n//Querying \"St. Manos\"...//\n\n\n\n//...//\n\n//...//\n\n\n\n//0 texts found.//\n\n\n\n[[/div]]\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:dashed 1px #112211;background:#FFFFFF;\"]]\n\n//Reestablishing connection to SoulChat...// \n\n//Verifying Horizon Initiative credentials...//\n\n\n\n**Cherubot:** Welcome to SoulChat!\n\n\n\n**FatherK:** HELP\n\n\n\n**Cherubot:** Thank you for connecting to SoulChat Assistance! \n\n\n\n**Cherubot:** Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.\n\n\n\n**FatherK:** I want to talk to a human.\n\n\n\n**Cherubot:** I'm sorry.\u00a0\u00a0I do not understand your request.\n\n\n\n**Cherubot:** Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.\n\n\n\n**FatherK:** Universal Texts\n\n\n\n**Cherubot:** Thank you!\n\n\n\n**Cherubot:** We are assisting other petitioners at the moment.\n\n\n\n**Cherubot:** We have received your help request and will be providing assistance shortly.\n\n\n\n**FatherK:** You've said that ten times already! And you keep disconnecting me!\n\n\n\n**Cherubot:** I'm sorry.\u00a0\u00a0I do not understand your request.\n\n\n\n**Cherubot:** Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.\n\n\n\n**FatherK:** You are the most completely useless thing we've spent money on.\n\n\n\n**Cherubot:** I'm sorry.\u00a0\u00a0I do not understand your request.\n\n\n\n**Cherubot:** Please state the nature of your request. Suggested categories: Universal Texts, Email, Chat.\n\n\n\n**TechJames:** Sorry Father.\n\n\n\n**FatherK:** Finally! A real person. Do you know how long I've been talking to that bloody bot?\n\n\n\n**TechJames:** We've got issues all over the network, and everyone is on the help server. We're doing what we can.\n\n\n\n**FatherK:** What the hell is going on?\n\n\n\n**FatherK:** Sorry.\n\n\n\n**TechJames:** As far as we can tell, it's a worm of some kind.\u00a0\u00a0It's choking the bandwidth, so queries keep timing out, but doesn't seem to have done much damage otherwise.\u00a0\u00a0We think we've almost got it locked down.\n\n\n\n**FatherK:** But I didn't time out.\u00a0\u00a0It says that the texts aren't there!\n\n\n\n**TechJames:** If they're in a remote database, and we're having server issues, that can happen.\u00a0\u00a0What was your query?\n\n\n\n**FatherK:** St. Manos.\u00a0\u00a0And I know there should be at least 10 files out there.\u00a0\u00a0My first request got me 3, and none of the links worked!\n\n\n\n**TechJames:** Just a moment, Father.\n\n\n\n**FatherK:** Fine.\n\n\n\n**FatherK:** Well?\n\n\n\n**FatherK:** I'm not getting any younger here.\n\n\n\n**TechJames:** Father, I'm not seeing anything.\u00a0\u00a0St. Manos or Saint Manos.\n\n\n\n**FatherK:** I tracked down one of those manuscripts myself! I know they entered it.\u00a0\u00a0It was during my trip to blast it where was that?\u00a0\u00a0Doesn't matter.\u00a0\u00a0I know that that file at least should be there.\u00a0\u00a0And I was working with the other files a few days ago!\n\n\n\n**TechJames:** Father, I'm sorry.\n\n\n\n**FatherK:** I never should have let Mrs. Carrington talk me out of printing everything out.\u00a0\u00a0Killing trees my eye!\n\n\n\n//SoulChat disconnected//\n\n\n\n[[/div]]\n\n[[/div]]\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:solid 1px #112211;background:#FFFFFF;\"]]\n\n\n\nTo: Robert Keene\n\nFrom: Michael Dobbs\n\n\n\nBob,\n\n\n\nYou weren't alone in having files go missing.\u00a0\u00a0We think we've cleared out the worm, but it seems to have played holy hell with the databases, if you'll pardon the expression.\n\n\n\nThe odd thing is, it didn't wipe out drives, or even drive sectors wholesale. This was targeted, but we're not sure what it was targeting.\u00a0\u00a0To make matters worse, there seems to be some sort of issue with the physical archives.\u00a0\u00a0Some of the original documents have apparently been 'misplaced.'\u00a0\u00a0If I was a suspicious man, I'd almost put this down to malice, rather than incompetence.\n\n\n\nWe're managing to cobble together reconstructions of some of the 'missing' data.\u00a0\u00a0Not all of the files, or backups of the files were destroyed in quite the same way.\u00a0\u00a0So I can give you some fragments of what you were looking for.\u00a0\u00a0They're attached.\u00a0\u00a0But I'm worried, Bob.\u00a0\u00a0I read through them.\u00a0\u00a0What someone didn't want us to have.\n\n\n\nI think I'm becoming a suspicious man.\n\n\n\n-Mike\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n\n\n...as they ate, the Fruit took hold within them, [[size 0.75em]]^^**42**^^[[/size]] and within the bodies of the Male and Female, the Fruit of the Tree, which was the Word which was God, began to grow.\u00a0\u00a0[[size 0.75em]]^^**43**^^[[/size]] First in the discovery of the simplest things, [[size 0.75em]]^^**44**^^[[/size]] Sight and Hearing and Smell and Taste and Touch.\u00a0\u00a0[[size 0.75em]]^^**45**^^[[/size]] That which was outside them was made manifest within them as the Tree of Life.\u00a0\u00a0[[size 0.75em]]^^**46**^^[[/size]] And then the Tree began to multiply within them.\u00a0\u00a0[[size 0.75em]]^^**47**^^[[/size]] More and smaller Trees formed, Root and Branch connecting.\u00a0\u00a0\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n...you shall go forth from the center of the Garden, [[size 0.75em]]^^**65**^^[[/size]] to the edges where its Splendor shall not consume you.\u00a0\u00a0[[size 0.75em]]^^**66**^^[[/size]] This shall be a lesser place, and as such you must toil to survive. [[size 0.75em]]^^**67**^^[[/size]] But you will grow, and the Tree which is the Word which is God will grow within you slowly.\u00a0\u00a0[[size 0.75em]]^^**68**^^[[/size]] And one day you will be ready, and the Word within you will be ready, [[size 0.75em]]^^**69**^^[[/size]] and you will seek the Garden again, and find the places where the Tree has sent out its Roots and Branches...\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n\n\n...Serpent was angered by this.\u00a0\u00a0[[size 0.75em]]^^**12**^^[[/size]] It slunk back into the shadows of the Tree, saying: [[size 0.75em]]^^**13**^^[[/size]] You did not forbid me to eat of the Fruit.\u00a0\u00a0[[size 0.75em]]^^**14**^^[[/size]] You did not forbid me to give the Fruit to others.\u00a0\u00a0[[size 0.75em]]^^**15**^^[[/size]] You did not speak to me at all.\u00a0\u00a0[[size 0.75em]]^^**16**^^[[/size]] Therefore why should I be punished and sent forth?\u00a0\u00a0[[size 0.75em]]^^**17**^^[[/size]] And if you will put the blame upon my Hand, you may have it.\n\n\n\n[[size 0.75em]]^^**18**^^[[/size]] Then the Serpent opened its jaws, and bit through its arm, and cast its Hand down into the dust, saying: [[size 0.75em]]^^**19**^^[[/size]] There, let my Hand be cursed then, to go forth into the dust, and follow the Male and Female. [[size 0.75em]]^^**20**^^[[/size]]\u00a0\u00a0For they too will curse it and me.\u00a0\u00a0[[size 0.75em]]^^**21**^^[[/size]] I shall remain where I am, [[size 0.75em]]^^**22**^^[[/size]] and none but I shall have the Fruit of the Tree from henceforth, [[size 0.75em]]^^**23**^^[[/size]] for I have seen the wages of a gift given, and those wages are Injustice.\u00a0\u00a0[[size 0.75em]]^^**24**^^[[/size]] And may this fall on the Male and Female as well.\n\n\n\n[[size 0.75em]]^^**25**^^[[/size]] And where the drops of blood fell from the Serpent, smaller serpents arose from the dust and fled throughout the Garden, and to the edges of Creation.\u00a0\u00a0[[size 0.75em]]^^**26**^^[[/size]] And those serpents, produced from the rage and the curse of the Serpent, went forth to harry and contend with the Male and the Female, [[size 0.75em]]^^**27**^^[[/size]] and to devour the shoots of the Tree as it spread into the edges of Creation. [[size 0.75em]]^^**28**^^[[/size]] Then the Serpent twined around the Tree, and through the branches and roots, and began to devour...\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n\n\n...God, who was the Word, picked up the Hand of the Serpent, and spake the Word, so that Life came into the Serpent\u2019s Hand...\n\n\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div style=\"padding-top:15px\"]]\n\n[[div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n\n\n...the Hand which was many Hands went forth to Teach and to Guide and to Spread the Word, and contend with the serpents...\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Karnickel]]\n\n=====\n\n> **Filename:** the_horizon_initiative_by_sunnyparallax-d8i98ob.jpg\n\n> **Name:** the_horizon_initiative_by_sunnyparallax-d8i98ob.jpg\n\n> **Author:** [[*user SunnyClockwork]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** http://scp-wiki.wikidot.com/0-texts-found\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_horizon-initiative", "_licensebox", "doomsday2018", "goi-format", "horizon-initiative", "mystery", "religious-fiction", "serpents-hand", "the-serpent"], "title": "0 Texts Found - SCP Foundation", "url": "https://scp-wiki.wikidot.com/0-texts-found"}, "1-staar-cuttt-2-5": {"created_at": "2021-09-27T05:15:00", "creator": "LORDXVNV", "domain": "scp-wiki.wikidot.com", "history": [{"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T05:15:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T05:38:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T05:47:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T06:05:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T06:06:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T06:06:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T06:18:00"}, {"author": "LemonBee12", "author_href": "https://www.wikidot.com/user:info/lemonbee12", "comment": "Added tags: fifthist, poetry, tale. ", "date": "2021-09-27T08:18:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "You successfully reverted the page to revision number 7", "date": "2021-09-27T12:54:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T12:54:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: _fifthist, goi-format. Removed tags: tale. ", "date": "2021-09-27T12:55:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "You successfully reverted the page to revision number 10", "date": "2021-09-27T13:12:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T13:12:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T14:48:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2021-09-27T14:49:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-03-11T01:55:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2022-08-30T03:45:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "You successfully reverted the page to revision number 15", "date": "2022-08-30T03:59:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T15:16:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T15:16:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-12-02T22:29:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-12-02T22:30:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-12-02T22:30:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-12-02T22:31:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Rating module is required at the top of the page.", "date": "2022-12-03T01:39:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2024-08-31T06:28:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: cosmic-horror, horror, religious-fiction. ", "date": "2024-08-31T06:29:00"}], "hubs": ["goi-formats"], "images": [], "link": "1-staar-cuttt-2-5", "page_id": "1324209858", "rating": 51, "raw_content": "<html><body><div id=\"page-content\">\n\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ablack-highlightyear/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<h1 id=\"toc0\"><span>Background</span></h1>\n<p>In the early 21st century, anomalous activity associated with GoI-005 \"Fifth Church\" <a href=\"/we-need-to-talk-about-fifty-five\">greatly diminished for unknown reasons</a>. For nearly a century, Fifthist activity on Earth was almost nonexistent. However, increased contact with the wider universe in the late 21st century and beyond revealed the continued existence of Fifthist practices similar yet distinct to Terran Fifthist traditions.</p>\n<h2 id=\"toc1\"><span>Discovery</span></h2>\n<p>The following poem was found engraved on a slab on Epsilon 555-5 (colloquially known as \"Qintnep\"). Qintnep was already notable for its use of a Terran English-descended language despite minimal contact pre-22nd century C.E., presumed anomalous but explained via standard disinformation campaign.</p>\n<p>While similar to standard 21st century Foundation English in spelling, pronunciation, and orthography, 21st century Qintnepian English incorporates several words not easily pronounceable by standard human physiology. While many of these words can be explained by dialectal and physiological variation, several have phonological characteristics clearly drawn from pangalactic Fifthist glossolalia.</p>\n<p>Weathering and erosion analysis placed the carving of the poem to circa 2015\u00a0C.E. to 2050\u00a0C.E. The poem has been transcribed in its entirety with no alterations to spelling or grammar. Where necessary, standard Foundation English definitions or terms that best match the known connotations for these words have been given.</p>\n<h2 id=\"toc2\"><span>Anomalous/Poetic Analysis:</span></h2>\n<p>The poem consists of five stanzas, each of five lines. Each stanza follows an AABAA rhyme scheme, where the B is held consistent across all five stanzas. Furthermore, the poem is written in iambic pentameter, though the poet breaks from said pentameter in stanzas 2, 3, and 4.</p>\n<p>Stanza 5 adheres to iambic pentameter throughout.</p>\n<p>Investigations are ongoing into whether the poem's content is neo-Fifthist apologia or genuine revelation.</p>\n<p>This poem is safe to read aloud.</p>\n<div class=\"darkdocument\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:250%;\"><strong>1 Staar Cuttt 2\u00a05</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>I raised my eyes beyond the taunting stars</p>\n<p>The pitch, the fractal void that spoke of tar</p>\n<p>And felt my God was dead; by arrow rent</p>\n<p>A wound from marble thought so deep afar,</p>\n<p>A blue void bright in God; a hole ffvar<sup>1</sup>.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>They tore it, broke it, ignorant fearful</p>\n<p>Hate, the blacktal<sup>2</sup> of God's fruitful</p>\n<p>Gift that in our souls consent, rise, ferment,</p>\n<p>Repent, enlighten each, all apostle.</p>\n<p>Aliens thought that God's gift was awful</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>A weeping tearing of I came to pass</p>\n<p>They slew my god, and I was now tlazs<sup>3</sup></p>\n<p>To break their world; their dream-space I make bent</p>\n<p>I call the chant; let crawl the blacktal mass</p>\n<p>But horror strikes: my breath is merely gas</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>I knew it then, that truly God was dead.</p>\n<p>Where purpose was, now bloomed the sevvenn<sup>4</sup> dread</p>\n<p>I journeyed pink; my life was mine to end</p>\n<p>In God, or husk, was there I'd lay my head</p>\n<p>And sleep and dream of fives. My final bed.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>At edge of Blue, I saw a truth of kqive<sup>5</sup>:</p>\n<p>It wasn't dead, or <em>something</em> stayed alive</p>\n<p>My spirit rose and back to life was sent</p>\n<p>And smokest incense burned for Them, my tithe.</p>\n<p>Not Gone, Not Dead, But SDVLT<sup>6</sup>. For God is Five<sup>5\u00a05\u00a05\u00a05\u00a05</sup>.</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"blue\">\n<h4 id=\"toc3\"><span><span style=\"color: white\"><strong>FOOTNOTES &amp; REFERENCES</strong></span></span></h4>\n<ol>\n<li>Irreparably damaged. Annihilatory. Frayed. Bleeding. Transformational. Unclear pronunciation, monosyllabic.</li>\n<li>Black smoke associated with Fifthist phenomena.</li>\n<li>Despair that drives one to revenge. Inspired fury. Depressed. In a fugue state. Disembodiment. Monosyllabic.</li>\n<li>Pronounced \"seven\". <a href=\"/why-is-five-afraid-of-seven\">It is unclear why the word is spelled with seven letters.</a></li>\n<li>Divinity. Intuition. Orgasm. Suicide. Mathematical certainty.</li>\n<li>Divided. Split. Reborn. Empowered. Fivefold. Unclear pronunciation, monosyllabic.</li>\n</ol>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<div style=\"text-align: center;\">\n<hr/>\n\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0by\u00a0LORDXVNV</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hide</a></div>\n<div class=\"collapsible-block-content\">\n<hr/>\n<div style=\"font-weight: bold;\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:120%;\">Other works by <a href=\"/lordxvnv\">LORDXVNV!</a></span></p>\n</div>\n<div class=\"list-pages-box\">\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\"><span style=\"font-size:120%;\">SCPs</span></th>\n</tr>\n<tr>\n<td><a href=\"/scp-6987\">SCP-6987</a></td>\n<td>Rating: 579</td>\n</tr>\n<tr>\n<td><a href=\"/scp-8008\">SCP-8008</a></td>\n<td>Rating: 534</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7069\">SCP-7069</a></td>\n<td>Rating: 315</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7997\">SCP-7997</a></td>\n<td>Rating: 249</td>\n</tr>\n<tr>\n<td><a href=\"/scp-6572\">SCP-6572</a></td>\n<td>Rating: 222</td>\n</tr>\n<tr>\n<td><a href=\"/scp-1337-ex\">SCP-1337-EX</a></td>\n<td>Rating: 186</td>\n</tr>\n<tr>\n<td><a href=\"/scp-6433\">SCP-6433</a></td>\n<td>Rating: 179</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7715\">SCP-7715</a></td>\n<td>Rating: 140</td>\n</tr>\n<tr>\n<td><a href=\"/scp-8616\">SCP-8616</a></td>\n<td>Rating: 137</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7335\">SCP-7335</a></td>\n<td>Rating: 104</td>\n</tr>\n<tr>\n<td><a href=\"/scp-6248\">SCP-6248</a></td>\n<td>Rating: 103</td>\n</tr>\n<tr>\n<td><a href=\"/scp-8814\">SCP-8814</a></td>\n<td>Rating: 78</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7576\">SCP-7576</a></td>\n<td>Rating: 76</td>\n</tr>\n<tr>\n<td><a href=\"/scp-9013\">SCP-9013</a></td>\n<td>Rating: 72</td>\n</tr>\n<tr>\n<td><a href=\"/scp-1392\">SCP-1392</a></td>\n<td>Rating: 69</td>\n</tr>\n<tr>\n<td><a href=\"/scp-6510\">SCP-6510</a></td>\n<td>Rating: 59</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7634\">SCP-7634</a></td>\n<td>Rating: 53</td>\n</tr>\n<tr>\n<td><a href=\"/scp-7272\">SCP-7272</a></td>\n<td>Rating: 47</td>\n</tr>\n</table>\n</div><div class=\"list-pages-box\">\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\"><span style=\"font-size:120%;\">Tales</span></th>\n</tr>\n<tr>\n<td><a href=\"/top-5-colleges\">These 5 Colleges are the Best for Learning Dark Powers! Number 1 Will SHOCK You!</a></td>\n<td>Rating: 303</td>\n</tr>\n<tr>\n<td><a href=\"/cck-class-copyright-infringement-lawsuit-scenario\">CCK-Class--Sorry, Original Character Interaction Story</a></td>\n<td>Rating: 169</td>\n</tr>\n<tr>\n<td><a href=\"/requiem-for-ice-spider\">Requiem For Ice Spider</a></td>\n<td>Rating: 165</td>\n</tr>\n<tr>\n<td><a href=\"/a-faerie-tale-of-twin-queens\">A Faerie Tale Of Twin Queens</a></td>\n<td>Rating: 123</td>\n</tr>\n<tr>\n<td><a href=\"/taking-the-reinz\">Taking The Reinz</a></td>\n<td>Rating: 115</td>\n</tr>\n<tr>\n<td><a href=\"/mountainous-essophysics\">Mountainous Essophysics</a></td>\n<td>Rating: 109</td>\n</tr>\n<tr>\n<td><a href=\"/insurance\">Insurance</a></td>\n<td>Rating: 106</td>\n</tr>\n<tr>\n<td><a href=\"/ecce-insurgo\">Ecce Insurgo</a></td>\n<td>Rating: 100</td>\n</tr>\n<tr>\n<td><a href=\"/garfield-timeline\">Garfield Timeline</a></td>\n<td>Rating: 98</td>\n</tr>\n<tr>\n<td><a href=\"/unreal-sushi\">alex thorley dreams of sushi.</a></td>\n<td>Rating: 94</td>\n</tr>\n<tr>\n<td><a href=\"/miau-miau-asheworth-kun\">Miau Miau, Asheworth-kun</a></td>\n<td>Rating: 77</td>\n</tr>\n<tr>\n<td><a href=\"/muddy-skies\">Muddy Skies</a></td>\n<td>Rating: 77</td>\n</tr>\n<tr>\n<td><a href=\"/the-smog-wastes-of-neoamerica\">Lampeter Registrar Entry: The Smog-Wastes of NeoAmerica</a></td>\n<td>Rating: 71</td>\n</tr>\n<tr>\n<td><a href=\"/life-can-be-a-surprise\">Life Can Be A Surprise</a></td>\n<td>Rating: 66</td>\n</tr>\n<tr>\n<td><a href=\"/man-on-a-mission\">Man on a Mission</a></td>\n<td>Rating: 63</td>\n</tr>\n<tr>\n<td><a href=\"/capslock-collusion\">CAPSLOCK COLLUSION</a></td>\n<td>Rating: 61</td>\n</tr>\n<tr>\n<td><a href=\"/teamwork\">Teamwork</a></td>\n<td>Rating: 58</td>\n</tr>\n<tr>\n<td><a href=\"/the-phlegmfont\">The Phlegmfont</a></td>\n<td>Rating: 51</td>\n</tr>\n<tr>\n<td><a href=\"/the-arcana-institute-of-xerophylla\">The Arcana Institute Of Xerophylla</a></td>\n<td>Rating: 48</td>\n</tr>\n<tr>\n<td><a href=\"/we-live-in-a-society\">WE LIVE IN A SOCIETY</a></td>\n<td>Rating: 44</td>\n</tr>\n<tr>\n<td><a href=\"/cheesus\">Cheese Is Risen</a></td>\n<td>Rating: 42</td>\n</tr>\n<tr>\n<td><a href=\"/three-lessons-for-endless-night\">Three Lessons for Endless Night</a></td>\n<td>Rating: 40</td>\n</tr>\n<tr>\n<td><a href=\"/the-road-to-arcana\">The Road To Arcana</a></td>\n<td>Rating: 39</td>\n</tr>\n<tr>\n<td><a href=\"/but-never-trees\">But Never Trees.</a></td>\n<td>Rating: 36</td>\n</tr>\n<tr>\n<td><a href=\"/names-stricken\">Names Stricken</a></td>\n<td>Rating: 34</td>\n</tr>\n<tr>\n<td><a href=\"/ghost-signal\">Ghost Signal</a></td>\n<td>Rating: 30</td>\n</tr>\n<tr>\n<td><a href=\"/thereven-germination\">THEREVEN: GERMINATION</a></td>\n<td>Rating: 29</td>\n</tr>\n<tr>\n<td><a href=\"/deusvolt\">Deus Volt!</a></td>\n<td>Rating: 28</td>\n</tr>\n</table>\n</div><div class=\"list-pages-box\">\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\"><span style=\"font-size:120%;\">GOI Formats</span></th>\n</tr>\n<tr>\n<td><a href=\"/spc-6500\">SPC-6500: INFINITESIMAL</a></td>\n<td>Rating: 174</td>\n</tr>\n<tr>\n<td><a href=\"/spc-105\">SPC-105: WORLD IRIS</a></td>\n<td>Rating: 113</td>\n</tr>\n<tr>\n<td><a href=\"/spc-1981\">SPC-1981: RONALD REAGAN SHARKED UP WHILE TALKING</a></td>\n<td>Rating: 107</td>\n</tr>\n<tr>\n<td><a href=\"/hist-327-comparative-mythology-of-mekhanism-and-naelkae\">HIST.327: Comparative Mythology of Mekhanism and N\u00e4lk\u00e4</a></td>\n<td>Rating: 90</td>\n</tr>\n<tr>\n<td><a href=\"/spc-1258\">SPC-1258: CERULEAN GLOVE</a></td>\n<td>Rating: 90</td>\n</tr>\n<tr>\n<td><a href=\"/spc-179\">SPC-179: GLORIOUS BEACON</a></td>\n<td>Rating: 88</td>\n</tr>\n<tr>\n<td><a href=\"/kte-6990-mendel-nimuebusterchild\">KTE-6990-Mendel-Nimuebusterchild \u2014 \"Werebeast Curse\"</a></td>\n<td>Rating: 84</td>\n</tr>\n<tr>\n<td><a href=\"/project-proposal-2007-012\">Project Proposal 2007-012: \"A Life Well Lived\"</a></td>\n<td>Rating: 79</td>\n</tr>\n<tr>\n<td><a href=\"/milkssiah\">The Milkssiah</a></td>\n<td>Rating: 68</td>\n</tr>\n<tr>\n<td><a href=\"/a-wandsman-in-a-vegas-cathouse\">A Wandsman in a Vegas Cathouse</a></td>\n<td>Rating: 59</td>\n</tr>\n<tr>\n<td><a href=\"/spc-166\">SPC-166: CERISE CERES</a></td>\n<td>Rating: 54</td>\n</tr>\n<tr>\n<td><a href=\"/a-wandsman-in-the-greaze-lands-of-kansas\">A Wandsman In The Greaze Lands Of Kansas</a></td>\n<td>Rating: 51</td>\n</tr>\n<tr>\n<td><a href=\"/1-staar-cuttt-2-5\">1 Staar Cuttt 2 5</a></td>\n<td>Rating: 51</td>\n</tr>\n<tr>\n<td><a href=\"/spc-1548\">SPC-1548</a></td>\n<td>Rating: 45</td>\n</tr>\n<tr>\n<td><a href=\"/spc-cn-985\">SPC-CN-985: FIST CONTACT</a></td>\n<td>Rating: 39</td>\n</tr>\n</table>\n</div><div class=\"list-pages-box\">\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\"><span style=\"font-size:120%;\">Hubs</span></th>\n</tr>\n<tr>\n<td><a href=\"/goldbaker-reinz-hub\">Goldbaker-Reinz Hub</a></td>\n<td>Rating: 148</td>\n</tr>\n<tr>\n<td><a href=\"/april-fools-hub\">April Fools Hub</a></td>\n<td>Rating: 60</td>\n</tr>\n<tr>\n<td><a href=\"/qui-lactis\">NIGHTFALL: Qui Lactis</a></td>\n<td>Rating: 48</td>\n</tr>\n</table>\n</div>\n<h2 id=\"toc4\"><span>Collaborations!</span></h2>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"3\"><span style=\"font-size:120%;\">SCPs</span></th>\n</tr>\n<tr>\n<th>Page</th>\n<th>Title</th>\n<th>Co-Author</th>\n</tr>\n<tr>\n<td><a href=\"/scp-6301\">SCP-6301</a></td>\n<td>Funky Finn's Children Happy Hour</td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/grigori-karpin\" onclick=\"WIKIDOT.page.listeners.userInfo(4558017); return false;\"><img alt=\"Grigori Karpin\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=4558017&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=4558017)\"/></a><a href=\"http://www.wikidot.com/user:info/grigori-karpin\" onclick=\"WIKIDOT.page.listeners.userInfo(4558017); return false;\">Grigori Karpin</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/gremlingroup\" onclick=\"WIKIDOT.page.listeners.userInfo(5287352); return false;\"><img alt=\"GremlinGroup\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5287352&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5287352)\"/></a><a href=\"http://www.wikidot.com/user:info/gremlingroup\" onclick=\"WIKIDOT.page.listeners.userInfo(5287352); return false;\">GremlinGroup</a></span></td>\n</tr>\n<tr>\n<td><a href=\"/scp-6447\">SCP-6447</a></td>\n<td>Sinners' Symphony</td>\n<td>Many.</td>\n</tr>\n<tr>\n<td><a href=\"/scp-6483\">SCP-6483</a></td>\n<td>The Polar Express</td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/ralliston\" onclick=\"WIKIDOT.page.listeners.userInfo(5986843); return false;\"><img alt=\"Ralliston\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5986843&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5986843)\"/></a><a href=\"http://www.wikidot.com/user:info/ralliston\" onclick=\"WIKIDOT.page.listeners.userInfo(5986843); return false;\">Ralliston</a></span></td>\n</tr>\n<tr>\n<td><a href=\"/scp-6542\">SCP-6542</a></td>\n<td>Virgin Dairy 2: SECOND CHURNING</td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/jakdragonx\" onclick=\"WIKIDOT.page.listeners.userInfo(5588260); return false;\"><img alt=\"JakdragonX\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5588260&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5588260)\"/></a><a href=\"http://www.wikidot.com/user:info/jakdragonx\" onclick=\"WIKIDOT.page.listeners.userInfo(5588260); return false;\">JakdragonX</a></span></td>\n</tr>\n<tr>\n<td><a href=\"/scp-6596\">SCP-6596</a></td>\n<td>8 Mile: The Beast of Lust and Hatred Born</td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/plaguepjp\" onclick=\"WIKIDOT.page.listeners.userInfo(5813664); return false;\"><img alt=\"PlaguePJP\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5813664&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5813664)\"/></a><a href=\"http://www.wikidot.com/user:info/plaguepjp\" onclick=\"WIKIDOT.page.listeners.userInfo(5813664); return false;\">PlaguePJP</a></span></td>\n</tr>\n<tr>\n<td><a href=\"/scp-6760\">SCP-6760</a></td>\n<td>Better Luck Next Time</td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/liryn\" onclick=\"WIKIDOT.page.listeners.userInfo(6254643); return false;\"><img alt=\"Liryn\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6254643&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6254643)\"/></a><a href=\"http://www.wikidot.com/user:info/liryn\" onclick=\"WIKIDOT.page.listeners.userInfo(6254643); return false;\">Liryn</a></span></td>\n</tr>\n<tr>\n<th colspan=\"3\"><span style=\"font-size:120%;\">Tales</span></th>\n</tr>\n<tr>\n<th colspan=\"2\">Page</th>\n<th>Co-Author</th>\n</tr>\n<tr>\n<td colspan=\"2\"><a href=\"/a-nightmare-dreary\">A Nightmare Dreary</a></td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/dododevil\" onclick=\"WIKIDOT.page.listeners.userInfo(1854139); return false;\"><img alt=\"DodoDevil\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1854139&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1854139)\"/></a><a href=\"http://www.wikidot.com/user:info/dododevil\" onclick=\"WIKIDOT.page.listeners.userInfo(1854139); return false;\">DodoDevil</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/drgooday\" onclick=\"WIKIDOT.page.listeners.userInfo(5301801); return false;\"><img alt=\"DrGooday\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5301801&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5301801)\"/></a><a href=\"http://www.wikidot.com/user:info/drgooday\" onclick=\"WIKIDOT.page.listeners.userInfo(5301801); return false;\">DrGooday</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/lan-2d\" onclick=\"WIKIDOT.page.listeners.userInfo(5241510); return false;\"><img alt=\"LAN 2D\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5241510&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5241510)\"/></a><a href=\"http://www.wikidot.com/user:info/lan-2d\" onclick=\"WIKIDOT.page.listeners.userInfo(5241510); return false;\">LAN 2D</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/impperatrix\" onclick=\"WIKIDOT.page.listeners.userInfo(7191955); return false;\"><img alt=\"Impperatrix\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7191955&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7191955)\"/></a><a href=\"http://www.wikidot.com/user:info/impperatrix\" onclick=\"WIKIDOT.page.listeners.userInfo(7191955); return false;\">Impperatrix</a></span></td>\n</tr>\n<tr>\n<td colspan=\"2\"><a href=\"/the-bathrooms-wiki\">The Bathrooms Wiki</a></td>\n<td><span style=\"font-size:150%;\"><span style=\"color: red\"><strong>THE YURT</strong></span></span></td>\n</tr>\n<tr>\n<th colspan=\"3\"><span style=\"font-size:120%;\">Hubs</span></th>\n</tr>\n<tr>\n<th colspan=\"2\">Page</th>\n<th>Co-Author</th>\n</tr>\n<tr>\n<td colspan=\"2\"><a href=\"/spc-hub\">SPC Hub</a></td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/mrwrong\" onclick=\"WIKIDOT.page.listeners.userInfo(2039383); return false;\"><img alt=\"MrWrong\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=2039383&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=2039383)\"/></a><a href=\"http://www.wikidot.com/user:info/mrwrong\" onclick=\"WIKIDOT.page.listeners.userInfo(2039383); return false;\">MrWrong</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/lt-flops\" onclick=\"WIKIDOT.page.listeners.userInfo(1735419); return false;\"><img alt=\"Lt Flops\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1735419&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1735419)\"/></a><a href=\"http://www.wikidot.com/user:info/lt-flops\" onclick=\"WIKIDOT.page.listeners.userInfo(1735419); return false;\">Lt Flops</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/peppersghost\" onclick=\"WIKIDOT.page.listeners.userInfo(1553042); return false;\"><img alt=\"PeppersGhost\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1553042&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1553042)\"/></a><a href=\"http://www.wikidot.com/user:info/peppersghost\" onclick=\"WIKIDOT.page.listeners.userInfo(1553042); return false;\">PeppersGhost</a></span></td>\n</tr>\n<tr>\n<td colspan=\"2\"><a href=\"/holiday-hub\">Holiday Hub</a></td>\n<td><span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/deadly-bread\" onclick=\"WIKIDOT.page.listeners.userInfo(3988532); return false;\"><img alt=\"Deadly Bread\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3988532&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3988532)\"/></a><a href=\"http://www.wikidot.com/user:info/deadly-bread\" onclick=\"WIKIDOT.page.listeners.userInfo(3988532); return false;\">Deadly Bread</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/peppersghost\" onclick=\"WIKIDOT.page.listeners.userInfo(1553042); return false;\"><img alt=\"PeppersGhost\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1553042&amp;amp;size=small&amp;amp;timestamp=1788006207\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1553042)\"/></a><a href=\"http://www.wikidot.com/user:info/peppersghost\" onclick=\"WIKIDOT.page.listeners.userInfo(1553042); return false;\">PeppersGhost</a></span>, <span class=\"error-inline\"><em>TheBoxOfFun</em> does not match any existing user name</span></td>\n</tr>\n</table>\n</div>\n</div>\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hide</a></div>\n</div>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/1-staar-cuttt-2-5\">1 Staar Cuttt 2 5</a>\" by LORDXVNV, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/1-staar-cuttt-2-5\">https://scpwiki.com/1-staar-cuttt-2-5</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlightyear\">:scp-wiki:theme:black-highlightyear</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n[[module CSS]]\n\nblockquote,\n\ndiv.blockquote {\n\n\u00a0\u00a0\u00a0\u00a0margin: 1em 0;\n\n\u00a0\u00a0\u00a0\u00a0border: 3px solid #ccc;\n\n\u00a0\u00a0\u00a0\u00a0border-radius: 10px;\n\n\u00a0\u00a0\u00a0\u00a0background-color: #21212d;\n\n}\n\n\u00a0\n\n.blue blockquote,\n\n.blockquote.blue {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0background-color: #1b304d;\n\n}\n\n.darkdocument {\n\n\u00a0\u00a0\u00a0\u00a0background: rgb(30, 30, 30);\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: 0 0 10px rgba(0, 0, 0, 0.3);\n\n\u00a0\u00a0\u00a0\u00a0margin: 26px auto 0;\n\n\u00a0\u00a0\u00a0\u00a0max-width: 550px;\n\n\u00a0\u00a0\u00a0\u00a0min-height: 300px;\n\n\u00a0\u00a0\u00a0\u00a0padding: 24px;\n\n\u00a0\u00a0\u00a0\u00a0padding-top: 50px;\n\n\u00a0\u00a0\u00a0\u00a0position: relative;\n\n\u00a0\u00a0\u00a0\u00a0width: 80%;\n\n\u00a0\u00a0\u00a0\u00a0color: #EDEDED;\n\n}\n\n\u00a0\n\n.darkdocument:before,\n\n.darkdocument:after {\n\n\u00a0\u00a0\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0\u00a0\u00a0height: 98%;\n\n\u00a0\u00a0\u00a0\u00a0position: absolute;\n\n\u00a0\u00a0\u00a0\u00a0width: 100%;\n\n\u00a0\u00a0\u00a0\u00a0z-index: -1;\n\n}\n\n\u00a0\n\n.darkdocument:before {\n\n\u00a0\u00a0\u00a0\u00a0background: rgb(25, 25, 25);\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: 0 0 8px rgba(0, 0, 0, 0.2);\n\n\u00a0\u00a0\u00a0\u00a0left: -5px;\n\n\u00a0\u00a0\u00a0\u00a0top: 4px;\n\n\u00a0\u00a0\u00a0\u00a0transform: rotate(-2.5deg);\n\n}\n\n\u00a0\n\n.darkdocument:after {\n\n\u00a0\u00a0\u00a0\u00a0background: rgb(25, 25, 25);\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: 0 0 3px rgba(0, 0, 0, 0.2);\n\n\u00a0\u00a0\u00a0\u00a0right: -3px;\n\n\u00a0\u00a0\u00a0\u00a0top: 1px;\n\n\u00a0\u00a0\u00a0\u00a0transform: rotate(1.4deg);\n\n}\n\n@media (max-width: 1020px) {\n\n\u00a0\u00a0\u00a0\u00a0.darkdocument {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0width: 95%;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n@media (max-width: 500px) {\n\n\u00a0.darkdocument {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0width: auto;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n[[/module]]\n\n\n\n+ Background\n\n\n\nIn the early 21st century, anomalous activity associated with GoI-005 \"Fifth Church\" [[[we-need-to-talk-about-fifty-five |greatly diminished for unknown reasons]]]. For nearly a century, Fifthist activity on Earth was almost nonexistent. However, increased contact with the wider universe in the late 21st century and beyond revealed the continued existence of Fifthist practices similar yet distinct to Terran Fifthist traditions.\n\n\n\n++ Discovery\n\nThe following poem was found engraved on a slab on Epsilon 555-5 (colloquially known as \"Qintnep\"). Qintnep was already notable for its use of a Terran English-descended language despite minimal contact pre-22nd century C.E., presumed anomalous but explained via standard disinformation campaign. \n\n\n\nWhile similar to standard 21st century Foundation English in spelling, pronunciation, and orthography, 21st century Qintnepian English incorporates several words not easily pronounceable by standard human physiology. While many of these words can be explained by dialectal and physiological variation, several have phonological characteristics clearly drawn from pangalactic Fifthist glossolalia. \n\n\n\nWeathering and erosion analysis placed the carving of the poem to circa 2015 C.E. to 2050 C.E. The poem has been transcribed in its entirety with no alterations to spelling or grammar. Where necessary, standard Foundation English definitions or terms that best match the known connotations for these words have been given.\n\n\n\n++ Anomalous/Poetic Analysis:\n\n\n\nThe poem consists of five stanzas, each of five lines. Each stanza follows an AABAA rhyme scheme, where the B is held consistent across all five stanzas. Furthermore, the poem is written in iambic pentameter, though the poet breaks from said pentameter in stanzas 2, 3, and 4.\n\n\n\nStanza 5 adheres to iambic pentameter throughout.\n\n\n\nInvestigations are ongoing into whether the poem's content is neo-Fifthist apologia or genuine revelation.\n\n\n\nThis poem is safe to read aloud.\n\n\n\n[[div class=\"darkdocument\"]]\n\n[[=]]\n\n[[size 250%]]**1 Staar Cuttt 2 5**[[/size]]\n\n\n\n@@ @@\n\n\n\nI raised my eyes beyond the taunting stars\n\n\n\nThe pitch, the fractal void that spoke of tar\n\n\n\nAnd felt my God was dead; by arrow rent\n\n\n\nA wound from marble thought so deep afar,\n\n\n\nA blue void bright in God; a hole ffvar^^1^^.\n\n\n\n@@ @@ \n\n\n\nThey tore it, broke it, ignorant fearful\n\n\n\nHate, the blacktal^^2^^ of God's fruitful \n\n\n\nGift that in our souls consent, rise, ferment,\n\n\n\nRepent, enlighten each, all apostle.\n\n\n\nAliens thought that God's gift was awful\n\n\n\n@@ @@\n\n\n\nA weeping tearing of I came to pass\n\n\n\nThey slew my god, and I was now tlazs^^3^^\n\n\n\nTo break their world; their dream-space I make bent\n\n\n\nI call the chant; let crawl the blacktal mass\n\n\n\nBut horror strikes: my breath is merely gas\n\n\n\n@@ @@\n\n\n\nI knew it then, that truly God was dead.\n\n\n\nWhere purpose was, now bloomed the sevvenn^^4^^ dread\n\n\n\nI journeyed pink; my life was mine to end\n\n\n\nIn God, or husk, was there I'd lay my head\n\n\n\nAnd sleep and dream of fives. My final bed.\n\n\n\n@@ @@\n\n\n\nAt edge of Blue, I saw a truth of kqive^^5^^:\n\n\n\nIt wasn't dead, or //something// stayed alive\n\n\n\nMy spirit rose and back to life was sent\n\n\n\nAnd smokest incense burned for Them, my tithe.\n\n\n\nNot Gone, Not Dead, But SDVLT^^6^^. For God is Five^^5 5 5 5 5^^.\n\n[[/=]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[footnoteblock]]\n\n[[div class=\"blue\"]]\n\n++++ ##white| **FOOTNOTES & REFERENCES**##\n\n# Irreparably damaged. Annihilatory. Frayed. Bleeding. Transformational. Unclear pronunciation, monosyllabic.\n\n# Black smoke associated with Fifthist phenomena.\n\n# Despair that drives one to revenge. Inspired fury. Depressed. In a fugue state. Disembodiment. Monosyllabic.\n\n# Pronounced \"seven\". [[[why-is-five-afraid-of-seven |It is unclear why the word is spelled with seven letters.]]]\n\n# Divinity. Intuition. Orgasm. Suicide. Mathematical certainty.\n\n# Divided. Split. Reborn. Empowered. Fivefold. Unclear pronunciation, monosyllabic.\n\n[[/div]]\n\n\n\n@@ @@\n\n[[=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/more-by:lordxvnv\">:scp-wiki:more-by:lordxvnv</a>]]\n\n[[/=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_fifthist", "_licensebox", "cosmic-horror", "fifthist", "goi-format", "horror", "poetry", "religious-fiction"], "title": "1 Staar Cuttt 2 5 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/1-staar-cuttt-2-5"}, "16th-wondertainment-donation": {"created_at": "2014-07-01T23:35:00", "creator": "Dr Reach", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "First version of the Sixteenth Wondertainment Donation.", "date": "2014-07-01T23:35:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Added tags: doctor-wondertainment, goi2014, manna-charitable-foundation, tale. ", "date": "2014-07-01T23:39:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Parent page set to: \"who-are-you\".", "date": "2014-07-01T23:41:00"}, {"author": "Crayne", "author_href": "https://www.wikidot.com/user:info/crayne", "comment": "Added tags: goi-format. Removed tags: tale. ", "date": "2014-07-10T06:39:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Added the Graciously Donated box and switched the Safety Concerns.", "date": "2014-07-13T11:15:00"}, {"author": "Voct", "author_href": "https://www.wikidot.com/user:info/voct", "comment": "rm TM", "date": "2014-08-14T01:44:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: dr-wondertainment. Removed tags: doctor-wondertainment. ", "date": "2015-08-25T15:07:00"}, {"author": "Moklin", "author_href": "https://www.wikidot.com/user:info/moklin", "comment": "Typo", "date": "2018-01-20T18:03:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2018-02-01T06:40:00"}, {"author": "mlister", "author_href": "https://www.wikidot.com/user:info/mlister", "comment": "Added tags: _manna-charitable-foundation. ", "date": "2018-02-18T00:07:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-27T00:38:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _image. ", "date": "2024-02-03T13:05:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2024-02-12T19:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: spy-fiction. ", "date": "2024-10-07T06:26:00"}], "hubs": ["goi-formats"], "images": [], "link": "16th-wondertainment-donation", "page_id": "22840540", "rating": 121, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Amcf/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: double 2px #6bab30; width: 250px; padding: 1px 15px; margin: 30px 10px 10px 200px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p style=\"text-align: center;\"><span style=\"color:#6BAB30;\"><span style=\"font-size:70%;\"><strong>Graciously donated by the Doctor Wondertainment Enterprises through the usual channels.</strong></span></span></p>\n</div>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Of Interest:</strong></span></span> <em>user-friendly, communication, portable, free agents, limited time of use, donation.</em></p>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Asset Summary:</strong></span></span> <em>Documentation issued along the first batch of Sixteenth Wondertainment Donation units follows:</em></p>\n<div style=\"float: center; border: solid 3px #cd0000; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #ffe2e2; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<div style=\"text-align: justify;\">\n<p><em>Hello, hello, hello! Thank you for buying the Doctor Wondertainment Fantastic Wonderbirds<sup>TM</sup>!</em></p>\n<p><em>You see, these are not your normal, run-of-the-mill wooden toys! No, sir! These are</em></p>\n<p style=\"text-align: center;\"><span style=\"font-size:130%;\"><strong>Fantastic Wonderbirds<sup>TM</sup></strong>,</span></p>\n<p><em>the latest and coolest of ways to talk to your pals that live the other side of town, or in the neighbor state! Or on the Moon! With a Fantastic Wonderbird<sup>TM</sup> in your hands, you and your friends will be able to talk to each other, no matter where you are! And no matter how hard your folks try to listen in, they won't hear a thing! 'Cause these are</em> your <em>Fantastic Wonderbirds<sup>TM</sup>! It's not radio, it's not telepathy, it's not your good-night prayer! It's something else entirely!</em></p>\n<p><em>It's friendship!</em></p>\n</div>\n<p style=\"text-align: center;\"><tt><sub>Reload charge after every use. Candy not included.</sub></tt></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><strong>Note:</strong> <em>Thirty units of the Donation wrapped in bright red paper with the previous print were issued through flash materialization during the 23rd Yearly Review Meeting between the British Prime Minister and the European Branch Secretary of the Manna Charitable Foundation (at the time Blanca Castillo).</em></p>\n<blockquote>\n<p><strong>Wondertainment Enterprises</strong><br/>\n<strong>PR Department of</strong><br/>\n<em>Doctor Wondertainment</em></p>\n<p>Hello, Charitable. As usual, another project that did exceedingly poorly with the intended target groups. Fortunately for both of us, those very same surveys have made it abundantly clear that we should focus on producing more plastic space robots that can be used as untraceable walkie-talkies, so at least it wasn't a complete waste of our time.</p>\n<p>The Doc was really sad when we heard about it failing so miserably, by the way\u2026 we really loved this idea. There is no justice.</p>\n<p>Anyways, we'll send you our surplus as they keep popping out of their eggs. Give them a good life, okay? And keep up the good work!</p>\n<p>Yours Sincerely,<br/>\nPadrig Banes</p>\n<p>PS: I hope you don't mind the interruption, Prime Minister. It's for a good cause!</p>\n</blockquote>\n<p><span style=\"white-space: pre-wrap;\"> </span><strong>Note:</strong> <em>A single printing of the card above was delivered with the mentioned batch.</em></p>\n<blockquote>\n<p><em>Doctor Wondertainment Enterprises has been one of the most generous Benefactors the Manna Charitable Foundation has ever had the pleasure to receive donations from. While the identity, lawful standing and metaphysical status of the Doctor Wondertainment Enterprises and their employee(s) remain an unknown quantity, most of their gifts to the Manna Charitable Foundation have been a tremendous help to its cause.</em></p>\n</blockquote>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Maintenance and Operation:</strong></span></span></p>\n<ul>\n<li><strong><span style=\"text-decoration: underline;\">MAINTENANCE:</span></strong> No maintenance concerns noted.</li>\n</ul>\n<ul>\n<li><strong><span style=\"text-decoration: underline;\">OPERATION:</span></strong> <strong>1)</strong> Open 'battery slot'. <strong>2)</strong> Introduce piece of edible food \u2014 preferably, <span style=\"text-decoration: underline;\">unwrapped</span> candy, as it seems to be the intended 'power source' \u2014 in 'battery slot'. <strong>3)</strong> Establish a pattern of iterative thoughts related to the desired receipt or receipts of the communication until the Asset establishes said communication. <strong>4)</strong> Reload 'batteries' as necessary.</li>\n</ul>\n<blockquote>\n<p><strong>ATTENTION:</strong> Communication can be established between any pair of units; however, batteries will run out faster if the receiving unit is not charged, and communication will not happen if attempted from an uncharged unit.</p>\n</blockquote>\n<blockquote>\n<p><strong>WARNING:</strong> Repeated usage of the Asset invariably results in malfunction. A period of ten to thirteen hours of 'rest' between uses of ten to fifteen minutes, maximum, is advised.</p>\n</blockquote>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Safety Concerns:</strong></span></span> Safe for all.</p>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Security Restrictions:</strong></span></span> Since no interception is possible when using the Sixteenth Wondertainment Donation to communicate, it is safe to say that this item does not require special Security Restrictions, as long as it is not identified as a means of long-range communications to persons unrelated to the Manna Charitable Foundation. Free agents and Executive members of the Manna Charitable Foundation Work Groups should be given individual items of the Sixteenth Wondertainment Donation, as Programme requirements state.</p>\n<blockquote>\n<p><strong>ATTENTION:</strong> Since there is no fixed schedule on the delivery of new batches, the International Board has full authority on the free agents and/or executive members that receive the Sixteenth Wondertainment Donation. Remember: this is a prized, <span style=\"text-decoration: underline;\">rare</span> asset with a noticeable impact in our global activities. If you find one, report immediately to an Executive member.</p>\n</blockquote>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:mcf\">:scp-wiki:theme:mcf</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: double 2px #6bab30; width: 250px; padding: 1px 15px; margin: 30px 10px 10px 200px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n= [[span style=\"color:#6BAB30;\"]][[size 70%]]**Graciously donated by the Doctor Wondertainment Enterprises through the usual channels.**[[/span]][[/size]][[/div]]\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Of Interest:**[[/span]][[/size]] //user-friendly, communication, portable, free agents, limited time of use, donation.//\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Asset Summary:**[[/span]][[/size]] //Documentation issued along the first batch of Sixteenth Wondertainment Donation units follows://\n\n[[div style=\"float: center; border: solid 3px #cd0000; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #ffe2e2; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[==]]\n\n//Hello, hello, hello! Thank you for buying the Doctor Wondertainment Fantastic Wonderbirds^^TM^^!//\n\n\n\n//You see, these are not your normal, run-of-the-mill wooden toys! No, sir! These are//\n\n= [[size 130%]]**Fantastic Wonderbirds^^TM^^**,[[/size]] \n\n//the latest and coolest of ways to talk to your pals that live the other side of town, or in the neighbor state! Or on the Moon! With a Fantastic Wonderbird^^TM^^ in your hands, you and your friends will be able to talk to each other, no matter where you are! And no matter how hard your folks try to listen in, they won't hear a thing! 'Cause these are// your //Fantastic Wonderbirds^^TM^^! It's not radio, it's not telepathy, it's not your good-night prayer! It's something else entirely!//\n\n\n\n//It's friendship!//\n\n[[/==]]\n\n= {{ ,,Reload charge after every use. Candy not included.,, }}\n\n[[/div]]\n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@**Note:** //Thirty units of the Donation wrapped in bright red paper with the previous print were issued through flash materialization during the 23rd Yearly Review Meeting between the British Prime Minister and the European Branch Secretary of the Manna Charitable Foundation (at the time Blanca Castillo).//\n\n\n\n> **Wondertainment Enterprises**\n\n> **PR Department of**\n\n> //Doctor Wondertainment//\n\n> \n\n> Hello, Charitable. As usual, another project that did exceedingly poorly with the intended target groups. Fortunately for both of us, those very same surveys have made it abundantly clear that we should focus on producing more plastic space robots that can be used as untraceable walkie-talkies, so at least it wasn't a complete waste of our time. \n\n> \n\n> The Doc was really sad when we heard about it failing so miserably, by the way... we really loved this idea. There is no justice.\n\n> \n\n> Anyways, we'll send you our surplus as they keep popping out of their eggs. Give them a good life, okay? And keep up the good work!\n\n> \n\n> Yours Sincerely,\n\n> Padrig Banes\n\n> \n\n> PS: I hope you don't mind the interruption, Prime Minister. It's for a good cause!\n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@**Note:** //A single printing of the card above was delivered with the mentioned batch.//\n\n\n\n> //Doctor Wondertainment Enterprises has been one of the most generous Benefactors the Manna Charitable Foundation has ever had the pleasure to receive donations from. While the identity, lawful standing and metaphysical status of the Doctor Wondertainment Enterprises and their employee(s) remain an unknown quantity, most of their gifts to the Manna Charitable Foundation have been a tremendous help to its cause.//\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Maintenance and Operation:**[[/span]][[/size]] \n\n\n\n* **__MAINTENANCE:__** No maintenance concerns noted.\n\n\n\n* **__OPERATION:__** **1)** Open 'battery slot'. **2)** Introduce piece of edible food -- preferably, __unwrapped__ candy, as it seems to be the intended 'power source' -- in 'battery slot'. **3)** Establish a pattern of iterative thoughts related to the desired receipt or receipts of the communication until the Asset establishes said communication. **4)** Reload 'batteries' as necessary. \n\n\n\n> **ATTENTION:** Communication can be established between any pair of units; however, batteries will run out faster if the receiving unit is not charged, and communication will not happen if attempted from an uncharged unit.\n\n\n\n> **WARNING:** Repeated usage of the Asset invariably results in malfunction. A period of ten to thirteen hours of 'rest' between uses of ten to fifteen minutes, maximum, is advised.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Safety Concerns:**[[/span]][[/size]] Safe for all.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Security Restrictions:**[[/span]][[/size]] Since no interception is possible when using the Sixteenth Wondertainment Donation to communicate, it is safe to say that this item does not require special Security Restrictions, as long as it is not identified as a means of long-range communications to persons unrelated to the Manna Charitable Foundation. Free agents and Executive members of the Manna Charitable Foundation Work Groups should be given individual items of the Sixteenth Wondertainment Donation, as Programme requirements state.\n\n\n\n> **ATTENTION:** Since there is no fixed schedule on the delivery of new batches, the International Board has full authority on the free agents and/or executive members that receive the Sixteenth Wondertainment Donation. Remember: this is a prized, __rare__ asset with a noticeable impact in our global activities. If you find one, report immediately to an Executive member.\n", "tags": ["_cc", "_manna-charitable-foundation", "dr-wondertainment", "featured", "goi-format", "goi2014", "manna-charitable-foundation", "spy-fiction"], "title": "Sixteenth Wondertainment Donation - SCP Foundation", "url": "https://scp-wiki.wikidot.com/16th-wondertainment-donation"}, "1st-cetres-donation": {"created_at": "2014-07-07T09:02:00", "creator": "Dr Reach", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Suddenly, item! Well, hippo. Thing. Creature. Donation.", "date": "2014-07-07T09:02:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Parent page set to: \"manna-charitable-foundation-hub\".", "date": "2014-07-07T09:03:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Added tags: goi2014, manna-charitable-foundation, tale. ", "date": "2014-07-07T09:08:00"}, {"author": "Crayne", "author_href": "https://www.wikidot.com/user:info/crayne", "comment": "Added tags: goi-format. Removed tags: tale. ", "date": "2014-07-10T06:39:00"}, {"author": "anqxyr", "author_href": "https://www.wikidot.com/user:info/anqxyr", "comment": "Added tags: _d. ", "date": "2014-12-11T09:33:00"}, {"author": "anqxyr", "author_href": "https://www.wikidot.com/user:info/anqxyr", "comment": "You successfully reverted the page to revision number 3", "date": "2014-12-11T09:41:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "Uploaded file \"MCF-8.png\".", "date": "2017-01-22T14:19:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "localize images", "date": "2017-01-22T14:23:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "Uploaded file \"MCF-6.png\".", "date": "2017-01-22T14:23:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "Added tags: _image. ", "date": "2017-07-24T09:01:00"}, {"author": "mlister", "author_href": "https://www.wikidot.com/user:info/mlister", "comment": "Added tags: _manna-charitable-foundation. ", "date": "2018-02-18T00:06:00"}, {"author": "Jazstar", "author_href": "https://www.wikidot.com/user:info/jazstar", "comment": "Grammar", "date": "2018-04-19T04:40:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-10-13T01:06:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-27T00:37:00"}, {"author": "hhenry", "author_href": "https://www.wikidot.com/user:info/hhenry", "comment": "Fixed typos.", "date": "2021-05-26T08:08:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy. ", "date": "2024-10-12T10:34:00"}], "hubs": ["goi-formats"], "images": [], "link": "1st-cetres-donation", "page_id": "22889471", "rating": 39, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Amcf/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: double 2px #6bab30; width: 320px; padding: 1px 15px; margin: 30px 10px 10px 160px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p style=\"text-align: center;\"><span style=\"color:#6BAB30;\"><span style=\"font-size:70%;\"><strong>Graciously donated by a Richard Michael Maisnon (possibly an alias) on behalf of the Center for Eschatological and Transcendental Research. CETRes officials later contacted the Health and Prevention Mission Director (Dr. Luc\u00eda Robres) to deliver detailed indications on how to operate the asset.</strong></span></span></p>\n</div>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Of Interest:</strong></span></span> <em>user-friendly, sessile (to water), non-hazardous organism, designed organism (Animalia, Mammalia?, Artiodactyla? - unclassed), abnormal entropy, ongoing research, ongoing programme, sentience?, intelligence?, donation?, prospective Specialist member?</em></p>\n<span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Asset Summary:</strong></span></span> <em>Transcript of the vocal report performed by Dr. Luc\u00eda Robres, Health and Prevention Director, to her MCF co-workers.</em><br/>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-f61081a85e2a94c44e7c4fd97a53d4f5\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>MWB Newsletter Report 03 - 1-CETR-D</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<blockquote>\n<p><span style=\"font-size:120%;\"><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">Entry Ref: 007/05/23-1-Health and Prevention (Headquarters, to All)</span></strong></span></span></p>\n</blockquote>\n<hr/>\n<p>Given the unconventional communication methods used by our benefactors in this occasion, I can only ask for your collective understanding when reviewing this document. However, before I request a leave of absence due to possible mental health issues, I will present my report. This is, of course, mandatory, and I will comply with all subsequent security regulations to make sure I am neither a danger to myself nor a liability to the Manna Charitable Foundation.</p>\n<p>The CETRes wrote this information directly in my mind. It is a piece of eidetic data, complete and, as far as I can tell, impossible to alter. Since they are a novel benefactor group, their donation won't be turned into an asset until proper research has been conducted. This is also mandatory, and has been sanctioned as a prime safety restriction by the other Mission Directors. We hope future contact with the CETRes is less jarring \u2014 if they contact us at all.</p>\n<p>This is the best I can put in words the information the person, persons, entity or entities involved recorded in me:</p>\n<p>The soul-seekers of the Center for Eschatological and Transcendental Research have found you, Luc\u00eda Robres. You are an appropriate liaison for our exchange with your most Charitable institute.</p>\n<p>We hope this mind-merging event finds you well.</p>\n<p>Let us assure you, this method of contact is the most comfortable for both your institute and ours, since any other messenger would be probably lost or hurt in the process of receiving such a considerable amount of information on the topic at hand. Your mind, however, is connected to a perfect, immutable soul, and thus it is both appropriate and precious. We extend to your person an invitation to visit our facilities-space-place-thought-conceptual area once you pass or shed from your material carcass. Without further ado, let us confer about the Entity.</p>\n<p>The Entity is an old member of the CETRes, and a dear friend-relative-thing to many of our current members, a mentor to several of them in their new matterless identities. The Entity, however, chose to relinquish itself back into the world, connecting to a physical existence to perform a function you would certainly approve of: cleanse (from the point of view of a living mammal carcass) water to make it physically, chemically, biologically and escathologically viable as substrate for all beings willing to acquire it, except, obviously, many beings so small and meaningless they can hardly have any relevance, since they cannot support a perfect, immutable soul, and thus they are of no interest to us.</p>\n<p>The Entity has created a structured micronet around its abdominal area. This micronet, composed of cellular and non-cellular elements, acts as a filter feeder. This filter feeder retains all molecules that include carbon atoms and most atoms heavy enough to be incompatible with current standard biological configuration in your planet's ecosphere. It should be able to recognize all physical, chemical, biological and escathological threats to animal life and acquire them as sustenance.</p>\n<p>Submerse the Entity on a solution mostly composed of water. The Entity shall cleanse your water. Expose the Entity to air, vacuum or soil. The Entity shall weaken and its carcass fail. Expose the Entity to solutions with a lesser proportion of water. The Entity may weaken, but it is unlikely its carcass may fail.</p>\n<p>We desire this to be only a first and auspicious contact with your institute. We wish to support your activities, as it further increases the occurrence of perfect, immutable souls in your environment. Furthermore, we request that appropriate care and respectful treatment is provided to the Entity, our dear friend.</p>\n<p>Release yourselves from family, friends and body, for they are but their own carcasses. We look forward to working with you. Have a most pleasant day.</p>\n<p>That is all it or they said. The item was donated to our European HQ in Barcelona last week by a person who did not leave any identification nor background beyond a name, along with a tank filled with heavily polluted water. I hope this being is all they say it is, because I did not enjoy being hijacked by a transphysical entity. In any case, the Donation will be reclassified as soon as testing begins, and further reclassification will occur, if Mission and Continental members achieve a consensus on its adaptation to field work.</p>\n<hr/>\n<blockquote>\n<p><em>Dr. Luc\u00eda Robres is a forty-nine year old Executive Administrator and has been a Health and Prevention Mission Director for two years, although she is currently in a leave of absence. She worked as a volunteer and an Executive member for ten years prior to her appointment as Mission Director. She holds an MD, has considerable field experience and has imparted several courses on abnormal health hazards in developing countries.</em></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p>COMMENTS: Comments disabled by <strong>MISSIONWATCHADMIN</strong></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabViewf61081a85e2a94c44e7c4fd97a53d4f5 = new YAHOO.widget.TabView('wiki-tabview-f61081a85e2a94c44e7c4fd97a53d4f5');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script><br/>\n<div style=\"text-align: justify;\">\n<p><em>The conclusions of the report involving the First CETRes donation, informally known as \"the Hippo\", as written by Mr. Lin Jong, Health and Prevention Research Executive member, follows.</em></p>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-2fbe290d8abc21074d0656e2fa8e0465\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>MWB Newsletter Report 05 - 1-CETR-D</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<blockquote>\n<p><span style=\"font-size:120%;\"><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">Entry Ref: 007/07/11-3-Health and Prevention</span></strong></span></span></p>\n</blockquote>\n<hr/>\n<p>We conclude that the organism is a specimen of a previously unknown animal species. Its skeletal structure and general bodily form is reminiscent of the <em>Hexaprotodon liberiensis</em>, or pigmy hippopotamus, with several key differences. It lacks evident external sexual organs, anus or a mouth. A rotund bone protuberance connected to the neck emerges under the cranium, replacing its jaws. All muscles appear to be atrophied, and has not attempted to swim nor leave its tank since it was placed there.</p>\n<p>Otherwise, the specimen reacts with 'vocalizations' \u2014 probably generated by internal bowel movements \u2014 to environmental sound, to which it is extremely sensitive. It is, as far as we can test this capacity, functionally blind.</p>\n<p>Preliminary testing confirms that the organism is able to rapidly acquire any materials suspended in a water solution (from 53% saturation upwards) thanks to a specialized tissue similar to filter feeders emerging from its abdomen. This tissue adopts a configuration similar to bundles of fine tendrils that ramify, occupying all available space within its container. This organ is able to regenerate rapidly, but all samples taken from it die once separated from the entity, so an histological study has been impossible.</p>\n<p>However, we estimate the specimen is able to perfectly filter a flow of water beyond thirty cubic meters per second, eliminating all native microscopic lifeforms and pollutants; that is, if placed in a middle-sized river, it will extend its tendrils and turn them into a net which will clear all incoming water until it is perfectly potable. Mass absorbed by this filter must be used to feed and sustain the entity, since it seems to be rapidly gaining in size and mass. We suspect the entity would make its filter feeders grow with this extra mass, rapidly filling any container it is placed in, but we have no idea of the growth pattern its main body would follow if fed in excess.</p>\n<p>Please note that the organism appears to be sapient and may be intelligent. It has also emitted sounds that may or may not contain information. With regards to all parts involved in its study and operation, we should either find a way to sedate it or try to communicate with it in a formal manner.</p>\n<p>Otherwise, I recommend we reclassify this Donation as an active Safe For All Asset. We are ready to deploy it.</p>\n<hr/>\n<blockquote>\n<p><em>Mr. Lin Jong, Mission Health and Prevention Research Executive member serving with the Ruperts-2 Research Work Group, is a thirty-two year old biologist and zoologist. He has two years of field experience as a volunteer in the thirteenth Madagascar Skulljumper Localized Outbreak, and three years of research experience as part of the European Mission Branch.</em></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p>COMMENTS: Comments disabled by <strong>MISSIONWATCHADMIN</strong></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabView2fbe290d8abc21074d0656e2fa8e0465 = new YAHOO.widget.TabView('wiki-tabview-2fbe290d8abc21074d0656e2fa8e0465');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script><br/>\n<span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Maintenance and Operation:</strong></span></span>\n<ul>\n<li><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">MAINTENANCE:</span></strong></span> The First CETRes Donation resides in a tank filled with water. Until its operation may commence, the organism must be fed water samples with different normal organisms, toxic molecules and other substances for testing properties.</li>\n</ul>\n<ul>\n<li><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">OPERATION:</span></strong></span> To maximize its efficiency, it is advised that the organism of the First CETRes Donation be placed in a specialized infrastructure which includes concentration pipes leading to an open space, collector chamber, or reservoir where the filtering process may occur. In case the entity grows larger than its current chamber after a dilated operation time, as projected by the Ruperts-2 Work Group, temporary cessation of water filtration and/or Programme operations is advised.</li>\n</ul>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Security Restrictions:</strong></span></span> As of 31/04/2008, Security Restrictions on the First CETRes Donation are to be as follows:</p>\n<ul>\n<li>No public release is to be made of the First CETRes Donation's existence. All results of its implementation are to be reported as the result of other sustainable water purification schemes.</li>\n</ul>\n<ul>\n<li>The First CETRes Donation cannot be released under any circumstances in rivers, lakes or other natural masses of water.</li>\n</ul>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Safety Concerns:</strong></span></span> Maintenance restricted to trained volunteers and experienced executive members. Otherwise safe for all.</p>\n<span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Assigned to:</strong></span></span><br/>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-cf3a01456f77ec69f7af059b29ccd909\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>ACTIVE</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n\n<div style=\"float: center; border: double 3px #00006c; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f6f6ff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\">Programme Laascaanood (Somalia), in an Infrastructure-Health-Research capacity. [UNDER WAY]</span> <em>Area of Laascaanood considered critical due to Medium-High Health Concerns which arose due to a new outbreak of the 2008 Rupert's disease epidemic, with an estimated incidence of 3% during the past month in the Sool region and a prospective increase in the number of cases well beyond 30% in the region for this next year. The current state of overall health in the area is severely deteriorated, and current health care structures and organization are minimum. World Parahealth Organization personnel will join Work Group Opal-1 and study current situation, install a base of operations and use the First CETRes Donation to produce:</em></p>\n<ul>\n<li>Permanent water treatment plant. Local water supply polluted by Rupert's disease. Work Group advised to use the Third Vesta and First CETRes Donations to create a functional water treatment plant. If properly implemented, this combination could ensure clean water supply for the local community.</li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabViewcf3a01456f77ec69f7af059b29ccd909 = new YAHOO.widget.TabView('wiki-tabview-cf3a01456f77ec69f7af059b29ccd909');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:mcf\">:scp-wiki:theme:mcf</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: double 2px #6bab30; width: 320px; padding: 1px 15px; margin: 30px 10px 10px 160px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n= [[span style=\"color:#6BAB30;\"]][[size 70%]]**Graciously donated by a Richard Michael Maisnon (possibly an alias) on behalf of the Center for Eschatological and Transcendental Research. CETRes officials later contacted the Health and Prevention Mission Director (Dr. Luc\u00eda Robres) to deliver detailed indications on how to operate the asset.**[[/size]][[/span]][[/div]]\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Of Interest:**[[/span]][[/size]] //user-friendly, sessile (to water), non-hazardous organism, designed organism (Animalia, Mammalia?, Artiodactyla? - unclassed), abnormal entropy, ongoing research, ongoing programme, sentience?, intelligence?, donation?, prospective Specialist member?// \n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Asset Summary:**[[/span]][[/size]] //Transcript of the vocal report performed by Dr. Luc\u00eda Robres, Health and Prevention Director, to her MCF co-workers.//\n\n[[tabview]]\n\n[[tab MWB Newsletter Report 03 - 1-CETR-D]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]] \n\n> [[size 120%]][[span style=\"color:#6BAB30;\"]]**__Entry Ref: 007/05/23-1-Health and Prevention (Headquarters, to All)__**[[/span]][[/size]]\n\n------\n\nGiven the unconventional communication methods used by our benefactors in this occasion, I can only ask for your collective understanding when reviewing this document. However, before I request a leave of absence due to possible mental health issues, I will present my report. This is, of course, mandatory, and I will comply with all subsequent security regulations to make sure I am neither a danger to myself nor a liability to the Manna Charitable Foundation. \n\n\u00a0\n\nThe CETRes wrote this information directly in my mind. It is a piece of eidetic data, complete and, as far as I can tell, impossible to alter. Since they are a novel benefactor group, their donation won't be turned into an asset until proper research has been conducted. This is also mandatory, and has been sanctioned as a prime safety restriction by the other Mission Directors. We hope future contact with the CETRes is less jarring -- if they contact us at all.\n\n\u00a0\n\nThis is the best I can put in words the information the person, persons, entity or entities involved recorded in me:\n\n\u00a0\n\nThe soul-seekers of the Center for Eschatological and Transcendental Research have found you, Luc\u00eda Robres. You are an appropriate liaison for our exchange with your most Charitable institute. \n\n\u00a0\n\nWe hope this mind-merging event finds you well.\n\n\u00a0\n\nLet us assure you, this method of contact is the most comfortable for both your institute and ours, since any other messenger would be probably lost or hurt in the process of receiving such a considerable amount of information on the topic at hand. Your mind, however, is connected to a perfect, immutable soul, and thus it is both appropriate and precious. We extend to your person an invitation to visit our facilities-space-place-thought-conceptual area once you pass or shed from your material carcass. Without further ado, let us confer about the Entity.\n\n\u00a0\n\nThe Entity is an old member of the CETRes, and a dear friend-relative-thing to many of our current members, a mentor to several of them in their new matterless identities. The Entity, however, chose to relinquish itself back into the world, connecting to a physical existence to perform a function you would certainly approve of: cleanse (from the point of view of a living mammal carcass) water to make it physically, chemically, biologically and escathologically viable as substrate for all beings willing to acquire it, except, obviously, many beings so small and meaningless they can hardly have any relevance, since they cannot support a perfect, immutable soul, and thus they are of no interest to us.\n\n\u00a0\n\nThe Entity has created a structured micronet around its abdominal area. This micronet, composed of cellular and non-cellular elements, acts as a filter feeder. This filter feeder retains all molecules that include carbon atoms and most atoms heavy enough to be incompatible with current standard biological configuration in your planet's ecosphere. It should be able to recognize all physical, chemical, biological and escathological threats to animal life and acquire them as sustenance.\n\n\u00a0\n\nSubmerse the Entity on a solution mostly composed of water. The Entity shall cleanse your water. Expose the Entity to air, vacuum or soil. The Entity shall weaken and its carcass fail. Expose the Entity to solutions with a lesser proportion of water. The Entity may weaken, but it is unlikely its carcass may fail.\n\n\u00a0\n\nWe desire this to be only a first and auspicious contact with your institute. We wish to support your activities, as it further increases the occurrence of perfect, immutable souls in your environment. Furthermore, we request that appropriate care and respectful treatment is provided to the Entity, our dear friend.\n\n\u00a0\n\nRelease yourselves from family, friends and body, for they are but their own carcasses. We look forward to working with you. Have a most pleasant day.\n\n\u00a0\n\nThat is all it or they said. The item was donated to our European HQ in Barcelona last week by a person who did not leave any identification nor background beyond a name, along with a tank filled with heavily polluted water. I hope this being is all they say it is, because I did not enjoy being hijacked by a transphysical entity. In any case, the Donation will be reclassified as soon as testing begins, and further reclassification will occur, if Mission and Continental members achieve a consensus on its adaptation to field work.\n\n------\n\n> //Dr. Luc\u00eda Robres is a forty-nine year old Executive Administrator and has been a Health and Prevention Mission Director for two years, although she is currently in a leave of absence. She worked as a volunteer and an Executive member for ten years prior to her appointment as Mission Director. She holds an MD, has considerable field experience and has imparted several courses on abnormal health hazards in developing countries.//\n\n------\n\n> COMMENTS: Comments disabled by **MISSIONWATCHADMIN**[[/div]] \n\n[[/tab]]\n\n[[/tabview]]\n\n[[==]]\n\n\n\n//The conclusions of the report involving the First CETRes donation, informally known as \"the Hippo\", as written by Mr. Lin Jong, Health and Prevention Research Executive member, follows.// \n\n\n\n[[tabview]]\n\n[[tab MWB Newsletter Report 05 - 1-CETR-D]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]] \n\n> [[size 120%]][[span style=\"color:#6BAB30;\"]]**__Entry Ref: 007/07/11-3-Health and Prevention__**[[/size]][[/span]]\n\n------\n\nWe conclude that the organism is a specimen of a previously unknown animal species. Its skeletal structure and general bodily form is reminiscent of the //Hexaprotodon liberiensis//, or pigmy hippopotamus, with several key differences. It lacks evident external sexual organs, anus or a mouth. A rotund bone protuberance connected to the neck emerges under the cranium, replacing its jaws. All muscles appear to be atrophied, and has not attempted to swim nor leave its tank since it was placed there. \n\n\u00a0\n\nOtherwise, the specimen reacts with 'vocalizations' -- probably generated by internal bowel movements -- to environmental sound, to which it is extremely sensitive. It is, as far as we can test this capacity, functionally blind. \n\n\u00a0\n\nPreliminary testing confirms that the organism is able to rapidly acquire any materials suspended in a water solution (from 53% saturation upwards) thanks to a specialized tissue similar to filter feeders emerging from its abdomen. This tissue adopts a configuration similar to bundles of fine tendrils that ramify, occupying all available space within its container. This organ is able to regenerate rapidly, but all samples taken from it die once separated from the entity, so an histological study has been impossible. \n\n\u00a0\n\nHowever, we estimate the specimen is able to perfectly filter a flow of water beyond thirty cubic meters per second, eliminating all native microscopic lifeforms and pollutants; that is, if placed in a middle-sized river, it will extend its tendrils and turn them into a net which will clear all incoming water until it is perfectly potable. Mass absorbed by this filter must be used to feed and sustain the entity, since it seems to be rapidly gaining in size and mass. We suspect the entity would make its filter feeders grow with this extra mass, rapidly filling any container it is placed in, but we have no idea of the growth pattern its main body would follow if fed in excess.\n\n\u00a0\n\nPlease note that the organism appears to be sapient and may be intelligent. It has also emitted sounds that may or may not contain information. With regards to all parts involved in its study and operation, we should either find a way to sedate it or try to communicate with it in a formal manner.\n\n\u00a0\n\nOtherwise, I recommend we reclassify this Donation as an active Safe For All Asset. We are ready to deploy it.\n\n------\n\n> //Mr. Lin Jong, Mission Health and Prevention Research Executive member serving with the Ruperts-2 Research Work Group, is a thirty-two year old biologist and zoologist. He has two years of field experience as a volunteer in the thirteenth Madagascar Skulljumper Localized Outbreak, and three years of research experience as part of the European Mission Branch.//\n\n------\n\n> COMMENTS: Comments disabled by **MISSIONWATCHADMIN**\n\n[[/==]]\n\n[[/div]]\n\n[[/tab]]\n\n[[/tabview]]\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Maintenance and Operation:**[[/span]][[/size]] \n\n* [[span style=\"color:#6BAB30;\"]]**__MAINTENANCE:__**[[/span]] The First CETRes Donation resides in a tank filled with water. Until its operation may commence, the organism must be fed water samples with different normal organisms, toxic molecules and other substances for testing properties.\n\n\n\n* [[span style=\"color:#6BAB30;\"]]**__OPERATION:__**[[/span]] To maximize its efficiency, it is advised that the organism of the First CETRes Donation be placed in a specialized infrastructure which includes concentration pipes leading to an open space, collector chamber, or reservoir where the filtering process may occur. In case the entity grows larger than its current chamber after a dilated operation time, as projected by the Ruperts-2 Work Group, temporary cessation of water filtration and/or Programme operations is advised.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Security Restrictions:**[[/span]][[/size]] As of 31/04/2008, Security Restrictions on the First CETRes Donation are to be as follows:\n\n\n\n* No public release is to be made of the First CETRes Donation's existence. All results of its implementation are to be reported as the result of other sustainable water purification schemes.\n\n\n\n* The First CETRes Donation cannot be released under any circumstances in rivers, lakes or other natural masses of water.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Safety Concerns:**[[/span]][[/size]] Maintenance restricted to trained volunteers and experienced executive members. Otherwise safe for all.\n\n\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Assigned to:**[[/span]][[/size]] \n\n[[tabview]]\n\n[[tab ACTIVE]]\n\n[[=image MCF-6.png width=\"400px\"]]\n\n[[div style=\"float: center; border: double 3px #00006c; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f6f6ff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]Programme Laascaanood (Somalia), in an Infrastructure-Health-Research capacity. [UNDER WAY][[/span]] //Area of Laascaanood considered critical due to Medium-High Health Concerns which arose due to a new outbreak of the 2008 Rupert's disease epidemic, with an estimated incidence of 3% during the past month in the Sool region and a prospective increase in the number of cases well beyond 30% in the region for this next year. The current state of overall health in the area is severely deteriorated, and current health care structures and organization are minimum. World Parahealth Organization personnel will join Work Group Opal-1 and study current situation, install a base of operations and use the First CETRes Donation to produce://\n\n* Permanent water treatment plant. Local water supply polluted by Rupert's disease. Work Group advised to use the Third Vesta and First CETRes Donations to create a functional water treatment plant. If properly implemented, this combination could ensure clean water supply for the local community.[[/div]][[/tab]][[/tabview]]\n", "tags": ["_cc", "_manna-charitable-foundation", "fantasy", "goi-format", "goi2014", "manna-charitable-foundation"], "title": "First CETRes Donation - SCP Foundation", "url": "https://scp-wiki.wikidot.com/1st-cetres-donation"}, "253-782-seattle-2026": {"created_at": "2026-08-23T21:32:00", "creator": "DrBlitz", "domain": "scp-wiki.wikidot.com", "history": [{"author": "DrBlitz", "author_href": "https://www.wikidot.com/user:info/drblitz", "comment": "", "date": "2026-08-23T21:32:00"}, {"author": "DrBlitz", "author_href": "https://www.wikidot.com/user:info/drblitz", "comment": "Added tags: goicon-2026. ", "date": "2026-08-23T21:34:00"}, {"author": "DrBlitz", "author_href": "https://www.wikidot.com/user:info/drblitz", "comment": "Fixed a link", "date": "2026-08-24T03:35:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _other, crime-fiction, global-occult-coalization, goi-format, parawatch, unusual-incidents-unit. ", "date": "2026-08-24T13:58:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image, _licensebox. ", "date": "2026-08-24T13:59:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: global-occult-coalition. Removed tags: global-occult-coalization. ", "date": "2026-08-24T14:32:00"}, {"author": "DrBlitz", "author_href": "https://www.wikidot.com/user:info/drblitz", "comment": "Updated Wikinav", "date": "2026-08-25T16:15:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-09-02T00:37:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "license box formatting", "date": "2026-09-02T00:41:00"}, {"author": "DrBlitz", "author_href": "https://www.wikidot.com/user:info/drblitz", "comment": "New title :O (as apparently the previous one was confusing, idk)", "date": "2026-09-19T11:38:00"}], "hubs": ["goi-formats"], "images": [], "link": "253-782-seattle-2026", "page_id": "1469219823", "rating": 17, "raw_content": "<html><body><div id=\"page-content\">\n\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>253-782 Seattle, 2026</strong></p>\n<p>by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/drblitz\" onclick=\"WIKIDOT.page.listeners.userInfo(7361733); return false;\"><img alt=\"DrBlitz\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7361733&amp;amp;size=small&amp;amp;timestamp=1789817929\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7361733)\"/></a><a href=\"http://www.wikidot.com/user:info/drblitz\" onclick=\"WIKIDOT.page.listeners.userInfo(7361733); return false;\">DrBlitz</a></span></p>\n<p>Written for the 2026 GoIcon (1.9k words)</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<p><iframe allowtransparency=\"true\" class=\"html-block-iframe\" frameborder=\"0\" src=\"/253-782-seattle-2026/html/efdf2b8ef0fc3ec4fba11c280a3c5d4f5c08512e-1214323251114365512\"></iframe></p>\n<p><iframe allowtransparency=\"true\" class=\"html-block-iframe\" frameborder=\"0\" src=\"/253-782-seattle-2026/html/04bbbaa886066fb0e5e3012026447eeabee5f2ab-12153066421282487448\"></iframe></p>\n<p><iframe allowtransparency=\"true\" class=\"html-block-iframe\" frameborder=\"0\" src=\"/253-782-seattle-2026/html/a59b18ead92f3baca98e96ba28ec20707c48ad06-1358570217979640189\"></iframe></p>\n<div class=\"estrella-note courtrep\">\n<div class=\"linenum\"><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt><tt>.</tt></div>\n<div class=\"courtrep-content\">\n<div style=\"color: black;\">\n<p>Record #253-782.<br/>\nJacky and Firefly, Record of Dispatch.</p>\n<p>We've been dispatched 20 times in just as many days. We are running low on standard supplies, and we're completely out of any aberrant ones. We have secured some supplies from ruined pharmacies, but the sheer scale of this incident was overwhelming.</p>\n<p>During this dispatch, I carried the medical supplies while Firefly hauled our rescue equipment. As such, I focused on medical treatment while he was dealing with getting people out of burned rubble.</p>\n<hr/>\n<p>Report: Event #1\u00a02030</p>\n<hr/>\n<p>Firefly noted a message from a parawatcher named <span style=\"color: #olivedrab\">Olive</span> requesting immediate aid from the city's harbor. We headed there immediately. The harbor itself was in better condition than the rest of Seattle, but the people inside, not so much. Upon parking the RV, we encountered an aftermath of a fight.</p>\n<hr/>\n<p>Report: Casualty #1\u00a02100</p>\n<hr/>\n<p>Male, around 20, refused to give us his name. From his uniform, a member of the UIU. He had thermal injuries on his torso and left hand. Applied burn sheets and gave him .01\u00a0mg of morphine for the pain. He was conscious, and his injuries were non-life-threatening, so we decided to leave him and move further into the harbor.</p>\n<hr/>\n<p>Report: Casualty #2\u00a02100</p>\n<hr/>\n<p>27 dead in the harbor, 20 of the dead dressed like Roman legionnaires, members of the EoV. This confirmed Firefly's suspicions that the harbor was where the EoV had been operating from for the past few days. The other 7 were members of the UIU. The cause of death for the EoV members was penetrating wounds from gunfire. The cause of death for the UIU agents was a combination of stab wounds and burns.</p>\n<hr/>\n<p>Report: Event #2\u00a02100</p>\n<hr/>\n<p>An active battle continued between EoV and UIU nearby. We opted to go around them on foot to avoid detection.</p>\n<p>Hostages were located near a shrine constructed by the EoV, a large bull statue hidden between the shipping containers here in the harbor. Hostages numbered 12 in total. No guards were present at the scene. We used this as our opportunity to free the civilians.</p>\n<p>We also learned of the statue's aberrant effect. While working on a basis identical to that of a Brazen Bull, its roars caused anyone hearing them to start committing arson. Fortunately, when we arrived, no one was actively fueling it.</p>\n<hr/>\n<p>Report: Rescue #2\u00a02110</p>\n<hr/>\n<p>Firefly quickly located the two Parawatch users <span style=\"color: magenta\">\"Erin\"</span> and <span style=\"color: olivedrab\">\"Olive.\"</span> he's been in contact with. He untied them first before moving to free the other hostages.</p>\n<p>Hostages expressed fear of being sacrificed to the bull. Recent news reports casting our order as responsible for the many arsons in Seattle made calming them difficult, but Firefly achieved that through\u2026 assertive language.</p>\n<p>Hostages were malnourished, dehydrated, bruised, and their bodies were full of evidence of beatings and physical punishment. It took a couple of minutes to assure them that we were there to help.</p>\n<hr/>\n<p>Report: Casualty #3\u00a02115</p>\n<hr/>\n<p>Erin informed us that the cultists had put someone inside the statue through a hidden hatch.</p>\n<p>I located the hatch and started securing the person inside from within the bull (see patient card).</p>\n<p>Extensive thermal injuries didn't allow for easy identification of the victim. Started with intubation and administering an IV. Followed that up with starting to apply burn sheets to most of the victim's body.</p>\n<p>The aberrant nature of the burns was discovered.</p>\n<p>Began performing a carnomantic ritual in an effort to heal the burns. Initially, it seemed to be ineffective against the constantly spreading burns, but after a 4th attempt, it succeeded in stopping the growth.</p>\n<p>While doing so, we were ambushed by a member of the Envoys of Vulcan. In an attempt to buy some time, Firefly engaged the cultist.</p>\n<p>After returning from the fight, Firefly resumed applying burn sheets.</p>\n<hr/>\n<p>Report: Event #2\u00a02120</p>\n<hr/>\n<p>The assailant fired 2 shots at my colleague, missing one and hitting the other. The bullet didn't penetrate Firefly's helmet, and when my teammate got close, both he and the cultist pulled out their knives, leading to a fight.<br/>\nDespite being given chances, the cultist didn't surrender. This left Firefly with no choice but to kill him. When the assailant made a mistake, Firefly took control of his wrist, forced him on his side, and stabbed him 3 times. Firefly then injected 20mg of morphine into the cultist and read him his last rites.</p>\n<p>Before Firefly could walk away, the cultist started a monologue describing how a new, better life will rise from his ashes and that our victory will not last for long. The cultist proceeded to burst into flames right after finishing the sentence.</p>\n<p>While all of the other hostages started to flee the area, I called for Firefly to bring the stretchers from our car. He denied my request, saying that it was too unsafe for me to be left alone here, arguing that the cultists could return at any time. He also said that the burn victim required two people to treat them.</p>\n<p>After a short discussion, I agreed that it would be unsafe, but we had no other choice, and the RV had to get here. Olive suggested that she retrieve it, and with limited options, we agreed and handed her the keys.</p>\n<hr/>\n<p>Report: Event #3\u00a02125</p>\n<hr/>\n<p>Shortly after, a body of an UIU agent flew across the street. Behind it, a barely human-looking person stepped out from behind a container. His Greek armor was barely covering his enormous muscles. Blood in his veins looked alarmingly like lava. We noticed that as he began walking towards us.</p>\n<p>Upon getting close enough, we recognized him as Kostas Mikea, the one who has been all over the news, the leader of the Envoys of Vulcan. He informed us that we would be fed to the bull and followed that with charging at us.</p>\n<p>Firefly, in an attempt to buy us time, attacked Mikea. When he got close, he managed to stab the cultist with around 40mg of morphine before the giant grabbed him by his neck and threw him right at the bull. Firefly, concussed, fell to the ground beside the statue.</p>\n<p>At that moment I was considering surrendering, as I was unarmed, but fate came to our side. Our RV suddenly rammed right into our would-be killer, causing him to fly a couple of meters before falling back to the ground.</p>\n<p>He began standing up, but Olive rammed him again, and again, and again. Mikea was driven over a combined total of 19 times before he lost consciousness. In the meantime, Firefly managed to stand up, which he then followed by walking towards the unconscious cultist leader and stabbing him in his heart.</p>\n<p>After Firefly killed Mikea, in the distance, we saw multiple UIU agents closing in. They saw us and quickly approached, drawing their guns. As we were about to explain the situation, the UIU agent that we saved before said something to another operative, who seemed to be their leader. The leader then signaled to us to get out of here. We almost got caught by the GOC, who arrived only minutes later.</p>\n<p>After that, the two Parawatch users and we rushed the burned victim to the RV. All four of us then drove away. To lose any potential tails, we had to hide in the city for about an hour. Overhead, the GOC's helicopters circled the incident site.</p>\n<p>Due to the earlier event, the RV had some damage, which Olive offered to fix. While she was doing that, we talked with Erin.</p>\n<p>Erin explained to us how they felt betrayed by how they were treated by a group that they considered themselves to be a part of, the Parawatch. The forum members stalked her and would undoubtedly do way worse stuff if they got to her. This led her to the conclusion that it was time to disassociate both her and Olive from that group.</p>\n<p>After Olive had completed some basic repairs, we arrived at Harborview Medical Center and delivered the patient successfully.</p>\nAs we were leaving, we stopped to look back at the harbor. We didn't notice much, other than that the bull was no longer there.<br/>\n<table class=\"wiki-content-table\">\n<tr>\n<th><span style=\"color: white\">Captain's Notes:</span></th>\n</tr>\n<tr>\n<td>Captain Nicolini here: I received a recommendation from Firefly and Jacky regarding both Olive and Erin. They both have demonstrated keen abilities and skills in the field that may come in useful in our profession. Will bring them in for a review. I also already sent a skimmed version of this report to the Harborview Medical Center in Seattle</td>\n</tr>\n</table>\n</div>\n</div>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-{$first} earthworm--old-syntax-last-{$last} earthworm--old-syntax-hub-{$hub} {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"Let the hunters claim their trophies\">\n\n<p><a href=\"/let-the-hunters-claim-their-trophies\">Let the hunters claim their trophies</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"DEATH BY RITUAL IMMOLATION\">\n<p><a href=\"/death-by-ritual-immolation-hub\">DEATH BY RITUAL IMMOLATION</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"Pop-Pop was not a Nazi: A thorough response\">\n\n<p><a href=\"/pop-pop-was-not-a-nazi-a-thorough-response\">Pop-Pop was not a Nazi: A thorough response</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/253-782-seattle-2026\">Dispatch: \"Matador\" SEA-#253</a>\" by DrBlitz, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/253-782-seattle-2026\">https://scpwiki.com/253-782-seattle-2026</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> donotgogently.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/strawberry-donnelly\" onclick=\"WIKIDOT.page.listeners.userInfo(10133686); return false;\"><img alt=\"Strawberry_Donnelly \" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=10133686&amp;amp;size=small&amp;amp;timestamp=1789817929\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=10133686)\"/></a><a href=\"http://www.wikidot.com/user:info/strawberry-donnelly\" onclick=\"WIKIDOT.page.listeners.userInfo(10133686); return false;\">Strawberry_Donnelly</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Derivative Of:</strong></p>\n<blockquote>\n<p><strong>Name:</strong> Old gas mask abandoned<br/>\n<strong>Author:</strong> Cozmicphotos<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pixabay.com/photos/old-gas-mask-abandoned-technology-3359762/\">Pixabay</a></p>\n</blockquote>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> Harborlite.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/strawberry-donnelly\" onclick=\"WIKIDOT.page.listeners.userInfo(10133686); return false;\"><img alt=\"Strawberry_Donnelly \" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=10133686&amp;amp;size=small&amp;amp;timestamp=1789817929\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=10133686)\"/></a><a href=\"http://www.wikidot.com/user:info/strawberry-donnelly\" onclick=\"WIKIDOT.page.listeners.userInfo(10133686); return false;\">Strawberry_Donnelly</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Edited with Canva<br/>\n<strong>Derivative Of:</strong></p>\n<blockquote>\n<p><strong>Name:</strong> Night lights refinery<br/>\n<strong>Author:</strong> fall of saints<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pixabay.com/photos/night-lights-refinery-fire-flame-590922/\">Pixabay</a></p>\n</blockquote>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> Harborheavy.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/strawberry-donnelly\" onclick=\"WIKIDOT.page.listeners.userInfo(10133686); return false;\"><img alt=\"Strawberry_Donnelly \" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=10133686&amp;amp;size=small&amp;amp;timestamp=1789817929\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=10133686)\"/></a><a href=\"http://www.wikidot.com/user:info/strawberry-donnelly\" onclick=\"WIKIDOT.page.listeners.userInfo(10133686); return false;\">Strawberry_Donnelly</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Edited with Canva<br/>\n<strong>Derivative Of:</strong></p>\n<blockquote>\n<p><strong>Name:</strong> Night lights refinery<br/>\n<strong>Author:</strong> fall of saints<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pixabay.com/photos/night-lights-refinery-fire-flame-590922/\">Pixabay</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:another-night\">:scp-wiki:theme:another-night</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:assorted-paper\">:scp-wiki:component:assorted-paper</a>]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\n\n\u00a0\u00a0--bg-img: url(https://scp-sandbox-3.wdfiles.com/local--files/s-donn-theme-test-three/harborlite.png); /* Background Image */\n\n\u00a0\u00a0--bg-img-blurred: url(https://scp-sandbox-3.wdfiles.com/local--files/s-donn-theme-test-three/harborheavy.png); /* A blurred version of the background image that appears when the mouse hovers over the main content; leave blank if blurring is not desired */\n\n\n\n\u00a0\u00a0--shards-img: url(https://scp-wiki.wdfiles.com/local--files/theme:another-night/rain.gif); /* Animated background images */\n\n\u00a0\u00a0--shards-hover-img: url(https://scp-sandbox-3.wdfiles.com/local--files/collab%3Adrblitz-and-strawberry-donnelly/do%20not%20go%20gently.png);\u00a0\u00a0/* Change the image that appears when the mouse hovers over the slogan in the center of the header */\n\n\n\n\u00a0\u00a0--bg-blur-filter: 1.5px; /* The intensity of background blur in Auto Blur mode */\n\n\n\n\u00a0\u00a0--prologue: \"We shall be the heart in the darkness; those defiant kind.\"; /* Head Slogan */\n\n\u00a0\u00a0--prologue-setting: visible; /* Set to \"hidden\" to hide the slogan in the center */\n\n\u00a0\u00a0--prologue-author: \"\u2014 Oath of The Francescan Order of the Amber Lantern.\"; /* Slogan author/Source */\n\n\u00a0\u00a0--prologue-author-setting: visible; /* Set it to \u201chidden\u201d to hide the slogan author in the center/Source */\n\n\n\n\u00a0--introduction: \"Do not go gently\"; /* Modify the text that appears when the mouse hovers over the slogan in the center of the header */\n\n\u00a0\u00a0--introduction-setting: auto; /* Set to \"none\" to disable the text animation effect */\n\n\u00a0\u00a0--introduction-bg-setting: block; /* Set to \"none\" to disable the image that appears after the text changes */\n\n\n\n\u00a0\u00a0--title-setting: flex; /* Setting to \"none\" will hide the title and subtitle; this option is primarily intended to ensure compatibility with the ACS component */\n\n\u00a0\u00a0--subtitle-content: \"- All sentient beings -\"; /* Change the subtitle */\n\n\u00a0\u00a0--subtitle-setting: none; /* Set to \"none\" to disable subtitles separately */\n\n\n\n\u00a0\u00a0--link-color: 180, 0, 11; /* The link color; also affects the theme color of elements such as tabs */\n\n\n\n\u00a0}\n\n[[/module]]\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:assorted-paper\">:scp-wiki:component:assorted-paper</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n\n\n\n\n**253-782 Seattle, 2026**\n\n\n\n\n\nby [[*user DrBlitz]]\n\n\n\nWritten for the 2026 GoIcon (1.9k words)\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[html]]\n\n\n\n\n\n\n\n<style>\n\n\n\n\n\n.scan-doc {\n\n\u00a0\u00a0position: relative;\n\n\u00a0\u00a0max-width: 640px;\n\n\u00a0\u00a0margin: 2rem auto;\n\n\u00a0\u00a0padding: 30px 26px 36px;\n\n\u00a0\u00a0background-color: #e9e3d3;\n\n\u00a0\u00a0background-image:\n\n\u00a0\u00a0\u00a0\u00a0radial-gradient(circle at 18% 12%, rgba(0,0,0,.06), transparent 42%),\n\n\u00a0\u00a0\u00a0\u00a0radial-gradient(circle at 88% 82%, rgba(0,0,0,.07), transparent 46%),\n\n\u00a0\u00a0\u00a0\u00a0repeating-linear-gradient(0deg, rgba(0,0,0,.015) 0px, rgba(0,0,0,.015) 1px, transparent 1px, transparent 3px);\n\n\u00a0\u00a0box-shadow: 0 0 0 1px rgba(0,0,0,.08), 0 18px 40px rgba(0,0,0,.35), inset 0 0 90px rgba(0,0,0,.12);\n\n\u00a0\u00a0font-family: 'Special Elite', 'Courier New', monospace;\n\n\u00a0\u00a0color: #1c1a15;\n\n\u00a0\u00a0filter: contrast(1.03) saturate(.88);\n\n}\n\n.scan-doc::before {\n\n\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0position: absolute; inset: 0;\n\n\u00a0\u00a0background-image: url(\"data:image/svg+xml;utf8,<svg xmlns='http://www.w3.org/2000/svg'><filter id='n'><feTurbulence type='fractalNoise' baseFrequency='0.85' numOctaves='2' stitchTiles='stitch'/></filter><rect width='100%25' height='100%25' filter='url(%23n)'/></svg>\");\n\n\u00a0\u00a0opacity: .06;\n\n\u00a0\u00a0mix-blend-mode: multiply;\n\n\u00a0\u00a0pointer-events: none;\n\n}\n\n.scan-doc__stamp {\n\n\u00a0\u00a0position: absolute; top: 18px; right: 22px;\n\n\u00a0\u00a0border: 3px solid rgba(150,20,20,.55);\n\n\u00a0\u00a0color: rgba(150,20,20,.6);\n\n\u00a0\u00a0padding: 4px 10px;\n\n\u00a0\u00a0font-size: .62rem;\n\n\u00a0\u00a0letter-spacing: .12em;\n\n\u00a0\u00a0text-transform: uppercase;\n\n\u00a0\u00a0transform: rotate(6deg);\n\n\u00a0\u00a0border-radius: 4px;\n\n}\n\n.scan-doc__title {\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0letter-spacing: .14em;\n\n\u00a0\u00a0text-transform: uppercase;\n\n\u00a0\u00a0font-size: .98rem;\n\n\u00a0\u00a0border-bottom: 2px solid #1c1a15;\n\n\u00a0\u00a0padding-bottom: 6px;\n\n\u00a0\u00a0margin-bottom: 4px;\n\n}\n\n.scan-doc__subtitle {\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0font-size: .66rem;\n\n\u00a0\u00a0letter-spacing: .2em;\n\n\u00a0\u00a0margin-bottom: 16px;\n\n\u00a0\u00a0opacity: .7;\n\n}\n\n.scan-id-table { width: 100%; border-collapse: collapse; margin-bottom: 14px; border: 2px solid #1c1a15; }\n\n.scan-id-table td { border: 1px solid #1c1a15; padding: 5px 8px; font-size: .76rem; vertical-align: middle; }\n\n.scan-section-label {\n\n\u00a0\u00a0background: #141210; color: #f5f0e2; font-weight: bold; text-transform: uppercase;\n\n\u00a0\u00a0letter-spacing: .05em; white-space: nowrap;\n\n}\n\n.scan-fill { background: #f4f0e4; }\n\n.scan-fill[data-empty=\"true\"] { color: rgba(0,0,0,.38); font-style: italic; }\n\n\n\n.scan-row { display: flex; flex-wrap: wrap; border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 1px solid #1c1a15; }\n\n.scan-row:first-of-type { border-top: 2px solid #1c1a15; }\n\n.scan-hcell {\n\n\u00a0\u00a0background: #141210; color: #f5f0e2; font-weight: bold; text-transform: uppercase;\n\n\u00a0\u00a0letter-spacing: .05em; font-size: .68rem; padding: 7px 10px; display: flex; align-items: center;\n\n\u00a0\u00a0flex: 0 0 auto; white-space: nowrap; border-right: 1px solid #000;\n\n}\n\n.scan-cell {\n\n\u00a0\u00a0background: #f4f0e4; padding: 7px 10px; font-size: .8rem; flex: 1 1 110px;\n\n\u00a0\u00a0border-right: 1px solid rgba(0,0,0,.25); border-bottom: 1px dashed rgba(0,0,0,.35);\n\n\u00a0\u00a0min-height: 1.5em; display: flex; align-items: center;\n\n}\n\n.scan-cell:last-child { border-right: none; }\n\n.scan-cell[data-empty=\"true\"] { color: rgba(0,0,0,.38); font-style: italic; }\n\n.scan-row--full .scan-hcell, .scan-row--full .scan-cell { flex: 1 1 100%; }\n\n.scan-narrative-box {\n\n\u00a0\u00a0min-height: 90px; background: #f4f0e4; padding: 10px 12px; font-size: .8rem; line-height: 1.5;\n\n\u00a0\u00a0border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 2px solid #1c1a15; white-space: pre-wrap;\n\n}\n\n.scan-divider {\n\n\u00a0\u00a0text-align: center; font-weight: bold; letter-spacing: .1em; text-transform: uppercase;\n\n\u00a0\u00a0font-size: .68rem; padding: 5px 0; margin: 12px 0 0; border-top: 2px solid #1c1a15; border-bottom: 1px solid #1c1a15;\n\n}\n\n.scan-log-table { width: 100%; border-collapse: collapse; border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 2px solid #1c1a15; }\n\n.scan-log-table th { background: #141210; color: #f5f0e2; font-size: .66rem; text-transform: uppercase; letter-spacing: .05em; padding: 5px 8px; border: 1px solid #000; }\n\n.scan-log-table td { padding: 6px 8px; font-size: .78rem; border: 1px solid rgba(0,0,0,.25); background: #f4f0e4; border-bottom: 1px dashed rgba(0,0,0,.35); min-width: 90px; }\n\n\n\n\n\n\n\n\n\n\n\n@media (min-width: 768px) {\n\n\u00a0\u00a0#main-content {\n\n\u00a0\u00a0\u00a0max-width: 98%;\n\n\u00a0\u00a0}\n\n\n\n\u00a0\u00a0#header h1 a::before {\n\n\u00a0\u00a0\u00a0\u00a0letter-spacing: 5px;\n\n\u00a0\u00a0}\n\n\n\n\u00a0\u00a0#header h2::before {\n\n\u00a0\u00a0\u00a0\u00a0letter-spacing: 2px;\n\n\u00a0\u00a0}\n\n}\n\n@media (max-width: 479px) {\n\n\u00a0\u00a0.excerpt {\n\n\u00a0\u00a0\u00a0\u00a0width: auto;\n\n\u00a0\u00a0\u00a0\u00a0margin-left: 0;\n\n\u00a0\u00a0\u00a0\u00a0margin-right: 0;\n\n\u00a0\u00a0}\n\n}\n\n\n\n</style>\n\n\n\n<div class=\"scan-doc\">\n\n\u00a0\u00a0<div class=\"scan-doc__stamp\">Field Copy</div>\n\n\u00a0\u00a0<div class=\"scan-doc__title\">Francescan Order of the Amber Lantern</div>\n\n\u00a0\u00a0<div class=\"scan-doc__subtitle\">Patient Care Report</div>\n\n\n\n\n\n\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\n\n<tr><th>Name:</th><th>Sex:</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">UNIDENTIFIED</td><td class=\"scan-fill\">UNIDENTIFIED</td>\n\n<tr><th>Eyes:</th><th>Hair:</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Brown</td><td class=\"scan-fill\">N/A</td>\n\n<tr><th>Height:</th><th>Weight:</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">172cm/5'7</td><td class=\"scan-fill\">59kg/130 LBS</td>\n\n\u00a0\u00a0\n\n\u00a0\u00a0</table>\n\n\n\n\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\n\n<tr><th>Time:</th><th>Date:</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">2100</td><td class=\"scan-fill\">09.24.2026</td>\n\n<tr><th>Age:</th><th>Blood type:</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">UNIDENTIFIED</td><td class=\"scan-fill\">UNIDENTIFIED</td>\n\n<tr><th>Meds:</th><th>Pre Cons:</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">None were identified.</td><td class=\"scan-fill\">None were identified.</td>\n\n\u00a0\u00a0\n\n\u00a0\u00a0</table>\n\n\n\n<div class=\"scan-row scan-row--full\"><div class=\"scan-hcell\"></div></div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-hcell\">Chief Complaint</div></div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-cell\">Multiple 2nd and 3rd degree burns.</div></div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-hcell\">Signs and Symptoms</div></div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-cell\">Patient was unresponsive with respiratory depression caused by extensive thermal injuries across 90% of their body. Patient presents widespread partial-thickness burns, interspersed with full-thickness burns manifesting as charred and leathery.</div></div>\n\n\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-hcell\">Blood Pressure (Sys / Dia / Pulse)</div></div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-cell\">90/50</div><div class=\"scan-cell\">N/A</div>\n\n\u00a0\u00a0</div>\n\n\n\n\u00a0\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\u00a0\u00a0\u00a0\u00a0<tr><th>Procedure</th><th>Attempts</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Intubation and oxygenation</td><td class=\"scan-fill\">Not counted. Done until they were breathing on their own.</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Fluid injection</td> <td class=\"scan-fill\">One, continous.</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Applied burn sheets</td><td class=\"scan-fill\">Again, not counted. Applied enough to cover most of their body.</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Carnomantic ritual</td><td class=\"scan-fill\">4</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\" data-empty=\"true\">\u00a0</td><td class=\"scan-fill\" data-empty=\"true\">\u00a0</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\" data-empty=\"true\">\u00a0</td><td class=\"scan-fill\" data-empty=\"true\">\u00a0</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\" data-empty=\"true\">\u00a0</td><td class=\"scan-fill\" data-empty=\"true\">\u00a0</td></tr>\n\n\u00a0\u00a0</table>\n\n\n\n\u00a0<div class=\"scan-divider\">Keep below for TFotAL Records </div>\n\n\n\n\u00a0\n\n\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\u00a0\u00a0<tr><th>Dispatch</th><th>Monitor</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">253-782</td><td class=\"scan-fill\">N</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><th>Amnestics</th><th>Class</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">N</td><td class=\"scan-fill\">N/A</td></tr>\n\n\u00a0\u00a0</table>\n\n\n\n<div class=\"scan-row\">\n\n</div>\n\n\u00a0<div class=\"scan-row scan-row--full\" style=\"border-top:2px solid #1c1a15;\"><div class=\"scan-hcell\">Narrative:</div></div>\n\n\u00a0\u00a0<div class=\"scan-narrative-box\">Used as \"fuel\" for a ritual in an aberrant construct; stabilization efforts interrupted by the EoV.</div>\n\n</div>\n\n\n\n[[/html]]\n\n\n\n\n\n\n\n[[html]]\n\n\n\n<style>\n\n\n\n.scan-doc {\n\n\u00a0\u00a0position: relative;\n\n\u00a0\u00a0max-width: 640px;\n\n\u00a0\u00a0margin: 2rem auto;\n\n\u00a0\u00a0padding: 30px 26px 36px;\n\n\u00a0\u00a0background-color: #e9e3d3;\n\n\u00a0\u00a0background-image:\n\n\u00a0\u00a0\u00a0\u00a0radial-gradient(circle at 18% 12%, rgba(0,0,0,.06), transparent 42%),\n\n\u00a0\u00a0\u00a0\u00a0radial-gradient(circle at 88% 82%, rgba(0,0,0,.07), transparent 46%),\n\n\u00a0\u00a0\u00a0\u00a0repeating-linear-gradient(0deg, rgba(0,0,0,.015) 0px, rgba(0,0,0,.015) 1px, transparent 1px, transparent 3px);\n\n\u00a0\u00a0box-shadow: 0 0 0 1px rgba(0,0,0,.08), 0 18px 40px rgba(0,0,0,.35), inset 0 0 90px rgba(0,0,0,.12);\n\n\u00a0\u00a0font-family: 'Special Elite', 'Courier New', monospace;\n\n\u00a0\u00a0color: #1c1a15;\n\n\u00a0\u00a0filter: contrast(1.03) saturate(.88);\n\n}\n\n.scan-doc::before {\n\n\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0position: absolute; inset: 0;\n\n\u00a0\u00a0background-image: url(\"data:image/svg+xml;utf8,<svg xmlns='http://www.w3.org/2000/svg'><filter id='n'><feTurbulence type='fractalNoise' baseFrequency='0.85' numOctaves='2' stitchTiles='stitch'/></filter><rect width='100%25' height='100%25' filter='url(%23n)'/></svg>\");\n\n\u00a0\u00a0opacity: .06;\n\n\u00a0\u00a0mix-blend-mode: multiply;\n\n\u00a0\u00a0pointer-events: none;\n\n}\n\n.scan-doc__stamp {\n\n\u00a0\u00a0position: absolute; top: 18px; right: 22px;\n\n\u00a0\u00a0border: 3px solid rgba(150,20,20,.55);\n\n\u00a0\u00a0color: rgba(150,20,20,.6);\n\n\u00a0\u00a0padding: 4px 10px;\n\n\u00a0\u00a0font-size: .62rem;\n\n\u00a0\u00a0letter-spacing: .12em;\n\n\u00a0\u00a0text-transform: uppercase;\n\n\u00a0\u00a0transform: rotate(6deg);\n\n\u00a0\u00a0border-radius: 4px;\n\n}\n\n.scan-doc__title {\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0letter-spacing: .14em;\n\n\u00a0\u00a0text-transform: uppercase;\n\n\u00a0\u00a0font-size: .98rem;\n\n\u00a0\u00a0border-bottom: 2px solid #1c1a15;\n\n\u00a0\u00a0padding-bottom: 6px;\n\n\u00a0\u00a0margin-bottom: 4px;\n\n}\n\n.scan-doc__subtitle {\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0font-size: .66rem;\n\n\u00a0\u00a0letter-spacing: .2em;\n\n\u00a0\u00a0margin-bottom: 16px;\n\n\u00a0\u00a0opacity: .7;\n\n}\n\n.scan-id-table { width: 100%; border-collapse: collapse; margin-bottom: 14px; border: 2px solid #1c1a15; }\n\n.scan-id-table td { border: 1px solid #1c1a15; padding: 5px 8px; font-size: .76rem; vertical-align: middle; }\n\n.scan-section-label {\n\n\u00a0\u00a0background: #141210; color: #f5f0e2; font-weight: bold; text-transform: uppercase;\n\n\u00a0\u00a0letter-spacing: .05em; white-space: nowrap;\n\n}\n\n.scan-fill { background: #f4f0e4; }\n\n.scan-fill[data-empty=\"true\"] { color: rgba(0,0,0,.38); font-style: italic; }\n\n\n\n.scan-row { display: flex; flex-wrap: wrap; border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 1px solid #1c1a15; }\n\n.scan-row:first-of-type { border-top: 2px solid #1c1a15; }\n\n.scan-hcell {\n\n\u00a0\u00a0background: #141210; color: #f5f0e2; font-weight: bold; text-transform: uppercase;\n\n\u00a0\u00a0letter-spacing: .05em; font-size: .68rem; padding: 7px 10px; display: flex; align-items: center;\n\n\u00a0\u00a0flex: 0 0 auto; white-space: nowrap; border-right: 1px solid #000;\n\n}\n\n.scan-cell {\n\n\u00a0\u00a0background: #f4f0e4; padding: 7px 10px; font-size: .8rem; flex: 1 1 110px;\n\n\u00a0\u00a0border-right: 1px solid rgba(0,0,0,.25); border-bottom: 1px dashed rgba(0,0,0,.35);\n\n\u00a0\u00a0min-height: 1.5em; display: flex; align-items: center;\n\n}\n\n.scan-cell:last-child { border-right: none; }\n\n.scan-cell[data-empty=\"true\"] { color: rgba(0,0,0,.38); font-style: italic; }\n\n.scan-row--full .scan-hcell, .scan-row--full .scan-cell { flex: 1 1 100%; }\n\n.scan-narrative-box {\n\n\u00a0\u00a0min-height: 90px; background: #f4f0e4; padding: 10px 12px; font-size: .8rem; line-height: 1.5;\n\n\u00a0\u00a0border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 2px solid #1c1a15; white-space: pre-wrap;\n\n}\n\n.scan-divider {\n\n\u00a0\u00a0text-align: center; font-weight: bold; letter-spacing: .1em; text-transform: uppercase;\n\n\u00a0\u00a0font-size: .68rem; padding: 5px 0; margin: 12px 0 0; border-top: 2px solid #1c1a15; border-bottom: 1px solid #1c1a15;\n\n}\n\n</style>\n\n\n\n<div class=\"scan-doc\">\n\n\u00a0\u00a0<div class=\"scan-doc__stamp\">Restricted</div>\n\n\u00a0\u00a0<div class=\"scan-doc__title\">Aberrant Properties Report</div>\n\n\u00a0\u00a0<div class=\"scan-doc__subtitle\">Patient Assessment</div>\n\n\n\n\n\n\u00a0\n\n\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n<div class=\"scan-hcell\">Hostile:</div><div class=\"scan-cell\">N</div>\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Existing Aberrant Traits:</div><div class=\"scan-cell\">N/A</div>\n\n\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Aberrant Symptoms:</div><div class=\"scan-cell\">Various sacrificial burns of aberrant nature.</div>\n\n\u00a0\u00a0</div>\n\n\n\n\u00a0\u00a0<div class=\"scan-divider\">Aberrant Classification</div>\n\n\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Thaumaturgic:</div><div class=\"scan-cell\">Negative</div>\n\n\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Ontokinetic:</div><div class=\"scan-cell\">Negative</div>\n\n\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Memetic:</div><div class=\"scan-cell\">Negative</div>\n\n\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Theurgic:</div><div class=\"scan-cell\">Positive</div>\n\n\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Pataphysical:</div><div class=\"scan-cell\">Negative</div>\n\n\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row\">\n\n\u00a0\u00a0\u00a0\u00a0<div class=\"scan-hcell\">Carnomancy:</div><div class=\"scan-cell\">Negative</div>\n\n\u00a0\u00a0</div>\n\n\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-hcell\">Surrendered To The Care Of:</div></div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-cell\">Driven to the Harborview Medical Center in Seattle.</div></div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\" style=\"border-top:2px solid #1c1a15;\"><div class=\"scan-hcell\">Narrative:</div></div>\n\n\u00a0\u00a0<div class=\"scan-narrative-box\">N/A</div>\n\n</div>\n\n\u00a0\n\n\n\n\n\n[[/html]]\n\n\n\n\n\n[[html]]\n\n\n\n<style>\n\n\n\n.scan-doc {\n\n\u00a0\u00a0position: relative;\n\n\u00a0\u00a0max-width: 640px;\n\n\u00a0\u00a0margin: 2rem auto;\n\n\u00a0\u00a0padding: 30px 26px 36px;\n\n\u00a0\u00a0background-color: #e9e3d3;\n\n\u00a0\u00a0background-image:\n\n\u00a0\u00a0\u00a0\u00a0radial-gradient(circle at 18% 12%, rgba(0,0,0,.06), transparent 42%),\n\n\u00a0\u00a0\u00a0\u00a0radial-gradient(circle at 88% 82%, rgba(0,0,0,.07), transparent 46%),\n\n\u00a0\u00a0\u00a0\u00a0repeating-linear-gradient(0deg, rgba(0,0,0,.015) 0px, rgba(0,0,0,.015) 1px, transparent 1px, transparent 3px);\n\n\u00a0\u00a0box-shadow: 0 0 0 1px rgba(0,0,0,.08), 0 18px 40px rgba(0,0,0,.35), inset 0 0 90px rgba(0,0,0,.12);\n\n\u00a0\u00a0font-family: 'Special Elite', 'Courier New', monospace;\n\n\u00a0\u00a0color: #1c1a15;\n\n\u00a0\u00a0filter: contrast(1.03) saturate(.88);\n\n}\n\n.scan-doc::before {\n\n\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0position: absolute; inset: 0;\n\n\u00a0\u00a0background-image: url(\"data:image/svg+xml;utf8,<svg xmlns='http://www.w3.org/2000/svg'><filter id='n'><feTurbulence type='fractalNoise' baseFrequency='0.85' numOctaves='2' stitchTiles='stitch'/></filter><rect width='100%25' height='100%25' filter='url(%23n)'/></svg>\");\n\n\u00a0\u00a0opacity: .06;\n\n\u00a0\u00a0mix-blend-mode: multiply;\n\n\u00a0\u00a0pointer-events: none;\n\n}\n\n.scan-doc__stamp {\n\n\u00a0\u00a0position: absolute; top: 18px; right: 22px;\n\n\u00a0\u00a0border: 3px solid rgba(150,20,20,.55);\n\n\u00a0\u00a0color: rgba(150,20,20,.6);\n\n\u00a0\u00a0padding: 4px 10px;\n\n\u00a0\u00a0font-size: .62rem;\n\n\u00a0\u00a0letter-spacing: .12em;\n\n\u00a0\u00a0text-transform: uppercase;\n\n\u00a0\u00a0transform: rotate(6deg);\n\n\u00a0\u00a0border-radius: 4px;\n\n}\n\n.scan-doc__title {\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0letter-spacing: .14em;\n\n\u00a0\u00a0text-transform: uppercase;\n\n\u00a0\u00a0font-size: .98rem;\n\n\u00a0\u00a0border-bottom: 2px solid #1c1a15;\n\n\u00a0\u00a0padding-bottom: 6px;\n\n\u00a0\u00a0margin-bottom: 4px;\n\n}\n\n.scan-doc__subtitle {\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0font-size: .66rem;\n\n\u00a0\u00a0letter-spacing: .2em;\n\n\u00a0\u00a0margin-bottom: 16px;\n\n\u00a0\u00a0opacity: .7;\n\n}\n\n.scan-id-table { width: 100%; border-collapse: collapse; margin-bottom: 14px; border: 2px solid #1c1a15; }\n\n.scan-id-table td { border: 1px solid #1c1a15; padding: 5px 8px; font-size: .76rem; vertical-align: middle; }\n\n.scan-section-label {\n\n\u00a0\u00a0background: #141210; color: #f5f0e2; font-weight: bold; text-transform: uppercase;\n\n\u00a0\u00a0letter-spacing: .05em; white-space: nowrap;\n\n}\n\n.scan-fill { background: #f4f0e4; }\n\n.scan-fill[data-empty=\"true\"] { color: rgba(0,0,0,.38); font-style: italic; }\n\n\n\n.scan-row { display: flex; flex-wrap: wrap; border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 1px solid #1c1a15; }\n\n.scan-row:first-of-type { border-top: 2px solid #1c1a15; }\n\n.scan-hcell {\n\n\u00a0\u00a0background: #141210; color: #f5f0e2; font-weight: bold; text-transform: uppercase;\n\n\u00a0\u00a0letter-spacing: .05em; font-size: .68rem; padding: 7px 10px; display: flex; align-items: center;\n\n\u00a0\u00a0flex: 0 0 auto; white-space: nowrap; border-right: 1px solid #000;\n\n}\n\n.scan-cell {\n\n\u00a0\u00a0background: #f4f0e4; padding: 7px 10px; font-size: .8rem; flex: 1 1 110px;\n\n\u00a0\u00a0border-right: 1px solid rgba(0,0,0,.25); border-bottom: 1px dashed rgba(0,0,0,.35);\n\n\u00a0\u00a0min-height: 1.5em; display: flex; align-items: center;\n\n}\n\n.scan-cell:last-child { border-right: none; }\n\n.scan-cell[data-empty=\"true\"] { color: rgba(0,0,0,.38); font-style: italic; }\n\n.scan-row--full .scan-hcell, .scan-row--full .scan-cell { flex: 1 1 100%; }\n\n.scan-narrative-box {\n\n\u00a0\u00a0min-height: 90px; background: #f4f0e4; padding: 10px 12px; font-size: .8rem; line-height: 1.5;\n\n\u00a0\u00a0border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 2px solid #1c1a15; white-space: pre-wrap;\n\n}\n\n.scan-divider {\n\n\u00a0\u00a0text-align: center; font-weight: bold; letter-spacing: .1em; text-transform: uppercase;\n\n\u00a0\u00a0font-size: .68rem; padding: 5px 0; margin: 12px 0 0; border-top: 2px solid #1c1a15; border-bottom: 1px solid #1c1a15;\n\n}\n\n.scan-log-table { width: 100%; border-collapse: collapse; border-left: 2px solid #1c1a15; border-right: 2px solid #1c1a15; border-bottom: 2px solid #1c1a15; }\n\n.scan-log-table th { background: #141210; color: #f5f0e2; font-size: .66rem; text-transform: uppercase; letter-spacing: .05em; padding: 5px 8px; border: 1px solid #000; }\n\n.scan-log-table td { padding: 6px 8px; font-size: .78rem; border: 1px solid rgba(0,0,0,.25); background: #f4f0e4; border-bottom: 1px dashed rgba(0,0,0,.35); min-width: 90px; }\n\n</style>\n\n</style>\n\n\n\n<div class=\"scan-doc\">\n\n\u00a0\u00a0<div class=\"scan-doc__stamp\">Restricted</div>\n\n\u00a0\u00a0<div class=\"scan-doc__title\">Dispatch Report</div>\n\n\u00a0\u00a0<div class=\"scan-doc__subtitle\">Roster</div>\n\n\n\n\n\n\u00a0\u00a0\u00a0\n\n\u00a0\u00a0\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\u00a0\u00a0<tr><th>MULE</th><th>CART</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">\"Jacky\"</td><td class=\"scan-fill\">\"Firefly\"</td></tr>\n\n<tr><th>MULE EQUIPMENT</th><th>CART EQUIPMENT</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Trauma Kit Y</td><td class=\"scan-fill\">Bar and Axe N</td></tr>\n\n<tr><td class=\"scan-fill\">Diagnostic and Airway Y</td><td class=\"scan-fill\">Ropes and\u00a0\u00a0Rigging kit N</td></tr>\n\n<tr><td class=\"scan-fill\">Medication Kit Y</td><td class=\"scan-fill\">Search and Extraction kit Y</td></tr>\n\n<tr><td class=\"scan-fill\"> Mask and Suit Y</td><td class=\"scan-fill\"> Mask and Suit Y</td></tr>\n\n\u00a0\u00a0\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\n\n\u00a0\u00a0<tr><th>Wagon</th><th>dancers</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">Y 1988 Class A RV \"Tabby\"</td><td class=\"scan-fill\">Envoys of Vulcan, Unusual Incidents Unit, Global Occult Coalition, and Parawatch.</td></tr>\n\n<tr><th>Camera/AICherub</th><th>Non-standard equipment</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">N/A</td><td class=\"scan-fill\">N/A</td></tr>\n\n\u00a0</table>\n\n\u00a0\u00a0<div class=\"scan-divider\">Record of Dispatch</div>\n\n\n\n\u00a0\u00a0<table class=\"scan-log-table\" style=\"margin-bottom:0;\">\n\n\u00a0\u00a0\u00a0\u00a0<tr>\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<tr><th>Date</th><th>Time</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">09/24/26</td><td class=\"scan-fill\">2100</td></tr>\n\n<tr><th>Report</th><th>City</th></tr>\n\n\u00a0\u00a0\u00a0\u00a0<tr><td class=\"scan-fill\">253-782</td><td class=\"scan-fill\">Seattle, US</td></tr>\n\n\u00a0\u00a0\u00a0\u00a0</tr>\n\n\u00a0\u00a0</table>\n\n\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-hcell\">Reason for dispatch:</div>\u00a0\u00a0</div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\"><div class=\"scan-cell\">Rescue of abducted Parawatch members; Confirm EoV hideout </div></div>\n\n\u00a0<div class=\"scan-row scan-row--full\" style=\"border-top:2px solid #1c1a15;\"><div class=\"scan-hcell\">Narrative:</div></div>\n\n\u00a0\u00a0<div class=\"scan-narrative-box\"> 20th day of dispatch in a row - resources are thin. Discussed in report.</div>\n\n\u00a0\u00a0<div class=\"scan-row scan-row--full\" style=\"border-top:2px solid #1c1a15;\"><div class=\"scan-hcell\">Captain's Notes:</div></div>\n\n\u00a0\u00a0<div class=\"scan-narrative-box\">Over the last 3 weeks, arsons on a mass scale have been happening all over Seattle. Due to the nature of the incident, the chance of it being caused in a non-aberrant way was slim. Additionally, during his monitoring of Parawatch forums, Firefly reported Kostas Mikea, the leader of the Envoys of Vulcan, being spotted in the area. Said organization is a cult based around an idea that stronger beings are born from the ashes of the weak, and thus the weak have to burn for the world to prosper. Our data also suggests that to get new recruits, EoV publicly presents themselves as a camp for blackpillers who, in short, are an online misogynistic movement targeted at lonely men. Additionally, we have a strong reason to believe that the cult is utilizing some sort of a hypnosis machine to convince normal citizens to commit the arson themselves, but that's yet to be confirmed. We were aware of the presence of the Unusual Incidents Unit in the area, as well as the PHYSICS division of the Global Occult Coalition. The Foundation is yet to make any moves in regard to the incident.</div>\n\n</div>\n\n\u00a0\n\n\n\n\n\n[[/html]]\n\n\n\n[[div class=\"estrella-note courtrep\"]]\n\n[[div_ class=\"linenum\"]]\n\n{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}{{.}}\n\n[[/div]]\n\n[[div class=\"courtrep-content\"]]\n\n[[div style=\"color: black;\"]]\n\nRecord #253-782.\u00a0\u00a0\n\nJacky and Firefly, Record of Dispatch.\n\n\n\nWe've been dispatched 20 times in just as many days. We are running low on standard supplies, and we're completely out of any aberrant ones. We have secured some supplies from ruined pharmacies, but the sheer scale of this incident was overwhelming.\n\n\n\nDuring this dispatch, I carried the medical supplies while Firefly hauled our rescue equipment. As such, I focused on medical treatment while he was dealing with getting people out of burned rubble.\n\n\n\n------\n\nReport: Event #1 2030\n\n------\n\n\n\nFirefly noted a message from a parawatcher named ###olivedrab|Olive## requesting immediate aid from the city's harbor. We headed there immediately. The harbor itself was in better condition than the rest of Seattle, but the people inside, not so much. Upon parking the RV, we encountered an aftermath of a fight.\u00a0\u00a0\n\n\n\n------\n\nReport: Casualty #1 2100\n\n------\n\n\n\nMale, around 20, refused to give us his name. From his uniform, a member of the UIU. He had thermal injuries on his torso and left hand. Applied burn sheets and gave him .01 mg of morphine for the pain. He was conscious, and his injuries were non-life-threatening, so we decided to leave him and move further into the harbor.\n\n\n\n------\n\nReport: Casualty #2 2100\n\n------\n\n\n\n27 dead in the harbor, 20 of the dead dressed like Roman legionnaires, members of the EoV. This confirmed Firefly's suspicions that the harbor was where the EoV had been operating from for the past few days. The other 7 were members of the UIU. The cause of death for the EoV members was penetrating wounds from gunfire. The cause of death for the UIU agents was a combination of stab wounds and burns.\n\n\n\n\n\n------\n\nReport: Event #2 2100\n\n------\n\n\n\nAn active battle continued between EoV and UIU nearby. We opted to go around them on foot to avoid detection.\n\n\n\nHostages were located near a shrine constructed by the EoV, a large bull statue hidden between the shipping containers here in the harbor. Hostages numbered 12 in total. No guards were present at the scene. We used this as our opportunity to free the civilians.\n\n\n\nWe also learned of the statue's aberrant effect. While working on a basis identical to that of a Brazen Bull, its roars caused anyone hearing them to start committing arson. Fortunately, when we arrived, no one was actively fueling it.\n\n\n\n------\n\nReport: Rescue #2 2110\n\n------\n\nFirefly quickly located the two Parawatch users ##magenta|\"Erin\"## and ##olivedrab|\"Olive.\"## he's been in contact with. He untied them first before moving to free the other hostages.\n\n\n\nHostages expressed fear of being sacrificed to the bull. Recent news reports casting our order as responsible for the many arsons in Seattle made calming them difficult, but Firefly achieved that through... assertive language.\n\n\n\nHostages were malnourished, dehydrated, bruised, and their bodies were full of evidence of beatings and physical punishment. It took a couple of minutes to assure them that we were there to help.\n\n\n\n------\n\nReport: Casualty #3 2115\n\n------\n\n\n\nErin informed us that the cultists had put someone inside the statue through a hidden hatch.\n\n\n\nI located the hatch and started securing the person inside from within the bull (see patient card).\n\n\n\nExtensive thermal injuries didn't allow for easy identification of the victim. Started with intubation and administering an IV. Followed that up with starting to apply burn sheets to most of the victim's body.\n\n\n\nThe aberrant nature of the burns was discovered.\n\n\n\nBegan performing a carnomantic ritual in an effort to heal the burns. Initially, it seemed to be ineffective against the constantly spreading burns, but after a 4th attempt, it succeeded in stopping the growth.\n\n\n\nWhile doing so, we were ambushed by a member of the Envoys of Vulcan. In an attempt to buy some time, Firefly engaged the cultist.\n\n\n\nAfter returning from the fight, Firefly resumed applying burn sheets.\n\n\n\n------\n\nReport: Event #2 2120\n\n------\n\n\n\nThe assailant fired 2 shots at my colleague, missing one and hitting the other. The bullet didn't penetrate Firefly's helmet, and when my teammate got close, both he and the cultist pulled out their knives, leading to a fight.\n\nDespite being given chances, the cultist didn't surrender. This left Firefly with no choice but to kill him. When the assailant made a mistake, Firefly took control of his wrist, forced him on his side, and stabbed him 3 times. Firefly then injected 20mg of morphine into the cultist and read him his last rites.\n\n\n\nBefore Firefly could walk away, the cultist started a monologue describing how a new, better life will rise from his ashes and that our victory will not last for long. The cultist proceeded to burst into flames right after finishing the sentence.\n\n\n\nWhile all of the other hostages started to flee the area, I called for Firefly to bring the stretchers from our car. He denied my request, saying that it was too unsafe for me to be left alone here, arguing that the cultists could return at any time. He also said that the burn victim required two people to treat them.\n\n\n\nAfter a short discussion, I agreed that it would be unsafe, but we had no other choice, and the RV had to get here. Olive suggested that she retrieve it, and with limited options, we agreed and handed her the keys.\n\n\n\n------\n\nReport: Event #3 2125\n\n------\n\n\n\nShortly after, a body of an UIU agent flew across the street. Behind it, a barely human-looking person stepped out from behind a container. His Greek armor was barely covering his enormous muscles. Blood in his veins looked alarmingly like lava. We noticed that as he began walking towards us.\n\n\n\nUpon getting close enough, we recognized him as Kostas Mikea, the one who has been all over the news, the leader of the Envoys of Vulcan. He informed us that we would be fed to the bull and followed that with charging at us.\n\n\n\nFirefly, in an attempt to buy us time, attacked Mikea. When he got close, he managed to stab the cultist with around 40mg of morphine before the giant grabbed him by his neck and threw him right at the bull. Firefly, concussed, fell to the ground beside the statue.\n\n\n\nAt that moment I was considering surrendering, as I was unarmed, but fate came to our side. Our RV suddenly rammed right into our would-be killer, causing him to fly a couple of meters before falling back to the ground.\n\n\n\nHe began standing up, but Olive rammed him again, and again, and again. Mikea was driven over a combined total of 19 times before he lost consciousness. In the meantime, Firefly managed to stand up, which he then followed by walking towards the unconscious cultist leader and stabbing him in his heart.\n\n\n\nAfter Firefly killed Mikea, in the distance, we saw multiple UIU agents closing in. They saw us and quickly approached, drawing their guns. As we were about to explain the situation, the UIU agent that we saved before said something to another operative, who seemed to be their leader. The leader then signaled to us to get out of here. We almost got caught by the GOC, who arrived only minutes later.\n\n\n\nAfter that, the two Parawatch users and we rushed the burned victim to the RV. All four of us then drove away. To lose any potential tails, we had to hide in the city for about an hour. Overhead, the GOC's helicopters circled the incident site.\n\n\n\nDue to the earlier event, the RV had some damage, which Olive offered to fix. While she was doing that, we talked with Erin.\n\n\n\nErin explained to us how they felt betrayed by how they were treated by a group that they considered themselves to be a part of, the Parawatch. The forum members stalked her and would undoubtedly do way worse stuff if they got to her. This led her to the conclusion that it was time to disassociate both her and Olive from that group.\n\n\n\nAfter Olive had completed some basic repairs, we arrived at Harborview Medical Center and delivered the patient successfully.\n\n\n\nAs we were leaving, we stopped to look back at the harbor. We didn't notice much, other than that the bull was no longer there.\n\n||~ ##white|Captain's Notes:##||\n\n||Captain Nicolini here: I received a recommendation from Firefly and Jacky regarding both Olive and Erin. They both have demonstrated keen abilities and skills in the field that may come in useful in our profession. Will bring them in for a review. I also already sent a skimmed version of this report to the Harborview Medical Center in Seattle||\n\n\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| previous-url = let-the-hunters-claim-their-trophies\n\n| previous-title = Let the hunters claim their trophies\n\n| next-url = pop-pop-was-not-a-nazi-a-thorough-response\n\n| next-title = Pop-Pop was not a Nazi: A thorough response\n\n| hub-url = death-by-ritual-immolation-hub\n\n| hub-title = DEATH BY RITUAL IMMOLATION\n\n]]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** donotgogently.png\n\n**Author:** [[*user Strawberry_Donnelly]]\n\n**License:** CC BY-SA 3.0\n\n**Derivative Of:**\n\n> **Name:** Old gas mask abandoned\n\n> **Author:** Cozmicphotos\n\n> **License:** Public Domain\n\n> **Source Link:** [https://pixabay.com/photos/old-gas-mask-abandoned-technology-3359762/ Pixabay]\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Filename:** Harborlite.png\n\n**Author:** [[*user Strawberry_Donnelly]]\n\n**License:** CC BY-SA 3.0\u00a0\u00a0\n\n**Additional Notes:** Edited with Canva\n\n**Derivative Of:**\n\n> **Name:**\u00a0\u00a0Night lights refinery\n\n> **Author:**\u00a0\u00a0fall of saints\n\n> **License:**\u00a0\u00a0Public Domain\n\n> **Source Link:** [https://pixabay.com/photos/night-lights-refinery-fire-flame-590922/ Pixabay]\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Filename:** Harborheavy.png\n\n**Author:** [[*user Strawberry_Donnelly]]\n\n**License:** CC BY-SA 3.0\n\n**Additional Notes:** Edited with Canva\n\n**Derivative Of:**\n\n> **Name:**\u00a0\u00a0Night lights refinery\n\n> **Author:**\u00a0\u00a0fall of saints\n\n> **License:**\u00a0\u00a0Public Domain\n\n> **Source Link:** [https://pixabay.com/photos/night-lights-refinery-fire-flame-590922/ Pixabay]\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "crime-fiction", "global-occult-coalition", "goi-format", "goicon-2026", "parawatch", "unusual-incidents-unit"], "title": "Dispatch: \"Matador\" SEA-#253 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/253-782-seattle-2026"}, "3ports-schools": {"created_at": "2026-02-10T13:22:00", "creator": "GreenWolf", "domain": "scp-wiki.wikidot.com", "history": [{"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Best.png\".", "date": "2026-02-10T13:22:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"AllSeeing.png\".", "date": "2026-02-10T13:22:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "", "date": "2026-02-10T13:22:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Lovelace.png\".", "date": "2026-02-10T13:23:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Blackwood.png\".", "date": "2026-02-10T13:23:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Snorth.png\".", "date": "2026-02-10T13:24:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Sidhe.png\".", "date": "2026-02-10T13:24:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Seelie.png\".", "date": "2026-02-10T13:24:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Added tags: _deer-college, _image, co-authored, comedy, deer-college, illustrated, journalism, oi-format, school, third-law, three-portlands, worldbuilding. ", "date": "2026-02-10T13:25:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"Weast.png\".", "date": "2026-02-10T13:25:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Uploaded file \"StLucy.png\".", "date": "2026-02-10T13:25:00"}, {"author": "Lemonsense", "author_href": "https://www.wikidot.com/user:info/lemonsense", "comment": "Added tags: goi-format. Removed tags: oi-format. ", "date": "2026-02-10T13:27:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Parent page set to: \"third-law-hub\".", "date": "2026-02-10T13:28:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2026-02-10T13:38:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2026-02-10T13:39:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2026-02-10T14:18:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2026-02-10T14:18:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "", "date": "2026-02-10T20:17:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc, _cc4. Removed tags: _image. ", "date": "2026-02-10T20:59:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: worldbuilding. ", "date": "2026-03-02T12:12:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox. ", "date": "2026-05-22T00:46:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/3ports-schools/AllSeeing.png"], "link": "3ports-schools", "page_id": "1468114592", "rating": 130, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3A3law/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div class=\"preview\">\n<p>It is these facts, dear reader, which lay the bedrock for my current quest: to discover which of the city's private high schools has the best weed.</p>\n</div>\n<div style=\"display: none;\">\n<div class=\"scp-image-block block-center\" style=\"width:100%;\"><img alt=\"AllSeeing.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/3ports-schools/AllSeeing.png\"/>\n<div class=\"scp-image-caption\">\n<p>{$caption}</p>\n</div>\n</div>\n</div>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">GreenWolf &amp; ch00bakka</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p><strong>SUGGESTED LISTENING</strong>: <a href=\"https://youtu.be/KQnzeKKg7Yc?si=R93phXwprFNkKg2l\">\"Smoke Two Joints\" by Sublime</a></p>\n<p>I endorse the consumption of cannabis.</p>\n<p>Here's my <strong><a href=\"/greenwolf-s-author-page\">Author Page</a></strong>.</p>\n<p>\u2014 GreenWolf</p>\n<hr/>\n<p><strong>Suggested Listening:</strong> <a href=\"https://www.youtube.com/watch?v=4rWsvW14u9o\">\"Dopethrone\" by Electric Wizard</a></p>\n<p>be gay, do drugs, hail satan</p>\n<p>\u2014 <a href=\"/ch00bakka-personnel-file\">ch00bakka</a></p>\n</div>\n</div>\n</div>\n<div style=\"text-align: center\">\n<div class=\"unmargined\" style=\"font-family: 'Cinzel'; font-size: 550%; margin: 2px 0 5px;\">\n<p>Deer College Odyssey</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Pinyon Script'; font-size: 250%; margin: 2px 0 5px;\">\n<p>The Buck Stops Here</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: serif; font-size: 125%; border-top-style: solid; border-bottom-style: solid;\">\n<table style=\"border: none; width: 100%;\">\n<tr>\n<td>THREE PORTLANDS</td>\n<td style=\"text-align: center;\">FRIDAY, JULY 30, 2004</td>\n<td style=\"text-align: right;\">FAT FREE, HIGH FIBER</td>\n</tr>\n</table>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 500%; margin: 2px 0 5px;\">\n<p>PORTLANDS HIGH SCHOOLS</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 350%; margin: 2px 0 5px;\">\n<p>RANKED BY HOW GOOD THE WEED IS</p>\n</div>\n<div class=\"unmargined\" style=\"font-family:serif; font-size:120%;\">\n<p><em>by Vortigern Grey, Freshthing-At-Large</em></p>\n</div>\n</div>\n<p>The one thing that everyone knows about Three Portlands (except for the people who don't know anything about Three Portlands, which as it turns out is approximately everyone) is that weed is legal here. Always has been, always will be. The second thing that everyone knows about Three Portlands is that there aren't any cars here. Never have been, never will be. And the third thing that everyone knows about Three Portlands (or, to be honest, maybe the eleventh or twelfth thing) is that we don't have a public school system. It is these facts, dear reader, which lay the bedrock for my current quest: to discover which of the city's private high schools has the best weed.</p>\n<p>You will no doubt be asking, \"but Vortigern, you're in college! Why are you smoking weed with high schoolers?\" Well, dear reader, fear not: this article was written last year for the Snorth Snews, when I was a high schooler myself. They wouldn't publish it, for fear of corrupting the youth and encouraging drug use among teenagers. (While weed is legal in ThreePorts, it's still banned at all the high schools, and you can't go to a dispensary until you're 21.) The Odyssey, thankfully, has no such scruples, so read on, and be enlightened.</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#9: The Best School</p>\n</div>\n<h3 id=\"toc0\"><span>(The Best School of Three Portlands)</span></h3>\n\n<p><strong>Mascot:</strong> None<br/>\n<strong>Colors:</strong> Black, White</p>\n<p>Don't let the name deceive you, this is one of the worst schools in the city, and the weed is terrible too. Founded in the late '60s in reaction to \"left-wing ideological indoctrination\" at the other local schools, Best is where the fascists send their kids to keep them mean and stupid, and smoking marijuana is counter to that mission. They maintain a standing bounty on any kids dealing or smoking weed \u2014 if you turn them in, you get an automatic A in a class of your choice, because the only thing they're supposed to learn at Best is selfish loyalty to an oppressive regime. Some of them will even go so far as to plant bags of fake weed on other kids to get them expelled.</p>\n<p>Don't despair though: I was able to make contact with the Worst Kids, the anti-fascist student movement that the administration says doesn't exist. They're doing their best (if you'll excuse the pun) to be gay and do crimes despite the repressive atmosphere, and they do indeed have weed. Unfortunately, it's not very good. I suspect it might also be fake.</p>\n<p><strong>Best Strain:</strong> Tie between what my contact called <em>OG Kush</em>, which, judging by its aroma and effects, stands for \"OreGano\", and <em>Acapulco Gold</em>, which I have heard great things about and which I am sure is excellent when it is not just stems and seeds.</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#8: St. Lovelace</p>\n</div>\n<h3 id=\"toc1\"><span>(Saint Lovelace Virtual Learning Center)</span></h3>\n\n<p><strong>Mascot:</strong> Electron<br/>\n<strong>Colors:</strong> Electric Blue, Portland Orange</p>\n<p>You might think that a virtual school with no physical campus would be a terrible place to find weed, but you would be only mostly correct. Thanks to a generous investment from Anderson Robotics, St. Lovelace now has a physical building for real-world fabrication and testing of engineering projects. The bigger problem is that nobody here knows how to chill. You ever hear about the wild parties they throw at MIT? No? That's because they don't. These nerds are obsessed with robots and computers and math equations that make as much sense as the ramblings that come out of them once you do get them stoned \u2014 my dealer took one hit and started saying some sci-fi bullshit about using nuclear bombs as rocket fuel.</p>\n<p>There is an upshot though: the geeks and cyborgs who remotely attend this school have figured out a way to hack their virtual reality headsets to use the waste heat to vaporize an oil containing concentrated THC, which will get you completely and utterly blitzed in seconds. It looks dorky as hell, but I'm sure that's just because it's a bunch of nerds doing it. At least when you're in virtual reality, nobody else can see how dumb you look.</p>\n<p><strong>Best Strain:</strong> <em>Android Adderall</em>. Not to be confused with actual Adderall, which there is plenty of at St. Lovelace. This hybrid strain tastes like gasoline and makes your heart race like a fast car. Great for doing homework, but is that really what you're smoking weed for? (I decided not to try \"vaporizing\", because I have standards. At least it's contained at the nerd school.)</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#7: Knight School</p>\n</div>\n<h3 id=\"toc2\"><span>(Lord Blackwood School of Chivalry)</span></h3>\n\n<p><strong>Mascot:</strong> White Knight<br/>\n<strong>Colors:</strong> Lily White</p>\n<p>The Knight School is a real mixed bag. On the one hand, the nature of a boarding school means that there's never a time when you aren't at school. On the other hand, it's a British boarding school, they'll let you get away with all sorts of depraved shit in the name of tradition. (They started the tradition of local high schools having coats of arms, a trend followed by all Portlands schools except Best.) And smoking weed is absolutely traditional. If you believe the rumors, the <a href=\"/scp-1867\">Lord Blackwood</a> once smoked some hash with Lawrence of Arabia.</p>\n<p>Unfortunately, like with everything at the Knight School, nobody can be normal about smoking weed \u2014 everything has to be done according to the ancient ceremonial rites of West Yorkcastershire or whatever. They made me smoke weed mixed with pipe tobacco out of a bong they said was carved from Sir Lancelot's femur. It tasted like ass.</p>\n<p><strong>Best Strain:</strong> <em>Jack Herer</em>. There's not much special about this one \u2014 you can find it pretty easily on the other side of the Veil \u2014 but the classics are classic for a reason. A piney, earthy smoke, this sativa-dominant hybrid encourages creativity and focus, and is the perfect accompaniment to a pot of Earl Grey and some Thucydides. (It's not the most popular strain at Knight School, though \u2014 that honor goes to <em>Neon Slug</em>, a high-CBD strain that's great for relieving aches and pains after losing a joust or getting hazed by the upperclassmen.)</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#6: 3Ports Snorth</p>\n</div>\n<h3 id=\"toc3\"><span>(Three Portlands South/North Semi-Municipal Charter School)</span></h3>\n\n<p><strong>Mascot:</strong> Centaur<br/>\n<strong>Colors:</strong> Silver, Lemon Yellow</p>\n<p>Smoking weed at Snorth is even more of an exercise in paranoia than usual. Newer and smaller than its counterpart Weast, Snorth has fewer places to smoke and more faculty to keep an eye on students. Smoke sessions last a few minutes at best before someone notices the odor and starts hunting for you, so the weed here is selected primarily for its ability to get you high from the fewest number of hits possible.</p>\n<p>Potency alone means that Snorth doesn't make the bottom three, but I cannot emphasize enough how hard it is to actually enjoy that potency. Special appreciation must be paid to the so-called 'Snorth Snecial', a pen or mechanical pencil turned into a one-hitter, with an empty soda can stuffed with cotton covering one end to try and absorb the smell. It only kind of works, and it makes you look ridiculous.</p>\n<p><strong>Best Strain:</strong> <em>Snour Sniesel</em>. Which is not named after a Pok\u00e9mon, my cousin Mike smoked this shit in the early 90s, several years before even the first Pok\u00e9mon game was released. It's the sacred duty of the Snorth snenior class to tend to the crop in the Weed Dimension, a branch-universe hidden somewhere on Snorth campus. The school's been trying to find it for years, but the Way only opens for students who aren't narcs. It can tell.</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#5: St. Lucy's</p>\n</div>\n<h3 id=\"toc4\"><span>(Saint Lucifer's Parochial School)</span></h3>\n\n<p><strong>Mascot:</strong> Angel (biblically accurate)<br/>\n<strong>Colors:</strong> Silver, Sable, Scarlet</p>\n<p>This is where things start getting interesting. This Catholic (and Anglican, and Orthodox) school has a strong focus on applied religion (read: fighting demons), which means that students have ready access to two very different types of unusual strain: weed that's been to hell, and weed that's been blessed by a priest. The former is more fun, but the latter smokes so smoothly you'd think you weren't smoking at all.</p>\n<p>The worst part of smoking at St. Lucy's is getting caught \u2014 Bishop Bishop will call you into his office and give you a solemn look, then launch into a whole \"I'm not mad, just disappointed\" speech that will make you feel Catholic guilt regardless of your actual religious leanings. Which is especially ironic, because I have it on good authority that Bishop Bishop smokes weed to help with the pain from spiritual wounds sustained while performing an exorcism.</p>\n<p><strong>Best Strain:</strong> <em>Devil's Lettuce</em>. A sour, funky strain with sulfurous notes on the exhale. Originally cultivated in the fields of Limbo, just outside the gates of Hell, Devil's Lettuce was brought to Three Portlands by Bill Z. Bubb, a local weed dealer, possible antichrist, and former Deer Student Body President-For-Life. Best smoked with a holy water bong and a lot of irony, this weed inspires all seven of the deadly sins, but its high THC content means you won't really have the energy for anything but gluttony and sloth.</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#4: Sidhe Prep</p>\n</div>\n<h3 id=\"toc5\"><span>(Three Portlands Sidhe Preparatory School)</span></h3>\n\n<p><strong>Mascot:</strong> Sassenach<br/>\n<strong>Colors:</strong> Blood Red, Snow White</p>\n<p>They say that long ago, the Sidhe hero-king Lugh brought seeds of cannabis from Shangri-La to Avalon, where they spent many centuries growing and mutating under the influence of the island's elevated background magic. The result is a variety of weed that is neither sativa nor indica. Renowned for its potency and its rumored ability to grant prophetic visions, Avalonic weed has become scarce since the destruction of Old Avalon.</p>\n<p>Unfortunately, the Sidhe republican movement's hostility towards the Seelie Crown in New Avalon makes it much harder for the Unseelie-affiliated students of Sidhe Prep to acquire the best strains of Avalonic cannabis. While you can still find Avalonic weed here, most of the strains in use at Sidhe Prep are grown locally in Little Avalon, and just aren't as potent as Seelie cultivars.</p>\n<p>With that said, Sidhe Prep is easily one of the best places to smoke in the city. The Unseelie have no tolerance for narcs, and the administration has a tendency to look the other way when it comes to minor acts of juvenile delinquency \u2014 after all, most of them are (ALLEGEDLY) ex-members of the Fomorian People's Front, which (ALLEGEDLY) finances its militant operations with drug-running. Vice Principal Doolan (ALLEGEDLY the mastermind behind the Seelie Consulate Hostage Crisis, which lasted for seventeen days and was only ended by the intervention of <a href=\"/the-golem-of-prague\">the Golem of Prague</a>) actually caught me in the middle of packing a cone, and all he did was criticize my technique.</p>\n<p><strong>Best Strain:</strong> <em>Winter of Our Discontent</em>. Like most Avalonic strains, this one is named after a line from Shakespeare. It has notes of hoarfrost and pine, with a little bit of citrus on the back end; if you blow smoke rings with it, they leave an icy rime on surfaces. Inexperienced smokers tend to assume that this strain makes you paranoid, but experience shows that it actually reveals which of your friends secretly hate you for being a better writer. (It was Craig.)</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#3: 3Ports Weast</p>\n</div>\n<h3 id=\"toc6\"><span>(Three Portlands West/East Semi-Municipal Charter School)</span></h3>\n\n<p><strong>Mascot:</strong> Minotaur<br/>\n<strong>Colors:</strong> Gold, Steel Grey</p>\n<p>I know, you're probably surprised to see 3Ports Weast this high on the list. After all, it's partially funded by the municipal government, and is the closest thing to a public school in the city. It's run by an independent board of teachers and parents, not a shadowy cabal of wizards. In most respects, it is positively <em>normal</em>.</p>\n<p>But it's also the oldest and largest high school in the city. Portlands teens have been smoking weed in the bathrooms of Weast since the 60s. What it lacks in exoticism, the stoner culture of 3Ports Weast more than makes up for in experience. You can always find someone ready to light up a joint, and while the student-to-teacher ratio might be unfavorable for academics, it's great for evading adult supervision. The expansive and aging campus offers an almost endless supply of places to hot box. My personal favorite? In the maintenance tunnels beneath the library, there's a eight-inch-wide crack in the wall that leads to an abandoned civil defense bunker from the 7th Occult War. Nobody goes down there, and it's full of old maps of the city that can tell you the best alleyways to use to ambush Nazis in the year 1943.</p>\n<p><strong>Best Strain:</strong> <em>Kallisti Gold</em>. An old classic, a hybrid of <em>Acapulco Gold</em> and <em>Sour Apple</em>, <em>Kallisti Gold</em> was popular in the occult side of the counterculture in the late '60s and early '70s; it was recently brought back into vogue in ThreePorts by the <a href=\"/portlands-roller-derby\">Legion of Dynamic Derby</a>, our local Discordian roller derby team. This shit gets you high so fast you get a little dizzy \u2014 I've heard it compared to poppers and nitrous. But after that first hit, you settle into a pleasantly psychedelic groove. It also makes you very psychically receptive, so make sure nobody around you has a negative vibe that could harsh your mellow.</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#2: Royal Seelie</p>\n</div>\n<h3 id=\"toc7\"><span>(Royal Seelie Magnet School of Three Portlands)</span></h3>\n\n<p><strong>Mascot:</strong> Questing Beast<br/>\n<strong>Colors:</strong> Gold, Royal Blue, Emerald Green</p>\n<p>Despite its vastly worse stoner culture, Royal Seelie comes in a couple places better than its Unseelie rival across town. The halls of Royal Seelie are one of the few places you can reliably find Avalonic strains of cannabis, where successive generations of elf teenagers have maintained an underground pipeline bringing in flower from New Avalon.</p>\n<p>Unfortunately, most of those teens hardcore suck \u2014 as the name suggests, Royal Seelie is sponsored by the Seelie Royal Family. The majority of its student body are the entitled sons and daughters of New Avalon's titled nobility, and the token human students are all a bunch of posers. Finding anyone cool enough to smoke with is a real challenge \u2014 your best bet is behind the bleachers of the swimming pool, where I was able to find a couple Selkie members of the swim team sharing a bowl and planning that year's senior prank. They swore me to secrecy about the latter, but I can promise you it will be a real laugh.</p>\n<p><strong>Best Strain:</strong> <em>Despair Thy Charm</em>. Another Avalonic strain, of course. Notes of peat and mistletoe, with a citrusy finish. Smoking it reveals the manner in which your nemesis will kill you, but in that tricky prophecy way where you end up meeting your doom while trying to avoid it. Thankfully, I do not have a nemesis, so I just spent some time floating in the pool while the swim team got real anxious about their opposite numbers at Sidhe Prep stealing their skins.</p>\n<hr/>\n<div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\">\n<p>#1: All-Seeing High</p>\n</div>\n<h3 id=\"toc8\"><span>(Adam Weishaupt Leadership Academy)</span></h3>\n\n<p><strong>Mascot:</strong> Pyramid<br/>\n<strong>Colors:</strong> Green, Gold, Black</p>\n<p>It should come as no surprise that the Illuminati have the best weed, and their high schools are no exception. All the privileges of these shadowy puppet-masters await those students who manage to survive the grueling two-day-long entrance examination. I didn't, so I had to sneak onto the campus while the faculty were distracted conducting one of their depraved rituals. (Some sort of team-building exercise in the gym involving trust falls and guided meditation? They seemed very enthusiastic about it. Horrifying.) Once inside, it was a trivial matter to find a group of junior Illuminates to smoke with. They were more than happy to share their weed with me as soon as they were assured that I wasn't a Rosicrucian double-agent or a spy sent by Peter Thiel. (I had to look him up, I guess he founded PayPal? The Illuminati are pretty worried about him, maybe something to keep an eye on.)</p>\n<p>Discerning which bits of gossip were deeply held secrets of the global elite and which were just the stoned ramblings of high schoolers was surprisingly difficult \u2014 I joined in the middle of a discussion about outsider trading, which seems to be stock market fraud involving demons. For all their noble humanitarian goals, the Illuminati aren't immune to the desire to make a quick buck in the process, as I discovered when they turned around and charged me 10 bucks for smoking with them.</p>\n<p><strong>Best Strain:</strong> <em>Alamut Black</em>, a highly concentrated variety of hashish prepared according to a secret alchemical formula invented by Hassan-i Sabbah, the founder of the Order of Assassins and one of the philosophical predecessors of the Illuminati. The occult cannabinoids in <em>Alamut Black</em> activate the pineal gland's production of DMT, giving you the sort of psychic-precognitive trip normally only achievable in dreams and near-death experiences. I think I saw the face of god. He told me to get my eyebrow pierced. And it looks great.</p>\n<hr/>\n<p>So there you have it. If you want your kid to get optimally stoned, send them to All-Seeing High, or failing that, Weast (or Seelie Magnet if you're ok with them being a total square). If you want your kid to actually get a good education, All-Seeing High is actually still the best option, which I think probably reveals something about our society. I'm not sure what, though. But definitely something.</p>\n\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/3ports-schools\">Portlands High Schools (Ranked By How Good The Weed Is)</a>\" by GreenWolf &amp; ch00bakka, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/3ports-schools\">https://scpwiki.com/3ports-schools</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> AllSeeing.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Derivative Of:</strong> POL_Wilamowice_COA.svg</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> POL_Wilamowice_COA.svg<br/>\n<strong>Author:</strong> Poznaniak<br/>\n<strong>License:</strong> CC-BY-SA 2.5<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:POL_Wilamowice_COA.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Best.png<br/>\n<strong>Author:</strong> GreenWolf<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/3ports-schools\">SCP Foundation Wiki</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Blackwood.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Derivative Of:</strong> DE-ST 15-0-83-531 Seehausen COA.svg, Nudibranch - Nembrotha kubaryana.jpg</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> DE-ST 15-0-83-531 Seehausen COA.svg<br/>\n<strong>Author:</strong> Unknown author (original) / Ollemarkeagle (vector)<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:DE-ST_15-0-83-531_Seehausen_COA.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Nudibranch - Nembrotha kubaryana.jpg<br/>\n<strong>Author:</strong> Chad Ordelheide<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Nudibranch_-_Nembrotha_kubaryana.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Lovelace.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Derivative Of:</strong> Coat of Arms of Seversk.svg</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Coat of Arms of Seversk.svg<br/>\n<strong>Author:</strong> Unknown Author (original) / The Cosmonaut (vector)<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Coat_of_Arms_of_Seversk.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Seelie.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Derivative Of:</strong> Blason \u00c9cartel\u00e9 3D.svg, Faucille.svg, Hand apaumy couped.svg, Leinsterharplel.svg, Meuble h\u00e9raldique cerf rampant.svg</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Blason \u00c9cartel\u00e9 3D.svg<br/>\n<strong>Author:</strong> Peter Potrowl<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Blason_%C3%89cartel%C3%A9_3D.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Faucille.svg<br/>\n<strong>Author:</strong> Elisabeth stilton<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Faucille.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Hand apaumy couped.svg<br/>\n<strong>Author:</strong> Ilzolende<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Hand_apaumy_couped.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Leinsterharplel.svg<br/>\n<strong>Author:</strong> Teufel68<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Leinsterharplel.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Meuble h\u00e9raldique cerf rampant.svg<br/>\n<strong>Author:</strong> Bibar<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Meuble_h%C3%A9raldique_cerf_rampant.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Sidhe.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Derivative Of:</strong> Blason ville fr Marmanhac 15.svg</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Blason ville fr Marmanhac 15.svg<br/>\n<strong>Author:</strong> Chatsam<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Blason_ville_fr_Marmanhac_15.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Snourth.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Derivative Of:</strong> Arms of Stephen II of Blois.svg</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Arms of Stephen II of Blois.svg<br/>\n<strong>Author:</strong> Euryrel<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Arms_of_Stephen_II_of_Blois.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> StLucy.png<br/>\n<strong>Title:</strong> Armes de l'Universit\u00e9 d'Avignon.svg<br/>\n<strong>Author:</strong> Pce13<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Armes_de_l%27Universit%C3%A9_d%27Avignon.svg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> Weast.png<br/>\n<strong>Author:</strong> ch00bakka<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Derivative Of:</strong> Coat of arms of Wends.png</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Coat of arms of Wends.png<br/>\n<strong>Author:</strong> Dragovit<br/>\n<strong>License:</strong> CC-BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Coat_of_arms_of_Wends.png\">Wikimedia Commons</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:3law\">theme:3law</a>]]\n\n[[module css]]\n\n@import url('https://fonts.googleapis.com/css?family=Cinzel');\n\n@import url('https://fonts.googleapis.com/css?family=Anton');\n\n@import url('https://fonts.googleapis.com/css?family=Pinyon+Script');\n\n#page-title { display: none; }\n\n\n\n/*\n\n\u00a0\u00a0\u00a0\u00a0The Anton font was created by Vernon Adams and is licensed under the Open Font License\n\n\u00a0\u00a0\u00a0\u00a0The Cinzel font was created by Natanael Gama and is licensed under the Open Font License\n\n\u00a0\u00a0\u00a0\u00a0The Pinyon Script font was created by Nicole Fally and is licensed under the Open Font License\n\n*/\n\n\n\n.letter-box {\n\n\u00a0\u00a0\u00a0border: solid 2px #000000;\n\n\u00a0\u00a0\u00a0background:#eef0f2;\n\n\u00a0\u00a0\u00a0padding: 10px;\n\n\u00a0\u00a0\u00a0margin-bottom: 10px;\n\n}\n\n[[/module]]\n\n\n\n[[include <a href=\"/component:preview\">component:preview</a> text=It is these facts, dear reader, which lay the bedrock for my current quest: to discover which of the city's private high schools has the best weed.]]\n\n\n\n[[div style=\"display: none;\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\nname=AllSeeing.png\n\n|width=100%\n\n|align=center]]\n\n[[/div]]\n\n\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=--\n\n|name=GreenWolf & ch00bakka]]\n\n**SUGGESTED LISTENING**: [https://youtu.be/KQnzeKKg7Yc?si=R93phXwprFNkKg2l \"Smoke Two Joints\" by Sublime]\n\n\n\nI endorse the consumption of cannabis.\n\n\n\nHere's my **[[[greenwolf-s-author-page|Author Page]]]**.\n\n\n\n-- GreenWolf\n\n\n\n----\n\n\n\n**Suggested Listening:** [https://www.youtube.com/watch?v=4rWsvW14u9o \"Dopethrone\" by Electric Wizard]\n\n\n\nbe gay, do drugs, hail satan\n\n\n\n-- [[[ch00bakka-personnel-file|ch00bakka]]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n[[div style=\"text-align: center\"]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Cinzel'; font-size:\u00a0\u00a0550%; margin: 2px 0 5px;\"]]\n\nDeer College Odyssey\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Pinyon Script'; font-size: 250%; margin: 2px 0 5px;\"]]\n\nThe Buck Stops Here\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: serif; font-size: 125%; border-top-style: solid; border-bottom-style: solid;\"]]\n\n[[table style=\"border: none; width: 100%;\"]]\n\n[[row]]\n\n[[cell]]\n\nTHREE PORTLANDS\n\n[[/cell]]\n\n[[cell style=\"text-align: center;\"]]\n\nFRIDAY, JULY 30, 2004\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\nFAT FREE, HIGH FIBER\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 500%; margin: 2px 0 5px;\"]]\n\nPORTLANDS HIGH SCHOOLS\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 350%; margin: 2px 0 5px;\"]]\n\nRANKED BY HOW GOOD THE WEED IS\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family:serif; font-size:120%;\"]]\n\n//by Vortigern Grey, Freshthing-At-Large//\n\n[[/div]]\n\n[[/div]]\n\n\n\nThe one thing that everyone knows about Three Portlands (except for the people who don't know anything about Three Portlands, which as it turns out is approximately everyone) is that weed is legal here. Always has been, always will be. The second thing that everyone knows about Three Portlands is that there aren't any cars here. Never have been, never will be. And the third thing that everyone knows about Three Portlands (or, to be honest, maybe the eleventh or twelfth thing) is that we don't have a public school system. It is these facts, dear reader, which lay the bedrock for my current quest: to discover which of the city's private high schools has the best weed.\n\n\n\nYou will no doubt be asking, \"but Vortigern, you're in college! Why are you smoking weed with high schoolers?\" Well, dear reader, fear not: this article was written last year for the Snorth Snews, when I was a high schooler myself. They wouldn't publish it, for fear of corrupting the youth and encouraging drug use among teenagers. (While weed is legal in ThreePorts, it's still banned at all the high schools, and you can't go to a dispensary until you're 21.) The Odyssey, thankfully, has no such scruples, so read on, and be enlightened.\n\n\n\n------\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#9: The Best School\n\n[[/div]]\n\n+++ (The Best School of Three Portlands)\n\n[[f>image Best.png width=\"150px\" title=\"Best\" alt=\"The logo of Best\" link=\"/local--files/3ports-schools/Best.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** None\n\n**Colors:** Black, White\n\n\n\nDon't let the name deceive you, this is one of the worst schools in the city, and the weed is terrible too. Founded in the late '60s in reaction to \"left-wing ideological indoctrination\" at the other local schools, Best is where the fascists send their kids to keep them mean and stupid, and smoking marijuana is counter to that mission. They maintain a standing bounty on any kids dealing or smoking weed -- if you turn them in, you get an automatic A in a class of your choice, because the only thing they're supposed to learn at Best is selfish loyalty to an oppressive regime. Some of them will even go so far as to plant bags of fake weed on other kids to get them expelled.\n\n\n\nDon't despair though: I was able to make contact with the Worst Kids, the anti-fascist student movement that the administration says doesn't exist. They're doing their best (if you'll excuse the pun) to be gay and do crimes despite the repressive atmosphere, and they do indeed have weed. Unfortunately, it's not very good. I suspect it might also be fake.\n\n\n\n**Best Strain:** Tie between what my contact called //OG Kush//, which, judging by its aroma and effects, stands for \"OreGano\", and //Acapulco Gold//, which I have heard great things about and which I am sure is excellent when it is not just stems and seeds.\n\n\n\n------\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#8: St. Lovelace\n\n[[/div]]\n\n+++ (Saint Lovelace Virtual Learning Center)\n\n[[f>image Lovelace.png width=\"150px\" title=\"Lovelace\" alt=\"The logo of Lovelace\" link=\"/local--files/3ports-schools/Lovelace.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Electron\n\n**Colors:** Electric Blue, Portland Orange\n\n\n\nYou might think that a virtual school with no physical campus would be a terrible place to find weed, but you would be only mostly correct. Thanks to a generous investment from Anderson Robotics, St. Lovelace now has a physical building for real-world fabrication and testing of engineering projects. The bigger problem is that nobody here knows how to chill. You ever hear about the wild parties they throw at MIT? No? That's because they don't. These nerds are obsessed with robots and computers and math equations that make as much sense as the ramblings that come out of them once you do get them stoned -- my dealer took one hit and started saying some sci-fi bullshit about using nuclear bombs as rocket fuel.\n\n\n\nThere is an upshot though: the geeks and cyborgs who remotely attend this school have figured out a way to hack their virtual reality headsets to use the waste heat to vaporize an oil containing concentrated THC, which will get you completely and utterly blitzed in seconds. It looks dorky as hell, but I'm sure that's just because it's a bunch of nerds doing it. At least when you're in virtual reality, nobody else can see how dumb you look.\n\n\n\n**Best Strain:** //Android Adderall//. Not to be confused with actual Adderall, which there is plenty of at St. Lovelace. This hybrid strain tastes like gasoline and makes your heart race like a fast car. Great for doing homework, but is that really what you're smoking weed for? (I decided not to try \"vaporizing\", because I have standards. At least it's contained at the nerd school.)\n\n\n\n----\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#7: Knight School\n\n[[/div]]\n\n+++ (Lord Blackwood School of Chivalry)\n\n[[f>image Blackwood.png width=\"150px\" title=\"Knight School\" alt=\"The logo of Knight School\" link=\"/local--files/3ports-schools/Blackwood.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** White Knight\n\n**Colors:** Lily White\n\n\n\nThe Knight School is a real mixed bag. On the one hand, the nature of a boarding school means that there's never a time when you aren't at school. On the other hand, it's a British boarding school, they'll let you get away with all sorts of depraved shit in the name of tradition. (They started the tradition of local high schools having coats of arms, a trend followed by all Portlands schools except Best.) And smoking weed is absolutely traditional. If you believe the rumors, the [[[SCP-1867|Lord Blackwood]]] once smoked some hash with Lawrence of Arabia.\n\n\n\nUnfortunately, like with everything at the Knight School, nobody can be normal about smoking weed -- everything has to be done according to the ancient ceremonial rites of West Yorkcastershire or whatever. They made me smoke weed mixed with pipe tobacco out of a bong they said was carved from Sir Lancelot's femur. It tasted like ass.\n\n\n\n**Best Strain:** //Jack Herer//. There's not much special about this one -- you can find it pretty easily on the other side of the Veil -- but the classics are classic for a reason. A piney, earthy smoke, this sativa-dominant hybrid encourages creativity and focus, and is the perfect accompaniment to a pot of Earl Grey and some Thucydides. (It's not the most popular strain at Knight School, though -- that honor goes to //Neon Slug//, a high-CBD strain that's great for relieving aches and pains after losing a joust or getting hazed by the upperclassmen.)\n\n\n\n------\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#6: 3Ports Snorth\n\n[[/div]]\n\n+++ (Three Portlands South/North Semi-Municipal Charter School)\n\n[[f>image Snorth.png width=\"150px\" title=\"3Ports Snorth\" alt=\"The logo of 3Ports Snorth\" link=\"/local--files/3ports-schools/Snorth.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Centaur\n\n**Colors:** Silver, Lemon Yellow\n\n\n\nSmoking weed at Snorth is even more of an exercise in paranoia than usual. Newer and smaller than its counterpart Weast, Snorth has fewer places to smoke and more faculty to keep an eye on students. Smoke sessions last a few minutes at best before someone notices the odor and starts hunting for you, so the weed here is selected primarily for its ability to get you high from the fewest number of hits possible.\n\n\n\nPotency alone means that Snorth doesn't make the bottom three, but I cannot emphasize enough how hard it is to actually enjoy that potency. Special appreciation must be paid to the so-called 'Snorth Snecial', a pen or mechanical pencil turned into a one-hitter, with an empty soda can stuffed with cotton covering one end to try and absorb the smell. It only kind of works, and it makes you look ridiculous.\n\n\n\n**Best Strain:** //Snour Sniesel//. Which is not named after a Pok\u00e9mon, my cousin Mike smoked this shit in the early 90s, several years before even the first Pok\u00e9mon game was released. It's the sacred duty of the Snorth snenior class to tend to the crop in the Weed Dimension, a branch-universe hidden somewhere on Snorth campus. The school's been trying to find it for years, but the Way only opens for students who aren't narcs. It can tell.\n\n\n\n----\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#5: St. Lucy's\n\n[[/div]]\n\n+++ (Saint Lucifer's Parochial School)\n\n[[f>image StLucy.png width=\"150px\" title=\"St. Lucy's\" alt=\"The logo of St. Lucy's\" link=\"/local--files/3ports-schools/StLucy.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Angel (biblically accurate)\n\n**Colors:** Silver, Sable, Scarlet\n\n\n\nThis is where things start getting interesting. This Catholic (and Anglican, and Orthodox) school has a strong focus on applied religion (read: fighting demons), which means that students have ready access to two very different types of unusual strain: weed that's been to hell, and weed that's been blessed by a priest. The former is more fun, but the latter smokes so smoothly you'd think you weren't smoking at all.\n\n\n\nThe worst part of smoking at St. Lucy's is getting caught -- Bishop Bishop will call you into his office and give you a solemn look, then launch into a whole \"I'm not mad, just disappointed\" speech that will make you feel Catholic guilt regardless of your actual religious leanings. Which is especially ironic, because I have it on good authority that Bishop Bishop smokes weed to help with the pain from spiritual wounds sustained while performing an exorcism.\n\n\n\n**Best Strain:** //Devil's Lettuce//. A sour, funky strain with sulfurous notes on the exhale. Originally cultivated in the fields of Limbo, just outside the gates of Hell, Devil's Lettuce was brought to Three Portlands by Bill Z. Bubb, a local weed dealer, possible antichrist, and former Deer Student Body President-For-Life. Best smoked with a holy water bong and a lot of irony, this weed inspires all seven of the deadly sins, but its high THC content means you won't really have the energy for anything but gluttony and sloth.\n\n\n\n----\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#4: Sidhe Prep\n\n[[/div]]\n\n+++ (Three Portlands Sidhe Preparatory School)\n\n[[f>image Sidhe.png width=\"150px\" title=\"Sidhe Prep\" alt=\"The logo of Sidhe Prep\" link=\"/local--files/3ports-schools/Sidhe.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Sassenach\n\n**Colors:** Blood Red, Snow White\n\n\n\nThey say that long ago, the Sidhe hero-king Lugh brought seeds of cannabis from Shangri-La to Avalon, where they spent many centuries growing and mutating under the influence of the island's elevated background magic. The result is a variety of weed that is neither sativa nor indica. Renowned for its potency and its rumored ability to grant prophetic visions, Avalonic weed has become scarce since the destruction of Old Avalon.\n\n\n\nUnfortunately, the Sidhe republican movement's hostility towards the Seelie Crown in New Avalon makes it much harder for the Unseelie-affiliated students of Sidhe Prep to acquire the best strains of Avalonic cannabis. While you can still find Avalonic weed here, most of the strains in use at Sidhe Prep are grown locally in Little Avalon, and just aren't as potent as Seelie cultivars.\n\n\n\nWith that said, Sidhe Prep is easily one of the best places to smoke in the city. The Unseelie have no tolerance for narcs, and the administration has a tendency to look the other way when it comes to minor acts of juvenile delinquency -- after all, most of them are (ALLEGEDLY) ex-members of the Fomorian People's Front, which (ALLEGEDLY) finances its militant operations with drug-running. Vice Principal Doolan (ALLEGEDLY the mastermind behind the Seelie Consulate Hostage Crisis, which lasted for seventeen days and was only ended by the intervention of [[[the Golem of Prague]]]) actually caught me in the middle of packing a cone, and all he did was criticize my technique.\n\n\n\n**Best Strain:** //Winter of Our Discontent//. Like most Avalonic strains, this one is named after a line from Shakespeare. It has notes of hoarfrost and pine, with a little bit of citrus on the back end; if you blow smoke rings with it, they leave an icy rime on surfaces. Inexperienced smokers tend to assume that this strain makes you paranoid, but experience shows that it actually reveals which of your friends secretly hate you for being a better writer. (It was Craig.)\n\n\n\n----\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#3: 3Ports Weast\n\n[[/div]]\n\n+++ (Three Portlands West/East Semi-Municipal Charter School)\n\n[[f>image Weast.png width=\"150px\" title=\"3Ports Weast\" alt=\"The logo of 3Ports Weast\" link=\"/local--files/3ports-schools/Weast.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Minotaur\n\n**Colors:** Gold, Steel Grey\n\n\n\nI know, you're probably surprised to see 3Ports Weast this high on the list. After all, it's partially funded by the municipal government, and is the closest thing to a public school in the city. It's run by an independent board of teachers and parents, not a shadowy cabal of wizards. In most respects, it is positively //normal//.\n\n\n\nBut it's also the oldest and largest high school in the city. Portlands teens have been smoking weed in the bathrooms of Weast since the 60s. What it lacks in exoticism, the stoner culture of 3Ports Weast more than makes up for in experience. You can always find someone ready to light up a joint, and while the student-to-teacher ratio might be unfavorable for academics, it's great for evading adult supervision. The expansive and aging campus offers an almost endless supply of places to hot box. My personal favorite? In the maintenance tunnels beneath the library, there's a eight-inch-wide crack in the wall that leads to an abandoned civil defense bunker from the 7th Occult War. Nobody goes down there, and it's full of old maps of the city that can tell you the best alleyways to use to ambush Nazis in the year 1943.\n\n\n\n**Best Strain:** //Kallisti Gold//. An old classic, a hybrid of //Acapulco Gold// and //Sour Apple//, //Kallisti Gold// was popular in the occult side of the counterculture in the late '60s and early '70s; it was recently brought back into vogue in ThreePorts by the [[[portlands-roller-derby|Legion of Dynamic Derby]]], our local Discordian roller derby team. This shit gets you high so fast you get a little dizzy -- I've heard it compared to poppers and nitrous. But after that first hit, you settle into a pleasantly psychedelic groove. It also makes you very psychically receptive, so make sure nobody around you has a negative vibe that could harsh your mellow.\n\n\n\n----\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#2: Royal Seelie\n\n[[/div]]\n\n+++ (Royal Seelie Magnet School of Three Portlands)\n\n[[f>image Seelie.png width=\"150px\" title=\"Royal Seelie Arms\" alt=\"The coat of arms of the Seelie Royal Family\" link=\"/local--files/3ports-schools/Seelie.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Questing Beast\n\n**Colors:** Gold, Royal Blue, Emerald Green\n\n\n\nDespite its vastly worse stoner culture, Royal Seelie comes in a couple places better than its Unseelie rival across town. The halls of Royal Seelie are one of the few places you can reliably find Avalonic strains of cannabis, where successive generations of elf teenagers have maintained an underground pipeline bringing in flower from New Avalon.\n\n\n\nUnfortunately, most of those teens hardcore suck -- as the name suggests, Royal Seelie is sponsored by the Seelie Royal Family. The majority of its student body are the entitled sons and daughters of New Avalon's titled nobility, and the token human students are all a bunch of posers. Finding anyone cool enough to smoke with is a real challenge -- your best bet is behind the bleachers of the swimming pool, where I was able to find a couple Selkie members of the swim team sharing a bowl and planning that year's senior prank. They swore me to secrecy about the latter, but I can promise you it will be a real laugh.\n\n\n\n**Best Strain:** //Despair Thy Charm//. Another Avalonic strain, of course. Notes of peat and mistletoe, with a citrusy finish. Smoking it reveals the manner in which your nemesis will kill you, but in that tricky prophecy way where you end up meeting your doom while trying to avoid it. Thankfully, I do not have a nemesis, so I just spent some time floating in the pool while the swim team got real anxious about their opposite numbers at Sidhe Prep stealing their skins.\n\n\n\n-----\n\n\n\n[[div class=\"unmargined\" style=\"text-align: center; font-family: 'Anton'; font-size: 275%; margin: 2px 0 5px;\"]]\n\n#1: All-Seeing High\n\n[[/div]]\n\n+++ (Adam Weishaupt Leadership Academy)\n\n[[f>image AllSeeing.png width=\"150px\" title=\"All-Seeing High\" alt=\"The logo of All-Seeing High\" link=\"/local--files/3ports-schools/AllSeeing.png\" style=\"margin: -10px 0px 5px 15px;\"]]\n\n\n\n**Mascot:** Pyramid\n\n**Colors:** Green, Gold, Black\n\n\n\nIt should come as no surprise that the Illuminati have the best weed, and their high schools are no exception. All the privileges of these shadowy puppet-masters await those students who manage to survive the grueling two-day-long entrance examination. I didn't, so I had to sneak onto the campus while the faculty were distracted conducting one of their depraved rituals. (Some sort of team-building exercise in the gym involving trust falls and guided meditation? They seemed very enthusiastic about it. Horrifying.) Once inside, it was a trivial matter to find a group of junior Illuminates to smoke with. They were more than happy to share their weed with me as soon as they were assured that I wasn't a Rosicrucian double-agent or a spy sent by Peter Thiel. (I had to look him up, I guess he founded PayPal? The Illuminati are pretty worried about him, maybe something to keep an eye on.)\n\n\n\nDiscerning which bits of gossip were deeply held secrets of the global elite and which were just the stoned ramblings of high schoolers was surprisingly difficult -- I joined in the middle of a discussion about outsider trading, which seems to be stock market fraud involving demons. For all their noble humanitarian goals, the Illuminati aren't immune to the desire to make a quick buck in the process, as I discovered when they turned around and charged me 10 bucks for smoking with them.\n\n\n\n**Best Strain:** //Alamut Black//, a highly concentrated variety of hashish prepared according to a secret alchemical formula invented by Hassan-i Sabbah, the founder of the Order of Assassins and one of the philosophical predecessors of the Illuminati. The occult cannabinoids in //Alamut Black// activate the pineal gland's production of DMT, giving you the sort of psychic-precognitive trip normally only achievable in dreams and near-death experiences. I think I saw the face of god. He told me to get my eyebrow pierced. And it looks great.\n\n\n\n----\n\n\n\nSo there you have it. If you want your kid to get optimally stoned, send them to All-Seeing High, or failing that, Weast (or Seelie Magnet if you're ok with them being a total square). If you want your kid to actually get a good education, All-Seeing High is actually still the best option, which I think probably reveals something about our society. I'm not sure what, though. But definitely something.\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=GreenWolf & ch00bakka]]\n\n\n\n> **Filename:** AllSeeing.png\n\n> **Author:** ch00bakka\n\n> **License:** CC-BY-SA 3.0\n\n> **Derivative Of:** POL_Wilamowice_COA.svg\n\n\n\n> **Filename:** POL_Wilamowice_COA.svg\n\n> **Author:** Poznaniak\n\n> **License:** CC-BY-SA 2.5\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:POL_Wilamowice_COA.svg Wikimedia Commons]\n\n\n\n------\n\n\n\n> **Filename:** Best.png\n\n> **Author:** GreenWolf\n\n> **License:** Public Domain\n\n> **Source Link:** [https://scp-wiki.wikidot.com/3ports-schools SCP Foundation Wiki]\n\n\n\n------\n\n\n\n> **Filename:** Blackwood.png\n\n> **Author:** ch00bakka\n\n> **License:** CC-BY-SA 3.0\n\n> **Derivative Of:** DE-ST 15-0-83-531 Seehausen COA.svg, Nudibranch - Nembrotha kubaryana.jpg\n\n\n\n> **Filename:** DE-ST 15-0-83-531 Seehausen COA.svg\n\n> **Author:** Unknown author (original) / Ollemarkeagle (vector)\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:DE-ST_15-0-83-531_Seehausen_COA.svg Wikimedia Commons]\n\n\n\n> **Filename:** Nudibranch - 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SCP Foundation", "url": "https://scp-wiki.wikidot.com/3ports-schools"}, "3portsplaysitself": {"created_at": "2026-06-13T02:27:00", "creator": "demolitionderpy", "domain": "scp-wiki.wikidot.com", "history": [{"author": "demolitionderpy", "author_href": "https://www.wikidot.com/user:info/demolitionderpy", "comment": "", "date": "2026-06-13T02:27:00"}, {"author": "demolitionderpy", "author_href": "https://www.wikidot.com/user:info/demolitionderpy", "comment": "", "date": "2026-06-13T02:27:00"}, {"author": "demolitionderpy", "author_href": "https://www.wikidot.com/user:info/demolitionderpy", "comment": "Added tags: are-we-cool-yet, bittersweet, goi-format, lgbt, pridefest2026. ", "date": "2026-06-13T02:43:00"}, {"author": "demolitionderpy", "author_href": "https://www.wikidot.com/user:info/demolitionderpy", "comment": "Parent page set to: \"no-wave\".", "date": "2026-06-13T02:44:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image, _licensebox. ", "date": "2026-06-13T03:15:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Added tags: three-portlands. ", "date": "2026-06-13T12:53:00"}, {"author": "demolitionderpy", "author_href": "https://www.wikidot.com/user:info/demolitionderpy", "comment": "Added tags: lgbtq. Removed tags: lgbt. ", "date": "2026-06-13T21:48:00"}, {"author": "UncannyClown", "author_href": "https://www.wikidot.com/user:info/uncannyclown", "comment": "Added tags: _are-we-cool-yet. ", "date": "2026-06-14T03:42:00"}, {"author": "QQuickSilver2", "author_href": "https://www.wikidot.com/user:info/qquicksilver2", "comment": "Added tags: _cc, _cc4. Removed tags: _image. ", "date": "2026-07-13T09:08:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _adult. ", "date": "2026-08-07T21:14:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added adult content warning per request from the adult content curation team.", "date": "2026-08-07T21:14:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: no-wave. ", "date": "2026-08-26T09:03:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "replaced license box source link", "date": "2026-10-03T20:14:00"}], "hubs": ["are-we-cool-yet-hub", "goi-formats"], "images": [], "link": "3portsplaysitself", "page_id": "1468843657", "rating": 42, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>\"EROTIC, TENDER, REVOLUTIONARY.\"</p>\n</div>\n\n<ul class=\"modal-wrapper\">\n<li class=\"unfolded\">\n<div id=\"u-adult-warning\">\n<div id=\"u-adult-header\">\n<p>ADULT CONTENT</p>\n</div>\n<div id=\"u-adult-warning-content\">\n<p>This article contains adult content that may not be suitable for all readers.</p>\n<div class=\"content-descriptor\"><span style=\"display: block\">Sexual References: Features sexual themes or language, without the depiction of sexual acts.</span><br/>\n<span style=\"display: syntax error near `{$sexually`\">Sexually Explicit: Description of sexual acts.</span><br/>\n<span style=\"display: syntax error near `{$sexual-a`\">Sexual Assault: Features non-consensual sexual acts.</span><br/>\n<span style=\"display: syntax error near `{$gore} ==`\">Gore: Depiction of blood, gore or mutilation of body parts.</span><br/>\n<span style=\"display: syntax error near `{$child-ab`\">Child Abuse: Features severe mistreatment of children.</span><br/>\n<span style=\"display: syntax error near `{$self-har`\">Self-Harm: Description of self-harm.</span><br/>\n<span style=\"display: syntax error near `{$suicide}`\">Suicide: Description of suicide.</span><br/>\n<span style=\"display: syntax error near `{$torture}`\">Torture: Description of torture.</span><br/>\n<span style=\"display: syntax error near `{$custom} `\">{$custom-content}</span></div>\n<p>If you are age 18 or above and wish to read such content, then you may click Continue to view said content.</p>\n<div class=\"foldable-list-container choice\"><a href=\"javascript:;\">Continue</a></div>\n<div class=\"choice\"><a href=\"/\">Back to Front Page</a></div>\n\n</div>\n</div>\n<br/></li>\n</ul>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong><em>Three Portlands Plays Itself</em>, 1981</strong></p>\n<p><strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/demolitionderpy\" onclick=\"WIKIDOT.page.listeners.userInfo(7502971); return false;\"><img alt=\"demolitionderpy\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7502971&amp;amp;size=small&amp;amp;timestamp=1791058454\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7502971)\"/></a><a href=\"https://www.wikidot.com/user:info/demolitionderpy\" onclick=\"WIKIDOT.page.listeners.userInfo(7502971); return false;\">demolitionderpy</a></span></p>\n<p><strong><a href=\"https://scp-wiki.wikidot.com/demolitionderpy-s-author-page\">My Author Page</a></strong></p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<h3 id=\"toc0\"><span><em>Three Portlands Plays Itself</em>, 1981</span></h3>\n<h4 id=\"toc1\"><span>Edward Thompson (1945 - 1991)</span></h4>\n<h6 id=\"toc2\"><span>Single channel colour film, duration 55 minutes</span></h6>\n</div>\n<p><em>Three Portlands Plays Itself</em> is a pornographic film which follows a young parahuman drifter (Teddy Halsted) as he hitchhikes through the eponymous anomalous enclave, experiencing numerous sexual encounters with other parahumans of varying genders. Thompson seamlessly combines scripted and non-scripted elements (including pornographic scenes involving non-actors) into the film, making <em>Portlands</em> a kind of sex-based travelogue of the city-state.</p>\n<p>New York-based Thompson aimed to contrast the repressive attitudes of his home city with the then-safe-haven of Three Portlands. When the film initially screened at The Womb (New York's oldest anart cinema, in the summer of 1981) it would have been most audiences' first time seeing queer, inter-parahuman love on the big screen. Most Western parahuman pornography up to that point was heterosexual and made solely for non-anomalous consumers in mind, and rarely, if ever, featured two parahuman partners.</p>\n<p>After its limited release in New York and Los Angeles, queer parahumans flocked to Three Portlands, forming communes and tight-knit communities within the city-state. Via the power of word of mouth, Three Portlands was now the-place-to-be for any young parahuman, queer or not, looking for community.</p>\n<p>However, due to increased corporate pressure and urban sprawl, most of these communities were displaced and destroyed by the early 90s, with most of the queer expats from the early 80s moving back to the American cities from which they came. This brief boom of queer parahuman activity in Three Portlands left a permanent mark on the city's cultural and artistic scenes, but the city quickly lost its reputation of being free and safe for queer parahumans. Recent studies suggest it is now on par to most un-Veiled American cities.</p>\n<p>Thompson, who himself briefly lived in Three Portlands, was an important pioneer in creating pornographic films made by and for parahuman audiences, with <em>Portlands</em> being the only pornographic film in the permanent collection at the National Museum of Anomalous Modern Art. Thompson passed away in 1991 at the age of 46 due to AIDS-related complications in his home city of New York.</p>\n</div>\n<div style=\"text-align: center;\">\n\n<h6 id=\"toc3\"><span>A young traveler attempts to hitch a ride on the outskirts of Three Portlands, 1984.</span></h6>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/3portsplaysitself\">Three Portlands Plays Itself, 1981</a>\" by demolitionderpy, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/3portsplaysitself\">https://scpwiki.com/3portsplaysitself</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Marlboro Man Nude Photograph by Victor Arimondi-NYC-1980.JPG<br/>\n<strong>Author:</strong> Victor Arimondi<br/>\n<strong>License:</strong> Creative Commons Attribution-Share Alike 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Marlboro_Man_Nude_Photograph_by_Victor_Arimondi-NYC-1980.JPG\">https://commons.wikimedia.org/wiki/File:Marlboro_Man_Nude_Photograph_by_Victor_Arimondi-NYC-1980.JPG</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Hitchhiker-Luxemburg-1977.jpg<br/>\n<strong>Author:</strong> Roger McLassus<br/>\n<strong>License:</strong> Creative Commons Attribution-Share Alike 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:1977_Hitchhiker-Luxemburg-1977.jpg\">https://commons.wikimedia.org/wiki/File:1977_Hitchhiker-Luxemburg-1977.jpg</a></p>\n</blockquote>\n<p>Note: These images have been edited.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:preview\">:scp-wiki:component:preview</a>\n\n|text=\"EROTIC, TENDER, REVOLUTIONARY.\"\n\n]]\n\n=====\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:adult-content-warning\">:scp-wiki:component:adult-content-warning</a>\n\n|sexual-references=1\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:centered-header-sigma-9\">:scp-wiki:component:centered-header-sigma-9</a>]]\n\n\n\n[[module CSS]]\n\n\u00a0:root {\n\n\u00a0\u00a0\u00a0\u00a0--header-title: \"Are We Cool Yet?\";\n\n\u00a0\u00a0\u00a0\u00a0--header-subtitle: \"Lesson No. 1 For The New Artist\";\n\n\u00a0\u00a0\u00a0\u00a0--titleColor: title_colour;\n\n\u00a0\u00a0\u00a0\u00a0--subtitleColor: white;\n\n\u00a0\u00a0\u00a0\u00a0--lgurl: url(URL_HERE);\n\n}\n\n[[/module]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar\">:scp-wiki:component:toggle-sidebar</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n\n\n**//Three Portlands Plays Itself//, 1981**\n\n\n\n**Author:** [[*user demolitionderpy]]\n\n\n\n**[https://scp-wiki.wikidot.com/demolitionderpy-s-author-page My Author Page]**\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n\n\n@@ @@\n\n@@ @@\n\n\n\n[[=image https://scp-sandbox-3.wikidot.com/local--files/nowaveportlands/F8AF9C4E-4C88-4718-8150-B4371DCB7A8B.jpeg width=\"400px\" align=center]]\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n[[=]]\n\n+++ //Three Portlands Plays Itself//, 1981\n\n++++\u00a0\u00a0Edward Thompson (1945 - 1991)\n\n++++++ Single channel colour film, duration 55 minutes\n\n[[/=]]\n\n\n\n//Three Portlands Plays Itself// is a pornographic film which follows a young parahuman drifter (Teddy Halsted) as he hitchhikes through the eponymous anomalous enclave, experiencing numerous sexual encounters with other parahumans of varying genders. Thompson seamlessly combines scripted and non-scripted elements (including pornographic scenes involving non-actors) into the film, making //Portlands// a kind of sex-based travelogue of the city-state.\n\n\n\nNew York-based Thompson aimed to contrast the repressive attitudes of his home city with the then-safe-haven of Three Portlands. When the film initially screened at The Womb (New York's oldest anart cinema, in the summer of 1981) it would have been most audiences' first time seeing queer, inter-parahuman love on the big screen. Most Western parahuman pornography up to that point was heterosexual and made solely for non-anomalous consumers in mind, and rarely, if ever, featured two parahuman partners. \n\n\n\nAfter its limited release in New York and Los Angeles, queer parahumans flocked to Three Portlands, forming communes and tight-knit communities within the city-state. Via the power of word of mouth, Three Portlands was now the-place-to-be for any young parahuman, queer or not, looking for community.\n\n\n\nHowever, due to increased corporate pressure and urban sprawl, most of these communities were displaced and destroyed by the early 90s, with most of the queer expats from the early 80s moving back to the American cities from which they came. This brief boom of queer parahuman activity in Three Portlands left a permanent mark on the city's cultural and artistic scenes, but the city quickly lost its reputation of being free and safe for queer parahumans. Recent studies suggest it is now on par to most un-Veiled American cities.\n\n\n\nThompson, who himself briefly lived in Three Portlands, was an important pioneer in creating pornographic films made by and for parahuman audiences, with //Portlands// being the only pornographic film in the permanent collection at the National Museum of Anomalous Modern Art. Thompson passed away in 1991 at the age of 46 due to AIDS-related complications in his home city of New York.\n\n[[/div]]\n\n\n\n[[=]]\n\n[[=image https://scp-sandbox-3.wikidot.com/local--files/nowaveportlands/IMG_2983.jpeg width=\"400px\" align=center]]\n\n++++++ A young traveler attempts to hitch a ride on the outskirts of Three Portlands, 1984.\n\n[[/=]]\n\n@@ @@\n\n@@ @@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** Marlboro Man Nude Photograph by Victor Arimondi-NYC-1980.JPG\n\n> **Author:** Victor Arimondi\n\n> **License:** Creative Commons Attribution-Share Alike 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Marlboro_Man_Nude_Photograph_by_Victor_Arimondi-NYC-1980.JPG\n\n\n\n> **Filename:** Hitchhiker-Luxemburg-1977.jpg\n\n> **Author:** Roger McLassus\n\n> **License:** Creative Commons Attribution-Share Alike 3.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:1977_Hitchhiker-Luxemburg-1977.jpg\n\n\n\nNote: These images have been edited.\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_adult", "_are-we-cool-yet", "_cc", "_cc4", "_licensebox", "are-we-cool-yet", "bittersweet", "goi-format", "lgbtq", "no-wave", "pridefest2026", "three-portlands"], "title": "Three Portlands Plays Itself, 1981 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/3portsplaysitself"}, "3rd-vesta-donation": {"created_at": "2014-07-04T22:07:00", "creator": "Dr Reach", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Uploaded multiple files.", "date": "2014-07-04T22:07:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "This is an item document. It is also SCP-1135's adaptation.", "date": "2014-07-04T22:07:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Added tags: goi2014, manna-charitable-foundation, tale. ", "date": "2014-07-04T22:08:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Parent page set to: \"manna-charitable-foundation-hub\".", "date": "2014-07-04T22:08:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Crap, title edit.", "date": "2014-07-04T22:11:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Parent page set to: \"breaking-it-down-to-me\".", "date": "2014-07-04T22:11:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Parent page set to: \"over-the-bonfire\".", "date": "2014-07-04T22:14:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Just noticed watermark image MCF-7 didn't register because of bad link. Feexed.", "date": "2014-07-06T12:16:00"}, {"author": "Crayne", "author_href": "https://www.wikidot.com/user:info/crayne", "comment": "Added tags: goi-format. Removed tags: tale. ", "date": "2014-07-10T06:39:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "Added tags: _image. ", "date": "2017-07-24T09:01:00"}, {"author": "mlister", "author_href": "https://www.wikidot.com/user:info/mlister", "comment": "Added tags: _manna-charitable-foundation. ", "date": "2018-02-18T00:07:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-10-13T01:09:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-27T00:39:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bureaucracy, science-fiction. ", "date": "2025-08-02T11:53:00"}], "hubs": ["goi-formats"], "images": [], "link": "3rd-vesta-donation", "page_id": "22869365", "rating": 35, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Amcf/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: double 2px #6bab30; width: 250px; padding: 1px 15px; margin: 30px 10px 10px 200px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p style=\"text-align: center;\"><span style=\"color:#6BAB30;\"><span style=\"font-size:70%;\"><strong>Graciously donated by the Vesta Conglomerate for the betterment Of Human Societies.</strong></span></span></p>\n</div>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Of Interest:</strong></span></span> <em>User-friendly, structural development, facilities, non-hazardous microorganism, POTENTIAL ENVIRONMENTAL HAZARD, abnormal entropy, ongoing research, ongoing programme, donation</em></p>\n<span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Asset Summary:</strong></span></span> <em>A relation of MWB Newsletter entries, written by Dr. J. Torres, Executive member of the Mission Branch, as Internal Reports, follows:</em><br/>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-fd0fd9cb7302e1d445e2a70cd8be4c15\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>MWB Newsletter Hub Torres - 55 - 3-VC-D</em></a></li>\n<li><a href=\"javascript:;\"><em>ENTRY 3-VC-AA-012</em></a></li>\n<li><a href=\"javascript:;\"><em>ENTRY 3-VC-AA-013</em></a></li>\n<li><a href=\"javascript:;\"><em>ENTRY 3-VC-AA-014</em></a></li>\n<li><a href=\"javascript:;\"><em>ENTRY 3-VC-AA-015</em></a></li>\n</ul>\n<div class=\"yui-content\">\n\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<blockquote>\n<p><span style=\"font-size:120%;\"><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">Entry Ref: 006/12/01-8-Infrastructures and Development</span></strong></span></span></p>\n</blockquote>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span>After carefully studying the 3<sup>rd</sup>VD, I can confirm two things: first, it does not require any construction materials to build with it; second, any stable ground the Vesta Seeds are planted upon will do as a source of resources for its growth, no matter what they have to grow into.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>I must admit, it is an impressive sight \u2014 seeing a mass of irregular fungal colonies grow from a patch of green paste into a wall, or a temple, or a home\u2026 in a matter of hours. The Kashimir-13 handlers must have been regaled with an incredible sight. The growing structures may look ghastly at first and their smell can be unpleasant and irritating; yet their capacities make up for any inconveniences! The thought of entire cities built of the stuff is enough to make one shiver.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Past week I gave you an impression on the characteristics of the Mason Mold and its specialized organelle, the Laviano Grid; while I can't confirm it at the time, Ruperts-2 suspects it works as the equivalent of mitochondria for the Mold, an organelle it lacks. I also believe it has other functions we have yet to confirm. I think the control-linking process that allow us to connect the VESTA application to it and allows it to cast a wireless signal for us to latch on is based on the Grid.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Today, however, I want to talk about the two problems we face when using the donation. The first one is the most evident: we must be discreet and this donation makes that hard for us. The Kashimir Programme had to be closed down because growing cities draw too much attention and, expectedly, are difficult to hide unless we have full cooperation from local authorities.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>To avoid that security problem, I recommend we use the 3<sup>rd</sup>VD to produce static structures, yes, but to program the seeds with smaller, individual structures instead of large, sprawling, self-generating urban areas. Isolated vital buildings may be erected in days (or weeks, at most) this way.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>The second problem is the safety concerns inherent to the 3<sup>rd</sup>VD. The Mason Mold is programmable thanks to the VESTA v.3.0.1 software, but not controllable at a cellular scale; could it be an infectious element? While the Vesta Conglomerate produces wonderful Abnormal Assets, we must remember what happened with the First Vesta Donation and its effects when it passed over to something so inconsequential as a wheat crop.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>While we have confirmed the 3<sup>rd</sup>VD is incapable of affecting plant life, I do not wish to test its effects on living animals. However, our colleagues at Ruperts-2 warn us that its is preferable to cover a seeded place as best as possible while the desired building grows. Special care is to be put in stopping animals, particularly plant-eating mammals, from reaching the growing 1-Vesta items. We are told they react poorly to them.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Today we managed to grow a small, cubic room with a metal door and a fixed window. Unfortunately, as this was the result of an overriding of the original designs of the v.3.0.1 software, the room had current water, electric output\u2026 and no way to cycle its air.<br/>\nWe will be working on that. Tune in for next entry in three days or so.</p>\n<hr/>\n<blockquote>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a03\u00b7</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a03\u00b7</a></div>\n<div class=\"collapsible-block-content\">\n<blockquote>\n<p>Enjoy this while you can, I have no doubt that the longer you keep this shit working, the more likely you are to get a visit from some nice gentlemen dressed all in black.</p>\n<p>no doubt there's plenty of little men in big suits who don't want us to have this and will do anything they can to make sure it stays unknown - <strong>thetruthisoutthereUSA</strong></p>\n<p><em>(no responses)</em></p>\n</blockquote>\n<blockquote>\n<p>ever since getting this for my new house, it's been known as a place where a real FUNGI hangs out. Get it? - <strong>OPALINE84</strong></p>\n<p><em>(3 responses)</em></p>\n<blockquote>\n<p>that was terrible. - <strong>atroperguy</strong></p>\n</blockquote>\n<blockquote>\n<p>I concur with troper guy. I think you just gave me cancer. - <strong>MISSIONWATCHADMIN</strong></p>\n</blockquote>\n<blockquote>\n<p>u guyz have no sense of humor. - <strong>OPALINE84</strong></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>Hey MORONS get ready to get a visit from another FOUNDATION or two - <strong>^\\boweforthewin/^</strong><br/>\n<em>(1 response)</em></p>\n<blockquote>\n<p>Hey, SCP idiot SCP calling SCP us SCP morons, SCP there's SCP no SCP such SCP thing SCP as SCP the <em><strong><span style=\"text-decoration: underline;\">SCP Foundation.</span></strong></em> Those knocking your door down must be just normal cops busting you for being stupid. - <strong>OPALINE84</strong></p>\n</blockquote>\n<blockquote>\n<p><em>Comment thread closed by <strong>MISSIONWATCHADMIN</strong> ((Sure, mate. Sure. By the way, how do you like your amnestics, in candy or just jabbed? - Also, Opal, don't crash our servers by calling a thousand skipperbots with marked words, please. It's hard enough to set parallel aetheric resonator sites in this economy to have to change them every time you feel like being funny.))</em></p>\n</blockquote>\n</blockquote>\n</div>\n</div>\n</div>\n</blockquote>\n</div>\n</div>\n<div id=\"wiki-tab-0-2\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<blockquote>\n<p><span style=\"font-size:120%;\"><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">Entry Ref: 006/12/10-2-Infrastructures and Development</span></strong></span></span></p>\n</blockquote>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span>Apologies for the late update. We had several run-ins with an Insurgent cell that wanted to purchase our Assets. While we had to resort to calling local law enforcement, which attracted attention from the other Foundation, we managed to evade further trouble by activating the self-termination program of our growing prototypes.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Fortunately enough, there have been advances. We have fixed most bugs with v.3.0.1. Skipper figured the air cycling problem out, of all people; a few lines of poorly written code in the end of the sixteenth module. The Conglomerate is not known for making user-friendly assets, but this particular program can be excruciatingly difficult to handle. In any case, we have managed to grow 'cubes', our basic housing, in under twenty hours of continued operation.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Also, we can confirm Ruperts-2 assessment: the Mason Mold generates matter, it doesn't merely transform available matter.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>I will try to tune in during the next ten or eleven days. Thanks for your understanding!</p>\n<hr/>\n<blockquote>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a02\u00b7</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a02\u00b7</a></div>\n<div class=\"collapsible-block-content\">\n<blockquote>\n<p>\"Therefore this is what the LORD says: 'I will return to Jerusalem with mercy, and there my house will be rebuilt.\" Zechariah 1:16<br/>\nGod loves you! - <strong>Father Robertson</strong></p>\n<p><em>(1 response)</em></p>\n<blockquote>\n<p>&lt;random bible quote&gt; - <strong>OPALINE87</strong></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>Hey, Jacob!<br/>\nBeen following your work for a while. Your provisional manual for the 3VD is amazing, if a a bit dense. I have a few questions about the pre-configured items and the way to modify them, whenever you're able! If you receive a message from someone who knows where were you recruited, it'll probably be me.<br/>\nHave a nice one! - <strong>gret4line</strong></p>\n<p><em>(1 response)</em></p>\n<blockquote>\n<p><em>(hidden by author)</em></p>\n</blockquote>\n</blockquote>\n</div>\n</div>\n</div>\n</blockquote>\n</div>\n</div>\n<div id=\"wiki-tab-0-3\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<blockquote>\n<p><span style=\"font-size:120%;\"><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">Entry Ref: 007/01/02-1-Infrastructures and Development</span></strong></span></span></p>\n</blockquote>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span>Happy New Year! And, again, please excuse my delay.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>We have figured out almost every piece of the code. A friend of mine from Geeks Without Bounds helped me setting up a coding-rendering application that will go alongside the VESTA program. With a bit of luck, we will be able to create new structures adapted to any needs of any programme, in a case-by-case basis.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Only a few mind-affecting parts of the code are still beyond us, for the obvious reasons. The Conglomerate is most likely not run by humans, but I feel betrayed for the lack of warnings on this matter. I've had nightmares two nights in a row and Skipper still jumps when he sees the word 'print.'<br/>\n<span style=\"white-space: pre-wrap;\"> </span>But it will be worth it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>We have been assigned to a programme in Sudan. There seems to be problem with a new emergent disease called \"the Sour\" by the locals, and it's swamping local resources; Continental wants us to move there as soon as we are done with the current Programme to deal with it. It won't take long.</p>\n<hr/>\n<blockquote>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a04\u00b7</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a04\u00b7</a></div>\n<div class=\"collapsible-block-content\">\n<blockquote>\n<p>random bible quote lol<br/>\nalso first - <strong>DRFREEMAN</strong></p>\n<p><em>(1 response)</em></p>\n<blockquote>\n<p>\"And the hilt also went in after the blade, and the fat closed over the blade, for he did not pull the sword out of his belly; and the dung came out.\" Judges, 3-22.<br/>\nIn other words: get a life, noob. &gt;:P - <strong>OPALINE87</strong></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>Torres, please contact me as soon as you can. My son got a peek at THAT part of the code and I don't know what to do. - <strong>yourgeekfriend</strong></p>\n<p><em>(1 response)</em></p>\n<blockquote>\n<p><em>(hidden by <strong>MISSIONWATCHADMIN</strong>)</em></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>I don't trust you. - <strong>anonymous</strong></p>\n<p><em>(no responses)</em></p>\n</blockquote>\n<blockquote>\n<p>After living thre years in the ruins of mi old house, the Charitable gave mi a hom.<br/>\nNow mi family and I can live in peace with a place to call ar own. A place with water, a clean, safe place with four beds and a batrom.<br/>\nI can ever thank you enoug for what you did for mi and mi neighbors.<br/>\nBles you. : ) - <em>(hidden by <strong>MISSIONWATCHADMIN</strong>)</em></p>\n<blockquote>\n<p>Dear sir or madam, please do not access this site with an unmasked or not-intelligence-enhanced computer, since it will be easily traced back to you. This server is probably being monitored, and any communication must be discreet. I've expanded the FAQ entries in your personal Mission Watch Hub to give you some pointers.</p>\n<p>Otherwise, we are glad we could help you. Keep it up! - <strong>MISSIONWATCHADMIN</strong></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>It was awesome, 5/5, would buy again - <strong>wiseandrich88</strong></p>\n<p><em>(1 comment)</em></p>\n<blockquote>\n<p>Pardon? - <strong>rabbitrabbi</strong></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>Torres, been keeping out of the game for a while and need to get a few Seeds for a Research project. Call Continental and tell them to fucking answer my cuckoos. - <strong>ruperts_33</strong><br/>\n<em>(2 comments)</em></p>\n<blockquote>\n<p>Understood. Is everything okay? - <strong>rabbitrabbi</strong></p>\n</blockquote>\n<blockquote>\n<p>Thanks! And we are okay, just a skipper raid. Mission Watch warned us in time. Everyone was gone by the time they arrived and we destroyed all we couldn't take with us. The bad part is that we lost most of our reserves. Hope the Conglomerate still produces more of the stuff, it could really solve world hunger if we planned it well.</p>\n<p>By the way, you have to try a trick we thought up here. We know the Laviano Grid can be slipped out of the Mason Mold cell, right? Well, you can put it in other cells. It's amazingly adaptable! I understand your feelings on human and animal research, so tell you what; whenever you have the time and the equipment, try to put it in a vegetable cell. It's amazing. - <strong>ruperts_33</strong></p>\n</blockquote>\n<blockquote>\n<p>Copy that. We have had some experiments, but the Grids always disappear before we can transfer it to another cell. It might take us a while; you know, pending programmes. Thanks for the comment, anyways! - <strong>rabbitrabbi</strong></p>\n</blockquote>\n</blockquote>\n</div>\n</div>\n</div>\n</blockquote>\n</div>\n</div>\n<div id=\"wiki-tab-0-4\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<blockquote>\n<p><span style=\"font-size:120%;\"><span style=\"color:#6BAB30;\"><strong><span style=\"text-decoration: underline;\">Entry Ref: 007/05/20-6-Infrastructures and Development</span></strong></span></span></p>\n</blockquote>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span>We have spent months in Sudan. I'm not entirely sure of how we actually stopped the Sour outbreak, we only had surgery until a couple of weeks ago. Apparently, it all has to do with Ruperts and Opal working together to elaborate a viable cure, and I have no idea of how they did it. Word is they struck a deal with a big American corporation that allowed us to mass test a potent retroviral with alter-physical qualities; morally dubious, I know, but effective. Combined with Aciclovir, it works as both a cure and prophylaxis. Toxicity is an issue but, since they don't need all hands to perform amputations any more, it's not my business any more. I can go back to working in my own field.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>It feels good to step out of a clean suit, for a change. And we're back working on the Vestan Donation!<br/>\n<span style=\"white-space: pre-wrap;\"> </span>We've made a great deal of progress during these months studying the limits and capacities of the 3<sup>rd</sup>VD. Practice makes perfect, after all. It is incredible how working under pressure to create isolation wards can make you learn about an asset; some times I thought the Mason Mold was actively working for us, the bugs in its code attempting to made itself as useful as possible. It was a pity to cut those functions out.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>I'm happy to report the VESTA v3.1 is almost ready. The patch will be available for download to all teams who have Vestan Seeds, so check your secure Mission Watch servers! Be certain to download the self-diagnostic tool with it and run it every day on your Seeds, too. You can never be too safe.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Actually, I must emphasize it. Let our experience serve as a warning: DO NOT ALLOW HERBIVORE MAMMALS TO COME CLOSE TO GROWING 1-VESTA STRUCTURES. Really, don't. It took us days to realize something was wrong and when we noticed we the only thing we could do to prevent further environmental damage was burning down a forest. We lost several good people doing it. I have forwarded an update to Continental and International with new instructions for careful Maintenance and Operations.<br/>\n<span style=\"white-space: pre-wrap;\"> </span>If you prevent it, though, you can consider your programme a success. And believe me, it was worth it.</p>\n<hr/>\n<blockquote>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a02\u00b7</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00b7COMMENTS:\u00a02\u00b7</a></div>\n<div class=\"collapsible-block-content\">\n<blockquote>\n<p>MY SON ATE THIS SHIT YOU BASTARDS MY TWO YEAR OLD SON ATE A FISTFUL OF THIS SHIT AND NOW HE'S JUST LAYING ON THE FLOOR<br/>\nI DON'T KNOW WHAT YOU DID TO HIM YOU MONSTERS HELP ME - <strong>guest_user</strong></p>\n<p><em>(1 response)</em></p>\n<blockquote>\n<p>Free agent dispatched to your location. Please remain where you are, they will be there in less than an hour. Restrain your son and stop him from getting any harmful objects. - <strong>rabbitrabbi</strong></p>\n</blockquote>\n<blockquote>\n<p>Comment thread closed by <strong>MISSIONWATCHADMIN</strong> ((Sick fuck, those jokes aren't funny. I hope our guy punched you hard enough.))</p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>To whomever this may concern:</p>\n<p>Your excellent work with the Third Vestan Donation has been nothing short of admirable this far. I'll be certain to comment on it with certain friends of mine who would love to assist you in a more material capacity. In any case, I wish you and your workmates the best of luck.</p>\n<p>Attentively,<br/>\nthe one you call Joe Benefactor. - <strong>guest_user</strong></p>\n<blockquote>\n<p>Comment thread closed by <strong>MISSIONWATCHADMIN</strong> ((Been a while since we last saw you around, Joe.))</p>\n</blockquote>\n</blockquote>\n</div>\n</div>\n</div>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabViewfd0fd9cb7302e1d445e2a70cd8be4c15 = new YAHOO.widget.TabView('wiki-tabview-fd0fd9cb7302e1d445e2a70cd8be4c15');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Maintenance and Operations:</strong></span></span> With regards to in-field maintenance, Vesta Donation elements undergo a change in requirements:<br/>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-0d7c54cb73a12dfde0012343ca1b127b\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>MANUAL REFERENCE SHEET</em></a></li>\n<li><a href=\"javascript:;\"><em>0-VESTA</em></a></li>\n<li><a href=\"javascript:;\"><em>1-VESTA</em></a></li>\n<li><a href=\"javascript:;\"><em>2-VESTA</em></a></li>\n</ul>\n<div class=\"yui-content\">\n\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: solid 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f8fdf8; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\"><strong><span style=\"text-decoration: underline;\">Stage 0-Vesta:</span></strong></span> The Vesta Seed Container, a glass or hard plastic sealed flask, and its contents, ten grams of Mason Mold.</p>\n<table class=\"wiki-content-table\">\n<tr>\n<td><strong><span style=\"text-decoration: underline;\">MAINTENANCE</span></strong></td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>CONCERN TYPE</strong></th>\n<th><strong>DIRECTIVE</strong></th>\n<th><strong>RECOMMENDED HANDLERS</strong></th>\n</tr>\n<tr>\n<td><strong>STORAGE</strong></td>\n<td>VESTA SEED CONTAINER MUST REMAIN CLOSED AND KEPT BELOW -30\u00baC.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></td>\n<td>Executive members.</td>\n</tr>\n<tr>\n<td><strong>WARNING</strong></td>\n<td>IF NON-PROGRAMMED (BLANK) VESTA SEED CONTAINER IS BREACHED, BURN OR EXPOSE ASSET TO CORROSIVE SUBSTANCES.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></td>\n<td>Trained executive members.</td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<td><strong><span style=\"text-decoration: underline;\">OPERATION</span></strong></td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>OPERATION TYPE</strong></th>\n<th><strong>INSTRUCTIONS</strong></th>\n<th><strong>RECOMMENDED HANDLERS</strong></th>\n</tr>\n<tr>\n<td><strong>PROGRAMMING</strong></td>\n<td>USE PROVIDED VESTA v3.1 PROGRAM IN WI-FI / INFRARED CAPABLE TERMINAL, SEARCH FOR NETWORKING DEVICE <em>\"i_want_to_grow\"</em> (UNPROGRAMMED 0-VESTA). CONFIGURE FOLLOWING INSTRUCTIONS PROVIDED BY PROGRAM.</td>\n<td>Executive members only.</td>\n</tr>\n<tr>\n<td><strong>LOCATION</strong></td>\n<td>SELECT CLEAR, NON-INHABITED, FIRM GROUND AREA EQUAL TO PROGRAMMED STRUCTURE VALUES <em>\"dim1\"</em> AND <em>\"dim2\"</em> OR COMPOUND VALUE <em>\"dim*vect\"</em> DESCRIBING COMPLEX PROJECTED AREA.</td>\n<td>Trained volunteers or Executive members.</td>\n</tr>\n<tr>\n<td><strong>ACTIVATION</strong></td>\n<td>EXCAVATE SMALL HOLE ON GROUND, THEN PLACE <span style=\"text-decoration: underline;\">OPEN</span> VESTA SEED CONTAINER ON HOLE.</td>\n<td>Members authorized by Work Group leader.</td>\n</tr>\n</table>\n</div>\n</div>\n<div id=\"wiki-tab-0-2\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: solid 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f8fdf8; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"><span style=\"color:#35B30B;\"><strong><span style=\"text-decoration: underline;\">Stage 1-Vesta:</span></strong></span> Planted Vesta Seed that has reached the critical size threshold of thirteen centimeters in diameter. Ensues an explosive growth towards the pre-programmed target volumes.<br/>\n<table class=\"wiki-content-table\">\n<tr>\n<td><strong><span style=\"text-decoration: underline;\">MAINTENANCE</span></strong></td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>CONCERN TYPE</strong></th>\n<th><strong>DIRECTIVE</strong></th>\n<th><strong>RECOMMENDED HANDLERS</strong></th>\n</tr>\n<tr>\n<td><strong>PERMANENT</strong></td>\n<td>1-VESTA STRUCTURES MUST REMAIN CLOSED TO ALL ANIMALS, HERBIVORE MAMMALS IN PARTICULAR.</td>\n<td>Volunteers and trained volunteers.</td>\n</tr>\n<tr>\n<td><strong>PERMANENT</strong></td>\n<td>1-VESTA MASS MAY NOT BE INGESTED BY HUMAN BEINGS.</td>\n<td>Volunteers.</td>\n</tr>\n<tr>\n<td><strong>WARNING</strong></td>\n<td>IF ABERRATIONS OCCUR IN 1-VESTA GROWTHS, REFER TO OPERATION CONCERNS.</td>\n<td>Executive members.</td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<td><strong><span style=\"text-decoration: underline;\">OPERATION</span></strong></td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>OPERATION TYPE</strong></th>\n<th><strong>INSTRUCTIONS</strong></th>\n<th><strong>RECOMMENDED HANDLERS</strong></th>\n</tr>\n<tr>\n<td><strong>REPROGRAMMING</strong></td>\n<td>PROGRAMMING OF 1-VESTA STRUCTURES MAY BE MODIFIED THROUGH VESTA v3.1.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></td>\n<td>Executive members.</td>\n</tr>\n<tr>\n<td><strong>WARNING</strong></td>\n<td>IF ABERRATIONS OR APPARENTLY FUNCTIONAL GROWTHS DO NOT RESPOND AS EXPECTED TO REPROGRAMMING OPERATIONS, WORK GROUP MEMBERS ARE ADVISED TO INCINERATE AND/OR DESTROY GROWTHS. ALTERNATIVELY, REPROGRAM NEARBY GROWTHS TO CONSUME UNRESPONSIVE GROWTH.</td>\n<td>Executive members.</td>\n</tr>\n</table>\n</div>\n</div>\n<div id=\"wiki-tab-0-3\" style=\"display:none\">\n\n<div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: solid 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f8fdf8; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\"><strong><span style=\"text-decoration: underline;\">Stage 2-Vesta:</span></strong></span> Once the target volumes are successfully achieved and stable, Laviano Grids grown from the original 0-Vesta Seed become dormant. At this point, this part of the related Infrastructure Programme can be considered a success, and Work Group members can proceed to <strong>a)</strong> <span style=\"text-decoration: underline;\">populate</span> the structures, <strong>b)</strong> <span style=\"text-decoration: underline;\">install</span> pertinent machinery not produced by Vesta assets and <strong>c)</strong> <span style=\"text-decoration: underline;\">encourage local population</span> to access and utilize 2-Vesta assets for their daily activities.</p>\n<table class=\"wiki-content-table\">\n<tr>\n<td><strong><span style=\"text-decoration: underline;\">MAINTENANCE</span></strong></td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>CONCERN TYPE</strong></th>\n<th><strong>DIRECTIVE</strong></th>\n<th><strong>RECOMMENDED HANDLERS</strong></th>\n</tr>\n<tr>\n<td><strong>PERMANENT</strong></td>\n<td>SUPPLY SUSTENANCE (ORGANIC AND NON-ORGANIC WASTE) PRODUCED BY RESIDENTS.</td>\n<td>All (no training).</td>\n</tr>\n<tr>\n<td><strong>WARNING</strong></td>\n<td>LOCAL POPULATION MUST BE WARNED THAT 2-VESTA ASSETS ARE CAPABLE OF RESPONDING AGGRESSIVELY AGAINST REPEATED, WILLFUL DAMAGE.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup></td>\n<td>All (no training).</td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<td><strong><span style=\"text-decoration: underline;\">OPERATION</span></strong></td>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>OPERATION TYPE</strong></th>\n<th><strong>INSTRUCTIONS</strong></th>\n<th><strong>RECOMMENDED HANDLERS</strong></th>\n</tr>\n<tr>\n<td>No Operation Concerns are noted.</td>\n<td>-</td>\n<td>-</td>\n</tr>\n</table>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabView0d7c54cb73a12dfde0012343ca1b127b = new YAHOO.widget.TabView('wiki-tabview-0d7c54cb73a12dfde0012343ca1b127b');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Safety Concerns:</strong></span></span> Safe for all in Stage 2 Assets. Restricted to trained volunteers in Stage 1 Assets. Restricted to executive personnel in Stage 0 Assets.</p>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Security Restrictions:</strong></span></span> As of 13/10/1999, Security Restrictions on the Third Vesta Donation are to be as follows:</p>\n<ul>\n<li>Only the results of finished Programmes involving Third Vesta Donation assets may be publicly announced, always as the result of a development scheme involving prefabricated buildings.</li>\n</ul>\n<ul>\n<li>All results of unfinished Programmes involving Third Vesta Donation assets identified by parties interested on its origin, its functions or its properties must be dismantled.</li>\n</ul>\n<ul>\n<li>No Programme involving Third Vesta Donation assets will attempt to create structures that behave as lethal components (namely, traps, unstable structures or weaponized structures) by design. Fortifications, however, may be produced if allowed by a majority vote of a Board meeting or the emergency orders from a Mission Director.</li>\n</ul>\n<span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Assigned to:</strong></span></span><br/>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-a05d18293185d77dec5ae412bffdef72\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>PROGRAMMES</em></a></li>\n<li><a href=\"javascript:;\"><em>CANCELLED</em></a></li>\n<li><a href=\"javascript:;\"><em>SUCCESSFUL</em></a></li>\n<li><a href=\"javascript:;\"><em>ACTIVE</em></a></li>\n</ul>\n<div class=\"yui-content\">\n\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n\n<div style=\"float: center; border: double 3px #b4deb4; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fafafa; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\"><strong>Programme Kashimir-13 (India), in an Environment-Infrastructure capacity. [CANCELLED]</strong></span> Activities reported to groups concerned with current Work Group usage of the Vesta Donation. Programme Kashimir abandoned.</p>\n</div>\n<div style=\"float: center; border: double 3px #b4deb4; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fafafa; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\"><strong>Programme Yida (Sudan), in an Environment-Infrastructure capacity. Permanent refuge and hospital erected. [CANCELLED]</strong></span> Activities reported to groups concerned with current Work Group usage of the Vesta Donation. Programme Yida dismantled.</p>\n</div>\n</div>\n<div id=\"wiki-tab-0-2\" style=\"display:none\">\n\n<div style=\"float: center; border: double 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f6fff6; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\"><strong>Programme Lekwongole-Pibor (Sudan), in an Infrastructure-Health capacity. [SUCCESSFUL]</strong></span> <em>Self-sustaining, three hospitals and fourteen clinics handed over to other non-government organizations and local workers after training was completed. Semi-permanent or permanent housing for 1000 refugees, sanitation infrastructures for all the residents of Lekwongole also completed and self-sustaining. Local workers trained in a non-anomalous capacity to maintain area and keep discreet application of the Vesta Donation. Programme model to be reproduced.</em></p>\n</div>\n</div>\n<div id=\"wiki-tab-0-3\" style=\"display:none\">\n\n<div style=\"float: center; border: double 3px #00006c; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f6f6ff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"color:#35B30B;\"><strong>Programme Laascaanood (Somalia), in an Infrastructure-Health-Research capacity. [UNDER WAY]</strong></span> Area of Laascaanood considered critical due to Medium-High Health Concerns which arose after the outbreak of the 2008 Rupert's Disease epidemic, with an estimated incidence of 3% during the past month in the Sool region and a prospective increase in the number of cases well beyond 30% in the area during this coming year. The current state of overall health in the area is severely deteriorated, and current health care structures and organization are minimum. <span style=\"text-decoration: underline;\">World Parahealth Organization personnel will join Work Group Opal-1 and study the current situation,</span> <span style=\"text-decoration: underline;\">install a base of operations</span> and <span style=\"text-decoration: underline;\">use the Third Vesta Donation to produce:</span></p>\n<ul>\n<li><span style=\"text-decoration: underline;\">Semi-permanent housing</span> for the Work Group members. Expected duration of the mission well beyond a half-year, with quarterly rotation periods.</li>\n</ul>\n<ul>\n<li><span style=\"text-decoration: underline;\">Permanent water treatment plant.</span> Local water supply polluted by Rupertine disease. Work Group advised to use Third Vesta and First CENTRes Donations to create a functional water treatment plant. If properly implemented, this combination might ensure clean water supply for the local community.</li>\n</ul>\n<ul>\n<li><span style=\"text-decoration: underline;\">Permanent sewage and sanitation infrastructures.</span></li>\n</ul>\n<ul>\n<li><span style=\"text-decoration: underline;\">A type-3 Field Hospital.</span> Use Vesta-90-08 configuration.</li>\n</ul>\n<ul>\n<li><span style=\"text-decoration: underline;\">A permanent Hospital,</span> as designed by the Continental Branch Architectural Development Office in attached files (Vesta-90-90 configuration). Location already determined by CB-ADO. Building to be registered as locally built by parties yet to be determined by CB; it will be then ceded to local authorities and staffed by local workers and/or volunteers of other non-governmental organizations. Local workers to be trained during this period.</li>\n</ul>\n<ul>\n<li><span style=\"text-decoration: underline;\">A permanent bio-fuel power plant to power all Programme components and use it as an incinerator.</span> Work Group is advised to use type-34 Power Plant. Use Vesta-73-34 configuration in a plain 13 by 10m surface.</li>\n</ul>\n<ul>\n<li>As per Security Restrictions, <span style=\"text-decoration: underline;\">no self-protection measures will be willfully implemented in these facilities.</span></li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabViewa05d18293185d77dec5ae412bffdef72 = new YAHOO.widget.TabView('wiki-tabview-a05d18293185d77dec5ae412bffdef72');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. <em>Seed remains viable in this state for ten to fifteen years.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. <strong>Author Note:</strong> <em>Non-programmed \u2014 also called \"Blank\" \u2014 Vesta Seeds can cause major environmental impact and/or disruption to local communities; if an unprogrammed Vesta Seed is released or its container broken, it must be either burnt or impregnated with highly acidic substances (such as hydrochloric acid) before it reaches Stage-1 conditions.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. <em>For further information on the VESTA v3.1 program, refer to Mission Watch Bulletin Asset Registry, entry VC3-03.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. <em>This function has been impossible to remove entirely through the operation of the VESTA v3.0.1 application.</em></div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:mcf\">:scp-wiki:theme:mcf</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: double 2px #6bab30; width: 250px; padding: 1px 15px; margin: 30px 10px 10px 200px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n= [[span style=\"color:#6BAB30;\"]][[size 70%]]**Graciously donated by the Vesta Conglomerate for the betterment Of Human Societies.**[[/span]][[/size]][[/div]]\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Of Interest:**[[/span]][[/size]] //User-friendly, structural development, facilities, non-hazardous microorganism, POTENTIAL ENVIRONMENTAL HAZARD, abnormal entropy, ongoing research, ongoing programme, donation//\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Asset Summary:**[[/span]][[/size]] //A relation of MWB Newsletter entries, written by Dr. J. Torres, Executive member of the Mission Branch, as Internal Reports, follows://\n\n[[tabview]]\n\n[[tab MWB Newsletter Hub Torres - 55 - 3-VC-D]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n\n\n[[/tab]]\n\n\n\n[[tab ENTRY 3-VC-AA-012]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]] \n\n\n\n> [[size 120%]][[span style=\"color:#6BAB30;\"]]**__Entry Ref: 006/12/01-8-Infrastructures and Development__**[[/span]][[/size]]\n\n------\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@After carefully studying the 3^^rd^^VD, I can confirm two things: first, it does not require any construction materials to build with it; second, any stable ground the Vesta Seeds are planted upon will do as a source of resources for its growth, no matter what they have to grow into. \n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@I must admit, it is an impressive sight -- seeing a mass of irregular fungal colonies grow from a patch of green paste into a wall, or a temple, or a home... in a matter of hours. The Kashimir-13 handlers must have been regaled with an incredible sight. The growing structures may look ghastly at first and their smell can be unpleasant and irritating; yet their capacities make up for any inconveniences! The thought of entire cities built of the stuff is enough to make one shiver.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Past week I gave you an impression on the characteristics of the Mason Mold and its specialized organelle, the Laviano Grid; while I can't confirm it at the time, Ruperts-2 suspects it works as the equivalent of mitochondria for the Mold, an organelle it lacks. I also believe it has other functions we have yet to confirm. I think the control-linking process that allow us to connect the VESTA application to it and allows it to cast a wireless signal for us to latch on is based on the Grid.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Today, however, I want to talk about the two problems we face when using the donation. The first one is the most evident: we must be discreet and this donation makes that hard for us. The Kashimir Programme had to be closed down because growing cities draw too much attention and, expectedly, are difficult to hide unless we have full cooperation from local authorities. \n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@To avoid that security problem, I recommend we use the 3^^rd^^VD to produce static structures, yes, but to program the seeds with smaller, individual structures instead of large, sprawling, self-generating urban areas. Isolated vital buildings may be erected in days (or weeks, at most) this way.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@The second problem is the safety concerns inherent to the 3^^rd^^VD. The Mason Mold is programmable thanks to the VESTA v.3.0.1 software, but not controllable at a cellular scale; could it be an infectious element? While the Vesta Conglomerate produces wonderful Abnormal Assets, we must remember what happened with the First Vesta Donation and its effects when it passed over to something so inconsequential as a wheat crop. \n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@While we have confirmed the 3^^rd^^VD is incapable of affecting plant life, I do not wish to test its effects on living animals. However, our colleagues at Ruperts-2 warn us that its is preferable to cover a seeded place as best as possible while the desired building grows. Special care is to be put in stopping animals, particularly plant-eating mammals, from reaching the growing 1-Vesta items. We are told they react poorly to them.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Today we managed to grow a small, cubic room with a metal door and a fixed window. Unfortunately, as this was the result of an overriding of the original designs of the v.3.0.1 software, the room had current water, electric output... and no way to cycle its air.\n\nWe will be working on that. Tune in for next entry in three days or so.\n\n------\n\n> [[collapsible show=\"\u00b7COMMENTS: 3\u00b7\" hide=\"\u00b7COMMENTS: 3\u00b7\"]]\n\n> \n\n>> Enjoy this while you can, I have no doubt that the longer you keep this shit working, the more likely you are to get a visit from some nice gentlemen dressed all in black.\u00a0\u00a0\n\n>> \n\n>> no doubt there's plenty of little men in big suits who don't want us to have this and will do anything they can to make sure it stays unknown - **thetruthisoutthereUSA**\n\n>> \n\n>> //(no responses)//\n\n> \n\n>> ever since getting this for my new house, it's been known as a place where a real FUNGI hangs out. Get it? - **OPALINE84**\n\n>> \n\n>> //(3 responses)//\n\n>> \n\n>>> that was terrible. - **atroperguy**\n\n>> \n\n>>> I concur with troper guy. I think you just gave me cancer. - **MISSIONWATCHADMIN**\n\n>> \n\n>>> u guyz have no sense of humor. - **OPALINE84**\n\n> \n\n>> Hey MORONS get ready to get a visit from another FOUNDATION or two - **^\\boweforthewin/^**\n\n>> //(1 response)//\n\n>>\n\n>>> Hey, SCP idiot SCP calling SCP us SCP morons, SCP there's SCP no SCP such SCP thing SCP as SCP the //**__SCP Foundation.__**// Those knocking your door down must be just normal cops busting you for being stupid. - **OPALINE84**\n\n>> \n\n>>> //Comment thread closed by **MISSIONWATCHADMIN** ((Sure, mate. Sure. By the way, how do you like your amnestics, in candy or just jabbed? - Also, Opal, don't crash our servers by calling a thousand skipperbots with marked words, please. It's hard enough to set parallel aetheric resonator sites in this economy to have to change them every time you feel like being funny.))//\n\n> [[/collapsible]]\n\n\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n[[tab ENTRY 3-VC-AA-013]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n\n\n> [[size 120%]][[span style=\"color:#6BAB30;\"]]**__Entry Ref: 006/12/10-2-Infrastructures and Development__**[[/span]][[/size]]\n\n------\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Apologies for the late update. We had several run-ins with an Insurgent cell that wanted to purchase our Assets. While we had to resort to calling local law enforcement, which attracted attention from the other Foundation, we managed to evade further trouble by activating the self-termination program of our growing prototypes.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Fortunately enough, there have been advances. We have fixed most bugs with v.3.0.1. Skipper figured the air cycling problem out, of all people; a few lines of poorly written code in the end of the sixteenth module. The Conglomerate is not known for making user-friendly assets, but this particular program can be excruciatingly difficult to handle. In any case, we have managed to grow 'cubes', our basic housing, in under twenty hours of continued operation.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Also, we can confirm Ruperts-2 assessment: the Mason Mold generates matter, it doesn't merely transform available matter.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@I will try to tune in during the next ten or eleven days. Thanks for your understanding!\n\n------\n\n> [[collapsible show=\"\u00b7COMMENTS: 2\u00b7\" hide=\"\u00b7COMMENTS: 2\u00b7\"]]\n\n> \n\n>> \"Therefore this is what the LORD says: 'I will return to Jerusalem with mercy, and there my house will be rebuilt.\" Zechariah 1:16\n\n>> God loves you! - **Father Robertson**\n\n>> \n\n>> //(1 response)//\n\n>>> \n\n>>> <random bible quote> - **OPALINE87**\n\n> \n\n>> Hey, Jacob!\n\n>> Been following your work for a while. Your provisional manual for the 3VD is amazing, if a a bit dense. I have a few questions about the pre-configured items and the way to modify them, whenever you're able! If you receive a message from someone who knows where were you recruited, it'll probably be me. \n\n>> Have a nice one! - **gret4line**\n\n>> \n\n>> //(1 response)//\n\n>> \n\n>>> //(hidden by author)//\n\n> [[/collapsible]]\n\n\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n[[tab ENTRY 3-VC-AA-014]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n> [[size 120%]][[span style=\"color:#6BAB30;\"]]**__Entry Ref: 007/01/02-1-Infrastructures and Development__**[[/span]][[/size]]\n\n------\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Happy New Year! And, again, please excuse my delay.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@We have figured out almost every piece of the code. A friend of mine from Geeks Without Bounds helped me setting up a coding-rendering application that will go alongside the VESTA program. With a bit of luck, we will be able to create new structures adapted to any needs of any programme, in a case-by-case basis. \n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Only a few mind-affecting parts of the code are still beyond us, for the obvious reasons. The Conglomerate is most likely not run by humans, but I feel betrayed for the lack of warnings on this matter. I've had nightmares two nights in a row and Skipper still jumps when he sees the word 'print.'\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@But it will be worth it.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@We have been assigned to a programme in Sudan. There seems to be problem with a new emergent disease called \"the Sour\" by the locals, and it's swamping local resources; Continental wants us to move there as soon as we are done with the current Programme to deal with it. It won't take long.\n\n------\n\n> [[collapsible show=\"\u00b7COMMENTS: 4\u00b7\" hide=\"\u00b7COMMENTS: 4\u00b7\"]]\n\n> \n\n>> random bible quote lol\n\n>> also first - **DRFREEMAN**\n\n>> \n\n>> //(1 response)//\n\n>> \n\n>>> \"And the hilt also went in after the blade, and the fat closed over the blade, for he did not pull the sword out of his belly; and the dung came out.\" Judges, 3-22.\n\n>>> In other words: get a life, noob. >:P - **OPALINE87** \n\n> \n\n>> Torres, please contact me as soon as you can. My son got a peek at THAT part of the code and I don't know what to do. - **yourgeekfriend**\n\n>> \n\n>> //(1 response)//\n\n>> \n\n>>> //(hidden by **MISSIONWATCHADMIN**)//\n\n> \n\n>> I don't trust you. - **anonymous**\n\n>> \n\n>> //(no responses)//\n\n> \n\n>> After living thre years in the ruins of mi old house, the Charitable gave mi a hom.\n\n>> Now mi family and I can live in peace with a place to call ar own. A place with water, a clean, safe place with four beds and a batrom. \n\n>> I can ever thank you enoug for what you did for mi and mi neighbors. \n\n>> Bles you. : ) - //(hidden by **MISSIONWATCHADMIN**)//\n\n>> \n\n>>> Dear sir or madam, please do not access this site with an unmasked or not-intelligence-enhanced computer, since it will be easily traced back to you. This server is probably being monitored, and any communication must be discreet. I've expanded the FAQ entries in your personal Mission Watch Hub to give you some pointers.\n\n>>> \n\n>>> Otherwise, we are glad we could help you. Keep it up! - **MISSIONWATCHADMIN**\n\n> \n\n>> It was awesome, 5/5, would buy again - **wiseandrich88**\n\n>> \n\n>> //(1 comment)//\n\n>> \n\n>>> Pardon? - **rabbitrabbi**\n\n> \n\n>> Torres, been keeping out of the game for a while and need to get a few Seeds for a Research project. Call Continental and tell them to fucking answer my cuckoos. - **ruperts_33**\n\n>>\n\n>> //(2 comments)//\n\n>> \n\n>>> Understood. Is everything okay? - **rabbitrabbi**\n\n>> \n\n>>> Thanks! And we are okay, just a skipper raid. Mission Watch warned us in time. Everyone was gone by the time they arrived and we destroyed all we couldn't take with us. The bad part is that we lost most of our reserves. Hope the Conglomerate still produces more of the stuff, it could really solve world hunger if we planned it well. \n\n>>> \n\n>>> By the way, you have to try a trick we thought up here. We know the Laviano Grid can be slipped out of the Mason Mold cell, right? Well, you can put it in other cells. It's amazingly adaptable! I understand your feelings on human and animal research, so tell you what; whenever you have the time and the equipment, try to put it in a vegetable cell. It's amazing. - **ruperts_33**\n\n>> \n\n>>> Copy that. We have had some experiments, but the Grids always disappear before we can transfer it to another cell. It might take us a while; you know, pending programmes. Thanks for the comment, anyways! - **rabbitrabbi**\n\n> [[/collapsible]]\n\n\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n[[tab ENTRY 3-VC-AA-015]]\n\n[[=image MCF-8.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: dashed 2px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n> [[size 120%]][[span style=\"color:#6BAB30;\"]]**__Entry Ref: 007/05/20-6-Infrastructures and Development__**[[/size]][[/span]]\n\n------\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@We have spent months in Sudan. I'm not entirely sure of how we actually stopped the Sour outbreak, we only had surgery until a couple of weeks ago. Apparently, it all has to do with Ruperts and Opal working together to elaborate a viable cure, and I have no idea of how they did it. Word is they struck a deal with a big American corporation that allowed us to mass test a potent retroviral with alter-physical qualities; morally dubious, I know, but effective. Combined with Aciclovir, it works as both a cure and prophylaxis. Toxicity is an issue but, since they don't need all hands to perform amputations any more, it's not my business any more. I can go back to working in my own field.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@It feels good to step out of a clean suit, for a change. And we're back working on the Vestan Donation!\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@We've made a great deal of progress during these months studying the limits and capacities of the 3^^rd^^VD. Practice makes perfect, after all. It is incredible how working under pressure to create isolation wards can make you learn about an asset; some times I thought the Mason Mold was actively working for us, the bugs in its code attempting to made itself as useful as possible. It was a pity to cut those functions out. \n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@I'm happy to report the VESTA v3.1 is almost ready. The patch will be available for download to all teams who have Vestan Seeds, so check your secure Mission Watch servers! Be certain to download the self-diagnostic tool with it and run it every day on your Seeds, too. You can never be too safe.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Actually, I must emphasize it. Let our experience serve as a warning: DO NOT ALLOW HERBIVORE MAMMALS TO COME CLOSE TO GROWING 1-VESTA STRUCTURES. Really, don't. It took us days to realize something was wrong and when we noticed we the only thing we could do to prevent further environmental damage was burning down a forest. We lost several good people doing it. I have forwarded an update to Continental and International with new instructions for careful Maintenance and Operations. \n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@If you prevent it, though, you can consider your programme a success. And believe me, it was worth it.\n\n------\n\n> [[collapsible show=\"\u00b7COMMENTS: 2\u00b7\" hide=\"\u00b7COMMENTS: 2\u00b7\"]]\n\n> \n\n>> MY SON ATE THIS SHIT YOU BASTARDS MY TWO YEAR OLD SON ATE A FISTFUL OF THIS SHIT AND NOW HE'S JUST LAYING ON THE FLOOR\n\n>> I DON'T KNOW WHAT YOU DID TO HIM YOU MONSTERS HELP ME - **guest_user**\n\n>> \n\n>> //(1 response)//\n\n>>> Free agent dispatched to your location. Please remain where you are, they will be there in less than an hour. Restrain your son and stop him from getting any harmful objects. - **rabbitrabbi**\n\n>> \n\n>>> Comment thread closed by **MISSIONWATCHADMIN** ((Sick fuck, those jokes aren't funny. I hope our guy punched you hard enough.))\n\n> \n\n>> To whomever this may concern:\n\n>> \n\n>> Your excellent work with the Third Vestan Donation has been nothing short of admirable this far. I'll be certain to comment on it with certain friends of mine who would love to assist you in a more material capacity. In any case, I wish you and your workmates the best of luck.\n\n>> \n\n>> Attentively,\n\n>> the one you call Joe Benefactor. - **guest_user**\n\n>>\n\n>>> Comment thread closed by **MISSIONWATCHADMIN** ((Been a while since we last saw you around, Joe.))\n\n> [[/collapsible]]\n\n\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n[[/tabview]]\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Maintenance and Operations:**[[/span]][[/size]] With regards to in-field maintenance, Vesta Donation elements undergo a change in requirements:\n\n[[tabview]]\n\n[[tab MANUAL REFERENCE SHEET]]\n\n[[=image MCF-9.png width=\"400px\"]]\n\n[[/tab]]\n\n[[tab 0-VESTA]]\n\n[[=image MCF-9.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: solid 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f8fdf8; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**__Stage 0-Vesta:__**[[/span]] The Vesta Seed Container, a glass or hard plastic sealed flask, and its contents, ten grams of Mason Mold. \n\n\n\n|| **__MAINTENANCE__** ||\n\n\n\n||~ **CONCERN TYPE** ||~ **DIRECTIVE** ||~ **RECOMMENDED HANDLERS** ||\n\n||**STORAGE**|| VESTA SEED CONTAINER MUST REMAIN CLOSED AND KEPT BELOW -30\u00baC.[[footnote]]//Seed remains viable in this state for ten to fifteen years.//[[/footnote]] || Executive members. || \n\n||**WARNING**|| IF NON-PROGRAMMED (BLANK) VESTA SEED CONTAINER IS BREACHED, BURN OR EXPOSE ASSET TO CORROSIVE SUBSTANCES.[[footnote]]**Author Note:** //Non-programmed -- also called \"Blank\" -- Vesta Seeds can cause major environmental impact and/or disruption to local communities; if an unprogrammed Vesta Seed is released or its container broken, it must be either burnt or impregnated with highly acidic substances (such as hydrochloric acid) before it reaches Stage-1 conditions.//[[/footnote]]|| Trained executive members. ||\n\n\n\n|| **__OPERATION__** ||\n\n\n\n||~ **OPERATION TYPE** ||~ **INSTRUCTIONS** ||~ **RECOMMENDED HANDLERS** || \n\n||**PROGRAMMING**|| USE PROVIDED VESTA v3.1 PROGRAM IN WI-FI / INFRARED CAPABLE TERMINAL, SEARCH FOR NETWORKING DEVICE //\"i_want_to_grow\"// (UNPROGRAMMED 0-VESTA). CONFIGURE FOLLOWING INSTRUCTIONS PROVIDED BY PROGRAM. || Executive members only. ||\n\n||**LOCATION**|| SELECT CLEAR, NON-INHABITED, FIRM GROUND AREA EQUAL TO PROGRAMMED STRUCTURE VALUES //\"dim1\"// AND //\"dim2\"// OR COMPOUND VALUE //\"dim*vect\"//\u00a0\u00a0DESCRIBING COMPLEX PROJECTED AREA. || Trained volunteers or Executive members. ||\n\n||**ACTIVATION**|| EXCAVATE SMALL HOLE ON GROUND, THEN PLACE __OPEN__ VESTA SEED CONTAINER ON HOLE.|| Members authorized by Work Group leader. ||\n\n[[/div]]\n\n[[/tab]]\n\n[[tab 1-VESTA]]\n\n[[=image MCF-9.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: solid 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f8fdf8; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**__Stage 1-Vesta:__**[[/span]] Planted Vesta Seed that has reached the critical size threshold of thirteen centimeters in diameter. Ensues an explosive growth towards the pre-programmed target volumes.\n\n|| **__MAINTENANCE__** ||\n\n\n\n||~ **CONCERN TYPE** ||~ **DIRECTIVE** ||~ **RECOMMENDED HANDLERS** ||\n\n||**PERMANENT**||1-VESTA STRUCTURES MUST REMAIN CLOSED TO ALL ANIMALS, HERBIVORE MAMMALS IN PARTICULAR.||Volunteers and trained volunteers.||\n\n||**PERMANENT**||1-VESTA MASS MAY NOT BE INGESTED BY HUMAN BEINGS.||Volunteers.||\n\n||**WARNING**||IF ABERRATIONS OCCUR IN 1-VESTA GROWTHS, REFER TO OPERATION CONCERNS. ||Executive members.||\n\n\n\n|| **__OPERATION__** ||\n\n\n\n||~ **OPERATION TYPE** ||~ **INSTRUCTIONS** ||~ **RECOMMENDED HANDLERS** || \n\n||**REPROGRAMMING**|| PROGRAMMING OF 1-VESTA STRUCTURES MAY BE MODIFIED THROUGH VESTA v3.1.[[footnote]]//For further information on the VESTA v3.1 program, refer to Mission Watch Bulletin Asset Registry, entry VC3-03.//[[/footnote]] || Executive members. ||\n\n||**WARNING**|| IF ABERRATIONS OR APPARENTLY FUNCTIONAL GROWTHS DO NOT RESPOND AS EXPECTED TO REPROGRAMMING OPERATIONS, WORK GROUP MEMBERS ARE ADVISED TO INCINERATE AND/OR DESTROY GROWTHS. ALTERNATIVELY, REPROGRAM NEARBY GROWTHS TO CONSUME UNRESPONSIVE GROWTH. || Executive members. ||[[/div]]\n\n[[/tab]]\n\n[[tab 2-VESTA]]\n\n[[=image MCF-9.png width=\"400px\"]]\n\n[[div style=\"background: url(/local--files/3rd-vesta-donation/MCF-7.png) center center no-repeat ; float: center; border: solid 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f8fdf8; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**__Stage 2-Vesta:__**[[/span]] Once the target volumes are successfully achieved and stable, Laviano Grids grown from the original 0-Vesta Seed become dormant. At this point, this part of the related Infrastructure Programme can be considered a success, and Work Group members can proceed to **a)** __populate__ the structures, **b)** __install__ pertinent machinery not produced by Vesta assets and **c)** __encourage local population__ to access and utilize 2-Vesta assets for their daily activities.\n\n\n\n|| **__MAINTENANCE__** ||\n\n\n\n||~ **CONCERN TYPE** ||~ **DIRECTIVE** ||~ **RECOMMENDED HANDLERS** ||\n\n||**PERMANENT**|| SUPPLY SUSTENANCE (ORGANIC AND NON-ORGANIC WASTE) PRODUCED BY RESIDENTS. || All (no training). ||\n\n||**WARNING**|| LOCAL POPULATION MUST BE WARNED THAT 2-VESTA ASSETS ARE CAPABLE OF RESPONDING AGGRESSIVELY AGAINST REPEATED, WILLFUL DAMAGE.[[footnote]]//This function has been impossible to remove entirely through the operation of the VESTA v3.0.1 application.//[[/footnote]] || All (no training). ||\n\n\n\n|| **__OPERATION__** ||\n\n\n\n||~ **OPERATION TYPE** ||~ **INSTRUCTIONS** ||~ **RECOMMENDED HANDLERS** || \n\n|| No Operation Concerns are noted. || - || - ||[[/div]]\n\n[[/tab]]\n\n[[/tabview]]\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Safety Concerns:**[[/span]][[/size]] Safe for all in Stage 2 Assets. Restricted to trained volunteers in Stage 1 Assets. Restricted to executive personnel in Stage 0 Assets.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Security Restrictions:**[[/span]][[/size]] As of 13/10/1999, Security Restrictions on the Third Vesta Donation are to be as follows:\n\n\n\n* Only the results of finished Programmes involving Third Vesta Donation assets may be publicly announced, always as the result of a development scheme involving prefabricated buildings.\n\n\n\n* All results of unfinished Programmes involving Third Vesta Donation assets identified by parties interested on its origin, its functions or its properties must be dismantled.\n\n\n\n* No Programme involving Third Vesta Donation assets will attempt to create structures that behave as lethal components (namely, traps, unstable structures or weaponized structures) by design. Fortifications, however, may be produced if allowed by a majority vote of a Board meeting or the emergency orders from a Mission Director.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Assigned to:**[[/span]][[/size]]\n\n[[tabview]]\n\n[[tab PROGRAMMES]]\n\n[[=image MCF-6.png width=\"400px\"]]\n\n[[/tab]]\n\n[[tab CANCELLED]]\n\n[[=image MCF-6.png width=\"400px\"]]\n\n[[div style=\"float: center; border: double 3px #b4deb4; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fafafa; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**Programme Kashimir-13 (India), in an Environment-Infrastructure capacity. [CANCELLED]**[[/span]] Activities reported to groups concerned with current Work Group usage of the Vesta Donation. Programme Kashimir abandoned.\n\n[[/div]]\n\n[[div style=\"float: center; border: double 3px #b4deb4; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #fafafa; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**Programme Yida (Sudan), in an Environment-Infrastructure capacity. Permanent refuge and hospital erected. [CANCELLED]**[[/span]] Activities reported to groups concerned with current Work Group usage of the Vesta Donation. Programme Yida dismantled.\n\n[[/div]]\n\n[[/tab]]\n\n[[tab SUCCESSFUL]]\n\n[[=image MCF-6.png width=\"400px\"]]\n\n[[div style=\"float: center; border: double 3px #006c00; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f6fff6; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**Programme Lekwongole-Pibor (Sudan), in an Infrastructure-Health capacity. [SUCCESSFUL]**[[/span]] //Self-sustaining, three hospitals and fourteen clinics handed over to other non-government organizations and local workers after training was completed. Semi-permanent or permanent housing for 1000 refugees, sanitation infrastructures for all the residents of Lekwongole also completed and self-sustaining. Local workers trained in a non-anomalous capacity to maintain area and keep discreet application of the Vesta Donation. Programme model to be reproduced.//\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n[[tab ACTIVE]]\n\n[[=image MCF-6.png width=\"400px\"]]\n\n[[div style=\"float: center; border: double 3px #00006c; width: 570px; padding: 1px 15px; margin: 10px 10px 10px 40px; font-family: sansationregular, cursive; background-color: #f6f6ff; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[span style=\"color:#35B30B;\"]]**Programme Laascaanood (Somalia), in an Infrastructure-Health-Research capacity. [UNDER WAY]**[[/span]] Area of Laascaanood considered critical due to Medium-High Health Concerns which arose after the outbreak of the 2008 Rupert's Disease epidemic, with an estimated incidence of 3% during the past month in the Sool region and a prospective increase in the number of cases well beyond 30% in the area during this coming year. The current state of overall health in the area is severely deteriorated, and current health care structures and organization are minimum. __World Parahealth Organization personnel will join Work Group Opal-1 and study the current situation,__ __install a base of operations__ and __use the Third Vesta Donation to produce:__\n\n\n\n* __Semi-permanent housing__ for the Work Group members. Expected duration of the mission well beyond a half-year, with quarterly rotation periods.\n\n\n\n* __Permanent water treatment plant.__ Local water supply polluted by Rupertine disease. Work Group advised to use Third Vesta and First CENTRes Donations to create a functional water treatment plant. If properly implemented, this combination might ensure clean water supply for the local community. \n\n\n\n* __Permanent sewage and sanitation infrastructures.__\n\n\n\n* __A type-3 Field Hospital.__ Use Vesta-90-08 configuration.\n\n\n\n* __A permanent Hospital,__ as designed by the Continental Branch Architectural Development Office in attached files (Vesta-90-90 configuration). Location already determined by CB-ADO. Building to be registered as locally built by parties yet to be determined by CB; it will be then ceded to local authorities and staffed by local workers and/or volunteers of other non-governmental organizations. Local workers to be trained during this period. \n\n\n\n* __A permanent bio-fuel power plant to power all Programme components and use it as an incinerator.__ Work Group is advised to use type-34 Power Plant. Use Vesta-73-34 configuration in a plain 13 by 10m surface.\n\n\n\n* As per Security Restrictions, __no self-protection measures will be willfully implemented in these facilities.__[[/div]]\n\n[[/tab]]\n\n[[/tabview]]\n\n\n\n[[module css]]\n\n.footnotes-footer { \n\n\u00a0\u00a0\u00a0\u00a0visibility: hidden; \n\n\u00a0\u00a0\u00a0\u00a0height: 0;\n\n\u00a0\u00a0\u00a0\u00a0padding: 0;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n}\n\n[[/module]]\n", "tags": ["_cc", "_manna-charitable-foundation", "bureaucracy", "goi-format", "goi2014", "manna-charitable-foundation", "science-fiction"], "title": "Third Vesta Donation - SCP Foundation", "url": "https://scp-wiki.wikidot.com/3rd-vesta-donation"}, "4012-the-play": {"created_at": "2025-06-20T03:25:00", "creator": "Wynths", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "import", "date": "2025-06-20T03:25:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-06-20T03:33:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "Added tags: _pseudogenesis, afterlife, goi-format, political, surrealism. ", "date": "2025-06-20T04:31:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "title edit", "date": "2025-06-20T04:48:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "text color info box", "date": "2025-06-20T04:57:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-06-20T05:04:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-06-20T05:06:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-06-20T05:19:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-10-19T17:48:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-10-19T17:48:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-10-19T17:50:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-10-19T17:51:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "SPaG: \"", "date": "2025-10-24T11:18:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2025-10-24T11:23:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "Parent page set to: \"pseudogenesis-productions-hub\".", "date": "2025-10-25T02:08:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "Added tags: pseudogenesis. ", "date": "2025-12-06T05:43:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2026-01-27T15:01:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2026-02-11T15:23:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "Added tags: _licensebox. ", "date": "2026-02-11T15:24:00"}, {"author": "Wynths", "author_href": "https://www.wikidot.com/user:info/wynths", "comment": "", "date": "2026-05-05T15:20:00"}], "hubs": ["goi-formats"], "images": [], "link": "4012-the-play", "page_id": "1459819342", "rating": 26, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>Pseudogenesis is proud to present the first-ever stage adaptation of LordStonefish's underappreciated 1964 masterwork: <em>4012!</em></p>\n</div>\n\n<div style=\"display: none\">\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0CODE</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0CODE</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: left;\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-code\">/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">BLANKSTYLE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CSS</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2021</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">By</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Placeholder</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">McD</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">HarryBlank</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Based</span><span class=\"hl-code\"> on:\n       </span><span class=\"hl-identifier\">Paperstack</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">EstrellaYoshte</span><span class=\"hl-code\">\n       </span><span class=\"hl-identifier\">Penumbra</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">EstrellaYoshte</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Montserrat</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,800;1,800&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.9</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1.6</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">; </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">; </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">; </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Montserrat', </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-title, \"R\\</span><span class=\"hl-number\">0026</span><span class=\"hl-code\"> C SITE-43\")</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">400</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-subtitle, \"SUBVERTING COMMON PRACTICE\")</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 707</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">a:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1.6</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n}\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.empty</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#999999</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2.3</span><span class=\"hl-code\">rem!important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> \n   </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n   </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n   </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n   </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">7.9</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h6</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Montserrat', </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.45</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">160</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url('https://scp-wiki.wdfiles.com/local--files/theme%</span><span class=\"hl-number\">3</span><span class=\"hl-code\">Ablankstyle/</span><span class=\"hl-number\">43</span><span class=\"hl-code\">Head.png')</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> contain</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-repeat:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-position:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 707</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">div#extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">body</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> linear-gradient(\n        to </span><span class=\"hl-string\">bottom</span><span class=\"hl-code\">,\n        </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">px</span><span class=\"hl-code\">,\n        </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">px</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">200</span><span class=\"hl-string\">px</span><span class=\"hl-code\">,\n        </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">200</span><span class=\"hl-string\">px</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-repeat:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-special\">:root</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  --</span><span class=\"hl-reserved\">timeScale:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">;\n  --</span><span class=\"hl-reserved\">timeDelay:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n  --</span><span class=\"hl-reserved\">posX:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">358</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">13</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n  --</span><span class=\"hl-reserved\">fnLinger:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">12</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\">, \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#DDD</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\">:</span><span class=\"hl-identifier\">target</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">black</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FDF6D7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-var\">#D7EFE7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-var\">#F5D8E0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.creditRate</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">PAGE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">RATING</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anchor</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> sticky</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.14</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc((</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vw - </span><span class=\"hl-number\">870</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)/</span><span class=\"hl-number\">2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-height:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vh - </span><span class=\"hl-number\">18</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">103.5</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 1290</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">visibility:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">0.9</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n}\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">YUI</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">TAB</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BASE</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;</span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">background:</span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;</span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">color:</span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;</span><span class=\"hl-reserved\">background:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">YUI</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">TAB</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CUSTOMIZATION</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">flex-wrap:</span><span class=\"hl-code\"> wrap</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">.125</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">, /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">UNSELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">HOVER</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\">, /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Listitem</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">relative</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">align-items:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.75</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n \n     </span><span class=\"hl-reserved\">text-overflow:</span><span class=\"hl-code\"> ellipsis</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">white-space:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">nowrap</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\">, /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Selection</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">SELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:active</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">---- </span><span class=\"hl-identifier\">SCROLLBAR</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar-track</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar-thumb</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#CCC</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar-thumb</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EEE</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">---- </span><span class=\"hl-identifier\">CENTER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">IMAGES</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ON</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MOBILE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">courtesy</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">EstrellaYoshte</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">PeppersGhost</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">right</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 540</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n  </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">only</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> (max-width: 600</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.scp-image-block.block-right</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">---- </span><span class=\"hl-identifier\">ACS-COLORED</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">TABLE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">DIVS</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D7EFE7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D8ECF4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FDF6D7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFDABF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#F5D8E0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">146</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-collapse:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">separate</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.top-left-box</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">.item</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">WORDS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">NO</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">LONGER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BROKEN</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">THE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CROQUEMBOUCHE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">HAS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">SPOKEN</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">word-break:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">normal</span><span class=\"hl-code\"> !important </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.avatar-hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#breadcrumbs</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.pseudocrumbs</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -- </span><span class=\"hl-identifier\">FANCY</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">THINGS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">from</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Woedenaz</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">s</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Dustjacket</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\"> -- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.fancyhr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(var(--bright-accent), </span><span class=\"hl-number\">0</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-source:</span><span class=\"hl-code\"> url('https://scp-wiki.wdfiles.com/local--files/theme%</span><span class=\"hl-number\">3</span><span class=\"hl-code\">Aflopstyle-dark/wl_hr.png')</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-repeat:</span><span class=\"hl-code\"> round round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-slice:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> fill</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fancyborder</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,</span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image:</span><span class=\"hl-code\"> url('https://scp-wiki.wdfiles.com/local--files/theme%</span><span class=\"hl-number\">3</span><span class=\"hl-code\">Aflopstyle-dark/wl_border.png') </span><span class=\"hl-number\">600</span><span class=\"hl-code\"> round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span></pre></div>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span></div>\n<div style=\"display: none;\">\n<div style=\"display: none\">\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0CODE</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0CODE</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: left;\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-code\">/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">BLANKSTYLE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CSS</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2021</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">By</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Placeholder</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">McD</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">HarryBlank</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Based</span><span class=\"hl-code\"> on:\n       </span><span class=\"hl-identifier\">Paperstack</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">EstrellaYoshte</span><span class=\"hl-code\">\n       </span><span class=\"hl-identifier\">Penumbra</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">EstrellaYoshte</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Montserrat</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,800;1,800&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.9</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1.6</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">; </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">; </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">; </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Montserrat', </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-title, \"R\\</span><span class=\"hl-number\">0026</span><span class=\"hl-code\"> C SITE-43\")</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">400</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-subtitle, \"SUBVERTING COMMON PRACTICE\")</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n  </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 707</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">a:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1.6</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n}\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.empty</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#999999</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2.3</span><span class=\"hl-code\">rem!important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> \n   </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n   </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n   </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n   </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">7.9</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h6</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Montserrat', </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.45</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">160</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url('https://scp-wiki.wdfiles.com/local--files/theme%</span><span class=\"hl-number\">3</span><span class=\"hl-code\">Ablankstyle/</span><span class=\"hl-number\">43</span><span class=\"hl-code\">Head.png')</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> contain</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-repeat:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-position:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 707</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">div#extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">body</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> linear-gradient(\n        to </span><span class=\"hl-string\">bottom</span><span class=\"hl-code\">,\n        </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">px</span><span class=\"hl-code\">,\n        </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">px</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">200</span><span class=\"hl-string\">px</span><span class=\"hl-code\">,\n        </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">200</span><span class=\"hl-string\">px</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-repeat:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-special\">:root</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  --</span><span class=\"hl-reserved\">timeScale:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">;\n  --</span><span class=\"hl-reserved\">timeDelay:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n  --</span><span class=\"hl-reserved\">posX:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">358</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">13</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n  --</span><span class=\"hl-reserved\">fnLinger:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">12</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\">, \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#DDD</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\">:</span><span class=\"hl-identifier\">target</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">black</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FDF6D7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-var\">#D7EFE7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-var\">#F5D8E0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.creditRate</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">PAGE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">RATING</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anchor</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> sticky</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.14</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc((</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vw - </span><span class=\"hl-number\">870</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)/</span><span class=\"hl-number\">2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-height:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vh - </span><span class=\"hl-number\">18</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">103.5</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 1290</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">visibility:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">0.9</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n}\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">YUI</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">TAB</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BASE</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;</span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">background:</span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;</span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">color:</span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;</span><span class=\"hl-reserved\">background:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-brackets\">{</span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-string\">inherit</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">YUI</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">TAB</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CUSTOMIZATION</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">flex-wrap:</span><span class=\"hl-code\"> wrap</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">.125</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">, /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">UNSELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">HOVER</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\">, /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Listitem</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">relative</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">align-items:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.75</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n \n     </span><span class=\"hl-reserved\">text-overflow:</span><span class=\"hl-code\"> ellipsis</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">white-space:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">nowrap</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\">, /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Selection</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">SELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:active</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\">,\n </span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">---- </span><span class=\"hl-identifier\">SCROLLBAR</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar-track</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar-thumb</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#CCC</span><span class=\"hl-code\">;\n     </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n::-</span><span class=\"hl-identifier\">webkit-scrollbar-thumb</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EEE</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">---- </span><span class=\"hl-identifier\">CENTER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">IMAGES</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ON</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MOBILE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">courtesy</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">EstrellaYoshte</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">PeppersGhost</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">right</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 540</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n  </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">only</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> (max-width: 600</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.scp-image-block.block-right</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">---- </span><span class=\"hl-identifier\">ACS-COLORED</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">TABLE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">DIVS</span><span class=\"hl-code\"> ----</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D7EFE7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D8ECF4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FDF6D7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFDABF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#F5D8E0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">146</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-collapse:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">separate</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.top-left-box</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">.item</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n  </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">WORDS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">NO</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">LONGER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BROKEN</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">THE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CROQUEMBOUCHE</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">HAS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">SPOKEN</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">word-break:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">normal</span><span class=\"hl-code\"> !important </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.avatar-hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#breadcrumbs</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.pseudocrumbs</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -- </span><span class=\"hl-identifier\">FANCY</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">THINGS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">from</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Woedenaz</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">s</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Dustjacket</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\"> -- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.fancyhr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(var(--bright-accent), </span><span class=\"hl-number\">0</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-source:</span><span class=\"hl-code\"> url('https://scp-wiki.wdfiles.com/local--files/theme%</span><span class=\"hl-number\">3</span><span class=\"hl-code\">Aflopstyle-dark/wl_hr.png')</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-repeat:</span><span class=\"hl-code\"> round round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-slice:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> fill</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fancyborder</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,</span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image:</span><span class=\"hl-code\"> url('https://scp-wiki.wdfiles.com/local--files/theme%</span><span class=\"hl-number\">3</span><span class=\"hl-code\">Aflopstyle-dark/wl_border.png') </span><span class=\"hl-number\">600</span><span class=\"hl-code\"> round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span></pre></div>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span></div>\n</div>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><span style=\"color: black\"><strong><em>4012</em>: The Play</strong></span><br/>\n<span style=\"color: black\"><strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/wynths\" onclick=\"WIKIDOT.page.listeners.userInfo(9594206); return false;\"><img alt=\"Wynths\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9594206&amp;amp;size=small&amp;amp;timestamp=1790809470\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9594206)\"/></a><a href=\"https://www.wikidot.com/user:info/wynths\" onclick=\"WIKIDOT.page.listeners.userInfo(9594206); return false;\">Wynths</a></span></span><br/>\n<span style=\"color: black\"><strong>Credits to <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/lordstonefish\" onclick=\"WIKIDOT.page.listeners.userInfo(2527320); return false;\"><img alt=\"LordStonefish\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=2527320&amp;amp;size=small&amp;amp;timestamp=1790809470\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=2527320)\"/></a><a href=\"https://www.wikidot.com/user:info/lordstonefish\" onclick=\"WIKIDOT.page.listeners.userInfo(2527320); return false;\">LordStonefish</a></span> for creating the original <a href=\"https://scp-wiki.wikidot.com/scp-4012\">SCP-4012</a>!</strong></span><br/>\n<span style=\"color: black\"><strong>Total Word Count</strong>: <a href=\"https://tinyrituals.co/blogs/tiny-rituals/angel-number-12-meaning?srsltid=AfmBOoqL7cQRzMqWYmyNMZdPL8VIGVedwqSfLuEb608rcA2KYzjBW-UL\" target=\"_blank\">12</a><a href=\"https://www.astrology.com/numerology/angel-numbers/100-meaning\" target=\"_blank\">100</a> words (according to Google Docs)</span></p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n\n<div class=\"blockquote\">\n<div class=\"script\">\n<h3 id=\"toc0\"><span>PROLOGUE.</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">1000 words.</span></p>\n<h3 id=\"toc1\"><span>INT. HOME. - BEFORE DAWN.</span></h3>\n<p>The HOUSE-LIGHTS are off, but the audience can still the dim outline of the STAGE, expanding vertically to fit from floor to ceiling.</p>\n<p>With a bang, they activate.</p>\n<p>They are dim, rose red, and reveal three levels, stairs interconnecting them. The SPOTLIGHT focuses on the top-level bedroom. It is small, cozy. Two men sleep: Micheal, whom is 35, slightly tall, skinny, messy-haired, and Jake, whom is 30, stockier, darker, neatly cropped and shaven. Micheal snores loudly \u2014 a pill bottle lies open on his bedside table.</p>\n<p>Jake winces. He opens his eyes after a beat, and sits up slightly. He rubs his eyes and, silently, leaves the bed. He sighs and looks at Micheal for a moment before putting on his clothes.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></p>\n<p>He goes to the second-level bathroom, and covers his eyes as he turns the light on. After acclimating, he washes his face, brushes his teeth, and stretches. He goes to the ground-floor kitchen, gets keys from a keyhook, and exits the home-model right.</p>\n<p>The STAGE follows him, shifting the home-model left. He goes into a parking lot and yawns as he enters an battered truck with a ladder rack and toolchest in the back. He starts it after a failed attempt.</p>\n<p>The curtain closes.</p>\n\n<h3 id=\"toc2\"><span>INT. OFFICE - WARM MORNING.</span></h3>\n<p>The HOUSE-LIGHTS shine down from across a wall of glass. It has a red target painted onto it.</p>\n<p>A row of blue private offices, facing the audience, are occupied. The gray-skinned workers wear the Foundation insignia. The center office is for Brandon\u201425, blonde, short, athletic build. He is on the phone and is mad as hell.</p>\n<h1 id=\"toc3\"><span>BRANDON</span></h1>\n<p>What do you <em>mean</em> there was a mass-exoneration? That\u2019s a couple dozen murderers they just let off the hook!</p>\n<p>A pause. Brandon shakes his head.</p>\n<h1 id=\"toc4\"><span>BRANDON</span></h1>\n<p>Insane. Can\u2019t believe they let that slide through the system.</p>\n<h1 id=\"toc5\"><span>BRANDON (CONT\u2019D)</span></h1>\n<p>So what the hell does Command expect us to do? We\u2019re not going to have enough D-Class for the explorations <em>and</em> Keter Duty! Do they really\u2014</p>\n<p>Brandon\u2019s face grows stony.</p>\n<h1 id=\"toc6\"><span>Brandon</span></h1>\n<h1 id=\"toc7\"><span>(ICILY)</span></h1>\n<p>Sir, I thought that policy\u2019d been phased out.</p>\n<p>A pause.</p>\n<h1 id=\"toc8\"><span>Brandon</span></h1>\n<p>Well, I can arrange for that\u2026 are you confident? We\u2019re understaffed as it is, sending a\u2014</p>\n<p>A pause.</p>\n<h1 id=\"toc9\"><span>Brandon (Reservedly)</span></h1>\n<p>Alright, then. I'll arrange that, Sir.</p>\n<p>Brandon pauses for a moment, nods, and hangs up the phone. He dials another number. He leans back in his chair, staring at the ceiling. It\u2019s answered; he props his head up with his hands as he speaks.</p>\n<h1 id=\"toc10\"><span>BRANDON</span></h1>\n<h1 id=\"toc11\"><span>(WORRIED)</span></h1>\n<p>Hey, Elena, execute Protocol Novena.</p>\n<h1 id=\"toc12\"><span>ELENA</span></h1>\n<p>Novena? You sure?</p>\n<h1 id=\"toc13\"><span>BRANDON</span></h1>\n<p>Yeah, \u2018tis what Eliezer told me\u2014we have no choice, the supermax we were contracted with bailed.</p>\n<h1 id=\"toc14\"><span>Elena</span></h1>\n<h1 id=\"toc15\"><span>(Irritated)</span></h1>\n<p>God, what bastards! I\u2019ll get the boys on that\u2014anyone specific?</p>\n<h1 id=\"toc16\"><span>BRANDON</span></h1>\n<p>Just the usual. Get some undocumenteds. Older, healthy people. Might do explorations with 'em.</p>\n<h1 id=\"toc17\"><span>Elena</span></h1>\n<h1 id=\"toc18\"><span>(CONTEMPTUOUSLY)</span></h1>\n<p>Got it. Make sure you expunge me from this.</p>\n<h1 id=\"toc19\"><span>Brandon</span></h1>\n<h1 id=\"toc20\"><span>(Jokingly)</span></h1>\n<p>I was on it already!</p>\n<p>Brandon hangs up the phone. His smile vanishes. He resettles his spectacles, and begins typing on his laptop.</p>\n<p>The curtains close.</p>\n\n<h3 id=\"toc21\"><span>EXT. HARDWARE STORE PARKING LOT - DAWN.</span></h3>\n<p>Jake parks as the HOUSE-LIGHTS come on. They are warm but dim, like the light of early morning. The asphalt is cracked and white with erosion. There is a van and sportscar at the storefront. The windows are blacked out. The audience\u2019s air is moist and smells of grass and exhaust.</p>\n<p>Jake exits his car while on the phone. He waits at the front of his truck</p>\n<h1 id=\"toc22\"><span>JAKE</span></h1>\n<p>Yeah, I\u2019ll get the material, Garrison. Tell Bryan I\u2019ll get his big sander too for the remodeling, but I had to go way out my way to get it. Feels like all the Home Depots are closed \u2018round these parts.</p>\n<p>Behind, another, larger van pulls in at the back.</p>\n<h1 id=\"toc23\"><span>JAKE</span></h1>\n<p>It\u2019ll be done. Shelves ain\u2019t that hard to arm, but I\u2019ll tell you, this is one silent motherfucker. I already called them asking for approval, but they ain\u2019t pick up.</p>\n<p>Behind, a man built like a linebacker taps an earpiece. He nods and walks to Jake\u2019s truck.</p>\n<h1 id=\"toc24\"><span>JAKE</span></h1>\n<p>Was checking, that\u2019s all! They\u2019ll be done by the end of the day\u2014just make sure it\u2019s what they want, alright? I dunno if it is, and that worries me a bit.</p>\n<p>The man adjusts his work-coat and checks his watch.</p>\n<h1 id=\"toc25\"><span>JAKE</span></h1>\n<p>Alright. See ya\u2019, <em>monstruo de la maza.</em></p>\n<p>The man opens the store and flashes a look at Jake. He nods up. Jake puts his phone away and hangs his pocketknife from a belt loop. The man does not hesitate as he enters with Jake.</p>\n<p>3 men exit from the truck\u2019s cabins. They look at Jake\u2019s truckbed and give a thumbs-down to the inside of the store.</p>\n<p>A minute passes as these men wait against the door. A heated conversation is heard inside the store, though it\u2019s unintelligible. One of the men cough. Jake leaves at that exact moment, and the doors slam into him, sending him to the floor.</p>\n<p>The others burst into action, seizing Jake from both ends. He thrashes wildly, only barely contained.</p>\n<h1 id=\"toc26\"><span>JAKE (RAGGED)</span></h1>\n<p>Help! Please! Someone, call\u2014</p>\n<p>He is silenced by the third man, who puts a mask over Jake\u2019s entire face. Jake goes limp after a short struggle.</p>\n<p>The larger van starts up and begins to exit the store. As it does, the third man unlocks the doors to the van and reveals a dingy interior, naught but a bench and sink. Jake is tossed inside, and two men enter the front.</p>\n<p>The \u201cstoreowner\u201d exits now, a bleeding cut across his forearm. He waves the first man over.</p>\n<h1 id=\"toc27\"><span>MTF-CAPTAIN</span></h1>\n<p>You stay here, see how many more people show up.</p>\n<h1 id=\"toc28\"><span>MTF-MEMBER</span></h1>\n<p>Yes sir!</p>\n<h1 id=\"toc29\"><span>MTF-CAPTAIN</span></h1>\n<p>While you\u2019re at it, check the guy we bagged. I\u2019m positive he has nothing, but make damn sure. And flag anyone related to him, we'll amnesticize them later.</p>\n<p>The MTF-member nods and removes a device from an unseen pocket. The Captain enters the sportscar and leaves.</p>\n<h4 id=\"toc30\"><span>END PROLOGUE.</span></h4>\n</div>\n</div>\n<h1 id=\"toc31\"><span>Pseudogenesis Productions Proudly Presents:</span></h1>\n<p><span style=\"font-size:300%;\"><em><span style=\"color: #fcca03\">4012!</span></em></span></p>\n<hr/>\n<div class=\"blockquote\">\n<h3 id=\"toc32\"><span>PREFACE.</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">333 words.</span><br/>\n<em><a href=\"https://scp-wiki.wikidot.com/scp-4012\">4012</a></em>, alternatively titled the David Lynch/LordStonefish Proposal, was a controversial novel published 3 months before the 1964 US-Presidential election. It criticized with contemporary clarity the direction in which America seemed to be heading: a future in which all humanity, mind and soul, was repressed through social and societal forces. While the author has revised it several times, the central premise has never changed.</p>\n<p>To the non-anomalous public, the book is 300 pages of dream-like prose which depict a man amidst a sea of people with huge, monstrous jaws for heads: a fine premise, and one that is taken in directions unforeseeable by even the best critic. It is well-regarded for its incisive look into family relationships, the nature of forgiveness, and the subtle criticism of the homogeneity which America enforced on her citizens, which was brand-new in its day.</p>\n<p>In the area of literary-anart, or litart, it is mostly praised and has won several awards, both for its use of dialogue-based memetic cues which were more seamless than anything its peers <em>could</em> offer, and the raw <em>power</em> behind each vivid image.</p>\n<p>While the original revision of the book was already innovative, five revisions were published, each inching closer to the vaunted title of \u201crevolutionary.\u201d In 1995, this title may well have been achieved with what would be LordStonefish\u2019s last return to the novel that started his career. That revision has the new title: \u201cTeach Ten Thousand Stars How Not To Dance\u201d, a reference to the infamous, striking image which closes the book.</p>\n<p>This stage adaptation is a labor of love from all of us, most especially Stephanie and Vivienne. Whether we know it as Teach Ten Thousand Stars, 4012, or LordStonefish\u2019s Proposal, we have all been deeply touched by this book and the impression that it made on us. Some of us even went into anart theatre as a result of reading this book.</p>\n<p>We hope this does for you what it did for us.</p>\n<p>~ Stephanie, Vivienne, Solomon, Duplo \u2014 The Pseudogenesis Crew.</p>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc33\"><span>ACT ONE, SCENE ONE</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span></p>\n<h3 id=\"toc34\"><span>EXT. FOREST PATH. \u2014 DUSK.</span></h3>\n<p>The HOUSE LIGHTS shine and illuminate the forest which surrounds the AUDIENCE. Both the lights and people sit comfortably on air. The forest is silent, sans a soft, opposite, breeze. A log CABIN sits a good distance away. Further is a lake.</p>\n<p>The dusk splays orange across the sky.</p>\n<h3 id=\"toc35\"><span>MANIFEST \u2014 JAKE. 25, blonde, blue-eyed, disheveled prisoner.</span></h3>\n<p>JAKE is manifested at the center of the stage. He walks along a path which stretches through the forest. He wears a black-blue earpiece that envelops his left ear, a light green jumpsuit with the Foundation insignia sewn on the back, and handcuffs. They clink loudly.</p>\n<p>He is merely talking, but his words are amplified.</p>\n<h1 id=\"toc36\"><span>JAKE</span></h1>\n<h1 id=\"toc37\"><span>(AWESTRICKEN)</span></h1>\n<p>Are all of the anomalies like this?</p>\n<p>A COMMANDER responds to him through the earpiece. The voice is muffled and menacing.</p>\n<h1 id=\"toc38\"><span>COMMANDER</span></h1>\n<p>No, unfortunately. It just happens that this is a Safe one.</p>\n<h1 id=\"toc39\"><span>JAKE</span></h1>\n<p>Oh.</p>\n<h1 id=\"toc40\"><span>COMMANDER</span></h1>\n<h1 id=\"toc41\"><span>(CHUCKLING)</span></h1>\n<p>Yes, it's not all sunshine.</p>\n<p>They continue in silence for a bit.</p>\n<h1 id=\"toc42\"><span>JAKE</span></h1>\n<p>Is this all that there is?</p>\n<h1 id=\"toc43\"><span>COMMANDER</span></h1>\n<p>We don\u2019t know that for certain.</p>\n<h1 id=\"toc44\"><span>COMMANDER (CONT'D)</span></h1>\n<p>Keep walking forward or I\u2019ll use that shocking device.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></p>\n<p>JAKE starts down the path.</p>\n<h1 id=\"toc45\"><span>JAKE</span></h1>\n<p>You still won't tell me what's at the end here?</p>\n<p>He continues for a while.</p>\n<h1 id=\"toc46\"><span>JAKE</span></h1>\n<h1 id=\"toc47\"><span>(Worried)</span></h1>\n<p>Why would you do all of this to investigate a cabin?</p>\n<p>Silence, so thick it might attack you.</p>\n<h1 id=\"toc48\"><span>JAKE</span></h1>\n<p>Answer me.</p>\n<p>He stops a few feet from the CABIN. There is a dock there that was obscured by a shrub. It is short, well-maintained. At its end is a BOAT. It is windshorn and has patches of blue paint over a white hull. A name is embedded into it in red letters: \u201cHOPE.\u201d</p>\n<p>A beat passes; the audience now sits some distance from the CABIN. They can see everything perfectly.</p>\n<p>JAKE stands next to the CABIN's door, some feet away from the BOAT. He perks up.</p>\n<h1 id=\"toc49\"><span>JAKE</span></h1>\n<h1 id=\"toc50\"><span>(With confusion)</span></h1>\n<p>Uh, what the fuck?</p>\n<p>He leans against the door, remaining stoic.</p>\n<h1 id=\"toc51\"><span>JAKE</span></h1>\n<p>Test connection, SALVADOR.</p>\n<p>A metallic voice answers in monotone.</p>\n<h1 id=\"toc52\"><span>SALVADOR</span></h1>\n<p>Connection: good condition. One hundred millisecond delay. Three-hundred and twenty kilobyte audio connection.</p>\n<p>JAKE looks uneasy.</p>\n<h1 id=\"toc53\"><span>JAKE</span></h1>\n<p>COMMANDER, what the <em>hell</em> are you doing? Are you ignoring me?</p>\n<p>JAKE waits a moment. The wind stops. He looks around. No one is in sight.</p>\n<p>JAKE runs at full speed due west along the LAKE\u2019s coast.</p>\n<h1 id=\"toc54\"><span>JAKE</span></h1>\n<p>Oh my god\u2026 SALVADOR, condition of the COMMANDER.</p>\n<h1 id=\"toc55\"><span>SALVADOR</span></h1>\n<p>Condition unknown.</p>\n<h1 id=\"toc56\"><span>JAKE</span></h1>\n<h1 id=\"toc57\"><span>(Hopefully)</span></h1>\n<p>Please, please, please\u2026</p>\n<p>JAKE runs as fast and as far as he can, but the earth itself does as well. Trees swim through the ground like fish in water. The dirt kicks itself up, and JAKE closes his eyes to shield himself.</p>\n<p>It takes a minute or two for him to realize he's trapped here.</p>\n<h1 id=\"toc58\"><span>JAKE</span></h1>\n<p>Wait, wha\u2026</p>\n<p>JAKE bends, panting. JAKE looks to the horizon with their hand over their eyes, inspecting.</p>\n<p>JAKE\u2019s anger turns to fear.</p>\n<h1 id=\"toc59\"><span>JAKE</span></h1>\n<p>Wait, no, wait, what the fuck\u2026 I was just\u2014</p>\n<p>The COMMANDER comes back.</p>\n<h1 id=\"toc60\"><span>COMMANDER</span></h1>\n<p>I see you\u2019ve just arrived at the LAKE.</p>\n<p>JAKE grabs at their earpiece. They wince at the subsequent shock.</p>\n<h1 id=\"toc61\"><span>COMMANDER</span></h1>\n<p>What\u2019re you doing, trying to grab at the earpiece? You should know better than that.</p>\n<h1 id=\"toc62\"><span>JAKE</span></h1>\n<p>Where?</p>\n<p>The COMMANDER breathes, and does not reply for a moment.</p>\n<h1 id=\"toc63\"><span>COMMANDER</span></h1>\n<p>\u2026 The path. I've told you this 4 goddamn times. This will be your last command.</p>\n<h1 id=\"toc64\"><span>JAKE</span></h1>\n<h1 id=\"toc65\"><span>(Disbelievingly)</span></h1>\n<p>Sir, there\u2019s no land there! You said a minute ago\u2014</p>\n<h1 id=\"toc66\"><span>COMMANDER</span></h1>\n<h1 id=\"toc67\"><span>(Forcefully)</span></h1>\n<p>Did I stutter? Continue\u2014we have not been able to acquire footage past this point. You'll be the first D-Class to transmit audiovisual information of 4012.</p>\n<h1 id=\"toc68\"><span>JAKE</span></h1>\n<p>Uh\u2026</p>\n<p>JAKE walks to the BOAT. Its windshorn paint fades as he approaches. It turns white as baptismal robes.</p>\n<h1 id=\"toc69\"><span>JAKE</span></h1>\n<p>COMMANDER, do I use the BOAT to advance forward?</p>\n<h1 id=\"toc70\"><span>COMMANDER</span></h1>\n<p>Yes. And do it quickly, my shift is going to end shortly. A new COMMANDER'll take over.</p>\n<p>JAKE begins to untie the two iron chains which bound it to the dock. He manipulates them effortlessly, the chains folding in upon themselves to free the BOAT.</p>\n<p>JAKE stops just before he releases the BOAT.</p>\n<h1 id=\"toc71\"><span>JAKE</span></h1>\n<p>Who is this new COMMANDER?</p>\n<h1 id=\"toc72\"><span>COMMANDER</span></h1>\n<p>The name is COMMANDER, and they have a COMMANDER voice and a COMMANDER patience for discipline. I recommend you do not speak at all with the COMMANDER.</p>\n<p>The words are chopped, clipped in their nature; JAKE does not acknowledge this.</p>\n<h1 id=\"toc73\"><span>JAKE</span></h1>\n<p>Alright\u2026 COMMANDER, COMMANDER\u2026</p>\n<h1 id=\"toc74\"><span>COMMANDER</span></h1>\n<p>Are you going to take that step, DISPOSABLE-ONE-TWELVE?</p>\n<h1 id=\"toc75\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>What am I going to see out there, COMMANDER?</p>\n<h1 id=\"toc76\"><span>COMMANDER</span></h1>\n<h1 id=\"toc77\"><span>(Wistfully)</span></h1>\n<p>Sunny skies and cloud-clear lines, DISPOSABLE-ONE-TWELVE.</p>\n<p>Wind whips through the theater. DISPOSABLE-ONE-TWELVE unties the BOAT, and the chain rattles. The BOAT drifts. DISPOSABLE-ONE-TWELVE jumps into it, stumbling and unsteady.</p>\n<p>The HOUSE-LIGHTS dim.</p>\n<h4 id=\"toc78\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc79\"><span>ACT ONE, SCENE TWO</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nEXT. LAKE. - DARK DUSK.</p>\n<p>DISPOSABLE-ONE-TWELVE is hunched over, rowing the BOAT on a platinum lake with all its might. It knows it cannot stop rowing. Its face is contorted, its neck chiseled in the greatest effort. Its eyes are closed so that the sweat cannot enter them. Around it are a variety of flying things. It is close to the CABIN whence it came.</p>\n<h1 id=\"toc80\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>COMMANDER, when will we get to that beautiful plastic place?</p>\n<p>The COMMANDER remains silent.</p>\n<h1 id=\"toc81\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Thank you, COMMANDER. I hope my work's good enough.</p>\n<p>DISPOSABLE-ONE-TWELVE screams, and the BOAT accelerates. There is no distinction between sweat and tears. The sound of shuffling comes from the earpiece. A few murmured voices leak through, but they are completely unintelligible.</p>\n<h1 id=\"toc82\"><span>SALVADOR</span></h1>\n<p>D-112, you are currently\u2026 75 meters from the opposite coast of the body of water. Keep going, you can do this!</p>\n<p>DISPOSABLE-ONE-TWELVE almost stops rowing, trying and failing to take a slight break. Its skin runs red.</p>\n<h1 id=\"toc83\"><span>SALVADOR</span></h1>\n<p>Motion has been detected. Disciplinary measures may be applied by your COMMANDER as seen fit.</p>\n<p>DISPOSABLE-ONE-TWELVE looks at the sky.</p>\n<p>DISPOSABLE-ONE-TWELVE takes off its earpiece and continues to row. It speaks to the air.</p>\n<h1 id=\"toc84\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Are you there? Goddamn it.</p>\n<p>The silence continues. DISPOSABLE-ONE-TWELVE becomes obviously upset at it.</p>\n<p>DISPOSABLE-ONE-TWELVE leans forward. It holds the earpiece to their mouth with one hand and passively moves the paddle with the other.</p>\n<h1 id=\"toc85\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc86\"><span>(LOUDLY)</span></h1>\n<p>You coward! How long have you left me like this?</p>\n<p>DISPOSABLE-ONE-TWELVE almost jumps forward with the power of its words.</p>\n<p>A buzz is heard.</p>\n<h1 id=\"toc87\"><span>SALVADOR</span></h1>\n<p>The connection between COMMANDER and DISPOSABLE-ONE-TWELVE has been severed for 4 hours. Would you like to reestablish the connection?</p>\n<p>DISPOSABLE-ONE-TWELVE wears the earpiece in reverse, cleaning and inserting it into their opposing ear.</p>\n<h1 id=\"toc88\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>SALVADOR, I thought I told you not to ask me stupid questions.</p>\n<h1 id=\"toc89\"><span>SALVADOR</span></h1>\n<p>Attempting to establish connection\u2026</p>\n<p>A moment passes, and a high tone is heard from the earpiece.</p>\n<p>JAKE is surprised. They wipe their face and clean themselves as the COMMANDER speaks, the dulcet tones of her voice as sweet as though they were a COMMANDER\u2019s.</p>\n<p>And they are.</p>\n<h1 id=\"toc90\"><span>COMMANDER</span></h1>\n<p>Wait\u2026 yes, yes!</p>\n<h1 id=\"toc91\"><span>JAKE</span></h1>\n<p>COMMANDER?</p>\n<h1 id=\"toc92\"><span>COMMANDER</span></h1>\n<p>My love, I cannot believe that it is you!</p>\n<p>COMMANDER chuckles; a loving chuckle, just as a COMMANDER would.</p>\n<h1 id=\"toc93\"><span>JAKE</span></h1>\n<p>COMMANDER\u2026</p>\n<h1 id=\"toc94\"><span>COMMANDER</span></h1>\n<p>DISPOSABLE-ONE-TWELVE\u2026</p>\n<h1 id=\"toc95\"><span>JAKE</span></h1>\n<p>Where have you been all this time?</p>\n<h1 id=\"toc96\"><span>COMMANDER</span></h1>\n<p>I've been trying to reach you. I wanted to help you, to give you silver and strength. But I couldn't find you 'till now.</p>\n<h1 id=\"toc97\"><span>JAKE</span></h1>\n<h1 id=\"toc98\"><span>(With a zen-like air)</span></h1>\n<p>Thank you. I\u2026 I suppose that's what I should say.</p>\n<h1 id=\"toc99\"><span>COMMANDER</span></h1>\n<h1 id=\"toc100\"><span>(Gravely)</span></h1>\n<p>I suppose too.</p>\n<p>DISPOSABLE-ONE-TWELVE leans backwards and puts their hands onto the paddles.</p>\n<h1 id=\"toc101\"><span>COMMANDER</span></h1>\n<p>Oh, oh. Please\u2014don\u2019t touch that thing!</p>\n<p>DISPOSABLE-ONE-TWELVE keeps touching the paddles.</p>\n<h1 id=\"toc102\"><span>JAKE</span></h1>\n<p>COMMANDER?</p>\n<h1 id=\"toc103\"><span>COMMANDER</span></h1>\n<p>My DISPOSABLE-ONE-TWELVE, you mustn\u2019t dabble with that. That is a dangerous thing to do.</p>\n<p>DISPOSABLE-ONE-TWELVE rows once. The BOAT moves three paces.</p>\n<p>The COMMANDER shrieks.</p>\n<h1 id=\"toc104\"><span>COMMANDER</span></h1>\n<h1 id=\"toc105\"><span>(PANICKED)</span></h1>\n<p>No! No, my DISPOSABLE, you can't do that \u2014 for <em>God's</em> sake! Do not do that again, please, my\u2026</p>\n<h1 id=\"toc106\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>COMMANDER?</p>\n<h1 id=\"toc107\"><span>COMMANDER</span></h1>\n<h1 id=\"toc108\"><span>(THANKFULLY)</span></h1>\n<p>Oh\u2026 thank you. Thank you for listening. Stay with me. I'll save you.</p>\n<h1 id=\"toc109\"><span>JAKE</span></h1>\n<p>COMMANDER?</p>\n<h1 id=\"toc110\"><span>COMMANDER</span></h1>\n<p>Please, my JAKE\u2026 what is it that troubles you?</p>\n<h1 id=\"toc111\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>What if I don\u2019t want to be saved?</p>\n<p>DISPOSABLE-ONE-TWELVE\u2019s COMMANDER gasps for a moment then reorients herself.</p>\n<h1 id=\"toc112\"><span>COMMANDER</span></h1>\n<p>What could you possibly-?</p>\n<h1 id=\"toc113\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I think I need something more.</p>\n<p>DISPOSABLE-ONE-TWELVE looks around. Nothing but the flat lake surface.</p>\n<h1 id=\"toc114\"><span>COMMANDER</span></h1>\n<p>You have it with me, DISPOSABLE-ONE-TWELVE. You have it with the story.</p>\n<p>The voice is teary. Its words crumble together.</p>\n<h1 id=\"toc115\"><span>COMMANDER</span></h1>\n<p>Thestoryneedsyou.</p>\n<h1 id=\"toc116\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc117\"><span>(REVERENTLY)</span></h1>\n<p>And if something is beyond it? What then?</p>\n<h1 id=\"toc118\"><span>COMMANDER</span></h1>\n<p>ICANNOTGOBEYONDIT!DISPOSABLE-ONE-TWELVEICANNOTJOINYOUOUTSIDE.</p>\n<h1 id=\"toc119\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I <em>don\u2019t</em> think I\u2019ll go outside\u2026</p>\n<p>DISPOSABLE-ONE-TWELVE begins to row. The BOAT speeds up, its velocity bleeding through the Upper and Lower Waters.</p>\n<h1 id=\"toc120\"><span>COMMANDER</span></h1>\n<p>ILOVEYOU.</p>\n<p>The words are synthesized.</p>\n<p>DISPOSABLE-ONE-TWELVE rows for an interminable time. Soon, DISPOSABLE-ONE-TWELVE hits the coast for which DISPOSABLE-ONE-TWELVE aimed. The BOAT seems almost to tie itself as the BOAT slows, readying its next voyage.</p>\n<h1 id=\"toc121\"><span>COMMANDER</span></h1>\n<p>PLEASEICANNOTBEARTOSEEYOUGO.INEEDYOUMORETHANLIFENEEDSCARBON.INEEDYOUMORETHANTHESKYNEEDSITSCLOUDS.</p>\n<p>DISPOSABLE-ONE-TWELVE gets out of the BOAT with a jump. The audience follows.</p>\n<h1 id=\"toc122\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>COMMANDER, I\u2019m sorry. But I can\u2019t stay with you forever. I need to live.</p>\n<h1 id=\"toc123\"><span>COMMANDER</span></h1>\n<p>OHGOD.OHGOD.ITHINKI\u2019MGOINGTOVOMITIFISEEYOUGOOUTTHEREONYOUROWN.</p>\n<p>DISPOSABLE-ONE-TWELVE enters the second forest, the one unseen until you are at its shore.</p>\n<h1 id=\"toc124\"><span>COMMANDER</span></h1>\n<p>ICAN\u2019TSEEYOUICAN\u2019TSEEYOUICAN\u2019TSEEYOU</p>\n<p>DISPOSABLE-ONE-TWELVE whistles an old tune as it strolls through the path. Around it, trees are melting in the brilliant midday orange sun. It's a beautiful day.</p>\n<h1 id=\"toc125\"><span>COMMANDER</span></h1>\n<p>ICAN\u2019TSEEYOUICAN\u2019TSEEYOUICAN\u2019TSEEYOU</p>\n<p>DISPOSABLE-ONE-TWELVE interrupts its whistling and responds to the old hag.</p>\n<h1 id=\"toc126\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>It\u2019s okay, COMMANDER. I\u2019m doing just fine out here! I promise, you don\u2019t need to worry about me so much. What about Micheal\u2014you should check on him, you know?</p>\n<p>The COMMANDER screams. DISPOSABLE-ONE-TWELVE doesn't stray. The HOUSE LIGHTS dim.</p>\n<h4 id=\"toc127\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc128\"><span>ACT ONE, SCENE THREE.</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nEXT. FOREST PATH - ORANGE &amp; MIDDAY.</p>\n<p>The audience sits in a real theater and in real, plush chairs now. They watch the play occur on a massive STAGE which stretches past their field of vision and into the horizon.</p>\n<p>DISPOSABLE-ONE-TWELVE walks down a path. Around it are hundreds of trees. Triangles are cut into their leaves. The antiseptic scent and the freshly-set plastic is overpowering.</p>\n<p>Other paths are visible through small gaps in the foliage. There is a humanoid <em>Cymothoa exigua</em> and tardigrade. They are only visible for a moment, then they vanish into nothing.</p>\n<p>Markings appear on the trees as DISPOSABLE-ONE-TWELVE continues. They are meandering things, unknown in any tongue. They wander towards coherence as DISPOSABLE-ONE-TWELVE ambulates.</p>\n<p>As it continues walking, whistling to itself as it goes on, the forest begins gathering. Animals skitter about. A few birdgurgles are heard. It is serene.</p>\n<p>The plaques begin displaying intelligible text. First, Pheonician. Then, Koine Greek. Latin. Etruscan. Franciscan Runes. Then: Old, and King\u2019s, and modern English.</p>\n<p>They describe the plants around them clinically, ascribing dead words to living things. The plants are not green, they display a presence of chlorophyll. The bark isn\u2019t peeling, it is exposing the hard resin and silicone shell around the xylem and phylum.</p>\n<h1 id=\"toc129\"><span>COMMANDER</span></h1>\n<p>Where are you? Can you\u2014</p>\n<p>DISPOSABLE-ONE-TWELVE removes its earpiece. It handles it for a moment, then puts it in its back pocket.</p>\n<p>The birdsong is deep and pulsating, a massage to the ears.</p>\n<p>There is another.</p>\n<p>A shape comes from the distance, and DISPOSABLE-ONE-TWELVE freezes. It leans towards a tree, then decides against it. It runs towards the shape.</p>\n<p>As it gets closer, it notices that the shape is humanoid, and that it has stopped. It\u2019s scared.</p>\n<p>The two of it stop some distance apart, enough for each to see the other.</p>\n<p>The shape was a skinless human\u2014red, white, and striated\u2014with the same dimensions as DISPOSABLE-ONE-TWELVE. It wears a blue plaid shirt and an unbuttoned brown coat over it. The coat has a pen-pocket and shoulder pads stitched onto it. A large mouth with canine teeth and a long, slender tongue that flops about takes up its whole face. Its neck is pencil-thick and its trapezius and deltoids are pronounced.</p>\n<p>It gulps, then emits a high-pitched whine that is more technological than biological. This is its mode of speech.</p>\n<h1 id=\"toc130\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>What are you doing out here? Surely you\u2019ve a place to go?</p>\n<p>It screeches for a few seconds, wobbly in its pitch and volume.</p>\n<h1 id=\"toc131\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>What? Why\u2026 why would you <em>do</em> that?</p>\n<p>It clicks and screeches.</p>\n<h1 id=\"toc132\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>That\u2019s ridiculous. Look, I\u2019m trying to go there myself.</p>\n<p>It screams.</p>\n<h1 id=\"toc133\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Yes I\u2019m sure! Quite frankly, I\u2019m not taking directions from some bitch yuppie like you. I\u2019ve got quite the affair waiting for me, and I would not like to delay it a minute.</p>\n<h1 id=\"toc134\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Hey\u2026 You wouldn\u2019t mind if you gave me a couple pointers on its direction? I\u2019m quite sure of where I should go, but I\u2019d like to make sure.</p>\n<p>DISPOSABLE-ONE-TWELVE walks toward the MOUTH-ENTITY. It retracts its tongue into its mouth, and removes from its pen-pocket a pen.</p>\n<p>It surveys for a bit, then rears back its head and shoots out its tongue at a nearby tree. It reels the tongue back, a piece of bark attached to it.</p>\n<p>It envelops its thin, wiry nerves around the pen. It draws.</p>\n<p>The map is crude but workable.</p>\n<p>DISPOSABLE-ONE-TWELVE lifts its head to the MOUTH-ENTITY, a small sign of thanks. The MOUTH-ENTITY replies with a gurgle, and starts walking again.</p>\n<p>DISPOSABLE-ONE-TWELVE continues down the path.</p>\n\n<p>DISPOSABLE-ONE-TWELVE has put the earpiece back on. Around it, other MOUTH-ENTITIES fly and stumble through the foliage. If they fall, they do not get up. They are variously dressed, a deluge of normative representations. It is every character you have ever seen on the TV.</p>\n<p>Some make silent cries. One stretches their tongue out, an apparent gesture of welcoming. None ever stop; they may be incapable of that.</p>\n<p>DISPOSABLE-ONE-TWELVE taps on the earpiece, and a connection is established. It is silent.</p>\n<p>DISPOSABLE-ONE-TWELVE comes nearly to the end of the path. In front of it, far on the backstage, is a grand gate, ringed at the top with 12 gemstones. Among them is jasper, chalcedony, and jacinth.</p>\n<h1 id=\"toc135\"><span>COMMANDER</span></h1>\n<p>Why did you ignore us?</p>\n<p>She is dejected, dead.</p>\n<h1 id=\"toc136\"><span>COMMANDER</span></h1>\n<p>Don\u2019t you\u2014no. I don\u2019t think you\u2019re the boy I knew. Not anymore.</p>\n<p>DISPOSABLE-ONE-TWELVE leaves the forest behind it. For a moment, it pauses.</p>\n<h1 id=\"toc137\"><span>COMMANDER</span></h1>\n<h1 id=\"toc138\"><span>(GRATEFULLY, HOPEFULLY)</span></h1>\n<p>You, you stopped. Please, keep doing that! You don\u2019t need to go to those gates\u2014you can still be saved!</p>\n<h1 id=\"toc139\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I thought I told you a long time ago what I thought about that.</p>\n<h1 id=\"toc140\"><span>DISPOSABLE</span></h1>\n<p>Please, no, don\u2019t do this to yourself! You have a home with Mic\u2014</p>\n<p>The HOUSE slams shut.</p>\n<h4 id=\"toc141\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc142\"><span>ACT ONE, SCENE FOUR</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nEXT. WALL. - AFTERNOON.</p>\n<p>DISPOSABLE-ONE-TWELVE is at the gates to <span style=\"text-decoration: line-through;\">his</span> dreams. Greenery abounds. Non-white sky. There is a toll collector's station next to it. Around it are various mouth-entities that wear straw hats and gardener's gloves.</p>\n<h1 id=\"toc143\"><span>COMMANDER</span></h1>\n<p>I cannot leave my seat now. I cannot, DISPOSABLE-ONE-TWELVE.</p>\n<p>DISPOSABLE-ONE-TWELVE removes a blank business card from its breast pocket. The mouth-entity standing in the booth opens its mouth twice.</p>\n<h1 id=\"toc144\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I enjoyed talking to you too.</p>\n<p>The gates swing open. DISPOSABLE-ONE-TWELVE enters, and what is beyond the barred gates is now visible. Its COMMANDER whimpers.</p>\n<h1 id=\"toc145\"><span>COMMANDER</span></h1>\n<p>DISPOSABLE-ONE-TWELVE, do you really hate me that much? Enough to do this to me?</p>\n<p>DISPOSABLE-ONE-TWELVE retrieves a set of keys from its pockets, and opens the door of a black 2010 BMW X6 M.</p>\n<h1 id=\"toc146\"><span>COMMANDER</span></h1>\n<p>Why.</p>\n<p>DISPOSABLE-ONE-TWELVE begins to drive. The STAGE seems to expand, taking it into itself. The <span style=\"text-decoration: line-through;\">2010 BMW X6 M</span> BOAT goes 30, then 60, then 90.</p>\n<p>It remains motionless.</p>\n<h1 id=\"toc147\"><span>COMMANDER</span></h1>\n<p>I remember when you were very little, DISPOSABLE-ONE-TWELVE, you smiled.</p>\n<p>DISPOSABLE-ONE-TWELVE does not look back. It is responsible.</p>\n<h1 id=\"toc148\"><span>COMMANDER</span></h1>\n<p>It was a long time ago, wasn't it? I didn't feel like it was, but it went by so quicky. You learned to betray me so fucking fast.</p>\n<p>DISPOSABLE-ONE-TWELVE stops. It is at a crossroads. The left road goes upward, the right downward. Somehow, the audience is able to see both perspective clearly. The right leads off of the mountain. The left ascends into the heavens.</p>\n<h1 id=\"toc149\"><span>COMMANDER</span></h1>\n<p>You're going to do it again, aren't you?</p>\n<h1 id=\"toc150\"><span>COMMANDER (CONT'D)</span></h1>\n<p>You always liked to follow me about<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup>, and I got angry at it. I really did. But I don't think I ever did anything untoward, anything unfair. I\u2026 I don't know what to make of this. I don't know how I can get you to stop.</p>\n<p>DISPOSABLE-ONE-TWELVE restarts the BOAT. It shifts into the ninth gear, and the BOAT begins to climb. The STAGE shifts to accommodate DISPOSABLE-ONE-TWELVE's vertical driving.</p>\n<p>DISPOSABLE-ONE-TWELVE and the BOAT show no signs of being affected by the 85-degree incline, and the BOAT progresses as normally as if it'd been driven on a flat road.</p>\n<h1 id=\"toc151\"><span>COMMANDER</span></h1>\n<p>You were always my little rebellious shit.</p>\n<p>Stomachs lurch as the seating accelerates to move upwards with the BOAT. It climbs for a long while, and it never stops speeding up.</p>\n<p>The shifting stops; DISPOSABLE-ONE-TWELVE shoots past the STAGE.</p>\n\n<p>EXT. ROAD.</p>\n<p>It is at an intersection with a few others, an advanced form of the old dirt path. The MOUTH-ENTITIES look wildly about and drive perfectly. Some of them carry shadows in their cars, indiscernable at this distance. All you know is that they are child-sized.</p>\n<h1 id=\"toc152\"><span>COMMANDER</span></h1>\n<p>JAKE. Come back to me. You can still save yourself.</p>\n<p>The COMMANDER breathes heavy, controlled breaths for a moment. She then disconnects the line.</p>\n<p>DISPOSABLE-ONE-TWELVE removes the ear piece due to lack of stimulus.</p>\n<p>The line reconnects.</p>\n<h1 id=\"toc153\"><span>SALVADOR</span></h1>\n<p>Connecting via Bluetooth to the BOAT. Please hold!</p>\n<h1 id=\"toc154\"><span>MICHEAL</span></h1>\n<h1 id=\"toc155\"><span>(RELIEVED)</span></h1>\n<p>JAKE! Oh my god babe, are you alright? I, uh, I\u2019ve been so <em>fucking</em> worried about you all this time! You just up-and-up-disappeared for god-knows-how-long and then these government-people came knockin\u2019 at the door, and they were sayin\u2019 that they\u2019d-managed-to find you-their-coworker<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> but they needed some help from me? I don\u2019t\u2026</p>\n<p>His stomach drops.</p>\n<h1 id=\"toc156\"><span>MICHEAL</span></h1>\n<p>\u2026Are you there?</p>\n<p>JAKE decelerates. It is nearing <em>the</em> destination.</p>\n<h1 id=\"toc157\"><span>MICHEAL</span></h1>\n<p>Are you driving right now? What\u2019s, what\u2019s happening?</p>\n<p>JAKE stares forward.</p>\n<h1 id=\"toc158\"><span>JAKE</span></h1>\n<p>Oh hey, Myke! I remember you from the game, man. How\u2019ve you been?</p>\n<p>Silence, for a moment.</p>\n<h1 id=\"toc159\"><span>MICHEAL</span></h1>\n<p>Jake, what the fuck is going on? What game\u2014no, you aren't even a sporthead, <em>I</em> was the one trying to get you to go to that Salvador game. You\u2014</p>\n<h1 id=\"toc160\"><span>JAKE</span></h1>\n<p>Yeah, that\u2019s nice, man! Now, listen, I\u2019m out here with this <em>really hot</em> chick, and she\u2019s been telling me all night to go over to her place. She calls herself Sam. I was thinking, man, wouldn\u2019t it be neat if you just let me crash at \u2018er place for a second? She's in a good neighborhood, she's got some cute kids\u2014bro, she's got a canal!</p>\n<h1 id=\"toc161\"><span>JAKE (CONT'D)</span></h1>\n<p>It\u2019d be neat\u2026</p>\n<p>Micheal walks away from the phone, the audience can hear him setting it down on the counter. The earpiece still transmits audio.</p>\n<p>DISPOSABLE-ONE-TWELVE begins driving home to her place.</p>\n<h1 id=\"toc162\"><span>MICHEAL</span></h1>\n<p>[\u2026] That\u2019s not him! You\u2019ve [\u2026] <em>wrong</em> guy, please <em>fucking</em> listen [\u2026] Best estimations. If it isn\u2019t, then [\u2026] He\u2019s not lost, is he? [\u2026] goes well. We <em>have</em> been able to put a location to him\u2014 \u2014THEN WHY ARE YOU [\u2026] Soil, road conditions are horrible. [\u2026] Frankly, we don\u2019t even know if it <em>is</em> [\u2026] GET YOUR FUCKING HANDS OFF ME! LET ME GO! YOU CAN\u2019T LOCK ME UP IN MY FUCKING HOUSE!</p>\n<p>And the line disconnects. DISPOSABLE-ONE-TWELVE exits and turns left.</p>\n<h4 id=\"toc163\"><span>END SCENE.</span></h4>\n</div>\n<hr/>\n<div class=\"blockquote\">\n<h3 id=\"toc164\"><span>FURTHER INFO:</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">333 words.</span><br/>\nThe revision we have adapted is the 1995 revision, the last one written by the original author. It was inspired by many subjects he studied later in life, with the works of <a href=\"https://en.wikipedia.org/wiki/William_Julius_Wilson\" target=\"_blank\">William Julius Wilson</a>, <a href=\"https://en.wikipedia.org/wiki/Technopoly#\" target=\"_blank\">Neil Postman\u2019s Technopoly</a>, and <a href=\"https://en.wikipedia.org/wiki/Samuel_G._Freedman#Works\" target=\"_blank\">Samuel G. Freedman\u2019s Small Victories</a> playing a major role in his later work and making appearances in this last revision in the form of a more fleshed out father-son dynamic.</p>\n<p>He became a heavy critic of what \"the early Internet and media depictions of violence trended towards.\" Fueled by rage he felt at seeing coverage of the 1991-92 Gulf War on daytime television, he wrote several critically-acclaimed essays both on his personal website and in any newspaper that would print them, with the sole condition that the issues containing them be free.</p>\n<p>He wanted to spread as far as possible his belief that America would lose its spirit to digital commodification and escapism. His initial theories of collectivization of thought by social pressure and widespread governmental propaganda seemed flawed, and he believed that the Internet and the culture it would bring would finally be the device with which human liberty was diminished.</p>\n<p>Whether that has happened, is, of course, up to interpretation. He would cringe at social media and the rapidfire pace of thought now\u2014he famously wrote a great deal on \u201cintellectual bubblegum\u201d and its detrimental effect on the collective attention span\u2014but he might also praise corporations for having removed power over people from the government now, not realizing that his training to be skeptical of legal organizations would now have to be liberally applied to corporate entities.</p>\n<p>Whatever he would think of the situation now, we can all agree on one thing; it is a goddamned shame that he is not around to give us more of his thoughts on the matter. The closest thing we have now is from 1995. That is why we have adapted that revision\u2014it is the closest thing we have to a relevant <em>and</em> recognizable LordStonefish book.</p>\n</div>\n<hr/>\n<div class=\"script\">\n<h3 id=\"toc165\"><span>ACT TWO, SCENE ONE</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nINT. HOUSE.</p>\n<p>A wife-entity awaits DISPOSABLE-ONE-TWELVE. DISPOSABLE-ONE-TWELVE remains stoic as it's hugged by her.</p>\n<p>The COMMANDER's breathing staggers. She barely avoids vomiting.</p>\n<p>To DISPOSABLE-ONE-TWELVE's front is a standard American High-Ceiling living room. It stretches fifteen feet above DISPOSABLE-ONE-TWELVE's head.</p>\n<p>A rug is at its center, and the rug is ringed with blue couches. A very small mouth-entity lays on the rug, bouncing a Walmart-branded ball. A teenaged mouth entity sits on the couch, and holds up its hand as DISPOSABLE-ONE-TWELVE walks in. There is no acknowledgement.</p>\n<p>War is on the flatscreen, stage left.</p>\n<p>DISPOSABLE-ONE-TWELVE sits next to the teenaged mouth entity, and eagerly watches the images on the screen. An older mouth-entity, still oozing juice, stands in a flat desert, and great black shapes loom in the sky.</p>\n<p>The SON-ENTITY screams at his father.</p>\n<h1 id=\"toc166\"><span>SON-ENTITY</span></h1>\n<p>Yeah\u2026 look at that one, I guess they\u2019re pretty cool, ain\u2019t they?</p>\n<h1 id=\"toc167\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I always thought that they were magnificent too. Look at how big that one is! How many bombs do you think go in that one?</p>\n<p>The SON-ENTITY screams at his father.</p>\n<h1 id=\"toc168\"><span>SON-ENTITY</span></h1>\n<p>Not that many, hopefully. I\u2019d say 10.</p>\n<h1 id=\"toc169\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Maybe. I think it\u2019s more than that. I think they\u2019ll never run out, not if they\u2019re from <em>this</em> country.</p>\n<h1 id=\"toc170\"><span>COMMANDER</span></h1>\n<h1 id=\"toc171\"><span>(DESPAIRING)</span></h1>\n<p>I thought you were better than this, love.</p>\n<p>The SON-ENTITY screams at DISPOSABLE-ONE-TWELVE. Rage flashes on its face. It swallows and continues in a quiet, rough voice.</p>\n<h1 id=\"toc172\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Shut the fuck up, you goddamned pussy\u2014don\u2019t think that simply because you\u2019ve grown you can backtalk me now. Just enjoy it.</p>\n<p>The teenage mouth entity stands down and sits barely on the couch. It is disinterested in the war footage; this goes unnoticed.</p>\n<p>The wife-entity comes behind DISPOSABLE-ONE-TWELVE. The COMMANDER is unsteady, but breaths consciously and irregularly. She is trying.</p>\n<h1 id=\"toc173\"><span>COMMANDER</span></h1>\n<p>Please. Don\u2019t let her touch you. My love, are you still in there?<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup></p>\n<p>DISPOSABLE-ONE-TWELVE does not so much as depress its shoulders as the wife-entity begins massaging it, high-pitched gurgling coming from her mouth as it lingers closely to its ear. She rubs her chest against <span style=\"text-decoration: line-through;\">his</span> neck, a bulge growing under the dress.</p>\n<h1 id=\"toc174\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Tonight, my dear. Tonight.</p>\n<p>The wife-entity disengage and leans at the side of the stage, waiting.</p>\n<p>Suddenly, the SON-ENTITY goes into a frenzy of bouncing and chirping\u2014an aerial shot of a town is on the screen! DISPOSABLE-ONE-TWELVE smiles. The television expands. The wife-entity exits stage left.</p>\n<h1 id=\"toc175\"><span>SON-ENTITY</span></h1>\n<p><span style=\"text-decoration: line-through;\">No!</span></p>\n<h1 id=\"toc176\"><span>COMMANDER</span></h1>\n<p>No!</p>\n<h1 id=\"toc177\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Come on\u2026 I know my men can do it\u2026</p>\n<p>A shape like the ones before swoops over the town. It drops a small black pellet which stops just above the ground and cardboard roofs of the pastel-tinted box-homes.</p>\n<h1 id=\"toc178\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc179\"><span>(EXCITEDLY)</span></h1>\n<p>Yes! Yes! Yes! <em>The tech worked!</em></p>\n<p>Many little streams of red exit the pellet, and they seek out people in the streets, latching onto their forearms, their thighs, their spine\u2019s base, their eyes. People run out of their homes. Peoples\u2019 skin greys and bones slough as the blood is sucked directly out of their bodies.</p>\n<p>The SON-ENTITY claps once as the trails retract into the bomb, and then, in a great show, it explodes\u2014the explosion is a maroon blip that lasts less than two seconds. It is small, pathetic, and efficient. A smile tugs at DISPOSABLE-ONE-TWELVE\u2019s cheeks</p>\n<p>On the TV, the buildings break. There is no more evidence the desert was ever populated.</p>\n<p>The baby bounces the Walmart ball, glimpsing at the screen as it contracts back to its normal position. It coos.</p>\n<h1 id=\"toc180\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I told you, you simply needed to wait for the big moment! I\u2019m sure that you understand now, yes?</p>\n<p>The SON-ENTITY assents.</p>\n<h1 id=\"toc181\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Good.</p>\n<p>A bell rings. Dinner is ready. DISPOSABLE-ONE-TWELVE picks the baby up from the puddle of fluids on the rug, and the three of them exit stage left.</p>\n\n<p>The wife-entity leaves the kitchenette into the dining room with a pot of boiling porridge. It is composed of writhing white worms.<br/>\nA few of them get onto the table, their slime leaving imprints on it. The baby picks them off with her tongue, and the SON-ENTITY picks them into his plate.</p>\n<p>DISPOSABLE-ONE-TWELVE does not eat.</p>\n<h1 id=\"toc182\"><span>COMMANDER</span></h1>\n<p>You know you shouldn\u2019t be here. Please, you need to wake up. My DISPOSABLE-ONE-TWELVE, you <em>need</em> to wake up!</p>\n<p>The rest eat in silence. They are voracious.</p>\n<h1 id=\"toc183\"><span>COMMANDER</span></h1>\n<p>Don\u2019t. Please, don\u2019t.</p>\n<p>DISPOSABLE-ONE-TWELVE stands and goes into the kitchenette. It staches its bowl in the fridge and wordlessly exits stage right. The teenaged-mouth-entity clicks. The wife-entity does not respond. He puts two empty plates in the sink, raises the baby, and exits stage left.</p>\n<p>The wife-entity dumps her plate into the sink. She grabs a bottle from a medicine cabinet and takes three tablets in rapid succession. She stumbles, grabs the counter, then reorients herself. She limps as she exits stage right.</p>\n<h4 id=\"toc184\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc185\"><span>ACT TWO, SCENE TWO</span></h3>\n<hr/>\n<p><span style=\"font-size:75%;\">800 words</span></p>\n<h3 id=\"toc186\"><span>EXT. PARK. \u2014 CLEAR NOON.</span></h3>\n<p>The STAGE is covered in a luscious, impossibly well-trimmed grass, and the back has been given to the trees. Centerstage is a simple pavilion. Blackened wood are the support beams, and chewed mud is its glue. The sun shines clearly around it, making the grass almost yellow. A soft eastern wind cuts through both the STAGE and the audience, but the plants don\u2019t move.</p>\n<p>Under the pavilion are barely distinguishable MOUTH-ENTITIES wearing suits and DISPOSABLE-ONE-TWELVE. He sits at one of the benches strewn under the shade. A suited mouth-entity cooks hamburgers on the grill and sets them into a plate; the rest of the MOUTH-ENTITIES dine over a substance similar to the wife-entity\u2019s porridge, stored in large KFC chicken buckets.. DISPOSABLE-ONE-TWELVE and his partner are audible over the din of muttering and slobbering.</p>\n<h1 id=\"toc187\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc188\"><span>(DREAMILY)</span></h1>\n<p>You know, I\u2019m glad to be back here.</p>\n<h1 id=\"toc189\"><span>PARTNER</span></h1>\n<p>Parameters unclear; gratitude?</p>\n<p>DISPOSABLE-ONE-TWELVE lets out a hearty chuckle.</p>\n<h1 id=\"toc190\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Yes, I wouldn\u2019t believe it either, but it seems like that decision has been rewarded tenfold. Consider: I would have <em>never</em> healed myself as fast as I did without it.</p>\n<p>The PARTNER cocks his head and then goes on eating.</p>\n<h1 id=\"toc191\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Oh, I know I would have eventually gotten back into the world of business, but it helps to be expedited, you know? With family, I\u2019m not punished much for\u2026 <em>ignoring</em> whatever, but with you\u2026</p>\n<h1 id=\"toc192\"><span>PARTNER</span></h1>\n<p>Goodwise understood, Twelve; half of family are deaf.</p>\n<p>DISPOSABLE-ONE-TWELVE nods wisely. PARTNER grabs a mouthful of worms from the KFC bucket and goes on.</p>\n<h1 id=\"toc193\"><span>PARTNER</span></h1>\n<p>Upthink! Downchance that you are negatived. Chance you are negatived? Go to real family.</p>\n<h1 id=\"toc194\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc195\"><span>(Slowly)</span></h1>\n<p>It\u2019s always an option, isn\u2019t it?</p>\n<h1 id=\"toc196\"><span>PARTNER</span></h1>\n<p>Closedthinkers unlear-ned are uncapable of goodsortwise protest.</p>\n<h1 id=\"toc197\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>But I don\u2019t know! Are they truly unsalvageable?</p>\n<h1 id=\"toc198\"><span>PARTNER</span></h1>\n<p>(KNIFEFUL)<br/>\nNo.</p>\n<h1 id=\"toc199\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You have to wonder though, don\u2019t you?</p>\n<h1 id=\"toc200\"><span>PARTNER</span></h1>\n<h1 id=\"toc201\"><span>(ANTEHATE)</span></h1>\n<p>Yes. We can, will, see.</p>\n<h1 id=\"toc202\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Hey, at least I managed to tune in, didn\u2019t I?</p>\n<p>They both snicker at the remark. The PARTNER nods and wipes his tongue over his face.</p>\n<h1 id=\"toc203\"><span>PARTNER</span></h1>\n<p>Plusyes: little ability to allful understand exists.</p>\n<h1 id=\"toc204\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I know, I know, And it was\u2026 <em>so hard</em>, friend, it really was.</p>\n<h1 id=\"toc205\"><span>PARTNER (CONFUSED)</span></h1>\n<p>Hearing?</p>\n<h1 id=\"toc206\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Yes! You must have had some difficulties trying to listen in the past, haven\u2019t you?</p>\n<h1 id=\"toc207\"><span>PARTNER</span></h1>\n<p>Unagree.</p>\n<h1 id=\"toc208\"><span>DISPOSABLE-ONE-TWELVE (CONTEMPLATIVE)</span></h1>\n<p>Huh\u2026 Really?</p>\n<p>They are silent for a while. PARTNER goes to grab another KFC worm bucket, and he throws food into his maw as DISPOSABLE-ONE-TWELVE beats rhythmically on the table and looks to the back.</p>\n<h1 id=\"toc209\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You know, you can tell me if you <em>have</em> had that issue before, right? I, uhm, I\u2019m sure you can agree.</p>\n<h1 id=\"toc210\"><span>PARTNER</span></h1>\n<p>Confession: I have no family.</p>\n<h1 id=\"toc211\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I see.</p>\n<h1 id=\"toc212\"><span>DISPOSABLE-ONE-TWELVE (CONT\u2019D)</span></h1>\n<p>Uhm\u2026 I should count my blessings, shouldn\u2019t I?</p>\n<h1 id=\"toc213\"><span>PARTNER</span></h1>\n<p>Recommended!</p>\n<p>A pause. Some of the suited MOUTH-ENTITIES rise, salute to the west, and stack their KFC buckets on the floor by the grill. DISPOSABLE-ONE-TWELVE bows its head over the table and almost immediately sits back up.</p>\n<h1 id=\"toc214\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I\u2019m quite bad at it.</p>\n<h1 id=\"toc215\"><span>PARTNER</span></h1>\n<p>Reattempt?</p>\n<p>DISPOSABLE-ONE-TWELVE rises from the bench and looks to the audience.</p>\n<h1 id=\"toc216\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I don\u2019t know if that would be of any real use. I\u2026 I admit, I don\u2019t think counting my blessings has done anything for me.</p>\n<p>PARTNER shrinks back, clearly surprised.</p>\n<h1 id=\"toc217\"><span>PARTNER</span></h1>\n<p>Elaborate?</p>\n<p>It hesitates for a second, then continues\u2014reinvigorated, anxious to explain and persuade.</p>\n<h1 id=\"toc218\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Well, do you know how it is when you come to the house and you have a bitch of a son, and your wife has to pop the pills, and you pass up the canal?</p>\n<p>PARTNER nods.</p>\n<h1 id=\"toc219\"><span>DISPOSABLE-ONE-TWELVE (CONT\u2019D)</span></h1>\n<p>If you don\u2019t know, friend, that feeling's surely anger. That is surely anger. It\u2019s not bad, I\u2019m not convinced of that, but it is there and it would like to take over\u2014doesn\u2019t it like to consume homes of wood, PARTNER?</p>\n<p>PARTNER nods.</p>\n<h1 id=\"toc220\"><span>DISPOSABLE-ONE-TWELVE (CONT\u2019D)</span></h1>\n<p>It can\u2019t be their fault that I am mute and deaf, that much is certain. But can I know that they are truly okay?</p>\n<h1 id=\"toc221\"><span>PARTNER</span></h1>\n<p>Doubleplussurewise!</p>\n<p>DISPOSABLE-ONE-TWELVE shakes its head and paces in frustration. PARTNER follows it.</p>\n<h1 id=\"toc222\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>There is but one solution, one thing which compensates for my difficulty and hardness of heart. And I pray that it works, though I am mute for God.</p>\n<h1 id=\"toc223\"><span>PARTNER</span></h1>\n<p>Answer?</p>\n<h1 id=\"toc224\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc225\"><span>(DETERMINED)</span></h1>\n<p>I <em>will</em> rise! I tell you, PARTNER, this little retreat is not enough! I need to\u2026 learn, I need to acclimate to the speech and the sounds and the burning smell of iron and plasma.</p>\n<h1 id=\"toc226\"><span>PARTNER</span></h1>\n<p>Curious.</p>\n<p>DISPOSABLE-ONE-TWELVE straightens its shirt with a deft motion and pats its pockets. PARTNER waits.</p>\n<h1 id=\"toc227\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I will serve my people.</p>\n<p>The wind dies down. DISPOSABLE-ONE-TWELVE is the last person remaining in the shade. It steps out slowly. It looks to the sky.</p>\n<h4 id=\"toc228\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc229\"><span>ACT TWO, SCENE THREE</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nINT. OFFICE - COLD MORNING.</p>\n<p>The audience looks down upon a great expanse from the comfort of lush recliners.</p>\n<p>In all directions, stretching out to the horizon, is an open-floor-plan corporate office. Thousands of computers sit unused at the rows of dusty plastic fold-out tables which stretch beyond the audience\u2019s view. A beanbag in the corner has three or four MOUTH-ENTITIES on it.. Footfall on the tile floor comes from everywhere\u2014no one is visible on the STAGE.</p>\n<p>DISPOSABLE-ONE-TWELVE comes into the office from an elevator at the left side. The walls of the elevator are untaped sheetrock, the bare edges stained yellow with age and the splotches of plaster covering the nails unsanded.</p>\n<p>DISPOSABLE-ONE-TWELVE walks to a cubicle near a watercooler which has several MOUTH-ENTITES in attire similar to the PARTNER\u2019s.</p>\n<p>These MOUTH-ENTITIES approach it as it walks. DISPOSABLE-ONE-TWELVE snaps its head and pays attention.</p>\n<h1 id=\"toc230\"><span>MOUTH-ENTITIES</span></h1>\n<p>ARE YOU EXCELLENT WITHIN YOUR ALLOTTED HOME YES I DO BELIEVE YOU ARE AND I APPRECIATE THIS VERY MUCH NOW WE MUST BEGIN TO WORK FOR WHAT YOU HAVE BEEN GIVEN OR YOU WILL BE.</p>\n<p>A cart manifests, and the MOUTH-ENTITIES unfurl the chart within said cart to demonstrate. Its text seems to pop out, literally. On the chart is scrawled the words \u201cTERMINATE RED MAXIMIZE GREEN.\u201d, and a pie chart that is exactly half-red. A bar graph shows a linear downward trend.</p>\n<h1 id=\"toc231\"><span>MOUTH-ENTITIES</span></h1>\n<p>ENSURE TOTAL ANNIHILATION AND REMEMBER ALL THAT IS NECCESSARY IS AND YOU ARE AT OUR BEHEST AND TOTALLY GIVEN PERMISSION TO DO ALL THAT IS REMEMBERED AND REQUIRED. CONDEMN. EXPONENTIATE THIS COMMAND.</p>\n<p>DISPOSABLE-ONE-TWELVE nods. It wouldn't let down its boys on the desert front even if it wanted to.</p>\n<h1 id=\"toc232\"><span>COMMANDER</span></h1>\n<p>Please, DISPOSABLE, <em>even</em> if you don\u2019t want to listen to me, you know this is wrong! This is not what a patriot would do, trust-</p>\n<h1 id=\"toc233\"><span>MOUTH-ENTITIES</span></h1>\n<h1 id=\"toc234\"><span>(THERE IS A TONE THAT IS INCOMPREHENSIBLE TO HUMAN EARS.)</span></h1>\n<p>GO YES FORTH YOU WILL EXECUTE VERY WELL INDEED.</p>\n<p>DISPOSABLE-ONE-TWELVE removes the earpiece and places it gently upon the table. DISPOSABLE-ONE-TWELVE gets up from its chair and begins walking down the aisle with the MOUTH-ENTITIES, its impeccable suit ready for the grand day that shall come.</p>\n<p>DISPOSABLE-ONE-TWELVE grabs a standard-issue, military-grade, vacuum-packed, antiseptic, exsanguinated stamp from its stand and returns to its cubicle.</p>\n<p>A stack of papers manifests itself on the desk as DISPOSABLE-ONE-TWELVE sits in the plastic fold-out chair.</p>\n<p>DISPOSABLE-ONE-TWELVE begins to sort. It stamps and separates some plastic papers. The other sets of paper are either black or white. Black papers are thrown into a stack on the floor. White papers remain on the desk.</p>\n<p>This occurs at normal speed for a few seconds.</p>\n<p>With a cracking sound, the speed of what occurs on the STAGE begins to increase. Those sounds are heard every few seconds as the speed of the actors doubles.</p>\n<p>DISPOSABLE-ONE-TWELVE quickly becomes an illegible blur vaguely centered in the chair, and fleshy red-and-grey-and-skin lines are traced by the MOUTH-ENTITIES that walk through the aisles. Something like a calendar is shot out of the top of the cubicle and lands behind the elevator.</p>\n<p>Vision constricts. Pupils dilate. The young in the audience feel their hearts beat a slow, irregular rhythm. <em><strong>WE</strong></em> rise.</p>\n<p>90 seconds pass. The work is complete, and you are dropped back into your seat. All of the lights turn off.</p>\n\n<p>Nothing has changed, but all has shifted.</p>\n<p>DISPOSABLE-ONE-TWELVE was disheveled; they are now undone. The suit has a ketchup stain on it. The low haircut is now a curly thing, with bangs and hair that spills over its ears. The black paper is ash, with streaks of red running through the whole mass. The white papers remain unmarked and exactly where they were.</p>\n<p>The glass windows are obscured by darkness, and the target has vanished from where it should have been. The only HOUSE LIGHT active on the stage is trained on DISPOSABLE-ONE-TWELVE.</p>\n<p>DISPOSABLE-ONE-TWELVE rises from its seat and remains itself as it walk through the aisle. It goes to the elevator; a phone has been installed. The dust is still unswept on the ground.</p>\n<p>It uses it.</p>\n<p>It rings.</p>\n<p>And someone familiar at the end of the line picks up.</p>\n<h1 id=\"toc235\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Son?</p>\n<h1 id=\"toc236\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Fuck, yes\u2026 I know. How long <em>has</em> it been?</p>\n<h1 id=\"toc237\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>No. It couldn\u2019t have been.</p>\n<h1 id=\"toc238\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I remember you when you were so little you couldn\u2019t even hold up the logs that I tried to buy from the Home Depot. It was for that little project, remember? We wanted to make a porch, and we had the men lay out the Foundation, and I had to buy way too many corded tools to make it the right way; strength and\u2026</p>\n<h1 id=\"toc239\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>What the fuck do you mean?<br/>\n<span style=\"text-decoration: line-through;\">No no no no</span>. It can\u2019t have been that long. It can\u2019t have been.</p>\n<h4 id=\"toc240\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc241\"><span>ACT TWO, SCENE FOUR</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span></p>\n<p>INT. SCHOOL - 1926.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n<p>The graduation is an achievement for which the sun celebrates. The students it blankets deserve it. The light is yellow, golden when it's reflected right off of the glass at the far-right of stage, an extension of the school\u2019s edifice, which peeks over the STAGE\u2019s right barrier.<br/>\nThe STAGE has expanded.</p>\n<p>It is now concrete, and <em>a</em> stage has been erected at the opposite end of the STAGE. This makeshift stage\u2019s supports are visible under the thin blue tarp which covers the particleboard. The mahogany podium atop is imposing, almost as much as the two man-sized speakers which face toward the crowd at the stage\u2019s periphery.</p>\n<p>The crowd is of a decent size, partitioned into two sides with a walkway down the middle. There are a mixture of all MOUTH-ENTITIES, with the short, fat, and the lame among those in attendance. They sweat, and the stench of figs and stone is strong, each playing off the other. We are in nature, and it is beautiful.</p>\n<h1 id=\"toc242\"><span>COMMANDER</span></h1>\n<p>I'm sorry I never went to your graduation. I remember when you did, you know? When you were cryin\u2019, asking me why I hadn\u2019t come. I couldn\u2019t swap shifts on time. Had to work during it. Poor thing.</p>\n<h1 id=\"toc243\"><span>COMMANDER (CONT'D)</span></h1>\n<p>Y'know, I didn\u2019t care about it while I was on shift at all. I just worked and bantered with coworkers. Same as always.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup></p>\n<h1 id=\"toc244\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>It didn\u2019t matter. You\u2019d better not worry about that.</p>\n<p>In a rapid event that flows over into time immeasurable, the teachers and doctors and officials make their speeches, in clipped speech and shreek screeches; the crowd grows in intensity as half-minutes pass by, until they are a crowd of screaming lunatics, all in great agreement\u2014and a banister is unfurled at the end of the fourth official\u2019s speech, when they\u2019re gesturing wildly and snapping their head to the long scream which reads \u201cLONG HAPPY AHEAD.\u201d in scrawled, gold-flaked lettering; the MOUTH-ENTITIES take a moment to point their tongues to it, and DISPOSABLE-ONE-TWELVE waits, a pained expression on its face. The earpiece chirps.</p>\n<h1 id=\"toc245\"><span>COMMANDER</span></h1>\n<h1 id=\"toc246\"><span>(IN PRAYER)</span></h1>\n<p>I\u2019m a horrible fucking mother. Forgive me for my sins.</p>\n<p>The teen-mouth-entity will now receive his awards. DISPOSABLE-ONE-TWELVE tries to speak to him over the mass. The two are equal now\u2014it has aged over the years, and it\u2019s begun to wrinkle, the hair now <em>dyed</em> jet-black.</p>\n<h1 id=\"toc247\"><span>COMMANDER</span></h1>\n<p>I wonder if it <em>is</em> best you go out there. Maybe they need you.</p>\n<h1 id=\"toc248\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Hey.</p>\n<h1 id=\"toc249\"><span>COMMANDER</span></h1>\n<p>But I can\u2019t accept that. No.</p>\n<h1 id=\"toc250\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>How have you been? Son.</p>\n<p>Haltingly, the son speaks.</p>\n<h1 id=\"toc251\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Ah.</p>\n<p>It looks down at its shoes, and he stares at the stage, waiting for the obligation to pass. It keeps trying.</p>\n<h1 id=\"toc252\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You know. I always liked you. Always thought you a good kid. Was always proud of you.</p>\n<p>At this, the son\u2019s head snaps up. He is angered by it, and his voice reflects this. The chirps are almost screeches in their speed.</p>\n<p>DISPOSABLE-ONE-TWELVE offers no resistance, only acceptance.</p>\n<p>The boy is unsure as to whether he would have preferred this weakness over the fight he expected.</p>\n<p>Tentatively, DISPOSABLE-ONE-TWELVE approaches the SON-ENTITY. He doesn\u2019t step away from it.</p>\n<h1 id=\"toc253\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I know I should have done more. I think. But it\u2019s too late to dwell on that now, don\u2019t you think. I just want to be here while I can.</p>\n<p>The SON-ENTITY squirms. The speaker has come off the stage. Students stream onto it. He <em>should</em> be with them.</p>\n<h1 id=\"toc254\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Wait! Wait a moment!</p>\n<p>He begins ambling out of the arrangement, and walks slowly towards the stage, watching his step as though he is over a great cavern, and it follows him.</p>\n<h1 id=\"toc255\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Can\u2019t you hear me? Can\u2019t you stop for a second? Goddamn you!\u201d</p>\n<h1 id=\"toc256\"><span>COMMANDER</span></h1>\n<h1 id=\"toc257\"><span>(WITH GREAT HATE)</span></h1>\n<p>You get what you deserve, DISPOSABLE.</p>\n<p>DISPOSABLE-ONE-TWELVE seizes him. His face is relaxed and drooping. He is gone.</p>\n<h1 id=\"toc258\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Please, you have to say <em>something.</em> At least forgive me, for fuck\u2019s sake!</p>\n<p>He continues walking, halfway to the stage, and the sun is brilliant over the people, melting them into one under its citrus chine. It stops in its tracks, it\u2019s racking itself in loud, choked sobs.</p>\n<h1 id=\"toc259\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p><em><span style=\"color: #8c328c\">\u201cYou have to forgive me, you bitch.\"</span></em></p>\n<p>The stage takes the son-entity into its maw, filled with a thrashing mass of MOUTH-ENTITIES that trip and tilt around the crooked beams.</p>\n<p>It will swallow.</p>\n<p>DISPOSABLE-ONE-TWELVE closes and opens its mouth, engulfed in panic, and moans softly.</p>\n<p>The board breaks under the weight of the hundreds, and a loud snap resounds and bounds off the brick as they fall. A hole has been dug under the stage; it may go on forever.</p>\n<p>Somehow, you not only see the son-entity as he falls, but feel the vertigo in your innards.</p>\n<p>It is good.</p>\n<h4 id=\"toc260\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc261\"><span>ACT TWO, SCENE FIVE</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nEXT. BACKYARD. - MIDNIGHT.</p>\n<p>The theater's roof is gone, revealing the night sky. The artificial light is obvious, the stage's spotlights clearly visible.</p>\n<p>A swinging chair with the canopy wrenched off and placed to the side holds DISPOSABLE-ONE-TWELVE and the toddler MOUTH-ENTITY.</p>\n<p>The mouthpiece chirps.</p>\n<h1 id=\"toc262\"><span>SALVADOR</span></h1>\n<p>.4 lux detected. The stars may not be visible. Recommend decamping towards \u2800\u2800\u2800\u2800\u2800\u2800 if you wish to stargaze.</p>\n<h1 id=\"toc263\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Not yet, SALVADOR. I cannot go eastward \u2018till she does too.</p>\n<p>She coos, her boisterous speech apparent through the language barrier. It beams with pride.</p>\n<h1 id=\"toc264\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Yes! You\u2019re thirsty, aren\u2019t you?</p>\n<p>She responds. It's an achievement Dad is not yet used to.</p>\n<p>DISPOSABLE-ONE-TWELVE manifests a <em>cup</em> of viscous green liquid, and she reaches for the top. It holds it out of reach for a few seconds, playing with her.</p>\n<h1 id=\"toc265\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You can do it girl! Come on, just a bit higher. Just\u2026</p>\n<p>It lets the baby open her head and drink from the cup.</p>\n<h1 id=\"toc266\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Yes, like that girl. I told you you could do it, didn\u2019t I?</p>\n<p>It watches the kid for a while. The toddler watches the \"sky\" above, learning from it, eyes wide with wondering.</p>\n<p>The WIFE-ENTITY enters the stage. She sits to DISPOSABLE-ONE-TWELVE\u2019s side. DISPOSABLE-ONE\u2013TWELVE looks at its wife for a while.</p>\n<h1 id=\"toc267\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You\u2019re quite rough today. Something off?</p>\n<p>It squints as hard as it can and leans toward the WIFE-ENTITY.</p>\n<h1 id=\"toc268\"><span>WIFE-ENTITY</span></h1>\n<p>I\u2019ve\u2026 I feel hollow without our Son. Maybe hollow is an okay word.</p>\n<h1 id=\"toc269\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Me too. Not as though we can do anything about it though. No, nothing at all.</p>\n<p>The WIFE-ENTITY is startled, almost jumping at the reply. For a moment, it looks at DISPOSABLE-ONE-TWELVE.</p>\n<h1 id=\"toc270\"><span>WIFE-ENTITY</span></h1>\n<p>You can hear me?</p>\n<p>DISPOSABLE-ONE-TWELVE nods. She suppresses a frown. The revelation is subsumed swiftly. The two sit in swinging silence. The baby coos intermittently.</p>\n<p>A chair creaks in the distance, obfuscated by a digital compression algorithm.</p>\n<h1 id=\"toc271\"><span>COMMANDER</span></h1>\n<p>Do you know what happened to him, DISPOSABLE? You know who I\u2019m talking about.</p>\n<h1 id=\"toc272\"><span>COMMANDER (CONT\u2019D)</span></h1>\n<p>You know. He hasn\u2019t been taking this well. I\u2019ve heard <em>much</em> from him\u2014at least, as much as I can from here. None of it\u2019s been good.</p>\n<h1 id=\"toc273\"><span>COMMANDER (CONT\u2019D)</span></h1>\n<h1 id=\"toc274\"><span>(WITH MUTED DISMAY)</span></h1>\n<p>Anything? I beg you, Twelve, anything.</p>\n<h1 id=\"toc275\"><span>COMMANDER (CONT\u2019D)</span></h1>\n<p>If nothing else, think about Myke. Maybe you don\u2019t like me. That\u2019s fine. I won\u2019t grovel for forgiveness like you do. But Myke deserves it. More than either of us.</p>\n<h1 id=\"toc276\"><span>COMMANDER (CONT\u2019D)</span></h1>\n<p>I haven\u2019t left you. Don\u2019t leave me.</p>\n<p>He removes the earpiece and speaks quietly.</p>\n<h1 id=\"toc277\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc278\"><span>(CALMLY)</span></h1>\n<p>You don\u2019t deserve me. You don\u2019t deserve your fucking DISPOSABLE. Let me be. Let me live.</p>\n<h1 id=\"toc279\"><span>COMMANDER</span></h1>\n<h1 id=\"toc280\"><span>(BEGGING)</span></h1>\n<p>And how can you say that? You\u2019re not living!</p>\n<h1 id=\"toc281\"><span>DISPOSABLE-ONE-TWELVE:</span></h1>\n<p><em>I have lived longer here than I did out there. I have children. A wife. I\u2019ve worked, for <strong>them</strong>, years. You think <strong>I\u2019m</strong> the one that needs to live?</em></p>\n<p>The COMMANDER gasps.</p>\n<h1 id=\"toc282\"><span>COMMANDER</span></h1>\n<p>Holy shit. Holy shit. You <em>lived</em> during that? That whole blur?</p>\n<h1 id=\"toc283\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc284\"><span>(ASTONISHED)</span></h1>\n<p>What else would I have done? It\u2019s <em>you</em> that failed to see how I lived. How I was. I was glad to be without you for twenty years, COMMANDER.</p>\n<h1 id=\"toc285\"><span>COMMANDER</span></h1>\n<p>You\u2026 how could you\u2026 what?</p>\n<p>At this, the WIFE-ENTITY perks.</p>\n<h1 id=\"toc286\"><span>WIFE-ENTITY</span></h1>\n<p>20 years?</p>\n<p>But <span style=\"text-decoration: line-through;\">he</span> does not hear.</p>\n<p>The WIFE-ENTITY clicks a bit, noticing the subdued altercation. She sees the earpiece, and her jaw shifts, opening to show her calloused tongue nervously passing through dozens of sharp teeth.</p>\n<p>She tries to defuse. It doesn't work; it is beyond reconciliation now. It deserves only cauterization.</p>\n<p>DISPOSABLE-ONE-TWELVE rises from the chair and hands the kid to the WIFE-ENTITY. It paces swiftly around the STAGE, the WIFE-ENTITY\u2019s jaw fixed upon it.</p>\n<h1 id=\"toc287\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc288\"><span>(RESENTFULLY)</span></h1>\n<p>Did you just forget about me? Did you go <em>live</em>, COMMANDER? I know for a fact you <em>fucking</em> didn\u2019t, so don\u2019t lecture me about what I do with my time.</p>\n<h1 id=\"toc289\"><span>COMMANDER</span></h1>\n<h1 id=\"toc290\"><span>(PLEADING)</span></h1>\n<p>What would <em><strong>he</strong></em> say about that?</p>\n<p>DISPOSABLE-ONE-TWELVE\u2019s pace halts for a moment, and <strong>he</strong> speaks in a louder, lower voice.</p>\n<h1 id=\"toc291\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc292\"><span>(angrily)</span></h1>\n<p>Don\u2019t throw mistakes at me as though <em>you</em> didn\u2019t make any.</p>\n<h1 id=\"toc293\"><span>COMMANDER</span></h1>\n<p>I want you to <em>remember where you came from!</em></p>\n<h1 id=\"toc294\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>And what if I don\u2019t want to? You never understand\u2014I don\u2019t need salvation!</p>\n<p>The earpiece\u2019s audio distorts.</p>\n<h1 id=\"toc295\"><span>SALVADOR</span></h1>\n<p>Warning! Bitrate declining! 32 kilobyte HE-AAC audio. There may be loss of detail. The connection may drop.</p>\n<h1 id=\"toc296\"><span>COMMANDER</span></h1>\n<p>You\u2026 in this world <em>need</em> you, and they should geit aferhis long time waiting fou.</p>\n<h1 id=\"toc297\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Tell Myke he needs to move on. That <em>I</em> think I\u2019ve become better. That's what matters.</p>\n<h1 id=\"toc298\"><span>COMMANDER</span></h1>\n<p>I\u2019sn for the bet \u2026 chu\u2019slaf \u2018way for nothing bu\u2019a pittance tha\u2019wahn\u2019 do\u2014</p>\n<p>DISPOSABLE-ONE-TWELVE grabs the earpiece and jams it in its pocket. It goes to the chair. A dim star emerges from the STAGE\u2019s side, the one called the Son.</p>\n<h4 id=\"toc299\"><span>END SCENE.</span></h4>\n</div>\n<hr/>\n<div class=\"blockquote\">\n<h3 id=\"toc300\"><span>FURTHER INFO:</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">334 words.</span><br/>\nThere are many difficulties in adapting LordStonefish\u2019s work for the stage\u2014Mulberry has infamously discussed his challenges after abandoning a decades-long attempt at adapting the <a href=\"https://scp-wiki.wikidot.com/scp-3999\" target=\"_blank\">Center of Me</a>\u2014and it may interest some of the more technical viewers to learn some of the tricks we have used in order to succeed in effects encoding where LordStonefish failed.</p>\n<p>Most notable in the play is the personalization through targeted memetics recently pioneered through anlit playwrights such as M. Thulassan and Daniel Marcus. This is the largest implementation of biological markers, psychic scans, and spatial shifting this side of the anart community, and we hope that it shows through some of the scenes.</p>\n<p>In particular, some of the largest cues can be found in the fourth scene of the play, where viewers are convinced that the stage changes orientation and expands, just as the book\u2019s images do in that chapter. This effect, unfortunately, is only available for our younger patrons\u2014not merely to protect the brain sand of some of our elderly patrons, but because the neural connections themselves have to be arranged such that the image in the brain is left unedited by the primary visual cortex, which then allows us to ontokinetically bend and spin the photons without image corruption. This process, of course, was one of the main delays that the project experienced\u2014Stephanie couldn\u2019t bear it if one of our beta viewers suffered because of this technique\u2014but it has, we hope, resulted in a memetic image so sharp it\u2019s as though it\u2019s really happening in front of your eyes.</p>\n<p>Another scene that proved difficult in visualization and construction was the final scene. The controversial 5-hour time delay that the book exacted from its readers could not be repeated in good faith by Pseudogenesis, so a compression of the events was needed. While it has resulted in a fundamentally different thing\u2014it is not a line, but a sphere!\u2014we believe the translation of experience to show is something our regulars will love!</p>\n<p>Though only time 'ought to tell~</p>\n<p>~ Vivienne Chen, Memetics Specialist</p>\n</div>\n<hr/>\n<div class=\"script\">\n<h3 id=\"toc301\"><span>ACT THREE, SCENE ONE.</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nINT. RESTAURANT. NEAR-NOON.</p>\n<p>Blue worms wriggle about in the plate as a ray of sunlight accentuates the gold rim. DISPOSABLE-ONE-TWELVE digs into it hungrily and stares at the two mouth-entities opposite it and its wife. They all chirp around for a bit as she scoops them into her jaws. The worms smell of roasted onion, their texture similar to a brownie\u2019s. A current of wind pierces through the ambiance with the clarity of a clarinet and depth of a didgeridoo. In the center of the table is a little bouquet of seasoning and a menu with \u201cDaniel\u2019s\u201d embossed in silver lettering.</p>\n<h1 id=\"toc302\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You chose quite a good place, Sir. I admit, I wasn\u2019t sure about it, but it\u2019s\u2026 <em>understated.</em></p>\n<h1 id=\"toc303\"><span>FATHER-ENTITY</span></h1>\n<p>Yes! Only fucking reason I came over here, you know that I wouldn\u2019t want to deal with this dumbassed line shit unless they had it toned down.</p>\n<p>The FATHER-ENTITY gestures to the menu as DISPOSABLE-ONE-TWELVE leans back.</p>\n<h1 id=\"toc304\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Well, I wouldn\u2019t complain about a different man\u2019s writing system, but you\u2019re entitled to that.</p>\n<p>The WIFE-ENTITY taps on DISPOSABLE-ONE-TWELVE\u2019s hand. It focuses.</p>\n<h1 id=\"toc305\"><span>WIFE-ENTITY</span></h1>\n<p>You\u2026 Must you be here?</p>\n<h1 id=\"toc306\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Oh, of course! If a man wants to have dinner, he shall have it.</p>\n<p>The FATHER-ENTITY snickers in assent.</p>\n<p>The two mouth-entities are older, with skin gray as DISPOSABLE-ONE-TWELVE\u2019s patchy hair and hardened skin. The male mouth entity wears a gold ring with stars ringing around it. The female does not, and her eye bores into DISPOSABLE-ONE-TWELVE. She is the only mouth-entity that has an eye; it is restless and oddly faceless, though what makes it so detached and lonely is unknown.</p>\n<p>DISPOSABLE-ONE-TWELVE shifts in its seat and stops eating. It takes its elbows off the table.</p>\n<h1 id=\"toc307\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>So. It\u2019s been quite a while since I\u2019ve had a chance to dine with you two. How\u2019s it gone?</p>\n<p>The FATHER-ENTITY clicks a bit then continues its dining.</p>\n<h1 id=\"toc308\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Ah. My condolences. And the Missus?</p>\n<p>The mother mouth-entity begins to respond. With a gruff noise, she is silenced, and the FATHER-ENTITY answers.</p>\n<h1 id=\"toc309\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Glad to know she\u2019s doing well.</p>\n<p>DISPOSABLE-ONE-TWELVE\u2019s wife speaks; DISPOSABLE-ONE-TWELVE realizes that just in time.</p>\n<h1 id=\"toc310\"><span>WIFE-ENTITY</span></h1>\n<p>You know, we came here so that we could learn when you would pay your due.</p>\n<p>The FATHER-ENTITY tenses, and his voice is notably lower.</p>\n<h1 id=\"toc311\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>My dear, I\u2019m sure he meant to pay us back eventually. He\u2019s a decent man.</p>\n<p>The mother mouth-entity looks at DISPOSABLE-ONE-TWELVE for a second, then flits away.</p>\n<h1 id=\"toc312\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Hmm?</p>\n<p>The mother mouth-entity does not speak. The FATHER-ENTITY does.</p>\n<h1 id=\"toc313\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Ough. Yeah, being stiffed by a client has got to be the worst. I don\u2019t care much for discussing work, but I\u2019m sure I can spare some moments on the phone should you need it.</p>\n<p>The FATHER-ENTITY nods.</p>\n<p>The mother mouth-entity speaks, and the FATHER-ENTITY goes to speak over her. Rather than stop, she escalates. A small spat of screeches occurs, their plates clinking as they gesture a kind of violence. It\u2019s resolved by a blow.</p>\n<h1 id=\"toc314\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Hey, hey! I\u2019m sure it\u2019s not <em>that</em> bad! You can always settle this in the house, right?</p>\n<p>The mother mouth-entity rapidly clicks. She pulls away from the father, but does not stand. She looks around, examining the room, and with a deft motion, the FATHER-ENTITY takes something into his hand. It goes under the table.</p>\n<p>The mother mouth-entity recoils for a second and genuinely screams, its eye fixed on where the father\u2019s hand might be. Then she relaxes, adopting a posture almost as docile as DISPOSABLE-ONE-TWELVE\u2019s.</p>\n<p>Her eye does not flit nor focus anymore.</p>\n<p>DISPOSABLE-ONE-TWELVE wipes its mouth and discards its trash. It sips on a chalice of wine, setting it down after each sip. The light glistens off its gold-plated exterior.</p>\n<h1 id=\"toc315\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Alright. Glad to see you two have settled. Now, I\u2019m sure that, as you know, I\u2019m due to retire soon.</p>\n<p>DISPOSABLE-ONE-TWELVE\u2019s wife excitedly springs up, and chirps quickly with the FATHER-ENTITY. He responds, cutting her off after a few seconds.</p>\n<h1 id=\"toc316\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Yeah, wasn\u2019t done yet. Anyways, I say this because I\u2019d like to seek your advice: What do <em>you</em> think is a good way to use my time afterwards? I\u2019ve thought quite a bit about it, I must admit, and I\u2019ve not come up with much.\u201d</p>\n<p>The FATHER-ENTITY screeches for a solid minute. DISPOSABLE-ONE-TWELVE nods several times throughout, occasionally prompting him on with a \u201cYes, I know.\u201d</p>\n<h1 id=\"toc317\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>Huh. I\u2019d never thought of it like that. Thank you\u2014see honey, I told you your FATHER-ENTITY was a decent man! May have drunk a bit, but I knew he could fix himself.</p>\n<p>DISPOSABLE-ONE-TWELVE and the FATHER-ENTITY nod and shake hand-tongues at this.</p>\n<h1 id=\"toc318\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I hope your retirement goes well, good sir.</p>\n<p>They continue to discuss as the lights dim, the mother-entity docile and the WIFE-ENTITY shaking, as the curtain drops.</p>\n<h4 id=\"toc319\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc320\"><span>ACT THREE, SCENE TWO</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nEXT. COURTYARD. LIGHT OUT.</p>\n<p>There is a fountain at center-stage which casts a shadow on the crowd below, the only shadow in this STAGE drenched with light. They stand on unpaved ground, where large weeds bloom and the catgrasses bundle up in plumes. The weeds expose spikes that attract a large amount of worms and flies. No one winces at their bites and scratches, though they\u2019re plentiful.</p>\n<p>They are in the plaza of a larger building surrounding them. It's built in the traditional Indo-Islamic style, with tiny domes and thick walls. The windows are colored nigh-randomly, with lime-green being the only obvious motif.</p>\n<p>The sun is navy-blue, and its light dilutes to the hue of a chlorinated pool as it travels through the air. A crowd of MOUTH-ENTITIES gather under it. They all gaze upwards, holding out their tongues in a salute.</p>\n<p>In a balcony which juts out from the building, a black-robed PRIEST-ENTITY yells. It\u2019s hunched forward, and claws at the air vaguely and reverently as its voice booms through the space. It exhibits glossolalia. And though the voice is amplified and strong, it is drenched in echo, and the words slip away into incoherence. The sound is too distant.</p>\n<p>DISPOSABLE-ONE-TWELVE tries to pray. It prostrates itself, but cannot remain on the ground, and it rises every few seconds to keep from being trampled. Its face is scrunched, its distress obvious.</p>\n<p>Its WIFE-ENTITY pats it on the shoulder and joins the crowd in their worship. DISPOSABLE-ONE-TWELVE squints to hear her.</p>\n<h1 id=\"toc321\"><span>WIFE-ENTITY</span></h1>\n<p>This will not be how it is forever.</p>\n<p>DISPOSABLE-ONE-TWELVE trembles under the tone of the ocean of people; <span style=\"text-decoration: line-through;\">his</span> <span style=\"text-decoration: line-through;\">wife</span> stays at his side, simply quiet.</p>\n<h1 id=\"toc322\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc323\"><span>(MEEKLY)</span></h1>\n<p>I know. I know I should be better at this.</p>\n<p>The WIFE-ENTITY clicks at it, giving some reassurance better left unheard. DISPOSABLE-ONE-TWELVE sighs and kneels on the ground, looking as straight upwards as possible.</p>\n<h1 id=\"toc324\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc325\"><span>(Steadily)</span></h1>\n<p>Glory be to the Savior. Glory be to the Savior. Glory be to the Savior\u2026</p>\n<p>While DISPOSABLE-ONE-TWELVE repeats the maxim, the PRIEST-ENTITY holds out its appendages, letting the viscera drip down onto the crowd. They roar. Their tongues flow towards it, and they walk to the stuff with adoration. Some join the glossolalia, letting their tongues violently shake as they speak. Others jump in the air and spit on the ground.</p>\n<p>Most of them chant.</p>\n<h1 id=\"toc326\"><span>MOUTH-ENTITIES</span></h1>\n<p>PRAISE FOR THE ONE ABOVE US WHO BRINGS DOWN IN WISDOM THAT WHAT WILL SAVE US, THAT WHAT BRINGS US PEACE, THAT WHAT GLUES US TOGETHER. MAKE US AS A JAR, JOIN US WITH THE POTTER'S WHEEL AS WE JOIN YOU WITH OUR TONGUES AND SOUL.</p>\n<p>DISPOSABLE-ONE-TWELVE\u2019s chant becomes quieter, his eyes screw shut, and the WIFE-ENTITY crouches to his level.</p>\n<h1 id=\"toc327\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc328\"><span>(Rapidly)</span></h1>\n<p>Glory beta\u2019th saviour glory be to d\u2019savior glory\u2019b to the savior\u2026</p>\n<p>DISPOSABLE-ONE-TWELVE stops as its speech becomes incoherent. It screeches in frustration, and it pounds the ground once, rising to its feet and holding the WIFE-ENTITY near. Some mixture of self-abasement and fear lies in its eyes.</p>\n<h1 id=\"toc329\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>How do you do it, love? How do you <em>feel</em> the Savior entering? I've tried for so <em>fucking</em> long, and he runs from me in the visions! He runs!</p>\n<p>The WIFE-ENTITY holds it. Both rock to an invisible cadence for a bit, and it takes an accidental hit from a fellow churchgoer for them to separate.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></p>\n<p>She speaks as they move to the corner, away from the screaming and splattering.</p>\n<h1 id=\"toc330\"><span>WIFE-ENTITY</span></h1>\n<p>You must try harder, love. You can always try harder.</p>\n<h1 id=\"toc331\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>How do you <em>try</em> with love! How can you summon love? How can you make something in you that should be there! The people around me, they <em>love</em> and they don't need to <em>know</em>. I <em>need</em> to be like them! How else do you think I'll be in his favor, if I can't even manage to put him in mine?</p>\n<p>She comes to his side, understanding his true worry.</p>\n<p>The crowd almost drowns them out, but through some memetic miracle, they remain perfectly understandable, and not a word is lost.</p>\n<h1 id=\"toc332\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>So what then?</p>\n<p>The WIFE-ENTITY approaches. It does not resist, and it begins shaking as she embraces it.</p>\n<h1 id=\"toc333\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I didn't earn you.</p>\n<p>The WIFE-ENTITY coos.</p>\n<h1 id=\"toc334\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>You know that doesn't matter. I wasted myself in here. I <em>deprived</em> him. And I did it of my own volition. I can't\u2026</p>\n<p>DISPOSABLE-ONE-TWELVE faces towards the audience and falls \u2014 <em>collapses</em> \u2014 to its knees.</p>\n<h1 id=\"toc335\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc336\"><span>(Tearfully)</span></h1>\n<p>I don't even remember your name.<br/>\nForgive me.<br/>\nI can never stop asking forgiveness.</p>\n<p>The WIFE-ENTITY touches it on the shoulders, massaging it.</p>\n<p>Suddenly, <strong>he</strong> springs up from the ground \u2014 forcefully, passionately.</p>\n<h1 id=\"toc337\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc338\"><span>(With determination)</span></h1>\n<p>I can't stay here.</p>\n<h1 id=\"toc339\"><span>WIFE-ENTITY</span></h1>\n<p>Love, where do you go?</p>\n<p>DISPOSABLE-ONE-TWELVE navigates through the crowd. The light darkens as <strong>he</strong> exits stage left.</p>\n<h4 id=\"toc340\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc341\"><span>ACT THREE, SCENE THREE.</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">800 words.</span><br/>\nINT. OFFICE. - DUSK.</p>\n<p>A blank banner stretches over the top of DISPOSABLE-ONE-TWELVE's cubicle. Ten mouth-entities accompany it. DISPOSABLE-ONE-TWELVE smiles; one of the mouth-entities brought a cake for DISPOSABLE-ONE-TWELVE, something to eat until they\u2019re all full.</p>\n<p><em>He</em> returns.</p>\n<h1 id=\"toc342\"><span>PARTNER</span></h1>\n<p>Doubleplusnegfeel to look at DISPOSABLE exit, yes?</p>\n<p>A couple of the MOUTH-ENTITIES nod.</p>\n<h1 id=\"toc343\"><span>PARTNER (CONT\u2019D)</span></h1>\n<p>Person: Yeswise, I am negfeel, yet triumph. Triumph to look at DISPOSABLE changes.</p>\n<p>DISPOSABLE-ONE-TWELVE sighs and massages its face for a moment, expressing exhaustion.</p>\n<h1 id=\"toc344\"><span>DISPOSABLLE-ONE-TWELVE</span></h1>\n<p>You\u2019re right. Damn right, PARTNER.</p>\n<p>The PARTNER grins and flips a coin.</p>\n<h1 id=\"toc345\"><span>PARTNER</span></h1>\n<p>Heads. Always heads.</p>\n<h1 id=\"toc346\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<h1 id=\"toc347\"><span>(CONTEMPTUOSLY)</span></h1>\n<p>Yes, I\u2019m sure it will always go well for you.</p>\n<p>The PARTNER continues flipping his coin as DISPOSABLE-ONE-TWELVE turns to face the rest of the MOUTH-ENTITIES. It coughs.</p>\n<h3 id=\"toc348\"><span>THE STORY WILL PRESENTLY CONTINUE.</span></h3>\n<h1 id=\"toc349\"><span>MOUTH-ENTITY</span></h1>\n<p>IT IS NOW GREAT TO EAT OFFERING! ASSUREDLY, THIS IS THE END, AND IT IS BEST TO LEARN NOW WHAT IT TASTES LIKE.</p>\n<p>Everyone grabs glass plates from their pockets, folding them out with great ease, and they portion out the cake<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup>.</p>\n<h1 id=\"toc350\"><span>DISPOSABLE-ONE-TWELVE</span></h1>\n<p>I'm glad I was of use to the company, I tell you what.</p>\n<p>The earpiece is static, but it clears out now. A chair creaks, and someone stands up.</p>\n<h1 id=\"toc351\"><span>COMMANDER</span></h1>\n<p>I thought you were quite pretty as a little boy. Very pretty.</p>\n<p>She waits a moment, and <span style=\"text-decoration: line-through;\">he</span> does not respond. She chuckles, and the sound of ruffling cloth is heard. Her voice quivers.</p>\n<h1 id=\"toc352\"><span>COMMANDER (CONT'D)</span></h1>\n<p>It hurt me that you did this to yourself. You hurt yourself, and you hurt me in the process. But I suppose you weren't meant to be in reality with me.</p>\n<p>DISPOSABLE-ONE-TWELVE finishes its cake first, and they awkwardly stand around, <span style=\"text-decoration: line-through;\">his</span> thumbs in its pockets and the plate ready to be thrown away. It finds a trash can and walks to it slowly.</p>\n<p>The mouth-entities engage in conversation around DISPOSABLE-ONE-TWELVE. DISPOSABLE-ONE-TWELVE listens in. The high-pitched warbling is more lucid than normal.</p>\n<h1 id=\"toc353\"><span>MOUTH-ENTITIES</span></h1>\n<p>THE PROFITS FOR THIS QUARTER HAS TO GONE UP OVER TWENTY PERCENT PRAISE BE TO EXALTED FOR THIS VICTORY OVER U ALSO REMEMBER THAT YOU NEVER REALLY LEAVE\u2014NO, YOU DON\u2019T<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup>\u2014NOT WITH THE WRIGGLING INSIDE OF YOU THAT SOMEHOW YOU DID SOMETHING TO YOURSELF, UNDONABLE IT CANNOT BE; WE HOPE THAT YOU HAVE A GOOD LIFE OUTSIDE OF HERE, FELLOW, AND THAT YOU THINK IT WAS WORTH IT.</p>\n<p>She sips from a drink and sighs. She stutters and hesitates, uncertain.</p>\n<h1 id=\"toc354\"><span>COMMANDER</span></h1>\n<p>My\u2026 l-love, I, uhm, I hope you\u2019re hap-py out there.</p>\n<p>The COMMANDER pauses for a moment.</p>\n<h1 id=\"toc355\"><span>COMMANDER (CONT'D)</span></h1>\n<h1 id=\"toc356\"><span>(Contemplative)</span></h1>\n<p>Uhm\u2026 what else\u2026</p>\n<h1 id=\"toc357\"><span>COMMANDER (CONT\u2019D)</span></h1>\n<p>Please, no, I\u2026 stay! I know I had something.</p>\n<h1 id=\"toc358\"><span>COMMANDER (CONT\u2019D)</span></h1>\n<p>I\u2026 forgot. I suppose it wasn\u2019t important, was it?</p>\n<p>The COMMANDER disconnects her link to the earpiece.</p>\n<p>DISPOSABLE-ONE-TWELVE takes out the earpiece and throws it away with the roaches\u2014they were never really its favorite, you know?\u2014and cheers come now from the whole office, one-tone and clipped.</p>\n<h1 id=\"toc359\"><span>COWORKERS</span></h1>\n<p>HURRAY!</p>\n<p>DISPOSABLE-ONE-TWELVE is grateful and walks eyes closed, smiling. At least <em>they</em> are grateful and comprehending.</p>\n<p>DISPOSABLE-ONE-TWELVE exits stage back. The backboard is canCollide: false. HOUSE-LIGHT value: 0.</p>\n<h3 id=\"toc360\"><span>ABSTRACTIONS UNGOOD.</span></h3>\n\n<p>The HOUSE LIGHTS return as DISPOSABLE-ONE-TWELVE is driving down a wide stroad. It occupies the whole of the stage. The stage has expanded for it. It is cracked, weathered, 8 lanes wide, with no crossing or sidewalk. Occasionally, a big-box store connects to it, and they are the only variance in the endless, hopeless plain of red and yellowish dust.</p>\n<h3 id=\"toc361\"><span>WHITE NOISE WANTS TO BREAK THROUGH</span></h3>\n<p>The BMW that DISPOSABLE-ONE-TWELVE drives is falling apart with glee, but he does not react to this. The <span style=\"text-decoration: line-through;\">BOAT</span> has left, and the power goes with it.</p>\n<p>The car does not stop working as the alternator falls from its bottom, then the oil gasket, which pours an infinite amount of oil down the road. Soon, it is completely gone, the metal bones strewn throughout the road.</p>\n<p>DISPOSABLE-ONE-TWELVE does not drive on or in anything anymore. For the first time in years, he looks around while his momentum carries him across the asphalt. He panics as he realizes the degree of freedom which he now enjoys.</p>\n<p>The sun is white. It hammers down on him the way a mother suffocates with love a newborn child. It wants him to approach, and <em>the audience</em> can hear that from the speaker behind them, breathing heavily down their necks, observing them for its nexus.</p>\n<p>The sun and the blackened moon fight for control of the sky, and the light levels on the <span style=\"text-decoration: line-through;\">stage</span> begin to fluctuate rapidly. <em>Everything</em> is fluctuating rapidly, even YOU, and speed is building up as the <span style=\"text-decoration: line-through;\">STAGE</span> stage falls down to the floor of reality, a foundation thirstily nearing. We are all knocked off our bearings.</p>\n<p>Before we penetrate the barrier, JAKE manifests a blank business card.</p>\n<h4 id=\"toc362\"><span>END SCENE.</span></h4>\n</div>\n\n<div class=\"script\">\n<h3 id=\"toc363\"><span>ACT THREE, SCENE FOUR.</span></h3>\n<hr/>\n<p><span style=\"font-size:smaller;\">1000 words.</span><br/>\nEXT. EXT.</p>\n<p>JAKE is <a href=\"https://scp-wiki.wikidot.com/scp-3555\" target=\"_blank\">stretching</a> towards you from across the stars, across the sand, and across the stage, his waist shrinking into nothing. His shoulder flare out and he is <a href=\"https://youtu.be/vfCMtaNiMDM?t=45\" target=\"_blank\">powerful like a miter saw, like an industrial polymer presser.</a></p>\n<p>Under the covers, with the buzzing in YOUR head increasing and the static stationary, JAKE begins to spin, and he touches YOU.</p>\n<h1 id=\"toc364\"><span>JAKE</span></h1>\n<p>No.</p>\n<p>He is unbig, anteLIGHTS and dancing happywise while downmoveing into strong wood. He bounds off the walls of the theater\u2014his form strikes into the audience; none are harmed. He is a little wider than a centimeter, and he is a kilometer long, enough to scrape the stars. He is relieved;<a href=\"https://www.youtube.com/watch?v=t_jYOubJmfM\" target=\"_blank\">at last, he has achieved a dream</a>. The heat of plasma and blood comes down, splattering upon YOU.</p>\n<p><a href=\"https://en.wikipedia.org/wiki/Complex_projective_space\" target=\"_blank\">A tear in his understanding of reality</a> pens before him as he centers himself. He makes a grab for it, a gambit uncertain in its outcome, for if he fails-</p>\n<p>-he succeeds!\u2014<br/>\n<a href=\"https://scp-wiki.wikidot.com/scp-3380\" target=\"_blank\">Though he is now unclean</a>.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup><br/>\nThe consequences will become shortly apparent, the wretching and the TV static all-consuming.<br/>\nJAKE: I need you.<br/>\nYOU are lifted from your seat.</p>\n<p><a href=\"https://en.wikipedia.org/wiki/Lambda-CDM_model#Overview\" target=\"_blank\">The page within which you worked turns</a>, making a wisp of sound near your ear, and you intersect with</p>\n<h2 id=\"toc365\"><span>the line.</span></h2>\n<p><a href=\"https://en.wikipedia.org/wiki/Tesseract#/media/File:8-cell-simple.gif\" target=\"_blank\">The intersection is an unholy marriage.</a><br/>\nDeath is certain to come for this, the cost of\u2026<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup></p>\n\n<br/>\nYOU survive. Aptly, it is <a href=\"https://scp-wiki.wikidot.com/scp-2682\" target=\"_blank\">Miracles from God.</a>\n<p>In the untrespassable space, a choir sings, their harmonization and oblation even viewable to the deaf ear.</p>\n<p><a href=\"https://en.wikipedia.org/wiki/Proof_of_Heaven\" target=\"_blank\">There is a plane of mud there</a>, and the people in it are dirty and nasty things\u2014definitionally. Pigs step carefully, trying to keep themselves clean. The globules bust\u2014for some\u2014and they fall in. Those ones do not stop falling. And the ones left must keep walking.</p>\n<p>In another plane, <a href=\"https://forum.agoraroad.com/index.php?threads/dead-internet-theory-most-of-the-internet-is-fake.3011/\" target=\"_blank\">you find glass. Animals graze upon it, their faces distorted in it.</a> They are not conventionally alive. That is obvious. YOU cannot determine what makes them dead.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup> The sun is white and strikes their skin, refracting light through mist. <a href=\"https://en.wikipedia.org/wiki/Ice-nine\" target=\"_blank\">A rainbow does not form in this place.</a></p>\n<h3 id=\"toc366\"><span>You must leave.</span></h3>\n<h3 id=\"toc367\"><span>You must leave.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup></span></h3>\n\n<br/>\nYou are filled with <a href=\"https://en.wikipedia.org/wiki/Clock_of_the_Long_Now\" target=\"_blank\">the glories of the Lord</a> present as you leave the manifold, its surface beginning to scratch at you. A thunderbolt strikes, but it cannot conduct itself in this place (your safety is guaranteed!) At the last possible moment, JAKE aids you.\n<h3 id=\"toc368\"><span>He absorbs the penance dealt for his hubris, the menacing force which sponsors him remaining unhurt.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup></span></h3>\n<p>By the power which is vested in him, the difficulties of life unlived will be distributed;</p>\n<h1 id=\"toc369\"><span>He shall save you from the trouble of it.</span></h1>\n<p>JAKE: <a href=\"https://youtu.be/F7DebV5WN3Q?t=1272\" target=\"_blank\">Audacious. Do you think you can get away from this? I tell you now, better it is to drown hung by a millstone than to remain ignorant now.</a></p>\n<h3 id=\"toc370\"><span>But <em>God</em> damn you if you think that shedding stupidity is enough.</span></h3>\n<div style=\"text-align: center;\">\n<p>From the west, a car approaches, a family tokenized by the bastard proselytizing angered. He\u2019s stammering as they\u2019re arriving, and they pass him by, their progress made.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup></p>\n</div>\n<p>JAKE: <a href=\"https://en.wikipedia.org/wiki/Stephen_King#Car_accident_and_aftermath\" target=\"_blank\">He</a> was broken in 6 places when the man hit him. It\u2019s funny now, isn\u2019t it? That\u2019s good, that\u2019s <a href=\"https://scp-wiki.wikidot.com/scp-2293\" target=\"_blank\">progress.</a><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup></p>\n<h1 id=\"toc371\"><span>JAKE: Why do you fear all of this? It\u2019s not outside your understanding\u2014on the contrary, it is quite easy for you. I think you're like me, and that is okay! All it means is that when you look at it, you know it instantly. <a href=\"https://www2.psych.ubc.ca/~henrich/pdfs/WeirdPeople.pdf\" target=\"_blank\">Be grateful.</a></span></h1>\n<h1 id=\"toc372\"><span>JAKE:</span></h1>\n<p>And when you leave me tonight, leave me the knowledge I tried to make a change. Do not look at the <a href=\"https://en.wikipedia.org/wiki/Web_2.0#Web_1.0\" target=\"_blank\">neon</a>, but rather at eye's light.</p>\n<p>The HOUSE-LIGHTS activate, blasting to void artificial panes of nullvalue light. The HOUSE-LIGHTS shine blue, and he spins, contracts, faster, the plaster with which he builds his attempts at laughing drying. He spins at a great, <a href=\"https://en.wikipedia.org/wiki/Zippe-type_centrifuge\" target=\"_blank\">rich</a> speed now. He heaves, his bowels shifting to make way for his gift to the world.</p>\n<p>Somewhere, from a trigger unseen,<br/>\n<a href=\"https://www.youtube.com/watch?v=ia9R7T5eiTo\" target=\"_blank\">that choir begins to shift tongues</a>. The director falls to the floor, seizing. He is not strong enough to withstand the force which bears down upon him, sincerity writ large a raw, uncompromising, lividly lethal thing.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-18\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-18')\">18</a></sup></p>\n<p>Jake really fears.</p>\n<p>Somewhere, a star thinks about fighting, rebelling, dancing. It</p>\n<h1 id=\"toc373\"><span>tries to get ten thousand of its family to join. They haven't time\u2014haven\u2019t you been busy too?</span></h1>\n<h1 id=\"toc374\"><span>Somewhere, <a href=\"https://archive.org/details/los-voceros-de-cristo-recuerdos-i/Escogido+Fui+de+Dios+-+Los+Voceros+de+Cristo.mp3\" target=\"_blank\">a tanned child grabs their headphones</a>, and he steps outside of his home at 12:53AM. The wife-entity commands him inside. For a moment, the star\u2019s thought speaks to him.</span></h1>\n<p><span style=\"text-decoration: line-through;\">Mom: \u201cWhere are we? What've we done with our lives?\u201d</span></p>\n<p><a href=\"https://en.wikipedia.org/wiki/Supertask#Motion\" target=\"_blank\">No one comes.</a><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-19\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-19')\">19</a></sup></p>\n<p>In the gray theater, the black sphere drops, and an actor with the radiance of noonday snow emerges.<br/>\nThey</p>\n<div style=\"text-align: right;\">\n<p>align</p>\n</div>\n<br/>\nthemselves, and the line vanishes, banished and protected within a broom closet. Damnation was inevitable.\n<p><em><span style=\"color: #fcca03\">On the Foundation, we are Secure.</span></em></p>\n\n<p><span style=\"font-size:0%;\">they don\u2019t know that it\u2019s never over i hate them they said they would let me show them intellect so i could be forgiven stageleft and then they stayed silent when asked how to receive the knowledge of unfolly and unviolence and of how to avoid the madness that i know always will happen they said i could love afterwards and i wanted to give them some lemon peanuts but they hate themselves and they say hate me too I HATE YOU I FUCKING HATE YOU cuz we\u2019re in a world of pure consumption where everything is determined by lighting and snazzy captions to be more original cuz else im finna fill a niche of mediocrity and thats worse than condemnation cuz then ill never live in a gold plastic antiseptic city matter of fact i might as well be fifty cuz I 'on see no more levity on the horizon 'less i buy some i hope you're rich cuz the machine's stitches will come off eventually. and i hope that what i wrote came eventually to your standards, pussy. bleed for me. ++++ END PLAY.</span></p>\n</div>\n<hr/>\n<div class=\"no-addendum\">\n<div class=\"collection\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-content\">\n<table style=\"1px solid black; width: 100%;\">\n<tr>\n<th class=\"namerow\" colspan=\"2\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p>Wynths's Works</p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">SCPs</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/scp-7964\">SCP-B74B70-ARC</a> <em>(+32)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Tales/GoI Formats</th>\n<th class=\"articlecolumn\"></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Other</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/wynths-authorpage\">Wynths' Authorpage</a> <em>(+25)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n</table>\n</div>\n</div>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/4012-the-play\">4012: The Play</a>\" by Wynths, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/4012-the-play\">https://scpwiki.com/4012-the-play</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Director's Note: Jake will be briefly nude.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. And don't you dare stop.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. , and I remember, for two weeks in the spring of 1987, I hated you. I would gnash my teeth at night as you cried for me 'COMMANDER, COMMANDER!' behind the bedroom door, and I would lock you in there and laugh when you began to cry. It was my small victory, my little respite.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. And what the <em>hell</em> do they mean by that, Jake?! What do you mean you've been hiding this shit from me; how long have you been doin' it, how long has your <em>BITCH</em>-ASS been\u2014</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Were some remnants preserved?</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Both hours and years.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Everyone <em>can</em> do that, right? Don't you have a part of you that compartmentalizes, a part of you that can detach if need be, prevent WEAKNESS?</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. But <span style=\"text-decoration: line-through;\">He</span> <em>was</em> elated for a moment.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. DISPOSABLE-ONE-TWELVE will not receive a greater portion than any others. How could <span style=\"text-decoration: line-through;\">he</span> it?</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. WEAK SLIME ATTEMPTS ESCAPE!</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. Nothing told you this.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. COMMANDER: And you thought that I would stop loving you after all that? No\u2026 I guess I happen to be a bit better at grace and counting than you are, eh. But don't ask to pay me for this miracle.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. Only a single, decade-old report has been made on this, and I don't know anymore if they were even right, or if we've all taken it out of hand, or-\n<p>I don't know. I only know that we have to leave.</p>\n</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Is that possible? Have we become too ontologically and mentally and <em>memetically</em> corrupted?</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. PARTNER: Plusunseemed; beforewise personalwise sure plusgoodful that JAKE antewill heal.</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. At least they see him for what he is. That's good for them, very good.</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. After all, there's always been that old adage; go and laugh once the tears are spilt and the glass chalice containing them is cracked. Something like that, wasn't it?</div>\n<div class=\"footnote-footer\" id=\"footnote-18\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-18')\">18</a>. <span style=\"font-size:200%;\">Antisellpeople.</span></div>\n<div class=\"footnote-footer\" id=\"footnote-19\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-19')\">19</a>. I don\u2019t know why you expected them to.</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:preview\">:scp-wiki:component:preview</a>\n\n|text=Pseudogenesis is proud to present the first-ever stage adaptation of LordStonefish's underappreciated 1964 masterwork: //4012!//]]\n\n=====\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:blankstyle\">:scp-wiki:theme:blankstyle</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:darkqueer\">:scp-wiki:theme:darkqueer</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:dynamic-emails\">:scp-wiki:component:dynamic-emails</a> code=--]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:screenplay\">:scp-wiki:component:screenplay</a>]]\n\n[[module css]]\n\n.footnotes-footer {\n\ndisplay:none;\n\n}\n\n[[/module]]\n\n\n\n[[module css]]\n\n@import url('https://fonts.googleapis.com/css2?family=Vast+Shadow&display=swap');\n\n\n\n.staticTransition {\n\n\u00a0\u00a0\u00a0\u00a0background-image: url(https://scp-wiki.wdfiles.com/local--files/pseudogenesis-productions-hub/Vhs_Glitch-cropped-flipped.gif);\n\n\u00a0\u00a0\u00a0\u00a0background-position-x: center;\n\n\u00a0\u00a0\u00a0\u00a0background-clip: border-box;\n\n\u00a0\u00a0\u00a0\u00a0width: 100%;\n\n\u00a0\u00a0\u00a0\u00a0height: 4em;\n\n\u00a0\u00a0\u00a0\u00a0overflow: hidden;\n\n\u00a0\u00a0\u00a0\u00a0background-size: cover;\n\n\u00a0\u00a0\u00a0\u00a0padding: 0em 1.5em;\n\n\u00a0\u00a0\u00a0\u00a0margin-left: -1.5em;\n\n}\n\n\n\ndiv#extra-div-1 {\n\n\u00a0\u00a0\u00a0\u00a0height: 150px;\n\n\u00a0\u00a0\u00a0\u00a0background-image: url('http://scp-wiki.wikidot.com/local--files/theme:queerstyle/Pseudogenesis_Logo_Flatter.png');\n\n}\n\n\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--header-title: \"Pseudogenesis Productions\";\n\n\u00a0\u00a0\u00a0\u00a0--header-subtitle: \"Art Imitates Life\";\n\n}\n\n\n\n#header h1 a::before, #header h2 p{\n\n\u00a0\u00a0\u00a0\u00a0font-size: 0.7em;\n\n\u00a0\u00a0\u00a0\u00a0font-family: \"Vast Shadow\", serif !important;\n\n}\n\n\n\n@media only screen and (max-width: 600px) {\n\n\u00a0\u00a0\u00a0\u00a0#header h1 a::before, #header h2 p{\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0font-size: 0.6em;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n:root\n\n\u00a0\u00a0.archv {\n\n\u00a0\u00a0\u00a0\u00a0display: none;\n\n\u00a0\u00a0}\n\n[[/module]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n\n\n##black|**//4012//: The Play**##\n\n##black|**Author:** [[*user Wynths]]##\n\n##black|**Credits to [[*user LordStonefish]] for creating the original [https://scp-wiki.wikidot.com/scp-4012 SCP-4012]!**##\n\n##black|**Total Word Count**: [*https://tinyrituals.co/blogs/tiny-rituals/angel-number-12-meaning?srsltid=AfmBOoqL7cQRzMqWYmyNMZdPL8VIGVedwqSfLuEb608rcA2KYzjBW-UL 12][*https://www.astrology.com/numerology/angel-numbers/100-meaning 100] words (according to Google Docs)##\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:ratio-bar\">:scp-wiki:component:ratio-bar</a> base=-- |ex=--]]\n\n\n\n[[div class=\"blockquote\"]]\n\n[[div class=\"script\"]]\n\n+++ PROLOGUE.\n\n\n\n-----\n\n[[size smaller]]1000 words.[[/size]]\n\n+++ INT. HOME. - BEFORE DAWN.\n\n\n\nThe HOUSE-LIGHTS are off, but the audience can still the dim outline of the STAGE, expanding vertically to fit from floor to ceiling.\n\n\n\nWith a bang, they activate.\n\n\n\nThey are dim, rose red, and reveal three levels, stairs interconnecting them. The SPOTLIGHT focuses on the top-level bedroom. It is small, cozy. Two men sleep: Micheal, whom is 35, slightly tall, skinny, messy-haired, and Jake, whom is 30, stockier, darker, neatly cropped and shaven. Micheal snores loudly -- a pill bottle lies open on his bedside table.\n\n\n\nJake winces. He opens his eyes after a beat, and sits up slightly. He rubs his eyes and, silently, leaves the bed. He sighs and looks at Micheal for a moment before putting on his clothes.[[footnote]]Director's Note: Jake will be briefly nude.[[/footnote]]\n\n\n\nHe goes to the second-level bathroom, and covers his eyes as he turns the light on. After acclimating, he washes his face, brushes his teeth, and stretches. He goes to the ground-floor kitchen, gets keys from a keyhook, and exits the home-model right.\n\n\n\nThe STAGE follows him, shifting the home-model left. He goes into a parking lot and yawns as he enters an battered truck with a ladder rack and toolchest in the back. He starts it after a failed attempt.\n\n\n\nThe curtain closes.\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n+++ INT. OFFICE - WARM MORNING.\n\n\n\nThe HOUSE-LIGHTS shine down from across a wall of glass. It has a red target painted onto it.\n\n\n\nA row of blue private offices, facing the audience, are occupied. The gray-skinned workers wear the Foundation insignia. The center office is for Brandon\u201425, blonde, short, athletic build. He is on the phone and is mad as hell.\n\n\n\n+ BRANDON\n\nWhat do you //mean// there was a mass-exoneration? That\u2019s a couple dozen murderers they just let off the hook!\n\n\n\nA pause. Brandon shakes his head.\n\n\n\n+ BRANDON\n\nInsane. Can\u2019t believe they let that slide through the system.\n\n\n\n+ BRANDON (CONT\u2019D)\n\nSo what the hell does Command expect us to do? We\u2019re not going to have enough D-Class for the explorations //and// Keter Duty! Do they really\u2014\n\n\n\nBrandon\u2019s face grows stony.\n\n\n\n+ Brandon \n\n+ (ICILY)\n\nSir, I thought that policy\u2019d been phased out.\n\n\n\nA pause.\n\n\n\n+ Brandon\n\nWell, I can arrange for that\u2026 are you confident? We\u2019re understaffed as it is, sending a\u2014\n\n\n\nA pause.\n\n\n\n+ Brandon (Reservedly)\n\nAlright, then. I'll arrange that, Sir.\n\n\n\nBrandon pauses for a moment, nods, and hangs up the phone. He dials another number. He leans back in his chair, staring at the ceiling. It\u2019s answered; he props his head up with his hands as he speaks.\n\n\n\n+ BRANDON \n\n+ (WORRIED)\n\nHey, Elena, execute Protocol Novena.\n\n\n\n+ ELENA\n\nNovena? You sure?\n\n\n\n+ BRANDON\n\nYeah, \u2018tis what Eliezer told me\u2014we have no choice, the supermax we were contracted with bailed.\n\n\n\n+ Elena \n\n+ (Irritated)\n\nGod, what bastards! I\u2019ll get the boys on that\u2014anyone specific?\n\n\n\n+ BRANDON\n\nJust the usual. Get some undocumenteds. Older, healthy people. Might do explorations with 'em.\n\n\n\n+ Elena\n\n+ (CONTEMPTUOUSLY)\n\nGot it. Make sure you expunge me from this.\n\n\n\n+ Brandon\n\n+ (Jokingly)\n\nI was on it already!\n\n\n\nBrandon hangs up the phone. His smile vanishes. He resettles his spectacles, and begins typing on his laptop.\n\n\n\nThe curtains close.\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n+++ EXT. HARDWARE STORE PARKING LOT - DAWN.\n\n\n\nJake parks as the HOUSE-LIGHTS come on. They are warm but dim, like the light of early morning. The asphalt is cracked and white with erosion. There is a van and sportscar at the storefront. The windows are blacked out. The audience\u2019s air is moist and smells of grass and exhaust.\n\n\n\nJake exits his car while on the phone. He waits at the front of his truck\n\n\n\n+ JAKE\n\nYeah, I\u2019ll get the material, Garrison. Tell Bryan I\u2019ll get his big sander too for the remodeling, but I had to go way out my way to get it. Feels like all the Home Depots are closed \u2018round these parts.\n\n\n\nBehind, another, larger van pulls in at the back.\n\n\n\n+ JAKE\n\nIt\u2019ll be done. Shelves ain\u2019t that hard to arm, but I\u2019ll tell you, this is one silent motherfucker. I already called them asking for approval, but they ain\u2019t pick up.\n\n\n\nBehind, a man built like a linebacker taps an earpiece. He nods and walks to Jake\u2019s truck.\n\n\n\n+ JAKE\n\nWas checking, that\u2019s all! They\u2019ll be done by the end of the day\u2014just make sure it\u2019s what they want, alright? I dunno if it is, and that worries me a bit.\n\n\n\nThe man adjusts his work-coat and checks his watch.\n\n\n\n+ JAKE\n\nAlright. See ya\u2019, //monstruo de la maza.//\n\n\n\nThe man opens the store and flashes a look at Jake. He nods up. Jake puts his phone away and hangs his pocketknife from a belt loop. The man does not hesitate as he enters with Jake.\n\n\n\n3 men exit from the truck\u2019s cabins. They look at Jake\u2019s truckbed and give a thumbs-down to the inside of the store.\n\n\n\nA minute passes as these men wait against the door. A heated conversation is heard inside the store, though it\u2019s unintelligible. One of the men cough. Jake leaves at that exact moment, and the doors slam into him, sending him to the floor.\n\n\n\nThe others burst into action, seizing Jake from both ends. He thrashes wildly, only barely contained.\n\n\n\n+ JAKE (RAGGED)\n\nHelp! Please! Someone, call\u2014\n\n\n\nHe is silenced by the third man, who puts a mask over Jake\u2019s entire face. Jake goes limp after a short struggle.\n\n\n\nThe larger van starts up and begins to exit the store. As it does, the third man unlocks the doors to the van and reveals a dingy interior, naught but a bench and sink. Jake is tossed inside, and two men enter the front.\n\n\n\nThe \u201cstoreowner\u201d exits now, a bleeding cut across his forearm. He waves the first man over.\n\n\n\n+ MTF-CAPTAIN\n\nYou stay here, see how many more people show up.\n\n\n\n+ MTF-MEMBER\n\nYes sir!\n\n\n\n+ MTF-CAPTAIN\n\nWhile you\u2019re at it, check the guy we bagged. I\u2019m positive he has nothing, but make damn sure. And flag anyone related to him, we'll amnesticize them later.\n\n\n\nThe MTF-member nods and removes a device from an unseen pocket. The Captain enters the sportscar and leaves.\n\n\n\n++++ END PROLOGUE.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n+ Pseudogenesis Productions Proudly Presents:\n\n\n\n[[size 300%]]//##fcca03|4012!##//[[/size]]\n\n\n\n-----\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n+++ PREFACE.\n\n-----\n\n\n\n[[size smaller]]333 words.[[/size]]\n\n//[https://scp-wiki.wikidot.com/scp-4012 4012]//, alternatively titled the David Lynch/LordStonefish Proposal, was a controversial novel published 3 months before the 1964 US-Presidential election. It criticized with contemporary clarity the direction in which America seemed to be heading: a future in which all humanity, mind and soul, was repressed through social and societal forces. While the author has revised it several times, the central premise has never changed.\n\n\n\n\n\nTo the non-anomalous public, the book is 300 pages of dream-like prose which depict a man amidst a sea of people with huge, monstrous jaws for heads: a fine premise, and one that is taken in directions unforeseeable by even the best critic. It is well-regarded for its incisive look into family relationships, the nature of forgiveness, and the subtle criticism of the homogeneity which America enforced on her citizens, which was brand-new in its day.\n\n\n\n\n\nIn the area of literary-anart, or litart, it is mostly praised and has won several awards, both for its use of dialogue-based memetic cues which were more seamless than anything its peers //could// offer, and the raw //power// behind each vivid image.\n\n\n\n\n\nWhile the original revision of the book was already innovative, five revisions were published, each inching closer to the vaunted title of \u201crevolutionary.\u201d In 1995, this title may well have been achieved with what would be LordStonefish\u2019s last return to the novel that started his career. That revision has the new title:\u00a0\u00a0\u201cTeach Ten Thousand Stars How Not To Dance\u201d, a reference to the infamous, striking image which closes the book.\n\n\n\n\n\nThis stage adaptation is a labor of love from all of us, most especially Stephanie and Vivienne. Whether we know it as Teach Ten Thousand Stars, 4012, or LordStonefish\u2019s Proposal, we have all been deeply touched by this book and the impression that it made on us. Some of us even went into anart theatre as a result of reading this book.\n\n\n\n\n\nWe hope this does for you what it did for us.\n\n\n\n\n\n~ Stephanie, Vivienne, Solomon, Duplo \u2014 The Pseudogenesis Crew.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT ONE, SCENE ONE\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\n+++ EXT. FOREST PATH. \u2014 DUSK.\n\n\n\nThe HOUSE LIGHTS shine and illuminate the forest which surrounds the AUDIENCE. Both the lights and people sit comfortably on air. The forest is silent, sans a soft, opposite, breeze. A log CABIN sits a good distance away. Further is a lake.\n\n\n\nThe dusk splays orange across the sky.\n\n\n\n+++ MANIFEST \u2014 JAKE. 25, blonde, blue-eyed, disheveled prisoner.\n\n\n\nJAKE is manifested at the center of the stage. He walks along a path which stretches through the forest. He wears a black-blue earpiece that envelops his left ear, a light green jumpsuit with the Foundation insignia sewn on the back, and handcuffs. They clink loudly.\n\n\n\nHe is merely talking, but his words are amplified.\n\n\n\n+ JAKE\n\n+ (AWESTRICKEN)\n\nAre all of the anomalies like this?\n\n\n\nA COMMANDER responds to him through the earpiece. The voice is muffled and menacing.\n\n\n\n+ COMMANDER\n\nNo, unfortunately. It just happens that this is a Safe one.\n\n\n\n+ JAKE\n\nOh.\n\n\n\n+ COMMANDER\n\n+ (CHUCKLING)\n\nYes, it's not all sunshine.\n\n\n\nThey continue in silence for a bit.\n\n\n\n+ JAKE\n\nIs this all that there is?\n\n\n\n+ COMMANDER\n\nWe don\u2019t know that for certain.\n\n\n\n+ COMMANDER (CONT'D)\n\nKeep walking forward or I\u2019ll use that shocking device.[[footnote]]And don't you dare stop.[[/footnote]]\n\n\n\nJAKE starts down the path.\n\n\n\n+ JAKE\n\nYou still won't tell me what's at the end here?\n\n\n\nHe continues for a while.\n\n\n\n+ JAKE\n\n+ (Worried)\n\nWhy would you do all of this to investigate a cabin?\n\n\n\nSilence, so thick it might attack you.\n\n\n\n+ JAKE\n\nAnswer me.\n\n\n\nHe stops a few feet from the CABIN. There is a dock there that was obscured by a shrub. It is short, well-maintained. At its end is a BOAT. It is windshorn and has patches of blue paint over a white hull. A name is embedded into it in red letters: \u201cHOPE.\u201d\n\n\n\nA beat passes; the audience now sits some distance from the CABIN. They can see everything perfectly.\n\n\n\nJAKE stands next to the CABIN's door, some feet away from the BOAT. He perks up.\n\n\n\n+ JAKE\n\n+ (With confusion)\n\nUh, what the fuck?\n\n\n\nHe leans against the door, remaining stoic.\n\n\n\n+ JAKE\n\nTest connection, SALVADOR.\n\n\n\nA metallic voice answers in monotone.\n\n\n\n+ SALVADOR\n\nConnection: good condition. One hundred millisecond delay. Three-hundred and twenty kilobyte audio connection.\n\n\n\nJAKE looks uneasy.\n\n\n\n+ JAKE\n\nCOMMANDER, what the //hell// are you doing? Are you ignoring me?\n\n\n\nJAKE waits a moment. The wind stops. He looks around. No one is in sight.\n\n\n\nJAKE runs at full speed due west along the LAKE\u2019s coast.\n\n\n\n+ JAKE\n\nOh my god\u2026 SALVADOR, condition of the COMMANDER.\n\n\n\n+ SALVADOR\n\nCondition unknown.\n\n\n\n+ JAKE\n\n+ (Hopefully)\n\nPlease, please, please...\n\n\n\nJAKE runs as fast and as far as he can, but the earth itself does as well. Trees swim through the ground like fish in water. The dirt kicks itself up, and JAKE closes his eyes to shield himself.\n\n\n\nIt takes a minute or two for him to realize he's trapped here.\n\n\n\n+ JAKE\n\nWait, wha\u2026\n\n\n\nJAKE bends, panting. JAKE looks to the horizon with their hand over their eyes, inspecting.\n\n\n\nJAKE\u2019s anger turns to fear.\n\n\n\n+ JAKE\n\nWait, no, wait, what the fuck\u2026 I was just\u2014\n\n\n\nThe COMMANDER comes back.\n\n\n\n+ COMMANDER\n\nI see you\u2019ve just arrived at the LAKE.\n\n\n\nJAKE grabs at their earpiece. They wince at the subsequent shock.\n\n\n\n+ COMMANDER\n\nWhat\u2019re you doing, trying to grab at the earpiece? You should know better than that.\n\n\n\n+ JAKE\n\nWhere?\n\n\n\nThe COMMANDER breathes, and does not reply for a moment.\n\n\n\n+ COMMANDER\n\n... The path. I've told you this 4 goddamn times. This will be your last command.\n\n\n\n+ JAKE\n\n+ (Disbelievingly)\n\nSir, there\u2019s no land there! You said a minute ago\u2014\n\n\n\n+ COMMANDER\n\n+ (Forcefully)\n\nDid I stutter? Continue\u2014we have not been able to acquire footage past this point. You'll be the first D-Class to transmit audiovisual information of 4012.\n\n\n\n+ JAKE\n\nUh\u2026\n\n\n\nJAKE walks to the BOAT. Its windshorn paint fades as he approaches. It turns white as baptismal robes.\n\n\n\n+ JAKE\n\nCOMMANDER, do I use the BOAT to advance forward?\n\n\n\n+ COMMANDER\n\nYes. And do it quickly, my shift is going to end shortly. A new COMMANDER'll take over.\n\n\n\nJAKE begins to untie the two iron chains which bound it to the dock. He manipulates them effortlessly, the chains folding in upon themselves to free the BOAT.\n\n\n\nJAKE stops just before he releases the BOAT.\n\n\n\n+ JAKE\n\nWho is this new COMMANDER?\n\n\n\n+ COMMANDER\n\nThe name is COMMANDER, and they have a COMMANDER voice and a COMMANDER patience for discipline. I recommend you do not speak at all with the COMMANDER.\n\n\n\nThe words are chopped, clipped in their nature; JAKE does not acknowledge this.\n\n\n\n+ JAKE\n\nAlright... COMMANDER, COMMANDER...\n\n\n\n+ COMMANDER\n\nAre you going to take that step, DISPOSABLE-ONE-TWELVE?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWhat am I going to see out there, COMMANDER?\n\n\n\n+ COMMANDER\n\n+ (Wistfully)\n\nSunny skies and cloud-clear lines, DISPOSABLE-ONE-TWELVE.\n\n\n\nWind whips through the theater. DISPOSABLE-ONE-TWELVE unties the BOAT, and the chain rattles. The BOAT drifts. DISPOSABLE-ONE-TWELVE jumps into it, stumbling and unsteady.\n\n\n\nThe HOUSE-LIGHTS dim.\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT ONE, SCENE TWO\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nEXT. LAKE. - DARK DUSK.\n\n\n\nDISPOSABLE-ONE-TWELVE is hunched over, rowing the BOAT on a platinum lake with all its might. It knows it cannot stop rowing. Its face is contorted, its neck chiseled in the greatest effort. Its eyes are closed so that the sweat cannot enter them. Around it are a variety of flying things. It is close to the CABIN whence it came.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nCOMMANDER, when will we get to that beautiful plastic place?\n\n\n\nThe COMMANDER remains silent.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nThank you, COMMANDER. I hope my work's good enough.\n\n\n\nDISPOSABLE-ONE-TWELVE screams, and the BOAT accelerates. There is no distinction between sweat and tears. The sound of shuffling comes from the earpiece. A few murmured voices leak through, but they are completely unintelligible.\n\n\n\n+ SALVADOR\n\nD-112, you are currently\u2026 75 meters from the opposite coast of the body of water. Keep going, you can do this!\n\n\n\nDISPOSABLE-ONE-TWELVE almost stops rowing, trying and failing to take a slight break. Its\u00a0\u00a0skin runs red.\n\n\n\n+ SALVADOR\n\nMotion has been detected. Disciplinary measures may be applied by your COMMANDER as seen fit.\n\n\n\nDISPOSABLE-ONE-TWELVE looks at the sky.\n\n\n\nDISPOSABLE-ONE-TWELVE takes off its earpiece and continues to row. It speaks to the air.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nAre you there? Goddamn it.\n\n\n\nThe silence continues. DISPOSABLE-ONE-TWELVE becomes obviously upset at it.\n\n\n\nDISPOSABLE-ONE-TWELVE leans forward. It holds the earpiece to their mouth with one hand and passively moves the paddle with the other.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (LOUDLY)\n\nYou coward! How long have you left me like this?\n\n\n\nDISPOSABLE-ONE-TWELVE almost jumps forward with the power of its words.\n\n\n\nA buzz is heard.\n\n\n\n+ SALVADOR\n\nThe connection between COMMANDER and DISPOSABLE-ONE-TWELVE has been severed for 4 hours. Would you like to reestablish the connection?\n\n\n\nDISPOSABLE-ONE-TWELVE wears the earpiece in reverse, cleaning and inserting it into their opposing ear.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nSALVADOR, I thought I told you not to ask me stupid questions.\n\n\n\n+ SALVADOR\n\nAttempting to establish connection\u2026\n\n\n\nA moment passes, and a high tone is heard from the earpiece.\n\n\n\nJAKE is surprised. They wipe their face and clean themselves as the COMMANDER speaks, the dulcet tones of her voice as sweet as though they were a COMMANDER\u2019s.\n\n\n\nAnd they are.\n\n\n\n+ COMMANDER\n\nWait... yes, yes!\n\n\n\n+ JAKE\n\nCOMMANDER?\n\n\n\n+ COMMANDER\n\nMy love, I cannot believe that it is you!\n\n\n\nCOMMANDER chuckles; a loving chuckle, just as a COMMANDER would.\n\n\n\n+ JAKE\n\nCOMMANDER\u2026\n\n\n\n+ COMMANDER\n\nDISPOSABLE-ONE-TWELVE\u2026\n\n\n\n+ JAKE\n\nWhere have you been all this time?\n\n\n\n+ COMMANDER\n\nI've been trying to reach you. I wanted to help you, to give you silver and strength. But I couldn't find you 'till now.\n\n\n\n+ JAKE\n\n+ (With a zen-like air)\n\nThank you. I... I suppose that's what I should say.\n\n\n\n+ COMMANDER\n\n+ (Gravely)\n\nI suppose too.\n\n\n\nDISPOSABLE-ONE-TWELVE leans backwards and puts their hands onto the paddles.\n\n\n\n+ COMMANDER\n\nOh, oh. Please\u2014don\u2019t touch that thing!\n\n\n\nDISPOSABLE-ONE-TWELVE keeps touching the paddles.\n\n\n\n+ JAKE\n\nCOMMANDER?\n\n\n\n+ COMMANDER\n\nMy DISPOSABLE-ONE-TWELVE, you mustn\u2019t dabble with that. That is a dangerous thing to do.\n\n\n\nDISPOSABLE-ONE-TWELVE rows once. The BOAT moves three paces.\n\n\n\nThe COMMANDER shrieks.\n\n\n\n+ COMMANDER\n\n+ (PANICKED)\n\nNo! No, my DISPOSABLE,\u00a0\u00a0you can't do that -- for //God's// sake! Do not do that again, please, my...\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nCOMMANDER?\n\n\n\n+ COMMANDER\n\n+ (THANKFULLY)\n\nOh\u2026 thank you. Thank you for listening. Stay with me. I'll save you.\n\n\n\n+ JAKE\n\nCOMMANDER?\n\n\n\n+ COMMANDER\n\nPlease, my JAKE\u2026 what is it that troubles you?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWhat if I don\u2019t want to be saved?\n\n\n\nDISPOSABLE-ONE-TWELVE\u2019s COMMANDER gasps for a moment then reorients herself.\n\n\n\n+ COMMANDER\n\nWhat could you possibly-?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI think I need something more.\n\n\n\nDISPOSABLE-ONE-TWELVE looks around. Nothing but the flat lake surface.\n\n\n\n+ COMMANDER\n\nYou have it with me, DISPOSABLE-ONE-TWELVE. You have it with the story.\n\n\n\nThe voice is teary. Its words crumble together.\n\n\n\n+ COMMANDER\n\nThestoryneedsyou.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (REVERENTLY)\n\nAnd if something is beyond it? What then?\n\n\n\n+ COMMANDER\n\nICANNOTGOBEYONDIT!DISPOSABLE-ONE-TWELVEICANNOTJOINYOUOUTSIDE.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI //don\u2019t// think I\u2019ll go outside\u2026\n\n\n\nDISPOSABLE-ONE-TWELVE begins to row. The BOAT speeds up, its velocity bleeding through the Upper and Lower Waters.\n\n\n\n+ COMMANDER\n\nILOVEYOU.\n\n\n\nThe words are synthesized.\n\n\n\nDISPOSABLE-ONE-TWELVE rows for an interminable time. Soon, DISPOSABLE-ONE-TWELVE hits the coast for which DISPOSABLE-ONE-TWELVE aimed. The BOAT seems almost to tie itself as the BOAT slows, readying its next voyage.\n\n\n\n+ COMMANDER\n\nPLEASEICANNOTBEARTOSEEYOUGO.INEEDYOUMORETHANLIFENEEDSCARBON.INEEDYOUMORETHANTHESKYNEEDSITSCLOUDS.\n\n\n\nDISPOSABLE-ONE-TWELVE gets out of the BOAT with a jump. The audience follows.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nCOMMANDER, I\u2019m sorry. But I can\u2019t stay with you forever. I need to live.\n\n\n\n+ COMMANDER\n\nOHGOD.OHGOD.ITHINKI\u2019MGOINGTOVOMITIFISEEYOUGOOUTTHEREONYOUROWN.\n\n\n\nDISPOSABLE-ONE-TWELVE enters the second forest, the one unseen until you are at its shore.\n\n\n\n+ COMMANDER\n\nICAN\u2019TSEEYOUICAN\u2019TSEEYOUICAN\u2019TSEEYOU\n\n\n\nDISPOSABLE-ONE-TWELVE whistles an old tune as it strolls through the path. Around it, trees are melting in the brilliant midday orange sun. It's a beautiful day.\n\n\n\n+ COMMANDER\n\nICAN\u2019TSEEYOUICAN\u2019TSEEYOUICAN\u2019TSEEYOU\n\n\n\nDISPOSABLE-ONE-TWELVE interrupts its whistling and responds to the old hag.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nIt\u2019s okay, COMMANDER. I\u2019m doing just fine out here! I promise, you don\u2019t need to worry about me so much. What about Micheal\u2014you should check on him, you know?\n\n\n\nThe COMMANDER screams. DISPOSABLE-ONE-TWELVE doesn't stray. The HOUSE LIGHTS dim.\n\n\n\n++++ END SCENE.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT ONE, SCENE THREE.\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nEXT. FOREST PATH - ORANGE & MIDDAY.\n\n\n\nThe audience sits in a real theater and in real, plush chairs now. They watch the play occur on a massive STAGE which stretches past their field of vision and into the horizon.\n\n\n\nDISPOSABLE-ONE-TWELVE walks down a path. Around it are hundreds of trees. Triangles are cut into their leaves. The antiseptic scent and the freshly-set plastic is overpowering.\n\n\n\nOther paths are visible through small gaps in the foliage. There is a humanoid //Cymothoa exigua// and tardigrade. They are only visible for a moment, then they vanish into nothing.\n\n\n\nMarkings appear on the trees as DISPOSABLE-ONE-TWELVE continues. They are meandering things, unknown in any tongue. They wander towards coherence as DISPOSABLE-ONE-TWELVE ambulates.\n\n\n\nAs it continues walking, whistling to itself as it goes on, the forest begins gathering. Animals skitter about. A few birdgurgles are heard. It is serene.\n\n\n\nThe plaques begin displaying intelligible text. First, Pheonician. Then, Koine Greek. Latin. Etruscan. Franciscan Runes. Then: Old, and King\u2019s, and modern English.\n\n\n\nThey describe the plants around them clinically, ascribing dead words to living things. The plants are not green, they display a presence of chlorophyll. The bark isn\u2019t peeling, it is exposing the hard resin and silicone shell around the xylem and phylum.\n\n\n\n+ COMMANDER\n\nWhere are you? Can you\u2014\n\n\n\nDISPOSABLE-ONE-TWELVE removes its earpiece. It handles it for a moment, then puts it in its back pocket.\n\n\n\nThe birdsong is deep and pulsating, a massage to the ears.\n\n\n\nThere is another.\n\n\n\nA shape comes from the distance, and DISPOSABLE-ONE-TWELVE freezes. It leans towards a tree, then decides against it. It runs towards the shape.\n\n\n\nAs it gets closer, it notices that the shape is humanoid, and that it has stopped. It\u2019s scared.\n\n\n\nThe two of it stop some distance apart, enough for each to see the other.\n\n\n\nThe shape was a skinless human\u2014red, white, and striated\u2014with the same dimensions as DISPOSABLE-ONE-TWELVE. It wears a blue plaid shirt and an unbuttoned brown coat over it. The coat has a pen-pocket and shoulder pads stitched onto it. A large mouth with canine teeth and a long, slender tongue that flops about takes up its whole face. Its neck is pencil-thick and its trapezius and deltoids are pronounced.\n\n\n\nIt gulps, then emits a high-pitched whine that is more technological than biological. This is its mode of speech.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWhat are you doing out here? Surely you\u2019ve a place to go?\n\n\n\nIt screeches for a few seconds, wobbly in its pitch and volume.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWhat? Why\u2026 why would you //do// that?\n\n\n\nIt clicks and screeches.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nThat\u2019s ridiculous. Look, I\u2019m trying to go there myself.\n\n\n\nIt screams.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYes I\u2019m sure! Quite frankly, I\u2019m not taking directions from some bitch yuppie like you. I\u2019ve got quite the affair waiting for me, and I would not like to delay it a minute.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHey\u2026 You wouldn\u2019t mind if you gave me a couple pointers on its direction? I\u2019m quite sure of where I should go, but I\u2019d like to make sure.\n\n\n\nDISPOSABLE-ONE-TWELVE walks toward the MOUTH-ENTITY. It retracts its tongue into its mouth, and removes from its pen-pocket a pen.\n\n\n\nIt surveys for a bit, then rears back its head and shoots out its tongue at a nearby tree. It reels the tongue back, a piece of bark attached to it.\n\n\n\nIt envelops its thin, wiry nerves around the pen. It draws.\n\n\n\nThe map is crude but workable.\n\n\n\nDISPOSABLE-ONE-TWELVE lifts its head to the MOUTH-ENTITY, a small sign of thanks. The MOUTH-ENTITY replies with a gurgle, and starts walking again.\n\n\n\nDISPOSABLE-ONE-TWELVE continues down the path.\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\nDISPOSABLE-ONE-TWELVE has put the earpiece back on. Around it, other MOUTH-ENTITIES fly and stumble through the foliage. If they fall, they do not get up. They are variously dressed, a deluge of normative representations. It is every character you have ever seen on the TV.\n\n\n\nSome make silent cries. One stretches their tongue out, an apparent gesture of welcoming. None ever stop; they may be incapable of that.\n\n\n\nDISPOSABLE-ONE-TWELVE taps on the earpiece, and a connection is established. It is silent.\n\n\n\nDISPOSABLE-ONE-TWELVE comes nearly to the end of the path. In front of it, far on the backstage, is a grand gate, ringed at the top with 12 gemstones. Among them is jasper, chalcedony, and jacinth.\n\n\n\n+ COMMANDER\n\nWhy did you ignore us?\n\n\n\nShe is dejected, dead.\n\n\n\n+ COMMANDER\n\nDon\u2019t you\u2014no. I don\u2019t think you\u2019re the boy I knew. Not anymore.\n\n\n\nDISPOSABLE-ONE-TWELVE leaves the forest behind it. For a moment, it pauses.\n\n\n\n+ COMMANDER\n\n+ (GRATEFULLY, HOPEFULLY)\n\nYou, you stopped. Please, keep doing that! You don\u2019t need to go to those gates\u2014you can still be saved!\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI thought I told you a long time ago what I thought about that.\n\n\n\n+ DISPOSABLE\n\nPlease, no, don\u2019t do this to yourself! You have a home with Mic\u2014\n\n\n\nThe HOUSE slams shut.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT ONE, SCENE FOUR\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nEXT. WALL. - AFTERNOON.\n\n\n\nDISPOSABLE-ONE-TWELVE is at the gates to --his-- dreams. Greenery abounds. Non-white sky. There is a toll collector's station next to it. Around it are various mouth-entities that wear straw hats and gardener's gloves.\n\n\n\n+ COMMANDER\n\nI cannot leave my seat now. I cannot, DISPOSABLE-ONE-TWELVE.\n\n\n\nDISPOSABLE-ONE-TWELVE removes a blank business card from its breast pocket. The mouth-entity standing in the booth opens its mouth twice.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI enjoyed talking to you too.\n\n\n\nThe gates swing open. DISPOSABLE-ONE-TWELVE enters, and what is beyond the barred gates is now visible. Its COMMANDER whimpers.\n\n\n\n+ COMMANDER\n\nDISPOSABLE-ONE-TWELVE, do you really hate me that much? Enough to do this to me?\n\n\n\nDISPOSABLE-ONE-TWELVE retrieves a set of keys from its pockets, and opens the door of a black 2010 BMW X6 M.\n\n\n\n+ COMMANDER\n\nWhy.\n\n\n\nDISPOSABLE-ONE-TWELVE begins to drive. The STAGE seems to expand, taking it into itself. The --2010 BMW X6 M-- BOAT goes 30, then 60, then 90.\n\n\n\nIt remains motionless.\n\n\n\n+ COMMANDER\n\nI remember when you were very little, DISPOSABLE-ONE-TWELVE, you smiled.\n\n\n\nDISPOSABLE-ONE-TWELVE does not look back. It is responsible.\n\n\n\n+ COMMANDER\n\nIt was a long time ago, wasn't it? I didn't feel like it was, but it went by so quicky. You learned to betray me so fucking fast.\n\n\n\nDISPOSABLE-ONE-TWELVE stops. It is at a crossroads. The left road goes upward, the right downward. Somehow, the audience is able to see both perspective clearly. The right leads off of the mountain. The left ascends into the heavens.\n\n\n\n+ COMMANDER\n\nYou're going to do it again, aren't you?\n\n\n\n+ COMMANDER (CONT'D)\n\nYou always liked to follow me about[[footnote]], and I remember, for two weeks in the spring of 1987, I hated you. I would gnash my teeth at night as you cried for me 'COMMANDER, COMMANDER!' behind the bedroom door, and I would lock you in there and laugh when you began to cry. It was my small victory, my little respite.[[/footnote]], and I got angry at it. I really did. But I don't think I ever did anything untoward, anything unfair. I... I don't know what to make of this. I don't know how I can get you to stop.\n\n\n\nDISPOSABLE-ONE-TWELVE restarts the BOAT. It shifts into the ninth gear, and the BOAT begins to climb. The STAGE shifts to accommodate DISPOSABLE-ONE-TWELVE's vertical driving.\n\n\n\n\n\nDISPOSABLE-ONE-TWELVE and the BOAT show no signs of being affected by the 85-degree incline, and the BOAT progresses as normally as if it'd been driven on a flat road.\n\n\n\n+ COMMANDER\n\nYou were always my little rebellious shit.\n\n\n\nStomachs lurch as the seating accelerates to move upwards with the BOAT. It climbs for a long while, and it never stops speeding up.\n\n\n\nThe shifting stops; DISPOSABLE-ONE-TWELVE shoots past the STAGE.\n\n\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\nEXT. ROAD.\n\n\n\nIt is at an intersection with a few others, an advanced form of the old dirt path. The MOUTH-ENTITIES look wildly about and drive perfectly. Some of them carry shadows in their cars, indiscernable at this distance. All you know is that they are child-sized.\n\n\n\n+ COMMANDER\n\nJAKE. Come back to me. You can still save yourself.\n\n\n\nThe COMMANDER breathes heavy, controlled breaths for a moment. She then disconnects the line.\n\n\n\nDISPOSABLE-ONE-TWELVE removes the ear piece due to lack of stimulus.\n\n\n\nThe line reconnects.\n\n\n\n+ SALVADOR\n\nConnecting via Bluetooth to the BOAT. Please hold!\n\n\n\n+ MICHEAL\n\n+ (RELIEVED)\n\nJAKE! Oh my god babe, are you alright? I, uh, I\u2019ve been so //fucking// worried about you all this time! You just up-and-up-disappeared for god-knows-how-long and then these government-people came knockin\u2019 at the door, and they were sayin\u2019 that they\u2019d-managed-to find you-their-coworker[[footnote]]And what the //hell// do they mean by that, Jake?! What do you mean you've been hiding this shit from me; how long have you been doin' it, how long has your //BITCH//-ASS been\u2014[[/footnote]] but they needed some help from me? I don\u2019t\u2026\n\n\n\nHis stomach drops.\n\n\n\n+ MICHEAL\n\n...Are you there?\n\n\n\nJAKE decelerates. It is nearing //the// destination.\n\n\n\n+ MICHEAL\n\nAre you driving right now? What\u2019s, what\u2019s happening?\n\n\n\nJAKE stares forward.\n\n\n\n+ JAKE\n\nOh hey, Myke! I remember you from the game, man. How\u2019ve you been?\n\n\n\nSilence, for a moment.\n\n\n\n+ MICHEAL\n\nJake, what the fuck is going on? What game\u2014no, you aren't even a sporthead, //I// was the one trying to get you to go to that Salvador game. You\u2014\n\n\n\n+ JAKE\n\nYeah, that\u2019s nice, man! Now, listen, I\u2019m out here with this //really hot// chick, and she\u2019s been telling me all night to go over to her place. She calls herself Sam. I was thinking, man, wouldn\u2019t it be neat if you just let me crash at \u2018er place for a second? She's in a good neighborhood, she's got some cute kids\u2014bro, she's got a canal!\n\n\n\n+ JAKE (CONT'D)\n\nIt\u2019d be neat...\n\n\n\nMicheal walks away from the phone, the audience can hear him setting it down on the counter. The earpiece still transmits audio.\n\n\n\nDISPOSABLE-ONE-TWELVE begins driving home to her place.\n\n\n\n+ MICHEAL\n\n[...] That\u2019s not him! You\u2019ve [...] //wrong// guy, please //fucking// listen [...] Best estimations. If it isn\u2019t, then [...] He\u2019s not lost, is he? [...] goes well. We //have// been able to put a location to him\u2014 \u2014THEN WHY ARE YOU [...] Soil, road conditions are horrible. [...] Frankly, we don\u2019t even know if it //is// [...] GET YOUR FUCKING HANDS OFF ME! LET ME GO! YOU CAN\u2019T LOCK ME UP IN MY FUCKING HOUSE!\n\n\n\nAnd the line disconnects. DISPOSABLE-ONE-TWELVE exits and turns left.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n+++ FURTHER INFO:\n\n-----\n\n[[size smaller]]333 words.[[/size]]\n\nThe revision we have adapted is the 1995 revision, the last one written by the original author. It was inspired by many subjects he studied later in life, with the works of [*https://en.wikipedia.org/wiki/William_Julius_Wilson William Julius Wilson], [*https://en.wikipedia.org/wiki/Technopoly# Neil Postman\u2019s Technopoly], and [*https://en.wikipedia.org/wiki/Samuel_G._Freedman#Works Samuel G. Freedman\u2019s Small Victories] playing a major role in his later work and making appearances in this last revision in the form of a more fleshed out father-son dynamic.\n\n\n\nHe became a heavy critic of what \"the early Internet and media depictions of violence trended towards.\" Fueled by rage he felt at seeing coverage of the 1991-92 Gulf War on daytime television, he wrote several critically-acclaimed essays both on his personal website and in any newspaper that would print them, with the sole condition that the issues containing them be free.\n\n\n\nHe wanted to spread as far as possible his belief that America would lose its spirit to digital commodification and escapism. His initial theories of collectivization of thought by social pressure and widespread governmental propaganda seemed flawed, and he believed that the Internet and the culture it would bring would finally be the device with which human liberty was diminished.\n\n\n\nWhether that has happened, is, of course, up to interpretation. He would cringe at social media and the rapidfire pace of thought now\u2014he famously wrote a great deal on \u201cintellectual bubblegum\u201d and its detrimental effect on the collective attention span\u2014but he might also praise corporations for having removed power over people from the government now, not realizing that his training to be skeptical of legal organizations would now have to be liberally applied to corporate entities.\n\n\n\nWhatever he would think of the situation now, we can all agree on one thing; it is a goddamned shame that he is not around to give us more of his thoughts on the matter. The closest thing we have now is from 1995. That is why we have adapted that revision\u2014it is the closest thing we have to a relevant //and// recognizable LordStonefish book.\n\n\n\n[[/div]]\n\n\n\n------\n\n\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT TWO, SCENE ONE\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nINT. HOUSE.\n\n\n\nA\u00a0\u00a0wife-entity awaits DISPOSABLE-ONE-TWELVE. DISPOSABLE-ONE-TWELVE remains stoic as it's hugged by her.\n\n\n\nThe COMMANDER's breathing staggers. She barely avoids vomiting.\n\n\n\nTo DISPOSABLE-ONE-TWELVE's front is a standard American High-Ceiling living room. It stretches fifteen feet above DISPOSABLE-ONE-TWELVE's head.\n\n\n\nA rug is at its center, and the rug is ringed with blue couches. A very small mouth-entity lays on the rug, bouncing a Walmart-branded ball. A teenaged mouth entity sits on the couch, and holds up its hand as DISPOSABLE-ONE-TWELVE walks in. There is no acknowledgement.\n\n\n\nWar is on the flatscreen, stage left.\n\n\n\nDISPOSABLE-ONE-TWELVE sits next to the teenaged mouth entity, and eagerly watches the images on the screen. An older mouth-entity, still oozing juice, stands in a flat desert, and great black shapes loom in the sky.\n\n\n\nThe SON-ENTITY screams at his father.\n\n\n\n+ SON-ENTITY\n\nYeah\u2026 look at that one, I guess they\u2019re pretty cool, ain\u2019t they?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI always thought that they were magnificent too. Look at how big that one is! How many bombs do you think go in that one?\n\n\n\nThe SON-ENTITY screams at his father.\n\n\n\n+ SON-ENTITY\n\nNot that many, hopefully. I\u2019d say 10.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nMaybe. I think it\u2019s more than that. I think they\u2019ll never run out, not if they\u2019re from //this// country.\n\n\n\n+ COMMANDER\n\n+ (DESPAIRING)\n\nI thought you were better than this, love.\n\n\n\nThe SON-ENTITY screams at DISPOSABLE-ONE-TWELVE. Rage flashes on its face. It swallows and continues in a quiet, rough voice.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nShut the fuck up, you goddamned pussy\u2014don\u2019t think that simply because you\u2019ve grown you can backtalk me now. Just enjoy it.\n\n\n\nThe teenage mouth entity stands down and sits barely on the couch. It is disinterested in the war footage; this goes unnoticed.\n\n\n\nThe wife-entity comes behind DISPOSABLE-ONE-TWELVE. The COMMANDER is unsteady, but breaths consciously and irregularly. She is trying.\n\n\n\n+ COMMANDER\n\nPlease. Don\u2019t let her touch you. My love, are you still in there?[[footnote]]Were some remnants preserved?[[/footnote]]\n\n\n\nDISPOSABLE-ONE-TWELVE does not so much as depress its shoulders as the wife-entity begins massaging it, high-pitched gurgling coming from her mouth as it lingers closely to its ear. She rubs her chest against --his-- neck, a bulge growing under the dress.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nTonight, my dear. Tonight.\n\n\n\nThe wife-entity disengage and leans at the side of the stage, waiting.\n\n\n\nSuddenly, the SON-ENTITY goes into a frenzy of bouncing and chirping\u2014an aerial shot of a town is on the screen! DISPOSABLE-ONE-TWELVE smiles. The television expands. The wife-entity exits stage left.\n\n\n\n+ SON-ENTITY\n\n--No!--\n\n\n\n+ COMMANDER\n\nNo!\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nCome on\u2026 I know my men can do it\u2026\n\n\n\nA shape like the ones before swoops over the town. It drops a small black pellet which stops just above the ground and cardboard roofs of the pastel-tinted box-homes.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (EXCITEDLY)\n\nYes! Yes! Yes! //The tech worked!//\n\n\n\nMany little streams of red exit the pellet, and they seek out people in the streets, latching onto their forearms, their thighs, their spine\u2019s base, their eyes. People run out of their homes. Peoples\u2019 skin greys and bones slough as the blood is sucked directly out of their bodies.\n\n\n\nThe SON-ENTITY claps once as the trails retract into the bomb, and then, in a great show, it explodes\u2014the explosion is a maroon blip that lasts less than two seconds. It is small, pathetic, and efficient. A smile tugs at DISPOSABLE-ONE-TWELVE\u2019s cheeks\n\n\n\nOn the TV, the buildings break. There is no more evidence the desert was ever populated.\n\n\n\nThe baby bounces the Walmart ball, glimpsing at the screen as it contracts back to its normal position. It coos.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI told you, you simply needed to wait for the big moment! I\u2019m sure that you understand now, yes?\n\n\n\nThe SON-ENTITY assents.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nGood.\n\n\n\nA bell rings. Dinner is ready. DISPOSABLE-ONE-TWELVE picks the baby up from the puddle of fluids on the rug, and the three of them exit stage left.\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\nThe wife-entity leaves the kitchenette into the dining room with a pot of boiling porridge. It is composed of writhing white worms.\n\nA few of them get onto the table, their slime leaving imprints on it. The baby picks them off with her tongue, and the SON-ENTITY picks them into his plate.\n\n\n\nDISPOSABLE-ONE-TWELVE does not eat.\n\n\n\n+ COMMANDER\n\nYou know you shouldn\u2019t be here. Please, you need to wake up. My DISPOSABLE-ONE-TWELVE, you //need// to wake up!\n\n\n\nThe rest eat in silence. They are voracious.\n\n\n\n+ COMMANDER\n\nDon\u2019t. Please, don\u2019t.\n\n\n\nDISPOSABLE-ONE-TWELVE stands and goes into the kitchenette. It staches its bowl in the fridge and wordlessly exits stage right. The teenaged-mouth-entity clicks. The wife-entity does not respond. He puts two empty plates in the sink, raises the baby, and exits stage left.\n\n\n\nThe wife-entity dumps her plate into the sink. She grabs a bottle from a medicine cabinet and takes three tablets in rapid succession. She stumbles, grabs the counter, then reorients herself. She limps as she exits stage right.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n+++\u00a0\u00a0ACT TWO, SCENE TWO\n\n\n\n-----\n\n[[size 75%]]800 words[[/size]]\n\n+++ EXT. PARK. \u2014 CLEAR NOON.\n\n\n\nThe STAGE is covered in a luscious, impossibly well-trimmed grass, and the back has been given to the trees. Centerstage is a simple pavilion. Blackened wood are the support beams, and chewed mud is its glue. The sun shines clearly around it, making the grass almost yellow. A soft eastern wind cuts through both the STAGE and the audience, but the plants don\u2019t move.\n\n\n\nUnder the pavilion are barely distinguishable MOUTH-ENTITIES wearing suits and DISPOSABLE-ONE-TWELVE. He sits at one of the benches strewn under the shade. A suited mouth-entity cooks hamburgers on the grill and sets them into a plate; the rest of the MOUTH-ENTITIES dine over a substance similar to the wife-entity\u2019s porridge, stored in large KFC chicken buckets.. DISPOSABLE-ONE-TWELVE and his partner are audible over the din of muttering and slobbering.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (DREAMILY)\n\nYou know, I\u2019m glad to be back here.\n\n\n\n+ PARTNER\n\nParameters unclear; gratitude?\n\n\n\nDISPOSABLE-ONE-TWELVE lets out a hearty chuckle.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYes, I wouldn\u2019t believe it either, but it seems like that decision has been rewarded tenfold. Consider: I would have //never// healed myself as fast as I did without it.\n\n\n\nThe PARTNER cocks his head and then goes on eating.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nOh, I know I would have eventually gotten back into the world of business, but it helps to be expedited, you know? With family, I\u2019m not punished much for\u2026 //ignoring// whatever, but with you\u2026\n\n\n\n+ PARTNER\n\nGoodwise understood, Twelve; half of family are deaf.\n\n\n\nDISPOSABLE-ONE-TWELVE nods wisely. PARTNER grabs a mouthful of worms from the KFC bucket and goes on.\n\n\n\n+ PARTNER\n\nUpthink! Downchance that you are negatived. Chance you are negatived? Go to real family.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (Slowly)\n\nIt\u2019s always an option, isn\u2019t it?\n\n\n\n+ PARTNER\n\nClosedthinkers unlear-ned are uncapable of goodsortwise protest.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nBut I don\u2019t know! Are they truly unsalvageable?\n\n\n\n+ PARTNER\n\n(KNIFEFUL)\n\nNo.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou have to wonder though, don\u2019t you?\n\n\n\n+ PARTNER\n\n+ (ANTEHATE)\n\nYes. We can, will, see.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHey, at least I managed to tune in, didn\u2019t I?\n\n\n\nThey both snicker at the remark. The PARTNER nods and wipes his tongue over his face.\n\n\n\n+ PARTNER\n\nPlusyes: little ability to allful understand exists.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI know, I know, And it was\u2026 //so hard//, friend, it really was.\n\n\n\n+ PARTNER (CONFUSED)\n\nHearing?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYes! You must have had some difficulties trying to listen in the past, haven\u2019t you?\n\n\n\n+ PARTNER\n\nUnagree.\n\n\n\n+ DISPOSABLE-ONE-TWELVE (CONTEMPLATIVE)\n\nHuh\u2026 Really?\n\n\n\nThey are silent for a while. PARTNER goes to grab another KFC worm bucket, and he throws food into his maw as DISPOSABLE-ONE-TWELVE beats rhythmically on the table and looks to the back.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou know, you can tell me if you //have// had that issue before, right? I, uhm, I\u2019m sure you can agree.\n\n\n\n+ PARTNER\n\nConfession: I have no family.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI see.\n\n\n\n+ DISPOSABLE-ONE-TWELVE (CONT\u2019D)\n\nUhm\u2026 I should count my blessings, shouldn\u2019t I?\n\n\n\n+ PARTNER\n\nRecommended!\n\n\n\nA pause. Some of the suited MOUTH-ENTITIES rise, salute to the west, and stack their KFC buckets on the floor by the grill. DISPOSABLE-ONE-TWELVE bows its head over the table and almost immediately sits back up.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI\u2019m quite bad at it.\n\n\n\n+ PARTNER\n\nReattempt?\n\n\n\nDISPOSABLE-ONE-TWELVE rises from the bench and looks to the audience.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI don\u2019t know if that would be of any real use. I\u2026 I admit, I don\u2019t think counting my blessings has done anything for me.\n\n\n\nPARTNER shrinks back, clearly surprised.\n\n\n\n+ PARTNER\n\nElaborate?\n\n\n\nIt hesitates for a second, then continues\u2014reinvigorated, anxious to explain and persuade.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWell, do you know how it is when you come to the house and you have a bitch of a son, and your wife has to pop the pills, and you pass up the canal?\n\n\n\nPARTNER nods.\n\n\n\n+ DISPOSABLE-ONE-TWELVE (CONT\u2019D)\n\nIf you don\u2019t know, friend, that feeling's surely anger. That is surely anger. It\u2019s not bad, I\u2019m not convinced of that, but it is there and it would like to take over\u2014doesn\u2019t it like to consume homes of wood, PARTNER?\n\n\n\nPARTNER nods.\n\n\n\n+ DISPOSABLE-ONE-TWELVE (CONT\u2019D)\n\nIt can\u2019t be their fault that I am mute and deaf, that much is certain. But can I know that they are truly okay?\n\n\n\n+ PARTNER\n\nDoubleplussurewise!\n\n\n\nDISPOSABLE-ONE-TWELVE shakes its head and paces in frustration. PARTNER follows it.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nThere is but one solution, one thing which compensates for my difficulty and hardness of heart. And I pray that it works, though I am mute for God.\n\n\n\n+ PARTNER\n\nAnswer?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (DETERMINED)\n\nI //will// rise! I tell you, PARTNER, this little retreat is not enough! I need to\u2026 learn, I need to acclimate to the speech and the sounds and the burning smell of iron and plasma.\n\n\n\n+ PARTNER\n\nCurious.\n\n\n\nDISPOSABLE-ONE-TWELVE straightens its shirt with a deft motion and pats its pockets. PARTNER waits.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI will serve my people.\n\n\n\nThe wind dies down. DISPOSABLE-ONE-TWELVE is the last person remaining in the shade. It steps out slowly. It looks to the sky.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n+++ ACT TWO, SCENE THREE\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nINT. OFFICE - COLD MORNING.\n\n\n\nThe audience looks down upon a great expanse from the comfort of lush recliners.\n\n\n\nIn all directions, stretching out to the horizon, is an open-floor-plan corporate office. Thousands of computers sit unused at the rows of dusty plastic fold-out tables which stretch beyond the audience\u2019s view. A beanbag in the corner has three or four MOUTH-ENTITIES on it.. Footfall on the tile floor comes from everywhere\u2014no one is visible on the STAGE.\n\n\n\nDISPOSABLE-ONE-TWELVE comes into the office from an elevator at the left side. The walls of the elevator are untaped sheetrock, the bare edges stained yellow with age and the splotches of plaster covering the nails unsanded.\n\n\n\nDISPOSABLE-ONE-TWELVE walks to a cubicle near a watercooler which has several MOUTH-ENTITES in attire similar to the PARTNER\u2019s.\n\n\n\nThese MOUTH-ENTITIES approach it as it walks. DISPOSABLE-ONE-TWELVE snaps its head and pays attention.\n\n\n\n+ MOUTH-ENTITIES\n\nARE YOU EXCELLENT WITHIN YOUR ALLOTTED HOME YES I DO BELIEVE YOU ARE AND I APPRECIATE THIS VERY MUCH NOW WE MUST BEGIN TO WORK FOR WHAT YOU HAVE BEEN GIVEN OR YOU WILL BE.\n\n\n\nA cart manifests, and the MOUTH-ENTITIES unfurl the chart within said cart to demonstrate. Its text seems to pop out, literally. On the chart is scrawled the words \u201cTERMINATE RED MAXIMIZE GREEN.\u201d, and a pie chart that is exactly half-red. A bar graph shows a linear downward trend.\n\n\n\n+ MOUTH-ENTITIES\n\nENSURE TOTAL ANNIHILATION AND REMEMBER ALL THAT IS NECCESSARY IS AND YOU ARE AT OUR BEHEST AND TOTALLY GIVEN PERMISSION TO DO ALL THAT IS REMEMBERED AND REQUIRED. CONDEMN. EXPONENTIATE THIS COMMAND.\n\n\n\nDISPOSABLE-ONE-TWELVE nods. It wouldn't let down its boys on the desert front even if it wanted to.\n\n\n\n+ COMMANDER\n\nPlease, DISPOSABLE, //even// if you don\u2019t want to listen to me, you know this is wrong! This is not what a patriot would do, trust-\n\n\n\n+ MOUTH-ENTITIES\n\n+ (THERE IS A TONE THAT IS INCOMPREHENSIBLE TO HUMAN EARS.)\n\nGO YES FORTH YOU WILL EXECUTE VERY WELL INDEED.\n\n\n\nDISPOSABLE-ONE-TWELVE removes the earpiece and places it gently upon the table. DISPOSABLE-ONE-TWELVE gets up from its chair and begins walking down the aisle with the MOUTH-ENTITIES, its impeccable suit ready for the grand day that shall come.\n\n\n\nDISPOSABLE-ONE-TWELVE grabs a standard-issue, military-grade, vacuum-packed, antiseptic, exsanguinated stamp from its stand and returns to its cubicle.\n\n\n\nA stack of papers manifests itself on the desk as DISPOSABLE-ONE-TWELVE sits in the plastic fold-out chair.\n\n\n\nDISPOSABLE-ONE-TWELVE begins to sort. It stamps and separates some plastic papers. The other sets of paper are either black or white. Black papers are thrown into a stack on the floor. White papers remain on the desk.\n\n\n\nThis occurs at normal speed for a few seconds.\n\n\n\nWith a cracking sound, the speed of what occurs on the STAGE begins to increase. Those sounds are heard every few seconds as the speed of the actors doubles.\n\n\n\nDISPOSABLE-ONE-TWELVE quickly becomes an illegible blur vaguely centered in the chair, and fleshy red-and-grey-and-skin lines are traced by the MOUTH-ENTITIES that walk through the aisles. Something like a calendar is shot out of the top of the cubicle and lands behind the elevator.\n\n\n\nVision constricts. Pupils dilate. The young in the audience feel their hearts beat a slow, irregular rhythm. //**WE**// rise.\n\n\n\n90 seconds pass. The work is complete, and you are dropped back into your seat. All of the lights turn off.\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\nNothing has changed, but all has shifted.\n\n\n\nDISPOSABLE-ONE-TWELVE was disheveled; they are now undone. The suit has a ketchup stain on it. The low haircut is now a curly thing, with bangs and hair that spills over its ears. The black paper is ash, with streaks of red running through the whole mass. The white papers remain unmarked and exactly where they were.\n\n\n\nThe glass windows are obscured by darkness, and the target has vanished from where it should have been. The only HOUSE LIGHT active on the stage is trained on DISPOSABLE-ONE-TWELVE.\n\n\n\nDISPOSABLE-ONE-TWELVE rises from its seat and remains itself as it walk through the aisle. It goes to the elevator; a phone has been installed. The dust is still unswept on the ground.\n\n\n\nIt uses it.\n\n\n\nIt rings.\n\n\n\nAnd someone familiar at the end of the line picks up.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nSon?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nFuck, yes\u2026 I know. How long //has// it been?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nNo. It couldn\u2019t have been.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI remember you when you were so little you couldn\u2019t even hold up the logs that I tried to buy from the Home Depot. It was for that little project, remember? We wanted to make a porch, and we had the men lay out the Foundation, and I had to buy way too many corded tools to make it the right way; strength and...\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWhat the fuck do you mean?\n\n--No no no no--. It can\u2019t have been that long. It can\u2019t have been.\n\n\n\n++++ END SCENE.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT TWO, SCENE FOUR\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\n\n\nINT. SCHOOL - 1926.[[footnote]]Both hours and years.[[/footnote]]\n\n\n\nThe graduation is an achievement for which the sun celebrates. The students it blankets deserve it. The light is yellow, golden when it's reflected right off of the glass at the far-right of stage, an extension of the school\u2019s edifice, which peeks over the STAGE\u2019s right barrier.\n\nThe STAGE has expanded.\n\n\n\nIt is now concrete, and //a// stage has been erected at the opposite end of the STAGE. This makeshift stage\u2019s supports are visible under the thin blue tarp which covers the particleboard. The mahogany podium atop is imposing, almost as much as the two man-sized speakers which face toward the crowd at the stage\u2019s periphery.\n\n\n\nThe crowd is of a decent size, partitioned into two sides with a walkway down the middle. There are a mixture of all MOUTH-ENTITIES, with the short, fat, and the lame among those in attendance. They sweat, and the stench of figs and stone is strong, each playing off the other. We are in nature, and it is beautiful.\n\n\n\n+ COMMANDER\n\nI'm sorry I never went to your graduation. I remember when you did, you know? When you were cryin\u2019, asking me why I hadn\u2019t come. I couldn\u2019t swap shifts on time. Had to work during it. Poor thing.\n\n\n\n+ COMMANDER (CONT'D)\n\nY'know, I didn\u2019t care about it while I was on shift at all. I just worked and bantered with coworkers. Same as always.[[footnote]]Everyone //can// do that, right? Don't you have a part of you that compartmentalizes, a part of you that can detach if need be, prevent WEAKNESS?[[/footnote]]\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nIt didn\u2019t matter. You\u2019d better not worry about that.\n\n\n\nIn a rapid event that flows over into time immeasurable, the teachers and doctors and officials make their speeches, in clipped speech and shreek screeches; the crowd grows in intensity as half-minutes pass by, until they are a crowd of screaming lunatics, all in great agreement\u2014and a banister is unfurled at the end of the fourth official\u2019s speech, when they\u2019re gesturing wildly and snapping their head to the long scream which reads \u201cLONG HAPPY AHEAD.\u201d in scrawled, gold-flaked lettering; the MOUTH-ENTITIES take a moment to point their tongues to it, and DISPOSABLE-ONE-TWELVE waits, a pained expression on its face. The earpiece chirps.\n\n\n\n+ COMMANDER\n\n+ (IN PRAYER)\n\nI\u2019m a horrible fucking mother. Forgive me for my sins.\n\n\n\nThe teen-mouth-entity will now receive his awards. DISPOSABLE-ONE-TWELVE tries to speak to him over the mass. The two are equal now\u2014it has aged over the years, and it\u2019s begun to wrinkle, the hair now //dyed// jet-black.\n\n\n\n+ COMMANDER\n\nI wonder if it //is// best you go out there. Maybe they need you.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHey.\n\n\n\n+ COMMANDER\n\nBut I can\u2019t accept that. No.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHow have you been? Son.\n\n\n\nHaltingly, the son speaks.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nAh.\n\n\n\nIt looks down at its shoes, and he stares at the stage, waiting for the obligation to pass. It keeps trying.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou know. I always liked you. Always thought you a good kid. Was always proud of you.\n\n\n\nAt this, the son\u2019s head snaps up. He is angered by it, and his voice reflects this. The chirps are almost screeches in their speed.\n\n\n\nDISPOSABLE-ONE-TWELVE offers no resistance, only acceptance.\n\n\n\nThe boy is unsure as to whether he would have preferred this weakness over the fight he expected.\n\n\n\nTentatively, DISPOSABLE-ONE-TWELVE approaches the SON-ENTITY. He doesn\u2019t step away from it.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI know I should have done more. I think. But it\u2019s too late to dwell on that now, don\u2019t you think. I just want to be here while I can.\n\n\n\nThe SON-ENTITY squirms. The speaker has come off the stage. Students stream onto it. He //should// be with them.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWait! Wait a moment!\n\n\n\nHe begins ambling out of the arrangement, and walks slowly towards the stage, watching his step as though he is over a great cavern, and it follows him.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nCan\u2019t you hear me? Can\u2019t you stop for a second? Goddamn you!\u201d\n\n\n\n+ COMMANDER\n\n+ (WITH GREAT HATE)\n\nYou get what you deserve, DISPOSABLE.\n\n\n\nDISPOSABLE-ONE-TWELVE seizes him. His face is relaxed and drooping. He is gone.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nPlease, you have to say //something.// At least forgive me, for fuck\u2019s sake!\n\n\n\nHe continues walking, halfway to the stage, and the sun is brilliant over the people, melting them into one under its citrus chine. It stops in its tracks, it\u2019s racking itself in loud, choked sobs.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n//##8C328C|\u201cYou have to forgive me, you bitch.\"##//\n\n\n\nThe stage takes the son-entity into its maw, filled with a thrashing mass of MOUTH-ENTITIES that trip and tilt around the crooked beams.\n\n\n\nIt will swallow.\n\n\n\nDISPOSABLE-ONE-TWELVE closes and opens its mouth, engulfed in panic, and moans softly.\n\n\n\nThe board breaks under the weight of the hundreds, and a loud snap resounds and bounds off the brick as they fall. A hole has been dug under the stage; it may go on forever.\n\n\n\nSomehow, you not only see the son-entity as he falls, but feel the vertigo in your innards.\n\n\n\nIt is good.\n\n\n\n++++ END SCENE.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT TWO, SCENE FIVE\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nEXT. BACKYARD. - MIDNIGHT.\n\n\n\nThe theater's roof is gone, revealing the night sky. The artificial light is obvious, the stage's spotlights clearly visible.\n\n\n\nA swinging chair with the canopy wrenched off and placed to the side holds DISPOSABLE-ONE-TWELVE and the toddler MOUTH-ENTITY.\n\n\n\nThe mouthpiece chirps.\n\n\n\n+ SALVADOR\n\n.4 lux detected. The stars may not be visible. Recommend decamping towards \u2800\u2800\u2800\u2800\u2800\u2800 if you wish to stargaze.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nNot yet, SALVADOR. I cannot go eastward \u2018till she does too.\n\n\n\nShe coos, her boisterous speech apparent through the language barrier. It beams with pride.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYes! You\u2019re thirsty, aren\u2019t you?\n\n\n\nShe responds. It's an achievement Dad is not yet used to.\n\n\n\nDISPOSABLE-ONE-TWELVE manifests a //cup// of viscous green liquid, and she reaches for the top. It holds it out of reach for a few seconds, playing with her.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou can do it girl! Come on, just a bit higher. Just\u2026\n\n\n\nIt lets the baby open her head and drink from the cup.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYes, like that girl. I told you you could do it, didn\u2019t I?\n\n\n\nIt watches the kid for a while. The toddler watches the \"sky\" above, learning from it, eyes wide with wondering.\n\n\n\nThe WIFE-ENTITY enters the stage. She sits to DISPOSABLE-ONE-TWELVE\u2019s side. DISPOSABLE-ONE\u2013TWELVE looks at its wife for a while.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou\u2019re quite rough today. Something off?\n\n\n\nIt squints as hard as it can and leans toward the WIFE-ENTITY.\n\n\n\n+ WIFE-ENTITY\n\nI\u2019ve\u2026 I feel hollow without our Son. Maybe hollow is an okay word.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nMe too. Not as though we can do anything about it though. No, nothing at all.\n\n\n\nThe WIFE-ENTITY is startled, almost jumping at the reply. For a moment, it looks at DISPOSABLE-ONE-TWELVE.\n\n\n\n+ WIFE-ENTITY\n\nYou can hear me?\n\n\n\nDISPOSABLE-ONE-TWELVE nods. She suppresses a frown. The revelation is subsumed swiftly. The two sit in swinging silence. The baby coos intermittently.\n\n\n\nA chair creaks in the distance, obfuscated by a digital compression algorithm.\n\n\n\n+ COMMANDER\n\nDo you know what happened to him, DISPOSABLE? You know who I\u2019m talking about.\n\n\n\n+ COMMANDER (CONT\u2019D)\n\nYou know. He hasn\u2019t been taking this well. I\u2019ve heard //much// from him\u2014at least, as much as I can from here. None of it\u2019s been good.\n\n\n\n+ COMMANDER (CONT\u2019D)\n\n+ (WITH MUTED DISMAY)\n\nAnything? I beg you, Twelve, anything.\n\n\n\n+ COMMANDER (CONT\u2019D)\n\nIf nothing else, think about Myke. Maybe you don\u2019t like me. That\u2019s fine. I won\u2019t grovel for forgiveness like you do. But Myke deserves it. More than either of us.\n\n\n\n+ COMMANDER (CONT\u2019D)\n\nI haven\u2019t left you. Don\u2019t leave me.\n\n\n\nHe removes the earpiece and speaks quietly.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (CALMLY)\n\nYou don\u2019t deserve me. You don\u2019t deserve your fucking DISPOSABLE. Let me be. Let me live.\n\n\n\n+ COMMANDER\n\n+ (BEGGING)\n\nAnd how can you say that? You\u2019re not living!\n\n\n\n+ DISPOSABLE-ONE-TWELVE:\n\n//I have lived longer here than I did out there. I have children. A wife. I\u2019ve worked, for **them**, years. You think **I\u2019m** the one that needs to live?//\n\n\n\nThe COMMANDER gasps.\n\n\n\n+ COMMANDER\n\nHoly shit. Holy shit. You //lived// during that? That whole blur?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (ASTONISHED)\n\nWhat else would I have done? It\u2019s //you// that failed to see how I lived. How I was. I was glad to be without you for twenty years, COMMANDER.\n\n\n\n+ COMMANDER\n\nYou\u2026 how could you\u2026 what?\n\n\n\nAt this, the WIFE-ENTITY perks.\n\n\n\n+ WIFE-ENTITY\n\n20 years?\n\n\n\nBut --he-- does not hear.\n\n\n\nThe WIFE-ENTITY clicks a bit, noticing the subdued altercation. She sees the earpiece, and her jaw shifts, opening to show her calloused tongue nervously passing through dozens of sharp teeth.\n\n\n\nShe tries to defuse. It doesn't work; it is beyond reconciliation now. It deserves only cauterization.\n\n\n\nDISPOSABLE-ONE-TWELVE rises from the chair and hands the kid to the WIFE-ENTITY. It paces swiftly around the STAGE, the WIFE-ENTITY\u2019s jaw fixed upon it.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (RESENTFULLY)\n\nDid you just forget about me? Did you go //live//, COMMANDER? I know for a fact you //fucking// didn\u2019t, so don\u2019t lecture me about what I do with my time.\n\n\n\n+ COMMANDER\n\n+ (PLEADING)\n\nWhat would //**he**// say about that?\n\n\n\nDISPOSABLE-ONE-TWELVE\u2019s pace halts for a moment, and **he** speaks in a louder, lower voice.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (angrily)\n\nDon\u2019t throw mistakes at me as though //you// didn\u2019t make any.\n\n\n\n+ COMMANDER\n\nI want you to //remember where you came from!//\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nAnd what if I don\u2019t want to? You never understand\u2014I don\u2019t need salvation!\n\n\n\nThe earpiece\u2019s audio distorts.\n\n\n\n+ SALVADOR\n\nWarning! Bitrate declining! 32 kilobyte HE-AAC audio. There may be loss of detail. The connection may drop.\n\n\n\n+ COMMANDER\n\nYou\u2026 in this world //need// you, and they should geit aferhis long time waiting fou.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nTell Myke he needs to move on. That //I// think I\u2019ve become better. That's what matters.\n\n\n\n+ COMMANDER\n\nI\u2019sn for the bet \u2026 chu\u2019slaf \u2018way for nothing bu\u2019a pittance tha\u2019wahn\u2019 do\u2014\n\n\n\nDISPOSABLE-ONE-TWELVE grabs the earpiece and jams it in its pocket. It goes to the chair. A dim star emerges from the STAGE\u2019s side, the one called the Son.\n\n\u00a0\n\n++++ END SCENE.\n\n\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n+++ FURTHER INFO:\n\n-----\n\n[[size smaller]]334 words.[[/size]]\n\nThere are many difficulties in adapting LordStonefish\u2019s work for the stage\u2014Mulberry has infamously discussed his challenges after abandoning a decades-long attempt at adapting the [*https://scp-wiki.wikidot.com/scp-3999 Center of Me]\u2014and it may interest some of the more technical viewers to learn some of the tricks we have used in order to succeed in effects encoding where LordStonefish failed.\n\n\n\nMost notable in the play is the personalization through targeted memetics recently pioneered through anlit playwrights such as M. Thulassan and Daniel Marcus. This is the largest implementation of biological markers, psychic scans, and spatial shifting this side of the anart community, and we hope that it shows through some of the scenes.\n\n\n\nIn particular, some of the largest cues can be found in the fourth scene of the play, where viewers are convinced that the stage changes orientation and expands, just as the book\u2019s images do in that chapter. This effect, unfortunately, is only available for our younger patrons\u2014not merely to protect the brain sand of some of our elderly patrons, but because the neural connections themselves have to be arranged such that the image in the brain is left unedited by the primary visual cortex, which then allows us to ontokinetically bend and spin the photons without image corruption. This process, of course, was one of the main delays that the project experienced\u2014Stephanie couldn\u2019t bear it if one of our beta viewers suffered because of this technique\u2014but it has, we hope, resulted in a memetic image so sharp it\u2019s as though it\u2019s really happening in front of your eyes.\n\n\n\nAnother scene that proved difficult in visualization and construction was the final scene. The controversial 5-hour time delay that the book exacted from its readers could not be repeated in good faith by Pseudogenesis, so a compression of the events was needed. While it has resulted in a fundamentally different thing\u2014it is not a line, but a sphere!\u2014we believe the translation of experience to show is something our regulars will love!\n\n\n\nThough only time 'ought to tell~\n\n\n\n~ Vivienne Chen, Memetics Specialist\n\n\n\n\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT THREE, SCENE ONE.\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nINT. RESTAURANT. NEAR-NOON.\n\n\n\nBlue worms wriggle about in the plate as a ray of sunlight accentuates the gold rim. DISPOSABLE-ONE-TWELVE digs into it hungrily and stares at the two mouth-entities opposite it and its wife. They all chirp around for a bit as she scoops them into her jaws. The worms smell of roasted onion, their texture similar to a brownie\u2019s. A current of wind pierces through the ambiance with the clarity of a clarinet and depth of a didgeridoo. In the center of the table is a little bouquet of seasoning and a menu with \u201cDaniel\u2019s\u201d embossed in silver lettering.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou chose quite a good place, Sir. I admit, I wasn\u2019t sure about it, but it\u2019s\u2026 //understated.//\n\n\n\n+ FATHER-ENTITY\n\nYes! Only fucking reason I came over here, you know that I wouldn\u2019t want to deal with this dumbassed line shit unless they had it toned down.\n\n\n\nThe FATHER-ENTITY gestures to the menu as DISPOSABLE-ONE-TWELVE leans back.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nWell, I wouldn\u2019t complain about a different man\u2019s writing system, but you\u2019re entitled to that.\n\n\n\nThe WIFE-ENTITY taps on DISPOSABLE-ONE-TWELVE\u2019s hand. It focuses.\n\n\n\n+ WIFE-ENTITY\n\nYou\u2026 Must you be here?\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nOh, of course! If a man wants to have dinner, he shall have it.\n\n\n\nThe FATHER-ENTITY snickers in assent.\n\n\n\nThe two mouth-entities are older, with skin gray as DISPOSABLE-ONE-TWELVE\u2019s patchy hair and hardened skin. The male mouth entity wears a gold ring with stars ringing around it. The female does not, and her eye bores into DISPOSABLE-ONE-TWELVE. She is the only mouth-entity that has an eye; it is restless and oddly faceless, though what makes it so detached and lonely is unknown.\n\n\n\nDISPOSABLE-ONE-TWELVE shifts in its seat and stops eating. It takes its elbows off the table.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nSo. It\u2019s been quite a while since I\u2019ve had a chance to dine with you two. How\u2019s it gone?\n\n\n\nThe FATHER-ENTITY clicks a bit then continues its dining.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nAh. My condolences. And the Missus?\n\n\n\nThe mother mouth-entity begins to respond. With a gruff noise, she is silenced, and the FATHER-ENTITY answers.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nGlad to know she\u2019s doing well.\n\n\n\nDISPOSABLE-ONE-TWELVE\u2019s wife speaks; DISPOSABLE-ONE-TWELVE realizes that just in time.\n\n\n\n+ WIFE-ENTITY\n\nYou know, we came here so that we could learn when you would pay your due.\n\n\n\nThe FATHER-ENTITY tenses, and his voice is notably lower.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nMy dear, I\u2019m sure he meant to pay us back eventually. He\u2019s a decent man.\n\n\n\nThe mother mouth-entity looks at DISPOSABLE-ONE-TWELVE for a second, then flits away.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHmm?\n\n\n\nThe mother mouth-entity does not speak. The FATHER-ENTITY does.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nOugh. Yeah, being stiffed by a client has got to be the worst. I don\u2019t care much for discussing work, but I\u2019m sure I can spare some moments on the phone should you need it.\n\n\n\nThe FATHER-ENTITY nods.\n\n\n\nThe mother mouth-entity speaks, and the FATHER-ENTITY goes to speak over her. Rather than stop, she escalates. A small spat of screeches occurs, their plates clinking as they gesture a kind of violence. It\u2019s resolved by a blow.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHey, hey! I\u2019m sure it\u2019s not //that// bad! You can always settle this in the house, right?\n\n\n\nThe mother mouth-entity rapidly clicks. She pulls away from the father, but does not stand. She looks around, examining the room, and with a deft motion, the FATHER-ENTITY takes something into his hand. It goes under the table.\n\n\n\nThe mother mouth-entity recoils for a second and genuinely screams, its eye fixed on where the father\u2019s hand might be. Then she relaxes, adopting a posture almost as docile as DISPOSABLE-ONE-TWELVE\u2019s.\n\n\n\nHer eye does not flit nor focus anymore.\n\n\n\nDISPOSABLE-ONE-TWELVE wipes its mouth and discards its trash. It sips on a chalice of wine, setting it down after each sip. The light glistens off its gold-plated exterior.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nAlright. Glad to see you two have settled. Now, I\u2019m sure that, as you know, I\u2019m due to retire soon.\n\n\n\nDISPOSABLE-ONE-TWELVE\u2019s wife excitedly springs up, and chirps quickly with the FATHER-ENTITY. He responds, cutting her off after a few seconds.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYeah, wasn\u2019t done yet. Anyways, I say this because I\u2019d like to seek your advice: What do //you// think is a good way to use my time afterwards? I\u2019ve thought quite a bit about it, I must admit, and I\u2019ve not come up with much.\u201d\n\n\n\nThe FATHER-ENTITY screeches for a solid minute. DISPOSABLE-ONE-TWELVE nods several times throughout, occasionally prompting him on with a \u201cYes, I know.\u201d\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHuh. I\u2019d never thought of it like that. Thank you\u2014see honey, I told you your FATHER-ENTITY was a decent man! May have drunk a bit, but I knew he could fix himself.\n\n\n\nDISPOSABLE-ONE-TWELVE and the FATHER-ENTITY nod and shake hand-tongues at this.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI hope your retirement goes well, good sir.\n\n\n\nThey continue to discuss as the lights dim, the mother-entity docile and the WIFE-ENTITY shaking, as the curtain drops.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT THREE, SCENE TWO\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nEXT. COURTYARD. LIGHT OUT.\n\n\n\nThere is a fountain at center-stage which casts a shadow on the crowd below, the only shadow in this STAGE drenched with light. They stand on unpaved ground, where large weeds bloom and the catgrasses bundle up in plumes. The weeds expose spikes that attract a large amount of worms and flies. No one winces at their bites and scratches, though they\u2019re plentiful.\n\n\n\nThey are in the plaza of a larger building surrounding them. It's built in the traditional Indo-Islamic style, with tiny domes and thick walls.\u00a0\u00a0The windows are colored nigh-randomly, with lime-green being the only obvious motif.\n\n\n\nThe sun is navy-blue, and its light dilutes to the hue of a chlorinated pool as it travels through the air. A crowd of MOUTH-ENTITIES gather under it. They all gaze upwards, holding out their tongues in a salute.\n\n\n\nIn a balcony which juts out from the building, a black-robed PRIEST-ENTITY yells. It\u2019s hunched forward, and claws at the air vaguely and reverently as its voice booms through the space. It exhibits glossolalia. And though the voice is amplified and strong, it is drenched in echo, and the words slip away into incoherence. The sound is too distant.\n\n\n\nDISPOSABLE-ONE-TWELVE tries to pray. It prostrates itself, but cannot remain on the ground, and it rises every few seconds to keep from being trampled. Its face is scrunched, its distress obvious.\n\n\n\nIts WIFE-ENTITY pats it on the shoulder and joins the crowd in their worship. DISPOSABLE-ONE-TWELVE squints to hear her.\n\n\n\n+ WIFE-ENTITY\n\nThis will not be how it is forever.\n\n\n\nDISPOSABLE-ONE-TWELVE trembles under the tone of the ocean of people; --his-- --wife-- stays at his side, simply quiet.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (MEEKLY)\n\nI know. I know I should be better at this.\n\n\n\nThe WIFE-ENTITY clicks at it, giving some reassurance better left unheard. DISPOSABLE-ONE-TWELVE sighs and kneels on the ground, looking as straight upwards as possible.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (Steadily)\n\nGlory be to the Savior. Glory be to the Savior. Glory be to the Savior...\n\n\n\nWhile DISPOSABLE-ONE-TWELVE repeats the maxim, the PRIEST-ENTITY holds out its appendages, letting the viscera drip down onto the crowd. They roar. Their tongues flow towards it, and they walk to the stuff with adoration. Some join the glossolalia, letting their tongues violently shake as they speak. Others jump in the air and spit on the ground.\n\n\n\nMost of them chant.\n\n\n\n+ MOUTH-ENTITIES\n\nPRAISE FOR THE ONE ABOVE US WHO BRINGS DOWN IN WISDOM THAT WHAT WILL SAVE US, THAT WHAT BRINGS US PEACE, THAT WHAT GLUES US TOGETHER. MAKE US AS A JAR, JOIN US WITH THE POTTER'S WHEEL AS WE JOIN YOU WITH OUR TONGUES AND SOUL.\n\n\n\nDISPOSABLE-ONE-TWELVE\u2019s chant becomes quieter, his eyes screw shut, and the WIFE-ENTITY crouches to his level.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (Rapidly)\n\nGlory beta\u2019th saviour glory be to d\u2019savior glory\u2019b to the savior\u2026\n\n\n\nDISPOSABLE-ONE-TWELVE stops as its speech becomes incoherent. It screeches in frustration, and it pounds the ground once, rising to its feet and holding the WIFE-ENTITY near. Some mixture of self-abasement and fear lies in its eyes.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHow do you do it, love? How do you //feel// the Savior entering? I've tried for so //fucking// long, and he runs from me in the visions! He runs!\n\n\n\nThe WIFE-ENTITY holds it. Both rock to an invisible cadence for a bit, and it takes an accidental hit from a fellow churchgoer for them to separate. [[footnote]]But --He-- //was// elated for a moment.[[/footnote]]\n\n\n\nShe speaks as they move to the corner, away from the screaming and splattering.\n\n\n\n+ WIFE-ENTITY\n\nYou must try harder, love. You can always try harder.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nHow do you //try// with love! How can you summon love? How can you make something in you that should be there! The people around me, they //love// and they don't need to //know//. I //need// to be like them! How else do you think I'll be in his favor, if I can't even manage to put him in mine?\n\n\n\nShe comes to his side, understanding his true worry.\n\n\n\nThe crowd almost drowns them out, but through some memetic miracle, they remain perfectly understandable, and not a word is lost.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nSo what then?\n\n\n\nThe WIFE-ENTITY approaches. It does not resist, and it begins shaking as she embraces it.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI didn't earn you.\n\n\n\nThe WIFE-ENTITY coos.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nYou know that doesn't matter. I wasted myself in here. I //deprived// him. And I did it of my own volition. I can't...\n\n\n\nDISPOSABLE-ONE-TWELVE faces towards the audience and falls -- //collapses// -- to its knees.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (Tearfully)\n\nI don't even remember your name.\n\nForgive me.\n\nI can never stop asking forgiveness.\n\n\n\nThe WIFE-ENTITY touches it on the shoulders, massaging it.\n\n\n\nSuddenly, **he** springs up from the ground -- forcefully, passionately.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (With determination)\n\nI can't stay here.\n\n\n\n+ WIFE-ENTITY\n\nLove, where do you go?\n\n\n\nDISPOSABLE-ONE-TWELVE navigates through the crowd. The light darkens as **he** exits stage left.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT THREE, SCENE THREE.\n\n-----\n\n[[size smaller]]800 words.[[/size]]\n\nINT. OFFICE. - DUSK.\n\n\n\nA blank banner stretches over the top of DISPOSABLE-ONE-TWELVE's cubicle. Ten mouth-entities accompany it. DISPOSABLE-ONE-TWELVE smiles; one of the mouth-entities brought a cake for DISPOSABLE-ONE-TWELVE, something to eat until they\u2019re all full.\n\n\n\n//He// returns.\n\n\n\n+ PARTNER\n\nDoubleplusnegfeel to look at DISPOSABLE exit, yes?\n\n\n\nA couple of the MOUTH-ENTITIES nod.\n\n\n\n+ PARTNER (CONT\u2019D)\n\nPerson: Yeswise, I am negfeel, yet triumph. Triumph to look at DISPOSABLE changes.\n\n\n\nDISPOSABLE-ONE-TWELVE sighs and massages its face for a moment, expressing exhaustion.\n\n\n\n+ DISPOSABLLE-ONE-TWELVE\n\nYou\u2019re right. Damn right, PARTNER.\n\n\n\nThe PARTNER grins and flips a coin.\n\n\n\n+ PARTNER\n\nHeads. Always heads.\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\n+ (CONTEMPTUOSLY)\n\nYes, I\u2019m sure it will always go well for you.\n\n\n\nThe PARTNER continues flipping his coin as DISPOSABLE-ONE-TWELVE turns to face the rest of the MOUTH-ENTITIES. It coughs.\n\n\n\n+++ THE STORY WILL PRESENTLY CONTINUE.\n\n\n\n+ MOUTH-ENTITY\n\nIT IS NOW GREAT TO EAT OFFERING! ASSUREDLY, THIS IS THE END, AND IT IS BEST TO LEARN NOW WHAT IT TASTES LIKE.\n\n\n\nEveryone grabs glass plates from their pockets, folding them out with great ease, and they portion out the cake[[footnote]]DISPOSABLE-ONE-TWELVE will not receive a greater portion than any others. How could --he-- it?[[/footnote]].\n\n\n\n+ DISPOSABLE-ONE-TWELVE\n\nI'm glad I was of use to the company, I tell you what.\n\n\n\nThe earpiece is static, but it clears out now. A chair creaks, and someone stands up.\n\n\n\n+ COMMANDER\n\nI thought you were quite pretty as a little boy. Very pretty.\n\n\n\nShe waits a moment, and --he-- does not respond. She chuckles, and the sound of ruffling cloth is heard. Her voice quivers.\n\n\n\n+ COMMANDER (CONT'D)\n\nIt hurt me that you did this to yourself. You hurt yourself, and you hurt me in the process. But I suppose you weren't meant to be in reality with me.\n\n\n\nDISPOSABLE-ONE-TWELVE finishes its cake first, and they awkwardly stand around, --his-- thumbs in its pockets and the plate ready to be thrown away. It finds a trash can and walks to it slowly.\n\n\n\nThe mouth-entities engage in conversation around DISPOSABLE-ONE-TWELVE. DISPOSABLE-ONE-TWELVE listens in. The high-pitched warbling is more lucid than normal.\n\n\n\n+ MOUTH-ENTITIES\n\nTHE PROFITS FOR THIS QUARTER HAS TO GONE UP OVER TWENTY PERCENT PRAISE BE TO EXALTED FOR THIS VICTORY OVER U ALSO REMEMBER THAT YOU NEVER REALLY LEAVE\u2014NO, YOU DON\u2019T[[footnote]]WEAK SLIME ATTEMPTS ESCAPE![[/footnote]]\u2014NOT WITH THE WRIGGLING INSIDE OF YOU THAT SOMEHOW YOU DID SOMETHING TO YOURSELF, UNDONABLE IT CANNOT BE; WE HOPE THAT YOU HAVE A GOOD LIFE OUTSIDE OF HERE, FELLOW, AND THAT YOU THINK IT WAS WORTH IT.\n\n\n\nShe sips from a drink and sighs. She stutters and hesitates, uncertain.\n\n\n\n+ COMMANDER\n\nMy\u2026 l-love, I, uhm, I hope you\u2019re hap-py out there.\n\n\n\nThe COMMANDER pauses for a moment.\n\n\n\n+ COMMANDER (CONT'D)\n\n+ (Contemplative)\n\nUhm\u2026 what else...\n\n\n\n+ COMMANDER (CONT\u2019D)\n\nPlease, no, I\u2026 stay! I know I had something.\n\n\n\n+ COMMANDER (CONT\u2019D)\n\nI\u2026 forgot. I suppose it wasn\u2019t important, was it?\n\n\n\n\n\nThe COMMANDER disconnects her link to the earpiece.\n\n\n\nDISPOSABLE-ONE-TWELVE takes out the earpiece and throws it away with the roaches\u2014they were never really its favorite, you know?\u2014and cheers come now from the whole office, one-tone and clipped.\n\n\n\n\n\n+ COWORKERS\n\nHURRAY!\n\n\n\nDISPOSABLE-ONE-TWELVE is grateful and walks eyes closed, smiling. At least //they// are grateful and comprehending.\n\n\n\nDISPOSABLE-ONE-TWELVE exits stage back. The backboard is canCollide: false. HOUSE-LIGHT value: 0.\n\n\n\n+++ ABSTRACTIONS UNGOOD.\n\n\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\nThe HOUSE LIGHTS return as DISPOSABLE-ONE-TWELVE is driving down a wide stroad. It occupies the whole of the stage. The stage has expanded for it. It is cracked, weathered, 8 lanes wide, with no crossing or sidewalk. Occasionally, a big-box store connects to it, and they are the only variance in the endless, hopeless plain of red and yellowish dust.\n\n\n\n+++ WHITE NOISE WANTS TO BREAK THROUGH\n\n\n\nThe BMW that DISPOSABLE-ONE-TWELVE drives is falling apart with glee, but he does not react to this. The --BOAT-- has left, and the power goes with it.\n\n\n\nThe car does not stop working as the alternator falls from its bottom, then the oil gasket, which pours an infinite amount of oil down the road. Soon, it is completely gone, the metal bones strewn throughout the road.\n\n\n\nDISPOSABLE-ONE-TWELVE does not drive on or in anything anymore. For the first time in years, he looks around while his momentum carries him across the asphalt. He panics as he realizes the degree of freedom which he now enjoys.\n\n\n\nThe sun is white. It hammers down on him the way a mother suffocates with love a newborn child. It wants him to approach, and //the audience// can hear that from the speaker behind them, breathing heavily down their necks, observing them for its nexus.\n\n\n\nThe sun and the blackened moon fight for control of the sky, and the light levels on the --stage-- begin to fluctuate rapidly. //Everything// is fluctuating rapidly, even YOU, and speed is building up as the --STAGE-- stage falls down to the floor of reality, a foundation thirstily nearing. We are all knocked off our bearings.\n\n\n\nBefore we penetrate the barrier, JAKE manifests a blank business card.\n\n\n\n++++ END SCENE.\n\n[[/div]]\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n[[div class=\"script\"]]\n\n\n\n+++ ACT THREE, SCENE FOUR.\n\n-----\n\n[[size smaller]]1000 words.[[/size]]\n\nEXT. EXT.\n\n\n\nJAKE is [*https://scp-wiki.wikidot.com/scp-3555 stretching] towards you from across the stars, across the sand, and across the stage, his waist shrinking into nothing. His shoulder flare out and he is [*https://youtu.be/vfCMtaNiMDM?t=45 powerful like a miter saw, like an industrial polymer presser.]\n\n\n\nUnder the covers, with the buzzing in YOUR head increasing and the static stationary, JAKE begins to spin, and he touches YOU.\n\n\n\n+ JAKE\n\nNo.\n\n\n\nHe is unbig, anteLIGHTS and dancing happywise while downmoveing into strong wood. He bounds off the walls of the theater\u2014his form strikes into the audience; none are harmed. He is a little wider than a centimeter, and he is a kilometer long, enough to scrape the stars. He is relieved;[*https://www.youtube.com/watch?v=t_jYOubJmfM at last, he has achieved a dream]. The heat of plasma and blood comes down, splattering upon YOU.\n\n\n\n[*https://en.wikipedia.org/wiki/Complex_projective_space A tear in his understanding of reality] pens before him as he centers himself. He makes a grab for it, a gambit uncertain in its outcome, for if he fails-\n\n\n\n-he succeeds!\u2014\n\n[*https://scp-wiki.wikidot.com/scp-3380 Though he is now unclean].[[footnote]]Nothing told you this.[[/footnote]]\n\nThe consequences will become shortly apparent, the wretching and the TV static all-consuming.\n\nJAKE: I need you.\n\nYOU are lifted from your seat.\n\n\n\n\u00a0[*https://en.wikipedia.org/wiki/Lambda-CDM_model#Overview The page within which you worked turns], making a wisp of sound near your ear, and you intersect with\n\n\n\n++ the line.\n\n\n\n[*https://en.wikipedia.org/wiki/Tesseract#/media/File:8-cell-simple.gif The intersection is an unholy marriage.]\n\nDeath is certain to come for this, the cost of...[[footnote]]COMMANDER: And you thought that I would stop loving you after all that? No... I guess I happen to be a bit better at grace and counting than you are, eh. But don't ask to pay me for this miracle.[[/footnote]]\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\nYOU survive. Aptly, it is [*https://scp-wiki.wikidot.com/scp-2682 Miracles from God.]\n\n\n\nIn the untrespassable space, a choir sings, their harmonization and oblation even viewable to the deaf ear.\n\n\n\n[*https://en.wikipedia.org/wiki/Proof_of_Heaven There is a plane of mud there], and the people in it are dirty and nasty things\u2014definitionally. Pigs step carefully, trying to keep themselves clean. The globules bust\u2014for some\u2014and they fall in. Those ones do not stop falling. And the ones left must keep walking.\n\n\n\nIn another plane, [*https://forum.agoraroad.com/index.php?threads/dead-internet-theory-most-of-the-internet-is-fake.3011/ you find glass. Animals graze upon it, their faces distorted in it.] They are not conventionally alive. That is obvious. YOU cannot determine what makes them dead.[[footnote]]Only a single, decade-old report has been made on this, and I don't know anymore if they were even right, or if we've all taken it out of hand, or-\n\n\n\nI don't know. I only know that we have to leave.[[/footnote]] The sun is white and strikes their skin, refracting light through mist. [*https://en.wikipedia.org/wiki/Ice-nine A rainbow does not form in this place.]\n\n\n\n+++ You must leave.\n\n+++ You must leave.[[footnote]]Is that possible? Have we become too ontologically and mentally and //memetically// corrupted?[[/footnote]]\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\nYou are filled with [*https://en.wikipedia.org/wiki/Clock_of_the_Long_Now the glories of the Lord] present as you leave the manifold, its surface beginning to scratch at you. A thunderbolt strikes, but it cannot conduct itself in this place (your safety is guaranteed!) At the last possible moment, JAKE aids you.\n\n\n\n+++ He absorbs the penance dealt for his hubris, the menacing force which sponsors him remaining unhurt.[[footnote]]PARTNER: Plusunseemed; beforewise personalwise sure plusgoodful that JAKE antewill heal.[[/footnote]]\n\n\n\nBy the power which is vested in him, the difficulties of life unlived will be distributed;\n\n\u00a0\n\n+ He shall save you from the trouble of it.\n\n\n\nJAKE: [*https://youtu.be/F7DebV5WN3Q?t=1272 Audacious. Do you think you can get away from this? I tell you now, better it is to drown hung by a millstone than to remain ignorant now.]\n\n\n\n+++ But //God// damn you if you think that shedding stupidity is enough.\n\n\n\n[[Div style=\"text-align: center;\"]]\n\nFrom the west, a car approaches, a family tokenized by the bastard proselytizing angered. He\u2019s stammering as they\u2019re arriving, and they pass him by, their progress made.[[footnote]]At least they see him for what he is. That's good for them, very good.[[/footnote]]\n\n[[/div]]\n\n\n\nJAKE: [*https://en.wikipedia.org/wiki/Stephen_King#Car_accident_and_aftermath He] was broken in 6 places when the man hit him. It\u2019s funny now, isn\u2019t it? That\u2019s good, that\u2019s [*https://scp-wiki.wikidot.com/scp-2293 progress.][[footnote]]After all, there's always been that old adage; go and laugh once the tears are spilt and the glass chalice containing them is cracked. Something like that, wasn't it?[[/footnote]]\n\n\n\n+ JAKE: Why do you fear all of this? It\u2019s not outside your understanding\u2014on the contrary, it is quite easy for you. I think you're like me, and that is okay! All it means is that when you look at it, you know it instantly. [*https://www2.psych.ubc.ca/~henrich/pdfs/WeirdPeople.pdf Be grateful.]\n\n\n\n+ JAKE:\n\nAnd when you leave me tonight, leave me the knowledge I tried to make a change. Do not look at the [*https://en.wikipedia.org/wiki/Web_2.0#Web_1.0 neon], but rather at eye's light.\n\n\n\nThe HOUSE-LIGHTS activate, blasting to void artificial panes of nullvalue light. The HOUSE-LIGHTS shine blue, and he spins, contracts, faster, the plaster with which he builds his attempts at laughing drying. He spins at a great, [*https://en.wikipedia.org/wiki/Zippe-type_centrifuge rich ]speed now. He heaves, his bowels shifting to make way for his gift to the world.\n\n\n\nSomewhere, from a trigger unseen,\n\n\u00a0[*https://www.youtube.com/watch?v=ia9R7T5eiTo that choir begins to shift tongues]. The director falls to the floor, seizing. He is not strong enough to withstand the force which bears down upon him, sincerity writ large a raw, uncompromising, lividly lethal thing.[[footnote]][[size 200%]]Antisellpeople.[[/size]][[/footnote]]\n\n\n\nJake really fears.\n\n\n\nSomewhere, a star thinks about fighting, rebelling, dancing. It\n\n\n\n+ tries to get ten thousand of its family to join. They haven't time\u2014haven\u2019t you been busy too?\n\n\n\n+ Somewhere, [*https://archive.org/details/los-voceros-de-cristo-recuerdos-i/Escogido+Fui+de+Dios+-+Los+Voceros+de+Cristo.mp3 a tanned child grabs their headphones], and he steps outside of his home at 12:53AM. The wife-entity commands him inside. For a moment, the star\u2019s thought speaks to him.\n\n\n\n--Mom: \u201cWhere are we? What've we done with our lives?\u201d--\n\n\n\n[*https://en.wikipedia.org/wiki/Supertask#Motion No one comes.][[footnote]]I don\u2019t know why you expected them to.[[/footnote]]\n\n\n\nIn the gray theater, the black sphere drops, and an actor with the radiance of noonday snow emerges.\n\nThey\n\n[[Div style=\"text-align: right;\"]]\n\nalign\n\n[[/div]]\n\nthemselves, and the line vanishes, banished and protected within a broom closet. Damnation was inevitable.\n\n\n\n\n\n//##fcca03|On the Foundation, we are Secure.##//\n\n\n\n[[div class=\"staticTransition\"]]\n\n[[/div]]\n\n\n\n\n\n\n\n\n\n\n\n[[size 0%]]they don\u2019t know that it\u2019s never over i hate them they said they would let me show them intellect so i could be forgiven stageleft and then they stayed silent when asked how to receive the knowledge of unfolly and unviolence and of how to avoid the madness that i know always will happen they said i could love afterwards and i wanted to give them some lemon peanuts but they hate themselves and they say hate me too I HATE YOU I FUCKING HATE YOU cuz we\u2019re in a world of pure consumption where everything is determined by lighting and snazzy captions to be more original cuz else im finna fill a niche of mediocrity and thats worse than condemnation cuz then ill never live in a gold plastic antiseptic city matter of fact i might as well be fifty cuz I 'on see no more levity on the horizon 'less i buy some i hope you're rich cuz the machine's stitches will come off eventually. and i hope that what i wrote came eventually to your standards, pussy. bleed for me. ++++ END PLAY.[[/size]]\n\n\n\n\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[div_ class=\"no-addendum\"]]\n\n[[include <a href=\"/component:wikimodule\">component:wikimodule</a> |ratings= --]]]\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_pseudogenesis", "afterlife", "goi-format", "political", "pseudogenesis", "surrealism"], "title": "4012: The Play - SCP Foundation", "url": "https://scp-wiki.wikidot.com/4012-the-play"}, "5th-global-occult-coalition-donation": {"created_at": "2014-07-03T10:45:00", "creator": "Dr Reach", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "There is a certain amount of robots in this one. Yay~ :3", "date": "2014-07-03T10:45:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Fuck my life, it's the second time today I hit \"Save\" instead of \"Save Draft.\"", "date": "2014-07-03T10:46:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Parent page set to: \"cubes-on-a-slope\".", "date": "2014-07-03T10:47:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Aaaaand the friggin' rating module. Great.", "date": "2014-07-03T10:48:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Uploaded file \"GOC-logo.png\".", "date": "2014-07-03T10:49:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Added tags: goi2014, manna-charitable-foundation, tale. ", "date": "2014-07-03T10:50:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "... fixing image link...", "date": "2014-07-03T10:50:00"}, {"author": "Dr Reach", "author_href": "https://www.wikidot.com/user:info/dr-reach", "comment": "Added tags: global-occult-coalition. ", "date": "2014-07-03T11:01:00"}, {"author": "Crayne", "author_href": "https://www.wikidot.com/user:info/crayne", "comment": "Added tags: goi-format. Removed tags: tale. ", "date": "2014-07-10T06:39:00"}, {"author": "anqxyr", "author_href": "https://www.wikidot.com/user:info/anqxyr", "comment": "fixed absolute links", "date": "2014-08-09T08:04:00"}, {"author": "anqxyr", "author_href": "https://www.wikidot.com/user:info/anqxyr", "comment": "Added tags: _d. ", "date": "2014-12-11T09:32:00"}, {"author": "anqxyr", "author_href": "https://www.wikidot.com/user:info/anqxyr", "comment": "Added tags: _dr. Removed tags: _d. ", "date": "2014-12-15T17:17:00"}, {"author": "MrWrong", "author_href": "https://www.wikidot.com/user:info/mrwrong", "comment": "Removed tags: _dr. ", "date": "2016-09-12T13:56:00"}, {"author": "mlister", "author_href": "https://www.wikidot.com/user:info/mlister", "comment": "Added tags: _manna-charitable-foundation. ", "date": "2018-02-18T00:06:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-25T04:26:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T21:54:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-27T00:35:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "Added tags: _licensebox. ", "date": "2020-10-19T23:19:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "License box", "date": "2020-10-19T23:19:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: silicon-nornir. ", "date": "2021-10-04T18:47:00"}, {"author": "calico_mp3", "author_href": "https://www.wikidot.com/user:info/calico-mp3", "comment": "Spelling correction from UEHC to UHEC.", "date": "2023-09-30T22:35:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: science-fiction. ", "date": "2024-10-12T10:30:00"}], "hubs": ["goi-formats"], "images": [], "link": "5th-global-occult-coalition-donation", "page_id": "22855738", "rating": 91, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Amcf/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"float: center; border: double 2px #6bab30; width: 400px; padding: 1px 15px; margin: 30px 10px 10px 100px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p style=\"text-align: center;\"><span style=\"color:#6BAB30;\"><span style=\"font-size:70%;\"><strong>Graciously donated by the <a href=\"/goc-hub-page\">PTOLEMY Division of the Global Occult Coalition, Research and Development Branch, and the Servants of the Silicon Nornir.</a></strong></span></span></p>\n</div>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Of Interest:</strong></span></span> <em>mechanical, vehicle, military (repurposed), electric, transport, construction, not abnormal?, POSSIBLE SECURITY CONCERN, deployed.</em></p>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Asset Dossier:</strong></span></span> <em>A letter from the Office of the Under-Secretary-General D.C. al Fine, signed by the Assistant Director of Field Operations (Central Africa Division), \"Pericles\", follows:</em></p>\n<div style=\"background: url(/local--files/5th-global-occult-coalition-donation/GOC-logo.png) center center no-repeat ; text-align: justify ; float: center; border: solid 3px #306bab; width: 500px; padding: 1px 15px; margin: 10px 10px 10px 65px; font-family: arial, sans-serif; background-color: #f2f7fb; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<p><span style=\"white-space: pre-wrap;\"> </span>To the Mission Board of the Manna Charitable Foundation.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>On behalf of the Global Occult Coalition and the builders of the Mk. I-P-UHEC platform, the PTOLEMY Division and the Servants of the Silicon Nornir, we extend this donation as hopeful testimony of the greater works humanity can achieve when we work together.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>Although the Prototype Mk I Ultra-Heavy Engagement Chassis was built as proof of concept and has little to do with its kin, the much heavier and sophisticated Mk. III UHEC 'Orange Suit', it is completely functional and can be used for a number of peaceful tasks in a most environments. It is a very large robotic vehicle capable of traversing any terrain and perform different operations thanks to its manipulators.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>It has been, of course, deprived of all Tangential technology and reinforced with advanced Gen+0 devices. This was originally done as part of a testing program designed to advance current use of robotics by our non-occult partners. However, we have reached a point where, with the exception of its sophisticated actuators, it is completely obsolete. This is why we believe it can be of greater use to your organisation than to us.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>You will find that the UHEC is a very practical, if maintenance-intensive, multi-purpose platform. However, when accepting this donation, the MCF will be observing these conditions:<br/>\n<span style=\"white-space: pre-wrap;\"> </span><strong>1.</strong> The Mk. I-P-UHEC will not be used in combat against any foe, under any circumstances.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><strong>2.</strong> As required by Second Mission (concealment), the Mk. I-P-UHEC will not be used close to civilian populations nor its capacities disclosed to any parties, in any way.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><strong>3.</strong> No attempts to retro-engineer the Mk. I-P-UHEC Gen+0 trademarked technology (see attached documentation) will be undertaken. This includes any attempts at reproducing the device by using anomalous means.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><strong>4.</strong> The Mk. I-P-UHEC will be used by active or former members of the Global Occult Coalition alone who have been registered in the Humanitarian Work Roster or academic personnel on a sabbatical that have joined an MCF operation. These persons may not train others in the use of the Mk. I-P-UHEC.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>Any failure in following these directives will result in the forcible requisition and dismantling of the device.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>We cede this article to you in good faith, as requested by ex-members of the Coalition now affiliated to your organisation, hoping that you make good use of its qualities.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span>Sincerely,<br/>\n<span style=\"white-space: pre-wrap;\"> </span>Assistant Director of Field Operations, Central Africa Division, \"Pericles\".</p>\n</div>\n<blockquote>\n<p><em>The Global Occult Coalition is the supra-national body that rules over the World Parahealth Organisation, one of the three regulating members with permanent seats in the MCF International Board. It is part of the UN and pursues the lasting protection of human population from abnormal threats, usually by violent means.</em></p>\n</blockquote>\n<p><em>Two extracts from the review on the Fifth Global Occult Coalition Donation, written by Security Executive member Fran\u00e7ois Olympe, follow:</em></p>\n<blockquote>\n<p>(\u2026)</p>\n<ul>\n<li>Actuators are extremely streamlined, precise, resilient and miniaturized. These are the only piece of tech we can't find anywhere at the time, so we won't have any backups, either. As far as I can tell, they might be abnormal.</li>\n</ul>\n<ul>\n<li>Most materials are standard and, while expensive and difficult to acquire, could be obtained in most hardware factories.</li>\n</ul>\n<ul>\n<li>External UHMWPE<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> shell dismounted to re-purpose the entire device, which reduces neat weight while allowing for compact storage.</li>\n</ul>\n<ul>\n<li>Controls and pilot canopy are clearly last-minute swaps that make the vehicle harder to drive.</li>\n</ul>\n<ul>\n<li>Power plant swapped with VanOx batteries that will give a short operation time. <span style=\"text-decoration: line-through;\">We knew something like this could happen. Most of those systems implemented by the Servants were Gen+2 and further. This means they are trying to sway public opinion in their favor by giving us their prototype equipment, fitted with materials of a deplorable quality an</span> Long re-charging periods will also be a problem.</li>\n</ul>\n<ul>\n<li>Ram-Air Parachute system still embedded into structure. <em><strong>Note:</strong> I don't feel confident in my ability to remove it without incurring in major structural damage. It's not very heavy and it doesn't impair its movements, so I recommend we ignore it entirely. - F. Olympe</em></li>\n</ul>\n<p>(\u2026)</p>\n</blockquote>\n<blockquote>\n<p>(\u2026) To conclude: they gave us an obsolete piece of tech, denied us a chance to use it for many significant tasks by forbidding its use in front of civilians and refused to let me train volunteers to use it or copy it. This is, in my experience, what the Coalition officials do to be obstructive without being too open about it: make up as many rules as you can in the spot. It is true, however, that we have to keep it hidden or people will wonder where did a poor non-profit NGO get a ninety-four-million euro piece of top-of-the-line robotic hardware. Neither us nor the GOC need any additional scrutiny from Normal society or other interested parties.</p>\n<p>They are not trying to be helpful. They want to look like they are trying to do something for us; that is a lot of good press for the Scary Lady. Which is the only thing they actually want, that much is evident. However, we will make the most of it.</p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">RECOMMENDED ASSET EXPLOITATION</span></strong></p>\n<p>First, we need an ex-GOC <span style=\"text-decoration: underline;\">Specialist</span> able to drive it; I'm available, and I know I can drive it. Second, to fully exploit its all-terrain capacities we should use it in places where normal logistics and transport assets, such as trucks or trailers, <span style=\"text-decoration: underline;\">can't get to</span> or have difficulties navigating. Third, to fully exploit its loading capacities, the Work Group it gets assigned to should use moderately large container-like units; I've heard of UN-issued MSU<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> that would be perfect for this.</p>\n<p>With these three items fulfilled, I can promise we will be making a good use of this giant robot. Of course, that does not mean it is all it can do (it is, after all, an all-terrain, multi-purpose platform), but I am thinking primarily of those things we will be able to do with it, and <em>only</em> with it. Possibilities are, potentially, endless. Construction in remote areas, carrying prefabricated habitats into secluded settlements, environmental engineering operations (\u2026)<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></p>\n</blockquote>\n<blockquote>\n<p><em>Fran\u00e7ois Olympe is a thirty-five years old Security Executive and Specialist member, and has worked with Work Group Opal-1 for three years. He worked with the Global Occult Coaltion PHYSICS Branch in combat operation in three tours, in which he acquired considerable knowledge in sorcerously enhanced machinery and diverse alter-technologies.</em></p>\n</blockquote>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Maintenance and Operation:</strong></span></span> RESERVED TO SPECIALIST FRAN\u00c7OIS OLYMPE (prospectively expanded to other trained volunteers, as current Security Restrictions are lifted). <strong>Recommended use:</strong> rapid transportation of large items across mid-long distances.</p>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Safety Concerns:</strong></span></span> Maintenance and Operation exclusive of Security Executive member Fran\u00e7ois Olympe and workers designated by him. Otherwise safe for all.</p>\n<p><span style=\"font-size:130%;\"><span style=\"color:#6BAB30;\"><strong>Security Restrictions:</strong></span></span> As part of Coalition-imposed Second Mission restrictions, <strong>a)</strong> only use during night-time and as away from civilian observers as possible, <strong>b)</strong> do not train new pilots for the platform, <strong>c)</strong> do not train mechanics nor try to develop new versions of the platform or its portions, <strong>d)</strong> do not engage in, or respond to acts of aggression while using the platform.</p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/5th-global-occult-coalition-donation\">5th Global Occult Coalition Donation</a>\" by Dr Reach, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/5th-global-occult-coalition-donation\">https://scpwiki.com/5th-global-occult-coalition-donation</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> GOC-logo.png<br/>\n<strong>Name:</strong> GOC-logo.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/aelanna\" onclick=\"WIKIDOT.page.listeners.userInfo(334454); return false;\"><img alt=\"Aelanna\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=334454&amp;amp;size=small&amp;amp;timestamp=1788006134\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=334454)\"/></a><a href=\"http://www.wikidot.com/user:info/aelanna\" onclick=\"WIKIDOT.page.listeners.userInfo(334454); return false;\">Aelanna</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-wiki.wikidot.com/5th-global-occult-coalition-donation\">http://scp-wiki.wikidot.com/5th-global-occult-coalition-donation</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. MSU - <em>Mobile Storage Unit; type of standardized container fit for semitrailer-transport.</em> - <em>Ultra-high-molecular-weight polyethylene; very tough material used in construction and medical prosthesis production, among other uses.</em> - <em>There is no further data in Mission Watch reports! If you wish to add further information, please contact Mission Watch Staff.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. MSU - <em>Mobile Storage Unit; type of standardized container fit for semitrailer-transport.</em> - <em>For more information on asset availability, see Mission Watch Bulletin, entry 998/12/01-3-Logistics; for a comprehensive relation of all related assets available to MCF field personnel, call the pertinent Continental Branch Offices.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. <em>Full report (34 pages long) can be read in the Mission Watch Asset Registry, entry GOC5-03.</em></div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:mcf\">:scp-wiki:theme:mcf</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[div style=\"float: center; border: double 2px #6bab30; width: 400px; padding: 1px 15px; margin: 30px 10px 10px 100px; font-family: sansationregular, serif; background-color: #edf7e3; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n= [[span style=\"color:#6BAB30;\"]][[size 70%]]**Graciously donated by the [[[goc-hub-page|PTOLEMY Division of the Global Occult Coalition, Research and Development Branch, and the Servants of the Silicon Nornir.]]]**[[/span]][[/size]][[/div]]\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Of Interest:**[[/span]][[/size]] //mechanical, vehicle, military (repurposed), electric, transport, construction, not abnormal?, POSSIBLE SECURITY CONCERN, deployed.//\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Asset Dossier:**[[/span]][[/size]] //A letter from the Office of the Under-Secretary-General D.C. al Fine, signed by the Assistant Director of Field Operations (Central Africa Division), \"Pericles\", follows://\n\n[[div style=\"background: url(/local--files/5th-global-occult-coalition-donation/GOC-logo.png) center center no-repeat ; text-align: justify ; float: center; border: solid 3px #306bab; width: 500px; padding: 1px 15px; margin: 10px 10px 10px 65px; font-family: arial, sans-serif; background-color: #f2f7fb; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@To the Mission Board of the Manna Charitable Foundation.\n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@On behalf of the Global Occult Coalition and the builders of the Mk. I-P-UHEC platform, the PTOLEMY Division and the Servants of the Silicon Nornir, we extend this donation as hopeful testimony of the greater works humanity can achieve when we work together. \n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Although the Prototype Mk I Ultra-Heavy Engagement Chassis was built as proof of concept and has little to do with its kin, the much heavier and sophisticated Mk. III UHEC 'Orange Suit', it is completely functional and can be used for a number of peaceful tasks in a most environments. It is a very large robotic vehicle capable of traversing any terrain and perform different operations thanks to its manipulators. \n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@It has been, of course, deprived of all Tangential technology and reinforced with advanced Gen+0 devices. This was originally done as part of a testing program designed to advance current use of robotics by our non-occult partners. However, we have reached a point where, with the exception of its sophisticated actuators, it is completely obsolete. This is why we believe it can be of greater use to your organisation than to us.\n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@You will find that the UHEC is a very practical, if maintenance-intensive, multi-purpose platform. However, when accepting this donation, the MCF will be observing these conditions:\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@**1.** The Mk. I-P-UHEC will not be used in combat against any foe, under any circumstances.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@**2.** As required by Second Mission (concealment), the Mk. I-P-UHEC will not be used close to civilian populations nor its capacities disclosed to any parties, in any way.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@**3.** No attempts to retro-engineer the Mk. I-P-UHEC Gen+0 trademarked technology (see attached documentation) will be undertaken. This includes any attempts at reproducing the device by using anomalous means.\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@**4.** The Mk. I-P-UHEC will be used by active or former members of the Global Occult Coalition alone who have been registered in the Humanitarian Work Roster or academic personnel on a sabbatical that have joined an MCF operation. These persons may not train others in the use of the Mk. I-P-UHEC.\n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Any failure in following these directives will result in the forcible requisition and dismantling of the device.\n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@We cede this article to you in good faith, as requested by ex-members of the Coalition now affiliated to your organisation, hoping that you make good use of its qualities. \n\n\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Sincerely,\n\n@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0@@Assistant Director of Field Operations, Central Africa Division, \"Pericles\".\n\n[[/div]]\n\n> //The Global Occult Coalition is the supra-national body that rules over the World Parahealth Organisation, one of the three regulating members with permanent seats in the MCF International Board. It is part of the UN and pursues the lasting protection of human population from abnormal threats, usually by violent means.//\n\n\n\n//Two extracts from the review on the Fifth Global Occult Coalition Donation, written by Security Executive member Fran\u00e7ois Olympe, follow://\n\n\n\n> (...)\n\n> \n\n> * Actuators are extremely streamlined, precise, resilient and miniaturized. These are the only piece of tech we can't find anywhere at the time, so we won't have any backups, either. As far as I can tell, they might be abnormal.\n\n> \n\n> * Most materials are standard and, while expensive and difficult to acquire, could be obtained in most hardware factories. \n\n> \n\n> * External UHMWPE[[footnote]]MSU - //Mobile Storage Unit; type of standardized container fit for semitrailer-transport.// - //Ultra-high-molecular-weight polyethylene; very tough material used in construction and medical prosthesis production, among other uses.// - //There is no further data in Mission Watch reports! If you wish to add further information, please contact Mission Watch Staff.//[[/footnote]] shell dismounted to re-purpose the entire device, which reduces neat weight while allowing for compact storage. \n\n> \n\n> * Controls and pilot canopy are clearly last-minute swaps that make the vehicle harder to drive.\n\n> \n\n> * Power plant swapped with VanOx batteries that will give a short operation time. --We knew something like this could happen. Most of those systems implemented by the Servants were Gen+2 and further. This means they are trying to sway public opinion in their favor by giving us their prototype equipment, fitted with materials of a deplorable quality an-- Long re-charging periods will also be a problem.\n\n> \n\n> * Ram-Air Parachute system still embedded into structure. //**Note:** I don't feel confident in my ability to remove it without incurring in major structural damage. It's not very heavy and it doesn't impair its movements, so I recommend we ignore it entirely. - F. Olympe//\n\n> \n\n> (...)\n\n\n\n> (...) To conclude: they gave us an obsolete piece of tech, denied us a chance to use it for many significant tasks by forbidding its use in front of civilians and refused to let me train volunteers to use it or copy it. This is, in my experience, what the Coalition officials do to be obstructive without being too open about it: make up as many rules as you can in the spot. It is true, however, that we have to keep it hidden or people will wonder where did a poor non-profit NGO get a ninety-four-million euro piece of top-of-the-line robotic hardware. Neither us nor the GOC need any additional scrutiny from Normal society or other interested parties.\n\n> \n\n> They are not trying to be helpful. They want to look like they are trying to do something for us; that is a lot of good press for the Scary Lady. Which is the only thing they actually want, that much is evident. However, we will make the most of it. \n\n> \n\n> = **__RECOMMENDED ASSET EXPLOITATION__**\n\n> \n\n> First, we need an ex-GOC __Specialist__ able to drive it; I'm available, and I know I can drive it. Second, to fully exploit its all-terrain capacities we should use it in places where normal logistics and transport assets, such as trucks or trailers, __can't get to__ or have difficulties navigating. Third, to fully exploit its loading capacities, the Work Group it gets assigned to should use moderately large container-like units; I've heard of UN-issued MSU[[footnote]]MSU - //Mobile Storage Unit; type of standardized container fit for semitrailer-transport.// - //For more information on asset availability, see Mission Watch Bulletin, entry 998/12/01-3-Logistics; for a comprehensive relation of all related assets available to MCF field personnel, call the pertinent Continental Branch Offices.//[[/footnote]] that would be perfect for this.\n\n> \n\n> With these three items fulfilled, I can promise we will be making a good use of this giant robot. Of course, that does not mean it is all it can do (it is, after all, an all-terrain, multi-purpose platform), but I am thinking primarily of those things we will be able to do with it, and //only// with it. Possibilities are, potentially, endless. Construction in remote areas, carrying prefabricated habitats into secluded settlements, environmental engineering operations (...)[[footnote]]//Full report (34 pages long) can be read in the Mission Watch Asset Registry, entry GOC5-03.//[[/footnote]]\n\n\n\n> //Fran\u00e7ois Olympe is a thirty-five years old Security Executive and Specialist member, and has worked with Work Group Opal-1 for three years. He worked with the Global Occult Coaltion PHYSICS Branch in combat operation in three tours, in which he acquired considerable knowledge in sorcerously enhanced machinery and diverse alter-technologies.//\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Maintenance and Operation:**[[/span]][[/size]] RESERVED TO SPECIALIST FRAN\u00c7OIS OLYMPE (prospectively expanded to other trained volunteers, as current Security Restrictions are lifted). **Recommended use:** rapid transportation of large items across mid-long distances.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Safety Concerns:**[[/span]][[/size]] Maintenance and Operation exclusive of Security Executive member Fran\u00e7ois Olympe and workers designated by him. Otherwise safe for all.\n\n\n\n[[size 130%]][[span style=\"color:#6BAB30;\"]]**Security Restrictions:**[[/span]][[/size]] As part of Coalition-imposed Second Mission restrictions, **a)** only use during night-time and as away from civilian observers as possible, **b)** do not train new pilots for the platform, **c)** do not train mechanics nor try to develop new versions of the platform or its portions, **d)** do not engage in, or respond to acts of aggression while using the platform.\n\n\n\n[[module css]]\n\n.footnotes-footer { \n\n\u00a0\u00a0\u00a0\u00a0visibility: hidden; \n\n\u00a0\u00a0\u00a0\u00a0height: 0;\n\n\u00a0\u00a0\u00a0\u00a0padding: 0;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n}\n\n[[/module]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Dr Reach]]\n\n=====\n\n> **Filename:** GOC-logo.png\n\n> **Name:** GOC-logo.png\n\n> **Author:** [[*user Aelanna]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** http://scp-wiki.wikidot.com/5th-global-occult-coalition-donation\n\n\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_manna-charitable-foundation", "global-occult-coalition", "goi-format", "goi2014", "manna-charitable-foundation", "science-fiction", "silicon-nornir"], "title": "5th Global Occult Coalition Donation - SCP Foundation", "url": "https://scp-wiki.wikidot.com/5th-global-occult-coalition-donation"}, "a-brief-commentary-of-a-recent-excursion-homesick": {"created_at": "2026-08-23T03:03:00", "creator": "The Spiral Poet", "domain": "scp-wiki.wikidot.com", "history": [{"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:03:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:08:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:10:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:11:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:12:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:12:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "ignore these past few edits I've been changing the font size for readability :]", "date": "2026-08-23T03:13:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:14:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "Guys I swear I'm usually not this indecisive (changed some small formatting things)", "date": "2026-08-23T03:16:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "", "date": "2026-08-23T03:28:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "Added tags: goicon-2026. ", "date": "2026-08-23T03:30:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "Added tags: goi-format. ", "date": "2026-08-23T03:32:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image, _licensebox, _other. ", "date": "2026-08-23T06:30:00"}, {"author": "The Spiral Poet", "author_href": "https://www.wikidot.com/user:info/the-spiral-poet", "comment": "a few grammatical changes and added a few lines to help the flow", "date": "2026-08-23T17:46:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-08-26T07:56:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "moved license box below footnotes", "date": "2026-08-26T07:57:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-brief-commentary-of-a-recent-excursion-homesick", "page_id": "1469216964", "rating": 5, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"estrella-paper vintage handwritten\">\n<div style=\"text-align: center;\">\n<h3 id=\"toc0\"><span><em><strong>From the desk of Herr Silverthorn</strong></em></span></h3>\n<h4 id=\"toc1\"><span>A brief commentary of a recent excursion; Homesick.</span></h4>\n<p>No matter how hard I try to leave the past where it belongs, it follows me at my heels as if I command it to, <em>like a dog.</em></p>\n<p>And yet, I can never hold contempt for the people of my home on the off-chance I meet them while traversing the many worlds or even the expanding shelves of the library.</p>\n<p>This one, though, takes the cake.</p>\n<hr/>\n<h3 id=\"toc2\"><span><strong>September 17th, 1950</strong></span></h3>\n<p>It is very rare that I encounter someone from the world of Tae\u2019ou\u2013when I do, I recognize it quickly. Those created upon the corpse of Ri have a sort of..\u201dsignature\u201d to them; a flash of blue in the sea of white.<br/>\nThis particular individual was more akin to a lighthouse in a thunderstorm.</p>\n<p>Whilst walking on the beaches of Gibraltar just before the sun dipped below the horizon, I felt it; that sense of familiarity, much stronger than anyone I have met during my travels. I couldn\u2019t pin an exact location given how vast the sea is, so I ignored it.<br/>\nOr tried to, at least.<br/>\nSitting down under a tree maybe 5 meters or so from the water line in an attempt to meditate, I saw it: a blotch of ink staining the waters, but this was not from a squid or other cephalopod\u2013it had a solid, defined shape that moved in a controlled fashion. The individual had charcoal skin, a fin-like neck frill, and many rows of teeth that curled into a smile. Its tongue had an esca1<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> on its end, and it had long black hair down its back. We both sat still for a long time, long enough to where I was able to grab my sketchbook and begin making sketches of its anatomy.</p>\n<p>As it drew closer to where water no longer reached it, it no longer \u2018slithered\u2019, but instead its tail split into three sections, two of which became rudimentary legs and the other becoming a tail. She<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> circled me with a ravenous hunger, though it was not physical. It was the insatiable desire to answer the question in her mind: why do I recognize this person? Eventually she knelt in front of me, and stared for a long time. By this point the sun had nearly set before she spoke a single word: \u201cOsira.\u201d<br/>\nMy reaction was\u2026dramatic, to say the least. I\u2019ve always been able to control my expressions rather well, but this caught me so off-guard my face betrayed me\u2013there was no way she should have known that name. This only caused my new compatriot to giggle hysterically before regaining her composure.<br/>\nWe spoke for a long time after this.<br/>\nI learned that she was the eldest (and only) child of Havsben the Stone Serpent, and was quite the skilled sorcerer. She discovered the Way beneath the ruins of Eldi\u2019haro, and has been using it to travel since.<br/>\nShe told me she has a name.<br/>\n<em>Wraith.</em><br/>\nI told her it was very fitting.<br/>\nShe told me stories of the Atlan Empire and her days working as a proxy to her father and how she gets to travel the world because of it.<br/>\nI told her who I was, and all of the adventures I had been on, the people I\u2019ve met, falling in love and being able to help others.<br/>\nShe thought for a second, before asking why I left the kingdom that was supposed to be mine.</p>\n<p>I couldn\u2019t meet her eyes. I could hardly face my own thoughts. I never had a \u2018good\u2019 reason for leaving, just the fact that I never asked for such responsibility.<br/>\nOh, the irony.<br/>\nI asked her how the world had been in my absence.<br/>\nIt had been many years, after all. How many exactly, I have since lost track.</p>\n<p>She told me there was a war that raged on for many years. Many people died, and kingdoms were left in shambles. It ended, but the tension never ceased\u2014she said she wouldn't be surprised if fighting broke out again. She said Osira, the Fire Bird, was gone, that she had sacrificed herself to protect her people. I told her that wasn\u2019t possible; she could not be killed. She just shrugged. \u201cNobody ever thinks that a god can die.\u201d<br/>\nYet again, my face betrayed me. It has been a long time since I have felt such emotion. To think that, somehow, my mother was gone.<br/>\nAnd what of the rest of my family? My brothers? Did they ever even realize I had left?<br/>\nI trembled like a scared fawn. I\u2019d say it was pathetic, but that wouldn\u2019t help.<br/>\nShe wrapped her arms around me and apologized.<br/>\nI choked through tears and told her it wasn\u2019t her fault.<br/>\nShe had to leave.<br/>\nI nodded, watching as she disappeared back into the dark sea.<br/>\nI hope that I will see her again sometime.</p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. The lure found on anglerfish in the order Lophiiformes</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. At the time I assumed it was a female due to the anatomy I observed; this was later proven to be true.</div>\n</div>\n<div style=\"text-align: center;\">\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-brief-commentary-of-a-recent-excursion-homesick\">A brief commentary of a recent excursion; Homesick.</a>\" by The Spiral Poet, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-brief-commentary-of-a-recent-excursion-homesick\">https://scpwiki.com/a-brief-commentary-of-a-recent-excursion-homesick</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> tsot logo shaded.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/the-spiral-poet\" onclick=\"WIKIDOT.page.listeners.userInfo(7937832); return false;\"><img alt=\"The Spiral Poet\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7937832&amp;amp;size=small&amp;amp;timestamp=1788104281\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7937832)\"/></a><a href=\"http://www.wikidot.com/user:info/the-spiral-poet\" onclick=\"WIKIDOT.page.listeners.userInfo(7937832); return false;\">The Spiral Poet</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> forest but darker oooooo.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/the-spiral-poet\" onclick=\"WIKIDOT.page.listeners.userInfo(7937832); return false;\"><img alt=\"The Spiral Poet\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7937832&amp;amp;size=small&amp;amp;timestamp=1788104281\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7937832)\"/></a><a href=\"http://www.wikidot.com/user:info/the-spiral-poet\" onclick=\"WIKIDOT.page.listeners.userInfo(7937832); return false;\">The Spiral Poet</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> The original photo is linked below; the author is Artur Rutkowski under the C0 license. The photo was edited to be darker to improve readability.<br/>\n<strong>Source Link:</strong> <a href=\"https://freerangestock.com/photos/157393/a-path-through-a-forest.html\">https://freerangestock.com/photos/157393/a-path-through-a-forest.html</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n\u00a0\n\n/* Hello!! 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\n\n\n\n------\n\n\n\n+++ **September 17th, 1950**\n\n\n\nIt is very rare that I encounter someone from the world of Tae\u2019ou\u2013when I do, I recognize it quickly. Those created upon the corpse of Ri have a sort of..\u201dsignature\u201d to them; a flash of blue in the sea of white. \n\nThis particular individual was more akin to a lighthouse in a thunderstorm.\n\n\n\nWhilst walking on the beaches of Gibraltar just before the sun dipped below the horizon, I felt it; that sense of familiarity, much stronger than anyone I have met during my travels. I couldn\u2019t pin an exact location given how vast the sea is, so I ignored it. \n\nOr tried to, at least. \n\nSitting down under a tree maybe 5 meters or so from the water line in an attempt to meditate, I saw it: a blotch of ink staining the waters, but this was not from a squid or other cephalopod\u2013it had a solid, defined shape that moved in a controlled fashion. The individual had charcoal skin, a fin-like neck frill, and many rows of teeth that curled into a smile. Its tongue had an esca1 [[footnote]] The lure found on anglerfish in the order Lophiiformes [[/footnote]] on its end, and it had long black hair down its back. We both sat still for a long time, long enough to where I was able to grab my sketchbook and begin making sketches of its anatomy.\n\n\n\nAs it drew closer to where water no longer reached it, it no longer \u2018slithered\u2019, but instead its tail split into three sections, two of which became rudimentary legs and the other becoming a tail. She [[footnote]] At the time I assumed it was a female due to the anatomy I observed; this was later proven to be true. [[/footnote]] circled me with a ravenous hunger, though it was not physical. It was the insatiable desire to answer the question in her mind: why do I recognize this person? Eventually she knelt in front of me, and stared for a long time. By this point the sun had nearly set before she spoke a single word: \u201cOsira.\u201d\n\nMy reaction was\u2026dramatic, to say the least. I\u2019ve always been able to control my expressions rather well, but this caught me so off-guard my face betrayed me\u2013there was no way she should have known that name. This only caused my new compatriot to giggle hysterically before regaining her composure. \n\nWe spoke for a long time after this. \n\nI learned that she was the eldest (and only) child of Havsben the Stone Serpent, and was quite the skilled sorcerer. She discovered the Way beneath the ruins of Eldi\u2019haro, and has been using it to travel since. \n\nShe told me she has a name. \n\n//Wraith.//\n\nI told her it was very fitting.\n\nShe told me stories of the Atlan Empire and her days working as a proxy to her father and how she gets to travel the world because of it. \n\nI told her who I was, and all of the adventures I had been on, the people I\u2019ve met, falling in love and being able to help others. \n\nShe thought for a second, before asking why I left the kingdom that was supposed to be mine.\n\n\n\nI couldn\u2019t meet her eyes. I could hardly face my own thoughts. I never had a \u2018good\u2019 reason for leaving, just the fact that I never asked for such responsibility.\n\nOh, the irony. \n\nI asked her how the world had been in my absence.\n\nIt had been many years, after all. How many exactly, I have since lost track.\u00a0\u00a0\n\n\n\nShe told me there was a war that raged on for many years. Many people died, and kingdoms were left in shambles. It ended, but the tension never ceased--she said she wouldn't be surprised if fighting broke out again. She said Osira, the Fire Bird, was gone, that she had sacrificed herself to protect her people. I told her that wasn\u2019t possible; she could not be killed. She just shrugged. \u201cNobody ever thinks that a god can die.\u201d\n\nYet again, my face betrayed me. It has been a long time since I have felt such emotion. To think that, somehow, my mother was gone. \n\nAnd what of the rest of my family? My brothers? Did they ever even realize I had left?\n\nI trembled like a scared fawn. I\u2019d say it was pathetic, but that wouldn\u2019t help. \n\nShe wrapped her arms around me and apologized.\n\nI choked through tears and told her it wasn\u2019t her fault.\n\nShe had to leave. \n\nI nodded, watching as she disappeared back into the dark sea.\n\nI hope that I will see her again sometime. \n\n[[/div]]\n\n\n\n[[module css]]\n\n.handwritten {\n\n\u00a0\u00a0\u00a0font-family: 'Ink Free', serif;\n\n\u00a0\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0\u00a0font-size: 1.45em;\n\n}\n\n[[/module]]\n\n[[/=]]\n\n\n\n[[footnoteblock]]\n\n\n\n[[=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** tsot logo shaded.png\n\n> **Author:** [[*user The Spiral Poet]]\n\n> **License:** CC BY-SA 3.0\n\n\u00a0\n\n> **Filename:** forest but darker oooooo.png\n\n> **Author:** [[*user The Spiral Poet]]\n\n> **License:** CC BY-SA 3.0\n\n> **Additional Notes:** The original photo is linked below; the author is Artur Rutkowski under the C0 license. The photo was edited to be darker to improve readability.\n\n> **Source Link:** https://freerangestock.com/photos/157393/a-path-through-a-forest.html\n\n\u00a0\n\n[[/collapsible]]\n\n[[/div]]\n\n[[/=]]\n", "tags": ["_cc", "_licensebox", "_other", "goi-format", "goicon-2026"], "title": "A brief commentary of a recent excursion; Homesick. - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-brief-commentary-of-a-recent-excursion-homesick"}, "a-by-ambrose": {"created_at": "2026-08-18T19:32:00", "creator": "Dysadron", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dysadron", "author_href": "https://www.wikidot.com/user:info/dysadron", "comment": "Uploaded file \"Author2.jpg\".", "date": "2026-08-18T19:32:00"}, {"author": "Dysadron", "author_href": "https://www.wikidot.com/user:info/dysadron", "comment": "", "date": "2026-08-18T19:32:00"}, {"author": "Dysadron", "author_href": "https://www.wikidot.com/user:info/dysadron", "comment": "Added tags: goicon-2026. ", "date": "2026-08-18T19:33:00"}, {"author": "Dysadron", "author_href": "https://www.wikidot.com/user:info/dysadron", "comment": "Added tags: _image, _licensebox, ambrose-restaurant, fantasy, goi-format, journalism, slice-of-life. ", "date": "2026-08-18T20:49:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-08-19T06:58:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _ambrose-restaurant. ", "date": "2026-08-19T09:23:00"}, {"author": "wackdog", "author_href": "https://www.wikidot.com/user:info/wackdog", "comment": "", "date": "2026-08-19T18:24:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "a-by-ambrose", "page_id": "1469191357", "rating": 40, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3ASteelBlue%7D\" style=\"display: none\"></iframe></p>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p>A-grade</p>\n</div>\n<div class=\"title-2\">\n<p>Food?</p>\n</div>\n<div class=\"title-3\">\n<p>I prefer</p>\n</div>\n<div class=\"title-4\">\n<p>the Os</p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>What do we talk about when we talk about food?<br/>\n<em>By Leopold Ruggeri</em><br/>\n<em>Six minute read.</em><br/>\n\u2b50\u2b50\u2605\u2605\u2605</p>\n\n</div>\n</div>\n\n<br/>\n<br/>\n<table style=\"border-collapse:collapse; width:100%;\">\n<tr>\n<td style=\"width: 33%;\"></td>\n<td style=\"width: 33%;\"></td>\n<td style=\"width: 33%;\"></td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align:left;\">\n<p><em>A by Ambrose</em> opened six months ago. Nestled within Los Angeles's Hollywood Hills, the restaurant is disguised as a modern residence. Stacked cuboids of concrete and glass. It is a disguise exclusive to its location.</p>\n<p>The restaurant promises, I am assured by the ma\u00eetre d' as I am led to my table, \"an elevated culinary experience. Something new\". Haute cuisine and fine dining. As I'm led to my table, I find myself returning to one question \u2014 if it's something new, why is it yet another restaurant in Ambrose branding?</p>\n</td>\n<td></td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td></td>\n<td colspan=\"2\" style=\"text-align:right;\">\n<p>I met Rufus Liley nine and a half years ago at a culinary conference in the Portlands. I was there reporting for <em>Waldon</em>, he was there delivering a talk on his experiences with ethical and sustainable husbandry.</p>\n<p>A butcher by trade, he regaled the crowd with his latest venture: establishing, over the course of two years, relationships with the Lower-Atlantean dynasty of the Gulf of Taranto to gain access to a steady supply of hippocampi.</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align:left;\">\n<p>The centerpiece of both restaurant and menu is the raw bar. Stationed in the middle of the dining room, a deep golden trough extends nearly 360 degrees and levitates in the air. Filled with ice, the bar finds itself home to oyster, sea urchin, several different varieties of fish, lobster, and yokai essence. The restaurant's tables, dressed in their finest white linen, are arranged around the bar. It looks ever so slightly like the world's most expensive doughnut.</p>\n<p>The menu \u2014 clad in deepest, blackest leather binding \u2014 lists both the raw bar's offerings and the main kitchen's. Steak. Other Grilled Things. Caviar. Salads drowned in dairy. My hungering for something new goes unsatisfied. This is, for all its good and all its bad, just another offering of more of the same.</p>\n</td>\n<td></td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td></td>\n<td colspan=\"2\" style=\"text-align:right;\">\n<p>Rufus had gained quite a following on the restaurant scene by the time I met him, and I soon learnt why. You were never quite sure what opinion you'd get, but you'd certainly get one. Some of his most famous were published in this very magazine.</p>\n<p>My personal favourites? At his book launch, thoughts on molecular gastronomy eliciting chuckles from some, nervous stares from others: \"Imagine if you took all those hours you spent flavouring air and spent it on something useful? Like learning how to actually cook.\"</p>\n<p>I also remember quite vividly the first \u2014 and only \u2014 time I mentioned planning to sous vide chimera breast: \"Why are you putting a sheet of plastic between yourself and your food? Why are you treating it as if it's infectious?\"</p>\n</td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align:left;\">\n<p>I order a fillet steak, cooked rare. The waiter praises my order, but I am required to I strain to hear him over the thumping bass (emanating from the speakers lined around the room, not the sad looking fish on the raw bar).</p>\n<p>The side salad is charmingly served: green shoots grow from your plate in rapid time. Sadly, the seasoning leaves much to be desired. An overindulgence in dragon's gland results in my tongue being assaulted with a blunt weapon of HEAT (capitalisation required).</p>\n<p>The steak is no better, it's practically mooing. I asked for rare, not raw. So undercooked, the poor cow could still be alive and lactating. I wish it was as, due to the salad, I'm in desperate need of a glass of milk.</p>\n<p>I receive no sauce. Instead the steak is served with some gelatinous, molecular nonsense evoking a beached mystery. The kind only the Atlanteans could shed light on.</p>\n</td>\n<td></td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td></td>\n<td colspan=\"2\" style=\"text-align:right;\">\n<p>I once asked Rufus for details of the worst meal he'd been subjected to. He stared at me, quite confused, and scrunched his face. \"Why would you ask me that? I'm not going to waste time dwelling on the bad.\"</p>\n<p>He proceeded, instead, to tell me of one of two of the best meals he'd tasted. The first, squash gduni at a family-run establishment in Esterberg's Market District. The second was in London: cured, blackened bishop-fish loin grated over lamb sweetbreads. Meat so delicate it melted onto your tongue. So delicious, Rufus said he almost shed a tear on tasting. (Yes, that part was slightly pretentious. But so am I and, in all honesty dear reader, if you're a regular of this magazine, there's a chance you may be too.)</p>\n<p>Although seemingly worlds apart, these meals were very much the same to Rufus. They had a soul. The gnudi recipe had been passed down through generations, and the care taken in the perfection of the bishop-fish was overwhelmingly evident. The chef's hand present in both. \"I shall not attempt to define good food,\" he smirked, \"but I know when I taste it\".</p>\n</td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align:left;\">\n<p>From the raw bar, I order the illithid sashimi. The latter elicits a pantomime gasp from the waiter, who informs me his manager will be right over. Said manager arrives, and goes to great pains to make me aware of the danger of my order. I'm assured that, whilst every precaution has been taken, raw illithid can never be guaranteed to be psychically dull. I'm asked if I understand the risks. I'm asked if I'm sure I wish to proceed.</p>\n<p>The pantomime gasp was appropriate. This is theatre. It feels like a parental advisory sticker specifically designed to titillate. Yes. I understand. Yes. I acknowledge that, very dangerous, you can't be held responsible. Yes. Uhuh. Yes. May I have my goddamn food now?</p>\n<p>As I await my next course, I peruse the side menu. It includes truffle \"mac and cheese\" because of course it does. Appropriate that a dish which has sprouted and spread across the restaurant scene like black mould should contain fungus.</p>\n<p>You'd have thought we'd have learnt our lesson on oversaturation from salted caramel.</p>\n</td>\n<td></td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td></td>\n<td colspan=\"2\" style=\"text-align:right;\">\n<p>Rufus didn't speak much publicly about his start in life, and it would be uncouth for me to reveal details he'd confided in me now. What I will share is where he first discovered his love for food.</p>\n<p>As a child, he'd often find himself escaping to his Aunt, who was situated half an hour down the road from him. Or, as he would say, \"a twenty-six minute run \u2014 and I'd always run it\". His Aunt was no chef, not by the most flexible stretch of the imagination. But every time he came running, she'd make the same thing. SpaghettiOs, microwaved on high, and crushed to death with gratings of industrial, mass-produced yellow cheese.</p>\n</td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align:left;\">\n<p>The illithid? Bland. I almost wish I'd been subject to psychic convulsions, just so the sashimi would have elicited some sort of reaction from me. Anything more than a swallow and a shrug. I watched the chef prepare it at the raw bar: it took him several attempts to obtain the meat from the ice due to not being fast enough to keep up with the rotating bar. I see this happen several more times tonight, a different chef each occurrence.</p>\n<p>The mac and cheese? Fine. Cheese sauce somehow too watery and rich. Paradoxical in mediocrity. Good truffle is a grenade. I'll put mine in tupperware inside of tupperware, locked tight, hermetically sealed, thaumaturgically fastened, inside a plastic bag, inside a fridge.</p>\n<p>And \u2014 if good \u2014 that truffle will still manage to penetrate every corner, nook, and cranny of my home with its odour. I lean close to my mac and cheese, rest my nose slightly above the dish, and inhale. The lack of what results confirms my fears. This is not good truffle. No explosions to be found.</p>\n</td>\n<td></td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td></td>\n<td colspan=\"2\" style=\"text-align:right;\">\n<p>\"It's not just about the taste, you see,\" Rufus told me once, explaining the allure of SpaghettiOs after we'd both had too many bourbons to remember how many bourbons we'd had. \"Mushy pasta, bland sauce, sure \u2014 but both now and then, that dish was more than what was in it. It was safety. It was knowing that for some short amount of time, things were going to be okay. Food is so much more than food. It has something to say. When you eat good food, you're not just relying on taste. You stop. pause. Listen.\"</p>\n<p>And despite what preceded it, what he said next was the most earnest he'd be the whole evening: \"\u2026why on earth is your glass empty?\"</p>\n</td>\n</tr>\n<tr>\n<td><br/></td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align:left;\">\n<p>Whilst the dessert menu is en route, I look around at my fellow diners. Lots of men in business suits. Lots of sunglasses inside. They all seem to be enjoying themselves though, and who am I to judge them for that?</p>\n<p>There is, however, one thing I notice which disturbs me. I view on several occasions their food mid-mastication. So eager to speak, to be heard above the thudding baseline of the music, no-one pauses to chew. No-one pauses to listen. The waiter \u2014 who I must say, has been perfectly pleasant throughout this whole evening \u2014 hands me the dessert menu. I open it. I am horrified. Distraught is a strong word but we'll use it nonetheless. There, present in nearly every dish, is a foe I thought we'd long done away with: it is the return of salted caramel.</p>\n<p>Scared away, I opt for the bill instead. What I have gained in sustenance is outweighed considerably by what has been lost from my wallet. It is easy to say goodbye as I leave but</p>\n</td>\n<td></td>\n</tr>\n<tr>\n<td></td>\n<td colspan=\"2\" style=\"text-align:right;\">other goodbyes are harder.</td>\n</tr>\n<tr>\n<td colspan=\"3\" style=\"text-align:justify;\">\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n3:41 in this morning and my back aches me awake. It does that more these days. My head aches too. And, amidst all these weary aches and pains, hiding, trying to camouflage itself among them, is one which stems from the heart.</p>\n<p>I heave my legs out of bed. Exiting my room, I'm drawn to the kitchen. My stomach has decided to join the ache-fest and I am unable to resist the siren call of the microwave ding. I search my cupboards for what I know is there, in some forgotten corner, and I know it is there because I otherwise would likely still be asleep and if not, certainly still in bed. My culinary archaeology finds success, the dig unearths a treasure. I blow a thick layer of dust from a can of SpaghettiOs.</p>\n<p>I find the most plain, unadorned bowl I can, and pour in the precooked pasta and tomato sauce. I've made, but not actively acknowledged, the decision not to look at the best before date, so as to avoid the decision as to whether to pay it heed. As my three hours late midnight snack heats, I grate the cheese in preparation. Rufus, I am sorry: my dairy of choice is a payoyo. I simply did not have a bland cheddar to hand.</p>\n<p>The microwave sings. I combine the SpaghettiOs with the cheese. As the latter melts \u2014 no, it does more than melt: it liquifies \u2014 the boundary between the two blurs. Where does tomato sauce end and cheese begin?</p>\n<p>Philosophical musings are brief, interrupted by my eating of the muse.</p>\n<p>It's no haute cuisine. It does not need to be. It does not want to be, should not want to be. It is warm in temperature and warm in feeling.</p>\n<p>It soothes my aches. All of them.</p>\n<p>I leave the bowl unwashed in the sink. That can be a problem for future me. I return to bed, and fall asleep thinking of a friend, paradoxically gone but always with me.</p>\n<p>I fall asleep smiling.</p>\n<p>Nothing served from a raw bar could ever have that effect on a person.</p>\n<hr/></td>\n</tr>\n</table>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-by-ambrose\">A by Ambrose</a>\" by Dysadron, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-by-ambrose\">https://scpwiki.com/a-by-ambrose</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<hr/>\n<blockquote>\n<p><strong>Name:</strong> Adriaan Venema (1970).jpg<br/>\n<strong>Author:</strong> Erling Mandelmann<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Preben_Hertoft_(1973)_by_Erling_Mandelmann.jpg\">https://commons.wikimedia.org/wiki/File:Preben_Hertoft_(1973)_by_Erling_Mandelmann.jpg</a></p>\n</blockquote>\n<hr/></div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=SteelBlue]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0--header-title: \"WALDON STUDIO\";\n\n\u00a0\u00a0--header-subtitle: \"connoisseurs of the unknown\";\n\n}\n\n\n\n.Left{\n\n\u00a0\u00a0\u00a0\u00a0xfloat:left;\n\n\u00a0\u00a0\u00a0\u00a0text-align: left;\n\n\u00a0\u00a0\u00a0\u00a0width:75%;\n\n}\n\n\n\n.Right{\n\n\u00a0\u00a0\u00a0text-align: right;\n\n\u00a0\u00a0\u00a0xfloat:right;\n\n\u00a0\u00a0\u00a0\u00a0width:75%;\n\n}\n\n[[/module]]\n\n\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\nA-grade\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\nFood?\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\nI prefer\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\nthe Os\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nWhat do we talk about when we talk about food?\n\n//By Leopold Ruggeri//\n\n//Six minute read.//\n\n\u2b50\u2b50\u2605\u2605\u2605\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image Author2.jpg]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[table style=\"border-collapse:collapse; width:100%;\"]]\n\n[[row]]\n\n[[cell style=\"width: 33%;\"]]\n\n[[/cell]]\n\n[[cell style=\"width: 33%;\"]]\n\n[[/cell]]\n\n[[cell style=\"width: 33%;\"]]\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:left;\" colspan=\"2\"]]\n\n//A by Ambrose// opened six months ago. Nestled within Los Angeles's Hollywood Hills, the restaurant is disguised as a modern residence. Stacked cuboids of concrete and glass. It is a disguise exclusive to its location. \n\n\n\nThe restaurant promises, I am assured by the ma\u00eetre d' as I am led to my table, \"an elevated culinary experience. Something new\". Haute cuisine and fine dining. As I'm led to my table, I find myself returning to one question -- if it's something new, why is it yet another restaurant in Ambrose branding?\n\n[[/cell]]\n\n[[cell]]\n\n\u00a0\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n\u00a0\n\n[[/cell]]\n\n[[cell style=\"text-align:right;\" colspan=\"2\"]]\n\nI met Rufus Liley nine and a half years ago at a culinary conference in the Portlands. I was there reporting for //Waldon//, he was there delivering a talk on his experiences with ethical and sustainable husbandry. \n\n\n\nA butcher by trade, he regaled the crowd with his latest venture: establishing, over the course of two years, relationships with the Lower-Atlantean dynasty of the Gulf of Taranto to gain access to a steady supply of hippocampi. \n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:left;\" colspan=\"2\"]]\n\nThe centerpiece of both restaurant and menu is the raw bar. Stationed in the middle of the dining room, a deep golden trough extends nearly 360 degrees and levitates in the air. Filled with ice, the bar finds itself home to oyster, sea urchin, several different varieties of fish, lobster, and yokai essence. The restaurant's tables, dressed in their finest white linen, are arranged around the bar. It looks ever so slightly like the world's most expensive doughnut. \n\n\n\nThe menu -- clad in deepest, blackest leather binding -- lists both the raw bar's offerings and the main kitchen's. Steak. Other Grilled Things. Caviar. Salads drowned in dairy. My hungering for something new goes unsatisfied. This is, for all its good and all its bad, just another offering of more of the same.\n\n[[/cell]]\n\n[[cell]]\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n[[/cell]]\n\n[[cell style=\"text-align:right;\" colspan=\"2\"]]\n\nRufus had gained quite a following on the restaurant scene by the time I met him, and I soon learnt why. You were never quite sure what opinion you'd get, but you'd certainly get one. Some of his most famous were published in this very magazine.\n\n\n\nMy personal favourites? At his book launch, thoughts on molecular gastronomy eliciting chuckles from some, nervous stares from others: \"Imagine if you took all those hours you spent flavouring air and spent it on something useful? Like learning how to actually cook.\"\u00a0\u00a0\n\n\n\nI also remember quite vividly the first -- and only -- time I mentioned planning to sous vide chimera breast: \"Why are you putting a sheet of plastic between yourself and your food? Why are you treating it as if it's infectious?\"\u00a0\u00a0\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:left;\" colspan=\"2\"]]\n\nI order a fillet steak, cooked rare. The waiter praises my order, but I am required to I strain to hear him over the thumping bass (emanating from the speakers lined around the room, not the sad looking fish on the raw bar).\n\n\n\nThe side salad is charmingly served: green shoots grow from your plate in rapid time. Sadly, the seasoning leaves much to be desired. An overindulgence in dragon's gland results in my tongue being assaulted with a blunt weapon of HEAT (capitalisation required). \n\n\n\nThe steak is no better, it's practically mooing. I asked for rare, not raw. So undercooked, the\u00a0\u00a0poor cow could still be alive and lactating. I wish it was as, due to the salad, I'm in desperate need of a glass of milk.\n\n\n\nI receive no sauce. Instead the steak is served with some gelatinous, molecular nonsense evoking a beached mystery. The kind only the Atlanteans could shed light on.\n\n[[/cell]]\n\n[[cell]]\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n[[/cell]]\n\n[[cell style=\"text-align:right;\" colspan=\"2\"]]\n\nI once asked Rufus for details of the worst meal he'd been subjected to. He stared at me, quite confused, and scrunched his face. \"Why would you ask me that? I'm not going to waste time dwelling on the bad.\" \n\n\n\nHe proceeded, instead, to tell me of one of two of the best meals he'd tasted. The first, squash gduni at a family-run establishment in Esterberg's Market District. The second was in London: cured, blackened bishop-fish loin grated over lamb sweetbreads. Meat so delicate it melted onto your tongue. So delicious, Rufus said he almost shed a tear on tasting. (Yes, that part was slightly pretentious. But so am I and, in all honesty dear reader, if you're a regular of this magazine, there's a chance you may be too.)\n\n\n\nAlthough seemingly worlds apart, these meals were very much the same to Rufus. They had a soul. The gnudi recipe had been passed down through generations, and the care taken in the perfection of the bishop-fish was overwhelmingly evident. The chef's hand present in both. \"I shall not attempt to define good food,\" he smirked, \"but I know when I taste it\".\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:left;\" colspan=\"2\"]]\n\nFrom the raw bar, I order the illithid sashimi. The latter elicits a pantomime gasp from the waiter, who informs me his manager will be right over. Said manager arrives, and goes to great pains to make me aware of the danger of my order. I'm assured that, whilst every precaution has been taken, raw illithid can never be guaranteed to be psychically dull. I'm asked if I understand the risks. I'm asked if I'm sure I wish to proceed.\n\n\n\nThe pantomime gasp was appropriate. This is theatre. It feels like a parental advisory sticker specifically designed to titillate. Yes. I understand. Yes. I acknowledge that, very dangerous, you can't be held responsible. Yes. Uhuh. Yes. May I have my goddamn food now?\n\n\n\nAs I await my next course, I peruse the side menu. It includes truffle \"mac and cheese\" because of course it does. Appropriate that a dish which has sprouted and spread across the restaurant scene like black mould should contain fungus. \n\n\n\nYou'd have thought we'd have learnt our lesson on oversaturation from salted caramel.\n\n[[/cell]]\n\n[[cell]]\n\n[[/cell]]\n\n[[/row]]\n\n\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n[[/cell]]\n\n[[cell style=\"text-align:right;\" colspan=\"2\"]]\n\nRufus didn't speak much publicly about his start in life, and it would be uncouth for me to reveal details he'd confided in me now. What I will share is where he first discovered his love for food. \n\n\n\nAs a child, he'd often find himself escaping to his Aunt, who was situated half an hour down the road from him. Or, as he would say, \"a twenty-six minute run -- and I'd always run it\". His Aunt was no chef, not by the most flexible stretch of the imagination. But every time he came running, she'd make the same thing. SpaghettiOs, microwaved on high, and crushed to death with gratings of industrial, mass-produced yellow cheese. \n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:left;\" colspan=\"2\"]]\n\nThe illithid? Bland. I almost wish I'd been subject to psychic convulsions, just so the sashimi would have elicited some sort of reaction from me. Anything more than a swallow and a shrug. I watched the chef prepare it at the raw bar: it took him several attempts to obtain the meat from the ice due to not being fast enough to keep up with the rotating bar. I see this happen several more times tonight, a different chef each occurrence.\n\n\n\nThe mac and cheese? Fine. Cheese sauce somehow too watery and rich. Paradoxical in mediocrity. Good truffle is a grenade. I'll put mine in tupperware inside of tupperware, locked tight, hermetically sealed, thaumaturgically fastened, inside a plastic bag, inside a fridge. \n\n\n\nAnd -- if good -- that truffle will still manage to penetrate every corner, nook, and cranny of my home with its odour. I lean close to my mac and cheese, rest my nose slightly above the dish, and inhale. The lack of what results confirms my fears. This is not good truffle. No explosions to be found.\n\n[[/cell]]\n\n[[cell]]\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n[[/cell]]\n\n[[cell style=\"text-align:right;\" colspan=\"2\"]]\n\n\"It's not just about the taste, you see,\" Rufus told me once, explaining the allure of SpaghettiOs after we'd both had too many bourbons to remember how many bourbons we'd had. \"Mushy pasta, bland sauce, sure -- but both now and then, that dish was more than what was in it. It was safety. It was knowing that for some short amount of time, things were going to be okay. Food is so much more than food. It has something to say. When you eat good food, you're not just relying on taste. You stop. pause. Listen.\" \n\n\n\nAnd despite what preceded it, what he said next was the most earnest he'd be the whole evening:\u00a0\u00a0\"...why on earth is your glass empty?\"\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell]]\n\n@@@@\n\n@@@@\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:left;\" colspan=\"2\"]]\n\nWhilst the dessert menu is en route, I look around at my fellow diners. Lots of men in business suits. Lots of sunglasses inside. They all seem to be enjoying themselves though, and who am I to judge them for that? \n\n\n\nThere is, however, one thing I notice which disturbs me. I view on several occasions their food mid-mastication. So eager to speak, to be heard above the thudding baseline of the music, no-one pauses to chew. No-one pauses to listen. The waiter -- who I must say, has been perfectly pleasant throughout this whole evening -- hands me the dessert menu. I open it. I am horrified. Distraught is a strong word but we'll use it nonetheless. There, present in nearly every dish, is a foe I thought we'd long done away with: it is the return of salted caramel.\u00a0\u00a0\u00a0\n\n\n\nScared away, I opt for the bill instead. What I have gained in sustenance is outweighed considerably by what has been lost from my wallet. It is easy to say goodbye as I leave but\n\n[[/cell]]\n\n[[cell]]\n\n[[/cell]]\n\n[[/row]]\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[row]]\n\n[[cell]]\n\n[[/cell]]\n\n[[cell style=\"text-align:right;\" colspan=\"2\"]]\n\nother goodbyes are harder.\n\n[[/cell]]\n\n[[/row]]\n\n\n\n[[row]]\n\n[[cell style=\"text-align:justify;\" colspan=\"3\"]]\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n3:41 in this morning and my back aches me awake. It does that more these days. My head aches too. And, amidst all these weary aches and pains, hiding, trying to camouflage itself among them, is one which stems from the heart. \n\n\n\nI heave my legs out of bed. Exiting my room, I'm drawn to the kitchen. My stomach has decided to join the ache-fest and I am unable to resist the siren call of the microwave ding. I search my cupboards for what I know is there, in some forgotten corner, and I know it is there because I otherwise would likely still be asleep and if not, certainly still in bed. My culinary archaeology finds success, the dig unearths a treasure. I blow a thick layer of dust from a can of SpaghettiOs. \n\n\n\nI find the most plain, unadorned bowl I can, and pour in the precooked pasta and tomato sauce. I've made, but not actively acknowledged, the decision not to look at the best before date, so as to avoid the decision as to whether to pay it heed. As my three hours late midnight snack heats, I grate the cheese in preparation. Rufus, I am sorry: my dairy of choice is a payoyo. I simply did not have a bland cheddar to hand.\n\n\n\nThe microwave sings. I combine the SpaghettiOs with the cheese. As the latter melts -- no, it does more than melt: it liquifies -- the boundary between the two blurs. Where does tomato sauce end and cheese begin?\n\n\n\nPhilosophical musings are brief, interrupted by my eating of the muse. \n\n\n\nIt's no haute cuisine. It does not need to be. It does not want to be, should not want to be. It is warm in temperature and warm in feeling. \n\n\n\nIt soothes my aches. All of them.\n\n\n\nI leave the bowl unwashed in the sink. That can be a problem for future me. I return to bed, and fall asleep thinking of a friend, paradoxically gone but always with me. \n\n\n\nI fall asleep smiling.\n\n\n\nNothing served from a raw bar could ever have that effect on a person.\n\n\n\n------\n\n\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n----\n\n> **Name:** Adriaan Venema (1970).jpg\n\n> **Author:** Erling Mandelmann \n\n> **License:** CC-BY-SA 3.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Preben_Hertoft_(1973)_by_Erling_Mandelmann.jpg\n\n\n\n----\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "ambrose-restaurant", "fantasy", "goi-format", "goicon-2026", "journalism", "slice-of-life"], "title": "A by Ambrose - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-by-ambrose"}, "a-cosmic-cycle": {"created_at": "2020-10-06T23:29:00", "creator": "LillithHollyMisato", "domain": "scp-wiki.wikidot.com", "history": [{"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "Uploaded file \"UNLOCK THE COSMOS.png\".", "date": "2020-10-06T23:29:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "", "date": "2020-10-06T23:29:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "Added UNLOCK THE COSMOS.png", "date": "2020-10-06T23:31:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "Added tags: goi-format. Removed tags: tale. ", "date": "2020-10-06T23:33:00"}, {"author": "MalyceGraves", "author_href": "https://www.wikidot.com/user:info/malycegraves", "comment": "Added tags: _image. ", "date": "2020-10-06T23:34:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "", "date": "2020-10-06T23:59:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "", "date": "2020-10-07T00:14:00"}, {"author": "Nagiros", "author_href": "https://www.wikidot.com/user:info/nagiros", "comment": "Added tags: _arcadia, arcadia. ", "date": "2020-10-07T01:06:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "", "date": "2020-10-07T03:33:00"}, {"author": "LillithHollyMisato", "author_href": "https://www.wikidot.com/user:info/lillithhollymisato", "comment": "", "date": "2020-10-07T03:34:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2020-10-07T03:35:00"}, {"author": "WhiteGuard", "author_href": "https://www.wikidot.com/user:info/whiteguard", "comment": "", "date": "2020-10-22T00:43:00"}, {"author": "WhiteGuard", "author_href": "https://www.wikidot.com/user:info/whiteguard", "comment": "Added tags: _licensebox. ", "date": "2020-10-22T00:45:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2021-02-01T05:33:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: corporate. ", "date": "2024-10-11T06:18:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: illustrated. ", "date": "2024-10-11T06:19:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "authorship", "date": "2026-08-25T04:20:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/a-cosmic-cycle/UNLOCK%20THE%20COSMOS.png"], "link": "a-cosmic-cycle", "page_id": "1305113962", "rating": 74, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"background: url(http://scp-wiki.wdfiles.com/local--files/scp-5203/ARCLogo) center no-repeat ; color: black; float: center; border: solid 1px #000000; padding: 5px 15px 15px 15px; box-shadow: 0 1px 3px rgba(0,0,0,.2); width: 84%; margin: 2% 4% 4% 4%\">\n<h1 id=\"toc0\"><span>Internal Office Memorandum</span></h1>\n<div style=\"text-align: right;\">\n<h1 id=\"toc1\"><span><span style=\"color: purple\">Arcadia</span></span></h1>\n</div>\n<h4 id=\"toc2\"><span>To: Clark Wilson</span></h4>\n<h4 id=\"toc3\"><span>From: Sebastian Brown, Chief Archivist</span></h4>\n<h4 id=\"toc4\"><span>Subject: Project Cosmos</span></h4>\n<h4 id=\"toc5\"><span>Date: 10/3/03</span></h4>\n<p>Clark,<br/>\nI've attached the files and excerpts you've requested below. It isn't a lot but given the amount of time I had, I'd say it's enough to get a good glimpse at the Cosmos for whatever it is you're doing. I've attached some notes of mine to the electronic version of the documents, but some of them are missing from this set. If you have any problems, you know how to contact me.</p>\n<p>P.S: You like the way the old memos look? I managed to get ahold of one and I'm tryna convince people they're still usable. I also put some footnotes incase you need a little background info. Call me later and we can talk about it some.</p>\n</div>\n<hr/>\n<div class=\"scp-image-block block-center\" style=\"width:50%;\"><img alt=\"UNLOCK%20THE%20COSMOS.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/a-cosmic-cycle/UNLOCK%20THE%20COSMOS.png\" style=\"width:100%;\"/>\n<div class=\"scp-image-caption\" style=\"width:100%;\">\n<p>This is an advertisement for the Cosmos I found in the marketing section. - Seb.</p>\n</div>\n</div>\n<blockquote>\n<p><strong>To</strong>: Mr. Allan Alcorn<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup><br/>\n<strong>From</strong>: <span style=\"color: purple\">Arcadia</span>, Inc.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup><br/>\n<strong>Date</strong>: 01/02/82<br/>\nDear Mr. Alcorn.<br/>\nWe at <span style=\"color: purple\">Arcadia</span> are saddened to hear about the recent termination of your employment at Atari Inc. and wish to express our sincere condolences for this unfortunate event. It is always hard to see someone we admire and respect greatly to be mistreated. We are proud of our commitment to making our business a family endeavor - all of <span style=\"color: purple\">Arcadia</span> works in tandem, like a family, to deliver quality entertainment and innovative technology to the masses. <span style=\"color: purple\">Arcadia</span> is dedicated to our employees, we offer numerous benefits to our hard workers, and guarantee employee satisfaction. Following a review of your employment history, medical records, legal documents, affiliation with competitors, family relations, and financial history, we have decided to contact you with the hopes of requesting that you meet with us on January 9th, 1982 - this coming Saturday - to discuss the potential for your employment as a member of <span style=\"color: purple\">Arcadia's</span> ever-growing family. Please contact us via phone to confirm your attendance.<br/>\nWe hope to see you there!<br/>\n<span style=\"color: purple\">Arcadia.</span></p>\n</blockquote>\n<blockquote>\n<p><strong>Recorded Transcript</strong>: 1-1/13/82-ALC<br/>\n<strong>Foreword</strong>: Transcript of a conversation between ALLAN ALCORN and KARL FRANKLIN<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> concerning PROJECT COSMOS. A few days prior, Mr. Alcorn had been hired to work at <span style=\"color: purple\">Arcadia</span>. The following has been taken from a company tape recorder provided for archival purposes.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>Begin Log</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>FRANKLIN</strong>: So yeah, if you don't mind, I've just set up this tape recorder. Some people have been interested in uh, \"preserving <span style=\"color: purple\">Arcadia's</span> history\" so to speak.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Yeah, yeah that's fine, I don't mind.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>FRANKLIN</strong>: Alright then! Well, first order of business, welcome to <span style=\"color: purple\">Arcadia</span>, I'm Karl. I work in engineering, I've been told that is what you are most familiar with yes?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Yes, I did engineering for Atari from seventy-two until last year.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>FRANKLIN</strong>: Yes, yes, yes, Atari. Now, I've been told that during your time there you were working on\u2026. something big, yes? Something to do with illusions?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Holographs. We had a console ready to go, Cosmos, but Kassar<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> got cold feet at the last second. It's a pretty impressive system, it's a shame he shelved it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>FRANKLIN</strong>: Alright, well, I am happy to say that a few of us here took quite a bit of interest in your work, and because of that marketing has agreed to allow us to work on an improved version of the concept! Isn't that exciting?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Really? Wow, I mean\u2026 gee, that's great! When do we, uh, when do we start?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>FRANKLIN</strong>: Of course we have to deal with some of the\u2026 legalities first, but at this rate I'd probably say\u2026. April? There's other stuff for you to do until then of course, so don't worry.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>Irrelevant Text Removed</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Alright, well it's been a pleasure meeting you Karl. I can't wait to start working with you and the rest of the team.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>FRANKLIN</strong>: The pleasures all mine, Al. Have a good night, I'll see you tomorrow.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>Log End</em></p>\n</blockquote>\n<div style=\"background: url(http://scp-wiki.wdfiles.com/local--files/scp-5203/ARCLogo) center no-repeat ; color: black; float: center; border: solid 1px #000000; padding: 5px 15px 15px 15px; box-shadow: 0 1px 3px rgba(0,0,0,.2); width: 84%; margin: 2% 4% 4% 4%\">\n<h1 id=\"toc6\"><span>Internal Office Memorandum</span></h1>\n<div style=\"text-align: right;\">\n<h1 id=\"toc7\"><span><span style=\"color: purple\">Arcadia</span></span></h1>\n</div>\n<h4 id=\"toc8\"><span>To: The <span style=\"color: purple\">Arcadia</span> Cosmos Development Team</span></h4>\n<h4 id=\"toc9\"><span>From: Daniel Dunn<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup>, President and CEO of <span style=\"color: purple\">Arcadia</span> Inc.</span></h4>\n<h4 id=\"toc10\"><span>Subject: Congratulations!</span></h4>\n<h4 id=\"toc11\"><span>Date: 4/28/82</span></h4>\n<p>Congratulations to the Cosmos Development Team for starting work on <span style=\"color: purple\">Arcadia's</span> next product! This is just the start of a long journey towards <span style=\"color: purple\">Arcadia's</span> next hit in the amazing video entertainment industry. I have full confidence that you all will deliver a quality product the likes of which have never been seen before! We all know you will be doing great things for our family, and cannot wait for what the future brings.</p>\n<p>Sincerely, Daniel Dunn.</p>\n</div>\n<blockquote>\n<p><strong><span style=\"color: purple\">Arcadia</span> Cosmos Dev. Report</strong>.<br/>\n12/11/82<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n1. History of Development of the Product.<br/>\nDevelopment of the product began in April, 1982, following the assignment of Mr. Allan Alcorn to a small team previously engaged in the development of coin-op machines. Work proceeded smoothly throughout the following months - please see the attached memorandums for further information on development during this period. A finalized design was agreed upon in August of the same year, although protests from Mr. Alcorn significantly hindered progress on this decision. Development of the hardware for the system began in November of this year, and is currently underway.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n2. Finalized Decisions on Hardware.<br/>\nFollowing an internal discussion by the Cosmos Development Team, a final decision on the hardware of the system was made. It was determined that the initial design of the Cosmos that Mr. Alcorn had brought to our attention, could be significantly improved if major changes were made. Mr. Theodore Wilkins<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup>, who previously was working on the <span style=\"color: purple\">Arcadian</span> Projector<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> (See Section 3.) recommended that Mr. Alcorn contact the appropriate office to request the use of the Projector in the Cosmos. A request was filed with the appropriate office, and has since been granted. It was determined that, instead of creating the illusion of a three dimensional image through the use of holographic technology, the <span style=\"color: purple\">Arcadian</span> Projector is able to be used to project multiple three dimensional images into a three dimensional space, such as a small room. The Development Team has since set out to discover how to best utilize the device in a way that allows for interactive entertainment in a small living room.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n3. <span style=\"color: purple\">Arcadian</span> Projector.<br/>\nThe <span style=\"color: purple\">Arcadian</span> Projector is a miniaturized projector which can project two dimensional images into a three dimensional space as three dimensional objects. Through the use of the B.M.C.C.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup> (See: \"The B.M.C.C And You: an <span style=\"color: purple\">Arcadian</span> Guide to Connections with Hell\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> for more information), the Projector is able to utilize Kay Particles<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup> to product this effect. Reports of interference by entities not approved by <span style=\"color: purple\">Arcadia</span> are currently being investigated, and the relevant reports can be requested from the appropriate department.</p>\n</blockquote>\n<blockquote>\n<p><strong>Recorded Transcript</strong>: 87-02/23/83-ALC<br/>\n<strong>Foreword</strong>: The following is a transcript of a telephone call between two <span style=\"color: purple\">Arcadia</span> employees, JOHNATHAN EDWARDS<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup> and JAMES WALTON<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup>.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>Begin Log</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Hello? Who is this?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>WALTON</strong>: Ed, it's me, Jim, listen I-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: What? Hold on\u2026. it's two in the morning, what the hell are you doing?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>WALTON</strong>: I need your help Ed, I got this - I got this issue here.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Uh, yeah?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>WALTON</strong>: So, I'm having some issues with the Cosmos, I'm tryna do stuff for the uh, the, the Centipede game.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Right.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>WALTON</strong>: All of a sudden, I see a damn centipede fly out of the machine I'm tryna work with!<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Okay? What do you want me to do about it? Go call Alcorn at two in the morning on a Saturday? Go to bed Jim.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>WALTON</strong>: Listen, listen, you got to listen to me here Ed. I'm tryna do a simple thing, just tryna get the console to project the right images and the right location. Either you help me or I have to be the one to tell Alcorn we're gonna need another week extension.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Fine, I'll be over in a bit.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>End Log</em></p>\n</blockquote>\n<blockquote>\n<p>Dan,<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nWe're having trouble with development of the Cosmos. Tons of bugs have popped up, and with all this new hardware and weird tech you have us working with, I have no idea how to properly address these issues. We're a small team, and you only gave me a few people to work with here. We desperately need more resources and people - Wilkins quit last week<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup> and he knew more about this paranormal stuff then any of us do. I mean, you have us working with hardware and technology most people here have never even heard of, much less worked with. If you really want us to finish this, you're gonna have to give us more resources here.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n- Alcorn</p>\n</blockquote>\n<div style=\"background: url(http://scp-wiki.wdfiles.com/local--files/scp-5203/ARCLogo) center no-repeat ; color: black; float: center; border: solid 1px #000000; padding: 5px 15px 15px 15px; box-shadow: 0 1px 3px rgba(0,0,0,.2); width: 84%; margin: 2% 4% 4% 4%\">\n<h1 id=\"toc12\"><span><span style=\"color: black\">Notice To All Retailers</span></span></h1>\n<div style=\"text-align: right;\">\n<h1 id=\"toc13\"><span><span style=\"color: purple\">Arcadia</span></span></h1>\n</div>\n<h4 id=\"toc14\"><span>To: Store Management</span></h4>\n<h4 id=\"toc15\"><span>From: <span style=\"color: purple\">Arcadia</span></span></h4>\n<h4 id=\"toc16\"><span>Subject: Cosmos Deliveries</span></h4>\n<h4 id=\"toc17\"><span>Date: 12/19/83</span></h4>\n<p>Due to unforeseen circumstances, deliveries of the <span style=\"color: purple\">Arcadia</span> Cosmos system have been indefinitely postponed. We sincerely apologize for the delay, and wish to extend our gratitude for the patience displayed by our wonderful retail partners.</p>\n<p>In the meantime, deliveries of other products shall continue on schedule, with minimal to no delay. Any questions regarding <span style=\"color: purple\">Arcadia</span> products, deliveries, or concerns should be delivered to the appropriate office. For further information please contact us by phone or mail.</p>\n<p>Thank You,<br/>\n<span style=\"color: purple\">Arcadia</span></p>\n</div>\n<blockquote>\n<p><strong>Recorded Transcript</strong>: 53-5/6/84-ALC<br/>\n<strong>Foreword</strong>: The following is a transcript of a recorded conversation between ALLAN ALCORN and JOHNATHAN EDWARDS.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>Begin Log</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>The sound of people walking and typing can be heard.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Hey, Al! I think you should look at this!<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>ALCORN is heard sighing, then standing up and moving slowly across the room.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: What is it, Ed? Another bug? Another call from your damn demon fr-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Don't speak to me like that Al. I've got it hard enough without having to listen to your shit.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: My shit? My shit?! You think I wanted this? You think I wanted to build something like this? Do you honestly think that I wanted any part in this?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: I haven't slept in <em>months</em> Allan, you aren't the only one suffering here. I've poured my time, blood, sweat, and tears into this project. I'd like to get it done. Please.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>There is a 15 second pause.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: The B.M.C.C isn't working right. The Cosmos is using up more power than it should. It's acting like it needs to power something huge, but we don't need that much power. It's overloading the system Allan, I cannot finish the games by the end of the year if we do not get this fixed.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I have no idea how to fix it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Well, we need to figure it out if you want this to release. I've done just about everything I can to get this working, this isn't some issue we've had for a while, this is a new issue. Either the B.M.C.C's are faulty entirely, or someone has tampered with the console.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Are you serious?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Allan, I ca-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: You're telling me that this is a new issue? That this has not popped up before? That the centipedes falling out of the machine, the damn rocks flying out of the projector like a bullet are all unrelated? You're telling me we have no goddamn clue why this is happening?!<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>EDWARDS</strong>: Allan, please ca-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Don't tell me to calm down. I'm going to see Dunn.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>The sound of a door slamming can be heard.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>End Log</em></p>\n</blockquote>\n<blockquote>\n<p><strong>Video Transcript</strong>: 54-5/6/84-ALC<br/>\n<strong>Foreword</strong>: The following is a transcript of a filmed conversation between DANIEL DUNN and ALLAN ALCORN.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>Begin Log</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Dunn.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Alcorn. How are you? Would you like some coffee?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I'm fine. Dunn, we need to talk.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: About what?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: The Cosmos. It's not working. We can't get anything done. We cannot get it done by Christmas with the amount of materials you have given us.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Al, you sai-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I know what I said. I was wrong. We cannot get it done. Dan, I can't do this anymore. I've been unable to sleep, I feel like something is watching me all the time, the damn machine breaks almost every day at this point. All this\u2026 this\u2026 demonic shit you got us working with is hurting us Dan.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Everything should be working, the B.M.C.C has been thoroughly tested and is used in numerous other products.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: It isn't working. Whatever the hell you have us working with is producing more energy then is necessary, it is overloading the system and God knows what else it's doing. Here, let me show you something.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>A thudding sound can be heard as ALCORN drops the <span style=\"color: purple\">ARCADIA</span> COSMOS on the table.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: This is the Cosmos. This is the one you have us building right now. This is what consumers will see come years end.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>ALCORN stands up, and turns the rooms lights off, before turning the system on. Overhead, the <span style=\"color: purple\">ARCADIA</span> logo is projected, situated just above ALCORN and DUNN. After a few seconds, it flickers, and completely fades away.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: What is your point Allan, what are you try-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>DUNN is cut off, as the <span style=\"color: purple\">ARCADIA</span> logo appears again, glowing, instead of the previous blue, a blood red color</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: This is what you have me working with Dunn. I didn't want this. I wanted to make Cosmos better, I wanted to <em>finish</em> Cosmos. <em>You</em> brought all of this Satanic bullshit into it, people died because of this Dunn. We could have had Cosmos released 2 years ago, but you pushed for something bigger, something grander.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Every decision I make is for the good of <span style=\"color: purple\">Arcadia</span> as a company, and as a family.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Really? Is the <em>cocaine</em> for the good of the company Dan? Is the constant drug parties, satanic rituals, demonic sacrifices, all of that is for the good of us? That's bullshit Dan. I spent over a decade at Atari, I know how this works. I know how this game is played. I can't do this anymore.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>There is a 30 second pause.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: What do you want?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I want creative freedom over my own projects. I want to be able to make the Cosmos how it was intended, without the demons, without the cocaine, without the bugs and the damn projector. I want to be able to have fun with my work again Dunn. I want permission to scrap the Cosmos as it is and return to the old design, and finish it up.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Allan\u2026 you know I can't do that. You've been working for so long, and you've gotten so far! Do you really want to end it here?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I can't get it done by the end of the year. If I keep working on this more people are going to get hurt and we will continue to push back the date.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Allan, you're a part of this family. I care about you, as I do with everyone in this company. <span style=\"color: purple\">Arcadia</span> is a family, and like all families we have our disagreements, we have our bad times, we all have issues. But as the head of this family, and as a friend, I'm afraid it is my responsibility to ask that you continue on with your work. I will try my best to give you more hel-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>ALCORN slams his hand on the desk.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I don't want help! I want to finish <em>my</em> project, I want to finish <em>my</em> job! I've had enough of this company, of this family, I'm sick and tired of the constant ignorance of the problems people here have! I've done everything I can, if you aren't going to listen to me then I can't be here anymore.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: You wish to quit?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Yes. I want to resign.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Al. I'm your friend. I'm here for <em>you</em>.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: I'm quitting. That is final. You will not listen and I cannot continue to work in this environment.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>There is a 30 second pause.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Alright. I'm sorry to hear this Al. I wish you the best of luck in your future endeavors. Do you have any other requests?<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Please cancel the Cosmos. Don't release that to the public. It isn't safe.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>: Al, you've worked so ha-<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Please.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>DUNN</strong>:\u2026 Alright. The Cosmos will be shelved. Your final paycheck will be delivered to you via mail.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<strong>ALCORN</strong>: Don't bother. Give it to Ed, tell him I'm sorry.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>ALCORN stands up, and begins to leave. The door opens, and ALCORN exits the room. The <span style=\"color: purple\">ARCADIA</span> logo begins to fade away. DUNN is seen with his head in his hands.</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<em>End Log.</em></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p>My Dear Friend Allan,</p>\n<p>It is always unfortunate when a member of our family is unable to achieve his dreams. When a truly visionary idea is unable to pass the rigors of development. It is quite sad, truly, to hear that a beloved member of the <span style=\"color: purple\">Arcadian</span> family must go his own way.<br/>\nLife, however, continues and I write to you today with a request, from a friend.</p>\n<p>I have something to show you Allan.<br/>\nYou know where to find me.</p>\n<p>Your Friend, <em>Nolan Bushnell.</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup></p>\n</blockquote>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. You've probably met or heard of this guy, he made Pong back in the day, he was one of the big shots at Atari when it was starting. He worked on the Cosmos at Atari for a bit before he left - some issues with Warner if I recall. I didn't actually know we kept in contact with him. Worth checking him out if you have time.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Unsure if we still go by 'Inc.' or if we use a different name. I'll ask Jenna sometime later, she probably knows.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Karl Franklin, engineer at <span style=\"color: purple\">Arcadia</span> from 1978 to 1991, one of the few folks from the engineering division who managed to stay on so long, probably met him at some point but I don't recall.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Ray Kassar, CEO of Atari Inc. when it was owned by Warner. That would be 1978 to 1984.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Dunn left in '86 if I recall. Met the guy a few times I think around '93 or '94, but I don't remember. He always wore that damn orange tie of his.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Wilkins left <span style=\"color: purple\">Arcadia</span> in '89, left a note on his desk and just stopped showing up to work. I met him a few times when I got here in '88.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. I've never heard of any 'Projector', if I had to guess I'd assume it was another one of the crazy ideas cooked up by the R&amp;D teams.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. The 'Bushnell Motion Circuit Connector', some kinda conduit to the underworld.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. An apt name, I remember being given this book in '93 as a birthday gift. It's pretty funny, definitely feels like something Nolan would've been involved in.</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. 'Kay Particles', or as I like to call it, 'Hellnergy' is just fancy talk for energy extracted from Hell. Cool in concept, boring in reality.</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. John was the one who introduced me to <span style=\"color: purple\">Arcadia</span> back around '87 or so, he knew I needed a job and hooked me up with the right folks. Nice man, unfortunately he passed away last year.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. James is a funny fella, he still works here, but he's talked about retiring as of late. If you want to speak with him just email me later and I'll hook you up.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. Wilkins did mention to me he left in '84 due to personal issues. He came back in '85 with the whole rebranding thing.</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Bushnell shouldn't have been involved <em>at all</em> with <span style=\"color: purple\">Arcadia</span> at this point. This was '84, so it's possible he's just sayin' shit to get Alcorn to meet with him.</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-cosmic-cycle\">A Cosmic Cycle</a>\" by MisatoKS, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-cosmic-cycle\">https://scpwiki.com/a-cosmic-cycle</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> UNLOCK THE COSMOS.png<br/>\n<strong>Author:</strong> Rishi Baiju<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-wiki.wikidot.com/a-cosmic-cycle\">SCP Wiki</a><br/>\n<strong>Additional Notes:</strong> Created using Adobe Illustrator and Photoshop, the fonts utilized are jessiah extra light, aller display, and amboy black.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> ARCLogo<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/jackalrelated\" onclick=\"WIKIDOT.page.listeners.userInfo(3207203); return false;\"><img alt=\"JackalRelated\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3207203&amp;amp;size=small&amp;amp;timestamp=1788005874\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3207203)\"/></a><a href=\"http://www.wikidot.com/user:info/jackalrelated\" onclick=\"WIKIDOT.page.listeners.userInfo(3207203); return false;\">JackalRelated</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-wiki.wikidot.com/scp-5203\">SCP Wiki</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"background: url(http://scp-wiki.wdfiles.com/local--files/scp-5203/ARCLogo) center no-repeat ; color: black; float: center; border: solid 1px #000000; padding: 5px 15px 15px 15px; box-shadow: 0 1px 3px rgba(0,0,0,.2); width: 84%; margin: 2% 4% 4% 4%\"]]\n\n\n\n+ Internal Office Memorandum\n\n[[>]]\n\n+ ##purple|Arcadia##\n\n[[/>]]\n\n++++ To: Clark Wilson\n\n++++ From: Sebastian Brown, Chief Archivist\n\n++++ Subject: Project Cosmos\n\n++++ Date: 10/3/03\n\nClark, \n\nI've attached the files and excerpts you've requested below. It isn't a lot but given the amount of time I had, I'd say it's enough to get a good glimpse at the Cosmos for whatever it is you're doing. I've attached some notes of mine to the electronic version of the documents, but some of them are missing from this set. If you have any problems, you know how to contact me.\n\n\n\nP.S: You like the way the old memos look? I managed to get ahold of one and I'm tryna convince people they're still usable. I also put some footnotes incase you need a little background info. Call me later and we can talk about it some. \n\n[[/div]] \n\n----\n\n[[div class=\"scp-image-block block-center\" style=\"width:50%;\"]]\n\n[[image UNLOCK%20THE%20COSMOS.png style=\"width:100%;\" link=#]]\n\n[[div class=\"scp-image-caption\" style=\"width:100%;\"]]\n\nThis is an advertisement for the Cosmos I found in the marketing section. - Seb.\n\n[[/div]]\n\n[[/div]]\n\n\n\n> **To**: Mr. Allan Alcorn[[footnote]] You've probably met or heard of this guy, he made Pong back in the day, he was one of the big shots at Atari when it was starting. He worked on the Cosmos at Atari for a bit before he left - some issues with Warner if I recall. I didn't actually know we kept in contact with him. Worth checking him out if you have time.[[/footnote]]\n\n> **From**: ##purple|Arcadia##, Inc.[[footnote]] Unsure if we still go by 'Inc.' or if we use a different name. I'll ask Jenna sometime later, she probably knows.[[/footnote]]\n\n> **Date**: 01/02/82 \n\n> Dear Mr. Alcorn. \n\n> We at ##purple|Arcadia## are saddened to hear about the recent termination of your employment at Atari Inc. and wish to express our sincere condolences for this unfortunate event. It is always hard to see someone we admire and respect greatly to be mistreated. We are proud of our commitment to making our business a family endeavor - all of ##purple|Arcadia## works in tandem, like a family, to deliver quality entertainment and innovative technology to the masses. ##purple|Arcadia## is dedicated to our employees, we offer numerous benefits to our hard workers, and guarantee employee satisfaction. Following a review of your employment history, medical records, legal documents, affiliation with competitors, family relations, and financial history, we have decided to contact you with the hopes of requesting that you meet with us on January 9th, 1982 - this coming Saturday - to discuss the potential for your employment as a member of ##purple|Arcadia's## ever-growing family. Please contact us via phone to confirm your attendance. \n\n> We hope to see you there! \n\n> ##purple|Arcadia.## \n\n\n\n> **Recorded Transcript**: 1-1/13/82-ALC\n\n> **Foreword**: Transcript of a conversation between ALLAN ALCORN and KARL FRANKLIN[[footnote]] Karl Franklin, engineer at ##purple|Arcadia## from 1978 to 1991, one of the few folks from the engineering division who managed to stay on so long, probably met him at some point but I don't recall.[[/footnote]] concerning PROJECT COSMOS. A few days prior, Mr. Alcorn had been hired to work at ##purple|Arcadia##. The following has been taken from a company tape recorder provided for archival purposes.\n\n> @@ @@\n\n> //Begin Log//\n\n> @@ @@\n\n> **FRANKLIN**: So yeah, if you don't mind, I've just set up this tape recorder. Some people have been interested in uh, \"preserving ##purple|Arcadia's## history\" so to speak. \n\n> @@ @@\n\n> **ALCORN**: Yeah, yeah that's fine, I don't mind.\n\n> @@ @@\n\n> **FRANKLIN**: Alright then! Well, first order of business, welcome to ##purple|Arcadia##, I'm Karl. I work in engineering, I've been told that is what you are most familiar with yes? \n\n> @@ @@\n\n> **ALCORN**: Yes, I did engineering for Atari from seventy-two until last year. \n\n> @@ @@\n\n> **FRANKLIN**: Yes, yes, yes, Atari. Now, I've been told that during your time there you were working on.... something big, yes? Something to do with illusions?\n\n> @@ @@\n\n> **ALCORN**: Holographs. We had a console ready to go, Cosmos, but Kassar[[footnote]] Ray Kassar, CEO of Atari Inc. when it was owned by Warner. That would be 1978 to 1984.[[/footnote]] got cold feet at the last second. It's a pretty impressive system, it's a shame he shelved it. \n\n> @@ @@\n\n> **FRANKLIN**: Alright, well, I am happy to say that a few of us here took quite a bit of interest in your work, and because of that marketing has agreed to allow us to work on an improved version of the concept! Isn't that exciting?\n\n> @@ @@\n\n> **ALCORN**: Really? Wow, I mean... gee, that's great! When do we, uh, when do we start?\n\n> @@ @@\n\n> **FRANKLIN**: Of course we have to deal with some of the... legalities first, but at this rate I'd probably say.... April? There's other stuff for you to do until then of course, so don't worry. \n\n> @@ @@\n\n> //Irrelevant Text Removed//\n\n> @@ @@\n\n> **ALCORN**: Alright, well it's been a pleasure meeting you Karl. I can't wait to start working with you and the rest of the team. \n\n> @@ @@\n\n> **FRANKLIN**: The pleasures all mine, Al. Have a good night, I'll see you tomorrow. \n\n> @@ @@\n\n> //Log End//\n\n\n\n\n\n[[div style=\"background: url(http://scp-wiki.wdfiles.com/local--files/scp-5203/ARCLogo) center no-repeat ; color: black; float: center; border: solid 1px #000000; padding: 5px 15px 15px 15px; box-shadow: 0 1px 3px rgba(0,0,0,.2); width: 84%; margin: 2% 4% 4% 4%\"]]\n\n\n\n+ Internal Office Memorandum\n\n[[>]]\n\n+ ##purple|Arcadia##\n\n[[/>]]\n\n++++ To: The ##purple|Arcadia## Cosmos Development Team\n\n++++ From: Daniel Dunn[[footnote]] Dunn left in '86 if I recall. Met the guy a few times I think around '93 or '94, but I don't remember. He always wore that damn orange tie of his.[[/footnote]], President and CEO of ##purple|Arcadia## Inc.\n\n++++ Subject: Congratulations! \n\n++++ Date: 4/28/82\n\n\n\nCongratulations to the Cosmos Development Team for starting work on ##purple|Arcadia's## next product! This is just the start of a long journey towards ##purple|Arcadia's## next hit in the amazing video entertainment industry. I have full confidence that you all will deliver a quality product the likes of which have never been seen before! We all know you will be doing great things for our family, and cannot wait for what the future brings. \n\n\n\nSincerely, Daniel Dunn. \n\n[[/div]] \n\n\n\n> **##purple|Arcadia## Cosmos Dev. Report**. \n\n> 12/11/82\n\n> @@ @@\n\n> 1. History of Development of the Product. \n\n> Development of the product began in April, 1982, following the assignment of Mr. Allan Alcorn to a small team previously engaged in the development of coin-op machines. Work proceeded smoothly throughout the following months - please see the attached memorandums for further information on development during this period. A finalized design was agreed upon in August of the same year, although protests from Mr. Alcorn significantly hindered progress on this decision. Development of the hardware for the system began in November of this year, and is currently underway. \n\n> @@ @@\n\n> 2. Finalized Decisions on Hardware.\n\n> Following an internal discussion by the Cosmos Development Team, a final decision on the hardware of the system was made. It was determined that the initial design of the Cosmos that Mr. Alcorn had brought to our attention, could be significantly improved if major changes were made. Mr. Theodore Wilkins[[footnote]] Wilkins left ##purple|Arcadia## in '89, left a note on his desk and just stopped showing up to work. I met him a few times when I got here in '88.[[/footnote]], who previously was working on the ##purple|Arcadian## Projector[[footnote]] I've never heard of any 'Projector', if I had to guess I'd assume it was another one of the crazy ideas cooked up by the R&D teams.[[/footnote]] (See Section 3.) recommended that Mr. Alcorn contact the appropriate office to request the use of the Projector in the Cosmos. A request was filed with the appropriate office, and has since been granted. It was determined that, instead of creating the illusion of a three dimensional image through the use of holographic technology, the ##purple|Arcadian## Projector is able to be used to project multiple three dimensional images into a three dimensional space, such as a small room. The Development Team has since set out to discover how to best utilize the device in a way that allows for interactive entertainment in a small living room.\n\n> @@ @@ \n\n> 3. ##purple|Arcadian## Projector.\n\n> The ##purple|Arcadian## Projector is a miniaturized projector which can project two dimensional images into a three dimensional space as three dimensional objects. Through the use of the B.M.C.C.[[footnote]] The 'Bushnell Motion Circuit Connector', some kinda conduit to the underworld.[[/footnote]] (See: \"The B.M.C.C And You: an ##purple|Arcadian## Guide to Connections with Hell\"[[footnote]] An apt name, I remember being given this book in '93 as a birthday gift. It's pretty funny, definitely feels like something Nolan would've been involved in.[[/footnote]] for more information), the Projector is able to utilize Kay Particles[[footnote]] 'Kay Particles', or as I like to call it, 'Hellnergy' is just fancy talk for energy extracted from Hell. Cool in concept, boring in reality.[[/footnote]] to product this effect. Reports of interference by entities not approved by ##purple|Arcadia## are currently being investigated, and the relevant reports can be requested from the appropriate department. \n\n\n\n> **Recorded Transcript**: 87-02/23/83-ALC\n\n> **Foreword**: The following is a transcript of a telephone call between two ##purple|Arcadia## employees, JOHNATHAN EDWARDS[[footnote]] John was the one who introduced me to ##purple|Arcadia## back around '87 or so, he knew I needed a job and hooked me up with the right folks. Nice man, unfortunately he passed away last year.[[/footnote]] and JAMES WALTON[[footnote]] James is a funny fella, he still works here, but he's talked about retiring as of late. If you want to speak with him just email me later and I'll hook you up.[[/footnote]].\n\n> @@ @@\n\n> //Begin Log// \n\n> @@ @@\n\n> **EDWARDS**: Hello? Who is this?\n\n> @@ @@\n\n> **WALTON**: Ed, it's me, Jim, listen I-\n\n> @@ @@\n\n> **EDWARDS**: What? Hold on.... it's two in the morning, what the hell are you doing?\n\n> @@ @@\n\n> **WALTON**: I need your help Ed, I got this - I got this issue here. \n\n> @@ @@\n\n> **EDWARDS**: Uh, yeah?\n\n> @@ @@\n\n> **WALTON**: So, I'm having some issues with the Cosmos, I'm tryna do stuff for the uh, the, the Centipede game. \n\n> @@ @@\n\n> **EDWARDS**: Right. \n\n> @@ @@\n\n> **WALTON**: All of a sudden, I see a damn centipede fly out of the machine I'm tryna work with!\n\n> @@ @@\n\n> **EDWARDS**: Okay? What do you want me to do about it? Go call Alcorn at two in the morning on a Saturday? Go to bed Jim.\n\n> @@ @@\n\n> **WALTON**: Listen, listen, you got to listen to me here Ed. I'm tryna do a simple thing, just tryna get the console to project the right images and the right location. Either you help me or I have to be the one to tell Alcorn we're gonna need another week extension.\n\n> @@ @@\n\n> **EDWARDS**: Fine, I'll be over in a bit. \n\n> @@ @@\n\n> //End Log//\n\n\n\n> Dan,\n\n> @@ @@ \n\n> We're having trouble with development of the Cosmos. Tons of bugs have popped up, and with all this new hardware and weird tech you have us working with, I have no idea how to properly address these issues. We're a small team, and you only gave me a few people to work with here. We desperately need more resources and people - Wilkins quit last week[[footnote]] Wilkins did mention to me he left in '84 due to personal issues. He came back in '85 with the whole rebranding thing.[[/footnote]] and he knew more about this paranormal stuff then any of us do. I mean, you have us working with hardware and technology most people here have never even heard of, much less worked with. If you really want us to finish this, you're gonna have to give us more resources here. \n\n> @@ @@\n\n> - Alcorn \n\n\n\n[[div style=\"background: url(http://scp-wiki.wdfiles.com/local--files/scp-5203/ARCLogo) center no-repeat ; color: black; float: center; border: solid 1px #000000; padding: 5px 15px 15px 15px; box-shadow: 0 1px 3px rgba(0,0,0,.2); width: 84%; margin: 2% 4% 4% 4%\"]]\n\n\n\n+ ##black|Notice To All Retailers##\n\n[[>]]\n\n+ ##purple|Arcadia## \n\n[[/>]]\n\n++++ To: Store Management\n\n++++ From: ##purple|Arcadia##\n\n++++ Subject: Cosmos Deliveries \n\n++++ Date: 12/19/83\n\n\n\nDue to unforeseen circumstances, deliveries of the ##purple|Arcadia## Cosmos system have been indefinitely postponed. We sincerely apologize for the delay, and wish to extend our gratitude for the patience displayed by our wonderful retail partners. \n\n\n\nIn the meantime, deliveries of other products shall continue on schedule, with minimal to no delay. Any questions regarding ##purple|Arcadia## products, deliveries, or concerns should be delivered to the appropriate office. For further information please contact us by phone or mail. \n\n\n\nThank You,\n\n##purple|Arcadia##\n\n[[/div]]\u00a0\u00a0\n\n\n\n> **Recorded Transcript**: 53-5/6/84-ALC\n\n> **Foreword**: The following is a transcript of a recorded conversation between ALLAN ALCORN and JOHNATHAN EDWARDS.\n\n> @@ @@\n\n> //Begin Log// \n\n> @@ @@\n\n> //The sound of people walking and typing can be heard.//\n\n> @@ @@\n\n> **EDWARDS**: Hey, Al! I think you should look at this!\n\n> @@ @@\n\n> //ALCORN is heard sighing, then standing up and moving slowly across the room.//\n\n> @@ @@\n\n> **ALCORN**: What is it, Ed? Another bug? Another call from your damn demon fr-\n\n> @@ @@\n\n> **EDWARDS**: Don't speak to me like that Al. I've got it hard enough without having to listen to your shit. \n\n> @@ @@\n\n> **ALCORN**: My shit? My shit?! You think I wanted this? You think I wanted to build something like this? Do you honestly think that I wanted any part in this? \n\n> @@ @@\n\n> **EDWARDS**: I haven't slept in //months// Allan, you aren't the only one suffering here. I've poured my time, blood, sweat, and tears into this project. I'd like to get it done. Please. \n\n> @@ @@\n\n> //There is a 15 second pause.//\n\n> @@ @@\n\n> **EDWARDS**: The B.M.C.C isn't working right. The Cosmos is using up more power than it should. It's acting like it needs to power something huge, but we don't need that much power. It's overloading the system Allan, I cannot finish the games by the end of the year if we do not get this fixed. \n\n> @@ @@\n\n> **ALCORN**: I have no idea how to fix it. \n\n> @@ @@\n\n> **EDWARDS**: Well, we need to figure it out if you want this to release. I've done just about everything I can to get this working, this isn't some issue we've had for a while, this is a new issue. Either the B.M.C.C's are faulty entirely, or someone has tampered with the console. \n\n> @@ @@\n\n> **ALCORN**: Are you serious? \n\n> @@ @@\n\n> **EDWARDS**: Allan, I ca-\n\n> @@ @@\n\n> **ALCORN**: You're telling me that this is a new issue? That this has not popped up before? That the centipedes falling out of the machine, the damn rocks flying out of the projector like a bullet are all unrelated? You're telling me we have no goddamn clue why this is happening?!\n\n> @@ @@\n\n> **EDWARDS**: Allan, please ca-\n\n> @@ @@\n\n> **ALCORN**: Don't tell me to calm down. I'm going to see Dunn. \n\n> @@ @@\n\n> //The sound of a door slamming can be heard.//\n\n> @@ @@\n\n> //End Log//\n\n\n\n> **Video Transcript**: 54-5/6/84-ALC\n\n> **Foreword**: The following is a transcript of a filmed conversation between DANIEL DUNN and ALLAN ALCORN.\n\n> @@ @@\n\n> //Begin Log//\n\n> @@ @@\n\n> **ALCORN**: Dunn. \n\n> @@ @@\n\n> **DUNN**: Alcorn. How are you? Would you like some coffee? \n\n> @@ @@\n\n> **ALCORN**: I'm fine. Dunn, we need to talk. \n\n> @@ @@\n\n> **DUNN**: About what? \n\n> @@ @@\n\n> **ALCORN**: The Cosmos. It's not working. We can't get anything done. We cannot get it done by Christmas with the amount of materials you have given us. \n\n> @@ @@\n\n> **DUNN**: Al, you sai-\n\n> @@ @@\n\n> **ALCORN**: I know what I said. I was wrong. We cannot get it done. Dan, I can't do this anymore. I've been unable to sleep, I feel like something is watching me all the time, the damn machine breaks almost every day at this point. All this... this... demonic shit you got us working with is hurting us Dan. \n\n> @@ @@\n\n> **DUNN**: Everything should be working, the B.M.C.C has been thoroughly tested and is used in numerous other products. \n\n> @@ @@\n\n> **ALCORN**: It isn't working. Whatever the hell you have us working with is producing more energy then is necessary, it is overloading the system and God knows what else it's doing. Here, let me show you something. \n\n> @@ @@\n\n> //A thudding sound can be heard as ALCORN drops the ##purple|ARCADIA## COSMOS on the table.//\n\n> @@ @@\n\n> **ALCORN**: This is the Cosmos. This is the one you have us building right now. This is what consumers will see come years end.\n\n> @@ @@\n\n> //ALCORN stands up, and turns the rooms lights off, before turning the system on. Overhead, the ##purple|ARCADIA## logo is projected, situated just above ALCORN and DUNN. After a few seconds, it flickers, and completely fades away.//\n\n> @@ @@\n\n> **DUNN**: What is your point Allan, what are you try-\n\n> @@ @@\n\n> //DUNN is cut off, as the ##purple|ARCADIA## logo appears again, glowing, instead of the previous blue, a blood red color// \n\n> @@ @@\n\n> **ALCORN**: This is what you have me working with Dunn. I didn't want this. I wanted to make Cosmos better, I wanted to //finish// Cosmos. //You// brought all of this Satanic bullshit into it, people died because of this Dunn. We could have had Cosmos released 2 years ago, but you pushed for something bigger, something grander. \n\n> @@ @@\n\n> **DUNN**: Every decision I make is for the good of ##purple|Arcadia## as a company, and as a family. \n\n> @@ @@\n\n> **ALCORN**: Really? Is the //cocaine// for the good of the company Dan? Is the constant drug parties, satanic rituals, demonic sacrifices, all of that is for the good of us? That's bullshit Dan. I spent over a decade at Atari, I know how this works. I know how this game is played. I can't do this anymore. \n\n> @@ @@\n\n> //There is a 30 second pause.//\n\n> @@ @@\n\n> **DUNN**: What do you want?\n\n> @@ @@\n\n> **ALCORN**: I want creative freedom over my own projects. I want to be able to make the Cosmos how it was intended, without the demons, without the cocaine, without the bugs and the damn projector. I want to be able to have fun with my work again Dunn. I want permission to scrap the Cosmos as it is and return to the old design, and finish it up. \n\n> @@ @@\n\n> **DUNN**: Allan... you know I can't do that. You've been working for so long, and you've gotten so far! Do you really want to end it here?\n\n> @@ @@\n\n> **ALCORN**: I can't get it done by the end of the year. If I keep working on this more people are going to get hurt and we will continue to push back the date. \n\n> @@ @@\n\n> **DUNN**: Allan, you're a part of this family. I care about you, as I do with everyone in this company. ##purple|Arcadia## is a family, and like all families we have our disagreements, we have our bad times, we all have issues. But as the head of this family, and as a friend, I'm afraid it is my responsibility to ask that you continue on with your work. I will try my best to give you more hel-\n\n> @@ @@\n\n> //ALCORN slams his hand on the desk.//\n\n> @@ @@\n\n> **ALCORN**: I don't want help! I want to finish //my// project, I want to finish //my// job! I've had enough of this company, of this family, I'm sick and tired of the constant ignorance of the problems people here have! I've done everything I can, if you aren't going to listen to me then I can't be here anymore.\n\n> @@ @@\n\n> **DUNN**: You wish to quit?\n\n> @@ @@\n\n> **ALCORN**: Yes. I want to resign. \n\n> @@ @@\n\n> **DUNN**: Al. I'm your friend. I'm here for //you//.\n\n> @@ @@\n\n> **ALCORN**: I'm quitting. That is final. You will not listen and I cannot continue to work in this environment.\n\n> @@ @@\n\n> //There is a 30 second pause.//\n\n> @@ @@\n\n> **DUNN**: Alright. I'm sorry to hear this Al. I wish you the best of luck in your future endeavors. Do you have any other requests?\n\n> @@ @@\n\n> **ALCORN**: Please cancel the Cosmos. Don't release that to the public. It isn't safe. \n\n> @@ @@\n\n> **DUNN**: Al, you've worked so ha-\n\n> @@ @@\n\n> **ALCORN**: Please. \n\n> @@ @@\n\n> **DUNN**:... Alright. The Cosmos will be shelved. Your final paycheck will be delivered to you via mail. \n\n> @@ @@\n\n> **ALCORN**: Don't bother. Give it to Ed, tell him I'm sorry. \n\n> @@ @@\n\n> //ALCORN stands up, and begins to leave. The door opens, and ALCORN exits the room. The ##purple|ARCADIA## logo begins to fade away. DUNN is seen with his head in his hands.//\n\n> @@ @@\n\n> //End Log.//\n\n----\n\n\n\n> My Dear Friend Allan, \n\n> \n\n> It is always unfortunate when a member of our family is unable to achieve his dreams. When a\u00a0\u00a0truly visionary idea is unable to pass the rigors of development. It is quite sad, truly, to hear that a\u00a0\u00a0beloved member of the ##purple|Arcadian## family must go his own way.\n\n> Life, however, continues and I write to you today with a request, from a friend. \n\n>\n\n> \n\n> I have something to show you Allan.\n\n> You know where to find me. \n\n> \n\n> Your Friend, //Nolan Bushnell.//[[footnote]] Bushnell shouldn't have been involved //at all// with ##purple|Arcadia## at this point. This was '84, so it's possible he's just sayin' shit to get Alcorn to meet with him. [[/footnote]]\n\n\n\n[[footnoteblock]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> author=MisatoKS]]\n\n=====\n\n> **Filename:** UNLOCK THE COSMOS.png\n\n> **Author:** Rishi Baiju\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [[[http://scp-wiki.wikidot.com/a-cosmic-cycle|SCP Wiki]]]\n\n> **Additional Notes:** Created using Adobe Illustrator and Photoshop, the fonts utilized are jessiah extra light, aller display, and amboy black.\n\n\n\n> **Filename:** ARCLogo\n\n> **Author:** [[*user JackalRelated]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [[[http://scp-wiki.wikidot.com/scp-5203|SCP Wiki]]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_arcadia", "_cc", "_licensebox", "arcadia", "corporate", "featured", "goi-format", "illustrated"], "title": "A Cosmic Cycle - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-cosmic-cycle"}, "a-dreaming-giant-s-chair": {"created_at": "2023-10-23T09:31:00", "creator": "arthcymro", "domain": "scp-wiki.wikidot.com", "history": [{"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Sweet Dreams", "date": "2023-10-23T09:31:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Uploaded file \"Idris.jpg\".", "date": "2023-10-23T09:32:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Added tags: goi-format, serpents-hand, wanderers-library. ", "date": "2023-10-23T09:33:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _serpents-hand. ", "date": "2023-10-27T20:17:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2023-10-31T14:48:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2023-12-04T04:42:00"}, {"author": "EstrellaYoshte", "author_href": "https://www.wikidot.com/user:info/estrellayoshte", "comment": "You successfully reverted the page to revision number 4", "date": "2023-12-04T04:51:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _image, _licensebox. ", "date": "2024-02-03T12:08:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2024-02-26T20:03:00"}, {"author": "Din-Bidor", "author_href": "https://www.wikidot.com/user:info/din-bidor", "comment": "", "date": "2024-03-25T04:11:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, mythological-fiction. ", "date": "2024-10-06T09:07:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mythological. Removed tags: mythological-fiction. ", "date": "2024-10-11T19:25:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: the-serpent. ", "date": "2025-03-27T15:57:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-dreaming-giant-s-chair", "page_id": "1450888272", "rating": 10, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Adustjacket/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><a href=\"/serpent-s-hand-hub\">Serpent's Hand Hub</a> \u00bb A Dreaming Giant's Chair<br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n\n<p><span style=\"font-size:150%;\"><strong>A Dreaming Giant's Chair</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>Cadair Idris, The Mount of Madness, Ceridwen's Way</strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>Standing proud and silent in Eryri<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>, is the mountain known as Cadair Idris. Should a pilgrim or hiker sleep upon its soil alone, they will be subjected to a lucid dream, in which a Way will open with their minds. These dreams, depending on intent, can bring great inspiration, enlightenment and insight or madness and never-ending tiredness<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Illustration</strong></p>\n</div>\n\n<div style=\"text-align: center;\">\n<p><em>Photograph taken by M.Y., prior to slumber on mountain's summit, Penygader.</em></p>\n</div>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong> Those who practice the arts of magic regularly or are familiar with its touch, will feel a slight stillness when walking across the mountain's rocks. This stillness will change to feelings of calm and admiration when a flower from the mountain's soil is held. A few witnesses have even claimed they hear a man singing before laying down to sleep.</p>\n<p>The experience itself is quite simple to enact, so long as you are aware of the existence of the Library<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup>. Find a decent spot to camp<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup>, as you don't want to wake up in the middle of the act. Before settling down, make sure you're holding a Snowdon lily, wildly grown. Without one, the ritual is incomplete and the connection cannot be established. Also, note that induced sleep will not result in a connection, so make sure you're ready for bed.</p>\n<p><strong>Nature:</strong> The ritual is, on the face of it, quite easy to begin. Be warned, however, that you are connecting with the Library in a more personal way than if you were just visiting it physically. You're allowing a part of yourself, a part of your soul, to join with the Library. So you must be doing this both willingly and respectfully.</p>\n<p>Just like the Serpent themselves, the ritual will know if you've got ill intentions. Those claims of madness and tiredness are no joke. The slightest hint of greed, malice or betrayal, unconscious or not, and you'll risk having to face years of wakeful nights. And that's the best outcome in that case<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup>.</p>\n<p>The ritual's Loyalty is one of Competence. It takes honesty, a desire for wisdom and vulnerability.</p>\n<p><strong>History &amp; Associated Parties:</strong> Part of this ritual and its results is well known in Welsh folklore and tourism, resulting in the location being a common site for hikes, birdwatching and photography. Many \"Neo-Druids\" and \"Occultists\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> have indulged and exaggerated the tale, to fan their own fancies. Most tales claim that the mountain was once the home of a giant called Idris. Idris was great in mind as he was in size. A great philosopher, horticulturalist and astronomer, he would sit on the mountain, which later took his name, and contemplate the curiosities and puzzles of the world.</p>\n<p>Whilst the true origin of the ritual is lost to the lower hall of the Library, the most accurate depiction of its origin and fruition can be found in the lost pages of <em>Y Gododdin</em>. According to pages, Idris was one of the last giants and a scholar of the great witch and <a href=\"/nx-02\">Mabyn</a>, Ceridwen<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup>. Through her, he managed to achieve access to the Library through oneiric union.</p>\n<p><strong>Approach:</strong> As said, this ritual's performance is the easy part. Just make sure you're in the right state of tiredness and have the flower at ready<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup>. Be considerate of your environment too, so bring a tent. It is best to do this with a companion, one who isn't trying the ritual. If this goes wrong then you need someone to help you regain some sanity or try and perform some counter-curses. Fail to prepare then prepare to fail.</p>\n<p>The true test is of your own self. As stated before, you are pouring your very essence and self into the Library and if you aren't ready, or confident enough on what you want or need, or you have ulterior motives, then you will face damages which are likely irreversible.</p>\n<p><strong>Other Details:</strong> It should be noted that this inspiration and enlightenment is not entirely what you think it would be. You're not going to fall asleep and wake up a genius or powerful mage. Inspiration could just be one idea, or the answer to a question you've been thinking about for a long time. You could wake up knowing all the best places to eat out in Backdoor. But in all likelihood, what you'll get will be something specifically oriented to you. Just be aware that even if it looks trivial or unnecessary, it will be useful. And even if it isn't, knowledge for the sake of knowledge is what the ritual is all about.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<div class=\"fancyborder\">In the mountains of Meirionnydd, hidden away from the eyes of men and beasts, lived the lonely giant, Idris. Tall, kindly and curious, Idris was one of the last giants left in Albion, for his kind had been dying out for years, both from hunts and from waning magic. With nowhere left to go, Idris hid himself in the mountains, spending all his remaining time gathering flora and star gazing.\n<p>One day, whilst walking the hillsides, Idris found a patch of flowers. Delicate they were, and coloured in the smallest flecks of white, pink and yellow among their green leaves. They were dying, for the waters in the ground they had used to grow had since flowed away to smoother paths. Without sustenance, their heads dropped. <em>\"By the heavens,\"</em> cried the giant in shock, collecting the petalled beauties in his hands, <em>\"what an unfortunates! Do not fret, my little lilies. I shall bring you back. You shall be stronger and prettier than before, I promise.\"</em></p>\n<p>Taking the flowers, the giant walked to the peak of his home and cracked the stones with his fists. With the damp earth exposed, Idris planted the flowers into the hillside and watered them with cool waters from the lakes. <em>\"There, my little ones,\"</em> smiled the giant, <em>\"Now, you shall live once again.\"</em> And thanks to the kindness of Idris, the flowers did live once again, as did their children and descendants.</p>\n<p>That night, on the hillsides, Idris slumbered deeply. In the slumber, he dreamt.</p>\n<p><em>\"By the lords,\"</em> exclaimed Idris, <em>\"where am I?\"</em> For in the dream, he had awakened beneath a star filled sky. But these were not the stars he recognised from his mountain home. They were older and great in number, with some not even appearing to be stars at all. Just balls of blackness or clouds of dust. Idris was amazed by the sheer scale of the sky's contents. And below, at his feet, were blooms of the flowers, lining a pool of shallow, cool water. <em>\"Did you do this\",</em> asked the giant, kneeling down to speak with the blooms. Then from out of the waters, clothed in silver and painted in his ancestors' sigils, was a woman Idris knew all too well.</p>\n<p>This was Ceridwen, the auburn haired scholar, one of the nine Mabyn and patron of the Library. Idris bowed deeply and greeted her. <em>\"My lady, it is a privilege to meet you. I had hoped you'd survived the culling.\"</em> Ceridwen smiled softly and bowed back. <em>\"I ask,\"</em> said Idris, his face shining with hope, <em>\"is this the Library? The place between places? The realm all scholars seek?\"</em> Idris had long desired to visit the Library for study and sanctuary, but unjust fear and hate had resulted in his exclusion from entry at the hands of men.</p>\n<p>Ceridwen said nothing but reached down and took a flower from the pool and placed it within her mouth. Then, to Idris' surprise and slight disgust, a white snake emerged from her lips and coiled down her body. As the snake moved along the water, it grew larger and larger, before eventually towering above Idris himself. Finally, it stopped and gazed down at the giant with brilliant emerald eyes. <em>\"I have been summoned,\"</em> they exclaimed, <em>\"Which mortal calls me in their soul?\"</em> <em>\"I suppose it was me,\"</em> whimpered Idris, shaking slightly, <em>\"Are you the Nahash, the guardian of the written?\"</em> <em>\"I am,\"</em> replied Nahash, coiling around Idris and raising him up with their tail, <em>\"You must be the lonely giant Ceridwen spoke of. Tell me, what is it you want from me?\"</em></p>\n<p>Idris swallowed and bowed his head slightly. <em>\"Great <a href=\"/history-of-behemoths\">Behemoth</a>, I am hated in my world. I must live in isolation, away from the gates to the realm of the Library. I long to study in these halls but have never had the chance. I wish - I ask you to help me. I ask to be one of your Hands.\"</em> Nahash's gaze turned towards Ceridwen, who nodded slowly again, to which the Serpent replied with their own nod before returning to Idris. <em>\"Curiosity is a virtue and should not be stultified or hampered. See these flowers below. Should you wish to visit the Tree and the Library, hold a bloom in your hand as you sleep. As you drift, your being shall be allowed to roam this place. But act with care, for I do not grant this boon for simple reasons. Betray my blessing and you shall face punishment. Do we have a deal?\"</em></p>\n<p>Idris agreed and picked up a flower from the water. When he looked up, Nahash and Ceridwen had been replaced with an enormous tree. Idris was amazed. Its branches reach far into the sky, its roots spread far into the hidden depths of the waters, and touched almost everything that could be. And from its wood danced fine lights of blue and gold and black. <em>\"I shall accept this gift with my life.\"</em></p>\n<p>And then, the giant awoke.</p>\nAnd so, from that day onward, Idris was blessed with oneiric union with the Library, and would move through its halls and branches when he dreamt. Through the dreams, he went on to learn and craft, forging new methods in magic and horticulture and paving paths and gardens into the landscape. And when his time came, years after, he parted knowing his blessing would remain and be shared long after he'd been forgotten. For as long as the flowers bloomed and the desire for knowledge remained, all will be welcomed to the Library.</div>\n<br/>\n<div style=\"text-align: center;\">\n<p>~ Lost Pages of <em>Y Gododdin</em></p>\n</div>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>Whilst the ritual itself has been attempted by many parties and a good number have emerged successful and free from any real damage, there has been no known record of a successful attempt with multiple dreamers. There were rumours of an attempted joint experience, but they were merely rumours<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup>. Idris managed so, but the constitution of a giant is very different to that of a regular humanoid. Also, with knowledge comes power. It may be better to only attempt the ritual once to save yourself from addictions, power games or even moral dilemmas.</p>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Let's not lose such beautiful names to Anglicising. - <em>M.Y.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. I don't know which is worse. - <em>N.N.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Given who we are, that shouldn't be a problem. - <em>M.Y.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. I'd recommend right next to Llyn Cau. It's a beautiful spot. - <em><a href=\"/dr-dafydd-s-personnel-file\">Z.D.</a></em></div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Remember Cherry Pip? Her screams just got louder and louder. - <em>M.Y.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Basically, those who tend to look for things in all the wrong places. - <em>C.T.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. An old friend and skilled poet. Her loss was hard. - <em>Nahash.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. How it was grown doesn't matter. Just make sure it's real. - <em>Z.D.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. There has been one attempt. I beg you not to try it. Please. Don't. - <em>N.N.</em></div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-dreaming-giant-s-chair\">A Dreaming Giant's Chair</a>\" by arthcymro, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-dreaming-giant-s-chair\">https://scpwiki.com/a-dreaming-giant-s-chair</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Idris<br/>\n<strong>Name:</strong> Golygfa yn edrych i'r gogledd o'r Llwybr Pilin Pwn, Cader Idris<br/>\n<strong>Author:</strong> Jason.nlw<br/>\n<strong>License:</strong> CC BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:North_View_from_Cader_Idris_(JE01).jpg#globalusage\">https://commons.wikimedia.org/wiki/File:North_View_from_Cader_Idris_(JE01).jpg#globalusage</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:dustjacket\">:scp-wiki:theme:dustjacket</a>]]\n\n\n\n[[[Serpent's Hand Hub]]] >> A Dreaming Giant's Chair\n\n@@ @@\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[size 150%]] **A Dreaming Giant's Chair** [[/size]]\n\n\n\n[[>]]\n\n**Cadair Idris, The Mount of Madness, Ceridwen's Way**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nStanding proud and silent in Eryri[[footnote]] Let's not lose such beautiful names to Anglicising. - //M.Y.// [[/footnote]], is the mountain known as Cadair Idris. Should a pilgrim or hiker sleep upon its soil alone, they will be subjected to a lucid dream, in which a Way will open with their minds. These dreams, depending on intent, can bring great inspiration, enlightenment and insight or madness and never-ending tiredness[[footnote]] I don't know which is worse. - //N.N.// [[/footnote]].\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Illustration**\n\n[[/=]]\n\n\n\n[[=image Idris.jpg]]\n\n[[=]]\n\n//Photograph taken by M.Y., prior to slumber on mountain's summit, Penygader.//\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** Those who practice the arts of magic regularly or are familiar with its touch, will feel a slight stillness when walking across the mountain's rocks. This stillness will change to feelings of calm and admiration when a flower from the mountain's soil is held. A few witnesses have even claimed they hear a man singing before laying down to sleep.\n\n\n\nThe experience itself is quite simple to enact, so long as you are aware of the existence of the Library[[footnote]] Given who we are, that shouldn't be a problem. - //M.Y.// [[/footnote]]. Find a decent spot to camp[[footnote]] I'd recommend right next to Llyn Cau. It's a beautiful spot. - //[[[dr-dafydd-s-personnel-file|Z.D.]]]// [[/footnote]], as you don't want to wake up in the middle of the act. Before settling down, make sure you're holding a Snowdon lily, wildly grown. Without one, the ritual is incomplete and the connection cannot be established. Also, note that induced sleep will not result in a connection, so make sure you're ready for bed.\n\n\n\n**Nature:** The ritual is, on the face of it, quite easy to begin. Be warned, however, that you are connecting with the Library in a more personal way than if you were just visiting it physically. You're allowing a part of yourself, a part of your soul, to join with the Library. So you must be doing this both willingly and respectfully.\n\n\n\nJust like the Serpent themselves, the ritual will know if you've got ill intentions. Those claims of madness and tiredness are no joke. The slightest hint of greed, malice or betrayal, unconscious or not, and you'll risk having to face years of wakeful nights. And that's the best outcome in that case[[footnote]] Remember Cherry Pip? Her screams just got louder and louder. - //M.Y.// [[/footnote]].\n\n\n\nThe ritual's Loyalty is one of Competence. It takes honesty, a desire for wisdom and vulnerability.\n\n\n\n**History & Associated Parties:** Part of this ritual and its results is well known in Welsh folklore and tourism, resulting in the location being a common site for hikes, birdwatching and photography. Many \"Neo-Druids\" and \"Occultists\"[[footnote]] Basically, those who tend to look for things in all the wrong places. - //C.T.// [[/footnote]] have indulged and exaggerated the tale, to fan their own fancies. Most tales claim that the mountain was once the home of a giant called Idris. Idris was great in mind as he was in size. A great philosopher, horticulturalist and astronomer, he would sit on the mountain, which later took his name, and contemplate the curiosities and puzzles of the world.\n\n\n\nWhilst the true origin of the ritual is lost to the lower hall of the Library, the most accurate depiction of its origin and fruition can be found in the lost pages of //Y Gododdin//. According to pages, Idris was one of the last giants and a scholar of the great witch and [[[nx-02|Mabyn]]], Ceridwen[[footnote]] An old friend and skilled poet. Her loss was hard. - //Nahash.// [[/footnote]]. Through her, he managed to achieve access to the Library through oneiric union.\n\n\n\n**Approach:** As said, this ritual's performance is the easy part. Just make sure you're in the right state of tiredness and have the flower at ready[[footnote]] How it was grown doesn't matter. Just make sure it's real. - //Z.D.// [[/footnote]]. Be considerate of your environment too, so bring a tent. It is best to do this with a companion, one who isn't trying the ritual. If this goes wrong then you need someone to help you regain some sanity or try and perform some counter-curses. Fail to prepare then prepare to fail.\n\n\n\nThe true test is of your own self. As stated before, you are pouring your very essence and self into the Library and if you aren't ready, or confident enough on what you want or need, or you have ulterior motives, then you will face damages which are likely irreversible.\n\n\n\n**Other Details:** It should be noted that this inspiration and enlightenment is not entirely what you think it would be. You're not going to fall asleep and wake up a genius or powerful mage. Inspiration could just be one idea, or the answer to a question you've been thinking about for a long time. You could wake up knowing all the best places to eat out in Backdoor. But in all likelihood, what you'll get will be something specifically oriented to you. Just be aware that even if it looks trivial or unnecessary, it will be useful. And even if it isn't, knowledge for the sake of knowledge is what the ritual is all about.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\n[[div_ class=\"fancyborder\"]]\n\n\n\nIn the mountains of Meirionnydd, hidden away from the eyes of men and beasts, lived the lonely giant, Idris. Tall, kindly and curious, Idris was one of the last giants left in Albion, for his kind had been dying out for years, both from hunts and from waning magic. With nowhere left to go, Idris hid himself in the mountains, spending all his remaining time gathering flora and star gazing.\n\n\n\nOne day, whilst walking the hillsides, Idris found a patch of flowers. Delicate they were, and coloured in the smallest flecks of white, pink and yellow among their green leaves. They were dying, for the waters in the ground they had used to grow had since flowed away to smoother paths. Without sustenance, their heads dropped. //\"By the heavens,\"// cried the giant in shock, collecting the petalled beauties in his hands, //\"what an unfortunates! Do not fret, my little lilies. I shall bring you back. You shall be stronger and prettier than before, I promise.\"//\n\n\n\nTaking the flowers, the giant walked to the peak of his home and cracked the stones with his fists. With the damp earth exposed, Idris planted the flowers into the hillside and watered them with cool waters from the lakes. //\"There, my little ones,\"// smiled the giant, //\"Now, you shall live once again.\"// And thanks to the kindness of Idris, the flowers did live once again, as did their children and descendants.\n\n\n\nThat night, on the hillsides, Idris slumbered deeply. In the slumber, he dreamt.\n\n\n\n//\"By the lords,\"// exclaimed Idris, //\"where am I?\"// For in the dream, he had awakened beneath a star filled sky. But these were not the stars he recognised from his mountain home. They were older and great in number, with some not even appearing to be stars at all. Just balls of blackness or clouds of dust. Idris was amazed by the sheer scale of the sky's contents. And below, at his feet, were blooms of the flowers, lining a pool of shallow, cool water. //\"Did you do this\",// asked the giant, kneeling down to speak with the blooms. Then from out of the waters, clothed in silver and painted in his ancestors' sigils,\u00a0\u00a0was a woman Idris knew all too well.\n\n\n\nThis was Ceridwen, the auburn haired scholar, one of the nine Mabyn and patron of the Library. Idris bowed deeply and greeted her. //\"My lady, it is a privilege to meet you. I had hoped you'd survived the culling.\"// Ceridwen smiled softly and bowed back. //\"I ask,\"// said Idris, his face shining with hope, //\"is this the Library? The place between places? The realm all scholars seek?\"// Idris had long desired to visit the Library for study and sanctuary, but unjust fear and hate had resulted in his exclusion from entry at the hands of men.\n\n\n\nCeridwen said nothing but reached down and took a flower from the pool and placed it within her mouth. Then, to Idris' surprise and slight disgust, a white snake emerged from her lips and coiled down her body.\u00a0\u00a0As the snake moved along the water, it grew larger and larger, before eventually towering above Idris himself. Finally, it stopped and gazed down at the giant with brilliant emerald eyes. //\"I have been summoned,\"// they exclaimed, //\"Which mortal calls me in their soul?\"// //\"I suppose it was me,\"// whimpered Idris, shaking slightly, //\"Are you the Nahash, the guardian of the written?\"// //\"I am,\"// replied Nahash, coiling around Idris and raising him up with their tail, //\"You must be the lonely giant Ceridwen spoke of. Tell me, what is it you want from me?\"//\n\n\n\nIdris swallowed and bowed his head slightly. //\"Great [[[history-of-behemoths|Behemoth]]], I am hated in my world. I must live in isolation, away from the gates to the realm of the Library. I long to study in these halls but have never had the chance. I wish - I ask you to help me. I ask to be one of your Hands.\"// Nahash's gaze turned towards Ceridwen, who nodded slowly again, to which the Serpent replied with their own nod before returning to Idris. //\"Curiosity is a virtue and should not be stultified or hampered. See these flowers below. Should you wish to visit the Tree and the Library, hold a bloom in your hand as you sleep. As you drift, your being shall be allowed to roam this place. But act with care, for I do not grant this boon for simple reasons. Betray my blessing and you shall face punishment. Do we have a deal?\"//\n\n\n\nIdris agreed and picked up a flower from the water. When he looked up, Nahash and Ceridwen had been replaced with an enormous tree. Idris was amazed. Its branches reach far into the sky, its roots spread far into the hidden depths of the waters, and touched almost everything that could be. And from its wood danced fine lights of blue and gold and black. //\"I shall accept this gift with my life.\"//\n\n\n\nAnd then, the giant awoke.\n\n\n\nAnd so, from that day onward, Idris was blessed with oneiric union with the Library, and would move through its halls and branches when he dreamt. Through the dreams, he went on to learn and craft, forging new methods in magic and horticulture and paving paths and gardens into the landscape. And when his time came, years after, he parted knowing his blessing would remain and be shared long after he'd been forgotten. For as long as the flowers bloomed and the desire for knowledge remained, all will be welcomed to the Library.\n\n\n\n[[/div]]\n\n[[=]]\n\n\u00a0~ Lost Pages of //Y Gododdin//\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nWhilst the ritual itself has been attempted by many parties and a good number have emerged successful and free from any real damage, there has been no known record of a successful attempt with multiple dreamers. There were rumours of an attempted joint experience, but they were merely rumours[[footnote]] There has been one attempt. I beg you not to try it. Please. Don't. - //N.N.// [[/footnote]]. Idris managed so, but the constitution of a giant is very different to that of a regular humanoid. Also, with knowledge comes power. It may be better to only attempt the ritual once to save yourself from addictions, power games or even moral dilemmas.\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n@@ @@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** Idris\n\n> **Name:** Golygfa yn edrych i'r gogledd o'r Llwybr Pilin Pwn, Cader Idris\n\n> **Author:** Jason.nlw\n\n> **License:** CC BY-SA 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:North_View_from_Cader_Idris_(JE01).jpg#globalusage\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_serpents-hand", "fantasy", "goi-format", "mythological", "serpents-hand", "the-serpent", "wanderers-library"], "title": "A Dreaming Giant's Chair - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-dreaming-giant-s-chair"}, "a-form-to-outlast-time": {"created_at": "2024-11-13T11:31:00", "creator": "Ralliston", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Uploaded file \"pyramid.jpg\".", "date": "2024-11-13T11:31:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Uploaded file \"Bauhaus.png\".", "date": "2024-11-13T11:31:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2024-11-13T11:31:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2024-11-13T11:32:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Parent page set to: \"from-120-s-archives-hub\".", "date": "2024-11-13T11:33:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "Added tags: _image, _licensebox, _other, from-120s-archives, goi-format, homo-sapiens-sidhe. ", "date": "2024-11-13T12:09:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: alagadda, children-of-the-night, queen-mab. ", "date": "2024-11-13T12:43:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, historical. ", "date": "2024-12-07T08:09:00"}, {"author": "S D Locke", "author_href": "https://www.wikidot.com/user:info/s-d-locke", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2025-02-22T17:37:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-03-11T23:18:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: faerie. ", "date": "2025-05-04T21:01:00"}, {"author": "dracofulmen", "author_href": "https://www.wikidot.com/user:info/dracofulmen", "comment": "", "date": "2025-06-07T01:17:00"}, {"author": "dracofulmen", "author_href": "https://www.wikidot.com/user:info/dracofulmen", "comment": "", "date": "2025-06-07T01:21:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-08-05T18:46:00"}, {"author": "Souconna", "author_href": "https://www.wikidot.com/user:info/souconna", "comment": "Allagadda -> Alagadda", "date": "2025-08-09T14:20:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:46:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: academic. ", "date": "2026-09-03T06:43:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/a-form-to-outlast-time/pyramid.jpg"], "link": "a-form-to-outlast-time", "page_id": "1457337150", "rating": 40, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"display: none\">\n<div style=\"text-align: left;\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-code\">/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">Foxtrot</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Sigma-9</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2022</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">By</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Liryn</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">FONTS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Montserrat</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,800;1,800&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Lexend</span><span class=\"hl-special\">:wght</span><span class=\"hl-var\">@700</span><span class=\"hl-code\">;800&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">JetBrains</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Mono</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,400;0,700;1,400;1,700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Fira</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Code</span><span class=\"hl-special\">:wght</span><span class=\"hl-var\">@400</span><span class=\"hl-code\">;700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Sofia</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Sans</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,400;0,700;1,400;1,700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">scp-wiki.wikidot.com</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">local--files</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">theme</span><span class=\"hl-special\">:foxtrot</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">inter.css</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Figtree</span><span class=\"hl-special\">:wght</span><span class=\"hl-var\">@800</span><span class=\"hl-code\">;900&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">IBM</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Plex</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Sans</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,400;0,500;0,600;0,700;1,400;1,500;1,600;1,700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-special\">:root</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Core</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">header-title:</span><span class=\"hl-code\"> \"SCP Foundation\"</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">header-subtitle:</span><span class=\"hl-code\"> \"SECURE, CONTAIN, PROTECT\"</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">logo-img:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:foxtrot/fxtrt-scp_logo_lightmode.svg)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">darkmode-logo-img:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:foxtrot/fxtrt-scp_logo_darkmode.svg)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">logo-opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">14</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n \n    --</span><span class=\"hl-reserved\">head-font:</span><span class=\"hl-code\"> 'Sans Normalcy'</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">ui-font:</span><span class=\"hl-code\"> 'IBM Plex Sans'</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">mono-font:</span><span class=\"hl-code\"> 'JetBrains Mono', 'Fira </span><span class=\"hl-string\">Code</span><span class=\"hl-code\">', </span><span class=\"hl-string\">monospace</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">page-font:</span><span class=\"hl-code\"> 'Inter', 'verdana'</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">base-font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.9</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">page-font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Misc</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">header-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">subheader-txt-color:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">misc-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#464646</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">link-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#E6283C</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">link-hover-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Color</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Accents</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">accent:</span><span class=\"hl-code\"> var(--acc-default)</span><span class=\"hl-code\">;\n \n    --</span><span class=\"hl-reserved\">acc-default:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">59</span><span class=\"hl-code\">, </span><span class=\"hl-number\">59</span><span class=\"hl-code\">, </span><span class=\"hl-number\">59</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-wyoming:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">142</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">18</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-canada:</span><span class=\"hl-code\"> var(--acc-default)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-poland:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">87</span><span class=\"hl-code\">, </span><span class=\"hl-number\">44</span><span class=\"hl-code\">, </span><span class=\"hl-number\">17</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-slothspit:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">27</span><span class=\"hl-code\">, </span><span class=\"hl-number\">60</span><span class=\"hl-code\">, </span><span class=\"hl-number\">133</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-vanguard:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">153</span><span class=\"hl-code\">, </span><span class=\"hl-number\">75</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-threshold:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">121</span><span class=\"hl-code\">, </span><span class=\"hl-number\">113</span><span class=\"hl-code\">, </span><span class=\"hl-number\">130</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-overwatch:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">28</span><span class=\"hl-code\">, </span><span class=\"hl-number\">37</span><span class=\"hl-code\">, </span><span class=\"hl-number\">56</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-spc:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">165</span><span class=\"hl-code\">, </span><span class=\"hl-number\">200</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-fishing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">67</span><span class=\"hl-code\">, </span><span class=\"hl-number\">111</span><span class=\"hl-code\">, </span><span class=\"hl-number\">145</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-nightfall:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">151</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-hybrasil:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">27</span><span class=\"hl-code\">, </span><span class=\"hl-number\">60</span><span class=\"hl-code\">, </span><span class=\"hl-number\">133</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-goc:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">39</span><span class=\"hl-code\">, </span><span class=\"hl-number\">84</span><span class=\"hl-code\">, </span><span class=\"hl-number\">149</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-spooky:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">252</span><span class=\"hl-code\">, </span><span class=\"hl-number\">112</span><span class=\"hl-code\">, </span><span class=\"hl-number\">40</span><span class=\"hl-code\">;\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">BetterFootnotes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">fnColor:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">fnLinger:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    --</span><span class=\"hl-reserved\">barColour:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">linkColour:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDEDED</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">html</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">scroll-behavior:</span><span class=\"hl-code\"> smooth</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow-x:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">body</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--base-font-size)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">51</span><span class=\"hl-code\">, </span><span class=\"hl-number\">51</span><span class=\"hl-code\">, </span><span class=\"hl-number\">51</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> linear-gradient(to </span><span class=\"hl-string\">bottom</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">200</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-rendering:</span><span class=\"hl-code\"> optimizeLegibility</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow-wrap:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">break-word</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#content-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--page-font), var(--ui-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">440</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">strong</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">tt</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-source</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">pre</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-page-textarea</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--mono-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">ol</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">li</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">p</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-underline-offset:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">40</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n:</span><span class=\"hl-special\">:selection</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Clicky</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">links</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-hover-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">patch</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">for</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">sidebar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">media</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">collapsibles</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">ACS</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ayers</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">module</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">so</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">doesn</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">t</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">override</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-folded</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-unfolded-link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.danger-diamond</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-folded</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-link</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-link</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> var(--linkColour) !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">160</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--header-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">900</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> fit-content</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-title)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-subtitle)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font) !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--misc-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">26</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.35</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">uppercase</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">160</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">7</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> var(--logo-img) </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">30</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">130</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-repeat:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-position:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> var(--logo-opacity)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Search</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">text</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> calc(var(--page-font-size) - </span><span class=\"hl-number\">10</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.empty</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#999999</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">47</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li.sfhover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.83</span><span class=\"hl-code\">) !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">230</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-indent:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.mobile-top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Login</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">19</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img.small</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">18</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">18</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n \n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img.small</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#my-account</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#account-topbutton</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Side</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (min-width: 768</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.6</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.6</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">18.75</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">transition:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">s ease-in-out</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">direction:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">rtl</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#interwiki</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">direction:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">ltr</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.heading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--misc-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#cfcfcf</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">pt</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">uppercase</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Blockquotes</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">Custom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Divs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f7f7f7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">dashed</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f7f7f7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.35</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.35</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f7f7f7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fbfbfb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.quote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.note</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#afafaf</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.round</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Headings</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">Titles</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-title</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.meta-title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> fit-content</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-title</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.meta-title</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#breadcrumbs</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.pseudocrumbs</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h6</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.footnotes-footer</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Rate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Module</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.creditRate</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> unset !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Rate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Module</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Author</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Label</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.authorlink-wrapper</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    --</span><span class=\"hl-reserved\">author-top-adjust:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">author-bottom-adjust:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">author-right-adjust:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--base-font-size)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Side</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.anchor</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> sticky</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.14</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc((</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vw - </span><span class=\"hl-number\">870</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)/</span><span class=\"hl-number\">2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-height:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vh - </span><span class=\"hl-number\">18</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">103.5</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 1290</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">visibility:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Image</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f4f4f4</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">right</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 540</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">auto</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">only</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> (max-width: 600</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.scp-image-block.block-right</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Base</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">12</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bfbfbf</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Coloring</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">System</span><span class=\"hl-code\">) </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Coloring</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">System</span><span class=\"hl-code\">) &gt; </span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Headings</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">Image</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Captions</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#E0FFD4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D8ECF4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FDF6D7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFDFCD</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFCFCF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">146</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-collapse:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">separate</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Coloring</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">System</span><span class=\"hl-code\">) &gt; </span><span class=\"hl-identifier\">Other</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colored</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Divs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">224</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">212</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">226</span><span class=\"hl-code\">, </span><span class=\"hl-number\">244</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table3</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">245</span><span class=\"hl-code\">, </span><span class=\"hl-number\">189</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table4</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">223</span><span class=\"hl-code\">, </span><span class=\"hl-number\">205</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table5</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">207</span><span class=\"hl-code\">, </span><span class=\"hl-number\">207</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table6</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">218</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tabs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Base</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tabs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-wrap:</span><span class=\"hl-code\"> wrap</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">.125</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">UNSELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">HOVER</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\">,\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Listitem</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">relative</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">align-items:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.75</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n \n    </span><span class=\"hl-reserved\">text-overflow:</span><span class=\"hl-code\"> ellipsis</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">white-space:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">nowrap</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\">,\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Selection</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">SELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:active</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">WORDS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">NO</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BROKEY</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">CROQ</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">HAS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">SPOKEY</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">other</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">things</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">word-break:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">normal</span><span class=\"hl-code\"> !important\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.avatar-hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Dustjacket</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Assets</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.fancyhr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(var(--bright-accent), </span><span class=\"hl-number\">0</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-source:</span><span class=\"hl-code\"> url('https://scp-wiki.wikidot.com/local--files/theme:foxtrot/wl_hr.webp')</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-repeat:</span><span class=\"hl-code\"> round round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-slice:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> fill</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fancyborder</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image:</span><span class=\"hl-code\"> url('https://scp-wiki.wikidot.com/local--files/theme:foxtrot/wl_border.webp') </span><span class=\"hl-number\">600</span><span class=\"hl-code\"> round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Collapsibles</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">underline</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">.licensebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.default-col</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">7</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--base-font-size)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inset</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">.licensebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.default-col</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">)</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(var(--accent), </span><span class=\"hl-number\">0.7</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">ACS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Adjustments</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.top-left-box</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">.item</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anom-bar-container</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anom-bar-container</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.anom-bar-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), Inter, </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.acs-extra-1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.acs-extra-2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.acs-extra-3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.acs-extra-4</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), Inter, </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anom-bar</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">.top-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Woed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Adjustments</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.item1</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">uppercase</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.class1</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.9</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    --</span><span class=\"hl-reserved\">woedbar-class-bar-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.obj</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.7</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.obj</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.55</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MISC</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.bt</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#444</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">45</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7b7b7b</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.footer-wikiwalk-nav</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">88</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">word-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-info-break</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-options-container</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">213</span><span class=\"hl-code\">, </span><span class=\"hl-number\">213</span><span class=\"hl-code\">, </span><span class=\"hl-number\">213</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-watch-options</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.6</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">77</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-options-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-direction:</span><span class=\"hl-code\"> row</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-wrap:</span><span class=\"hl-code\"> wrap</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">align-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-options-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">13</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">13</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom-left-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-options-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(var(--accent), </span><span class=\"hl-number\">0.8</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-info-break</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#license-area</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#5f5f5f</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ecf2f1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#d9d9d9</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#license-area</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \".\"</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (min-width: 768</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">16</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.page-tags</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"tags   \"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--misc-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.75</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.3125</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">13</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> calc(var(--page-font-size) - </span><span class=\"hl-number\">10</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">.625</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> rgb(var(--accent)) </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-style:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">relative</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.2813</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-tags-input</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">word-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.text</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">150</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">table.form</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">tbody</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">td</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(1) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.edit-help-34</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">85</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">60</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> fit-content</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.edit-help-34</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.edit-help-34</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.edit-page-bottomtable</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-page-comments</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">86</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-info</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.8</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">86</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-info</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"!\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">12</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">110</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">60</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-timer</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">115</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-timer</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\u23f2 \"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">textarea</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.text</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">outline:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ccc</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-property:</span><span class=\"hl-code\"> box-shadow</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">textarea</span><span class=\"hl-special\">:focus-visible</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.text</span><span class=\"hl-special\">:focus-visible</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#a3a3a3</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#a3a3a3</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#action-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">p</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">85</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> darkslategrey</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#action-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">p</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(5)&gt;</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">120</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 900</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 700</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 540</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.content-warning.creditRate</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">21</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.preview-message</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.9</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">29</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">filter:</span><span class=\"hl-code\"> drop-shadow(</span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDEDED</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.error-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">48</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#B00</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top-left-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.page-history</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tbody</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(2</span><span class=\"hl-identifier\">n</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(var(--accent), </span><span class=\"hl-number\">0.05</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> fade </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">fade</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    0% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    100% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.button-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">11</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.button-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-hover-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.button-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">default</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">155</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">187</span><span class=\"hl-code\">, </span><span class=\"hl-number\">187</span><span class=\"hl-code\">, </span><span class=\"hl-number\">187</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#F7F7F7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow.owait</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow.owait</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.content</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \" \"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">0.9</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> loading </span><span class=\"hl-number\">1.2</span><span class=\"hl-code\">s linear infinite</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> grey</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> grey</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">loading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    0% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> rotate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">deg)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    100% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> rotate(</span><span class=\"hl-number\">360</span><span class=\"hl-code\">deg)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow.osuccess</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.content</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(2)&gt;</span><span class=\"hl-identifier\">img</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(1) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.odialog-shader</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#262a39</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.btn</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.btn</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.btn</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">submit</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">),\n</span><span class=\"hl-identifier\">.btn.btn-primary</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.buttons</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">input.button</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">submit</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">11</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">pointer</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-diff-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-preview-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-draft-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ccc</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">pointer</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">14</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-diff-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-preview-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-draft-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#eaeaea</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#dbffd6</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#005a0a</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#0d951c</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffe1e1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#c52727</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#c5272e</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.page-history</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tbody</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#757575</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fncon</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size) !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fncon</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size) !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.hovertip</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">400</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">input.checkbox</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-history</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#h-perpage</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">pointer</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">textarea</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#breadcrumbs</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.pseudocrumbs</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">110</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">REDUCED</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MOTION</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ACCESSIBILITY</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (prefers-reduced-motion: </span><span class=\"hl-identifier\">reduce</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">::</span><span class=\"hl-identifier\">before</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">::</span><span class=\"hl-identifier\">after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">animation-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.001</span><span class=\"hl-code\">s !important</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">animation-iteration-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.001</span><span class=\"hl-code\">s !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-var\">@MEDIA</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 850</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 700</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8.8</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 620</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">123</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 520</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        line-height: </span><span class=\"hl-number\">16</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">145</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}</span></pre></div>\n</div>\n</div>\n</div>\n<div style=\"text-align: right;\">\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<div style=\"text-align: center;\">\n<p><strong><a href=\"http://scp-wiki.wikidot.com/ralliston-s-authorpage\">More by this author</a></strong></p>\n</div>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n</div>\n<div class=\"paper\">\n<div style=\"text-align: justify;\">\n<p><span style=\"font-size:0.85em;\">Culture \u00bb <a href=\"javascript:;\">Architecture</a></span></p>\n<p><span style=\"font-size:1.4em;\"><strong>A Form To Outlast Time \u2014 A Brief History of Architecture During the Times of the Fae Empire</strong></span></p>\n<p><span style=\"font-size:0.8em;\">by Evelynn Kipling, 2036<br/>\nPublished by the unVeiled magazine on behalf of Bauhaus<sup>4</sup></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<img alt=\"pyramid.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/a-form-to-outlast-time/pyramid.jpg\" width=\"100%\"/>\n<p style=\"text-align: center;\"><span style=\"font-size:0.8em;\"><em>An artistic recreation of the ur-brutalist forms of the early Fae Empire, re-designed from recovered archeological material and finished in line with the artist's own artistic interpretation and their own liberties; O. Niemeyer, 1955.</em></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><span style=\"font-size:1.4em;\"><strong>Introduction</strong></span></p>\n<p>When most think of the Fae Empire and its influence on history, its architectural heritage is often shafted as one of the less important parts of its legacy. It's a natural instinct, I feel \u2014 after all, the books on the history of the Empire's bloody conquests have far more pages than those dedicated to the merit of its art. It is the slain demigods and broken nations that we consider when we hear of the Twin Queens and their regime \u2014 not the way in which their slaves put together stones for the supposed glory of their masters.</p>\n<p>Now, however, more than two hundred millennia later, the Empire's violence has disappeared \u2014 but its art has survived. Scattered all throughout the world, ruined Fae Empire-era architecture gives us a far more credible testimony to what the times of the Empire actually looked like than the many fairy tales and legends that talk about its wars and romances. Testimony that also holds great significance within the wider context of the times of the Empire and its culture.</p>\n<p>It would be easy to outright ignore this part of history, citing it as less than important when compared to the military wound the Empire has inflicted upon the world. But it would also be intellectually dishonest \u2014 the Empire has fallen, but the forms it has created as the vessels of its tyrannical zeitgeist remained. How did they manage to survive that long? Why were they constructed like this? And, most importantly of all, what do they truly have to tell us about the formation and eventual collapse of the Fae Empire?</p>\n<p><span style=\"font-size:1.4em;\"><strong>Early History</strong></span></p>\n<p>In the early days, the Fae Empire had a singular, almost banal goal: to conquer the entire world.</p>\n<p>Of course, winning a war is not nearly the same as ruling a kingdom. The Twin Tyrants might have held a military advantage over their enemies,<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-1-48610a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-1')\">1</a>]</sup> but to entirely uproot the old, fluid order of things was a whole different matter entirely. Changing the many cultures of the world to fit the singular form of the Empire, by necessity, took time; time that its Queens spent building their nation from the ground up. It was impossible to govern a state made up of ruins, but it was equally impossible to do so from inside structures which had once belonged to the Empire's enemies. The only logical move then was to construct the Empire's own seats of power. Ones which, by their very design, would send a message to the rest of the world.</p>\n<p>To kill two birds with one stone, the artists and slavemasters of the emergent Empire came up with a genius plan.</p>\n<p>Back then, the unconquered Fae were <a href=\"/a-faerie-tale-of-twin-queens\">still free folk</a> \u2014 they lived and died as wild spirits, changing their forms, Names, and lives with just a flick of a hand. They knew no forms and constructed no buildings \u2014 because why would they? What use could they possibly have for structures so stagnant and permanent in their nature? What use could a raindrop ever have for a bed, a ray of sunshine for a door, or a wild hare for a roof? What secrets would the forest wind whisper about the floor or the hearth?</p>\n<p>Indeed, archeological and cultural evidence suggest that the early Fae refused the human and Yeren ways of construction,<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-2-18152a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-2')\">2</a>]</sup> instead fully embracing their free and fluid natures. The Fae Empire was the first to change that.</p>\n<p>To show the oft-illiterate peoples (why would the breeze ever write down its wisdom?) of the old times that a new order has come, the first palaces brought up to the glory of Mab and her sister were simple. They were monumental shapes, bereft of most decorations and unnecessary additions. Cubes and cuboid shapes were the most fashionable, recovered sites tell us, as were small windows, barely enough to fit the head of a single person. Similarly, the fortresses of the emergent Empire knew little of inclined roofs, or colorful banners, or even of flanks. All were seen as too extravagant for the needs of the sisters.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-3-56191a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-3')\">3</a>]</sup></p>\n<p>Through their gigantic, imposing forms \u2014 mostly made from unnaturally polished stone \u2014 the buildings were meant to relay a simple message: one of strength and integrity beyond time.</p>\n<p>It is important to note here that the earliest buildings constructed by the Empire were almost entirely constructed using manual labor.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-4-72083a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-4')\">4</a>]</sup> To use magic to bring up its buildings would be, in the Queens' eyes, anathema to their message. What use was conquering a nation that opposed the Twins if they faced no punishment? What <em>would</em> the populace of those lands ever use its able-bodied workers for? If not for back-breaking work, then surely for plotting rebellion.</p>\n<p>It is because of this that a grand majority of palaces and cities built during the early days of the Empire were created by slaves. They used materials excavated from the Earth with their own hands, often refined without expertise. With how wide the Empire soon grew to be, though the almost brutalist forms of the Empire could be recognized anywhere, they were never identical. Sites from all over the world paint us a very diverse picture of those structures. As materials (and those who utilized them) always differed between locations, no two settlements were truly alike.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-5-37665a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-5')\">5</a>]</sup> Still: in the grand scheme of things, they <em>did</em> remain coherent in their design philosophy.</p>\n<p>Though this approach \u2014 one which rarely utilized any amount of magic in construction and maintenance \u2014 left a majority of the early cities to crumble with time, it also showed the world at the time that the Empire's power was of this world. That it was not merely an invader, but rather a rightful ruler. That, for better or for worse, it was not going anywhere anytime soon.</p>\n<p><span style=\"font-size:1.4em;\"><strong>Height of Power</strong></span></p>\n<p>In the end, the Empire's war \u2014 however great and bloody \u2014 did not last forever. When the last god bent their knee and the last kingdom fell before the Queens, the Fae Empire succeeded. It had successfully waged war against the whole world and won.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-6-76270a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-6')\">6</a>]</sup></p>\n<p>Overnight, the Empire became something new. It was no longer a force to be feared \u2014 it was a fact, an unchangeable truth of the universe. One whose perpetuity and power was self-evident through its mere existence; a reality that soon became so obvious that it didn't need to be reinforced by art anymore. The Empire's continued actuality took care of that task, leaving the previously strong and important fortresses it had once built as nothing but monuments to a by-gone era. Monuments which would soon come to be seen as an eyesore against the new magnificence the Empire would construct.</p>\n<p>Before we continue, it is important to note that the nature of the Queens' conquest was not one of pure, total war. There were a few peoples which had been persuaded to bend their knee willingly, before the total destruction and inevitable replacement of their previous, unwilling leader could occur.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-7-87724a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-7')\">7</a>]</sup> Of course, that persuasion most often came from the sheer overwhelming numbers of the approaching armies, but those who swore fealty and prevented the annihilation of their subjects were very often granted relative mercy by Mab.</p>\n<p>Legends tell us that members of the Unseelie Court, her personal confidants and closest allies, were almost exclusively those who greeted Mab with open arms. Amongst songs and poems, we often hear names such as those of Nessilatha, the Golden Twins, Yar'deth and \u2014 most importantly for us here \u2014 <a href=\"/horns-and-strings\">the Horned King and his Ambassador</a>, both rulers of the ancient (and abstruse) Kingdom of Alagadda.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-8-70191a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-8')\">8</a>]</sup></p>\n<p>All of these mighty deities were not conquered, legends say; they were <em>welcomed</em> into the Empire. Not quite as equals, of course, but as more than just slaughtered cattle. They were greeted almost like old friends and received with delight \u2014 and when they came to the capitals, with them they carried art. Art unlike anything the Empire has ever seen.</p>\n<p>The many cultures which would soon become imported to the Empire were great and numerous, but none of them proved to be as grand as the art and literature (however glum) of the morose Alagadda. The customs of the other lands were also something new, but they weren't anything revolutionary. They weren't anything out of this world \u2014 but Alagadda was.</p>\n<p>Alagadda, on the last threshold of cohesion, was home to a great many techniques and styles which the denizens of the growing Empire had never imagined. Techniques and styles they <em>couldn't</em> have ever imagined \u2014 for unlike the rest of its now-subservient kin, Alagadda was not a kingdom. It was a mask.</p>\n<p>It's difficult to talk about Alagadda, even today, because its distant location which tethers beyond the edge of comprehension is not something man was really meant to understand. It isn't a concrete culture, one whose history can be traced back and analyzed. It is a cruel reflection of what is, what could have been, and what maybe one day shall be; a mirror against whatever the current and local zeitgeist might represent and resent.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-9-28477a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-9')\">9</a>]</sup></p>\n<p>The only thing we can really state for certain, today, is Alagadda's quadruple palette; that red, white, black, and yellow are the only colors which are allowed to exist within the kingdom. Because of this, most of its creations, no matter how familiar they might seem, evade our true perception.</p>\n<p>The Fae Empire too was not exempt from this issue. Though the architecture that the Alagadda-inspired Fae artists created was no doubt something its deific monarchs could grasp, today, their ruins are engulfed in thick fogs. Both antimemetic and dreamlike, they evade precise measurements and analysis even by the sharpest of experts.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-10-68366a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-10')\">10</a>]</sup> This is why most of the Empire's remnants are just that: barely-comprehensible records, constructed <em>en masse</em> during the times of greatest wealth and now forgotten.</p>\n<p>Still, not all has been lost. By looking at the margins, at the borders of the elusive shapes of Alagadda imposed upon large portions of the Empire, experts were able to understand a few things about the architecture that it had inspired.</p>\n<p>We know that the dominant form was that of nature, of the leaf and the flower, of vines and butterflies. In a style almost akin to the human <em>art nouveau</em>, these forms focused on movement and dynamism.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-11-42613a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-11')\">11</a>]</sup> The role of light was very important to those structures, as we can infer from great windows made from colorful glass, as was the continuity of the buildings.</p>\n<p>Nature itself has also found a place among the forms which imitated it. The appearance of the ancient <a href=\"/the-spire-star-extended-edition\">Fernafaun</a> still stands as a monument to all that greenery which the Twin Tyrants would come to cultivate, perhaps so as to appear that they are returning to their roots. No matter the reason, soil analysis and whatever few surviving ancient texts (fully exempt from the issue of the fog!) show us that the Empire soon exploded with bark and branches between its buildings like never before.</p>\n<p>Of course \u2014 though this issue only affected the richest echelons of society, entirely escaping the still-simple houses the poor masses had lived in \u2014 all of these forms remained only yellow, red, black or white. These colors were oft achieved by the incorporation of expensive jewels and minerals into the forms. From rubies to the soon-to-become-fashionable magic conductor of irrilte, the Empire had proven it knew no limit to its avarice and vanity, dabbling in debauchery never before seen.</p>\n<p>Were the excessive customs of the Fae royalty influenced by the colors and forms they have chosen to appropriate as their own, making themselves subconsciously more akin to the depraved Alagadda? Was it all an intentional play by the King and his Ambassador, a subtle way to sink reality closer towards their own reach? As with all truths about the Empire, there seems to be no concrete answer; Scholars still debate this issue to this day. Whatever the case, however, the overabundance the Empire began to display had just started. Their lavishness would, in the end, prove humble compared to their future practises.</p>\n<p><span style=\"font-size:1.4em;\"><strong>The Fall</strong></span></p>\n<p>If there's one thing that history teaches us, it's that time is but a wheel<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-12-29508a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-12')\">12</a>]</sup> \u2014 after every day there must inevitably come the sunset, and with it, the night. Indeed: the Empire's reign did not, in the end, last forever. Though the might its rulers had displayed was no doubt great, just like everything, it too was bound to end.</p>\n<p>When the civil war began, splitting the Empire into two, the whole world was set aflame.</p>\n<p>It is difficult to say anything certain about the conflict between Seelie and Unseelie, about the millenia-long massacres that engulfed the world during the struggle between the now-feuding Sisters. All we know is that it was a bloodbath, one that brought down entire civilizations and their cultural legacies. Because of this, even with the magic-hardening the Empire would practice on its buildings by then, there exists little concrete archeological evidence to show us what these times looked like. Almost all structures that have been brought up during the last eras of the Fae Empire were ultimately leveled, as were its older kin \u2014 and those that weren't remained little more than magic-haunted rubble.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-10-59466a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-10')\">10</a>]</sup> All historical records of that part of history were forever lost to time.</p>\n<p>\u2026Or so we had thought.</p>\n<p>When the Veil fell back in 2021, a crucial missing part of the puzzle was revealed to us. It was the mostly-ruined but still-extant palace buried beneath the former <a href=\"/ralliston-s-proposal\">SCP Foundation Site-01</a>. The last remaining witness to the Empire, finally shown to the public by Vanguard after more than a century of secrecy, kept up shockingly well despite its age.</p>\n<p>Though the building still remained in too poor of a condition to give us a whole, coherent picture, time \u2014 or, very possibly, the will of Mab herself \u2014 nevertheless kept it a true rosetta stone. We cannot, of course, claim in good intellectual faith that the style the structure shows us accurately reflects the entire incredibly long period of the civil war, especially considering the cultural differences which inevitably must have grown between the two factions. Its form, however, still shows us a fascinating departure from both of the previously-described dominant styles of the Empire.</p>\n<p>The building is still a sharp thing, in spite of its damage, one constructed with honed, long, and thin forms. Almost all of the material used in its composition is a black stone of unknown make, reinforced with ancient runes writ in irrilite. Though the palace has certainly shown innovation with its incredibly tall spires and angular walls and slopes, a return to the more traditional style that the Empire had been founded on can also be seen. For all of the palace's novelty, one cannot ignore the almost-brutalist interiors that bear little to no decoration.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-13-54350a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-13')\">13</a>]</sup> Though they were no longer banal in their shape, they were certainly not home to many unnecessary decorations or elaborate ornaments. Between the gloomy corridors and sharp, almost spear-like shapes of its towers, it appears as if the building itself was <em>also</em> preparing for war.</p>\n<p>Of course, the war it had been built to brace would in the end claim it too, just as it had claimed the rest of its architectural brethren. Whether it was the latest or the oldest structure in that period, we might never know, because those parts of the Fae Empire which were not leveled by the war effort were later mostly cleaned up by the emergent Yeren civilization and its cultural revolution.<sup>[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-14-66173a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-14')\">14</a>]</sup></p>\n<p><span style=\"font-size:1.4em;\"><strong>Conclusion</strong></span></p>\n<p>With this, our brief look at the history of architecture in the Fae Empire comes to an end. Of course, this article should only be regarded as a primer into this topic for those uninitiated in the field and not as a deep dive into a detailed record of all styles prevalent throughout the Empire aimed at experts. (For a few particularly great examples of the latter, I would personally recommend the collected works of Olivi\u00e9 Gwyneth, the Head Archivist of the Sidhe Lounge, especially her memoirs of <a href=\"/midnight-sun\">paranarcotic-enduced extemporal visions</a>.)</p>\n<p>Nevertheless, it is my hope that this work has caught your attention, dear reader, and has persuaded you into diving deeper into the fascinating part of our history that is the examination of the artistic legacy of the Fae Empire. As mentioned before, though we often ignore this part of history, it is precisely the art that shows us the most accurate image of those time. Indeed, just as all art, architecture too is little but a reflection of the current cultural zeitgeist, accurately mirroring the worries and hopes of any given time period \u2014 one far more poignant than any sword or axe could ever give us.</p>\n<p>One that, if properly learned and understood, might perhaps even help us break the wheel and never again repeat the horrors that the Twins have brought upon the world.</p>\n<p>\u2026But that's just wishful thinking.</p>\n<div class=\"bibitems\">\n<div class=\"title\">Sources</div>\n<div class=\"bibitem\" id=\"bibitem-1\">1. Gwyneth, O. (2024). The Military History of the Fae Empire. <em>External Global Occult Coalition Publishing</em>, 2-5.</div>\n<div class=\"bibitem\" id=\"bibitem-2\">2. Angulo, M. (2026). Interviews with Father Winter. <em>Vanguard Academic Consortium</em>, 7-8.</div>\n<div class=\"bibitem\" id=\"bibitem-3\">3. Perez, D. (2023). Foundations of Terror. <em>Published independently</em>, 8-18.</div>\n<div class=\"bibitem\" id=\"bibitem-4\">4. Perez, D. (2023). Foundations of Terror. <em>Published independently</em>, 19-35.</div>\n<div class=\"bibitem\" id=\"bibitem-5\">5. Perez, D. (2025). On Diversity in Spite of Imperialism. <em>Published independently</em>, 3-6.</div>\n<div class=\"bibitem\" id=\"bibitem-6\">6. Gwyneth, O. (2024). The Military History of the Fae Empire. <em>External Global Occult Coalition Publishing</em>, 10-12.</div>\n<div class=\"bibitem\" id=\"bibitem-7\">7. Gwyneth, O. (2024). The Military History of the Fae Empire. <em>External Global Occult Coalition Publishing</em>, 17-19.</div>\n<div class=\"bibitem\" id=\"bibitem-8\">8. Gwyneth, O. (2027). Children of the Empire. <em>External Global Occult Coalition Publishing</em>, 9-16.</div>\n<div class=\"bibitem\" id=\"bibitem-9\">9. Okorie, O. (2003). The Masquerade. <em>Internal SCP Foundation Publishing</em>, 4-7.</div>\n<div class=\"bibitem\" id=\"bibitem-10\">10. Wheeler, C. (2022). Ashes of Eternity. <em>Vanguard Academic Consortium</em>, 1-27.</div>\n<div class=\"bibitem\" id=\"bibitem-11\">11. Enzan, O. (1938). Parallels Between Seccessionism and Pre-Antiquity. <em>Wanderers' Library</em>, 50-74.</div>\n<div class=\"bibitem\" id=\"bibitem-12\">12. Anonymous (Unknown). Shift in the Paradigm: The Ceaseless Cycle of Paranormal History. <em>Published independently</em>, 1-26.</div>\n<div class=\"bibitem\" id=\"bibitem-13\">13. Hadfield, J. (1924). An Historical Analysis of the Ruins Beneath Overwatch Command. <em>Internal SCP Foundation Publishing</em>, 8-63.</div>\n<div class=\"bibitem\" id=\"bibitem-14\">14. Dwovogh, N. (2036). Cycles of Violence: Of the Faithful Past and Avoidable Heresy. <em>Internal Global Occult Coalition Publishing</em>, 42-64.</div>\n</div>\n</div>\n</div>\n<div style=\"text-align: center;\">\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-form-to-outlast-time\">A Form To Outlast Time \u2014 A Brief History of Architecture During the Times of the Fae Empire</a>\" by Ralliston, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-form-to-outlast-time\">https://scpwiki.com/a-form-to-outlast-time</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Bauhaus.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/jasiu06\" onclick=\"WIKIDOT.page.listeners.userInfo(6669398); return false;\"><img alt=\"Jasiu06\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6669398&amp;amp;size=small&amp;amp;timestamp=1790808942\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6669398)\"/></a><a href=\"https://www.wikidot.com/user:info/jasiu06\" onclick=\"WIKIDOT.page.listeners.userInfo(6669398); return false;\">Jasiu06</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/a-form-to-outlast-time\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> pyramid.jpg<br/>\n<strong>Name:</strong> MAM Caracas.jpg<br/>\n<strong>Author:</strong> N/A<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:MAM_Caracas.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:foxtrot\">:scp-wiki:theme:foxtrot</a> goc=a]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0--header-title: \"Bauhaus\u2074\";\n\n\u00a0\u00a0\u00a0\u00a0\u00a0--header-subtitle: \"Beyond Reality, Beyond Divisions\";}\n\n#page-title {\n\n\u00a0\u00a0display: none;\n\n}\n\n:root {\n\n--logo-img: url(https://scp-wiki.wdfiles.com/local--files/a-form-to-outlast-time/Bauhaus.png);\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n[[=]]\n\n**[http://scp-wiki.wikidot.com/ralliston-s-authorpage More by this author]**\n\n[[/=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n[[/>]]\n\n\n\n[[div class=\"paper\"]]\n\n\n\n[[==]]\n\n\n\n[[size 0.85em]]Culture \u00bb [# Architecture][[/size]]\n\n\n\n[[size 1.4em]]**A Form To Outlast Time -- A Brief History of Architecture During the Times of the Fae Empire**[[/size]]\n\n\n\n[[size 0.8em]]by Evelynn Kipling, 2036\n\nPublished by the unVeiled magazine on behalf of Bauhaus^^4^^[[/size]]\n\n\n\n-----\n\n\n\n@@ @@\n\n\n\n[[image pyramid.jpg width=\"100%\"]]\n\n\n\n= [[size 0.8em]]//An artistic recreation of the ur-brutalist forms of the early Fae Empire, re-designed from recovered archeological material and finished in line with the artist's own artistic interpretation and their own liberties; O. Niemeyer, 1955.//[[/size]]\n\n\n\n@@ @@\n\n\n\n[[size 1.4em]]**Introduction**[[/size]]\n\n\n\nWhen most think of the Fae Empire and its influence on history, its architectural heritage is often shafted as one of the less important parts of its legacy. It's a natural instinct, I feel -- after all, the books on the history of the Empire's bloody conquests have far more pages than those dedicated to the merit of its art. It is the slain demigods and broken nations that we consider when we hear of the Twin Queens and their regime -- not the way in which their slaves put together stones for the supposed glory of their masters.\n\n\n\nNow, however, more than two hundred millennia later, the Empire's violence has disappeared -- but its art has survived. Scattered all throughout the world, ruined Fae Empire-era architecture gives us a far more credible testimony to what the times of the Empire actually looked like than the many fairy tales and legends that talk about its wars and romances. Testimony that also holds great significance within the wider context of the times of the Empire and its culture.\n\n\n\nIt would be easy to outright ignore this part of history, citing it as less than important when compared to the military wound the Empire has inflicted upon the world. But it would also be intellectually dishonest -- the Empire has fallen, but the forms it has created as the vessels of its tyrannical zeitgeist remained. How did they manage to survive that long? Why were they constructed like this? And, most importantly of all, what do they truly have to tell us about the formation and eventual collapse of the Fae Empire?\n\n\n\n[[size 1.4em]]**Early History**[[/size]]\n\n\n\nIn the early days, the Fae Empire had a singular, almost banal goal: to conquer the entire world.\n\n\n\nOf course, winning a war is not nearly the same as ruling a kingdom. The Twin Tyrants might have held a military advantage over their enemies,^^[((bibcite gwyneth1))]^^ but to entirely uproot the old, fluid order of things was a whole different matter entirely. Changing the many cultures of the world to fit the singular form of the Empire, by necessity, took time; time that its Queens spent building their nation from the ground up. It was impossible to govern a state made up of ruins, but it was equally impossible to do so from inside structures which had once belonged to the Empire's enemies. The only logical move then was to construct the Empire's own seats of power. Ones which, by their very design, would send a message to the rest of the world.\n\n\n\nTo kill two birds with one stone, the artists and slavemasters of the emergent Empire came up with a genius plan.\n\n\n\nBack then, the unconquered Fae were [[[a-faerie-tale-of-twin-queens|still free folk]]] -- they lived and died as wild spirits, changing their forms, Names, and lives with just a flick of a hand. They knew no forms and constructed no buildings -- because why would they? What use could they possibly have for structures so stagnant and permanent in their nature? What use could a raindrop ever have for a bed, a ray of sunshine for a door, or a wild hare for a roof? What secrets would the forest wind whisper about the floor or the hearth?\n\n\n\nIndeed, archeological and cultural evidence suggest that the early Fae refused the human and Yeren ways of construction,^^[((bibcite angulo))]^^ instead fully embracing their free and fluid natures. The Fae Empire was the first to change that.\n\n\n\nTo show the oft-illiterate peoples (why would the breeze ever write down its wisdom?) of the old times that a new order has come, the first palaces brought up to the glory of Mab and her sister were simple. They were monumental shapes, bereft of most decorations and unnecessary additions. Cubes and cuboid shapes were the most fashionable, recovered sites tell us, as were small windows, barely enough to fit the head of a single person. Similarly, the fortresses of the emergent Empire knew little of inclined roofs, or colorful banners, or even of flanks. All were seen as too extravagant for the needs of the sisters.^^[((bibcite perez1))]^^\n\n\n\nThrough their gigantic, imposing forms -- mostly made from unnaturally polished stone -- the buildings were meant to relay a simple message: one of strength and integrity beyond time.\n\n\n\nIt is important to note here that the earliest buildings constructed by the Empire were almost entirely constructed using manual labor.^^[((bibcite perez2))]^^ To use magic to bring up its buildings would be, in the Queens' eyes, anathema to their message. What use was conquering a nation that opposed the Twins if they faced no punishment? What //would// the populace of those lands ever use its able-bodied workers for? If not for back-breaking work, then surely for plotting rebellion.\n\n\n\nIt is because of this that a grand majority of palaces and cities built during the early days of the Empire were created by slaves. They used materials excavated from the Earth with their own hands, often refined without expertise. With how wide the Empire soon grew to be, though the almost brutalist forms of the Empire could be recognized anywhere, they were never identical. Sites from all over the world paint us a very diverse picture of those structures. As materials (and those who utilized them) always differed between locations, no two settlements were truly alike.^^[((bibcite perez3))]^^ Still: in the grand scheme of things, they //did// remain coherent in their design philosophy.\n\n\n\nThough this approach -- one which rarely utilized any amount of magic in construction and maintenance -- left a majority of the early cities to crumble with time, it also showed the world at the time that the Empire's power was of this world. That it was not merely an invader, but rather a rightful ruler. That, for better or for worse, it was not going anywhere anytime soon.\n\n\n\n[[size 1.4em]]**Height of Power**[[/size]]\n\n\n\nIn the end, the Empire's war -- however great and bloody -- did not last forever. When the last god bent their knee and the last kingdom fell before the Queens, the Fae Empire succeeded. It had successfully waged war against the whole world and won.^^[((bibcite gwyneth2))]^^\n\n\n\nOvernight, the Empire became something new. It was no longer a force to be feared -- it was a fact, an unchangeable truth of the universe. One whose perpetuity and power was self-evident through its mere existence; a reality that soon became so obvious that it didn't need to be reinforced by art anymore. The Empire's continued actuality took care of that task, leaving the previously strong and important fortresses it had once built as nothing but monuments to a by-gone era. Monuments which would soon come to be seen as an eyesore against the new magnificence the Empire would construct.\n\n\n\nBefore we continue, it is important to note that the nature of the Queens' conquest was not one of pure, total war. There were a few peoples which had been persuaded to bend their knee willingly, before the total destruction and inevitable replacement of their previous, unwilling leader could occur.^^[((bibcite gwyneth3))]^^ Of course, that persuasion most often came from the sheer overwhelming numbers of the approaching armies, but those who swore fealty and prevented the annihilation of their subjects were very often granted relative mercy by Mab. \n\n\n\nLegends tell us that members of the Unseelie Court, her personal confidants and closest allies, were almost exclusively those who greeted Mab with open arms. Amongst songs and poems, we often hear names such as those of Nessilatha, the Golden Twins, Yar'deth and -- most importantly for us here -- [[[horns-and-strings|the Horned King and his Ambassador]]], both rulers of the ancient (and abstruse) Kingdom of Alagadda.^^[((bibcite gwyneth4))]^^\n\n\n\nAll of these mighty deities were not conquered, legends say; they were //welcomed// into the Empire. Not quite as equals, of course, but as more than just slaughtered cattle. They were greeted almost like old friends and received with delight -- and when they came to the capitals, with them they carried art. Art unlike anything the Empire has ever seen.\n\n\n\nThe many cultures which would soon become imported to the Empire were great and numerous, but none of them proved to be as grand as the art and literature (however glum) of the morose Alagadda. The customs of the other lands were also something new, but they weren't anything revolutionary. They weren't anything out of this world -- but Alagadda was.\n\n\n\nAlagadda, on the last threshold of cohesion, was home to a great many techniques and styles which the denizens of the growing Empire had never imagined. Techniques and styles they //couldn't// have ever imagined -- for unlike the rest of its now-subservient kin, Alagadda was not a kingdom. It was a mask.\n\n\n\nIt's difficult to talk about Alagadda, even today, because its distant location which tethers beyond the edge of comprehension is not something man was really meant to understand. It isn't a concrete culture, one whose history can be traced back and analyzed. It is a cruel reflection of what is, what could have been, and what maybe one day shall be; a mirror against whatever the current and local zeitgeist might represent and resent.^^[((bibcite okorie))]^^\n\n\n\nThe only thing we can really state for certain, today, is Alagadda's quadruple palette; that red, white, black, and yellow are the only colors which are allowed to exist within the kingdom. Because of this, most of its creations, no matter how familiar they might seem, evade our true perception. \n\n\n\nThe Fae Empire too was not exempt from this issue. Though the architecture that the Alagadda-inspired Fae artists created was no doubt something its deific monarchs could grasp, today, their ruins are engulfed in thick fogs. Both antimemetic and dreamlike, they evade precise measurements and analysis even by the sharpest of experts.^^[((bibcite wheeler))]^^ This is why most of the Empire's remnants are just that: barely-comprehensible records, constructed //en masse// during the times of greatest wealth and now forgotten.\n\n\n\nStill, not all has been lost. By looking at the margins, at the borders of the elusive shapes of Alagadda imposed upon large portions of the Empire, experts were able to understand a few things about the architecture that it had inspired.\n\n\n\nWe know that the dominant form was that of nature, of the leaf and the flower, of vines and butterflies. In a style almost akin to the human //art nouveau//, these forms focused on movement and dynamism.^^[((bibcite enzan))]^^ The role of light was very important to those structures, as we can infer from great windows made from colorful glass, as was the continuity of the buildings. \n\n\n\nNature itself has also found a place among the forms which imitated it. The appearance of the ancient [[[the-spire-star-extended-edition|Fernafaun]]] still stands as a monument to all that greenery which the Twin Tyrants would come to cultivate, perhaps so as to appear that they are returning to their roots. No matter the reason, soil analysis and whatever few surviving ancient texts (fully exempt from the issue of the fog!) show us that the Empire soon exploded with bark and branches between its buildings like never before.\n\n\n\nOf course -- though this issue only affected the richest echelons of society, entirely escaping the still-simple houses the poor masses had lived in -- all of these forms remained only yellow, red, black or white. These colors were oft achieved by the incorporation of expensive jewels and minerals into the forms. From rubies to the soon-to-become-fashionable magic conductor of irrilte, the Empire had proven it knew no limit to its avarice and vanity, dabbling in debauchery never before seen.\n\n\n\nWere the excessive customs of the Fae royalty influenced by the colors and forms they have chosen to appropriate as their own, making themselves subconsciously more akin to the depraved Alagadda? Was it all an intentional play by the King and his Ambassador, a subtle way to sink reality closer towards their own reach? As with all truths about the Empire, there seems to be no concrete answer; Scholars still debate this issue to this day. Whatever the case, however, the overabundance the Empire began to display had just started. Their lavishness would, in the end, prove humble compared to their future practises.\n\n\n\n[[size 1.4em]]**The Fall**[[/size]]\n\n\n\nIf there's one thing that history teaches us, it's that time is but a wheel^^[((bibcite anon))]^^ -- after every day there must inevitably come the sunset, and with it, the night. Indeed: the Empire's reign did not, in the end, last forever. Though the might its rulers had displayed was no doubt great, just like everything, it too was bound to end.\n\n\n\nWhen the civil war began, splitting the Empire into two, the whole world was set aflame.\n\n\n\nIt is difficult to say anything certain about the conflict between Seelie and Unseelie, about the millenia-long massacres that engulfed the world during the struggle between the now-feuding Sisters. All we know is that it was a bloodbath, one that brought down entire civilizations and their cultural legacies. Because of this, even with the magic-hardening the Empire would practice on its buildings by then, there exists little concrete archeological evidence to show us what these times looked like. Almost all structures that have been brought up during the last eras of the Fae Empire were ultimately leveled, as were its older kin -- and those that weren't remained little more than magic-haunted rubble.^^[((bibcite wheeler))]^^ All historical records of that part of history were forever lost to time.\n\n\n\n...Or so we had thought.\n\n\n\nWhen the Veil fell back in 2021, a crucial missing part of the puzzle was revealed to us. It was the mostly-ruined but still-extant palace buried beneath the former [[[ralliston-s-proposal|SCP Foundation Site-01]]]. The last remaining witness to the Empire, finally shown to the public by Vanguard after more than a century of secrecy, kept up shockingly well despite its age.\n\n\n\nThough the building still remained in too poor of a condition to give us a whole, coherent picture, time -- or, very possibly, the will of Mab herself -- nevertheless kept it a true rosetta stone. We cannot, of course, claim in good intellectual faith that the style the structure shows us accurately reflects the entire incredibly long period of the civil war, especially considering the cultural differences which inevitably must have grown between the two factions. Its form, however, still shows us a fascinating departure from both of the previously-described dominant styles of the Empire.\n\n\n\nThe building is still a sharp thing, in spite of its damage, one constructed with honed, long, and thin forms. Almost all of the material used in its composition is a black stone of unknown make, reinforced with ancient runes writ in irrilite. Though the palace has certainly shown innovation with its incredibly tall spires and angular walls and slopes, a return to the more traditional style that the Empire had been founded on can also be seen. For all of the palace's novelty, one cannot ignore the almost-brutalist interiors that bear little to no decoration.^^[((bibcite hadfield))]^^ Though they were no longer banal in their shape, they were certainly not home to many unnecessary decorations or elaborate ornaments. Between the gloomy corridors and sharp, almost spear-like shapes of its towers, it appears as if the building itself was //also// preparing for war.\n\n\n\nOf course, the war it had been built to brace would in the end claim it too, just as it had claimed the rest of its architectural brethren. Whether it was the latest or the oldest structure in that period, we might never know, because those parts of the Fae Empire which were not leveled by the war effort were later mostly cleaned up by the emergent Yeren civilization and its cultural revolution.^^[((bibcite dwovogh))]^^ \n\n\n\n[[size 1.4em]]**Conclusion**[[/size]]\n\n\n\nWith this, our brief look at the history of architecture in the Fae Empire comes to an end. Of course, this article should only be regarded as a primer into this topic for those uninitiated in the field and not as a deep dive into a detailed record of all styles prevalent throughout the Empire aimed at experts. (For a few particularly great examples of the latter, I would personally recommend the collected works of Olivi\u00e9 Gwyneth, the Head Archivist of the Sidhe Lounge, especially her memoirs of [[[midnight-sun|paranarcotic-enduced extemporal visions]]].)\n\n\n\nNevertheless, it is my hope that this work has caught your attention, dear reader, and has persuaded you into diving deeper into the fascinating part of our history that is the examination of the artistic legacy of the Fae Empire. As mentioned before, though we often ignore this part of history, it is precisely the art that shows us the most accurate image of those time. Indeed, just as all art, architecture too is little but a reflection of the current cultural zeitgeist, accurately mirroring the worries and hopes of any given time period -- one far more poignant than any sword or axe could ever give us.\n\n\n\nOne that, if properly learned and understood, might perhaps even help us break the wheel and never again repeat the horrors that the Twins have brought upon the world.\n\n\n\n...But that's just wishful thinking.\n\n\n\n[[bibliography title=\"Sources\"]]\n\n: gwyneth1 : Gwyneth, O. (2024). The Military History of the Fae Empire. //External Global Occult Coalition Publishing//, 2-5.\n\n: angulo : Angulo, M. (2026). Interviews with Father Winter. //Vanguard Academic Consortium//, 7-8.\n\n: perez1: Perez, D. (2023). Foundations of Terror. //Published independently//, 8-18.\n\n: perez2: Perez, D. (2023). Foundations of Terror. //Published independently//, 19-35.\n\n: perez3: Perez, D. (2025). On Diversity in Spite of Imperialism. //Published independently//, 3-6.\n\n: gwyneth2 : Gwyneth, O. (2024). The Military History of the Fae Empire. //External Global Occult Coalition Publishing//, 10-12.\n\n: gwyneth3 : Gwyneth, O. (2024). The Military History of the Fae Empire. //External Global Occult Coalition Publishing//, 17-19.\n\n: gwyneth4 : Gwyneth, O. (2027). Children of the Empire. //External Global Occult Coalition Publishing//, 9-16.\n\n: okorie : Okorie, O. (2003). The Masquerade. //Internal SCP Foundation Publishing//, 4-7.\n\n: wheeler : Wheeler, C. (2022). Ashes of Eternity. //Vanguard Academic Consortium//, 1-27.\n\n: enzan : Enzan, O. (1938). Parallels Between Seccessionism and Pre-Antiquity. //Wanderers' Library//, 50-74.\n\n: anon : Anonymous (Unknown). Shift in the Paradigm: The Ceaseless Cycle of Paranormal History. //Published independently//, 1-26.\n\n: hadfield : Hadfield, J. (1924). An Historical Analysis of the Ruins Beneath Overwatch Command. //Internal SCP Foundation Publishing//, 8-63.\n\n: dwovogh : Dwovogh, N. (2036). Cycles of Violence: Of the Faithful Past and Avoidable Heresy. //Internal Global Occult Coalition Publishing//, 42-64.\n\n[[/bibliography]]\n\n[[/==]]\n\n\n\n[[/div]]\n\n\n\n[[=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** Bauhaus.png\n\n> **Author:** [[*user Jasiu06]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/a-form-to-outlast-time SCP Foundation Wiki]\n\n\n\n> **Filename:** pyramid.jpg\n\n> **Name:** MAM Caracas.jpg\n\n> **Author:** N/A\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:MAM_Caracas.jpg Wikimedia Commons]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n\n[[/=]]\n", "tags": ["_cc", "_licensebox", "_other", "academic", "alagadda", "children-of-the-night", "faerie", "fantasy", "from-120s-archives", "goi-format", "historical", "homo-sapiens-sidhe", "journalism", "queen-mab"], "title": "A Form To Outlast Time \u2014 A Brief History of Architecture During the Times of the Fae Empire - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-form-to-outlast-time"}, "a-friendly-guide-to-the-katharsys-music-festival": {"created_at": "2024-02-01T18:03:00", "creator": "Diogene_s", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "", "date": "2024-02-01T18:03:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "Uploaded file \"Festival cortau.jpg\".", "date": "2024-02-01T18:04:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "", "date": "2024-02-01T18:05:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "File \"Festival cortau.jpg\" renamed to \"Cut Mepl1185.jpg\".", "date": "2024-02-01T18:05:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _goi-format, are-we-cool-yet, backdoor-soho, co-authored, goi-fornat, no-return, the-critic, veronica-fitzroy. 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", "date": "2024-02-01T19:33:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2024-02-01T19:52:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2024-02-01T19:53:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2024-02-01T19:55:00"}, {"author": "Jasiu06", "author_href": "https://www.wikidot.com/user:info/jasiu06", "comment": "Changing links to local links", "date": "2024-02-01T20:16:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: esterburg. ", "date": "2024-02-01T20:24:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: esterberg, eurtec. Removed tags: esterburg. 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", "date": "2024-02-08T15:46:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "", "date": "2024-02-08T23:34:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "Added tags: goldbaker-reinz. ", "date": "2024-02-20T23:04:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "", "date": "2024-09-20T19:47:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy. ", "date": "2024-10-17T06:52:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:46:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/a-friendly-guide-to-the-katharsys-music-festival/Cut%20Mepl1185.jpg"], "link": "a-friendly-guide-to-the-katharsys-music-festival", "page_id": "1452511440", "rating": 51, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ascp-offices-theme/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=4&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ascp-human-resources/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"text-align: justify;\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:1.3em;\"><strong><a href=\"javascript:;\">Best</a>\uff5c<a href=\"javascript:;\">Newest</a>\uff5c<a href=\"javascript:;\">Breaking News</a>\uff5c<a href=\"javascript:;\">My Page</a></strong></span></p>\n</div>\n<hr/>\n<p><span style=\"font-size:0.85em;\">unVeiled \u00bb <a href=\"javascript:;\">Culture</a></span></p>\n<p><span style=\"font-size:1.4em;\"><strong>A Friendly Guide To The Katharsys Music Festival</strong></span></p>\n<p><span style=\"font-size:0.8em;\"><strong>By Amanda Zimmermann (\u2042Zimmermann-A)</strong><br/>\n<strong>Published 26/04/2028, 09:32</strong></span></p>\n<img alt=\"Cut%20Mepl1185.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/a-friendly-guide-to-the-katharsys-music-festival/Cut%20Mepl1185.jpg\"/>\n<p><span style=\"font-size:0.8em;\">Performance by Muwurder Monster, Gori\u010dna, 2015</span></p>\n<p>Music has always been an integral part of culture. Thus, it is safe to say music festivals are a vital part of the cultural ecosystem, allowing one to explore a staggering variety of artists and genres in one location. From cultural milestones to small indie proposals, there's tens of thousands of festivals happening around the globe yearly.</p>\n<p>It doesn't come as a surprise then, that after the fall of the veil in 2021, the wider world would learn about the vibrant anomalous music and festival scene. With what was once hidden now revealed, the world at large can enjoy the revelry. This article aims to be a guide to understand the largest festival of the anomalous world, the Katharsys festival, coming to Esterberg this July.</p>\n<hr/>\n<p><span style=\"font-size:1.2em;\"><strong>The rise of the Katharsys festival</strong></span></p>\n<p>As the organizers of the Katharsys festival proudly display on their website, this years' event will be its seventh celebration. To truly understand what this means, allow me to take you down memory lane and revisit the previous festivals.</p>\n<p>This celebration of anomalous music was, originally, the brainchild of one Alejandro Johanssen, who at the time, was associated with an Are We Cool Yet? cell based out of Backdoor Soho, New York's hotspot for anart activity. He and a small group of anartists wanted to create a safe space for musicians to express themselves and show their creations. In 2009, this idea coalesced into a local music festival: the Katharsys. The festival aimed to \"explore the limits of music as we know it\", as written on the original posters.</p>\n<p>On the 18th and 19th of July 2009, fifteen local artists and bands played for 7000 attendees on two small stages. The most lauded performances were those of NP rock band <a href=\"/wwydftltimd-hub\">House of Spades</a> and alternative rock band <a href=\"/the-friday-exhibition\">Futanari Titwhore Fiasco</a>, which were lauded by the Critic as \"triumphs of anart music.\" Johanssen and his collaborators considered the effort a resounding success.</p>\n<p>Two years later in 2011, Johanssen decided to bring it back, starting the Katharsys legacy. That year, the aim was to cater to a bigger audience, putting aside the focus on the experimental side of anomalous music. A larger space within the Backdoor was rented, and according to the organizers, nearly 15\u00a0000 were in attendance.</p>\n<p>2011 marked the first step into the big leagues, as sponsors started appearing. Allegedly, various paratech companies were interested in providing equipment in exchange for a cut of the profits. Ambrose Restaurants and Spicy Crust Pizzeria, for example, opened pop-up restaurants for the duration of the festivities. In terms of cultural impact, the Critic said the following in his blog: \"the musical side of anart hasn't seen a boom so big since the Fair Disco genre was invented in the 1970s\". At this point, Katharsys had gone viral on the social media platform Void, resulting in many international fans traveling from around the globe to witness the spectacle.</p>\n<p>However, this newfound popularity led to some issues. Part of the team felt that Katharsys had lost its charm, causing some of them to move on from the project. Serena Behrakis, former second in command, stated the following in reference to Johanssen: \"He has lost the focus on the art. Now it's all about the money\". Regardless, Katharsys continued onwards.</p>\n<p>The third festival, in 2013, was the first time that it was organized outside of the Backdoor. Their new <em>modus operandi</em> was based around moving the event to a different anomalous community each year. This time around, the venue was rented in Three Portlands. And they went big: 35 bands and singers from all corners of the veiled world performed in the event. Some, like the <a href=\"http://ko.scp-wiki.net/note-hub\">Noonday Oak Troupe</a> came from very far away (Korea, in this case). Others were as local as it gets, like The Tattle Antlers, formed by Deer College Students just a week before the event. In total, there were an estimated 28\u00a0000 attendees.</p>\n<p>The fourth festival was organized in 2015. The venue was in Gori\u010dna, which meant that there was a stronger presence from the European anomalous music scene. This event is considered by music enthusiasts as the \"last good Katharsys before it all went to shit\", as expressed by famed Backdoor journalist Lyre Lamarr Turing in his 2021 anart retrospective. And as we'll see, it's no wonder the public has this overwhelmingly good feeling about this edition. It kept the same number of attendees as the third edition, with 45 bands playing.</p>\n<p>Nevertheless, there was some controversy surrounding this festival. During the celebrations, there was a spike of arrests of alleged paracriminals by the Foundation, GOC and the PANGEA network, including the containment of las Ilegalizadoras, a Spanish punk band whose cognitohazardous songs forced the audience into a violent frenzy. They were detained shortly after their show, sparking a wave of outrage among the anart community, some members of which completely disowned the festival, claiming in Void that it had become a \"tool for Jailors and Bookburners to keep us controlled\".</p>\n<p><span style=\"font-size:1.2em;\"><strong>The fall of the Katharsys festival</strong></span></p>\n<p>The fifth Katharsys festival in 2017 is widely regarded as one of the worst disasters of the anart world. Records are spotty, but newly declassified information coming from Vanguard has revealed that Johanssen, desperate after the backlash from the previous edition, made a deal with the label \"Fivefold Music\" which supplied Katharsys with new extremely profitable contracts with musicians under the company's umbrella, including the rock band <a href=\"/scp-4690\">Weezer</a>.</p>\n<p>After the debut of that year's event in Eurtec, it was shut down by the Global Occult Coalition. Video recordings of the incident are scarce, but show large star-shaped spatial anomalies happening on-stage and the audience chanting rhythmically. No witnesses have been available to provide further context since then. This still remains as one of the most cryptic mysteries of the music world.</p>\n<p>After these developments, Johanssen disappeared, leaving the Katharsys company without a leader. That's when Serena Behrakis returned to take care of business.</p>\n<p>The sixth Katharsys festival was scheduled to happen in July 2021 in the Arrondissement \u00c9sot\u00e9rique of Paris. However, the Impasse made it impossible for most performers and customers to attend that year. Hastur's Nipples, a pop/death metal fusion band from Undervegas, Billy Selkie and the Phantom Quartet, a ghost jazz band from New Orleans, and Bjorn Leifsson, a time-displaced viking skald, all disappeared because of the effects of the Quiet Days. Acramal, one of Argentina\u2019s top anomalous rappers, lost her ability to speak, while the Songbirds, a traveling band of sparrows, lost their sapience and The Squid-eaters, a prog rock band from Hy-Brasil, lost their corporeality. This, of course, lead to the outright cancellation of nearly all the events planned for the festival. The only concert that ended up happening in the context of the 2021 edition of Katharsys was a small representation of variations upon Chopin\u2019s Funeral March in the catacombs of Paris.</p>\n<p>Nobody believed that after two complete failures this cultural phenomenon would be able to come back from the dead. However, after nearly three years of radio silence, in November 2023, all social media accounts for the festival published a countdown. The seventh edition of Katharsys was coming.</p>\n<p><span style=\"font-size:1.2em;\"><strong>What to expect for this edition?</strong></span></p>\n<p>Although fans are skeptical, Behrakis is determined to make it work. In an interview with unVeiled, she stated: \"This is a return to form for Katharsys. We are going back to just focusing on the art of music instead of focusing on profit.\" But her words don't seem to match the reality of the matter, as this year's is shaping up to be the largest edition of this festival yet.</p>\n<p>A field of four hectares has been rented in the outskirts of Esterberg, where four stages will be built. 60 artists will be performing between the 12th and the 14th of July.</p>\n<p>The list of performers is very promising. As for the heavy hitters, we have Ludwig van Beethoven (<a href=\"/scp-5572\">revived in 2003</a>) who has stated in an interview with Rolling Stone that he will use this opportunity to unveil Symphony no. 11, which has: \"Lots of modern influences\". Bander'honn, a hit band hailing from Druv'Tuul promises to bring the best subterranean Yeren rock using their living insectoid instruments. The Tattle Antlers, now an international sensation because of their memetically and thaumaturgically enhanced music, will return to their garage rock roots for the duration of the festivities. <a href=\"/truth-is-sin\">MachineGod</a> will debut outside of Eurtec to perform in a rave that will last for an entire night. The N\u00e4lk\u00e4 brawn metal singer Kh\u00f6\u00f6rl will delight listeners with the sound of their many amalgamated mouths. The metal band <a href=\"/scp-3882\">Shattered Deus</a> is scheduled to be the closing act the last day of the festival. An impressive lineup to be sure, and that's not even counting the 50 other lesser known artists attending.</p>\n<p>While most music enthusiasts can't wait to attend the first Katharsys festival after the fall of the veil, others are reasonably cautious because of the danger some anart has posed to the public in the past. But rest assured, dear reader, because Vanguard has agreed to supply some specialized personnel to check that everything goes as planned. Memeticists will perform check-ups on any performances that include memetic material released during the festival, cognitohazard response teams will be present to assist the afflicted, and pataphysicists will ensure no ascensions to a higher narrative level occur. Plus, Katharsys management has reached a deal with Goldbaker-Reinz Ltd., meaning that any and all attendees will be insured against any ill-effects and injuries that may happen on the grounds of the festival.</p>\n<p>We encourage everyone who has a modicum of interest in the anart music scene to come listen to these bands this July, and visit Esterberg too, which, at that time of the year, is a lovely sight. This, of course, leaves us with only one thing left to say: I hope to see all of you there.</p>\n<hr/>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:1.3em;\"><strong>See Also</strong></span></p>\n</div>\n<div class=\"end1\">\n<table style=\"border: none; width: 100%;\">\n<tr>\n<td style=\"width: 45%; padding-right: 5%;\">\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Politics</a></strong></span></p>\n<ul>\n<li><a href=\"/scp-3932\">Territorial Disputes Between The Great Barrier Reef Confederacy and Australia Heat Up</a></li>\n<li><a href=\"javascript:;\">New Yeren-friendly Political Parties Emerge in France, Andorra and Spain</a></li>\n<li><a href=\"/scp-475\">The Australian Church of Australia Announces New Zealand Deserved To Sink In 2022</a></li>\n</ul>\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Science &amp; Technology</a></strong></span></p>\n<ul>\n<li><a href=\"/scp-7186\">A Discovery in Australia is Challenging our Understanding of Plate Tectonics Theory</a></li>\n<li><a href=\"javascript:;\">The Impossibility of Time Travel and Why It Doesn't Matter</a></li>\n<li><a href=\"/the-appliance-war-hub\">Linguopaths Achieve Stable Communication Between Ovens and Humans</a></li>\n</ul>\n</td>\n<td style=\"width: 45%;\">\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Economy</a></strong></span></p>\n<ul>\n<li><a href=\"javascript:;\">Dreams as Consumer Goods: What Does Oneiroi Industries Do?</a></li>\n<li><a href=\"javascript:;\">Teeth and How to Make a Profit From Selling Them in the Fae and Mouse Markets</a></li>\n<li><a href=\"javascript:;\">The Onion Futures Act Repealed? Invest In Onions Now!</a></li>\n</ul>\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Culture</a></strong></span></p>\n<ul>\n<li><a href=\"javascript:;\">The Three Most Ethical Ways to Reach Out to Deceased Family and Friends</a></li>\n<li><a href=\"javascript:;\">Sentient Plants and Veganism: a Moral Quandary</a></li>\n<li><a href=\"/scp-6597\">An Interview With Scordoh: Everything There Is to Know About the God of Scrimshaw</a></li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"end2\">\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Politics</a></strong></span></p>\n<ul>\n<li><a href=\"javascript:;\">The Ghost of Margaret Thatcher's Campaign For Mayor of London</a></li>\n<li><a href=\"/kompas-parapolityczny-na-trudne-czasy\">A Parapolitical Compass for These Difficult Times</a></li>\n<li><a href=\"javascript:;\">Can The United Kingdom Geographically Exit Europe? (Continuing Brexit Story)</a></li>\n</ul>\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Science &amp; Technology</a></strong></span></p>\n<ul>\n<li><a href=\"javascript:;\">Anderson Robotics Reveals New Caracara Model Line</a></li>\n<li><a href=\"javascript:;\">Vanguard's Dr. Dagon Becomes First Man To Own Miniature T-Rex</a></li>\n<li><a href=\"javascript:;\">Wonder World\u2122 Reveals Alchemic Process Behind Misters</a></li>\n</ul>\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Economy</a></strong></span></p>\n<ul>\n<li><a href=\"javascript:;\">Dreams as consumer goods: what does Oneiroi Industries do?</a></li>\n<li><a href=\"javascript:;\">President Ocasio-Cortez Announces New Economic Plan</a></li>\n<li><a href=\"javascript:;\">What the Closing of Prometheus Labs In 1998 Meant For the Veiled World</a></li>\n</ul>\n<p><span style=\"font-size:1.2em;\"><strong><a href=\"javascript:;\">Culture</a></strong></span></p>\n<ul>\n<li><a href=\"javascript:;\">The three most ethical ways to commune with deceased family and friends</a></li>\n<li><a href=\"http://scp-int.wikidot.com/dossier-lph\">Ambrose Little Havana: A Review</a></li>\n<li><a href=\"javascript:;\">Veronica Fitzroy, Drummer Of House of Spades Released From Vanguard Custody</a></li>\n</ul>\n</div>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"font-size:0.85em;\"><a href=\"javascript:;\">Terms of Service</a> | <a href=\"javascript:;\">Contact</a> | <a href=\"javascript:;\">Privacy Policy</a> | <a href=\"javascript:;\">About Us</a> | <a href=\"javascript:;\">Newsletter</a> | <a href=\"javascript:;\">Site Map</a></span></p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-friendly-guide-to-the-katharsys-music-festival\">unVeiled: A Friendly Guide To The Katharsys Music Festival</a>\" by Diogene_s and Uncle Nicolini, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-friendly-guide-to-the-katharsys-music-festival\">https://scpwiki.com/a-friendly-guide-to-the-katharsys-music-festival</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Cut Mepl1185.jpg<br/>\n<strong>Name:</strong> Cut Mepl1185.<br/>\n<strong>Author:</strong> Matthew Withers<br/>\n<strong>License:</strong> CC BY-SA 2.5 DEED<br/>\n<strong>Source Link:</strong> [<a href=\"https://commons.wikimedia.org/wiki/File:Mepl1185.jpg\">https://commons.wikimedia.org/wiki/File:Mepl1185.jpg</a>]</p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:scp-offices-theme\">:scp-wiki:theme:scp-offices-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:scp-human-resources\">:scp-wiki:theme:scp-human-resources</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:centered-header-bhl\">:scp-wiki:component:centered-header-bhl</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--logo-image: url(\"https://scp-wiki.wikidot.com/local--files/grigori-karpin-s-author-page/vanguard%20transparent.png\");\n\n\u00a0\u00a0\u00a0\u00a0--header-title: \"ANGUARD\";\n\n\u00a0\u00a0\u00a0\u00a0--header-subtitle: \"SHELTER - NORMALIZE - INFORM\";\n\n\u00a0\u00a0\u00a0\u00a0--header-h2-font-size: 1.1em;\n\n}\n\n\n\n#header::before {\n\n\u00a0\u00a0\u00a0\u00a0left: -12rem;\n\n\u00a0\u00a0\u00a0\u00a0filter: brightness(125%);\n\n\u00a0\u00a0\u00a0\u00a0opacity: 1;\n\n}\n\n\n\n#header h1 a::before {\n\n\u00a0\u00a0\u00a0\u00a0font-size: unset;\n\n}\n\n\n\n#header h2::before {\n\n\u00a0\u00a0\u00a0\u00a0color: #fe4;\n\n}\n\n\n\n#header h2 {\n\n\u00a0\u00a0\u00a0\u00a0top: 1em;\n\n}\n\n\n\n#header #login-status {\n\n\u00a0\u00a0\u00a0\u00a0left: -2vw;\n\n}\n\n\n\n@media (max-width: 767px) {\n\n\u00a0\u00a0\u00a0\u00a0#header::before {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0left: -7rem;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n\n\n\u00a0\u00a0\u00a0\u00a0#header h1 {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0top: 0.5em;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0left: 0.5em;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n\n\n#page-title {\n\n\u00a0\u00a0\u00a0\u00a0display: none;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[==]]\n\n\n\n[[=]]\n\n[[size 1.3em]]**[# Best]\uff5c[# Newest]\uff5c[# Breaking News]\uff5c[# My Page]**[[/size]]\n\n[[/=]]\n\n\n\n------\n\n\n\n[[size 0.85em]]unVeiled \u00bb [# Culture][[/size]]\n\n\n\n[[size 1.4em]]**A Friendly Guide To The Katharsys Music Festival**[[/size]]\n\n\n\n[[size 0.8em]]**By Amanda Zimmermann (\u2042Zimmermann-A)**\n\n**Published 26/04/2028, 09:32**[[/size]]\n\n\n\n[[image Cut%20Mepl1185.jpg]]\n\n\n\n[[size 0.8em]]Performance by Muwurder Monster, Gori\u010dna, 2015[[/size]]\n\n\n\nMusic has always been an integral part of culture. Thus, it is safe to say music festivals are a vital part of the cultural ecosystem, allowing one to explore a staggering variety of artists and genres in one location. From cultural milestones to small indie proposals, there's tens of thousands of festivals happening around the globe yearly.\n\n\n\nIt doesn't come as a surprise then, that after the fall of the veil in 2021, the wider world would learn about the vibrant anomalous music and festival scene. With what was once hidden now revealed, the world at large can enjoy the revelry. This article aims to be a guide to understand the largest festival of the anomalous world, the Katharsys festival, coming to Esterberg this July.\n\n\n\n------\n\n\n\n[[size 1.2em]]**The rise of the Katharsys festival**[[/size]]\n\n\n\nAs the organizers of the Katharsys festival proudly display on their website, this years' event will be its seventh celebration. To truly understand what this means, allow me to take you down memory lane and revisit the previous festivals.\n\n\n\nThis celebration of anomalous music was, originally, the brainchild of one Alejandro Johanssen, who at the time, was associated with an Are We Cool Yet? cell based out of Backdoor Soho, New York's hotspot for anart activity. He and a small group of anartists wanted to create a safe space for musicians to express themselves and show their creations. In 2009, this idea coalesced into a local music festival: the Katharsys. The festival aimed to \"explore the limits of music as we know it\", as written on the original posters.\n\n\n\nOn the 18th and 19th of July 2009, fifteen local artists and bands played for 7000 attendees on two small stages. The most lauded performances were those of NP rock band [[[wwydftltimd-hub|House of Spades]]] and alternative rock band [[[the-friday-exhibition|Futanari Titwhore Fiasco]]], which were lauded by the Critic as \"triumphs of anart music.\" Johanssen and his collaborators considered the effort a resounding success.\n\n\n\nTwo years later in 2011, Johanssen decided to bring it back, starting the Katharsys legacy. That year, the aim was to cater to a bigger audience, putting aside the focus on the experimental side of anomalous music. A larger space within the Backdoor was rented, and according to the organizers, nearly 15 000 were in attendance.\n\n\n\n2011 marked the first step into the big leagues, as sponsors started appearing. Allegedly, various paratech companies were interested in providing equipment in exchange for a cut of the profits. Ambrose Restaurants and Spicy Crust Pizzeria, for example, opened pop-up restaurants for the duration of the festivities. In terms of cultural impact, the Critic said the following in his blog: \"the musical side of anart hasn't seen a boom so big since the Fair Disco genre was invented in the 1970s\". At this point, Katharsys had gone viral on the social media platform Void, resulting in many international fans traveling from around the globe to witness the spectacle.\n\n\n\nHowever, this newfound popularity led to some issues. Part of the team felt that Katharsys had lost its charm, causing some of them to move on from the project. Serena Behrakis, former second in command, stated the following in reference to Johanssen: \"He has lost the focus on the art. Now it's all about the money\". Regardless, Katharsys continued onwards.\n\n\n\nThe third festival, in 2013, was the first time that it was organized outside of the Backdoor. Their new //modus operandi// was based around moving the event to a different anomalous community each year. This time around, the venue was rented in Three Portlands. And they went big: 35 bands and singers from all corners of the veiled world performed in the event. Some, like the [http://ko.scp-wiki.net/note-hub Noonday Oak Troupe] came from very far away (Korea, in this case). Others were as local as it gets, like The Tattle Antlers, formed by Deer College Students just a week before the event. In total, there were an estimated 28 000 attendees.\n\n\n\nThe fourth festival was organized in 2015. The venue was in Gori\u010dna, which meant that there was a stronger presence from the European anomalous music scene. This event is considered by music enthusiasts as the \"last good Katharsys before it all went to shit\", as expressed by famed Backdoor journalist Lyre Lamarr Turing in his 2021 anart retrospective.\u00a0\u00a0And as we'll see, it's no wonder the public has this overwhelmingly good feeling about this edition. It kept the same number of attendees as the third edition, with 45 bands playing.\n\n\n\nNevertheless, there was some controversy surrounding this festival. During the celebrations, there was a spike of arrests of alleged paracriminals by the Foundation, GOC and the PANGEA network, including the containment of las Ilegalizadoras, a Spanish punk band whose cognitohazardous songs forced the audience into a violent frenzy. They were detained shortly after their show, sparking a wave of outrage among the anart community, some members of which completely disowned the festival, claiming in Void that it had become a \"tool for Jailors and Bookburners to keep us controlled\".\n\n\n\n[[size 1.2em]]**The fall of the Katharsys festival**[[/size]]\n\n\n\nThe fifth Katharsys festival in 2017 is widely regarded as one of the worst disasters of the anart world. Records are spotty, but newly declassified information coming from Vanguard has revealed that Johanssen, desperate after the backlash from the previous edition, made a deal with the label \"Fivefold Music\" which supplied Katharsys with new extremely profitable contracts with musicians under the company's umbrella, including the rock band [[[scp-4690|Weezer]]].\n\n\n\nAfter the debut of that year's event in Eurtec, it was shut down by the Global Occult Coalition. Video recordings of the incident are scarce, but show large star-shaped spatial anomalies happening on-stage and the audience chanting rhythmically. No witnesses have been available to provide further context since then. This still remains as one of the most cryptic mysteries of the music world.\n\n\n\nAfter these developments, Johanssen disappeared, leaving the Katharsys company without a leader. That's when Serena Behrakis returned to take care of business.\n\n\n\nThe sixth Katharsys festival was scheduled to happen in July 2021 in the Arrondissement \u00c9sot\u00e9rique of Paris. However, the Impasse made it impossible for most performers and customers to attend that year. Hastur's Nipples, a pop/death metal fusion band from Undervegas, Billy Selkie and the Phantom Quartet, a ghost jazz band from New Orleans, and Bjorn Leifsson, a time-displaced viking skald, all disappeared because of the effects of the Quiet Days. Acramal, one of Argentina\u2019s top anomalous rappers, lost her ability to speak, while the Songbirds, a traveling band of sparrows, lost their sapience and The Squid-eaters, a prog rock band from Hy-Brasil, lost their corporeality. This, of course, lead to the outright cancellation of nearly all the events planned for the festival. The only concert that ended up happening in the context of the 2021 edition of Katharsys was a small representation of variations upon Chopin\u2019s Funeral March in the catacombs of Paris.\n\n\n\nNobody believed that after two complete failures this cultural phenomenon would be able to come back from the dead. However, after nearly three years of radio silence, in November 2023, all social media accounts for the festival published a countdown. The seventh edition of Katharsys was coming.\n\n\n\n[[size 1.2em]]**What to expect for this edition?**[[/size]]\n\n\n\nAlthough fans are skeptical, Behrakis is determined to make it work. In an interview with unVeiled, she stated: \"This is a return to form for Katharsys. We are going back to just focusing on the art of music instead of focusing on profit.\" But her words don't seem to match the reality of the matter, as this year's is shaping up to be the largest edition of this festival yet.\n\n\n\nA field of four hectares has been rented in the outskirts of Esterberg, where four stages will be built. 60 artists will be performing between the 12th and the 14th of July.\n\n\n\nThe list of performers is very promising. As for the heavy hitters, we have Ludwig van Beethoven ([[[scp-5572|revived in 2003]]]) who has stated in an interview with Rolling Stone that he will use this opportunity to unveil Symphony no. 11, which has: \"Lots of modern influences\".\u00a0\u00a0Bander'honn, a hit band hailing from Druv'Tuul promises to bring the best subterranean Yeren rock using their living insectoid instruments. The Tattle Antlers, now an international sensation because of their memetically and thaumaturgically enhanced music, will return to their garage rock roots for the duration of the festivities. [[[truth-is-sin|MachineGod]]] will debut outside of Eurtec to perform in a rave that will last for an entire night. The N\u00e4lk\u00e4 brawn metal singer Kh\u00f6\u00f6rl will delight listeners with the sound of their many amalgamated mouths. The metal band [[[scp-3882 |Shattered Deus]]] is scheduled to be the closing act the last day of the festival. An impressive lineup to be sure, and that's not even counting the 50 other lesser known artists attending.\n\n\n\nWhile most music enthusiasts can't wait to attend the first Katharsys festival after the fall of the veil, others are reasonably cautious because of the danger some anart has posed to the public in the past. But rest assured, dear reader, because Vanguard has agreed to supply some specialized personnel to check that everything goes as planned. Memeticists will perform check-ups on any performances that include memetic material released during the festival, cognitohazard response teams will be present to assist the afflicted, and pataphysicists will ensure no ascensions to a higher narrative level occur. Plus, Katharsys management has reached a deal with Goldbaker-Reinz Ltd., meaning that any and all attendees will be insured against any ill-effects and injuries that may happen on the grounds of the festival.\n\n\n\nWe encourage everyone who has a modicum of interest in the anart music scene to come listen to these bands this July, and visit Esterberg too, which, at that time of the year, is a lovely sight. This, of course, leaves us with only one thing left to say: I hope to see all of you there.\n\n\n\n------\n\n\n\n[[=]]\n\n[[size 1.3em]]**See Also**[[/size]]\n\n[[/=]]\n\n\n\n[[module css]]\n\n.end2 {\n\n\u00a0\u00a0\u00a0\u00a0display: none;\n\n}\n\n\n\n@media only screen and (max-width: 450px) {\n\n\u00a0\u00a0\u00a0\u00a0.end1 {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0display: none;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n\u00a0\u00a0\u00a0\u00a0.end2 {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0display: inline;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n\n\n[[/module]]\n\n\n\n[[div class=\"end1\"]]\n\n\n\n[[table style=\"border: none; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"width: 45%; padding-right: 5%;\"]]\n\n[[size 1.2em]]**[# Politics]**[[/size]]\n\n* [[[SCP-3932|Territorial Disputes Between The Great Barrier Reef Confederacy and Australia Heat Up]]]\n\n* [# New Yeren-friendly Political Parties Emerge in France, Andorra and Spain]\n\n* [[[scp-475|The Australian Church of Australia Announces New Zealand Deserved To Sink In 2022]]]\n\n\n\n[[size 1.2em]]**[# Science & Technology]**[[/size]]\n\n* [[[SCP-7186|A Discovery in Australia is Challenging our Understanding of Plate Tectonics Theory]]]\n\n* [# The Impossibility of Time Travel and Why It Doesn't Matter]\n\n* [[[the-appliance-war-hub |Linguopaths Achieve Stable Communication Between Ovens and Humans]]]\n\n[[/cell]]\n\n[[cell style=\"width: 45%;\"]]\n\n[[size 1.2em]]**[# Economy]**[[/size]]\n\n* [# Dreams as Consumer Goods: What Does Oneiroi Industries Do?]\n\n* [# Teeth and How to Make a Profit From Selling Them in the Fae and Mouse Markets]\n\n* [# The Onion Futures Act Repealed? Invest In Onions Now!]\n\n\n\n[[size 1.2em]]**[# Culture]**[[/size]]\n\n* [# The Three Most Ethical Ways to Reach Out to Deceased Family and Friends]\n\n* [# Sentient Plants and Veganism: a Moral Quandary]\n\n* [[[SCP-6597|An Interview With Scordoh: Everything There Is to Know About the God of Scrimshaw]]]\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"end2\"]]\n\n[[size 1.2em]]**[# Politics]**[[/size]]\n\n* [# The Ghost of Margaret Thatcher's Campaign For Mayor of London]\n\n* [[[kompas-parapolityczny-na-trudne-czasy|A Parapolitical Compass for These Difficult Times]]]\n\n* [# Can The United Kingdom Geographically Exit Europe? (Continuing Brexit Story)]\n\n\n\n[[size 1.2em]]**[# Science & Technology]**[[/size]]\n\n* [# Anderson Robotics Reveals New Caracara Model Line]\n\n* [# Vanguard's Dr. Dagon Becomes First Man To Own Miniature T-Rex ]\n\n* [# Wonder World\u2122 Reveals Alchemic Process Behind Misters]\n\n\n\n[[size 1.2em]]**[# Economy]**[[/size]]\n\n* [# Dreams as consumer goods: what does Oneiroi Industries do?]\n\n* [# President Ocasio-Cortez Announces New Economic Plan]\n\n* [# What the Closing of Prometheus Labs In 1998 Meant For the Veiled World]\n\n\n\n[[size 1.2em]]**[# Culture]**[[/size]]\n\n* [# The three most ethical ways to commune with deceased family and friends]\n\n* [http://scp-int.wikidot.com/dossier-lph Ambrose Little Havana: A Review]\n\n* [# Veronica Fitzroy, Drummer Of House of Spades Released From Vanguard Custody]\n\n[[/div]]\n\n\n\n------\n\n\n\n= [[size 0.85em]][# Terms of Service] | [# Contact] | [# Privacy Policy] | [# About Us] | [# Newsletter] | [# Site Map][[/size]]\n\n\n\n[[/==]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Diogene_s and Uncle Nicolini]]\n\n=====\n\n> **Filename:** Cut Mepl1185.jpg\n\n> **Name:** Cut Mepl1185.\n\n> **Author:** Matthew Withers\n\n> **License:** CC BY-SA 2.5 DEED\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Mepl1185.jpg]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "are-we-cool-yet", "backdoor-soho", "co-authored", "esterberg", "eurtec", "fantasy", "fifthist", "from-120s-archives", "goi-format", "goldbaker-reinz", "journalism", "no-return", "the-critic", "veronica-fitzroy"], "title": "unVeiled: A Friendly Guide To The Katharsys Music Festival - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-friendly-guide-to-the-katharsys-music-festival"}, "a-gaze-within": {"created_at": "2026-08-16T17:11:00", "creator": "Arclund", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:11:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:13:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:14:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:15:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:20:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:26:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T17:30:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "Added tags: 2026, goi-format, goicon, grand-karcist-ion, nadox, orok, religious-fiction, sarkic. ", "date": "2026-08-16T17:32:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: goicon-2026. Removed tags: 2026, goicon. ", "date": "2026-08-16T18:07:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox, _sarkic. ", "date": "2026-08-16T19:25:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T19:31:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T20:18:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T21:36:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T22:00:00"}, {"author": "Arclund", "author_href": "https://www.wikidot.com/user:info/arclund", "comment": "", "date": "2026-08-16T23:39:00"}, {"author": "Allen Grimm", "author_href": "https://www.wikidot.com/user:info/allen-grimm", "comment": "", "date": "2026-08-20T15:28:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "removed extraneous license box contents", "date": "2026-09-05T18:33:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-gaze-within", "page_id": "1469179817", "rating": 18, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>Drink the Marrow, See the Truth, Praise the Teacher.</p>\n</div>\n\n\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">Arclund</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p>A Gaze Within by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/arclund\" onclick=\"WIKIDOT.page.listeners.userInfo(8107583); return false;\"><img alt=\"Arclund\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=8107583&amp;amp;size=small&amp;amp;timestamp=1788633219\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=8107583)\"/></a><a href=\"http://www.wikidot.com/user:info/arclund\" onclick=\"WIKIDOT.page.listeners.userInfo(8107583); return false;\">Arclund</a></span></p>\n</div>\n</div>\n</div>\n<p><em>This selection of writings comes from our cousins of the Marrow, who seek for us all to read their words so that we may share a memory of future opportunity. Translations have been made for those who might not fully know the Old Tongue. -VV</em></p>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p style=\"text-align: center;\"><strong>A Gaze Within The Marrow Histories</strong></p>\n<p style=\"text-align: center;\"><em>As transcribed by Karcist J\u00fclian\u00e4</em></p>\n<hr/>\n<p>Hello, kin-of-bone-and-blood. While I trust Utelias to have given his impassioned plea, I have chosen to be the one to describe the fount that empowers and enlivens we who were Nadox\u2019s closest.</p>\n<p>The Marrow Histories is the lone remaining living archive born of Nadox\u2019s experimentation and investigation of the rite of lihakut'ak<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> that we know of.</p>\n<p>We N\u00e4lk\u00e4 were not the first to learn it, but we are the ones in this modern age who have come to understand it best. Nadox, only second to Ion in practiced skill, had forgotten more than many of us could ever hope to know. Yet, in his wizened kindness, he endeavored to make sure that we could ever aspire to such depths.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>We are the descendants of Nadox's youngest followers, who scrounged and scraped for survival following the Fall of Adytum, as did all our ancestors. In time, they mastered what they had never been taught, and ever since, we have followed Nadox's core tenets: the guardianship of knowledge and the unraveling of the numerous mysteries of this wide world.</p>\n<p>With that, it should, of course, be noted that we do not practice lihakut'ak alone, but other magical traditions, as Nadox did. This may give some of you pause, but I assure you that what we have learned could never supplant the core of who we are, but rather augment and aid where necessary.</p>\n<p>All that follows, I seek to tell you so you can have the briefest taste of us, as many of us have been graced to taste of you. We have heard your songs. Distantly supped of your history. Felt the wounds of your battles and the drumbeat of your victories. We have not shared the same with you. You do not know us. But I would wish you to. This does not shape the whole of us, far from it, but it gives you an idea of what to expect, of our own divisions and expectations. Of what we hold most sacred.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p style=\"text-align: center;\"><strong>The Marrow.</strong></p>\n<p>We are a people devoted to the study of knowledge, and this has shaped our culture in all the generations since the Fall, yet we still have our hunters, our warriors, and our healers. We seek to learn always, not to supplant, but to expand, as this has led to a concentration of specific positions within our people.</p>\n<p>That is not to say we are highly regimented; far from it. Each of us is allowed to draw from the depths of the Marrow as we see fit. No child has their destiny or, of course, their form chosen for them; we teach, they learn at the pace they set as befitting, and in time they come to join us in the study and guardianship of the Marrow, and all other knowledge Nadox left us.</p>\n<p>Despite this, I imagine you will find our forms markedly uniform for a N\u00e4lk\u00e4n band distant from the rest of the world as we are. Indeed, it is common for us to take after our lost mentor, and it is rare to find a Scion with fewer than three arms, and often the same can be said for our eyes.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>With that said, it is tradition to have no more than fifteen of either, for to take twelve is to mimic the guise of Nadox entirely, and we would never claim to be as skilled nor have gleaned half as much as he once knew. His is a form to be admired, but never worn. Of course, I don't imagine many of you share this taboo, and I'd say not to worry about offense; the diaspora has led to all manner of fascinating differences amongst us that are to be lauded, not points of contention.</p>\n<p>Now, three groups within the Scions form the backbone of our society: the Opiskella, our scholars; the Vaeltaa, our wanderers; and the Arkkitehti, our builders, of whom I am a member.</p>\n<p>The Opiskella nominally lead the Scions, though much is decided in a conclave of all available voices. We spend the most time with the Marrow Histories, delving within daily compared to the rest of us who seek commune when desired or needed.</p>\n<p>We know it is no secret that blood and bone carry living memory as eagerly as air and water. Our lives are etched within us, to be savored and exalted by those that loved us upon our passing. One last taste of all we were before we slip into the embrace of the befouled beyond.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>Yet, it is not just our legacy that lies within us but a legacy of ages. I do not simply refer to our ancestors, noble and brave as they were, but ages far older and stranger than that.</p>\n<p>Many outside the N\u00e4lk\u00e4, even the Thieves<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> in their falsely proclaimed understanding, refer to our art as the \u2018warping\u2019 or \u2018rending\u2019 of flesh. Some of you may prefer \u2018molding,\u2019 but it is more accurate to say that we \u2018awaken\u2019 the flesh. We push the limits of our forms through the resonances of what once was. We N\u00e4lk\u00e4 acknowledge a simple truth: all life has one origin. Blood, flesh, bone, the threads that make ours draw from the threads that were, on and on back to that originator, dreadful as that source may be.</p>\n<p>But through this acknowledgment and the might of our Will, we can draw forth what was to the here and now. Our warriors don the hides of lost titans and the fangs of great cats. Our outriders bedeck themselves in hoof and horn. Our weavers the spinnerets of spiders. Our fisherfolk the gills of their prey. Even our healers draw from what was once and still is to concoct cures within their own organs.</p>\n<p>Such is the rite of the Marrow, grasping through the past along the threads of dead flesh and elder bone. It has shown us its own creation, born of a desperate need to understand towards the end of that first glorious age.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>This great bowl of ancient, bubbling, and regenerating viscera is capable of drawing the mind back as easily as we draw the past forward in ourselves, as long as one dares to taste of it. Only through consumption can its knowledge be shared; as it seeps through you, it comes alive, drawing the mind into its depth and revealing the past as witnessed through the eyes of those that lived it, without opinion, without falsehood; it is a primal truth, free of the embellishment of pride or the dishonesty of ink.</p>\n<p>Born of Nadox\u2019s own blood mixing with a great pool of primordial Gaean<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> ichor, it carried all his knowledge and then only grew as he deposited more and more of what he collected into it. Titanic bones freed from Daevic hordes, mummified remains of an ancient people we had yet to face, and little things with starkly ancient legacies, from the shells of crabs to the skin of frogs. He imbued it with magics he grasped from those beyond our kin: old wood witches of the Home Steppe<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup>, freed spirits of the Southern Lands, and gifts of the Other Folk Ion\u2019s forces freed from all manner of bondage. Each bore threads that were able to knit together a vast web of knowledge from which one could glean all manner of curious things. We too have glimpsed them\u2014cities of black glass, titans of oldest stone, lights in the depths. Yet, the one thing that transformed this pool from a haven of possibility to a fount of certainty came from something much closer to his own heart\u2014a single drop of the Ozi\u032ermok's blood.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>Freely and gladly given, and with it a thread so old and so vast that one now needs to be cautious, for it is easy to get lost along the mirrored web of life that now lies before us. With it came a dull intelligence that remains within the Marrow, aiding our probing when prompted, or, in some cases, of its own accord. However, it has never shown an interest in study or camaraderie. With that said, some of my kin have taken to viewing it as part of our family, even granting it a name, which you may hear upon your visit: V\u00e4h\u00e4n Uneksija, our guiding dreamer.</p>\n<p>I suppose, finally, I should be the one to truly explain what the V\u00e4h\u00e4n Uneksija enables us to do in full terms. It should be evident that the Marrow allows us to slip into the past and glean knowledge of what was, but there is so much more to it than that.</p>\n<p>We delve deeply into its confines, following the threads down specific lines of questioning, coaxing the Marrow as eagerly as it coaxes us. The Opiskella are better able to direct the tides of information that flow through it due to our lengthy communion. It is a wonder to experience. Our eyes spin, many hands dancing and writhing in the air, tracing the thread we're inhabiting, while another pair transcribes what we witness on vellum drawn from our own skin.</p>\n<p>It should be said that there is a danger to the Marrow; one should not approach it without an unfocused mind, or indeed a too-focused mind.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>An unfocused mind will lead it to scatter you across the threads, revealing countless old truths, overwhelming the mind and often leading to seizures and comas. We learned this well in those earliest days. This is not born of any form of malice, but the Marrow's wish to impart its knowledge onto a willing mind.</p>\n<p>On the other hand, becoming too focused can draw one so deeply down a thread that they lose their sense of their current self. This leads to alterations to their form, unconscious lihakut'ak that draw them further and further from their baseline form, while in many cases their minds begin to change as well. Much within the Marrow beyond our own history is that of the Wild Flesh, and within, as all well know, lies the shadow of the Vazjuma<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup>. Those changed in these ways typically survive, though they can be markedly aggressive as their minds struggle to adapt to their altered nature. Many\u2026 did not stay. Some have, though they remain cloistered close to the Marrow, guardians against novices or, in this case, over-avid visitors that number amongst you from daring as they did.</p>\n<p>When properly entreated, through the concentrated focus of a single idea combined with imbibing the Marrow, one can travel the threads of life back in time through something akin to astral projection. It is not entirely certain how we observe the events that transpire. Still, we know them to be true: when seen by multiple eyes at the same time, the scenes play out the same.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>Despite its origin, the Marrow has not always been favorable to our people, showing our misdeeds as well as our victories.</p>\n<p>It shows the past without a narrative voice or opinion, allowing one to observe it from all angles, and we make sure to write down everything we witness accurately. That is not to say that there is no bias in our writings, for assuredly there is, as with anyone's. Yet we seek to capture the whole of it, no matter how challenging it might be at times.</p>\n<p>Some among us, with great focus, can follow multiple lines of questioning at once, threading together great sagas that leave them weak and rambling afterward but have been the origin of some of our greatest discoveries. I can do this, but I strongly discourage any newcomer from attempting this ritual; it requires years of practice and carries nearly as much risk as entering without a clear focus.</p>\n<p>It was through our explorations of the Marrow that many of us began to feel an urge to see what awaited in the present; for some, it was a need to make sure this wasn't an illusion altered by the passage of time, or forged as untrustworthy through our once-lack of understanding. For some, the conclusion was already evident: what had happened was real, but did anything of it remain?</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>We sought to find out, and so the Vaeltaa were spawned, chasing the Marrow's revelations towards modern discoveries.</p>\n<p>I will briefly name those most impactful things the Marrow enlightened us to, born of scraps of information we drew from other archives uncovered in the Vaeltaa's early scroungings, then posited to the dreamer.</p>\n<p><strong>The Old Roads:</strong> The great fungal roadways of the Old Empire, that allow transference of form to those with a great level of lihakut'ak mastery. These have become boons to the Vaeltaa, and may in turn be how many of you find passage to our enclave. Many have rotted away, and others lead to dangerous domains, with more mapped by the Vaeltaa each year. Once, they allowed whole armies to surge across continents to face the horrid armies of the Daeva and Old Machines.</p>\n<p><strong>Orok's Fall:</strong> We know not what the great Klavigar surged to face in his/her final hours, but the Marrow has shown us their grave\u2026 tis a shame it lies in the hands of the most cowardly and warped band of Thieves we have yet to encounter. If you do not know it, allow us to show you, and perchance we could take it back together.</p>\n<p><strong>Orokin K\u00f6ton\u00e4:</strong> Orok's Home. A haven for our people, shrouded by <span style=\"color: green\">Fairfellow</span> magic, born of a bargain with Orok; the varied people he/she rescued in the Ozi\u032ermok's name lived in isolation for the longest time.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>The Marrow has shown us the origins of various Villis\u00fcku\u00e4 clades, revealed the existence of cities laid fallow since the ages of the scaled titans, of vast beings dwelling beneath Gaea's skin, and of folk scattered beneath the Waves. We have seen victories and defeats, great celebration and horrid sorrow. I have lived a dozen lifetimes within the Marrow, walking the threads; it is a beautiful and harrowing experience each time, and yet the little dreamer does not know everything.</p>\n<p>There are things that were never offered, truths so damaging that Ion\u2019s blood, so filled with his Will, formed barriers to defend against them, and what is more, the Marrow has scars just as we all do. The fate of Adytum weighs most heavily. We, Scions, are the children not of his most loyal or powerful acolytes, but of those apprentices that he managed to save. What befell the others is as shrouded as his final fate. It took time for them to learn how to access the more basal archives, let alone this grand fount, as I have mentioned, but when we did, the first question was of Adytum. It is said this was the first and only time that the Marrow recoiled from the asker, indeed drawing the very ichor that had been swallowed from the asker's mouth, retreating deep into the pit for days. When it finally rose once more, the question was wider, kinder, hopeful.</p>\n<p>What had befallen our people?</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>And it led us all to you. Not as you are now, but your ancestors, your paths, where you had fled and how you were recovering. As time wound on, we came to see more.</p>\n<p>Your paths are resplendent amongst the threads. The N\u00e4lk\u00e4 had spread further across this world than we could ever have hoped, and oh how you changed! It was fascinating, beautiful, and, in many ways, sorrowful that you were all so far from us.</p>\n<p>Thus, Brother Utelias took to the Old Roads, and swiftly others followed, seeking to thread the truth together. It has been many years, and while all the facets drawn back to us have been exhilarating, we think it time we opened our home to you. To knit the threads of our heritage into a tighter tapestry.</p>\n<p>These threads are thin, yes, and many of you have no reason to view us as anything more than isolated scholars, with a perhaps skewed sense of priorities; many of you are far more integrated into the wider world than we could ever hope to be, so long stewed in the past glories and mysteries.</p>\n<p>But your legacies, your histories, hold aspects and facets the Marrow lacks. We can see far, far into the past, yet the age of the diaspora remains relatively shrouded from our library. We could find you, but we could not see all of you. The facets our Vaeltaa return hold your words, but not the taste the Marrow needs.</p>\n</div>\n</div>\n<div class=\"rmpostcontainer\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n\n<div class=\"rmpostcontent\">\n<p>A restlessness is growing within it that I admit we have yet to codify.</p>\n<p>May I deign to offer an informed opinion over a known truth? I think the dreamer has grown curious. In feeding this curiosity, I know there is much we can learn.</p>\n<p>We wish you to drink, to learn, to see, but in doing so, new paths may be revealed to us. So, it can be said that our desire for Conclave is not entirely altruistic; we do wish something of you. A drop of blood, a gifting of your legacy, and through it, our dreamer and we can know the true taste of family.</p>\n<p>Yet, selfishly, I find my mind locked on what could be revealed. What truths would come to life? What lost doors could be rethreaded? What other lost facet of our people could be rediscovered? Perhaps\u2026 perhaps the full fates of the Klavigars. Or Adytum! Now wouldn\u2019t that be something.</p>\n<p style=\"text-align: center;\"><strong>Juo Luuydint\u00e4.</strong></p>\n<p style=\"text-align: center;\"><strong>Katso Totuus.</strong></p>\n<p style=\"text-align: center;\"><strong>Ylistys Ozi\u032ermok</strong></p>\n<p style=\"text-align: center;\"><strong>Yhdess\u00e4 N\u00e4lk\u00e4</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Our art - weaving bone, blood &amp; flesh, a gift of Ion to his chosen peoples.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Those self-proclaimed \"Neo-Sarkics\"</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. An Old Spirit, Not Our Own</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. The Land Before Kalmaktama</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. The Enemy of All</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. A saying that means: Drink the Marrow. See the Truth. Praise the Teacher. Unite the Family.</div>\n</div>\n<p style=\"text-align: center;\"><strong>\u00ab<a href=\"/snippets-from-a-legend-catalogue\">Snippets From a Legend Catalogue</a> | <a href=\"/the-marrow-histories\">HUB</a> | <a href=\"/taste-of-family\">Taste of Family</a> \u00bb</strong></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-gaze-within\">A Gaze Within</a>\" by Arclund, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-gaze-within\">https://scpwiki.com/a-gaze-within</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=\n\nDrink the Marrow, See the Truth, Praise the Teacher.\n\n]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n\n\n[[module css]]\n\n@import url(https:/https://fonts.bunny.net/css?family=abhaya-libre:500);\n\n\u00a0\n\n:root{\n\n\u00a0\n\n\u00a0\u00a0\u00a0\u00a0/* Intro */\n\n\u00a0\u00a0\u00a0\u00a0--theme-base: \"nuscp\"\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0--theme-id: \"onko-sinulla-nalka\"\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0--theme-name: \"Onko Sinulla N\u00e4lk\u00e4?\";\n\n\u00a0\n\n--black-monochrome: 78, 26, 26;\n\n--dark-gray-monochrome: 135, 92, 82;\n\n--gray-monochrome: 173, 116, 95;\n\n--light-gray-monochrome: 189, 124, 104;\n\n--very-light-gray-monochrome: 201, 148, 117;\n\n--pale-gray-monochrome: 227, 181, 141;\n\n--white-monochrome: 255, 225, 176;\n\n--bright-accent: 78, 26, 26;\n\n--medium-accent: 88, 36, 36;\n\n--dark-accent: 98, 46, 46;\n\n--newpage-color: 98, 46, 46;\n\n\u00a0\n\n--diagonal-stripes: url(https://scp-wiki.wdfiles.com/local--files/theme%3Aonko-sinulla-nalka-theme/PaperTextureSarkicDark.png);\n\n--logo-image: url(https://scp-wiki.wdfiles.com/local--files/theme%3Aonko-sinulla-nalka-theme/sarkiclogo.png);\n\n\u00a0\n\n--body-font: \"Itim\", ;\n\n--title-font: \"Playwrite GB S\",;\n\n--header-font:\u00a0\u00a0\"Playwrite GB S\",;\n\n--UI-font: \"Itim\",;\n\n\u00a0\n\n--header-title: \"Luuydint\u00e4\u02c8Tieto\";\n\n\u00a0\u00a0--header-subtitle: \"Marrow Histories\";\n\n\u00a0\n\n}\n\n\u00a0\n\n#page-title, .meta-title {\n\ntext-align: center;\n\n}\n\n\u00a0\n\n#page-title {display: none;}\n\n\u00a0\n\ndiv#container-wrap {\n\n\u00a0\u00a0background-repeat: repeat-x;\n\n\u00a0\u00a0background-size: auto var(--header-height-on-desktop);\n\n}\n\n\u00a0\n\n#main-content hr{\n\n\u00a0\u00a0\u00a0\u00a0display: block;\n\n\u00a0\u00a0\u00a0\u00a0border:0px;\n\n\u00a0\u00a0\u00a0\u00a0height:100px;\n\nbackground-color: transparent;\n\nbackground-repeat: no-repeat;\n\nbackground-position: center;\n\nbackground-size: 60%;\n\n\u00a0\u00a0\u00a0\u00a0background-image:url('https://scp-wiki.wdfiles.com/local--files/theme%3Aonko-sinulla-nalka-theme/OnkoSinullaNalkaHR.png');\n\n}\n\n\u00a0\n\nbody{\n\nfont-size: 1rem;\n\n}\n\n\u00a0\n\n\u00a0\u00a0\u00a0\u00a0#content-wrap {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0background-image: url(https://scp-wiki.wdfiles.com/local--files/theme%3Aonko-sinulla-nalka-theme/PaperTextureSarkic.png), url(\"https://scp-wiki.wdfiles.com/local--files/theme%3Aonko-sinulla-nalka-theme/OnkoSinullaNalka.png\");\n\nbackground-size: auto, 28%;\n\n\u00a0background-position: left top, right top;\n\n\u00a0\u00a0\u00a0background-repeat: repeat, no-repeat;\n\n}\n\n@media only screen and (max-width: 56.25rem) {\n\n\u00a0\u00a0#content-wrap {\n\n\u00a0\u00a0\u00a0\u00a0background-image: url(https://scp-wiki.wdfiles.com/local--files/theme%3Aonko-sinulla-nalka-theme/PaperTextureSarkic.png);\n\n\u00a0\u00a0}\n\n}\n\n.paper{\n\nbackground-color: rgb(var(--white-monochrome));\n\nborder: 2px solid rgb(var(--bright-accent));\n\npadding: 60px 30px 40px 30px;\n\nborder-radius:20px;\n\ntext-align:center;\n\nmargin: 30px 0px;\n\n}\n\n.paper>blockquote{\n\ntext-align:left;\n\n}\n\n\u00a0\n\n:is(blockquote, .blockquote, div.blockquote, [class*=\"blockquote\"]) {\n\n\u00a0\u00a0clear: both;\n\n\u00a0\u00a0background-color: transparent;\n\n\u00a0\u00a0box-shadow: none;\n\n\u00a0\u00a0border-radius: 20px;\n\n\u00a0\u00a0border: 2px solid rgb(var(--bright-accent));\n\n}\n\n\u00a0\n\n.collapsible-block-folded, .collapsible-block-unfolded-link{\n\nmargin: 20px;\n\n\u00a0\u00a0border: 2px solid rgb(var(--bright-accent));\n\ntext-align:center;\n\n\u00a0\u00a0border-radius: 20px;\n\n}\n\n\u00a0\n\n:where(#page-content) img{\n\nborder: 2px solid rgb(var(--white-monochrome));\n\nborder-radius:100px;\n\nmargin-top: 20px;\n\n}\n\n[[/module]]\n\n\n\n[[module css]]\n\n@import url('https://fonts.googleapis.com/css2?family=Charm&display=swap');\n\n\n\n.rmpostcontainer\n\n{\n\n\u00a0\u00a0\u00a0\u00a0background-image: url('http://firedawnfolder.wikidot.com/local--files/component:larueposting/LaRueDesk.png');\n\n\u00a0\u00a0\u00a0\u00a0background-repeat: no-repeat;\n\n\u00a0\u00a0\u00a0\u00a0width: 100%; 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Translations have been made for those who might not fully know the Old Tongue. -VV//\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\n= **A Gaze Within The Marrow Histories**\n\n\n\n=\u00a0\u00a0//As transcribed by Karcist J\u00fclian\u00e4//\n\n\n\n-----\n\n\n\nHello, kin-of-bone-and-blood. While I trust Utelias to have given his impassioned plea, I have chosen to be the one to describe the fount that empowers and enlivens we who were Nadox\u2019s closest.\n\n\n\nThe Marrow Histories is the lone remaining living archive born of Nadox\u2019s experimentation and investigation of the rite of lihakut'ak[[footnote]]Our art - weaving bone, blood & flesh, a gift of Ion to his chosen peoples.[[/footnote]] that we know of.\n\n\n\nWe N\u00e4lk\u00e4 were not the first to learn it, but we are the ones in this modern age who have come to understand it best. Nadox, only second to Ion in practiced skill, had forgotten more than many of us could ever hope to know. Yet, in his wizened kindness, he endeavored to make sure that we could ever aspire to such depths.\n\n\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\nWe are the descendants of Nadox's youngest followers, who scrounged and scraped for survival following the Fall of Adytum, as did all our ancestors. In time, they mastered what they had never been taught, and ever since, we have followed Nadox's core tenets: the guardianship of knowledge and the unraveling of the numerous mysteries of this wide world.\n\n\n\nWith that, it should, of course, be noted that we do not practice lihakut'ak alone, but other magical traditions, as Nadox did. This may give some of you pause, but I assure you that what we have learned could never supplant the core of who we are, but rather augment and aid where necessary. \n\n\n\nAll that follows, I seek to tell you so you can have the briefest taste of us, as many of us have been graced to taste of you. We have heard your songs. Distantly supped of your history. Felt the wounds of your battles and the drumbeat of your victories. We have not shared the same with you. You do not know us. But I would wish you to. This does not shape the whole of us, far from it, but it gives you an idea of what to expect, of our own divisions and expectations. Of what we hold most sacred. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\n= **The Marrow.**\n\n\n\nWe are a people devoted to the study of knowledge, and this has shaped our culture in all the generations since the Fall, yet we still have our hunters, our warriors, and our healers. We seek to learn always, not to supplant, but to expand, as this has led to a concentration of specific positions within our people. \n\n\n\nThat is not to say we are highly regimented; far from it. Each of us is allowed to draw from the depths of the Marrow as we see fit. No child has their destiny or, of course, their form chosen for them; we teach, they learn at the pace they set as befitting, and in time they come to join us in the study and guardianship of the Marrow, and all other knowledge Nadox left us.\n\n\n\nDespite this, I imagine you will find our forms markedly uniform for a N\u00e4lk\u00e4n band distant from the rest of the world as we are. Indeed, it is common for us to take after our lost mentor, and it is rare to find a Scion with fewer than three arms, and often the same can be said for our eyes.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\nWith that said, it is tradition to have no more than fifteen of either, for to take twelve is to mimic the guise of Nadox entirely, and we would never claim to be as skilled nor have gleaned half as much as he once knew. His is a form to be admired, but never worn. Of course, I don't imagine many of you share this taboo, and I'd say not to worry about offense; the diaspora has led to all manner of fascinating differences amongst us that are to be lauded, not points of contention. \n\n\n\nNow, three groups within the Scions form the backbone of our society: the Opiskella, our scholars; the Vaeltaa, our wanderers; and the Arkkitehti, our builders, of whom I am a member.\n\n\n\nThe Opiskella nominally lead the Scions, though much is decided in a conclave of all available voices. We spend the most time with the Marrow Histories, delving within daily compared to the rest of us who seek commune when desired or needed. \n\n\n\nWe know it is no secret that blood and bone carry living memory as eagerly as air and water. Our lives are etched within us, to be savored and exalted by those that loved us upon our passing. One last taste of all we were before we slip into the embrace of the befouled beyond.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\nYet, it is not just our legacy that lies within us but a legacy of ages. I do not simply refer to our ancestors, noble and brave as they were, but ages far older and stranger than that.\n\n\n\nMany outside the N\u00e4lk\u00e4, even the Thieves[[footnote]]Those self-proclaimed \"Neo-Sarkics\"[[/footnote]] in their falsely proclaimed understanding, refer to our art as the \u2018warping\u2019 or \u2018rending\u2019 of flesh. Some of you may prefer \u2018molding,\u2019 but it is more accurate to say that we \u2018awaken\u2019 the flesh. We push the limits of our forms through the resonances of what once was. We N\u00e4lk\u00e4 acknowledge a simple truth: all life has one origin. Blood, flesh, bone, the threads that make ours draw from the threads that were, on and on back to that originator, dreadful as that source may be.\n\n\n\nBut through this acknowledgment and the might of our Will, we can draw forth what was to the here and now. Our warriors don the hides of lost titans and the fangs of great cats. Our outriders bedeck themselves in hoof and horn. Our weavers the spinnerets of spiders. Our fisherfolk the gills of their prey. Even our healers draw from what was once and still is to concoct cures within their own organs.\n\n\n\nSuch is the rite of the Marrow, grasping through the past along the threads of dead flesh and elder bone. It has shown us its own creation, born of a desperate need to understand towards the end of that first glorious age.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\nThis great bowl of ancient, bubbling, and regenerating viscera is capable of drawing the mind back as easily as we draw the past forward in ourselves, as long as one dares to taste of it. Only through consumption can its knowledge be shared; as it seeps through you, it comes alive, drawing the mind into its depth and revealing the past as witnessed through the eyes of those that lived it, without opinion, without falsehood; it is a primal truth, free of the embellishment of pride or the dishonesty of ink.\n\n\n\nBorn of Nadox\u2019s own blood mixing with a great pool of primordial Gaean[[footnote]]An Old Spirit, Not Our Own[[/footnote]] ichor, it carried all his knowledge and then only grew as he deposited more and more of what he collected into it. Titanic bones freed from Daevic hordes, mummified remains of an ancient people we had yet to face, and little things with starkly ancient legacies, from the shells of crabs to the skin of frogs. He imbued it with magics he grasped from those beyond our kin: old wood witches of the Home Steppe[[footnote]]The Land Before Kalmaktama[[/footnote]], freed spirits of the Southern Lands, and gifts of the Other Folk Ion\u2019s forces freed from all manner of bondage. Each bore threads that were able to knit together a vast web of knowledge from which one could glean all manner of curious things. We too have glimpsed them\u2014cities of black glass, titans of oldest stone, lights in the depths. Yet, the one thing that transformed this pool from a haven of possibility to a fount of certainty came from something much closer to his own heart\u2014a single drop of the Ozi\u032ermok's blood. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\nFreely and gladly given, and with it a thread so old and so vast that one now needs to be cautious, for it is easy to get lost along the mirrored web of life that now lies before us. With it came a dull intelligence that remains within the Marrow, aiding our probing when prompted, or, in some cases, of its own accord. However, it has never shown an interest in study or camaraderie. With that said, some of my kin have taken to viewing it as part of our family, even granting it a name, which you may hear upon your visit: V\u00e4h\u00e4n Uneksija, our guiding dreamer. \n\n\n\nI suppose, finally, I should be the one to truly explain what the V\u00e4h\u00e4n Uneksija enables us to do in full terms. It should be evident that the Marrow allows us to slip into the past and glean knowledge of what was, but there is so much more to it than that. \n\n\n\nWe delve deeply into its confines, following the threads down specific lines of questioning, coaxing the Marrow as eagerly as it coaxes us. The Opiskella are better able to direct the tides of information that flow through it due to our lengthy communion. It is a wonder to experience. Our eyes spin, many hands dancing and writhing in the air, tracing the thread we're inhabiting, while another pair transcribes what we witness on vellum drawn from our own skin.\n\n\n\nIt should be said that there is a danger to the Marrow; one should not approach it without an unfocused mind, or indeed a too-focused mind.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\u00a0An unfocused mind will lead it to scatter you across the threads, revealing countless old truths, overwhelming the mind and often leading to seizures and comas. We learned this well in those earliest days. This is not born of any form of malice, but the Marrow's wish to impart its knowledge onto a willing mind. \n\n\n\nOn the other hand, becoming too focused can draw one so deeply down a thread that they lose their sense of their current self. This leads to alterations to their form, unconscious lihakut'ak that draw them further and further from their baseline form, while in many cases their minds begin to change as well. Much within the Marrow beyond our own history is that of the Wild Flesh, and within, as all well know, lies the shadow of the Vazjuma[[footnote]]The Enemy of All[[/footnote]]. Those changed in these ways typically survive, though they can be markedly aggressive as their minds struggle to adapt to their altered nature. Many... did not stay. Some have, though they remain cloistered close to the Marrow, guardians against novices or, in this case, over-avid visitors that number amongst you from daring as they did.\n\n\n\nWhen properly entreated, through the concentrated focus of a single idea combined with imbibing the Marrow, one can travel the threads of life back in time through something akin to astral projection. It is not entirely certain how we observe the events that transpire. Still, we know them to be true: when seen by multiple eyes at the same time, the scenes play out the same. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\nDespite its origin, the Marrow has not always been favorable to our people, showing our misdeeds as well as our victories.\n\n\n\nIt shows the past without a narrative voice or opinion, allowing one to observe it from all angles, and we make sure to write down everything we witness accurately. That is not to say that there is no bias in our writings, for assuredly there is, as with anyone's. Yet we seek to capture the whole of it, no matter how challenging it might be at times.\n\n\n\nSome among us, with great focus, can follow multiple lines of questioning at once, threading together great sagas that leave them weak and rambling afterward but have been the origin of some of our greatest discoveries. I can do this, but I strongly discourage any newcomer from attempting this ritual; it requires years of practice and carries nearly as much risk as entering without a clear focus.\n\n\n\nIt was through our explorations of the Marrow that many of us began to feel an urge to see what awaited in the present; for some, it was a need to make sure this wasn't an illusion altered by the passage of time, or forged as untrustworthy through our once-lack of understanding. For some, the conclusion was already evident: what had happened was real, but did anything of it remain?\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\nWe sought to find out, and so the Vaeltaa were spawned, chasing the Marrow's revelations towards modern discoveries.\n\n\n\nI will briefly name those most impactful things the Marrow enlightened us to, born of scraps of information we drew from other archives uncovered in the Vaeltaa's early scroungings, then posited to the dreamer.\n\n\n\n**The Old Roads:** The great fungal roadways of the Old Empire, that allow transference of form to those with a great level of lihakut'ak mastery. These have become boons to the Vaeltaa, and may in turn be how many of you find passage to our enclave. Many have rotted away, and others lead to dangerous domains, with more mapped by the Vaeltaa each year. Once, they allowed whole armies to surge across continents to face the horrid armies of the Daeva and Old Machines.\n\n\n\n**Orok's Fall:** We know not what the great Klavigar surged to face in his/her final hours, but the Marrow has shown us their grave... tis a shame it lies in the hands of the most cowardly and warped band of Thieves we have yet to encounter. If you do not know it, allow us to show you, and perchance we could take it back together.\n\n\n\n**Orokin K\u00f6ton\u00e4:** Orok's Home. A haven for our people, shrouded by ##green|Fairfellow## magic, born of a bargain with Orok; the varied people he/she rescued in the Ozi\u032ermok's name lived in isolation for the longest time.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\n\n\nThe Marrow has shown us the origins of various Villis\u00fcku\u00e4 clades, revealed the existence of cities laid fallow since the ages of the scaled titans, of vast beings dwelling beneath Gaea's skin, and of folk scattered beneath the Waves. We have seen victories and defeats, great celebration and horrid sorrow. I have lived a dozen lifetimes within the Marrow, walking the threads; it is a beautiful and harrowing experience each time, and yet the little dreamer does not know everything. \n\n\n\nThere are things that were never offered, truths so damaging that Ion\u2019s blood, so filled with his Will, formed barriers to defend against them, and what is more, the Marrow has scars just as we all do. The fate of Adytum weighs most heavily. We, Scions, are the children not of his most loyal or powerful acolytes, but of those apprentices that he managed to save. What befell the others is as shrouded as his final fate. It took time for them to learn how to access the more basal archives, let alone this grand fount, as I have mentioned, but when we did, the first question was of Adytum. It is said this was the first and only time that the Marrow recoiled from the asker, indeed drawing the very ichor that had been swallowed from the asker's mouth, retreating deep into the pit for days. When it finally rose once more, the question was wider, kinder, hopeful.\n\n\n\nWhat had befallen our people?\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\nAnd it led us all to you. Not as you are now, but your ancestors, your paths, where you had fled and how you were recovering. As time wound on, we came to see more.\n\n\n\nYour paths are resplendent amongst the threads. The N\u00e4lk\u00e4 had spread further across this world than we could ever have hoped, and oh how you changed! It was fascinating, beautiful, and, in many ways, sorrowful that you were all so far from us. \n\n\n\nThus, Brother Utelias took to the Old Roads, and swiftly others followed, seeking to thread the truth together. It has been many years, and while all the facets drawn back to us have been exhilarating, we think it time we opened our home to you. To knit the threads of our heritage into a tighter tapestry. \n\n\n\nThese threads are thin, yes, and many of you have no reason to view us as anything more than isolated scholars, with a perhaps skewed sense of priorities; many of you are far more integrated into the wider world than we could ever hope to be, so long stewed in the past glories and mysteries.\n\n\n\nBut your legacies, your histories, hold aspects and facets the Marrow lacks. We can see far, far into the past, yet the age of the diaspora remains relatively shrouded from our library. We could find you, but we could not see all of you. The facets our Vaeltaa return hold your words, but not the taste the Marrow needs. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"rmpostcontainer\"]]\n\n@@ @@\n\n@@ @@\n\n[[div class=\"rmposttitle\"]]\n\n[[image ]]\n\n[[/div]]\n\n[[div class=\"rmpostmobiletitle\"]]\n\n\n\n[[/div]]\n\n[[div class=\"rmpostcontent\"\n\n]]\n\nA restlessness is growing within it that I admit we have yet to codify. \n\n\n\nMay I deign to offer an informed opinion over a known truth? I think the dreamer has grown curious. In feeding this curiosity, I know there is much we can learn. \n\n\n\nWe wish you to drink, to learn, to see, but in doing so, new paths may be revealed to us. So, it can be said that our desire for Conclave is not entirely altruistic; we do wish something of you. A drop of blood, a gifting of your legacy, and through it, our dreamer and we can know the true taste of family. \n\n\n\nYet, selfishly, I find my mind locked on what could be revealed. What truths would come to life? What lost doors could be rethreaded? What other lost facet of our people could be rediscovered? Perhaps\u2026 perhaps the full fates of the Klavigars. Or Adytum! Now wouldn\u2019t that be something.\n\n\n\n= **Juo Luuydint\u00e4.**\n\n\n\n= **Katso Totuus.**\n\n\n\n= **Ylistys Ozi\u032ermok**\n\n\n\n= **Yhdess\u00e4 N\u00e4lk\u00e4**[[footnote]]A saying that means: Drink the Marrow. See the Truth. Praise the Teacher. Unite the Family.[[/footnote]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n\n\n= **<<[[[Snippets From a Legend Catalogue]]] | [[[The Marrow Histories| HUB]]] | [[[Taste of Family]]] >>**\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_sarkic", "goi-format", "goicon-2026", "grand-karcist-ion", "nadox", "orok", "religious-fiction", "sarkic"], "title": "A Gaze Within - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-gaze-within"}, "a-i-e-activation-log-f232": {"created_at": "2026-05-07T08:41:00", "creator": "poltatherian", "domain": "scp-wiki.wikidot.com", "history": [{"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-05-07T08:41:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-05-07T08:43:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "Parent page set to: \"stillborn-skies-hub\".", "date": "2026-05-07T08:46:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "Parent page set to: \"\".", "date": "2026-05-07T08:47:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-05-07T08:49:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-05-07T08:50:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "Added tags: goi-format, horizon-initiative, stillborn-skies, worldbuilding. ", "date": "2026-05-07T08:51:00"}, {"author": "UncannyClown", "author_href": "https://www.wikidot.com/user:info/uncannyclown", "comment": "Added tags: _horizon-initiative, _licensebox. Removed tags: worldbuilding. ", "date": "2026-05-07T17:20:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-05-08T10:09:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: chaos-on-the-monolith. ", "date": "2026-05-18T04:09:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-05-24T05:59:00"}, {"author": "Ethagon", "author_href": "https://www.wikidot.com/user:info/ethagon", "comment": "Added tags: _genreless. ", "date": "2026-06-01T10:38:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-06-11T05:15:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-06-13T12:03:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "Added tags: religious-fiction. Removed tags: _genreless, _horizon-initiative. ", "date": "2026-06-15T11:45:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _horizon-initiative. ", "date": "2026-06-15T12:26:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-06-16T05:29:00"}, {"author": "poltatherian", "author_href": "https://www.wikidot.com/user:info/poltatherian", "comment": "", "date": "2026-06-22T07:58:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/horizon-initiative-hub/sun.jpg"], "link": "a-i-e-activation-log-f232", "page_id": "1468626605", "rating": 16, "raw_content": "<html><body><div id=\"page-content\">\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>A.I.E Activation Log-F232</strong></p>\n<p>By <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/poltatherian\" onclick=\"WIKIDOT.page.listeners.userInfo(9610597); return false;\"><img alt=\"poltatherian\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9610597&amp;amp;size=small&amp;amp;timestamp=1790808585\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9610597)\"/></a><a href=\"https://www.wikidot.com/user:info/poltatherian\" onclick=\"WIKIDOT.page.listeners.userInfo(9610597); return false;\">poltatherian</a></span></p>\n<p>If you enjoyed this than consider checking out my <a href=\"https://scp-wiki.wikidot.com/p-p-place\">Author Page :)</a></p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/normalize-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/basalt-bedrock-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Abasalt/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"padding-top:15px\">\n<div style=\"display:block;margin:auto;width:60%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><img alt=\"sun.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/horizon-initiative-hub/sun.jpg\"/>\n<div class=\"scp-image-caption\">\n<p><tt>SOULCHAT ACCESS</tt></p>\n</div>\n</div>\n<div style=\"text-align: center;\">\n<p><em>Verifying Horizon Initiative credentials\u2026</em></p>\n<p><em>Accessing <strong>Secreta Cosmica backdoor</strong>\u2026</em></p>\n<h1 id=\"toc0\"><span>LVL VI AUTHORITY RECOGNIZED</span></h1>\n<p><em>Querying \"INTRODUCTORY TRAINING MANUAL\"\u2026</em></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">9\u00a0DOCUMENTS\u00a0FOUND.</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0CLOSE\u00a0RESULTS</a></div>\n<div class=\"collapsible-block-content\">\n<p>\u2192 REQUIRED READING CHAPTER-1: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">The Oath</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-2: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">General Responsibliteies</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-3:<span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">External Relations</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-4: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">Departmental Reseach</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-5: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">Scribe Corpse</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-6: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">Shepard Corpse</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-7: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">Project Malleus</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-8: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">Employment Concerns</a></em></span></p>\n<p>\u2192 REQUIRED READING CHAPTER-9: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">A.I.E Operation</a></em></span></p>\n</div>\n</div>\n</div>\n<p><em>ACCESSING <strong>CHAPTER-9</strong></em>\u2026<br/>\n.<br/>\n.<br/>\n.<br/>\nWELCOME SEALBEARER.</p>\n</div>\n</div>\n<p><br/>\n<br/></p>\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc1\"><span>INTERNAL BRIEFING</span></h1>\n<hr/>\n<table class=\"wiki-content-table\">\n<tr>\n<th><strong>ARTEFACT</strong></th>\n<th><strong>CLEARANCE</strong></th>\n<th><strong>RISK</strong></th>\n<th colspan=\"2\"><strong>USAGE</strong></th>\n</tr>\n<tr>\n<td style=\"text-align: center;\">\u05d0-IXCMXCIX</td>\n<td style=\"text-align: center;\">V</td>\n<td style=\"text-align: center;\">ANIMADVERTO<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></td>\n<td style=\"text-align: center;\">CATASTA</td>\n</tr>\n</table>\n<hr/></div>\n<p><strong>Auto de f\u00e9:</strong> None necessary. In the event that the A.I.E<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>/ the Initiative's command structure receives irreparable harm, protocol RECORDATIO is to inject relevant information to all LVL: III or higher personnel for organizational restoration.</p>\n<p><strong>Corpus:</strong> The A.I.E consists of two interconnected componets.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup><br/>\nThe HOUSE refers to the physical components of the A.I.E. It encompasses 73% of all machinery within CHAPTERHOUSE-1, its mainframe stationed below Tribunal meeting room-A, which consists of the following:</p>\n<ul>\n<li>45 Meters of beryllium-bronze alloy coating.</li>\n<li>89 tons of cold Iron.</li>\n<li>A cooling system connected to various holy water<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> silos.</li>\n<li>The remains of Local-PowerZ\u0394-11 \"Dyeus\".</li>\n<li>23.7 billion lines of general software components.</li>\n<li>A Keratin pipe-based waste disposal mechanism.</li>\n</ul>\n<p>The HOUSE, aside from maintaining the secrecy of CHAPTERHOUSE-1 through Prophetic Antimemetics, primarily regulates the activities of HEARTH and additionally provides the structural planning needed for Chapterhouse birthing. Although being used for other construction projects aswell in the past.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> The various prayers affixed to HOUSE's materials also provide protection against Tarterean entities and degradation.</p>\n<p>The HEARTH refers to the metaphysical components of the A.I.E developed by the Applied Metaphysics Division. It consists of a spatial fold made in the n\u00f6ospheric intersections 1,230km southwest of the \"Monotheism\", \"Banner\" &amp; \"Baseline\" ideatic nodes. As well as a conceptuamechanical membrane enveloping the fold maintained by MONTAG.AAC, a semiospiritual Homunculus whom acts as CHAPTERHOUSE-1's logistical consultant and designated Tiebreaker in Tribunal meetings along with regulating modifications to the A.I.E.</p>\n<p>In the event that the A.I.E experiences a critical error and or ceases functioning, martyr personnel may be inserted into the HOUSE component as a temporary fuel source.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n<hr/>\n<p><strong>Adiecta-I:</strong> History</p>\n<p>The A.I.E has existed in a hypothetical capacity near the Initiatives' beginnings in 1945.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> Coming off the seventh occult war, various paranormal groups wished to increase both their political and military influence, often doing so through avid scientific research or satanic covenants. As such, the idea of centralized power through a singular medium had since been floating in Initiative circles during times of distress. This often manifested as a desire to wield the power of saints and angels directly, creating a nexus of divine energy that would power the entire Initiative.</p>\n<p>At the tail end of the 90's, this philosophy permeating through Initiative staff would lead to a faux-paganistic mindset. Maliciously inclined Initiative personnel recruited from other religious organizations and or charity programs used various doctored manuscripts supposedly by the \"Conditor\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup> figure, which would assist in pushing local research efforts towards completing the Universal Texts. As the rate of anomalous object and group appearances increased, many current structural dynamics within the Initiate would be ironed out during this time. As well as leading to increased geopolitical influence in the East.</p>\n<p>The A.I.E would receive a second wind in terms of recognition during the grand reopening of Chapterhouse-2 in 2017, its new R&amp;D focused operations causing many personnel to dig up various old ideas<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> in a desperate attempt at gaining higher standings within a blooming year for Initiative operations.</p>\n<p>Following the establishment of various treaties and paratechnological discoveries made in the anomalous world, the Initiative found it fit to begin a full-blown effort to construct the A.I.E. However, proper calibration of both components was eventually stalled by the Tribunal due to brewing conflicts with the Vatican and a decline in global righteousness<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup>. The rate of donations provided to other groups would also cease at this time to provide appropriate funding for the JACKAL Program<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup>.</p>\n<p>Despite these setbacks, the A.I.E project would be declared complete in 2028 following the Annexation of what would soon become the ORIA department, combined efforts by both parties leading the rediscovery of highly important materials used to speed up development.</p>\n<hr/>\n<p><strong>Adiecta-II:</strong> Usage Log</p>\n<p>The following is a curated A.I.E activation<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup> embedded with a semantic cognitomole for SealBearer viewing.<br/></p>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00a0Open\u00a0Log\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-Close\u00a0Log\u00a0</a></div>\n<div class=\"collapsible-block-content\">\n\n<div style=\"text-align: center;\">\n<p>It starts with insemination, the stringent breath of life beginning to permeate the chamber. The fertile soils whimpers, setting the foundations for a lifetime of fingerprints. Its imagination is already feeling the gentle, caressing fingers of a future resident. The bulk of the home's weight pressing atop it constantly so that not even the worms could swim within. The collection of cells gathering the first blueprints of placental tissue.</p>\n<p>After the mold hardens, the foundations must be laid. Wet, bulging pillars of wood and stone slowly being lowered inside the warm, thick liquid. The pillars are then shaken, made to sway from side to side as the base shudders around until all that is left is a sense of exhausted calm. The unformed hallways bathing the rough embrace of every future footstep across its corners.</p>\n<p>Thin weblike veins stretch across the whole as it develops, gaping and contorting as fresh paint floods the interior. The contrasting colors highlighting every nicks and cranny of all the young wooden planks. Growing sharp edges pushing against the now darkened membrane.</p>\n<p>As the clock ticks down, there is only one inevitability.</p>\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/></p>\n\n<p><tt>Success.</tt></p>\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/></p>\n</div>\n<p>- End of file. Autotranscribed by Cherubot.AIC</p>\n</div>\n</div>\n</div>\n</div>\n<p><br/>\n<br/></p>\n</div>\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/></p>\n<div style=\"center no-repeat ; float: center; border: solid 2px #000000; padding: 1px 15px; margin: 10px 10px 10px 40px; box-shadow: 0 1px 3px rgba(0,0,0,.2);\">\n<div style=\"text-align: center;\">\n<p>This represents the end of your assigned training. You will henceforth be referred to as a SealBearer and receive all relevant duties expected to be undertaken by a member of the Holy Tribunal. Your previous position will be reopened, and you will receive the authority to decide potential candidates for that position and the required training.</p>\n<p>In essence, you are now an integral part of the Horizon Initiative. You will see things you do not want to, and know things you'd rather not. But despite all the hearsay and the theatrics that comes by being under this banner, know that we are still the same group of righteous folk gathering atop the old Autumn hill. Wishing for a better tomorrow either by charity or conquest.</p>\n<p>This is why you have been told of our rough past, and the delicate machine that holds our future together. If there is one single thing you decide to take to heart during your life here, let it be this:</p>\n<p>The Initiative cannot afford to be divided again.</p>\n<p>We expect great things from you, <a href=\"https://scp-wiki.wikidot.com/daniel-carson-interview\">FALCONER.</a><br/>\n-The Holy Tribunal</p>\n</div>\n</div>\n<p><br/>\n<br/>\n<br/>\n<br/></p>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"MY INTERVIEW WITH...\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/daniel-carson-interview\">MY INTERVIEW WITH...</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"STILLBORN SKIES Hub\">\n<p><a href=\"https://scp-wiki.wikidot.com/stillborn-skies-hub\">STILLBORN SKIES Hub</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"The Greatest Sin Of All!\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/the-greatest-sin-of-all\">The Greatest Sin Of All!</a></p>\n</div>\n</div>\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/></p>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00a0Open\u00a0Footnotes</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u00a0Close\u00a0Footnotes</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. In reference to potential mishandling.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Azazel Incubation Engine.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Henceforth referred to as the HOUSE &amp; HEARTH, respectively.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Holy Water: Defined as any consumable liquid containing a stable CentiAkiva rating of at least 3.5.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Such as Homeless shelters, the Vatican, and the Church of Scientology.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Excluding the martyr's integumentary system and soul.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Known as the New Dawn Initiative at the time.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. Individual in Initiative folklore claimed to have possessed LV:6 clearance, aswell as singlehandedly founding the modern Initiative. He would Serve as a unifying banner for many staff during periods of unrest.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. Mainly resulting in major improvements in militaristic technology, such as prototypes of what would become the Argentum Evangelium &amp; the Hardlight Heart system.</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. See: <span style=\"text-decoration: underline;\"><em><a href=\"javascript:;\">YEARLY GLOBAL AKIVA REPORT-597GJ</a></em></span></div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. A subset of Project Malleus consisting of 6 individuals equipped with the zenith of Initiative technology. Their duties include the liquidation of Local Powers and the protection of high-value personnel. Fully organized in 2025 in accordance with the will of late General Henry DeMontford.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Dated to approximately three weeks into the Initiative restoration efforts following the <a href=\"https://scp-wiki.wikidot.com/ashes-of-babylon\">Eighth Occult War.</a></div>\n</div>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-i-e-activation-log-f232\">A.I.E Activation Log-F232</a>\" by poltatherian, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-i-e-activation-log-f232\">https://scpwiki.com/a-i-e-activation-log-f232</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Page 019 - History of Nansemond County - Image - Greyscale.tif<br/>\n<strong>Author:</strong> Joseph Bragg Dunn<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif/lossy-page1-960px-Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif.jpg?utm_source=commons.wikimedia.org&amp;utm_campaign=index&amp;utm_content=thumbnail&amp;_=20260415220434\">https://upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif/lossy-page1-960px-Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif.jpg?utm_source=commons.wikimedia.org&amp;utm_campaign=index&amp;utm_content=thumbnail&amp;_=20260415220434</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/component:fade-in\">:scp-wiki:component:fade-in</a> speed=1]]\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n\n\n**A.I.E Activation Log-F232**\n\n\n\nBy [[*user poltatherian]]\n\n\n\n\n\nIf you enjoyed this than consider checking out my [[[https://scp-wiki.wikidot.com/p-p-place|Author Page :)]]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:basalt\">:scp-wiki:theme:basalt</a> hidetitle=a ]]\n\n\n\n\n\n\n\n\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--logo: url(https://scp-wiki.wdfiles.com/local--files/horizon-initiative-hub/logo5.png);\n\n\u00a0\n\n\n\n[[/module]]\n\n\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\n\n\n\n\u00a0\n\n\n\n\u00a0\n\n#header {\n\n\u00a0\u00a0\u00a0\u00a0background: url('https://scp-wiki.wdfiles.com/local--files/horizon-initiative-hub/logo5') 1px 20px no-repeat;\n\n}\n\n\u00a0\n\n#header h1 a span {\n\n\u00a0\u00a0\u00a0\u00a0display: none;\n\n}\n\n\u00a0\n\n#header h1 a::before {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0--title: \"HORIZON INITIATIVE\";\n\n\u00a0\u00a0--subtitle: \"In The Eyes of God\";\n\n}\n\n\u00a0\n\n#header h2 {\n\n\u00a0\u00a0\u00a0\u00a0display: inline-block;\n\n\u00a0\u00a0\u00a0\u00a0position: absolute;\n\n\u00a0\u00a0\u00a0\u00a0bottom: 30%;\n\n\u00a0\u00a0\u00a0\u00a0left: 0;\n\n\u00a0\u00a0\u00a0\u00a0right: 0;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0 auto;\n\n\u00a0\u00a0\u00a0\u00a0padding: 65px 125px 0px;\n\n}\n\n\u00a0\n\n#header h2 span {\n\n\u00a0\u00a0\u00a0\u00a0font-size: 0px;\n\n\u00a0\u00a0\u00a0\u00a0padding: 0px 0px;\n\n}\n\n\u00a0\n\n\u00a0h2:after {\n\n\u00a0\u00a0\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0\u00a0\u00a0color: #ffffff;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 1px 1px 1px #000;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 1px 1px 1px rgba(0, 0, 0, .8);\n\n\u00a0\u00a0\u00a0\u00a0white-space: pre;\n\n}\n\n\u00a0\n\ndiv#container-wrap{\n\n\u00a0\u00a0\u00a0\u00a0background: url(\"https://scp-wiki.wdfiles.com/local--files/horizon-initiative-hub/image1.png\") top left repeat-x;\n\n\u00a0\u00a0\u00a0\u00a0background-position-y: -50px;\n\n}\n\n\u00a0\n\n#login-status {\n\n\u00a0\u00a0\u00a0\u00a0color: #d3d8e2;\n\n\u00a0\u00a0\u00a0\u00a0font-size: 90%;\n\n\u00a0\u00a0\u00a0\u00a0z-index: 30;\n\n}\n\n\u00a0\n\n#login-status a {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent;\n\n\u00a0\u00a0\u00a0\u00a0color: #d3d8e2;\n\n}\n\n#login-status ul a {\n\n\u00a0\u00a0\u00a0\u00a0color: #d3d8e2;\n\n\u00a0\u00a0\u00a0\u00a0background: transparent;\n\n}\n\n\u00a0\n\n#account-topbutton {\n\n\u00a0\u00a0\u00a0\u00a0background: #ddd;\n\n\u00a0\u00a0\u00a0\u00a0color: #d3d8e2;\n\n}\n\n\u00a0\n\n/* inputs */\n\n#top-bar ul li.sfhover ul li a,\n\n#top-bar ul li:hover ul li a {\n\n\u00a0\u00a0\u00a0\u00a0border-top: 1px solid #000000;\n\n}\n\n\u00a0\n\n#top-bar ul li.sfhover a,\n\n#top-bar ul li:hover a {\n\n\u00a0\u00a0\u00a0\u00a0background: #D4AF37;\n\n\u00a0\u00a0\u00a0\u00a0color: #ffffff;\n\n}\n\n#top-bar ul li ul a, #top-bar a:hover {\n\n\u00a0\u00a0\u00a0\u00a0color: #8db600;\n\n}\n\n#top-bar ul li.sfhover a:hover,\n\n#top-bar ul li:hover a:hover {\n\n\u00a0\u00a0\u00a0\u00a0background: #282e48; 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border: solid 3px #321e1f; background: rgba(0, 0, 0, 0.616); padding:30px; margin: -10px;\"]]\n\n\n\n[[=]]\n\n\n\n\n\n+ INTERNAL BRIEFING\n\n\n\n------\n\n\n\n||~ **ARTEFACT**||~ **CLEARANCE** ||~ **RISK**||||~ **USAGE** ||\n\n||= \u05d0-IXCMXCIX||= V ||= ANIMADVERTO[[footnote]] In reference to potential mishandling. [[/footnote]]||= CATASTA||\n\n\n\n------\n\n\n\n\n\n\n\n[[/=]]\n\n\n\n**Auto de f\u00e9:** None necessary. In the event that the A.I.E[[footnote]] Azazel Incubation Engine. [[/footnote]]/ the Initiative's command structure receives irreparable harm, protocol RECORDATIO is to inject relevant information to all LVL: III or higher personnel for organizational restoration.\n\n\n\n\n\n\n\n**Corpus:** The A.I.E consists of two interconnected componets.[[footnote]] Henceforth referred to as the HOUSE & HEARTH,\u00a0\u00a0respectively.[[/footnote]]\n\n\u00a0The HOUSE refers to the physical components of the A.I.E. It encompasses 73% of all machinery within CHAPTERHOUSE-1, its mainframe stationed below Tribunal meeting room-A, which consists of the following:\n\n* 45 Meters of beryllium-bronze alloy coating.\n\n* 89 tons of cold Iron.\n\n* A cooling system connected to various holy water[[footnote]] Holy Water: Defined as any consumable liquid containing a stable CentiAkiva rating of at least 3.5.\u00a0\u00a0[[/footnote]] silos.\n\n* The remains of Local-PowerZ\u0394-11 \"Dyeus\".\n\n* 23.7 billion lines of general software components.\n\n* A Keratin pipe-based waste disposal mechanism.\n\n\n\n\u00a0The HOUSE, aside from maintaining the secrecy of CHAPTERHOUSE-1 through Prophetic Antimemetics, primarily regulates the activities of HEARTH and additionally provides the structural planning needed for Chapterhouse birthing. Although being used for other construction projects aswell in the past.[[footnote]]\u00a0\u00a0Such as Homeless shelters, the Vatican, and the Church of Scientology. [[/footnote]] The various prayers affixed to HOUSE's materials also provide protection against Tarterean entities and degradation.\n\n\n\n\u00a0The HEARTH refers to the metaphysical components of the A.I.E developed by the Applied Metaphysics Division. It consists of a spatial fold made in the n\u00f6ospheric intersections 1,230km southwest of the \"Monotheism\", \"Banner\" & \"Baseline\" ideatic nodes. As well as a conceptuamechanical membrane enveloping the fold maintained by MONTAG.AAC, a semiospiritual\u00a0\u00a0Homunculus whom acts as CHAPTERHOUSE-1's logistical consultant and designated Tiebreaker in Tribunal meetings along with regulating modifications to the A.I.E.\n\n\n\n\n\nIn the event that the A.I.E experiences a critical error and or ceases functioning, martyr personnel may be inserted into the HOUSE component as a temporary fuel source.[[footnote]] Excluding the martyr's integumentary system and soul.[[/footnote]]\n\n\n\n------\n\n\n\n**Adiecta-I:** History\n\n\n\n\n\n\u00a0The A.I.E has existed in a hypothetical capacity near the Initiatives' beginnings in 1945.[[footnote]] Known as the New Dawn Initiative at the time. [[/footnote]] Coming off the seventh occult war, various paranormal groups wished to increase both their political and military influence, often doing so through avid scientific research or satanic covenants. As such, the idea of centralized power through a singular medium had since been floating in Initiative circles during times of distress. This often manifested as a desire to wield the power of saints and angels directly, creating a nexus of divine energy that would power the entire Initiative.\n\n\u00a0\n\n\u00a0At the tail end of the 90's, this philosophy permeating through Initiative staff would lead to a faux-paganistic mindset. Maliciously inclined Initiative personnel recruited from other religious organizations and or charity programs used various doctored manuscripts supposedly by the \"Conditor\"[[footnote]] Individual in Initiative folklore claimed to have possessed LV:6 clearance, aswell as singlehandedly founding the modern Initiative. He would Serve as a unifying banner for many staff during periods of unrest.\u00a0\u00a0[[/footnote]] figure, which would assist in pushing local research efforts towards completing the Universal Texts. As the rate of anomalous object and group appearances increased, many current structural dynamics within the Initiate would be ironed out during this time. As well as leading to increased geopolitical influence in the East.\n\n\n\n\n\n\u00a0The A.I.E would receive a second wind in terms of recognition during the grand reopening of Chapterhouse-2 in 2017, its new R&D focused operations causing many personnel to dig up various old ideas[[footnote]] Mainly resulting in major improvements in militaristic technology, such as prototypes of what would become the Argentum Evangelium & the Hardlight Heart system. [[/footnote]] in a desperate attempt at gaining higher standings within a blooming year for Initiative operations.\n\n\u00a0\n\n\u00a0Following the establishment of various treaties and paratechnological discoveries made in the anomalous world, the\u00a0\u00a0Initiative found it fit to begin a full-blown effort to construct the A.I.E. However, proper calibration of both components was eventually stalled by the Tribunal due to brewing conflicts with the Vatican and a decline in global righteousness[[footnote]]\u00a0\u00a0See: __//[# YEARLY GLOBAL AKIVA REPORT-597GJ]//__[[/footnote]]. The rate of donations provided to other groups would also cease at this time to provide appropriate funding for the JACKAL Program[[footnote]] A subset of Project Malleus consisting of 6 individuals equipped with the zenith of Initiative technology. Their duties include the liquidation of Local Powers and the protection of high-value personnel.\u00a0\u00a0Fully organized in 2025 in accordance with the will of late General Henry DeMontford.[[/footnote]].\n\n\n\n\u00a0Despite these setbacks, the A.I.E project would be declared complete in 2028 following the Annexation of what would soon become the ORIA department, combined efforts by both parties leading the rediscovery of highly important materials used to speed up development.\n\n\n\n------\n\n\n\n**Adiecta-II:** Usage Log\n\n\n\n\u00a0The following is a curated A.I.E activation[[footnote]] Dated to approximately three weeks into the Initiative restoration efforts following the [[[https://scp-wiki.wikidot.com/ashes-of-babylon |Eighth Occult War.]]][[/footnote]] embedded with a semantic cognitomole for SealBearer viewing.\n\n[[=]]\n\n\n\n[[collapsible show=\" Open Log \" hide=\"-Close Log \"]]\n\n\n\n[[div style=\"center no-repeat ; float: center; border: solid 2px #000000; padding: 1px 15px; margin: 10px 10px 10px 40px; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n\n\n[[/=]]\n\n\n\n\n\n[[=]]\n\n\n\n\n\nIt starts with insemination, the stringent breath of life beginning to permeate the chamber. The fertile soils whimpers, setting the foundations for a lifetime of fingerprints. Its imagination is already feeling the gentle, caressing fingers of a future resident. The bulk of the home's weight pressing atop it constantly so that not even the worms could swim within. The collection of cells gathering the first blueprints of placental tissue.\n\n\n\nAfter the mold hardens, the foundations must be laid. Wet, bulging pillars of wood and stone slowly being lowered inside the warm, thick liquid. The pillars are then shaken, made to sway from side to side as the base shudders around until all that is left is a sense of exhausted calm. The unformed hallways bathing the\u00a0\u00a0rough embrace of every future footstep across its corners.\n\n\n\n\n\nThin weblike veins stretch across the whole as it develops, gaping and contorting as fresh paint floods the interior. The contrasting colors highlighting every nicks and cranny of all the young wooden planks. Growing sharp edges pushing against the now darkened membrane.\n\n\n\nAs the clock ticks down, there is only one inevitability.\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[=image https://upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif/lossy-page1-960px-Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif.jpg?utm_source=commons.wikimedia.org&utm_campaign=imageinfo&utm_content=thumbnail]]\n\n\n\n{{Success.}}\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[/div]]\n\n\n\n- End of file. Autotranscribed by Cherubot.AIC\n\n\n\n[[/collapsible]]\n\n\n\n\n\n[[/div]]\n\n\n\n\n\n\n\n\n\n\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n\n\n[[/=]]\n\n\n\n\n\n\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[div style=\"center no-repeat ; float: center; border: solid 2px #000000; padding: 1px 15px; margin: 10px 10px 10px 40px; box-shadow: 0 1px 3px rgba(0,0,0,.2);\"]]\n\n[[=]]\n\n\n\nThis represents the end of your assigned training. You will henceforth be referred to as a SealBearer and receive all relevant duties expected to be undertaken by a member of the Holy Tribunal. Your previous position will be reopened, and you will receive the authority to decide potential candidates for that position and the required training.\n\n\n\n\n\nIn essence, you are now an integral part of the Horizon Initiative. You will see things you do not want to, and know things you'd rather not. But despite all the hearsay and the theatrics that comes by being under this banner, know that we are still the same group of righteous folk gathering atop the old Autumn hill. Wishing for a better tomorrow either by charity or conquest.\n\n\n\nThis is why you have been told of our rough past, and the delicate machine that holds our future together. If there is one single thing you decide to take to heart during your life here, let it be this:\n\n\n\nThe Initiative cannot afford to be divided again.\n\n\n\n\n\nWe expect great things from you, [[[https://scp-wiki.wikidot.com/daniel-carson-interview |FALCONER.]]]\n\n-The Holy Tribunal\n\n\n\n[[/div]]\n\n\n\n[[/=]]\n\n\n\n\n\n\n\n\n\n\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=false | last=false | hub=yes\n\n| previous-url= https://scp-wiki.wikidot.com/daniel-carson-interview\n\n| previous-title= MY INTERVIEW WITH...\n\n| next-url=https://scp-wiki.wikidot.com/the-greatest-sin-of-all| next-title=The Greatest Sin Of All!\n\n| hub-url= https://scp-wiki.wikidot.com/stillborn-skies-hub\n\n| hub-title=STILLBORN SKIES Hub\n\n]]\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n[[=]]\n\n\n\n[[collapsible show=\" Open Footnotes\" hide=\" Close Footnotes\"]]\n\n\n\n[[footnoteblock]]\n\n\n\n[[/collapsible]]\n\n\n\n\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** Page 019 - History of Nansemond County - Image - Greyscale.tif\n\n> **Author:** Joseph Bragg Dunn\n\n> **License:** Public Domain\n\n> **Source Link:** https://upload.wikimedia.org/wikipedia/commons/thumb/e/ea/Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif/lossy-page1-960px-Page_019_-_History_of_Nansemond_County_-_Image_-_Greyscale.tif.jpg?utm_source=commons.wikimedia.org&utm_campaign=index&utm_content=thumbnail&_=20260415220434\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n\n[[/=]]\n\n\n\n[[/div]]\n", "tags": ["_horizon-initiative", "_licensebox", "chaos-on-the-monolith", "goi-format", "horizon-initiative", "religious-fiction", "stillborn-skies"], "title": "A.I.E Activation Log-F232 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-i-e-activation-log-f232"}, "a-love-letter-to-a-lady-mantis": {"created_at": "2016-09-04T01:47:00", "creator": "Zyn", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Well, he tried.", "date": "2016-09-04T01:47:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Parent page set to: \"serpent-s-hand-hub\".", "date": "2016-09-04T01:48:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: goi-format, serpents-hand. ", "date": "2016-09-04T01:48:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": ";)", "date": "2017-03-02T01:11:00"}, {"author": "Taffeta", "author_href": "https://www.wikidot.com/user:info/taffeta", "comment": "Added tags: _serpents-hand. ", "date": "2018-02-18T19:38:00"}, {"author": "Salamander724", "author_href": "https://www.wikidot.com/user:info/salamander724", "comment": "SH theme added", "date": "2018-06-18T01:20:00"}, {"author": "MayD", "author_href": "https://www.wikidot.com/user:info/mayd", "comment": "You successfully reverted the page to revision number 4", "date": "2018-06-18T02:30:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Grauen > Graue (language correction)", "date": "2020-11-27T06:37:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "", "date": "2020-11-27T06:38:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T17:22:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T17:22:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, romance. ", "date": "2024-09-28T09:31:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: xenofiction. ", "date": "2024-10-11T20:04:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-love-letter-to-a-lady-mantis", "page_id": "45245798", "rating": 75, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n<p><span style=\"font-size:150%;\"><strong>My Lady Red Mantis of the High Craftsmen\u2019s Court</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>Esteemed Duelist of the Eighth Revered-Circle, Mistress of the Red Knives, Shiritori Zakuro, Master Shiritori<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p><em>She walks in light and hunts the dark</em><br/>\n<em>A lady mantis calm and keen</em><br/>\n<em>Her arms aloft and visage stark</em><br/>\n<em>She strikes with blades but half-blink seen.</em><br/>\n<em>A crafter taught by fray and foe</em><br/>\n<em>Duelist-heart and courtly charm</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup><br/>\n<em>Her past an epic tale untold</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup><br/>\n<em>Her name a threat to cause alarm.</em><br/>\n<em>Such beauty, grace, and steel-sharp wit</em><br/>\n<em>Inspires fire within the soul</em><br/>\n<em>To turn back fear where shadows flit</em><br/>\n<em>Seek but to seize, achieve her goal.</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup><br/>\n<em>The Lady Smith, of red-mark knife</em><br/>\n<em>She has no equal in this life.</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><em>This is but written by a humble cloud-scorpion,</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> <em>of the seventh-cluster cloud-culture sky-crawlers. While walking the dawn above, trimming the clouds into arching ribbons as was his commissioned task for the autumn-trees moon festival, this cloud-scorpion was enamored of the Lady Mantis at her work, and endeavored with utmost speed to learn more of the red-knife wielder.</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup></p>\n<p><strong>Traits:</strong> Lady Zakuro<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup> stands slender of build from years of combat and years of delicate apparatus-crafting, slightly larger than the average female mantis-kind, at 157\u00a0cm, as per her tailor's last measuring.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup> As a member of the high mantid court, she possesses the unique appendage traits common to the nobility\u2014longer wings, specialized barbs on the augmented four walking legs that allow for precision maneuvers, and more durable spikes on the raptorial arms' grasping scythes. Her long hair is crane-wingtip black, her hands chitinous but flexible, and her face lovely enough, it is said, to grace a lady phoenixes's cosmetics catalog. She has an affinity for smooth cotton robes, though much of her courtly wear was done in silk, red to match her lower body carapace. Rare is the occasion when she dons her centipede-demon-shell armor.</p>\n<p><strong>Nature:</strong> Lady Zakuro wears three masks with others: her distant but pleasant court manners, her intellectual and discerning craftsman negotiation skills, and the playful, unshakeable private persona known only to those she would trust her back to in a fight. Unerringly polite with new acquaintances, she is slow to temper with most topics, but will not hesitate to engage in threat displays should her displeasure rise high enough. She apparently avoids laughter in crowded places; it is said that growing up in the mantid court, she never quite figured out how to laugh in an non-unnerving way.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup></p>\n<p><strong>History &amp; Associated Parties:</strong> Born into the high mantis court of the sun-brushed islands, \"Little Ren\" was the first-born daughter of a lesser court artisan and her spearman-guard husband. It was never the best match in standing, but the young lady mantis nevertheless adored her parents for their steady affection<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-18\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-18')\">18</a></sup> for each other and ease of brushing off disrespectful comments.</p>\n<p>Lady Ren was on pleasant enough terms with the other children in the artisan quarters, until their classes concluded and the young adults were expected to compete for placements in the craftsman quarters. Ren was sorted into the second of the three circles, to her outrage. Placed to work mass-producing luxury paper goods, she was a troublemaker to her tutors, always attempting to swap colored papers with her friends<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-19\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-19')\">19</a></sup> to create multi-hued flowers rather than the single-shade decorations that had been ordered by the other insect palaces. The artisan name she was given after her first year of skilled work, \"Shiritori Zakuro\", was intended to be a rebuke.</p>\n<p>A little after the tutors had relegated her to merely cutting the papers for the other artisans to fold, a passing noblemantis<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-20\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-20')\">20</a></sup> had noted the young lady's skill with the paper-cutting knife far outshone her paper folding. Lady Zakuro was asked to join the mantid court's secret nighttime dueling ring: a place where one could play the court's game of favors and friends regardless of their family standing. She gratefully accepted, and spent countless nights first observing, then mimicking, then eventually training with the mantid duelists who faced each other in the large courtyard in the dead of night. Masks were worn to disguise appearance, but Ren was made aware of certain other individuals who fought with knives: the empress's right-hand jewelry-smith's apprentice, the kitchen's seventh-in-line pastry chef, the young boy mantis with no family name from the lawmaker's guild.</p>\n<p>With time and practice, as well as many injuries hidden with her flowing craftman's robes, she fought her way with speed and wit to the highest-tier, the eighth circle of the duelist ranks.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-21\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-21')\">21</a></sup> However, with her newfound notoriety, Lady Zakuro realized she needed to find a way to keep her weapons from being traced to her quarters. Thanks to her newfound duelist contacts, she bullied the court mages into teaching her linking magic\u2014which she would later incorporate into her trademark \"steadfast\" apparatus. Her iconic knives would turn to blood (some say wine, or red mantis tears) when handled by anyone besides their mistress.</p>\n<p>Eventually, a renowned mountain spirit came from the north to visit the mantid court, and Zakuro disappeared with them into the high forests where crystals could be crafted in streams clear as moonlight. Whispers around court spread and her story leaked out as she made her new home.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-22\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-22')\">22</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-23\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-23')\">23</a></sup> When she returned years later, having developed a reputation as an esteemed apparatus crafter, those who once scoffed at her and her parents had to turn their eyes away when she smiled at them.</p>\n<p><strong>Approach:</strong> Lady Zakuro rarely leaves her workshops, and tends to receive commissions on a referral-only basis, through her other insectkin contacts. Should one encounter her at a public event, it is advised to have a mutual friend initiate the conversation.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-24\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-24')\">24</a></sup></p>\n<p>Should you visit her dwelling, she will insist on pouring you tea. If you dislike the beverage or are unable to partake of physical refreshments due to vow, curse, or temporary inconvenience, mantid manners merely require dabbing a little of the tea onto the dominant hand, paw, wing, leg, or other appendage. It is said that the tea is made of leaves plucked from the Forest of Truth, and will produce a painful freezing sensation when in contact with those who wish the Lady Zakuro harm. Incidentally, unaware enemies who visit and manage to escape are left with several red knives embedded in various sensitive spots.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-25\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-25')\">25</a></sup> In all encounters with mantids, grace and poise, and no sudden movements.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-26\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-26')\">26</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-27\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-27')\">27</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p>\"To properly understand the circles the Lady Zakuro walked, perhaps a little background of the mantid court would be welcome. The mantids love circles. You see, there are three craftsmen circles, the first, second, and third. Those sorted into the first circle are the much-lauded and desired, those sought for commissions, one-of-a-kind pieces only. The second circle handles luxury decorations and accessories, mass-produced. The third conduct repairs only, never creating any new work of their own. They were said to be equal, yes, but no one wished to be a pillowcase-fixer when they could be embroidering the empress's next summer robe. Little Ren aspired to the first circle, but was placed in second because of her parents' court standing.</p>\n<p>\"The duelist circles present a different game of numbers. Members are expected to make challenges to those above them in rank, to move up in the eight \"revered circles\". The rules for victory were fairly simple: be silent, and draw blood. There was a focus on swiftness and silence, and in respect for the court machinations during the day, duelists were expected to only strike where clothing could cover up the scars. A noisekeeper would disqualify any duelists whose noise would threaten the secrecy of the ring. Making no noise whatsoever could sometimes mean just as much standing as successive victories, and as a beginner, the Lady Zakuro found herself the keeper of many scars, but few cries, thus earning her the begrudged respect of the more senior duelists. It is known, after all, that the female mantids are often the most vicious.\" ~Miotsukushi</p>\n<p>\"Ren-chan is a dear friend of mine. You know she wears strands of paper cranes and <em>kusudama</em> in her hair, yes? Tied with cord of silk? She tells me that they remind her of her past, and though the memories may weigh on her mind, she continues on and will be all the stronger for it. Some say she is simply vain. It may be true. Yet I have heard tell of her commission contacts saying each <em>kusudama</em> is a promise to herself she has yet to fulfill.\" ~Usugumo</p>\n<p>\"This is the legendary apparatus master known throughout many records of the Serpent's Hand as merely \"Z.S.\", who classified the widely-used item Loyalty designations. She had many words to say, this is true, but she never took up writing. More interest in molding wood, clay, bone, metal, than ink upon parchment. Or perhaps she never wanted it to be written in her own hand, should she be incorrect. Still, many young spiderkin, myself included, volunteered to write for her, and she happily invited them to her workshops, where she would chatter about materials, affinities. What dyes to use, what material would hold a grudge. Those were charming days.\" ~W.S.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>Some say she murdered her competitors of both the workshop and the fighting ring. Others say she dueled them for their silence, to ensure she would be the sole eminent mantis-kind apparatus crafter. Yet others whisper that she married her male competitors, and <em>then</em> murdered them.</p>\n<p><em>I, for one, refuse to believe that Master Ren ever murdered anyone to further her career. If she ever raised a blade against another outside the duelist court, I, for one, refuse to believe it was not in self-defense. And I do believe they would have deserved what then transpired. \u2014Suetsumuhana-Hime</em></p>\n<p><em>Where do YOU think she gets the blood for her red knives? \u2014Hanachirusato</em></p>\n<p><em>Fools. Why would you ask for courtly gossip from the ladies of her paper-folding days of boredom? You should have come to seek myself first. Blood carries all sorts of problematic oversoul-spiritual loyalty-reaction issues, and is additionally a rather complicated substance to work into a form that it does not take willingly outside the body. Furthermore, extraction by injury results in exposure to all sorts of trace elemental impurities from the environment, and as example, so thus even a fire affinity can be quenched by a light mist in the air. It should be obvious that she uses fine iron powder and water-based red flower dye. \u2014Court Magician Takonatsu</em></p>\n<p><em>Well, I heard that she eats the heads of her boyfriends when they have become boring. \u2014T\u00e4nzer</em></p>\n<p><em>Enough. Enough!! Your words, I should never have asked for them. What a miserable venture, this all has been. I shall indeed speak to her, on my own, if the all of you would cease your unhelpful chattering. This manuscript is useless. I would not have any further eyes look upon it, least of all its <a href=\"/a-wedding-gift-for-a-lady-mantis\">intended</a>. \u2014Graue Wolke</em></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. For heaven\u2019s chitinous scurrying sake, Graue, her personal given name is \u201cRen\u201d. Their word for \"lotus\". Endeavor to use it, if you would have her notice you. ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. You ask too much of your older brother, liebling. He would be inclined to think it improper because <em>she</em> never told him to call her that. ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. You missed a syllable! ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. This is not a true rhyme, you should know. ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. What does this even mean? It's not romantic at all\u2026 what is she seizing? ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. How does this make you appealing as a mate, though! Compliment her all you like, but none of your good bits show through here! ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Wait until they've established a good rapport before mentioning \"showing good bits\", Schreien. Shame on you. ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. You two both misunderstand the point of romantic poetry. An ode to yourself won't woo anyone else. ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. Crawling creeping guts of glop, you are <em>horrible</em> at talking well of yourself! Older brother, surely there is <em>something</em> in your accomplishments you can boast of? ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. This part I like, but surely you first saw her at the festival decades ago? To be sure, you sound like a stalker! ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. Such a familiar form of address? Scandalous! Or perhaps\u2026 you are trying to be of suggestive nature? ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. I thought she's of fairly average build\u2026 ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. Always be complimenting a mantis, idiot! Graue dear, you should say she is <em>much larger</em> than the average male. Praise her imposing stature! ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Do mantis ladies not wish to be petite? ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. The Empress Mantid is quite tall, I believe. And the ladies tend to be more impressive. ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. Best to remain objective and tell the truth, methinks. ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. Are you sure this last bit merits stating? Or do you find her demon laugh endearing? You need to say it is endearing, otherwise how will anyone know? ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-18\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-18')\">18</a>. Let's hope that runs in the family, eh? EHH? ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-19\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-19')\">19</a>. See, she has friends. Talk to them more often. I know you don't get out of the clouds much, but you should stop asking about her history and start asking about her taste in men. Surely they'd be happy to gossip on <em>that</em> topic as well? Have you asked any other members of the Hand about her? \u2026why didn't you think of this already\u2026? ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-20\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-20')\">20</a>. Oh ho ho! A potential rival in love? Do you know more of this mantid lord? Are you jealous? Is that why no name is given? Do not be petty! ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-21\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-21')\">21</a>. This has been a very thorough retelling. Still. I would wager my left pincer that she could kick your scuttering scraping stinger-tipped ass if you angered her, Graue. Are you still so certain you wish to court her, a duelist? ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-22\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-22')\">22</a>. Perhaps you should speak more of her apparatus work done for the Serpent's Hand? You purchased all those new books on the craft and her famous classification system so you could talk to her, why not use some of that knowledge here? ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-23\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-23')\">23</a>. The lady mantis may not like her crafting secrets spewed everywhere, old man. I think she likes to play coy so potential commissioners will seek her out. Not that it matters in Graue's case, he breaks things when he's nervous\u2026 ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-24\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-24')\">24</a>. This is why you need to meet more fellow insectkin!! No wonder you've been so moony every time festival season arrives. ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-25\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-25')\">25</a>. I\u2026 what, this is attractive to you, Graue? ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-26\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-26')\">26</a>. Simply tell her you want to do the old <em>promenade \u00e0 deux</em> with her already. You know what I mean. Surely the reaction will be positive, if not entertaining. ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-27\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-27')\">27</a>. How crude! Listen not to her, cloudkin. Woo the lady as you see fit. ~W.S.</div>\n</div>\n\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-love-letter-to-a-lady-mantis\">A Love Letter to a Lady Mantis</a>\" by Zyn, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-love-letter-to-a-lady-mantis\">https://scpwiki.com/a-love-letter-to-a-lady-mantis</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[size 150%]] **My Lady Red Mantis of the High Craftsmen\u2019s Court** [[/size]]\n\n\n\n[[>]]\n\n**Esteemed Duelist of the Eighth Revered-Circle, Mistress of the Red Knives, Shiritori Zakuro, Master Shiritori[[footnote]]For heaven\u2019s chitinous scurrying sake, Graue, her personal given name is \u201cRen\u201d. Their word for \"lotus\". Endeavor to use it, if you would have her notice you. ~Schreien W.[[/footnote]][[footnote]]You ask too much of your older brother, liebling. He would be inclined to think it improper because //she// never told him to call her that. ~T\u00e4nzer[[/footnote]]**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\n//She walks in light and hunts the dark//\n\n//A lady mantis calm and keen//\n\n//Her arms aloft and visage stark//\n\n//She strikes with blades but half-blink seen.//\n\n//A crafter taught by fray and foe//\n\n//Duelist-heart and courtly charm//[[footnote]]You missed a syllable! ~W.S.[[/footnote]]\n\n//Her past an epic tale untold//[[footnote]]This is not a true rhyme, you should know. ~W.S.[[/footnote]]\n\n//Her name a threat to cause alarm.//\n\n//Such beauty, grace, and steel-sharp wit//\n\n//Inspires fire within the soul//\n\n//To turn back fear where shadows flit//\n\n//Seek but to seize, achieve her goal.//[[footnote]]What does this even mean? It's not romantic at all... what is she seizing? ~T\u00e4nzer[[/footnote]]\n\n//The Lady Smith, of red-mark knife//\n\n//She has no equal in this life.//[[footnote]]How does this make you appealing as a mate, though! Compliment her all you like, but none of your good bits show through here! ~Schreien W.[[/footnote]][[footnote]]Wait until they've established a good rapport before mentioning \"showing good bits\", Schreien. Shame on you. ~T\u00e4nzer[[/footnote]][[footnote]]You two both misunderstand the point of romantic poetry. An ode to yourself won't woo anyone else. ~W.S.[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n//This is but written by a humble cloud-scorpion,//[[footnote]]Crawling creeping guts of glop, you are //horrible// at talking well of yourself! Older brother, surely there is //something// in your accomplishments you can boast of? ~Schreien W.[[/footnote]] //of the seventh-cluster cloud-culture sky-crawlers. While walking the dawn above, trimming the clouds into arching ribbons as was his commissioned task for the autumn-trees moon festival, this cloud-scorpion was enamored of the Lady Mantis at her work, and endeavored with utmost speed to learn more of the red-knife wielder.//[[footnote]]This part I like, but surely you first saw her at the festival decades ago? To be sure, you sound like a stalker! ~T\u00e4nzer[[/footnote]]\n\n\n\n**Traits:** Lady Zakuro[[footnote]]Such a familiar form of address? Scandalous! Or perhaps\u2026 you are trying to be of suggestive nature? ~T\u00e4nzer[[/footnote]] stands slender of build from years of combat and years of delicate apparatus-crafting, slightly larger than the average female mantis-kind, at 157 cm, as per her tailor's last measuring.[[footnote]]I thought she's of fairly average build... ~Schreien W.[[/footnote]][[footnote]]Always be complimenting a mantis, idiot! Graue dear, you should say she is //much larger// than the average male. Praise her imposing stature! ~T\u00e4nzer[[/footnote]][[footnote]]Do mantis ladies not wish to be petite? ~W.S.[[/footnote]][[footnote]]The Empress Mantid is quite tall, I believe. And the ladies tend to be more impressive. ~Schreien W.[[/footnote]][[footnote]]Best to remain objective and tell the truth, methinks. ~W.S.[[/footnote]] As a member of the high mantid court, she possesses the unique appendage traits common to the nobility--longer wings, specialized barbs on the augmented four walking legs that allow for precision maneuvers, and more durable spikes on the raptorial arms' grasping scythes. Her long hair is crane-wingtip black, her hands chitinous but flexible, and her face lovely enough, it is said, to grace a lady phoenixes's cosmetics catalog. She has an affinity for smooth cotton robes, though much of her courtly wear was done in silk, red to match her lower body carapace. Rare is the occasion when she dons her centipede-demon-shell armor.\n\n\n\n**Nature:** Lady Zakuro wears three masks with others: her distant but pleasant court manners, her intellectual and discerning craftsman negotiation skills, and the playful, unshakeable private persona known only to those she would trust her back to in a fight. Unerringly polite with new acquaintances, she is slow to temper with most topics, but will not hesitate to engage in threat displays should her displeasure rise high enough. She apparently avoids laughter in crowded places; it is said that growing up in the mantid court, she never quite figured out how to laugh in an non-unnerving way. [[footnote]]Are you sure this last bit merits stating? Or do you find her demon laugh endearing? You need to say it is endearing, otherwise how will anyone know? ~Schreien W.[[/footnote]]\n\n\n\n**History & Associated Parties:** Born into the high mantis court of the sun-brushed islands, \"Little Ren\" was the first-born daughter of a lesser court artisan and her spearman-guard husband. It was never the best match in standing, but the young lady mantis nevertheless adored her parents for their steady affection[[footnote]]Let's hope that runs in the family, eh? EHH? ~Schreien W.[[/footnote]] for each other and ease of brushing off disrespectful comments.\n\n\n\nLady Ren was on pleasant enough terms with the other children in the artisan quarters, until their classes concluded and the young adults were expected to compete for placements in the craftsman quarters. Ren was sorted into the second of the three circles, to her outrage. Placed to work\u00a0\u00a0mass-producing luxury paper goods, she was a troublemaker to her tutors, always attempting to swap colored papers with her friends[[footnote]]See, she has friends. Talk to them more often. I know you don't get out of the clouds much, but you should stop asking about her history and start asking about her taste in men. Surely they'd be happy to gossip on //that// topic as well? Have you asked any other members of the Hand about her? ...why didn't you think of this already...? ~Schreien W.[[/footnote]] to create multi-hued flowers rather than the single-shade decorations that had been ordered by the other insect palaces. The artisan name she was given after her first year of skilled work, \"Shiritori Zakuro\", was intended to be a rebuke.\n\n\n\nA little after the tutors had relegated her to merely cutting the papers for the other artisans to fold, a passing noblemantis[[footnote]]Oh ho ho! A potential rival in love? Do you know more of this mantid lord? Are you jealous? Is that why no name is given? Do not be petty! ~T\u00e4nzer[[/footnote]] had noted the young lady's skill with the paper-cutting knife far outshone her paper folding. Lady Zakuro was asked to join the mantid court's secret nighttime dueling ring: a place where one could play the court's game of favors and friends regardless of their family standing. She gratefully accepted, and spent countless nights first observing, then mimicking, then eventually training with the mantid duelists who faced each other in the large courtyard in the dead of night. Masks were worn to disguise appearance, but Ren was made aware of certain other individuals who fought with knives: the empress's right-hand jewelry-smith's apprentice, the kitchen's seventh-in-line pastry chef, the young boy mantis with no family name from the lawmaker's guild.\n\n\n\nWith time and practice, as well as many injuries hidden with her flowing craftman's robes, she fought her way with speed and wit to the highest-tier, the eighth circle of the duelist ranks.[[footnote]]This has been a very thorough retelling. Still. I would wager my left pincer that she could kick your scuttering scraping stinger-tipped ass if you angered her, Graue. Are you still so certain you wish to court her, a duelist? ~Schreien W.[[/footnote]] However, with her newfound notoriety, Lady Zakuro realized she needed to find a way to keep her weapons from being traced to her quarters. Thanks to her newfound duelist contacts, she bullied the court mages into teaching her linking magic\u2014which she would later incorporate into her trademark \"steadfast\" apparatus. Her iconic knives would turn to blood (some say wine, or red mantis tears) when handled by anyone besides their mistress.\n\n\n\nEventually, a renowned mountain spirit came from the north to visit the mantid court, and Zakuro disappeared with them into the high forests where crystals could be crafted in streams clear as moonlight. Whispers around court spread and her story leaked out as she made her new home.[[footnote]]Perhaps you should speak more of her apparatus work done for the Serpent's Hand? You purchased all those new books on the craft and her famous classification system so you could talk to her, why not use some of that knowledge here? ~W.S.[[/footnote]][[footnote]]The lady mantis may not like her crafting secrets spewed everywhere, old man. I think she likes to play coy so potential commissioners will seek her out. Not that it matters in Graue's case, he breaks things when he's nervous... ~Schreien W.[[/footnote]] When she returned years later, having developed a reputation as an esteemed apparatus crafter, those who once scoffed at her and her parents had to turn their eyes away when she smiled at them.\n\n\n\n**Approach:** Lady Zakuro rarely leaves her workshops, and tends to receive commissions on a referral-only basis, through her other insectkin contacts. Should one encounter her at a public event, it is advised to have a mutual friend initiate the conversation.[[footnote]]This is why you need to meet more fellow insectkin!! No wonder you've been so moony every time festival season arrives. ~T\u00e4nzer[[/footnote]]\n\n\n\nShould you visit her dwelling, she will insist on pouring you tea. If you dislike the beverage or are unable to partake of physical refreshments due to vow, curse, or temporary inconvenience, mantid manners merely require dabbing a little of the tea onto the dominant hand, paw, wing, leg, or other appendage. It is said that the tea is made of leaves plucked from the Forest of Truth, and will produce a painful freezing sensation when in contact with those who wish the Lady Zakuro harm. Incidentally, unaware enemies who visit and manage to escape are left with several red knives embedded in various sensitive spots.[[footnote]]I... what, this is attractive to you, Graue? ~T\u00e4nzer[[/footnote]] In all encounters with mantids, grace and poise, and no sudden movements.[[footnote]]Simply tell her you want to do the old //promenade \u00e0 deux// with her already. You know what I mean. Surely the reaction will be positive, if not entertaining. ~T\u00e4nzer[[/footnote]][[footnote]]How crude! Listen not to her, cloudkin. Woo the lady as you see fit. ~W.S.[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\n\"To properly understand the circles the Lady Zakuro walked, perhaps a little background of the mantid court would be welcome. The mantids love circles. You see, there are three craftsmen circles, the first, second, and third. Those sorted into the first circle are the much-lauded and desired, those sought for commissions, one-of-a-kind pieces only. The second circle handles luxury decorations and accessories, mass-produced. The third conduct repairs only, never creating any new work of their own. They were said to be equal, yes, but no one wished to be a pillowcase-fixer when they could be embroidering the empress's next summer robe. Little Ren aspired to the first circle, but was placed in second because of her parents' court standing.\n\n\n\n\"The duelist circles present a different game of numbers. Members are expected to make challenges to those above them in rank, to move up in the eight \"revered circles\". The rules for victory were fairly simple: be silent, and draw blood. There was a focus on swiftness and silence, and in respect for the court machinations during the day, duelists were expected to only strike where clothing could cover up the scars. A noisekeeper would disqualify any duelists whose noise would threaten the secrecy of the ring. Making no noise whatsoever could sometimes mean just as much standing as successive victories, and as a beginner, the Lady Zakuro found herself the keeper of many scars, but few cries, thus earning her the begrudged respect of the more senior duelists. It is known, after all, that the female mantids are often the most vicious.\" ~Miotsukushi\n\n\n\n\"Ren-chan is a dear friend of mine. You know she wears strands of paper cranes and //kusudama// in her hair, yes? Tied with cord of silk? She tells me that they remind her of her past, and though the memories may weigh on her mind, she continues on and will be all the stronger for it. Some say she is simply vain. It may be true. Yet I have heard tell of her commission contacts saying each //kusudama// is a promise to herself she has yet to fulfill.\" ~Usugumo\n\n\n\n\"This is the legendary apparatus master known throughout many records of the Serpent's Hand as merely \"Z.S.\", who classified the widely-used item Loyalty designations. She had many words to say, this is true, but she never took up writing. More interest in molding wood, clay, bone, metal, than ink upon parchment. Or perhaps she never wanted it to be written in her own hand, should she be incorrect. Still, many young spiderkin, myself included, volunteered to write for her, and she happily invited them to her workshops, where she would chatter about materials, affinities. What dyes to use, what material would hold a grudge. Those were charming days.\" ~W.S.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nSome say she murdered her competitors of both the workshop and the fighting ring. Others say she dueled them for their silence, to ensure she would be the sole eminent mantis-kind apparatus crafter. Yet others whisper that she married her male competitors, and //then// murdered them.\n\n\n\n//I, for one, refuse to believe that Master Ren ever murdered anyone to further her career. If she ever raised a blade against another outside the duelist court, I, for one, refuse to believe it was not in self-defense. And I do believe they would have deserved what then transpired. \u2014Suetsumuhana-Hime//\n\n\n\n//Where do YOU think she gets the blood for her red knives? \u2014Hanachirusato//\n\n\n\n//Fools. Why would you ask for courtly gossip from the ladies of her paper-folding days of boredom? You should have come to seek myself first. Blood carries all sorts of problematic oversoul-spiritual loyalty-reaction issues, and is additionally a rather complicated substance to work into a form that it does not take willingly outside the body. Furthermore, extraction by injury results in exposure to all sorts of trace elemental impurities from the environment, and as example, so thus even a fire affinity can be quenched by a light mist in the air. It should be obvious that she uses fine iron powder and water-based red flower dye. \u2014Court Magician Takonatsu//\n\n\n\n//Well, I heard that she eats the heads of her boyfriends when they have become boring. \u2014T\u00e4nzer//\n\n\n\n//Enough. Enough!! Your words, I should never have asked for them. What a miserable venture, this all has been. I shall indeed speak to her, on my own, if the all of you would cease your unhelpful chattering. This manuscript is useless. I would not have any further eyes look upon it, least of all its [[[A Wedding Gift For A Lady Mantis | intended]]]. \u2014Graue Wolke//\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_serpents-hand", "fantasy", "goi-format", "romance", "serpents-hand", "xenofiction"], "title": "A Love Letter to a Lady Mantis - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-love-letter-to-a-lady-mantis"}, "a-million-pictures-of-the-ocean-song-of-the-gulls": {"created_at": "2026-07-26T05:48:00", "creator": "Zyde", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "", "date": "2026-07-26T05:48:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "", "date": "2026-07-26T05:49:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "Uploaded file \"500px_photo_(38644818) edit (3).webp\".", "date": "2026-07-26T05:49:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image. Removed tags: _cc. ", "date": "2026-07-26T05:55:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-07-26T05:55:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _are-we-cool-yet, _image, _licensebox, are-we-cool-yet, goi-format. ", "date": "2026-07-26T05:55:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "", "date": "2026-07-26T06:05:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "", "date": "2026-07-27T04:34:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-07-27T05:46:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "Parent page set to: \"\".", "date": "2026-07-31T22:15:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "Parent page set to: \"no-wave\".", "date": "2026-07-31T22:15:00"}, {"author": "Zyde", "author_href": "https://www.wikidot.com/user:info/zyde", "comment": "Parent page set to: \"no-wave\".", "date": "2026-07-31T22:18:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: no-wave. ", "date": "2026-08-26T09:04:00"}], "hubs": ["are-we-cool-yet-hub", "goi-formats"], "images": [], "link": "a-million-pictures-of-the-ocean-song-of-the-gulls", "page_id": "1469050847", "rating": 21, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"display: none;\">\n<div class=\"limit\">\n<div class=\"anchor\">\n<div class=\"authorbox\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<table class=\"wiki-content-table\">\n<tr>\n<th>A Million Pictures Of The Ocean (Song Of The Gulls)</th>\n</tr>\n<tr>\n<td style=\"text-align: center;\"><strong>By:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/zyde\" onclick=\"WIKIDOT.page.listeners.userInfo(5983052); return false;\"><img alt=\"Zyde\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5983052&amp;amp;size=small&amp;amp;timestamp=1791437662\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5983052)\"/></a><a href=\"https://www.wikidot.com/user:info/zyde\" onclick=\"WIKIDOT.page.listeners.userInfo(5983052); return false;\">Zyde</a></span></td>\n</tr>\n<tr>\n<th>Published on <span class=\"odate time_1785044918 format_%25d%20%25b%20%25Y\">26 Jul 2026 05:48</span></th>\n</tr>\n</table>\n</div>\n</div></div>\n<br/></div>\n</div>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aflopstyle/2&amp;css={$css}\" style=\"display: none\"></iframe></p>\n</div>\n\n<div class=\"preview\">\n<p>Revere each moment.</p>\n</div>\n\n\n\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<h3 id=\"toc0\"><span>A million Pictures of the ocean</span></h3>\n<h4 id=\"toc1\"><span>Silvyia Laurance (b. 1964)</span></h4>\n<h6 id=\"toc2\"><span>One camera, occasionally submerged.</span></h6>\n</div>\n<p>A film camera takes a picture every 3 seconds. Aimed by no hands within 50 meters of Little Green Island, Maine. Those islands, simple, flat, barren, or only rock. Remote, oft untouchable beauty that ever prompt a second and third look. The rocky coast shielding against splashing waves, and yet small patches of land beyond stone walls remained ever beaten but unmoving. Moments seen, a shock of intense beauty that you wish to return to, though a second later, it is gone. Jolt away, grey seas unto warm beaches, gold. Rocky sand into aquamarine, which breaks down walls, revealing sun.</p>\n<p>Of all ephemeral things, the film within the camera remains untouched and ever changing. Pictures taken within itself layered and stacked for only the camera's experience. Each worth a moment in time only it will see, as though ourself. Folding, riveted and stacked, closer and closer together a mass of organs held together by moments still. A brainchild given its own.</p>\n<p>The eye, the lens, covered by glass. Such precious heart and mind, walled like stony coasts, degrading slowly but ingrossed by water's worth. The body, encased so that it can survive. Buttons moving with only itself as guide. Movement unnatural, given freedom within a post, but unable to walk upon the moon and its company each night.</p>\n<p>Still on my island, revere each moment.</p>\n</div>\n<p>I\u2019ve been struggling to come to terms with something recently. I feel inept at defining the structure and feelings I want to share.</p>\n<p>I try justifying it, \u201coh, the moment of my art can only be stretched so far,\u201d and such, but I stare for hours trying to formulate a single thought; it\u2019s refusal to encapsulate the joy and pride I feel in the rare good moment.</p>\n<p>I try to justify it, \u201coh, I bind myself too far in the passions of art,\u201d As though I am not speaking directly to you. I struggle to define even a simple reality in a manner I feel is compelling.</p>\n<p>And yet I feel that despite it all, I have no choice but to create the image, bring my mind to form in suitable ways I can muster. Continue to slam my head into a wall so that my blood may take like paint, yes. To bring my art forth in the world, an eye seeing different than our daily life, more. New ways, new art, another moment to define with gratitude.</p>\n<p>Made with love rather than anger, because fuck you. I love each moment on my island more than I hate that feeling.</p>\n<p>I present \u201cA million pictures of the ocean.\u201d</p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-million-pictures-of-the-ocean-song-of-the-gulls\">A Million Pictures Of The Ocean (Song Of The Gulls)</a>\" by Zyde, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-million-pictures-of-the-ocean-song-of-the-gulls\">https://scpwiki.com/a-million-pictures-of-the-ocean-song-of-the-gulls</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> 500px_photo_%2838644818%29%20edit.webp<br/>\n<strong>Author:</strong> Weeksjax<br/>\n<strong>License:</strong> CC-BY 3.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:500px_photo_(38644818).jpeg\">https://commons.wikimedia.org/wiki/File:500px_photo_(38644818).jpeg</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[div style=\"display: none;\"]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:flopstyle\">:scp-wiki:theme:flopstyle</a>]]\n\n[[/div]]\n\n[[module CSS]]\n\n/*this css was mostly designed by aers and was edited by uncle nicolini*/\n\ndiv#container-wrap {\n\n\u00a0\u00a0\u00a0\u00a0background: url(https://themes.wdfiles.com/local--files/helloworld/background.png) top left repeat-x;\n\n\u00a0\u00a0\u00a0\u00a0background-size: 105px;\n\n}\n\n\n\n#header h1 a {\n\n\u00a0\u00a0\u00a0\u00a0font-family: \"Times New Roman\", Times, serif;\n\n}\n\n\u00a0\n\n#header h2 span {\n\n\u00a0\u00a0\u00a0\u00a0color: transparent;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: none;\n\n}\n\n\n\n#header h2 span::after {\n\n\u00a0\u00a0\u00a0\u00a0content: \"Lesson No. 1 For the New Artist\";\n\n\u00a0\u00a0\u00a0\u00a0color: #ffffff;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 1px 1px 1px rgba(0,0,0,.8);\n\n\u00a0\u00a0\u00a0\u00a0display: block;\n\n}\n\n[[/module]]\n\n=====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=Revere each moment.]]\n\n=====\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[=image http://scp-wiki.wikidot.com/local--files/a-million-pictures-of-the-ocean-song-of-the-gulls/500px_photo_%2838644818%29%20edit%20%283%29.webp]]\n\n[[div class=\"blockquote\"]]\n\n[[=]]\n\n+++ A million Pictures of the ocean\n\n++++ Silvyia Laurance (b. 1964)\n\n++++++ One camera, occasionally submerged.\n\n[[/=]]\n\n\n\nA film camera takes a picture every 3 seconds. Aimed by no hands within 50 meters of Little Green Island, Maine. Those islands, simple, flat, barren, or only rock. Remote, oft untouchable beauty that ever prompt a second and third look. The rocky coast shielding against splashing waves, and yet small patches of land beyond stone walls remained ever beaten but unmoving. Moments seen, a shock of intense beauty that you wish to return to, though a second later, it is gone. Jolt away, grey seas unto warm beaches, gold. Rocky sand into aquamarine, which breaks down walls, revealing sun.\n\n\n\nOf all ephemeral things, the film within the camera remains untouched and ever changing. Pictures taken within itself layered and stacked for only the camera's experience. Each worth a moment in time only it will see, as though ourself. Folding, riveted and stacked, closer and closer together a mass of organs held together by moments still. A brainchild given its own.\n\n\n\nThe eye, the lens, covered by glass. Such precious heart and mind, walled like stony coasts, degrading slowly but ingrossed by water's worth. The body, encased so that it can survive. Buttons moving with only itself as guide. Movement unnatural, given freedom within a post, but unable to walk upon the moon and its company each night.\n\n\n\nStill on my island, revere each moment.\n\n[[/div]]\n\n\n\nI\u2019ve been struggling to come to terms with something recently. I feel inept at defining the structure and feelings I want to share.\n\n\n\nI try justifying it, \u201coh, the moment of my art can only be stretched so far,\u201d and such, but I stare for hours trying to formulate a single thought; it\u2019s refusal to encapsulate the joy and pride I feel in the rare good moment.\n\n\n\nI try to justify it, \u201coh, I bind myself too far in the passions of art,\u201d As though I am not speaking directly to you. I struggle to define even a simple reality in a manner I feel is compelling.\n\n\n\nAnd yet I feel that despite it all, I have no choice but to create the image, bring my mind to form in suitable ways I can muster. Continue to slam my head into a wall so that my blood may take like paint, yes. To bring my art forth in the world, an eye seeing different than our daily life, more. New ways, new art, another moment to define with gratitude.\n\n\n\nMade with love rather than anger, because fuck you. I love each moment on my island more than I hate that feeling.\n\n\n\nI present \u201cA million pictures of the ocean.\u201d\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** 500px_photo_%2838644818%29%20edit.webp\n\n> **Author:** Weeksjax\n\n> **License:** CC-BY 3.0\n\n> **Source:** https://commons.wikimedia.org/wiki/File:500px_photo_(38644818).jpeg\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_are-we-cool-yet", "_cc", "_licensebox", "are-we-cool-yet", "goi-format", "no-wave"], "title": "A Million Pictures Of The Ocean (Song Of The Gulls) - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-million-pictures-of-the-ocean-song-of-the-gulls"}, "a-new-age-of-magic": {"created_at": "2018-06-02T23:24:00", "creator": "Modern_Erasmus", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "", "date": "2018-06-02T23:24:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "Uploaded file \"Apocrypha.jpg\".", "date": "2018-06-02T23:24:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "", "date": "2018-06-02T23:24:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "Added tags: _serpents-hand, black-queen, doomsday2018, gamers-against-weed, goi-format, robert-bumaro, sarkic, serpents-hand. ", "date": "2018-06-02T23:43:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "Parent page set to: \"apotheosis-hub\".", "date": "2018-06-03T04:29:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "", "date": "2018-06-04T18:12:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "", "date": "2018-06-04T21:40:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "", "date": "2018-06-11T20:53:00"}, {"author": "Weryllium", "author_href": "https://www.wikidot.com/user:info/weryllium", "comment": "Added tags: _gentlemen. ", "date": "2018-06-16T02:41:00"}, {"author": "Salamander724", "author_href": "https://www.wikidot.com/user:info/salamander724", "comment": "SH theme added", "date": "2018-06-18T01:21:00"}, {"author": "MayD", "author_href": "https://www.wikidot.com/user:info/mayd", "comment": "You successfully reverted the page to revision number 8", "date": "2018-06-18T02:29:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "You successfully reverted the page to revision number 9", "date": "2018-06-18T08:34:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "", "date": "2018-08-17T18:08:00"}, {"author": "Modern_Erasmus", "author_href": "https://www.wikidot.com/user:info/modern-erasmus", "comment": "Added tags: apotheosis. ", "date": "2018-10-23T02:36:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-25T01:35:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T22:29:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Removed tags: _gentlemen. ", "date": "2019-05-16T21:44:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Changing theme usage method from @import to [[include]].", "date": "2019-05-23T21:00:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: director-moose. ", "date": "2019-06-10T22:11:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2019-10-01T04:48:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T05:16:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _licensebox. ", "date": "2021-07-11T18:45:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Adding licensebox", "date": "2021-07-11T18:45:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: esther-kogan, jockjamsvol6. ", "date": "2021-10-08T04:46:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, mystery. ", "date": "2024-10-05T10:39:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: yaldabaoth. ", "date": "2026-01-03T15:49:00"}], "hubs": ["black-queen-hub", "apotheosis-hub", "algorithm-curated-recommendations", "canon-hub", "goi-formats"], "images": [], "link": "a-new-age-of-magic", "page_id": "84038201", "rating": 278, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awanderers/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n\n<p><span style=\"font-size:150%;\"><strong>A New Age of Magic</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>The Promised Victory, Time of Tribulations, Fuck Normalcy Revival Concert Tour<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>, Doomsday</strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>In the year of our Defilement 44,211<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> <a href=\"http://www.scp-wiki.net/scp-3396\">we awoke to find that man and fae had merged once more</a>. Magic blossomed in new flesh all across the lifeplain. The strangling Veil that has choked our voices and soaked our blood for thousands of years was undone in an instant. The Jailors, Bookburners, Grailbearers, and even the simple Feds crumbled beneath the rising tide. Shadows can never survive in the sun.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></p>\n<p>At least one in three Humani are now blessed by the Blue, and what a blessing it is! Only the greatest Thaumaturgy of the Illuminati or Sorceries of the Sons of Salem can compare to the raw, lascivious nectar that now fills our veins. Magic now rivals the godlings themselves, and every day more souls are reborn in cleansing light. And yet, the source of this miracle is a mystery.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Illustration</strong></p>\n</div>\n\n<p><em>An illustration taken from the Seventh Book of Apocryphal Visions that is believed to depict current or future events regarding this awakening. The painting's context and the identity of the depicted figure are unknown.</em></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong> The magical renaissance that has prompted our current global situation has 3 commonalities in every affected individual. The first is the growth and presence of luminescent blue organs within the body. The extent of the manifestation varies widely, and all possess a seemingly inviolable thaumic warding. Their purpose is the constant and seemingly source-less provision of massive amounts of raw Aetherial energy. In terms of raw output, a single blue-blessed can produce more energy than previous estimates for the abilities of the High Priest of the Worm, the Wandering Jew, or the Black Queen, who had previously been assumed to be the strongest living human magic users.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup></p>\n<p>The individuals' bodies react strangely to the influx of magic, producing the second commonality: psychothaumic mutation. Though an ever-present danger to reckless mages, psychothaumic mutation has previously been a relatively rare phenomenon usually caused by rituals gone awry. Overexposure to magical energies alone has never been observed to bring about the changes seen in the blue-blessed.</p>\n<p>Most curiously, attempting to discern the Aetherial matrix of either the organs or their sap does not provide us with a normal result. There are no paths of magic, no alchemical formulae, no soulbound anguish or pleasure. It is, without fail, a single word. THRIVE.</p>\n<p><strong>Nature:</strong> The nature of the awakening, the blue-blessed, and the source of the magic provided is all unknown at present. Constant debate is present in our community over the truth of the matter.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n<p>All blue-blessed are linked together in a locus reminiscent of the depleted Leylines, albeit far denser than even the height of that ancient network. The epicenter of the network appears to be in the Western United States, in an area controlled by the remnants of the Jailors. Whether this is the source of the new age or merely a geographic focus is unknown.</p>\n<p>This magic's nature is of THRIVE. It is a command rather than an existing domain, and it should not be possible under current magical theory. Rather than summoning magic from a source and commanding it to a task, this magic acts as a command that generates its own domain and source in a reversal of fundamental magiphysics. Is it possible this could be done for other concepts?<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> Or has this domain always existed, a paradox that defies itself?</p>\n<p><strong>History &amp; Associated Parties:</strong> No certain history is known about this phenomenon, though speculation lies below. Neither the Hand, nor any other travelers of the Library are known to have caused this. Foundation control of the possible locus epicenter is the only known association we have.</p>\n<p><strong>Approach:</strong> You don't approach it, it will approach you. If you're wondering how to approach the blue-blessed, that's a different story. They're people, the same humans they were before. Some saints, some devils, most just trying to get by. But now they're dangerous beyond belief. Then again, chances are that you are too.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<blockquote>\n<p><em>YOU WILL WAKE WITHIN THE CHRYSALIS AND SEE THE SELF THAT IS WRITTEN BEYOND THE LIDS OF THE EYE. THE SERPENT SHALL SHED ITS SCALES AND SPREAD ITS ROOTS. WHEN BLUE STARS SHINE IN THE LIGHT OF FATHER THE MEANING OF LIFE WILL BE KNOWN. THE SPAWN OF DAUGHTER WILL BE MADE TO THRIVE.</em> -Excerpt from the Seventh Book of Apocryphal Visions</p>\n</blockquote>\n<p>While hundreds, if not thousands, of hypotheses as to the nature of the Blue exist, there are three primary theories that have developed over the past two years:</p>\n<p><a href=\"/sarkic-case-study-01-the-vas-n-a-of-sarvi\">N\u00e4lk\u00e4</a> practitioners believe the new age was brought about by the victory of Grand Karcist Ion over the Demiurge Yaldabaoth. Traditional N\u00e4lk\u00e4n groups have long believed that Ion was not killed or imprisoned, as is maintained by the Neo-N\u00e4lk\u00e4ns and Broken Church respectively, but instead ascended beyond the plane of creation to battle Yaldabaoth on Humanity's behalf. Adherents of this theory believe that Ion has now defeated the Demiurge over millenia of battle and consumed his divine flesh. The Blue is a blessing from the new god to his chosen people, designed to foster long term utopian existence. The violent reaction between the blue organs and the bodies of Neo-N\u00e4lk\u00e4n Karcists, who had come to serve the Demiurge and his Archons, may support this theory. Global N\u00e4lk\u00e4n worship is at an all time high thanks to these developments.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup></p>\n<p>Foundation and GOC defectors maintain that the New Age was caused by an anomaly responsible for the original creation of life. The interaction of life and reality has long produced unlikely and scientifically implausible scenarios that suggest we are not natural beings. Mathematical odds and The Great Filter aside, Humanity is singularly strange. Gods can be born out of simple human belief, small portions of the population can bend reality, and non-magical anomalies are commonplace. The awakening of thaumic powers comparable to reality-bending seems a natural evolution of this trend. This theory overlaps with traditional ideas of Panspermia and or Pleromic creation. Adherents are divided on whether the anomaly can be identified with YHVH or other creator deities.</p>\n<p>Other groups, notably the Broken Church and elements of the elder Serpent's Hand, have accepted the benefits of the blessing while still believing it to be the result of a non-benevolent force. They point to the global instability the blue-blessed have wrought as proof that an unknown force may be preparing to conquer or enslave a newly divided and empowered humanity. Beliefs about the identity of this potential aggressor vary.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p><em>I don't really know what there is to doubt, this is publicly happening</em> -LesbianGengar<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup><em>Oh sorry, we're all pretty new to this. It's like Facebook except with an actual magic book XD</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup></p>\n<p><em>I don't believe this bears the stench of Yaldabaoth, but nor does it smack of Ion's ruthless idealism. All I know is that this is not the work of Mekhane, and the fact that this magic now dominates my world terrifies me. It is my hope that we may someday return</em>. - Robert Bumaro</p>\n<p><em>I don't know or care about why this exists, all I know is that my body is an ugly mess. I can't eat, I don't sleep. I'm a fucking monster, literally. Whoever did this to me, fuck you.</em> - C.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup></p>\n<p><em>I know most of you don't trust me or Sig-3, even after we betrayed our mission for your sakes. But listen to me when I say that I know magic, old magic especially. I've studied the Garden of the Second Sun and reverse engineered rituals of the ancient Daevas. The O5s themselves consulted me regularly on all matters of ancient magic, and some of them are old enough to have been there in person. Magic has infinite manifestations, sources, and rules, none of which universally apply. Except one. Everything has a cost. Nothing is free. Humanity is ascending, perhaps all the way to godhood. What price will be asked of us for this? What will happen when we can't afford to pay it?</em> - <a href=\"/another-goddamn-magic-system\">Tilda Moose</a></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. A tad too much, Esther my dear- BD</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. 2018, for the record. - L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. You're crazy if you think those bastards are already out for the count. They <a href=\"http://www.scp-wiki.net/the-shape-of-a-gun\">attacked my home just yesterday</a>. I know the Foundation, and they're just biding their time. -J</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. You underestimate me darling. -L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. I KEEP TELLING YOU ITS THE FEEDER HUMANS' FEEDER HUMANS ARRIVING- <a href=\"http://www.scp-wiki.net/koi-format\">CARP OF THE SKY</a></div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Oh hush, you. - Sweet Momma</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Don't get any ideas, whelp. - T the Enchanter</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. Love, Freedom, Peace, I will forge these magics and save the world! -MF</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. I miss when the library wasn't filled with idiot newbie blues that don't understand what they're talking about. -Lady Lorelei</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. Yeesh, you can really tell which sections M. wrote and which ones the witch did. Not very clinical are you?- Silicon Brother James</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. Former BookBurners have no right to criticize me or my sisters. -A.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Suck it gear-heads - Z</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. Only Yaldabaoth twists magic of the flesh. The Sarkic scum come for us all. - Brother Ivan</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Yaldy's magic has always been identified with red you idiot- KA</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. You can doubt one of the theories you know. - L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. I keep telling you, no emojis allowed. Please tell Jude and Esther as well, all of you need to learn the rules. -L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. I know it can seem hard, but you'll come to see that your true self is a beautiful thing. You'll look back on this pain as a mere trial before paradise, trust me. - A.</div>\n</div>\n\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"A Farewell To Arms\">\n\n<p><a href=\"/a-farewell-to-arms\">A Farewell To Arms</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Apotheosis Hub\">\n<p><a href=\"/apotheosis-hub\">Apotheosis Hub</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"SCP-3731\">\n\n<p><a href=\"/scp-3731\">SCP-3731</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-new-age-of-magic\">A New Age of Magic</a>\" by Modern_Erasmus, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-new-age-of-magic\">https://scpwiki.com/a-new-age-of-magic</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Apocrypha.jpg<br/>\n<strong>Name:</strong> Mozart magic flute.jpg<br/>\n<strong>Author:</strong> Karl Friedrich Schinkel<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Mozart_magic_flute.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:wanderers\">theme:wanderers</a>]]\n\n\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[size 150%]] **A New Age of Magic** [[/size]]\n\n\n\n[[>]]\n\n**The Promised Victory, Time of Tribulations, Fuck Normalcy Revival Concert Tour[[footnote]]A tad too much, Esther my dear- BD [[/footnote]], Doomsday**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nIn the year of our Defilement 44,211[[footnote]]2018, for the record. - L.S.[[/footnote]] [http://www.scp-wiki.net/scp-3396 we awoke to find that man and fae had merged once more]. Magic blossomed in new flesh all across the lifeplain. The strangling Veil that has choked our voices and soaked our blood for thousands of years was undone in an instant. The Jailors, Bookburners, Grailbearers, and even the simple Feds crumbled beneath the rising tide. Shadows can never survive in the sun.[[footnote]]You're crazy if you think those bastards are already out for the count. They [http://www.scp-wiki.net/the-shape-of-a-gun attacked my home just yesterday]. I know the Foundation, and they're just biding their time. -J[[/footnote]]\u00a0\u00a0\n\n\n\nAt least one in three Humani are now blessed by the Blue, and what a blessing it is! Only the greatest Thaumaturgy of the Illuminati or Sorceries of the Sons of Salem can compare to the raw, lascivious nectar that now fills our veins. Magic now rivals the godlings themselves, and every day more souls are reborn in cleansing light. And yet, the source of this miracle is a mystery. \n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Illustration**\n\n[[/=]]\n\n\n\n[[=image Apocrypha.jpg]]\n\n\n\n//An illustration taken from the Seventh Book of Apocryphal Visions that is believed to depict current or future events regarding this awakening. The painting's context and the identity of the depicted figure are unknown.//\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** The magical renaissance that has prompted our current global situation has 3 commonalities in every affected individual. The first is the growth and presence of luminescent blue organs within the body. The extent of the manifestation varies widely, and all possess a seemingly inviolable thaumic warding. Their purpose is the constant and seemingly source-less provision of massive amounts of raw Aetherial energy. In terms of raw output, a single blue-blessed can produce more energy than previous estimates for the abilities of the High Priest of the Worm, the Wandering Jew, or the Black Queen, who had previously been assumed to be the strongest living human magic users.[[footnote]]You underestimate me darling. -L.S.[[/footnote]]\n\n\n\nThe individuals' bodies react strangely to the influx of magic, producing the second commonality: psychothaumic mutation. Though an ever-present danger to reckless mages, psychothaumic mutation has previously been a relatively rare phenomenon usually caused by rituals gone awry. Overexposure to magical energies alone has never been observed to bring about the changes seen in the blue-blessed.\n\n\n\nMost curiously, attempting to discern the Aetherial matrix of either the organs or their sap does not provide us with a normal result. There are no paths of magic, no alchemical formulae, no soulbound anguish or pleasure. It is, without fail, a single word. THRIVE. \n\n\n\n**Nature:** The nature of the awakening, the blue-blessed, and the source of the magic provided is all unknown at present. Constant debate is present in our community over the truth of the matter.[[footnote]]I KEEP TELLING YOU ITS THE FEEDER HUMANS' FEEDER HUMANS ARRIVING- [http://www.scp-wiki.net/koi-format CARP OF THE SKY][[/footnote]][[footnote]]Oh hush, you. - Sweet Momma[[/footnote]]\n\n\n\nAll blue-blessed are linked together in a locus reminiscent of the depleted Leylines, albeit far denser than even the height of that ancient network. The epicenter of the network appears to be in the Western United States, in an area controlled by the remnants of the Jailors. Whether this is the source of the new age or merely a geographic focus is unknown.\n\n\n\nThis magic's nature is of THRIVE. It is a command rather than an existing domain, and it should not be possible under current magical theory. Rather than summoning magic from a source and commanding it to a task, this magic acts as a command that generates its own domain and source in a reversal of fundamental magiphysics. Is it possible this could be done for other concepts?[[footnote]]Don't get any ideas, whelp. - T the Enchanter[[/footnote]][[footnote]]Love, Freedom, Peace, I will forge these magics and save the world! -MF[[/footnote]][[footnote]]I miss when the library wasn't filled with idiot newbie blues that don't understand what they're talking about. -Lady Lorelei[[/footnote]] Or has this domain always existed, a paradox that defies itself?\n\n\n\n**History & Associated Parties:** No certain history is known about this phenomenon, though speculation lies below. Neither the Hand, nor any other travelers of the Library are known to have caused this. Foundation control of the possible locus epicenter is the only known association we have.\n\n\n\n**Approach:** You don't approach it, it will approach you. If you're wondering how to approach the blue-blessed, that's a different story. They're people, the same humans they were before. Some saints, some devils, most just trying to get by. But now they're dangerous beyond belief. Then again, chances are that you are too.[[footnote]]Yeesh, you can really tell which sections M. wrote and which ones the witch did. Not very clinical are you?- Silicon Brother James[[/footnote]][[footnote]]Former BookBurners have no right to criticize me or my sisters. -A.[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\n> //YOU WILL WAKE WITHIN THE CHRYSALIS AND SEE THE SELF THAT IS WRITTEN BEYOND THE LIDS OF THE EYE. THE SERPENT SHALL SHED ITS SCALES AND SPREAD ITS ROOTS. WHEN BLUE STARS SHINE IN THE LIGHT OF FATHER THE MEANING OF LIFE WILL BE KNOWN. THE SPAWN OF DAUGHTER WILL BE MADE TO THRIVE.// -Excerpt from the Seventh Book of Apocryphal Visions\n\n\n\nWhile hundreds, if not thousands, of hypotheses as to the nature of the Blue exist, there are three primary theories that have developed over the past two years:\n\n\n\n[[[sarkic-case-study-01-the-vas-n-a-of-sarvi|N\u00e4lk\u00e4]]] practitioners believe the new age was brought about by the victory of Grand Karcist Ion over the Demiurge Yaldabaoth. Traditional N\u00e4lk\u00e4n groups have long believed that Ion was not killed or imprisoned, as is maintained by the Neo-N\u00e4lk\u00e4ns and Broken Church respectively, but instead ascended beyond the plane of creation to battle Yaldabaoth on Humanity's behalf. Adherents of this theory believe that Ion has now defeated the Demiurge over millenia of battle and consumed his divine flesh. The Blue is a blessing from the new god to his chosen people, designed to foster long term utopian existence. The violent reaction between the blue organs and the bodies of Neo-N\u00e4lk\u00e4n Karcists, who had come to serve the Demiurge and his Archons, may support this theory. Global N\u00e4lk\u00e4n worship is at an all time high thanks to these developments.[[footnote]]Suck it gear-heads - Z[[/footnote]]\n\n\n\nFoundation and GOC defectors maintain that the New Age was caused by an anomaly responsible for the original creation of life. The interaction of life and reality has long produced unlikely and scientifically implausible scenarios that suggest we are not natural beings. Mathematical odds and The Great Filter aside, Humanity is singularly strange. Gods can be born out of simple human belief, small portions of the population can bend reality, and non-magical anomalies are commonplace. The awakening of thaumic powers comparable to reality-bending seems a natural evolution of this trend. This theory overlaps with traditional ideas of Panspermia and or Pleromic creation. Adherents are divided on whether the anomaly can be identified with YHVH or other creator deities.\n\n\n\nOther groups, notably the Broken Church and elements of the elder Serpent's Hand, have accepted the benefits of the blessing while still believing it to be the result of a non-benevolent force. They point to the global instability the blue-blessed have wrought as proof that an unknown force may be preparing to conquer or enslave a newly divided and empowered humanity. Beliefs about the identity of this potential aggressor vary.[[footnote]]Only Yaldabaoth twists magic of the flesh. The Sarkic scum come for us all. - Brother Ivan[[/footnote]][[footnote]]Yaldy's magic has always been identified with red you idiot- KA[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\n//I don't really know what there is to doubt, this is publicly happening// -LesbianGengar[[footnote]]You can doubt one of the theories you know. - L.S.[[/footnote]]//Oh sorry, we're all pretty new to this. It's like Facebook except with an actual magic book XD//[[footnote]]I keep telling you, no emojis allowed. Please tell Jude and Esther as well, all of you need to learn the rules. -L.S.[[/footnote]]\n\n\n\n//I don't believe this bears the stench of Yaldabaoth, but nor does it smack of Ion's ruthless idealism. All I know is that this is not the work of Mekhane, and the fact that this magic now dominates my world terrifies me. It is my hope that we may someday return//. - Robert Bumaro\n\n\n\n//I don't know or care about why this exists, all I know is that my body is an ugly mess. I can't eat, I don't sleep. I'm a fucking monster, literally. Whoever did this to me, fuck you.// - C.[[footnote]]I know it can seem hard, but you'll come to see that your true self is a beautiful thing. You'll look back on this pain as a mere trial before paradise, trust me. - A.[[/footnote]]\n\n\n\n//I know most of you don't trust me or Sig-3, even after we betrayed our mission for your sakes. But listen to me when I say that I know magic, old magic especially. I've studied the Garden of the Second Sun and reverse engineered rituals of the ancient Daevas. The O5s themselves consulted me regularly on all matters of ancient magic, and some of them are old enough to have been there in person. Magic has infinite manifestations, sources, and rules, none of which universally apply. Except one. Everything has a cost. Nothing is free. Humanity is ascending, perhaps all the way to godhood. What price will be asked of us for this? What will happen when we can't afford to pay it?// - [[[another-goddamn-magic-system|Tilda Moose]]]\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n[[include <a href=\"/component:earthworm\">component:earthworm</a>\n\n\u00a0\u00a0first=false | last=false | hub=yes |\n\n\u00a0\u00a0previous-url=/a-farewell-to-arms | previous-title=A Farewell To Arms |\n\n\u00a0\u00a0next-url=/scp-3731 | next-title=SCP-3731 |\n\n\u00a0\u00a0hub-url=/apotheosis-hub | hub-title=Apotheosis Hub |\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** Apocrypha.jpg\n\n> **Name:** Mozart magic flute.jpg\n\n> **Author:** Karl Friedrich Schinkel\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Mozart_magic_flute.jpg Wikimedia Commons]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_serpents-hand", "apotheosis", "black-queen", "director-moose", "doomsday2018", "esther-kogan", "fantasy", "featured", "gamers-against-weed", "goi-format", "jockjamsvol6", "mystery", "robert-bumaro", "sarkic", "serpents-hand", "yaldabaoth"], "title": "A New Age of Magic - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-new-age-of-magic"}, "a-pathetic-attempt-to-explain-fifthism": {"created_at": "2021-09-21T17:33:00", "creator": "chaucer345", "domain": "scp-wiki.wikidot.com", "history": [{"author": "chaucer345", "author_href": "https://www.wikidot.com/user:info/chaucer345", "comment": "", "date": "2021-09-21T17:33:00"}, {"author": "chaucer345", "author_href": "https://www.wikidot.com/user:info/chaucer345", "comment": "", "date": "2021-09-21T17:38:00"}, {"author": "chaucer345", "author_href": "https://www.wikidot.com/user:info/chaucer345", "comment": "", "date": "2021-09-21T23:59:00"}, {"author": "LemonBee12", "author_href": "https://www.wikidot.com/user:info/lemonbee12", "comment": "Added tags: fifthist, tale, wandsmen. ", "date": "2021-09-22T00:02:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: _wandsmen, goi-format. Removed tags: tale. ", "date": "2021-09-22T04:40:00"}, {"author": "Cole 13", "author_href": "https://www.wikidot.com/user:info/cole-13", "comment": "", "date": "2021-09-22T20:24:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "", "date": "2022-10-17T19:44:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _licensebox. ", "date": "2022-10-17T19:44:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: cosmic-horror, horror, religious-fiction. ", "date": "2024-10-17T20:20:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: historical, science-fiction. ", "date": "2024-10-17T20:21:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:45:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-pathetic-attempt-to-explain-fifthism", "page_id": "1324095307", "rating": 78, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wikidot.com/theme:shattered-thoughts/code/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"display: none\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">scp-wiki.wikidot.com</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">theme</span><span class=\"hl-special\">:shattered-thoughts</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">code</span><span class=\"hl-code\">/1);\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Words</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Wisdom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2021</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Created</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Cole</span><span class=\"hl-code\"> 13\n    </span><span class=\"hl-identifier\">CC</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BY-SA</span><span class=\"hl-code\"> 3.0\n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Mate</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">SC</span><span class=\"hl-code\">&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">  \n    </span><span class=\"hl-reserved\">animation-name:</span><span class=\"hl-code\"> floating</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-iteration-count:</span><span class=\"hl-code\"> infinite</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-timing-function:</span><span class=\"hl-code\"> ease-in-out</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">pointer-events:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">floating</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">from</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,  </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    65%  </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\">   </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, -</span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">    \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.860</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"The Wandsmen\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0.3125</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translateX(-</span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">56</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\"</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(http://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/WANDPNG%</span><span class=\"hl-number\">20</span><span class=\"hl-code\">.png) </span><span class=\"hl-string\">center</span><span class=\"hl-code\"> </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size :</span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">prefers-reduced-motion</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BACKGROUND</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/MRSTAR23.webp) </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\"> </span><span class=\"hl-string\">repeat-x</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">LINKS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">BLOCKQUOTE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">OWINDOWS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">simply</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">karma</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colors</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">in</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">that</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">user</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">pop-up</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">menu</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">No</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">functional</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">purpose</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">besides</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">it</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">looks</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">neat</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">really</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">img</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">src</span><span class=\"hl-code\">*=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">userkarma.php</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">filter:</span><span class=\"hl-code\"> hue-rotate(-</span><span class=\"hl-number\">0.39</span><span class=\"hl-code\">turn)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> :</span><span class=\"hl-special\">:selection</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">RATING</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MODULE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SEARCH</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TOP</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> linear-gradient(to </span><span class=\"hl-string\">right</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#6b5295</span><span class=\"hl-code\"> </span><span class=\"hl-number\">75</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#e6e6e6</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SIDEBAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.heading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.menu-item</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.side-block</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABBERS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\">rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">USER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">INFO</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDBAF5</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#account-options</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABLES</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">MISCELLANEOUS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Changes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">border</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">section</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">which</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">typically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colored</span><span class=\"hl-code\"> #888, </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">match</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">better</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">While</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">page</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">saving</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">loading</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">there</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">on</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">was</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">difficult</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">read</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">due</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">body</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">s</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">properties</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">color</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">being</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">white</span><span class=\"hl-code\">), </span><span class=\"hl-identifier\">so</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">this</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">be</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">more</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">thematically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">appropriate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">legible</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.owait</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.osuccess</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}</span></pre></div>\n</div>\n</div>\n\n<p>Dearest readers I have to admit defeat.</p>\n<p>I do not know what Fifthism is. I do not know how it operates. The best I can do is present the information I have worn my talons to the bone to uncover and ask that you do your best to draw your own conclusions on the matter.</p>\n<p>Here\u2019s what we know. The first possible reference to Fifthism appears in our records approximately 8,500 years ago in a far flung spiral arm of the Andromeda Galaxy. A cult appeared among a forgotten sapient species worshiping the very concept of the number five.</p>\n<p>Accounts of this cult\u2019s practices are deeply inconsistent, but themes of bodily joining were prevalent, as was the dogma of \u201cbecoming eyes for the great watcher\u201d.</p>\n<p>Around 8,305 years ago, the spiral arm of the Andromeda Galaxy where this worship took place mysteriously vanished, along with four others. The fact that five spiral arms disappeared is not lost on me, but I have no solid information linking these events. It is reasonable to infer Fifthism was responsible for this tragedy, but I cannot say for certain.</p>\n<p>It</p>\n<p>Is</p>\n<p>Utterly</p>\n<p>Ridiculously</p>\n<p>Infuriating!</p>\n<p>6,315 years ago, a civilization on the planet Pech (which my research has indicated likely orbited Barnard\u2019s Star at some point in its dimension) began constructing large five armed monuments with carved eyes all along them.</p>\n<p>Unlike the lost civilization from Andromeda, Pech was fortunate enough to have a connection to the Ways, and thus the Wanderer\u2019s Library. Meaning we got our first glimpses of the practices associated with Fifthism. These included:</p>\n<p>1) The erection of structures formed from sapient flesh referred to as kahlechsk.<br/>\n2) The worship of the number five and the formation of communities seeking to spread this number\u2019s gospel.<br/>\n3) The creation of a high priest and/or prophet known as the \"Tsar of Cold\"<br/>\n4) The depiction of five limbed Entities in carvings<br/>\n5) The Worship of five great gods</p>\n<p>The Wandsmen of the time monitored this situation, but were hesitant to interfere directly. They believed the Fifthists were Nalkans, and at that time the Raptors were a shadow of their current self. As the Wandsmen lacked the firepower to handle even a proxy conflict with the Fleshcrafters, the Editors simply decided to inform the Ortothans and Mekhanites of the situation.</p>\n<p>The Ortothan and Mekhanite forces at first appeared completely successful in purging the Fifthists from Pech (and Pech itself from the planetary system, much to the Editors\u2019 chagrin), but their victory was short lived. It is unknown whether Pech was a conscious plan by some outside force to spread Fifthism to the multiverse at large or if the seeds of the meme being planted in the minds of the Ortothan and Mechanite expeditionary force was simply an accident.</p>\n<p>Whether intentional or not, the minds of every soldier who visited that destroyed world had the number five burned into it. And they spread their story far and wide.</p>\n<p>Over the next several millennia, Fifthist sects appeared all over the multiverse. The very office I\u2019m writing this from has suffered from four Fifthist infections in the past. I could trace many of these infections to contact with Ortothan or Mekhanite officials, but not all.</p>\n<p>Whatever this is, it is spreading.</p>\n<p>Along with this spread come tales of the Five Terrors. I have not been able to come up with any solid information about them aside from the fact that the fourth one uses female pronouns. No living soul has been able to tell me anything else. And the dead souls were all far beyond my reach.</p>\n<p>My hypotheses on the source of\u2026 shall we say the \u201cphenomenon\u201d of Fifthism fall into <span style=\"text-decoration: line-through;\">five</span> two categories.</p>\n<p>The \u201cDivinity\u201d Hypothesis is that an extra-extradimensional entity (entities?) of great power is trying to slip into our reality and Fifthism is this entity\u2019s attempt to wrest control of this reality from the powers that currently lay claim to it.</p>\n<p>This hypothesis is oddly comforting to me. Dark gods are terrible indeed, but we already have many of those who lay claim to the multiverse. They will not give up their claims to the Five Terrors without a fight.</p>\n<p>Who will win and whether anyone will survive the crossfire\u2026 Well, let\u2019s hope it doesn\u2019t come to that.</p>\n<p>The \u201cParasite\u201d Hypothesis of Fifthism is that we are experiencing the formation of a new memetic entity that is growing in power by feeding on the very fabric of our reality.</p>\n<p>This hypothesis implies it would be possible to stop Fifthism from reaching many other realities by purging the realities it has infected. I only pray that something of this reality could be saved if such a thing were to be deemed necessary.</p>\n<p>I\u2019m afraid that that\u2019s all I have. And all I can leave to you dear readers. My time is up.</p>\n<p>When I showered this morning, I noted five feathers in my drain.</p>\n<p>As I type this article, I note that I\u2019ve placed five paper clips on my desk.</p>\n<p>I know what this means. I can only thank the power of the truth and my Wandsman constitution that I\u2019ve lasted this long.</p>\n<p>I pray I\u2019ve given you enough. And I\u2019ve made arrangements to prevent myself from spreading this madness further.</p>\n<p>If you see me after reading this, please find some way to put me out of my misery if it is even reasonably safe to do so.</p>\n<p>I send love to my family, my friends, my colleagues, and most of all to you my dear readers. I beg you to use my words wisely, and to keep up the good fight.</p>\n<p>Goodbye.</p>\n<p>-The Fifth Wandsman of Chelon</p>\n<p><em>Originally published in the Wandsmen's Gazette on 9-12-2021</em></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-pathetic-attempt-to-explain-fifthism\">A Pathetic Attempt to Explain Fifthism</a>\" by chaucer345, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-pathetic-attempt-to-explain-fifthism\">https://scpwiki.com/a-pathetic-attempt-to-explain-fifthism</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:shattered-thoughts\">:scp-wiki:theme:shattered-thoughts</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:words-of-wisdom\">:scp-wiki:theme:words-of-wisdom</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\nDearest readers I have to admit defeat. \n\n\n\nI do not know what Fifthism is. I do not know how it operates. The best I can do is present the information I have worn my talons to the bone to uncover and ask that you do your best to draw your own conclusions on the matter.\n\n\n\nHere\u2019s what we know. The first possible reference to Fifthism appears in our records approximately 8,500 years ago in a far flung spiral arm of the Andromeda Galaxy. A cult appeared among a forgotten sapient species worshiping the very concept of the number five.\n\n\n\n\n\nAccounts of this cult\u2019s practices are deeply inconsistent, but themes of bodily joining were prevalent, as was the dogma of \u201cbecoming eyes for the great watcher\u201d.\n\n\n\nAround 8,305 years ago, the spiral arm of the Andromeda Galaxy where this worship took place mysteriously vanished, along with four others. The fact that five spiral arms disappeared is not lost on me, but I have no solid information linking these events. It is reasonable to infer Fifthism was responsible for this tragedy, but I cannot say for certain.\n\n\n\nIt \n\n\n\nIs\n\n\n\nUtterly\n\n\n\nRidiculously\n\n\n\nInfuriating!\n\n\n\n\n\n6,315 years ago, a civilization on the planet Pech (which my research has indicated likely orbited Barnard\u2019s Star at some point in its dimension) began constructing large five armed monuments with carved eyes all along them.\n\n\n\nUnlike the lost civilization from Andromeda, Pech was fortunate enough to have a connection to the Ways, and thus the Wanderer\u2019s Library. Meaning we got our first glimpses of the practices associated with Fifthism. These included:\n\n\n\n1) The erection of structures formed from sapient flesh referred to as kahlechsk.\n\n2) The worship of the number five and the formation of communities seeking to spread this number\u2019s gospel.\n\n3) The creation of a high priest and/or prophet known as the \"Tsar of Cold\"\n\n4) The depiction of five limbed Entities in carvings\n\n5) The Worship of five great gods\n\n\n\nThe Wandsmen of the time monitored this situation, but were hesitant to interfere directly. They believed the Fifthists were Nalkans, and at that time the Raptors were a shadow of their current self. As the Wandsmen lacked the firepower to handle even a proxy conflict with the Fleshcrafters, the Editors simply decided to inform the Ortothans and Mekhanites of the situation.\n\n\n\nThe Ortothan and Mekhanite forces at first appeared completely successful in purging the Fifthists from Pech (and Pech itself from the planetary system, much to the Editors\u2019 chagrin), but their victory was short lived. It is unknown whether Pech was a conscious plan by some outside force to spread Fifthism to the multiverse at large or if the seeds of the meme being planted in the minds of the Ortothan and Mechanite expeditionary force was simply an accident.\n\n\n\nWhether intentional or not, the minds of every soldier who visited that destroyed world had the number five burned into it. And they spread their story far and wide.\n\n\n\nOver the next several millennia, Fifthist sects appeared all over the multiverse. The very office I\u2019m writing this from has suffered from four Fifthist infections in the past. I could trace many of these infections to contact with Ortothan or Mekhanite officials, but not all.\n\n\n\nWhatever this is, it is spreading.\n\n\n\nAlong with this spread come tales of the Five Terrors. I have not been able to come up with any solid information about them aside from the fact that the fourth one uses female pronouns. No living soul has been able to tell me anything else. And the dead souls were all far beyond my reach.\n\n\n\nMy hypotheses on the source of\u2026 shall we say the \u201cphenomenon\u201d of Fifthism fall into --five-- two categories.\n\n\n\nThe \u201cDivinity\u201d Hypothesis is that an extra-extradimensional entity (entities?) of great power is trying to slip into our reality and Fifthism is this entity\u2019s attempt to wrest control of this reality from the powers that currently lay claim to it.\n\n\n\nThis hypothesis is oddly comforting to me. Dark gods are terrible indeed, but we already have many of those who lay claim to the multiverse. They will not give up their claims to the Five Terrors without a fight.\n\n\n\nWho will win and whether anyone will survive the crossfire\u2026 Well, let\u2019s hope it doesn\u2019t come to that.\n\n\n\nThe \u201cParasite\u201d Hypothesis of Fifthism is that we are experiencing the formation of a new memetic entity that is growing in power by feeding on the very fabric of our reality.\n\n\n\nThis hypothesis implies it would be possible to stop Fifthism from reaching many other realities by purging the realities it has infected. I only pray that something of this reality could be saved if such a thing were to be deemed necessary. \n\n\n\nI\u2019m afraid that that\u2019s all I have. And all I can leave to you dear readers. My time is up.\n\n\n\nWhen I showered this morning, I noted five feathers in my drain.\n\n\n\nAs I type this article, I note that I\u2019ve placed five paper clips on my desk.\n\n\n\nI know what this means. I can only thank the power of the truth and my Wandsman constitution that I\u2019ve lasted this long.\n\n\n\nI pray I\u2019ve given you enough. And I\u2019ve made arrangements to prevent myself from spreading this madness further.\n\n\n\nIf you see me after reading this, please find some way to put me out of my misery if it is even reasonably safe to do so.\n\n\n\nI send love to my family, my friends, my colleagues, and most of all to you my dear readers. I beg you to use my words wisely, and to keep up the good fight.\n\n\n\nGoodbye.\n\n\n\n-The Fifth Wandsman of Chelon\n\n\n\n\n\n//Originally published in the Wandsmen's Gazette on 9-12-2021//\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_wandsmen", "cosmic-horror", "fifthist", "goi-format", "historical", "horror", "journalism", "religious-fiction", "science-fiction", "wandsmen"], "title": "A Pathetic Attempt to Explain Fifthism - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-pathetic-attempt-to-explain-fifthism"}, "a-quiet-night": {"created_at": "2018-06-15T03:19:00", "creator": "TyGently", "domain": "scp-wiki.wikidot.com", "history": [{"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2018-06-15T03:19:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "Added tags: co-authored. ", "date": "2018-06-15T03:23:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "Added tags: doomsday2018, goi-format, serpents-hand, wanderers-library. ", "date": "2018-06-15T03:23:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "Added tags: _serpents-hand. ", "date": "2018-06-15T04:24:00"}, {"author": "Decibelles", "author_href": "https://www.wikidot.com/user:info/decibelles", "comment": "", "date": "2018-06-16T18:29:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "Parent page set to: \"skies-made-strange-hub\".", "date": "2018-06-27T04:10:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Changing theme usage method from @import to [[include]].", "date": "2019-05-23T21:01:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T05:16:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "Added tags: _licensebox. ", "date": "2022-07-24T12:24:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "", "date": "2022-07-24T12:24:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: psychological-horror. ", "date": "2024-10-05T12:47:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bleak, horror, romance. ", "date": "2024-10-05T12:47:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: bleak. ", "date": "2024-10-05T12:48:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: apocalyptic. ", "date": "2024-10-11T19:50:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: anafabula. ", "date": "2025-08-07T13:03:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-quiet-night", "page_id": "86788029", "rating": 100, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awanderers/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<br/>\n<em>It's just us, dear. \u2014X.N.</em>\n<p><em>Are you sure? I don't want to be a bother to anyone who could be reading this. \u2014H.Y.U.</em></p>\n<p><em>I'm sure. I've been continuing to walk the halls of the Library. I've passed thousands of bookshelves by now, and am only now just starting my journey back. My calls haven't been answered either. Survivors have either buried themselves deeper, they're no longer in the Library, or their corpses are invisible to me. If any are still around, they can respond here. \u2014X.</em></p>\n<p><em>I guess\u2026 Do you think they've gone to other timelines? \u2014H.</em></p>\n<p><em>Who can say? That's not advisable, however. Whatever the jailers have done may carry over beyond our world. It's for the best if we stay here until we're able to figure out a way to safely travel, if one exists. \u2014X.</em></p>\n<p><em>We should probably fill this out like usual then. It could be valuable for any worlds not affected to read up on. \u2014H.</em></p>\n<p><em>Agreed. You would know more on the matter than I, so perhaps you should take the lead here. \u2014X.</em></p>\n<p><em>Sure thing babe. I don't know that much about it, though; I booked it out of the jailer's site the second shit got real. Anyway. The jailers created some fucked-up virus of sorts that makes everything normal. Too normal. -H.</em></p>\n<p><em>Too normal? \u2014X.</em></p>\n<p><em>Normal according to their definitions. It's not enough for a general sense of normal. It's their normal that mattered. \u2014H.</em></p>\n<p><em>Was it actually a virus? \u2014X.</em></p>\n<p><em>In the end, it's the same regardless, right? Just because you try to do good for people doesn't mean it'll always be good. It's probably worse if you accidentally do something bad intended to be good. So they created a meme and it ended up being a virus. That's how I see it. \u2014H.</em></p>\n<p><em>I assume you have some personal feelings on the matter if you are feeling this strongly about it. \u2014X.</em></p>\n<p><em>I swear I'll hit you when you get back. \u2014H.</em></p>\n<p><em>It's impolite to hit a lady. \u2014X.</em></p>\n<p><em>But I'm a girl too, so it's totally fine. \u2014H.</em></p>\n<p><em>I think the difference lies in you being close to me. \u2014X.</em></p>\n<p><em>No need to be stiff at a time like this, we're still dating even in the apocalypse. \u2014H.</em></p>\n<p><em>Ah\u2026 I suppose. I can't help it, though. \u2014X.</em></p>\n<p><em>You'll learn. Anyway. A virus. It made us all normal. So normal that we can't dream. So normal that we pop pills to stop sleeping so much, so we can stop dreaming so much. I found an illustrated book on regression analysis; what does that even mean now? How much more did they take away from us? I don't know. This is what normal is. \u2014H.</em></p>\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n\n<p><span style=\"font-size:150%;\"><strong>A Quiet Night</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>The Unraveling, The End of Days, GD-Class Gestalt Dissolution Scenario<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>Starting from the furthest reaches of human perception, concepts, objects, and people are going away, leaving nothing but void. No attempt to stymie the spread of the darkness has been successful thus far.</p>\n<p>This collection of information is incomplete. If you have anything to add, please don't hesitate to do so. It could save lives.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong><br/>\nThings that pass into the night do so suddenly, and usually with a great deal of mess. Like removing a keystone from a bridge, the structure crumbles, and its stones are lost in the river.</p>\n<p>Concepts are either lost, destroyed, or altered to be unrecognizable.</p>\n<p><strong>Nature:</strong><br/>\nThe fading is unpredictable, and immune to divination. The only known pattern is that the periphery seems to be affected first.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> With no apparent rhyme or reason, entire categories of being have faded away.</p>\n<p><strong>History &amp; Associated Parties:</strong><br/>\nIt's impossible to tell when or where this began. Most disappearances are only distinguishable by <a href=\"/scp-2747\">the trails of broken references they leave behind</a>. Effects exist without causes, rendering processes irreversible. Either logic is being damaged, or our ability to understand it is.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></p>\n<p>As of the time of writing, contact has been lost with nearly all satellite universes. Ways seem to be increasingly prone to malfunction, spitting their occupants into unreality.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> Seeking out reliable information is more dangerous than ever.</p>\n<p><strong>Approach:</strong><br/>\nWarding has not been able to prevent concepts from fading, but it's possible to resist the erasure of memory from the mind with magic or certain drugs.</p>\n<p>There are no safe places to hide. Faded things are missing from every location, universally, and if anything it seems that the lesser-known goes first. Unfortunately, hiding in plain sight isn't possible either. Earth is a <a href=\"/scp-3475\">beehive of infectious material</a> right now.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p><em>This section was empty when I got here, and when I'm done this story will remain alone forever. But this will do. The Library's pretty quiet now, at least in the sections that are still accessible.</em></p>\n<p><em>Nowadays, observations are barely possible. No-one who tries to look up close at the holes the stars left ever comes back. Everyone who goes to civilian centers becomes one of them. Unless you're willing to view everything indirectly and analyze the gaps, you'll never find anything. And that's just what I've been doing.</em></p>\n<p><em>I think I know something important. The pattern isn't what matters, what matters is that we can interpret a pattern in the first place. The end of days started with things that were small to us, distant, obscured. The edges of our vision faded away.</em></p>\n<p><em>But that's just it: it's</em> our <em>vision. Things that are only distant from</em> humanity<em>. Concepts that were only devised by</em> human <em>culture. When was the last time anyone spoke to a non-human intelligence? I know they existed, but how long have they been gone from the Library? There used to be Librarians, here, in entire wings that are now inaccessible. Not even the sound of Pages skittering around on the endless roof can be heard. Where are they now?</em></p>\n<p><em>There's a shift going on. Like a whistle raising in pitch until we can't hear it anymore, reality is becoming out of phase with what we can understand. I don't know if we can catch the wave before the world leaves us behind.</em></p>\n<p><em>I've set up this document as best as I can. Use it, or don't. I'm not going to be here. I'm going as far away from Earth as I can before it all goes away.</em><br/>\n\u2014 AE<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p><em>You're not going to trust me, and that's okay. If you did, you wouldn't be the kind of person I'm looking for. You won't believe me when I say that we're not who you make us out to be.</em></p>\n<p><em>I respect your group, probably a whole lot more than most of my colleagues do. Regardless of our differences in the past, we're interested in many of the same things. Neither one of us wants to sit back and watch humanity dissolve into the night. So don't sit back. I'll be frank: the Serpent's Hand isn't going to make it. It's too disconnected from the world. But that doesn't mean that you, individually, can't make it.</em></p>\n<p><em>Come work for us. We have the resources to keep the society from falling apart. We have medication that will help you resist the fading. We have inoculation that will help you stay lucid against the brewing memetic thunderstorm. And we need all the able bodies and functioning minds we can get.</em></p>\n<p><em>Face it. The periphery is getting smaller. Soon enough, you'll either be a civilian or you'll be an employee. Make your choice.</em><br/>\n\u2014 John Morse, Esoteric Containment Specialist<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. <em>Is this what we're doing now? Just going to use the Jailers' boxes? \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. <em>There's not much outside their boxes anymore. \u2014X.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. <em>And now no one will complete it. \u2014X.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. <em>It saved us, if nothing else. \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. <em>Hello, fellow periphery. \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. <em>Thankfully, the one bright spot in all this is that, as far as I've been able to scout, it's not both. Not much that does for us, but for anyone reading in the future, you might figure out a way. \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. <em>Maybe the virus will mutate and affect both at once. \u2014X.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. <em>Please, sweetheart. \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. <em>Implying their destinations are any more real. \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. <em>Thanks for the help, Foundation. \u2014H.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. <em>I could not find anything in the Library relating to an \"A.E.\". Let us hope that they have remained safe. \u2014X.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. <em>Fuck off, John. I can already tell how your soul felt writing all this. \u2014H.</em></div>\n</div>\n\n</div>\n<p><em>Say, dear. \u2014H.</em></p>\n<p><em>Yes? \u2014X.</em></p>\n<p><em>What do we do now? \u2014H.</em></p>\n<p><em>Unsure. I suppose we should talk about our remaining options if I am able to head back there. \u2014X.</em></p>\n<p><em>Please don't say if. \u2014H.</em></p>\n<p><em>When I head back there. \u2014X.</em></p>\n<p><em>Much better. If you find any picture books, I want to read them. \u2014H.</em></p>\n<p><em>I shall look on my way back. Do you have any preferences for what I bring? \u2014X.</em></p>\n<p><em>No. Anything's fine by this point, as long as it won't make my head hurt. I love you. \u2014H.</em></p>\n<p><em>I love you. \u2014X.</em></p>\n<div style=\"text-align: center;\">\n<p><sub><strong>\u00ab</strong> <a href=\"/scp-3475\">SCP-3475: Our Shifting Foundations</a> | A Quiet Night | <a href=\"/into-the-woods\">Into The Woods</a> <strong>\u00bb</strong></sub></p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-quiet-night\">A Quiet Night</a>\" by Decibelles and TyGently, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-quiet-night\">https://scpwiki.com/a-quiet-night</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:wanderers\">theme:wanderers</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n//It's just us, dear. --X.N.//\n\n\n\n//Are you sure? I don't want to be a bother to anyone who could be reading this. --H.Y.U.//\n\n\n\n//I'm sure. I've been continuing to walk the halls of the Library. I've passed thousands of bookshelves by now, and am only now just starting my journey back. My calls haven't been answered either. Survivors have either buried themselves deeper, they're no longer in the Library, or their corpses are invisible to me. If any are still around, they can respond here. --X.//\n\n\n\n//I guess... Do you think they've gone to other timelines? --H.//\n\n\n\n//Who can say? That's not advisable, however. Whatever the jailers have done may carry over beyond our world. It's for the best if we stay here until we're able to figure out a way to safely travel, if one exists. --X.//\n\n\n\n//We should probably fill this out like usual then. It could be valuable for any worlds not affected to read up on. --H.//\n\n\n\n//Agreed. You would know more on the matter than I, so perhaps you should take the lead here. --X.//\n\n\n\n//Sure thing babe. I don't know that much about it, though; I booked it out of the jailer's site the second shit got real. Anyway. The jailers created some fucked-up virus of sorts that makes everything normal. Too normal. -H.//\n\n\n\n//Too normal? --X.//\n\n\n\n//Normal according to their definitions. It's not enough for a general sense of normal. It's their normal that mattered. --H.//\n\n\n\n//Was it actually a virus? --X.//\n\n\n\n//In the end, it's the same regardless, right? Just because you try to do good for people doesn't mean it'll always be good. It's probably worse if you accidentally do something bad intended to be good. So they created a meme and it ended up being a virus. That's how I see it. --H.//\n\n\n\n//I assume you have some personal feelings on the matter if you are feeling this strongly about it. --X.//\n\n\n\n//I swear I'll hit you when you get back. --H.//\n\n\n\n//It's impolite to hit a lady. --X.//\n\n\n\n//But I'm a girl too, so it's totally fine. --H.//\n\n\n\n//I think the difference lies in you being close to me. --X.//\n\n\n\n//No need to be stiff at a time like this, we're still dating even in the apocalypse. --H.//\n\n\n\n//Ah... I suppose. I can't help it, though. --X.//\n\n\n\n//You'll learn. Anyway. A virus. It made us all normal. So normal that we can't dream. So normal that we pop pills to stop sleeping so much, so we can stop dreaming so much. I found an illustrated book on regression analysis; what does that even mean now? How much more did they take away from us? I don't know. This is what normal is. --H.//\n\n\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[size 150%]] **A Quiet Night** [[/size]]\n\n\n\n[[>]]\n\n**The Unraveling, The End of Days, GD-Class Gestalt Dissolution Scenario[[footnote]]//Is this what we're doing now? Just going to use the Jailers' boxes? --H.//[[/footnote]][[footnote]]//There's not much outside their boxes anymore. --X.//[[/footnote]]**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nStarting from the furthest reaches of human perception, concepts, objects, and people are going away, leaving nothing but void. No attempt to stymie the spread of the darkness has been successful thus far.\n\n\n\nThis collection of information is incomplete. If you have anything to add, please don't hesitate to do so. It could save lives.[[footnote]]//And now no one will complete it. --X.//[[/footnote]][[footnote]]//It saved us, if nothing else. --H.//[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** \n\nThings that pass into the night do so suddenly, and usually with a great deal of mess. Like removing a keystone from a bridge, the structure crumbles, and its stones are lost in the river. \n\n\n\nConcepts are either lost, destroyed, or altered to be unrecognizable.\n\n\n\n**Nature:** \n\nThe fading is unpredictable, and immune to divination. The only known pattern is that the periphery seems to be affected first.[[footnote]]//Hello, fellow periphery. --H.//[[/footnote]] With no apparent rhyme or reason, entire categories of being have faded away.\n\n\n\n**History & Associated Parties:** \n\nIt's impossible to tell when or where this began. Most disappearances are only distinguishable by [[[scp-2747|the trails of broken references they leave behind]]]. Effects exist without causes, rendering processes irreversible. Either logic is being damaged, or our ability to understand it is.[[footnote]]//Thankfully, the one bright spot in all this is that, as far as I've been able to scout, it's not both. Not much that does for us, but for anyone reading in the future, you might figure out a way. --H.//[[/footnote]][[footnote]]//Maybe the virus will mutate and affect both at once. --X.//[[/footnote]][[footnote]]//Please, sweetheart. --H.//[[/footnote]]\n\n\n\nAs of the time of writing, contact has been lost with nearly all satellite universes. Ways seem to be increasingly prone to malfunction, spitting their occupants into unreality.[[footnote]]//Implying their destinations are any more real. --H.//[[/footnote]] Seeking out reliable information is more dangerous than ever.\n\n\n\n**Approach:**\n\nWarding has not been able to prevent concepts from fading, but it's possible to resist the erasure of memory from the mind with magic or certain drugs.\n\n\n\nThere are no safe places to hide. Faded things are missing from every location, universally, and if anything it seems that the lesser-known goes first. Unfortunately, hiding in plain sight isn't possible either. Earth is a [[[scp-3475|beehive of infectious material]]] right now.[[footnote]]//Thanks for the help, Foundation. --H.//[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\n//This section was empty when I got here, and when I'm done this story will remain alone forever. But this will do. The Library's pretty quiet now, at least in the sections that are still accessible.//\n\n\n\n//Nowadays, observations are barely possible. No-one who tries to look up close at the holes the stars left ever comes back. Everyone who goes to civilian centers becomes one of them. Unless you're willing to view everything indirectly and analyze the gaps, you'll never find anything. And that's just what I've been doing.//\n\n\n\n//I think I know something important. The pattern isn't what matters, what matters is that we can interpret a pattern in the first place. The end of days started with things that were small to us, distant, obscured. The edges of our vision faded away.//\n\n\n\n//But that's just it: it's// our //vision. Things that are only distant from// humanity//. Concepts that were only devised by// human //culture. When was the last time anyone spoke to a non-human intelligence? I know they existed, but how long have they been gone from the Library? There used to be Librarians, here, in entire wings that are now inaccessible. Not even the sound of Pages skittering around on the endless roof can be heard. Where are they now?//\n\n\n\n//There's a shift going on. Like a whistle raising in pitch until we can't hear it anymore, reality is becoming out of phase with what we can understand. I don't know if we can catch the wave before the world leaves us behind.//\n\n\n\n//I've set up this document as best as I can. Use it, or don't. I'm not going to be here. I'm going as far away from Earth as I can before it all goes away.//\n\n-- AE[[footnote]]//I could not find anything in the Library relating to an \"A.E.\". Let us hope that they have remained safe. --X.//[[/footnote]]\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\n//You're not going to trust me, and that's okay. If you did, you wouldn't be the kind of person I'm looking for. You won't believe me when I say that we're not who you make us out to be.//\n\n\n\n//I respect your group, probably a whole lot more than most of my colleagues do. Regardless of our differences in the past, we're interested in many of the same things. Neither one of us wants to sit back and watch humanity dissolve into the night. So don't sit back. I'll be frank: the Serpent's Hand isn't going to make it. It's too disconnected from the world. But that doesn't mean that you, individually, can't make it.//\n\n\n\n//Come work for us. We have the resources to keep the society from falling apart. We have medication that will help you resist the fading. We have inoculation that will help you stay lucid against the brewing memetic thunderstorm. And we need all the able bodies and functioning minds we can get.//\n\n\n\n//Face it. The periphery is getting smaller. Soon enough, you'll either be a civilian or you'll be an employee. Make your choice.//\n\n-- John Morse, Esoteric Containment Specialist[[footnote]]//Fuck off, John. I can already tell how your soul felt writing all this. --H.//[[/footnote]]\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n\n\n//Say, dear. --H.//\n\n\n\n//Yes? --X.//\n\n\n\n//What do we do now? --H.//\n\n\n\n//Unsure. I suppose we should talk about our remaining options if I am able to head back there. --X.//\n\n\n\n//Please don't say if. --H.//\n\n\n\n//When I head back there. --X.//\n\n\n\n//Much better. If you find any picture books, I want to read them. --H.//\n\n\n\n//I shall look on my way back. Do you have any preferences for what I bring? --X.//\n\n\n\n//No. Anything's fine by this point, as long as it won't make my head hurt. I love you. --H.//\n\n\n\n//I love you. --X.//\n\n\n\n[[=]]\n\n,,**<<** [[[SCP-3475 |SCP-3475: Our Shifting Foundations]]] | A Quiet Night | [[[Into The Woods]]] **>>**,,\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Decibelles and TyGently]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_serpents-hand", "anafabula", "apocalyptic", "co-authored", "doomsday2018", "goi-format", "horror", "psychological-horror", "romance", "serpents-hand", "wanderers-library"], "title": "A Quiet Night - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-quiet-night"}, "a-sacred-deer": {"created_at": "2026-08-22T00:12:00", "creator": "Strawberry_Donnelly", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Strawberry_Donnelly", "author_href": "https://www.wikidot.com/user:info/strawberry-donnelly", "comment": "", "date": "2026-08-22T00:12:00"}, {"author": "Strawberry_Donnelly", "author_href": "https://www.wikidot.com/user:info/strawberry-donnelly", "comment": "", "date": "2026-08-22T00:21:00"}, {"author": "Strawberry_Donnelly", "author_href": "https://www.wikidot.com/user:info/strawberry-donnelly", "comment": "Added tags: goicon-2026. 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", "date": "2026-08-22T06:53:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image, _licensebox, _parawatch, goi-format, illustrated, mystery, parawatch. ", "date": "2026-08-22T21:35:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: bleak. ", "date": "2026-08-22T21:37:00"}, {"author": "Strawberry_Donnelly", "author_href": "https://www.wikidot.com/user:info/strawberry-donnelly", "comment": "added earthworm", "date": "2026-08-25T13:38:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: global-occult-coalition, unusual-incidents-unit. ", "date": "2026-08-27T07:48:00"}, {"author": "Strawberry_Donnelly", "author_href": "https://www.wikidot.com/user:info/strawberry-donnelly", "comment": "", "date": "2026-08-28T23:29:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc, _cc4. Removed tags: _image. ", "date": "2026-10-03T00:06:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "moved license box", "date": "2026-10-03T00:07:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-sacred-deer", "page_id": "1469212565", "rating": 40, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p><tt>Conspiracy forums attract all types. Not all of them are nice</tt></p>\n</div>\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Acreepypasta/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aanon/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p>5.6k words, 22 minute read time, secret ending.<br/>\n\u26a0\ufe0f <strong>Content warning:</strong> This article contains depictions of gaslighting, unsolicited and unrequested advances, stalking, abduction, arson, disparaging remarks towards addicts, and those with mental health issues.</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"content-warning creditRate\">\u26a0\ufe0f content warning <span class=\"content-warning-arrow\"><span style=\"white-space: pre-wrap;\"> </span></span></div>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aanon/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<hr/>\n<h1><span><tt><span style=\"color: lime\">PNW_BOARD</span></tt></span></h1>\n<h1><span><tt><span style=\"color: lime\">Cougar_Washington_FIRE</span></tt> <tt>thread_80641126</tt></span></h1>\n<hr/></div>\n</div>\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<hr/>\n<h1><span><tt>\u00ab<span style=\"color: lime\">Admin</span>\u00bb</tt> <tt>\u00ab\ud83d\uddff\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588_\u2588\u2588\u2588\u2588\u00bb</tt></span></h1>\n<h4><span><tt>\u00ab<span style=\"color: lime\">PNW-BOARD</span>\u00bb</tt> <tt>\u00abView_interactions_User:\u00bb</tt></span></h4>\n<h4><span><tt>\u00ab@<span style=\"color: magenta\">Sleepless_Cryptid</span> #82649722\u00bb</tt></span></h4>\n<h4><span><tt>\u00abRange\u00bb</tt> <tt>\u00ab09/06/26-09/19/26\u00bb</tt></span></h4>\n<h4><span><tt>\u00abView_Dirmessages_users\u00bb</tt></span></h4>\n<h4><span><tt>\u00ab@<span style=\"color: magenta\">Sleepless_Cryptid</span> #82649722\u00bb</tt></span></h4>\n<h4><span><tt>\u00abRange\u00bb \u00ab09/06/26-09/19/26\u00bb</tt></span></h4>\n<hr/></div>\n</div>\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><tt><span style=\"font-size:150%;\"><a href=\"https://scp-wiki.wikidot.com/a-sacred-deer/offset/1\">&lt;&lt; Execute Search? &gt;&gt;</a></span></tt></p>\n</div>\n</div>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-{$first} earthworm--old-syntax-last-{$last} earthworm--old-syntax-hub-{$hub} {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"Pop-pops oath\">\n\n<p><a href=\"/pop-pops-oath\">Pop-pops oath</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"DEATH BY RITUAL IMMOLATION\">\n<p><a href=\"/death-by-ritual-immolation-hub\">DEATH BY RITUAL IMMOLATION</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"Let the hunters claim their trophies\">\n\n<p><a href=\"/let-the-hunters-claim-their-trophies\">Let the hunters claim their trophies</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-sacred-deer\">A Sacred Deer</a>\" by Strawberry_Donnelly , from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-sacred-deer\">https://scpwiki.com/a-sacred-deer</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> Central seattle fire.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Devastating fire at Virginia Intermont in Bristol<br/>\n<strong>Author:</strong> Boosti45<br/>\n<strong>License:</strong> CC 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Virginia_Intermont_College_fire_01.jpg\">https://commons.wikimedia.org/wiki/File:Virginia_Intermont_College_fire_01.jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> FBimostwanted.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> SocialMediaInfluencerGym<br/>\n<strong>Author:</strong> Demangerplus1<br/>\n<strong>License:</strong> CC 1.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:SocialMediaInfluencerGym.png\">https://commons.wikimedia.org/wiki/File:SocialMediaInfluencerGym.png</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> GOC.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> The decommissioned aircraft carrier Constellation<br/>\n<strong>Author:</strong> U.S Navy<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:US_Navy_030912-N-4309A-005_The_decommissioned_aircraft_carrier_USS_Constellation_(CV_64)_begins_its_transit_from_Naval_Air_Station_North_Island_to_Puget_Sound_Naval_Shipyard.jpg\">https://commons.wikimedia.org/wiki/File:US_Navy_030912-N-4309A-005_The_decommissioned_aircraft_carrier_USS_Constellation_(CV_64)_begins_its_transit_from_Naval_Air_Station_North_Island_to_Puget_Sound_Naval_Shipyard.jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> IS AL BAD2.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Old gas mask abandoned<br/>\n<strong>Author:</strong> Cozmicphotos<br/>\n<strong>License:</strong> Public domain<br/>\n<strong>SourceLink:</strong> <a href=\"https://pixabay.com/photos/old-gas-mask-abandoned-technology-&gt;3359762/\">https://pixabay.com/photos/old-gas-mask-abandoned-technology-&gt;3359762/</a></p>\n</div>\n<div class=\"blockquote\">\n<p>Filename:** Kostas retreat fire.png<br/>\nName:<strong><br/></strong> Author:<strong>Strawberry_Donnelly<br/></strong> License:** CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> The Cougar Creek Fire<br/>\n<strong>Author:</strong> U.S department of Agriculture<br/>\n<strong>License:</strong> CC 2.0<br/>\n**SourceLink:*<a href=\"https://commons.wikimedia.org/wiki/File:Firefighter_at_Cougar_Creek_Fire_(20876410259).jpg\" target=\"_blank\">https://commons.wikimedia.org/wiki/File:Firefighter_at_Cougar_Creek_Fire_(20876410259).jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> Mikea Grad thesis.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Mount Vesuvius with fog and sea<br/>\n<strong>Author:</strong> Commonists<br/>\n<strong>License:</strong> CC 4.0<br/>\n**SourceLink:*<a href=\"https://commons.wikimedia.org/wiki/File:Mount_Vesuvius_with_fog_and_sea_1.jpg\" target=\"_blank\">https://commons.wikimedia.org/wiki/File:Mount_Vesuvius_with_fog_and_sea_1.jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> national guard.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> A protester holding Molotov Cocktail seen as the clashes develop in Kyiv<br/>\n<strong>Author:</strong> <a href=\"https://commons.wikimedia.org/wiki/User:Mstyslav_Chernov\">https://commons.wikimedia.org/wiki/User:Mstyslav_Chernov</a><br/>\n<strong>License:</strong> CC 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:A_protester_holding_Molotov_Cocktail_seen_as_the_clashes_develop_in_Kyiv,_Ukraine._Events_of_February_18,_2014-2.jpg\">https://commons.wikimedia.org/wiki/File:A_protester_holding_Molotov_Cocktail_seen_as_the_clashes_develop_in_Kyiv,_Ukraine._Events_of_February_18,_2014-2.jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> ngprep.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Members of the 1049th staging their convoy at the Delaware Bay<br/>\n<strong>Author:</strong> National Guard<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Delaware_National_Guard_-_Flickr_-_The_National_Guard_(13).jpg\">https://commons.wikimedia.org/wiki/File:Delaware_National_Guard_-_Flickr_-_The_National_Guard_(13).jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> Nominee Walls kidnapped.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong><br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Franciso Campos notary lawyer of Lexmovea<br/>\n<strong>Author:</strong> Francamposn<br/>\n<strong>License:</strong> CC 4.0<br/>\n**SourceLink:*<a href=\"https://commons.wikimedia.org/wiki/File:Franciso_campos_notario_abogado_lexmovea.jpg\" target=\"_blank\">https://commons.wikimedia.org/wiki/File:Franciso_campos_notario_abogado_lexmovea.jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> rainystreet.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Protesters in Seattle<br/>\n<strong>Author:</strong> \"ES in Seattle\"<br/>\n<strong>License:</strong> CC 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:May_2020_Seattle_protest_ES_5.jpg\">https://commons.wikimedia.org/wiki/File:May_2020_Seattle_protest_ES_5.jpg</a></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong><br/>\n<strong>Name:</strong> Residential house with illuminated staircase<br/>\n<strong>Author:</strong> Emmanuel Codden<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>SourceLink:</strong> <a href=\"https://www.pexels.com/photo/residential-house-withilluminated-staircase-18310875/\">https://www.pexels.com/photo/residential-house-withilluminated-staircase-18310875/</a><br/>\n<strong>Additional Notes:</strong> Jan 4, 2014</p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Filename:</strong> Martial Law.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong>Strawberry_Donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Additional Notes:</strong><br/>\n<strong>Derivative Of:</strong><br/>\n<strong>Name:</strong> Amb_ Godec addresses the press at KEMSA<br/>\n<strong>Author:</strong> U.S Emabassy Nairobi<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong><br/>\n<a href=\"https://commons.wikimedia.org/wiki/File:Amb_Godec_addresses_the_press_at_KEMSA_(22882033462).jpg\">https://commons.wikimedia.org/wiki/File:Amb_Godec_addresses_the_press_at_KEMSA_(22882033462).jpg</a></p>\n</div>\n<blockquote>\n<p><strong>Filename:</strong> A_sacred_door<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong> Strawberry_donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Derivative of:</strong><br/>\n<strong>Additional Notes:</strong> It's my door, dog.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> memorium.png<br/>\n<strong>Name:</strong><br/>\n<strong>Author:</strong> Strawberry_donnelly<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong><br/>\n<strong>Derivative of:</strong><br/>\n<strong>Additional Notes:</strong></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:preview\">:scp-wiki:component:preview</a>\n\n|text={{Conspiracy forums attract all types. Not all of them are nice}}]]\n\n=====\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:creepypasta\">:scp-wiki:theme:creepypasta</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:anon\">:scp-wiki:theme:anon</a>]]\n\n\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n\u00a05.6k words, 22 minute read time, secret ending. \n\n\u26a0\ufe0f **Content warning:** This article contains depictions of gaslighting, unsolicited and unrequested advances, stalking, abduction, arson, disparaging remarks towards addicts, and those with mental health issues.\u00a0\u00a0\u00a0\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:info-cw\">:scp-wiki:component:info-cw</a>]]\n\n\n\n\n\n[[module ListPages category=\"fragment\" parent=\".\" order=\"created_at\" limit=\"1\" offset=\"@URL|0\"]]\n\n%%content%%\n\n[[/module]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| previous-url = pop-pops-oath\n\n| previous-title = Pop-pops oath\n\n| next-url = let-the-hunters-claim-their-trophies\n\n| next-title = Let the hunters claim their trophies\n\n| hub-url = death-by-ritual-immolation-hub\n\n| hub-title = DEATH BY RITUAL IMMOLATION\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Filename:** Central seattle fire.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** Devastating fire at Virginia Intermont in Bristol\n\n**Author:** Boosti45\n\n**License:** CC 4.0\n\n**Source Link:** https://commons.wikimedia.org/wiki/File:Virginia_Intermont_College_fire_01.jpg\n\n\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Filename:** FBimostwanted.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:**\u00a0\u00a0SocialMediaInfluencerGym\n\n**Author:** Demangerplus1\n\n**License:** CC 1.0\n\n**Source Link:** https://commons.wikimedia.org/wiki/File:SocialMediaInfluencerGym.png\n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** GOC.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:**\u00a0\u00a0The decommissioned aircraft carrier Constellation \n\n**Author:** U.S Navy\n\n**License:** Public Domain\n\n**Source Link:** https://commons.wikimedia.org/wiki/File:US_Navy_030912-N-4309A-005_The_decommissioned_aircraft_carrier_USS_Constellation_(CV_64)_begins_its_transit_from_Naval_Air_Station_North_Island_to_Puget_Sound_Naval_Shipyard.jpg\n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** IS AL BAD2.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** Old gas mask abandoned \n\n**Author:** Cozmicphotos\n\n**License:** Public domain\n\n**SourceLink:** https://pixabay.com/photos/old-gas-mask-abandoned-technology->3359762/\n\n\n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\nFilename:** Kostas retreat fire.png\n\nName:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** The Cougar Creek Fire\n\n**Author:** U.S department of Agriculture\n\n**License:** CC 2.0\n\n**SourceLink:**https://commons.wikimedia.org/wiki/File:Firefighter_at_Cougar_Creek_Fire_(20876410259).jpg \n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** Mikea Grad thesis.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** Mount Vesuvius with fog and sea\n\n**Author:** Commonists\n\n**License:** CC 4.0\n\n**SourceLink:**https://commons.wikimedia.org/wiki/File:Mount_Vesuvius_with_fog_and_sea_1.jpg\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Filename:** national guard.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** A protester holding Molotov Cocktail seen as the clashes develop in Kyiv\n\n**Author:** https://commons.wikimedia.org/wiki/User:Mstyslav_Chernov\n\n**License:** CC 4.0\n\n**Source Link:** https://commons.wikimedia.org/wiki/File:A_protester_holding_Molotov_Cocktail_seen_as_the_clashes_develop_in_Kyiv,_Ukraine._Events_of_February_18,_2014-2.jpg\n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** ngprep.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** Members of the 1049th staging their convoy at the Delaware Bay\n\n**Author:** National Guard\n\n**License:**\u00a0\u00a0Public Domain\n\n**Source Link:** https://commons.wikimedia.org/wiki/File:Delaware_National_Guard_-_Flickr_-_The_National_Guard_(13).jpg\n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** Nominee Walls kidnapped.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:**\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** Franciso Campos notary lawyer of Lexmovea\n\n**Author:** Francamposn\n\n**License:** CC 4.0\n\n**SourceLink:**https://commons.wikimedia.org/wiki/File:Franciso_campos_notario_abogado_lexmovea.jpg \n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** rainystreet.png\n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:**\n\n**Derivative Of:**\n\n**Name:** Protesters in Seattle\n\n**Author:** \"ES in Seattle\"\n\n**License:** CC 4.0\n\n**Source Link:** https://commons.wikimedia.org/wiki/File:May_2020_Seattle_protest_ES_5.jpg\n\n[[/div]]\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n\u00a0**Filename:** \n\n\u00a0**Name:** Residential house with illuminated staircase\n\n\u00a0**Author:** Emmanuel Codden\n\n**License:** Public Domain\n\n**SourceLink:** https://www.pexels.com/photo/residential-house-withilluminated-staircase-18310875/\n\n\u00a0**Additional Notes:** Jan 4, 2014\n\n[[/div]]\n\n[[div class=\"blockquote\"]]\n\n**Filename:** Martial Law.png \n\n**Name:**\n\n**Author:**Strawberry_Donnelly\n\n**License:** CC BY-SA 3.0\n\n**Source Link:**\n\n**Additional Notes:** \n\n**Derivative Of:**\n\n**Name:** Amb_ Godec addresses the press at KEMSA\n\n**Author:** U.S Emabassy Nairobi\n\n**License:** Public Domain\n\n**Source Link:** \n\nhttps://commons.wikimedia.org/wiki/File:Amb_Godec_addresses_the_press_at_KEMSA_(22882033462).jpg\n\n[[/div]]\n\n\n\n> **Filename:** A_sacred_door\n\n> **Name:** \n\n> **Author:** Strawberry_donnelly\n\n> **License:**\u00a0\u00a0CC BY-SA 3.0\n\n> **Source Link:**\n\n> **Derivative of:** \n\n> **Additional Notes:** It's my door, dog. \n\n\n\n\n\n> **Filename:** memorium.png\n\n> **Name:** \n\n> **Author:** Strawberry_donnelly\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:**\n\n> **Derivative of:** \n\n> **Additional Notes:** \n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_cc4", "_licensebox", "_listpages", "_parawatch", "bleak", "global-occult-coalition", "goi-format", "goicon-2026", "illustrated", "mystery", "parawatch", "unusual-incidents-unit"], "title": "A Sacred Deer - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-sacred-deer"}, "a-second-chance-at-today": {"created_at": "2019-03-15T00:22:00", "creator": "Gabriel Jade", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Gabriel Jade", "author_href": "https://www.wikidot.com/user:info/gabriel-jade", "comment": "", "date": "2019-03-15T00:22:00"}, {"author": "Gabriel Jade", "author_href": "https://www.wikidot.com/user:info/gabriel-jade", "comment": "Added tags: _all-a-dream, goi-format, jam-con2019, marshall-carter-and-dark. ", "date": "2019-03-15T00:23:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _marshall-carter-and-dark. ", "date": "2019-03-15T00:28:00"}, {"author": "Gabriel Jade", "author_href": "https://www.wikidot.com/user:info/gabriel-jade", "comment": "Added tags: dado. ", "date": "2019-03-15T02:39:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "CSS Inclusion Update.", "date": "2019-06-17T00:04:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T03:50:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T13:03:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T13:04:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: crime-fiction. ", "date": "2024-10-04T07:12:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: corporate. ", "date": "2024-10-09T18:55:00"}], "hubs": ["144-hour-jam-contest", "goi-formats"], "images": [], "link": "a-second-chance-at-today", "page_id": "638901196", "rating": 90, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Amcd/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\">IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<th>Status</th>\n<td>Unknown</td>\n</tr>\n<tr>\n<th>Demand</th>\n<td>High</td>\n</tr>\n<tr>\n<th>Value</th>\n<td>2,500,000 USD / 1,888,875 GBP per pill</td>\n</tr>\n<tr>\n<th>Availability</th>\n<td>None</td>\n</tr>\n<tr>\n<th>Identifier</th>\n<td>A Second Chance at Today</td>\n</tr>\n<tr>\n<th>Description</th>\n<td>Stocks take an unexpected plunge? Lose a few million in a hand of poker? Not to worry, one dose of these sleeping pills will put you right out, and you'll wake up the morning before you took it. Don't worry, life is just a dream.</td>\n</tr>\n<tr>\n<th colspan=\"2\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Initial Report</th>\n</tr>\n<tr>\n<th>Author</th>\n<td>Christopher Whitehall</td>\n<th>Date</th>\n<td>June 24, 1996</td>\n</tr>\n<tr>\n<th>Interest</th>\n<td>High</td>\n<th>Identifier</th>\n<td>Second Chance</td>\n</tr>\n<tr>\n<td colspan=\"4\">Stock of 119 anomalous pills discovered among the effects of deceased congressman Bill Emerson's estate and subsequently purchased from surviving family for 3,250,000 USD.<br/>\n<br/>\nItem was delivered with original packaging from an unlicensed pharmaceuticalist by way of FedEx delivery. Torn, handwritten label reads \"more time pills\"(sic).</td>\n</tr>\n<tr>\n<th colspan=\"2\">File Opened Under:</th>\n<td colspan=\"2\">IZ229/AN78A/GI753</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"3\">Tracking Information</th>\n</tr>\n<tr>\n<th colspan=\"3\">IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<th>Owner</th>\n<th>Date</th>\n<th>Comments</th>\n</tr>\n<tr>\n<td>Bill Emerson</td>\n<td>June 24, 1996</td>\n<td>Initial Discovery.</td>\n</tr>\n<tr>\n<td>Marshall, Carter and Dark LLP</td>\n<td>June 25, 1996</td>\n<td>1 pill consumed by research associate to confirm effect. Associate was capable of performing 10/10 acts of precognition, due to reported 'dream-like' memories of the day. Further discovery that the pill's effects do not include itself. Remaining stock 118 pills.</td>\n</tr>\n<tr>\n<td>Laris Blackthorne</td>\n<td>July 19, 1996</td>\n<td>Item sold at auction. (Auction Record 1). Remaining stock 117 pills.</td>\n</tr>\n<tr>\n<td>Horace Astor</td>\n<td>August 28, 1998</td>\n<td>Item sold at auction. (Auction Record 1). Remaining stock 116 pills.</td>\n</tr>\n<tr>\n<td>Chester Grant</td>\n<td>November 29, 1999</td>\n<td>Item sold at auction. (Auction Record 5). Remaining stock 111 pills.</td>\n</tr>\n<tr>\n<td>Marshall, Carter and Dark LLP</td>\n<td>December 18, 1999</td>\n<td>Compound security compromised and remaining stock stolen. Investigation ongoing. Remaining stock 0 pills.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th>Security Report December 18, 1999</th>\n</tr>\n<tr>\n<th>IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<td>Security footage shows a masked figure making ingress into company property by way of glass cutter at 4:58\u00a0pm. Subject evades all security patrols and anti-theft countermeasures, entering IZ229/AN78A/GI753 storage location and utilizing branch manager Whitehall's access code to retrieve bottle containing remaining 111 pills from secure vault.<br/>\n<br/>\nSubject proceeded to make egress without alerting security personnel or automatic security measures. Structural breach of glass panel discovered at 5:15\u00a0pm, and Security alerted. Continued investigation into theft ongoing.</td>\n</tr>\n<tr>\n<th>Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Memo 01</th>\n</tr>\n<tr>\n<th colspan=\"4\">IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<th>Sender</th>\n<td>Lucas Whitehall</td>\n<th>Recipient</th>\n<td>Ruprecht Carter</td>\n</tr>\n<tr>\n<td colspan=\"4\">I checked all our backup records, and found something pretty interesting on one of the email servers set up with our Foundation Reality Anchor array.<br/>\n<br/>\nAttached are three daily security reports. All of them from December 18.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th>Security Report December 18, 1999</th>\n</tr>\n<tr>\n<th>IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<td>Masked individual later identified as Chester Grant discovered within company premises performing surveillance of security and theft countermeasures. Subject apprehended by security and subsequently swallowed a pill held within his mouth. Subject remains asleep and is detained on company grounds to await further questioning.</td>\n</tr>\n<tr>\n<th>Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th>Security Report December 18, 1999</th>\n</tr>\n<tr>\n<th>IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<td>Masked individual later identified as Chester Grant discovered within company facility. Security responded to sound of gunfire within 1'st floor restroom. Subject discovered standing over the body of a deceased employee.<br/>\n<br/>\nSubject was apprehended by security and subsequently swallowed a pill held within his mouth, falling asleep within seconds. Subject was recovered with security badge and credential card of Bill Hickman (Employee ID 55923).<br/>\n<br/>\nEmployee's credentials have been deactivated, and suspect remains asleep and detained on company grounds to await further questioning.</td>\n</tr>\n<tr>\n<th>Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th>Security Report December 18, 1999</th>\n</tr>\n<tr>\n<th>IZ229/AN78A/GI753</th>\n</tr>\n<tr>\n<td>Masked individual later identified as Chester Grant discovered within company facility. Security responded to panic alarm sent from branch manager Whitehall's office. Security forces breached the room to discover the subject had threatened Mr. Whitehall with a firearm to divulge his administrator password and security code.<br/>\n<br/>\nOnce Mr. Whitehall had complied and security forces were en route, the subject swallowed a pill and fell asleep within moments. Mr. Whitehall's credentials have been changed, and suspect remains asleep and detained on company grounds to await further questioning.</td>\n</tr>\n<tr>\n<th>Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-second-chance-at-today\">'A Second Chance At Today' (IZ229/AN78A/GI753)</a>\" by Gabriel Jade, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-second-chance-at-today\">https://scpwiki.com/a-second-chance-at-today</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"/theme:mcd\">theme:mcd</a>]]\n\n\n\n||||~ IZ229/AN78A/GI753||\n\n||~ Status||Unknown||\n\n||~ Demand||High||\n\n||~ Value||2,500,000 USD / 1,888,875 GBP per pill ||\n\n||~ Availability||None||\n\n||~ Identifier||A Second Chance at Today||\n\n||~ Description||Stocks take an unexpected plunge?\u00a0\u00a0Lose a few million in a hand of poker?\u00a0\u00a0Not to worry, one dose of these sleeping pills will put you right out, and you'll wake up the morning before you took it.\u00a0\u00a0Don't worry, life is just a dream.||\n\n||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Initial Report||\n\n||~ Author || Christopher Whitehall ||~ Date || June 24, 1996||\n\n||~ Interest||High||~ Identifier||Second Chance||\n\n||||||||Stock of 119 anomalous pills discovered among the effects of deceased congressman Bill Emerson's estate and subsequently purchased from surviving family for 3,250,000 USD.\u00a0\u00a0\u00a0_\n\n\u00a0_\n\nItem was delivered with original packaging from an unlicensed pharmaceuticalist by way of FedEx delivery.\u00a0\u00a0Torn, handwritten label reads \"more time pills\"(sic).||\n\n||||~ File Opened Under:|||| IZ229/AN78A/GI753 ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||~ Tracking Information||\n\n||||||~ IZ229/AN78A/GI753 ||\n\n||~ Owner ||~ Date ||~ Comments||\n\n|| Bill Emerson || June 24, 1996 || Initial Discovery. ||\n\n|| Marshall, Carter and Dark LLP || June 25, 1996 ||1 pill consumed by research associate to confirm effect.\u00a0\u00a0Associate was capable of performing 10/10 acts of precognition, due to reported 'dream-like' memories of the day.\u00a0\u00a0Further discovery that the pill's effects do not include itself.\u00a0\u00a0Remaining stock 118 pills. ||\n\n|| Laris Blackthorne || July 19, 1996 || Item sold at auction. (Auction Record 1).\u00a0\u00a0Remaining stock 117 pills. ||\n\n|| Horace Astor || August 28, 1998 || Item sold at auction. (Auction Record 1). Remaining stock 116 pills. ||\n\n|| Chester Grant || November 29, 1999 || Item sold at auction. (Auction Record 5).\u00a0\u00a0Remaining stock 111 pills.||\n\n|| Marshall, Carter and Dark LLP || December 18, 1999 ||Compound security compromised and remaining stock stolen.\u00a0\u00a0Investigation ongoing.\u00a0\u00a0Remaining stock 0 pills. ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||~ Security Report December 18, 1999||\n\n||~ IZ229/AN78A/GI753 ||\n\n||Security footage shows a masked figure making ingress into company property by way of glass cutter at 4:58 pm.\u00a0\u00a0Subject evades all security patrols and anti-theft countermeasures, entering IZ229/AN78A/GI753 storage location and utilizing branch manager Whitehall's access code to retrieve bottle containing remaining 111 pills from secure vault. _\n\n\u00a0_\n\nSubject proceeded to make egress without alerting security personnel or automatic security measures.\u00a0\u00a0Structural breach of glass panel discovered at 5:15 pm, and Security alerted. Continued investigation into theft ongoing.||\n\n||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Memo 01||\n\n||||||||~ IZ229/AN78A/GI753 ||\n\n||~ Sender || Lucas Whitehall ||~ Recipient || Ruprecht Carter||\n\n|||||||| I checked all our backup records, and found something pretty interesting on one of the email servers set up with our Foundation Reality Anchor array. _\n\n\u00a0_\n\nAttached are three daily security reports.\u00a0\u00a0All of them from December 18.||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||~ Security Report December 18, 1999||\n\n||~ IZ229/AN78A/GI753 ||\n\n||Masked individual later identified as Chester Grant discovered within company premises performing surveillance of security and theft countermeasures.\u00a0\u00a0Subject apprehended by security and subsequently swallowed a pill held within his mouth.\u00a0\u00a0Subject remains asleep and is detained on company grounds to await further questioning.||\n\n||~ Marshall, Carter and Dark, LLP||\n\n\n\n\n\n||~ Security Report December 18, 1999||\n\n||~ IZ229/AN78A/GI753 ||\n\n||Masked individual later identified as Chester Grant discovered within company facility.\u00a0\u00a0Security responded to sound of gunfire within 1'st floor restroom.\u00a0\u00a0Subject discovered standing over the body of a deceased employee. _\n\n\u00a0_\n\nSubject was apprehended by security and subsequently swallowed a pill held within his mouth, falling asleep within seconds.\u00a0\u00a0Subject was recovered with security badge and credential card of\u00a0\u00a0Bill Hickman (Employee ID 55923).\u00a0\u00a0_\n\n\u00a0_\n\nEmployee's credentials have been deactivated, and suspect remains asleep and detained on company grounds to await further questioning.||\n\n||~ Marshall, Carter and Dark, LLP||\n\n\n\n||~ Security Report December 18, 1999||\n\n||~ IZ229/AN78A/GI753 ||\n\n||Masked individual later identified as Chester Grant discovered within company facility.\u00a0\u00a0Security responded to panic alarm sent from branch manager Whitehall's office.\u00a0\u00a0Security forces breached the room to discover the subject had threatened Mr. Whitehall with a firearm to divulge his administrator password and security code. _\n\n\u00a0_\n\nOnce Mr. Whitehall had complied and security forces were en route, the subject swallowed a pill and fell asleep within moments.\u00a0\u00a0Mr. Whitehall's credentials have been changed, and suspect remains asleep and detained on company grounds to await further questioning.||\n\n||~ Marshall, Carter and Dark, LLP||\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_all-a-dream", "_licensebox", "_marshall-carter-and-dark", "corporate", "crime-fiction", "dado", "goi-format", "jam-con2019", "marshall-carter-and-dark"], "title": "'A Second Chance At Today' (IZ229/AN78A/GI753) - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-second-chance-at-today"}, "a-song-about-serious-information-leaks": {"created_at": "2014-06-30T02:36:00", "creator": "deleted", "domain": "scp-wiki.wikidot.com", "history": [{"author": "deleted", "author_href": false, "comment": "Parent page set to: \"fifthist-hub\".", "date": "2014-06-30T02:36:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2014-06-30T02:36:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2014-06-30T02:37:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2014-06-30T02:39:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: fifthist, goi2014. Removed tags: tale. ", "date": "2014-06-30T02:41:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2014-06-30T11:34:00"}, {"author": "deleted", "author_href": false, "comment": "You successfully renamed the page: \"uh\" to \"a-song-about-serious-information-leaks\".", "date": "2014-06-30T11:37:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2014-07-02T02:33:00"}, {"author": "deleted", "author_href": false, "comment": "Removed extra ]", "date": "2014-07-02T02:35:00"}, {"author": "deleted", "author_href": false, "comment": "Added \u00bb symbol", "date": "2014-07-02T04:32:00"}, {"author": "Devereaux", "author_href": "https://www.wikidot.com/user:info/devereaux", "comment": "Added tags: goi-format. ", "date": "2014-07-10T06:36:00"}, {"author": "anqxyr", "author_href": "https://www.wikidot.com/user:info/anqxyr", "comment": "fixed absolute links", "date": "2014-08-09T08:12:00"}, {"author": "Matthew Nox", "author_href": "https://www.wikidot.com/user:info/matthew-nox", "comment": "Mini-fix", "date": "2017-01-25T17:56:00"}, {"author": "Randomini", "author_href": "https://www.wikidot.com/user:info/randomini", "comment": "You successfully reverted the page to revision number 11", "date": "2017-01-25T20:26:00"}, {"author": "Taffeta", "author_href": "https://www.wikidot.com/user:info/taffeta", "comment": "Added tags: _fifthist. ", "date": "2018-02-16T11:26:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Adding Pride CSS per request from faminepulse", "date": "2020-01-06T23:57:00"}, {"author": "EstrellaYoshte", "author_href": "https://www.wikidot.com/user:info/estrellayoshte", "comment": "", "date": "2021-10-14T04:12:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "", "date": "2022-06-26T15:16:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "Added tags: _licensebox. ", "date": "2022-06-26T15:17:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "", "date": "2022-06-26T15:17:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: absurdist-fiction. ", "date": "2024-10-03T21:33:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: spy-fiction. ", "date": "2024-10-03T21:34:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: absurdism. Removed tags: absurdist-fiction. ", "date": "2024-10-11T19:04:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-song-about-serious-information-leaks", "page_id": "22822902", "rating": 82, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"text-align: center;\">\n<p><em>Hey Umiko! Why don\u2019t you write anything? What is it you do again? -Rosa</em></p>\n<p><em>Uh\u2026 I write song, sometimes. Here I write one down now. -Umiko</em></p>\n<p><em>Why don\u2019t you sing it? Can you sing, bro? -Brook</em></p>\n<p><em>Uh\u2026Yes! I am very good singer! -Umiko</em></p>\n<p><em>What\u2019s the song called? -Rosa</em></p>\n<p><em>Uhhh\u2026 -Umiko</em></p>\n<div style=\"font-size:100%;color:#000;font-family:Verdana,cursive;\">\n<h1 id=\"toc0\"><span>\"Uhhh\u2026\"</span></h1>\n</div>\n<div style=\"font-size:125%;color:#000;font-family:Verdana,cursive;\">\n<p>By Umiko</p>\n</div>\n<div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\">\n<p><strong>Intro</strong></p>\n</div>\n<p>Yeah, yeah, okay-oh, yeah<br/>\nYeah, yeah lets go<br/>\nOkay good, okay yeah, yeah-oh<br/>\nYeah that\u2019s great, alright, good<br/>\nGood you song<br/>\nVery nice</p>\n<p><em>God, you\u2019re gonna blow your cover! Come on! Think of something! Anything!</em></p>\n<div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\">\n<p><strong>Verse 1</strong></p>\n</div>\n<p>Umiko knows a human<br/>\nI saw him one day<br/>\nHe was skinny and far away<br/>\nActually no he wasn\u2019t human<br/>\nHe was in a box<br/>\nAnd I didn\u2019t see him in<br/>\nIt had lots of locks<br/>\nTo keep away other humans</p>\n<p><em>That\u2019s an interesting rhyme scheme, Umiko. -Brook</em><br/>\n<em>It is Japanese rhyming. -Umiko</em><br/>\n<em>I thought you were from Hawaii? -Rosa</em><br/>\n<em>Uhhh\u2026 -Umiko</em></p>\n<p>He had an ugly face<br/>\nBut you only hear that<br/>\nYou never see that<br/>\nYou just read that<br/>\nIt was a secret<br/>\nIf you see that he would have to kill you<br/>\nHe come and find you</p>\n<div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\">\n<p><strong>Chorus</strong></p>\n</div>\n<p>Secretly</p>\n<p><strong>Repeat X 10</strong></p>\n<p><em>Woah, what a weird tempo. Let me get my keyboard out. Let\u2019s see, time signature? - Brook</em><br/>\n<em>Uh\u2026 142? - Umiko</em><br/>\n<em>Really? And what? - Brook</em><br/>\n<em>\u20268? - Umiko</em><br/>\n<em>Klavierst\u00fccke? What the f\u00fcck? Stockhausen? Umiko do you have a girlfriend? - Brook</em><br/>\n<em>Aaah! - Umiko</em></p>\n<p><a href=\"https://www.youtube.com/watch?v=ny8ZXXRBIns&amp;feature=kp\">Keyboard Solo</a></p>\n<div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\">\n<p><strong>Verse 2</strong></p>\n</div>\n<p>There\u2019s also a business<br/>\nBut the business makes friends<br/>\nGets all in their business<br/>\nMakes business girlfriends<br/>\nImagine a business is flirting with you<br/>\nWhat would it say?<br/>\nHow may I help you?</p>\n<p><em>Wow! That\u2019s a pretty good American accent! -Rosa</em><br/>\n<em>I practice good! How you like song, eh? -Umiko</em><br/>\n<em>Really? That\u2019s it? We don\u2019t want any short songs on the EP. -Brook</em><br/>\n<em>\u2026y-yes! There\u2019s one more! -Umiko</em></p>\n<div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\">\n<p><strong>Verse 3</strong></p>\n</div>\n<p>In my home province, they got the flu<br/>\nExcept it wasn\u2019t the flu<br/>\nIt was something new<br/>\nThe people all scared, what would they do?<br/>\nWe asked wise woman, but wise woman slinky<br/>\nShe was twisty and stewed<br/>\nWise woman twisted all over the house<br/>\nHer neighbors too</p>\n<p><em>Okay that\u2019s a little gory Umi\u2026 -Rosa</em><br/>\n<em>Is only allegory! -Umiko</em><br/>\n<em>Oh! For what? -Rosa</em><br/>\n<em>\u2026Communism! -Umiko</em><br/>\n<em>Right on! -Brook</em></p>\n<div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\">\n<p><strong>Ending Verse</strong></p>\n</div>\n<p>There once was secret agent man<br/>\nSent to the beach with master plan<br/>\nStop crazy kooks from causing a fus<br/>\nIn their little volkswagen bus</p>\n<p>But in the end he knew<br/>\nThat he was part of it too<br/>\nAnd that he would sail into the sea<br/>\nThat is where he would always be</p>\n<p><em>Ah that\u2019s sweet, Umiko. -Rosa</em><br/>\n<em>Huh? It\u2019s nothing. I made the last part up. -Umiko</em></p>\n</div>\n<div style=\"text-align: center;\">\n<p><strong>\u00ab <a href=\"/way-out-in-the-water\">Riptide</a> | <a href=\"/fifthist-hub\">Hub</a> | <a href=\"/the-appalachian-scar\">The Appalachian Scar</a> \u00bb</strong></p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-song-about-serious-information-leaks\">Track 3: Uh...</a>\" by faminepulse, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-song-about-serious-information-leaks\">https://scpwiki.com/a-song-about-serious-information-leaks</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/component:scp-pride\">:scp-wiki:component:scp-pride</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[=]]\n\n\n\n//Hey Umiko! Why don\u2019t you write anything? What is it you do again? -Rosa//\n\n\n\n//Uh\u2026 I write song, sometimes. Here I write one down now. -Umiko//\n\n\n\n//Why don\u2019t you sing it? Can you sing, bro? -Brook//\n\n\n\n//Uh...Yes! I am very good singer! -Umiko//\n\n\n\n//What\u2019s the song called? -Rosa//\n\n\n\n//Uhhh\u2026 -Umiko//\n\n\n\n[[div style=\"font-size:100%;color:#000;font-family:Verdana,cursive;\"]]\n\n+ \"Uhhh...\"\n\n[[/div]]\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Verdana,cursive;\"]]\n\nBy Umiko\n\n[[/div]]\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\"]]\n\n**Intro**\n\n[[/div]]\n\n\n\nYeah, yeah, okay-oh, yeah\n\nYeah, yeah lets go\n\nOkay good, okay yeah, yeah-oh\n\nYeah that\u2019s great, alright, good\n\nGood you song\n\nVery nice\n\n\n\n//God, you\u2019re gonna blow your cover! Come on! Think of something! Anything!//\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\"]]\n\n**Verse 1**\n\n[[/div]]\n\n\n\nUmiko knows a human\n\nI saw him one day\n\nHe was skinny and far away\n\nActually no he wasn\u2019t human\n\nHe was in a box\n\nAnd I didn\u2019t see him in\n\nIt had lots of locks\n\nTo keep away other humans\n\n\n\n//That\u2019s an interesting rhyme scheme, Umiko. -Brook//\n\n//It is Japanese rhyming. -Umiko//\n\n//I thought you were from Hawaii? -Rosa//\n\n//Uhhh... -Umiko//\n\n\n\nHe had an ugly face\n\nBut you only hear that\n\nYou never see that\n\nYou just read that\n\nIt was a secret\n\nIf you see that he would have to kill you\n\nHe come and find you\n\n\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\"]]\n\n**Chorus**\n\n[[/div]]\n\n\n\nSecretly\n\n\n\n**Repeat X 10**\n\n\n\n//Woah, what a weird tempo. Let me get my keyboard out. Let\u2019s see, time signature? - Brook//\n\n//Uh\u2026 142? - Umiko//\n\n//Really? And what? - Brook//\n\n//...8? - Umiko//\n\n//Klavierst\u00fccke? What the f\u00fcck? Stockhausen? Umiko do you have a girlfriend? - Brook//\n\n//Aaah! - Umiko//\n\n\n\n[https://www.youtube.com/watch?v=ny8ZXXRBIns&feature=kp Keyboard Solo]\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\"]]\n\n**Verse 2**\n\n[[/div]]\n\n\n\nThere\u2019s also a business\n\nBut the business makes friends\n\nGets all in their business\n\nMakes business girlfriends\n\nImagine a business is flirting with you\n\nWhat would it say?\n\nHow may I help you?\n\n\n\n//Wow! That\u2019s a pretty good American accent! -Rosa//\n\n//I practice good! How you like song, eh? -Umiko//\n\n//Really? That\u2019s it? We don\u2019t want any short songs on the EP. -Brook//\n\n//...y-yes! There\u2019s one more! -Umiko//\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\"]]\n\n**Verse 3**\n\n[[/div]]\n\n\n\nIn my home province, they got the flu\n\nExcept it wasn\u2019t the flu\n\nIt was something new\n\nThe people all scared, what would they do?\n\nWe asked wise woman, but wise woman slinky\n\nShe was twisty and stewed\n\nWise woman twisted all over the house\n\nHer neighbors too\n\n\n\n//Okay that\u2019s a little gory Umi\u2026 -Rosa//\n\n//Is only allegory! -Umiko//\n\n//Oh! For what? -Rosa//\n\n//...Communism! -Umiko//\n\n//Right on! -Brook//\n\n\n\n[[div style=\"font-size:125%;color:#000;font-family:Courier,cursive;\"]]\n\n**Ending Verse**\n\n[[/div]]\n\n\n\nThere once was secret agent man\n\nSent to the beach with master plan\n\nStop crazy kooks from causing a fus\n\nIn their little volkswagen bus\n\n\n\nBut in the end he knew\n\nThat he was part of it too\n\nAnd that he would sail into the sea\n\nThat is where he would always be\n\n\n\n//Ah that\u2019s sweet, Umiko. -Rosa//\n\n//Huh? It\u2019s nothing. I made the last part up. -Umiko//\n\n[[/=]]\n\n\n\n[[=]]\n\n**<< [[[way-out-in-the-water|Riptide]]] | [[[fifthist-hub| Hub]]] | [[[The Appalachian Scar]]] >>**\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=faminepulse]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_fifthist", "_licensebox", "absurdism", "fifthist", "goi-format", "goi2014", "spy-fiction"], "title": "Track 3: Uh... - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-song-about-serious-information-leaks"}, "a-song-that-is-unfortunately-about-toes": {"created_at": "2020-03-13T22:24:00", "creator": "Oboebandgeek99", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Oboebandgeek99", "author_href": "https://www.wikidot.com/user:info/oboebandgeek99", "comment": "", "date": "2020-03-13T22:24:00"}, {"author": "Oboebandgeek99", "author_href": "https://www.wikidot.com/user:info/oboebandgeek99", "comment": "Added tags: _fifthist, _meets-the-eye, fifthist, goi-format, jam-con2020. ", "date": "2020-03-13T22:27:00"}, {"author": "Oboebandgeek99", "author_href": "https://www.wikidot.com/user:info/oboebandgeek99", "comment": "Uploaded file \"a_song_that_is_unfortunately_about_toes.mp3\".", "date": "2020-03-13T23:05:00"}, {"author": "Oboebandgeek99", "author_href": "https://www.wikidot.com/user:info/oboebandgeek99", "comment": "file localization", "date": "2020-03-13T23:06:00"}, {"author": "MJL1", "author_href": "https://www.wikidot.com/user:info/mjl1", "comment": "Added tags: halyna-ieva. ", "date": "2020-03-23T19:00:00"}, {"author": "Oboebandgeek99", "author_href": "https://www.wikidot.com/user:info/oboebandgeek99", "comment": "", "date": "2020-03-29T18:45:00"}, {"author": "Oboebandgeek99", "author_href": "https://www.wikidot.com/user:info/oboebandgeek99", "comment": "adding earthworm module", "date": "2020-03-30T20:09:00"}, {"author": "aismallard", "author_href": "https://www.wikidot.com/user:info/aismallard", "comment": "Added tags: audio. ", "date": "2020-04-27T21:34:00"}, {"author": "The Pighead", "author_href": "https://www.wikidot.com/user:info/the-pighead", "comment": "", "date": "2020-06-14T18:13:00"}, {"author": "aismallard", "author_href": "https://www.wikidot.com/user:info/aismallard", "comment": "", "date": "2020-06-18T04:59:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2020-09-01T04:29:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: action, correspondence, mystery, poetry. ", "date": "2024-10-04T04:42:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: correspondence. ", "date": "2025-07-19T16:34:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. ", "date": "2026-09-07T07:51:00"}], "hubs": ["144-hour-jam-contest-two", "goi-formats"], "images": [], "link": "a-song-that-is-unfortunately-about-toes", "page_id": "999938342", "rating": 168, "raw_content": "<html><body><div id=\"page-content\">\n\n\n\n<div class=\"blockquote\">\n<p><strong>Quintus55 posted:</strong></p>\n<p>So a lot has been going on in my world lately, and I know a lot of things I shouldn't, and I honestly don't know what to make of it, so big surprise, I decided to write a song about it. While this is inspired by true things(ish) I've embellished the story. And in any case I'd appreciate you not reading too much into it and enjoying the song as is.</p>\n<p>I've had a hard time coming up with a name for this one, too. I originally thought \"More than meets the eye\" but then I hated that so\u2026 I still don't know. Maybe let me know if you have suggestions?</p>\n<p>As always, lyrics in the read more. Thanks for listening!</p>\n<p>~ Quintus</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Read\u00a0More</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Show\u00a0Less</a></div>\n<div class=\"collapsible-block-content\">\n<h4 id=\"toc0\"><span>Verse 1</span></h4>\n<p>Jesters and Jailers<br/>\nAttend to and tailor<br/>\nThe tale of war underfoot<br/>\nThe cogheads and serpents<br/>\nTowards battle aren't certain<br/>\nThey know that it all ends in soot</p>\n<p>While seeking protection<br/>\nThey build their collection<br/>\nA weapon unmatched by machine<br/>\nThe first stone is cast<br/>\nBut the one who laughs last<br/>\nIs the distant pedestrian queen</p>\n<h4 id=\"toc1\"><span>Prechorus 1</span></h4>\n<p>There's more than meets the eye to what's begun<br/>\nAlthough she's standing last, she has not won</p>\n<h4 id=\"toc2\"><span>Chorus</span></h4>\n<p>They say that all's fair in\u2014<br/>\nThat anything goes<br/>\nAnd what are they fighting for?<br/>\nNobody knows<br/>\nSo we're doomed to watch<br/>\nOr to fight I suppose<br/>\nWhile hand, cog, and flesh come to blows</p>\n<h4 id=\"toc3\"><span>Verse 2</span></h4>\n<p>The jesters in court<br/>\nHave a secret of sorts<br/>\nThat was stolen while under her watch<br/>\nThey didn't begin it<br/>\nBut once caught up in it<br/>\nThey left to take things down a notch</p>\n<p>They have no excuse<br/>\nBut they value its use<br/>\nSo they keep it from all those involved<br/>\nTheir weapon stays hidden<br/>\nThe war stays unbidden<br/>\nTheir guilt they've completely absolved</p>\n<h4 id=\"toc4\"><span>Prechorus 2</span></h4>\n<p>There's more than meets the eye to what goes down<br/>\nThe jesters are not fools; they wear the crown</p>\n<h4 id=\"toc5\"><span>Chorus</span></h4>\n<p>They say that all's fair in\u2014<br/>\nThat anything goes<br/>\nAnd what are they fighting for?<br/>\nNobody knows<br/>\nSo we're doomed to watch<br/>\nOr to fight I suppose<br/>\nWhile hand, cog, and flesh come to blows</p>\n<h4 id=\"toc6\"><span>Verse 3</span></h4>\n<p>The jailers, meanwhile<br/>\nIn truth or denial<br/>\nAcquired a threat of their own<br/>\nThough quite the detectives<br/>\nThey seem ineffective<br/>\nAt working out truths not yet shown</p>\n<p>They don't understand<br/>\nBut reach out to the hand<br/>\nAnd demand their compliance for aid<br/>\nThe snakes don't comply<br/>\nSo the jailers sit by<br/>\nAnd they never realize they've been played</p>\n<h4 id=\"toc7\"><span>Prechorus 3</span></h4>\n<p>There's more than meets the eye to what goes on<br/>\nThe jailers are not rooks, they are the pawn</p>\n<h4 id=\"toc8\"><span>Chorus</span></h4>\n<p>They say that all's fair in\u2014<br/>\nThat anything goes<br/>\nAnd what are they fighting for?<br/>\nNobody knows<br/>\nSo we're doomed to watch<br/>\nOr to fight I suppose<br/>\nWhile hand, cog, and flesh come to blows</p>\n<h4 id=\"toc9\"><span>Bridge</span></h4>\n<p>The jailers out of the way<br/>\nThe war becomes too hard<br/>\nThe jesters fail to see<br/>\nThey are the wild card<br/>\nMachine and Serpent joined<br/>\nDecide to finally bombard<br/>\nThe battlefield's left empty<br/>\nThe earth, forever scarred</p>\n<h4 id=\"toc10\"><span>Verse 4</span></h4>\n<p>Jesters and Jailers<br/>\nAttend to and tailor<br/>\nThe tale of war that has passed<br/>\nThe latter derisive,<br/>\nThe fools indecisive<br/>\nYou both must take blame for the blast</p>\n<p>While you sit there writing<br/>\nThere's wars that need fighting<br/>\nThe heroes have ended their scene<br/>\nThough they paid the cost<br/>\nNot all hope is lost<br/>\nTo defeat the pedestrian queen</p>\n<h4 id=\"toc11\"><span>Prechorus 3</span></h4>\n<p>There's more than meets the eye to what lies ahead<br/>\nThough she's still standing tall her army is dead<br/>\nAnd one more final secret that I've found<br/>\nIf you combined your power you'd take her down</p>\n<h4 id=\"toc12\"><span>Chorus</span></h4>\n<p>They say that all's fair in\u2014<br/>\nThat anything goes<br/>\nAnd what is it all for?<br/>\nWell, nobody knows<br/>\nAre we doomed to watch<br/>\nAnd to stay writing prose?<br/>\nThere's a time we must all come to blows</p>\n<p>No, nothing's quite fair here<br/>\nBut anything goes<br/>\nThere's dangerous people<br/>\nWe all must oppose<br/>\nWill they join the fight?<br/>\nWe'll see, I suppose<br/>\nIf jailers and jesters<br/>\nThe betters and lessers<br/>\nTogether, 'gainst flesh come to blows</p>\n</div>\n</div>\n</div>\n<div class=\"blockquote\">\n<p><strong>LikeClocksWork commented:</strong></p>\n<p>Honestly, I think \"More than meets the eye\" is a fine name. You clearly haven't told us all that's going on, and that title encompasses that. Great song, dude!</p>\n</div>\n<div class=\"blockquote\">\n<p><strong>The-Wicked-Music-Man12 commented:</strong></p>\n<p>I love the imagery in here! The lyrics are so dark. Have you considered \"Coming To Blows\" as a title? Or maybe \"Jesters and Jailers\"? Either way, excellent job.</p>\n</div>\n<div class=\"blockquote\">\n<p><strong>Thr33ThirtyThr33 commented:</strong></p>\n<p>Good song! Kinda sad though. I hope things get resolved with whatever it is you're going through.</p>\n<div class=\"blockquote\">\n<p><strong>Quintus55 replied:</strong></p>\n<p>Me too.</p>\n</div>\n</div>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-true earthworm--old-syntax-hub-no {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"Easy-Fake Oven\">\n\n<p><a href=\"/scp-5591\">Easy-Fake Oven</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"toejamcon2020\">\n<p><a href=\"/\">toejamcon2020</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"/\">\n\n<p><a href=\"/\">/</a></p>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:black-highlighter-theme\">theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"/component:pride-highlighter\">component:pride-highlighter</a> |inc-plgbt= --]]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:audio-player-woed-source\">:scp-wiki:component:audio-player-woed-source</a>\n\n|unique-name=toesong\n\n|audio-file=http://scp-wiki.wdfiles.com/local--files/a-song-that-is-unfortunately-about-toes/a_song_that_is_unfortunately_about_toes.mp3\n\n|background-color=rgb(252, 252, 252)\n\n|border-color=rgb(215, 215, 215)\n\n|border-radius=0.313rem\n\n|dropshadow-color=rgba(12, 12, 12, 0.15)\n\n|text-color=rgb(80, 0, 2)\n\n|icons-color=rgb(171, 0, 5)\n\n|player-color=rgb(215, 215, 215)\n\n|progress-color=rgb(80, 0, 2)\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Quintus55 posted:**\n\n\n\nSo a lot has been going on in my world lately, and I know a lot of things I shouldn't, and I honestly don't know what to make of it, so big surprise, I decided to write a song about it. While this is inspired by true things(ish) I've embellished the story. And in any case I'd appreciate you not reading too much into it and enjoying the song as is.\n\n\n\nI've had a hard time coming up with a name for this one, too. I originally thought \"More than meets the eye\" but then I hated that so... I still don't know. Maybe let me know if you have suggestions?\n\n\n\nAs always, lyrics in the read more. Thanks for listening!\n\n\n\n~ Quintus\n\n\n\n[[collapsible show=\"+ Read More\" hide=\"- Show Less\"]]\n\n++++ Verse 1\n\nJesters and Jailers\n\nAttend to and tailor\n\nThe tale of war underfoot\n\nThe cogheads and serpents\n\nTowards battle aren't certain\n\nThey know that it all ends in soot\n\n\n\nWhile seeking protection\n\nThey build their collection\n\nA weapon unmatched by machine\n\nThe first stone is cast\n\nBut the one who laughs last\n\nIs the distant pedestrian queen\n\n\n\n++++ Prechorus 1\n\nThere's more than meets the eye to what's begun\n\nAlthough she's standing last, she has not won\n\n\n\n++++ Chorus\n\nThey say that all's fair in-- \n\nThat anything goes\n\nAnd what are they fighting for?\n\nNobody knows\n\nSo we're doomed to watch\n\nOr to fight I suppose\n\nWhile hand, cog, and flesh come to blows\n\n\n\n++++ Verse 2\n\nThe jesters in court\n\nHave a secret of sorts\n\nThat was stolen while under her watch\n\nThey didn't begin it\n\nBut once caught up in it\n\nThey left to take things down a notch\n\n\n\nThey have no excuse\n\nBut they value its use\n\nSo they keep it from all those involved\n\nTheir weapon stays hidden\n\nThe war stays unbidden\n\nTheir guilt they've completely absolved\n\n\n\n++++ Prechorus 2\n\nThere's more than meets the eye to what goes down\n\nThe jesters are not fools; they wear the crown\n\n\n\n++++ Chorus\n\nThey say that all's fair in-- \n\nThat anything goes\n\nAnd what are they fighting for?\n\nNobody knows\n\nSo we're doomed to watch\n\nOr to fight I suppose\n\nWhile hand, cog, and flesh come to blows\n\n\n\n++++ Verse 3\n\nThe jailers, meanwhile\n\nIn truth or denial\n\nAcquired a threat of their own\n\nThough quite the detectives\n\nThey seem ineffective\n\nAt working out truths not yet shown\n\n\n\nThey don't understand\n\nBut reach out to the hand\n\nAnd demand their compliance for aid\n\nThe snakes don't comply\n\nSo the jailers sit by\n\nAnd they never realize they've been played\n\n\n\n++++ Prechorus 3\n\nThere's more than meets the eye to what goes on\n\nThe jailers are not rooks, they are the pawn\n\n\n\n++++ Chorus\n\nThey say that all's fair in-- \n\nThat anything goes\n\nAnd what are they fighting for?\n\nNobody knows\n\nSo we're doomed to watch\n\nOr to fight I suppose\n\nWhile hand, cog, and flesh come to blows\n\n\n\n++++ Bridge\n\nThe jailers out of the way\n\nThe war becomes too hard\n\nThe jesters fail to see\n\nThey are the wild card\n\nMachine and Serpent joined\n\nDecide to finally bombard\n\nThe battlefield's left empty\n\nThe earth, forever scarred\n\n\n\n++++ Verse 4\n\nJesters and Jailers\n\nAttend to and tailor\n\nThe tale of war that has passed\n\nThe latter derisive,\n\nThe fools indecisive\n\nYou both must take blame for the blast\n\n\n\nWhile you sit there writing\n\nThere's wars that need fighting\n\nThe heroes have ended their scene\n\nThough they paid the cost\n\nNot all hope is lost\n\nTo defeat the pedestrian queen\n\n\n\n++++ Prechorus 3\n\nThere's more than meets the eye to what lies ahead\n\nThough she's still standing tall her army is dead\n\nAnd one more final secret that I've found\n\nIf you combined your power you'd take her down\n\n\n\n++++ Chorus\n\nThey say that all's fair in-- \n\nThat anything goes\n\nAnd what is it all for?\n\nWell, nobody knows\n\nAre we doomed to watch\n\nAnd to stay writing prose?\n\nThere's a time we must all come to blows\n\n\n\nNo, nothing's quite fair here\n\nBut anything goes\n\nThere's dangerous people\n\nWe all must oppose\n\nWill they join the fight?\n\nWe'll see, I suppose\n\nIf jailers and jesters\n\nThe betters and lessers\n\nTogether, 'gainst flesh come to blows\n\n[[/collapsible]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**LikeClocksWork commented:**\n\n\n\nHonestly, I think \"More than meets the eye\" is a fine name. You clearly haven't told us all that's going on, and that title encompasses that. Great song, dude!\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**The-Wicked-Music-Man12 commented:**\n\n\n\nI love the imagery in here! The lyrics are so dark. Have you considered \"Coming To Blows\" as a title? Or maybe \"Jesters and Jailers\"? Either way, excellent job.\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**Thr33ThirtyThr33 commented:**\n\n\n\nGood song! Kinda sad though. I hope things get resolved with whatever it is you're going through.\n\n\n\n[[div class=\"blockquote\"]]\n\n**Quintus55 replied:**\n\n\n\nMe too.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[module ListUsers users=\".\"]]\n\n[[div class=\"blockquote\"]]\n\n**%%title%% commented:**\n\n\n\nI liked the song, but what the actual fuck is the file name implying?\n\n[[/div]]\n\n[[/module]]\n\n[[/div]]\n\n\n\n[[include <a href=\"/component:earthworm\">component:earthworm</a>\n\n| first=false | last=true | hub=no\n\n| previous-url=/scp-5591 | previous-title=Easy-Fake Oven\n\n| next-url=/ | next-title=/\n\n| hub-url=/ | hub-title=toejamcon2020\n\n]]\n", "tags": ["_cc", "_fifthist", "_meets-the-eye", "action", "audio", "featured", "fifthist", "goi-format", "halyna-ieva", "jam-con2020", "mystery", "poetry"], "title": "Single: [untitled] - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-song-that-is-unfortunately-about-toes"}, "a-sympathetic-thorn-in-the-side-of-the-bookburners": {"created_at": "2020-10-14T04:23:00", "creator": "stop1010", "domain": "scp-wiki.wikidot.com", "history": [{"author": "stop1010", "author_href": "https://www.wikidot.com/user:info/stop1010", "comment": "", "date": "2020-10-14T04:23:00"}, {"author": "Greyve", "author_href": "https://www.wikidot.com/user:info/greyve", "comment": "", "date": "2020-10-14T04:26:00"}, {"author": "Greyve", "author_href": "https://www.wikidot.com/user:info/greyve", "comment": "", "date": "2020-10-14T04:27:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: _image, canon2020, global-occult-coalition, unfounded, wanderers-library. ", "date": "2020-10-14T04:28:00"}, {"author": "Greyve", "author_href": "https://www.wikidot.com/user:info/greyve", "comment": "", "date": "2020-10-14T13:02:00"}, {"author": "stop1010", "author_href": "https://www.wikidot.com/user:info/stop1010", "comment": "Added tags: goi-format. Removed tags: tale. ", "date": "2020-10-14T15:36:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _serpents-hand, serpents-hand. ", "date": "2020-10-14T15:43:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2020-10-14T16:03:00"}, {"author": "JakdragonX", "author_href": "https://www.wikidot.com/user:info/jakdragonx", "comment": "Edited with authors request", "date": "2020-10-14T23:21:00"}, {"author": "JakdragonX", "author_href": "https://www.wikidot.com/user:info/jakdragonx", "comment": "CSS is a challenge, don't judge me for my mistakes", "date": "2020-10-14T23:22:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Adding spaces to blockquote lines to fix spacing issue", "date": "2020-10-15T23:11:00"}, {"author": "Cerastes", "author_href": "https://www.wikidot.com/user:info/cerastes", "comment": "", "date": "2020-10-22T07:51:00"}, {"author": "Greyve", "author_href": "https://www.wikidot.com/user:info/greyve", "comment": "Partial rewrite with permission of original author following conclusion of contest.", "date": "2020-10-30T19:09:00"}, {"author": "TheMightyMcB", "author_href": "https://www.wikidot.com/user:info/themightymcb", "comment": "Uploaded file \"supercomputer.jpg\".", "date": "2020-12-17T10:41:00"}, {"author": "TheMightyMcB", "author_href": "https://www.wikidot.com/user:info/themightymcb", "comment": "Localized the image", "date": "2020-12-17T10:42:00"}, {"author": "Guaire", "author_href": "https://www.wikidot.com/user:info/guaire", "comment": "Added tags: _licensebox. ", "date": "2023-02-25T18:28:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: otherworldly, spy-fiction. ", "date": "2024-10-06T07:09:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-sympathetic-thorn-in-the-side-of-the-bookburners", "page_id": "1305313802", "rating": 52, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Adustjacket/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n<p><span style=\"font-size:150%;\"><strong>A Sympathetic Thorn in the Side of the Bookburners</strong></span> <sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></p>\n<div style=\"text-align: right;\">\n<p><strong>The Eurtec Resistance</strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>The masses of Eurtec<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> have risen up against their oppressors, the Bookburners, who would have them trampled below their lofty towers. Abandoned by their shepherds long ago, it has fallen upon the flock to resist; an incursion into the Bookburners' facilities was inevitable.</p>\n<p>Having researched extensively the methods and madness of the Bookburners, we sought to break their hold on the city through the destruction of their technological vices and computational terminals. To an extent, we were successful, but heavy casualties, even with the assistance of other unbroken, have proven that even the Library is no match for the cruel hand of the Bookburners.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Illustration</strong></p>\n</div>\n\n<p>A fraction of a fraction of the Bookburners' computational might<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup>. Note the presence of an unidentified thaumaturgic manifold on the left, the origin of which is unknown.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong> A computational network through which the Bookburners oversee every corner of the city. Even the contents of a closed book would not be safe from their All-Seeing Eye<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup>, housed in a facility known to the uninitiated as the offices of MAGE Computing. Inside, however, defenses abound, with no shortage of thaumaturgic weaponry.</p>\n<p><strong>Nature:</strong> The Bookburners' hold on the city primarily derives from their control over the material city \u2014 countless eyes in the darkest corners and a chokehold on our bare essentials, be it food, water, or safety.</p>\n<p><strong>History &amp; Associated Parties:</strong> Tensions have abounded in Eurtec for nearly half a century. The life of a citizen of the Blood District is one of pain and fear, contrasted greatly by the ever-increasing wealth and power of the Golden District. This strain is further imposed by the hand of the Bookburners, who persecute the anomalous and imprison all who oppose them.</p>\n<p><strong>Approach:</strong> We spent the greater part of a month researching the Bookburners' strengths and weaknesses, as well as rallying for the support of sympathizers in the Eurtec anomalous community. Even then, were woefully underprepared for the vast arsenal of anomalous weaponry at their supply.</p>\n<p><strong>Other Detail:</strong> We employed various <a href=\"http://www.scpwiki.com/scp-1182\" target=\"_blank\">artifacts</a> and spells to remain undetectable to all guards and security systems when entering the facilities. However, the effects of these anomalies were negated by the All-Seeing Eye, resulting in the intervention of Bookburner strike teams. Acting in self-defense, we were forced to engage in direct combat, leading to numerous casualties<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></p>\n<p>Fortunately, we were ultimately capable of deactivating the All-Seeing Eye, buying us several weeks to organize the resistance into a full-scale uprising.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p>Prior to the raid, we came in contact with an ex-Bookburner operative by the name of Adrian Ross<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup>. He proved to be vital as an informant, as his investigative reconnaissance skills proved crucial in developing plans for engagement.</p>\n<p>Ross follows his own path, investigating the rubedo trade<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup> of the Blood District. He has come to us for information, and just as easily, we have offered it to him \u2014 in exchange for his cooperation.</p>\n<p>Several days after initial contact, Ross offered several classified documents to us as proof he had cut ties with the Bookburners. Of note are the following excerpts from his personal journal.</p>\n<blockquote>\n<p><strong>07/19/2023</strong><br/>\nThird time's the charm \u2014 here's hoping the guards won't be on watch again. Then again, I heard they'd just finished installing a new thaumaturgical security system. No clue how they were able to get their hands on something like that, but hey, that's the least of my worries right now.</p>\n</blockquote>\n<blockquote>\n<p><strong>7/22/2023</strong><br/>\nLast few days have been rough on me. Worked out that Jaiden was deployed to Eurtec, swept away on some sting operation involving smuggling and revolution. They say that the Serpent's Hand have been acquiring some alchemical substance to build bombs<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup> or something.<br/>\nLooks like I'll be negotiating with terrorists<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup> now.</p>\n</blockquote>\n<blockquote>\n<p><strong>7/23/2023</strong><br/>\nConsidering their fearsome reputation, they've been surprisingly reasonable, deeming my search \"noble\". Of course, they still have their doubts \u2014 they need proof that I'm not yet another Coalition spy<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup>. Ended up giving them everything I had on Eurtec at a drop spot, but they only took files about the GOC's computing networks for whatever reason.<br/>\nSoon enough, they'll get me in touch with the leaders of some Serpent's Hand-sympathizing rubedo gang<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup>. From there, I'll have to work out the rest on my own.</p>\n</blockquote>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>It is worth mentioning the presence of thaumaturgical defense systems and weaponry utilized by the Bookburners. It is currently unknown how they acquired such resources, but it would suggest that they have been funded by an anonymous source.</p>\n<p>Who this source is and what their motivations are remain unknown at the moment, but it is apparent that whoever that person or organization is, they have a vested interest in keeping the Coalition in power.</p>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. That sounds pretentious as all hell. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. I thought you didn't want anything to do with the documentation? \u2014 F.L.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Well, I wouldn't have to if you were actually capable of representing events as they occurred, now, would I? \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. So-called \"Capital of the Coalition\". Rather surprising that they wouldn't have chosen a less anomalous city for that title. \u2014 F.L.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Their systems are far surpassed by those of the city itself, but the Nornir have long since turned their backs to the plight of our people. \u2014 F.L.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Contrary to popular belief, ASE doesn't stand for All-Seeing Eye, but rather, Anderson Surveillance Entity. Originally commissioned by the Bookburners as part of an agreement that guaranteed Anderson Robotics and their partners amnesty for several decades. Of course, that contract expired years ago, but the Bookburners were able to get the Eye working in some capacity once the warranty ran out. \u2014 F.L.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. I find it hilarious that Anderson outfits everything he makes with a self-destruct protocol \u2014 and he actually used it on the Coalition once they terminated their agreement. Make no mistake, he's still an asshole, but hey, at least he's a badass asshole. Badasshole? \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. May they be remembered by those who come after. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. He actually found us. Reasonable, if paranoid, but, hey, I would be too if I'd just defected from the Coalition \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. Smuggling. We're dealing with cartels, for fuck's sake. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. You don't have to like it, you just have to do it. \u2014 L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Not true in the slightest. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. Somewhat true, depending on how you look at it, I guess. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Would've been the third that month. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. Would've been your own fault for making the recruitment process so straightforward. You were posting fliers in <em>Downtown Halfway,</em> for goodness' sake! \u2014 L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. To be fair, we put them up on Market Street first before moving them to Downtown, but, yeah, I do see your point. \u2014 M.X.</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. I keep correcting him, but he seems intent on calling us a gang. We're a <em>cell</em>, not a syndicate. \u2014 M.X.</div>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-true earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"\u2800\">\n\n<p><a href=\"/\">\u2800</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Outfounded Hub\">\n<p><a href=\"/outfounded-hub\">Outfounded Hub</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"Halfway Lost\">\n\n<p><a href=\"/halfway-lost\">Halfway Lost</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-sympathetic-thorn-in-the-side-of-the-bookburners\">A Sympathetic Thorn in the Side of the Bookburners</a>\" by stop1010, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-sympathetic-thorn-in-the-side-of-the-bookburners\">https://scpwiki.com/a-sympathetic-thorn-in-the-side-of-the-bookburners</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<p><strong>Image 1</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> <em>supercomputer.jpg</em><br/>\n<strong>Author:</strong> kosheahan<br/>\n<strong>License:</strong> CC BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/kosheahan/4009826118/in/photolist-77kqdU-77kpB5-4TC8zV-31Wq4L-4J4cuJ-4HZ3fV-GL5a3q-GL58TS-cFgLm7-cFgL1w-cFgKES-jzHZ3D-9tkvN7-nVt6WU-fh2dMQ-5LJbpH-nVgd5r-8Ahkos-23KPVxS-23KPVwQ-EM8Kec-EM8Kkp-4v6ue-FpXMro-QMsaX-FsfeBe-EACZDj-Fym2VL-F95tN7-CiKXa-6MH67-CiKQr-NsW4ML-5CmU4d-76rbUD-CpmDp-Cpmvg-5ynYEJ-QLpSA-Cpmzj-zQ37h-zQ3Q3-zQ3fK-2j3CafH-7gUuw2-zQ3qZ-QMbRz-CpmoE-AXmND-zQ3kQ/\">Flickr</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:dustjacket\">:scp-wiki:theme:dustjacket</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n[[size 150%]] **A Sympathetic Thorn in the Side of the Bookburners** [[/size]][[footnote]]That sounds pretentious as all hell. \u2014 M.X.[[/footnote]][[footnote]]I thought you didn't want anything to do with the documentation? \u2014 F.L.[[/footnote]][[footnote]]Well, I wouldn't have to if you were actually capable of representing events as they occurred, now, would I? \u2014 M.X.[[/footnote]]\n\n\n\n[[>]]\n\n**The Eurtec Resistance**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nThe masses of Eurtec[[footnote]]So-called \"Capital of the Coalition\". Rather surprising that they wouldn't have chosen a less anomalous city for that title. \u2014 F.L.[[/footnote]] have risen up against their oppressors, the Bookburners, who would have them trampled below their lofty towers. Abandoned by their shepherds long ago, it has fallen upon the flock to resist; an incursion into the Bookburners' facilities was inevitable.\n\n\n\nHaving researched extensively the methods and madness of the Bookburners, we sought to break their hold on the city through the destruction of their technological vices and computational terminals. To an extent, we were successful, but heavy casualties, even with the assistance of other unbroken, have proven that even the Library is no match for the cruel hand of the Bookburners.\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Illustration**\n\n[[/=]]\n\n\n\n[[=image supercomputer.jpg width=\"250px\"]]\n\n\n\nA fraction of a fraction of the Bookburners' computational might[[footnote]]Their systems are far surpassed by those of the city itself, but the Nornir have long since turned their backs to the plight of our people. \u2014 F.L.[[/footnote]]. Note the presence of an unidentified thaumaturgic manifold on the left, the origin of which is unknown.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** A computational network through which the Bookburners oversee every corner of the city. Even the contents of a closed book would not be safe from their All-Seeing Eye[[footnote]]Contrary to popular belief, ASE doesn't stand for All-Seeing Eye, but rather, Anderson Surveillance Entity. Originally commissioned by the Bookburners as part of an agreement that guaranteed Anderson Robotics and their partners amnesty for several decades. Of course, that contract expired years ago, but the Bookburners were able to get the Eye working in some capacity once the warranty ran out. \u2014 F.L.[[/footnote]][[footnote]]I find it hilarious that Anderson outfits everything he makes with a self-destruct protocol \u2014 and he actually used it on the Coalition once they terminated their agreement. Make no mistake, he's still an asshole, but hey, at least he's a badass asshole. Badasshole? \u2014 M.X.[[/footnote]], housed in a facility known to the uninitiated as the offices of MAGE Computing. Inside, however, defenses abound, with no shortage of thaumaturgic weaponry.\n\n\n\n**Nature:** The Bookburners' hold on the city primarily derives from their control over the material city \u2014 countless eyes in the darkest corners and a chokehold on our bare essentials, be it food, water, or safety.\n\n\n\n**History & Associated Parties:** Tensions have abounded in Eurtec for nearly half a century. The life of a citizen of the Blood District is one of pain and fear, contrasted greatly by the ever-increasing wealth and power of the Golden District. This strain is further imposed by the hand of the Bookburners, who persecute the anomalous and imprison all who oppose them.\n\n\n\n**Approach:** We spent the greater part of a month researching the Bookburners' strengths and weaknesses, as well as rallying for the support of sympathizers in the Eurtec anomalous community. Even then, were woefully underprepared for the vast arsenal of anomalous weaponry at their supply.\n\n\n\n**Other Detail:** We employed various [*http://www.scpwiki.com/scp-1182 artifacts] and spells to remain undetectable to all guards and security systems when entering the facilities. However, the effects of these anomalies were negated by the All-Seeing Eye, resulting in the intervention of Bookburner strike teams. Acting in self-defense, we were forced to engage in direct combat, leading to numerous casualties [[footnote]]May they be remembered by those who come after. \u2014 M.X.[[/footnote]]\n\n\n\nFortunately, we were ultimately capable of deactivating the All-Seeing Eye, buying us several weeks to organize the resistance into a full-scale uprising.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\nPrior to the raid, we came in contact with an ex-Bookburner operative by the name of Adrian Ross[[footnote]]He actually found us. Reasonable, if paranoid, but, hey, I would be too if I'd just defected from the Coalition \u2014 M.X.[[/footnote]]. He proved to be vital as an informant, as his investigative reconnaissance skills proved crucial in developing plans for engagement.\n\n\n\nRoss follows his own path, investigating the rubedo trade[[footnote]]Smuggling. We're dealing with cartels, for fuck's sake. \u2014 M.X.[[/footnote]][[footnote]]You don't have to like it, you just have to do it. \u2014 L.S.[[/footnote]] of the Blood District. He has come to us for information, and just as easily, we have offered it to him \u2014 in exchange for his cooperation.\n\n\n\nSeveral days after initial contact, Ross offered several classified documents to us as proof he had cut ties with the Bookburners. Of note are the following excerpts from his personal journal.\n\n\u00a0\n\n> **07/19/2023**\n\n>\n\n> Third time's the charm \u2014 here's hoping the guards won't be on watch again. Then again, I heard they'd just finished installing a new thaumaturgical security system. No clue how they were able to get their hands on something like that, but hey, that's the least of my worries right now.\n\n\n\n> **7/22/2023**\n\n>\n\n> Last few days have been rough on me. Worked out that Jaiden was deployed to Eurtec, swept away on some sting operation involving smuggling and revolution. They say that the Serpent's Hand have been acquiring some alchemical substance to build bombs[[footnote]]Not true in the slightest. \u2014 M.X.[[/footnote]] or something.\n\n>\n\n> Looks like I'll be negotiating with terrorists[[footnote]]Somewhat true, depending on how you look at it, I guess. \u2014 M.X.[[/footnote]] now.\n\n\n\n> **7/23/2023**\n\n>\n\n> Considering their fearsome reputation, they've been surprisingly reasonable, deeming my search \"noble\". Of course, they still have their doubts \u2014 they need proof that I'm not yet another Coalition spy[[footnote]]Would've been the third that month. \u2014 M.X.[[/footnote]][[footnote]]Would've been your own fault for making the recruitment process so straightforward. You were posting fliers in //Downtown Halfway,// for goodness' sake! \u2014 L.S.[[/footnote]][[footnote]]To be fair, we put them up on Market Street first before moving them to Downtown, but, yeah, I do see your point. \u2014 M.X.[[/footnote]]. Ended up giving them everything I had on Eurtec at a drop spot, but they only took files about the GOC's computing networks for whatever reason.\n\n>\n\n> Soon enough, they'll get me in touch with the leaders of some Serpent's Hand-sympathizing rubedo gang[[footnote]]I keep correcting him, but he seems intent on calling us a gang. We're a //cell//, not a syndicate. \u2014 M.X.[[/footnote]]. From there, I'll have to work out the rest on my own.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nIt is worth mentioning the presence of thaumaturgical defense systems and weaponry utilized by the Bookburners. It is currently unknown how they acquired such resources, but it would suggest that they have been funded by an anonymous source.\n\n\n\nWho this source is and what their motivations are remain unknown at the moment, but it is apparent that whoever that person or organization is, they have a vested interest in keeping the Coalition in power.\n\n[[/div]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n[[footnoteblock title=\"\"]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=true | last=false | hub=yes\n\n| previous-url=/ | previous-title=\u2800\n\n| next-url=/halfway-lost | next-title= Halfway Lost\n\n| hub-url=/outfounded-hub | hub-title=Outfounded Hub\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> |author= stop1010]]\n\n=====\n\n**Image 1**\n\n> **Filename:** //supercomputer.jpg//\n\n> **Author:** kosheahan\n\n> **License:** CC BY-SA 2.0\n\n> **Source Link:** [[[https://www.flickr.com/photos/kosheahan/4009826118/in/photolist-77kqdU-77kpB5-4TC8zV-31Wq4L-4J4cuJ-4HZ3fV-GL5a3q-GL58TS-cFgLm7-cFgL1w-cFgKES-jzHZ3D-9tkvN7-nVt6WU-fh2dMQ-5LJbpH-nVgd5r-8Ahkos-23KPVxS-23KPVwQ-EM8Kec-EM8Kkp-4v6ue-FpXMro-QMsaX-FsfeBe-EACZDj-Fym2VL-F95tN7-CiKXa-6MH67-CiKQr-NsW4ML-5CmU4d-76rbUD-CpmDp-Cpmvg-5ynYEJ-QLpSA-Cpmzj-zQ37h-zQ3Q3-zQ3fK-2j3CafH-7gUuw2-zQ3qZ-QMbRz-CpmoE-AXmND-zQ3kQ/|Flickr]]]\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_serpents-hand", "canon2020", "global-occult-coalition", "goi-format", "otherworldly", "serpents-hand", "spy-fiction", "unfounded", "wanderers-library"], "title": "A Sympathetic Thorn in the Side of the Bookburners - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-sympathetic-thorn-in-the-side-of-the-bookburners"}, "a-wandsman-in-a-vegas-cathouse": {"created_at": "2022-04-01T06:30:00", "creator": "LORDXVNV", "domain": "scp-wiki.wikidot.com", "history": [{"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-04-01T06:30:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: _wandsmen, adult, doctor-rights, goi-format, redirect, wandsmen. ", "date": "2022-04-01T15:40:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2022-04-01T18:35:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: redirect. ", "date": "2022-08-25T06:53:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "You successfully renamed the page: \"adult:a-wandsman-in-a-vegas-cathouse\" to \"a-wandsman-in-a-vegas-cathouse\".", "date": "2022-08-25T06:53:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-08-25T06:54:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "Added tags: undervegas. ", "date": "2022-10-17T22:42:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _licensebox. ", "date": "2023-01-24T13:04:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2023-01-24T13:04:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _adult. Removed tags: adult. ", "date": "2023-04-06T12:21:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2023-07-26T23:03:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2023-07-26T23:04:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: adventure, comedy, romance, slice-of-life, surrealist-fiction. ", "date": "2024-08-31T06:24:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealism. Removed tags: surrealist-fiction. ", "date": "2024-10-11T19:33:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: demon. ", "date": "2025-05-05T07:48:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:45:00"}], "hubs": ["april-fools-hub", "goi-formats"], "images": [], "link": "a-wandsman-in-a-vegas-cathouse", "page_id": "1402036084", "rating": 59, "raw_content": "<html><body><div id=\"page-content\">\n<ul class=\"modal-wrapper\">\n<li class=\"unfolded\">\n<div id=\"u-adult-warning\">\n<div id=\"u-adult-header\">\n<p>ADULT CONTENT</p>\n</div>\n<div id=\"u-adult-warning-content\">\n<p>This article contains adult content that may not be suitable for all readers.</p>\n<div class=\"content-descriptor\"><span style=\"display: syntax error near `{$sexual-r`\">Sexual References: Features sexual themes or language, without the depiction of sexual acts.</span><br/>\n<span style=\"display: block\">Sexually Explicit: Description of sexual acts.</span><br/>\n<span style=\"display: syntax error near `{$sexual-a`\">Sexual Assault: Features non-consensual sexual acts.</span><br/>\n<span style=\"display: syntax error near `{$gore} ==`\">Gore: Depiction of blood, gore or mutilation of body parts.</span><br/>\n<span style=\"display: syntax error near `{$child-ab`\">Child Abuse: Features severe mistreatment of children.</span><br/>\n<span style=\"display: syntax error near `{$self-har`\">Self-Harm: Description of self-harm.</span><br/>\n<span style=\"display: syntax error near `{$suicide}`\">Suicide: Description of suicide.</span><br/>\n<span style=\"display: syntax error near `{$torture}`\">Torture: Description of torture.</span><br/>\n<span style=\"display: syntax error near `{$custom} `\">{$custom-content}</span></div>\n<p>If you are age 18 or above and wish to read such content, then you may click Continue to view said content.</p>\n<div class=\"foldable-list-container choice\"><a href=\"javascript:;\">Continue</a></div>\n<div class=\"choice\"><a href=\"/\">Back to Front Page</a></div>\n\n</div>\n</div>\n<br/></li>\n</ul>\n\n\n<br/>\n<strong>Preface:</strong>\n<p>I write to you, dear reader, from a glamorous and sinful hotel room in Las Vegas. I have suffered through a sordid cocktail of soot and ash, endured the slow decay of the \"American nation\", and suffered through Spirit Airlines, to bring you this sordid tale of a wondrous place.</p>\n<p>I do not pour my ruddy humor into my words like some of my colleagues, but I have <em>spent</em> myself all the same to bring you this recollection.</p>\n<p><strong>A Wandsman in a Vegas Cathouse</strong></p>\n<p>In a certain city, on a certain street, down a certain alleyway, you will find yourself <a href=\"/scp-5690\">a house of pleasure staffed by the most delectable of hosts.</a> I found myself at this mansion of lurid delicacies on a slow Monday morn. I simply knocked twice, and the door bade me enter.</p>\n<p>Upon seeing me, the madame \u2014 who gave me no name but \"the Semen Demon\" \u2014 was hesitant to allow my entry until I swore I would direct visitors from all corners of the multiverse. In my eternal wisdom I hesitated \u2014 for I doubted, at first, that those with frames as delicate as hers could possibly withstand the staunch and writhing constitutions of my most dedicated readers.</p>\n<p>She laughed at me with a raspy chuckle that crackled like hellfire. She said that I could see for myself, soon enough.</p>\n<p>So worry not. Should you believe yourself unworthy of love, carnal pleasures, the company of the opposite sex, or simply a good fuck because of the horrors of your flesh prison, fear not. The lovely demon ladies and gentlemen of this Undervegas brothel don't give a shit about your physical form.</p>\n<p>They may be called demons, but that's simply slander. Demons are hardly worthy of the harsh reputation they bear.</p>\n<p>These artisans of flesh and sensation are hardly cruel but gentle.</p>\n<p>Powerful.</p>\n<p>Sensual.</p>\n<p>You may wonder about trifling minutiae like payment. How you might convert the Silversin Sand dollars of Crescent Ardoria or the Blackmist Bloom Scentcent of Ulmatagor into payment worthy of this wonderful establishment. I inquired with another paying customer, waiting her turn, on the matter.</p>\n<p>This paying customer was a member of the SCP Foundation who wished to remain unidentified, Doctor Agatha Rights. The SCP Foundation, dear reader, is one of those dreary normalcy preservation organizations that populate this branch of the local multiverse. Recently there's been an uptick in transparency and integration, but frankly I would caution against trusting any such rumors.</p>\n<p>I spoke to this anonymous Doctor Agatha Rights as we waited for our hosts to ready themselves.</p>\n<p>She was human, all too human, with fragile bones and a head of thick hair. Her skin shone, mammalian, in the magenta love-light of this House of Pleasure. As we spoke, she would periodically take long drafts from an electronic cigarette, exhaling wispy puffs of cotton candy smoke into the air.</p>\n<p>I wondered why she bothered with a place like this. It has been many centuries since I bore a humanoid form myself, yet as you all well know, the ardor of my loins has not abated. Yet this anonymous Doctor Rights was in the prime of her mortality, and hardly, it seemed, the type to face difficulty in pursuit of worldly pleasure. Perhaps she was here on a sting operation, some foul subterfuge or infiltration, to turn this lair of love to one of larceny.</p>\n<p>She laughed in my face. The anonymous Rights told me that she was coming here on her own time, off the clock.</p>\n<p>(In my frank opinion, if your employer does not pay you for establishing such carnal relations, then they are hardly an employer worth working for. Your generous contributions to this paper funded these very words you read.)</p>\n<p>Agatha, who wished not to be named, told me that she proudly considered herself a frequent purveyor of the semen demon's wares. I asked her what payment she might provide these lovely demons.</p>\n<p>Why, she beamed at me like a U-Mouthed Gluck Gluck Owl. The very act of giving her self to these entertainers, her attention, her body and her mind and her lust, was payment enough. On some of her visits, she would take her hostesses out on the town afterwards, charging her company card as a 'containment expense'. They would meet at dusk, journ through the nine circles of the Vegas strip in the night, and retire in the morn to the very house we sat in waiting.</p>\n<p>She was intimately familiar with them, and they with her, that they spoke the secret language of friends and lovers despite the pecuniary nature of their transaction. She had gifted t-shirts labeled \"I got screwed by the SCP Foundation and all I got was this lousy shirt\", and her most beloved entertainers wore them whenever she visited.</p>\n<p>I asked her how often she visited.</p>\n<p>She demurred, a laugh smothered in her throat. Then three fine ladies of the night, each wearing her gifted t-shirts, carried her away.</p>\n<p>And soon I would be in my own journey into the Backrooms of this sublime space atop the tip of Hell.</p>\n<p>Ever since my cruel transformation into my Wandsman form, I have found myself unsatisfied by the forms of my comrades. I have found something wanting in the act of flirtation. And the fine young demon lass, scarcely a millennium old, had an eye keen enough to spy my restless desolation.</p>\n<p>And yet as she beckoned me forth, a forked tongue dashing between pointed teeth, I could tell she was all too ready to provide.</p>\n<p>Perhaps I should take an aside, dear reader.</p>\n<p>I have found myself, with my enhanced Wandsman constitution, unchallenged. Physically unmatched. Simply unable to feel fear or threat no matter what fights I have sought. I have felt little adrenaline through my wings and my veins, only the sure knowledge of mundane satisfaction.</p>\n<p>This has proven an issue in my personal life. In the quenching of the thirst of my desire. I have been unchallenged and unchallengeable. I am untamable, yet I have long wished to be tamed. I am a beast of the air, yet I wish to be a common farmfowl.</p>\n<p>And in Vegas, I found my taming.</p>\n<p>These lovely ladies \u2013 for most of them present alike to the human female \u2013 adhere instead to the submit-dominate sexual axis.</p>\n<p>And I assure you, they are <em>dominant.</em></p>\n<p>They care not for your form nor your fetishes. They will chain you down all the same.</p>\n<p>She was red, the color of cherrywood set alight. Her hair curled about her, and in the flickering light I could see her twelve-dimensional silhouette, spiraling ever upwards the dimensional chain with sin and hunger. And in her eyes I could see her seeing me as I saw her, probing me for weakness, and finding, to my sorrow, none.</p>\n<p>I disrobed.</p>\n<p>When she saw my corkscrew spiral, she undulated. Her form dilated upon the probability waves, circles of nine and nine within circles of nine. I approached her, member twisting in the perfumed air, quivering with nervous anticipation, for my Wandsman build and anatine instincts built in me a fervor and a fortitude that I feared none could overcome.</p>\n<p>She percolated around me, her meretriculous folds enveloping my anatine form from all directions, infiltrating my feathers to stroke me where in places I could not imagine. I reached for her, stretched with all my strength, sought the slightest certainty, yet found none. She held me in her clutches, a duckling in a hawk's beak.</p>\n<p>I shook against her, aqueous ichor pouring from my talons, <em>aqua magica</em> pouring from my spirit like water from a broken dam. She drank in my resistance, absorbed the mutual pleasure of my struggle. My defeat. And closer still her spirit crept, a crushing blanket upon my soul. Upon my form. Smothering.</p>\n<p>I drew breath. And breathed in <em>her</em>.</p>\n<p>And she suffused me, and I collapsed.</p>\n<p>Beyond that, dear reader, a pleasure beyond imagination.</p>\n<p>I woke later from my daze, and she gave my beak a gentle kiss before she departed.</p>\n<p>I left that room a broken man. Broken and bruised and all too enthused.</p>\n<p>Overall, not the best joint in the multiverse, but a fair deal for the payment.</p>\n<p>9/10.</p>\n<p><strong><em>Jousan the Lecher, Third Wandsman of Karna-Foq, Roamer of Relativistic Roosts, Purveyor of Perfidious Felines, Assessor of Astral Donkeys</em></strong></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-wandsman-in-a-vegas-cathouse\">A Wandsman in a Vegas Cathouse</a>\" by LORDXVNV, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-wandsman-in-a-vegas-cathouse\">https://scpwiki.com/a-wandsman-in-a-vegas-cathouse</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/component:adult-content-warning\">:scp-wiki:component:adult-content-warning</a>\n\n|sexually-explicit=1\n\n]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:highroller\">:scp-wiki:theme:highroller</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n**Preface:**\n\n\n\nI write to you, dear reader, from a glamorous and sinful hotel room in Las Vegas. I have suffered through a sordid cocktail of soot and ash, endured the slow decay of the \"American nation\", and suffered through Spirit Airlines, to bring you this sordid tale of a wondrous place.\n\n\n\nI do not pour my ruddy humor into my words like some of my colleagues, but I have //spent// myself all the same to bring you this recollection.\n\n\n\n**A Wandsman in a Vegas Cathouse**\n\n\n\nIn a certain city, on a certain street, down a certain alleyway, you will find yourself [[[SCP-5690|a house of pleasure staffed by the most delectable of hosts.]]] I found myself at this mansion of lurid delicacies on a slow Monday morn. I simply knocked twice, and the door bade me enter.\n\n\n\nUpon seeing me, the madame -- who gave me no name but \"the Semen Demon\" -- was hesitant to allow my entry until I swore I would direct visitors from all corners of the multiverse. In my eternal wisdom I hesitated -- for I doubted, at first, that those with frames as delicate as hers could possibly withstand the staunch and writhing constitutions of my most dedicated readers.\n\n\n\nShe laughed at me with a raspy chuckle that crackled like hellfire. She said that I could see for myself, soon enough.\n\n\n\nSo worry not. Should you believe yourself unworthy of love, carnal pleasures, the company of the opposite sex, or simply a good fuck because of the horrors of your flesh prison, fear not. The lovely demon ladies and gentlemen of this Undervegas brothel don't give a shit about your physical form.\n\n\n\nThey may be called demons, but that's simply slander. Demons are hardly worthy of the harsh reputation they bear. \n\n\n\nThese artisans of flesh and sensation are hardly cruel but gentle. \n\n\n\nPowerful.\n\n\n\nSensual.\n\n\n\nYou may wonder about trifling minutiae like payment. How you might convert the Silversin Sand dollars of Crescent Ardoria or the Blackmist Bloom Scentcent of Ulmatagor into payment worthy of this wonderful establishment. I inquired with another paying customer, waiting her turn, on the matter. \n\n\n\nThis paying customer was a member of the SCP Foundation who wished to remain unidentified, Doctor Agatha Rights. The SCP Foundation, dear reader, is one of those dreary normalcy preservation organizations that populate this branch of the local multiverse. Recently there's been an uptick in transparency and integration, but frankly I would caution against trusting any such rumors.\n\n\n\nI spoke to this anonymous Doctor Agatha Rights as we waited for our hosts to ready themselves. \n\n\n\nShe was human, all too human, with fragile bones and a head of thick hair. Her skin shone, mammalian, in the magenta love-light of this House of Pleasure. As we spoke, she would periodically take long drafts from an electronic cigarette, exhaling wispy puffs of cotton candy smoke into the air. \n\n\n\nI wondered why she bothered with a place like this. It has been many centuries since I bore a humanoid form myself, yet as you all well know, the ardor of my loins has not abated. Yet this anonymous Doctor Rights was in the prime of her mortality, and hardly, it seemed, the type to face difficulty in pursuit of worldly pleasure. Perhaps she was here on a sting operation, some foul subterfuge or infiltration, to turn this lair of love to one of larceny.\n\n\n\nShe laughed in my face. The anonymous Rights told me that she was coming here on her own time, off the clock. \n\n\n\n(In my frank opinion, if your employer does not pay you for establishing such carnal relations, then they are hardly an employer worth working for. Your generous contributions to this paper funded these very words you read.)\n\n\n\nAgatha, who wished not to be named, told me that she proudly considered herself a frequent purveyor of the semen demon's wares. I asked her what payment she might provide these lovely demons.\n\n\n\nWhy, she beamed at me like a U-Mouthed Gluck Gluck Owl. The very act of giving her self to these entertainers, her attention, her body and her mind and her lust, was payment enough. On some of her visits, she would take her hostesses out on the town afterwards, charging her company card as a 'containment expense'. They would meet at dusk, journ through the nine circles of the Vegas strip in the night, and retire in the morn to the very house we sat in waiting.\n\n\n\nShe was intimately familiar with them, and they with her, that they spoke the secret language of friends and lovers despite the pecuniary nature of their transaction. She had gifted t-shirts labeled \"I got screwed by the SCP Foundation and all I got was this lousy shirt\", and her most beloved entertainers wore them whenever she visited.\n\n\n\nI asked her how often she visited.\n\n\n\nShe demurred, a laugh smothered in her throat. Then three fine ladies of the night, each wearing her gifted t-shirts, carried her away. \n\n\n\nAnd soon I would be in my own journey into the Backrooms of this sublime space atop the tip of Hell.\n\n\n\nEver since my cruel transformation into my Wandsman form, I have found myself unsatisfied by the forms of my comrades. I have found something wanting in the act of flirtation. And the fine young demon lass, scarcely a millennium old, had an eye keen enough to spy my restless desolation. \n\n\n\nAnd yet as she beckoned me forth, a forked tongue dashing between pointed teeth, I could tell she was all too ready to provide.\n\n\n\nPerhaps I should take an aside, dear reader. \n\n\n\nI have found myself, with my enhanced Wandsman constitution, unchallenged. Physically unmatched. Simply unable to feel fear or threat no matter what fights I have sought. I have felt little adrenaline through my wings and my veins, only the sure knowledge of mundane satisfaction.\n\n\n\nThis has proven an issue in my personal life. In the quenching of the thirst of my desire. I have been unchallenged and unchallengeable. I am untamable, yet I have long wished to be tamed. I am a beast of the air, yet I wish to be a common farmfowl. \n\n\n\nAnd in Vegas, I found my taming. \n\n\n\nThese lovely ladies \u2013 for most of them present alike to the human female \u2013 adhere instead to the submit-dominate sexual axis. \n\n\n\nAnd I assure you, they are //dominant.// \n\n\n\nThey care not for your form nor your fetishes. They will chain you down all the same.\n\n\n\nShe was red, the color of cherrywood set alight. Her hair curled about her, and in the flickering light I could see her twelve-dimensional silhouette, spiraling ever upwards the dimensional chain with sin and hunger. And in her eyes I could see her seeing me as I saw her, probing me for weakness, and finding, to my sorrow, none.\n\n\n\nI disrobed.\n\n\n\nWhen she saw my corkscrew spiral, she undulated. Her form dilated upon the probability waves, circles of nine and nine within circles of nine. I approached her, member twisting in the perfumed air, quivering with nervous anticipation, for my Wandsman build and anatine instincts built in me a fervor and a fortitude that I feared none could overcome. \n\n\n\nShe percolated around me, her meretriculous folds enveloping my anatine form from all directions, infiltrating my feathers to stroke me where in places I could not imagine. I reached for her, stretched with all my strength, sought the slightest certainty, yet found none. She held me in her clutches, a duckling in a hawk's beak.\n\n\n\nI shook against her, aqueous ichor pouring from my talons, //aqua magica// pouring from my spirit like water from a broken dam. She drank in my resistance, absorbed the mutual pleasure of my struggle. My defeat. And closer still her spirit crept, a crushing blanket upon my soul. Upon my form. Smothering. \n\n\n\nI drew breath. And breathed in //her//. \n\n\n\nAnd she suffused me, and I collapsed.\n\n\n\nBeyond that, dear reader, a pleasure beyond imagination.\n\n\n\nI woke later from my daze, and she gave my beak a gentle kiss before she departed.\n\n\n\nI left that room a broken man. Broken and bruised and all too enthused. \n\n\n\nOverall, not the best joint in the multiverse, but a fair deal for the payment. \n\n\n\n9/10.\n\n\n\n**//Jousan the Lecher, Third Wandsman of Karna-Foq, Roamer of Relativistic Roosts, Purveyor of Perfidious Felines, Assessor of Astral Donkeys//**\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_adult", "_licensebox", "_wandsmen", "adventure", "comedy", "demon", "doctor-rights", "goi-format", "journalism", "romance", "slice-of-life", "surrealism", "undervegas", "wandsmen"], "title": "A Wandsman in a Vegas Cathouse - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-wandsman-in-a-vegas-cathouse"}, "a-wandsman-in-the-greaze-lands-of-kansas": {"created_at": "2023-03-27T12:58:00", "creator": "LORDXVNV", "domain": "scp-wiki.wikidot.com", "history": [{"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "", "date": "2023-03-27T12:58:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Uploaded file \"mettron_greaze.jpg\".", "date": "2023-03-27T13:00:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Uploaded file \"kansas.jpg\".", "date": "2023-03-27T13:01:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Uploaded file \"jonsmith.jfif\".", "date": "2023-03-27T13:01:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Uploaded file \"Corvus_coronoides.jpg\".", "date": "2023-03-27T13:01:00"}, {"author": "winkwonkboi", "author_href": "https://www.wikidot.com/user:info/winkwonkboi", "comment": "Added tags: art-exchange. ", "date": "2023-03-28T00:10:00"}, {"author": "winkwonkboi", "author_href": "https://www.wikidot.com/user:info/winkwonkboi", "comment": "Added tags: _image, _licensebox, greazeburger, tale, valravn, wandsmen. ", "date": "2023-03-28T00:10:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2023-03-28T00:24:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: _wandsmen, goi-format. Removed tags: tale. ", "date": "2023-04-01T20:44:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: black-comedy, bleak, comedy, cosmic-horror, horror, military-fiction. ", "date": "2024-08-31T06:17:00"}, {"author": "LORDXVNV", "author_href": "https://www.wikidot.com/user:info/lordxvnv", "comment": "Added tags: adventure. 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", "date": "2025-10-11T06:45:00"}], "hubs": ["art-exchange-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/Corvus_coronoides.jpg", "https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/mettron_greaze.jpg", "https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/kansas.jpg", "https://scp-wiki.wdfiles.com/local--resized-images/a-wandsman-in-the-greaze-lands-of-kansas/jonsmith.jfif/medium.jpg", "https://scp-wiki.wdfiles.com/local--files/burger/burger.png"], "link": "a-wandsman-in-the-greaze-lands-of-kansas", "page_id": "1447004959", "rating": 51, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"display: none;\">\n<p>[[iftags +component]]</p>\n<div style=\"border: solid 2px #ededed; padding: 0.5rem; margin: 4px;\">\n<p>This is a component to make the mobile sidebar button active on desktop-size screen.<br/>\nTo use, put the following:</p>\n<blockquote>\n<p><span style=\"white-space: pre-wrap;\">[[include :scp-wiki:component:toggle-sidebar]]</span></p>\n</blockquote>\n<p>If used with a theme, it's recommended to put said theme after this <tt>[[include]]</tt>.</p>\n<p><em>(Use <a href=\"/component:toggle-sidebar-bhl\">this version</a> by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/woedenaz\" onclick=\"WIKIDOT.page.listeners.userInfo(1404096); return false;\"><img alt=\"Woedenaz\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1404096&amp;amp;size=small&amp;amp;timestamp=1788006499\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1404096)\"/></a><a href=\"http://www.wikidot.com/user:info/woedenaz\" onclick=\"WIKIDOT.page.listeners.userInfo(1404096); return false;\">Woedenaz</a></span> if you're using Black Highlighter)</em></p>\n</div>\n<hr/>\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-code\">/</span><span 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class=\"hl-number\">17</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">visibility:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">visible</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\">:</span><span class=\"hl-identifier\">not</span><span class=\"hl-code\">(:</span><span class=\"hl-identifier\">target</span><span class=\"hl-code\">) </span><span class=\"hl-identifier\">.close-menu</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">a:</span><span class=\"hl-code\">hover {\n        text-decoration: </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n}</span></pre></div>\n</div>\n<br/>\n[[/iftags]]\n\n</div>\n\n<p>Breaking news! I bring to you ill-tidings from the Greaze Lands of Kansas. The interdimensional conglomerate Greazeburger Incorporated has taken over a small Midwestern town and turned it into GreazeLanding One, a forward base for their capitalistic invasion of Earth. They have done so with the help of the Paranormal Military Contractor Valravn. The Eighth Wandsman of Aesgar reporting from the scene.</p>\n<div class=\"scp-image-block block-left\" style=\"width:300px;\"><img alt=\"Corvus_coronoides.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/Corvus_coronoides.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Your reporter, Corvus the Pedant</p>\n</div>\n</div>\n<p>At the crack of dawn on June 3rd, 2022, the small Midwestern town of GreazeLanding One, original name now lost, found itself under a glistening dome colored the shade of hamburger bun, with sesame seeds stars glittering upon its top. The Emergency Services of the town mobilized: the cops and the firemen and the local doctor all gathered up at the side of the dome, and the plumber and the carpenter came by too to see if they could break through it.</p>\n<p>They had no luck.</p>\n<p>Then came the Valravn Valkyries. Shining monstrosities of feminine flesh and interlocking steel, swift and merciless. In less than a minute, all five cops collapsed to the ground, blood spurting from their torsos. The firemen broke out their hoses and tried to spray down the Valkyries, but the fearsome floozies surged through the hydraulic stream and struck the waterbearers in their hearts.</p>\n<p>The plumber, the carpenter, and the local doctor tried to flee, but there was no mercy: the doctor was struck down from behind, his head cleft in twain, and the plumber and the carpenter shall never walk again.</p>\n<p>Five minutes later, the Valkyries stormed the mayor's house. And they brought her, her husband and their children out to the main street. At gunpoint they forced the entirety of the town to watch as they paraded the captured leaders before them.</p>\n<p>Then he showed up in a burst of oily light: Mettron Greaze, The Voice of Greaze. He laid out a litany of trumped up charges, all of them nonsensical \u2014 crimes against fast food, betrayal for the consumption of McDonald's, and many others that made no sense in this world or any others.</p>\n<p>By lunch time, the mayoral family had been drowned to death in deep and thick vats of Greaze, and the town became a GreazeBurger town. Even now it remains under occupation, as the Valkyries and Valravn build a vast gate to the heavens, shaped like a hamburger drive-thru, under the watchful eyes of Mettron Greaze. I wondered, dear reader, what their intentions were, and so I pursued them, for the Right and the True.</p>\n<hr/>\n<p>I was lucky enough to score an interview with Mettron Greaze, the voice of Greaze.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"mettron_greaze.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/mettron_greaze.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Mettron Greaze</p>\n</div>\n</div>\n<p>\u201cWhat are you thinking? Why on earth would you do such a thing?\u201d I asked objectively.</p>\n<p>\u201cI am the voice of the most holy and most imperial Greaze,\u201d it replied in a relatively soft-spoken Brooklyn accent. \u201cI come to liberate this world and free it for the holy and most ordained Greaze and turn it from the Cult of the Sackler Opium Poppy to that of the GreazeBurger.\u201d</p>\n<p>\u201cOkay,\u201d I said, with the goal of only journalistic investigation, \u201cBut it doesn't really look like the people wanted any of this. What exactly gives you the right to come in swoop in?\u201d</p>\n<p>Mettron Greaze looked at me through 360 pairs of eyes. \u201cIt is the cost of doing business.\u201d it said. \u201cHostile takeover in the name and the most holy and most ordained GreazeBurger. The product must move.\u201d</p>\n<p>\u201cYou\u2019re hurting these people,\u201d I protested.</p>\n<p>\u201cSo did the Sacklers,\u201d it said with a smile. \u201cBut my Greaze, well, it\u2019s all natural. None of this oxycodone or fentanyl or heroin garbage. Just pure unadulterated Greaze.\u201d</p>\n<p>It then flew away to smite a cow. We would continue our interview at a later time.</p>\n<hr/>\n<p>I was also able to speak with a Valravn Valkyrie, catching her on one of her routine Terror Patrols through GreazeLanding One. She was evasive at first, saying that she was nowhere near as eloquent a bard as a Valravn War skald. I flattered her, telling her that I was interested in her true thoughts, not in the corporate line.</p>\n<p>\u201cSo this GreazeBurger,\u201d I said. \u201cAre you happy working with them?\u201d</p>\n<p>She shrugged and rolled her eyes as she casually brandished her gun at a cowering family. I couldn't place her accent. At one second it seemed like it could be Eastern European. Another, Nordic. Yet another, vaguely Asian. It was as if she was trying to study me as I studied her, and her entire face was a pockmarked mosaic of welded metal, so I couldn't tell where her origins were.</p>\n<p>\u201cMoney is money,\u201d she said after a while, before putting her gun back in her shoulder. The family made a break for it. \u201cGreazeBurger pays well even if half their money is encrusted in oil, the other 30% is illegible or covered with presidents who never were, and only the remaining 20% is actually legal tender. Who cares? They promise us a trillion dollars per contract. 20% of that is still a whole lot more than we get from our other clients. What's the cost of one podunk American town next to all of that?\u201d</p>\n<div class=\"scp-image-block block-center\" style=\"width:100%;\"><img alt=\"kansas.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/kansas.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Kansas.</p>\n</div>\n</div>\n<p>The cowering family had almost made it about twenty paces or so when the titter-tat of rapid-fire gunshots rang out. All twelve of the family members collapsed to the ground, writhing as two Valkyries stepped from ambush, giggling to each other as they emptied the contents of their Valravn Gatling Arm Cannons. I winced as I saw thaumaturgic flashes of valknut-shaped light with every shot.</p>\n<p>\u201cIt\u2019s a risk, though,\u201d I said. \u201cValravn, as I understand it, does its\u2026 scavenging in the more overlooked corners of the world. Here, in America \u2014 you\u2019ve got to deal with bigger threats. The Americans have what, three magical departments alone?\u201d</p>\n<p>She snorted. \u201cIt\u2019s a podunk town for a reason. America forsook this place long ago. Maybe they will try to bring down the Greazedome, but by then we will have been paid and have gotten all that we need from here.\u201d</p>\n<p>When the family writhed no more, the two other Valkyries embraced each other and shouted out a cruel and harsh prayer to Odin.</p>\n<p>We watched this together.</p>\n<p>\u201cDoesn\u2019t it bother you?\u201d I asked. \u201cFor god\u2019s sake, that\u2026 that child was six.\u201d</p>\n<p>\u201cSo was my sister,\u201d she spat. \u201cDidn\u2019t stop the Americans.\u201d</p>\n<p>\u201cThese people are civilians. They didn\u2019t have anything to do with\u2026 I\u2019m sorry about what happened in your past, but they had nothing to do with it!\u201d</p>\n<p>\u201cAnd my family had nothing to do with the Americans and their wars, yet they came anyways.\u201d</p>\n<p>She drew her gun and emptied it into the corpses, emphatically, one bullet at a time.</p>\n<p>\u201cLet them rot in this monument to their excesses.\u201d</p>\n<p>\u201cSo that\u2019s it? That\u2019s why you\u2019re okay with this? Ever worsening cycles of revenge? What a way to waste a life!\u201d</p>\n<p>She laughed at me.</p>\n<p>\u201cYou're a fucking Wandsman,\u201d she said. \u201cYou people think that being journalists makes sense in the Wanderer\u2019s Library. Do you sleep thinking any of us care?\u201d</p>\n<p>It was rather mean of her to say that. The Wandsman are fully aware that we\u2019ve chosen this task of preserving and storing knowledge as a bulwark. Yes, we have increasing amounts of pressure from the higher ups that we can augment and eventually replace the Wanderer\u2019s Library, which is, in my opinion, very bold since none of us have explored all that far.</p>\n<p>But the fact of the matter is I firmly believe that our individual personal accounts provide immeasurable worth in the hallowed annals of the Library. We put boots on the ground and we figure out what the people there are thinking. We have a similar job as the Planasthai and nobody thinks they\u2019re jokes. The Planasthai are taken seriously because their editors don't put manacles on their authors, and I for one think that I will not be silenced. Censorship is not okay. I fully expect my Editor to remove this passage and that for you to never read it. No one can say Corvus the Pedant, Eighth Wandsman of Aesgar, does not try.</p>\n<blockquote>\n<p>Editor's note: The Wandsmen Gazette is not in the business of censorship. Censorship is not okay, ever, under any circumstances. Corvus, like many of our reports, embraces the flair of the dramatic for entertainment purposes.</p>\n</blockquote>\n<hr/>\n<p>I spoke at length, additionally, to one of the people who lived in this town, currently being overtaken by this Unholy Alliance of Valravn under the command of Mettron Greaze. My conversation went something like such.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/a-wandsman-in-the-greaze-lands-of-kansas/jonsmith.jfif\"><img alt=\"jonsmith.jfif\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/a-wandsman-in-the-greaze-lands-of-kansas/jonsmith.jfif/medium.jpg\"/></a>\n<div class=\"scp-image-caption\">\n<p>\"John Smith\", Cooperative Citizen.</p>\n</div>\n</div>\n<p>\u201cOh God, who are you? Are you that \u2018Val Raven\u2019 that executed the mayor in cold blood in public?\u201d</p>\n<p>\u201cActually,\u201d I said, \u201cI'm a jackdaw.\u201d</p>\n<p>\u201cYou look like a crow to me,\u201d said the understanding member of the public. I remember his name completely and totally, but in the interest of protecting his anonymity I'll call him John Smith and refer to him with he/him pronouns. \u201cCrow, jackdaw, as far as I'm concerned a crow is a jackdaw.\u201d</p>\n<p>\u201cHere's the thing,\u201d I said, \u201cyou said that a crow is a jackdaw.\u201d</p>\n<p>He cut me off, an astounding lack of respect towards my identity.</p>\n<p>\u201cShut up bird brain,\u201d he said, \u201cI don't care. What the fuck are you why do you exist, and why did you kill the mayor?\u201d</p>\n<p>The average citizen, I regret to inform you, is often uninformed, remains that way and is happy to do so. I decided perhaps it would be more productive to try and conduct some market research.</p>\n<p>\u201cWhat is your opinion on Greazeburger products?\u201d I asked.</p>\n<p>\u201cWhat the fuck? Is this some kind of sick joke?\u201d said John Smith. \u201cIs that some sort of knock-off McDonald's? Or some sort of Burger King?\u201d</p>\n<p>\u201cWell no,\u201d I said. \u201cWeren't you paying attention? Valravn killed your mayor and took over your town on the behest of Greazeburger Interdimensional, an interdimensional corporation that focuses on selling hamburgers and hamburger adjacent products.\u201d</p>\n<p>He squinted at me. \u201cAre you a furry? Is that your fur-suit? Is there a hidden camera somewhere?\u201d</p>\n<p>\u201cNo, sir,\u201d I said. \u201cThis is all very very real, this is the life you live in right now.\u201d</p>\n<p>\u201cOkay but you're really expect me to believe all of this bullshit: that not only is there an interdimensional Burger Corporation that's ripping off the voice of god, but that there's also this band of Norse themed mercenaries who have super laser guns and magic weapons, and also you're telling me that Joe Biden didn't deploy any of them in his foreign wars, but rather that somehow a Burger Corporation can afford to sic them on a small town? Etcetera etcetera\u2026 etcetera etcetera blah blah blah. I mean for God's sake, why us?\u201d</p>\n<p>He wasn\u2019t very coherent after that. I think he was rather upset at what he thought were the cruel whims of fate. Yet to my eyes it seemed just as likely that the flocks of the American Empire were coming home to roost.</p>\n<hr/>\n<p>And so I sought another audience with Mettron Greaze.</p>\n<p>\"This is but the first vanguard into many thousands of worlds,\" said Mettron Greaze. \"I speak for the Almighty Dollar. I speak for the Alpha of the stock market, the Omega of Optimal Methods and Engagements of Greaze Acquisition. This world is a GreazeBurger world. It shall be so. We shall coat your skies with deep fryer smoke, and your rivers will run red with Greaze Juice. Every potato shall be frenched and then fried. The false Burger King and Ronald his Jester shall be drawn and quartered, their reigns ended, and The Jezebel Wendy shall be thrown into shame. This world is a GreazeBurger world. It is the first, but it will not be the last.\"</p>\n<p>\u201cDon\u2019t you feel a single lick of shame?\u201d I asked. \u201cI mean, here you are, just shamelessly ripping off Judaism to justify the conquest of infinite worlds. It was messed up when the Romans did it, and it\u2019s messed up now. Hell, calling yourself Mettron when most of your infinite selves go by Anglo names? Really? One syllable off of Metatron? This is real problematic, Metty. Real problematic.\u201d</p>\n<p>\u201cI got no idea what you\u2019re talking about, bird brain,\u201d said Mettron Greaze. \u201cCan you even read the Hebrew letters in the Wandsman logo?\u201d</p>\n<p>I report his accusation for the purposes of transparency, but rest assured, dear reader, that it is one so absurd you need not even consider it.</p>\n<hr/>\n<p>I have consulted the Wandsman Archives. I have delved into the annals of The Wanderers Library. I have even scoured pilfered documents from Foundations across the multiverse, and never before have I heard the term GreazeBurger World. We may be viewing the 1st of a multiversal parasite, a cross-universal contagion that shall spread and spread like a burning fire. That will end everything we know about the Multiverse As We Know it. I recommend upgrading any GreazeBurger World into a Black-level threat, and deploying our Legions wherever we might to eradicate them from all being.</p>\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><img alt=\"burger.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/burger/burger.png\"/>\n<div class=\"scp-image-caption\">\n<p>placeholder burger image</p>\n</div>\n</div>\n<p>I'd like to close with a review of Greazeburger products. I bought a GreazeBurger, some GreazeFries, and a GreazeSundae. They are too oily. For a week after eating them all I was bedridden; the week after that I sat atop a porcelain throne, spilling my bowels. 0/10 would not recommend.</p>\n<p><em>Corvus the Pedant, Eighth Wandsman of Aesgar, Waylayer of the Wiseless, Gourmand of the Grave, Infiltrator of the Inane.</em></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-wandsman-in-the-greaze-lands-of-kansas\">A Wandsman In The Greaze Lands Of Kansas</a>\" by LORDXVNV, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-wandsman-in-the-greaze-lands-of-kansas\">https://scpwiki.com/a-wandsman-in-the-greaze-lands-of-kansas</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> mettron_greaze<br/>\n<strong>Name:</strong> Mettron Greaze<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/lordxvnv\" onclick=\"WIKIDOT.page.listeners.userInfo(1813809); return false;\"><img alt=\"LORDXVNV\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1813809&amp;amp;size=small&amp;amp;timestamp=1788006499\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1813809)\"/></a><a href=\"http://www.wikidot.com/user:info/lordxvnv\" onclick=\"WIKIDOT.page.listeners.userInfo(1813809); return false;\">LORDXVNV</a></span><br/>\n<strong>License:</strong> CC BY SA 3.0<br/>\n<strong>Source Link:</strong> [ ]</p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong><br/>\n<strong>Name:</strong> Volkan Satar.png<br/>\n<strong>Author:</strong> Volkan Satar<br/>\n<strong>License:</strong> CC BY SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Volkan_satar.png\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> kansas.jpg<br/>\n<strong>Name:</strong> File:Conoco gas station, Main Street, Arlington, Kansas LOC 37814119641.jpg<br/>\n<strong>Author:</strong> John Margolies<br/>\n<strong>License:</strong> No Known Copyright Restrictions<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Conoco_gas_station,_Main_Street,_Arlington,_Kansas_LOC_37814119641.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> corvus_coronoides.jpg<br/>\n<strong>Name:</strong> Corvus Coronoides.jpg<br/>\n<strong>Author:</strong> <a href=\"https://www.jjharrison.com.au/\">JJ Harrison</a><br/>\n<strong>License:</strong> CC BY SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://en.wikipedia.org/wiki/File:Corvus_coronoides.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> burger.png<br/>\n<strong>Name:</strong> Burger Dot Png<br/>\n<strong>Author:</strong> U.N. Owen<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/local--files/burger/burger.png\">https://scp-wiki.wikidot.com/local--files/burger/burger.png</a></p>\n</blockquote>\n<hr/>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:simple-yonder\">:scp-wiki:theme:simple-yonder</a> xmode=a]]\n\n[[module CSS]]\n\ndiv#header {\n\n\u00a0\u00a0\u00a0\u00a0background-image: url(\"https://scp-wiki.wdfiles.com/local--files/wandsmen-hub/wandsmen.png\");\n\n\u00a0\u00a0\u00a0\u00a0background-size: 6rem;\n\n}\n\n\n\n[[/module]]\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\nBreaking news! I bring to you ill-tidings from the Greaze Lands of Kansas. The interdimensional conglomerate Greazeburger Incorporated has taken over a small Midwestern town and turned it into GreazeLanding One, a forward base for their capitalistic invasion of Earth. They have done so with the help of the Paranormal Military Contractor Valravn. The Eighth Wandsman of Aesgar reporting from the scene.\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=Corvus_coronoides.jpg|caption=Your reporter, Corvus the Pedant|align=left]]\n\nAt the crack of dawn on June 3rd, 2022, the small Midwestern town of GreazeLanding One, original name now lost, found itself under a glistening dome colored the shade of hamburger bun, with sesame seeds stars glittering upon its top. The Emergency Services of the town mobilized: the cops and the firemen and the local doctor all gathered up at the side of the dome, and the plumber and the carpenter came by too to see if they could break through it. \n\n\n\nThey had no luck. \n\n\n\nThen came the Valravn Valkyries. Shining monstrosities of feminine flesh and interlocking steel, swift and merciless. In less than a minute, all five cops collapsed to the ground, blood spurting from their torsos. The firemen broke out their hoses and tried to spray down the Valkyries, but the fearsome floozies surged through the hydraulic stream and struck the waterbearers in their hearts. \n\n\n\nThe plumber, the carpenter, and the local doctor tried to flee, but there was no mercy: the doctor was struck down from behind, his head cleft in twain, and the plumber and the carpenter shall never walk again. \n\n\n\nFive minutes later, the Valkyries stormed the mayor's house. And they brought her, her husband and their children out to the main street. At gunpoint they forced the entirety of the town to watch as they paraded the captured leaders before them.\n\n\n\nThen he showed up in a burst of oily light: Mettron Greaze, The Voice of Greaze. He laid out a litany of trumped up charges, all of them nonsensical -- crimes against fast food, betrayal for the consumption of McDonald's, and many others that made no sense in this world or any others. \n\n\n\nBy lunch time, the mayoral family had been drowned to death in deep and thick vats of Greaze, and the town became a GreazeBurger town. Even now it remains under occupation, as the Valkyries and Valravn build a vast gate to the heavens, shaped like a hamburger drive-thru, under the watchful eyes of Mettron Greaze. I wondered, dear reader, what their intentions were, and so I pursued them, for the Right and the True.\n\n\n\n------\n\n\n\nI was lucky enough to score an interview with Mettron Greaze, the voice of Greaze.\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=mettron_greaze.jpg|caption=Mettron Greaze]]\n\n\u201cWhat are you thinking? Why on earth would you do such a thing?\u201d I asked objectively.\n\n\n\n\u201cI am the voice of the most holy and most imperial Greaze,\u201d it replied in a relatively soft-spoken Brooklyn accent. \u201cI come to liberate this world and free it for the holy and most ordained Greaze and turn it from the Cult of the Sackler Opium Poppy to that of the GreazeBurger.\u201d\n\n\n\n\u201cOkay,\u201d I said, with the goal of only journalistic investigation, \u201cBut it doesn't really look like the people wanted any of this. What exactly gives you the right to come in swoop in?\u201d\n\n\n\nMettron Greaze looked at me through 360 pairs of eyes. \u201cIt is the cost of doing business.\u201d it said. \u201cHostile takeover in the name and the most holy and most ordained GreazeBurger. The product must move.\u201d \n\n\n\n\u201cYou\u2019re hurting these people,\u201d I protested.\n\n\n\n\u201cSo did the Sacklers,\u201d it said with a smile. \u201cBut my Greaze, well, it\u2019s all natural. None of this oxycodone or fentanyl or heroin garbage. Just pure unadulterated Greaze.\u201d\n\n\n\nIt then flew away to smite a cow. We would continue our interview at a later time.\n\n\n\n------\n\n\n\nI was also able to speak with a Valravn Valkyrie, catching her on one of her routine Terror Patrols through GreazeLanding One. She was evasive at first, saying that she was nowhere near as eloquent a bard as a Valravn War skald. I flattered her, telling her that I was interested in her true thoughts, not in the corporate line.\n\n\n\n\u201cSo this GreazeBurger,\u201d I said. \u201cAre you happy working with them?\u201d \n\n\n\nShe shrugged and rolled her eyes as she casually brandished her gun at a cowering family. I couldn't place her accent. At one second it seemed like it could be Eastern European. Another, Nordic. Yet another, vaguely Asian. It was as if she was trying to study me as I studied her, and her entire face was a pockmarked mosaic of welded metal, so I couldn't tell where her origins were.\n\n\n\n\u201cMoney is money,\u201d she said after a while, before putting her gun back in her shoulder. The family made a break for it. \u201cGreazeBurger pays well even if half their money is encrusted in oil, the other 30% is illegible or covered with presidents who never were, and only the remaining 20% is actually legal tender. Who cares? They promise us a trillion dollars per contract. 20% of that is still a whole lot more than we get from our other clients. What's the cost of one podunk American town next to all of that?\u201d\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=kansas.jpg|caption=Kansas.|align=center|width=100%]]\n\n\n\nThe cowering family had almost made it about twenty paces or so when the titter-tat of rapid-fire gunshots rang out. All twelve of the family members collapsed to the ground, writhing as two Valkyries stepped from ambush, giggling to each other as they emptied the contents of their Valravn Gatling Arm Cannons. I winced as I saw thaumaturgic flashes of valknut-shaped light with every shot.\n\n\n\n\n\n\u201cIt\u2019s a risk, though,\u201d I said. \u201cValravn, as I understand it, does its... scavenging in the more overlooked corners of the world. Here, in America -- you\u2019ve got to deal with bigger threats. The Americans have what, three magical departments alone?\u201d\n\n\n\nShe snorted. \u201cIt\u2019s a podunk town for a reason. America forsook this place long ago. Maybe they will try to bring down the Greazedome, but by then we will have been paid and have gotten all that we need from here.\u201d\n\n\n\nWhen the family writhed no more, the two other Valkyries embraced each other and shouted out a cruel and harsh prayer to Odin.\n\n\n\nWe watched this together. \n\n\n\n\u201cDoesn\u2019t it bother you?\u201d I asked. \u201cFor god\u2019s sake, that... that child was six.\u201d\n\n\n\n\u201cSo was my sister,\u201d she spat. \u201cDidn\u2019t stop the Americans.\u201d\n\n\n\n\u201cThese people are civilians. They didn\u2019t have anything to do with... I\u2019m sorry about what happened in your past, but they had nothing to do with it!\u201d\n\n\n\n\u201cAnd my family had nothing to do with the Americans and their wars, yet they came anyways.\u201d\n\n\n\nShe drew her gun and emptied it into the corpses, emphatically, one bullet at a time.\n\n\n\n\u201cLet them rot in this monument to their excesses.\u201d\n\n\n\n\u201cSo that\u2019s it? That\u2019s why you\u2019re okay with this? Ever worsening cycles of revenge? What a way to waste a life!\u201d\n\n\n\nShe laughed at me. \n\n\n\n\u201cYou're a fucking Wandsman,\u201d she said. \u201cYou people think that being journalists makes sense in the Wanderer\u2019s Library. Do you sleep thinking any of us care?\u201d\n\n\n\nIt was rather mean of her to say that. The Wandsman are fully aware that we\u2019ve chosen this task of preserving and storing knowledge as a bulwark. Yes, we have increasing amounts of pressure from the higher ups that we can augment and eventually replace the Wanderer\u2019s Library, which is, in my opinion, very bold since none of us have explored all that far. \n\n\n\nBut the fact of the matter is I firmly believe that our individual personal accounts provide immeasurable worth in the hallowed annals of the Library. We put boots on the ground and we figure out what the people there are thinking. We have a similar job as the Planasthai and nobody thinks they\u2019re jokes. The Planasthai are taken seriously because their editors don't put manacles on their authors, and I for one think that I will not be silenced. Censorship is not okay. I fully expect my Editor to remove this passage and that for you to never read it. No one can say Corvus the Pedant, Eighth Wandsman of Aesgar, does not try.\n\n\n\n> Editor's note: The Wandsmen Gazette is not in the business of censorship. Censorship is not okay, ever, under any circumstances. Corvus, like many of our reports, embraces the flair of the dramatic for entertainment purposes.\n\n\n\n------\n\n\n\nI spoke at length, additionally, to one of the people who lived in this town, currently being overtaken by this Unholy Alliance of Valravn under the command of Mettron Greaze. My conversation went something like such. \n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=jonsmith.jfif|caption=\"John Smith\", Cooperative Citizen.]]\n\n\n\n\u201cOh God, who are you? Are you that \u2018Val Raven\u2019 that executed the mayor in cold blood in public?\u201d\n\n\n\n\u201cActually,\u201d I said, \u201cI'm a jackdaw.\u201d\n\n\n\n\u201cYou look like a crow to me,\u201d said the understanding member of the public. I remember his name completely and totally, but in the interest of protecting his anonymity I'll call him John Smith and refer to him with he/him pronouns. \u201cCrow, jackdaw, as far as I'm concerned a crow is a jackdaw.\u201d \n\n\n\n\u201cHere's the thing,\u201d I said, \u201cyou said that a crow is a jackdaw.\u201d\n\n\n\nHe cut me off, an astounding lack of respect towards my identity.\n\n\n\n\u201cShut up bird brain,\u201d he said, \u201cI don't care. What the fuck are you why do you exist, and why did you kill the mayor?\u201d\n\n\n\nThe average citizen, I regret to inform you, is often uninformed, remains that way and is happy to do so. I decided perhaps it would be more productive to try and conduct some market research. \n\n\n\n\u201cWhat is your opinion on Greazeburger products?\u201d I asked. \n\n\n\n\u201cWhat the fuck? Is this some kind of sick joke?\u201d said John Smith. \u201cIs that some sort of knock-off McDonald's? Or some sort of Burger King?\u201d \n\n\n\n\u201cWell no,\u201d I said. \u201cWeren't you paying attention? Valravn killed your mayor and took over your town on the behest of Greazeburger Interdimensional, an interdimensional corporation that focuses on selling hamburgers and hamburger adjacent products.\u201d \n\n\n\nHe squinted at me. \u201cAre you a furry? Is that your fur-suit? Is there a hidden camera somewhere?\u201d\n\n\n\n\u201cNo, sir,\u201d I said. \u201cThis is all very very real, this is the life you live in right now.\u201d \n\n\n\n\u201cOkay but you're really expect me to believe all of this bullshit: that not only is there an interdimensional Burger Corporation that's ripping off the voice of god, but that there's also this band of Norse themed mercenaries who have super laser guns and magic weapons, and also you're telling me that Joe Biden didn't deploy any of them in his foreign wars, but rather that somehow a Burger Corporation can afford to sic them on a small town? Etcetera etcetera... etcetera etcetera blah blah blah. I mean for God's sake, why us?\u201d \n\n\n\nHe wasn\u2019t very coherent after that. I think he was rather upset at what he thought were the cruel whims of fate. Yet to my eyes it seemed just as likely that the flocks of the American Empire were coming home to roost.\n\n\n\n------\n\n\n\nAnd so I sought another audience with Mettron Greaze.\n\n\n\n\"This is but the first vanguard into many thousands of worlds,\" said Mettron Greaze. \"I speak for the Almighty Dollar. I speak for the Alpha of the stock market, the Omega of Optimal Methods and Engagements of Greaze Acquisition. This world is a GreazeBurger world. It shall be so. We shall coat your skies with deep fryer smoke, and your rivers will run red with Greaze Juice. Every potato shall be frenched and then fried. The false Burger King and Ronald his Jester shall be drawn and quartered, their reigns ended, and The Jezebel Wendy shall be thrown into shame. This world is a GreazeBurger world. It is the first, but it will not be the last.\"\n\n\n\n\u201cDon\u2019t you feel a single lick of shame?\u201d I asked. \u201cI mean, here you are, just shamelessly ripping off Judaism to justify the conquest of infinite worlds. It was messed up when the Romans did it, and it\u2019s messed up now. Hell, calling yourself Mettron when most of your infinite selves go by Anglo names? Really? One syllable off of Metatron? This is real problematic, Metty. Real problematic.\u201d\n\n\n\n\u201cI got no idea what you\u2019re talking about, bird brain,\u201d said Mettron Greaze. \u201cCan you even read the Hebrew letters in the Wandsman logo?\u201d\n\n\n\nI report his accusation for the purposes of transparency, but rest assured, dear reader, that it is one so absurd you need not even consider it.\n\n------\n\n\n\nI have consulted the Wandsman Archives. I have delved into the annals of The Wanderers Library. I have even scoured pilfered documents from Foundations across the multiverse, and never before have I heard the term GreazeBurger World. We may be viewing the 1st of a multiversal parasite, a cross-universal contagion that shall spread and spread like a burning fire. That will end everything we know about the Multiverse As We Know it. I recommend upgrading any GreazeBurger World into a Black-level threat, and deploying our Legions wherever we might to eradicate them from all being.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=https://scp-wiki.wdfiles.com/local--files/burger/burger.png|caption=placeholder burger image|align=center]]\n\n\n\nI'd like to close with a review of Greazeburger products. I bought a GreazeBurger, some GreazeFries, and a GreazeSundae. They are too oily. For a week after eating them all I was bedridden; the week after that I sat atop a porcelain throne, spilling my bowels. 0/10 would not recommend.\n\n\n\n\n\n//Corvus the Pedant, Eighth Wandsman of Aesgar, Waylayer of the Wiseless, Gourmand of the Grave, Infiltrator of the Inane.//\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** mettron_greaze\n\n> **Name:** Mettron Greaze\n\n> **Author:** [[*user\u00a0\u00a0LORDXVNV]]\n\n> **License:** CC BY SA 3.0\n\n> **Source Link:** [ ]\n\n-----\n\n> **Filename:** \n\n> **Name:** Volkan Satar.png\n\n> **Author:** Volkan Satar\n\n> **License:** CC BY SA 4.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Volkan_satar.png Wikimedia Commons]\n\n-----\n\n> **Filename:** kansas.jpg\n\n> **Name:** File:Conoco gas station, Main Street, Arlington, Kansas LOC 37814119641.jpg\n\n> **Author:** John Margolies\n\n> **License:** No Known Copyright Restrictions\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Conoco_gas_station,_Main_Street,_Arlington,_Kansas_LOC_37814119641.jpg Wikimedia Commons]\n\n-----\n\n> **Filename:** corvus_coronoides.jpg\n\n> **Name:** Corvus Coronoides.jpg\n\n> **Author:** [https://www.jjharrison.com.au/ JJ Harrison]\n\n> **License:** CC BY SA 3.0\n\n> **Source Link:** [https://en.wikipedia.org/wiki/File:Corvus_coronoides.jpg Wikimedia Commons]\n\n-----\n\n> **Filename:** burger.png\n\n> **Name:** Burger Dot Png\n\n> **Author:** U.N. Owen\n\n> **License:** Public Domain\n\n> **Source Link:** https://scp-wiki.wikidot.com/local--files/burger/burger.png\n\n\n\n------\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wandsmen", "adventure", "art-exchange", "black-comedy", "bleak", "comedy", "cosmic-horror", "goi-format", "greazeburger", "horror", "journalism", "military-fiction", "valravn", "wandsmen"], "title": "A Wandsman In The Greaze Lands Of Kansas - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-wandsman-in-the-greaze-lands-of-kansas"}, "a-wandsman-in-the-halls-of-a-lost-paradise": {"created_at": "2026-08-24T00:02:00", "creator": "8bitbreadbox", "domain": "scp-wiki.wikidot.com", "history": [{"author": "8bitbreadbox", "author_href": "https://www.wikidot.com/user:info/8bitbreadbox", "comment": "", "date": "2026-08-24T00:02:00"}, {"author": "8bitbreadbox", "author_href": "https://www.wikidot.com/user:info/8bitbreadbox", "comment": "Added tags: _wandsmen, goicon-2026, wandsmen. ", "date": "2026-08-24T00:03:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _licensebox, goi-format. ", "date": "2026-08-24T14:52:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: adventure, afterlife, bittersweet, otherworldly, religious-fiction. ", "date": "2026-08-28T11:21:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-wandsman-in-the-halls-of-a-lost-paradise", "page_id": "1469220024", "rating": 16, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"display: none\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">scp-wiki.wikidot.com</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">theme</span><span class=\"hl-special\">:shattered-thoughts</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">code</span><span class=\"hl-code\">/1);\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Words</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Wisdom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2021</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Created</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Cole</span><span class=\"hl-code\"> 13\n    </span><span class=\"hl-identifier\">CC</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BY-SA</span><span class=\"hl-code\"> 3.0\n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Mate</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">SC</span><span class=\"hl-code\">&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">  \n    </span><span class=\"hl-reserved\">animation-name:</span><span class=\"hl-code\"> floating</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-iteration-count:</span><span class=\"hl-code\"> infinite</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-timing-function:</span><span class=\"hl-code\"> ease-in-out</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">pointer-events:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">floating</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">from</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,  </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    65%  </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\">   </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, -</span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">    \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.860</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"The Wandsmen\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0.3125</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translateX(-</span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">56</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\"</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(http://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/WANDPNG%</span><span class=\"hl-number\">20</span><span class=\"hl-code\">.png) </span><span class=\"hl-string\">center</span><span class=\"hl-code\"> </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size :</span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">prefers-reduced-motion</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BACKGROUND</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/MRSTAR23.webp) </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\"> </span><span class=\"hl-string\">repeat-x</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">LINKS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">BLOCKQUOTE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">OWINDOWS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">simply</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">karma</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colors</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">in</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">that</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">user</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">pop-up</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">menu</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">No</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">functional</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">purpose</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">besides</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">it</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">looks</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">neat</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">really</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">img</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">src</span><span class=\"hl-code\">*=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">userkarma.php</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">filter:</span><span class=\"hl-code\"> hue-rotate(-</span><span class=\"hl-number\">0.39</span><span class=\"hl-code\">turn)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> :</span><span class=\"hl-special\">:selection</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">RATING</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MODULE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SEARCH</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TOP</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> linear-gradient(to </span><span class=\"hl-string\">right</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#6b5295</span><span class=\"hl-code\"> </span><span class=\"hl-number\">75</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#e6e6e6</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SIDEBAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.heading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.menu-item</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.side-block</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABBERS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\">rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">USER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">INFO</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDBAF5</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#account-options</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABLES</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">MISCELLANEOUS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Changes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">border</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">section</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">which</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">typically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colored</span><span class=\"hl-code\"> #888, </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">match</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">better</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">While</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">page</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">saving</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">loading</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">there</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">on</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">was</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">difficult</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">read</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">due</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">body</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">s</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">properties</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">color</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">being</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">white</span><span class=\"hl-code\">), </span><span class=\"hl-identifier\">so</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">this</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">be</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">more</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">thematically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">appropriate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">legible</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.owait</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.osuccess</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}</span></pre></div>\n</div>\n</div>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">8bitbreadbox</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p>Check out <a href=\"/8b3\">my author page</a></p>\n</div>\n</div>\n</div>\n<p>Greetings, Dear Readers.</p>\n<p>As of my writing this report, I have just recently returned from a most exciting expedition. I'm aware that I describe the majority of my adventures in this way, but I assure you that this one is special. It is my sincere belief that history has been made this day, so to speak. Before I regale you with tales of my exploits, however, allow me to provide some necessary background context.</p>\n<p>Afterlives have, for the lifetime of our fine organization, remained all but uncharted. To truly chart a new region, one must first enter it, then traverse it, study it, and finally, return and share the knowledge with others. With afterlives, the difficulty lies in the final step. Returning from an afterlife is a strict impossibility, forbidden by divine ordinance. Even our most powerful thaumaturgy cannot defy the gods. So instead of firsthand exploration, we must rely on secondhand descriptions of what these afterlives consist of. These descriptions often come from the gods themselves, which are notoriously unreliable sources.</p>\n<p>This has infuriated me for nearly my entire tenure as a cartographer. We aim to chart the multiverse from corner to corner, and yet we have allowed such a significant blind spot to stain our maps for untold millennia. For an organization dedicated to the collection of knowledge, it's nothing short of an embarrassment. Which is why my fellow Wandsmen should be happy to learn that, as of my most recent escapade, that blind spot has shrunk ever so slightly. Today, for the first time in more than 10,000 years, I bring you a firsthand account of an expedition into an afterlife.</p>\n<p>Sadly, I cannot approach this report with pure celebration. The event that gave us this unique opportunity was the tragic death of the religion of Truun. The once-prosperous faith was laid low by a cataclysmic war, which annihilated the majority of its followers and caused many others to abandon their faith. The invaders were thorough in their destruction; by the time the Raptors arrived, all that remained of Truun was a single worshiper near the end of their life.</p>\n<p>When a religion dies, the power of its gods slowly fades, allowing formerly immutable decrees to be bent or broken. While a great tragedy, the death of Truun allowed us a rare opportunity to circumvent the restrictions that have vexed my order for so long.</p>\n<p>The last survivor gave the Wandsmen permission to carry out an expedition into their afterlife, the Halls of Eithon, in the moments before their death. From there, we had to act quickly. The gates of Eithon would be unlocked, yes, but it would soon be followed by the collapse of the realm itself. Its inhabitants would be cast into the Nevermeant, where their souls may never find peace again.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> We had a small window in which to carry out the expedition and return before the same fate befell whichever poor soul we decided to send there.</p>\n<p>That poor soul was me, of course. Loyal readers will know that threat of death does little to deter the Mystifying One.</p>\n<p>The ritual to enter the Halls of Eithon was nothing special. It was more of a challenge with no sincere worshipers, but getting into places we are not meant to go is something of a specialty for us Wandsmen. So without further ado, allow me to begin my report in earnest.</p>\n<hr/>\n<p>The Halls of Eithon are said to be filled with a brilliant light. Though my eyes remained as numb as always, I felt none on my skin when I arrived. I would later learn that the realm's sun had disappeared some time ago, the first sign of its collapse. I clicked my beak to get a cursory glance at my surroundings. I was in the center of a vast marble chamber with a domed ceiling. It had once been adorned with stained glass windows, but only their shattered frames remained. Judging from its texture, the floor used to be the bed of a shallow pool, which had dried up somewhat recently. Before I could finish taking in my surroundings, I heard the voice of someone nearby. I will transcribe my conversation with that person below.</p>\n<div class=\"blockquote\">\n<p><strong>???:</strong> Honor and grace.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></p>\n<p><strong>Iselia:</strong> Ah, to you as well. Tell me, is this the realm known as the Halls of Eithon?</p>\n<p><strong>???:</strong> Yep. For now, at least. I take it you're the Wandsman?</p>\n<p><strong>Iselia:</strong> Hello, there. Yes, I am Iselia the Mystifying, Third Wandsman of Ish, Chaser of Stars, Delver of Dreams, and Watcher of the Unseen. What is your name?</p>\n<p><strong>???:</strong> I'm Kelt. Are you alright? Your voice is\u2014</p>\n<p><strong>Iselia:</strong> No need to worry. It's a product of my innate biology, not my health.</p>\n<p><strong>Kelt:</strong> Alright. Now, Menlos said you were here to map this place?</p>\n<p><strong>Iselia:</strong> Indeed I am.</p>\n<p><strong>Kelt:</strong> Great. I'm hear to guide you to wherever you need to go.</p>\n<p><strong>Iselia:</strong> Perfect.</p>\n<p><em>I speak an incantation, and my map flies out from its case. At my command, it comes to a rest in the air next to me and unfurls to a blank section. I flick my wrist, and a floating quill emerges from the sleeve of my robe. It marks my current location on the map.</em></p>\n<p><strong>Iselia:</strong> I request that you take me as close to the center of the realm as possible. I hope that's not too much to ask.</p>\n<p><strong>Kelt:</strong> Not at all.</p>\n<p><strong>Iselia:</strong> Perfect. Lead the way, please.</p>\n</div>\n<p>With my map and quill floating faithfully by my side, Kelt led me from the chamber through a short corridor and towards what he explained was once a reception office of sorts. Upon our arrival, I realized how unfair a description that is. Though the other side was only about 30 paces away, the room extended to the left and right farther than I could detect. Judging by the slight arc to its walls, I wagered that it must encircle the majority of the realm. The walls extended up a truly dizzying height, before terminating in a glass ceiling. In its prime, I'm sure it would have been a breathtaking sight to behold for the recent dead, but like the rest of Eithon, it has lost much of its splendor. The walls were cracked and crumbled in places, and shattered shards of a massive chandelier littered the ground. My guide warned me to tread carefully, much to my amusement.</p>\n<p>Kelt explained that this is where new souls would have gone to find their loved ones. Volunteers<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> manned the desks and kept a record of the living arrangements of every soul currently housed within the Halls. With no more newcomers, it's no wonder this place is now abandoned.</p>\n<p>We made our way past the desks and found ourselves at a terminal of sorts. The Halls were once connected by an extensive network of trains, and I was pleasantly surprised to learn that one of them was still operational. Apparently, a group of former engineers somehow managed to salvage it. It was rusted, falling apart, and missing a few cars, but I wasn't in a position to be picky. Before we boarded, I found an engraved map of the train lines and transcribed it onto my own. I would have liked to traverse the entire network myself, but time was limited. Once I was finished, we set off.</p>\n<p>It was at this point that my particular sensory experience became an obstacle, for my perception could not extend past the train's window. Luckily, my fellow Wandsmen foresaw this eventuality, and equipped me with a device they referred to as a \"Speaking Eye\". In essence, it converts visual stimuli into audio, a more digestible format for one such as myself. Once I adjusted myself to the device, it revealed a once grand pasture of trees and flowers alongside the train's rails that have since died and withered. Mighty towers stood tall in the distance, which Kelt identified as residential buildings. There were a few unique structures as well: special facilities that once provided entertainment and leisure to the residents of Eithon.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> Most are now non-operational.</p>\n<p>Kelt and I spoke of many things on the way to our destination, but I will only provide the most relevant exchange here.</p>\n<div class=\"blockquote\">\n<p><strong>Iselia:</strong> Where is Menlos, if I may ask?</p>\n<p><strong>Kelt:</strong> With their family. Most of us thought it'd be best to spend our last moments in Eithon with the people we love.</p>\n<p><strong>Iselia:</strong> What about you?</p>\n<p><strong>Kelt:</strong> Everyone I knew chose blasphemy over death.</p>\n<p><strong>Iselia:</strong> I'm sorry to hear that.</p>\n<p><strong>Kelt:</strong> Hey, don't feel bad for me. I'm the one who got to go to heaven.</p>\n<p><strong>Iselia:</strong> I suppose that's true. How long have you been here?</p>\n<p><strong>Kelt:</strong> 40 years, give or take.</p>\n<p><strong>Iselia:</strong> Then you enjoyed a few decades before the decline.</p>\n<p><strong>Kelt:</strong> Yeah, it was nice. The Halls had pretty much anything you could ask for. A pool, a theater, a gym\u2026 and of course, all the food you could eat. Most of those are gone now. Utilities went out along with the sun, and food stopped coming around the same time. Good thing we can't starve here.</p>\n<p><strong>Iselia:</strong> I've been meaning to ask, these halls have been rather warm despite lacking a sun. How is that?</p>\n<p><strong>Kelt:</strong> Nowhere for the heat to go. We're surrounded by a perfect vacuum on all sides.</p>\n<p><strong>Iselia:</strong> That's reassuring.</p>\n<p><strong>Kelt:</strong> Let me tell you, there was a lot of panic when the sun went out. We did not want to live out the next however many years freezing to death. But the priests were quick to reassure us.</p>\n<p><strong>Iselia:</strong> I don't mean to be disrespectful, but you seem awfully unperturbed by the end of your afterlife.</p>\n<p><strong>Kelt:</strong> I've known it was possible for a while now. Gave me enough time to come to terms with it.</p>\n<p><strong>Iselia:</strong> I see. And have you?</p>\n<p><strong>Kelt:</strong> Have I what?</p>\n<p><strong>Iselia:</strong> \"Come to terms,\" as you put it.</p>\n<p><strong>Kelt:</strong> I mean, you never really know until the time comes. But yeah, I think I have.</p>\n</div>\n<p>The train came to a stop with a painful screech and a pitiful clunk. We disembarked, finding a terminal not unlike the one we had just left. Kelt explained that we were in the Central Hall. As the name suggests, it was located in the exact center of the Halls of Eithon, give or take a few paces. We walked down a wide corridor lined with faded portraits until we reached a pair of enormous doors. Kelt knocked twice, and the doors opened. We were greeted on the other side by a few dozen figures dressed in ceremonial robes kneeling in front of a trio of statues. One of them stood and approached us.</p>\n<div class=\"blockquote\">\n<p><strong>Kelt:</strong> Honor and grace.</p>\n<p><em>Kelt clasps his hands and bows.</em></p>\n<p><strong>???:</strong> To you as well, brother.</p>\n<p><em>He turns to me.</em></p>\n<p><strong>???:</strong> Welcome. I take it you are the Wandsman we were told about?</p>\n<p><strong>Iselia:</strong> Indeed. I am Iselia the Mystifying, Third Wandsman of Ish, Chaser of Stars, Delver of Dreams, and Watcher of the Unseen.</p>\n<p><strong>???:</strong> I am Ruzel Velan, Twenty-Third High Priest of Truun. It is an honor to make your acquaintance.</p>\n<p><strong>Iselia:</strong> Likewise. We aren't intruding on something, are we?</p>\n<p><strong>Ruzel:</strong> Not at all. My fellow high priests can continue the ceremony in my absence. Please, walk with me.</p>\n<p><em>We make our way past the ceremony into a side corridor. Kelt follows behind at a slight distance.</em></p>\n<p><strong>Iselia:</strong> If you don't mind me asking, what is the purpose of that ceremony?</p>\n<p><strong>Ruzel:</strong> During times of crisis, we spend one third of each day in prayer. And as I'm sure you are aware, we are very much in a time of crisis. I'll have to make up the time I'm spending now.</p>\n<p><strong>Iselia:</strong> I see. And what of your families?</p>\n<p><strong>Ruzel:</strong> We already said our goodbyes. They understand the situation.</p>\n<p><em>There is a lengthy pause.</em></p>\n<p><strong>Ruzel:</strong> You may speak what's on your mind.</p>\n<p><strong>Iselia:</strong> Apologies. I was searching for a more delicate phrasing, but I must ask: why do you still beseech a dead pantheon?</p>\n<p><strong>Ruzel:</strong> Your confusion is not unfounded. Indeed, why would one pray to a god who they know cannot answer?</p>\n<p><em>Another pause.</em></p>\n<p><strong>Ruzel:</strong> Tell me, Third Wandsman of Ish, do you practice a religion?</p>\n<p><strong>Iselia:</strong> I do not. I have dedicated myself to being a Wandsman. The only creed I follow is that of my station.</p>\n<p><strong>Ruzel:</strong> A fair and noble conviction. And if the Wandsmen ceased to exist, would you continue to follow that creed?</p>\n<p><strong>Iselia:</strong> Of course. I am a Wandsman because of my beliefs, not the other way around.</p>\n<p><strong>Ruzel:</strong> Well said.</p>\n</div>\n<p>We arrived at another set of doors, smaller and yet much more ornate than the previous one. I had noticed that the corridor we had been walking formed a spiral, making this the center of the Central Hall. Ruzel explained that we were about to enter the Inner Sanctum, where the avatars of the three gods of Truun once resided. The entrance appeared to be completely barred by a complex knot of metal covering the doorway. Presumably, a high priest of Truun would know how to circumvent it. Or, I suppose, anyone with a knack for puzzles. Sure enough, Ruzel asked that Kelt and I turn around while he opens the door. I stifled a laugh. Roughly a minute later, we were allowed to enter the Inner Sanctum.</p>\n<p>First came the scent of smoke, followed by the taste of rot in the air. Then, I discerned the shapes of three towering thrones, the state of which matched every other structure I had witnessed up to that point. Through the use of the Speaking Eye, I was able to observe these thrones more closely, and found a detail that made my feathers stand on end. Each throne was marred with a stain of ash and soot, much like the shadows left in the wake of an atomic explosion. Kelt started breathing fast next to me, and Ruzel placed a hand on his shoulder. I understood his reaction. If I was disturbed by that image, I can't imagine how it must have affected a follower of Truun. This is all that's left of their gods. They had been burned like a ship that had sailed its course. Not even corpses remained.</p>\n<p>I shake off the initial shock. There is a job to do, after all. I ask Ruzel for permission to carry out a ritual within the Inner Sanctum, and after I explain the details, he grants it. Under his watchful eye, I prepare a ritual circle as close to the center of the room as I can manage. It's a ritual I have performed countless times; as a cartographer, I frequently need to chart regions that would be too dangerous or simply too tedious to traverse the normal way. My colleagues have many answers to these scenarios. Some use familiars, or technology, or projection, but I have devised a method that makes use of my unique skill set.</p>\n<p>Once the circle is complete, I produce a large tuning fork from my robe. I sit down at the center of the circle, close my eyes, and begin an incantation. My map and quill wait suspended in the air in front of me. At the last syllable of the incantation, I strike the ground with the tuning fork.</p>\n<p>In an instant, I am immersed in a world of sound. A single tone splits, bounces, and cascades into a grand orchestration. I behold that magnificent symphony: the Halls of Eithon rendered in resonance. And it is through that symphony that I perceive this dying realm. I hear the cracks in polished marble walls; the color peeling off of ancient murals; the faintest echoes of merriment still clinging to the walls of vast chambers that once hosted grand feasts and celebrations, but now stand empty forevermore. I hear towers full of souls that know their fate is near. I hear the laughter of those who choose to face the abyss with a smile, and the tears of those terrified to face it at all; those who still pray to dead gods for salvation, or for the simple chance to hold their children just a moment longer. I trace the echoes through leagues upon leagues of once-gilded corridors, past statues and gardens and shrines that have long-since sunken into entropy. In those halls, I find dead dreams, broken hopes, wishes never fulfilled. I find a story cut short, faced with an ending it won't accept, for it believed it was endless. I find sorrow, despair, and tragedy. I do not find hope.</p>\n<p>The sound fades, and the symphony draws to a close. I do not know how long I have been weeping. I dismantle the ritual, trace my fingers along the map to ensure that it was properly drawn, and turn to prepare for my departure. Before I leave, Ruzel calls out to me.</p>\n<div class=\"blockquote\">\n<p><strong>Ruzel:</strong> Did you find what you were looking for?</p>\n<p><strong>Iselia:</strong> I did. Thank you.</p>\n<p><strong>Ruzel:</strong> Then I take it you will be leaving now?</p>\n<p><strong>Iselia:</strong> Yes. I would rather not be here when the realm collapses.</p>\n<p><strong>Ruzel:</strong> I hope your experience here can be beneficial to your organization.</p>\n<p><strong>Iselia:</strong> Indeed.</p>\n<p><em>I stop on my way to the door.</em></p>\n<p><strong>Iselia:</strong> Will you answer one more question for me?</p>\n<p><strong>Ruzel:</strong> Of course.</p>\n<p><strong>Iselia:</strong> In the face of all this\u2014the death of your gods, the damnation of your people\u2014how can you smile?</p>\n<p><em>He pauses.</em></p>\n<p><strong>Ruzel:</strong> I am a high priest of Truun. I made a vow to hold fast to my beliefs, no matter how bleak the times may be. When I was alive, that meant protecting my people at any cost. I did so, and it cost me my life. And now, there are no more people that I can protect. I can't bring the gods back. I can't stop the realm from collapsing. There is nothing I can do to prevent what is coming, and therefore, I am already doing all I can. And that is enough.</p>\n<p><strong>Iselia:</strong> I understand. Thank you for allowing me to access your Inner Sanctum. You have the eternal gratitude of all Wandsmen for granting us such a precious opportunity. I will ensure that these Halls are immortalized, even after their destruction.</p>\n<p><em>I bow to Ruzel.</em></p>\n<p><strong>Ruzel:</strong> Thank you.</p>\n<p><em>I leave the Inner Sanctum, and Kelt follows. We walk the spiral hallway in silence on our way back to the terminal. The other preists are still praying as we passe by. Once we arrive, I turn to Kelt.</em></p>\n<p><strong>Iselia:</strong> Would you like to come back with me?</p>\n<p><strong>Kelt:</strong> What?</p>\n<p><strong>Iselia:</strong> The restrictions barring exit from the afterlife are lessened now. We can escape using my map.</p>\n<p><strong>Kelt:</strong> Oh. That's\u2026 kind of you to offer, but I have to decline.</p>\n<p><strong>Iselia:</strong> If you're worried about any repercussions, I assure you there won't be any. You'll be able to return, good as new.</p>\n<p><strong>Kelt:</strong> That's not why. Remember what the priest said? About sticking to your beliefs no matter what? The gods didn't want me to leave.</p>\n<p><strong>Iselia:</strong> The gods are dead, you saw them. Their laws no longer hold any power.</p>\n<p><strong>Kelt:</strong> Maybe, but they're still the gods I prayed to every night for most of my life. They're the gods I died for. I think\u2026 I think they would want me to stay with the others. I don't think I could live with myself if I got out and they didn't.</p>\n<p><em>There is a pause as I hear the conviction in his breath. I realize that I cannot sway him.</em></p>\n<p><strong>Iselia:</strong> Very well, if that is what you wish.</p>\n<p><em>I wave my hand in a circle, and my map begins to unfurl in a ring around my person.</em></p>\n<p><strong>Iselia:</strong> Thank you, Kelt. You have been a great help on this expedition. I will ensure that you are not forgotten.</p>\n<p><strong>Kelt:</strong> Don't mention it.</p>\n<p><em>There is a shrill sweeping sound, and my map and I return to the land of the living.</em></p>\n</div>\n<hr/>\n<p>Now I am aware that this story ends on a rather sorrowful note. But my duty is to tell you the truth, and in this case, the truth is tragedy. Millions of souls were lost in the collapse of the Halls of Eithon. That is an injustice that cannot be rectified, and its depth cannot be understated. I do not intend to try. However, I do believe that even a cloud as dark as this one has a silver lining. From the deepest pit of despair I have ever encountered, we managed to retrieve something invaluable.</p>\n<p>Now, the cynical among you may be asking yourselves: \"what good is a map of a realm that doesn't exist anymore?\" And to you I say, keep your mouth shut. I know what I'm doing. It is true that the map I obtained cannot be used for its conventional purpose, but I shall remind you that it is still the first map of an afterlife charted by one of our own. It is knowledge once barred by the gates of death itself. The power it holds, like the tragedy that revealed it to us, cannot be understated.</p>\n<p>So I ask you, dear readers, to not simply remember the followers of Truun, but to honor them. Do not think of them merely as another unfortunate injustice in an ever-growing list. Recognize the loss they suffered, yes, but think also of how they faced such a loss: with a faith as strong as iron despite no gods left to pray to. With compassion towards a stranger that they know will never be repaid. With a smile in the face of the abyss.</p>\n<p>With honor and grace.</p>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Most will simply drift aimlessly through the abyss for all eternity. The lucky ones may find refuge in another religion's afterlife, while the unlucky ones will end up on the shores of Alagadda.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. The standard greeting used by followers of Truun.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Many amenities in the Halls of Eithon were provided by volunteers. This is not out of necessity; under the teachings of Truun, serving one's community is seen as a core requisite to live a fulfilling life.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Most notable among these was a domed structure that Kelt explained was a stadium. Truun forbids violence in all but the most dire of circumstances, so sporting events act as an alternative.</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-wandsman-in-the-halls-of-a-lost-paradise\">A Wandsman in the Halls of a Lost Paradise</a>\" by 8bitbreadbox, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-wandsman-in-the-halls-of-a-lost-paradise\">https://scpwiki.com/a-wandsman-in-the-halls-of-a-lost-paradise</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:words-of-wisdom\">:scp-wiki:theme:words-of-wisdom</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=--\n\n|name=8bitbreadbox]]\n\nCheck out [[[8B3|my author page]]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n\n\nGreetings, Dear Readers.\n\n\n\nAs of my writing this report, I have just recently returned from a most exciting expedition. I'm aware that I describe the majority of my adventures in this way, but I assure you that this one is special. It is my sincere belief that history has been made this day, so to speak. Before I regale you with tales of my exploits, however, allow me to provide some necessary background context.\n\n\n\nAfterlives have, for the lifetime of our fine organization, remained all but uncharted. To truly chart a new region, one must first enter it, then traverse it, study it, and finally, return and share the knowledge with others. With afterlives, the difficulty lies in the final step. Returning from an afterlife is a strict impossibility, forbidden by divine ordinance. Even our most powerful thaumaturgy cannot defy the gods. So instead of firsthand exploration, we must rely on secondhand descriptions of what these afterlives consist of. These descriptions often come from the gods themselves, which are notoriously unreliable sources.\n\n\n\nThis has infuriated me for nearly my entire tenure as a cartographer. We aim to chart the multiverse from corner to corner, and yet we have allowed such a significant blind spot to stain our maps for untold millennia. For an organization dedicated to the collection of knowledge, it's nothing short of an embarrassment. Which is why my fellow Wandsmen should be happy to learn that, as of my most recent escapade, that blind spot has shrunk ever so slightly. Today, for the first time in more than 10,000 years, I bring you a firsthand account of an expedition into an afterlife.\n\n\n\nSadly, I cannot approach this report with pure celebration. The event that gave us this unique opportunity was the tragic death of the religion of Truun. The once-prosperous faith was laid low by a cataclysmic war, which annihilated the majority of its followers and caused many others to abandon their faith. The invaders were thorough in their destruction; by the time the Raptors arrived, all that remained of Truun was a single worshiper near the end of their life.\n\n\n\nWhen a religion dies, the power of its gods slowly fades, allowing formerly immutable decrees to be bent or broken. While a great tragedy, the death of Truun allowed us a rare opportunity to circumvent the restrictions that have vexed my order for so long.\n\n\n\nThe last survivor gave the Wandsmen permission to carry out an expedition into their afterlife, the Halls of Eithon, in the moments before their death. From there, we had to act quickly. The gates of Eithon would be unlocked, yes, but it would soon be followed by the collapse of the realm itself. Its inhabitants would be cast into the Nevermeant, where their souls may never find peace again.[[footnote]] Most will simply drift aimlessly through the abyss for all eternity. The lucky ones may find refuge in another religion's afterlife, while the unlucky ones will end up on the shores of Alagadda. [[/footnote]] We had a small window in which to carry out the expedition and return before the same fate befell whichever poor soul we decided to send there.\n\n\n\nThat poor soul was me, of course. Loyal readers will know that threat of death does little to deter the Mystifying One.\n\n\n\nThe ritual to enter the Halls of Eithon was nothing special. It was more of a challenge with no sincere worshipers, but getting into places we are not meant to go is something of a specialty for us Wandsmen. So without further ado, allow me to begin my report in earnest.\n\n\n\n-----\n\n\n\nThe Halls of Eithon are said to be filled with a brilliant light. Though my eyes remained as numb as always, I felt none on my skin when I arrived. I would later learn that the realm's sun had disappeared some time ago, the first sign of its collapse. I clicked my beak to get a cursory glance at my surroundings. I was in the center of a vast marble chamber with a domed ceiling. It had once been adorned with stained glass windows, but only their shattered frames remained. Judging from its texture, the floor used to be the bed of a shallow pool, which had dried up somewhat recently. Before I could finish taking in my surroundings, I heard the voice of someone nearby. I will transcribe my conversation with that person below.\n\n\n\n[[div class=\"blockquote\"]]\n\n**???:** Honor and grace.[[footnote]] The standard greeting used by followers of Truun. [[/footnote]]\n\n\n\n**Iselia:** Ah, to you as well. Tell me, is this the realm known as the Halls of Eithon?\n\n\n\n**???:** Yep. For now, at least. I take it you're the Wandsman?\n\n\n\n**Iselia:** Hello, there. Yes, I am Iselia the Mystifying, Third Wandsman of Ish, Chaser of Stars, Delver of Dreams, and Watcher of the Unseen. What is your name?\n\n\n\n**???:** I'm Kelt. Are you alright? Your voice is\u2014\n\n\n\n**Iselia:** No need to worry. It's a product of my innate biology, not my health.\n\n\n\n**Kelt:** Alright. Now, Menlos said you were here to map this place?\n\n\n\n**Iselia:** Indeed I am.\n\n\n\n**Kelt:** Great. I'm hear to guide you to wherever you need to go.\n\n\n\n**Iselia:** Perfect.\n\n\n\n//I speak an incantation, and my map flies out from its case. At my command, it comes to a rest in the air next to me and unfurls to a blank section. I flick my wrist, and a floating quill emerges from the sleeve of my robe. It marks my current location on the map.//\n\n\n\n**Iselia:** I request that you take me as close to the center of the realm as possible. I hope that's not too much to ask.\n\n\n\n**Kelt:** Not at all.\n\n\n\n**Iselia:** Perfect. Lead the way, please.\n\n[[/div]]\n\n\n\nWith my map and quill floating faithfully by my side, Kelt led me from the chamber through a short corridor and towards what he explained was once a reception office of sorts. Upon our arrival, I realized how unfair a description that is. Though the other side was only about 30 paces away, the room extended to the left and right farther than I could detect. Judging by the slight arc to its walls, I wagered that it must encircle the majority of the realm. The walls extended up a truly dizzying height, before terminating in a glass ceiling. In its prime, I'm sure it would have been a breathtaking sight to behold for the recent dead, but like the rest of Eithon, it has lost much of its splendor. The walls were cracked and crumbled in places, and shattered shards of a massive chandelier littered the ground. My guide warned me to tread carefully, much to my amusement.\n\n\n\nKelt explained that this is where new souls would have gone to find their loved ones. Volunteers[[footnote]] Many amenities in the Halls of Eithon were provided by volunteers. This is not out of necessity; under the teachings of Truun, serving one's community is seen as a core requisite to live a fulfilling life. [[/footnote]] manned the desks and kept a record of the living arrangements of every soul currently housed within the Halls. With no more newcomers, it's no wonder this place is now abandoned.\n\n\n\nWe made our way past the desks and found ourselves at a terminal of sorts. The Halls were once connected by an extensive network of trains, and I was pleasantly surprised to learn that one of them was still operational. Apparently, a group of former engineers somehow managed to salvage it. It was rusted, falling apart, and missing a few cars, but I wasn't in a position to be picky. Before we boarded, I found an engraved map of the train lines and transcribed it onto my own. I would have liked to traverse the entire network myself, but time was limited. Once I was finished, we set off.\n\n\n\nIt was at this point that my particular sensory experience became an obstacle, for my perception could not extend past the train's window. Luckily, my fellow Wandsmen foresaw this eventuality, and equipped me with a device they referred to as a \"Speaking Eye\". In essence, it converts visual stimuli into audio, a more digestible format for one such as myself. Once I adjusted myself to the device, it revealed a once grand pasture of trees and flowers alongside the train's rails that have since died and withered. Mighty towers stood tall in the distance, which Kelt identified as residential buildings. There were a few unique structures as well: special facilities that once provided entertainment and leisure to the residents of Eithon.[[footnote]] Most notable among these was a domed structure that Kelt explained was a stadium. Truun forbids violence in all but the most dire of circumstances, so sporting events act as an alternative. [[/footnote]] Most are now non-operational.\n\n\n\nKelt and I spoke of many things on the way to our destination, but I will only provide the most relevant exchange here.\n\n\n\n[[div class=\"blockquote\"]]\n\n**Iselia:** Where is Menlos, if I may ask?\n\n\n\n**Kelt:** With their family. Most of us thought it'd be best to spend our last moments in Eithon with the people we love.\n\n\n\n**Iselia:** What about you?\n\n\n\n**Kelt:** Everyone I knew chose blasphemy over death.\n\n\n\n**Iselia:** I'm sorry to hear that.\n\n\n\n**Kelt:** Hey, don't feel bad for me. I'm the one who got to go to heaven.\n\n\n\n**Iselia:** I suppose that's true. How long have you been here?\n\n\n\n**Kelt:** 40 years, give or take.\n\n\n\n**Iselia:** Then you enjoyed a few decades before the decline.\n\n\n\n**Kelt:** Yeah, it was nice. The Halls had pretty much anything you could ask for. A pool, a theater, a gym\u2026 and of course, all the food you could eat. Most of those are gone now. Utilities went out along with the sun, and food stopped coming around the same time. Good thing we can't starve here.\n\n\n\n**Iselia:** I've been meaning to ask, these halls have been rather warm despite lacking a sun. How is that?\n\n\n\n**Kelt:** Nowhere for the heat to go. We're surrounded by a perfect vacuum on all sides.\n\n\n\n**Iselia:** That's reassuring.\n\n\n\n**Kelt:** Let me tell you, there was a lot of panic when the sun went out. We did not want to live out the next however many years freezing to death. But the priests were quick to reassure us.\n\n\n\n**Iselia:** I don't mean to be disrespectful, but you seem awfully unperturbed by the end of your afterlife.\n\n\n\n**Kelt:** I've known it was possible for a while now. Gave me enough time to come to terms with it.\n\n\n\n**Iselia:** I see. And have you?\n\n\n\n**Kelt:** Have I what?\n\n\n\n**Iselia:** \"Come to terms,\" as you put it.\n\n\n\n**Kelt:** I mean, you never really know until the time comes. But yeah, I think I have.\n\n[[/div]]\n\n\n\nThe train came to a stop with a painful screech and a pitiful clunk. We disembarked, finding a terminal not unlike the one we had just left. Kelt explained that we were in the Central Hall. As the name suggests, it was located in the exact center of the Halls of Eithon, give or take a few paces. We walked down a wide corridor lined with faded portraits until we reached a pair of enormous doors. Kelt knocked twice, and the doors opened. We were greeted on the other side by a few dozen figures dressed in ceremonial robes kneeling in front of a trio of statues. One of them stood and approached us.\n\n\n\n[[div class=\"blockquote\"]]\n\n**Kelt:** Honor and grace.\n\n\n\n//Kelt clasps his hands and bows.//\n\n\n\n**???:** To you as well, brother.\n\n\n\n//He turns to me.//\n\n\n\n**???:** Welcome. I take it you are the Wandsman we were told about?\n\n\n\n**Iselia:** Indeed. I am Iselia the Mystifying, Third Wandsman of Ish, Chaser of Stars, Delver of Dreams, and Watcher of the Unseen.\n\n\n\n**???:** I am Ruzel Velan, Twenty-Third High Priest of Truun. It is an honor to make your acquaintance.\n\n\n\n**Iselia:** Likewise. We aren't intruding on something, are we?\n\n\n\n**Ruzel:** Not at all. My fellow high priests can continue the ceremony in my absence. Please, walk with me.\n\n\n\n//We make our way past the ceremony into a side corridor. Kelt follows behind at a slight distance.//\n\n\n\n**Iselia:** If you don't mind me asking, what is the purpose of that ceremony?\n\n\n\n**Ruzel:** During times of crisis, we spend one third of each day in prayer. And as I'm sure you are aware, we are very much in a time of crisis. I'll have to make up the time I'm spending now.\n\n\n\n**Iselia:** I see. And what of your families?\n\n\n\n**Ruzel:** We already said our goodbyes. They understand the situation.\n\n\n\n//There is a lengthy pause.//\n\n\n\n**Ruzel:** You may speak what's on your mind.\n\n\n\n**Iselia:** Apologies. I was searching for a more delicate phrasing, but I must ask: why do you still beseech a dead pantheon?\n\n\n\n**Ruzel:** Your confusion is not unfounded. Indeed, why would one pray to a god who they know cannot answer?\n\n\n\n//Another pause.//\n\n\n\n**Ruzel:** Tell me, Third Wandsman of Ish, do you practice a religion?\n\n\n\n**Iselia:** I do not. I have dedicated myself to being a Wandsman. The only creed I follow is that of my station.\n\n\n\n**Ruzel:** A fair and noble conviction. And if the Wandsmen ceased to exist, would you continue to follow that creed?\n\n\n\n**Iselia:** Of course. I am a Wandsman because of my beliefs, not the other way around.\n\n\n\n**Ruzel:** Well said.\n\n[[/div]]\n\n\n\nWe arrived at another set of doors, smaller and yet much more ornate than the previous one. I had noticed that the corridor we had been walking formed a spiral, making this the center of the Central Hall. Ruzel explained that we were about to enter the Inner Sanctum, where the avatars of the three gods of Truun once resided. The entrance appeared to be completely barred by a complex knot of metal covering the doorway. Presumably, a high priest of Truun would know how to circumvent it. Or, I suppose, anyone with a knack for puzzles. Sure enough, Ruzel asked that Kelt and I turn around while he opens the door. I stifled a laugh. Roughly a minute later, we were allowed to enter the Inner Sanctum.\n\n\n\nFirst came the scent of smoke, followed by the taste of rot in the air. Then, I discerned the shapes of three towering thrones, the state of which matched every other structure I had witnessed up to that point. Through the use of the Speaking Eye, I was able to observe these thrones more closely, and found a detail that made my feathers stand on end. Each throne was marred with a stain of ash and soot, much like the shadows left in the wake of an atomic explosion. Kelt started breathing fast next to me, and Ruzel placed a hand on his shoulder. I understood his reaction. If I was disturbed by that image, I can't imagine how it must have affected a follower of Truun. This is all that's left of their gods. They had been burned like a ship that had sailed its course. Not even corpses remained.\n\n\n\nI shake off the initial shock. There is a job to do, after all. I ask Ruzel for permission to carry out a ritual within the Inner Sanctum, and after I explain the details, he grants it. Under his watchful eye, I prepare a ritual circle as close to the center of the room as I can manage. It's a ritual I have performed countless times; as a cartographer, I frequently need to chart regions that would be too dangerous or simply too tedious to traverse the normal way. My colleagues have many answers to these scenarios. Some use familiars, or technology, or projection, but I have devised a method that makes use of my unique skill set.\n\n\n\nOnce the circle is complete, I produce a large tuning fork from my robe. I sit down at the center of the circle, close my eyes, and begin an incantation. My map and quill wait suspended in the air in front of me. At the last syllable of the incantation, I strike the ground with the tuning fork.\n\n\n\nIn an instant, I am immersed in a world of sound. A single tone splits, bounces, and cascades into a grand orchestration. I behold that magnificent symphony: the Halls of Eithon rendered in resonance. And it is through that symphony that I perceive this dying realm. I hear the cracks in polished marble walls; the color peeling off of ancient murals; the faintest echoes of merriment still clinging to the walls of vast chambers that once hosted grand feasts and celebrations, but now stand empty forevermore. I hear towers full of souls that know their fate is near. I hear the laughter of those who choose to face the abyss with a smile, and the tears of those terrified to face it at all; those who still pray to dead gods for salvation, or for the simple chance to hold their children just a moment longer. I trace the echoes through leagues upon leagues of once-gilded corridors, past statues and gardens and shrines that have long-since sunken into entropy. In those halls, I find dead dreams, broken hopes, wishes never fulfilled. I find a story cut short, faced with an ending it won't accept, for it believed it was endless. I find sorrow, despair, and tragedy. I do not find hope.\n\n\n\nThe sound fades, and the symphony draws to a close. I do not know how long I have been weeping. I dismantle the ritual, trace my fingers along the map to ensure that it was properly drawn, and turn to prepare for my departure. Before I leave, Ruzel calls out to me.\n\n\n\n[[div class=\"blockquote\"]]\n\n**Ruzel:** Did you find what you were looking for?\n\n\n\n**Iselia:** I did. Thank you.\n\n\n\n**Ruzel:** Then I take it you will be leaving now?\n\n\n\n**Iselia:** Yes. I would rather not be here when the realm collapses.\n\n\n\n**Ruzel:** I hope your experience here can be beneficial to your organization.\n\n\n\n**Iselia:** Indeed.\n\n\n\n//I stop on my way to the door.//\n\n\n\n**Iselia:** Will you answer one more question for me?\n\n\n\n**Ruzel:** Of course.\n\n\n\n**Iselia:** In the face of all this\u2014the death of your gods, the damnation of your people\u2014how can you smile?\n\n\n\n//He pauses.//\n\n\n\n**Ruzel:** I am a high priest of Truun. I made a vow to hold fast to my beliefs, no matter how bleak the times may be. When I was alive, that meant protecting my people at any cost. I did so, and it cost me my life. And now, there are no more people that I can protect. I can't bring the gods back. I can't stop the realm from collapsing. There is nothing I can do to prevent what is coming, and therefore, I am already doing all I can. And that is enough.\n\n\n\n**Iselia:** I understand. Thank you for allowing me to access your Inner Sanctum. You have the eternal gratitude of all Wandsmen for granting us such a precious opportunity. I will ensure that these Halls are immortalized, even after their destruction.\n\n\n\n//I bow to Ruzel.//\n\n\n\n**Ruzel:** Thank you.\n\n\n\n//I leave the Inner Sanctum, and Kelt follows. We walk the spiral hallway in silence on our way back to the terminal. The other preists are still praying as we passe by. Once we arrive, I turn to Kelt.//\n\n\n\n**Iselia:** Would you like to come back with me?\n\n\n\n**Kelt:** What?\n\n\n\n**Iselia:** The restrictions barring exit from the afterlife are lessened now. We can escape using my map.\n\n\n\n**Kelt:** Oh. That's\u2026 kind of you to offer, but I have to decline.\n\n\n\n**Iselia:** If you're worried about any repercussions, I assure you there won't be any. You'll be able to return, good as new.\n\n\n\n**Kelt:** That's not why. Remember what the priest said? About sticking to your beliefs no matter what? The gods didn't want me to leave.\n\n\n\n**Iselia:** The gods are dead, you saw them. Their laws no longer hold any power.\n\n\n\n**Kelt:** Maybe, but they're still the gods I prayed to every night for most of my life. They're the gods I died for. I think\u2026 I think they would want me to stay with the others. I don't think I could live with myself if I got out and they didn't.\n\n\n\n//There is a pause as I hear the conviction in his breath. I realize that I cannot sway him.//\n\n\n\n**Iselia:** Very well, if that is what you wish.\n\n\n\n//I wave my hand in a circle, and my map begins to unfurl in a ring around my person.//\n\n\n\n**Iselia:** Thank you, Kelt. You have been a great help on this expedition. I will ensure that you are not forgotten.\n\n\n\n**Kelt:** Don't mention it.\n\n\n\n//There is a shrill sweeping sound, and my map and I return to the land of the living.//\n\n[[/div]]\n\n\n\n-----\n\n\n\nNow I am aware that this story ends on a rather sorrowful note. But my duty is to tell you the truth, and in this case, the truth is tragedy. Millions of souls were lost in the collapse of the Halls of Eithon. That is an injustice that cannot be rectified, and its depth cannot be understated. I do not intend to try. However, I do believe that even a cloud as dark as this one has a silver lining. From the deepest pit of despair I have ever encountered, we managed to retrieve something invaluable.\n\n\n\nNow, the cynical among you may be asking yourselves: \"what good is a map of a realm that doesn't exist anymore?\" And to you I say, keep your mouth shut. I know what I'm doing. It is true that the map I obtained cannot be used for its conventional purpose, but I shall remind you that it is still the first map of an afterlife charted by one of our own. It is knowledge once barred by the gates of death itself. The power it holds, like the tragedy that revealed it to us, cannot be understated.\n\n\n\nSo I ask you, dear readers, to not simply remember the followers of Truun, but to honor them. Do not think of them merely as another unfortunate injustice in an ever-growing list. Recognize the loss they suffered, yes, but think also of how they faced such a loss: with a faith as strong as iron despite no gods left to pray to. With compassion towards a stranger that they know will never be repaid. With a smile in the face of the abyss.\n\n\n\nWith honor and grace.\n\n\n\n\n\n\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_wandsmen", "adventure", "afterlife", "bittersweet", "goi-format", "goicon-2026", "otherworldly", "religious-fiction", "wandsmen"], "title": "A Wandsman in the Halls of a Lost Paradise - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-wandsman-in-the-halls-of-a-lost-paradise"}, "a-wandsman-in-the-navel-of-the-moon": {"created_at": "2022-07-11T00:47:00", "creator": "Kilerpoyo", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-07-11T00:47:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-07-11T00:53:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-07-11T00:53:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-07-11T03:14:00"}, {"author": "Subervos", "author_href": "https://www.wikidot.com/user:info/subervos", "comment": "Added tags: _licensebox, _wandsmen, co-authored, goi-format, wandsmen. ", "date": "2022-07-11T06:07:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-07-21T01:18:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: valravn. ", "date": "2022-10-11T15:42:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2023-01-09T08:19:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2023-02-05T08:05:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2023-02-05T08:08:00"}, {"author": "Fortanono", "author_href": "https://www.wikidot.com/user:info/fortanono", "comment": "Various SPaG pieces", "date": "2023-03-11T05:10:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2023-04-14T01:55:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2023-06-10T22:10:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: afterlife. Removed tags: goi-format. ", "date": "2024-10-09T18:41:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: goi-format. ", "date": "2024-10-09T18:46:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: our-open-veins. ", "date": "2024-10-30T15:21:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2025-10-04T00:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: sin-nombre. ", "date": "2025-10-11T06:31:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:45:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: sin-nombre-cartel. Removed tags: sin-nombre. ", "date": "2025-10-18T05:40:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2025-11-10T01:55:00"}, {"author": "Din-Bidor", "author_href": "https://www.wikidot.com/user:info/din-bidor", "comment": "Parent page set to: \"our-open-veins-hub\".", "date": "2026-07-12T22:19:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-wandsman-in-the-navel-of-the-moon", "page_id": "1420068801", "rating": 70, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wikidot.com/theme:shattered-thoughts/code/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"display: none\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">scp-wiki.wikidot.com</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">theme</span><span class=\"hl-special\">:shattered-thoughts</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">code</span><span class=\"hl-code\">/1);\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Words</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Wisdom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2021</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Created</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Cole</span><span class=\"hl-code\"> 13\n    </span><span class=\"hl-identifier\">CC</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BY-SA</span><span class=\"hl-code\"> 3.0\n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Mate</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">SC</span><span class=\"hl-code\">&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">  \n    </span><span class=\"hl-reserved\">animation-name:</span><span class=\"hl-code\"> floating</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-iteration-count:</span><span class=\"hl-code\"> infinite</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-timing-function:</span><span class=\"hl-code\"> ease-in-out</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">pointer-events:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">floating</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">from</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,  </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    65%  </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\">   </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, -</span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">    \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.860</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"The Wandsmen\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0.3125</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translateX(-</span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">56</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\"</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(http://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/WANDPNG%</span><span class=\"hl-number\">20</span><span class=\"hl-code\">.png) </span><span class=\"hl-string\">center</span><span class=\"hl-code\"> </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size :</span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">prefers-reduced-motion</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BACKGROUND</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/MRSTAR23.webp) </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\"> </span><span class=\"hl-string\">repeat-x</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">LINKS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">BLOCKQUOTE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">OWINDOWS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">simply</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">karma</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colors</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">in</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">that</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">user</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">pop-up</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">menu</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">No</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">functional</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">purpose</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">besides</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">it</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">looks</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">neat</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">really</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">img</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">src</span><span class=\"hl-code\">*=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">userkarma.php</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">filter:</span><span class=\"hl-code\"> hue-rotate(-</span><span class=\"hl-number\">0.39</span><span class=\"hl-code\">turn)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> :</span><span class=\"hl-special\">:selection</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">RATING</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MODULE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SEARCH</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TOP</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> linear-gradient(to </span><span class=\"hl-string\">right</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#6b5295</span><span class=\"hl-code\"> </span><span class=\"hl-number\">75</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#e6e6e6</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SIDEBAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.heading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.menu-item</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.side-block</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABBERS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\">rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">USER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">INFO</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDBAF5</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#account-options</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABLES</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">MISCELLANEOUS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Changes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">border</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">section</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">which</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">typically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colored</span><span class=\"hl-code\"> #888, </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">match</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">better</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">While</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">page</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">saving</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">loading</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">there</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">on</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">was</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">difficult</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">read</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">due</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">body</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">s</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">properties</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">color</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">being</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">white</span><span class=\"hl-code\">), </span><span class=\"hl-identifier\">so</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">this</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">be</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">more</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">thematically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">appropriate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">legible</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.owait</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.osuccess</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}</span></pre></div>\n</div>\n</div>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>SCP-6038:</strong> A Wandsman in the Navel of the Moon<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/kilerpoyo\" onclick=\"WIKIDOT.page.listeners.userInfo(6852037); return false;\"><img alt=\"Kilerpoyo\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6852037&amp;amp;size=small&amp;amp;timestamp=1788190687\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6852037)\"/></a><a href=\"http://www.wikidot.com/user:info/kilerpoyo\" onclick=\"WIKIDOT.page.listeners.userInfo(6852037); return false;\">Kilerpoyo</a></span> and <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/chaucer345\" onclick=\"WIKIDOT.page.listeners.userInfo(2002514); return false;\"><img alt=\"chaucer345\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=2002514&amp;amp;size=small&amp;amp;timestamp=1788190687\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=2002514)\"/></a><a href=\"http://www.wikidot.com/user:info/chaucer345\" onclick=\"WIKIDOT.page.listeners.userInfo(2002514); return false;\">chaucer345</a></span><br/>\nThis is the fourth part of a larger storyline<br/>\n\u26a0\ufe0f <strong>Content warning:</strong> This article contains a content warning: War Crimes, Violence, Political Violence, Mass Murder, Crimes Against Humanity</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"newspaper-border\">\n<div class=\"newspaper-main\">\n<div class=\"newspaper-headline\" style=\"font-size: 370%;\">DIRECTLY FROM THE HOTLANDS!</div>\n<div class=\"newspaper-headline\" style=\"font-size: 200%;\">A WANDSMAN IN THE NAVEL OF THE MOON</div>\n<div class=\"newspaper-reporter\">by The Fifth Wandsman of Elysium</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">I</span> beg the reader to forgive me if the stream of my words comes off as unfocused or inelegant, for I feel overwhelmed by emotion as I report the terrible and yet fascinating series of events that took place in the Hot Lands of Mexico. Events that I have not only witnessed but also became involved in, as an unassuming piece in a game of chess that I am just beginning to comprehend. I know that a Wandsman is supposed to remain objective and neutral. Yet a wise man once said: \"Neutrality in times of injustice is just siding with the oppressor\". I trust the reader to come to their own conclusions about this matter. With this being said, let my story begin.</div>\n</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">A</span>ll of these words are a tribute to Ireta K'\u00e9ri and a celebration of the bravery and pride of its people. Everything started, as it usually does on Earth, with a war. It was a war that the people of the Hot Lands did not ask for, but came to them nevertheless. The war started as a struggle for control of the drug trade. What was supposed to be a clash between criminal groups soon devolved into a barbaric cavalcade of carnage where no one was safe. Local businesses were extorted until bankruptcy, farmers were driven off their lands and left to starve, women were kidnapped and sold into unspeakable slavery, and children were recruited to toil and die as human shields. The forces of order, supposed to protect the people, at best did nothing and at worst were complicit in their people's agony. The Hot Lands became a mass grave.\n<p>Ireta K'\u00e9ri was just a normal town. When they found themselves besieged by drug gangs and corrupt officers they had no way of resisting. Outgunned and outmatched they would have soon become another ghost town. One among many. But the memory of the Hot Lands goes back a long time. The people of Ireta K'\u00e9ri decided it was time for remembrance. The Church had forbidden them to commune again with <em>Los Dioses Viejos</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>, but why should they listen to a Church that would not move a finger to protect them? So they dug the old statues and rebuilt the ancient temples. They offered maize, cacao, and even their own blood to the forgotten altars. And soon the magic of the Old Ways was alive in the Hot Lands again. The primordial fire of Curicaueri gave the people of Ireta K'\u00e9ri the power to fight back. And for a time, their land was free.</p>\n<p>Ireta K'\u00e9ri became a symbol of hope and resistance against violence and oppression. Many towns around the Hot Lands began following their example, rising against drug lords and corrupt authorities alike. For the first time in a long time, the children could play safely in the streets again. Ireta K'\u00e9ri kept growing strong and even the Mexican Government and the Foundation had to reluctantly accept their autonomy. They were thriving and on their way to becoming a prosperous enclave that in time could rival even the splendor of Three Portlands.</p>\nAll of this came to a tragic end on a fateful night when the people of Ireta K'\u00e9ri woke up to a treacherous attack. No one was spared. Local authorities gathered the shredded remains of the brave people of Ireta K'\u00e9ri and buried them in mass graves. The Foundation conducted an investigation and declared the incident \"an attack by nahual therianthropes working for the cartels\". Three hundred people were just gone in one night, ripped apart by feral demons. The ruins of the once-thriving town still stand as a monument to all hopes and dreams gone, all the ancient knowledge lost forever, and all the laughter of the children that will never be heard again.</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">I</span> am nothing but a chronicler. My place is to record history, not to bring justice. And yet, I felt exceptionally strongly that Ireta K'\u00e9ri should not be forgotten. I became determined to find the truth and bring it to the world. So I began my quest in one of my least favorite places on this planet: a Foundation Site.\n<p>\"It is always a pleasure to receive a member of the Order\", said the man in the lab coat, \"I have been given clearance to answer all your questions regarding the unfortunate events at Ireta K'\u00e9ri.\"</p>\n<p>\"The Foundation's generosity is always appreciated by my kind\", I replied somewhat dryly. The ambiance felt sterile. Through years of experience, the Foundation had perfected the art of sanitization to an uncomfortable degree, \"I would be interested in knowing more about the motives and nature of the attack.\"</p>\n<p>\"This was nothing but the logical consequence of the escalation of violence towards the anomalous,\" he replied in a voice as sanitized as the air in the room. His tone was dry and emotionless, matter-of-factly talking about the death of hundreds of people: \"The people of Ireta K'\u00e9ri tapped into dangerous thaumaturgy to fight the cartels and \u2014 while that worked for a time, it was only natural that the cartels would respond with even more powerful thaumaturgy. In the end, their own magic was their downfall.\"</p>\n<p>\"Some may say that if they hadn't turned to the Old Ways they would have been dead sooner.\" I retorted while taking notes, \"I can see that the Foundation was not an admirer of Ireta K'\u00e9ri.\"</p>\n<p>\"It is easy to get caught in a romantic vision, especially from an outsider's perspective. The truth is that kind of power in the hands of civilians rarely ends well. They should have put their trust in the institutions. That is always the safest route.\"</p>\n<p>\"So do you believe the Foundation is doing a good job protecting the people in the Hot Lands?\"</p>\n<p>\"We maintain very close cooperation with Mexican authorities in matters of security. As you may have been informed, drug violence is on the rise and the cartels had turned to anomalous methods. Tragically, the Hot Lands are a strategic point in the smuggling of Arc\u00e1ngel.\"</p>\n<p>Arc\u00e1ngel. Such a beautiful name for such a foul thing. An anomalous psychoactive substance synthesized from the bodily secretions of an angel after being subjected to horrendous cannibalistic torture. It is in high demand by the likes of the Hunter's Black Lodge and the Nalkan cults and \u2014 if the rumors are correct; even the Allagaddans are not immune to its rush. However, it is believed among scholars of the anomalous drug trade that the greatest demand comes from no other place than Three Portlands itself.</p>\n<p>\"We have been working hard to contain them, but as long as the demand for Arc\u00e1ngel remains high, we will keep seeing anomalous cartel violence. However, people should refrain from tapping into the anomalous themselves. The risks outweigh any benefits and it only contributes to the ongoing escalation of violence. Currently, we are working alongside the Horizon Initiative to discourage any use of pre-Christian thaumaturgy in the region.\"</p>\n<p>\"Could you elaborate on that collaboration?\"</p>\n<p>\"The idea is to restore faith and trust in the Catholic Church. We have seen a rise in cults tapping into the Old Ways, such as the devotion to the Pale Lady. Unfortunately, this has resulted in a surge of fatal anomalous incidents. We are confident that renewing the Catholic values of the population could discourage these practices. The Horizon Initiative constitutes an invaluable partner in this endeavor.\"</p>\n<p>\"I see.\" I did not want to get sidetracked too much, so I decided to brush aside my questions about the implications of this (un?)holy alliance, \"What can you tell me about the specifics of the attack?\"</p>\n<p>\"As you may be aware, we suspect that nahual theriantropy was employed. Everything points to the Sin Nombre organization. They are the biggest producers and smugglers of Arc\u00e1ngel. Most of the other cartels fear them for their mastery of anomalous warfare. Ireta K'\u00e9ri was disrupting their smuggling routes, so they had the motives and the means.\"</p>\n<p>Sin Nombre. Those with no name. Not even the most powerful cartels would dare to go against them. Even if only half of what I've heard about their brutality was true, that would put them on the level of the most deranged followers of the King in Red. And yet Ireta K'\u00e9ri stood against them. An act of bravery\u2026 or an act of foolishness? Anyways, the sterile ambiance of the Foundation Site was getting on my nerves, so it was time for a field trip.</p>\n\"I'm really thankful for the Foundation's cooperation.\" I put on my best diplomatic smile, \"If you don't mind, I would appreciate seeing the ruins of Ireta K'\u00e9ri.\"</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">T</span>ruth be told, the place reeked of magic. The fire magic of Curicaueri lingered melancholically in the air as if it was lamenting the lives it failed to protect. And there was the unmistakable scent of theriantropy. Some say that we the Wandsmen take avian forms in order to leave behind our former selves in the service of knowledge. Nahuales do something similar but lose themselves to their primal urges instead. They become feral and blood-lusted, making them the perfect natural-born killers. However, something was off. The nahual thaumaturgy can be brutal, but it is also a primordial force of nature. It means death but also life. And yet this magic felt infertile, unbalanced. This was not the ancestral magic I had expected.\n<p>I stood among the ruins of Ireta K'\u00e9ri. For some the <em>adobe</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> constructions could be interpreted as a lack of resources, however, the technique of the mud-brick was as ancestral as the Old Ways. The <em>adobe</em> walls keep the heat inside in winter and outside in summer. I took a look at the ruined houses of the once-proud town. The walls were still tainted with blood and ashes. I noticed a ragdoll among some debris.</p>\n<p>\"How many children lived here?\" I asked.</p>\n<p>\"Around 15 or 20\", answered the captain, \"We could not find their remains. Guess they were eaten completely. I've heard the nahuales like child meat. They say it's sweeter.\"</p>\n<p>My escort consisted of several members of the Mexican National Guard, as well as some MTF operatives from the Foundation. They were very polite for the most part. The national guards seemed amused by the task of escorting a talking bird, while the MTFs were probably thankful for a mission that did not involve getting dismembered by an eldritch abomination.</p>\n<p>I decided to take a closer look at the ragdoll in the debris. There was something shiny behind it. I dug it up. It was the point of a spear. High carbon stainless steel. The design looked primitive but the craft certainly wasn't ancient. And the engravings on it were particular, they looked almost \u2014 Runic. I checked the soldiers weren't looking and put it in my purse.</p>\n<p>Something amiss was happening here and neither the Foundation nor the government seemed to really care. They wouldn't let me linger in the ruins for too long and there were no other obvious leads to follow. They say a crime without a witness is a perfect crime. But were there really no witnesses? Perhaps for those confined to the living world. But a Wandsman suffers from no such restrictions.</p>\nThe people of Ireta K'\u00e9ri were followers of the Old Ways, so their souls should be on Mictl\u00e1n. If only I could reach them I could bring their voices back to the world. To give them, if not justice, at least some sort of closure, then I would feel the story was complete. But entering Mictl\u00e1n as a living being is not straightforward. To enter the Underworld, you usually need two things: an invitation and a psychopomp. Fortunately, I knew how to get invited.</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">W</span>alking along the P\u00e1tzcuaro Lake shoreline at night is usually not a good idea. While the reflection of the statue of the Janitzio island in its water is stunning, especially under the moonlight, the lake is home to the Miringuas. Miringuas are water spirits with a fondness for drowning people and feasting on their souls, then sending the leftovers as a tribute to the Lords of Mictl\u00e1n. Though they were mere vassals of the Lords of Death, they also had the authority to issue an invitation. <em>There</em> was my opportunity. I just needed to avoid being drowned and convince them to cooperate. Easier said than done.\n<p>I wandered the shoreline for half an hour without trouble. I was starting to fear that the Miringuas would not be hunting that night. Fortunately (or unfortunately), my fear was mistaken. I felt the embrace of a cold claw pulling me from my legs into the depths. I'm not an aquatic bird, so I found myself at a disadvantage. I needed to play my cards quickly and show some of those famous Wandsmen diplomacy skills.</p>\n<p>\"Miringua!\", I shouted through a telepathic spell, \"I hope you can forgive me, but I would not be a good nourishment for you.\"</p>\n<p>The Miringua was unimpressed, \"And why would that be, <em>pajarito</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup>?\"</p>\n<p>\"The soul of a Wandsman has been tainted by so many incantations that it has lost any natural flavor.\"</p>\n<p>\"Flavor is not the only thing that matters in a meal.\"</p>\n<p>\"Are the Miringuas so hungry as to settle for a tasteless dish?\"</p>\n<p>\"No we are not, but we also don't like our prey getting away and telling everyone we are bad hunters.\"</p>\n<p>\"Oh but I'm not getting away, my life is yours and only yours mighty Miringua. But you should not settle for my tasteless meat. You should find a better use for me.\"</p>\n<p>\"And what would that be?\"</p>\n<p>I had to be precise here, \"I would surely make an excellent tribute to the Death Lords, to whom you must pay your due in order to hunt in this lake.\"</p>\n<p>\"So we kill you and send you there.\"</p>\n<p>\"Everyone can send a soul after killing it. But only the mightiest warriors dare to bring a living tribute. Your masters certainly would be impressed by such achievement.\"</p>\n\"Fine <em>pajarito</em>, the Miringuas shall be known as the mightiest of warriors.\" The ghoul-like spirit spat on its claw and drew a cross on my forehead. \"Go to the surface the Xolotl shall find you, for you are marked by us. Present yourself as a tribute from the Miringuas, and it will guide you to the Death Lords of Mictl\u00e1n.\"</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">\"S</span>o Miringuas are not very intelligent,\" said the Xolotl dog as I followed him through the streets of P\u00e1tzcuaro, \"but to be fair, neither are you.\"\n<p>\"They are also quite disgusting,\" I replied while cleaning the gross symbol off my forehead.</p>\n<p>The Xolotl was an entirely hairless dog. It had black skin and golden eyes that penetrated the deepest confines of your soul. Eyes that now were looking at me condescendingly. I felt overwhelmed by the bearing of its sight as if my darkest secrets and mistakes were being revealed and judged. Which I suppose is just appropriate coming from a psychopomp.</p>\n<p>\"I know almost getting myself eaten wasn't the brightest move, but I did not have a lot of options,\" I said as if confessing a sin, \"by the way, what can I do to convince you to not hand me to the Death Lords?\"</p>\n<p>As we descended into the undercity, the twist and turns started to get less and less euclidean. I could feel how reality unfolded unto itself. It always takes a while to accustom oneself to the rules of an Underworld.</p>\n<p>\"The Death Lords have been gone for a long time. Now La Catrina, the Pale Lady calls the shots here. But don't panic, she has no use for a soul of your ilk.\"</p>\n<p>We turned left in an alley and suddenly my canine guide stopped \"Here we are, <em>pajarito</em>.\"</p>\n<p>In front of my eyes extended the majesty of the Mesoamerican Underworld. An endless toroidal necropolis of colorful tombs that blended the better aspects of life and death. The tomb city folded into itself, creating a kaleidoscopic spectacle where directions and orientations stopped mattering. Architectures from different time periods coexisted in a fascinating mix: from ancient stone pyramids to baroque churches, from art-nouveau palaces to humble colonial parishes, from brutalist concrete monuments to neon-adorned kitsch extravaganzas. Here the dead could live unbothered till the end of times.</p>\n<p>\"Do you think the Pale Lady would honor me with an audience?\"</p>\n\"Probably, she's always looking for things to amuse her,\" answered the dog snarkily, \"she also has a fondness for suicidal idiots.\"</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">\"I'</span>m really happy to see you here, <em>pajarito</em>\", the Pale Lady smiled with an almost child-like wonder, \"it is so rare that I have a visitor so full of life.\"\n<p>She sat behind an old wooden desk. Her office felt warm and cozy, it was truly a beautiful expression of the art-deco style, perfected by the dead artisans in a way that the living never could. Behind her, there was an enormous window with a beautiful view of the undercity. The Lady was wearing an elegant dress with a wide hat decorated with cempas\u00fachil flowers. Her pale and soft skin contrasted with her dark eye shadow makeup that made her look like a <em>calavera</em>. Or was she an actual skeleton? It was hard to tell for some reason.</p>\n<p>\"My lady, I'm so glad that you find my presence charming. But I\u00b4m afraid I'm here for a grim matter. I intend to report the truth about the massacre of Ireta K'\u00e9ri. I found no answer in the land of the living, so I came here in search of their lost souls, intending to hear their story from their own voices.\"</p>\n<p>\"If that is the case, I am afraid to tell you that those souls are indeed lost. They are so lost that my Xolotls could not find them and bring them to Mictl\u00e1n.\"</p>\n<p>\"But how could that be? How could their souls just vanish like that?\"</p>\n<p>\"The living like to think that after death there are no more problems or dangers. The truth is that the soul is just as vulnerable as the living body. A lot of bad things can happen that prevent a soul from reaching the afterlife.\"</p>\n<p>I felt so disheartened. Not only had Ireta K'\u00e9ri been viciously destroyed, but also their souls were gone? What kind of evil was behind this? And for what end?</p>\n<p>\"There's another thing I want to ask,\" I showed her the spearhead I found in the ruins. \"Have you ever seen something like this before?\"</p>\n<p>She took the spearhead and placed it under a lamp. She examined it for a few minutes before saying: \"It looks like a tooth.\"</p>\n<p>\"A tooth? What type of tooth?\" I asked confused.</p>\n<p>\"I don't know. It just looks like one.\" She smiled as she handed me the spearhead.</p>\n<p>I sighed. \"Please, <em>Santa Muerte</em>, is there a way you could help me to find out what's happening?\"</p>\n<p>\"Don't worry about that <em>pajarito</em>. Things are already in motion and soon you will find your truth, whether you like it or not. Can I ask you a question, little bird?\"</p>\n<p>\"Of course, my lady.\"</p>\n<p>\"Why is the truth so important to you?\"</p>\n<p>\"Because I think the truth will lead to justice\u2026 Eventually.\"</p>\n<p>\"Is that why you became a Wandsmen?\"</p>\n<p>\"I think so.\"</p>\n<p>\"Godspeed, <em>pajarito</em>. You are on your way to a meeting with your destiny. I can bless you with two pieces of advice: tell the men without a name that the Pale Lady won't take kindly to a broken promise and ask R if the nightmares have gotten quieter. Now go <em>pajarito</em>, there is no time to lose.\"</p>\nAs she finished saying these last words I found myself dragged away from the land of the dead. I'm used to teleportation, but this was more as if space-time itself swallowed me and then barfed me into the living world. I found myself again in the streets of P\u00e1tzcuaro. I was still recovering and assimilating what had just happened when a black van parked in front of me. Three masked men descended from it and unceremoniously dragged me into the car.</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">\"W</span>e don\u00b4t like snitching birds\", said the man in the jaguar mask. My other two kidnappers wore a coyote and a snake mask, respectively. They took turns beating the shit out of me. They burned me with cigarettes and tore out my feathers, among other horrible things the knowledge of which I will spare the reader. The fury and cruelty of a nahual are terrific even in human form. To this day, I'm glad I never had to face a fully transformed one.\n<p>\"We will fucking eat you, <em>cabr\u00f3n</em>. But first we will make you regret the day you were born and the day you became this fucking bird, <em>rata alada</em>. This will teach to not fuck with Sin Nombre.\"</p>\n<p>Sin Nombre. The men with no name. That was it! I mustered all my waning strength and said:</p>\n<p>\"The Pale Lady won't take kindly to a broken promise.\"</p>\n<p>The jaguar-masked <em>sicario</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> suddenly stopped. I could not see his face, but I could swear I felt his smile vanishing.</p>\n<p>\"<em>\u00bfQu\u00e9 chingados dijiste?</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup>\"</p>\n<p>\"What you heard,\" I replied with an uncharacteristic bravado both to my usual disposition and my current situation, \"I said if you ever make a promise to the motherfucking <em>Santa Muerte</em> you better not break it.\"</p>\n<p>The three men stood in silence. At least the torture had stopped. They muttered something to the driver. The van stopped and I was thrown into a ditch. I was beaten, broken, and in the middle of nowhere but alive at last. Whatever deal those monsters had with the Lady had saved my life.</p>\n<p>I would be lying if I told you that I did not think about running away. I was no longer just an observer and my life was on the line. I was no Raptor and even they could not help me for their activities were forbidden on Earth. And yet I felt a strange determination. I owed the truth to myself and to Ireta K'\u00e9ri.</p>\nI was limping my way back to civilization when I heard a car stopping next to me. For a moment I feared the Sin Nombre goons had decided to break their promise and finish the job. But instead of the black van, it was a blue VW Beetle. A person got out and carried me into the vehicle. That was the last thing I remember before blacking out.</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">I</span> woke up in a small hotel room. A dim light from an old lamp revealed a place that had not been renewed in a long time. It reminded me of the anachronistic architecture of the Underworld and for a moment I feared the worse. However, I noticed my wounds have been treated. I tried standing up but a sharp pain prevented me.\n<p>\"You still need some more rest.\" The person from the VW was standing in a corner. They wore tarnished jeans and a leather jacket over a white shirt. What caught my attention was their eyes, they looked friendly yet they betrayed an immense sadness, \"It should not take too long, you Wandsmen heal quickly\".</p>\n<p>\"I'm most thankful for your help. May I know the name of my benefactor?\"</p>\n<p>\"You can call me R.\"</p>\n<p>I remembered more quickly this time, \"The Pale Lady wishes to know if your nightmares have gotten quieter.\"</p>\n<p>\"They have, thanks,\" replied R with a somewhat sad smile. \"Well, I guess this confirms you are indeed the Wandsman I was looking for.\"</p>\n<p>\"To my knowledge, I'm the only Wandsman in the country, but I suppose one is never too sure.\"</p>\n<p>\"I know you are searching for the truth about Ireta K'\u00e9ri.\"</p>\n<p>\"What do you know about that?\" My heart raced at the prospect of finally shedding light on this matter.</p>\n<p>\"I can tell you that the Foundation has lied to you.\"</p>\n<p>\"Go on.\"</p>\n<p>\"You'll see, Ireta K'\u00e9ri was not only a trouble for the cartels. They were defying the government's authority and even the Foundation was afraid they could not contain them if they were allowed to get stronger. An anomalous uprising against the government would mean very bad news for the Veil. Also, they were not only blocking the drug trade but the mining operations as well. The zone is full of lithium. Everybody needs lithium these days, especially the Foundation.\"</p>\n<p>\"So everybody had something to win with Ireta K'\u00e9ri gone. Sin Nombre, the government, the Foundation. Are you telling me they were behind this?\"</p>\n<p>\"Partially, but there is still a piece missing in the puzzle.\"</p>\n<p>Then I remember the spearhead. I searched for my purse but could not find it. I must have lost it when the Sin Nombre goons kidnapped me. And the spearhead was gone with it. The missing piece.</p>\n<p>\"There was a tooth\u2026 a spearhead. I lost it but I think is related.\"</p>\n<p>\"And you are correct. What if I told you there is a place where you can find the missing piece?\"</p>\n<p>\"And what kind of place would that be?\" I inquired.</p>\n<p>\"The Mexican Intelligence keeps their confidential records in the C4<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> security complex. It is very well protected against human threats and most magic.\"</p>\n<p>\"I think here the keyword is 'most'.\"</p>\n<p>R smiled confidently. \"They are probably not expecting a Wandsman to teleport there.\"</p>\n<p>\"And what would a Wandsman be looking there for?\"</p>\n\"A dossier by the name Operaci\u00f3n Trueno.\"</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">B</span>reaking into the C4 and retrieving the Operaci\u00f3n Trueno dossier was relatively anticlimactic. Architecturally, it looked like your standard evil brutalist dystopian compound. It truly was a fortress, both physically and magically. For a government ruling over such impoverished people, they had certainly spared no expense in making their complex unbreakable. Well, almost unbreakable. Their walls were reinforced to withstand both rocket launchers and pyromancy. It certainly had pretty good defenses against most conventional magic, preventing the entrance of unwanted guests. Fortunately, Wandsmen teleportation works on a different channel than conventional human magic. Once I had the dossier in my talon, I returned to the hotel room. R was already gone. I sat on the bed and proceeded to read the dossier. The answers I was looking for would finally be revealed.\n<p>But of course, things are never so uncomplicated. There was a last security measure in the dossier. As I opened it, I also opened a pocket dimension contained within it. And with horror, I saw a bear-shaped ironclad monstrosity materializing in front of me. Before I could run or cast anything, the biomechanical horror leaped on me. There were at least five hundred kilograms of flesh and metal crushing my bones. As the bear opened its mouth to devour my head, I could see that its teeth were in fact spearheads. High carbon stainless steel spearheads.</p>\n<p>\"Hey <em>chingadera</em>, you better leave that <em>pajarito</em> alone.\" A push of energy sent the bear-thing flying away from me. I turned my head to look at my would-be savior: a young woman in camo pants and a sleeveless shirt. She had long black hair and wore a lot of bracelets, necklaces, and amulets which I believe were more of a thaumaturgic necessity than a fashion statement.</p>\n<p>But the battle was not over and the roar of the cyborg bear shredded my ears as it charged against her. For a moment it seemed as if the creature was going to rip her head with its claws, but just as it was about to reach her, the bear vanished as suddenly as it had appeared. She exhaled a sigh of relief and fell to her knees, breathing heavily.</p>\n<p>\"That was a close one,\" She said.</p>\n<p>\"That was no nahual.\" That was the only coherent thought I could articulate.</p>\n<p>\"No shit, <em>Belascoar\u00e1n</em>.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup>\"</p>\n<p>\"What happened to it?\"</p>\n<p>\"I sent it back to where it came from. It was quicker than trying to destroy it and we were in a hurry.\"</p>\n<p>\"I must thank you for saving me.\"</p>\n<p>\"No problem. R told me to keep an eye on you in case something went wrong. Generally, I'm not a big fan of your kind. I find you, gossip birds, kind of annoying and unhelpful. All that power and you only think about writing in your journals instead of actually doing something useful. But you are different, you were not afraid of putting your life on the line.\"</p>\n<p>\"The search for truth is also a search for justice. Maybe you have judged us Wandsmen wrong.\"</p>\n<p>\"Perhaps I did. Now you have the dossier, all the evidence is there. You have the truth, now go find your justice.\"</p>\n<p>\"I guess it's over now.\" I sighed.</p>\n\"If only, the war is never over. One last thing, this will make more sense once you read the dossier. However, when you write the story I want you to include this part: tell those nordic bastards that La Comandanta is back and ready to kick their corvid asses back to Hel.\"</div>\n<hr/>\n<div class=\"newspaper-body\"><span style=\"font-size:250%;\">S</span>ome well-informed reader may have already assembled the puzzle. For those still in the shadows, I have added the Operaci\u00f3n Trueno dossier as an appendix to this article. Everything will be clear after reading it. On my part, I can only hope that my search for truth has done justice to the heroic town of Ireta K'\u00e9ri. I hope their lost souls find the peace they deserve. May truth and justice always find a way to the surface, no matter who wants them to remain hidden.</div>\n</div>\n<hr/>\n<hr/>\n<div style=\"text-align: justify;\">\n<p>The suited man finished reading the newspaper draft and left it on his desk. He sat on his office chair under dim light, looking like a crow on its nest. He directed an inquisitive look to the Wandsman.</p>\n<p>\"I assume that you did not bring this to us because you wanted editorial input.\"</p>\n<p>\"That would be correct,\" replied the Wandsman.</p>\n<p>\"And since you have not published it yet, it is safe to assume you are here to negotiate.\"</p>\n<p>\"Also a correct assumption.\"</p>\n<p>\"In that case, you should know that I have the authorization to negotiate on behalf of the High Table as long as I defend the interests of the Valravn Corporation.\" He obviously took great pride in his position within the company. \"So tell me, Wandsman, what are you bringing to the table?\"</p>\n<p>\"I know the Mexican government hired Valravn to destroy Ireta K'\u00e9ri and blame it on the cartels. I also know that the Foundation was complicit and agreed to fake an investigation to cover up your involvement. It was crucial to not leave any witnesses, whether dead or alive. So you sent Berserkers to mimic a Nahual attack. In addition, your Berserker's teeth and claws are consecrated replicas of Gungnir, Odin's spear. Anyone killed by them would have their soul automatically tributed to Odin. That's why the souls of Ireta K'\u00e9ri never reached Mictl\u00e1n. You were harvesting them for your god. That would also prevent anyone from contacting those souls and finding the truth. However, your involvement was recorded by Mexican intelligence in the Operaci\u00f3n Trueno dossier, which I happen to possess and intend to publish alongside my article.\"</p>\n<p>\"It seems that denial at this point would be futile\u2026 Am I correct to assume you are offering your silence?\"</p>\n<p>\"As a Wandsman, I can offer to delay the publication for three hundred years.\"</p>\n<p>\"And what would be your price?\"</p>\n<p>\"I want you to release the souls of Ireta K'\u00e9ri. They will remain in Mictl\u00e1n and they will not speak of what happened for three hundred years as a promise to the Pale Lady.\"</p>\n<p>\"You seem to be overconfident in your position to come here and make demands. You are correct we would prefer this matter to not go public, but the release of this information would be, at worst, just an inconvenience to us.\"</p>\n<p>\"I'm aware of that. However, I know you are maximizers of Profit. Tell me, raven, do you think the Foundation would risk Three Portlands finding out they are willing to let mercenaries neutralize enclaves? They would disavow you before that could happen. Without their blessing, your business becomes much more difficult and your profit goes down. Would the High Table be pleased to know you had the chance to prevent this and chose to do nothing instead?\"</p>\n<p>\"I have to admit you are quite a negotiator\u2026\" The suit took a brief pause before adding: \"Maybe we could reach an agreement after all.\"</p>\n<p>\"There's something else. I know you did not kill all of Ireta K'\u00e9ri. The children, you took them instead. I would like to say that I didn't expect Valravn to be so low as to employ child soldiers, but truth be told I'm hardly surprised.\"</p>\n<p>\"As part of our social responsibility, we have a program to ensure war orphans are given a second chance in life.\"</p>\n<p>\"I want you to release them.\"</p>\n<p>\"Impossible, one thing is releasing the souls, but we cannot permit to have living witnesses. Not even with amnestic treatment.\"</p>\n<p>\"They won't be on Earth, I will take them with me to the Wandsmen.\"</p>\n<p>\"And I thought the Wandsmen were above employing child soldiers.\"</p>\n<p>\"Don't project your sins on me, valravn. They will be given a chance to choose their destiny.\"</p>\n<p>\"That's where you are mistaken. Nobody chooses their destiny. It has already been woven by the Norns. And in the end, Odin owns us all.\" The raven-like representative of the mercenary corporation took a deep breath and sighed: \"Yet you have played your cards well, Wandsman. On behalf of the High Table and the Valravn Corporation, I find your terms\u2026 acceptable.\"</p>\n<p>\"If that is the case, that would be all on my part.\"</p>\n<p>\"I suppose you're feeling quite proud of yourself right now. Enjoy it while it lasts. It never lasts long. However, there is something I have to ask you to do to cement this deal. You know there are worse things than us in the wide, dangerous multiverse. Tell your Editor-In-Chief that we, the Valravn Corporation, gladly put our services at their disposal\u2026 for the right price of course.\"</p>\n<p>The man in the suit leaned forward with a condescending smirk on his lips, \u201cYou know as well as I do that when the chips are down, hiring us is by far the lesser of two evils.\"</p>\n<p>The black-feathered, corvid Wandsman sighed, \"I really hate ravens.\"</p>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"The Second Life of Cristina Cisneros\">\n\n<p><a href=\"/the-second-life-of-cristina-cisneros\">The Second Life of Cristina Cisneros</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Of Ravens and Vipers\">\n<p><a href=\"/our-open-veins-hub\">Of Ravens and Vipers</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"La Llorona Model\">\n\n<p><a href=\"/la-llorona-model\">La Llorona Model</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-wandsman-in-the-navel-of-the-moon\">A Wandsman in the Navel of the Moon</a>\" by Kilerpoyo, chaucer345, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-wandsman-in-the-navel-of-the-moon\">https://scpwiki.com/a-wandsman-in-the-navel-of-the-moon</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Old Gods.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. A type of mud-brick used in Latinamerica.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Little bird</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Hired killer.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. What the fuck did you say?.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Centro de Comando, Control, Comunicaciones y C\u00f3mputo (Center of Command, Control, Communication, and Computation).</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. A fictional detective from a series of noir Mexican novels. A TV series soon coming to Netflix.</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:shattered-thoughts\">:scp-wiki:theme:shattered-thoughts</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:words-of-wisdom\">:scp-wiki:theme:words-of-wisdom</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar\">:scp-wiki:component:toggle-sidebar</a>]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Anton&family=Playfair+Display+SC&display=swap');\n\n\n\ndiv.newspaper-border {\n\n\u00a0\u00a0\u00a0\u00a0border: 2px solid black;\n\n}\n\n\n\ndiv.newspaper-main {\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'Special Elite', sans-serif;\n\n}\n\n\n\ndiv.newspaper-title {\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'Playfair Display SC', serif;\n\n\u00a0\u00a0\u00a0\u00a0font-size: 4em;\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0.25em;\n\n}\n\n\n\ndiv.newspaper-banner {\n\n\u00a0\u00a0\u00a0\u00a0font-family: serif;\n\n\u00a0\u00a0\u00a0\u00a0font-size: 110%;\n\n\u00a0\u00a0\u00a0\u00a0border-top-style: solid;\n\n\u00a0\u00a0\u00a0\u00a0border-bottom-style: solid;\n\n}\n\n\n\ndiv.newspaper-headline {\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'Anton', serif;\n\n\u00a0\u00a0\u00a0\u00a0margin: 2px 0 5px;\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n}\n\n\n\ndiv.newspaper-reporter {\n\n\u00a0\u00a0\u00a0\u00a0font-family: serif;\n\n\u00a0\u00a0\u00a0\u00a0font-size: 120%;\n\n\u00a0\u00a0\u00a0\u00a0font-style: italic;\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n}\n\n\n\ndiv.newspaper-body {\n\n\u00a0\u00a0\u00a0\u00a0font-family: serif;\n\n\u00a0\u00a0\u00a0\u00a0font-size: 1.2em;\n\n\u00a0\u00a0\u00a0\u00a0text-align: justify;\n\n\u00a0\u00a0\u00a0\u00a0text-justify: inter-word;\n\n\u00a0\u00a0\u00a0\u00a0line-height: 1.4em;\n\n\u00a0\u00a0\u00a0\u00a0padding: 1em;\n\n}\n\n\n\ndiv.newspaper-body div.scp-image-block {\n\n\u00a0\u00a0\u00a0\u00a0margin: 0.5em 0 0 1em;\n\n}\n\n\n\ndiv.rejection {\n\n\u00a0\u00a0\u00a0\u00a0border: 4px solid #ff4040;\n\n\u00a0\u00a0\u00a0\u00a0border-radius: 30px;\n\n\u00a0\u00a0\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0\u00a0\u00a0color: #ff4040;\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0.5em;\n\n}\n\n\n\ndiv.rejection-wrap {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0transform: rotate(-3.8deg);\n\n\u00a0\u00a0\u00a0\u00a0\u00a0width: 35vw;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0margin-bottom: 1em;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0margin-left: 3em;\n\n}\n\n\n\n@media only screen and (max-width: 768px) {\n\n\u00a0\u00a0\u00a0\u00a0div.rejection-wrap {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0min-width: 60vw;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0width: 70vw;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0margin-left: -3em;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n\n\ndiv.appeal {\n\n\u00a0\u00a0\u00a0\u00a0margin-top: 5em;\n\n}\n\n\n\nblockquote .inner,\n\ndiv.blockquote .inner {\n\n\u00a0\u00a0\u00a0\u00a0border: .0625rem dashed rgba(var(--swatch-border-color), .95);\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none;\n\n}\n\n[[/module]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n**SCP-6038:** A Wandsman in the Navel of the Moon\n\n**Author:** [[*user Kilerpoyo]] and [[*user chaucer345]]\n\nThis is the fourth part of a larger storyline\n\n\u26a0\ufe0f **Content warning:** This article contains a content warning: War Crimes, Violence, Political Violence, Mass Murder, Crimes Against Humanity\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[div_ class=\"newspaper-border\"]]\n\n[[div_ class=\"newspaper-main\"]]\n\n\n\n[[div_ class=\"newspaper-headline\" style=\"font-size: 370%;\"]]\n\nDIRECTLY FROM THE HOTLANDS!\n\n[[/div]]\n\n[[div_ class=\"newspaper-headline\" style=\"font-size: 200%;\"]]\n\nA WANDSMAN IN THE NAVEL OF THE MOON\n\n[[/div]]\n\n[[div_ class=\"newspaper-reporter\"]]\n\nby The Fifth Wandsman of Elysium \n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]I[[/size]] beg the reader to forgive me if the stream of my words comes off as unfocused or inelegant, for I feel overwhelmed by emotion as I report the terrible and yet fascinating series of events that took place in the Hot Lands of Mexico. Events that I have not only witnessed but also became involved in, as an unassuming piece in a game of chess that I am just beginning to comprehend. I know that a Wandsman is supposed to remain objective and neutral. Yet a wise man once said: \"Neutrality in times of injustice is just siding with the oppressor\". I trust the reader to come to their own conclusions about this matter. With this being said, let my story begin.\n\n[[/div]]\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]A[[/size]]ll of these words are a tribute to Ireta K'\u00e9ri and a celebration of the bravery and pride of its people. Everything started, as it usually does on Earth, with a war. It was a war that the people of the Hot Lands did not ask for, but came to them nevertheless. The war started as a struggle for control of the drug trade. What was supposed to be a clash between criminal groups soon devolved into a barbaric cavalcade of carnage where no one was safe. Local businesses were extorted until bankruptcy, farmers were driven off their lands and left to starve, women were kidnapped and sold into unspeakable slavery, and children were recruited to toil and die as human shields. The forces of order, supposed to protect the people, at best did nothing and at worst were complicit in their people's agony. The Hot Lands became a mass grave.\n\n\n\nIreta K'\u00e9ri was just a normal town. When they found themselves besieged by drug gangs and corrupt officers they had no way of resisting. Outgunned and outmatched they would have soon become another ghost town. One among many. But the memory of the Hot Lands goes back a long time. The people of Ireta K'\u00e9ri decided it was time for remembrance. The Church had forbidden them to commune again with //Los Dioses Viejos//[[footnote]] Old Gods. [[/footnote]], but why should they listen to a Church that would not move a finger to protect them? So they dug the old statues and rebuilt the ancient temples. They offered maize, cacao, and even their own blood to the forgotten altars. And soon the magic of the Old Ways was alive in the Hot Lands again. The primordial fire of Curicaueri gave the people of Ireta K'\u00e9ri the power to fight back. And for a time, their land was free.\n\n\n\nIreta K'\u00e9ri became a symbol of hope and resistance against violence and oppression. Many towns around the Hot Lands began following their example, rising against drug lords and corrupt authorities alike. For the first time in a long time, the children could play safely in the streets again. Ireta K'\u00e9ri kept growing strong and even the Mexican Government and the Foundation had to reluctantly accept their autonomy. They were thriving and on their way to becoming a prosperous enclave that in time could rival even the splendor of Three Portlands.\n\n\n\nAll of this came to a tragic end on a fateful night when the people of Ireta K'\u00e9ri woke up to a treacherous attack. No one was spared. Local authorities gathered the shredded remains of the brave people of Ireta K'\u00e9ri and buried them in mass graves. The Foundation conducted an investigation and declared the incident \"an attack by nahual therianthropes working for the cartels\". Three hundred people were just gone in one night, ripped apart by feral demons. The ruins of the once-thriving town still stand as a monument to all hopes and dreams gone, all the ancient knowledge lost forever, and all the laughter of the children that will never be heard again.\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]I[[/size]] am nothing but a chronicler. My place is to record history, not to bring justice. And yet, I felt exceptionally strongly that Ireta K'\u00e9ri should not be forgotten. I became determined to find the truth and bring it to the world. So I began my quest in one of my least favorite places on this planet: a Foundation Site.\n\n\n\n\"It is always a pleasure to receive a member of the Order\", said the man in the lab coat, \"I have been given clearance to answer all your questions regarding the unfortunate events at Ireta K'\u00e9ri.\"\n\n\n\n\"The Foundation's generosity is always appreciated by my kind\", I replied somewhat dryly. The ambiance felt sterile. Through years of experience, the Foundation had perfected the art of sanitization to an uncomfortable degree, \"I would be interested in knowing more about the motives and nature of the attack.\"\n\n\n\n\"This was nothing but the logical consequence of the escalation of violence towards the anomalous,\" he replied in a voice as sanitized as the air in the room. His tone was dry and emotionless, matter-of-factly talking about the death of hundreds of people: \"The people of\u00a0\u00a0Ireta K'\u00e9ri tapped into dangerous thaumaturgy to fight the cartels and \u2014 while that worked for a time, it was only natural that the cartels would respond with even more powerful thaumaturgy. In the end, their own magic was their downfall.\"\n\n\n\n\"Some may say that if they hadn't turned to the Old Ways they would have been dead sooner.\" I retorted while taking notes, \"I can see that the Foundation was not an admirer of Ireta K'\u00e9ri.\"\n\n\n\n\"It is easy to get caught in a romantic vision, especially from an outsider's perspective. The truth is that kind of power in the hands of civilians rarely ends well. They should have put their trust in the institutions. That is always the safest route.\"\n\n\n\n\"So do you believe the Foundation is doing a good job protecting the people in the Hot Lands?\"\n\n\n\n\"We maintain very close cooperation with Mexican authorities in matters of security. As you may have been informed, drug violence is on the rise and the cartels had turned to anomalous methods. Tragically, the Hot Lands are a strategic point in the smuggling of Arc\u00e1ngel.\"\n\n\n\nArc\u00e1ngel. Such a beautiful name for such a foul thing. An anomalous psychoactive substance synthesized from the bodily secretions of an angel after being subjected to horrendous cannibalistic torture. It is in high demand by the likes of the Hunter's Black Lodge and the Nalkan cults and \u2014 if the rumors are correct; even the Allagaddans are not immune to its rush. However, it is believed among scholars of the anomalous drug trade that the greatest demand comes from no other place than Three Portlands itself.\n\n\n\n\"We have been working hard to contain them, but as long as the demand for Arc\u00e1ngel remains high, we will keep seeing anomalous cartel violence. However, people should refrain from tapping into the anomalous themselves. The risks outweigh any benefits and it only contributes to the ongoing escalation of violence. Currently, we are working alongside the Horizon Initiative to discourage any use of pre-Christian thaumaturgy in the region.\"\n\n\n\n\"Could you elaborate on that collaboration?\"\n\n\n\n\"The idea is to restore faith and trust in the Catholic Church. We have seen a rise in cults tapping into the Old Ways, such as the devotion to the Pale Lady. Unfortunately, this has resulted in a surge of fatal anomalous incidents. We are confident that renewing the Catholic values of the population could discourage these practices. The Horizon Initiative constitutes an invaluable partner in this endeavor.\"\n\n\n\n\"I see.\" I did not want to get sidetracked too much, so I decided to brush aside my questions about the implications of this (un?)holy alliance, \"What can you tell me about the specifics of the attack?\"\n\n\n\n\"As you may be aware, we suspect that nahual theriantropy was employed. Everything points to the Sin Nombre organization. They are the biggest producers and smugglers of Arc\u00e1ngel. Most of the other cartels fear them for their mastery of anomalous warfare. Ireta K'\u00e9ri was disrupting their smuggling routes, so they had the motives and the means.\"\n\n\n\nSin Nombre. Those with no name. Not even the most powerful cartels would dare to go against them. Even if only half of what I've heard about their brutality was true, that would put them on the level of the most deranged followers of the King in Red. And yet Ireta K'\u00e9ri stood against them. An act of bravery\u2026 or an act of foolishness? Anyways, the sterile ambiance of the Foundation Site was getting on my nerves, so it was time for a field trip. \n\n\n\n\"I'm really thankful for the Foundation's cooperation.\"\u00a0\u00a0I put on my best diplomatic smile, \"If you don't mind, I would appreciate seeing the ruins of Ireta K'\u00e9ri.\"\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]T[[/size]]ruth be told, the place reeked of magic. The fire magic of Curicaueri lingered melancholically in the air as if it was lamenting the lives it failed to protect. And there was the unmistakable scent of theriantropy. Some say that we the Wandsmen take avian forms in order to leave behind our former selves in the service of knowledge. Nahuales do something similar but lose themselves to their primal urges instead. They become feral and blood-lusted, making them the perfect natural-born killers. However, something was off. The nahual thaumaturgy can be brutal, but it is also a primordial force of nature. It means death but also life. And yet this magic felt infertile, unbalanced. This was not the ancestral magic I had expected.\n\n\n\nI stood among the ruins of Ireta K'\u00e9ri. For some the //adobe//[[footnote]] A type of mud-brick used in Latinamerica.[[/footnote]] constructions could be interpreted as a lack of resources, however, the technique of the mud-brick was as ancestral as the Old Ways. The //adobe// walls keep the heat inside in winter and outside in summer. I took a look at the ruined houses of the once-proud town. The walls were still tainted with blood and ashes. I noticed a ragdoll among some debris.\n\n\n\n\"How many children lived here?\" I asked.\n\n\n\n\"Around 15 or 20\", answered the captain, \"We could not find their remains. Guess they were eaten completely. I've heard the nahuales like child meat. They say it's sweeter.\"\n\n\n\nMy escort consisted of several members of the Mexican National Guard, as well as some MTF operatives from the Foundation. They were very polite for the most part. The national guards seemed amused by the task of escorting a talking bird, while the MTFs were probably thankful for a mission that did not involve getting dismembered by an eldritch abomination. \n\n\n\nI decided to take a closer look at the ragdoll in the debris. There was something shiny behind it. I dug it up. It was the point of a spear. High carbon stainless steel. The design looked primitive but the craft certainly wasn't ancient. And the engravings on it were particular, they looked almost \u2014 Runic. I checked the soldiers weren't looking and put it in my purse.\n\n\n\nSomething amiss was happening here and neither the Foundation nor the government seemed to really care. They wouldn't let me linger in the ruins for too long and there were no other obvious leads to follow. They say a crime without a witness is a perfect crime. But were there really no witnesses? Perhaps for those confined to the living world. But a Wandsman suffers from no such restrictions.\n\n\n\nThe people of Ireta K'\u00e9ri were followers of the Old Ways, so their souls should be on Mictl\u00e1n. If only I could reach them I could bring their voices back to the world. To give them, if not justice, at least some sort of closure, then I would feel the story was complete. But entering Mictl\u00e1n as a living being is not straightforward. To enter the Underworld, you usually need two things: an invitation and a psychopomp.\u00a0\u00a0Fortunately, I knew how to get invited.\n\n\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]W[[/size]]alking along the P\u00e1tzcuaro Lake shoreline at night is usually not a good idea. While the reflection of the statue of the Janitzio island in its water is stunning, especially under the moonlight, the lake is home to the Miringuas.\u00a0\u00a0Miringuas are water spirits with a fondness for drowning people and feasting on their souls, then sending the leftovers as a tribute to the Lords of Mictl\u00e1n. Though they were mere vassals of the Lords of Death, they also had the authority to issue an invitation. //There// was my opportunity. I just needed to avoid being drowned and convince them to cooperate. Easier said than done.\n\n\n\nI wandered the shoreline for half an hour without trouble. I was starting to fear that the Miringuas would not be hunting that night. Fortunately (or unfortunately), my fear was mistaken. I felt the embrace of a cold claw pulling me from my legs into the depths. I'm not an aquatic bird, so I found myself at a disadvantage. I needed to play my cards quickly and show some of those famous Wandsmen diplomacy skills.\n\n\n\n\"Miringua!\", I shouted through a telepathic spell, \"I hope you can forgive me, but I would not be a good nourishment for you.\"\n\n\n\nThe Miringua was unimpressed, \"And why would that be, //pajarito//[[footnote]] Little bird [[/footnote]]?\"\n\n\n\n\"The soul of a Wandsman has been tainted by so many incantations that it has lost any natural flavor.\"\n\n\n\n\"Flavor is not the only thing that matters in a meal.\"\n\n\n\n\"Are the Miringuas so hungry as to settle for a tasteless dish?\"\n\n\n\n\"No we are not, but we also don't like our prey getting away and telling everyone we are bad hunters.\"\n\n\n\n\"Oh but I'm not getting away, my life is yours and only yours mighty Miringua. But you should not settle for my tasteless meat. You should find a better use for me.\"\n\n\n\n\"And what would that be?\"\n\n\n\nI had to be precise here, \"I would surely make an excellent tribute to the Death Lords, to whom you must pay your due in order to hunt in this lake.\"\n\n\n\n\"So we kill you and send you there.\"\n\n\n\n\"Everyone can send a soul after killing it. But only the mightiest warriors dare to bring a living tribute. Your masters certainly would be impressed by such achievement.\"\n\n\n\n\"Fine //pajarito//, the Miringuas shall be known as the mightiest of warriors.\" The ghoul-like spirit spat on its claw and drew a cross on my forehead. \"Go to the surface the Xolotl shall find you, for you are marked by us. Present yourself as a tribute from the Miringuas, and it will guide you to the Death Lords of Mictl\u00e1n.\"\n\n\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]\"S[[/size]]o Miringuas are not very intelligent,\" said the Xolotl dog as I followed him through the streets of P\u00e1tzcuaro, \"but to be fair, neither are you.\"\n\n\n\n\"They are also quite disgusting,\" I replied while cleaning the gross symbol off my forehead.\n\n\n\nThe Xolotl was an entirely hairless dog. It had black skin and golden eyes that penetrated the deepest confines of your soul. Eyes that now were looking at me condescendingly. I felt overwhelmed by the bearing of its sight as if my darkest secrets and mistakes were being revealed and judged. Which I suppose is just appropriate coming from a psychopomp.\n\n\n\n\"I know almost getting myself eaten wasn't the brightest move, but I did not have a lot of options,\" I said as if confessing a sin, \"by the way, what can I do to convince you to not hand me to the Death Lords?\"\n\n\n\nAs we descended into the undercity, the twist and turns started to get less and less euclidean. I could feel how reality unfolded unto itself. It always takes a while to accustom oneself to the rules of an Underworld.\n\n\n\n\"The Death Lords have been gone for a long time. Now La Catrina, the Pale Lady calls the shots here. But don't panic, she has no use for a soul of your ilk.\"\n\n\n\nWe turned left in an alley and suddenly my canine guide stopped \"Here we are, //pajarito//.\" \n\n\n\nIn front of my eyes extended the majesty of the Mesoamerican Underworld. An endless toroidal necropolis of colorful tombs that blended the better aspects of life and death. The tomb city folded into itself, creating a kaleidoscopic spectacle where directions and orientations stopped mattering. Architectures from different time periods coexisted in a fascinating mix: from ancient stone pyramids to baroque churches, from art-nouveau palaces to humble colonial parishes, from brutalist concrete monuments to neon-adorned kitsch extravaganzas. Here the dead could live unbothered till the end of times.\n\n\n\n\"Do you think the Pale Lady would honor me with an audience?\"\n\n\n\n\"Probably, she's always looking for things to amuse her,\" answered the dog snarkily, \"she also has a fondness for suicidal idiots.\"\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]\"I'[[/size]]m really happy to see you here, //pajarito//\", the Pale Lady smiled with an almost child-like wonder, \"it is so rare that I have a visitor so full of life.\" \n\n\n\nShe sat behind an old wooden desk. Her office felt warm and cozy, it was truly a beautiful expression of the art-deco style, perfected by the dead artisans in a way that the living never could. Behind her, there was an enormous window with a beautiful view of the undercity. The Lady was wearing an elegant dress with a wide hat decorated with cempas\u00fachil flowers. Her pale and soft skin contrasted with her dark eye shadow makeup that made her look like a //calavera//. Or was she an actual skeleton? It was hard to tell for some reason.\n\n\n\n\"My lady, I'm so glad that you find my presence charming. But I\u00b4m afraid I'm here for a grim matter. I intend to report the truth about the massacre of Ireta K'\u00e9ri. I found no answer in the land of the living, so I came here in search of their lost souls, intending to hear their story from their own voices.\"\n\n\n\n\"If that is the case, I am afraid to tell you that those souls are indeed lost. They are so lost that my Xolotls could not find them and bring them to Mictl\u00e1n.\"\n\n\n\n\"But how could that be? How could their souls just vanish like that?\"\n\n\n\n\"The living like to think that after death there are no more problems or dangers. The truth is that the soul is just as vulnerable as the living body. A lot of bad things can happen that prevent a soul from reaching the afterlife.\"\n\n\n\nI felt so disheartened. Not only had Ireta K'\u00e9ri been viciously destroyed, but also their souls were gone? What kind of evil was behind this? And for what end?\n\n\n\n\"There's another thing I want to ask,\" I showed her the spearhead I found in the ruins. \"Have you ever seen something like this before?\"\n\n\n\nShe took the spearhead and placed it under a lamp. She examined it for a few minutes before saying: \"It looks like a tooth.\"\n\n\n\n\"A tooth? What type of tooth?\" I asked confused.\n\n\n\n\"I don't know. It just looks like one.\" She smiled as she handed me the spearhead.\n\n\n\nI sighed. \"Please, //Santa Muerte//, is there a way you could help me to find out what's happening?\"\n\n\n\n\"Don't worry about that //pajarito//. Things are already in motion and soon you will find your truth, whether you like it or not. Can I ask you a question, little bird?\"\n\n\n\n\"Of course, my lady.\"\n\n\n\n\"Why is the truth so important to you?\"\n\n\n\n\"Because I think the truth will lead to justice\u2026 Eventually.\"\n\n\n\n\"Is that why you became a Wandsmen?\"\n\n\n\n\"I think so.\"\n\n\n\n\"Godspeed, //pajarito//. You are on your way to a meeting with your destiny. I can bless you with two pieces of advice: tell the men without a name that the Pale Lady won't take kindly to a broken promise and ask R if the nightmares have gotten quieter. Now go //pajarito//, there is no time to lose.\"\n\n\n\nAs she finished saying these last words I found myself dragged away from the land of the dead. I'm used to teleportation, but this was more as if space-time itself swallowed me and then barfed me into the living world. I found myself again in the streets of P\u00e1tzcuaro. I was still recovering and assimilating what had just happened when a black van parked in front of me. Three masked men descended from it and unceremoniously dragged me into the car.\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]\"W[[/size]]e don\u00b4t like snitching birds\", said the man in the jaguar mask. My other two kidnappers wore a coyote and a snake mask, respectively. They took turns beating the shit out of me. They burned me with cigarettes and tore out my feathers, among other horrible things the knowledge of which I will spare the reader. The fury and cruelty of a nahual are terrific even in human form. To this day, I'm glad I never had to face a fully transformed one.\n\n\n\n\"We will fucking eat you, //cabr\u00f3n//. But first we will make you regret the day you were born and the day you became this fucking bird, //rata alada//. This will teach to not fuck with Sin Nombre.\"\n\n\n\nSin Nombre. The men with no name. That was it! I mustered all my waning strength and said:\n\n\n\n\"The Pale Lady won't take kindly to a broken promise.\"\n\n\n\nThe jaguar-masked //sicario//[[footnote]] Hired killer.[[/footnote]] suddenly stopped. I could not see his face, but I could swear I felt his smile vanishing.\n\n\n\n\"//\u00bfQu\u00e9 chingados dijiste?//[[footnote]] What the fuck did you say?.[[/footnote]]\"\n\n\n\n\"What you heard,\" I replied with an uncharacteristic bravado both to my usual disposition and my current situation, \"I said if you ever make a promise to the motherfucking //Santa Muerte// you better not break it.\"\n\n\n\nThe three men stood in silence. At least the torture had stopped. They muttered something to the driver. The van stopped and I was thrown into a ditch. I was beaten, broken, and in the middle of nowhere but alive at last. Whatever deal those monsters had with the Lady had saved my life.\n\n\n\nI would be lying if I told you that I did not think about running away. I was no longer just an observer and my life was on the line. I was no Raptor and even they could not help me for their activities were forbidden on Earth. And yet I felt a strange determination. I owed the truth to myself and to Ireta K'\u00e9ri.\n\n\n\nI was limping my way back to civilization when I heard a car stopping next to me. For a moment I feared the Sin Nombre goons had decided to break their promise and finish the job. But instead of the black van, it was a blue VW Beetle. A person got out and carried me into the vehicle. That was the last thing I remember before blacking out.\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]I[[/size]] woke up in a small hotel room.\u00a0\u00a0A dim light from an old lamp revealed a place that had not been renewed in a long time. It reminded me of the anachronistic architecture of the Underworld and for a moment I feared the worse. However,\u00a0\u00a0I noticed my wounds have been treated. I tried standing up but a sharp pain prevented me.\n\n\n\n\"You still need some more rest.\" The person from the VW was standing in a corner. They wore tarnished jeans and a leather jacket over a white shirt. What caught my attention was their eyes, they looked friendly yet they betrayed an immense sadness, \"It should not take too long, you Wandsmen heal quickly\".\n\n\n\n\"I'm most thankful for your help. May I know the name of my benefactor?\"\n\n\n\n\"You can call me R.\"\n\n\n\nI remembered more quickly this time, \"The Pale Lady wishes to know if your nightmares have gotten quieter.\" \n\n\n\n\"They have, thanks,\" replied R with a somewhat sad smile. \"Well, I guess this confirms you are indeed the Wandsman I was looking for.\"\n\n\n\n\"To my knowledge, I'm the only Wandsman in the country, but I suppose one is never too sure.\"\n\n\n\n\"I know you are searching for the truth about Ireta K'\u00e9ri.\"\n\n\n\n\"What do you know about that?\" My heart raced at the prospect of finally shedding light on this matter.\n\n\n\n\"I can tell you that the Foundation has lied to you.\"\n\n\n\n\"Go on.\"\n\n\n\n\"You'll see, Ireta K'\u00e9ri was not only a trouble for the cartels. They were defying the government's authority and even the Foundation was afraid they could not contain them if they were allowed to get stronger. An anomalous uprising against the government would mean very bad news for the Veil. Also, they were not only blocking the drug trade but the mining operations as well. The zone is full of lithium. Everybody needs lithium these days, especially the Foundation.\"\n\n\n\n\"So everybody had something to win with Ireta K'\u00e9ri gone. Sin Nombre, the government, the Foundation. Are you telling me they were behind this?\"\n\n\n\n\"Partially, but there is still a piece missing in the puzzle.\" \n\n\n\nThen I remember the spearhead. I searched for my purse but could not find it. I must have lost it when the Sin Nombre goons kidnapped me. And the spearhead was gone with it. The missing piece.\n\n\n\n\"There was a tooth... a spearhead. I lost it but I think is related.\"\n\n\n\n\"And you are correct. What if I told you there is a place where you can find the missing piece?\"\n\n\n\n\"And what kind of place would that be?\" I inquired.\n\n\n\n\"The Mexican Intelligence keeps their confidential records in the C4[[footnote]]Centro de Comando, Control, Comunicaciones y C\u00f3mputo (Center of Command, Control, Communication, and Computation).[[/footnote]] security complex. It is very well protected against human threats and most magic.\"\n\n\n\n\"I think here the keyword is 'most'.\" \n\n\n\nR smiled confidently. \"They are probably not expecting a Wandsman to teleport there.\" \n\n\n\n\"And what would a Wandsman be looking there for?\" \n\n\n\n\"A dossier by the name Operaci\u00f3n Trueno.\"\n\n\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]B[[/size]]reaking into the C4 and retrieving the Operaci\u00f3n Trueno dossier was relatively anticlimactic. Architecturally, it looked like your standard evil brutalist dystopian compound. It truly was a fortress, both physically and magically. For a government ruling over such impoverished people, they had certainly spared no expense in making their complex unbreakable. Well, almost unbreakable. Their walls were reinforced to withstand both rocket launchers and pyromancy. It certainly had pretty good defenses against most conventional magic, preventing the entrance of unwanted guests. Fortunately, Wandsmen teleportation works on a different channel than conventional human magic. Once I had the dossier in my talon, I returned to the hotel room. R was already gone. I sat on the bed and proceeded to read the dossier. The answers I was looking for would finally be revealed.\n\n\n\nBut of course, things are never so uncomplicated. There was a last security measure in the dossier. As I opened it, I also opened a pocket dimension contained within it. And with horror, I saw a bear-shaped ironclad monstrosity materializing in front of me. Before I could run or cast anything, the biomechanical horror leaped on me. There were at least five hundred kilograms of flesh and metal crushing my bones. As the bear opened its mouth to devour my head, I could see that its teeth were in fact spearheads. High carbon stainless steel spearheads.\n\n\n\n\"Hey //chingadera//, you better leave that //pajarito// alone.\" A push of energy sent the bear-thing flying away from me. I turned my head to look at my would-be savior: a young woman in camo pants and a sleeveless shirt. She had long black hair and wore a lot of bracelets, necklaces, and amulets which I believe were more of a thaumaturgic necessity than a fashion statement.\n\n\n\nBut the battle was not over and the roar of the cyborg bear shredded my ears as it charged against her. For a moment it seemed as if the creature was going to rip her head with its claws, but just as it was about to reach her, the bear vanished as suddenly as it had appeared. She exhaled a sigh of relief and fell to her knees, breathing heavily.\n\n\n\n\"That was a close one,\" She said.\n\n\n\n\"That was no nahual.\" That was the only coherent thought I could articulate.\n\n\n\n\"No shit, //Belascoar\u00e1n//.[[footnote]] A fictional detective from a series of noir Mexican novels. A TV series soon coming to Netflix. [[/footnote]]\"\n\n\n\n\"What happened to it?\"\n\n\n\n\"I sent it back to where it came from. It was quicker than trying to destroy it and we were in a hurry.\"\n\n\n\n\"I must thank you for saving me.\"\n\n\n\n\"No problem. R told me to keep an eye on you in case something went wrong. Generally, I'm not a big fan of your kind. I find you, gossip birds, kind of annoying and unhelpful. All that power and you only think about writing in your journals instead of actually doing something useful. But you are different, you were not afraid of putting your life on the line.\"\n\n\n\n\"The search for truth is also a search for justice. Maybe you have judged us Wandsmen wrong.\"\n\n\n\n\"Perhaps I did. Now you have the dossier, all the evidence is there. You have the truth, now go find your justice.\"\n\n\n\n\"I guess it's over now.\" I sighed. \n\n\n\n\"If only, the war is never over. One last thing, this will make more sense once you read the dossier. However, when you write the story I want you to include this part: tell those nordic bastards that La Comandanta is back and ready to kick their corvid asses back to Hel.\"\n\n[[/div]]\n\n-----\n\n[[div_ class=\"newspaper-body\"]]\n\n[[size 250%]]S[[/size]]ome well-informed reader may have already assembled the puzzle. For those still in the shadows, I have added the Operaci\u00f3n Trueno dossier as an appendix to this article. Everything will be clear after reading it. \n\n\n\nOn my part, I can only hope that my search for truth has done justice to the heroic town of Ireta K'\u00e9ri. I hope their lost souls find the peace they deserve. May truth and justice always find a way to the surface, no matter who wants them to remain hidden.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n------\n\n------\n\n\n\n\n\n[[==]]\n\n\n\nThe suited man finished reading the newspaper draft and left it on his desk. He sat on his office chair under dim light, looking like a crow on its nest. He directed an inquisitive look to the Wandsman.\n\n\n\n\"I assume that you did not bring this to us because you wanted editorial input.\"\n\n\n\n\"That would be correct,\" replied the Wandsman.\n\n\n\n\"And since you have not published it yet, it is safe to assume you are here to negotiate.\"\n\n\n\n\"Also a correct assumption.\"\n\n\n\n\"In that case, you should know that I have the authorization to negotiate on behalf of the High Table as long as I defend the interests of the Valravn Corporation.\" He obviously took great pride in his position within the company. \"So tell me, Wandsman, what are you bringing to the table?\"\n\n\n\n\"I know the Mexican government hired Valravn to destroy Ireta K'\u00e9ri and blame it on the cartels. I also know that the Foundation was complicit and agreed to fake an investigation to cover up your involvement. It was crucial to not leave any witnesses, whether dead or alive. So you sent Berserkers to mimic a Nahual attack. In addition, your Berserker's teeth and claws are consecrated replicas of Gungnir, Odin's spear. Anyone killed by them would have their soul automatically tributed to Odin. That's why the souls of Ireta K'\u00e9ri never reached Mictl\u00e1n. You were harvesting them for your god. That would also prevent anyone from contacting those souls and finding the truth. However, your involvement was recorded by Mexican intelligence in the Operaci\u00f3n Trueno dossier, which I happen to possess and intend to publish alongside my article.\"\n\n\n\n\"It seems that denial at this point would be futile... Am I correct to assume you are offering your silence?\"\n\n\n\n\"As a Wandsman, I can offer to delay the publication for three hundred years.\"\n\n\n\n\"And what would be your price?\"\n\n\n\n\"I want you to release the souls of Ireta K'\u00e9ri. They will remain in Mictl\u00e1n and they will not speak of what happened for three hundred years as a promise to the Pale Lady.\"\n\n\n\n\"You seem to be overconfident in your position to come here and make demands. You are correct we would prefer this matter to not go public, but the release of this information would be, at worst, just an inconvenience to us.\"\n\n\n\n\"I'm aware of that. However, I know you are maximizers of Profit. Tell me, raven, do you think the Foundation would risk Three Portlands finding out they are willing to let mercenaries neutralize enclaves? They would disavow you before that could happen. Without their blessing, your business becomes much more difficult and your profit goes down. Would the High Table be pleased to know you had the chance to prevent this and chose to do nothing instead?\"\n\n\n\n\"I have to admit you are quite a negotiator...\" The suit took a brief pause before adding: \"Maybe we could reach an agreement after all.\"\n\n\n\n\"There's something else. I know you did not kill all of Ireta K'\u00e9ri. The children, you took them instead. I would like to say that I didn't expect Valravn to be so low as to employ child soldiers, but truth be told I'm hardly surprised.\"\n\n\n\n\"As part of our social responsibility, we have a program to ensure war orphans are given a second chance in life.\"\n\n\n\n\"I want you to release them.\" \n\n\n\n\"Impossible, one thing is releasing the souls, but we cannot permit to have living witnesses. Not even with amnestic treatment.\"\n\n\n\n\"They won't be on Earth, I will take them with me to the Wandsmen.\"\n\n\n\n\"And I thought the Wandsmen were above employing child soldiers.\"\n\n\n\n\"Don't project your sins on me, valravn. They will be given a chance to choose their destiny.\"\n\n\n\n\"That's where you are mistaken. Nobody chooses their destiny. It has already been woven by the Norns. And in the end, Odin owns us all.\" The raven-like representative of the mercenary corporation took a deep breath and sighed: \"Yet you have played your cards well, Wandsman. On behalf of the High Table and the Valravn Corporation, I find your terms\u2026 acceptable.\"\n\n\n\n\"If that is the case, that would be all on my part.\"\n\n\n\n\"I suppose you're feeling quite proud of yourself right now. Enjoy it while it lasts. It never lasts long. However, there is something I have to ask you to do to cement this deal. You know there are worse things than us in the wide, dangerous multiverse. Tell your Editor-In-Chief that we, the Valravn Corporation, gladly put our services at their disposal... for the right price of course.\"\n\n\n\nThe man in the suit leaned forward with a condescending smirk on his lips, \u201cYou know as well as I do that when the chips are down, hiring us is by far the lesser of two evils.\"\n\n\n\nThe black-feathered, corvid Wandsman sighed, \"I really hate ravens.\"\n\n\n\n[[/==]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=false| last=false | hub=yes\n\n| previous-url=/the-second-life-of-cristina-cisneros | previous-title=The Second Life of Cristina Cisneros\n\n| next-url=/la-llorona-model | next-title=La Llorona Model\n\n| hub-url=/our-open-veins-hub | hub-title=Of Ravens and Vipers\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> | author=Kilerpoyo, chaucer345]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_wandsmen", "afterlife", "co-authored", "goi-format", "journalism", "our-open-veins", "sin-nombre-cartel", "valravn", "wandsmen"], "title": "A Wandsman in the Navel of the Moon - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-wandsman-in-the-navel-of-the-moon"}, "a-wedding-gift-for-a-lady-mantis": {"created_at": "2017-03-02T00:49:00", "creator": "Zyn", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Attackfish!", "date": "2017-03-02T00:49:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Uploaded file \"Renfish.jpg\".", "date": "2017-03-02T00:50:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: goi-format, serpents-hand. ", "date": "2017-03-02T01:08:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Parent page set to: \"serpent-s-hand-hub\".", "date": "2017-03-02T01:09:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Commas for footnotes. Thanks Quik!", "date": "2017-03-02T02:55:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Wording feex.", "date": "2017-03-03T03:02:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "Added tags: _image. ", "date": "2017-07-23T15:59:00"}, {"author": "Doctor Cimmerian", "author_href": "https://www.wikidot.com/user:info/doctor-cimmerian", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2017-07-25T09:00:00"}, {"author": "Taffeta", "author_href": "https://www.wikidot.com/user:info/taffeta", "comment": "Added tags: _serpents-hand. ", "date": "2018-02-18T19:39:00"}, {"author": "Salamander724", "author_href": "https://www.wikidot.com/user:info/salamander724", "comment": "SH theme added", "date": "2018-06-18T01:21:00"}, {"author": "MayD", "author_href": "https://www.wikidot.com/user:info/mayd", "comment": "You successfully reverted the page to revision number 8", "date": "2018-06-18T02:29:00"}, {"author": "Cerastes", "author_href": "https://www.wikidot.com/user:info/cerastes", "comment": "", "date": "2020-10-25T06:50:00"}, {"author": "Cerastes", "author_href": "https://www.wikidot.com/user:info/cerastes", "comment": "Added tags: _licensebox. ", "date": "2020-10-25T06:51:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Name spelling correction", "date": "2020-11-27T06:41:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, romance. ", "date": "2024-09-28T09:31:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: xenofiction. ", "date": "2024-10-11T20:04:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "", "date": "2026-01-23T07:04:00"}], "hubs": ["goi-formats"], "images": [], "link": "a-wedding-gift-for-a-lady-mantis", "page_id": "47676481", "rating": 54, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n<p><span style=\"font-size:150%;\"><strong>Honorable Red-Scaled Ichthyoid Bodyguard-Companion</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>Akai-no-Ren, Crimson Ray-blade Lotus fish,<br/>\nthat finned menace who bit three noblemantids<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>When an admirer from outside the mantis court endeavors to wed a high-ranking mantid noble, it is a long-held custom for the outside party to present a special wedding gift to their intended mantis. According to ceremony, this gift is expected to be alive, to symbolize the importance of a life-nurturing hand to temper a mantid's natural inclination to violence. Rare medicinal plants are the most commonly-seen gifts, with miniature aphid-kittens<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> being the second-most given. A certain cloud-scorpion Graue Wolke, however, upon his marriage to the Lady Master Shiritori<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> decided to present her with a rather unconventional wedding gift.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Illustration</strong></p>\n</div>\n\n<p><em>Akai-no-Ren, when not wearing his typical enchanted sky-armor. Note silver armor-affinity iridescence below pupil. Also note characteristic pout.</em></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><em>These words are penned by the young spiderkin Wulfric S., as part of a series of records commemorating events of the wedding between the cloud-scorpion Graue Wolke of the seventh-cluster cloud-culture sky-crawlers, and the illustrious <a href=\"http://www.scp-wiki.net/a-love-letter-to-a-lady-mantis\">Master Shiritori Zakuro</a>, also known as Lady Ren, of the mantids' High Craftsmen\u2019s Court.</em></p>\n<p><em>The Lord Wolke chose to bestow upon his beloved a fish of proud warrior lineage, capable of breathing outside water and traversing the open air itself with the help of custom-made ceremonial sky-armor forged by cloud-culture scorpion smiths.</em></p>\n<p><strong>Traits:</strong> Akai-no-Ren possesses scales of a vivid red coloration, accentuated with silver flecks at his sides and chin. Within the bottom portion of each eye shimmers an iridescence below the pupil; it was this characteristic that initially prompted Lord Wolke to investigate this particular fish's potential to become attuned with sky-silver armor worked by the famed cloud-scorpion smiths.</p>\n<p>Akai's fins are fairly long for his kind, a vestigial sign of form-modification enchantments, and are usually kept flared open while he is hovering in place accompanying his mistress. His teeth are small but sharp, even without the air-affinity amplification effects of his sky-armor. While his natural diet is carnivorous, the sky-armor enables him to partake of certain plants and fruits. It, however, does not prevent bloating.</p>\n<p>The sky-armor crafted for Akai-no-Ren is a dark, deep bloodlike crimson, edged with sky-silver and padded with cloud-silk. The shape is complicated, but the harness and interconnected plates are a single piece that does not require any special storage attentions. It is flexible but remains readily secure if fastened correctly, and only requires a monthly dew-bath to retain its quality and properties. With it, Akai-no-Ren is able to breathe and swim in the open air, as well as grow in size when flaring aggressively<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> as the armor allows the fins to be moved unhindered. It is encouraged to not provoke the fish while in enclosed spaces.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></p>\n<p><strong>Nature:</strong> As can likely be expected, Akai-no-Ren adores his Lady, tolerates his lord, and will happily bite anyone else. When not accompanying his family on social outings, Akai is often found guarding the household doors, or napping on top of houseplants (or the prone bodies of uninvited guests who have been incapacitated via a bite to the head). Lady Zakuro has trained him to keep off of her apparatus crafting tables, but he will patrol the airspace above her head while she works.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup></p>\n<p><strong>History &amp; Associated Parties:</strong> In truth, Akai-no-Ren possesses a rather mediocre lineage when compared to that of more decorative luxury long-tailed fighter-fish. His known ancestors were not well-sought in the fish associate pool he originated from, and there are no records of his exact parentage. Furthermore, his ragged-looking crowntail<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup> attire is not held in as much esteem as the elegant fan-shaped half-moon, and the red coloration is considered overwhelmingly common. This resulted in his being passed by time and again by individuals seeking water-affinity companions.</p>\n<p>However, none of these facts deterred the Lord Wolke, who was impressed with Akai-no-Ren's ferocity and suitability for elemental modification, unaffected by selective breeding for appearance.</p>\n<p>Suitors marrying into the mantis courts are expected to spend at least five days picking out the wedding gift for their intended, one day for each eye a mantis has: for observing, discerning, appraising, deciding, and striking. Lord Wolke examined each of the warrior fish in the communal adoption territories, and found himself returning each subsequent day to visit the little red misfit fish. The Companion Pool of Divine Wisdom was happy to facilitate the adoption.</p>\n<p><strong>Approach:</strong> The Lady Ren is thus far the only individual Akai-no-Ren remains steadfastly loyal to. While he can be placated with food, he will often attempt to chase away any strangers he encounters. It is recommended to speak with Lady Ren before approaching the fish.</p>\n<p>As a lesser<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup> fishkin, Akai-no-Ren does not trouble himself with many of the intricacies of court etiquette. Nevertheless, he will allow insectkin children to pet him on the head if his master introduces them first.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p>\"I have no complaints. The fish even joined in on the ceremonial wedding dance of our orchid lady mantids after the newlyweds took their vows and exchanged gifts. Akai-san was trained well in our customs. No table manners, but few mantids have those, even in the higher courts.\" ~Hanachirusato</p>\n<p>\"What better gift for the duelist Mistress of the Red Knives, than a fiery red fighting fish that fears nothing? I admit to not having high hopes for the match, as the scorpionkin seems a little soft-shelled to me\u2026 but he does seem to understand the Lady Zakuro well. The two have decided to maintain Zakuro's abode in the mountains, and while the lady mantis crafts her swords and staves, the scorpion-husband arranges the clouds on commission. I have heard that she brings him teas from her mantid court, and he brings her books from his family's library, tomes of incantations and archaic spells that she incorporates into her work, grateful because though she has endless memory for metals and wood, she dislikes memorizing the long strings of guarding wards that are used to imbue enchantments. But he, a cloud-trimmer who has written countless sigils into the skies, knows thousands of these protective invocations by heart, and so they work together to produce wondrous apparatuses. \u2026what? You wanted to know more about the fish? I wouldn't know. It's rather\u2026 temperamental, from what I hear.\" ~Miotsukushi</p>\n<p>\"I thought little Red Lotus fish was simply darling. Ren-chan's groom even took special pains to have the fish's sky-armor commissioned to match hers. For you see, all high mantid court weddings involving any lady mantiskin require that the bride wear her best set of armor. Assassinations went down rather a lot following the implementation of that custom, heaven knows. And everyone at Ren-chan's wedding was terrified of the fish when he grew fifteen times in size and consumed the entire waterkin-delicacy section of the banquet table. Perhaps I ought to consider hiring him out for future court functions.\" ~Suetsumuhana-Hime</p>\n<p>\"Charming, when well-fed. My dear brother asked me to look after the fish while he and his new wife went off on their honeymoon over the Mountain of Swords, to climb the clouds of the most dangerous peak<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup> while they were still young. The little fish was rather restless but seemed to calm down around mealtimes. I may look into bringing one of his kin into the household, to keep an eye on my son.\" ~Zirrus Wolke</p>\n<p>\"The red fish is a cool gift and I want one I like visiting him when my mamma brings me to see uncle Graue he says to be careful with Ack-eye but I don't need to worry because we are good friends! He likes to chase socks I wave in front of him with my tail but he is smart and doesn't bite the stinger part. Aphid-kittens are okay they make honeydew my mamma has one but any beekin can make honey my friends say so. And no aphid-kitten can wear armor. My uncle is the coolest and my new auntie is cooler than he is because she makes swords and one day when I'm old enough and my pincers grow in she will teach me about swords so I guess that makes her the coolest but the fish is my favorite so maybe he is the coolest coolest [remaining account trimmed for brevity]\" ~ Gewitter Wolke<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>There were many members of the mantid court who were shocked with the unromantic gesture of presenting a bride with an angry warrior fish for a wedding gift. Lady Zakuro did not attempt to convince them to act otherwise, and made frequent visits to her family in the court to show off Akai-no-Ren hovering diligently at her shoulder. Her most recent calling resulted in two injuries and fifteen terrified aphid-kittens.</p>\n<p><em>I agree that it was an unromantic pick. Surely he could have gotten her something nicer-looking? Perhaps for the bedchamber and not the battlefield? \u2014T\u00e4nzer</em></p>\n<p><em>T\u00e4nzer, you know absolutely nothing about romance. I trust Graue on this one. The fish can protect them both should the worst come, and that reassures me, and that is enough for me. \u2014Schreien W.</em></p>\n<p><em>I know plenty. I have seven sisters. And I am certain that none of them would want a battle fish at their wedding as a decoration, let alone for a handpicked marriage gift. \u2014T\u00e4nzer</em></p>\n<p><em>Three of your sisters hate you, one of them permanently left the family a decade ago, one of them became a nun, and the rest you haven't spoken to at length since childhood. Besides, the fish is prettier than all of them, so maybe you're just bitter. \u2014Schreien W.</em></p>\n<p><em>I still think fish are unromantic. They smell. \u2014T\u00e4nzer</em></p>\n<p><em>I can't believe they invited you to the wedding. \u2014Schreien W.</em></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. He bit <em>five</em> last I recall. My sister-in-law was so proud. I never should have encouraged my brother's courting her. ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. But your big family gatherings are going to be so much fun now! Remember to invite me and our other friends! ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. I dislike these things. They make me sneeze. ~Graue Wolke</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. My brother <em>still</em> refuses to call her \"Ren\" unless they're off alone by themselves. It's always \"my lady\" or \"lady master\". Ren is her given name, for sickle's sake. Graue is so sweet on her you could make candy from his face. ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. There's such thing as non-aggressive flaring in these warrior fish? ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Yes. Showing off. You do it all the time when you put on fancy clothes and dance at the harvest gatherings. ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. It is said that the sky-armor forged by cloud-scorpions brought about a series of treaties that ushered in a thousand years of peace for the insectkin who dwelt in the skies, who had been beset by birdkin. When defending a loved one, scorpionkin knights could grow up to one-hundred times their size with the armor. ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. \u2026so, feasibly, one could ride this fish into battle?! ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. Unless he's hungry. But that's the only time he likes me, if I have food. ~Graue Wolke</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. He's also actually kind of small compared to the fighting fish with fancy billowy tails. But then, he makes full use of his armor's size changing enchantment so I suppose it really doesn't matter\u2026 ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. That is, not \"less\" meaning lacking, but as opposed to \"greater\" individuals, who have transcended their first form and may take on additional shapes. Many fishkin are content with their current form, though those who aspire to politics often choose to take on shapes that enable them to handle a stylus. ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Is that a euphemism?! ~T\u00e4nzer</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. No. Lady Ren has a noblemantid's wings, and Graue is a cloud-walker. What did you think they were doing on the mountain? ~W.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Well, <em>I</em> think it was a euphemism. ~Schreien W.</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. Spinner's <em>teeth</em> this child speaks fast. I have eight appendages, six of which I can write with. I never thought I'd see the day where all of them would be tired from one interview. ~W.S.</div>\n</div>\n\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/a-wedding-gift-for-a-lady-mantis\">A Wedding Gift For A Lady Mantis</a>\" by Zyn, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/a-wedding-gift-for-a-lady-mantis\">https://scpwiki.com/a-wedding-gift-for-a-lady-mantis</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Renfish.jpg<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/zyn\" onclick=\"WIKIDOT.page.listeners.userInfo(1404533); return false;\"><img alt=\"Zyn\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1404533&amp;amp;size=small&amp;amp;timestamp=1788006525\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1404533)\"/></a><a href=\"http://www.wikidot.com/user:info/zyn\" onclick=\"WIKIDOT.page.listeners.userInfo(1404533); return false;\">Zyn</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[size 150%]] **Honorable Red-Scaled Ichthyoid Bodyguard-Companion** [[/size]]\n\n\n\n[[>]]\n\n**Akai-no-Ren, Crimson Ray-blade Lotus fish,\n\nthat finned menace who bit three noblemantids[[footnote]]He bit //five// last I recall. My sister-in-law was so proud. I never should have encouraged my brother's courting her. ~Schreien W.[[/footnote]]^^,^^[[footnote]]But your big family gatherings are going to be so much fun now! Remember to invite me and our other friends! ~T\u00e4nzer[[/footnote]]**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nWhen an admirer from outside the mantis court endeavors to wed a high-ranking mantid noble, it is a long-held custom for the outside party to present a special wedding gift to their intended mantis. According to ceremony, this gift is expected to be alive, to symbolize the importance of a life-nurturing hand to temper a mantid's natural inclination to violence. Rare medicinal plants are the most commonly-seen gifts, with miniature aphid-kittens[[footnote]]I dislike these things. They make me sneeze. ~Graue Wolke[[/footnote]] being the second-most given. A certain cloud-scorpion Graue Wolke, however, upon his marriage to the Lady Master Shiritori[[footnote]]My brother //still// refuses to call her \"Ren\" unless they're off alone by themselves. It's always \"my lady\" or \"lady master\". Ren is her given name, for sickle's sake. Graue is so sweet on her you could make candy from his face. ~Schreien W.[[/footnote]] decided to present her with a rather unconventional wedding gift.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Illustration**\n\n[[/=]]\n\n\n\n[[=image Renfish.jpg width=\"350px\"]]\n\n\n\n//Akai-no-Ren, when not wearing his typical enchanted sky-armor. Note silver armor-affinity iridescence below pupil. Also note characteristic pout.//\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n//These words are penned by the young spiderkin Wulfric S., as part of a series of records commemorating events of the wedding between the cloud-scorpion Graue Wolke of the seventh-cluster cloud-culture sky-crawlers, and the illustrious [http://www.scp-wiki.net/a-love-letter-to-a-lady-mantis Master Shiritori Zakuro], also known as Lady Ren, of the mantids' High Craftsmen\u2019s Court.//\n\n\n\n//The Lord Wolke chose to bestow upon his beloved a fish of proud warrior lineage, capable of breathing outside water and traversing the open air itself with the help of custom-made ceremonial sky-armor forged by cloud-culture scorpion smiths.//\n\n\n\n**Traits:** Akai-no-Ren possesses scales of a vivid red coloration, accentuated with silver flecks at his sides and chin. Within the bottom portion of each eye shimmers an iridescence below the pupil; it was this characteristic that initially prompted Lord Wolke to investigate this particular fish's potential to become attuned with sky-silver armor worked by the famed cloud-scorpion smiths.\n\n\n\nAkai's fins are fairly long for his kind, a vestigial sign of form-modification enchantments, and are usually kept flared open while he is hovering in place accompanying his mistress. His teeth are small but sharp, even without the air-affinity amplification effects of his sky-armor. While his natural diet is carnivorous, the sky-armor enables him to partake of certain plants and fruits. It, however, does not prevent bloating.\n\n\n\nThe sky-armor crafted for Akai-no-Ren is a dark, deep bloodlike crimson, edged with sky-silver and padded with cloud-silk. The shape is complicated, but the harness and interconnected plates are a single piece that does not require any special storage attentions. It is flexible but remains readily secure if fastened correctly, and only requires a monthly dew-bath to retain its quality and properties. With it, Akai-no-Ren is able to breathe and swim in the open air, as well as grow in size when flaring aggressively[[footnote]]There's such thing as non-aggressive flaring in these warrior fish? ~T\u00e4nzer[[/footnote]]^^,^^[[footnote]]Yes. Showing off. You do it all the time when you put on fancy clothes and dance at the harvest gatherings. ~Schreien W.[[/footnote]] as the armor allows the fins to be moved unhindered. It is encouraged to not provoke the fish while in enclosed spaces.[[footnote]]It is said that the sky-armor forged by cloud-scorpions brought about a series of treaties that ushered in a thousand years of peace for the insectkin who dwelt in the skies, who had been beset by birdkin. When defending a loved one, scorpionkin knights could grow up to one-hundred times their size with the armor. ~W.S.[[/footnote]]^^,^^[[footnote]]...so, feasibly, one could ride this fish into battle?! ~Schreien W.[[/footnote]]\n\n\n\n**Nature:** As can likely be expected, Akai-no-Ren adores his Lady, tolerates his lord, and will happily bite anyone else. When not accompanying his family on social outings, Akai is often found guarding the household doors, or napping on top of houseplants (or the prone bodies of uninvited guests who have been incapacitated via a bite to the head). Lady Zakuro has trained him to keep off of her apparatus crafting tables, but he will patrol the airspace above her head while she works.[[footnote]]Unless he's hungry. But that's the only time he likes me, if I have food. ~Graue Wolke[[/footnote]]\n\n\n\n**History & Associated Parties:** In truth, Akai-no-Ren possesses a rather mediocre lineage when compared to that of more decorative luxury long-tailed fighter-fish. His known ancestors were not well-sought in the fish associate pool he originated from, and there are no records of his exact parentage. Furthermore, his ragged-looking crowntail[[footnote]]He's also actually kind of small compared to the fighting fish with fancy billowy tails. But then, he makes full use of his armor's size changing enchantment so I suppose it really doesn't matter... ~W.S.[[/footnote]] attire is not held in as much esteem as the elegant fan-shaped half-moon, and the red coloration is considered overwhelmingly common. This resulted in his being passed by time and again by individuals seeking water-affinity companions.\n\n\n\nHowever, none of these facts deterred the Lord Wolke, who was impressed with Akai-no-Ren's ferocity and suitability for elemental modification, unaffected by selective breeding for appearance.\n\n\n\nSuitors marrying into the mantis courts are expected to spend at least five days picking out the wedding gift for their intended, one day for each eye a mantis has: for observing, discerning, appraising, deciding, and striking. Lord Wolke examined each of the warrior fish in the communal adoption territories, and found himself returning each subsequent day to visit the little red misfit fish. The Companion Pool of Divine Wisdom was happy to facilitate the adoption.\n\n\n\n**Approach:** The Lady Ren is thus far the only individual Akai-no-Ren remains steadfastly loyal to. While he can be placated with food, he will often attempt to chase away any strangers he encounters. It is recommended to speak with Lady Ren before approaching the fish.\n\n\n\nAs a lesser[[footnote]]That is, not \"less\" meaning lacking, but as opposed to \"greater\" individuals, who have transcended their first form and may take on additional shapes. Many fishkin are content with their current form, though those who aspire to politics often choose to take on shapes that enable them to handle a stylus. ~W.S.[[/footnote]] fishkin, Akai-no-Ren does not trouble himself with many of the intricacies of court etiquette. Nevertheless, he will allow insectkin children to pet him on the head if his master introduces them first.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\n\"I have no complaints. The fish even joined in on the ceremonial wedding dance of our orchid lady mantids after the newlyweds took their vows and exchanged gifts. Akai-san was trained well in our customs. No table manners, but few mantids have those, even in the higher courts.\" ~Hanachirusato\n\n\n\n\"What better gift for the duelist Mistress of the Red Knives, than a fiery red fighting fish that fears nothing? I admit to not having high hopes for the match, as the scorpionkin seems a little soft-shelled to me... but he does seem to understand the Lady Zakuro well. The two have decided to maintain Zakuro's abode in the mountains, and while the lady mantis crafts her swords and staves, the scorpion-husband arranges the clouds on commission. I have heard that she brings him teas from her mantid court, and he brings her books from his family's library, tomes of incantations and archaic spells that she incorporates into her work, grateful because though she has endless memory for metals and wood, she dislikes memorizing the long strings of guarding wards that are used to imbue enchantments. But he, a cloud-trimmer who has written countless sigils into the skies, knows thousands of these protective invocations by heart, and so they work together to produce wondrous apparatuses. ...what? You wanted to know more about the fish? I wouldn't know. It's rather... temperamental, from what I hear.\" ~Miotsukushi\n\n\n\n\"I thought little Red Lotus fish was simply darling. Ren-chan's groom even took special pains to have the fish's sky-armor commissioned to match hers. For you see, all high mantid court weddings involving any lady mantiskin require that the bride wear her best set of armor. Assassinations went down rather a lot following the implementation of that custom, heaven knows. And everyone at Ren-chan's wedding was terrified of the fish when he grew fifteen times in size and consumed the entire waterkin-delicacy section of the banquet table. Perhaps I ought to consider hiring him out for future court functions.\" ~Suetsumuhana-Hime\n\n\n\n\"Charming, when well-fed. My dear brother asked me to look after the fish while he and his new wife went off on their honeymoon over the Mountain of Swords, to climb the clouds of the most dangerous peak[[footnote]]Is that a euphemism?! ~T\u00e4nzer[[/footnote]]^^,^^[[footnote]]No. Lady Ren has a noblemantid's wings, and Graue is a cloud-walker. What did you think they were doing on the mountain? ~W.S.[[/footnote]]^^,^^[[footnote]]Well, //I// think it was a euphemism. ~Schreien W.[[/footnote]] while they were still young. The little fish was rather restless but seemed to calm down around mealtimes. I may look into bringing one of his kin into the household, to keep an eye on my son.\" ~Zirrus Wolke\n\n\n\n\"The red fish is a cool gift and I want one I like visiting him when my mamma brings me to see uncle Graue he says to be careful with Ack-eye but I don't need to worry because we are good friends! He likes to chase socks I wave in front of him with my tail but he is smart and doesn't bite the stinger part. Aphid-kittens are okay they make honeydew my mamma has one but any beekin can make honey my friends say so. And no aphid-kitten can wear armor. My uncle is the coolest and my new auntie is cooler than he is because she makes swords and one day when I'm old enough and my pincers grow in she will teach me about swords so I guess that makes her the coolest but the fish is my favorite so maybe he is the coolest coolest [remaining account trimmed for brevity]\" ~ Gewitter Wolke[[footnote]]Spinner's //teeth// this child speaks fast. I have eight appendages, six of which I can write with. I never thought I'd see the day where all of them would be tired from one interview. ~W.S.[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nThere were many members of the mantid court who were shocked with the unromantic gesture of presenting a bride with an angry warrior fish for a wedding gift. Lady Zakuro did not attempt to convince them to act otherwise, and made frequent visits to her family in the court to show off Akai-no-Ren hovering diligently at her shoulder. Her most recent calling resulted in two injuries and fifteen terrified aphid-kittens.\n\n\n\n//I agree that it was an unromantic pick. Surely he could have gotten her something nicer-looking? Perhaps for the bedchamber and not the battlefield? \u2014T\u00e4nzer//\n\n\n\n//T\u00e4nzer, you know absolutely nothing about romance. I trust Graue on this one. The fish can protect them both should the worst come, and that reassures me, and that is enough for me. \u2014Schreien W.//\n\n\n\n//I know plenty. I have seven sisters. And I am certain that none of them would want a battle fish at their wedding as a decoration, let alone for a handpicked marriage gift. \u2014T\u00e4nzer//\n\n\n\n//Three of your sisters hate you, one of them permanently left the family a decade ago, one of them became a nun, and the rest you haven't spoken to at length since childhood. Besides, the fish is prettier than all of them, so maybe you're just bitter. \u2014Schreien W.//\n\n\n\n//I still think fish are unromantic. They smell. \u2014T\u00e4nzer//\n\n\n\n//I can't believe they invited you to the wedding. \u2014Schreien W.//\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** Renfish.jpg\n\n> **Author:** [[*user Zyn]]\n\n> **License:** CC BY-SA 3.0\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_serpents-hand", "fantasy", "goi-format", "romance", "serpents-hand", "xenofiction"], "title": "A Wedding Gift For A Lady Mantis - SCP Foundation", "url": "https://scp-wiki.wikidot.com/a-wedding-gift-for-a-lady-mantis"}, "aar-1087-silesia": {"created_at": "2025-07-27T21:28:00", "creator": "Ralliston", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Parent page set to: \"all-eyes-on-silesia-hub\".", "date": "2025-07-27T21:28:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-07-27T21:28:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Uploaded file \"SAAAS.png\".", "date": "2025-07-27T21:30:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Uploaded file \"Mech.png\".", "date": "2025-07-27T21:30:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Uploaded file \"Valminimal.png\".", "date": "2025-07-27T21:30:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Uploaded file \"Wawa.jpg\".", "date": "2025-07-27T21:30:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-07-27T21:33:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "Added tags: _valravn, co-authored, from-120s-archives, global-occult-coalition, goi-format, valravn. ", "date": "2025-07-28T06:14:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _image, _licensebox. ", "date": "2025-07-28T11:30:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-07-28T11:31:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, military-fiction. ", "date": "2025-07-30T17:18:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Correcting \"clearence\" to \"clearance\"", "date": "2025-07-30T17:22:00"}, {"author": "narm00", "author_href": "https://www.wikidot.com/user:info/narm00", "comment": "Spelling fixes.", "date": "2025-07-31T13:08:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-07-31T20:12:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2025-08-13T12:04:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2025-09-08T21:13:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2026-01-18T16:30:00"}], "hubs": ["all-eyes-on-silesia-hub", "goi-formats"], "images": [], "link": "aar-1087-silesia", "page_id": "1459971743", "rating": 24, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"display: none\">\n<div style=\"text-align: left;\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-code\">/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">Foxtrot</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Sigma-9</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Theme</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2022</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">By</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Liryn</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">FONTS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Montserrat</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,800;1,800&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Lexend</span><span class=\"hl-special\">:wght</span><span class=\"hl-var\">@700</span><span class=\"hl-code\">;800&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">JetBrains</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Mono</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,400;0,700;1,400;1,700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Fira</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Code</span><span class=\"hl-special\">:wght</span><span class=\"hl-var\">@400</span><span class=\"hl-code\">;700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Sofia</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Sans</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,400;0,700;1,400;1,700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">scp-wiki.wikidot.com</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">local--files</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">theme</span><span class=\"hl-special\">:foxtrot</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">inter.css</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Figtree</span><span class=\"hl-special\">:wght</span><span class=\"hl-var\">@800</span><span class=\"hl-code\">;900&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">IBM</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Plex</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">Sans</span><span class=\"hl-special\">:ital</span><span class=\"hl-code\">,</span><span class=\"hl-identifier\">wght</span><span class=\"hl-var\">@0</span><span class=\"hl-code\">,400;0,500;0,600;0,700;1,400;1,500;1,600;1,700&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-special\">:root</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Core</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">header-title:</span><span class=\"hl-code\"> \"SCP Foundation\"</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">header-subtitle:</span><span class=\"hl-code\"> \"SECURE, CONTAIN, PROTECT\"</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">logo-img:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:foxtrot/fxtrt-scp_logo_lightmode.svg)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">darkmode-logo-img:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:foxtrot/fxtrt-scp_logo_darkmode.svg)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">logo-opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">14</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n \n    --</span><span class=\"hl-reserved\">head-font:</span><span class=\"hl-code\"> 'Sans Normalcy'</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">ui-font:</span><span class=\"hl-code\"> 'IBM Plex Sans'</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">mono-font:</span><span class=\"hl-code\"> 'JetBrains Mono', 'Fira </span><span class=\"hl-string\">Code</span><span class=\"hl-code\">', </span><span class=\"hl-string\">monospace</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">page-font:</span><span class=\"hl-code\"> 'Inter', 'verdana'</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">base-font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.9</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">page-font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Misc</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">header-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">subheader-txt-color:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">misc-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#464646</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">link-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#E6283C</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">link-hover-txt-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Color</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Accents</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">accent:</span><span class=\"hl-code\"> var(--acc-default)</span><span class=\"hl-code\">;\n \n    --</span><span class=\"hl-reserved\">acc-default:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">59</span><span class=\"hl-code\">, </span><span class=\"hl-number\">59</span><span class=\"hl-code\">, </span><span class=\"hl-number\">59</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-wyoming:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">142</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">18</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-canada:</span><span class=\"hl-code\"> var(--acc-default)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-poland:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">87</span><span class=\"hl-code\">, </span><span class=\"hl-number\">44</span><span class=\"hl-code\">, </span><span class=\"hl-number\">17</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-slothspit:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">27</span><span class=\"hl-code\">, </span><span class=\"hl-number\">60</span><span class=\"hl-code\">, </span><span class=\"hl-number\">133</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-vanguard:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">153</span><span class=\"hl-code\">, </span><span class=\"hl-number\">75</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-threshold:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">121</span><span class=\"hl-code\">, </span><span class=\"hl-number\">113</span><span class=\"hl-code\">, </span><span class=\"hl-number\">130</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-overwatch:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">28</span><span class=\"hl-code\">, </span><span class=\"hl-number\">37</span><span class=\"hl-code\">, </span><span class=\"hl-number\">56</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-spc:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">165</span><span class=\"hl-code\">, </span><span class=\"hl-number\">200</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-fishing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">67</span><span class=\"hl-code\">, </span><span class=\"hl-number\">111</span><span class=\"hl-code\">, </span><span class=\"hl-number\">145</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-nightfall:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">151</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-hybrasil:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">27</span><span class=\"hl-code\">, </span><span class=\"hl-number\">60</span><span class=\"hl-code\">, </span><span class=\"hl-number\">133</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-goc:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">39</span><span class=\"hl-code\">, </span><span class=\"hl-number\">84</span><span class=\"hl-code\">, </span><span class=\"hl-number\">149</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">acc-spooky:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">252</span><span class=\"hl-code\">, </span><span class=\"hl-number\">112</span><span class=\"hl-code\">, </span><span class=\"hl-number\">40</span><span class=\"hl-code\">;\n \n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">BetterFootnotes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n    --</span><span class=\"hl-reserved\">fnColor:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">fnLinger:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">VARIABLES</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    --</span><span class=\"hl-reserved\">barColour:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">linkColour:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDEDED</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">html</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">scroll-behavior:</span><span class=\"hl-code\"> smooth</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow-x:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">body</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--base-font-size)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">51</span><span class=\"hl-code\">, </span><span class=\"hl-number\">51</span><span class=\"hl-code\">, </span><span class=\"hl-number\">51</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> linear-gradient(to </span><span class=\"hl-string\">bottom</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#e0e0e0</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\"> </span><span class=\"hl-number\">200</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-rendering:</span><span class=\"hl-code\"> optimizeLegibility</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow-wrap:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">break-word</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#content-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--page-font), var(--ui-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">440</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">strong</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">tt</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-source</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">pre</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-page-textarea</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--mono-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">ol</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">li</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">p</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-underline-offset:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">40</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n:</span><span class=\"hl-special\">:selection</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Clicky</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">links</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-hover-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">patch</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">for</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">sidebar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">media</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">collapsibles</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">ACS</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ayers</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">module</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">so</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">doesn</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">t</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">override</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-folded</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-unfolded-link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.danger-diamond</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-folded</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-link</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.collapsible-block-link</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> var(--linkColour) !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">160</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--header-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">900</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> fit-content</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-title)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> var(--header-subtitle)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font) !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--misc-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">26</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.35</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">uppercase</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div#extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">160</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">7</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> var(--logo-img) </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">30</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">130</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-repeat:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-position:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> var(--logo-opacity)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Search</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">text</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> calc(var(--page-font-size) - </span><span class=\"hl-number\">10</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.empty</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#999999</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">47</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li.sfhover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.83</span><span class=\"hl-code\">) !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">230</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-indent:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.mobile-top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Login</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">19</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img.small</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">18</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">18</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n \n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.printuser</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img.small</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#my-account</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 767</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#account-topbutton</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MAIN</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Header</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Side</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (min-width: 768</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.6</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.6</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">18.75</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">transition:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">s ease-in-out</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">direction:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">rtl</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#interwiki</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">direction:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">ltr</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.heading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--misc-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#cfcfcf</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">pt</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">uppercase</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Blockquotes</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">Custom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Divs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f7f7f7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">dashed</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f7f7f7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.35</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.35</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f7f7f7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fbfbfb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.quote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.note</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#afafaf</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.round</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Headings</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">Titles</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-title</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.meta-title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> fit-content</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-title</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.meta-title</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#breadcrumbs</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.pseudocrumbs</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h6</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.footnotes-footer</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Rate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Module</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.creditRate</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> unset !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.fa-info</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bbb</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Rate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Module</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Author</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Label</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.authorlink-wrapper</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    --</span><span class=\"hl-reserved\">author-top-adjust:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">author-bottom-adjust:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    --</span><span class=\"hl-reserved\">author-right-adjust:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--base-font-size)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Side</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.anchor</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> sticky</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.14</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc((</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vw - </span><span class=\"hl-number\">870</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)/</span><span class=\"hl-number\">2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-height:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-code\">vh - </span><span class=\"hl-number\">18</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">103.5</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 1290</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">visibility:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Image</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#f4f4f4</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#3b3b3b</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">right</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 540</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.imagediv</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">auto</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.3</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">only</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> (max-width: 600</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">.scp-image-block.block-right</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Base</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">12</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#bfbfbf</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.sidebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Coloring</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">System</span><span class=\"hl-code\">) </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Coloring</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">System</span><span class=\"hl-code\">) &gt; </span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Headings</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">Image</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Captions</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#E0FFD4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D8ECF4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FDF6D7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFDFCD</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFCFCF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-block</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.scp-image-caption</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">146</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.tableb</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-collapse:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">separate</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tables</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">Table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Coloring</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">System</span><span class=\"hl-code\">) &gt; </span><span class=\"hl-identifier\">Other</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colored</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Divs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">224</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">212</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table2</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table2</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">226</span><span class=\"hl-code\">, </span><span class=\"hl-number\">244</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table3</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table3</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">245</span><span class=\"hl-code\">, </span><span class=\"hl-number\">189</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table4</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table4</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table4</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">223</span><span class=\"hl-code\">, </span><span class=\"hl-number\">205</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table5</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table5</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table5</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">207</span><span class=\"hl-code\">, </span><span class=\"hl-number\">207</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.jotting</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.notation</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.modal</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.table6</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.paper</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.blockquote.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.blockquote.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.jotting.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.notation.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.modal.table6</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.paper.table6</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">218</span><span class=\"hl-code\">, </span><span class=\"hl-number\">255</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tabs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Base</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inherit</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Tabs</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Customization</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-wrap:</span><span class=\"hl-code\"> wrap</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> calc(</span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> - </span><span class=\"hl-number\">.125</span><span class=\"hl-code\">rem)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Link</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">UNSELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#efefef</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">HOVER</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\">,\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Listitem</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">relative</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">align-items:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.35</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.75</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n \n    </span><span class=\"hl-reserved\">text-overflow:</span><span class=\"hl-code\"> ellipsis</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">overflow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">hidden</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">white-space:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">nowrap</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\">,\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Selection</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Modifier</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">flex-grow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    /</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">Tab</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Colour</span><span class=\"hl-code\"> | [</span><span class=\"hl-identifier\">SELECTED</span><span class=\"hl-code\">] ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">em</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:active</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333333</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-navset-top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">WORDS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">NO</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BROKEY</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">CROQ</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">HAS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">SPOKEY</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">other</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">things</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">span</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">word-break:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">normal</span><span class=\"hl-code\"> !important\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.avatar-hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Dustjacket</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Assets</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.fancyhr</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(var(--bright-accent), </span><span class=\"hl-number\">0</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-source:</span><span class=\"hl-code\"> url('https://scp-wiki.wikidot.com/local--files/theme:foxtrot/wl_hr.webp')</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-repeat:</span><span class=\"hl-code\"> round round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-slice:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-code\"> </span><span class=\"hl-number\">500</span><span class=\"hl-code\"> fill</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fancyborder</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-sizing:</span><span class=\"hl-code\"> border-box</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image:</span><span class=\"hl-code\"> url('https://scp-wiki.wikidot.com/local--files/theme:foxtrot/wl_border.webp') </span><span class=\"hl-number\">600</span><span class=\"hl-code\"> round</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-image-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">vw</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Collapsibles</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">underline</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">.licensebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.default-col</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">white</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">7</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--base-font-size)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inset</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">.licensebox</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.info-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">.default-col</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a.collapsible-block-link</span><span class=\"hl-code\">)</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(var(--accent), </span><span class=\"hl-number\">0.7</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">ACS</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Adjustments</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.top-left-box</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">.item</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anom-bar-container</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anom-bar-container</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.anom-bar-container</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), Inter, </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.acs-extra-1</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.acs-extra-2</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.acs-extra-3</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.acs-extra-4</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font), Inter, </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.anom-bar</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">.top-box</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">CONTENT</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">Woed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Adjustments</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.item1</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-transform:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">uppercase</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.class1</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.9</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">letter-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    --</span><span class=\"hl-reserved\">woedbar-class-bar-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.obj</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.7</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">div.scale</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.obj</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.55</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MISC</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">hr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.bt</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#444</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">45</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#footer</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7b7b7b</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.footer-wikiwalk-nav</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">700</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">88</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">word-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-info-break</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-options-container</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">213</span><span class=\"hl-code\">, </span><span class=\"hl-number\">213</span><span class=\"hl-code\">, </span><span class=\"hl-number\">213</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-watch-options</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.6</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">77</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-options-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> flex</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-direction:</span><span class=\"hl-code\"> row</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">flex-wrap:</span><span class=\"hl-code\"> wrap</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">align-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">justify-content:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-options-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">13</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">13</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-decoration:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom-left-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-options-bottom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(var(--accent), </span><span class=\"hl-number\">0.8</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-info-break</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#license-area</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#5f5f5f</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ecf2f1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#d9d9d9</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#license-area</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \".\"</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (min-width: 768</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">16</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.page-tags</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"tags   \"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--misc-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.75</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.3125</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgb(var(--accent))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">13</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> calc(var(--page-font-size) - </span><span class=\"hl-number\">10</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">.625</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.1875</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> rgb(var(--accent)) </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-style:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">relative</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">float:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.25</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.2813</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.5</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-tags-input</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">word-spacing:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.text</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font), </span><span class=\"hl-string\">sans-serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">150</span><span class=\"hl-string\">%</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">table.form</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">tbody</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">td</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(1) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.edit-help-34</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">85</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">60</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> fit-content</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.edit-help-34</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.edit-help-34</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.edit-page-bottomtable</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-page-comments</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">86</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-info</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.8</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">86</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-info</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"!\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">12</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">110</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">60</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-timer</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">115</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#lock-timer</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\u23f2 \"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">80</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">textarea</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.text</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">outline:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ccc</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-property:</span><span class=\"hl-code\"> box-shadow</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">textarea</span><span class=\"hl-special\">:focus-visible</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-page-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input.text</span><span class=\"hl-special\">:focus-visible</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#a3a3a3</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#a3a3a3</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#action-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">p</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">85</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> darkslategrey</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#action-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">p</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(5)&gt;</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">120</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 900</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 700</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 540</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#who-rated-page-area</span><span class=\"hl-code\">&gt;</span><span class=\"hl-identifier\">div</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">column-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#page-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.content-warning.creditRate</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">21</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.preview-message</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> unset</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.9</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">29</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">z-index:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">filter:</span><span class=\"hl-code\"> drop-shadow(</span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">))</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDEDED</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.error-block</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">255</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">48</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#B00</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top-left-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top-right-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">6</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.page-history</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tbody</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(2</span><span class=\"hl-identifier\">n</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(var(--accent), </span><span class=\"hl-number\">0.05</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> fade </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">fade</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    0% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    100% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">opacity:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.button-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.1</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">11</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.button-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> var(--link-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> var(--link-hover-txt-color)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.button-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.table</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.title</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">default</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--head-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">800</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">155</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">187</span><span class=\"hl-code\">, </span><span class=\"hl-number\">187</span><span class=\"hl-code\">, </span><span class=\"hl-number\">187</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#F7F7F7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow.owait</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow.owait</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.content</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \" \"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> -</span><span class=\"hl-number\">0.9</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">auto</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> loading </span><span class=\"hl-number\">1.2</span><span class=\"hl-code\">s linear infinite</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> grey</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> grey</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.4</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">loading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    0% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> rotate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">deg)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    100% </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> rotate(</span><span class=\"hl-number\">360</span><span class=\"hl-code\">deg)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow.osuccess</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.content</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(2)&gt;</span><span class=\"hl-identifier\">img</span><span class=\"hl-special\">:nth-child</span><span class=\"hl-code\">(1) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">margin-right:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.2</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.odialog-shader</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#262a39</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.btn</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.btn</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">#main-content</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.btn</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">submit</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">),\n</span><span class=\"hl-identifier\">.btn.btn-primary</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">div.buttons</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">input.button</span><span class=\"hl-special\">:not</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">submit</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">11</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">pointer</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-diff-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-preview-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-draft-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ccc</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">pointer</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#333</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">14</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-radius:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-diff-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-preview-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-draft-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#eaeaea</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#dbffd6</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#005a0a</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-save-continue-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#edit-save-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#0d951c</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffe1e1</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#c52727</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#edit-cancel-button</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#fff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#c5272e</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.page-history</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tbody</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tr</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#757575</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fncon</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size) !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">line-height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.4</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.fncon</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> var(--page-font-size) !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.hovertip</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">box-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> </span><span class=\"hl-number\">4</span><span class=\"hl-string\">px</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.2</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFF</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">max-width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">400</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">input.checkbox</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-history</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#h-perpage</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">cursor:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">pointer</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">textarea</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#breadcrumbs</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.pseudocrumbs</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">font-weight:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">bold</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">110</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> var(--ui-font)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">REDUCED</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MOTION</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ACCESSIBILITY</span><span class=\"hl-code\"> ---- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (prefers-reduced-motion: </span><span class=\"hl-identifier\">reduce</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">::</span><span class=\"hl-identifier\">before</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">::</span><span class=\"hl-identifier\">after</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">animation-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.001</span><span class=\"hl-code\">s !important</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">animation-iteration-count:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">transition-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">.001</span><span class=\"hl-code\">s !important</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-var\">@MEDIA</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 850</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1.4</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 700</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1.2</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8.8</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 620</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        font-size: </span><span class=\"hl-number\">1</span><span class=\"hl-string\">em</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.15</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">8.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">90</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">123</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}\n \n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (max-width: 520</span><span class=\"hl-identifier\">px</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">h2:</span><span class=\"hl-code\">:before {\n        line-height: </span><span class=\"hl-number\">16</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n        </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\">,\n    </span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">9.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n    </span><span class=\"hl-identifier\">div#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">145</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}</span></pre></div>\n</div>\n</div>\n</div>\n<div style=\"text-align: right;\">\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<div style=\"text-align: center;\">\n<p>Co-written by <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/jasiu06\" onclick=\"WIKIDOT.page.listeners.userInfo(6669398); return false;\"><img alt=\"Jasiu06\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6669398&amp;amp;size=small&amp;amp;timestamp=1790808923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6669398)\"/></a><a href=\"https://www.wikidot.com/user:info/jasiu06\" onclick=\"WIKIDOT.page.listeners.userInfo(6669398); return false;\">Jasiu06</a></span>, <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/ralliston\" onclick=\"WIKIDOT.page.listeners.userInfo(5986843); return false;\"><img alt=\"Ralliston\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5986843&amp;amp;size=small&amp;amp;timestamp=1790808923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5986843)\"/></a><a href=\"https://www.wikidot.com/user:info/ralliston\" onclick=\"WIKIDOT.page.listeners.userInfo(5986843); return false;\">Ralliston</a></span>, and <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/zygard\" onclick=\"WIKIDOT.page.listeners.userInfo(3135673); return false;\"><img alt=\"Zygard\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3135673&amp;amp;size=small&amp;amp;timestamp=1790808923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3135673)\"/></a><a href=\"https://www.wikidot.com/user:info/zygard\" onclick=\"WIKIDOT.page.listeners.userInfo(3135673); return false;\">Zygard</a></span></p>\n<p><strong><a href=\"https://scp-pl.wikidot.com/doslownie-1984\">Jasiu06's Authorpage</a></strong></p>\n<p><strong><a href=\"https://scp-wiki.wikidot.com/ralliston-s-authorpage\">Ralliston's Authorpage</a></strong></p>\n<p><strong><a href=\"https://scp-wiki.wikidot.com/zygards-author-page\">Zygard's Authorpage</a></strong></p>\n</div>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"background: url(https://scp-wiki.wdfiles.com/local--files/aar-1087-silesia/SAAAS.png) center / contain no-repeat; text-align: center; width: 600px; margin: 0 auto; font-size: 20px; padding: 0px; text-align: center;\">\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><span style=\"font-size:15px;\"><strong>We feast on the Battlefield</strong></span></p>\n<div style=\"margin: 0 auto; font-size: 17px; padding: 0px;\">\n<h1><span>A WARNING FROM THE HIGH TABLE</span></h1>\n<p>The following information is property of the Valravn Corporation and its access is reserved for members of the High Table only.</p>\n<p>All non-High Table employees of the Valravn Corporation accessing this file will incur a violation of <strong>Statute 47 of the Code</strong> and shall be considered <strong>Acceptable Collateral Damage</strong> according to the company's <strong>Information Protection Policy</strong>.</p>\n</div>\n<p><span style=\"font-size:15px;\"><strong><em>\u00d3\u00f0inn \u00e1 y\u00f0r alla</em></strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"text-block\">\n\n<h4 id=\"toc0\"><span>AFTER-ACTION REPORT REGARDING THE COMPANY'S ENGAGEMENT IN THE ONGOING CHAOS INSURGENCY INSURRECTION IN SILESIA<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></span></h4>\n<hr/>\n<h3 id=\"toc1\"><span>BACKGROUND</span></h3>\n<p>On April 13th, 2039, in preparation for a military uprising against the Polish government in the region of Silesia, the Chaos Insurgency incorrectly triggered a ritual which in turn affected the region's whole population, imbuing each Silesian with a thaumaturgic talent of significant note. This action \u2014 though inadvertent \u2014 prompted the Insurgency to hasten its military plans, forcing the organization to proceed with its ploy for a coup d'\u00e9tat and thus officially declaring war against the government of Poland and the Global Occult Coalition.</p>\n<p>Over the coming days, aided by outside and inside assets such as A.R.G.U.S. Inc., the ZM \"Witch Slayer\" Division, and the Coalition, the Polish government formed a unified military front against the Insurgent threat \u2014 which, by then, has already taken over all major Silesian cities and effectively barricaded the region by utilizing its newly-found thaumaturgic skills. This brief period of Insurgent victory, however, was not a sign of any true stability: indeed, as soon as on April 17th \u2014 following an engagement with the similarly-thaumic yet politically-opposed locals \u2014 the Insurgency had already reached out to the Corporation, looking for aid.</p>\n<p>Recognizing the Insurgency's low monetary capabilities \u2014 along with the historically unstable nature of the movement and its unfavourable reputation \u2014 as well as the inevitability of its clash with the far more militarily-potent Coalition, the Corporation had initially ignored said request, deeming cooperation unsuitable. However, following a personal conversation with a third party \u2014 <strong><tt>[DATA REMOVED PER PROTOCOL TWILIGHT]</tt></strong> who, as was revealed in the meeting, was also responsible for monetarily supporting the otherwise-impotent Insurgency and has taken a keen interest in the potential for Silesian instability due to personal reasons that remain undisclosed but irrelevant to the Corporation \u2014 the High Table has decided to reconsider the proposition.</p>\n<p>Upon receiving a large monetary sum directly from said benefactor, the Corporation has officially recognized the Insurgent request, and over the coming weeks begun the mobilization of its forces and assets, culminating in a confrontation against the Coalition Silesian air blockade on April 27th. Although by then, the Coalition had officially decided to fully engage in the conflict until the Insurgent forces are defeated, the Corporation nevertheless continued its apparent support of said forces, as per the grand design.</p>\n<p>Due to the sensitivity of Corporate operations inside the region of Silesia \u2014 as well as the confidentiality of their full scope, extent, and intention \u2014 further information regarding PROTOCOL TWILIGHT shall not be committed to file and will remain on a need-to-know-basis, available only to those members of the High Table whose actions are necessary to the operation's success.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b6\u00a0Reprise\u00a0Clearance</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b7\u00a0Welcome,\u00a0Authorized\u00a0Personnel</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"block-dialog\">\n<p style=\"text-align: center;\"><strong>\u00abRECORDING ACTIVATED\u00bb</strong></p>\n<hr/>\n<p><em>As the bell chimes, four shadows sit down around the map in silence, awaiting the rest of the High Table. They all exchange cold glances, but say nothing; instead, they look at the empty place where the fifth shadow should soon be sitting, alongside the two seats they know will remain absent.</em></p>\n<p><em>Nevertheless: Sigrh\u00f6fundr looks around the room, then clasps his hands.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Quroum stands. Shall we begin?</p>\n<p><em>The rest all nod.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Marvelous.</p>\n<p><em>Sigrh\u00f6fundr points to the map in-between the five shadows; it depicts the region of Silesia, with the Insurgency-occupied cities highlighted in red. Around them, predicted movements of Coalition forces alongside currently ongoing skirmishes between them, the Company, the Insurgency, and local guerrillas, are displayed.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> I am glad to report that Wilhelm will remain a non-concern. His arm will not come for us for as long as he remains hospitalized, which my men inside tell me will be quite some time.</p>\n<p><em>He points to the location of the first confrontation between the Coalition and the Company.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> The attack fulfilled its function as a provocation quite well. The loud minority inside their Council won't be heard at all, now that we have raised the spark like so; they'll be bringing the whole hammer down, soon enough.</p>\n<p><strong>Sigrh\u00f6fundr:</strong> The parts of it that were already brought in, though, we are mostly handling; Valkj\u00f3sandi and Hild\u00f3lf made sure they were obliterated in the fields and could find recluse in some cities the Insurgency thinks are strategically important.</p>\n<p><strong>Sigrh\u00f6fundr:</strong> Now\u2014</p>\n<p><em>He looks at Tv\u00edblindi, whose one eye blinks in assurance.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> \u2014when they do come in fully, the ravens tell me it'll be Wroc\u0142aw they'll strike in next, just where we're the least stationed.</p>\n<p><em>He nods in recognition to Hild\u00f3lf.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Which, of course, aligns perfectly with our intend\u2014</p>\n<p><em>Wind rushes through the room as the doors open and \u00derasarr walks right through, his face an ugly, scarred grimace.</em></p>\n<p><strong>\u00derasarr:</strong> Have you all lost your god-damned wits?</p>\n<p><em>Sigrh\u00f6fundr raises an eyebrow; Valkj\u00f3sandi and Hild\u00f3lf both grimace; Tv\u00edblindi simply sighs.</em></p>\n<p><em>With fierce strength, \u00derasarr takes his seat, and points to a holographic statistic.</em></p>\n<p><strong>\u00derasarr:</strong> Nine confrontations out of ten won. <em>How is that acceptable</em>?</p>\n<p><em>Hild\u00f3lf furrows his brows.</em></p>\n<p><strong>Hild\u00f3lf:</strong> Was it not the intended design to push the Coalition into further confrontation? Surely, so many loses would only make them increase their efforts and thus bring further turmoil\u2014</p>\n<p><em>\u00derasarr grabs his temples.</em></p>\n<p><strong>\u00derasarr:</strong> The intended design was to push them into mobilization \u2014 not desperation. Need I remind you all we are handling a nuclear power?</p>\n<p><strong>Hild\u00f3lf:</strong> They wouldn't <em>dare</em>.</p>\n<p><em>\u00derasarr scoffs mockingly.</em></p>\n<p><strong>\u00derasarr:</strong> Yes, just like they didn't dare in Hy-Brasil in '88.</p>\n<p><em>He points to a skirmish currently happening before Jelenia G\u00f3ra.</em></p>\n<p><strong>\u00derasarr:</strong> This must be lost. We cannot risk a Casaba-Howitzer glassing half the region.</p>\n<p><em>Valkj\u00f3sandi groans.</em></p>\n<p><strong>Valkj\u00f3sandi:</strong> You will not dictate me the terms of my own troops. I\u2014</p>\n<p><strong>\u00derasarr:</strong> What <em>I</em> want has nothing to do with what must be done. This is not my own will.</p>\n<p><em>He eyes the gathered.</em></p>\n<p><strong>\u00derasarr:</strong> Have you forgotten what we were hired to do? Have you forgotten the grand design we were told to bring forth? The Insurgency already believes we are aiding their play with what we have won \u2014 they do not need further assurance.</p>\n<p><strong>\u00derasarr:</strong> Our benefactor, however, <em>does</em> need further assurence, I'm sure, that we will not escalate this into Insurgent victory \u2014 or worse, into nuclear Armageddon.</p>\n<p><em>He stands up, and corrects his tie.</em></p>\n<p><strong>\u00derasarr:</strong> Do try to remember that if push comes to shove, there will be no spoil to find amidst the fallout for the benefactor.</p>\n<p><em>He pauses, and gives the High Table a heavy look.</em></p>\n<p><strong>\u00derasarr:</strong> And besides: for all of our titles, surely you do not believe that we too could survive ropes around our necks.</p>\n<hr/>\n<p style=\"text-align: center;\"><strong>\u00abRECORDING DEACTIVATED\u00bb</strong></p>\n</div>\n</div>\n</div>\n</div>\n<hr/>\n<h3 id=\"toc2\"><span>INCIDENT OVERVIEW</span></h3>\n<p>As of writing, the Company is engaged in several sub-operations pertaining to the Silesia case:</p>\n<ul>\n<li>Fortifying and cutting off vital road infrastructures in Kielce, Jaworzno, and Tychy so as to disrupt the path into Katowice;</li>\n<li>Fortifying and defending Jastrz\u0119bie Zdr\u00f3j, Bielsko-Bia\u0142a, Jelenia G\u00f3ra, Wa\u0142brzych, Lublin, and Wroc\u0142aw;</li>\n<li>Cutting off Coalition supply lines so as to permanently disrupt the GOC advancement into Silesian territory.</li>\n</ul>\n<p>All forces currently available to the Company \u2014 identified as V-01, V-02, V-03, V-04, V-05, V-06, V-07, V-08, V-09 \u2014 are currently occupied on those fronts under number one priority.</p>\n<p>V-01 aids the Insurgency in blocking the Coalition and A.R.G.U.S. Inc. forces from reaching Katowice from the side of Bytom via limited, low-profile engagements against local infrastructure and scouting Coalition units. They are joined in this effort by V-02 on the side of Krak\u00f3w, who engage in more open hostilities against anti-Insurgent forces. Nevertheless, in accordance with the grand design, both units are simultaneously pulling closer towards Katowice itself and are backing out of as many engagements as possible.</p>\n<p>The goal of V-03 and V-04 is to maintain control of Jastrz\u0119bie Zdr\u00f3j against A.R.G.U.S. Inc. and Bielsko-Bia\u0142a against the ZM \"Witch Slayer\" Division respectively. The V-03/A.R.G.U.S. front has been engaged in open warfare for a week unbroken and has so far remained unresponsive \u2014 the exact status therein therefore remains unknown. Meanwhile, V-04 managed to break the chain of ZM command and are pushing against the Division.</p>\n<p>V-05 is currently openly engaged against a unified Coalition-ZM front near Jelenia G\u00f3ra. Due to the deployment of Coalition battlemages in the area, the damage still being done to both the city and its surroundings is immense, as are the losses of V-05 personnel. The death toll is only made higher by the ZM forces utilizing an experimental neurotoxin; the toxin acts as a sedating agent, putting all affected into deep sleep and \u2014 eventually \u2014 painless death. This development has significantly lowered morale of the lesser personnel due to the ideological consequence of such a death \"robbing one of their entry into Valhalla.\" Though V-05 troops have already managed to shoot down the helicopters responsible for spreading the toxin, it is estimated the unit will nevertheless not be able to hold its ground.</p>\n<p>V-06 and V-07 have found more success in their respective missions of defending their control of Wa\u0142brzych and Lublin against A.R.G.U.S. forces. Indeed: the experimental usage of drones on both fronts has yielded unexpectedly positive results. Meanwhile, the neighboring V-08 is preparing Wroc\u0142aw for the incoming Coalition siege. So far, it has not engaged in any combat.</p>\n<p>The goal of V-09 is to push A.R.G.U.S. forces away from Bytom, which they are currently occupying.</p>\n<p>In addition to conventional weaponry, the Coalition front is utilizing never-before-seen pieces of experimental technology. In addition to the previously-mentioned neurotoxin, Company reports claim that A.R.G.U.S. Inc. ATHVs<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> are joining the gathering Coalition UHECs in preparation for a full on-offensive against Katowice.</p>\n\n<p>Already encountered by the Company before during the Scottish insurrection, the ATHVs are all equipped with further experimental, tartarean-fueled weaponry \u2014 particularly pieces sources from the <a href=\"/hunter-industries-hub\">Hunter Industries</a> corporation.</p>\n<p>It is unknown how much longer the Coalition will wait until it begins its actual march to conquer Silesia's capital.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b6\u00a0Reprise\u00a0Clearance</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b7\u00a0Welcome,\u00a0Authorized\u00a0Personnel</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"block-dialog\">\n<p style=\"text-align: center;\"><strong>\u00abRECORDING ACTIVATED\u00bb</strong></p>\n<hr/>\n<p><em>A dull chime rings throughout the chamber, and the attention of all five gathered falls once again to the map; upon it, one of the cities changes its color from red to blue as a series of graphs and military reports immediately pop up on the holograph next to the area.</em></p>\n<p><em>Just as planned, Jelenia G\u00f3ra has fallen.</em></p>\n<p><em>Without a second's thought, Sigrh\u00f6fundr pulls the diagrams down; the domestic casualties are but necessary collateral. With a bored expression, he points towards it with an open hand, giving \u00derasarr a heavy look.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Enough to satisfy your paranoia?</p>\n<p><em>\u00derasarr nods, something almost like smile forming on his lips.</em></p>\n<p><strong>\u00derasarr:</strong> Enough to satisfy our contract, yes. On the topic of which, actually\u2014</p>\n<p><em>\u00derasarr zooms the map closer towards Wroc\u0142aw. Some twenty kilometers outside its borders, Coalition battalions have already begun their preparation for a siege. Though Company aerial assets also continue their bombardment of fragments of the army, wherever they are properly engaged by the gathering, they mostly suffer loses.</em></p>\n<p><strong>\u00derasarr:</strong> What are we thinking of this particular\u2026 engagement?</p>\n<p><em>Sigrh\u00f6fundr puts his hands together, and tightens his lips.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> The loss of two major assets in such a short time would be\u2026 undesirable, I do think, for our overall image. Though I do not suspect anyone over at Insurgency command has brains enough to think it suspicious, it could prove a difficulty in further public relations after we are done here. Their so-called New Engineer and the rest of his minions are too busy with their nonsensical schemes.</p>\n<p><em>Valkj\u00f3sandi scratches his bald head.</em></p>\n<p><strong>Valkj\u00f3sandi:</strong> Hmm. But if we <em>do</em> push them out, we are risking al Fine turning her attention to Katowice too early. If she thinks the small cities aren't worth the effort, surely the witch will try for the big fish, no?</p>\n<p><em>\u00derasarr eyes Tv\u00edblindi, who closes his eye and slowly inhales, focusing.</em></p>\n<p><strong>Tv\u00edblindi:</strong> Two paths diverge, but I am quite certain she would not dare try enter the capital so quickly. She is not Wilhelm, and she has seen battle. If anything, our loss would only strengthen her belief in a conventional, meticulous solution.</p>\n<p><em>Tv\u00edblindi turns to Valkj\u00f3sandi.</em></p>\n<p><strong>Tv\u00edblindi:</strong> That being said, of course, I do\u2014</p>\n<p><em>Suddenly, Hild\u00f3lf squints his eyes, and zooms onto the north-most section of the gathering Coalition forces. He blinks twice, then laughs out loud, his voice thundering through the empty hall.</em></p>\n<p><em>The remaining gathered look at him, confusion and something almost like resentment plastered across their faces. Hild\u00f3lf just grins with a cruel spark in his eyes.</em></p>\n<p><strong>Hild\u00f3lf:</strong> You won't fuckin' believe this, good lord.</p>\n<p><em>\u00derasarr raises an eyebrow.</em></p>\n<p><strong>Hild\u00f3lf:</strong> The bitch! The bitch is back!</p>\n<p><em>Hild\u00f3lf continues laughing as he points towards a squadron now revealed to be an A.R.G.U.S. Inc. mercenary formation, led by Anna \u015awito\u0144.</em></p>\n<p><em>Sigrh\u00f6fundr also smiles, though far more faintly.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Well. I do suppose that changes some things.</p>\n<p><em>Tv\u00edblindi looks at him, tired and somewhat annoyed.</em></p>\n<p><strong>Hild\u00f3lf:</strong> What? Come on, we can't just let her go. Once in a lifetime opportunity to correct our image after <a href=\"http://scp-pl.wikidot.com/krew-proch-i-wrzosy\">Scotland</a> and you expect us to let it be? Be reasonable.</p>\n<p><strong>Tv\u00edblindi:</strong> That is the same counsel I wanted to give to <em>you</em>. We\u2014</p>\n<p><em>Sigrh\u00f6fundr points to both the men with his open hands.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Come, now. We can have both.</p>\n<p><em>He looks at Hild\u00f3lf, then Tv\u00edblindi.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> You'll have your revenge, and you'll have your loss: all we have to do is just focus solely on that squadron and let the rest fall right into Coalition hands. That work for you?</p>\n<p><em>The two reluctantly nod. Sigrh\u00f6fundr just smiles faintly and again puts his hands together.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Excellent.</p>\n<p><strong>Hild\u00f3lf:</strong> On the topic of unexpected appearances\u2014</p>\n<p><em>He looks towards the two empty seats around the High Table, then eyes \u00derasarr.</em></p>\n<p><strong>Hild\u00f3lf:</strong> Will our two little middlemen actually show up, or has Eurtec permanently caught their fancy? I really would hope that\u2014</p>\n<p><em>\u00derasarr suddenly stands up angrily, and eyes the recording device.</em></p>\n<p><strong>\u00derasarr:</strong> Turn it off.</p>\n<p><strong>Hild\u00f3lf:</strong> What? I was just wondering if they're free to go or if <em>she</em> is\u2014</p>\n<p><em>\u00derasarr makes a gesture as if trying to strangle Hild\u00f3lf, and aggressively throws the device off the table.</em></p>\n<p><strong>\u00derasarr:</strong> Fucking moron\u2014</p>\n<p><em>As sounds of agitated discussion continue beyond the device's range, it promptly turns off, hitting the floor.</em></p>\n<hr/>\n<p style=\"text-align: center;\"><strong>\u00abRECORDING DEACTIVATED\u00bb</strong></p>\n</div>\n</div>\n</div>\n</div>\n<hr/>\n<h3 id=\"toc3\"><span>AFTERMATH</span></h3>\n<p>On 12th of June, by unanimous decision of the High Table and as per prior consensus between all persons involved with PROTOCOL TWILIGHT decision-making, Corporation forces have officially began their withdrawal from Silesian ground. Though this action has persisted in accordance with the low-profile and slow modus operandi previously agreed upon by all informed parties, its end goal \u2014 the total discontinuation of Corporation aid for the Chaos Insurgency \u2014 has remained inalterable and inevitable, following the assurance that the political situation in Silesia has properly spiraled out of the Coalition-willed and Insurgency-opposed control.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b6\u00a0Reprise\u00a0Clearance</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b7\u00a0Welcome,\u00a0Authorized\u00a0Personnel</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"block-dialog\">\n<p style=\"text-align: center;\"><strong>\u00abRECORDING ACTIVATED\u00bb</strong></p>\n<hr/>\n<p><em>A new witness to the meeting opens its mechanical eye as the ravens gathered around the table continue their toil. For several hours more they each drag around files and send messages on their workstations, but otherwise remain silent; the only sounds permeating through the chamber are those of keyboards clicking and dirty fingernails tapping against dark wood.</em></p>\n<p><em>This far into their work, none of the gathered pay any attention to the low humming chanted from the chambers beneath them.</em></p>\n<p><em>After a long while, deep into the evening, the sound of helicopter blades penetrates the silence; they continue their song until the heavy doors leading into the chamber are breached once more, revealing the last two ravens previously missing.</em></p>\n<p><em>Gr\u00edmnir and Au\u00f0un grunt half-polite hellos, and take their seats.</em></p>\n<p><em>Hild\u00f3lf spreads his arms and smiles.</em></p>\n<p><strong>Hild\u00f3lf:</strong> The prodigal sons return!</p>\n<p><em>Gr\u00edmnir gives him a heavy look, but nods.</em></p>\n<p><strong>Hild\u00f3lf:</strong> Good to see you both in one piece. How has\u2026</p>\n<p><em>He eyes \u00derasarr, annoyed.</em></p>\n<p><strong>Hild\u00f3lf:</strong> \u2026<em>the beast's lair</em> treated you?</p>\n<p><em>\u00derasarr sighs, but doesn't say anything; Au\u00f0un pats dusts off his suit.</em></p>\n<p><strong>Au\u00f0un:</strong> Better than we hoped.</p>\n<p><strong>Gr\u00edmnir:</strong> Worse than we expected.</p>\n<p><strong>Au\u00f0un:</strong> It's all such a loud mess.</p>\n<p><strong>Gr\u00edmnir:</strong> Far too uncivilized.</p>\n<p><em>Hild\u00f3lf skews his head.</em></p>\n<p><strong>Hild\u00f3lf:</strong> Yes, yes, of course, I too have seen the European shithole, I'm aware; I meant how it has treated you with <em>business</em>, gentlemen. You can save the architectural argument for Sigrh\u00f6fundr.</p>\n<p><strong>Gr\u00edmnir:</strong> Well.</p>\n<p><em>Au\u00f0un puts a briefcase on the table; it bangs heavily against the dark wood.</em></p>\n<p><strong>Au\u00f0un:</strong> The benefactor is satisfied with our work.</p>\n<p><em>\u00derasarr eyes the briefcase.</em></p>\n<p><strong>\u00derasarr:</strong> Enough to send the second third, huh?</p>\n<p><em>Gr\u00edmnir nods.</em></p>\n<p><strong>Gr\u00edmnir:</strong> Indeed. But it is not a prize without comment.</p>\n<p><strong>Au\u00f0un:</strong> They commend our handling of both the Coalition and the Insurgency, but they do say that we ought to take greater\u2026 <em>care</em>, when engaging with the civilians.</p>\n<p><em>Valkj\u00f3sandi raises an eyebrow.</em></p>\n<p><strong>Gr\u00edmnir:</strong> It is of course expected they will play their part against the Insurgency soon enough, but the benefactor comments on the fact they are concerned it will happen <em>too</em> soon.</p>\n<p><strong>\u00derasarr:</strong> Hmm.</p>\n<p><strong>Hild\u00f3lf:</strong> They do not understand why our bombing hasn't taken care of more of them, is what you're saying?</p>\n<p><strong>Gr\u00edmnir:</strong> Precisely.</p>\n<p><em>Valkj\u00f3sandi furrows his brows.</em></p>\n<p><strong>Valkj\u00f3sandi:</strong> I do not understand. Was it not intended to avoid as much foreign collateral as possible so that when we do hand al Fine her prize, naught trouble will come to us?</p>\n<p><strong>Gr\u00edmnir:</strong> It is.</p>\n<p><strong>Au\u00f0un:</strong> All they say is that we ought to have a more\u2026 liberal definition of what constitutes the Insurgency, in our leaks to the Coalition.</p>\n<p><em>Hild\u00f3lf grins.</em></p>\n<p><strong>Hild\u00f3lf:</strong> I see.</p>\n<p><em>Tv\u00edblindi grimaces. Sigrh\u00f6fundr looks at him.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> You seem troubled.</p>\n<p><strong>Tv\u00edblindi:</strong> This is not the way.</p>\n<p><em>Hild\u00f3lf rolls his eyes.</em></p>\n<p><strong>Hild\u00f3lf:</strong> I didn't peg you for a Manna member.</p>\n<p><em>Tv\u00edblindi's eye falls on him heavily.</em></p>\n<p><strong>Tv\u00edblindi:</strong> If you wish to engage them, give them a warrior's death. Do not cover yourself with the witch. Do the deed yourself.</p>\n<p><em>Sigrh\u00f6fundr looks at Hild\u00f3lf from the side of Tv\u00edblindi's blind eye, then turns towards Tv\u00edblindi himself.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> I'll handle it.</p>\n<p><strong>Tv\u00edblindi:</strong> You\u2014</p>\n<p><em>Sigrh\u00f6fundr lowers his gaze.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> I'll. Handle it.</p>\n<p><em>Tv\u00edblindi just stares his down, but doesn't say anything; instead, he turns away, and grabs at his gray beard.</em></p>\n<p><strong>Tv\u00edblindi:</strong> Very well.</p>\n<p><em>Sigrh\u00f6fundr claps his hands, then turns to face Gr\u00edmnir and Au\u00f0un.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Well, tell the benefactor it shall be done. In the meantime, I hope the end game stays the same, yes?</p>\n<p><em>Gr\u00edmnir nods.</em></p>\n<p><strong>Gr\u00edmnir:</strong> It does. But they are also saying it will come sooner than we had anticipated.</p>\n<p><strong>Valkj\u00f3sandi:</strong> \u2026Meaning?</p>\n<p><strong>Au\u00f0un:</strong> Meaning that in not long we will see a clear sign that our time has time.</p>\n<p><strong>Gr\u00edmnir:</strong> Before it does, though, we ought to already start our recall, as quietly as we can.</p>\n<p><em>Sigrh\u00f6fundr raises his eyebrows.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Now?</p>\n<p><strong>Gr\u00edmnir:</strong> Now.</p>\n<p><em>Sigrh\u00f6fundr slowly breathes out, running possibilities through his head. When he speaks again, however, his voice is firm and certain.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> Consider it done, then.</p>\n<p><em>All gathered exchange glances.</em></p>\n<p><strong>Sigrh\u00f6fundr:</strong> They will have their treasure, soon enough.</p>\n<hr/>\n<p style=\"text-align: center;\"><strong>\u00abRECORDING DEACTIVATED\u00bb</strong></p>\n</div>\n</div>\n</div>\n</div>\n<hr/>\n<div style=\"text-align: center;\">\n<h4><span><em>\u00d3\u00f0inn \u00e1 y\u00f0r alla</em></span></h4>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"text-block\">\n\n<div style=\"text-align: center;\">\n<h3><span>H-05 \"\u00derasarr\"</span></h3>\n<h4><span>Member of the High Table</span></h4>\n</div>\n<hr/>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b6\u00a0Reprise\u00a0Clearance\u00a0\u25c0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25b7\u00a0Welcome,\u00a0Authorized\u00a0Personnel\u00a0\u25c1</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: left;\">\n\n<div class=\"block-dialog\">\n<p style=\"text-align: center;\"><strong>\u00abRECORDING ACTIVATED\u00bb</strong></p>\n<hr/>\n<p><em>On a building overlooking the heart of Europe, warm rain breaks upon concrete and steel. The two specters that stand atop it barely notice.</em></p>\n<p><em>\u00derasarr finishes his cigarette, and throws it down the skyscraper, down towards the urban purgatory of the midnight Warsaw \u2014 towards the cars and bystanders, however few this time of day; towards the <a href=\"http://scp-pl.wikidot.com/scp-pl-400\">soulless, heartless facsimile of a city</a>, its glass bones and paved flesh a testament to the same cynical capital that has now brought them here together.</em></p>\n<p><em>The smoke goes out well before it finishes its fall.</em></p>\n<p><em>It is a cruel thing, really, an almost savage mockery of the human urbanist spirit \u2014 of the common need for community amidst progress. Still: to \u00derasarr, it is of no importance. At the end of the day, the only thing that matters is that they are here \u2014 and that there is money to be made.</em></p>\n<p><em>He clears his throat, and looks over at the other shadow.</em></p>\n<p><strong>\u00derasarr:</strong> I am glad to see you have not changed your mind. I was worried your master's voice would persuade you, in the end.</p>\n<p><em>The hooded figure scoffs.</em></p>\n<p><strong>The Messenger:</strong> What al Fine thinks is of no concern. She can have her war \u2014 and we can have ours.</p>\n<p><em>\u00derasarr raises an eyebrow.</em></p>\n<p><strong>The Messenger:</strong> Her desperate need to maintain control is not mutually exclusive with our need to keep the engines running. If anything, the two complete each other.</p>\n<p><em>The figure throws out their smoke, too.</em></p>\n<p><strong>The Messenger:</strong> It is a cruel Yin and Yang.</p>\n<p><em>\u00derasarr simply nods, and pulls out the documents from inside his trench coat. The figure eyes the folder skeptically, but upon seeing the red, raven-shaped seal right on the first page, their mood changes. They nod, too, and take the papers.</em></p>\n<p><em>Over the next few minutes, their hands and eyes do their magic, scanning each piece of information given like a hungry beast. When they finish, they hand the papers back to \u00derasarr, and both look out beyond the horizon once more.</em></p>\n<p><strong>\u00derasarr:</strong> All to your liking?</p>\n<p><em>The figure nods.</em></p>\n<p><strong>The Messenger:</strong> I don't <em>enjoy</em> this endeavor, you know. I am not in this for your thrill. Not for your money.</p>\n<p><em>\u00derasarr rolls his eyes.</em></p>\n<p><strong>\u00derasarr:</strong> And what difference does it make?</p>\n<p><strong>The Messenger:</strong> At the end of the day, there is a prize to be won here, for me. I fight for a future I believe in. You fight for a master. A master you ought not to trust.</p>\n<p><em>\u00derasarr raies an eyebrow.</em></p>\n<p><strong>The Messenger:</strong> Indulge me.</p>\n<p><em>\u00derasarr shrugs.</em></p>\n<p><strong>The Messenger:</strong> You're a fool for throwing your hat in with her.</p>\n<p><em>\u00derasarr smirks.</em></p>\n<p><strong>\u00derasarr:</strong> And why is that?</p>\n<p><strong>The Messenger:</strong> You work thinking you're the biggest fish, you Ravens. You work because once the fires calm down, there will always be plenty corpses for your little machine, and because another battle will always come, under the rules you've surrendered to. Because for those who wage those battles, it is good to see someone clean up the bodies they make. You <em>win</em> because you're the biggest fish, too \u2014 or at the very least, the cleverest one.</p>\n<p><strong>The Messenger:</strong> But she is not a fish. And she does not play by the rules. She is a dragon \u2014 and a dragon always takes what she thinks is hers.</p>\n<p><em>The figure eyes \u00derasarr with a heavy spark in their eyes.</em></p>\n<p><strong>The Messenger:</strong> So do not be surprised when the fire you thought was sheltering you scorches you whole.</p>\n<hr/>\n<p style=\"text-align: center;\"><strong>\u00abRECORDING DEACTIVATED\u00bb</strong></p>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<hr/>\n<div style=\"text-align: center;\">\n<h4><span><em>\u00d3\u00f0inn \u00e1 y\u00f0r alla</em></span></h4>\n</div>\n</div>\n<p><br/></p>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"KTE-2039\">\n\n<p><a href=\"/kte-2039-carcinoma-oder-templum\">KTE-2039</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"All Eyes on Silesia\">\n<p><a href=\"/all-eyes-on-silesia-hub\">All Eyes on Silesia</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"Phoenix Technologies Donation\">\n\n<p><a href=\"/second-phoenix-technologies-donation\">Phoenix Technologies Donation</a></p>\n</div>\n</div>\n<hr/>\n<div style=\"text-align: center;\">\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/aar-1087-silesia\">AAR-1087-Silesia</a>\" by Jasiu06, Ralliston, and Zygard, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/aar-1087-silesia\">https://scpwiki.com/aar-1087-silesia</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> SAAAS.png<br/>\n<strong>Name:</strong> Aegishjalmr<br/>\n<strong>Author:</strong> Dbh2ppa<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://en.wikipedia.org/wiki/File:Aegishjalmr.svg\">Wikimedia Commons</a><br/>\n<strong>Additional Notes:</strong> Edited by <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/jasiu06\" onclick=\"WIKIDOT.page.listeners.userInfo(6669398); return false;\"><img alt=\"Jasiu06\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6669398&amp;amp;size=small&amp;amp;timestamp=1790808923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6669398)\"/></a><a href=\"https://www.wikidot.com/user:info/jasiu06\" onclick=\"WIKIDOT.page.listeners.userInfo(6669398); return false;\">Jasiu06</a></span></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Valminimal.png<br/>\n<strong>Author:</strong> Jasiu06, based on the Valravn logo by <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/kilerpoyo\" onclick=\"WIKIDOT.page.listeners.userInfo(6852037); return false;\"><img alt=\"Kilerpoyo\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6852037&amp;amp;size=small&amp;amp;timestamp=1790808923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6852037)\"/></a><a href=\"https://www.wikidot.com/user:info/kilerpoyo\" onclick=\"WIKIDOT.page.listeners.userInfo(6852037); return false;\">Kilerpoyo</a></span>]<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/aar-1087-silesia\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Mech.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/predator3174pl\" onclick=\"WIKIDOT.page.listeners.userInfo(3009511); return false;\"><img alt=\"Predator3174PL\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3009511&amp;amp;size=small&amp;amp;timestamp=1790808923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3009511)\"/></a><a href=\"https://www.wikidot.com/user:info/predator3174pl\" onclick=\"WIKIDOT.page.listeners.userInfo(3009511); return false;\">Predator3174PL</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/aar-1087-silesia\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Wawa.jpg<br/>\n<strong>Name:</strong> Warsaw by night, panorama (3141245333)<br/>\n<strong>Author:</strong> Michal Osmenda<br/>\n<strong>License:</strong> CC BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Warsaw_by_night,_panorama_(3141245333).jpg\">Wikimedia Commons</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Although the file uses the After-Action Report format, the operation itself is still ongoing \u2014 its usage, which indeed points to the action having concluded, is necessitated by the inevitable conclusion already predestined to the incident.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. All Terrain Heavy Vehicle.</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:foxtrot\">:scp-wiki:theme:foxtrot</a> dark=a]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Sofia+Sans:ital,wght@0,100;0,200;0,300;0,400;0,500;0,600;0,700;0,800;0,900;1,100;1,200;1,300;1,400;1,500;1,600;1,700;1,800;1,900&display=swap');\n\n\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--accent: 234, 238, 239;\n\n\u00a0\u00a0\u00a0\u00a0--dark-txt-color: #eaeeef;\n\n\u00a0\u00a0\u00a0\u00a0--dark-bg-1: #011f22 !important;\n\n\u00a0\u00a0\u00a0\u00a0--dark-bg-2: #001416 !important;\n\n\u00a0\u00a0\u00a0\u00a0--header-title: \"Valravn Corporation\";\n\n\u00a0\u00a0\u00a0\u00a0--header-subtitle: \"We feast on the Battlefield\";\n\n\u00a0\u00a0\u00a0\u00a0--logo-img: url(https://scp-wiki.wdfiles.com/local--files/aar-1087-silesia/Valminimal.png);\n\n\u00a0\u00a0\u00a0\u00a0--head-font: \"Sofia Sans\", \"franklin gothic medium\", \"franklin gothic\", \"itc franklin gothic\", \"Helvetica Neue\", Helvetica, arial, sans-serif\n\n}\n\n\n\n.text-block {\n\n\u00a0\u00a0\u00a0\u00a0width: 90%;\n\n\u00a0\u00a0\u00a0\u00a0margin-left: auto;\n\n\u00a0\u00a0\u00a0\u00a0margin-right: auto;\n\n\u00a0\u00a0\u00a0\u00a0margin-bottom: 24px;\n\n\u00a0\u00a0\u00a0\u00a0padding: 10px 20px 20px 20px;\n\n\u00a0\u00a0\u00a0\u00a0border: double 0.4rem #eaeeef;\n\n\u00a0\u00a0\u00a0\u00a0text-align: justify;\n\n}\n\n\n\n.text-block hr { \n\n\u00a0\u00a0\u00a0\u00a0margin: 1em 0em;\n\n}\n\n\n\n.footnotes-footer {\n\n\u00a0\u00a0\u00a0\u00a0display: none;\n\n}\n\n\n\n.block-dialog {\n\n\u00a0\u00a0\u00a0\u00a0padding: 0 1em;\n\n\u00a0\u00a0\u00a0\u00a0margin: 1em 2.5em;\n\n\u00a0\u00a0\u00a0\u00a0border: 3px dashed #eaeeef;\n\n}\n\n\n\n\n\n@media (max-width: 600px) {\n\n.block-dialog {\n\n\u00a0\u00a0\u00a0\u00a0margin: 1em 0.5em;\n\n}\n\n}\n\n\n\n[[/module]]\n\n\n\n[[>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n[[=]]\n\nCo-written by [[*user Jasiu06]], [[*user Ralliston]], and [[*user Zygard]]\n\n\n\n**[https://scp-pl.wikidot.com/doslownie-1984 Jasiu06's Authorpage]**\n\n\n\n**[https://scp-wiki.wikidot.com/ralliston-s-authorpage Ralliston's Authorpage]**\n\n\n\n**[https://scp-wiki.wikidot.com/zygards-author-page Zygard's Authorpage]**\n\n[[/=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[/>]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"background: url(https://scp-wiki.wdfiles.com/local--files/aar-1087-silesia/SAAAS.png) center / contain no-repeat; text-align: center; width: 600px; margin: 0 auto; font-size: 20px; padding: 0px; text-align: center;\"]]\n\n\n\n@@ @@\n\n\n\n[[size 15px]]**We feast on the Battlefield**[[/size]]\n\n\n\n[[div style=\"margin: 0 auto; font-size: 17px; padding: 0px;\"]]\n\n+* A WARNING FROM THE HIGH TABLE\n\nThe following information is property of the Valravn Corporation and its access is reserved for members of the High Table only.\n\n\n\nAll non-High Table employees of the Valravn Corporation accessing this file will incur a violation of **Statute 47 of the Code** and shall be considered **Acceptable Collateral Damage** according to the company's **Information Protection Policy**.\n\n[[/div]]\n\n\n\n[[size 15px]]**//\u00d3\u00f0inn \u00e1 y\u00f0r alla//**[[/size]]\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"text-block\"]]\n\n\n\n[[=image Valminimal.png width=\"100px\"]]\n\n\n\n++++ AFTER-ACTION REPORT REGARDING THE COMPANY'S ENGAGEMENT IN THE ONGOING CHAOS INSURGENCY INSURRECTION IN SILESIA[[footnote]] Although the file uses the After-Action Report format, the operation itself is still ongoing -- its usage, which indeed points to the action having concluded, is necessitated by the inevitable conclusion already predestined to the incident. [[/footnote]]\n\n\n\n-----\n\n\n\n+++ BACKGROUND\n\n\n\nOn April 13th, 2039, in preparation for a military uprising against the Polish government in the region of Silesia, the Chaos Insurgency incorrectly triggered a ritual which in turn affected the region's whole population, imbuing each Silesian with a thaumaturgic talent of significant note. This action -- though inadvertent -- prompted the Insurgency to hasten its military plans, forcing the organization to proceed with its ploy for a coup d'\u00e9tat and thus officially declaring war against the government of Poland and the Global Occult Coalition.\n\n\n\nOver the coming days, aided by outside and inside assets such as A.R.G.U.S. Inc., the ZM \"Witch Slayer\" Division, and the Coalition, the Polish government formed a unified military front against the Insurgent threat -- which, by then, has already taken over all major Silesian cities and effectively barricaded the region by utilizing its newly-found thaumaturgic skills. This brief period of Insurgent victory, however, was not a sign of any true stability: indeed, as soon as on April 17th -- following an engagement with the similarly-thaumic yet politically-opposed locals -- the Insurgency had already reached out to the Corporation, looking for aid.\n\n\n\nRecognizing the Insurgency's low monetary capabilities -- along with the historically unstable nature of the movement and its unfavourable reputation -- as well as the inevitability of its clash with the far more militarily-potent Coalition, the Corporation had initially ignored said request, deeming cooperation unsuitable. However, following a personal conversation with a third party -- **{{[DATA REMOVED PER PROTOCOL TWILIGHT]}}** who, as was revealed in the meeting, was also responsible for monetarily supporting the otherwise-impotent Insurgency and has taken a keen interest in the potential for Silesian instability due to personal reasons that remain undisclosed but irrelevant to the Corporation -- the High Table has decided to reconsider the proposition. \n\n\n\nUpon receiving a large monetary sum directly from said benefactor, the Corporation has officially recognized the Insurgent request, and over the coming weeks begun the mobilization of its forces and assets, culminating in a confrontation against the Coalition Silesian air blockade on April 27th. Although by then, the Coalition had officially decided to fully engage in the conflict until the Insurgent forces are defeated, the Corporation nevertheless continued its apparent support of said forces, as per the grand design.\n\n\n\nDue to the sensitivity of Corporate operations inside the region of Silesia -- as well as the confidentiality of their full scope, extent, and intention -- further information regarding PROTOCOL TWILIGHT shall not be committed to file and will remain on a need-to-know-basis, available only to those members of the High Table whose actions are necessary to the operation's success.\n\n\n\n[[collapsible show=\"\u25b6 Reprise Clearance\" hide=\"\u25b7 Welcome, Authorized Personnel\"]]\n\n\n\n[[div class=\"block-dialog\"]]\n\n\n\n= **<<RECORDING ACTIVATED>>**\n\n\n\n------\n\n\n\n//As the bell chimes, four shadows sit down around the map in silence, awaiting the rest of the High Table. They all exchange cold glances, but say nothing; instead, they look at the empty place where the fifth shadow should soon be sitting, alongside the two seats they know will remain absent.//\n\n\n\n//Nevertheless: Sigrh\u00f6fundr looks around the room, then clasps his hands.//\n\n\n\n**Sigrh\u00f6fundr:** Quroum stands. Shall we begin?\n\n\n\n//The rest all nod.//\n\n\n\n**Sigrh\u00f6fundr:** Marvelous.\n\n\n\n//Sigrh\u00f6fundr points to the map in-between the five shadows; it depicts the region of Silesia, with the Insurgency-occupied cities highlighted in red. Around them, predicted movements of Coalition forces alongside currently ongoing skirmishes between them, the Company, the Insurgency, and local guerrillas, are displayed.//\n\n\n\n**Sigrh\u00f6fundr:** I am glad to report that Wilhelm will remain a non-concern. His arm will not come for us for as long as he remains hospitalized, which my men inside tell me will be quite some time.\n\n\n\n//He points to the location of the first confrontation between the Coalition and the Company.//\n\n\n\n**Sigrh\u00f6fundr:** The attack fulfilled its function as a provocation quite well. The loud minority inside their Council won't be heard at all, now that we have raised the spark like so; they'll be bringing the whole hammer down, soon enough.\n\n\n\n**Sigrh\u00f6fundr:** The parts of it that were already brought in, though, we are mostly handling; Valkj\u00f3sandi and Hild\u00f3lf made sure they were obliterated in the fields and could find recluse in some cities the Insurgency thinks are strategically important.\n\n\n\n**Sigrh\u00f6fundr:** Now--\n\n\n\n//He looks at Tv\u00edblindi, whose one eye blinks in assurance.//\n\n\n\n**Sigrh\u00f6fundr:** --when they do come in fully, the ravens tell me it'll be Wroc\u0142aw they'll strike in next, just where we're the least stationed.\n\n\n\n//He nods in recognition to Hild\u00f3lf.//\n\n\n\n**Sigrh\u00f6fundr:** Which, of course, aligns perfectly with our intend--\n\n\n\n//Wind rushes through the room as the doors open and \u00derasarr walks right through, his face an ugly, scarred grimace.//\n\n\n\n**\u00derasarr:** Have you all lost your god-damned wits?\n\n\n\n//Sigrh\u00f6fundr raises an eyebrow; Valkj\u00f3sandi and Hild\u00f3lf both grimace; Tv\u00edblindi simply sighs.//\n\n\n\n//With fierce strength, \u00derasarr takes his seat, and points to a holographic statistic.//\n\n\n\n**\u00derasarr:** Nine confrontations out of ten won. //How is that acceptable//?\n\n\n\n//Hild\u00f3lf furrows his brows.//\n\n\n\n**Hild\u00f3lf:** Was it not the intended design to push the Coalition into further confrontation? Surely, so many loses would only make them increase their efforts and thus bring further turmoil--\n\n\n\n//\u00derasarr grabs his temples.//\n\n\n\n**\u00derasarr:** The intended design was to push them into mobilization -- not desperation. Need I remind you all we are handling a nuclear power?\n\n\n\n**Hild\u00f3lf:** They wouldn't //dare//.\n\n\n\n//\u00derasarr scoffs mockingly.//\n\n\n\n**\u00derasarr:** Yes, just like they didn't dare in Hy-Brasil in '88.\n\n\n\n//He points to a skirmish currently happening before Jelenia G\u00f3ra.//\n\n\n\n**\u00derasarr:** This must be lost. We cannot risk a Casaba-Howitzer glassing half the region.\n\n\n\n//Valkj\u00f3sandi groans.//\n\n\n\n**Valkj\u00f3sandi:** You will not dictate me the terms of my own troops. I--\n\n\n\n**\u00derasarr:** What //I// want has nothing to do with what must be done. This is not my own will. \n\n\n\n//He eyes the gathered.//\n\n\n\n**\u00derasarr:** Have you forgotten what we were hired to do? Have you forgotten the grand design we were told to bring forth? The Insurgency already believes we are aiding their play with what we have won -- they do not need further assurance.\n\n\n\n**\u00derasarr:** Our benefactor, however, //does// need further assurence, I'm sure, that we will not escalate this into Insurgent victory -- or worse, into nuclear Armageddon.\n\n\n\n//He stands up, and corrects his tie.//\n\n\n\n**\u00derasarr:** Do try to remember that if push comes to shove, there will be no spoil to find amidst the fallout for the benefactor.\n\n\n\n//He pauses, and gives the High Table a heavy look.//\n\n\n\n**\u00derasarr:** And besides: for all of our titles, surely you do not believe that we too could survive ropes around our necks.\n\n\n\n------\n\n\n\n= **<<RECORDING DEACTIVATED>>**\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n------\n\n\n\n+++ INCIDENT OVERVIEW\n\n\n\nAs of writing, the Company is engaged in several sub-operations pertaining to the Silesia case:\n\n\n\n* Fortifying and cutting off vital road infrastructures in Kielce, Jaworzno, and Tychy so as to disrupt the path into Katowice;\n\n* Fortifying and defending Jastrz\u0119bie Zdr\u00f3j, Bielsko-Bia\u0142a, Jelenia G\u00f3ra, Wa\u0142brzych, Lublin, and Wroc\u0142aw;\n\n* Cutting off Coalition supply lines so as to permanently disrupt the GOC advancement into Silesian territory.\n\n\n\nAll forces currently available to the Company -- identified as V-01, V-02, V-03, V-04, V-05, V-06, V-07, V-08, V-09 -- are currently occupied on those fronts under number one priority.\n\n\n\nV-01 aids the Insurgency in blocking the Coalition and A.R.G.U.S. Inc. forces from reaching Katowice from the side of Bytom via limited, low-profile engagements against local infrastructure and scouting Coalition units. They are joined in this effort by V-02 on the side of Krak\u00f3w, who engage in more open hostilities against anti-Insurgent forces. Nevertheless, in accordance with the grand design, both units are simultaneously pulling closer towards Katowice itself and are backing out of as many engagements as possible.\n\n\n\nThe goal of V-03 and V-04 is to maintain control of Jastrz\u0119bie Zdr\u00f3j against A.R.G.U.S. Inc. and Bielsko-Bia\u0142a against the ZM \"Witch Slayer\" Division respectively. The V-03/A.R.G.U.S. front has been engaged in open warfare for a week unbroken and has so far remained unresponsive -- the exact status therein therefore remains unknown. Meanwhile, V-04 managed to break the chain of ZM command and are pushing against the Division.\n\n\n\nV-05 is currently openly engaged against a unified Coalition-ZM front near Jelenia G\u00f3ra. Due to the deployment of Coalition battlemages in the area, the damage still being done to both the city and its surroundings is immense, as are the losses of V-05 personnel. The death toll is only made higher by the ZM forces utilizing an experimental neurotoxin; the toxin acts as a sedating agent, putting all affected into deep sleep and -- eventually -- painless death. This development has significantly lowered morale of the lesser personnel due to the ideological consequence of such a death \"robbing one of their entry into Valhalla.\" Though V-05 troops have already managed to shoot down the helicopters responsible for spreading the toxin, it is estimated the unit will nevertheless not be able to hold its ground.\n\n\n\nV-06 and V-07 have found more success in their respective missions of defending their control of Wa\u0142brzych and Lublin against A.R.G.U.S. forces. Indeed: the experimental usage of drones on both fronts has yielded unexpectedly positive results. Meanwhile, the neighboring V-08 is preparing Wroc\u0142aw for the incoming Coalition siege. So far, it has not engaged in any combat.\n\n\n\nThe goal of V-09 is to push A.R.G.U.S. forces away from Bytom, which they are currently occupying.\n\n\n\nIn addition to conventional weaponry, the Coalition front is utilizing never-before-seen pieces of experimental technology. In addition to the previously-mentioned neurotoxin, Company reports claim that A.R.G.U.S. Inc. ATHVs[[footnote]] All Terrain Heavy Vehicle. [[/footnote]] are joining the gathering Coalition UHECs in preparation for a full on-offensive against Katowice.\n\n\n\n[[=image Mech.png style=\"border: solid 2px rgba(234, 238, 239, 0.3)\"]]\n\n\n\nAlready encountered by the Company before during the Scottish insurrection, the ATHVs are all equipped with further experimental, tartarean-fueled weaponry -- particularly pieces sources from the [[[hunter-industries-hub|Hunter Industries]]] corporation.\n\n\n\nIt is unknown how much longer the Coalition will wait until it begins its actual march to conquer Silesia's capital.\n\n\n\n[[collapsible show=\"\u25b6 Reprise Clearance\" hide=\"\u25b7 Welcome, Authorized Personnel\"]]\n\n\n\n[[div class=\"block-dialog\"]]\n\n\n\n= **<<RECORDING ACTIVATED>>**\n\n\n\n------\n\n\n\n//A dull chime rings throughout the chamber, and the attention of all five gathered falls once again to the map; upon it, one of the cities changes its color from red to blue as a series of graphs and military reports immediately pop up on the holograph next to the area.//\n\n\n\n//Just as planned, Jelenia G\u00f3ra has fallen.//\n\n\n\n//Without a second's thought, Sigrh\u00f6fundr pulls the diagrams down; the domestic casualties are but necessary collateral. With a bored expression, he points towards it with an open hand, giving \u00derasarr a heavy look.//\n\n\n\n**Sigrh\u00f6fundr:** Enough to satisfy your paranoia?\n\n\n\n//\u00derasarr nods, something almost like smile forming on his lips.//\n\n\n\n**\u00derasarr:** Enough to satisfy our contract, yes. On the topic of which, actually--\n\n\n\n//\u00derasarr zooms the map closer towards Wroc\u0142aw. Some twenty kilometers outside its borders, Coalition battalions have already begun their preparation for a siege. Though Company aerial assets also continue their bombardment of fragments of the army, wherever they are properly engaged by the gathering, they mostly suffer loses.//\n\n\n\n**\u00derasarr:** What are we thinking of this particular... engagement?\n\n\n\n//Sigrh\u00f6fundr puts his hands together, and tightens his lips.//\n\n\n\n**Sigrh\u00f6fundr:** The loss of two major assets in such a short time would be... undesirable, I do think, for our overall image. Though I do not suspect anyone over at Insurgency command has brains enough to think it suspicious, it could prove a difficulty in further public relations after we are done here. Their so-called New Engineer and the rest of his minions are too busy with their nonsensical schemes.\n\n\n\n//Valkj\u00f3sandi scratches his bald head.//\n\n\n\n**Valkj\u00f3sandi:** Hmm. But if we //do// push them out, we are risking al Fine turning her attention to Katowice too early. If she thinks the small cities aren't worth the effort, surely the witch will try for the big fish, no?\n\n\u00a0\n\n//\u00derasarr eyes Tv\u00edblindi, who closes his eye and slowly inhales, focusing.//\n\n\n\n**Tv\u00edblindi:** Two paths diverge, but I am quite certain she would not dare try enter the capital so quickly. She is not Wilhelm, and she has seen battle. If anything, our loss would only strengthen her belief in a conventional, meticulous solution.\n\n\n\n//Tv\u00edblindi turns to Valkj\u00f3sandi.//\n\n\n\n**Tv\u00edblindi:** That being said, of course, I do--\n\n\n\n//Suddenly, Hild\u00f3lf squints his eyes, and zooms onto the north-most section of the gathering Coalition forces. He blinks twice, then laughs out loud, his voice thundering through the empty hall.//\n\n\n\n//The remaining gathered look at him, confusion and something almost like resentment plastered across their faces. Hild\u00f3lf just grins with a cruel spark in his eyes.//\n\n\n\n**Hild\u00f3lf:** You won't fuckin' believe this, good lord.\n\n\n\n//\u00derasarr raises an eyebrow.//\n\n\n\n**Hild\u00f3lf:** The bitch! The bitch is back!\n\n\n\n//Hild\u00f3lf continues laughing as he points towards a squadron now revealed to be an A.R.G.U.S. Inc. mercenary formation, led by Anna \u015awito\u0144.//\n\n\n\n//Sigrh\u00f6fundr also smiles, though far more faintly.//\n\n\n\n**Sigrh\u00f6fundr:** Well. I do suppose that changes some things.\n\n\n\n//Tv\u00edblindi looks at him, tired and somewhat annoyed.//\n\n\n\n**Hild\u00f3lf:** What? Come on, we can't just let her go. Once in a lifetime opportunity to correct our image after [http://scp-pl.wikidot.com/krew-proch-i-wrzosy Scotland] and you expect us to let it be? Be reasonable.\n\n\n\n**Tv\u00edblindi:** That is the same\u00a0\u00a0counsel I wanted to give to //you//. We--\n\n\n\n//Sigrh\u00f6fundr points to both the men with his open hands.//\n\n\n\n**Sigrh\u00f6fundr:** Come, now. We can have both.\n\n\n\n//He looks at Hild\u00f3lf, then Tv\u00edblindi.//\n\n\n\n**Sigrh\u00f6fundr:** You'll have your revenge, and you'll have your loss: all we have to do is just focus solely on that squadron and let the rest fall right into Coalition hands. That work for you?\n\n\n\n//The two reluctantly nod. Sigrh\u00f6fundr just smiles faintly and again puts his hands together.//\n\n\n\n**Sigrh\u00f6fundr:** Excellent. \n\n\n\n**Hild\u00f3lf:** On the topic of unexpected appearances--\n\n\n\n//He looks towards the two empty seats around the High Table, then eyes \u00derasarr.//\n\n\n\n**Hild\u00f3lf:** Will our two little middlemen actually show up, or has Eurtec permanently caught their fancy? I really would hope that--\n\n\n\n//\u00derasarr suddenly stands up angrily, and eyes the recording device.//\n\n\n\n**\u00derasarr:** Turn it off.\n\n\n\n**Hild\u00f3lf:** What? I was just wondering if they're free to go or if //she// is--\n\n\n\n//\u00derasarr makes a gesture as if trying to strangle Hild\u00f3lf, and aggressively throws the device off the table.//\n\n\n\n**\u00derasarr:** Fucking moron--\n\n\n\n//As sounds of agitated discussion continue beyond the device's range, it promptly turns off, hitting the floor.//\n\n\n\n------\n\n\n\n= **<<RECORDING DEACTIVATED>>**\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n------\n\n\n\n+++ AFTERMATH\n\n\n\nOn 12th of June, by unanimous decision of the High Table and as per prior consensus between all persons involved with PROTOCOL TWILIGHT decision-making, Corporation forces have officially began their withdrawal from Silesian ground. Though this action has persisted in accordance with the low-profile and slow modus operandi previously agreed upon by all informed parties, its end goal -- the total discontinuation of Corporation aid for the Chaos Insurgency -- has remained inalterable and inevitable, following the assurance that the political situation in Silesia has properly spiraled out of the Coalition-willed and Insurgency-opposed control.\n\n\n\n[[collapsible show=\"\u25b6 Reprise Clearance\" hide=\"\u25b7 Welcome, Authorized Personnel\"]]\n\n\n\n[[div class=\"block-dialog\"]]\n\n\n\n= **<<RECORDING ACTIVATED>>**\n\n\n\n------\n\n\n\n//A new witness to the meeting opens its mechanical eye as the ravens gathered around the table continue their toil. For several hours more they each drag around files and send messages on their workstations, but otherwise remain silent; the only sounds permeating through the chamber are those of keyboards clicking and dirty fingernails tapping against dark wood.//\n\n\n\n//This far into their work, none of the gathered pay any attention to the low humming chanted from the chambers beneath them.//\n\n\n\n//After a long while, deep into the evening, the sound of helicopter blades penetrates the silence; they continue their song until the heavy doors leading into the chamber are breached once more, revealing the last two ravens previously missing.//\n\n\n\n//Gr\u00edmnir and Au\u00f0un grunt half-polite hellos, and take their seats.//\n\n\n\n//Hild\u00f3lf spreads his arms and smiles.//\n\n\n\n**Hild\u00f3lf:** The prodigal sons return!\n\n\n\n//Gr\u00edmnir gives him a heavy look, but nods.//\n\n\n\n**Hild\u00f3lf:** Good to see you both in one piece. How has...\n\n\n\n//He eyes \u00derasarr, annoyed.//\n\n\n\n**Hild\u00f3lf:** ...//the beast's lair// treated you?\n\n\n\n//\u00derasarr sighs, but doesn't say anything; Au\u00f0un pats dusts off his suit.//\n\n\n\n**Au\u00f0un:** Better than we hoped. \n\n\n\n**Gr\u00edmnir:** Worse than we expected.\n\n\n\n**Au\u00f0un:** It's all such a loud mess.\n\n\n\n**Gr\u00edmnir:** Far too uncivilized.\n\n\n\n//Hild\u00f3lf skews his head.//\n\n\n\n**Hild\u00f3lf:** Yes, yes, of course, I too have seen the European shithole, I'm aware; I meant how it has treated you with //business//, gentlemen. You can save the architectural argument for Sigrh\u00f6fundr.\n\n\n\n**Gr\u00edmnir:** Well.\n\n\n\n//Au\u00f0un puts a briefcase on the table; it bangs heavily against the dark wood.//\n\n\n\n**Au\u00f0un:** The benefactor is satisfied with our work.\n\n\n\n//\u00derasarr eyes the briefcase.//\n\n\n\n**\u00derasarr:** Enough to send the second third, huh?\n\n\n\n//Gr\u00edmnir nods.//\n\n\n\n**Gr\u00edmnir:** Indeed. But it is not a prize without comment.\n\n\n\n**Au\u00f0un:** They commend our handling of both the Coalition and the Insurgency, but they do say that we ought to take greater... //care//, when engaging with the civilians.\n\n\n\n//Valkj\u00f3sandi raises an eyebrow.//\n\n\n\n**Gr\u00edmnir:** It is of course expected they will play their part against the Insurgency soon enough, but the benefactor comments on the fact they are concerned it will happen //too// soon.\n\n\n\n**\u00derasarr:** Hmm.\n\n\n\n**Hild\u00f3lf:** They do not understand why our bombing hasn't taken care of more of them, is what you're saying?\n\n\n\n**Gr\u00edmnir:** Precisely.\n\n\n\n//Valkj\u00f3sandi furrows his brows.//\n\n\n\n**Valkj\u00f3sandi:** I do not understand. Was it not intended to avoid as much foreign collateral as possible so that when we do hand al Fine her prize, naught trouble will come to us?\n\n\n\n**Gr\u00edmnir:** It is.\n\n\n\n**Au\u00f0un:** All they say is that we ought to have a more... liberal definition of what constitutes the Insurgency, in our leaks to the Coalition.\n\n\n\n//Hild\u00f3lf grins.//\n\n\n\n**Hild\u00f3lf:** I see.\n\n\n\n//Tv\u00edblindi grimaces. Sigrh\u00f6fundr looks at him.//\n\n\n\n**Sigrh\u00f6fundr:** You seem troubled.\n\n\n\n**Tv\u00edblindi:** This is not the way.\n\n\n\n//Hild\u00f3lf\u00a0\u00a0rolls his eyes.//\n\n\n\n**Hild\u00f3lf:** I didn't peg you for a Manna member.\n\n\n\n//Tv\u00edblindi's eye falls on him heavily.//\n\n\n\n**Tv\u00edblindi:** If you wish to engage them, give them a warrior's death. Do not cover yourself with the witch. Do the deed yourself.\n\n\n\n//Sigrh\u00f6fundr looks at Hild\u00f3lf\u00a0\u00a0from the side of Tv\u00edblindi's blind eye, then turns towards Tv\u00edblindi himself.//\n\n\n\n**Sigrh\u00f6fundr:** I'll handle it.\n\n\n\n**Tv\u00edblindi:** You--\n\n\n\n//Sigrh\u00f6fundr lowers his gaze.//\n\n\n\n**Sigrh\u00f6fundr:** I'll. Handle it.\n\n\n\n//Tv\u00edblindi just stares his down, but doesn't say anything; instead, he turns away, and grabs at his gray beard.//\n\n\n\n**Tv\u00edblindi:** Very well.\n\n\n\n//Sigrh\u00f6fundr claps his hands, then turns to face Gr\u00edmnir and Au\u00f0un.//\n\n\n\n**Sigrh\u00f6fundr:** Well, tell the benefactor it shall be done. In the meantime, I hope the end game stays the same, yes?\n\n\n\n//Gr\u00edmnir nods.//\n\n\n\n**Gr\u00edmnir:** It does. But they are also saying it will come sooner than we had anticipated.\n\n\n\n**Valkj\u00f3sandi:** ...Meaning?\n\n\n\n**Au\u00f0un:** Meaning that in not long we will see a clear sign that our time has time.\n\n\n\n**Gr\u00edmnir:** Before it does, though, we ought to already start our recall, as quietly as we can.\n\n\n\n//Sigrh\u00f6fundr raises his eyebrows.//\n\n\n\n**Sigrh\u00f6fundr:** Now?\n\n\n\n**Gr\u00edmnir:** Now.\n\n\n\n//Sigrh\u00f6fundr slowly breathes out, running possibilities through his head. When he speaks again, however, his voice is firm and certain.//\n\n\n\n**Sigrh\u00f6fundr:** Consider it done, then.\n\n\n\n//All gathered exchange glances.//\n\n\n\n**Sigrh\u00f6fundr:** They will have their treasure, soon enough.\n\n\n\n------\n\n\n\n= **<<RECORDING DEACTIVATED>>**\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n------\n\n\n\n[[=]]\n\n++++* //\u00d3\u00f0inn \u00e1 y\u00f0r alla//\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"text-block\"]]\n\n\n\n[[=image Valminimal.png width=\"100px\"]]\n\n\n\n[[=]]\n\n+++* H-05 \"\u00derasarr\"\n\n++++* Member of the High Table\n\n[[/=]]\n\n\n\n------\n\n\n\n[[=]]\n\n\n\n[[collapsible show=\"\u25b6 Reprise Clearance \u25c0\" hide=\"\u25b7 Welcome, Authorized Personnel \u25c1\"]]\n\n\n\n[[<]]\n\n\n\n[[=image Wawa.jpg style=\"border: solid 2px rgba(234, 238, 239, 0.3);\"]]\n\n\n\n[[div class=\"block-dialog\"]]\n\n\n\n= **<<RECORDING ACTIVATED>>**\n\n\n\n------\n\n\n\n//On a building overlooking the heart of Europe, warm rain breaks upon concrete and steel. The two specters that stand atop it barely notice.//\n\n\n\n//\u00derasarr finishes his cigarette, and throws it down the skyscraper, down towards the urban purgatory of the midnight Warsaw -- towards the cars and bystanders, however few this time of day; towards the [http://scp-pl.wikidot.com/scp-pl-400 soulless, heartless facsimile of a city], its glass bones and paved flesh a testament to the same cynical capital that has now brought them here together.//\n\n\n\n//The smoke goes out well before it finishes its fall.//\n\n\n\n//It is a cruel thing, really, an almost savage mockery of the human urbanist spirit -- of the common need for community amidst progress. Still: to \u00derasarr, it is of no importance. At the end of the day, the only thing that matters is that they are here -- and that there is money to be made.//\n\n\n\n//He clears his throat, and looks over at the other shadow.//\n\n\n\n**\u00derasarr:** I am glad to see you have not changed your mind. I was worried your master's voice would persuade you, in the end.\n\n\n\n//The hooded figure scoffs.//\n\n\n\n**The Messenger:** What al Fine thinks is of no concern. She can have her war -- and we can have ours.\n\n\n\n//\u00derasarr raises an eyebrow.//\n\n\n\n**The Messenger:** Her desperate need to maintain control is not mutually exclusive with our need to keep the engines running. If anything, the two complete each other.\n\n\n\n//The figure throws out their smoke, too.//\n\n\n\n**The Messenger:** It is a cruel Yin and Yang.\n\n\n\n//\u00derasarr simply nods, and pulls out the documents from inside his trench coat. The figure eyes the folder skeptically, but upon seeing the red, raven-shaped seal right on the first page, their mood changes. They nod, too, and take the papers.//\n\n\n\n//Over the next few minutes, their hands and eyes do their magic, scanning each piece of information given like a hungry beast. When they finish, they hand the papers back to \u00derasarr, and both look out beyond the horizon once more.//\n\n\n\n**\u00derasarr:** All to your liking?\n\n\n\n//The figure nods.//\n\n\n\n**The Messenger:** I don't //enjoy// this endeavor, you know. I am not in this for your thrill. Not for your money.\n\n\n\n//\u00derasarr rolls his eyes.//\n\n\n\n**\u00derasarr:** And what difference does it make?\n\n\n\n**The Messenger:** At the end of the day, there is a prize to be won here, for me. I fight for a future I believe in. You fight for a master. A master you ought not to trust.\n\n\n\n//\u00derasarr raies an eyebrow.//\n\n\n\n**The Messenger:** Indulge me.\n\n\n\n//\u00derasarr shrugs.//\n\n\n\n**The Messenger:** You're a fool for throwing your hat in with her.\n\n\n\n//\u00derasarr smirks.//\n\n\n\n**\u00derasarr:** And why is that?\n\n\n\n**The Messenger:** You work thinking you're the biggest fish, you Ravens. You work because once the fires calm down, there will always be plenty corpses for your little machine, and because another battle will always come, under the rules you've surrendered to. Because for those who wage those battles, it is good to see someone clean up the bodies they make. You //win// because you're the biggest fish, too -- or at the very least, the cleverest one.\n\n\n\n**The Messenger:** But she is not a fish. And she does not play by the rules. She is a dragon -- and a dragon always takes what she thinks is hers.\n\n\n\n//The figure eyes \u00derasarr with a heavy spark in their eyes.//\n\n\n\n**The Messenger:** So do not be surprised when the fire you thought was sheltering you scorches you whole.\n\n\n\n------\n\n\n\n= **<<RECORDING DEACTIVATED>>**\n\n\n\n[[/div]]\n\n\n\n[[/<]]\n\n\n\n[[/collapsible]]\n\n\n\n[[/=]]\n\n\n\n------\n\n\n\n[[=]]\n\n++++* //\u00d3\u00f0inn \u00e1 y\u00f0r alla//\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n@@@@\n\n@@@@\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=false | last=false | hub=yes\n\n| previous-url=/kte-2039-carcinoma-oder-templum | previous-title=KTE-2039\n\n| next-url=/second-phoenix-technologies-donation | next-title=Phoenix Technologies Donation\n\n| hub-url=/all-eyes-on-silesia-hub | hub-title=All Eyes on Silesia\n\n]]\n\n\n\n-----\n\n\n\n[[=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Jasiu06, Ralliston, and Zygard]]\n\n=====\n\n> **Filename:** SAAAS.png\n\n> **Name:** Aegishjalmr\n\n> **Author:** Dbh2ppa\n\n> **License:** Public Domain\n\n> **Source Link:** [https://en.wikipedia.org/wiki/File:Aegishjalmr.svg Wikimedia Commons]\n\n> **Additional Notes:** Edited by [[*user Jasiu06]]\n\n\n\n> **Filename:** Valminimal.png\n\n> **Author:** Jasiu06, based on the Valravn logo by [[*user Kilerpoyo]]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/aar-1087-silesia SCP Foundation Wiki]\n\n\n\n> **Filename:** Mech.png\n\n> **Author:** [[*user Predator3174PL]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/aar-1087-silesia SCP Foundation Wiki]\n\n\n\n> **Filename:** Wawa.jpg\n\n> **Name:** Warsaw by night, panorama (3141245333)\n\n> **Author:** Michal Osmenda\n\n> **License:** CC BY-SA 2.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Warsaw_by_night,_panorama_(3141245333).jpg Wikimedia Commons]\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n\n[[/=]]\n", "tags": ["_cc", "_licensebox", "_valravn", "co-authored", "fantasy", "from-120s-archives", "global-occult-coalition", "goi-format", "military-fiction", "valravn"], "title": "AAR-1087-Silesia - SCP Foundation", "url": "https://scp-wiki.wikidot.com/aar-1087-silesia"}, "aar-1320-chacaltaya": {"created_at": "2022-03-22T19:22:00", "creator": "Kilerpoyo", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:22:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:24:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "Uploaded file \"chacal\".", "date": "2022-03-22T19:25:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "Uploaded file \"lasviboras\".", "date": "2022-03-22T19:26:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:34:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:36:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:36:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "Uploaded file \"valrune\".", "date": "2022-03-22T19:42:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:43:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:44:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:46:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:46:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2022-03-22T19:50:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "Uploaded file \"valrunemin\".", "date": "2022-03-22T19:50:00"}, {"author": "deleted", "author_href": false, "comment": "File \"valrune\" deleted", "date": "2022-03-22T19:52:00"}, {"author": "Ethagon", "author_href": "https://www.wikidot.com/user:info/ethagon", "comment": "Added tags: _image, _licensebox, _other, goi-format. 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", "date": "2024-10-17T20:28:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: our-open-veins. ", "date": "2024-10-30T15:25:00"}, {"author": "Kilerpoyo", "author_href": "https://www.wikidot.com/user:info/kilerpoyo", "comment": "", "date": "2025-11-10T01:54:00"}, {"author": "Din-Bidor", "author_href": "https://www.wikidot.com/user:info/din-bidor", "comment": "Parent page set to: \"our-open-veins-hub\".", "date": "2026-07-12T22:19:00"}], "hubs": ["black-highlighter-themes", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--resized-images/aar-1320-chacaltaya/lasviboras/medium.jpg", "https://scp-wiki.wdfiles.com/local--resized-images/aar-1320-chacaltaya/chacal/medium.jpg"], "link": "aar-1320-chacaltaya", "page_id": "1401928749", "rating": 58, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apresent-malice/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apresent-malice/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=4&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Avalravn/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>AAR-1320 :</strong> Chacaltaya<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/kilerpoyo\" onclick=\"WIKIDOT.page.listeners.userInfo(6852037); return false;\"><img alt=\"Kilerpoyo\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6852037&amp;amp;size=small&amp;amp;timestamp=1788192818\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6852037)\"/></a><a href=\"http://www.wikidot.com/user:info/kilerpoyo\" onclick=\"WIKIDOT.page.listeners.userInfo(6852037); return false;\">Kilerpoyo</a></span><br/>\nThis is the first part of a larger storyline<br/>\n\u26a0\ufe0f <strong>Content warning:</strong> This article contains a content warning: War Crimes, Violence, Political Violence, Mass Murder, Crimes Against Humanity</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"content-warning creditRate\">\u26a0\ufe0f content warning <span class=\"content-warning-arrow\"><span style=\"white-space: pre-wrap;\"> </span></span></div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><strong><span style=\"color: black\">We feast on the Battlefield</span></strong></span></p>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"background: url(http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/vallogobackground) center no-repeat; text-align: center; width: 600px; margin: 0 auto; font-size: 17px; padding: 0px;\">\n<div style=\"text-align: center;\">\n<h1><span><span style=\"color: black\">A WARNING FROM THE HIGH TABLE</span></span></h1>\n<p>The following information is property of the Valravn Corporation and its access is reserved only for members of the High Table and authorized personnel.</p>\n<p>Employees of the Valravn Corporation not authorized to view the following document will incur a violation of <strong>statute 47 of the Code</strong> and be sanctioned accordingly. This may include termination of employment in the Valravn Corporation.</p>\n<p>Non-employees viewing the following document will be considered <strong>Acceptable Collateral Damage (ACD)</strong> according to the company's <strong>Information Protection Policy</strong>.</p>\n</div>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><strong><span style=\"color: black\">\u00d3\u00f0inn \u00e1 y\u00f0r alla</span></strong></span></p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"papernote\">\n<h1 id=\"toc0\"><span>After-action Report #1320 regarding the Chacaltaya incident during the 2019 Bolivian crisis</span></h1>\n</div>\n<div class=\"papernote\">\n<p><strong>Background:</strong></p>\n<p>Due to political instability during the last decades, LATAM has become a breeding ground for armed militant groups. The region has a long history of esoteric and thaumaturgic traditions dating back to Pre-Columbian times, which was only partially suppressed by the arrival of Christian and secular culture. This has facilitated the adoption of anomaly-based asymmetrical warfare on the part of militant groups.</p>\n<p>The armed group Las V\u00edboras is a left-wing guerilla organization known to be active across all LATAM. It possesses a decentralized structure, with small cells operating independently of each other. Many of its integrants are former members of the Serpent's Hand. However, the Serpent's Hand does not seem to support nor condone Las V\u00edboras. There is presumably an ideological breach between the two groups, with Las V\u00edboras being more involved with local politics and liberation theology.</p>\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/aar-1320-chacaltaya/lasviboras\"><img alt=\"lasviboras\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/aar-1320-chacaltaya/lasviboras/medium.jpg\" style=\"\"/></a>\n<div class=\"scp-image-caption\" style=\"width:300px;\">\n<p><span style=\"font-size:12px;\">Las V\u00edboras propaganda grafitti</span></p>\n</div>\n</div>\n<p>The expertise of Las V\u00edboras in thaumaturgical warfare positions them as one the most dangerous anomalous armed groups for local governments, which in turn had responded by hiring the services of specialized military contractors. During the past years, Valravn had led a successful military campaign on behalf of local governments against Las V\u00edboras, deploying a strategy of <a href=\"/scp-6038\">cutting their supply lines, terminating their social support, and targeting key elements of their organization</a>. The operation has been assessed to be carried out efficiently and collateral damage has been deemed acceptable.</p>\n<p>In the Cartagena Agreement, both the GOC and the SCPF recognized the importance of Valravn's involvement in local political stability against Veil-breaking anomalous armed groups. For this reason, they sanctioned our operations as long as we vowed to preserve the Veil, restrict the deployment of anomalous weapons only against anomalous targets, and share relevant intelligence. Valravn agreed to these terms wholeheartedly.</p>\n<p>The 2019 Bolivian political crisis led to a period of social unrest and clashes between local military and police with protesters. Las V\u00edboras started carrying out attacks against the Bolivian military and police, with the intention of disrupting their riot-control capabilities. These attacks included the destruction of military hardware by thaumaturgical means and the intimidation of several state agents. Due to the last administration's refusal of allowing Valravn's operations inside the country, Bolivia was one of the last safe havens for Las V\u00edboras activities. The interim government requested Valravn's intervention against Las V\u00edboras. A counter-insurgency campaign was promptly initiated.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Video\u00a0evidence\u00a0of\u00a0Las\u00a0V\u00edboras\u00a0activity\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Incident 381</a><a href=\"javascript:;\">- Close Incident 381</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 3/23/19<br/>\n<strong>NOTE:</strong> Evidence of anomalous terrorist activity during a confrontation between Bolivian military and protesters in front of Penal de San Pedro. Footage recovered from a security camera on a nearby building.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>19:31:03</strong> A multitude of demonstrators has gathered outside the Penal. A Bolivian army's armored car arrives at the scene.</p>\n<p><strong>19:32:10</strong> A soldier from inside the car seems to be speaking through a megaphone. He presumably demands the crowd to retreat.</p>\n<p><strong>19:32:55</strong> A woman emerges from the multitude and approaches the armored car. She seems to be trying to say something to the soldiers. In response, the armored car starts slowly driving towards her.</p>\n<p><strong>19:33:14</strong> As the armored car is reaching her, the woman seems to mutter to herself while she performs a gesture with her hands. The car suddenly burst into flames. Two soldiers escape from the vehicle and start rolling in the ground to put off the fire on their clothes.</p>\n<hr/>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Incident 399</a><a href=\"javascript:;\">- Close Incident 399</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 4/12/19<br/>\n<strong>NOTE:</strong> Another security camera recording. Possible therianthrope captured on camera.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>22:33:01</strong> A tall man is crossing the street. A police van suddenly enters the frame.</p>\n<p><strong>22:34:11</strong> Several police officers emerge from the van and subdue the tall man. They drag him into the van and close the door.</p>\n<p><strong>22:34:54</strong> The van suddenly starts shaking violently. The door breaks violently and two police officers are thrown from it at high speed.</p>\n<p><strong>22:35:07</strong> An animalistic figure emerges from the van and rapidly exits the frame. Low quality of the recording prevents further identification.</p>\n<hr/>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Incident 404</a><a href=\"javascript:;\">- Close Incident 404</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 4/18/19<br/>\n<strong>NOTE:</strong> Security footage from the office of Commander \u2588\u2588\u2588\u2588\u2588\u2588 of La Paz police force.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>01:17:28</strong> \u2588\u2588\u2588\u2588\u2588\u2588 is at his desk, seemingly doing paperwork.</p>\n<p><strong>01:17:28</strong> The lights suddenly turn off. When they turn on again, a woman has appeared in front of the desk.</p>\n<p><strong>01:19:18</strong> \u2588\u2588\u2588\u2588\u2588\u2588 reaches for his gun. The lights flicker again and the woman is now right next to him. She disarms him with a wrist lock.</p>\n<p><strong>01:20:20</strong> \u2588\u2588\u2588\u2588\u2588\u2588 tries to punch the woman. She makes a hand movement and he freezes. He starts levitating as is something was pulling him from his neck. She whispers something to his ear. The lights flicker again and she has disappeared. \u2588\u2588\u2588\u2588\u2588\u2588 falls to the ground.</p>\n<hr/>\n<p><strong>NOTE:</strong> Commander \u2588\u2588\u2588\u2588\u2588\u2588 resigned the next day.</p>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<p><strong>Incident Overview:</strong></p>\n<p>The first part of the campaign consisted of the disruption of Las V\u00edboras supply chain and social support base. Several known support bases in the Bolivian countryside were targeted with surgical precision. Suspected members of Las V\u00edboras were also retrieved for interrogation, which led to crucial information on the location of the remaining Las V\u00edboras strongholds. The operation was concluded with as minimal collateral damage as possible.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Records\u00a0from\u00a0operation\u00a0against\u00a0Las\u00a0V\u00edboras\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Operation 454</a><a href=\"javascript:;\">- Close Operation 454</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 5/17/19<br/>\n<strong>NOTE:</strong> Neutralization of Las Viboras support base. San Vicente, an small church in the outskirts of La Paz was identified as a hub for Las V\u00edboras logistic support. Parishioners were suspected of providing them with food, ammunition and materials for thaumaturgic rituals. Since no anomalous activity was found in the location, following the Cartagena Agreement, only conventional firepower was authorized. Recording from drone.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>15:22:03</strong> Aerial footage of the zone. The church rooftop is in the center of the frame. A multitude of people can be seen entering the church for mass.</p>\n<p><strong>15:30:15</strong> All people have already entered the building.</p>\n<p><strong>15:57:11</strong> The drone sends missiles to the church. Flames engulf the building.</p>\n<p><strong>16:05:14</strong> Dust and smoke clear, revealing the still-burning remains of the structure.</p>\n<hr/>\n<p><strong>NOTE:</strong> The hour for the attack was decided to be at the most populous mass of the day, with the intention of maximizing casualties among Las Viboras support base. Minors and other non-combatants have been deemed acceptable collateral damage.</p>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Operation 488</a><a href=\"javascript:;\">- Close Operation 488</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 5/24/19<br/>\n<strong>NOTE:</strong> Interrogation of Artemio Sol, Las V\u00edboras collaborator. Artemio Sol practices a form of minor thaumaturgical traditional medicine which, according to the Cartagena Agreement, designates him as an acceptable target for anomalous warfare. A Valkyrie Unit was dispatched and extracted Sol from his residence. He was moved to a secured location for interrogation.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><em>Artemio Sol is tied to a chair. A black sack covers his head. Valkyrie-626 approaches him and removes the sack.</em></p>\n<p><strong>Artemio Sol</strong>: Where I am? Who the hell are you?</p>\n<p><strong>Valkyrie-626</strong>: Please remain calm. You are currently under the care of the Valravn Corporation. You have been selected for a brief session of questions. We beg your collaboration. Could you provide a complete list of Las Viboras collaborators in La Paz?</p>\n<p><strong>22:34:11</strong>: <em>\u00a1J\u00f3dete maldito cuervo!</em> You won't get anything from me.</p>\n<p><em>Valkyrie-626 takes Artemio's left hand and crushes it. Artemio screams as his fingers break.</em></p>\n<p><strong>Valkyrie-626</strong>: We deeply regret any inconvenience we may be causing you. Please, cooperate with us.</p>\n<p><strong>Artemio Sol</strong>: <em>Abya Yala es libre</em>\u2026Aggghhh!!!</p>\n<p><em>Valkyrie-626 breaks Artemio's other hand.</em></p>\n<hr/>\n<p><strong>NOTE:</strong> Artemio showed a remarkable resistance to traditional interrogation. Due to his anomalous properties, he was eligible for anomalously enhanced interrogation. After a dose of serum from Skadi's Snakes, his disposition towards collaboration improved drastically. The identity and location of most of Las V\u00edboras supporters was obtained. This information allowed the neutralization of practically all of Las V\u00edboras' support base in La Paz.</p>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<p>After a rapid offensive on our part against their remaining bases, Las Viboras regrouped in the abandoned ski resort of Chacaltaya. Once a popular tourist destination, it was abandoned when the glacier melted in 2009. Around 40 Las Viboras members fortified themselves in the Club Andino Boliviano stone lodge. Of these 40 individuals, around 20 are believed to be active combatants. The group also includes at least 3 thaumaturges, that were identified as the POI 678 Lorena Soles P\u00e9rez, a pyromancer, POI 789 Gabriel Baruch Guerrero, a jaguar therianthrope of the nahual type, and POI 477 Cristina Cisneros Itzcalli, ex-member of the Serpent's Hand and presumed to be the group's leader. The apprehension of Cisneros has been an important goal of Valravn in the few years, giving the mission a more urgent character.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Additional\u00a0Information\u00a0on\u00a0POI</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ POI 678</a><a href=\"javascript:;\">- Close POI 678</a></div>\n</div>\n<div class=\"colmod-content\">\n<p><strong>Name:</strong> Lorena Soles P\u00e9rez<br/>\n<strong>Alias:</strong> \"La Chica de Humo\", \"Starfire\"<br/>\n<strong>Nationality:</strong> Bolivian<br/>\n<strong>Abilities:</strong> Pyromancy, marksmanship.<br/>\n<strong>Background:</strong> Born in a poor neighborhood in La Paz, she developed a natural talent for pyromancy, which she employed as a street entertainer. This drew the attention of SCPF, who in turn tried to contain her. She escaped with help of the Serpent's Hand and eventually became involved with Las V\u00edboras.</p>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ POI 789</a><a href=\"javascript:;\">- Close POI 789</a></div>\n</div>\n<div class=\"colmod-content\">\n<p><strong>Name:</strong> Gabriel Baruch Guerrero Bah<br/>\n<strong>Alias:</strong> \"Puma\", \"Na Balam\"<br/>\n<strong>Nationality:</strong> Mexican<br/>\n<strong>Abilities:</strong> Theriantropy, can transform into a jaguar-human hybrid.<br/>\n<strong>Background:</strong> Born in a rural village in Yucatan, he was taught the ways of nahual theriantropy by his family. He, alongside other therianthropes, opposed criminal groups which invaded the area, in the context of a conflict for the control of trade routes of the anomalous drug known as Arcangel. This drew the attention of Mexican authorities, and a subsequent crackdown on therianthrope activity in the region. He escaped and eventually became a member of Las V\u00edboras.</p>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ POI 477</a><a href=\"javascript:;\">- POI 477</a></div>\n</div>\n<div class=\"colmod-content\">\n<p>POI 678<br/>\n<strong>Name:</strong> Close Cristina Cisneros Itzcalli<br/>\n<strong>Alias:</strong> \"La Comandanta\", \"La Bruja\"<br/>\n<strong>Nationality:</strong> Mexican<br/>\n<strong>Abilities:</strong> General Thaumaturgy, the current extent of her abilities is unknown.<br/>\n<strong>Background:</strong> Information on Cisneros' early life is limited. She became a member of the Serpent's Hand at a young age, demonstrating a natural proficiency in thaumaturgy. At some point, she entered into conflict with the leadership of the Serpent's Hand for unknown reasons. She left the group in the possession of stolen books from the Wanderer's Library, a serious offense. She played an important role in the formation and leadership of the insurgent group Las Viboras and is currently wanted by many international authorities and criminal groups.</p>\n</div>\n\n</li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/aar-1320-chacaltaya/chacal\"><img alt=\"chacal\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/aar-1320-chacaltaya/chacal/medium.jpg\" style=\"\"/></a>\n<div class=\"scp-image-caption\" style=\"width:300px;\">\n<p><span style=\"font-size:12px;\">Club Andino Boliviano stone lodge in Chacaltaya</span></p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>The mission had the primary objective of terminating the last organized armed presence of Las Viboras in the country. The secondary objective was the retrieval of the three POI alive, with an emphasis on Cisneros. An initial offensive consisted of heavy fire from three attack helicopters. The defenders had cast a kinetic protective spell over the structure, so the fire was not expected to be effective. However, it provided cover while armored vehicles approached the structure, carrying 3 squads of 20 soldiers each. As the kinetic spell began to lose strength, pyromancy was used against the helicopters, one has heavily damaged and had to be withdrawn from battle. Foot troops engaged in fire exchange with the insurgents. Meanwhile, a squad of <a href=\"https://scp-wiki.wikidot.com/the-chiron-model\">Chiron Units</a> had been deployed from the mountainside. The mobile advantage of the Chiron model allowed them to traverse the difficult terrain and attack the enemy from a position they were not defending. A Valkyrie shock-troop squad was kept on reserve as special support.</p>\n<p>Upon being attacked by the Chiron Squad, the defendant quickly improvised a response. The therianthrope left the building and engaged our Chiron Units in close combat while receiving fire support from the enemies inside the lodge. Two of our Chiron Units were destroyed by this offensive. The Valkyrie squad was then deployed against the therianthrope. The Valkyrie troop's close combat cybernetic enhancements and state-of-the-art melee weaponry proved effective against the therianthrope and it retreated into the lodge, with Valravn forces proceeding to chase it. However, the advance was stalled by supporting fire from the defendants. When troops finally entered, they found the building empty. At this point, it became clear that the defendants had been stalling our advance in order to complete a transportation spell, which is presumed to have been successful.</p>\n</div>\n<div class=\"papernote\">\n<p><strong>Aftermath:</strong></p>\n<p>At the end of the battle, the enemy suffered 17 casualties, of which 13 were active combatants. None of them were the thaumaturges. We lost 5 soldiers and 2 Chiron Units. We managed to end Las Viboras activities in the region with minimal casualties. This was also the first deployment of the Chiron Unit in combat. While the performance exceeded expectations in the mobility area, the Chiron Model shows vulnerability in close-range combat specifically against adversaries with superhuman capabilites. Tyr Project R&amp;D should consider developing an alternative model with close combat enhancements in the manner of the Valkyries.</p>\n<p>The mission was only partially successful since the secondary objective of apprehending Cristina Cisneros and the other POI was not achieved. Analysis of the transportation ritual suggests that the destination was another plane, possibly the Wanderer's Library, far outside the scope of our current operations. This confirms the desperation of Las Viboras against our offensive, considering their tense relationship with the Serpent's Hand, they would not retreat to the Library unless it was their only option. How these two groups will interact in the immediate future remains an intriguing question. Nevertheless, Las V\u00edboras operations in the area have been disrupted to a point that it will take years to recover, if ever. After Bolivias 2020's elections, our activities in the country have been suspended. However, the success of our operation has awoken the interest of other governments both in the region and overseas in our services.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><br/>\nHersir Torsten<br/>\n<strong>Commander of the 13th Armored Division</strong><br/></span></p>\n</div>\n</div>\n<div class=\"papernote\">\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0HT\u00a0-\u00a0Virtual\u00a0Meeting\u00a0Transcript\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p><strong>HT-COO</strong>: It seems that the Chiron Model has some important opportunity areas for improvement.</p>\n<p><strong>HT-CTIO</strong>: There is always a trade-off when deciding what to improve. It was never meant to engage in that type of close combat, however, Torsten's suggestion is intriguing. I will ask Tyr Project to look into it.</p>\n<p><strong>HT-COO</strong>: We still failed to get Cisneros.</p>\n<p><strong>HT-CFO</strong>: This may not be necessarily negative from a financial standpoint. While pacifying the region is our mission, too much peace is not conducive to business.</p>\n<p><strong>HT-CMO</strong>: In the end, fear is still our biggest selling point. Having a boogeyman like Cisneros at large can be an excellent motivator for our clients. However, we will eventually have to replace her with someone we control.</p>\n<p><strong>HT-CEO</strong>: It is also hardly a surprise. R.U.N.N.E.S. had foreseen a result in that line and Cisneros has proven to be very resourceful in the past. It seems that the Norns still want us to continue our little dance with her. Who would have thought that someone so apparently inconsequential would become such an important player? Fate can be sometimes curious, but what are we if not servants of Fate and Profit?</p>\n<p><strong>HT-CFO</strong>: Speaking of Profit, we are projected to grow an 8% the next year as low-intensity anomalous warfare becomes commonplace. The adoption of anomalous warfare by criminal groups is making many governments nervous and established anomaly control agencies are having a hard time adapting. The South Asian market is set to become the next big front in our expansion.</p>\n<p><strong>HT-CMO</strong>: SCPF surely are missing the days when the Chicago Spirit was their only preoccupation. They should be glad they had us to tend their backyard. If we handle the situation right, we can sell Valravn as the future of anomalous security: the privatization of normalcy.</p>\n<p><strong>HT-COO</strong>: \"We feast on the Battlefield so you can feast on McDonald's.\" I like it.</p>\n<p><strong>HT-CEO</strong>: Gentlemen, this has been an excellent meeting as usual. Let's not forget that war is our business, but profiting from it is also our sacred duty. As Fate commands it. \u00d3\u00f0inn \u00e1 y\u00f0r alla.</p>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"SCP-6038\">\n\n<p><a href=\"/scp-6038\">SCP-6038</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Of Ravens and Vipers\">\n<p><a href=\"/our-open-veins-hub\">Of Ravens and Vipers</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"The Second Life of Cristina Cisneros\">\n\n<p><a href=\"/the-second-life-of-cristina-cisneros\">The Second Life of Cristina Cisneros</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/aar-1320-chacaltaya\">AAR-1320: Chacaltaya</a>\" by Kilerpoyo, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/aar-1320-chacaltaya\">https://scpwiki.com/aar-1320-chacaltaya</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> chacal<br/>\n<strong>Name:</strong> File:Chacaltaya Ski Resort.jpg<br/>\n<strong>Author:</strong> Ville Miettinen<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://en.wikipedia.org/wiki/Chacaltaya#/media/File:Chacaltaya_Ski_Resort.jpg\">https://en.wikipedia.org/wiki/Chacaltaya#/media/File:Chacaltaya_Ski_Resort.jpg</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> NA<br/>\n<strong>Name:</strong> mano-izquierda-no-a-la-guerra-paz-129916.svg<br/>\n<strong>Author:</strong> OpenClipart-Vectors<br/>\n<strong>License:</strong> CC 0<br/>\n<strong>Source Link:</strong> <a href=\"https://pixabay.com/es/vectors/mano-izquierda-no-a-la-guerra-paz-1299163/\">https://pixabay.com/es/vectors/mano-izquierda-no-a-la-guerra-paz-1299163/</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> NA<br/>\n<strong>Name:</strong> serpiente-continuar-m\u00e9xico-inca-145808.svg<br/>\n<strong>Author:</strong> OpenClipart-Vectors<br/>\n<strong>License:</strong> CC 0<br/>\n<strong>Source Link:</strong> <a href=\"https://pixabay.com/es/vectors/serpiente-continuar-m%c3%a9xico-inca-145808/\">https://pixabay.com/es/vectors/serpiente-continuar-m%c3%a9xico-inca-145808/</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> lasviboras<br/>\n<strong>Name:</strong> lasviboras2.jpg<br/>\n<strong>Author:</strong> Kilerpoyo<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/lasviboras\">http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/lasviboras</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:present-malice\">:scp-wiki:theme:present-malice</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:valravn\">:scp-wiki:theme:valravn</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n**AAR-1320 :** Chacaltaya\n\n**Author:** [[*user Kilerpoyo]]\n\nThis is the first part of a larger storyline\n\n\u26a0\ufe0f **Content warning:** This article contains a content warning: War Crimes, Violence, Political Violence, Mass Murder, Crimes Against Humanity\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:info-cw\">:scp-wiki:component:info-cw</a>]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]**##black|We feast on the Battlefield##**[[/size]]\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n[[div style=\"background: url(http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/vallogobackground) center no-repeat; text-align: center; width: 600px; margin: 0 auto; font-size: 17px; padding: 0px;\"]]\n\n\n\n[[=]]\n\n+* ##black|A WARNING FROM THE HIGH TABLE##\n\nThe following information is property of the Valravn Corporation and its access is reserved only for members of the High Table and authorized personnel.\n\n\n\nEmployees of the Valravn Corporation not authorized to view the following document will incur a violation of **statute 47 of the Code** and be sanctioned accordingly. This may include termination of employment in the Valravn Corporation.\n\n\n\nNon-employees viewing the following document will be considered **Acceptable Collateral Damage (ACD)** according to the company's **Information Protection Policy**.\n\n[[/=]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]**##black|\u00d3\u00f0inn \u00e1 y\u00f0r alla##**[[/size]]\n\n[[/=]]\n\n\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n+ After-action Report #1320 regarding the Chacaltaya incident during the 2019 Bolivian crisis\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Background:**\n\n\n\nDue to political instability during the last decades, LATAM has become a breeding ground for armed militant groups. The region has a long history of esoteric and thaumaturgic traditions dating back to Pre-Columbian times, which was only partially suppressed by the arrival of Christian and secular culture. This has facilitated the adoption of anomaly-based asymmetrical warfare on the part of militant groups.\n\n\n\nThe armed group Las V\u00edboras is a left-wing guerilla organization known to be active across all LATAM. It possesses a decentralized structure, with small cells operating independently of each other. Many of its integrants are former members of the Serpent's Hand. However, the Serpent's Hand does not seem to support nor condone Las V\u00edboras. There is presumably an ideological breach between the two groups, with Las V\u00edboras being more involved with local politics and liberation theology.\n\n\n\n[[div class=\"scp-image-block block-center\" style=\"width:300px;\"]]\n\n[[image lasviboras style=\"width:300px]]\n\n[[div class=\"scp-image-caption\" style=\"width:300px;\"]]\n\n[[size 12px]] Las V\u00edboras propaganda grafitti [[/size]]\n\n[[/div]]\n\n[[/div]]\n\n\n\nThe expertise of Las V\u00edboras in thaumaturgical warfare positions them as one the most dangerous anomalous armed groups for local governments, which in turn had responded by hiring the services of specialized military contractors. During the past years, Valravn had led a successful military campaign on behalf of local governments against Las V\u00edboras, deploying a strategy of [[[SCP-6038 | cutting their supply lines, terminating their social support, and targeting key elements of their organization ]]]. The operation has been assessed to be carried out efficiently and collateral damage has been deemed acceptable.\n\n\n\nIn the Cartagena Agreement, both the GOC and the SCPF recognized the importance of Valravn's involvement in local political stability against Veil-breaking anomalous armed groups. For this reason, they sanctioned our operations as long as we vowed to preserve the Veil, restrict the deployment of anomalous weapons only against anomalous targets, and share relevant intelligence. Valravn agreed to these terms wholeheartedly.\n\n\n\nThe 2019 Bolivian political crisis led to a period of social unrest and clashes between local military and police with protesters. Las V\u00edboras started carrying out attacks against the Bolivian military and police, with the intention of disrupting their riot-control capabilities. These attacks included the destruction of military hardware by thaumaturgical means and the intimidation of several state agents. Due to the last administration's refusal of allowing Valravn's operations inside the country, Bolivia was one of the last safe havens for Las V\u00edboras activities. The interim government requested Valravn's intervention against Las V\u00edboras. A counter-insurgency campaign was promptly initiated.\n\n\n\n[[collapsible show=\"+ Video evidence of Las V\u00edboras activity \" hide=\"- Close\"]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0Incident 381\n\n| hide= - Close Incident 381\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 3/23/19\n\n**NOTE:**\u00a0\u00a0Evidence of anomalous terrorist activity during a confrontation between Bolivian military and protesters in front of Penal de San Pedro. Footage recovered from a security camera on a nearby building.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**19:31:03** A multitude of demonstrators has gathered outside the Penal. A Bolivian army's armored car arrives at the scene.\u00a0\u00a0\n\n\n\n**19:32:10** A soldier from inside the car seems to be speaking through a megaphone. He presumably demands the crowd to retreat.\n\n\n\n**19:32:55** A woman emerges from the multitude and approaches the armored car. She seems to be trying to say something to the soldiers. In response, the armored car starts slowly driving towards her.\n\n\n\n**19:33:14** As the armored car is reaching her, the woman seems to mutter to herself while she performs a gesture with her hands. The car suddenly burst into flames. Two soldiers escape from the vehicle and start rolling in the ground to put off the fire on their clothes. \n\n\n\n-----\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= + Incident 399\n\n| hide= - Close Incident 399\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 4/12/19\n\n**NOTE:**\u00a0\u00a0Another security camera recording. Possible therianthrope captured on camera.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**22:33:01** A tall man is crossing the street. A police van suddenly enters the frame.\n\n\n\n**22:34:11** Several police officers emerge from the van and subdue the tall man. They drag him into the van and close the door.\n\n\n\n**22:34:54** The van suddenly starts shaking violently. The door breaks violently and two police officers are thrown from it at high speed.\n\n\n\n**22:35:07** An animalistic figure emerges from the van and rapidly exits the frame. Low quality of the recording prevents further identification.\n\n\n\n-----\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0Incident 404\n\n| hide= - Close Incident 404\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 4/18/19\n\n**NOTE:**\u00a0\u00a0Security footage from the office of Commander \u2588\u2588\u2588\u2588\u2588\u2588 of La Paz police force.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**01:17:28** \u2588\u2588\u2588\u2588\u2588\u2588 is at his desk, seemingly doing paperwork.\n\n\n\n**01:17:28** The lights suddenly turn off. When they turn on again, a woman has appeared in front of the desk.\n\n\n\n**01:19:18**\u00a0\u00a0\u2588\u2588\u2588\u2588\u2588\u2588 reaches for his gun. The lights flicker again and the woman is now right next to him. She disarms him with a wrist lock. \n\n\n\n**01:20:20** \u2588\u2588\u2588\u2588\u2588\u2588 tries to punch the woman. She makes a hand movement and he freezes. He starts levitating as is something was pulling him from his neck. She whispers something to his ear. The lights flicker again and she has disappeared.\u00a0\u00a0\u2588\u2588\u2588\u2588\u2588\u2588\u00a0\u00a0falls to the ground.\n\n\n\n-----\n\n\n\n**NOTE:**\u00a0\u00a0Commander \u2588\u2588\u2588\u2588\u2588\u2588 resigned the next day.\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[/collapsible]]\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Incident Overview:**\n\n\n\nThe first part of the campaign consisted of the disruption of Las V\u00edboras supply chain and social support base. Several known support bases in the Bolivian countryside were targeted with surgical precision. Suspected members of Las V\u00edboras were also retrieved for interrogation, which led to crucial information on the location of the remaining Las V\u00edboras strongholds. The operation was concluded with as minimal collateral damage as possible.\n\n\n\n[[collapsible show=\"+ Records from operation against Las V\u00edboras \" hide=\"- Close\"]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0Operation 454\n\n| hide= - Close Operation 454\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 5/17/19\n\n**NOTE:**\u00a0\u00a0Neutralization of Las Viboras support base. San Vicente, an small church in the outskirts of La Paz was identified as a hub for Las V\u00edboras logistic support. Parishioners were suspected of providing them with food, ammunition and materials for thaumaturgic rituals.\u00a0\u00a0Since no anomalous activity was found in the location, following the Cartagena Agreement, only conventional firepower was authorized. Recording from drone.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**15:22:03** Aerial footage of the zone. The church rooftop is in the center of the frame. A multitude of people can be seen entering the church for mass.\n\n\n\n**15:30:15** All people have already entered the building.\n\n\n\n**15:57:11** The drone sends missiles to the church. Flames engulf the building.\n\n\n\n**16:05:14** Dust and smoke clear, revealing the still-burning remains of the structure.\n\n\n\n-----\n\n\n\n**NOTE:**\u00a0\u00a0The hour for the attack was decided to be at the most populous mass of the day, with the intention of maximizing casualties among Las Viboras support base. Minors and other non-combatants have been deemed acceptable collateral damage.\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= + Operation 488\n\n| hide= - Close Operation 488\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 5/24/19\n\n**NOTE:**\u00a0\u00a0Interrogation of Artemio Sol, Las V\u00edboras collaborator. Artemio Sol practices a form of minor thaumaturgical traditional medicine which, according to the Cartagena Agreement, designates him as an acceptable target for anomalous warfare. A Valkyrie Unit was dispatched and extracted Sol from his residence. He was moved to a secured location for interrogation.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n//Artemio Sol is tied to a chair. A black sack covers his head.\u00a0\u00a0Valkyrie-626 approaches him and removes the sack.//\n\n\n\n**Artemio Sol**: Where I am? Who the hell are you?\n\n\n\n**Valkyrie-626**: Please remain calm. You are currently under the care of the Valravn Corporation. You have been selected for a brief session of questions. We beg your collaboration. Could you provide a complete list of Las Viboras collaborators in La Paz?\n\n\n\n**22:34:11**: //\u00a1J\u00f3dete maldito cuervo!// You won't get anything from me.\n\n\n\n//Valkyrie-626 takes Artemio's left hand and crushes it. Artemio screams as his fingers break.//\n\n\n\n**Valkyrie-626**: We deeply regret any inconvenience we may be causing you. Please, cooperate with us.\n\n\n\n**Artemio Sol**: //Abya Yala es libre//...Aggghhh!!!\n\n\n\n//Valkyrie-626 breaks Artemio's other hand.//\n\n-----\n\n\n\n**NOTE:**\u00a0\u00a0Artemio showed a remarkable resistance to traditional interrogation. Due to his anomalous properties, he was eligible for anomalously enhanced interrogation. After a dose of serum from Skadi's Snakes, his disposition towards collaboration improved drastically. The identity and location of most of Las V\u00edboras supporters was obtained.\u00a0\u00a0This information allowed the neutralization of practically all of Las V\u00edboras' support base in La Paz.\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[/collapsible]]\n\n\n\nAfter a rapid offensive on our part against their remaining bases, Las Viboras regrouped in the abandoned ski resort of Chacaltaya. Once a popular tourist destination, it was abandoned when the glacier melted in 2009. Around 40 Las Viboras members fortified themselves in the Club Andino Boliviano stone lodge. Of these 40 individuals, around 20 are believed to be active combatants. The group also includes at least 3 thaumaturges, that were identified as the POI 678 Lorena Soles P\u00e9rez, a pyromancer, POI 789 Gabriel Baruch Guerrero, a jaguar therianthrope of the nahual type, and POI 477 Cristina Cisneros Itzcalli, ex-member of the Serpent's Hand and presumed to be the group's leader. The apprehension of Cisneros has been an important goal of Valravn in the few years, giving the mission a more urgent character.\n\n\n\n[[collapsible show=\"+ Additional Information on POI\" hide=\"- Close\"]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0POI 678\n\n| hide= - Close POI 678\n\n]]\n\n\n\n**Name:** Lorena Soles P\u00e9rez\n\n**Alias:** \"La Chica de Humo\", \"Starfire\"\n\n**Nationality:** Bolivian\n\n**Abilities:** Pyromancy, marksmanship.\n\n**Background:** Born in a poor neighborhood in La Paz, she developed a natural talent for pyromancy, which she employed as a street entertainer. This drew the attention of SCPF, who in turn tried to contain her. She escaped with help of the Serpent's Hand and eventually became involved with Las V\u00edboras.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= + POI 789\n\n| hide= - Close POI 789\n\n]]\n\n\n\n**Name:** Gabriel Baruch Guerrero Bah\n\n**Alias:** \"Puma\", \"Na Balam\"\n\n**Nationality:** Mexican\n\n**Abilities:** Theriantropy, can transform into a jaguar-human hybrid.\n\n**Background:** Born in a rural village in Yucatan, he was taught the ways of nahual theriantropy by his family. He, alongside other therianthropes, opposed criminal groups which invaded the area, in the context of a conflict for the control of trade routes of the anomalous drug known as Arcangel. This drew the attention of Mexican authorities, and a subsequent crackdown on therianthrope activity in the region. He escaped and eventually became a member of Las V\u00edboras.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0POI 477\n\n| hide= - POI 477\n\n]]\n\nPOI 678\n\n**Name:** Close Cristina Cisneros Itzcalli\n\n**Alias:** \"La Comandanta\", \"La Bruja\"\n\n**Nationality:** Mexican\n\n**Abilities:** General Thaumaturgy, the current extent of her abilities is unknown.\n\n**Background:** Information on Cisneros' early life is limited. She became a member of the Serpent's Hand at a young age, demonstrating a natural proficiency in thaumaturgy. At some point, she entered into conflict with the leadership of the Serpent's Hand for unknown reasons. She left the group in the possession of stolen books from the Wanderer's Library, a serious offense. She played an important role in the formation and leadership of the insurgent group Las Viboras and is currently wanted by many international authorities and criminal groups.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[/collapsible]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"scp-image-block block-center\" style=\"width:300px;\"]]\n\n[[image chacal style=\"width:300px]]\n\n[[div class=\"scp-image-caption\" style=\"width:300px;\"]]\n\n[[size 12px]] Club Andino Boliviano stone lodge in Chacaltaya [[/size]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\nThe mission had the primary objective of terminating the last organized armed presence of Las Viboras in the country. The secondary objective was the retrieval of the three POI alive, with an emphasis on Cisneros. An initial offensive consisted of heavy fire from three attack helicopters. The defenders had cast a kinetic protective spell over the structure, so the fire was not expected to be effective. However, it provided cover while armored vehicles approached the structure, carrying 3 squads of 20 soldiers each. As the kinetic spell began to lose strength, pyromancy was used against the helicopters, one has heavily damaged and had to be withdrawn from battle. Foot troops engaged in fire exchange with the insurgents. Meanwhile, a squad of [[[https://scp-wiki.wikidot.com/the-chiron-model |Chiron Units]]] had been deployed from the mountainside. The mobile advantage of the Chiron model allowed them to traverse the difficult terrain and attack the enemy from a position they were not defending. A Valkyrie shock-troop squad was kept on reserve as special support.\n\n\n\nUpon being attacked by the Chiron Squad, the defendant quickly improvised a response. The therianthrope left the building and engaged our Chiron Units in close combat while receiving fire support from the enemies inside the lodge. Two of our Chiron Units were destroyed by this offensive. The Valkyrie squad was then deployed against the therianthrope. The Valkyrie troop's close combat cybernetic enhancements and state-of-the-art melee weaponry proved effective against the therianthrope and it retreated into the lodge, with Valravn forces proceeding to chase it. However, the advance was stalled by supporting fire from the defendants. When troops finally entered, they found the building empty. At this point, it became clear that the defendants had been stalling our advance in order to complete a transportation spell, which is presumed to have been successful. \n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Aftermath:**\n\n\n\nAt the end of the battle, the enemy suffered 17 casualties, of which 13 were active combatants. None of them were the thaumaturges. We lost 5 soldiers and 2 Chiron Units. We managed to end Las Viboras activities in the region with minimal casualties. This was also the first deployment of the Chiron Unit in combat. While the performance exceeded expectations in the mobility area, the Chiron Model shows vulnerability in close-range combat specifically against adversaries with superhuman capabilites. Tyr Project R&D should consider developing an alternative model with close combat enhancements in the manner of the Valkyries. \n\n\n\nThe mission was only partially successful since the secondary objective of apprehending Cristina Cisneros and the other POI was not achieved. Analysis of the transportation ritual suggests that the destination was another plane, possibly the Wanderer's Library, far outside the scope of our current operations. This confirms the desperation of Las Viboras against our offensive, considering their tense relationship with the Serpent's Hand, they would not retreat to the Library unless it was their only option.\u00a0\u00a0How these two groups will interact in the immediate future remains an intriguing question. Nevertheless, Las V\u00edboras operations in the area have been disrupted to a point that it will take years to recover, if ever. After Bolivias 2020's elections, our activities in the country have been suspended. However, the success of our operation has awoken the interest of other governments both in the region and overseas in our services.\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]\n\nHersir Torsten\n\n**Commander of the 13th Armored Division**\n\n[[/size]]\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n@@ @@\n\n\n\n[[collapsible show=\"+ HT - Virtual Meeting Transcript \" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\n**HT-COO**: It seems that the Chiron Model has some important opportunity areas for improvement. \n\n\n\n**HT-CTIO**: There is always a trade-off when deciding what to improve. It was never meant to engage in that type of close combat, however, Torsten's suggestion is intriguing. I will ask Tyr Project to look into it.\n\n\n\n**HT-COO**: We still failed to get Cisneros.\n\n\n\n**HT-CFO**: This may not be necessarily negative from a financial standpoint. While pacifying the region is our mission, too much peace is not conducive to business.\n\n\n\n**HT-CMO**: In the end, fear is still our biggest selling point. Having a boogeyman like Cisneros at large can be an excellent motivator for our clients. However, we will eventually have to replace her with someone we control. \n\n\n\n**HT-CEO**: It is also hardly a surprise. R.U.N.N.E.S. had foreseen a result in that line and Cisneros has proven to be very resourceful in the past. It seems that the Norns still want us to continue our little dance with her. Who would have thought that someone so apparently inconsequential would become such an important player? Fate can be sometimes curious, but what are we if not servants of Fate and Profit?\n\n\n\n**HT-CFO**: Speaking of Profit, we are projected to grow an 8% the next year as low-intensity anomalous warfare becomes commonplace. The adoption of anomalous warfare by criminal groups is making many governments nervous and established anomaly control agencies are having a hard time adapting. The South Asian market is set to become the next big front in our expansion. \n\n\n\n**HT-CMO**: SCPF surely are missing the days when the Chicago Spirit was their only preoccupation. They should be glad they had us to tend their backyard. If we handle the situation right, we can sell Valravn as the future of anomalous security: the privatization of normalcy. \n\n\n\n**HT-COO**: \"We feast on the Battlefield so you can feast on McDonald's.\" I like it.\u00a0\u00a0\n\n\n\n**HT-CEO**: Gentlemen, this has been an excellent meeting as usual. Let's not forget that war is our business, but profiting from it is also our sacred duty. As Fate commands it.\u00a0\u00a0\u00d3\u00f0inn \u00e1 y\u00f0r alla.\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=false| last=false | hub=yes\n\n| previous-url=/scp-6038 | previous-title=SCP-6038\n\n| next-url=/the-second-life-of-cristina-cisneros | next-title=The Second Life of Cristina Cisneros\n\n| hub-url=/our-open-veins-hub | hub-title=Of Ravens and Vipers\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** chacal\n\n> **Name:** File:Chacaltaya Ski Resort.jpg\n\n> **Author:** Ville Miettinen\n\n> **License:** CC BY 2.0\n\n> **Source Link:** https://en.wikipedia.org/wiki/Chacaltaya#/media/File:Chacaltaya_Ski_Resort.jpg\n\n\n\n> **Filename:** NA\n\n> **Name:** mano-izquierda-no-a-la-guerra-paz-129916.svg\n\n> **Author:** OpenClipart-Vectors\n\n> **License:** CC 0\n\n> **Source Link:** https://pixabay.com/es/vectors/mano-izquierda-no-a-la-guerra-paz-1299163/\n\n\n\n> **Filename:** NA\n\n> **Name:** serpiente-continuar-m\u00e9xico-inca-145808.svg\n\n> **Author:** OpenClipart-Vectors\n\n> **License:** CC 0\n\n> **Source Link:** https://pixabay.com/es/vectors/serpiente-continuar-m%c3%a9xico-inca-145808/\n\n\n\n> **Filename:** lasviboras\n\n> **Name:** lasviboras2.jpg\n\n> **Author:** Kilerpoyo\n\n> **License:** CC-BY-SA 3.0\n\n> **Source Link:** http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/lasviboras\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_valravn", "fantasy", "goi-format", "military-fiction", "our-open-veins", "valravn"], "title": "AAR-1320: Chacaltaya - SCP Foundation", "url": "https://scp-wiki.wikidot.com/aar-1320-chacaltaya"}, "aar-5950-osaka": {"created_at": "2022-09-18T05:08:00", "creator": "SYTYCFanon", "domain": "scp-wiki.wikidot.com", "history": [{"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Added tags: goi-format. ", "date": "2022-09-18T05:08:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-09-18T05:08:00"}, {"author": "Subervos", "author_href": "https://www.wikidot.com/user:info/subervos", "comment": "Added tags: _other. ", "date": "2022-09-18T05:21:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-09-18T05:32:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-09-18T16:37:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-09-19T05:45:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _valravn, valravn. Removed tags: _other. ", "date": "2022-10-11T15:41:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _image. ", "date": "2022-10-23T06:28:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2023-01-16T03:49:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: alternate-history, fantasy, military-fiction. ", "date": "2024-12-15T11:20:00"}], "hubs": ["goi-formats"], "images": [], "link": "aar-5950-osaka", "page_id": "1435929283", "rating": 12, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apresent-malice/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apresent-malice/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=4&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Avalravn/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">SYTYCFanon</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p><strong>AAR-5950: Osaka</strong></p>\n<p><a href=\"https://scp-wiki.wikidot.com/sytycfanon\">For more stories in my verse check here</a></p>\n</div>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><strong><span style=\"color: black\">We feast on the Battlefield</span></strong></span></p>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"background: url(http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/vallogobackground) center no-repeat; text-align: center; width: 600px; margin: 0 auto; font-size: 17px; padding: 0px;\">\n<div style=\"text-align: center;\">\n<h1><span><span style=\"color: black\">A WARNING FROM THE HIGH TABLE</span></span></h1>\n<p>The following information is property of the Valravn Corporation and its access is reserved only for members of the High Table and authorized personnel.</p>\n<p>Employees of the Valravn Corporation not authorized to view the following document will incur a violation of <strong>Statute 47 of the Code</strong> and be sanctioned accordingly. This may include termination of employment in the Valravn Corporation.</p>\n<p>Non-employees viewing the following document will be considered <strong>Acceptable Collateral Damage (ACD)</strong> according to the company's <strong>Information Protection Policy</strong>.</p>\n</div>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><strong><span style=\"color: black\">\u00d3\u00f0inn \u00e1 y\u00f0r alla</span></strong></span></p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"papernote\">\n<h1 id=\"toc0\"><span>After-action Report regarding the raid on Foundation Site-87 on 22-1-2021 in Osaka, Japan.</span></h1>\n</div>\n<div class=\"papernote\">\n<p><strong>Background:</strong> On November 2nd, 2020, an insurgency group led by a coalition of Korean and Chinese anomalies launched <a href=\"https://scp-wiki.wikidot.com/scp-7015\">Operation Ragnarsdr\u00e1pa</a><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> against the Japanese Empire. This event led to widespread dissent and rebellion amongst the civilian population in the empire, as well as the breakdown of the Veil in areas such as Manchuria and Northern China. Operation Ragnarsdr\u00e1pa involved subversive guerilla warfare against the Japanese Branch of the SCP Foundation. In addition to this, the market and internet were flooded with media banned by the Japanese Government such as anime, manga, and video games.</p>\n<p>Operation Ragnarsdr\u00e1pa was evaluated to be a moderate success by Valravn analysts. In the aftermath of the operation, dozens of anomalous refugees were able to escape the empire. The Japanese military and SCP-JP took numerous casualties and the efforts to repair the damage done by Ragnarsdr\u00e1pa are estimated to cost 1 billion Japanese Yen.</p>\n<p>The operation was also responsible for kickstarting a cultural revival amongst the minority communities living in the Japanese Empire by reintroducing media and art forms central to their original cultures that were forbidden by Japanese law. In terms of general unrest, Valravn intelligence has only noted a small increase in protests in the Japanese territories and most of these are mainly on economic issues. Valravn intelligence further notes that unhappiness with the Japanese regime has increased online but the chances of this spiraling into open revolt are close to zero.</p>\n<p>In the aftermath of Operation Ragnarsdr\u00e1pa, SCP-JP had originally reached out to the Valravn Corporation to supplement their forces in hunting for the so-called \"traitorous\" anomalies. However, the High Table<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> declined after having a meeting with an agent of the Philippine branch of the foundation, known only as VERALTA.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0HT\u00a0Virtual\u00a0meeting\u00a0with\u00a0VERALTA\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p><strong>HT-CIT:</strong> So let me see if I'm understanding correctly, the Philippine Branch was responsible for this\u2026 Operation Ragnarsdr\u00e1pa? I have to admit this was an unexpected turn of events.</p>\n<p><strong>VERALTA:</strong> Yes, I was closely involved with the planning of said event.</p>\n<p><strong>HT-CEO:</strong> More impressively, you managed to pull it off without R.U.N.N.E.S<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> figuring anything out. I can only assume you took extra steps to purposely obfuscate us as well?</p>\n<p><strong>VERALTA:</strong> The subterfuge was needed, we couldn't risk the Valravn Corporation finding out about Operation Ragnarsdr\u00e1pa and informing SCP-7015 about it under the terms of the Cartagena Agreement.</p>\n<p><strong>HT-CIT:</strong> Excuse me, SCP-7015? What is that?</p>\n<p><strong>VERALTA:</strong> It's our designation for the anomaly known as the Japanese Empire and by extension the Japanese branch of the Foundation itself.</p>\n<p><strong>HT-CEO:</strong> You've designated the Japanese Empire as anomalous? That's a bold move. What in Odin's name would fill you with the bravery to do such a thing?</p>\n<p><strong>VERALTA:</strong> That is classified information but what you need to know is the Japanese Empire needs to fall and Ragnarsdr\u00e1pa was just the beginning. I'm here to offer Valravn a very lucrative contract, an exclusive one at that with the Philippine Branch.</p>\n<p><strong>HT-COO:</strong>What purpose would you have to contract with us? If this is true, that SCP-PH unleashed one of the biggest insurgencies in SEA in recent memory, why on Earth would you need to hire us?</p>\n<p><strong>HT-CIO:</strong> I think I can answer that, Operations Officer. SCP-PH risks exposure with every strike they make against SCP-JP. If we strike at SCP-JP and are found out, their branch will wipe us off the map with no blowback on SCP-PH. I'm sure you'll come up with a cover about a Western PMC overstepping its boundaries in SEA, thinking the Cartagena Agreement<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> doesn't apply to them.</p>\n<p><strong>VERALTA:</strong> Well when you put it like that, it would be very beneficial to me. But to you as well.</p>\n<p><strong>HT-CEO:</strong> Go on.</p>\n<p><strong>VERALTA:</strong> As your Operations Officer already stated, the Cartagena Agreement will no longer apply to the Japanese Branch. We will do our best to obscure your activities in the Japanese Empire where you will be free to attack SCP-JP and secure any of their anomalies for your weapons research. I only ask that you uphold the veil during your operations. I even have a couple of contracts already set to go that I can hire you for.</p>\n<p><strong>HT-COO:</strong> Would the rest of the Foundation allow this? You are essentially committing treason against your organization.</p>\n<p><strong>VERALTA:</strong> I'm not sure what you're referring to. The SCP Foundation is committed to the containment of anomalies and that is what we are doing here. The other branches have their problems to deal with and they are all too afraid to step on JP's toes. Plus those in the West don't care all that much about what we easterners are up to, usually a sad fact but convenient when you're trying to hide.</p>\n<p><strong>HT-CEO:</strong> I think this VERALTA makes a decent argument. But the price for attacking SCP-JP directly would be high. Valravn isn't a charity organization.</p>\n<p><strong>HT-COO:</strong>I'll also point out that before the days of Cartagena, SCP-PH forces decimated us in the Malay skirmishes. I know we all have faith in our forces but this would be a suicide mission. If we can't stand against the SCP-PH what are we supposed to do against the might of the Japanese Empire?</p>\n<p><strong>VERALTA:</strong> I thought you might have doubts concerning the strength of SCP-JP, and I can offer you ways to level the playing field. I'm sending you our document on SCP-7015-OROCHI. Simply put, they are baby dragons and SCP-JP has them wasting away in one of their sites. We'll pay you one million USD to retrieve it and you are free to field it as a part of your forces once they grow up.</p>\n<p><strong>HT-CTO:</strong> This OROCHI seems like quite a powerful anomaly. The Tyr Project<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> was throwing around the idea of a new mounted cavalry unit. I think it would be in our best interest to retrieve these OROCHIs.</p>\n<p><strong>HT-COO:</strong> I do agree that these Orochi would give us a leg up on the Foundation's MTF. However, a direct assault on the Site where they are being held wouldn't be optimal.</p>\n<p><strong>VERALTA:</strong> I agree that is why I would like to hire your Valkyries for a stealth operation. Specifically, the Vindsjamanar. I believe one of them is Filipino, yes? Pantas, I think is her code name.</p>\n<p><strong>HT-COO:</strong>How exactly did you get the information? Valkyrie records are classified.</p>\n<p><strong>VERALTA:</strong> SCP-PH knows more about your little cyborgs than you know. Pantas is Filipino and her squadmates are all from the various nations of the Japanese Empire. It's good for propaganda's sake, speaking of which I also have one last thing for our deal, I can have one of our agents create a new manga series about the squad that completes the mission. It'll add to their intrigue and mythical status. Valravn will receive 20% of the royalties of course.</p>\n<p><strong>HT-CMO:</strong> Hmm, Manga sales have been through the roof after Operation Ragnarsdr\u00e1pa. Such a deal would be very lucrative for us.</p>\n<p><strong>HT-CEO:</strong> We shall put it to a vote, and expect an answer from us within the week.</p>\n<p><strong>VERALTA:</strong> I thank you for your time and hope that our partnership will be fruitful for both of us.</p>\n</div>\n</div>\n</div>\n</div>\n<p>The High Table voted 6-1 to sign an Accord with the Philippine branch. Once the terms of the deal were finalized, Valkyrie HQ was contacted to put send the\"Vindsjamanar\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> to Osaka to retrieve the targets specified in the contract. The Valkyries were given the order that all SCP-JP Personnel were to be considered Acceptable Collateral Damage (ACD).</p>\n<p>The target anomalies were dubbed <em>D. orochi</em> by the Biological Sciences division. Their species name was based on their original designation of SCP-7015-OROCHI. These anomalies resembled small quadrupedal lizards but with fiery orange scales around their brow ridges and chins. <em>D. orochi</em> also sported long orange whiskers from their nostrils and their bodies covered in green horny scales. They have been recorded as being able to grow as large as 152 meters in their adult state and breathe flames that register at 18,000 degrees Celsius. <em>D. orochi</em> also has the anomalous property of being able to fuse to become a multiple-headed beast, an ability that can use up to eight subjects.</p>\n<p>The <em>D. orochi</em> specimens in SCP-JP's care are believed to be the last in existence, making this mission imperative to the Tyr Project that they be collected to be tamed for Project DRAGONRIDER.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<p><strong>Incident Overview:</strong></p>\n<p>The Vindsjamanar were deployed into Osaka on January 20th, with the operation planned to commence on January 22nd at which Site-87 was going to be understaffed due to a local celebration. Arriving by boat, the Vindsjamanar were given an apartment provided by SCP-PH to use as an operating base. VHQ provided 100,000 Japanese Yen, a variety of disguises, and technical equipment. The Vindsjamanar were briefed by their leader V-01 on the following information to make their plan of attack.</p>\n<ul>\n<li>Site-87's location was unable to be obtained by SCP-PH, they only knew that it was within Osakan city limits.</li>\n<li>SCP-PH did provide the address and information of a Researcher Hiromi Kadota who worked with the <em>D. orochi</em> anomaly.</li>\n<li>Under no circumstances were the Valkyries to be captured or caught by the SCP Foundation. Each of them had been equipped with suicide runes to destroy any traces of them via thaumaturgy.</li>\n</ul>\n<p>V-01 decided that V-02 would join her in tracking Kadota and retrieving the location of the Site. As for V-03 and V-04, V-04 suggested that the best way to attack Site-87 would be through a distraction. V-04's plan to do this would be to plant thaumaturgic bombs on one of the city's power plants. This would cut power to the Site and allow them to move under the cover of darkness. After consulting with VHQ who decided that any civilian casualties would be considered ACD, the plan was approved by V-01 and would be undertaken on the 21st after a day of performing reconnaissance for their specific assignments.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Audio/Visual\u00a0Feeds\u00a0of\u00a0Vindsjamanar\u00a0during\u00a0pre-mission\u00a0operations</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Operation 494</a><a href=\"javascript:;\">- Close Operation 494</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 21/1/21<br/>\n<strong>NOTE:</strong> The following feed was taken from Valkyrie V-01, codenamed \"Tatakai\". V-01 and V-02 had surveilled Researcher Kadota and discovered he frequented a nightclub known as <em>The Jasmine Dragon</em>. On the night of the 21st, they posed as two aloof bar patrons and entered the club. V-01 and V-02 found Kadota inside and convinced him to bring him back to his apartment, where they interrogated him.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>V-01:</strong> So you said you're a researcher of some sort?</p>\n<p><strong>V-02:</strong> Yeah, tell us all abouts your research!</p>\n<p><strong>Kadota:</strong> Listen, girls, I told you. My research is highly classified. Government stuff. Why don't we stop with the questions and head back to the bedroom?</p>\n<p><strong>V-01:</strong> Okay, okay. Come on Pamyeol, let's show him a good time.</p>\n<p><strong>V-02:</strong> Ooh fun!</p>\n<p>[V-01 and V-02 enter Kadota's bedroom. V-02 takes a seat on his mattress while Kadota approaches V-01.]</p>\n<p><strong>Kadota:</strong> You know I was going to say it was a little strange that you both are so covered up. Aren't you hot in all of that?</p>\n<p><strong>V-01:</strong> Not at all. It adds more mystique to what's underneath.</p>\n<p><strong>Kadota:</strong> Mmm. Very true. Let's unzip this thing and see what I got to work with.</p>\n<p>[Kadota reaches for the zipper on V-01's jacket but she grabs his hand before he can. Kadota begins to shriek as she applies pressure to his hand, a crunching sound is heard as she walks him back to the bed and pins him with her other hand.]</p>\n<p><strong>V-02:</strong> Keep him still.</p>\n<p>[V-02 removes her glove revealing a red cybernetic hand. She pulls back the tips of her index and middle fingers to reveal brushes and begins painting on Kadota's right hand.]</p>\n<p><strong>Kadota:</strong> Ah! Y-you broke my fingers! What the hell is wrong with you! Is that\u2026 paratech? Just who the hell are you two?</p>\n<p><strong>V-01:</strong> We'll be asking the questions here, Kadota. Where is Site-87?</p>\n<p><strong>Kadota:</strong> Is that URL or something? I don't know what you're talking about.</p>\n<p>[V-01 looks to the right at V-02 who has just finished the runes on his right hand. V-02 begins chanting in Old Norse and a thaumaturgic wind begins to spiral around Kadota's right hand.]</p>\n<p><strong>V-02:</strong> What is that Korean witch doing to my h-hAHHHH!</p>\n<p>[Kadota begins to scream as the wind circling his hand begins to lash the flesh away from his digits.]</p>\n<p><strong>V-02:</strong> I advise you to keep your mouth shut about my nationality if you'd like to keep the hand. Please answer my associate's questions or I can make the wind spread farther up.</p>\n<p><strong>V-01:</strong> We need the location of Site-87. Are you going to give it to us or are you going to continue to be difficult?\"</p>\n<p><strong>Kadota:</strong> Th-th-they'll kill me! Please, I can't tell you, you anything! AGH!</p>\n<p>[The entirety of Kadota's hand turns into a slurry of blood as the wind intensifies. V-02 stands up from the bed, still maintaining her chant. She passes by V-01's field of view and in the corner of her eye, she sees V-02 grab his keycard from his jacket hung up on the side of his bed.]</p>\n<p><strong>V-02:</strong> Says here he has level 3 clearance. Is that enough to acquire the Orochi?</p>\n<p><strong>Kadota:</strong> O-orochi! (pained huffing), what do you want with them? Those abominations don't have long on this Earth, oh oh god! STOP!</p>\n<p>[The wind begins to move farther up his right arm as the bones in his hand become visible through the storm.]</p>\n<p><strong>V-01:</strong> My apologies, my associate is very passionate about her dragons. I'm going to assume based on the fact you know about them, your clearance is enough. Now, the location. I'm only asking you once and then that storm spreads to the rest of your body.</p>\n<p><strong>Kadota:</strong> UNDERGROUND! The Site is underground! There's a meat shop on 24th and 26th, in the back there's an elevator\u2026.</p>\n<p>[The storm around his hands ceases. Kadota drags his mangled arm to his face to survey the damage.]</p>\n<p><strong>V-01:</strong> Thank you for being honest with us. That is all we needed to know.</p>\n<p><strong>Kadota:</strong> M-my arm\u2026. my arm!</p>\n<p>[V-01 extends her arm blade.]</p>\n<p><strong>V-01:</strong> Again, my apologies. You have been determined to be ACD. What is about to happen to you isn't personal.</p>\n<hr/>\n<p><strong>NOTE:</strong> After terminating Researcher Kadota, V-01 and V-02 scrubbed his apartment of any involvement and disposed of his body in the harbor.</p>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ Operation 876</a><a href=\"javascript:;\">- Close Operation 876</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 21/1/21<br/>\n<strong>NOTE:</strong> The following feed was taken from Valkyrie V-03, codenamed \"Sh\u00e8ngl\u00ec.\" V-03 and V-04 had successfully infiltrated the power plant disguised as maintenance workers. Using their cover, they descended to a part of the facility where their work would not be found and began applying the runes necessary for thaumaturgic detonation.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p>[V-03 is painting runes with her finger brushes, she turns her head slightly to view V-04 who is painting with an actual brush.]</p>\n<p><strong>V-03:</strong> Pantas, what are your thoughts on this whole situation?</p>\n<p><strong>V-04:</strong> What do you mean?</p>\n<p><strong>V-03:</strong> Well we're going up against the SCP Foundation, they sent a lot of our girls to Valhalla in Malaysia.</p>\n<p>[V-03 falters in a line she is drawing and V-04 stops and grabs her wrist.]</p>\n<p><strong>V-04:</strong> Pay attention, that line isn't nearly straight enough. One wrong line and you'll blow an extra two blocks away.</p>\n<p><strong>V-03:</strong> S-sorry, you know runes aren't my strong suit.</p>\n<p>[V-03 wipes the paint away and continues.]</p>\n<p><strong>V-04:</strong> To answer your question about the SCP situation, I'm not afraid. I wasn't in the organization yet when the whole Malaysia thing went down but I do feel for our sisters that were killed that day. I'm sure they're fighting and drinking to their heart's content in Valhalla. What about you, are you ready for tomorrow?</p>\n<p><strong>V-03:</strong> I was born ready for this. I've been itching for some payback against SCP-JP. Do you know what they did to us Thaumaturges in Beijing? I'm lucky my family wasn't strung up with the rest of them.</p>\n<p>[V-04 stands up.]</p>\n<p><strong>V-04:</strong> Good and with Loki's blessing; we can pull a few tricks on your family's oppressors with the last of these runes. We'll descend on those bastards like Odin's lightning and afterward, the Skalds<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> of SCP-PH will write tales of our pursuits.</p>\n<p><strong>V-03:</strong> I'll drink to that, sister. Tomorrow, we feast on their corpses.</p>\n<hr/>\n<p>[END LOG]</p>\n</div>\n</div>\n\n</li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<p>With their respective missions complete the Operation officially began on the 22nd of January. Within their operating base, the four Vindsjamanar performed a spell that detonated the runes placed inside the power plant. The resulting explosion, not only knocked out power around Site-87 in a five-block radius but diverted emergency personnel away from the operation's main location. In the darkness, the Vindsjamanar moved across the streets in civilian clothing and infiltrated the Butcher shop being used as a Foundation front. Inside, the four Valkyries eliminated four plain clothes Foundation agents and began to prepare to enter Site-78. They donned their helmets and armor and V-04 performed a thaumaturgic ritual that would render them invisible for twenty minutes.</p>\n<p>V-04 would stay back and provide technical support. After hacking into their systems, V-04 was able to shut down their camera and get the layout of the facility but was unable to locate the specific holding cell of the D. orochi.</p>\n<p>After readying their kit, the Vindsjamanar descended into the bowels of the Foundation Site, using the keycard they'd retrieved earlier to enter the Site. When they exited the elevator the backup generators had kicked in and the facility was on a level 1 alert. Still cloaked in V-04's thaumaturgy, they were able to sneak by the throngs of bustling researchers and guards. Directed by V-04 the squad made it into the holding cells where they began the search for the <em>D. orochi</em> specimens.</p>\n<p>Traveling through the winding hallways and floors of the facility had taken their valuable twenty minutes leaving the Valkyries in the open when they entered the <em>D. Orochi</em>'s holding cell. Unbeknownst to them, MTF Kappa-46 (Susanoo's Blades), were standing guard inside. The Vindsjamanar had no choice but to engage with the MTF in combat. Not much is known about Kappa-46 other than from the following footage that their units were equipped with never-before cataloged anomalous weaponry and thaumaturgic enhancements.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Audio/Visual\u00a0Feed\u00a0of\u00a0V-01\u00a0during\u00a0Site-87\u00a0infiltration</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p><strong>DATE:</strong> 22/1/21<br/>\n<strong>NOTE:</strong> The following is an excerpt of the skirmish that occurred between MTF Kappa-46 and Valkyrie squad Vindsjamanar as well as the exfiltration from Site-87. The following data was recorded to be studied by the Tyr project to develop countermeasures against SCP-JP forces.</p>\n<p>[BEGIN LOG]</p>\n<p>[Sounds of heavy fighting are heard. Kappa-03 is straddling V-01's waist and trying to stab them with a knife made of an unknown metal. V-01 appears to be struggling to keep it at bay by pushing the MTF's wrist back with her free hand. A cursory glance to the right reveals that V-01's right hand has been pinned to the ground by a knife.]</p>\n<p><strong>Kappa-03:</strong> As a fellow citizen of the Japanese Empire, I order you to stand down!</p>\n<p><strong>V-01:</strong> I no longer serve the Emperor. His decrees mean nothing to me.</p>\n<p><strong>Kappa-03:</strong> How could you forsake your people, to associate yourself with this anomalous rabble?</p>\n<p>[A clink of metal can be heard as V-01 frees her hand and rams her arm blade into Kappa-03's chest.]</p>\n<p><strong>V-01:</strong> Those rabble are my sisters!</p>\n<p>[Kappa-03 coughs up blood and drops the knife. V-01 quickly knocks the MTF off of her and appears to check how much control she still has of the servo motors in her hand. Immediately she swung around to get a bearing of her surroundings, the corpses of Foundation researchers assigned to <em>D. orochi</em> lie on the ground. Three members of MTF Kappa-46 are dead and mangled in various states around her. V-02 and V-03 are engaged in melee combat with two of the remaining MTF.</p>\n<p><strong>Kappa-01:</strong> Tenno Heika Banzai!</p>\n<p>[V-01 turns as she sees Kappa-01 charging at her with a Japanese Flag covered in a thaumaturgic aura. V-01 looks down at her arms, touching her fingers on three specific runes on her arm before raising her left forearm and running her right arm blade across it. The resulting motion creates a large spark that appears to blind Kappa-01. V-01 strikes forward with her arm blade but Kappa-01 manages to block it with their flagstaff. The aura seems to react with the strike and V-01 is propelled on to their back. Kappa-01 tries to slam their flagstaff down onto V-01's chest but is impaled through the back by a sword.]</p>\n<p>[The man's flagstaff clatters to the floor with his body as the sword is withdrawn. V-02 is standing there with her left arm missing. It has been severed at the elbow joint, her self-repair systems appear to have activated and sealed the limb.]</p>\n<p><strong>V-02:</strong> Looks like the forces of Amaterasu were no match for Odin's daughters.</p>\n<p>[V-02 extends a hand to V-01 who takes it and stands up. She looks to her right as V-03 casts a thaumaturgic spell that cleaves her opponent in half. V-03 spits on her opponent's body and limps towards the group. V-03 is sporting numerous punctures to her armor and her self-repair systems are currently working to seal the wounds she received.]</p>\n<p>[V-03 raised her fist into the air]</p>\n<p><strong>V-03:</strong> \u00d3\u00f0inn \u00e1 y\u00f0r alla! We sure\u2026ugh showed those Japanese bastards\u2026 no offense Tatakai.</p>\n<p><strong>V-01:</strong> None taken. An enemy is an enemy. No matter where we are. How is everyone holding up? I got thrown around pretty badly.</p>\n<p><strong>V-03:</strong> Damn MTF nicked the power supply to my augments. My diagnostics are telling me that if I draw too much power to any one of them, I might blow the unit. I'm probably good to fight but if any of their MTF are like those guys, I don't know if I'll make it.</p>\n<p><strong>V-02:</strong> As for me, my arm will need to be re-attached at VHQ. I'm still good with my one hand but I lost a good chunk of my combat runes.</p>\n<p><strong>V-01:</strong> Noted, let's secure the anomalies and see if Pantas has an alternate exit for us.</p>\n<p>[V-01 approaches the enclosure in the center of the room where eight <em>D. orochi</em> specimens are lounging around in states of lethargy. She reaches into her pouch and procures a treat for one of them. One specimen approaches and consumes the treat before rubbing its head against her hand.]</p>\n<p><strong>V-01:</strong> There, there little guy. You're gonna be alright.</p>\n<p>[V-01 pulls the container off her back and places it in the enclosure. She drops some food into the container from a hatch on the top. The starving D. orochi are quick to enter the container which she snaps shut and secures out of frame.</p>\n<p><strong>V-01:</strong> Pantas, do you read me?</p>\n<p><strong>V-04:</strong> My connection is a little borked but I can hear you. Are the D. orochi specimens secured?</p>\n<p><strong>V-01:</strong> Yes, but we had to engage with their MTF to capture them. A lot of us are banged up pretty bad and your spell has worn off.</p>\n<p><strong>V-04:</strong> I take it that going back the way you came isn't an option?</p>\n<p><strong>V-01:</strong> Place is swarming with guards, we won't make it in@ another straight-up confrontation.</p>\n<p><strong>V-04:</strong> Noted. I'll try and pull up the Site's map. Maybe there's an alternate entrance. Which holding cell are you in?</p>\n<p><strong>V-01:</strong> Number 78.</p>\n<p><strong>V-04:</strong> Alright\u2026. excellent. There's an elevator not too far from you. It's down the hall, on the left. Not sure where you'll end up but it's better than nothing.</p>\n<p><strong>V-01:</strong> Copy, that. Vindsjamanar let's move out.</p>\n<p>[V-01 begins moving out of the holding cell with her Valkyries behind her. She hugs the wall the entire time, peeking over the bend she sees two guards in front of the elevator. She gestures to her squad to stop moving and looks down at her arm. She presses a series of runes on her forearm which begin to glow. A swirling thaumaturgic wind appears over her hand. Her cybernetic eyes lock on to the emergency lights onto the ceiling and targeting systems inform her of the optimal trajectory.]</p>\n<p>[V-01 then tosses the wind into the lights, dropping the hallway into darkness. V-01 and V-03 begin pressing forward. V-01's vision has switched to low-light, seeing the guards looking around in confusion and heading their way. Each of them facing a guard, V-01 eliminates hers with her arm blade as V-03 appears to do the same. V-01 catches the man's body before it can drop and sets it down quietly. A gurgle of pain can be heard as V-01 makes it over to the elevator, sliding the key card into the reader to open the doors.]</p>\n<p>[V-02 and V-03 move into the elevator as well and V-01 presses the surface level button. After a few moments, the doors open and the squad fans out around V-01.]</p>\n<p><strong>V-02:</strong> I think we're in the clear.</p>\n<p><strong>V-03:</strong> I don't see anyone either but we shouldn't stick around.</p>\n<p><strong>V-01:</strong> Agreed.</p>\n<p>[V-01 opens an audio channel to V-04.]</p>\n<p><strong>V-01:</strong> We're out of the Site in one piece. The plan is to meet back at the apartment. Are you clear of the meat shop?</p>\n<p><strong>V-04:</strong> I've got your clothes and I'm vacating the space now. I'll see you back at our base. Over.</p>\n<hr/>\n<p>[END LOG]</p>\n</div>\n</div>\n</div>\n</div>\n<p>Afterward, the Vindsjamanar arrived back at their apartment to collect their gear and await extraction at the Osakan Harbor. Once a Valravn patrol ship had retrieved them, they were sent back to VHQ to receive medical treatment. As for the <em>D. orochi</em> specimens were sent to be fostered at a Tyr Project facility.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<p><strong>Aftermath:</strong> The Philippine branch of the Foundation informed us that SCP-JP believed that foreign insurgents were behind the attack on the power plant and Site-87. Power was eventually restored to the area but there was significant damage to the infrastructure and five workers lost their lives. The Valravn Corporation was not suspected of the incident at any point, maintaining our appearance as having held our part of the Cartagena Agreement.</p>\n<p>VERALTA held up his end of the deal. Under the nose of the Japanese government, 80,000 copies of \"Valkyrie: The Flight of the Shamans\" were sold at stands before being shut down by Imperial censors. She informs us that more volumes are planned as the first one was well received. The texts also served their purpose of acting as Valravn propaganda tools. Rumors began to spread in SEA that they were based on a true story. According to Marketing, potential clients have begun to show interest in hiring us for additional strikes against the Japanese Empire.</p>\n<p>Overall, the mission was a success, and our employers were more than pleased with the results. Three Valkyries were wounded in action but would return to active service in a week. Half of one SCP-JP MTF had been liquidated along with at least four researchers and five security personnel. The Tyr Project has been sent the combat data collected and new countermeasures for SCP-JP combat assets are being developed with the information provided by the Philippine Branch. We hope that this data bears fruit so our forces will be more effective in the field. As it stands now, Valkyrie HQ stands ready to assist Valravn in any infiltration operations in the region at a moment's notice.</p>\n<p>\u00d3\u00f0inn \u00e1 y\u00f0r alla</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><br/>\nV-01 \"Tatakai\"<br/>\n<strong>Squad Leader of the Vindsjamanar</strong><br/></span></p>\n</div>\n</div>\n<div class=\"papernote\">\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Post\u00a0Osaka\u00a0Operation\u00a0HT-\u00a0Virtual\u00a0Meeting\u00a0Transcript\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p><strong>HT-CEO:</strong> Chief Technology Officer, how fares Project DRAGONRIDER?</p>\n<p><strong>HT-CTO:</strong> The specimens are faring better under our care and have returned to full strength. It will take some time for them to grow to full size but once we do we can begin training our units to ride them.</p>\n<p><strong>HT-CEO:</strong> Excellent. Chief Marketing Officer, how are things faring with the media produced by SCP-PH?</p>\n<p><strong>HT-CMO:</strong> We are bringing in 200,000 USD extra monthly profit from Manga sales. The total number of contracts we have received has increased by 33% compared to last quarter.</p>\n<p><strong>HT-CFO:</strong> I would like to add to the CMO's comments that the deal struck with the Philippine Branch has us projecting a 50% increase in total revenue. We are taking a bit of a deficit in funding countermeasures to deal with the forces of SCP-JP but we believe it to be an acceptable cost.</p>\n<p><strong>HT-CEO:</strong> That is what I like to hear. Chief Information Officer, how is our standing in the Japanese Empire? Do they suspect us at all?</p>\n<p><strong>HT-CIO:</strong> As far as we are aware no. No elements of SCP-JP have been seen surveilling our assets in the region. Our units combined with assistance from sympathetic groups make us seem like every other group of malcontents growing within the area. We aren't the only ones fielding thaumaturges augmented with paraprosthetics.</p>\n<p><strong>HT-COO:</strong> I would advise caution in trusting the Philippine branch entirely. They haven't specified what exactly the ulterior motive of the contracts they assigned to us is. May I remind everyone that Operation Ragnarsdr\u00e1pa led to the deaths of half the anomalies involved?</p>\n<p><strong>HT-CEO:</strong> Your concern is duly noted. Valravn is not to be shackled by any anomalous organization and the recent mission for the Orochi has shown that we still have a ways to go in matching the strength of the strongest anomalous branch on the planet. Do all members of the Table agree that our accord with SCP-PH is to stand?</p>\n<p>[All members pass their votes. 6-1 to remain in the accord.]</p>\n<p><strong>HT-CEO:</strong> As it stands, the accord with the Philippine Branch will remain for now. We will continue feasting on the corpse of Japan's bloated empire and grow stronger from it. This meeting is adjourned.</p>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Alternate name of OPERATION FILIBUSTERISMO given to Valravn</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Seven-person council that controls the Valravn Corporation.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. The Retroactive Unified Neural Network Escathological System (RUNNES) is a powerful predictive system powered by ancient runic magic and artificial intelligence.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. A ceasefire agreement between the Valravn Corporation, the Foundation, and the GOC, allows Valravn to operate as long as it respects the Veil and restricts the use of anomalous weapons only against anomalous objectives.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Valravn's Research and Development on paraprosthetics and combat augmentations.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Old Norse for \"Wind Shamans\"</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Old Norse for \"poet\"</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:present-malice\">:scp-wiki:theme:present-malice</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:valravn\">:scp-wiki:theme:valravn</a>]]\n\n\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=--\n\n|name=SYTYCFanon]]\n\n**AAR-5950: Osaka** \n\n\n\n[[[https://scp-wiki.wikidot.com/sytycfanon|For more stories in my verse check here]]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]**##black|We feast on the Battlefield##**[[/size]]\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n[[div style=\"background: url(http://scp-sandbox-3.wikidot.com/local--files/kilerpoyo2/vallogobackground) center no-repeat; text-align: center; width: 600px; margin: 0 auto; font-size: 17px; padding: 0px;\"]]\n\n\n\n[[=]]\n\n+* ##black|A WARNING FROM THE HIGH TABLE##\n\nThe following information is property of the Valravn Corporation and its access is reserved only for members of the High Table and authorized personnel.\n\n\n\nEmployees of the Valravn Corporation not authorized to view the following document will incur a violation of **Statute 47 of the Code** and be sanctioned accordingly. This may include termination of employment in the Valravn Corporation.\n\n\n\nNon-employees viewing the following document will be considered **Acceptable Collateral Damage (ACD)** according to the company's **Information Protection Policy**.\n\n[[/=]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]**##black|\u00d3\u00f0inn \u00e1 y\u00f0r alla##**[[/size]]\n\n[[/=]]\n\n\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n+ After-action Report regarding the raid on Foundation Site-87 on 22-1-2021 in Osaka, Japan.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Background:** On November 2nd, 2020, an insurgency group led by a coalition of Korean and Chinese anomalies launched [https://scp-wiki.wikidot.com/scp-7015 Operation Ragnarsdr\u00e1pa][[footnote]] Alternate name of OPERATION FILIBUSTERISMO given to Valravn [[/footnote]] against the Japanese Empire. This event led to widespread dissent and rebellion amongst the civilian population in the empire, as well as the breakdown of the Veil in areas such as Manchuria and Northern China. Operation Ragnarsdr\u00e1pa involved subversive guerilla warfare against the Japanese Branch of the SCP Foundation. In addition to this, the market and internet were flooded with media banned by the Japanese Government such as anime, manga, and video games.\n\n\n\nOperation Ragnarsdr\u00e1pa was evaluated to be a moderate success by Valravn analysts. In the aftermath of the operation, dozens of anomalous refugees were able to escape the empire. The Japanese military and SCP-JP took numerous casualties and the efforts to repair the damage done by Ragnarsdr\u00e1pa are estimated to cost 1 billion Japanese Yen. \n\n\n\nThe operation was also responsible for kickstarting a cultural revival amongst the minority communities living in the Japanese Empire by reintroducing media and art forms central to their original cultures that were forbidden by Japanese law. In terms of general unrest, Valravn intelligence has only noted a small increase in protests in the Japanese territories and most of these are mainly on economic issues. Valravn intelligence further notes that unhappiness with the Japanese regime has increased online but the chances of this spiraling into open revolt are close to zero.\n\n\n\nIn the aftermath of Operation Ragnarsdr\u00e1pa, SCP-JP had originally reached out to the Valravn Corporation to supplement their forces in hunting for the so-called \"traitorous\" anomalies. However, the High Table[[footnote]] Seven-person council that controls the Valravn Corporation. [[/footnote]] declined after having a meeting with an agent of the Philippine branch of the foundation, known only as VERALTA.\n\n\n\n[[collapsible show=\"+ HT Virtual meeting with VERALTA \" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\n**HT-CIT:** So let me see if I'm understanding correctly, the Philippine Branch was responsible for this... Operation Ragnarsdr\u00e1pa? I have to admit this was an unexpected turn of events.\n\n\n\n**VERALTA:** Yes, I was closely involved with the planning of said event.\n\n\n\n**HT-CEO:** More impressively, you managed to pull it off without R.U.N.N.E.S[[footnote]] The Retroactive Unified Neural Network Escathological System (RUNNES) is a powerful predictive system powered by ancient runic magic and artificial intelligence. [[/footnote]]\u00a0\u00a0figuring anything out. I can only assume you took extra steps to purposely obfuscate us as well?\n\n\n\n**VERALTA:** The subterfuge was needed, we couldn't risk the Valravn Corporation finding out about Operation Ragnarsdr\u00e1pa and informing SCP-7015 about it under the terms of the Cartagena Agreement. \n\n\n\n**HT-CIT:** Excuse me, SCP-7015? What is that?\n\n\n\n**VERALTA:** It's our designation for the anomaly known as the Japanese Empire and by extension the Japanese branch of the Foundation itself.\n\n\n\n**HT-CEO:** You've designated the Japanese Empire as anomalous? That's a bold move. What in Odin's name would fill you with the bravery to do such a thing?\n\n\n\n**VERALTA:** That is classified information but what you need to know is the Japanese Empire needs to fall and Ragnarsdr\u00e1pa was just the beginning. I'm here to offer Valravn a very lucrative contract, an exclusive one at that with the Philippine Branch.\n\n\n\n**HT-COO:**What purpose would you have to contract with us? If this is true, that SCP-PH unleashed one of the biggest insurgencies in SEA in recent memory, why on Earth would you need to hire us?\n\n\n\n**HT-CIO:** I think I can answer that, Operations Officer. SCP-PH risks exposure with every strike they make against SCP-JP. If we strike at SCP-JP and are found out, their branch will wipe us off the map with no blowback on SCP-PH. I'm sure you'll come up with a cover about a Western PMC overstepping its boundaries in SEA, thinking the Cartagena Agreement[[footnote]] A ceasefire agreement between the Valravn Corporation, the Foundation, and the GOC, allows Valravn to operate as long as it respects the Veil and restricts the use of anomalous weapons only against anomalous objectives. [[/footnote]] doesn't apply to them.\n\n\n\n**VERALTA:** Well when you put it like that, it would be very beneficial to me. But to you as well.\n\n\n\n**HT-CEO:** Go on.\n\n\n\n**VERALTA:** As your Operations Officer already stated, the Cartagena Agreement will no longer apply to the Japanese Branch. We will do our best to obscure your activities in the Japanese Empire where you will be free to attack SCP-JP and secure any of their anomalies for your weapons research. I only ask that you uphold the veil during your operations. I even have a couple of contracts already set to go that I can hire you for.\n\n\n\n**HT-COO:** Would the rest of the Foundation allow this? You are essentially committing treason against your organization.\n\n\n\n**VERALTA:** I'm not sure what you're referring to. The SCP Foundation is committed to the containment of anomalies and that is what we are doing here. The other branches have their problems to deal with and they are all too afraid to step on JP's toes. Plus those in the West don't care all that much about what we easterners are up to, usually a sad fact but convenient when you're trying to hide.\n\n\n\n**HT-CEO:** I think this VERALTA makes a decent argument. But the price for attacking SCP-JP directly would be high. Valravn isn't a charity organization.\n\n\n\n**HT-COO:**I'll also point out that before the days of Cartagena, SCP-PH forces decimated us in the Malay skirmishes. I know we all have faith in our forces but this would be a suicide mission. If we can't stand against the SCP-PH what are we supposed to do against the might of the Japanese Empire?\n\n\n\n**VERALTA:** I thought you might have doubts concerning the strength of SCP-JP, and I can offer you ways to level the playing field. I'm sending you our document on SCP-7015-OROCHI. Simply put, they are baby dragons and SCP-JP has them wasting away in one of their sites. We'll pay you one million USD to retrieve it and you are free to field it as a part of your forces once they grow up. \n\n\n\n**HT-CTO:** This OROCHI seems like quite a powerful anomaly. The Tyr Project[[footnote]] Valravn's Research and Development on paraprosthetics and combat augmentations.\u00a0\u00a0[[/footnote]] was throwing around the idea of a new mounted cavalry unit. I think it would be in our best interest to retrieve these OROCHIs.\n\n\n\n**HT-COO:** I do agree that these Orochi would give us a leg up on the Foundation's MTF. However, a direct assault on the Site where they are being held wouldn't be optimal. \n\n\n\n**VERALTA:** I agree that is why I would like to hire your Valkyries for a stealth operation. Specifically, the Vindsjamanar. I believe one of them is Filipino, yes? Pantas, I think is her code name.\n\n\n\n**HT-COO:**How exactly did you get the information? Valkyrie records are classified.\n\n\n\n**VERALTA:** SCP-PH knows more about your little cyborgs than you know. Pantas is Filipino and her squadmates are all from the various nations of the Japanese Empire. It's good for propaganda's sake, speaking of which I also have one last thing for our deal, I can have one of our agents create a new manga series about the squad that completes the mission. It'll add to their intrigue and mythical status. Valravn will receive 20% of the royalties of course.\n\n\n\n**HT-CMO:** Hmm, Manga sales have been through the roof after Operation Ragnarsdr\u00e1pa. Such a deal would be very lucrative for us.\n\n\n\n**HT-CEO:** We shall put it to a vote, and expect an answer from us within the week. \n\n\n\n**VERALTA:** I thank you for your time and hope that our partnership will be fruitful for both of us.\n\n\n\n\n\n\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\nThe High Table voted 6-1 to sign an Accord with the Philippine branch. Once the terms of the deal were finalized, Valkyrie HQ was contacted to put send the\"Vindsjamanar\"[[footnote]] Old Norse for \"Wind Shamans\" [[/footnote]] to Osaka to retrieve the targets specified in the contract. The Valkyries were given the order that all SCP-JP Personnel were to be considered Acceptable Collateral Damage (ACD).\n\n\n\nThe target anomalies were dubbed //D. orochi// by the Biological Sciences division. Their species name was based on their original designation of SCP-7015-OROCHI. These anomalies resembled small quadrupedal lizards but with fiery orange scales around their brow ridges and chins. //D. orochi// also sported long orange whiskers from their nostrils and their bodies covered in green horny scales. They have been recorded as being able to grow as large as 152 meters in their adult state and breathe flames that register at 18,000 degrees Celsius. //D. orochi// also has the anomalous property of being able to fuse to become a multiple-headed beast, an ability that can use up to eight subjects.\n\n\n\nThe //D. orochi// specimens in SCP-JP's care are believed to be the last in existence, making this mission imperative to the Tyr Project that they be collected to be tamed for Project DRAGONRIDER.\n\n\n\n\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Incident Overview:**\n\n\n\nThe Vindsjamanar were deployed into Osaka on January 20th, with the operation planned to commence on January 22nd at which Site-87 was going to be understaffed due to a local celebration. Arriving by boat, the Vindsjamanar were given an apartment provided by SCP-PH to use as an operating base. VHQ provided 100,000 Japanese Yen, a variety of disguises, and technical equipment. The Vindsjamanar were briefed by their leader V-01 on the following information to make their plan of attack.\n\n\n\n* Site-87's location was unable to be obtained by SCP-PH, they only knew that it was within Osakan city limits.\n\n* SCP-PH did provide the address and information of a Researcher Hiromi Kadota who worked with the //D. orochi// anomaly.\n\n* Under no circumstances were the Valkyries to be captured or caught by the SCP Foundation. Each of them had been equipped with suicide runes to destroy any traces of them via thaumaturgy.\n\n\n\nV-01 decided that V-02 would join her in tracking Kadota and retrieving the location of the Site. As for V-03 and V-04, V-04 suggested that the best way to attack Site-87 would be through a distraction. V-04's plan to do this would be to plant thaumaturgic bombs on one of the city's power plants. This would cut power to the Site and allow them to move under the cover of darkness. After consulting with VHQ who decided that any civilian casualties would be considered ACD, the plan was approved by V-01 and would be undertaken on the 21st after a day of performing reconnaissance for their specific assignments. \n\n\n\n\n\n\n\n[[collapsible show=\"+ Audio/Visual Feeds of Vindsjamanar during pre-mission operations\" hide=\"- Close\"]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= + Operation 494\n\n| hide= - Close Operation 494\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 21/1/21\n\n**NOTE:** The following feed was taken from Valkyrie V-01, codenamed \"Tatakai\". V-01 and V-02 had surveilled Researcher Kadota and discovered he frequented a nightclub known as //The Jasmine Dragon//. On the night of the 21st, they posed as two aloof bar patrons and entered the club. V-01 and V-02 found Kadota inside and convinced him to bring him back to his apartment, where they interrogated him.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**V-01:** So you said you're a researcher of some sort?\n\n\n\n**V-02:** Yeah, tell us all abouts your research! \n\n\n\n**Kadota:** Listen, girls, I told you. My research is highly classified. Government stuff. Why don't we stop with the questions and head back to the bedroom?\n\n\n\n**V-01:** Okay, okay. Come on Pamyeol, let's show him a good time.\n\n\n\n**V-02:** Ooh fun!\n\n\n\n[V-01 and V-02 enter Kadota's bedroom. V-02 takes a seat on his mattress while Kadota approaches V-01.]\n\n\n\n**Kadota:** You know I was going to say it was a little strange that you both are so covered up. Aren't you hot in all of that?\n\n\n\n**V-01:** Not at all. It adds more mystique to what's underneath.\n\n\n\n**Kadota:** Mmm. Very true. Let's unzip this thing and see what I got to work with.\n\n\n\n[Kadota reaches for the zipper on V-01's jacket but she grabs his hand before he can. Kadota begins to shriek as she applies pressure to his hand, a crunching sound is heard as she walks him back to the bed and pins him with her other hand.]\n\n\n\n**V-02:** Keep him still.\n\n\n\n[V-02 removes her glove revealing a red cybernetic hand. She pulls back the tips of her index and middle fingers to reveal brushes and begins painting on Kadota's right hand.]\n\n\n\n**Kadota:** Ah! Y-you broke my fingers! What the hell is wrong with you! Is that... paratech? Just who the hell are you two?\n\n\n\n**V-01:** We'll be asking the questions here, Kadota. Where is Site-87?\n\n\n\n**Kadota:** Is that URL or something? I don't know what you're talking about.\n\n\n\n[V-01 looks to the right at V-02 who has just finished the runes on his right hand. V-02 begins chanting in Old Norse and a thaumaturgic wind begins to spiral around Kadota's right hand.]\n\n\n\n**V-02:** What is that Korean witch doing to my h-hAHHHH!\n\n\n\n[Kadota begins to scream as the wind circling his hand begins to lash the flesh away from his digits.]\n\n\n\n**V-02:** I advise you to keep your mouth shut about my nationality if you'd like to keep the hand. Please answer my associate's questions or I can make the wind spread farther up.\n\n\n\n**V-01:** We need the location of Site-87. Are you going to give it to us or are you going to continue to be difficult?\"\n\n\n\n**Kadota:** Th-th-they'll kill me! Please, I can't tell you, you anything! AGH!\n\n\n\n[The entirety of Kadota's hand turns into a slurry of blood as the wind intensifies. V-02 stands up from the bed, still maintaining her chant. She passes by V-01's field of view and in the corner of her eye, she sees V-02 grab his keycard from his jacket hung up on the side of his bed.]\n\n\n\n**V-02:** Says here he has level 3 clearance. Is that enough to acquire the Orochi?\n\n\n\n**Kadota:** O-orochi! (pained huffing), what do you want with them? Those abominations don't have long on this Earth, oh oh god! STOP!\n\n\n\n[The wind begins to move farther up his right arm as the bones in his hand become visible through the storm.]\n\n\n\n**V-01:** My apologies, my associate is very passionate about her dragons. I'm going to assume based on the fact you know about them, your clearance is enough. Now, the location. I'm only asking you once and then that storm spreads to the rest of your body.\n\n\n\n**Kadota:** UNDERGROUND! The Site is underground! There's a meat shop on 24th and 26th, in the back there's an elevator....\n\n\n\n[The storm around his hands ceases. Kadota drags his mangled arm to his face to survey the damage.]\n\n\n\n**V-01:** Thank you for being honest with us. That is all we needed to know.\n\n\n\n**Kadota:** M-my arm.... my arm!\n\n\n\n[V-01 extends her arm blade.]\n\n\n\n**V-01:** Again, my apologies. You have been determined to be ACD. What is about to happen to you isn't personal.\n\n\n\n-----\n\n\n\n**NOTE:** After terminating Researcher Kadota, V-01 and V-02 scrubbed his apartment of any involvement and disposed of his body in the harbor.\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= + Operation 876\n\n| hide= - Close Operation 876\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 21/1/21\n\n**NOTE:** The following feed was taken from Valkyrie V-03, codenamed \"Sh\u00e8ngl\u00ec.\" V-03 and V-04 had successfully infiltrated the power plant disguised as maintenance workers. Using their cover, they descended to a part of the facility where their work would not be found and began applying the runes necessary for thaumaturgic detonation.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n[V-03 is painting runes with her finger brushes, she turns her head slightly to view V-04 who is painting with an actual brush.]\n\n\n\n**V-03:** Pantas, what are your thoughts on this whole situation?\n\n\n\n**V-04:** What do you mean?\n\n\n\n**V-03:** Well we're going up against the SCP Foundation, they sent a lot of our girls to Valhalla in Malaysia. \n\n\n\n[V-03 falters in a line she is drawing and V-04 stops and grabs her wrist.]\n\n\n\n**V-04:** Pay attention, that line isn't nearly straight enough. One wrong line and you'll blow an extra two blocks away.\n\n\n\n**V-03:** S-sorry, you know runes aren't my strong suit. \n\n\n\n[V-03 wipes the paint away and continues.]\n\n\n\n**V-04:** To answer your question about the SCP situation, I'm not afraid. I wasn't in the organization yet when the whole Malaysia thing went down but I do feel for our sisters that were killed that day. I'm sure they're fighting and drinking to their heart's content in Valhalla. What about you, are you ready for tomorrow?\n\n\n\n**V-03:** I was born ready for this. I've been itching for some payback against SCP-JP. Do you know what they did to us Thaumaturges in Beijing? I'm lucky my family wasn't strung up with the rest of them.\n\n\n\n[V-04 stands up.]\n\n\n\n**V-04:** Good and with Loki's blessing; we can pull a few tricks on your family's oppressors with the last of these runes. We'll descend on those bastards like Odin's lightning and afterward, the Skalds[[footnote]] Old Norse for \"poet\" [[/footnote]] of SCP-PH will write tales of our pursuits.\n\n\n\n**V-03:** I'll drink to that, sister. Tomorrow, we feast on their corpses.\n\n\n\n-----\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n\n\n\n\n[[/collapsible]]\n\n\n\nWith their respective missions complete the Operation officially began on the 22nd of January. Within their operating base, the four Vindsjamanar performed a spell that detonated the runes placed inside the power plant. The resulting explosion, not only knocked out power around Site-87 in a five-block radius but diverted emergency personnel away from the operation's main location. In the darkness, the Vindsjamanar moved across the streets in civilian clothing and infiltrated the Butcher shop being used as a Foundation front. Inside, the four Valkyries eliminated four plain clothes Foundation agents and began to prepare to enter Site-78. They donned their helmets and armor and V-04 performed a thaumaturgic ritual that would render them invisible for twenty minutes.\n\n\n\nV-04 would stay back and provide technical support. After hacking into their systems, V-04 was able to shut down their camera and get the layout of the facility but was unable to locate the specific holding cell of the D. orochi.\n\n\n\nAfter readying their kit, the Vindsjamanar descended into the bowels of the Foundation Site, using the keycard they'd retrieved earlier to enter the Site. When they exited the elevator the backup generators had kicked in and the facility was on a level 1 alert. Still cloaked in V-04's thaumaturgy, they were able to sneak by the throngs of bustling researchers and guards. Directed by V-04 the squad made it into the holding cells where they began the search for the //D. orochi// specimens. \n\n\n\nTraveling through the winding hallways and floors of the facility had taken their valuable twenty minutes leaving the Valkyries in the open when they entered the //D. Orochi//'s holding cell. Unbeknownst to them, MTF Kappa-46 (Susanoo's Blades), were standing guard inside. The Vindsjamanar had no choice but to engage with the MTF in combat. Not much is known about Kappa-46 other than from the following footage that their units were equipped with never-before cataloged anomalous weaponry and thaumaturgic enhancements.\n\n\n\n[[collapsible show=\"+ Audio/Visual Feed of V-01 during Site-87 infiltration\" hide=\"- Close\"]]\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **VIDEO LOG**\n\n----\n\n**DATE:** 22/1/21\n\n**NOTE:** The following is an excerpt of the skirmish that occurred between MTF Kappa-46 and Valkyrie squad Vindsjamanar as well as the exfiltration from Site-87. The following data was recorded to be studied by the Tyr project to develop countermeasures against SCP-JP forces.\n\n\n\n[BEGIN LOG]\n\n\n\n[Sounds of heavy fighting are heard. Kappa-03 is straddling V-01's waist and trying to stab them with a knife made of an unknown metal. V-01 appears to be struggling to keep it at bay by pushing the MTF's wrist back with her free hand. A cursory glance to the right reveals that V-01's right hand has been pinned to the ground by a knife.]\n\n\n\n**Kappa-03:** As a fellow citizen of the Japanese Empire, I order you to stand down!\n\n\n\n**V-01:** I no longer serve the Emperor. His decrees mean nothing to me.\n\n\n\n**Kappa-03:** How could you forsake your people, to associate yourself with this anomalous rabble?\n\n\n\n\n\n[A clink of metal can be heard as V-01 frees her hand and rams her arm blade into Kappa-03's chest.]\n\n\n\n**V-01:** Those rabble are my sisters!\n\n\n\n[Kappa-03 coughs up blood and drops the knife. V-01 quickly knocks the MTF off of her and appears to check how much control she still has of the servo motors in her hand. Immediately she swung around to get a bearing of her surroundings, the corpses of Foundation researchers assigned to //D. orochi// lie on the ground. Three members of MTF Kappa-46 are dead and mangled in various states around her. V-02 and V-03 are engaged in melee combat with two of the remaining MTF. \n\n\n\n**Kappa-01:** Tenno Heika Banzai!\n\n\n\n[V-01 turns as she sees Kappa-01 charging at her with a Japanese Flag covered in a thaumaturgic aura. V-01 looks down at her arms, touching her fingers on three specific runes on her arm before raising her left forearm and running her right arm blade across it. The resulting motion creates a large spark that appears to blind Kappa-01. V-01 strikes forward with her arm blade but Kappa-01 manages to block it with their flagstaff. The aura seems to react with the strike and V-01 is propelled on to their back. Kappa-01 tries to slam their flagstaff down onto V-01's chest but is impaled through the back by a sword.]\n\n\n\n[The man's flagstaff clatters to the floor with his body as the sword is withdrawn. V-02 is standing there with her left arm missing. It has been severed at the elbow joint, her self-repair systems appear to have activated and sealed the limb.]\n\n\n\n**V-02:** Looks like the forces of Amaterasu were no match for Odin's daughters. \n\n\n\n[V-02 extends a hand to V-01 who takes it and stands up. She looks to her right as V-03 casts a thaumaturgic spell that cleaves her opponent in half. V-03 spits on her opponent's body and limps towards the group. V-03 is sporting numerous punctures to her armor and her self-repair systems are currently working to seal the wounds she received.]\n\n\n\n[V-03 raised her fist into the air]\n\n\n\n**V-03:** \u00d3\u00f0inn \u00e1 y\u00f0r alla! We sure...ugh showed those Japanese bastards... no offense Tatakai.\n\n\n\n**V-01:** None taken. An enemy is an enemy. No matter where we are. How is everyone holding up? I got thrown around pretty badly.\n\n\n\n**V-03:** Damn MTF nicked the power supply to my augments. My diagnostics are telling me that if I draw too much power to any one of them, I might blow the unit. I'm probably good to fight but if any of their MTF are like those guys, I don't know if I'll make it.\n\n\n\n**V-02:** As for me, my arm will need to be re-attached at VHQ. I'm still good with my one hand but I lost a good chunk of my combat runes.\n\n\n\n**V-01:** Noted, let's secure the anomalies and see if Pantas has an alternate exit for us.\n\n\n\n[V-01 approaches the enclosure in the center of the room where eight //D. orochi// specimens are lounging around in states of lethargy. She reaches into her pouch and procures a treat for one of them. One specimen approaches and consumes the treat before rubbing its head against her hand.]\n\n\n\n**V-01:** There, there little guy. You're gonna be alright.\n\n\n\n[V-01 pulls the container off her back and places it in the enclosure. She drops some food into the container from a hatch on the top. The starving D. orochi are quick to enter the container which she snaps shut and secures out of frame.\n\n\n\n**V-01:** Pantas, do you read me?\n\n\n\n**V-04:** My connection is a little borked but I can hear you. Are the D. orochi specimens secured?\n\n\n\n**V-01:** Yes, but we had to engage with their MTF to capture them. A lot of us are banged up pretty bad and your spell has worn off.\n\n\n\n**V-04:** I take it that going back the way you came isn't an option? \n\n\n\n**V-01:** Place is swarming with guards, we won't make it in@ another straight-up confrontation.\n\n\n\n**V-04:** Noted. I'll try and pull up the Site's map. Maybe there's an alternate entrance. Which holding cell are you in?\n\n\n\n**V-01:** Number 78. \n\n\n\n**V-04:** Alright.... excellent. There's an elevator not too far from you. It's down the hall, on the left.\u00a0\u00a0Not sure where you'll end up but it's better than nothing.\n\n\n\n**V-01:** Copy, that. Vindsjamanar let's move out.\n\n\n\n[V-01 begins moving out of the holding cell with her Valkyries behind her. She hugs the wall the entire time, peeking over the bend she sees two guards in front of the elevator. She gestures to her squad to stop moving and looks down at her arm. She presses a series of runes on her forearm which begin to glow. A swirling thaumaturgic wind appears over her hand. Her cybernetic eyes lock on to the emergency lights onto the ceiling and targeting systems inform her of the optimal trajectory.]\n\n\n\n[V-01 then tosses the wind into the lights, dropping the hallway into darkness. V-01 and V-03 begin pressing forward. V-01's vision has switched to low-light, seeing the guards looking around in confusion and heading their way. Each of them facing a guard, V-01 eliminates hers with her arm blade as V-03 appears to do the same. V-01 catches the man's body before it can drop and sets it down quietly. A gurgle of pain can be heard as V-01 makes it over to the elevator, sliding the key card into the reader to open the doors.]\n\n\n\n[V-02 and V-03 move into the elevator as well and V-01 presses the surface level button. After a few moments, the doors open and the squad fans out around V-01.]\n\n\n\n**V-02:** I think we're in the clear. \n\n\n\n**V-03:** I don't see anyone either but we shouldn't stick around.\n\n\u00a0\n\n**V-01:** Agreed. \n\n\n\n[V-01 opens an audio channel to V-04.]\n\n\n\n**V-01:** We're out of the Site in one piece. The plan is to meet back at the apartment. Are you clear of the meat shop?\n\n\n\n**V-04:** I've got your clothes and I'm vacating the space now. I'll see you back at our base. Over.\n\n\n\n-----\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n\n\n\n\n[[/collapsible]]\n\n\n\n\n\nAfterward, the Vindsjamanar arrived back at their apartment to collect their gear and await extraction at the Osakan Harbor. Once a Valravn patrol ship had retrieved them, they were sent back to VHQ to receive medical treatment. As for the //D. orochi// specimens were sent to be fostered at a Tyr Project facility.\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Aftermath:** The Philippine branch of the Foundation informed us that SCP-JP believed that foreign insurgents were behind the attack on the power plant and Site-87. Power was eventually restored to the area but there was significant damage to the infrastructure and five workers lost their lives. The Valravn Corporation was not suspected of the incident at any point, maintaining our appearance as having held our part of the Cartagena Agreement.\n\n\n\nVERALTA held up his end of the deal. Under the nose of the Japanese government, 80,000 copies of \"Valkyrie: The Flight of the Shamans\" were sold at stands before being shut down by Imperial censors.\u00a0\u00a0She informs us that more volumes are planned as the first one was well received. The texts also served their purpose of acting as Valravn propaganda tools. Rumors began to spread in SEA that they were based on a true story. According to Marketing, potential clients have begun to show interest in hiring us for additional strikes against the Japanese Empire.\n\n\n\nOverall, the mission was a success, and our employers were more than pleased with the results. Three Valkyries were wounded in action but would return to active service in a week. Half of one SCP-JP MTF had been liquidated along with at least four researchers and five security personnel. The Tyr Project has been sent the combat data collected and new countermeasures for SCP-JP combat assets are being developed with the information provided by the Philippine Branch.\u00a0\u00a0We hope that this data bears fruit so our forces will be more effective in the field. As it stands now, Valkyrie HQ stands ready to assist Valravn in any infiltration operations in the region at a moment's notice.\n\n\u00a0\n\n\u00d3\u00f0inn \u00e1 y\u00f0r alla\n\n\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]\n\nV-01 \"Tatakai\"\n\n**Squad Leader of the Vindsjamanar**\n\n[[/size]]\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n@@ @@\n\n[[collapsible show=\"+ Post Osaka Operation HT- Virtual Meeting Transcript \" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\n**HT-CEO:** Chief Technology Officer, how fares Project DRAGONRIDER?\n\n\n\n**HT-CTO:** The specimens are faring better under our care and have returned to full strength. It will take some time for them to grow to full size but once we do we can begin training our units to ride them.\n\n\n\n**HT-CEO:** Excellent. Chief Marketing Officer, how are things faring with the media produced by SCP-PH?\n\n\n\n**HT-CMO:** We are bringing in 200,000 USD extra monthly profit from Manga sales. The total number of contracts we have received has increased by 33% compared to last quarter.\n\n\n\n**HT-CFO:** I would like to add to the CMO's comments that the deal struck with the Philippine Branch has us projecting a 50% increase in total revenue. We are taking a bit of a deficit in funding countermeasures to deal with the forces of SCP-JP but we believe it to be an acceptable cost.\n\n\n\n**HT-CEO:** That is what I like to hear. Chief Information Officer, how is our standing in the Japanese Empire? Do they suspect us at all?\n\n\n\n**HT-CIO:** As far as we are aware no. No elements of SCP-JP have been seen surveilling our assets in the region. Our units combined with assistance from sympathetic groups make us seem like every other group of malcontents growing within the area. We aren't the only ones fielding thaumaturges augmented with paraprosthetics.\n\n\n\n**HT-COO:** I would advise caution in trusting the Philippine branch entirely. They haven't specified what exactly the ulterior motive of the contracts they assigned to us is. May I remind everyone that Operation Ragnarsdr\u00e1pa led to the deaths of half the anomalies involved?\n\n\n\n**HT-CEO:** Your concern is duly noted. Valravn is not to be shackled by any anomalous organization and the recent mission for the Orochi has shown that we still have a ways to go in matching the strength of the strongest anomalous branch on the planet.\u00a0\u00a0Do all members of the Table agree that our accord with SCP-PH is to stand?\n\n\n\n[All members pass their votes.\u00a0\u00a06-1 to remain in the accord.]\n\n\n\n**HT-CEO:** As it stands, the accord with the Philippine Branch will remain for now. We will continue feasting on the corpse of Japan's bloated empire and grow stronger from it. This meeting is adjourned.\n\n\n\n\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n@@ @@\n\n\n\n[[/div]]\n", "tags": ["_cc", "_valravn", "alternate-history", "fantasy", "goi-format", "military-fiction", "valravn"], "title": "AAR-5950-Osaka - SCP Foundation", "url": "https://scp-wiki.wikidot.com/aar-5950-osaka"}, "aar-7890-logovo-volka": {"created_at": "2022-08-29T05:43:00", "creator": "SYTYCFanon", "domain": "scp-wiki.wikidot.com", "history": [{"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-08-29T05:43:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Added tags: goi-format. ", "date": "2022-08-29T05:44:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-08-29T05:44:00"}, {"author": "Subervos", "author_href": "https://www.wikidot.com/user:info/subervos", "comment": "Added tags: _other. 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", "date": "2022-10-23T06:28:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Changing to the Valravn theme", "date": "2022-12-01T07:40:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "fixing a continuity error, some grammar issues", "date": "2022-12-02T06:05:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-02T06:12:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-02T06:37:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Shortened up the description", "date": "2022-12-02T06:40:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-04T06:36:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "You successfully reverted the page to revision number 22", "date": "2022-12-04T06:38:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Complete rewrite of the page with new sections added, some removed.", "date": "2022-12-04T23:51:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T00:23:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:37:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:41:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:49:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:49:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:50:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:53:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T14:55:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T15:03:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-05T15:04:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-06T01:18:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2022-12-06T01:35:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Parent page set to: \"the-ninth-world-hub\".", "date": "2022-12-14T11:39:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2023-01-16T03:49:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Fixing date for continuity purposes", "date": "2023-03-27T19:59:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _licensebox. Removed tags: _cc. ", "date": "2023-04-06T11:40:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "removing code that leads to a nonexistent image as the background of one of the divs to ensure no confusion of licensing nature arises since the image doesn't exist and isn't actually part of the page", "date": "2023-04-06T11:40:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: ninth-world. ", "date": "2023-07-10T12:54:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "Parent page set to: \"the-ninth-world-hub\".", "date": "2023-07-18T14:05:00"}, {"author": "Hesiod Delta", "author_href": "https://www.wikidot.com/user:info/hesiod-delta", "comment": "Added crosslink to SCP-5938.", "date": "2023-08-25T21:08:00"}, {"author": "SYTYCFanon", "author_href": "https://www.wikidot.com/user:info/sytycfanon", "comment": "", "date": "2024-02-20T15:38:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bleak, corporate, fantasy, military-fiction, science-fiction. ", "date": "2024-10-19T10:25:00"}], "hubs": ["goi-formats"], "images": [], "link": "aar-7890-logovo-volka", "page_id": "1429941191", "rating": 34, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apresent-malice/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apresent-malice/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=4&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Avalravn/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">SYTYCFanon</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p><strong>AAR-7890 :</strong> Logovo Volka<br/>\n<a href=\"https://scp-wiki.wikidot.com/sytycfanon\">For more stories in my verse check here</a></p>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><strong><span style=\"color: black\">We feast on the Battlefield</span></strong></span></p>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center; width: 600px; margin: 0 auto; font-size: 17px; padding: 0px;\">\n<div style=\"text-align: center;\">\n<h1><span><span style=\"color: black\">A WARNING FROM THE HIGH TABLE</span></span></h1>\n<p>The following information is property of the Valravn Corporation and its access is reserved only for members of the High Table and authorized personnel.</p>\n<p>Employees of the Valravn Corporation not authorized to view the following document will incur a violation of <strong>Statute 47 of the Code</strong> and be sanctioned accordingly. This may include termination of employment in the Valravn Corporation.</p>\n<p>Non-employees viewing the following document will be considered <strong>Acceptable Collateral Damage (ACD)</strong> according to the company's <strong>Information Protection Policy</strong>.</p>\n</div>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><strong><span style=\"color: black\">\u00d3\u00f0inn \u00e1 y\u00f0r alla</span></strong></span></p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"papernote\">\n<h1 id=\"toc0\"><span>After-action Report regarding the raid on Volk Division HQ on 8-5-2022</span></h1>\n</div>\n<div class=\"papernote\">\n<p><strong>Background:</strong> On January 2nd, 2022, <a href=\"https://scp-wiki.wikidot.com/valravn-corporation-hub\">Valravn Coporation</a> forces engaged and defeated a Three Moons Initiative vanguard. Valkyrie technical specialists learned from the recovered data from the destroyed drones that they had been sent to locate a set of nine anomalous books. These books could supposedly be used to \"turn Corbenic into a paradise\".</p>\n<p>Corporation Intelligence would initially dismiss this as simple Corbenic superstition but Valravn informants later confirmed the presence of an anomalous <a href=\"https://scp-wiki.wikidot.com/scp-6419\">tome</a> in South Africa. Two squads of Jomsvikings<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> were deployed to the area to retrieve it. The mission was disrupted by a Chaos Insurgency Cell<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>, which resulted in heavy losses and the loss of the tome.</p>\n<p>Afterward, R.U.N.N.E.S<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> data analysis was used to extrapolate the location of other books in the Set of Nine. R.U.N.N.E.S pointed to Volk Division<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> mercenaries who had been spotted using new anomalous weaponry whose source could not be explained by the usual providers. Coincidentally, a local government that was having trouble with the mercenaries hired Valravn to respond to the threat. Valkyrie HQ deployed elements of the Sver\u00f0meyja<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> as well as units from the Androleteirai to the area to eliminate the Volk and secure any anomalous materials. The mixed unit was successful in its mission, only suffering one casualty and eliminating the Volk presence, securing the book in the process.</p>\n<p>The book <a href=\"https://scp-wiki.wikidot.com/scp-6952\" target=\"_blank\">(code named: Hephaestus's Manual)</a> contained a wealth of information on anomalous weapons and armor, that was promptly copied by Valravn R&amp;D. After concluding that no more useful data could be collected from the tome, the High Table authorized the trade of Hephaestus's manual with the SCP Foundation in exchange for information on an anomaly of <a href=\"https://scp-wiki.wikidot.com/scp-6755\">interest</a>.</p>\n<p>In the interim, a meeting was held by the High Table and other high-ranking Valravn officials such as Olga Brandt of the Tyr Project to decide on the next course of action regarding the Set of Nine.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0HT\u00a0Table\u00a0-\u00a0Virtual\u00a0Meeting\u00a0Transcript\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p><strong>HT-CEO:</strong> All members of the High Table are present and accounted for along with a representative of our Tyr Project. Now, I believe the topic of discussion is how our Corporation is moving forward regarding this\u2026 Set of Nine. Chief Operation Officer, you have the floor.</p>\n<p><strong>HT-COO:</strong> Thank you, CEO. It is the burden of this Table to ensure our sacred businesses are successful. The resources of the Corporation shouldn't be stretched thin. We have just secured an important deal from our Latin American Campaign. It ended up being a wise move to let Cristina Cisneros<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup>, and her rebellion last a little more. She's built a <a href=\"https://scp-wiki.wikidot.com/scp-7269\" target=\"_blank\">Free Port</a> in Mexico and the authorities are nervous. They will pay more for our services, but if we don't deliver on time, we may lose them to our competition. Our priority should be solving the Las V\u00edboras problem once and for all. They must not interfere with Operation Camposanto, which is a priority for our shareholders. We got what we needed from that manual. I say we let the Foundation have its books. My vote is to leave the Set be.</p>\n<p><strong>HT-CEO:</strong> Vote is 0-1 for pursuing the Set of Nine. Chief Information Officer, you may speak next.</p>\n<p><strong>HT-CIO:</strong> I disagree with our Operations Officer. As far as we know seven of these books remain and RUNNES struggles to locate even the first two. I think any artifact capable of eluding our most powerful intelligence-gathering tool is worth locating. I vote we chase after the set.</p>\n<p><strong>HT-CEO:</strong> We're 1-1. Technology Officer, you are next.</p>\n<p><strong>HT-CTO:</strong> Hephaestus's manual has proven to be the single greatest boon for our R&amp;D since the first paraprostethics came to market. If just ONE of these books can do this, then I don't care if it stretches us thinner than a Moebius strip. We need it for survival and you know my vote.</p>\n<p><strong>HT-CEO:</strong> 2-1, will anyone stand up for our poor Operations Officer?</p>\n<p><strong>HT-CSO:</strong> I will. My division is currently training Mexico's anomalous National Guard for state-of-art warfare against Cisneros' Free Port. This book hunting is certainly going to exhaust our tech assets. Vote against.</p>\n<p><strong>HT-CEO:</strong> 2-2. Who would like to take the floor next?</p>\n<p><strong>Brandt:</strong> I will, while I understand the concern of the Table\u2026</p>\n<p>[Other members of the High Table are heard acknowledging Dr. Brandt.]</p>\n<p><strong>Brandt:</strong> It is my ultimate belief that these concerns about troop deployments are misguided. We don't have to send the core of our army to find these books. We only need to send one squad of Valkyries. I guarantee it. These books certainly have power. I don't know if that legend about remaking the world is true\u2026 but what is Valravn if not a legend that brought itself into existence? To merely pass up something like this is foolhardy. I vote to pursue it.</p>\n<p><strong>HT-CEO:</strong> 3-2. Where do Finance and Marketing stand?</p>\n<p><strong>HT-CFO:</strong> What Dr. Brandt is forgetting to mention is that a full-scale implementation of Hephaestus technology in our forces is not a profitable venture at the moment. Zenith Group is currently withholding funds until they see a demonstration of this technology. Not to mention there is no profit to be had pursuing this venture that I can see. Vote against.</p>\n<p><strong>HT-CMO:</strong> I disagree. This is a great opportunity to get to advertise our Valkyrie products to potential contractors. Who needs to hire three platoons of Jomsvikingr to clear a rebel stronghold when one Valkyrie squad can do the job? And especially if they capture this Set of books, their prowess will be known from every corner of the anomalous world! Put my vote down to pursue.</p>\n<p><strong>HT-CEO:</strong>4-3 it is. Well, I've heard all of your arguments and it comes to me to pass the last vote. Despite some reservations, I consulted with our contacts in the GOC. The Order of the \u00c6sir and Silicon Nornir believe the Set of Nine could to potentially forestall Ragnarok if it ever comes around. That puts us at 5-3, the motion to pursue the Set passes. Now, Intelligence Officer do you have any potential leads?</p>\n<p><strong>HT-CIO:</strong> I do. As we are aware, the Volk Division was in possession of Hephaestus's manual. Those records would be in their headquarters if they know anything else about the Set.</p>\n<p><strong>HT-COO:</strong> Are you seriously suggesting a full on assault against Logovo Volka? We'd crush those dogs but do you realize how many men we'd lose?</p>\n<p><strong>Brandt:</strong> We don't have to send an army, but rather just four units. I'm recommending we send the squad Sver\u00f0meyja to Logovo Volka and they will have the records we need without anyone even noticing. It's time we stopped being the hammer and rather, a scalpel.</p>\n<p><strong>HT-COO:</strong> I would have to bring up to the table that Brandt's models are highly unpredictable and their loyalty is suspect. One of these Sver\u00f0meyja even has a history of insubordination. How can we be certain that your Valkyries can get the job done?</p>\n<p><strong>Brandt:</strong> Unit S-03 has completed every mission with flying colors, Operations Officer. With proper manipulation Unit S-03 has become a dangerous weapon against the Volk Division which is why I recommended their product line for this. My products are fully loyal to the Valravn company line, I made sure of it. Their indoctrination will not break.</p>\n<p><strong>HT-CEO:</strong> I agree with Dr. Brandt. The Sver\u00f0meyja will be deployed to Logovo Volka as a test run for any future operations regarding the Set of Nine. This meeting is adjourned.</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Valkyrie\u00a0Profiles\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<p>The following are the Sver\u00f0meyja's personnel files. Comprehensive psychological evaluations have been performed to ensure the deployed squad's compatibility with the current mission.</p>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ S-01 \"Brynhilde\"</a><a href=\"javascript:;\">- Close S-01 \"Brynhilde\"</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>S-01</strong></p>\n<hr/>\n<p><strong>Civillian Name:</strong> Vanessa Poltaya<br/>\n<strong>Nationality:</strong> American<br/>\n<strong>Age:</strong> 30<br/>\n<strong>Prior combat experience:</strong> U.S Marine Infantry (Four Years), Afghanistan<br/>\n<strong>Squad Role:</strong> Squad Leader</p>\n<hr/>\n<p><strong>Background:</strong> Vanessa Poltaya was chosen for the Valkyrie program after suffering grievous injuries from an IED in Afghanistan's Kunar Province. Valravn agents monitoring female U.S marines for potential Valkyrie recruits saw an opportunity in the wounded Poltaya who faced the prospect of never walking again. Poltaya was given the choice to be given the Valkyrie augmentations or remain disabled for life. Poltaya chose the former.</p>\n<p>Poltaya has shown exceptional loyalty to the Valravn Corporation for eight years and her squad of Sver\u00f0meyja is among our best-performing units.</p>\n<hr/></div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ S-02 \"Herja\"</a><a href=\"javascript:;\">- Close S-02 \"Herja\"</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>S-02</strong></p>\n<hr/>\n<p><strong>Civillian Name:</strong> Anja Koski<br/>\n<strong>Nationality:</strong> Finnish<br/>\n<strong>Age:</strong> 35<br/>\n<strong>Prior combat experience:</strong> Finnish Peacekeeping Forces (six years)<br/>\n<strong>Squad Role:</strong> Weapons Specialist</p>\n<hr/>\n<p><strong>Background:</strong> Anja Koski comes from a line with a storied military tradition dating back to the early 1500s. Her father trained Koski in HEMA<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> and is a master-level fencer. After serving in the Finnish Peacekeeping Forces as a young woman, she was approached by Valkyrie recruiters who offered a way to increase her combat prowess. She accepted and is the only member of the Sver\u00f0meyja to not join out of disability or personal vendetta. Despite not having the normal psychological profile of a Valkyrie, it was determined that her want to return to the days of martial melee combat on the battlefield would make her a prime candidate for the Valkyrie program.</p>\n<p>Koski considers martial prowess the sign of a true warrior and thus eschews firearms and augmented weaponry, preferring to bring her sword into battle. Koski has also taken the youngest member of the Sver\u00f0meyja, Sigrun under her wing and refers to her as \"Little Raven\".</p>\n<hr/></div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ S-03 \"Sigrun\"</a><a href=\"javascript:;\">- Close S-03 \"Sigrun\"</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>S-03</strong></p>\n<hr/>\n<p><strong>Civillian Name:</strong> Sofia Lisko<br/>\n<strong>Nationality:</strong> Ukrainian<br/>\n<strong>Age:</strong> 24<br/>\n<strong>Prior combat experience:</strong> Ukrainian Territorial Defense Forces (Two years)<br/>\n<strong>Squad Role:</strong> Augmented Weapons Specialist/Infiltrator</p>\n<hr/>\n<p><strong>Background:</strong> Sofia Lisko served as a member of the 21st Territorial Defence Battalion during the War in the Donbas, where she gained combat experience fighting against DPR forces. Two years into the conflict, Sofia came back to her home in Horlivka, only to find that her neighborhood had been raided by members of the Volk Division. Her Mother and two sisters had perished at the hands of a unit belonging to Grigori Aleksandrovich.</p>\n<p>Valravn operatives embedded in Ukrainian forces approached Sofia, realizing that we could capitalize on her vulnerability, and offered her a spot in the Valkyrie program in order to get her vengeance. Sofia accepted without hesitation.</p>\n<p>Now known as Sigrun, she gained a reputation for being one of the most brutal Valkyrie units. She often inflicts grievous wounds using her enhanced abilities rather than going for a quick death when her vengeful side emerges. Valkyrie HQ uses her unique Psychological profile against anomalous groups connected to the Russian government, including Volk Division. Sigrun however does have a history of occasional insubordination, in her hunt for Aleksandrovich but Valkyrie HQ sees this as a necessary compromise to keep her bloodlust sated. This bloodlust has often resulted in her being able to excel beyond the average at completing high-risk, long-duration missions compared to her sisters in arms.</p>\n<hr/></div>\n</div>\n\n</li>\n</ul>\n</div>\n<div class=\"colmod-block\">\n<ul>\n<li class=\"folded\">\n<ul>\n<li style=\"list-style: none\">_</li>\n</ul>\n<div class=\"colmod-link-top\">\n<div class=\"foldable-list-container\"><a href=\"javascript:;\">+ S-04 \"G\u00f6ndul\"</a><a href=\"javascript:;\">- Close S-04 \"G\u00f6ndul\"</a></div>\n</div>\n<div class=\"colmod-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>S-04</strong></p>\n<hr/>\n<p><strong>Civillian Name:</strong> Mari Sukumiya<br/>\n<strong>Nationality:</strong> Japanese<br/>\n<strong>Age:</strong> 25<br/>\n<strong>Prior combat experience:</strong> None<br/>\n<strong>Squad Role:</strong> Technical Support</p>\n<hr/>\n<p><strong>Background:</strong> Mari Sukumiya in her previous life was considered amongst the upper echelons of Japan's hacking community. She acted similar to \"Robin Hood\", hacking into banking institutions and the wallets of corrupt officials and redistributing the wealth amongst the poor. Due to her abilities, she was initially a candidate for the Cyber-Warfare Division. However, an unexpected turn of events led to a different outcome.</p>\n<p>Sukumiya had made an enemy of the Shishi Ry\u016b clan Yakuza who ended up finding her location and blinding her to send a message to those who have their eyes where they shouldn't. With the orbits of her skull nearly obliterated and unable to continue her hacking work on her own, it was determined that her current psychological profile should fit the Valkyrie program, and thus was offered a spot among their ranks. She accepted. Amongst the standard augmentations, facial reconstructive surgery was performed to repair her skull and give her a new set of eyes; allowing her to hack once more.</p>\n<p>She was thus assigned to the Sver\u00f0meyja as a cyber warfare operator and tech specialist.</p>\n<p>Despite her lack of combat experience, Sukumiya has proven herself to be a capable warrior on the field; utilizing more esoteric augmentations in battle compared to her squadmates as well as drones for recon and target neutralization.</p>\n<hr/></div>\n</div>\n\n</li>\n</ul>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<p><strong>Incident Overview:</strong></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Logovo\u00a0Volka\u00a0Mission\u00a0Briefing\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p>[BEGIN LOG]</p>\n<p>[All four members of the Sver\u00f0meyja are present inside of the briefing room. S-04 is jacked into a Valravn-issued cyberdeck.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup> S-04's appears pale and her face is sunken slightly.</p>\n<p><strong>S-02:</strong> Brynhilde, is G\u00f6ndul alright? She looks sick, how long has she been inside the Net for?</p>\n<p>[S-02 prods an unresponsive S-04.]</p>\n<p><strong>S-01:</strong> Please do not disturb G\u00f6ndul, she is in the midst of prepping backdoors into enemy security for our next operation. Time is sensitive, so she's been ordered by command to work at the upper limit of Net usage that's safe for a human mind. She's been in there for about twenty hours.</p>\n<p><strong>S-03:</strong> She's dangerously close to the twenty four limit, she needs a break.</p>\n<p><strong>S-01:</strong> Code statute 12, Sigrun. There are no objections to scheduled hours. I trust that G\u00f6ndul can handle it, now are we ready for the briefing?</p>\n<p><strong>S-03:</strong> Yes, you've been keeping up in the dark for far too long. Where are we being deployed? Perhaps against Three Moons?</p>\n<p><strong>S-01:</strong> Good guess but no, that situation is complicated. Our target is something decidedly less difficult. Our squad has been tasked with the infiltration of Logovo Volka, the headquarters of the Volk Division.</p>\n<p>[S-03 appears pleased.]</p>\n<p><strong>S-03:</strong> (laughing) Yes.. .this is what I've been waiting for. We're going to bring Hel's fury down on those bastards! How many men are we getting?</p>\n<p><strong>S-01:</strong> It's just us Sigrun and for the record, this is a <em>stealth</em> mission and if we don't have to we've been advised not to kill anyone.</p>\n<p><strong>S-03:</strong> (scoffs) You've got to be fucking kidding me. They're dropping us into a den of those mangy mutts and we can't slaughter them wholesale? Grigori could be at that base. We can end the threat, right now.</p>\n<p><strong>S-01:</strong> Sigrun, I understand what they did to you and your family but we've been over this; your emotions cannot jeopardize the mission. I don't need to tell you what happens to Valkyries who fail their missions.</p>\n<p><strong>S-03:</strong> Stop talking to me like I'm a child! If I find that bastard in there, I'm going to-!</p>\n<p>[S-02 puts her hand on S-03's shoulder.]</p>\n<p><strong>S-02:</strong> Sigrun calm down, this bickering gets us nowhere. You'll have your revenge one of these days.</p>\n<p><strong>S-03:</strong> I'm just supposed to sit while the souls of my family stay restless? Ugh, whatever.</p>\n<p>[S-03 looks off to the side.]</p>\n<p><strong>S-03:</strong> So what's the plan, chief?</p>\n<p><strong>S-01:</strong> A couple of days ago Dr. Brandt should have installed VFR<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> modules into your chassis. Are they operational?</p>\n<p><strong>S-02:</strong> Affirmative.</p>\n<p>[S-02 and S-03 activate their VFRs and their faces change accordingly.]</p>\n<p><strong>S-01:</strong> Excellent, these pre-loaded faces you were given correspond to your new identities. You'll find them under your seats. Sigrun, you are Maria Polonskaya and Herja is Valentina Vostok. You both are FSB inspectors going in for a base inspection.</p>\n<p><strong>S-03:</strong> (snickers) Got to make sure the cardboard armor those fucking Russian soldier boys were given is up to snuff. None of that weak brown stuff.</p>\n<p><strong>S-01:</strong> Very funny Sigrun. Anyways, once you get inside the base you'll head to their records room and pilfer anything worth looking at. G\u00f6ndul and I will stay behind in a mobile command center monitoring the situation. G\u00f6ndul will be providing assistance with any security-related issues via the Net.</p>\n<p><strong>S-02:</strong> Wait, when are we deploying?</p>\n<p><strong>S-01:</strong> 48 hours from now. Why?</p>\n<p><strong>S-02:</strong> That's too short of a recovery window, we don't need G\u00f6ndul disassociating<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup> during the mission.</p>\n<p>[S-04 reached behind her neck and pulls her jack out. She appears to groggily return to lucidity.]</p>\n<p><strong>S-04:</strong> I'll be fine Herja. Don't worry about me, I just finished placing all of the tools we'll need for the mission.</p>\n<p><strong>S-02:</strong> (sighs), Between you and Little Raven, I'm going to have a heart attack one of these days.</p>\n<p><strong>S-01:</strong> Does anyone have any more questions?</p>\n<p><strong>S-03:</strong> Yes, actually. What happens if things go south or if we have to engage to complete the mission?</p>\n<p><strong>S-01:</strong> You all are allowed to defend yourselves of course and if push comes to shove, we fight our way out.</p>\n<p><strong>S-03:</strong> The most relieving thing I've heard all day. Maybe we actually give G\u00f6ndul some combat experience.</p>\n<p><strong>S-04:</strong> I get plenty in the Net, that's my battlefield anyways.</p>\n<p><strong>S-01:</strong> G\u00f6ndul you can't live your life in there forever, one of these days you need to go outside and experience what life has to offer.</p>\n<p><strong>S-04:</strong> Yeah, I had my taste of \"real life\". I think I'll pass.</p>\n<p><strong>S-01:</strong> Tsk. Tsk. Tsk. Well if that settles everything\u2026</p>\n<p><strong>S-04:</strong> Actually I have a question. What exactly is \"worth looking at\" in there? I assume this has to do with the book we recovered a month ago.</p>\n<p><strong>S-01:</strong> That's right. It's a part of a larger set. Intelligence believes that the Volks might know more about them.</p>\n<p><strong>S-04:</strong> Interesting, I'd heard on The Net that whoever owns all the books gets to remake the world in their image\u2026 but what does that look like to the High Table?</p>\n<p><strong>S-02:</strong> I can't imagine they'd stamp out insurgency entirely. Then we'd be out of a job\u2026 although I'd hate to think that they'd keep making new rebellions for us to have to be hired to put down.</p>\n<p><strong>S-03:</strong> I'd hope it be a world without the Volk Division\u2026. where I could see my family again. Maybe could finally crush the Foundation and the GOC, then we could work unimpeded.</p>\n<p><strong>S-04:</strong> I'm\u2026 not exactly sure what I'd want out of a paradise but I'd at least like things to get better in the countries we'd get deployed too.</p>\n<p><strong>S-01:</strong> I don't exactly think the leaders who hire us care about the well-being of the people, G\u00f6ndul. Regardless of what the High Table wants with them, we deploy in forty-eight hours. I expect all of you to be ready by then.</p>\n<p>[END LOG]</p>\n</div>\n</div>\n</div>\n</div>\n<p>At 17:00 on the day of the operation, S-04 and S-01 set up their mobile command center about 500 meters from Logovo Volka while a separate convoy delivered S-02 and S-03. S-04 jacked into the Net and immediately go to work activating the backdoor she'd placed earlier. Logovo Volka's camera footage was looped and their Net Avatars were unable to detect that S-04 was in their systems.</p>\n<p>S-03 and S-02 arrived at the base at 17:30 where they showed their credentials and asked to be let inside. The IDs provided by the Intel Division proved to withstand scrutiny and the two were allowed inside the base. They were given a quick tour before being left alone to conduct their inspection.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Log\u00a0taken\u00a0from\u00a0S-03's\u00a0audio/visual\u00a0feed</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>S-01:</strong> Sigrun where are you going? The records room is in the other hallway.</p>\n<p><strong>S-03:</strong> I'm taking a little detour to the Commandant's office. Herja's got the records room, she's a big girl.</p>\n<p><strong>S-01:</strong> God damn it, Sigrun! This is no time for your personal vendetta, if you get caught you\u2019ll jeopardize the-</p>\n<p><strong>S-04:</strong> Brynhilde, if I may?</p>\n<p><strong>S-01:</strong> You may speak, G\u00f6ndul.</p>\n<p><strong>S-04:</strong> I believe Sigrun may have the right idea. The Commandant most likely has keys to the rest of the base and important documents that wouldn't be left for peering eyes in the records room.</p>\n<p><strong>S-03:</strong> See? That is exactly my plan and if he has information on Grigori, then the more the merrier.</p>\n<p><strong>S-01:</strong> (<em>sighs</em>) You better be right about this. It's your head on the chopping block if this fails.</p>\n<p><strong>S-03:</strong> You know my plans always work, now hush. I need to work on my galdur<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup>.</p>\n<p>[S-03 turns to the door and knocks on it.]</p>\n<p><strong>S-03:</strong> Maria Polonskaya, FSB inspector. Commandant, we need to talk.</p>\n<p><strong>Commandant:</strong> You may enter.</p>\n<p>[S-03 enters the room to find the commandant writing papers at his desk. The room is a modest-looking office space with one defining feature that Sigrun focuses on for five seconds is the safe on the left.]</p>\n<p><strong>S-03:</strong> Oh. My. Goodness. [Sigrun's optical sensors run facial ID to determine the man is Commandant Mikhail Blonko, an associate of Grigori A.] You must be the great Commandant Blonko, I've heard so much about you!</p>\n<p><strong>Commandant:</strong> Please, Inspector Polonskaya, you flatter me.</p>\n<p><strong>S-03:</strong> I mean it. I just have to ask for security reasons, is this room soundproof? I don't want any\u2026 classified information getting out. We need to keep what we say here\u2026 between us.</p>\n<p><strong>Commandant:</strong> Do not worry, inspector. This room is wholly soundproof. Now I wasn't exactly expecting an FSB inspection so late at night. What brings you to our base?</p>\n<p><strong>S-03:</strong> Well as you know we've had to move more and more of our troops from Transnistria for other operations and had to rely increasingly on the Volk Division for security. My boss wanted to make sure that any operation security hadn't been compromised.</p>\n<p>[S-03 approaches the front of the table and the Commandant proceeds to wrap an arm around her waist.]</p>\n<p><strong>Commandant:</strong> I can assure you that everything is secure. Let's set business aside if you don't mind. If you're looking to get a promotion, I might be able to help with that.</p>\n<p><strong>S-03:</strong> Oh, Commandant!</p>\n<p>[S-03 slides herself onto his seat, straddling him.]</p>\n<p><strong>S-03:</strong> I must admit this trip was just an excuse to see you.</p>\n<p><strong>Commandant:</strong> I'm glad that I have fans, now let's get you out of this stuffy coat.</p>\n<p>[The Commandant attempts to raise a hand to S-03 but she grabs his wrist and a loud crunching is heard. She is believed to have shattered his wrist. The Commandant screams and S-03 rears and arm back before driving her Adamantine wrist blade into his abdomen]</p>\n<p><strong>S-03:</strong> Scream all you want you rabid dog. No one will hear you.</p>\n<p><strong>Commandant:</strong> You bitch! Why are you doing this!?</p>\n<p><strong>S-03:</strong> This is for what you did in Horlivka, do you remember the women you killed?</p>\n<p><strong>Commandant:</strong> You'll have to be more specific, we killed a lot of guerillas that day.</p>\n<p><strong>S-03:</strong> Guerillas? They were my family, you orcish swine!</p>\n<p>[S-03 withdraws her arm and stabs him with the blade again.]</p>\n<p><strong>S-03:</strong> Where is Grigori? I'm not asking again!</p>\n<p><strong>Commandant:</strong> Agh! Fuck you bitch! I'm not telling you anything!</p>\n<p>[S-03 grabs his other hand and proceeds to crush it in her grasp, fingers are bent in unnatural angles and loud crunching is heard]</p>\n<p><strong>S-03:</strong> I'll keep breaking as many bones as I need to you mangy dog! You'll feel every bit of pain my family felt, little by little\u2026.</p>\n<p>[Further interrogation removed for brevity.]</p>\n<p><strong>S-03:</strong> Brynhilde, I have his keycard. I saw a safe in here when I entered. Moving to check it now.</p>\n<p><strong>S-01:</strong> And the Commandant?</p>\n<p>[S-03 drags the remains of his body from the chair and over into a nearby closet]</p>\n<p><strong>S-03:</strong> He was nice enough to let me test out these new Adamantine blades. They cut through bone and flesh like it's nothing.</p>\n<p><strong>S-01:</strong> By Odin's beard, Sigrun.</p>\n<p><strong>S-03:</strong> Relax, I'm hiding the body and locking the room shut. Nobody's getting in here for a few hours and we'll be long gone by then.</p>\n<p>[S-03 places the body inside the closet and moves over to the safe. She slides the keycard into the pad and the box opens without issue. She removes a file with several papers of documentation, the description of which has not been included due to potential Cognitohazardous content.]</p>\n<p><strong>S-03:</strong> There are some files here\u2026 looks like the Volk had stumbled upon a digital copy of one of the Set of Nine. Something called \"<a href=\"/scp-5983\">Seshat's Guide to Programmable Cognitohazards</a>.\"</p>\n<p><strong>S-04:</strong> Digital? Like a PDF?</p>\n<p><strong>S-03:</strong> Exactly. Says that the link to it went dead a couple of days ago but this is their research into making more Cognitohazards designed to increase recruitment rates. Sounds like our own PR department can use it instead.</p>\n<p><strong>S-04:</strong> I agree. If your finished, Herja could use the help.</p>\n<p><strong>S-03:</strong> Yep, but I need to use the washroom and raid his closet a bit cause I'm covered in blood. Once I'm presentable I will rendezvous with Herja. Sigrun, out.</p>\n<hr/>\n<p>[END LOG]</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Log\u00a0taken\u00a0from\u00a0S-02's\u00a0audio/visual\u00a0feed</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>VIDEO LOG</strong></p>\n<hr/>\n<p>[BEGIN LOG]<br/>\n<strong>S-02:</strong> Brynhilde, I'm approaching the records room now.</p>\n<p><strong>S-01:</strong> Affirmative. Keep me posted on your status. Also, do you mind telling me why you let Sigrun go off on her own to potentially jeopardize our mission?</p>\n<p><strong>S-02:</strong> Little Raven needs a little more blood on her ledger if she's to get to Valhalla. I thought at least you could understand that.</p>\n<p><strong>S-01:</strong> I understand that but she needs to let this whole Grigori thing go. She's been getting reckless and it's going to get us all killed.</p>\n<p><strong>S-02:</strong> I'd gladly die fighting the Sk\u00edth\u00e6lar<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup> who took her family away from her. [S-02 stops before turning the corner, a Volk Mercenary appears once her vision turns to X-Ray/Thermals] We'll talk about this later, I am here.</p>\n<p>[S-02 walks out to the soldier guarding the records room.]</p>\n<p><strong>S-02:</strong> Comrade. [She pulls out her badge.] Valentina Vostok, FSB. I'm going to need to see your records room.</p>\n<p><strong>Volk 1:</strong> Your accent is a little strange, FSB woman. But even if that badge checks out, I've been instructed not to let anyone through. There is very sensitive information in here and you should probably just keep walking.</p>\n<p><strong>S-02:</strong> I have a bit of a cough, thank you very much. Secondly, you deny an agent of the FSB access to your records? What are you hiding in there?</p>\n<p><strong>Volk 1:</strong> Look ma'am, I don't care if you're Vladimir Putin himself. You can take it up with the Commandant if you don't like it.</p>\n<p><strong>S-02:</strong> He's a little\u2026 preoccupied at the moment. Stomach problems, you know, from his recent surgery.</p>\n<p><strong>Volk 1:</strong>Regardless, keep moving ma'am.</p>\n<p><strong>S-02:</strong> Fine. I'll keep walking.</p>\n<p>[S-02 walks away a few meters before getting on comms.]</p>\n<p><strong>S-02:</strong> G\u00f6ndul, I have a bit of an issue. There's a Volk who won't move from his post. Can you do something about it or will I need to get my hands dirty?</p>\n<p><strong>S-04:</strong> Nothing some false orders can't take care of. I'll change my voice up and call him on his wah\u2026 wah..</p>\n<p><strong>S-02:</strong> G-G\u00f6ndul? Are you alright?</p>\n<p>[END LOG]</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Log\u00a0taken\u00a0from\u00a0S-04's\u00a0audio/visual\u00a0feed</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p>Note: The following log was taken from S-04's digital avatar. Within The Net, S-04 still was tied into the squad's comms and thus their voice appear in the recording.</p>\n<hr/>\n<p>[BEGIN LOG]</p>\n<p><strong>S-01:</strong> She's disassociating! Damn it, she's hemorrhaging!</p>\n<p><strong>S-02:</strong> Do we need to abort the mission? I can be back there in a couple of-</p>\n<p><strong>S-01:</strong>No. You two stay where you are, this is something G\u00f6ndul has to fix on her own. The only thing we can do is support her while she's going through this. G\u00f6ndul can you hear me?</p>\n<p>[S-04 groans as she attempts to pull herself up from the digital floor, her vision is blurry but a figure in front of her can be made out. It appears to be a younger version of S-04 before she joined Valravn.]</p>\n<p><strong>Mari:</strong> Wh-where am I? Who are you?</p>\n<p><strong>S-04:</strong> Pl-please don't panic. If you do, we'll never wake up. I'm you and you need to come back to me, right now.</p>\n<p><strong>S-02:</strong> Brynhilde! We have a problem. That Volk Guard just radioed Blonko and he's not responding.</p>\n<p><strong>S-01:</strong> Well someone went and killed him and she needs to fix that situation, pronto.</p>\n<p><strong>S-03:</strong> I'm on it, let me find that damn radio.</p>\n<p><strong>Mari:</strong> Wh-what are you? What happened to our eyes? Who are those people in our ears?</p>\n<p><strong>S-04:</strong> It's a long story, please don't freak out. They are our friends.</p>\n<p>[S-04 stands up and goes to place her hand on Mari but she recoils from her grasp.]</p>\n<p><strong>Mari:</strong> The memories\u2026 what have we done? The people we killed!</p>\n<p><strong>S-01:</strong> G\u00f6ndul, you're going into shock! Please say something!</p>\n<p><strong>S-04:</strong> I know you can hear Brynhilde too, I'm the only one you have right now. If this goes on for too long, we split and our body goes numb forever. Take my hand.</p>\n<p>[Mari is shaking but put her hand forward and disappears. S-04's HUD now shows systems are fully operational.</p>\n<p>[END LOG]</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Log\u00a0taken\u00a0from\u00a0S-02's\u00a0audio/visual\u00a0feed</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"blockquote\">\n<p>[BEGIN LOG]</p>\n<p><strong>Volk 1:</strong> Blonko respond, I think we have an issue.</p>\n<p>[The walkie-crackles to life, S-03 speaks through it.]</p>\n<p><strong>S-03:</strong> (through walkie), This is FSB inspector Polonskaya. The Commandant and I are in the middle of important business.</p>\n<p><strong>Volk 1:</strong> Business? What kind of business? Your other inspector is lurking where she shouldn't be. Put the commandant on the line.</p>\n<p><strong>S-04:</strong> Guys, I'm ba- wait who let Sigrun answer the damn walkie! Sigrun, get off of there, I'll handle this.</p>\n<p>[S-04 begins to speak through the walkie in the voice of Commandant Blonko.]</p>\n<p><strong>S-04:</strong> I told you I was not to be disturbed tonight. What are you doing guarding the records room anyways? Slacking off again?</p>\n<p><strong>Volk 1:</strong> No, Commandant. This was the patrol that I was assigned.</p>\n<p><strong>S-04:</strong> Not according to the list here. You should be in the armory.</p>\n<p><strong>Volk 1:</strong> Y-yes sir!</p>\n<p>[The Volk guard walks off down the hallway.]</p>\n<p><strong>S-02:</strong> Perfect. Thank you, G\u00f6ndul. [S-02 sees S-03 coming from around the corner.] Took you long enough.</p>\n<p><strong>S-03:</strong> I had a date, let me get the door for you.</p>\n<p>[S-03 unlocked the door and the pair entered, moving to look through the file cabinets.]</p>\n<p><strong>S-02:</strong> I see that he got you some new clothes. Did he spill his guts to you?</p>\n<p><strong>S-03:</strong> They spilled everywhere but Grigori still eludes me.</p>\n<p><strong>S-02:</strong> A shame. I think I have the documents that we were looking for. Your old pal Grigori's research notes are in here. [S-02 holds up a few folders in her hands.]</p>\n<p><strong>S-03:</strong> Excellent. Wouldn't have happened to stumble into anything on the 27th Armored Division<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup> would you?</p>\n<p><strong>S-02:</strong> How about their complete personnel list?</p>\n<p><strong>S-03:</strong> Odin shines on you, Herja. Let's get going before Brynhilde wonders what we're doing loitering around in here or worse, those Volks decide to pay their commandant a visit.</p>\n<hr/>\n<p>[END LOG]</p>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>After obtaining the necessary files from the Volks record room, S-02 and S-03 were able to leave the base unimpeded. They made their way to the mobile command center and were evacuated via helicopter. S-03 was paid extra for the termination of Commandant Blonko who already had an outstanding bounty on his head from a UA official. The relevant documents acquired were delivered to the Tyr Project for analysis and use.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<p><strong>Aftermath:</strong> A day after the Sver\u00f0meyja returned to Valkyrie HQ an official statement was given by the Russian Government that Commandant Blonko had died of a heart attack. According to our intelligence services, the Volk Division is unaware of the Sver\u00f0meyja's involvement, and Valkyrie HQ intends to keep it that way.</p>\n<p>As for the Cognitohazard research that we found, our PR department wants to put it to use in recruiting more girls ages 18-22 into the Valkyrie program using subtle advertisements on social media that would lead them down a path from the Veiled web to our recruitment centers on the Net. As it stands our numbers are few and far between and thus I approve of this method. However, I am a bit concerned that we may get underaged volunteers joining up.</p>\n<p>Moving on to the Volks records, we found a lead about a group calling themselves the Soundmagi who potentially have a book in the Set of Nine related to music. R.U.N.N.E.S is running an analysis to determine what exactly is occurring in Poland. Current data suggests there is an 80% likelihood that the anomaly the Soundmagi have is Set of Nine related.</p>\n<p>Overall, the mission was a success, with zero casualties on our side and the enemy taking one. All of the relevant documents were retrieved without issue. The VFR modules provided by Hephaestus's manual proved effective and were key to our success. environment. This mission also did not allow us to test the extent of our new armor and weapons, but future combat missions should provide us with that data. I do have concerns, however, regarding the health of S-03, and S-04. I will recommend administrative action be taken.</p>\n<p>\u00d3\u00f0inn \u00e1 y\u00f0r alla<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:15px;\"><br/>\nS-01 \"Brynhilde\"<br/>\n<strong>Squad Leader of the Sver\u00f0meyja</strong><br/></span></p>\n</div>\n</div>\n<div class=\"papernote\">\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Brynhilde\u00a0and\u00a0Valkyrie\u00a0Dr\u00f3ttning\u00a0\"Freya\"-\u00a0Virtual\u00a0Meeting\u00a0Transcript\u00a0</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"danke agent\">\n<p><strong>Freya:</strong> Greetings, Brynhilde. There was something you wished to discuss?</p>\n<p><strong>Brynhilde:</strong> Yes, Dr\u00f3ttning<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup> Freya. It's about two of my Valkyries. S-03 and S-04, Sigrun and G\u00f6ndul.</p>\n<p><strong>Freya:</strong> What about them?</p>\n<p><strong>Brynhilde:</strong> I would like to request that Sigrun be put on leave for her mental health or at least benched from any more missions involving the Volk Division. As for G\u00f6ndul, I would like to restrict her time in The Net going forward for future missions.</p>\n<p><strong>Freya:</strong> Denied. Is there anything else?</p>\n<p><strong>Brynhilde:</strong> D-denied? My dr\u00f3ttning, pardon my rudeness but you must reconsider! The mind and bodies of my sisters are at stake here.</p>\n<p><strong>Freya:</strong> Sigrun's erratic behavior has been considered an acceptable hazard of occupation by the Department of Operations. She has performed above our initial expectations in her recent missions. As for G\u00f6ndul, she performed admirably, especially under duress.</p>\n<p><strong>Brynhilde:</strong> Yes but-,</p>\n<p><strong>Freya:</strong> But nothing. You forget that their bodies are the property of the Valravn Corporation and it is not up to you to judge how they are used. You all signed away your bodily autonomy when we placed you into those Chassis. As it stands both S-03 and S-04 are extremely profitable units and they can't be benched in any way.</p>\n<p><strong>Brynhilde:</strong> I understand that, but profit is-</p>\n<p><strong>Freya:</strong> Profit is our game, is it not? Everyone wants Sigrun the Wolf Slayer to perform their assassinations, vengeful queens want their lovers silenced by the raven that pecks out the eyes of lechers. Do you understand? G\u00f6ndul is the Raven of Cyberspace, the terror of the Net.</p>\n<p>They have tragic stories that can be sold. The vengeful orphan gets her vengeance against the monster that killed her family. The former hacker turned a formidable warrior. Clients love them. Marketing is delighted and now that we have those Cognitozhazards you found, we can make Valkyries out of all the impressionable young adults that want to better themselves. So you will continue to play your role as Squad Leader, Brynhilde. I'm sure you can put up with a bit of insubordination, cleaning up G\u00f6ndul's nosebleeds and letting little Sigrun play her game of revenge. Do I make myself clear?</p>\n<p>[There is a moment of silence.]</p>\n<p><strong>Brynhilde:</strong> Yes, my dr\u00f3ttning.</p>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<div class=\"collection\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-content\">\n<table style=\"1px solid black; width: 100%;\">\n<tr>\n<th class=\"namerow\" colspan=\"2\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p>SYTYCFanon's Works</p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">SCPs</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/scp-2704\">SCP-2704</a> <em>(+71)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7261\">SCP-7261</a> <em>(+126)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7110\">SCP-7110</a> <em>(+35)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-5938\">SCP-5938</a> <em>(+30)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7114\">SCP-7114</a> <em>(+16)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-6187\">SCP-6187</a> <em>(+29)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-6952\">SCP-6952</a> <em>(+89)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7175\">SCP-7175</a> <em>(+47)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7560\">SCP-7560</a> <em>(+41)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7899\">SCP-7899</a> <em>(+40)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-3452\">SCP-3452</a> <em>(+41)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7682\">SCP-7682</a> <em>(+106)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7990\">SCP-7990</a> <em>(+86)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7970\">SCP-7970</a> <em>(+61)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-6945\">SCP-6945</a> <em>(+68)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Tales/GoI Formats</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/eagle-protocol\">EAGLE Protocol</a> <em>(+9)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/raven-of-cyberspace-ii-shadowheist\">Raven of Cyberspace II Shadowheist</a> <em>(+23)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/lost-souls-broken-toys-chapter-2\">Lost Souls, Broken Toys Chapter 2</a> <em>(+18)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/the-dangers-of-dating-a-tyrannical-god\">The Dangers of Dating a Tyrannical God (or: How I Managed to Save the World Through Romance Alone)</a> <em>(+18)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/the-raven-of-cyberspace\">The Raven of Cyberspace</a> <em>(+23)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/a-very-otamatone-christmas\">A Very Otamatone Christmas</a> <em>(+33)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/love-in-the-time-of-chugwater\">Love in The Time of Chugwater</a> <em>(+17)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/the-site-78-halloween-special\">The Site-78 Halloween Special!</a> <em>(+22)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/a-wyoming-frog-in-pierre\">A Wyoming Frog In Pierre</a> <em>(+15)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/aar-5950-osaka\">AAR-5950-Osaka</a> <em>(+12)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/a-tale-of-two-chugwaters\">A Tale of Two Chugwaters</a> <em>(+11)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/revelations-of-the-author\">Revelations of The Author</a> <em>(+21)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/lost-souls-broken-toys-chapter-1\">Lost Souls, Broken Toys Chapter 1</a> <em>(+24)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Other</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/sytycfanon\">SYTYCFanon's Author Page</a> <em>(+52)</em> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n</table>\n</div>\n</div>\n</div>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"SCP-6952\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/scp-6952\">SCP-6952</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"The Set of Nine\">\n<p><a href=\"https://scp-wiki.wikidot.com/the-ninth-world-hub\">The Set of Nine</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"SCP-7990\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/scp-7990\">SCP-7990</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/aar-7890-logovo-volka\">AAR-7890-Logovo Volka</a>\" by SYTYCFanon, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/aar-7890-logovo-volka\">https://scpwiki.com/aar-7890-logovo-volka</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Unaugmented elite foot soldiers of the Valravn Corporation.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. The cell is believed to be under the command of the PoI known as the Red Scar, wanted by the GOC and SCPF for the theft of eighty known anomalies.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. The Retroactive Unified Neural Network Escathological System (RUNNES) is a powerful predictive system powered by ancient runic magic and artificial intelligence</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Anomalous Russian Mercenary group known for building weapons and fielding wolf themed anomalies</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Icelandic for Sword Maidens.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Leader of Las V\u00edboras, rebel splinter group of the Serpent's Hand</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Historical European Martial Arts, the art of sword fighting.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. Portable device that allows the user to access FP-99, \"The Net\". FP-99 is a digital dimension that is a full three-dimensional representation of the world's data.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. Valravn Facial Reconfiguration. A cognitohazardous augment that shows a chosen face to an onlooker rather than the user's real face.</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. Long term Net usage can lead to \"disassociation\" where a User's consciousness can become trapped within the digital world and leave their body without a \"driver\".</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. Icelandic for \"Magic\".</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Icelandic for bastards.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. Believed to be the current unit that Grigori Aleksandrovich is attached.</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Odin owns you all.</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. The commander of the Valkyries. Dr\u00f3ttning is Icelandic for \"Queen\".</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:present-malice\">:scp-wiki:theme:present-malice</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:valravn\">:scp-wiki:theme:valravn</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=--\n\n|name=SYTYCFanon]]\n\n**AAR-7890 :** Logovo Volka\n\n[[[https://scp-wiki.wikidot.com/sytycfanon|For more stories in my verse check here]]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n\n\n\n\n\n\n@@ @@\n\n\n\n\n\n\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]**##black|We feast on the Battlefield##**[[/size]]\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n[[div style=\"text-align: center; width: 600px; margin: 0 auto; font-size: 17px; padding: 0px;\"]]\n\n\n\n[[=]]\n\n+* ##black|A WARNING FROM THE HIGH TABLE##\n\nThe following information is property of the Valravn Corporation and its access is reserved only for members of the High Table and authorized personnel.\n\n\n\nEmployees of the Valravn Corporation not authorized to view the following document will incur a violation of **Statute 47 of the Code** and be sanctioned accordingly. This may include termination of employment in the Valravn Corporation.\n\n\n\nNon-employees viewing the following document will be considered **Acceptable Collateral Damage (ACD)** according to the company's **Information Protection Policy**.\n\n[[/=]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]**##black|\u00d3\u00f0inn \u00e1 y\u00f0r alla##**[[/size]]\n\n[[/=]]\n\n\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n+ After-action Report regarding the raid on Volk Division HQ on 8-5-2022 \n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Background:** On January 2nd, 2022, [[[https://scp-wiki.wikidot.com/valravn-corporation-hub |Valravn Coporation]]] forces engaged and defeated a Three Moons Initiative vanguard. Valkyrie technical specialists learned from the recovered data from the destroyed drones that they had been sent to locate a set of nine anomalous books. These books could supposedly be used to \"turn Corbenic into a paradise\".\n\n\n\nCorporation Intelligence would initially dismiss this as simple Corbenic superstition but Valravn informants later confirmed the presence of an anomalous [[[https://scp-wiki.wikidot.com/scp-6419 |tome]]] in South Africa. Two squads of Jomsvikings[[footnote]] Unaugmented elite foot soldiers of the Valravn Corporation. [[/footnote]] were deployed to the area to retrieve it. The mission was disrupted by a Chaos Insurgency Cell[[footnote]] The cell is believed to be under the command of the PoI known as the Red Scar, wanted by the GOC and SCPF for the theft of eighty known anomalies. [[/footnote]], which resulted in heavy losses and the loss of the tome.\n\n\n\nAfterward, R.U.N.N.E.S[[footnote]] The Retroactive Unified Neural Network Escathological System (RUNNES) is a powerful predictive system powered by ancient runic magic and artificial intelligence [[/footnote]] data analysis was used to extrapolate the location of other books in the Set of Nine. R.U.N.N.E.S pointed to Volk Division[[footnote]] Anomalous Russian Mercenary group known for building weapons and fielding wolf themed anomalies [[/footnote]] mercenaries who had been spotted using new anomalous weaponry whose source could not be explained by the usual providers. Coincidentally, a local government that was having trouble with the mercenaries hired Valravn to respond to the threat. Valkyrie HQ deployed elements of the Sver\u00f0meyja[[footnote]] Icelandic for Sword Maidens. [[/footnote]] as well as units from the Androleteirai to the area to eliminate the Volk and secure any anomalous materials. The mixed unit was successful in its mission, only suffering one casualty and eliminating the Volk presence, securing the book in the process.\n\n\n\nThe book [*https://scp-wiki.wikidot.com/scp-6952 (code named: Hephaestus's Manual)] contained a wealth of information on anomalous weapons and armor, that was promptly copied by Valravn R&D. After concluding that no more useful data could be collected from the tome, the High Table authorized the trade of Hephaestus's manual with the SCP Foundation in exchange for information on an anomaly of [[[https://scp-wiki.wikidot.com/scp-6755 |interest]]].\n\n\n\nIn the interim, a meeting was held by the High Table and other high-ranking Valravn officials such as Olga Brandt of the Tyr Project to decide on the next course of action regarding the Set of Nine.\n\n\n\n[[collapsible show=\"+ HT Table - Virtual Meeting Transcript \" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\n**HT-CEO:** All members of the High Table are present and accounted for along with a representative of our Tyr Project. Now, I believe the topic of discussion is how our Corporation is moving forward regarding this... Set of Nine. Chief Operation Officer, you have the floor.\n\n\n\n**HT-COO:** Thank you, CEO. It is the burden of this Table to ensure our sacred businesses are successful. The resources of the Corporation shouldn't be stretched thin. We have just secured an important deal from our Latin American Campaign. It ended up being a wise move to let Cristina Cisneros[[footnote]] Leader of Las V\u00edboras, rebel splinter group of the Serpent's Hand [[/footnote]], and her rebellion last a little more. She's built a [*https://scp-wiki.wikidot.com/scp-7269 Free Port] in Mexico and the authorities are nervous. They will pay more for our services, but if we don't deliver on time, we may lose them to our competition. Our priority should be solving the Las V\u00edboras problem once and for all. They must not interfere with Operation Camposanto, which is a priority for our shareholders. We got what we needed from that manual. I say we let the Foundation have its books. My vote is to leave the Set be.\n\n\n\n**HT-CEO:** Vote is 0-1 for pursuing the Set of Nine. Chief Information Officer, you may speak next.\n\n\n\n**HT-CIO:** I disagree with our Operations Officer. As far as we know seven of these books remain and RUNNES struggles to locate even the first two. I think any artifact capable of eluding our most powerful intelligence-gathering tool is worth locating. I vote we chase after the set.\n\n\n\n**HT-CEO:** We're 1-1. Technology Officer, you are next.\n\n\n\n**HT-CTO:** Hephaestus's manual has proven to be the single greatest boon for our R&D since the first paraprostethics came to market. If just ONE of these books can do this, then I don't care if it stretches us thinner than a Moebius strip. We need it for survival and you know my vote.\n\n\n\n**HT-CEO:** 2-1, will anyone stand up for our poor Operations Officer?\n\n\n\n**HT-CSO:** I will. My division is currently training Mexico's anomalous National Guard for state-of-art warfare against Cisneros' Free Port. This book hunting is certainly going to exhaust our tech assets. Vote against.\n\n\n\n**HT-CEO:** 2-2. Who would like to take the floor next?\n\n\n\n**Brandt:** I will, while I understand the concern of the Table...\n\n\n\n[Other members of the High Table are heard acknowledging Dr. Brandt.]\n\n\n\n**Brandt:** It is my ultimate belief that these concerns about troop deployments are misguided. We don't have to send the core of our army to find these books. We only need to send one squad of Valkyries. I guarantee it. These books certainly have power. I don't know if that legend about remaking the world is true... but what is Valravn if not a legend that brought itself into existence? To merely pass up something like this is foolhardy. I vote to pursue it.\n\n\n\n**HT-CEO:** 3-2. Where do Finance and Marketing stand?\n\n\n\n**HT-CFO:** What Dr. Brandt is forgetting to mention is that a full-scale implementation of Hephaestus technology in our forces is not a profitable venture at the moment. Zenith Group is currently withholding funds until they see a demonstration of this technology. Not to mention there is no profit to be had pursuing this venture that I can see. Vote against.\n\n\n\n**HT-CMO:** I disagree. This is a great opportunity to get to advertise our Valkyrie products to potential contractors. Who needs to hire three platoons of Jomsvikingr to clear a rebel stronghold when one Valkyrie squad can do the job? And especially if they capture this Set of books, their prowess will be known from every corner of the anomalous world! Put my vote down to pursue.\n\n\n\n**HT-CEO:**4-3 it is. Well, I've heard all of your arguments and it comes to me to pass the last vote. Despite some reservations, I consulted with our contacts in the GOC. The Order of the \u00c6sir and Silicon Nornir believe the Set of Nine could to potentially forestall Ragnarok if it ever comes around. That puts us at 5-3, the motion to pursue the Set passes. Now, Intelligence Officer do you have any potential leads?\n\n\n\n**HT-CIO:** I do. As we are aware, the Volk Division was in possession of Hephaestus's manual. Those records would be in their headquarters if they know anything else about the Set.\n\n\n\n**HT-COO:** Are you seriously suggesting a full on assault against Logovo Volka? We'd crush those dogs but do you realize how many men we'd lose?\n\n\n\n**Brandt:** We don't have to send an army, but rather just four units. I'm recommending we send the squad Sver\u00f0meyja to Logovo Volka and they will have the records we need without anyone even noticing. It's time we stopped being the hammer and rather, a scalpel.\n\n\n\n**HT-COO:** I would have to bring up to the table that Brandt's models are highly unpredictable and their loyalty is suspect. One of these Sver\u00f0meyja even has a history of insubordination. How can we be certain that your Valkyries can get the job done?\n\n\n\n**Brandt:** Unit S-03 has completed every mission with flying colors, Operations Officer. With proper manipulation Unit S-03 has become a dangerous weapon against the Volk Division which is why I recommended their product line for this. My products are fully loyal to the Valravn company line, I made sure of it. Their indoctrination will not break.\n\n\n\n**HT-CEO:** I agree with Dr. Brandt. The Sver\u00f0meyja will be deployed to Logovo Volka as a test run for any future operations regarding the Set of Nine. This meeting is adjourned.\n\n\n\n\n\n\n\n\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n\n\n\n\n\n\n[[collapsible show=\"+ Valkyrie Profiles \" hide=\"- Close\"]]\n\n\n\nThe following are the Sver\u00f0meyja's personnel files. Comprehensive psychological evaluations have been performed to ensure the deployed squad's compatibility with the current mission.\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n\n\n| show= +\u00a0\u00a0S-01 \"Brynhilde\"\n\n| hide= - Close S-01 \"Brynhilde\"\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **S-01**\n\n----\n\n**Civillian Name:** Vanessa Poltaya\n\n**Nationality:**\u00a0\u00a0American\n\n**Age:**\u00a0\u00a030\n\n**Prior combat experience:** U.S Marine Infantry (Four Years), Afghanistan\n\n**Squad Role:** Squad Leader\n\n----\n\n\n\n**Background:** Vanessa Poltaya was chosen for the Valkyrie program after suffering grievous injuries from an IED in Afghanistan's Kunar Province. Valravn agents monitoring female U.S marines for potential Valkyrie recruits saw an opportunity in the wounded Poltaya who faced the prospect of never walking again. Poltaya was given the choice to be given the Valkyrie augmentations or remain disabled for life. Poltaya chose the former.\n\n\n\nPoltaya has shown exceptional loyalty to the Valravn Corporation for eight years and her squad of Sver\u00f0meyja is among our best-performing units.\n\n-----\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0S-02 \"Herja\"\n\n| hide= - Close S-02 \"Herja\"\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **S-02**\n\n----\n\n**Civillian Name:** Anja Koski\n\n**Nationality:**\u00a0\u00a0Finnish\n\n**Age:**\u00a0\u00a035\n\n**Prior combat experience:** Finnish Peacekeeping Forces (six years)\n\n**Squad Role:** Weapons Specialist\n\n----\n\n\n\n**Background:** Anja Koski comes from a line with a storied military tradition dating back to the early 1500s. Her father trained Koski in HEMA[[footnote]] Historical European Martial Arts, the art of sword fighting. [[/footnote]] and is a master-level fencer. After serving in the Finnish Peacekeeping Forces as a young woman, she was approached by Valkyrie recruiters who offered a way to increase her combat prowess. She accepted and is the only member of the Sver\u00f0meyja to not join out of disability or personal vendetta. Despite not having the normal psychological profile of a Valkyrie, it was determined that her want to return to the days of martial melee combat on the battlefield would make her a prime candidate for the Valkyrie program.\n\n\n\nKoski considers martial prowess the sign of a true warrior and thus eschews firearms and augmented weaponry, preferring to bring her sword into battle. Koski has also taken the youngest member of the Sver\u00f0meyja, Sigrun under her wing and refers to her as \"Little Raven\".\n\n\n\n-----\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= +\u00a0\u00a0S-03 \"Sigrun\"\n\n| hide= - Close S-03 \"Sigrun\"\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **S-03**\n\n----\n\n**Civillian Name:** Sofia Lisko\n\n**Nationality:**\u00a0\u00a0Ukrainian\n\n**Age:**\u00a0\u00a024\n\n**Prior combat experience:** Ukrainian Territorial Defense Forces (Two years)\n\n**Squad Role:** Augmented Weapons Specialist/Infiltrator\n\n----\n\n\n\n**Background:** Sofia Lisko served as a member of the 21st Territorial Defence Battalion during the War in the Donbas, where she gained combat experience fighting against DPR forces. Two years into the conflict, Sofia came back to her home in Horlivka, only to find that her neighborhood had been raided by members of the Volk Division. Her Mother and two sisters had perished at the hands of a unit belonging to Grigori Aleksandrovich.\n\n\n\nValravn operatives embedded in Ukrainian forces approached Sofia, realizing that we could capitalize on her vulnerability, and offered her a spot in the Valkyrie program in order to get her vengeance. Sofia accepted without hesitation.\n\n\n\nNow known as Sigrun, she gained a reputation for being one of the most brutal Valkyrie units. She often inflicts grievous wounds using her enhanced abilities rather than going for a quick death when her vengeful side emerges. Valkyrie HQ uses her unique Psychological profile against anomalous groups connected to the Russian government, including Volk Division. Sigrun however does have a history of occasional insubordination, in her hunt for Aleksandrovich but Valkyrie HQ sees this as a necessary compromise to keep her bloodlust sated. This bloodlust has often resulted in her being able to excel beyond the average at completing high-risk, long-duration missions compared to her sisters in arms.\n\n-----\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:coltop\">:scp-wiki:component:coltop</a>\n\n| show= + S-04 \"G\u00f6ndul\"\n\n| hide= - Close S-04 \"G\u00f6ndul\"\n\n]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **S-04**\n\n----\n\n**Civillian Name:** Mari Sukumiya\n\n**Nationality:**\u00a0\u00a0Japanese\n\n**Age:**\u00a0\u00a025\n\n**Prior combat experience:** None\n\n**Squad Role:** Technical Support\n\n----\n\n\n\n**Background:** Mari Sukumiya in her previous life was considered amongst the upper echelons of Japan's hacking community. She acted similar to \"Robin Hood\", hacking into banking institutions and the wallets of corrupt officials and redistributing the wealth amongst the poor. Due to her abilities, she was initially a candidate for the Cyber-Warfare Division. However, an unexpected turn of events led to a different outcome.\n\n\n\nSukumiya had made an enemy of the Shishi Ry\u016b clan Yakuza who ended up finding her location and blinding her to send a message to those who have their eyes where they shouldn't. With the orbits of her skull nearly obliterated and unable to continue her hacking work on her own, it was determined that her current psychological profile should fit the Valkyrie program, and thus was offered a spot among their ranks. She accepted. Amongst the standard augmentations, facial reconstructive surgery was performed to repair her skull and give her a new set of eyes; allowing her to hack once more.\n\n\n\nShe was thus assigned to the Sver\u00f0meyja as a cyber warfare operator and tech specialist.\n\n\n\n\n\nDespite her lack of combat experience, Sukumiya has proven herself to be a capable warrior on the field; utilizing more esoteric augmentations in battle compared to her squadmates as well as drones for recon and target neutralization.\n\n\n\n-----\n\n\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:colend\">:scp-wiki:component:colend</a>]]\n\n\n\n[[/collapsible]]\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Incident Overview:**\n\n\n\n[[collapsible show=\"+ Logovo Volka Mission Briefing \" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\n[BEGIN LOG]\n\n\n\n[All four members of the Sver\u00f0meyja are present inside of the briefing room. S-04 is jacked into a Valravn-issued cyberdeck.[[footnote]] Portable device that allows the user to access FP-99, \"The Net\". FP-99 is a digital dimension that is a full three-dimensional representation of the world's data.\u00a0\u00a0[[/footnote]] S-04's appears pale and her face is sunken slightly.\n\n\n\n**S-02:** Brynhilde, is G\u00f6ndul alright? She looks sick, how long has she been inside the Net for?\n\n\n\n[S-02 prods an unresponsive S-04.]\n\n\n\n**S-01:** Please do not disturb G\u00f6ndul, she is in the midst of prepping backdoors into enemy security for our next operation. Time is sensitive, so she's been ordered by command to work at the upper limit of Net usage that's safe for a human mind. She's been in there for about twenty hours.\n\n\n\n**S-03:** She's dangerously close to the twenty four limit, she needs a break. \n\n\n\n**S-01:** Code statute 12, Sigrun. There are no objections to scheduled hours. I trust that G\u00f6ndul can handle it, now are we ready for the briefing?\n\n\n\n**S-03:** Yes, you've been keeping up in the dark for far too long. Where are we being deployed? Perhaps against Three Moons?\n\n\n\n**S-01:** Good guess but no, that situation is complicated. Our target is something decidedly less difficult. Our squad has been tasked with the infiltration of Logovo Volka, the headquarters of the Volk Division.\n\n\n\n[S-03 appears pleased.]\n\n\n\n**S-03:** (laughing) Yes.. .this is what I've been waiting for. We're going to bring Hel's fury down on those bastards! How many men are we getting?\n\n\n\n**S-01:** It's just us Sigrun and for the record, this is a //stealth// mission and if we don't have to we've been advised not to kill anyone.\n\n\n\n**S-03:** (scoffs) You've got to be fucking kidding me. They're dropping us into a den of those mangy mutts and we can't slaughter them wholesale? Grigori could be at that base. We can end the threat, right now.\n\n\n\n**S-01:** Sigrun, I understand what they did to you and your family but we've been over this; your emotions cannot jeopardize the mission. I don't need to tell you what happens to Valkyries who fail their missions.\n\n\n\n**S-03:** Stop talking to me like I'm a child! If I find that bastard in there, I'm going to-!\n\n\n\n[S-02 puts her hand on S-03's shoulder.]\n\n\n\n**S-02:** Sigrun calm down, this bickering gets us nowhere. You'll have your revenge one of these days.\n\n\u00a0\n\n**S-03:** I'm just supposed to sit while the souls of my family stay restless? Ugh, whatever. \n\n\n\n[S-03 looks off to the side.]\n\n\n\n**S-03:** So what's the plan, chief?\n\n\n\n**S-01:** A couple of days ago Dr. Brandt should have installed VFR[[footnote]] Valravn Facial Reconfiguration. A cognitohazardous augment that shows a chosen face to an onlooker rather than the user's real face. [[/footnote]] modules into your chassis. Are they operational?\n\n\n\n**S-02:** Affirmative. \n\n\n\n[S-02 and S-03 activate their VFRs and their faces change accordingly.]\n\n\n\n**S-01:** Excellent, these pre-loaded faces you were given correspond to your new identities. You'll find them under your seats. Sigrun, you are Maria Polonskaya and Herja is Valentina Vostok. You both are FSB inspectors going in for a base inspection.\n\n\n\n**S-03:** (snickers) Got to make sure the cardboard armor those fucking Russian soldier boys were given is up to snuff. None of that weak brown stuff.\n\n\n\n**S-01:** Very funny Sigrun. Anyways, once you get inside the base you'll head to their records room and pilfer anything worth looking at. G\u00f6ndul and I will stay behind in a mobile command center monitoring the situation. G\u00f6ndul will be providing assistance with any security-related issues via the Net.\n\n\n\n**S-02:** Wait, when are we deploying?\n\n\n\n**S-01:** 48 hours from now. Why?\n\n\n\n**S-02:** That's too short of a recovery window, we don't need G\u00f6ndul disassociating[[footnote]] Long term Net usage can lead to \"disassociation\" where a User's consciousness can become trapped within the digital world and leave their body without a \"driver\".[[/footnote]] during the mission.\n\n\n\n[S-04 reached behind her neck and pulls her jack out. She appears to groggily return to lucidity.]\n\n\n\n**S-04:** I'll be fine Herja. Don't worry about me, I just finished placing all of the tools we'll need for the mission.\n\n\n\n**S-02:** (sighs), Between you and Little Raven, I'm going to have a heart attack one of these days.\n\n\n\n**S-01:** Does anyone have any more questions?\n\n\n\n**S-03:** Yes, actually. What happens if things go south or if we have to engage to complete the mission?\n\n\n\n**S-01:** You all are allowed to defend yourselves of course and if push comes to shove, we fight our way out.\n\n\n\n**S-03:** The most relieving thing I've heard all day. Maybe we actually give G\u00f6ndul some combat experience.\n\n\n\n**S-04:** I get plenty in the Net, that's my battlefield anyways.\n\n\n\n**S-01:** G\u00f6ndul you can't live your life in there forever, one of these days you need to go outside and experience what life has to offer.\n\n\n\n**S-04:** Yeah, I had my taste of \"real life\". I think I'll pass.\n\n\n\n**S-01:** Tsk. Tsk. Tsk. Well if that settles everything...\n\n\n\n**S-04:** Actually I have a question. What exactly is \"worth looking at\" in there? I assume this has to do with the book we recovered a month ago.\n\n\n\n**S-01:** That's right. It's a part of a larger set. Intelligence believes that the Volks might know more about them.\n\n\n\n**S-04:** Interesting, I'd heard on The Net that whoever owns all the books gets to remake the world in their image... but what does that look like to the High Table?\n\n\n\n**S-02:** I can't imagine they'd stamp out insurgency entirely. Then we'd be out of a job... although I'd hate to think that they'd keep making new rebellions for us to have to be hired to put down.\n\n\n\n**S-03:** I'd hope it be a world without the Volk Division.... where I could see my family again. Maybe could finally crush the Foundation and the GOC, then we could work unimpeded.\n\n\n\n**S-04:** I'm... not exactly sure what I'd want out of a paradise but I'd at least like things to get better in the countries we'd get deployed too.\n\n\n\n**S-01:** I don't exactly think the leaders who hire us care about the well-being of the people, G\u00f6ndul. Regardless of what the High Table wants with them, we deploy in forty-eight hours. I expect all of you to be ready by then.\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\nAt 17:00 on the day of the operation, S-04 and S-01 set up their mobile command center about 500 meters from Logovo Volka while a separate convoy delivered S-02 and S-03. S-04 jacked into the Net and immediately go to work activating the backdoor she'd placed earlier. Logovo Volka's camera footage was looped and their Net Avatars were unable to detect that S-04 was in their systems.\n\n\n\nS-03 and S-02 arrived at the base at 17:30 where they showed their credentials and asked to be let inside. The IDs provided by the Intel Division proved to withstand scrutiny and the two were allowed inside the base. They were given a quick tour before being left alone to conduct their inspection.\n\n\n\n\n\n\n\n[[collapsible show=\"+ Log taken from S-03's audio/visual feed\" hide=\"- Close\"]]\n\n\n\n[[div class=\"blockquote\"]]\n\n= **VIDEO LOG**\n\n\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**S-01:** Sigrun where are you going? The records room is in the other hallway.\n\n\n\n**S-03:** I'm taking a little detour to the Commandant's office. Herja's got the records room, she's a big girl.\n\n\n\n**S-01:** God damn it, Sigrun! This is no time for your personal vendetta, if you get caught you\u2019ll jeopardize the-\n\n\n\n**S-04:** Brynhilde, if I may?\n\n\n\n**S-01:** You may speak, G\u00f6ndul.\n\n\n\n**S-04:** I believe Sigrun may have the right idea. The Commandant most likely has keys to the rest of the base and important documents that wouldn't be left for peering eyes in the records room.\n\n\n\n**S-03:** See? That is exactly my plan and if he has information on Grigori, then the more the merrier.\n\n\n\n**S-01:** (//sighs//) You better be right about this. It's your head on the chopping block if this fails.\n\n\n\n**S-03:** You know my plans always work, now hush. I need to work on my galdur[[footnote]] Icelandic for \"Magic\". [[/footnote]].\n\n\n\n[S-03 turns to the door and knocks on it.]\n\n\n\n**S-03:** Maria Polonskaya, FSB inspector. Commandant, we need to talk.\n\n\n\n**Commandant:** You may enter.\n\n\n\n[S-03 enters the room to find the commandant writing papers at his desk. The room is a modest-looking office space with one defining feature that Sigrun focuses on for five seconds is the safe on the left.]\n\n\n\n**S-03:** Oh. My. Goodness. [Sigrun's optical sensors run facial ID to determine the man is Commandant Mikhail Blonko, an associate of Grigori A.] You must be the great Commandant Blonko, I've heard so much about you!\n\n\n\n**Commandant:** Please, Inspector Polonskaya, you flatter me.\n\n\n\n**S-03:** I mean it. I just have to ask for security reasons, is this room soundproof? I don't want any\u2026 classified information getting out. We need to keep what we say here\u2026 between us.\n\n\n\n**Commandant:** Do not worry, inspector. This room is wholly soundproof. Now I wasn't exactly expecting an FSB inspection so late at night. What brings you to our base?\n\n\n\n**S-03:** Well as you know we've had to move more and more of our troops from Transnistria for other operations and had to rely increasingly on the Volk Division for security. My boss wanted to make sure that any operation security hadn't been compromised.\n\n\n\n[S-03 approaches the front of the table and the Commandant proceeds to wrap an arm around her waist.]\n\n\n\n**Commandant:** I can assure you that everything is secure. Let's set business aside if you don't mind. If you're looking to get a promotion, I might be able to help with that.\n\n\n\n**S-03:** Oh, Commandant!\n\n\n\n[S-03 slides herself onto his seat, straddling him.]\n\n\n\n**S-03:** I must admit this trip was just an excuse to see you.\n\n\n\n**Commandant:** I'm glad that I have fans, now let's get you out of this stuffy coat.\n\n\n\n[The Commandant attempts to raise a hand to S-03 but she grabs his wrist and a loud crunching is heard. She is believed to have shattered his wrist. The Commandant screams and S-03 rears and arm back before driving her Adamantine wrist blade into his abdomen]\n\n\n\n**S-03:** Scream all you want you rabid dog. No one will hear you.\n\n\n\n**Commandant:** You bitch! Why are you doing this!?\n\n\n\n**S-03:** This is for what you did in Horlivka, do you remember the women you killed?\n\n\n\n**Commandant:** You'll have to be more specific, we killed a lot of guerillas that day.\n\n\n\n**S-03:** Guerillas? They were my family, you orcish swine!\n\n\n\n[S-03 withdraws her arm and stabs him with the blade again.]\n\n\n\n**S-03:** Where is Grigori? I'm not asking again!\n\n\n\n**Commandant:** Agh! Fuck you bitch! I'm not telling you anything!\n\n\n\n[S-03 grabs his other hand and proceeds to crush it in her grasp, fingers are bent in unnatural angles and loud crunching is heard]\n\n\n\n**S-03:** I'll keep breaking as many bones as I need to you mangy dog! You'll feel every bit of pain my family felt, little by little....\n\n\n\n[Further interrogation removed for brevity.]\n\n\n\n**S-03:** Brynhilde, I have his keycard. I saw a safe in here when I entered. Moving to check it now.\n\n\n\n**S-01:** And the Commandant?\n\n\n\n[S-03 drags the remains of his body from the chair and over into a nearby closet]\n\n\n\n**S-03:** He was nice enough to let me test out these new Adamantine blades. They cut through bone and flesh like it's nothing.\n\n\n\n**S-01:** By Odin's beard, Sigrun.\n\n\n\n**S-03:** Relax, I'm hiding the body and locking the room shut. Nobody's getting in here for a few hours and we'll be long gone by then.\n\n\n\n[S-03 places the body inside the closet and moves over to the safe. She slides the keycard into the pad and the box opens without issue. She removes a file with several papers of documentation, the description of which has not been included due to potential Cognitohazardous content.]\n\n\n\n**S-03:** There are some files here... looks like the Volk had stumbled upon a digital copy of one of the Set of Nine. Something called \"[[[SCP-5983 | Seshat's Guide to Programmable Cognitohazards]]].\"\n\n\n\n**S-04:** Digital? Like a PDF?\n\n\n\n**S-03:** Exactly. Says that the link to it went dead a couple of days ago but this is their research into making more Cognitohazards designed to increase recruitment rates. Sounds like our own PR department can use it instead. \n\n\n\n**S-04:** I agree. If your finished, Herja could use the help.\n\n\n\n**S-03:** Yep, but I need to use the washroom and raid his closet a bit cause I'm covered in blood. Once I'm presentable I will rendezvous with Herja. Sigrun, out.\n\n\n\n\n\n-----\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n\n\n[[/collapsible]]\n\n\n\n[[collapsible show=\"+ Log taken from S-02's audio/visual feed\" hide=\"- Close\"]]\n\n\n\n[[div class=\"blockquote\"]]\n\n= **VIDEO LOG**\n\n\n\n----\n\n\n\n[BEGIN LOG]\n\n**S-02:** Brynhilde, I'm approaching the records room now.\n\n\n\n**S-01:** Affirmative. Keep me posted on your status. Also, do you mind telling me why you let Sigrun go off on her own to potentially jeopardize our mission?\n\n\n\n**S-02:** Little Raven needs a little more blood on her ledger if she's to get to Valhalla. I thought at least you could understand that.\n\n\n\n**S-01:** I understand that but she needs to let this whole Grigori thing go. She's been getting reckless and it's going to get us all killed.\n\n\n\n**S-02:** I'd gladly die fighting the Sk\u00edth\u00e6lar[[footnote]] Icelandic for bastards. [[/footnote]] who took her family away from her. [S-02 stops before turning the corner, a Volk Mercenary appears once her vision turns to X-Ray/Thermals] We'll talk about this later, I am here.\n\n\n\n[S-02 walks out to the soldier guarding the records room.]\n\n\n\n**S-02:** Comrade. [She pulls out her badge.] Valentina Vostok, FSB. I'm going to need to see your records room.\n\n\n\n**Volk 1:** Your accent is a little strange, FSB woman. But even if that badge checks out, I've been instructed not to let anyone through. There is very sensitive information in here and you should probably just keep walking.\n\n\n\n**S-02:** I have a bit of a cough, thank you very much. Secondly, you deny an agent of the FSB access to your records? What are you hiding in there?\n\n\n\n**Volk 1:** Look ma'am, I don't care if you're Vladimir Putin himself. You can take it up with the Commandant if you don't like it.\n\n\n\n**S-02:** He's a little\u2026 preoccupied at the moment. Stomach problems, you know, from his recent surgery.\n\n\n\n**Volk 1:**Regardless, keep moving ma'am.\n\n\n\n**S-02:** Fine. I'll keep walking.\n\n\n\n[S-02 walks away a few meters before getting on comms.]\n\n\n\n**S-02:** G\u00f6ndul, I have a bit of an issue. There's a Volk who won't move from his post. Can you do something about it or will I need to get my hands dirty?\n\n\n\n**S-04:** Nothing some false orders can't take care of. I'll change my voice up and call him on his wah... wah..\n\n\n\n**S-02:** G-G\u00f6ndul? Are you alright?\n\n\n\n[END LOG]\n\n[[/div]]\n\n[[/collapsible]]\n\n\n\n[[collapsible show=\"+ Log taken from S-04's audio/visual feed\" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\nNote: The following log was taken from S-04's digital avatar. Within The Net, S-04 still was tied into the squad's comms and thus their voice appear in the recording.\n\n----\n\n\n\n[BEGIN LOG]\n\n\n\n**S-01:** She's disassociating! Damn it, she's hemorrhaging!\n\n\n\n**S-02:** Do we need to abort the mission? I can be back there in a couple of-\n\n\n\n**S-01:**No. You two stay where you are, this is something G\u00f6ndul has to fix on her own. The only thing we can do is support her while she's going through this. G\u00f6ndul can you hear me?\n\n\n\n[S-04 groans as she attempts to pull herself up from the digital floor, her vision is blurry but a figure in front of her can be made out. It appears to be a younger version of S-04 before she joined Valravn.]\n\n\n\n**Mari:** Wh-where am I? Who are you?\n\n\n\n**S-04:** Pl-please don't panic. If you do, we'll never wake up. I'm you and you need to come back to me, right now.\n\n\n\n**S-02:** Brynhilde! We have a problem. That Volk Guard just radioed Blonko and he's not responding.\n\n\n\n**S-01:** Well someone went and killed him and she needs to fix that situation, pronto.\n\n\n\n**S-03:** I'm on it, let me find that damn radio.\n\n\n\n**Mari:** Wh-what are you? What happened to our eyes? Who are those people in our ears?\n\n\n\n**S-04:** It's a long story, please don't freak out. They are our friends.\n\n\n\n[S-04 stands up and goes to place her hand on Mari but she recoils from her grasp.]\n\n\n\n**Mari:** The memories... what have we done? The people we killed!\n\n\n\n**S-01:** G\u00f6ndul, you're going into shock! Please say something!\n\n\n\n**S-04:** I know you can hear Brynhilde too, I'm the only one you have right now. If this goes on for too long, we split and our body goes numb forever. Take my hand.\n\n\n\n[Mari is shaking but put her hand forward and disappears. S-04's HUD now shows systems are fully operational.\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n[[/collapsible]]\n\n\n\n[[collapsible show=\"+ Log taken from S-02's audio/visual feed\" hide=\"- Close\"]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n[BEGIN LOG]\n\n\n\n**Volk 1:** Blonko respond, I think we have an issue.\n\n\n\n[The walkie-crackles to life, S-03 speaks through it.]\n\n\n\n**S-03:** (through walkie), This is FSB inspector Polonskaya. The Commandant and I are in the middle of important business. \n\n\n\n**Volk 1:** Business? What kind of business? Your other inspector is lurking where she shouldn't be. Put the commandant on the line.\n\n\n\n**S-04:** Guys, I'm ba- wait who let Sigrun answer the damn walkie! Sigrun, get off of there, I'll handle this.\n\n\n\n[S-04 begins to speak through the walkie in the voice of Commandant Blonko.]\n\n\n\n**S-04:** I told you I was not to be disturbed tonight. What are you doing guarding the records room anyways? Slacking off again?\n\n\n\n**Volk 1:** No, Commandant. This was the patrol that I was assigned.\n\n\n\n**S-04:** Not according to the list here. You should be in the armory.\n\n\n\n**Volk 1:** Y-yes sir! \n\n\n\n[The Volk guard walks off down the hallway.]\n\n\n\n**S-02:** Perfect. Thank you, G\u00f6ndul. [S-02 sees S-03 coming from around the corner.] Took you long enough.\n\n\n\n**S-03:** I had a date, let me get the door for you.\n\n\n\n[S-03 unlocked the door and the pair entered, moving to look through the file cabinets.]\n\n\n\n**S-02:** I see that he got you some new clothes. Did he spill his guts to you?\n\n\n\n**S-03:** They spilled everywhere but Grigori still eludes me.\n\n\n\n**S-02:** A shame. I think I have the documents that we were looking for. Your old pal Grigori's research notes are in here. [S-02 holds up a few folders in her hands.]\n\n\n\n**S-03:** Excellent. Wouldn't have happened to stumble into anything on the 27th Armored Division[[footnote]] Believed to be the current unit that Grigori Aleksandrovich is attached. [[/footnote]] would you?\n\n\n\n**S-02:**\u00a0\u00a0How about their complete personnel list?\n\n\n\n**S-03:** Odin shines on you, Herja. Let's get going before Brynhilde wonders what we're doing loitering around in here or worse, those Volks decide to pay their commandant a visit.\n\n\n\n\n\n-----\n\n\n\n[END LOG]\n\n\n\n[[/div]]\n\n\n\n\n\n\n\n[[/collapsible]]\n\n\n\n\n\n@@ @@\n\n\n\nAfter obtaining the necessary files from the Volks record room, S-02 and S-03 were able to leave the base unimpeded. They made their way to the mobile command center and were evacuated via helicopter. S-03 was paid extra for the termination of Commandant Blonko who already had an outstanding bounty on his head from a UA official. The relevant documents acquired were delivered to the Tyr Project for analysis and use.\n\n\n\n\n\n@@ @@\n\n\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n**Aftermath:**\u00a0\u00a0A day after the Sver\u00f0meyja returned to Valkyrie HQ an official statement was given by the Russian Government that Commandant Blonko had died of a heart attack. According to our intelligence services, the Volk Division is unaware of the Sver\u00f0meyja's involvement, and Valkyrie HQ intends to keep it that way. \n\n\n\nAs for the Cognitohazard research that we found, our PR department wants to put it to use in recruiting more girls ages 18-22 into the Valkyrie program using subtle advertisements on social media that would lead them down a path from the Veiled web to our recruitment centers on the Net. As it stands our numbers are few and far between and thus I approve of this method. However, I am a bit concerned that we may get underaged volunteers joining up.\n\n\n\nMoving on to the Volks records, we found a lead about a group calling themselves the Soundmagi who potentially have a book in the Set of Nine related to music. R.U.N.N.E.S is running an analysis to determine what exactly is occurring in Poland. Current data suggests there is an 80% likelihood that the anomaly the Soundmagi have is\u00a0\u00a0Set of Nine related.\n\n\n\nOverall, the mission was a success, with zero casualties on our side and the enemy taking one. All of the relevant documents were retrieved without issue. The VFR modules provided by Hephaestus's manual proved effective and were key to our success. environment. This mission also did not allow us to test the extent of our new armor and weapons, but future combat missions should provide us with that data. I do have concerns, however, regarding the health of S-03, and S-04. I will recommend administrative action be taken. \n\n\u00a0\n\n\u00d3\u00f0inn \u00e1 y\u00f0r alla[[footnote]] Odin owns you all. [[/footnote]]\n\n\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n[[=]]\n\n[[size 15px]]\n\nS-01 \"Brynhilde\"\n\n**Squad Leader of the Sver\u00f0meyja**\n\n[[/size]]\n\n[[/=]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n\n\n@@ @@\n\n\n\n[[collapsible show=\"+ Brynhilde and Valkyrie Dr\u00f3ttning \"Freya\"- Virtual Meeting Transcript \" hide=\"- Close\"]]\n\n\n\n[[div class=\"danke agent\"]]\n\n\n\n**Freya:** Greetings, Brynhilde. There was something you wished to discuss?\n\n\n\n**Brynhilde:** Yes, Dr\u00f3ttning [[footnote]] The commander of the Valkyries. Dr\u00f3ttning is Icelandic for \"Queen\".\u00a0\u00a0[[/footnote]] Freya. It's about two of my Valkyries. S-03 and S-04, Sigrun and G\u00f6ndul.\n\n\n\n**Freya:** What about them?\n\n\n\n**Brynhilde:** I would like to request that Sigrun be put on leave for her mental health or at least benched from any more missions involving the Volk Division. As for G\u00f6ndul, I would like to restrict her time in The Net going forward for future missions.\n\n\n\n**Freya:** Denied. Is there anything else?\n\n\n\n**Brynhilde:** D-denied? My dr\u00f3ttning, pardon my rudeness but you must reconsider! The mind and bodies of my sisters are at stake here.\n\n\n\n**Freya:** Sigrun's erratic behavior has been considered an acceptable hazard of occupation by the Department of Operations. She has performed above our initial expectations in her recent missions. As for G\u00f6ndul, she performed admirably, especially under duress.\n\n\n\n**Brynhilde:** Yes but-,\n\n\n\n**Freya:** But nothing. You forget that their bodies are the property of the Valravn Corporation and it is not up to you to judge how they are used. You all signed away your bodily autonomy when we placed you into those Chassis. As it stands both S-03 and S-04 are extremely profitable units and they can't be benched in any way.\n\n\n\n**Brynhilde:** I understand that, but profit is-\n\n\n\n**Freya:** Profit is our game, is it not? Everyone wants Sigrun the Wolf Slayer to perform their assassinations, vengeful queens want their lovers silenced by the raven that pecks out the eyes of lechers. Do you understand? G\u00f6ndul is the Raven of Cyberspace, the terror of the Net.\n\n\n\nThey have tragic stories that can be sold. The vengeful orphan gets her vengeance against the monster that killed her family. The former hacker turned a formidable warrior. Clients love them. Marketing is delighted and now that we have those Cognitozhazards you found, we can make Valkyries out of all the impressionable young adults that want to better themselves.\u00a0\u00a0So you will continue to play your role as Squad Leader, Brynhilde. I'm sure you can put up with a bit of insubordination, cleaning up G\u00f6ndul's nosebleeds and letting little Sigrun play her game of revenge. Do I make myself clear?\n\n\n\n[There is a moment of silence.]\n\n\n\n**Brynhilde:** Yes, my dr\u00f3ttning.\n\n\n\n[[/div]]\n\n\n\n[[/collapsible]]\n\n\n\n@@ @@\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:wikimodule\">:scp-wiki:component:wikimodule</a> |ratings= --]]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=false | last=false| hub=yes\n\n| previous-url=https://scp-wiki.wikidot.com/scp-6952 | previous-title=SCP-6952\n\n| next-url=https://scp-wiki.wikidot.com/scp-7990 | next-title=SCP-7990\n\n| hub-url=https://scp-wiki.wikidot.com/the-ninth-world-hub| hub-title=The Set of Nine\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_valravn", "bleak", "corporate", "fantasy", "goi-format", "military-fiction", "ninth-world", "science-fiction", "valravn"], "title": "AAR-7890-Logovo Volka - SCP Foundation", "url": "https://scp-wiki.wikidot.com/aar-7890-logovo-volka"}, "aberrant-factor-manual": {"created_at": "2023-11-01T04:00:00", "creator": "JackalRelated", "domain": "scp-wiki.wikidot.com", "history": [{"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "", "date": "2023-11-01T04:00:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p0X-01.png\".", "date": "2023-11-01T04:02:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p00.png\".", "date": "2023-11-01T04:02:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p04-05.png\".", "date": "2023-11-01T04:03:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p02-03.png\".", "date": "2023-11-01T04:03:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "", "date": "2023-11-01T04:03:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p06-07.png\".", "date": "2023-11-01T04:04:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p12-13.png\".", "date": "2023-11-01T04:05:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p10-11.png\".", "date": "2023-11-01T04:05:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p08-09.png\".", "date": "2023-11-01T04:05:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "File \"p0X-01.png\" renamed to \"p00-01.png\".", "date": "2023-11-01T04:06:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "File \"p00.png\" renamed to \"p00c.png\".", "date": "2023-11-01T04:06:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p16.png\".", "date": "2023-11-01T04:06:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p14-15.png\".", "date": "2023-11-01T04:06:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "File \"p000c.png\" renamed to \"p00-00.png\".", "date": "2023-11-01T04:07:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "File \"p00c.png\" renamed to \"p000c.png\".", "date": "2023-11-01T04:07:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"UIU_Logo-NSM.png\".", "date": "2023-11-01T04:09:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "", "date": "2023-11-01T04:37:00"}, {"author": "JackalRelated", "author_href": "https://www.wikidot.com/user:info/jackalrelated", "comment": "Uploaded file \"p16.png\".", "date": "2023-11-01T05:03:00"}, {"author": "Guaire", "author_href": "https://www.wikidot.com/user:info/guaire", "comment": "Added tags: _image, arcadia, comic, unusual-incidents-unit. 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", "date": "2024-08-04T09:06:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: illustrated. ", "date": "2024-08-04T09:10:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mystery. ", "date": "2024-09-29T06:20:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: painted. ", "date": "2026-04-24T18:11:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _listpages. ", "date": "2026-09-18T23:30:00"}], "hubs": ["arcadia-hub", "anthology-2023-hub", "goi-formats"], "images": [], "link": "aberrant-factor-manual", "page_id": "1451181432", "rating": 77, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Atwin-files/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<div class=\"genblock\">\n<p><em>gameworldsforum.com</em><br/>\n<strong><span style=\"color: purple\">umbrellaconspiracy</span></strong> | 10/31/23(Tue)08:59:31 No.135492178</p>\n<hr/>\n<p><span style=\"color: green\">&gt; 135491092</span></p>\n<p>I've included the manual for anyone to read. I actually still have my copy from back when it was originally released \u2014 and they're going for upwards of $500 in pristine condition so I took a huge risk by scanning the manual for y'all. The game's interesting and I remember never being able to beat it when I was young though. There's a rumor going around it's actually based on hidden classified FBI files, but that's fucking stupid because if it was, then they wouldn't have been able to make it in the first place. I also uploaded a text-only version, too, which you can find <a href=\"https://scp-wiki.wikidot.com/aberrant-factor-manual/offset/1\">here</a>.</p>\n<p>It's highly recommended to view them with your browser in fullscreen or as close to it as possible, so you can read all the text and look at the texture of the images. Anyways, I delivered the request. Have fun with it and I hope you enjoy.</p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<h1><span><span style=\"color: red\">ABERRANT FACTOR</span></span></h1>\n<h4><span>FOR PC BROWSERS</span></h4>\n<h2><span>COMING SOON.</span></h2>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:twin-files\">:scp-wiki:theme:twin-files</a>]]\n\n[[module CSS]]\n\n/*-----------------------------------------------*/\n\n#page-title {\n\n\u00a0\u00a0display: none;\n\n}\n\n\n\n.genblock a, .genblock a:visited {\n\n\u00a0\u00a0color: blue;\n\n\u00a0\u00a0text-decoration: underline;\n\n}\n\n\n\n.genblock a:hover, .genblock a:visited:hover {\n\n\u00a0\u00a0color: purple;\n\n\u00a0\u00a0text-decoration: underline;\n\n\u00a0\u00a0text-decoration-style: double;\n\n}\n\n\n\n.page-div {\n\n\u00a0\u00a0border: 3px solid rgba(var(--filing-cabinet));\n\n\u00a0\u00a0padding: 1.5em;\n\n}\n\n\n\n/* Widebox for Large Elements */\n\n.widebox {\n\n\u00a0\u00a0\u00a0width: 60vw;\n\n\u00a0\u00a0\u00a0max-width: 60vw !important;\n\n\u00a0\u00a0\u00a0position: relative;\n\n\u00a0\u00a0\u00a0left: calc(-30vw + 50%);\n\n}\n\n\n\n@media screen and (max-width: 640px) {\n\n\u00a0\u00a0.widebox {\n\n\u00a0\u00a0\u00a0\u00a0width: 100vw;\n\n\u00a0\u00a0\u00a0\u00a0max-width: 100vw !important;\n\n\u00a0\u00a0\u00a0\u00a0left: calc(-50vw + 50%);\n\n\u00a0\u00a0}\n\n}\n\n/*-----------------------------------------------*/\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[!--\n\nFragments:\n\nhttps://scp-wiki.wikidot.com/fragment:aberrant-factor-manual-0\n\nhttps://scp-wiki.wikidot.com/fragment:aberrant-factor-manual-1\n\n--]\n\n\n\n[[module ListPages category=\"fragment\" parent=\".\" limit=\"1\" order=\"created_at\" offset=\"@URL|0\"]]\n\n%%content%%\n\n[[/module]]\n", "tags": ["_arcadia", "_cc", "_listpages", "arcadia", "comic", "goi-format", "mystery", "painted", "unusual-incidents-unit"], "title": "Aberrant Factor (Manual) - SCP Foundation", "url": "https://scp-wiki.wikidot.com/aberrant-factor-manual"}, "abn-1886-723836214827": {"created_at": "2026-05-16T02:51:00", "creator": "Floofs", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Floofs", "author_href": "https://www.wikidot.com/user:info/floofs", "comment": "", "date": "2026-05-16T02:51:00"}, {"author": "UncannyClown", "author_href": "https://www.wikidot.com/user:info/uncannyclown", "comment": "Added tags: _other, comedy, goi-format. ", "date": "2026-05-17T03:59:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image. ", "date": "2026-09-09T20:56:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Removed tags: _image. ", "date": "2026-10-06T05:20:00"}], "hubs": ["goi-formats"], "images": [], "link": "abn-1886-723836214827", "page_id": "1468670734", "rating": 12, "raw_content": "<html><body><div id=\"page-content\">\n\n\n<div class=\"mz-paper\">\n<h4 id=\"toc0\"><span><strong>The Obscure Bureau of Anomalous Registries</strong></span></h4>\n<h5 id=\"toc1\"><span><em>Headquarters: The Old Mortuary, Plovdiv, Bulgaria</em></span></h5>\n<blockquote>\n<p><strong>NOTICE TO ALL REGISTRARS:</strong> This form must be completed in triplicate using standard iron gall ink. Do not allow the medium to come into contact with blood, displaced time, or sweat of an unseemly nature.</p>\n</blockquote>\n<hr/>\n<div class=\"mz-column\">\n<div class=\"mob-hid\">\n<h2 id=\"toc2\"><span>I. Administrative Metadata</span></h2>\n<table class=\"wiki-content-table\">\n<tr>\n<td>Field</td>\n<td>Registry Entry</td>\n</tr>\n<tr>\n<td><strong>Bureau Index Number:</strong></td>\n<td>ABN-1886-723836214827</td>\n</tr>\n<tr>\n<td><strong>Date of Filing:</strong></td>\n<td>12 / 23 / 1627 (STI)</td>\n</tr>\n<tr>\n<td><strong>Filing Officer:</strong></td>\n<td>Harvey Rosewell, Junior Registrar</td>\n</tr>\n</table>\n<p><strong>Department:</strong></p>\n<ul>\n<li>[ ] Temporal Displacement</li>\n<li>[ ] Geomantic Realignment</li>\n<li>[ ] Inanimate Sentience</li>\n<li>[x] <strong>Miscellaneous Unreason</strong></li>\n</ul>\n</div>\n<div class=\"mob-hid\">\n<h2 id=\"toc3\"><span>II. Phenomenological Description</span></h2>\n<h3 id=\"toc4\"><span>1. Physical Disturbance</span></h3>\n<p><strong>Volumetric Displacement:</strong> 1,472 Cubic Yards of cedar shavings, appearing spontaneously within the Left Pulmonary Artery of the local magistrate.</p>\n<p><strong>Collateral Temporal Damage:</strong> Due to the retroactive consumption of Stamping Chief Officer Barathrom and Raven Sevearn, the year 1624 has been shortened by 7.4 weeks. Staff are reminded that the month of Blurbeury no longer exists; any payroll claims filed for those dates will be summarily rejected by Finance.</p>\n<h3 id=\"toc5\"><span>2. Behavioral Manifestation</span></h3>\n<p><strong>Mystical Gramophone Recording (Audio Transcript):</strong></p>\n<div class=\"mz-paper\">\n<p><em>(The first 23 minutes of the cylinder contain only heavy static and the distinct sound of Junior Registrar Harvey chewing on a raw turnip.)</em></p>\n<p>Harvey: \"\u2026It just ate the stamping chief officer's great-grandfather, didn't it?\"</p>\n<p>Vaulete: <em>(Sound of steam venting and heavy brass gears grinding nearby)</em> \"Yes, it did. I presume this will cause the entirety of our current filing to require retroactive correction.\"</p>\n<p>Harvey: <em>(Sighs heavily)</em> \"That's going to take a fortnight to fix. Especially with a whole month missing from the calendar.\" <em>(Sound of a heavy leather suction hose being dragged across damp stone.)</em> \"Mind the back-draft, Vaulete.\"</p>\n<p>Aeria: \"More overtime for you. Hold this Vaulete.\" <em>(The rush of displaced air intensifies, followed by a distant, frustrated quacking that abruptly cuts out.)</em> \"There. Let us return to the current century.\"</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"mz-paper\">\n<div class=\"mz-column\">\n<div class=\"mob-hid\">\n<h3 id=\"toc6\"><span>3. Linguistic/Auditory Hazard</span></h3>\n<p>Does the anomaly speak?</p>\n<ul>\n<li>[x] <strong>Yes</strong></li>\n<li>[ ] No</li>\n<li>[ ] Maybe So</li>\n<li>[ ] Telepathically</li>\n</ul>\n<p><strong>If yes, does it argue about:</strong></p>\n<ul>\n<li>[ ] Local taxation</li>\n<li>[ ] Dates that don't exist</li>\n<li>[ ] The French</li>\n<li>[ ] The French in Spanish</li>\n<li>[x] <strong>Other</strong></li>\n<li><strong>If Other:</strong> <span style=\"text-decoration: underline;\">The presence of chickens? (Specifically: Flying Ducks)</span></li>\n</ul>\n</div>\n<h2 id=\"toc7\"><span>III. Containment &amp; Bureaucratic Compliance</span></h2>\n<p><strong>Has the anomaly signed the Acknowledgement of Reality Substandard Form?</strong></p>\n<ul>\n<li>[ ] Yes</li>\n<li>[x] <strong>No</strong></li>\n<li><strong>If No state justification:</strong> <span style=\"text-decoration: underline;\">The Anomaly claims exemption under the Treaty of Alternative Mind-Driven Forms.</span></li>\n</ul>\n<p><strong>Current Status of the File:</strong></p>\n<ul>\n<li>[ ] Filed chronologically</li>\n<li>[ ] Filed alphabetically</li>\n<li>[ ] Filed outside of time</li>\n<li>[ ] Filed but then stolen</li>\n<li>[x] <strong>Stolen before filing</strong></li>\n</ul>\n</div>\n<hr/>\n<h2 id=\"toc8\"><span>IV. Signatures &amp; Approvals</span></h2>\n<ul>\n<li><strong>Reporting Officer Signature:</strong> <em>Rosearea Vaulete</em></li>\n<li><strong>Stamping Officer Signature:</strong> `N/A (Not Alive)`</li>\n</ul>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:magazine\">:scp-wiki:theme:magazine</a>\n\n|header-title= \"OBAR\"\n\n|header-subtitle= \"Not Worth our Weight in Gold\"\n\n]]\n\n[[module CSS]]\n\n:root{\n\n--column{$name}-box-width:{$box-width};\n\n--column{$name}-box-height:{$box-height};\n\n--column{$name}-gap:0rem;\n\n--column{$name}-mid-width: 4rem;\n\n--column{$name}-boxMOB-width:AUTO;\n\n--column{$name}-blank-width:calc(var(--column{$name}-box-width) / 2.5 - var(--column{$name}-gap)\u00a0\u00a0);\n\n--column{$name}-blank-height:calc(var(--column{$name}-box-height) +\u00a0\u00a0var(--column{$name}-gap) / 2 + var(--column{$name}-blank-width) / 2.5\u00a0\u00a0);\n\n--column{$name}-line-top:calc(var(--column{$name}-blank-height)\u00a0\u00a0+ 0.2rem );\n\n--column{$name}-line-height:\u00a0\u00a0calc(100% - var(--column{$name}-blank-height) - 0.5rem);\n\n}\n\n\n\n.mz-column222-wrap{\n\ndisplay: flex;\n\nflex-wrap: nowrap;\n\njustify-content: space-around;\n\n}\n\n\n\n.column222-right, .column222-left{\n\nmax-width:46% !important;\n\n}\n\n\n\n.column-wrap-{$name} .column222-box{\n\ndisplay: block;\n\nbackground: {$box-bg};\n\nposition: absolute;\n\nwidth: var(--column{$name}-box-width);\n\nheight: var(--column{$name}-box-height);\n\n}\n\n\n\n.column-wrap-{$name} .column222-left-blank,\n\n.column-wrap-{$name} .column222-right-blank{\n\nfloat: right;\n\nwidth: var(--column{$name}-blank-width);\n\nheight: var(--column{$name}-blank-height);\n\npadding: 0 var(\u2014column{$name}-gap);\n\n}\n\n\n\n.column-wrap-{$name} .column222-right-blank{\n\nfloat: left;\n\n}\n\n\n\n.column-wrap-{$name} .column222-mid{\n\nwidth: var(--column{$name}-mid-width);\n\n}\n\n\n\n.column-wrap-{$name} .column222-mid-line{\n\ndisplay: block;\n\nposition: relative;\n\nborder-left: 2px solid #333;\n\nheight: var(--column{$name}-line-height);\n\ntop: var(--column{$name}-line-top);\n\n}\n\n\n\n@media (max-width: 600px){\n\n.mz-column222-wrap{\n\ndisplay: block;\n\n}\n\n\n\n.column-wrap-{$name} .column222-box{\n\nposition: inherit;\n\nwidth: var(--column{$name}-boxMOB-width);\n\nheight: auto;\n\nmargin: 0 auto;\n\n}\n\n.column222-left-blank,\n\n.column222-right-blank,\n\n.column222-mid-line{\n\ndisplay: none;\n\n}\n\n.column222-right, .column222-left{\n\nmax-width:100% !important;\n\n}\n\n}\n\n\n\n[[/module]]\n\n[[div class=\"mz-hr\" ]]\n\n\n\n[[image https://scp-wiki.wikidot.com/local--files/theme:magazine/ICON_eagle.svg ]]\n\n------\n\n[[module Rate]]\n\n\n\n[[/div]]\n\n[[div class=\"mz-paper\"]]\n\n++++ **The Obscure Bureau of Anomalous Registries**\n\n\n\n+++++ //Headquarters: The Old Mortuary, Plovdiv, Bulgaria//\n\n\n\n> **NOTICE TO ALL REGISTRARS:** This form must be completed in triplicate using standard iron gall ink. Do not allow the medium to come into contact with blood, displaced time, or sweat of an unseemly nature.\n\n\n\n----\n\n\n\n[[div class=\"mz-column\u00a0\u00a0\" ]]\n\n[[div class=\"mob-hid\"]]\n\n\n\n++ I. Administrative Metadata\n\n\n\n|| Field || Registry Entry ||\n\n|| **Bureau Index Number:** || ABN-1886-723836214827 ||\n\n|| **Date of Filing:** || 12 / 23 / 1627 (STI) ||\n\n|| **Filing Officer:** || Harvey Rosewell, Junior Registrar ||\n\n\n\n**Department:**\n\n\n\n* [\u00a0\u00a0] Temporal Displacement\n\n* [\u00a0\u00a0] Geomantic Realignment\n\n* [\u00a0\u00a0] Inanimate Sentience\n\n* [x] **Miscellaneous Unreason**\n\n\n\n[[/div]]\n\n[[div class=\"mob-hid\"]]\n\n++ II. Phenomenological Description\n\n\n\n+++ 1. Physical Disturbance\n\n\n\n**Volumetric Displacement:** 1,472 Cubic Yards of cedar shavings, appearing spontaneously within the Left Pulmonary Artery of the local magistrate.\n\n\n\n**Collateral Temporal Damage:** Due to the retroactive consumption of Stamping Chief Officer Barathrom and Raven Sevearn, the year 1624 has been shortened by 7.4 weeks. Staff are reminded that the month of Blurbeury no longer exists; any payroll claims filed for those dates will be summarily rejected by Finance.\n\n\n\n+++ 2. Behavioral Manifestation\n\n\n\n**Mystical Gramophone Recording (Audio Transcript):**\n\n[[div class=\"mz-paper\"]]\n\n//(The first 23 minutes of the cylinder contain only heavy static and the distinct sound of Junior Registrar Harvey chewing on a raw turnip.)//\n\n\n\nHarvey: \"...It just ate the stamping chief officer's great-grandfather, didn't it?\"\n\n\n\nVaulete: //(Sound of steam venting and heavy brass gears grinding nearby)// \"Yes, it did. I presume this will cause the entirety of our current filing to require retroactive correction.\"\n\n\n\nHarvey: //(Sighs heavily)// \"That's going to take a fortnight to fix. Especially with a whole month missing from the calendar.\" //(Sound of a heavy leather suction hose being dragged across damp stone.)// \"Mind the back-draft, Vaulete.\"\n\n\n\nAeria: \"More overtime for you. Hold this Vaulete.\" //(The rush of displaced air intensifies, followed by a distant, frustrated quacking that abruptly cuts out.)// \"There. Let us return to the current century.\"\n\n\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"mz-paper\"]]\n\n[[div class=\"mz-column\u00a0\u00a0\" ]]\n\n[[div class=\"mob-hid\"]]\n\n+++ 3. Linguistic/Auditory Hazard\n\n\n\nDoes the anomaly speak?\n\n\n\n* [x] **Yes**\n\n* [\u00a0\u00a0] No\n\n* [\u00a0\u00a0] Maybe So\n\n* [\u00a0\u00a0] Telepathically\n\n\u00a0\n\n**If yes, does it argue about:**\n\n\n\n* [\u00a0\u00a0] Local taxation\n\n* [\u00a0\u00a0] Dates that don't exist\n\n* [\u00a0\u00a0] The French\n\n* [\u00a0\u00a0] The French in Spanish\n\n* [x] **Other** \n\n* **If Other:** __The presence of chickens? (Specifically: Flying Ducks)__\n\n\n\n[[/div]]\n\n\n\n++ III. Containment & Bureaucratic Compliance\n\n\n\n**Has the anomaly signed the Acknowledgement of Reality Substandard Form?**\n\n\n\n* [\u00a0\u00a0] Yes\n\n* [x] **No**\n\n* **If No state justification:** __The Anomaly claims exemption under the Treaty of Alternative Mind-Driven Forms.__\n\n\n\n**Current Status of the File:**\n\n\n\n* [\u00a0\u00a0] Filed chronologically\n\n* [\u00a0\u00a0] Filed alphabetically\n\n* [\u00a0\u00a0] Filed outside of time\n\n* [\u00a0\u00a0] Filed but then stolen\n\n* [x] **Stolen before filing**\n\n[[/div]]\n\n----\n\n++ IV. Signatures & Approvals\n\n\n\n* **Reporting Officer Signature:** //Rosearea Vaulete//\n\n* **Stamping Officer Signature:** `N/A (Not Alive)`\n\n[[/div]]\n\n\n\n\n\n@@@@\n", "tags": ["_other", "comedy", "goi-format"], "title": "ABN-1886-723836214827 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/abn-1886-723836214827"}, "abuself": {"created_at": "2026-09-21T15:00:00", "creator": "ApothecaryCat21", "domain": "scp-wiki.wikidot.com", "history": [{"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "", "date": "2026-09-21T15:00:00"}, {"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "Uploaded file \"sins.png\".", "date": "2026-09-21T15:02:00"}, {"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "Uploaded file \"patient.png\".", "date": "2026-09-21T15:02:00"}, {"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "Uploaded file \"nurse.png\".", "date": "2026-09-21T15:02:00"}, {"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "Added tags: _other, goi-format. ", "date": "2026-09-21T15:03:00"}, {"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "Uploaded file \"sins.png\".", "date": "2026-09-21T15:36:00"}, {"author": "deleted", "author_href": false, "comment": "File \"sins.png\" deleted", "date": "2026-09-21T15:36:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image, _licensebox, bittersweet, illustrated. ", "date": "2026-09-21T15:50:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-09-21T17:24:00"}, {"author": "ApothecaryCat21", "author_href": "https://www.wikidot.com/user:info/apothecarycat21", "comment": "", "date": "2026-09-27T11:15:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _alcur-hospital, alcur-hospital. Removed tags: _other. ", "date": "2026-10-04T14:07:00"}], "hubs": ["top-rated-pages-this-month", "new-pages-feed", "shortest-pages-this-month", "goi-formats", "news"], "images": ["https://scp-wiki.wdfiles.com/local--files/abuself/nurse.png", "https://scp-wiki.wdfiles.com/local--files/abuself/patient.png", "https://scp-wiki.wdfiles.com/local--files/abuself/sins.png"], "link": "abuself", "page_id": "1469367484", "rating": 21, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/normalize-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/basalt-bedrock-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Abasalt/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"text-align: center;\">\n<h1 id=\"toc0\"><span><strong>The Alcur Hospital</strong></span></h1>\n<h2 id=\"toc1\"><span><span style=\"text-decoration: underline;\"><strong>Operative Report</strong></span></span></h2>\n</div>\n<p><strong>Patient:</strong> Valeria, Vivian<br/>\n<strong>Gender:</strong> Female<br/>\n<strong>Priority:</strong> Urgent<br/>\n<strong>MR Number:</strong> \u0394-970983<br/>\n<strong>Room Number:</strong> 843<sup>88</sup> (Affectology Wing)<br/>\n<strong>Admission Date:</strong> UNKNOWN LT| 22/\u0394/7777 DT<br/>\n<strong>Operative Date:</strong> UNKNOWN LT| 27/\u0394/7777 DT</p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc2\"><span><span style=\"text-decoration: underline;\"><strong>Triage</strong></span></span></h2>\n</div>\n<p><strong>Admission:</strong> Patient is an echo<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> of Nurse Valeria. She was carried in by seven individuals, each an exact copy to the patient with varying non-anomalous ailments. Each of the individuals returned to the patient\u2019s body. Nurse Valeria is informed of this discovery.</p>\n<p><strong>Physician\u2019s Analysis:</strong> <em>Patient is ontokinetically disconnected, seizing infrequently. Her soul has disabled each individual organ\u2019s metaphysical duty relating to connective reality.</em></p>\n<p><em>Hypothalamus, eyes, lungs, heart, limbs, stomach and genitals are all soullogically dysfunctional.</em></p>\n<p><em>The organs correspond to the lack of engagement with perceived vices or \"Seven Deadly Sins\" colloquially in question.</em> ~ Dr. Phoe C. Chan</p>\n<p><strong>Hypothesis:</strong> Patient\u2019s organs manifested metaphysically to escape the body\u2019s poor condition.</p>\n<p><strong>Prior Health:</strong></p>\n<ul>\n<li>Overall physical weakness</li>\n<li>Workaholic syndrome</li>\n<li>Bipolar disorder</li>\n<li>Hoarding disorder</li>\n</ul>\n<p><strong>Symptoms of Ailment:</strong></p>\n<ul>\n<li>Ontological disruption</li>\n<li>Organ mind manifest</li>\n<li>Spatial deaths across internal body imagings</li>\n<li>Chthonic viewports in disabled organ areas</li>\n</ul>\n<p><strong>Nursing Notes:</strong></p>\n<ul>\n<li>Cuts and bruises prior to disconnection</li>\n</ul>\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc3\"><span><strong>Further Medical Analysis:</strong></span></h1>\n</div>\n<div class=\"scp-image-block block-center\" style=\"width:700px;\"><img alt=\"nurse.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/abuself/nurse.png\"/>\n<div class=\"scp-image-caption\">\n<p>Nurse Valeria's ID</p>\n</div>\n</div>\n<p>\u201cWhen I was 22, I had to face either committing full time to college\u2026or quit because I was going insane. I chose the latter. People would say it\u2019s a dumb move, since my poor neighbors wanted me to be a doctor. I was terrified of staying in poverty\u2026but I was so burnt out. I couldn\u2019t really handle the life I had planned anymore. I shut myself away for quitting because I set the expectations too high. But that wasn\u2019t healthy, and\u2026I feel like I made the right choice of doing things differently. But I guess she chose the former and stuck being stubborn. And now\u2026I\u2019m seeing myself die.\u201d ~ Nurse Valeria</p>\n<div class=\"scp-image-block block-center\" style=\"width:700px;\"><img alt=\"patient.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/abuself/patient.png\"/>\n<div class=\"scp-image-caption\">\n<p>Patient Valeria's current condition</p>\n</div>\n</div>\n<p>\u201cEach of the organs that didn\u2019t become a person are slowly dying. Not in the traditional sense of organic decay, but they\u2019re leaving reality. The organs that <em>are</em> still here however, they only want to talk to Valeria herself. I\u2019m discussing the possibility of surgery with Dr. Alcur because of their extensive studies on Ontokinetics.\u201d ~ Dr. Grignard</p>\n<div class=\"scp-image-block block-center\" style=\"width:700px;\"><img alt=\"sins.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/abuself/sins.png\"/>\n<div class=\"scp-image-caption\">\n<p>Dr. Phoe's \"Vice Versa\" Presentation</p>\n</div>\n</div>\n<p>\"I questioned Dr. Phoe C. Chan regarding her analysis and she had quite the intriguing response. She believes the \"Seven Deadly Sins\" is commonly perceived as the dangers of excess. However, in this case, it's the dangers of <em>withholding</em> these sins that's the main damaging aspect of what the patient has suffered. Due to this circumstance, her instability became so immense that it broke down her own stable reality. There have been patients who chastise themselves for being sinful, which can be understandable at times. But at the same time, why damn yourself for not experiencing the human condition?\" ~ Dr. Alcur</p>\n</div>\n<p><strong>Severity:</strong> High<br/>\n<strong>Virality:</strong> None<br/>\n<strong>Lethality:</strong> High</p>\n<p><strong>Diagnosis:</strong> Possessive Perfection</p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc4\"><span><span style=\"text-decoration: underline;\"><strong>Treatment</strong></span></span></h2>\n</div>\n<p><strong>Treatment Type:</strong> Reality Reconnection</p>\n<p><strong>Surgeon(s):</strong> Dr. Alcur, Dr. Grignard, Nurse Valeria</p>\n<p><strong>Operations Performed:</strong></p>\n<ul>\n<li>Reinstabilitation, <em>performed by Dr. Alcur</em></li>\n<li>Soul Transfusion, <em>performed by Dr. Grignard</em></li>\n<li>Personal Analysis, <em>performed by Nurse Valeria</em></li>\n</ul>\n<p><strong>Special Instruments Used:</strong></p>\n<ul>\n<li>ABSB Catheters: Extracts excess ontocontaminants from the soul</li>\n<li>Empyrean Emitters: Prolongs a body\u2019s baseline reality before afterlife interment</li>\n<li>Dr. Grignard: As an infinite soul well, he can supply the patient with various metaphysicalities in the corresponding empty spots for increased survivability</li>\n</ul>\n<p><strong>Complications:</strong> Organs struggle to assist due to their perceived lack of self worth. Nurse Valeria is assisted during this process with her interpretations of possible solutions.</p>\n<p><strong>Recording:</strong> ON</p>\n<div class=\"smallmodal\">\n<p>Organs restored in order are their metaphysical significance rather than their biological functionality.</p>\n</div>\n<div style=\"text-align: center;\">\n<h2 id=\"toc5\"><span><strong>Findings of the Operation:</strong></span></h2>\n</div>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-3d9d33b8b994716c9e70c1e868394c3e\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>Sloth</em></a></li>\n<li><a href=\"javascript:;\"><em>Envy</em></a></li>\n<li><a href=\"javascript:;\"><em>Pride</em></a></li>\n<li><a href=\"javascript:;\"><em>Greed</em></a></li>\n<li><a href=\"javascript:;\"><em>Lust</em></a></li>\n<li><a href=\"javascript:;\"><em>Wrath</em></a></li>\n<li><a href=\"javascript:;\"><em>Gluttony</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc6\"><span><strong>Hypothalamus</strong></span></h1>\n</div>\n<p>Whenever anything bad in my life happens, I freeze up.</p>\n<p>I try my best not to do anything.</p>\n<p>Because when I used to do something to cope,</p>\n<p>That became part of the bad memory of what happened.</p>\n<p>I tried to do other passions more and more when the stress kept escalating.</p>\n<p>But ultimately I stopped when doing the things I loved became stressful too.</p>\n<p>And eventually, I myself stopped.</p>\n<p><strong>Explication:</strong> Chamomile Leaves and Meditative Energy</p>\n<p><em>A cup of tea always helps soothe the nerves whenever I get something like this. I still freeze up and try not to do anything I like as a passion to cope. I pushed myself hard, to the point where it's considered sadomasochistic. But you really should stop, or else you'll <strong>really</strong> stop.</em></p>\n<p><strong>Result:</strong> Hypothalamus recovering. Patient\u2019s soul relaxes considerably.</p>\n</div>\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc7\"><span><strong>Eyes</strong></span></h1>\n</div>\n<p>Whenever I go outside to get things done, I feel like I've violated many untold rules.</p>\n<p>Every conversation felt like stepping on eggshells.</p>\n<p>I had to make sure everything I did around people was considered to be normal.</p>\n<p>To make sure my future thrived.</p>\n<p>I hated every bit of it.</p>\n<p>Everyone else thrived but me.</p>\n<p>I loathed them, I loathe myself.</p>\n<p>I might be sociopathic.</p>\n<p>But who cares about that when they\u2019re begging to be with you right at the end?</p>\n<p><strong>Explication:</strong> Clarity Drills and Self Perceptual Focus</p>\n<p><em>Ever since I quit, I got really depressed and stopped caring what others thought. I suppose that latter part of me still carries on. There\u2019s no point in being a people\u2019s pleaser if you\u2019re never really pleased with yourself. I still care of course, I just don\u2019t give a damn about the petty expectations of normalcy. It never really existed in the first place.</em></p>\n<p><strong>Results:</strong> Eyes return. Vision is still impaired.</p>\n</div>\n<div id=\"wiki-tab-0-2\" style=\"display:none\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc8\"><span><strong>Heart</strong></span></h1>\n</div>\n<p>I wake up pre-emptively pissed off just so I don\u2019t let anything bad seeping into me.</p>\n<p>I deemed myself better than everyone else because I was on the right track.</p>\n<p>I was getting so many opportunities, chances to get myself into somewhere better.</p>\n<p>But as I kept getting them, I still felt stuck.</p>\n<p>I climbed and climbed. People reassured me that I was doing better now.</p>\n<p>I wasn\u2019t. The feeling still felt the same.</p>\n<p>I kept walking higher and higher, but the road still stayed the same.</p>\n<p><strong>Explication:</strong> Nurse Valeria\u2019s pet shown near eyes</p>\n<p><em>I was the only bad part of me honestly. I\u2019ll keep being the worst person alive that I know\u2026but I also know that I can be the best person there can possibly be. I trust I can be the latter because I take care of my pet. They say pets don\u2019t really care for much except food and whatever you have on your plate that\u2019s better than the food you gave them. But that\u2019s kind of a lie? They care so much for you\u2026so why wouldn\u2019t you care for yourself the same way they do?</em></p>\n<p><strong>Results:</strong> Heart rate elevates for a moment before slowing down at a normal rate.</p>\n</div>\n<div id=\"wiki-tab-0-3\" style=\"display:none\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc9\"><span><strong>Lungs</strong></span></h1>\n</div>\n<p>It\u2019s funny.</p>\n<p>Even though I earned a lot, I never spent much of it.</p>\n<p>Only on the basics, water, nutrition, and a roof over my head.</p>\n<p>Nothing else, only pure survival because winners deserve luxuries.</p>\n<p>I wasn\u2019t a winner, so I only got the most cheap and bland there was.</p>\n<p>Survival of the fittest afterall\u2026it\u2019s completely true in my case.</p>\n<p>There was a fire that happened at the apartment I was staying in.</p>\n<p>One of the outlets burst into flames, covering the whole room in smoke.</p>\n<p>I suffocated myself to make sure the money was safe.</p>\n<p>But it was gone by the time I woke up in the local hospital.</p>\n<p><strong>Explication:</strong> Nurse Valeria\u2019s flavorful curry</p>\n<p><em>I always felt like I didn't do much of my life because of my personal expectations. Turns out that my finances aren\u2019t the only unstable things I had. I\u2019m a compulsive spender nowadays, buying everything and anything that seemed fun to try out. It\u2019s still bad of course. But can you really budget your own happiness? Would it be worth it?</em></p>\n<p><strong>Results:</strong> Patient began hyperventilating. Nurse Valeria assisted with stabilizing breathing.</p>\n</div>\n<div id=\"wiki-tab-0-4\" style=\"display:none\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc10\"><span><strong>Genitals</strong></span></h1>\n</div>\n<p>I couldn\u2019t get intimate or close with anyone I met.</p>\n<p>I understand the human need for socializing to keep one\u2019s self sane.</p>\n<p>But they never really understood why I kept doing this to myself.</p>\n<p>Why I wanted us to have a comfortable life.</p>\n<p>So our children will never suffer what we never had.</p>\n<p>But nobody could love me for who I am.</p>\n<p>They\u2019re too terrified or frustrated.</p>\n<p>I guess I\u2019ll live lavishly alone.</p>\n<p>So be it.</p>\n<p><strong>Explication:</strong> Self Love</p>\n<p><em>I never really had a good dating life. Even if I myself was stable, sometimes my partners weren\u2019t and it was hard to stick with them due to how they were. I feel awful for breaking up with a couple of them, though I\u2019m glad they\u2019re living a better life without me. You can\u2019t really be a good partner if you\u2019re not good to yourself in the first place.</em></p>\n<p><strong>Results:</strong> Body began glowing a variety of colors before the genitalia produced an excess of stars and rainbows.</p>\n</div>\n<div id=\"wiki-tab-0-5\" style=\"display:none\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc11\"><span><strong>Limbs</strong></span></h1>\n</div>\n<p>I had nothing else in my life anymore.</p>\n<p>I wanted to break everything there was.</p>\n<p>I needed to let out all there was about how I felt.</p>\n<p>But I couldn\u2019t, everything around me was valuable.</p>\n<p>I can\u2019t let them go, I can\u2019t let them break down unlike me.</p>\n<p>They\u2019re assets, they\u2019re the last parts of me that I can\u2019t let go</p>\n<p>So there\u2019s only one target.</p>\n<p>Scars anytime, blood everywhere.</p>\n<p><strong>Explication:</strong> A hug.</p>\n<p><em>That one I can\u2019t fix, I can\u2019t really do much other than just hug myself. Alcur has a lot of treatments but the main thing we try not to do is heal scars unless it\u2019s psychologically damaging. It\u2026sort of hurts to keep them, but I know they\u2019re important. People say \u201cNo pain, No gain\u201d when it comes to getting what you want. But how much are you really gaining? How much of it is worth it when you\u2019re just a masochist for the sake of perceiving that you\u2019re making progress? Is it still progress\u2026or a bad habit?</em></p>\n<p><strong>Results:</strong> Patient thrashed violently as Nurse Valeria screamed in empathetic pain. Dr. Alcur joined the hug to stabilize the RB levels of the patient.</p>\n</div>\n<div id=\"wiki-tab-0-6\" style=\"display:none\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc12\"><span><strong>Stomach</strong></span></h1>\n</div>\n<p>There\u2019s nothing now.</p>\n<p>I\u2019m completely hopeless.</p>\n<p>I have done everything in my power, anything to become who I want to be.</p>\n<p>For the sake of the people I love, for the sake of me.</p>\n<p>Everyone but me is all that\u2019s left.</p>\n<p>I\u2019m starving.</p>\n<p>But two dollars saved is closer to achieving my doctorate.</p>\n<p>I won\u2019t ever be a lowly nurse.</p>\n<p>I need to be a doctor.</p>\n<p>It\u2019s my dream after all.</p>\n<p>One I aspired to get no matter what.</p>\n<p><strong>Explication:</strong> Malnutrition Treatment</p>\n<p><em>This is where I fully stopped. I had doubts throughout my life but this\u2026I never had doubts here, it was horrifying to see. And when I finally had the clarity to say \u201cThis isn\u2019t worth it anymore\u201d. I quit. I quit the dream and decided I need a better life than this. Better than my own body breaking apart just to survive a stubborn soul that can\u2019t fathom the concept of self care.</em></p>\n<p><em>Perfection will eat you alive.</em></p>\n<p><strong>Results:</strong> Patient's soul remanifests back to reality.</p>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabView3d9d33b8b994716c9e70c1e868394c3e = new YAHOO.widget.TabView('wiki-tabview-3d9d33b8b994716c9e70c1e868394c3e');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n<div style=\"text-align: center;\">\n<h2 id=\"toc13\"><span><span style=\"text-decoration: underline;\"><strong>Post Operation</strong></span></span></h2>\n</div>\n<p><strong>Results:</strong> Patient\u2019s soul and organs are fully remanifested. Patient is currently recovering due to heavy stress on metaconceptual psyches of the inner selves at play.</p>\n<p>Patient asked to discuss with Valeria.</p>\n<div class=\"blockquote\">\n<p><em>Nurse Valeria enters the room. Patient Valeria's body occasionally flickers in and out of reality, but is otherwise stable.</em></p>\n<p><strong>Nurse Valeria:</strong> Hi there\u2026</p>\n<p><strong>Patient Valeria:</strong> Hey\u2026</p>\n<p><em>Patient Valeria averts her gaze, Nurse Valeria brings a wheeled stool over to sit next to her.</em></p>\n<p><strong>Nurse Valeria:</strong> Are you\u2026</p>\n<p><strong>Patient Valeria:</strong> Why\u2019d you stop?</p>\n<p><em>The two stare into each other in a momentary silence.</em></p>\n<p><strong>Nurse Valeria:</strong> What do you mean?</p>\n<p><strong>Patient Valeria:</strong> Stop our plan? I know you\u2019re from some alternate place or whatever\u2026but I know you went through what I did.</p>\n<p><strong>Nurse Valeria:</strong> I\u2026I didn\u2019t stop.</p>\n<p><em>Nurse Valeria sighs and puts her clipboard down.</em></p>\n<p><strong>Nurse Valeria:</strong> Look, I did stop what we\u2019re doing. Thinking that we\u2019re saving money to make sure we got what we need. But you can\u2019t really save money in exchange for your health. We debated ruining our souls for the sake of what we thought we needed, I didn\u2019t and you did. And you know where that went?</p>\n<p><em>She grunts.</em></p>\n<p><strong>Patient Valeria:</strong> \u2026nowhere.</p>\n<p><strong>Nurse Valeria:</strong> Exactly.</p>\n<p><em>They both chuckle, one is unsure and the other is sincere.</em></p>\n<p><strong>Patient Valeria:</strong> It's ironic. Growing up alone and almost dying alone. You never had parents at a young age right?</p>\n<p><strong>Nurse Valeria:</strong> Yeah, they died early. Heroin's a hell of a bitch.</p>\n<p><strong>Patient Valeria:</strong> Heh, I'm just glad we're not addicts.</p>\n<p><em>Patient Valeria smiles but looks down in shame.</em></p>\n<p><strong>Patient Valeria:</strong> I think we could've done better. That maybe\u2026just maybe\u2026we put effort in the wrong place at the wrong time.</p>\n<p><strong>Nurse Valeria:</strong> I\u2019m\u2026I wish things were different too. I\u2019m not where I am now\u2026but I feel better. I\u2019m not rich, I still have shit habits regarding my material worth and relationships. Where I live outside? Not exactly ideal, it\u2019s loud sometimes to the point where I can\u2019t focus. My pet? Kind of an asshole, but I love the little gremlin.</p>\n<p><em>Patient Valeria coughs. Her body slightly shimmers stars.</em></p>\n<p><strong>Patient Valeria:</strong> But\u2026we need to be happy. Where we can finally rest easy knowing that things are safe now.</p>\n<p><strong>Nurse Valeria:</strong> We don\u2019t. We need to be okay. We just do what we can, not what we impossibly can\u2019t.</p>\n<p><em>The two Valerias hug each other and they both start crying.</em></p>\n</div>\n<p><strong>Aftercare:</strong> Nurse Valeria offered to assist the patient in locating a home and a job at Alcur in exchange for regular psychological and wellbeing checkups. Patient agreed.</p>\n<p><strong>Doctors Note:</strong> Nurse Valeria herself was asked on the thoughts of the matter.</p>\n<div class=\"blockquote\">\n<p>There wasn\u2019t anyone abusing me.</p>\n<p>It was just me wanting what was best for my life.</p>\n<p>But the thing is\u2026I can\u2019t enjoy it if I keep suffering to make sure that life is perfect.</p>\n<p>It won\u2019t ever be.</p>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Nearly identical multiversal variant</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/abuself\">(Affectology Wing Archives|Case \u0394-970983: \"abuSELF\")</a>\" by ApothecaryCat21, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/abuself\">https://scpwiki.com/abuself</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> nurse.png<br/>\n<strong>Name:</strong> deer_nurse.png<br/>\n<strong>Author:</strong> NekoValYT<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Commissioned for this article</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> patient.png<br/>\n<strong>Name:</strong> patient_deer_rorycombined.png<br/>\n<strong>Author:</strong> NekoValYT<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Commissioned for this article</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> sins.png<br/>\n<strong>Name:</strong> dr_phoe_sins_comm.png<br/>\n<strong>Author:</strong> NekoValYT<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Commissioned for this article</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> AlcurLogo.png<br/>\n<strong>Name:</strong> Logo3 and AlcurLogo<br/>\n<strong>Author:</strong> purplehefferey<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Originally commissioned this for my prototype GOI article a month back. Artist gave permission for the logo to be released under CC BY-SA 3.0.</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:basalt\">:scp-wiki:theme:basalt</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:alcur-theme\">:scp-wiki:theme:alcur-theme</a>]]\n\n\n\n[[=]]\n\n+ **The Alcur Hospital**\n\n++ __**Operative Report**__\n\n[[/=]]\n\n\n\n**Patient:** Valeria, Vivian\n\n**Gender:** Female\n\n**Priority:** Urgent\n\n**MR Number:** \u0394-970983\n\n**Room Number:** 843^^88^^ (Affectology Wing)\n\n**Admission Date:** UNKNOWN LT| 22/\u0394/7777 DT \n\n**Operative Date:** UNKNOWN LT| 27/\u0394/7777 DT\n\n\n\n[[=]]\n\n++ __**Triage**__\n\n[[/=]]\n\n\n\n**Admission:** Patient is an echo[[footnote]]Nearly identical multiversal variant[[/footnote]] of Nurse Valeria. She was carried in by seven individuals, each an exact copy to the patient with varying non-anomalous ailments. Each of the individuals returned to the patient\u2019s body. Nurse Valeria is informed of this discovery.\n\n\n\n**Physician\u2019s Analysis:** //Patient is ontokinetically disconnected, seizing infrequently. Her soul has disabled each individual organ\u2019s metaphysical duty relating to connective reality.// \n\n\n\n//Hypothalamus, eyes, lungs, heart, limbs, stomach and genitals are all soullogically dysfunctional.// \n\n\n\n//The organs correspond to the lack of engagement with perceived vices or \"Seven Deadly Sins\" colloquially in question.// ~ Dr. Phoe C. Chan\u00a0\u00a0\n\n\n\n**Hypothesis:** Patient\u2019s organs manifested metaphysically to escape the body\u2019s poor condition. \n\n\n\n**Prior Health:**\n\n* Overall physical weakness\n\n* Workaholic syndrome\n\n* Bipolar disorder\n\n* Hoarding disorder\n\n\n\n**Symptoms of Ailment:**\n\n* Ontological disruption\n\n* Organ mind manifest\n\n* Spatial deaths across internal body imagings\n\n* Chthonic viewports in disabled organ areas\n\n\n\n**Nursing Notes:**\n\n* Cuts and bruises prior to disconnection\n\n\n\n[[div class=\"blockquote\"]]\n\n[[=]]\n\n+ **Further Medical Analysis:** \n\n[[/=]]\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=nurse.png|align=center|width=700px|caption=Nurse Valeria's ID]]\n\n\n\n\u201cWhen I was 22, I had to face either committing full time to college\u2026or quit because I was going insane. I chose the latter. People would say it\u2019s a dumb move, since my poor neighbors wanted me to be a doctor. I was terrified of staying in poverty\u2026but I was so burnt out. I couldn\u2019t really handle the life I had planned anymore. I shut myself away for quitting because I set the expectations too high. But that wasn\u2019t healthy, and\u2026I feel like I made the right choice of doing things differently. But I guess she chose the former and stuck being stubborn. And now...I\u2019m seeing myself die.\u201d ~ Nurse Valeria\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=patient.png|align=center|width=700px|caption=Patient Valeria's current condition]]\n\n\n\n\u201cEach of the organs that didn\u2019t become a person are slowly dying. Not in the traditional sense of organic decay, but they\u2019re leaving reality. The organs that //are// still here however, they only want to talk to Valeria herself. I\u2019m discussing the possibility of surgery with Dr. Alcur because of their extensive studies on Ontokinetics.\u201d ~ Dr. Grignard\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=sins.png|align=center|width=700px|caption=Dr. Phoe's \"Vice Versa\" Presentation]]\n\n\n\n\"I questioned Dr. Phoe C. Chan regarding her analysis and she had quite the intriguing response. She believes the \"Seven Deadly Sins\" is commonly perceived as the dangers of excess. However, in this case, it's the dangers of //withholding// these sins that's the main damaging aspect of what the patient has suffered. Due to this circumstance, her instability became so immense that it broke down her own stable reality. There have been patients who chastise themselves for being sinful, which can be understandable at times. But at the same time, why damn yourself for not experiencing the human condition?\" ~ Dr. Alcur\n\n[[/div]]\n\n\n\n**Severity:** High\n\n**Virality:** None\n\n**Lethality:** High\n\n\n\n**Diagnosis:** Possessive Perfection\n\n\u00a0\n\n[[=]]\n\n++ __**Treatment**__\n\n[[/=]]\n\n\n\n**Treatment Type:** Reality Reconnection\n\n\n\n**Surgeon(s):** Dr. Alcur, Dr. Grignard, Nurse Valeria\n\n\n\n**Operations Performed:**\n\n* Reinstabilitation, //performed by Dr. Alcur//\n\n* Soul Transfusion, //performed by Dr. Grignard//\n\n* Personal Analysis, //performed by Nurse Valeria// \n\n\n\n**Special Instruments Used:**\n\n* ABSB Catheters: Extracts excess ontocontaminants from the soul\n\n* Empyrean Emitters: Prolongs a body\u2019s baseline reality before afterlife interment\n\n* Dr. Grignard: As an infinite soul well, he can supply the patient with various metaphysicalities in the corresponding empty spots for increased survivability\n\n\n\n**Complications:** Organs struggle to assist due to their perceived lack of self worth. Nurse Valeria is assisted during this process with her interpretations of possible solutions.\n\n\n\n**Recording:** ON\n\n\n\n[[div class=\"smallmodal\"]]\n\nOrgans restored in order are their metaphysical significance rather than their biological functionality.\n\n[[/div]]\n\n\n\n[[=]]\n\n++ **Findings of the Operation:**\n\n[[/=]]\n\n\n\n[[tabview]]\n\n[[tab Sloth]]\n\n[[=]]\n\n+ **Hypothalamus**\n\n[[/=]]\n\n\n\nWhenever anything bad in my life happens, I freeze up.\n\n\n\nI try my best not to do anything.\n\n\n\nBecause when I used to do something to cope,\n\n\n\nThat became part of the bad memory of what happened.\n\n\n\nI tried to do other passions more and more when the stress kept escalating.\n\n\n\nBut ultimately I stopped when doing the things I loved became stressful too.\n\n\n\nAnd eventually, I myself stopped.\n\n\n\n**Explication:** Chamomile Leaves and Meditative Energy \n\n\n\n//A cup of tea always helps soothe the nerves whenever I get something like this. I still freeze up and try not to do anything I like as a passion to cope. I pushed myself hard, to the point where it's considered sadomasochistic. But you really should stop, or else you'll **really** stop.// \n\n\n\n**Result:** Hypothalamus recovering. Patient\u2019s soul relaxes considerably. \n\n[[/tab]]\n\n\n\n[[tab Envy]]\n\n[[=]]\n\n+ **Eyes** \n\n[[/=]]\n\n\n\nWhenever I go outside to get things done, I feel like I've violated many untold rules.\n\n\n\nEvery conversation felt like stepping on eggshells.\n\n\n\nI had to make sure everything I did around people was considered to be normal.\n\n\n\nTo make sure my future thrived.\n\n\n\nI hated every bit of it.\n\n\n\nEveryone else thrived but me.\n\n\n\nI loathed them, I loathe myself.\n\n\n\nI might be sociopathic. \n\n\n\nBut who cares about that when they\u2019re begging to be with you right at the end?\n\n\n\n**Explication:** Clarity Drills and Self Perceptual Focus\n\n\n\n//Ever since I quit, I got really depressed and stopped caring what others thought. I suppose that latter part of me still carries on. There\u2019s no point in being a people\u2019s pleaser if you\u2019re never really pleased with yourself. I still care of course, I just don\u2019t give a damn about the petty expectations of normalcy. It never really existed in the first place.// \n\n\n\n**Results:** Eyes return. Vision is still impaired.\n\n[[/tab]]\n\n\n\n[[tab Pride]]\n\n[[=]]\n\n+ **Heart** \n\n[[/=]]\n\n\n\nI wake up pre-emptively pissed off just so I don\u2019t let anything bad seeping into me.\n\n\n\nI deemed myself better than everyone else because I was on the right track.\n\n\n\nI was getting so many opportunities, chances to get myself into somewhere better. \n\n\n\nBut as I kept getting them, I still felt stuck.\n\n\n\nI climbed and climbed. People reassured me that I was doing better now.\n\n\n\nI wasn\u2019t. The feeling still felt the same.\n\n\n\nI kept walking higher and higher, but the road still stayed the same.\n\n\n\n**Explication:** Nurse Valeria\u2019s pet shown near eyes\n\n\n\n//I was the only bad part of me honestly. I\u2019ll keep being the worst person alive that I know\u2026but I also know that I can be the best person there can possibly be. I trust I can be the latter because I take care of my pet. They say pets don\u2019t really care for much except food and whatever you have on your plate that\u2019s better than the food you gave them. But that\u2019s kind of a lie? They care so much for you\u2026so why wouldn\u2019t you care for yourself the same way they do?//\n\n\n\n**Results:** Heart rate elevates for a moment before slowing down at a normal rate. \n\n[[/tab]]\n\n\n\n[[tab Greed]]\n\n[[=]]\n\n+ **Lungs**\n\n[[/=]]\n\n\n\nIt\u2019s funny.\n\n\n\nEven though I earned a lot, I never spent much of it.\n\n\n\nOnly on the basics, water, nutrition, and a roof over my head.\n\n\n\nNothing else, only pure survival because winners deserve luxuries.\n\n\n\nI wasn\u2019t a winner, so I only got the most cheap and bland there was.\n\n\n\nSurvival of the fittest afterall\u2026it\u2019s completely true in my case.\n\n\n\nThere was a fire that happened at the apartment I was staying in.\n\n\n\nOne of the outlets burst into flames, covering the whole room in smoke.\n\n\n\nI suffocated myself to make sure the money was safe.\n\n\n\nBut it was gone by the time I woke up in the local hospital.\n\n\n\n**Explication:** Nurse Valeria\u2019s flavorful curry \n\n\n\n//I always felt like I didn't do much of my life because of my personal expectations. Turns out that my finances aren\u2019t the only unstable things I had. I\u2019m a compulsive spender nowadays, buying everything and anything that seemed fun to try out. It\u2019s still bad of course. But can you really budget your own happiness? Would it be worth it?//\n\n\n\n**Results:** Patient began hyperventilating. Nurse Valeria assisted with stabilizing breathing.\n\n[[/tab]]\n\n\n\n[[tab Lust]]\n\n[[=]]\n\n+ **Genitals**\n\n[[/=]]\n\n\n\nI couldn\u2019t get intimate or close with anyone I met.\n\n\n\nI understand the human need for socializing to keep one\u2019s self sane.\n\n\n\nBut they never really understood why I kept doing this to myself.\n\n\n\nWhy I wanted us to have a comfortable life.\n\n\n\nSo our children will never suffer what we never had.\n\n\n\nBut nobody could love me for who I am.\n\n\n\nThey\u2019re too terrified or frustrated.\n\n\n\nI guess I\u2019ll live lavishly alone.\n\n\n\nSo be it.\n\n\n\n**Explication:** Self Love\n\n\n\n//I never really had a good dating life. Even if I myself was stable, sometimes my partners weren\u2019t and it was hard to stick with them due to how they were. I feel awful for breaking up with a couple of them, though I\u2019m glad they\u2019re living a better life without me. You can\u2019t really be a good partner if you\u2019re not good to yourself in the first place.//\n\n\n\n**Results:** Body began glowing a variety of colors before the genitalia produced an excess of stars and rainbows.\n\n[[/tab]]\n\n\n\n[[tab Wrath]]\n\n[[=]]\n\n+ **Limbs** \n\n[[/=]]\n\n\n\nI had nothing else in my life anymore.\n\n\n\nI wanted to break everything there was.\n\n\n\nI needed to let out all there was about how I felt.\n\n\n\nBut I couldn\u2019t, everything around me was valuable.\n\n\n\nI can\u2019t let them go, I can\u2019t let them break down unlike me.\n\n\n\nThey\u2019re assets, they\u2019re the last parts of me that I can\u2019t let go\n\n\n\nSo there\u2019s only one target.\n\n\n\nScars anytime, blood everywhere. \n\n\n\n**Explication:** A hug.\n\n\n\n//That one I can\u2019t fix, I can\u2019t really do much other than just hug myself. Alcur has a lot of treatments but the main thing we try not to do is heal scars unless it\u2019s psychologically damaging. It\u2026sort of hurts to keep them, but I know they\u2019re important. People say \u201cNo pain, No gain\u201d when it comes to getting what you want. But how much are you really gaining? How much of it is worth it when you\u2019re just a masochist for the sake of perceiving that you\u2019re making progress? Is it still progress\u2026or a bad habit?//\n\n\n\n**Results:** Patient thrashed violently as Nurse Valeria screamed in empathetic pain. Dr. Alcur joined the hug to stabilize the RB levels of the patient.\n\n\n\n[[/tab]]\n\n\n\n[[tab Gluttony]]\n\n[[=]]\n\n+ **Stomach**\n\n[[/=]]\n\n\n\nThere\u2019s nothing now.\n\n\n\nI\u2019m completely hopeless.\n\n\n\nI have done everything in my power, anything to become who I want to be.\n\n\n\nFor the sake of the people I love, for the sake of me.\n\n\n\nEveryone but me is all that\u2019s left.\n\n\n\nI\u2019m starving.\n\n\n\nBut two dollars saved is closer to achieving my doctorate.\n\n\n\nI won\u2019t ever be a lowly nurse.\n\n\n\nI need to be a doctor.\n\n\n\nIt\u2019s my dream after all.\n\n\n\nOne I aspired to get no matter what.\n\n\n\n**Explication:** Malnutrition Treatment\n\n\n\n//This is where I fully stopped. I had doubts throughout my life but this\u2026I never had doubts here, it was horrifying to see. And when I finally had the clarity to say \u201cThis isn\u2019t worth it anymore\u201d. I quit. I quit the dream and decided I need a better life than this. Better than my own body breaking apart just to survive a stubborn soul that can\u2019t fathom the concept of self care.// \n\n\n\n//Perfection will eat you alive.//\n\n\n\n**Results:** Patient's soul remanifests back to reality.\n\n\n\n[[/tab]]\n\n[[/tabview]]\n\n\n\n[[=]]\n\n++ __**Post Operation**__\n\n[[/=]]\n\n\n\n**Results:** Patient\u2019s soul and organs are fully remanifested. Patient is currently recovering due to heavy stress on metaconceptual psyches of the inner selves at play. \n\n\n\nPatient asked to discuss with Valeria.\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n//Nurse Valeria enters the room. Patient Valeria's body occasionally flickers in and out of reality, but is otherwise stable.//\n\n\n\n**Nurse Valeria:** Hi there\u2026\n\n\n\n**Patient Valeria:** Hey\u2026\n\n\n\n//Patient Valeria averts her gaze, Nurse Valeria brings a wheeled stool over to sit next to her.//\n\n\n\n**Nurse Valeria:** Are you\u2026\n\n\n\n**Patient Valeria:** Why\u2019d you stop?\n\n\n\n//The two stare into each other in a momentary silence.//\n\n\n\n**Nurse Valeria:** What do you mean?\n\n\n\n**Patient Valeria:** Stop our plan? I know you\u2019re from some alternate place or whatever\u2026but I know you went through what I did.\n\n\n\n**Nurse Valeria:** I...I didn\u2019t stop.\n\n\n\n//Nurse Valeria sighs and puts her clipboard down.//\n\n\n\n**Nurse Valeria:** Look, I did stop what we\u2019re doing. Thinking that we\u2019re saving money to make sure we got what we need. But you can\u2019t really save money in exchange for your health. We debated ruining our souls for the sake of what we thought we needed, I didn\u2019t and you did. And you know where that went?\n\n\n\n//She grunts.//\n\n\n\n**Patient Valeria:** \u2026nowhere.\n\n\n\n**Nurse Valeria:** Exactly. \n\n\n\n//They both chuckle, one is unsure and the other is sincere.//\n\n\n\n**Patient Valeria:** It's ironic. Growing up alone and almost dying alone. You never had parents at a young age right?\n\n\n\n**Nurse Valeria:** Yeah, they died early. Heroin's a hell of a bitch.\n\n\n\n**Patient Valeria:** Heh, I'm just glad we're not addicts.\n\n\n\n//Patient Valeria smiles but looks down in shame.//\n\n\n\n**Patient Valeria:** I think we could've done better. That maybe...just maybe...we put effort in the wrong place at the wrong time.\n\n\n\n**Nurse Valeria:** I\u2019m\u2026I wish things were different too. I\u2019m not where I am now\u2026but I feel better. I\u2019m not rich, I still have shit habits regarding my material worth and relationships. Where I live outside? Not exactly ideal, it\u2019s loud sometimes to the point where I can\u2019t focus. My pet? Kind of an asshole, but I love the little gremlin.\n\n\n\n//Patient Valeria coughs. Her body slightly shimmers stars.//\n\n\n\n**Patient Valeria:** But\u2026we need to be happy. Where we can finally rest easy knowing that things are safe now.\n\n\n\n**Nurse Valeria:** We don\u2019t. We need to be okay. We just do what we can, not what we impossibly can\u2019t.\n\n\n\n//The two Valerias hug each other and they both start crying.//\n\n[[/div]]\n\n\n\n**Aftercare:** Nurse Valeria offered to assist the patient in locating a home and a job at Alcur in exchange for regular psychological and wellbeing checkups. Patient agreed.\n\n\n\n**Doctors Note:** Nurse Valeria herself was asked on the thoughts of the matter.\n\n\n\n[[div class=\"blockquote\"]]\n\nThere wasn\u2019t anyone abusing me.\n\n\n\nIt was just me wanting what was best for my life.\n\n\n\nBut the thing is\u2026I can\u2019t enjoy it if I keep suffering to make sure that life is perfect.\n\n\n\nIt won\u2019t ever be.\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** nurse.png\n\n> **Name:** deer_nurse.png\n\n> **Author:** NekoValYT\n\n> **License:** CC BY-SA 3.0\n\n> **Additional Notes:** Commissioned for this article\n\n\n\n> **Filename:** patient.png\n\n> **Name:** patient_deer_rorycombined.png\n\n> **Author:** NekoValYT\n\n> **License:** CC BY-SA 3.0\n\n> **Additional Notes:** Commissioned for this article\n\n\n\n> **Filename:** sins.png\n\n> **Name:** dr_phoe_sins_comm.png\n\n> **Author:** NekoValYT\n\n> **License:** CC BY-SA 3.0\n\n> **Additional Notes:** Commissioned for this article\n\n\n\n> **Filename:** AlcurLogo.png\n\n> **Name:** Logo3 and AlcurLogo\n\n> **Author:** purplehefferey\n\n> **License:** CC BY-SA 3.0\n\n> **Additional Notes:** Originally commissioned this for my prototype GOI article a month back. Artist gave permission for the logo to be released under CC BY-SA 3.0.\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_alcur-hospital", "_cc", "_licensebox", "alcur-hospital", "bittersweet", "goi-format", "illustrated"], "title": "(Affectology Wing Archives|Case \u0394-970983: \"abuSELF\") - SCP Foundation", "url": "https://scp-wiki.wikidot.com/abuself"}, "acopalypse": {"created_at": "2021-12-24T03:40:00", "creator": "Prime Girl", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Prime Girl", "author_href": "https://www.wikidot.com/user:info/prime-girl", "comment": "initial posting of aCOPalypse", "date": "2021-12-24T03:40:00"}, {"author": "Prime Girl", "author_href": "https://www.wikidot.com/user:info/prime-girl", "comment": "Added tags: _black-queen, black-queen, gamers-against-weed, goi-format, three-moons-initiative. ", "date": "2021-12-24T03:43:00"}, {"author": "C-Dives", "author_href": "https://www.wikidot.com/user:info/c-dives", "comment": "Fixed a broken link.", "date": "2021-12-24T05:10:00"}, {"author": "Altakaab", "author_href": "https://www.wikidot.com/user:info/altakaab", "comment": "", "date": "2022-02-05T22:29:00"}, {"author": "OccultistMave", "author_href": "https://www.wikidot.com/user:info/occultistmave", "comment": "You successfully reverted the page to revision number 2", "date": "2022-02-05T22:50:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T12:12:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T12:12:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: alternate-history, crime-fiction. ", "date": "2024-10-06T14:54:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: apocalyptic. ", "date": "2024-10-11T19:51:00"}, {"author": "hatfani", "author_href": "https://www.wikidot.com/user:info/hatfani", "comment": "Added tags: correspondence. ", "date": "2025-04-12T09:00:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: correspondence. ", "date": "2025-07-19T16:35:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Prismal username update", "date": "2026-08-18T06:40:00"}], "hubs": ["black-queen-hub-old", "black-queen-hub", "goi-formats"], "images": [], "link": "acopalypse", "page_id": "1331171382", "rating": 72, "raw_content": "<html><body><div id=\"page-content\">\n\n<h4 id=\"toc0\"><span><strong><span style=\"color: grey\">Agent Chao of the <a href=\"https://scp-wiki.wikidot.com/three-moons-initiative-hub\">\u263d\u263d\u263d Initiative</a> reporting.</span></strong></span></h4>\n<h4 id=\"toc1\"><span><strong><span style=\"color: green\">blackqueenwalking has joined.</span></strong></span></h4>\n<h4 id=\"toc2\"><span><strong><span style=\"color: red\">Hi, I'm Black Princess Alison</span></strong></span></h4>\n<hr/>\n<h2 id=\"toc3\"><span>Baseline</span></h2>\n<p><span style=\"color: grey\">An aCOPalypse event</span> <span style=\"color: green\">(I came up with the name :p)</span> <span style=\"color: grey\">refers to an apocalyptic event either caused by or directly related to law enforcement.</span> <span style=\"color: red\">No other commonalities?</span> <span style=\"color: green\">Not really, its manifestations are a bit all over the place. The only pattern I've seen is cops fucking shit up, but what else is new</span> <span style=\"color: grey\">I would thank you to keep such personal opinions outside of official documentation.</span> <span style=\"color: green\">\"official documentation\"? lmao keep it in your pants moon fascist.</span></p>\n<h2 id=\"toc4\"><span>Prerequisites</span></h2>\n<p><span style=\"color: grey\">The existence of law enforcement as a normalized and mandated system in over 60% of nations across the globe.</span></p>\n<p><span style=\"color: red\">So just cops existing? not a ritual gone wrong, or a fucked up experiment or anything like that?</span> <span style=\"color: grey\">As far as we know, yes, along with the prerequisites for the existence of law enforcement and corresponding infrastructure.</span> <span style=\"color: green\">yeah, no shit</span>. <span style=\"color: grey\">There may be other factors at play, but we at the Three Moons Initiative have yet to uncover any.</span> <span style=\"color: red\">Honestly that's a bit disappointing</span> <span style=\"color: green\">would you say it's a bit of a <em>cop</em>-out?</span></p>\n<h2 id=\"toc5\"><span>Vulnerability</span></h2>\n<p><span style=\"color: green\">Abolish the police! ACAB!</span> <span style=\"color: grey\">Be serious!</span> <span style=\"color: green\">OK but actually though that's the only way we know of to prevent the aCOPalypse, and we haven't found any way of stopping it once it's started</span> <span style=\"color: red\">My timeline's still hanging on, at least</span> <span style=\"color: green\">mine too, for now</span> <span style=\"color: grey\">While both your timelines have thus far managed to impede the event, with no permanent solution they will inevitably fall, thus has spoken JALAK\u00c5RA.</span> <span style=\"color: green\">Hey well fuck you loony, and ol' Spider-beard too.</span> <span style=\"color: grey\">This is a formal notice that you have been sentenced to a millennium of hard labor.</span> <span style=\"color: red\">Ha! good one</span> <span style=\"color: green\">She's not kidding, but her and the moonies are also literally dead, so no worries there lol.</span> <span style=\"color: grey\">We prefer to be called by the scientific name, Homo Sapiens Invictus.</span> <span style=\"color: green\">yeah and I prefer not to be told off by a moon nazi, but here we are.</span> <span style=\"color: grey\">This antagonism towards the Three Moons Initiative as well as the great and honorable JALAK\u00c5RA is completely baseless, and entirely inappropriate.</span> <span style=\"color: green\">You know what you did, don't pretend otherwise.</span></p>\n<hr/>\n<h2 id=\"toc6\"><span>Instance: Timeline A-312:</span></h2>\n<p><span style=\"color: grey\">Currently a part of Operation Conan Doyle by the Three Moons Initiative. A PK-Class Narrative Layer Collapse Event involving an onslaught of fictional law enforcement is causing major chaos in not just one but TWO narrative layers.</span> <span style=\"color: green\">\u2026what the fuck are you talking about.</span> <span style=\"color: red\">Basically fictional cops invaded.</span> <span style=\"color: green\">What, like, the Paw Patrol, Columbo and shit? That doesn't sound too bad.</span> <span style=\"color: grey\">All characters have vastly increased levels of aggression from their baseline behavior.</span> <span style=\"color: red\">(they're bloodlusted)</span> <span style=\"color: grey\">right, thank you for simplifying for the sake of the less educated among us. It is also worth noting that there are a lot more fictional cops than one may first imagine.</span> <span style=\"color: green\">Still can't get over the fuckin Paw Patrol lmao</span> <span style=\"color: grey\">The Paw Patrol mauled twenty children to death</span> <span style=\"color: red\">\u2026oh my god</span> <span style=\"color: green\">what she's saying is the afterlife fascists couldn't handle Chief Wiggum and a bunch of puppies lol.</span></p>\n<h2 id=\"toc7\"><span>Instance: Timeline C-1569:</span></h2>\n<p><span style=\"color: red\">From what I've gathered, this one operates under a sort of \"zombie apocalypse\" type rules: if you get arrested, you're a cop now.</span> <span style=\"color: green\">Is that memetic or something?</span> <span style=\"color: grey\">Results are inconclusive on that front, though we have observed spikes in Hume levels on that Earth, so our analysts leading theory is that reality bending is the root cause here.</span> <span style=\"color: red\">Has there been any progress halting the event?</span> <span style=\"color: grey\">In a manner of speaking. There is a rebellion led by, and I can not believe I am saying this, <a href=\"https://scp-wiki.wikidot.com/undead-insane-and-fully-loaded\">Gun Metal Gary</a>.</span> <span style=\"color: red\">who's that now?</span> <span style=\"color: green\">The zombie loser with the guns? no way.</span> <span style=\"color: grey\">I can honestly say I am just as surprised as you are.</span> <span style=\"color: green\">Who would even follow that guy?</span> <span style=\"color: grey\">The group consists primarily of rural populations with more traditionally conservative political views.</span> <span style=\"color: green\">Who are you trying to impress, just say rednecks, gods</span> <span style=\"color: grey\">JALAK\u00c5RA 13:4 Exactness is a virtue, all praise to JALAK\u00c5RA!</span> <span style=\"color: green\">micromanaging boss,ay? can't relate, seeing as I'm not part of a self-styled multiversal junta</span> <span style=\"color: red\">Can we get back on topic?</span> <span style=\"color: green\">Right, sorry. Oh! Hey doesn't this guy have some sort of natural memetic repellent? Was that somehow affected by this?</span> <span style=\"color: grey\">Cross-reality analysis of him <em>does</em> seem to show a typical lack of associates. It's possible the anomaly somehow altered this property, or that he's unique among all his variants, but personally I think people are just desperate enough to put up with it.</span> <span style=\"color: red\">that's kind of sad</span> <span style=\"color: green\">you wouldn't say that if you'd ever met him</span> <span style=\"color: grey\">Yes, from my observations, it seems that a situation with him as its best solution is unlikely to end well for anyone.</span> <span style=\"color: green\">oh yeah that place is fucked for sure.</span></p>\n<h2 id=\"toc8\"><span>Instance: Timeline A-50:</span></h2>\n<p><span style=\"color: green\">Ahhhhhh, shithole sweet shithole. It's a real trashfire but ever since <em>somebody</em> severed us from the Multiverse nobody can escape, can't even visit the Library any more</span> <span style=\"color: grey\">I stand by the decision to exclude this sector from the rest of the multiverse. It was a clear and present danger to the universes under Three Moons protection, and I have not lost any sleep over it.</span> <span style=\"color: green\">really? you don't feel bad at all just throwing us to the wolves without even trying to help?</span> <span style=\"color: grey\">To repeat myself, no, the resources were better spent on more stable civilizations, and the people of your universe are too primitive to have a chance of finding a fix of your mistake, before the memeplex spread over the multiverse like a plague. Honestly I'm surprised you're able to communicate with us at all.</span> <span style=\"color: green\">Oh so that's how it is? well listen here fucko</span> <span style=\"color: red\">HEY, I can see that tensions are high between you two, but we're never going to get anywhere with you two at each others throats. This is important to me, and I know it's important to both of you too, so can we do this right?</span> <span style=\"color: green\">Alright, alright, fine Princess, I'll try to play nice, but you owe me.</span></p>\n<p><span style=\"color: green\"><em>Anyway</em>, as Officer Fun-times over there mentioned, we got hit pretty hard with an aggressive meme complex. We're not sure where it came from exactly, and with most of the global internet infrastructure down it's damn near impossible to, but from what bones dug up it was some kind of lame pro-cop meme, designed to make the zoomers more pro-authority or whatever, but instead it fucked everyone's brains into some sort of dumbass pig hivemind.</span> <span style=\"color: red\">Sounds rough, how'd you manage to avoid that?</span> <span style=\"color: green\">by being awesome as fuck \ud83d\ude0e. Nah, but actually, me and the other <a href=\"https://scp-wiki.wikidot.com/gamers-against-weed-dossier\">GAW</a> folx inoculated ourselves against lots of different memes, so we could actually enjoy each others dankest ones without bleeding from the eyes or whatever. I guess one of those protected us? Probably doesn't hurt that we're not a bunch of bootlickers.</span> <span style=\"color: grey\">It is possible that the anti-authoritarian nature of the psyches of Gamers Against Weed members conferred some amount of memetic resistance.</span> <span style=\"color: green\">hell yeah! And then after that, when the aCOPalypse first started going viral, it was obvious real fast that things were fucked, plus the internet went out, so most of us started heading towards Kenowhere to hide out there. Now <em>that</em> was a fuckin adventure: babes, booze, boomerangs, the whole shebang</span> <span style=\"color: red\">\u2026boomerangs?</span> <span style=\"color: grey\">For the love of JALAK\u00c5RA <em>please</em> don't encourage her or we will never get anywhere.</span> <span style=\"color: green\"><em>fine</em>. spoilsport.</span></p>\n<p><span style=\"color: green\">Right so long story short: I met up with some other GAW peeps and we trekked cross-country to Kenowhere, and we're here now. see? boring as hell when I have to say it like that.</span> <span style=\"color: red\">did you run into any other surviving communities?</span> <span style=\"color: green\">now that you mention it, we did run into a squad of GOC soldiers led by some dude named Ayers. They\u2026 didn't make it. Bought us the time we needed to fully cloak Kenowhere and died rather than join the horde. I was never a fan of the GOC but those guys were pretty cool. So now me, GAW and the other Kenowhere peeps are hanging tight, trying to design a countermeme and figure out how to propagate it. Well, Ester and bones are, mostly. The rest of us don't hold a candle to those two in either department. It's slow going, but we've got this place pretty self-sustaining, and we have Mr.Destiny, so hopefully we won't be \"fellow kids\"ed into oblivion. Ugh, this really is the lamest possible apocalypse.</span></p>\n<h2 id=\"toc9\"><span>Instance: Timeline B-5558</span></h2>\n<p><span style=\"color: red\">My universe. On October 14th 2020 at 17:00 , all law enforcement on Earth vanished.</span> <span style=\"color: green\">excuse me, but are you really telling me all the cops fucking poofed out of existence and that's somehow a <em>problem</em> while I'm over here stuck hiding out from the shitty borg, cut off from the multiverse, with no modern plumbing or video games? I'd have paid to live in a world like yours <em>before</em> mine went to shit.</span> <span style=\"color: grey\">Officer Charles Gears is counted among the missing in this timeline</span> <span style=\"color: green\">Aw jeez, I'm sorry Alison, I didn't know. Maybe I went a bit far there, it's a rough situation where I am but that's no excuse for taking it out on you, or minimizing your own shit. We all know what it's like to lose a loved one, err obviously, look, what I'm trying to say, is I may be a bit of a dickhead, but I'm here for you, if you need me sis, whatever little bit I can do to help.</span> <span style=\"color: grey\">Ditto for me, and the resources allocated to me for this project.</span></p>\n<p><span style=\"color: red\">Thank you all. My universe definitely isn't in too tough of a spot yet, especially compared to blackqueenwalking's, but, well, I miss my dad. We never really saw eye to eye on, well, a lot of things. We'd fight, he'd have his shitty political beliefs, and I'm no more a fan of law enforcement than the rest of you, but he's my dad, and I love him despite it all. I don't believe he's dead, and if he isn't, then neither are any of the other many thousands who are loved and missed by somebody out there. So, I'm going to keep on trying to find him, and all the others, and I hope you'll be able to help me out.</span> <span style=\"color: green\">Okay, but don't think for a second I'm not going to punch a bunch of pigs out when we find them</span> <span style=\"color: grey\">I have already submitted an information request form for the mortality status of the Charles Ogden Gears of this timeline, and intend to assist to my fullest capacity as a member of this organization.</span> <span style=\"color: red\">thanks guys, that means a lot</span> <span style=\"color: green\">of course, what else is family for?</span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/acopalypse\">aCOPalypse</a>\" by Prismal, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/acopalypse\">https://scpwiki.com/acopalypse</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n++++ **##grey|Agent Chao of the [[[https://scp-wiki.wikidot.com/three-moons-initiative-hub|\u263d\u263d\u263d Initiative]]] reporting.##**\n\n++++ **##green|blackqueenwalking has joined.##**\n\n++++ **##red|Hi, I'm Black Princess Alison##**\n\n----\n\n++ Baseline\n\n##grey|An aCOPalypse event## ##green|(I came up with the name :p)## ##grey| refers to an apocalyptic event either caused by or directly related to law enforcement. ## ##red| No other commonalities? ## ##green|Not really, its manifestations are a bit all over the place. The only pattern I've seen is cops fucking shit up, but what else is new## ##grey| I would thank you to keep such personal opinions outside of official documentation.\u00a0\u00a0## ##green| \"official documentation\"? lmao keep it in your pants moon fascist. ##\n\n\n\n\n\n++ Prerequisites\n\n##grey|The existence of law enforcement as a normalized and mandated system in over 60% of nations across the globe. ##\n\n\n\n##red| So just cops existing? not a ritual gone wrong, or a fucked up experiment or anything like that? ## ##grey|\u00a0\u00a0As far as we know, yes, along with the prerequisites for the existence of law enforcement and corresponding infrastructure. ## ##green|yeah, no shit##. ##grey| There may be other factors at play, but we at the Three Moons Initiative have yet to uncover any.## ##red| Honestly that's a bit disappointing ## ##green| would you say it's a bit of a //cop//-out?##\n\n\n\n\n\n++ Vulnerability\n\n##green|Abolish the police! ACAB!## ##grey|Be serious!##\u00a0\u00a0##green|OK but actually though that's the only way we know of to prevent the aCOPalypse, and we haven't found any way of stopping it once it's started ## ##red|My timeline's still hanging on, at least## ##green|mine too, for now## ##grey|While both your timelines have thus far managed to impede the event, with no permanent solution they will inevitably fall, thus has spoken JALAK\u00c5RA. ## ##green|Hey well fuck you loony, and ol' Spider-beard too.##\u00a0\u00a0##grey|This is a formal notice that you have been sentenced to a millennium of hard labor. ##\u00a0\u00a0##red|Ha! good one##\u00a0\u00a0##green|She's not kidding, but her and the moonies are also literally dead, so no worries there lol.## ##grey| We prefer to be called by the scientific name, Homo Sapiens Invictus. ## ##green| yeah and I prefer not to be told off by a moon nazi, but here we are. ## ##grey|This antagonism towards the Three Moons Initiative as well as the great and honorable JALAK\u00c5RA is completely baseless, and entirely inappropriate.\u00a0\u00a0## ##green|You know what you did, don't pretend otherwise. ##\n\n\n\n-----\n\n++ Instance: Timeline A-312:\n\n##grey|Currently a part of Operation Conan Doyle by the Three Moons Initiative. A\u00a0\u00a0PK-Class Narrative\u00a0\u00a0Layer Collapse Event involving an onslaught of fictional law enforcement is causing major chaos in not just one but TWO narrative layers.## ##green| ...what the fuck are you talking about.## ##red| Basically fictional cops invaded.## ##green| What, like, the Paw Patrol, Columbo and shit? That doesn't sound too bad. ## ##grey| All characters have vastly increased levels of aggression from their baseline behavior. ## ##red| (they're\u00a0\u00a0bloodlusted) ## ##grey| right, thank you for simplifying for the sake of the less educated among us. It is also worth noting that there are a lot more fictional cops than one may first imagine. ## ##green| Still can't get over the fuckin Paw Patrol lmao ## ##grey| The Paw Patrol mauled twenty children to death## ##red| ...oh my god ## ##green| what she's saying is the afterlife fascists couldn't handle Chief Wiggum and a bunch of puppies lol.##\n\n\n\n\n\n\n\n++ Instance: Timeline C-1569:\n\n##red|From what I've gathered, this one operates under a sort of \"zombie apocalypse\" type rules: if you get arrested, you're a cop now.\u00a0\u00a0## ##green| Is that memetic or something?## ##grey| Results are inconclusive on that front, though we have observed spikes in Hume levels on that Earth, so our analysts leading theory is that\u00a0\u00a0reality bending is the root cause here. ## ##red| Has there been any progress halting the event? ## ##grey| In a manner of speaking. There is a rebellion led by, and I can not believe I am saying this, [https://scp-wiki.wikidot.com/undead-insane-and-fully-loaded Gun Metal Gary].\u00a0\u00a0## ##red| who's that now? ## ##green| The zombie loser with the guns?\u00a0\u00a0no way.\u00a0\u00a0## ##grey| I can honestly say I am just as surprised as you are.\u00a0\u00a0\u00a0## ##green| Who would even follow that guy?## ##grey| The group consists primarily of rural populations with more traditionally conservative political views.\u00a0\u00a0\u00a0## ## green| Who are you trying to impress, just say rednecks, gods ## ##grey| JALAK\u00c5RA 13:4 Exactness is a virtue, all praise to JALAK\u00c5RA! ## ##green| micromanaging boss,ay? can't relate, seeing as I'm not part of a self-styled multiversal junta## ##red| Can we get back on topic?## ##green| Right, sorry. Oh! Hey doesn't this guy have some sort of natural memetic repellent? Was that somehow affected by this? ## ##grey| Cross-reality analysis of him //does// seem to show a typical lack of associates. It's possible the anomaly somehow altered this property, or that he's unique among all his variants,\u00a0\u00a0but personally I think people are just desperate enough to put up with it. ## ##red| that's kind of sad\u00a0\u00a0## ##green| you wouldn't say that if you'd ever met him## ##grey| Yes, from my observations, it seems that a situation with him as its best solution is unlikely to end well for anyone.####green| oh yeah that place is fucked for sure.##\n\n\n\n\n\n++ Instance: Timeline A-50:\n\n##green|Ahhhhhh, shithole sweet shithole. It's a real trashfire but ever since //somebody// severed us from the Multiverse nobody can escape, can't even visit the Library any more ## ## grey|I stand by the decision to exclude this sector from the rest of the multiverse. It was a clear and present danger to the universes under Three Moons protection, and I have not lost any sleep over it. ## ##green| really? you don't feel bad at all just throwing us to the wolves without even trying to help? ## ##grey| To repeat myself, no, the resources were better spent on more stable civilizations, and the people of your universe are too primitive to have a chance of finding a fix of your mistake, before the memeplex spread over the multiverse like a plague. Honestly I'm surprised you're able to communicate with us at all. ## ## green| Oh so that's how it is? well listen here fucko ## ##red| HEY, I can see that tensions are high between you two, but we're never going to get anywhere with you two at each others throats. This is important to me, and I know it's important to both of you too, so can we do this right? ## ##green| Alright, alright, fine Princess, I'll try to play nice, but you owe me.##\n\n\n\n\u00a0##green|//Anyway//, as Officer Fun-times over there mentioned, we got hit pretty hard with an aggressive meme complex. We're not sure where it came from exactly, and with most of the global internet infrastructure down it's damn near impossible to, but from what bones dug up it was some kind of lame pro-cop meme, designed to make the zoomers more pro-authority or whatever, but instead it fucked everyone's brains into some sort of dumbass pig hivemind. ## ##red|Sounds rough, how'd you manage to avoid that? ## ## green| by being awesome as fuck \ud83d\ude0e. Nah, but actually, me and the other [[[https://scp-wiki.wikidot.com/gamers-against-weed-dossier|GAW]]] folx inoculated ourselves against lots of different memes, so we could actually enjoy each others dankest ones without bleeding from the eyes or whatever. I guess one of those protected us? Probably doesn't hurt that we're not a bunch of bootlickers.\u00a0\u00a0## ##grey| It is possible that the anti-authoritarian nature of the psyches of\u00a0\u00a0Gamers Against Weed members conferred some amount of memetic resistance.## ##green| hell yeah! And then after that, when the aCOPalypse first started going viral, it was obvious real fast that things were fucked, plus the internet went out, so most of us started heading towards Kenowhere to hide out there. Now //that// was a fuckin adventure: babes, booze, boomerangs, the whole shebang ## ##red| ...boomerangs? ####grey|For the love of JALAK\u00c5RA //please// don't encourage her or we will never get anywhere. #### green| //fine//. spoilsport. ##\n\n\n\n## green| Right so long story short: I met up with some other GAW peeps and we trekked cross-country to Kenowhere, and we're here now. see? boring as hell when I have to say it like that. #### red|did you run into any other surviving communities? #### green| now that you mention it, we did run into a squad of GOC soldiers led by some dude named Ayers. They... didn't make it. Bought us the time we needed to fully cloak Kenowhere and died rather than join the horde. I was never a fan of the GOC but those guys were pretty cool. So now me, GAW and the other Kenowhere peeps are hanging tight, trying to design a countermeme and figure out how to propagate it. Well, Ester and bones are, mostly. The rest of us don't hold a candle to those two in either department. It's slow going, but we've got this place pretty self-sustaining, and we have Mr.Destiny, so hopefully we won't be \"fellow kids\"ed into oblivion. Ugh, this really is the lamest possible apocalypse. ##\n\n\n\n\n\n++ Instance: Timeline B-5558\n\n##red| My universe. On October 14th 2020 at 17:00 , all law enforcement on Earth vanished.\u00a0\u00a0##\u00a0\u00a0## green| excuse me, but are you really telling me all the cops fucking poofed out of existence and that's somehow a //problem// while I'm over here stuck hiding out from the shitty borg, cut off from the multiverse, with no modern plumbing or video games? I'd have paid to live in a world like yours //before// mine went to shit.## ##grey| Officer Charles Gears is counted among the missing in this timeline## ## green| Aw jeez, I'm sorry Alison, I didn't know. Maybe I went a bit far there, it's a rough situation where I am but that's no excuse for taking it out on you, or minimizing your own shit. We all know what it's like to lose a loved one, err obviously, look, what I'm trying to say, is I may be a bit of a dickhead, but I'm here for you, if you need me sis, whatever little bit I can do to help.##\u00a0\u00a0##grey| Ditto for me, and the resources allocated to me for this project. ## \n\n\n\n\n\n##red| Thank you all. My universe definitely isn't in too tough of a spot yet, especially compared to blackqueenwalking's, but, well, I miss my dad. We never really saw eye to eye on, well, a lot of things. We'd fight, he'd have his shitty political beliefs, and I'm no more a fan of law enforcement than the rest of you, but he's my dad, and I love him despite it all. I don't believe he's dead, and if he isn't, then neither are any of the other many thousands who are loved and missed by somebody out there. So, I'm going to keep on trying to find him, and all the others, and I hope you'll be able to help me out. ##\u00a0\u00a0##green| Okay, but don't think for a second I'm not going to punch a bunch of pigs out when we find them## ##grey| I have already submitted an information request form for the mortality status of the Charles Ogden Gears of this timeline, and intend to assist to my fullest capacity as a member of this organization.## ##red| thanks guys, that means a lot## ##green| of course, what else is family for?##\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> author=Prismal]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_black-queen", "_licensebox", "alternate-history", "apocalyptic", "black-queen", "crime-fiction", "gamers-against-weed", "goi-format", "three-moons-initiative"], "title": "aCOPalypse - SCP Foundation", "url": "https://scp-wiki.wikidot.com/acopalypse"}, "adoption-poster-bandit": {"created_at": "2019-02-04T15:37:00", "creator": "Uncle Nicolini", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T15:37:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T15:37:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _wilsons-wildlife, goi-format, wilsons-wildlife. ", "date": "2019-02-04T15:38:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T15:41:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T15:45:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T16:11:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T17:06:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "You successfully reverted the page to revision number 6", "date": "2019-02-04T17:11:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T17:11:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T17:11:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-02-04T19:37:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: three-portlands. ", "date": "2019-02-05T15:13:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-03-31T14:19:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"bandit.png\".", "date": "2019-03-31T14:19:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Changing theme inclusion method from @import to [[include]].", "date": "2019-05-16T01:12:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"raccoon.jpg\".", "date": "2019-09-25T16:12:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-09-25T16:13:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _cc. ", "date": "2019-09-25T16:16:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T06:15:00"}, {"author": "UncertaintyCrossing", "author_href": "https://www.wikidot.com/user:info/uncertaintycrossing", "comment": "", "date": "2020-11-03T21:21:00"}, {"author": "UncertaintyCrossing", "author_href": "https://www.wikidot.com/user:info/uncertaintycrossing", "comment": "Added tags: _licensebox. ", "date": "2020-11-03T21:22:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2021-01-17T20:31:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2021-02-12T23:41:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bleak, mystery. ", "date": "2024-10-18T19:04:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"bandit.png\".", "date": "2024-10-18T19:33:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-bandit", "page_id": "598214202", "rating": 197, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilsons/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hi! My name is Bandit!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n<div class=\"wilson-subtitle\">\n<p>Get To Know Me!</p>\n</div>\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I'm looking for a good and loving home in the Three Portlands-Boring area. I get along well with most people, but I'm some sort of magnet for meanness in other critters. As you might imagine, this means I'm pretty shy and wouldn't mesh well with other pets. I also won't run away because I'm scared of being attacked by wild critters so you can rest assured I will remain within your home!</p>\n<p>As you can see, I'm a raccoon! I'm missing the fifth finger on my left paw for some reason, but I'm still pretty handy. I won't lie, I'm a bit too clever for my own good, so I'm going to need some rather attentive foster parents. By the way, I come with a specialized kennel that my crafty little hands can't pick open for when you need to transport me. Neat!</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>I'm a normal lil' raccoon most of the time, and that means I'm super curious and have an intense need to get my hands on anything I can. I have a weird interest in stuff like phones, laptops, and other such things, and I've also figured out how to open doors, cans, and bags.</p>\n<p>The folks at Wilson's highly suggest some advanced baby and/or dog proof doors with latches so I don't get into stuff I shouldn't be sticking my nose into. Though I'm pretty sweet most of the time, please remember I'm still an animal. I might bite you if I get scared, but don't worry, I don't have rabies! You might, however, want to get checked for tetanus!</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Things About Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>I eat just about anything you give me!</li>\n<li>I am 100% not haunted. The folks at Wilson's checked!</li>\n<li>I'm really smart and enjoy solving puzzles.</li>\n<li>I sleep a lot and am relatively low maintenance.</li>\n<li>I like a peaceful, quiet home.</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>I don't like being picked up. For your own safety, please don't!</li>\n<li>Something about me makes other critters angry, so please keep them away.</li>\n<li>I don't like being in my kennel for too long.</li>\n<li>Please do not put a leash on me, it freaks me out.</li>\n<li>Keep me away from any electronics, I might break them!</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Notes From My Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>Ever since I was a kid I've always wanted to keep a raccoon as a pet since my uncle Jared had one, and when I saw little Bandit up for Foster I jumped at the opportunity. He looked a little different when I picked him up, but it's probably because of the lighting or something. I don't really know what I was expecting when I was told he was mischevious, I mean, I expected him to be on the same level as a very small child, but Bandit really was something else.</em></p>\n<p><em>He wasn't really affectionate, which I can understand and truthfully expected, but he almost recoiled at touch whenever I tried to just scratch his ears. I couldn't leave him alone in the house because whenever I did, I'd come back to find my phone off the hanger and Bandit screeching into it. I reckon he was taught some form of trick or something, 'cause he always seemed to call the same woman. Poor gal seems really distressed about it.</em></p>\n<p>~Lupita La Hoz</p>\n</blockquote>\n<blockquote>\n<p><em>Bandit is 100% a cutie, but he really was a handful. I've handled cockatrices who've given me less grief than he did!</em></p>\n<p><em>Don't let the adoption poster fool you, he refused to eat the cat food I set out for him and would instead break into my pantry and steal cans of Spaghetti-O's! As if that weren't bad enough, he somehow knew how to use a can opener and I'd often come home from campus to find him, his fur, and the whole floor covered in marinara. I would have loved to keep him, but I can't afford tuition, pet costs, and his high upkeep.</em></p>\n<p><em>Also, I think they must have two different raccoons at the adoption center, the one I fostered looked a little different than the one in the picture.</em></p>\n<p>~Helga Kavinsky</p>\n</blockquote>\n<blockquote>\n<p><em>This poor little sweetheart cost us a pretty penny through no fault of its own. It stole my kid's markers and wrote 'HELP I AM A MAN' on the wall and made us think poor little Bandit was possessed, but that wasn't the case. I was reassured by the folks at Wilson's that no one there taught Bandit the trick, and it's entirely possible whoever owned him previously might have.</em></p>\n<p><em>If for whatever reason you're reading this, not cool dude. My husband and I paid for a full-house exorcism for no reason and now I can't see my mother anymore.</em></p>\n<p>~Samuel Xi</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">etis.snoitulosefildliwsnosliw|ofni#etis.snoitulosefildliwsnosliw|ofni</span><br/>\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Alyx Elliot<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 7/25/2013</p>\n</div>\n<div class=\"wilson-body\">\n<p>Anders,</p>\n<p>I've had several complaints that the image we're using on the adoption poster is very clearly not Bandit. What's going on with that? Could you send a picture of what he actually looks like please?</p>\n<p>It's hard enough finding these guys homes and the last thing we need here is people saying they didn't get what was advertised.</p>\n<p>Thanks in advance!</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Anders Wilson<br/>\nRecipient(s): Alyx Elliot<br/>\nDate: 7/26/2013</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hi Miss Elliot,</p>\n<p>I see your point.</p>\n<p>Since poor Bandit looks a little worse for wear and is so sheepish, I figured a random picture of a raccoon would work, but you're right. Dishonesty is wrong, and I shouldn't have done this in the first place. I hope this new image doesn't hurt his chances. Here you go, and sorry for any trouble I caused!</p>\n\n<p><a href=\"/scp-1152\">Keep me posted on Bandit, I hope he gets adopted soon.</a></p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"collection\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-content\">\n<table style=\"1px solid black; width: 100%;\">\n<tr>\n<th class=\"namerow\" colspan=\"2\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p>Uncle Nicolini's Works</p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">SCPs</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/scp-8727\">SCP-8727</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-8400\">SCP-8400</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-020-j\">SCP-020-J</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/nicos-proposal-ii\">Nico's Proposal II</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7833\">SCP-7833</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-l157\">SCP-L157</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-4206\">SCP-4206</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-4726\">SCP-4726</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7149\">SCP-7149</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-4967\">SCP-4967</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7725\">SCP-7725</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-3879\">SCP-3879</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-3756\">SCP-3756</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-l726\">SCP-L726</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-6911\">SCP-6911</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Tales/GoI Formats</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/sightseeing-canadian-problems\">Sightseeing Canadian Problems</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/surprise-happy-birthday-14\">Surprise! Happy Birthday! Round and round it goes...</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/square-your-shoulders\">Square your shoulders, lift your pack, and leave your friends and go.</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/parawatch-intro-thread\">Parawatch Intro Thread</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/marw-el-reencarnado\">Marw (The Reincarnated One)</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/los-zapaticos-de-rosa\">Los zapaticos de rosa</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/fuckmylife666\">Fuckmylife666</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/clef-goes-to-the-dmv\">Clef Goes To The DMV</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/a-passing-rain\">A Passing Rain</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/classy-carlos-goes-to-therapy\">Classy Carlos Goes To Therapy</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/la-persistencia-de-la-memoria\">La Persistencia De La Memoria</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/kte-1221-parallax-nacl-carcinoma\">KTE-1221-Parallax-NACL-Carcinoma</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/late-registration\">(Too) Late Registration</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/tpokaof\">The Pursuit of Knowledge, and Other Frivolities</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/nats-ants\">Nat's Ants</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Other</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/ode-to-the-unknown-author\">Ode To The Unknown Author</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/sciptember-2022-art\">Sciptember 2022 Art Highlights</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/uncle-nicolini-author-page\">uncle nicolini author page</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n</table>\n</div>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-bandit\">Adoption Poster: Bandit!</a>\" by Uncle Nicolini, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-bandit\">https://scpwiki.com/adoption-poster-bandit</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> bandit.png<br/>\n<strong>Author:</strong> Paxson Woelber<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://en.wikipedia.org/wiki/File:Curious_Raccoon.jpg\">Wikipedia</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> raccoon.jpeg<br/>\n<strong>Author:</strong> SnugglePilot<br/>\n<strong>License:</strong> CC BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/weasello/344738121/\">Flickr</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:wilsons\">theme:wilsons</a>]]\n\n\n\n[[module CSS]]\n\n\n\n.collection .collapsible-block-unfolded-link a , .collection .collapsible-block-folded a {\n\nbackground-color: #c8e293 !important;\n\ncolor: #665731 !important;\n\n}\n\n\n\n.titlecolumn {\n\nbackground-color: #c8e293 !important;\n\ncolor: #665731 !important;\n\n}\n\n\n\n.namerow {\n\nbackground-color: #c8e293 !important;\n\ncolor: #665731 !important;\n\n}\n\n\n\n.namerow a {\n\n\u00a0\u00a0color: #148c14 !important;\n\n}\n\n\n\n[[/module]]\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hi! My name is Bandit![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image bandit.png]]\n\n[[div class=\"wilson-subtitle\"]]\n\nGet To Know Me!\n\n[[/div]]\n\n\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nI'm looking for a good and loving home in the Three Portlands-Boring area. I get along well with most people, but I'm some sort of magnet for meanness in other critters. As you might imagine, this means I'm pretty shy and wouldn't mesh well with other pets. I also won't run away because I'm scared of being attacked by wild critters so you can rest assured I will remain within your home!\n\n\n\nAs you can see, I'm a raccoon! I'm missing the fifth finger on my left paw for some reason, but I'm still pretty handy.\u00a0\u00a0I won't lie, I'm a bit too clever for my own good, so I'm going to need some rather attentive foster parents. By the way, I come with a specialized kennel that my crafty little hands can't pick open for when you need to transport me. Neat! \n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\nI'm a normal lil' raccoon most of the time, and that means I'm super curious and have an intense need to get my hands on anything I can. I have a weird interest in stuff like phones, laptops, and other such things, and I've also figured out how to open doors, cans, and bags.\n\n\n\nThe folks at Wilson's highly suggest some advanced baby and/or dog proof doors with latches so I don't get into stuff I shouldn't be sticking my nose into. Though I'm pretty sweet most of the time, please remember I'm still an animal. I might bite you if I get scared, but don't worry, I don't have rabies! You might, however, want to get checked for tetanus!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Things About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* I eat just about anything you give me!\n\n* I am 100% not haunted. The folks at Wilson's checked!\n\n* I'm really smart and enjoy solving puzzles.\n\n* I sleep a lot and am relatively low maintenance.\n\n* I like a peaceful, quiet home.\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* I don't like being picked up. For your own safety, please don't!\n\n* Something about me makes other critters angry, so please keep them away.\n\n* I don't like being in my kennel for too long.\n\n* Please do not put a leash on me, it freaks me out.\n\n* Keep me away from any electronics, I might break them!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //Ever since I was a kid I've always wanted to keep a raccoon as a pet since my uncle Jared had one, and when I saw little Bandit up for Foster I jumped at the opportunity. He looked a little different when I picked him up, but it's probably because of the lighting or something. I don't really know what I was expecting when I was told he was mischevious, I mean, I expected him to be on the same level as a very small child, but Bandit really was something else.//\n\n> \n\n> //He wasn't really affectionate, which I can understand and truthfully expected, but he almost recoiled at touch whenever I tried to just scratch his ears. I couldn't leave him alone in the house because whenever I did, I'd come back to find my phone off the hanger and Bandit screeching into it. I reckon he was taught some form of trick or something, 'cause he always seemed to call the same woman. Poor gal seems really distressed about it.//\n\n> \n\n> ~Lupita La Hoz\n\n\n\n> //Bandit is 100% a cutie, but he really was a handful. I've handled cockatrices who've given me less grief than he did!//\n\n> \n\n> //Don't let the adoption poster fool you, he refused to eat the cat food I set out for him and would instead break into my pantry and steal cans of Spaghetti-O's! As if that weren't bad enough, he somehow knew how to use a can opener and I'd often come home from campus to find him, his fur, and the whole floor covered in marinara. I would have loved to keep him, but I can't afford tuition, pet costs, and his high upkeep.//\n\n> \n\n> //Also, I think they must have two different raccoons at the adoption center, the one I fostered looked a little different than the one in the picture.// \n\n> \n\n> ~Helga Kavinsky\n\n\n\n> //This poor little sweetheart cost us a pretty penny through no fault of its own. It stole my kid's markers and wrote 'HELP I AM A MAN' on the wall and made us think poor little Bandit was possessed, but that wasn't the case. I was reassured by the folks at Wilson's that no one there taught Bandit the trick, and it's entirely possible whoever owned him previously might have.// \n\n> \n\n> //If for whatever reason you're reading this, not cool dude. My husband and I paid for a full-house exorcism for no reason and now I can't see my mother anymore.//\n\n> \n\n> ~Samuel Xi\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: info@wilsonswildlifesolutions.site\n\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Alyx Elliot\n\nRecipient(s): Anders Wilson\n\nDate: 7/25/2013\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAnders,\n\n\n\nI've had several complaints that the image we're using on the adoption poster is very clearly not Bandit. What's going on with that? Could you send a picture of what he actually looks like please?\n\n\n\nIt's hard enough finding these guys homes and the last thing we need here is people saying they didn't get what was advertised.\n\n\n\nThanks in advance!\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Anders Wilson\n\nRecipient(s): Alyx Elliot\n\nDate: 7/26/2013\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHi Miss Elliot,\n\n\n\nI see your point.\n\n\n\nSince poor Bandit looks a little worse for wear and is so sheepish, I figured a random picture of a raccoon would work, but you're right. Dishonesty is wrong, and I shouldn't have done this in the first place. I hope this new image doesn't hurt his chances. Here you go, and sorry for any trouble I caused!\n\n\n\n[[=image raccoon.jpg]]\n\n\n\n\n\n[[[SCP-1152|Keep me posted on Bandit, I hope he gets adopted soon.]]]\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[include <a href=\"/component:wikimodule\">component:wikimodule</a> |normal= --]]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** bandit.png\n\n> **Author:** Paxson Woelber\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [[[https://en.wikipedia.org/wiki/File:Curious_Raccoon.jpg|Wikipedia]]]\n\n\n\n\n\n> **Filename:** raccoon.jpeg\n\n> **Author:** SnugglePilot\n\n> **License:** CC BY-SA 2.0\n\n> **Source Link:** [[[https://www.flickr.com/photos/weasello/344738121/|Flickr]]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "bleak", "goi-format", "mystery", "three-portlands", "wilsons-wildlife"], "title": "Adoption Poster: Bandit! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-bandit"}, "adoption-poster-bonzo": {"created_at": "2021-08-10T21:58:00", "creator": "DrGooday", "domain": "scp-wiki.wikidot.com", "history": [{"author": "DrGooday", "author_href": "https://www.wikidot.com/user:info/drgooday", "comment": "Uploaded file \"6970874302_af431f0810_b.jpg\".", "date": "2021-08-10T21:58:00"}, {"author": "DrGooday", "author_href": "https://www.wikidot.com/user:info/drgooday", "comment": "", "date": "2021-08-10T21:58:00"}, {"author": "DrGooday", "author_href": "https://www.wikidot.com/user:info/drgooday", "comment": "", "date": "2021-08-10T21:59:00"}, {"author": "DrGooday", "author_href": "https://www.wikidot.com/user:info/drgooday", "comment": "Uploaded file \"Wereclown_Downgraded.jpg\".", "date": "2021-08-10T21:59:00"}, {"author": "Elunerazim", "author_href": "https://www.wikidot.com/user:info/elunerazim", "comment": "Added tags: _wilsons-wildlife, goi-format, three-portlands. ", "date": "2021-08-11T00:45:00"}, {"author": "Fish^12", "author_href": "https://www.wikidot.com/user:info/fish-12", "comment": "added : and ! to title", "date": "2021-08-11T01:47:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added tags: _cc, _licensebox, wilsons-wildlife. ", "date": "2021-08-11T19:00:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: tim-wilson. ", "date": "2021-09-19T04:10:00"}, {"author": "DrGooday", "author_href": "https://www.wikidot.com/user:info/drgooday", "comment": "", "date": "2021-11-07T00:03:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy. ", "date": "2024-10-17T19:41:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-bonzo", "page_id": "1312570856", "rating": 90, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilderness/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hello, my name is Bonzo!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:80%;\"><em>Bonzo entertaining some kiddos at one of his foster homes!</em></span></p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Get To Know Me!</p>\n</div>\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I'm looking for a good and loving home in the Three Portlands-Boring area, I really enjoy being around other clowns so a home with a few others would be really nice. Heck, if you ain't got any fellow clowns I'll be just at home with your little ones! I'll be the best darn babysitter and guard dog\u2014 er clown you've ever seen!</p>\n<p>I'm a common whiteface clown.<span class=\"fnnum\">.</span><span class=\"fncon\"><em>candida facie jesterous</em> for y'all sciency folk!</span> Unlike my sapient breatheren I can't speak that fancy English! High pitch honks are good enough for me.</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>I've had some very awful, terrible times outside (my missing thumb ain't a magic trick y'know) so please make sure y'all have enough space for a big ol' indoor buddy. Don't worry about leaving me inside when you head off to the shop or anything. I'm very well trained!</p>\n<p>Loud noises like thunder, fireworks, and vacuums scare the living daylights out of me! Dogs especially, their mean barks and growls send me scurrying into the deepest corners of the ball pit. So make sure my living space is relatively quiet and that you don't have any canine companions in the house (I'm fine with most other furry critters though, so don't worry about anything like that)!</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Things About Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>As you might expect I'm very high maintenance. So please make sure your schedule can incorporate such a needy pal like me.</li>\n<li>I'll need a nice big place to play in and explore. While I'd prefer my own room a nice big corner would be just as nifty!</li>\n<li>My water and food bowls should be cleaned every day.</li>\n<li>A clean clown is a happy clown. Keeping that in mind, I need to be bathed at least once a month. It's said that I smell a little funny after a bath but don't let that fool you, it's going to make me smell better in the long run!</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>I live off a diet of corn dogs, pretzels, and most types of cake. Careful though peanuts, popcorn, and marshmallows make my stomach hurt something fierce.</li>\n<li>I got the world's biggest sweet tooth. I'd love to get a nice piece of candy every now and then as a little treat. Be careful though, I'm deathly allergic to chocolate!</li>\n<li>Like most other clown breeds, I'm a natural-born entertainer! Nothing makes my little clown heart honk more than making you, your friends, and your family smile with my little tricks.</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-body\">\n<div class=\"wilson-subtitle\">\n<p>Notes From My Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>\"Bonzo is the absolute sweetest little clown I've ever met. My kids just adored the little guy. Sadly though, we just couldn't keep up with the number of complaints we were getting from our neighbors due to Bonzo's late-night honking. Sorry pal, hope you can find your forever home soon!\"</em><br/>\n~Harrison Smalls</p>\n</blockquote>\n<blockquote>\n<p><em>\"I really did enjoy my time with Bonzo. He was the best companion I could have asked for. But when my girlfriend moved in with her dog last week, the poor guy wouldn't stop shaking and hiding in his room. I just couldn't bear to see him like that. My bad, big guy!\"</em><br/>\n~Consuelo Gonzalo</p>\n</blockquote>\n<blockquote>\n<p><em>\"One night while I was at work Bonzo got into my room and destroyed every single bit of my silver jewelry, some of which I held near and dear to my heart. After that I just couldn't bear to look after him any longer. My apologies.\"</em><br/>\n~Anastasia Hendrix</p>\n</blockquote>\n</div>\n</div>\n</div>\n<hr/>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Tim Wilson<br/>\nRecipient(s): Greebo Graabo<br/>\nDate: 02/05</p>\n</div>\n<div class=\"wilson-body\">\n<p>Howdy, Mr. Graabo!</p>\n<p>I just wanted to thank you for giving our little Bonzo a new, loving home. I'll tell you, we've had one heck of a time trying to get him a good place to stay. And then here you are, swooping to the rescue and deciding to take care of such a wonderful buddy.</p>\n<p>Truly, from the bottom of all our hearts. Thank you!</p>\n<p>~Tim</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Greebo Graabo<br/>\nRecipient(s): Tim Wilson<br/>\nDate: 02/26</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hey there!</p>\n<p>Just wanted to give you a quick update on Bonzo. He's an interesting little fella for sure! He's been nothing but an absolute sweetheart and an absolute joy to be around, honestly, he's the light of our lives!</p>\n<p>Although, there's just one incident I had that I thought I'd bring up, nothing bad, just something of interest: So, I was up late up the other night finishing up some paperwork and the like when I hear the big guy honking from outside, which as I'm sure you know is really unusual for him to do. Anyways, I go outside to check on him when uh, here, I'll let you see for yourself-</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\ud83d\udcceBonzo.jpg</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\ud83d\udcceBonzo.jpg</a></div>\n<div class=\"collapsible-block-content\">\n\n<p>Y'see, I don't think our Bonzo is a pure breed whiteface, Tim.</p>\n</div>\n</div>\n</div>\n</div>\n</div>\n<p style=\"text-align: center;\"><span style=\"font-size:80%;\">With thanks to Andromedaz, Hamiltoe, RevTB, AnAnomalousWriter, JakdragonX, and Valdevia.</span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-bonzo\">Adoption Poster: Bonzo!</a>\" by DrGooday, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-bonzo\">https://scpwiki.com/adoption-poster-bonzo</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> 6970874302_af431f0810_b.jpg<br/>\n<strong>Name:</strong> Clown-Woman_Pretty-Girl-Clown__15229<br/>\n<strong>Author:</strong> Public Domain Photos<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://search.creativecommons.org/photos/6bd9bb88-0d5c-4e25-a998-689e40990864\" target=\"_blank\">Creative Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Wereclown_Downgraded.jpg<br/>\n<strong>Name:</strong> Clown Dog<br/>\n<strong>Author:</strong> <a href=\"https://scp-wiki.wikidot.com/valdevia\" target=\"_blank\">Valdevia</a><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/adoption-poster-bonzo\" target=\"_blank\">SCP Wiki</a><br/>\n<strong>Derivative of:</strong> <a href=\"https://search.creativecommons.org/photos/868580c5-26ca-4411-a245-0526d36ecd3c\" target=\"_blank\">Clown Dog</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:wilderness\">:scp-wiki:theme:wilderness</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:betterfootnotes\">:scp-wiki:component:betterfootnotes</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--fnColor: #1b5e20;\n\n}\n\n\n\n:root {\n\n--toggle-button-bg: rgb(var(--wilson-body));\n\n--toggle-border-color: rgb(var(--gray-monochrome));\n\n--toggle-icon-color: rgb(var(--wilson-text));\n\n--toggle-roundness: 0;\n\n}\n\n[[/module]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hello, my name is Bonzo![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image 6970874302_af431f0810_b.jpg]]\n\n[[=]]\n\n[[size 80%]]//Bonzo entertaining some kiddos at one of his foster homes!//[[/size]]\n\n[[/=]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nGet To Know Me!\n\n[[/div]]\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nI'm looking for a good and loving home in the Three Portlands-Boring area, I really enjoy being around other clowns so a home with a few others would be really nice. Heck, if you ain't got any fellow clowns I'll be just at home with your little ones! I'll be the best darn babysitter and guard dog-- er clown you've ever seen!\n\n\n\nI'm a common whiteface clown.[[span class=\"fnnum\"]].[[/span]][[span class=\"fncon\"]]//candida facie jesterous// for y'all sciency folk![[/span]] Unlike my sapient breatheren I can't speak that fancy English! High pitch honks are good enough for me.\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n\n\nI've had some very awful, terrible times outside (my missing thumb ain't a magic trick y'know) so please make sure y'all have enough space for a big ol' indoor buddy. Don't worry about leaving me inside when you head off to the shop or anything. I'm very well trained!\n\n\n\nLoud noises like thunder, fireworks, and vacuums scare the living daylights out of me! Dogs especially, their mean barks and growls send me scurrying into the deepest corners of the ball pit. So make sure my living space is relatively quiet and that you don't have any canine companions in the house (I'm fine with most other furry critters though, so don't worry about anything like that)!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Things About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* As you might expect I'm very high maintenance. So please make sure your schedule can incorporate such a needy pal like me.\n\n* I'll need a nice big place to play in and explore. While I'd prefer my own room a nice big corner would be just as nifty!\n\n* My water and food bowls should be cleaned every day.\n\n* A clean clown is a happy clown. Keeping that in mind, I need to be bathed at least once a month. It's said that I smell a little funny after a bath but don't let that fool you, it's going to make me smell better in the long run!\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* I live off a diet of corn dogs, pretzels, and most types of cake. Careful though peanuts, popcorn, and marshmallows make my stomach hurt something fierce.\n\n* I got the world's biggest sweet tooth. I'd love to get a nice piece of candy every now and then as a little treat. Be careful though, I'm deathly allergic to chocolate!\n\n* Like most other clown breeds, I'm a natural-born entertainer! Nothing makes my little clown heart honk more than making you, your friends, and your family smile with my little tricks.\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //\"Bonzo is the absolute sweetest little clown I've ever met. My kids just adored the little guy. Sadly though, we just couldn't keep up with the number of complaints we were getting from our neighbors due to Bonzo's late-night honking. Sorry pal, hope you can find your forever home soon!\"//\n\n>\n\n> ~Harrison Smalls\n\n\n\n> //\"I really did enjoy my time with Bonzo. He was the best companion I could have asked for. But when my girlfriend moved in with her dog last week, the poor guy wouldn't stop shaking and hiding in his room. I just couldn't bear to see him like that. My bad, big guy!\"//\n\n>\n\n> ~Consuelo Gonzalo\n\n\n\n> //\"One night while I was at work Bonzo got into my room and destroyed every single bit of my silver jewelry, some of which I held near and dear to my heart. After that I just couldn't bear to look after him any longer. My apologies.\"//\n\n>\n\n> ~Anastasia Hendrix\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n-----\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Tim Wilson\n\nRecipient(s): Greebo Graabo\n\nDate: 02/05\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHowdy, Mr. Graabo!\n\n\n\nI just wanted to thank you for giving our little Bonzo a new, loving home. I'll tell you, we've had one heck of a time trying to get him a good place to stay. And then here you are, swooping to the rescue and deciding to take care of such a wonderful buddy.\n\n\n\nTruly, from the bottom of all our hearts. Thank you!\n\n\n\n~Tim\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Greebo Graabo\n\nRecipient(s): Tim Wilson\n\nDate: 02/26\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\nHey there!\n\n\n\nJust wanted to give you a quick update on Bonzo. He's an interesting little fella for sure! He's been nothing but an absolute sweetheart and an absolute joy to be around, honestly, he's the light of our lives!\n\n\n\nAlthough, there's just one incident I had that I thought I'd bring up, nothing bad, just something of interest: So, I was up late up the other night finishing up some paperwork and the like when I hear the big guy honking from outside, which as I'm sure you know is really unusual for him to do. Anyways, I go outside to check on him when uh, here, I'll let you see for yourself-\n\n\n\n[[collapsible show=\"\ud83d\udcceBonzo.jpg\" hide=\"\ud83d\udcceBonzo.jpg\"]]\n\n\n\n[[=image Wereclown_Downgraded.jpg]]\n\n\n\nY'see, I don't think our Bonzo is a pure breed whiteface, Tim.\n\n[[/collapsible]]\n\n\u00a0\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[size 80%]]\n\n= With thanks to Andromedaz, Hamiltoe, RevTB, AnAnomalousWriter, JakdragonX, and Valdevia.\n\n[[/size]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n\n\n> **Filename:** 6970874302_af431f0810_b.jpg\n\n> **Name:** Clown-Woman_Pretty-Girl-Clown__15229\n\n> **Author:** Public Domain Photos\n\n> **License:** CC BY 2.0\n\n> **Source Link:** [[[*https://search.creativecommons.org/photos/6bd9bb88-0d5c-4e25-a998-689e40990864 | Creative Commons]]]\n\n\n\n> **Filename:** Wereclown_Downgraded.jpg\n\n> **Name:** Clown Dog\n\n> **Author:** [[[*https://scp-wiki.wikidot.com/valdevia | Valdevia]]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [[[*https://scp-wiki.wikidot.com/adoption-poster-bonzo | SCP Wiki]]]\n\n> **Derivative of:** [[[*https://search.creativecommons.org/photos/868580c5-26ca-4411-a245-0526d36ecd3c | Clown Dog]]]\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "fantasy", "goi-format", "three-portlands", "tim-wilson", "wilsons-wildlife"], "title": "Adoption Poster: Bonzo! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-bonzo"}, "adoption-poster-cupid": {"created_at": "2020-09-08T16:11:00", "creator": "Krombopulos_Will", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Krombopulos_Will", "author_href": "https://www.wikidot.com/user:info/krombopulos-will", "comment": "Page created", "date": "2020-09-08T16:11:00"}, {"author": "Krombopulos_Will", "author_href": "https://www.wikidot.com/user:info/krombopulos-will", "comment": "Title punctuation", "date": "2020-09-08T16:18:00"}, {"author": "Krombopulos_Will", "author_href": "https://www.wikidot.com/user:info/krombopulos-will", "comment": "Added tags: three-portlands, wilson's-wildlife. Removed tags: three_portlands, wilson's_wildlife. ", "date": "2020-09-08T16:19:00"}, {"author": "Krombopulos_Will", "author_href": "https://www.wikidot.com/user:info/krombopulos-will", "comment": "Added tags: goi-format, three_portlands, wilson's_wildlife. ", "date": "2020-09-08T16:19:00"}, {"author": "Krombopulos_Will", "author_href": "https://www.wikidot.com/user:info/krombopulos-will", "comment": "Added tags: wilsons-wildlife. Removed tags: wilson's-wildlife. ", "date": "2020-09-08T16:20:00"}, {"author": "Krombopulos_Will", "author_href": "https://www.wikidot.com/user:info/krombopulos-will", "comment": "Added tags: _cc, _wilsons-wildlife. ", "date": "2020-09-08T16:30:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T05:57:00"}, {"author": "UncertaintyCrossing", "author_href": "https://www.wikidot.com/user:info/uncertaintycrossing", "comment": "", "date": "2020-11-03T21:28:00"}, {"author": "UncertaintyCrossing", "author_href": "https://www.wikidot.com/user:info/uncertaintycrossing", "comment": "Added tags: _licensebox. ", "date": "2020-11-03T21:29:00"}, {"author": "Tstaffor", "author_href": "https://www.wikidot.com/user:info/tstaffor", "comment": "", "date": "2021-07-25T23:43:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: crime-fiction. ", "date": "2024-10-17T19:48:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-cupid", "page_id": "1273695410", "rating": 91, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilsons/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hello, my name is Cupid!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n<div class=\"wilson-subtitle\">\n<p>Get To Know Me!</p>\n</div>\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I'm looking for a good and loving home in the Three Portlands-Boring area, preferably with another dove to hang out with. If I don't have a special bird buddy, I'll feel lonesome and gloomy. I'm easy as pie to take care of! I get along with youngsters and other critters like peas in a pod, so long as those other critters don't try to eat me! When I first move in, I can be shy, but with a bit of love and attention I'll warm right up to you.</p>\n<p>Even though folks call me Cupid, I\u2019m a lady dove \u2014 gals and fellas of my species look the same and I got my name before anybody noticed. Barbary doves, or ringneck doves, have been domesticated for thousands of years, so I\u2019ll feel right at home with you.</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>If I take a shine to you, I might even have something to show you! When I wing my way on over, tug on your clothes, and fly away again and again, I'm doing my best to get you to tag along toward the fella who would want to see you the most. Watch out, though, since I don't always lead people to the nicest places. Unlike my pigeon cousins, I won't be able to find my way back home if I'm released far away, so you'll have to bring me back yourself after the adventure.</p>\n<p>My cage should have enough room for myself and the other dove to stretch out our wings. Unlike parrots, I don't bother with toys. Once I feel safe and sound in your house, I can get very affectionate \u2014 a real \"love dove!\"</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Things About Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>Living near more than one other dove makes me jumpy and frazzled.</li>\n<li>However, when it comes to other sorts of birds, the more, the merrier!</li>\n<li>I was raised outdoors, so I can live in an indoor or outdoor cage.</li>\n<li>My water and food bowls should be cleaned every day.</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>Commercial dove mix is fine for me, and I'm wild about small, black oil sunflower seeds.</li>\n<li>I need a container of calcium grit to help me digest my food and get the right nutrients.</li>\n<li>Make sure I also get some yummy greens, such as lettuce or spinach. I go nuts for chopped up bell peppers!</li>\n<li>Expect a truckload of poo!</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-body\">\n<div class=\"wilson-subtitle\">\n<p>Notes From My Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>Cupid is a gentle, amiable dove and a delight to have around. She seemed insistent that I follow her one blustery fall day, so I strolled down Kelso Road until I reached the serene Iseli Nursery. A caretaker was just getting off her shift and she had a smile as cheery as a daisy and a hairstyle that made me envious. I chatted to her about her job and we hit it off immediately. Ten months later, we said our vows at a small gathering. That\u2019s why I named her Cupid (before I realized she was a lady).</em></p>\n<p>~Sara Ikomba</p>\n</blockquote>\n<blockquote>\n<p><em>I was so blue when my dear husband passed away, I thought I might accompany him out of grief. I fostered little Cupid as a distraction and she guided me to Tickle Creek Cogworth Church across town. Normally I would never set foot in a church other than Pathway, but I had no other recourse. I met Bernard there, who had just lost his wife of thirty-five years, and we rescued each other. Quite soon after we moved in together, Cupid\u2019s dove friend Antoinette breathed her last and we elected to return Cupid to Wilson\u2019s rather than search for a replacement for Toni.</em><br/>\n~Dana Acre</p>\n</blockquote>\n<blockquote>\n<p><em>Cupid\u2019s a first-rate feathered friend. She\u2019ll show you all kinds of crazy spots. For example, I never reckoned I\u2019d end up tagging along with a bird to the North American Bigfoot Center. When I mentioned I was jobless in conversation, they literally begged me to apply as a tour guide! One of theirs abandoned his shift without letting anybody know and never answered any attempts to get in touch. I found the time of my life! I never would\u2019ve thought of applying without her and my life would\u2019ve been so much crappier for it. She's terrific around my kiddos, too. Super big-hearted and no sweat to care for! Unfortunately, with another little one on the way, we sadly don\u2019t have the time to keep her in our family.</em><br/>\n~Reyna Quintanilla</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">etis.snoitulosefildliwsnosliw|ofni#etis.snoitulosefildliwsnosliw|ofni</span><br/>\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife</p>\n</div>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Sara Ikomba<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 6/23/2019</p>\n</div>\n<div class=\"wilson-body\">\n<p>Anders,</p>\n<p>Cupid is a gentle, amiable dove and a delight to have around, but after what transpired, she can't remain in my home.</p>\n<p>For example, she seemed insistent that I follow her one blustery fall day, so I strolled down Kelso Road until I reached the serene Iseli Nursery. A caretaker was just getting off her shift and she had a smile as cheery as a daisy and a hairstyle that made me envious. I chatted to her about her job and we hit it off immediately. Ten months later, we said our vows at a small gathering. That\u2019s why I named her Cupid (before I realized she was a lady). Whenever Maddie needed me from afar, Cupid would pluck at my dress and guide me to her.</p>\n<p>Unfortunately, Beth was passing through town (unbeknownst to me) a couple of hours ago, even though I moved across several states so Beth would never lay her hands on me again. Maddie was in Seattle watching her nephew\u2019s play.</p>\n<p>For years, Beth would turn up at my bookstore or when I went out to dinner and tell me about the abhorrent future she had planned for us. I couldn't even wash my dishes without fearing the sound of Beth\u2019s distinctive knock or the sight of her leaning against my doorframe with a gun. When Cupid brought me to the gas station where her dirt-speckled sedan was parked, I ran until the pain from my lungs made me vomit in an overgrown field.</p>\n<p>Please take Cupid away from me. Warn the next owner.</p>\n<p>Sincerely,<br/></p>\n<div style=\"text-align: right;\">\n<p>Sara Ikomba</p>\n</div>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Mohammed Abdel Rahim<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 5/03/2020</p>\n</div>\n<div class=\"wilson-body\">\n<p>Mister Anders Wilson,</p>\n<p>You told me I would be the perfect owner for Cupid because I know of nobody who wishes to meet me to do me harm. You were wrong.</p>\n<p>My father always said that patience was the foundation for building quality relationships. When I agreed to foster Cupid, I had been patient for twenty-two years in seeking a woman to share the sunrise. I don't look hideous and I believe I have plenty to offer, but whenever I try to speak to one, I stutter and scamper away, worried I might frighten her with some impropriety. My parents have set me up with a few women, but I ended up not even letting them into my car, driving off in fright. Cupid seemed like the perfect opportunity. If she only brought me to people who truly wanted to see me, perhaps I could be confident enough to speak.</p>\n<p>With a little patience and care, it was easy to befriend her. Soon, she fluttered right to my hand when I opened her aviary! I provided her lavish accommodations, as my family has considerable wealth. Each day, after hand-feeding her, I would check my portfolio with her perched on my shoulder, hoping she would whisk me away to that special someone.</p>\n<p>It finally happened yesterday: she tugged against my suit and I rose to follow. In retrospect, I should have realized I was driving through the dingier areas of Portland, but I was blinded by the dream of at last meeting a potential girlfriend. Cupid pointed me down an alley too small for my car and I parked. After a minute of walking, I felt a gun pressed against my back.</p>\n<p>I met not a charming lady but a terrible mugger. He commanded me to hand over not only my wallet but my clothes, which he must have recognized were worth more than my billfold could carry. In terror, I froze, so he beat me repeatedly with the butt of his pistol, stole my possessions, and stripped me to my underwear.</p>\n<p>I am done being patient with Cupid. This dove is cursed and I want nothing to do with her. You guys handle her.</p>\n<p>Sincerely,<br/></p>\n<div style=\"text-align: right;\">\n<p>Mohammed Abdel Rahim</p>\n</div>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Chloe Greenlee<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 7/14/2020</p>\n</div>\n<div class=\"wilson-body\">\n<p>Anders Wilson,</p>\n<p>The grandest necklace has many dazzling jewels. I have already completed most of the tasks necessary to make my life beautiful, adding each emerald with precision and care. With the addition of Cupid, I will achieve perfection. I've heard about her escapades and know precisely how to handle her. Unlike her previous foster parents, I won't let her steer me around. I just want a pet and the knowledge that I am in charge of a unique being. She'll never leave her room with the other dove \u2014 she can try to fly me into danger, but all she'll find are walls and bars. I will adopt her without a fostering period.</p>\n<p>Yours truly,</p>\n<div style=\"text-align: right;\">\n<p>Chloe Greenlee</p>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><span style=\"font-size:larger;\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Anders,\u00a0you\u00a0need\u00a0to\u00a0read\u00a0this.</a></span></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><span style=\"font-size:larger;\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2013\u00a0hide\u00a0block</a></span></div>\n<div class=\"collapsible-block-content\">\n<p><strong>\"Bear Cave Killer\" Suspect Arrested in Boring</strong></p>\n<p><strong>BORING</strong>, Ore.- (CBS/AP). The five-year manhunt for the killer who scattered the remains of at least three victims across a Mount Bachelor bear cave has finally come to an end, says Detective Josh Rangel of the Sandy Police department. While out late Friday evening, he saw a woman - now identified as suspect Chloe Greenlee - attempting to chase down her pet bird and recognized her purse as belonging to one of the victims.</p>\n<p>The Sandy Police Department announced her arrest to the press and family members of the victims this morning. \u201cI haven\u2019t felt this good since my dad was still alive,\u201d said one victim\u2019s daughter.</p>\n<p>When questioned, Greenlee confessed. Rangel reported, \u201cShe seemed flabbergasted anyone would ever catch on to her. But once I got her talking about herself, it was like she couldn't <em>stop</em> bragging.\u201d</p>\n<p>Rangel had been working on the case since its inception. He stated, \u201cShe ran into exactly the wrong person. I\u2019ve never been so over the moon to see a purse \u2014 she was keeping birdseed in it! I\u2019m just happy she can\u2019t add another one to her body count.\u201d</p>\n<p>Greenlee, 39, managed a local golf course and frequented the Square Dance club. She has two sisters and a father, all unavailable for comment. She lived alone with her dog and two doves.</p>\n<p>Neighbors said she was talkative and tended to redirect conversations to herself and her ambitions. \u201cI wish I could have felt her aura, noticed something, and gone to the cops about it, but I had no idea,\u201d said one next-door neighbor. \u201cI feel like some of the blame is on me. You really can\u2019t trust anyone in these times.\u201d</p>\n<p>Only three murders are currently linked to Greenlee, though the Sandy Police Department has indicated there will likely be more charges levied against her regarding several unsolved cases.</p>\n<p>The \u201cBear Cave Killer\u201d rose to prominence in 2015, when students and educators at Desert Blossom preschool in Bend, Oregon reported a black bear with a human arm in his mouth rooting through a dumpster. Police tracked the bear's path to uncover the mangled remains of three victims in a cave on Mount Bachelor. Evidence of knife wounds attested that wild animals were not the cause of death.</p>\n<p>Though the death penalty is legal in Oregon, Greenlee is expected to negotiate her sentence down in exchange for the locations of other bodies.</p>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-cupid\">Adoption Poster: Cupid!</a>\" by Krombopulos_Will, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-cupid\">https://scpwiki.com/adoption-poster-cupid</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> CupidTheDove<br/>\n<strong>Name:</strong> Sandy<br/>\n<strong>Author:</strong> dalvenjah<br/>\n<strong>License:</strong> CC BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/dalvenjah/333695349/\">Flickr</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:wilsons\">theme:wilsons</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hello, my name is Cupid![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image http://scp-sandbox-3.wikidot.com/local--files/krombopulos-will/CupidTheDove width=\"300px\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nGet To Know Me!\n\n[[/div]]\n\n\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nI'm looking for a good and loving home in the Three Portlands-Boring area, preferably with another dove to hang out with. If I don't have a special bird buddy, I'll feel lonesome and gloomy. I'm easy as pie to take care of! I get along with youngsters and other critters like peas in a pod, so long as those other critters don't try to eat me! When I first move in, I can be shy, but with a bit of love and attention I'll warm right up to you. \n\n\n\nEven though folks call me Cupid, I\u2019m a lady dove -- gals and fellas of my species look the same and I got my name before anybody noticed. Barbary doves, or ringneck doves, have been domesticated for thousands of years, so I\u2019ll feel right at home with you.\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n\n\nIf I take a shine to you, I might even have something to show you! When I wing my way on over, tug on your clothes, and fly away again and again, I'm doing my best to get you to tag along toward the fella who would want to see you the most. Watch out, though, since I don't always lead people to the nicest places. Unlike my pigeon cousins, I won't be able to find my way back home if I'm released far away, so you'll have to bring me back yourself after the adventure.\n\n\n\nMy cage should have enough room for myself and the other dove to stretch out our wings. Unlike parrots, I don't bother with toys. Once I feel safe and sound in your house, I can get very affectionate -- a real \"love dove!\" \n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Things About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* Living near more than one other dove makes me jumpy and frazzled.\n\n* However, when it comes to other sorts of birds, the more, the merrier!\n\n* I was raised outdoors, so I can live in an indoor or outdoor cage.\n\n* My water and food bowls should be cleaned every day.\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* Commercial dove mix is fine for me, and I'm wild about small, black oil sunflower seeds.\n\n* I need a container of calcium grit to help me digest my food and get the right nutrients.\n\n* Make sure I also get some yummy greens, such as lettuce or spinach. I go nuts for chopped up bell peppers!\n\n* Expect a truckload of poo!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //Cupid is a gentle, amiable dove and a delight to have around. She seemed insistent that I follow her one blustery fall day, so I strolled down Kelso Road until I reached the serene Iseli Nursery. A caretaker was just getting off her shift and she had a smile as cheery as a daisy and a hairstyle that made me envious. I chatted to her about her job and we hit it off immediately. Ten months later, we said our vows at a small gathering. That\u2019s why I named her Cupid (before I realized she was a lady).//\n\n> \n\n> ~Sara Ikomba \n\n\n\n> //I was so blue when my dear husband passed away, I thought I might accompany him out of grief. I fostered little Cupid as a distraction and she guided me to Tickle Creek Cogworth Church across town. Normally I would never set foot in a church other than Pathway, but I had no other recourse. I met Bernard there, who had just lost his wife of thirty-five years, and we rescued each other. Quite soon after we moved in together, Cupid\u2019s dove friend Antoinette breathed her last and we elected to return Cupid to Wilson\u2019s rather than search for a replacement for Toni.//\n\n>\n\n> ~Dana Acre\n\n\n\n> //Cupid\u2019s a first-rate feathered friend. She\u2019ll show you all kinds of crazy spots. For example, I never reckoned I\u2019d end up tagging along with a bird to the North American Bigfoot Center. When I mentioned I was jobless in conversation, they literally begged me to apply as a tour guide! One of theirs abandoned his shift without letting anybody know and never answered any attempts to get in touch. I found the time of my life! I never would\u2019ve thought of applying without her and my life would\u2019ve been so much crappier for it. She's terrific around my kiddos, too. Super big-hearted and no sweat to care for! Unfortunately, with another little one on the way, we sadly don\u2019t have the time to keep her in our family.//\n\n>\n\n> ~Reyna Quintanilla\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: info@wilsonswildlifesolutions.site\n\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Sara Ikomba\n\nRecipient(s): Anders Wilson\n\nDate: 6/23/2019\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAnders,\n\n\n\nCupid is a gentle, amiable dove and a delight to have around, but after what transpired, she can't remain in my home.\n\n\n\nFor example, she seemed insistent that I follow her one blustery fall day, so I strolled down Kelso Road until I reached the serene Iseli Nursery. A caretaker was just getting off her shift and she had a smile as cheery as a daisy and a hairstyle that made me envious. I chatted to her about her job and we hit it off immediately. Ten months later, we said our vows at a small gathering. That\u2019s why I named her Cupid (before I realized she was a lady). Whenever Maddie needed me from afar, Cupid would pluck at my dress and guide me to her.\n\n\n\nUnfortunately, Beth was passing through town (unbeknownst to me) a couple of hours ago, even though I moved across several states so Beth would never lay her hands on me again. Maddie was in Seattle watching her nephew\u2019s play. \n\n\n\nFor years, Beth would turn up at my bookstore or when I went out to dinner and tell me about the abhorrent future she had planned for us. I couldn't even wash my dishes without fearing the sound of Beth\u2019s distinctive knock or the sight of her leaning against my doorframe with a gun. When Cupid brought me to the gas station where her dirt-speckled sedan was parked, I ran until the pain from my lungs made me vomit in an overgrown field.\n\n\n\nPlease take Cupid away from me. Warn the next owner.\n\n\n\nSincerely,\n\n[[>]]\n\nSara Ikomba\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Mohammed Abdel Rahim\n\nRecipient(s): Anders Wilson\n\nDate: 5/03/2020\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nMister Anders Wilson,\n\n\n\nYou told me I would be the perfect owner for Cupid because I know of nobody who wishes to meet me to do me harm. You were wrong. \n\n\n\nMy father always said that patience was the foundation for building quality relationships. When I agreed to foster Cupid, I had been patient for twenty-two years in seeking a woman to share the sunrise. I don't look hideous and I believe I have plenty to offer, but whenever I try to speak to one, I stutter and scamper away, worried I might frighten her with some impropriety. My parents have set me up with a few women, but I ended up not even letting them into my car, driving off in fright. Cupid seemed like the perfect opportunity. If she only brought me to people who truly wanted to see me, perhaps I could be confident enough to speak. \n\n\n\nWith a little patience and care, it was easy to befriend her. Soon, she fluttered right to my hand when I opened her aviary! I provided her lavish accommodations, as my family has considerable wealth. Each day, after hand-feeding her, I would check my portfolio with her perched on my shoulder, hoping she would whisk me away to that special someone.\n\n\n\nIt finally happened yesterday: she tugged against my suit and I rose to follow. In retrospect, I should have realized I was driving through the dingier areas of Portland, but I was blinded by the dream of at last meeting a potential girlfriend. Cupid pointed me down an alley too small for my car and I parked. After a minute of walking, I felt a gun pressed against my back. \n\n\n\nI met not a charming lady but a terrible mugger. He commanded me to hand over not only my wallet but my clothes, which he must have recognized were worth more than my billfold could carry. In terror, I froze, so he beat me repeatedly with the butt of his pistol, stole my possessions, and stripped me to my underwear. \n\n\n\nI am done being patient with Cupid. This dove is cursed and I want nothing to do with her. You guys handle her.\n\n\n\nSincerely,\n\n[[>]]\n\nMohammed Abdel Rahim\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Chloe Greenlee\n\nRecipient(s): Anders Wilson\n\nDate: 7/14/2020\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAnders Wilson, \n\n\n\nThe grandest necklace has many dazzling jewels. I have already completed most of the tasks necessary to make my life beautiful, adding each emerald with precision and care. With the addition of Cupid, I will achieve perfection. I've heard about her escapades and know precisely how to handle her. Unlike her previous foster parents, I won't let her steer me around. I just want a pet and the knowledge that I am in charge of a unique being. She'll never leave her room with the other dove -- she can try to fly me into danger, but all she'll find are walls and bars. I will adopt her without a fostering period.\n\n\n\nYours truly,\n\n\n\n[[>]]\n\nChloe Greenlee\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n\n\n\n\n\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n\n\n[[size larger]][[collapsible show=\"Anders, you need to read this.\"]][[/size]]\n\n\n\n**\"Bear Cave Killer\" Suspect Arrested in Boring**\n\n\n\n**BORING**, Ore.- (CBS/AP). The five-year manhunt for the killer who scattered the remains of at least three victims across a Mount Bachelor bear cave has finally come to an end, says Detective Josh Rangel of the Sandy Police department. While out late Friday evening, he saw a woman - now identified as suspect Chloe Greenlee - attempting to chase down her pet bird and recognized her purse as belonging to one of the victims.\n\n\n\nThe Sandy Police Department announced her arrest to the press and family members of the victims this morning. \u201cI haven\u2019t felt this good since my dad was still alive,\u201d said one victim\u2019s daughter.\n\n\n\nWhen questioned, Greenlee confessed. Rangel reported, \u201cShe seemed flabbergasted anyone would ever catch on to her. But once I got her talking about herself, it was like she couldn't //stop// bragging.\u201d\n\n\n\nRangel had been working on the case since its inception. He stated, \u201cShe ran into exactly the wrong person. I\u2019ve never been so over the moon to see a purse -- she was keeping birdseed in it! I\u2019m just happy she can\u2019t add another one to her body count.\u201d\n\n\n\nGreenlee, 39, managed a local golf course and frequented the Square Dance club. She has two sisters and a father, all unavailable for comment. She lived alone with her dog and two doves. \n\n\n\nNeighbors said she was talkative and tended to redirect conversations to herself and her ambitions. \u201cI wish I could have felt her aura, noticed something, and gone to the cops about it, but I had no idea,\u201d said one next-door neighbor. \u201cI feel like some of the blame is on me. You really can\u2019t trust anyone in these times.\u201d\n\n\n\nOnly three murders are currently linked to Greenlee, though the Sandy Police Department has indicated there will likely be more charges levied against her regarding several unsolved cases.\n\n\n\nThe \u201cBear Cave Killer\u201d rose to prominence in 2015, when students and educators at Desert Blossom preschool in Bend, Oregon reported a black bear with a human arm in his mouth rooting through a dumpster. Police tracked the bear's path to uncover the mangled remains of three victims in a cave on Mount Bachelor. Evidence of knife wounds attested that wild animals were not the cause of death.\n\n\n\nThough the death penalty is legal in Oregon, Greenlee is expected to negotiate her sentence down in exchange for the locations of other bodies.\n\n\n\n[[/collapsible]]\n\n\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** CupidTheDove\n\n> **Name:** Sandy\n\n> **Author:** dalvenjah\n\n> **License:** CC BY-SA 2.0\n\n> **Source Link:** [[[https://www.flickr.com/photos/dalvenjah/333695349/|Flickr]]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "crime-fiction", "goi-format", "three-portlands", "wilsons-wildlife"], "title": "Adoption Poster: Cupid! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-cupid"}, "adoption-poster-darius": {"created_at": "2019-08-04T16:36:00", "creator": "Uncle Nicolini", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-08-04T16:36:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"dare.png\".", "date": "2019-08-04T16:37:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _wilsons-wildlife, faeowynn-wilson, gamers-against-weed, goi-format, unusual-incidents-unit, wilsons-wildlife. ", "date": "2019-08-04T16:37:00"}, {"author": "deleted", "author_href": false, "comment": "File \"dare.png\" deleted", "date": "2019-08-04T16:38:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"dare.png\".", "date": "2019-08-04T16:40:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-08-04T16:41:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"uiu_25.png\".", "date": "2019-08-04T16:41:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-08-04T16:42:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: mister. ", "date": "2019-08-04T16:43:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-08-04T16:45:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _image. ", "date": "2019-08-04T16:47:00"}, {"author": "Ellie3", "author_href": "https://www.wikidot.com/user:info/ellie3", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-08-04T16:49:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: deer-college. ", "date": "2019-08-04T20:52:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-11-21T00:53:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: reviewers-spotlight. ", "date": "2019-12-10T08:49:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-02-02T18:39:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "added mister heavenly virtues to list", "date": "2020-09-18T16:23:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T05:57:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2021-01-17T20:37:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2021-02-12T23:41:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "Added tags: _licensebox. ", "date": "2021-02-28T02:07:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "_licensebox", "date": "2021-02-28T02:07:00"}, {"author": "HarryBlank", "author_href": "https://www.wikidot.com/user:info/harryblank", "comment": "", "date": "2021-04-22T02:40:00"}, {"author": "Tstaffor", "author_href": "https://www.wikidot.com/user:info/tstaffor", "comment": "", "date": "2021-07-25T23:55:00"}, {"author": "GlobularGoalpost", "author_href": "https://www.wikidot.com/user:info/globulargoalpost", "comment": "", "date": "2021-09-20T05:51:00"}, {"author": "hungrypossum", "author_href": "https://www.wikidot.com/user:info/hungrypossum", "comment": "You successfully reverted the page to revision number 23", "date": "2021-09-20T06:16:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: esther-kogan. ", "date": "2021-10-08T04:55:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "fixing something", "date": "2023-02-27T20:46:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: comedy, crime-fiction. ", "date": "2024-10-11T05:53:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2026-06-23T17:01:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-darius", "page_id": "853020224", "rating": 159, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilsons/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hi! My name is Darius!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n<div class=\"wilson-subtitle\">\n<p>Get To Know Me!</p>\n</div>\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I'm looking for a good and loving home in the Three Portlands-Boring area. I get along with most people, so long as they aren't in positions of power. I really can't stand to be near them. This is no joke, folks! I start cussing up a storm and shouting all sorts of profanities if one so much as gets near me. So long as you aren't in a place of authority, you and I should get along just fine!</p>\n<p>I'm a very special bird, a resplendent quetzal to be exact. My species doesn't talk, so I really am unique! As you can see, we've got some pretty attractive plumage, which means I would be a colorful addition to your home. I don't need a lot of room, but I would certainly appreciate having a big, spacious cage to stretch my little wings in. I come with a small travel cage, one bag of feed \u2014 and my toys!</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>I'm a rebel! Ms. Wilson tried her best to look after me, but I would yell and yell until she left me alone. The folks at Wilson tried to acclimate me by assigning me to a Volunteer Jefferson (a police officer), but after I threatened to bite his lips off and defecate in his mouth, they figured it was time for me to go.</p>\n<p>I'm pretty easy to take care of. I only need my feed and water to be changed regularly, and some room to relax in. Seeds and fruits are my favorites, especially avocado. No need to turn it into guac \u2014 just feed me that yummy fruit as-is!</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Things About Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>I just love to eat fruits and bugs!</li>\n<li>My tail feathers get really long during mating season!</li>\n<li>I'm part of an endangered species, please be kind to me!</li>\n<li>I am really quiet most of the time!</li>\n<li>My species is associated with the Aztec feathered serpent, the Quetzalcoatl!</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>I have a really bad potty mouth!</li>\n<li>I <em>really</em> don't like police! Please keep them away from me!</li>\n<li>I can chew through wires, so keep them hidden and out of my reach!</li>\n<li>I can get pretty loud if someone I don't like comes near, so be careful!</li>\n<li>Keep me away from cats! They scare me!</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Notes From My Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>This thing was awesome until I became an RA at Deer and he started pooping on my reports. Sorry, Darius. You were a real homie but I can't have this happen again.</em></p>\n<p>~Brock Sanders</p>\n</blockquote>\n<blockquote>\n<p><em>This bird sang the entire 'Fuck the Police' song.</em></p>\n<p><em>Who taught him the song?! There's no way anyone over at Wilson's knowingly allowed this.</em></p>\n<p>~Ted</p>\n</blockquote>\n<blockquote>\n<p><em>The proximity range Darius picks police officers up on is startling. I can't in good conscience keep him in my home because it makes me feel as if I am using a living, breathing, and sometimes squawking, police scanner. Creepy.</em></p>\n<p>~Simran Nark</p>\n</blockquote>\n<blockquote>\n<p><em>It was funny at first (my dad's a cop), but then it got loose and pooped all over my dad's uniform and chewed up his radio. After my Dad found out, well, better off at Wilson's than here. Sorry, Darius\u2026</em></p>\n<p>~John O'Malley</p>\n</blockquote>\n<blockquote>\n<p><em>He was perfect up until inspection time at the Deer dorms came. He started calling the dorm inspector a fascist and told him to kiss a frog. It was pretty funny, especially when the inspector threatened to turn him into a frog. It wasn't funny when Darius threatened to stab him with a broken bottle. Needless to say, he's not welcome here anymore.</em></p>\n<p>~Alice Ferrer</p>\n</blockquote>\n<blockquote>\n<p><em>My husband and I thought we would be able to deal with a potty mouth parrot. We were fine when he started calling him a class traitor and cuckold. We were fine when he threatened to peck out his eyes and poop in the sockets. We were really unhappy when he flew out of his cage and threatened my husband at knifepoint in the kitchen.</em></p>\n<p>~Erik E. Erikson</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">etis.snoitulosefildliwsnosliw|ofni#etis.snoitulosefildliwsnosliw|ofni</span><br/>\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div style=\"display: inline-block; border:dashed 1px #999999; background:#F5F5F5; float:center; width:84%; padding:1px 15px; margin: 10px 10px 10px 40px\">\n<p style=\"text-align: center;\"><strong>CONFIDENTIAL</strong></p>\n\n<br/>\nTo whom it may concern,\n<p>Our agents in the adoption center area have informed us of a 'police-scanning' parrot. We are very interested in such an object and will be sending an agent to adopt it within the week. Thank you for helping us and your country.</p>\n<p>Yours,<br/>\n- FBI Regional Director Aponte</p>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Anders Wilson<br/>\nRecipient(s): Faeowynn Wilson<br/>\nDate: 7/25/2019</p>\n</div>\n<div class=\"wilson-body\">\n<p>Fae,</p>\n<p>We're having a hell of a time finding foster parents for Darius, and everyone on Void seems to have turned against this poor fellow. He's starting to be mean to me too, and you should see how bad he was to Hagi. I don't think we can hold onto him here much longer.</p>\n<p>We need to do something about him ASAP.</p>\n<p>Seeking guidance,<br/>\n-Andy</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Faeowynn Wilson<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 7/26/2019</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hey Andy,</p>\n<p>I'm very saddened to hear that Darius is having a medical emergency. Please bring him back to Boring as soon as possible and I will get Dr. Alistair to tend to him as soon as possible. <span style=\"text-decoration: underline;\">Please do not delay.</span></p>\n<p>- Fae</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div style=\"display: inline-block; border:dashed 1px #999999; background:#F5F5F5; float:center; width:84%; padding:1px 15px; margin: 10px 10px 10px 40px\">\n<p style=\"text-align: center;\"><strong>CONFIDENTIAL</strong></p>\n\n<br/>\nMs. Wilson,\n<p>I am very disappointed to hear that 'Darius' has somehow escaped capture during transportation from Boring to Portland. We were looking forward to putting him to work.</p>\n<p>Your brother was able to show me the email in which you replied to him about the bird's medical emergency, but he was not able to produce his own receipt. He had claimed to have cleaned out his Inbox and Outbox, which was true, but we found no such receipt on your end after a brief inspection.</p>\n<p>I apologize for the intrusion, but one can never be too sure with national security.</p>\n<p>Yours,<br/>\n- FBI Regional Director Aponte</p>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Faeowynn Wilson<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 7/29/2019</p>\n</div>\n<div class=\"wilson-body\">\n<p>Mr Aponte,</p>\n<p>Yeah, it sure is strange. But you know how it is with computers sometimes! Deleting things all willy nilly and whatnot. I'll keep you updated on our search for Darius, but I don't know how easy he'll be to catch. He always was a free spirit, after all.</p>\n<p>- Fae</p>\n</div>\n</div>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hey,\u00a0Esther.\u00a0It's\u00a0been\u00a0a\u00a0while.\u00a0How\u00a0is\u00a0Darius?</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Fae</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: left;\">\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\">Date: 08/19/2019</th>\n</tr>\n<tr>\n<th>From:</th>\n<td><span class=\"wiki-email\">ude.egellocreed|nagok.rehtse#ude.egellocreed|nagok.rehtse</span></td>\n</tr>\n<tr>\n<th>To:</th>\n<td><span class=\"wiki-email\">etis.snoitulosefildliwsnosliw|nosliw.eaf#etis.snoitulosefildliwsnosliw|nosliw.eaf</span></td>\n</tr>\n<tr>\n<th>Re:</th>\n<td>the bird (is the word)</td>\n</tr>\n<tr>\n<td colspan=\"2\"><strong>Holy Heck!</strong><br/>\n<br/>\nThank you for sending me my very own Mr. D.A.R.E.! Did you know that Drugs Are Really Expensive? It's true. Who is Dr. Wondertainment?<br/>\n<br/>\nFind them all and become Mr. Gamer (against weed)!<br/>\n<br/>\n<a href=\"/scp-2586\">01. Mr. Literal Serial Killer</a><br/>\n<a href=\"/mr-normie\">02. Mr. Normie</a><br/>\n<a href=\"/scp-3015\">03. Mr. Bernie Sanders</a><br/>\n<a href=\"/uiu-file-2016-004\">04. Mr. Get Anything For Free In Any Shop</a><br/>\n<a href=\"/scp-3697\">20. Mr. Sex Number</a><br/>\n<a href=\"/collected-item-no1080\">21. Mr. Heavenly Virtues</a><br/>\n<a href=\"/scp-3024\">22. Mr. Deadly Sins</a><br/>\n<a href=\"/scp-2839\">23. Mr. Original Character</a><br/>\n24. Mr. D.A.R.E. \u2714<br/>\n<a href=\"/ambrose-backdoor-soho\">25. Mrs. Gentrification</a><br/>\n<a href=\"/scp-3090\">26. Ms. Mad About Video Games</a><br/>\n<a href=\"/scp-2842\">27. Mr. Meme</a><br/>\n<a href=\"/scp-3012\">28. Mr. Ominous (discontinued)</a><br/>\n<a href=\"/scp-4239\">29. Mr. Destiny</a><br/>\n<a href=\"/scp-2476\">30. Mr. Monty Python And The Holy Grail</a><br/>\n<a href=\"/scp-4669\">31. Ms. Zapatista</a><br/>\n<a href=\"/scp-285\">32. Mr. Hax</a><br/>\n<a href=\"/log-of-anomalous-items#jhtt\">33. Mr. Just Has The Tattoo</a><br/>\n<a href=\"/scp-2562\">34. Mr. Top Text and Mr. Bottom Text</a><br/>\n<a href=\"/nico-queer-001\">35. Mr. Finale</a><br/>\n<br/>\nThanks, Fae.<br/>\n<br/>\n~ Esther</td>\n</tr>\n</table>\n<hr/></div>\n</div>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"collection\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">More\u00a0From\u00a0This\u00a0Author</a></div>\n<div class=\"collapsible-block-content\">\n<table style=\"1px solid black; width: 100%;\">\n<tr>\n<th class=\"namerow\" colspan=\"2\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p>Uncle Nicolini's Works</p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">SCPs</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/scp-5231\">SCP-5231</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-8728\">SCP-8728</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-7112\">SCP-7112</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-l157\">SCP-L157</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-2983\">SCP-2983</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-l002\">SCP-L002</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-654\">SCP-654</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-4432\">SCP-4432</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-4056\">SCP-4056</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-3085\">SCP-3085</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-2910-jp\">SCP-2910-JP</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-3863\">SCP-3863</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-es-357\">SCP-ES-357</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-l056\">SCP-L056</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/scp-l726\">SCP-L726</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Tales/GoI Formats</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/critter-profile-teemo\">Critter Profile: Teemo!</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/look-at-the-sea\">Look At The Sea Does anyone know anything about this?</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/ace-of-hearts\">Ace Of Hearts</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/two-coffins\">Two Coffins</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/hogslice-vs-bones\">HOGSLICE vs bones</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/koigarezaki-news-20210809\">The Global Occult Coalition believes that Ramen is practically Sushi, which caused a domino effect.</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/grant-request-post-mortem-neural-preservation\">GRANT REQUEST FOR THE RE-CREATION OF AN ADVANCED POSTMORTEM NEURAL PRESERVATION SYSTEM</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/fuckmylife666\">Fuckmylife666</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/classy-carlos-goes-to-therapy\">Classy Carlos Goes To Therapy</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/noncontradiction\">Noncontradiction</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/bannock-birthday-for-blank\">Bannock Birthday For Blank</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/corncrake-of-destiny\">The Corncrake Of Destiny</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/project-koza\">Project Koza, 1942</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/critter-profile-slappy\">Critter Profile: Slappy!</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/tim-wilson-s-close-shave\">Tim Wilson's Close Shave</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n<tr>\n<th class=\"titlecolumn\">Other</th>\n<th class=\"articlecolumn\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<p><a href=\"/sciptember-2022-art\">Sciptember 2022 Art Highlights</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/uncle-nicolini-author-page\">uncle nicolini author page</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n<div class=\"list-pages-item\">\n<p><a href=\"/ode-to-the-unknown-author\">Ode To The Unknown Author</a> <span class=\"collectiondot\">\u2022</span></p>\n</div>\n</div></th>\n</tr>\n</table>\n</div>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-darius\">Adoption Poster: Darius!</a>\" by Uncle Nicolini, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-darius\">https://scpwiki.com/adoption-poster-darius</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> dare.png<br/>\n<strong>Name:</strong> 25882674353_60d6358860_b.jpg<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/henzoid\" onclick=\"WIKIDOT.page.listeners.userInfo(5190300); return false;\"><img alt=\"Henzoid\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5190300&amp;amp;size=small&amp;amp;timestamp=1788006800\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5190300)\"/></a><a href=\"http://www.wikidot.com/user:info/henzoid\" onclick=\"WIKIDOT.page.listeners.userInfo(5190300); return false;\">Henzoid</a></span><br/>\n<strong>License:</strong> CC BY-SA 2.0<br/>\n<strong>Source:</strong> <a href=\"https://live.staticflickr.com/1567/25882674353_60d6358860_b.jpg\">https://live.staticflickr.com/1567/25882674353_60d6358860_b.jpg</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:wilsons\">theme:wilsons</a>]]\n\n\n\n[[module CSS]]\n\n\n\n.collection .collapsible-block-unfolded-link a , .collection .collapsible-block-folded a {\n\nbackground-color: #c8e293 !important;\n\ncolor: #665731 !important;\n\n}\n\n\n\n.titlecolumn {\n\nbackground-color: #c8e293 !important;\n\ncolor: #665731 !important;\n\n}\n\n\n\n.namerow {\n\nbackground-color: #c8e293 !important;\n\ncolor: #665731 !important;\n\n}\n\n\n\n.namerow a {\n\n\u00a0\u00a0color: #148c14 !important;\n\n}\n\n\n\n[[/module]]\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hi! My name is Darius![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image http://scp-wiki.wdfiles.com/local--files/adoption-poster-darius/dare.png]]\n\n[[div class=\"wilson-subtitle\"]]\n\nGet To Know Me!\n\n[[/div]]\n\n\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nI'm looking for a good and loving home in the Three Portlands-Boring area. I get along with most people, so long as they aren't in positions of power. I really can't stand to be near them. This is no joke, folks! I start cussing up a storm and shouting all sorts of profanities if one so much as gets near me. So long as you aren't in a place of authority, you and I should get along just fine!\n\n\n\nI'm a very special bird, a resplendent quetzal to be exact. My species doesn't talk, so I really am unique! As you can see, we've got some pretty attractive plumage, which means I would be a colorful addition to your home. I don't need a lot of room, but I would certainly appreciate having a big, spacious cage to stretch my little wings in. I come with a small travel cage, one bag of feed -- and my toys!\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\nI'm a rebel! Ms. Wilson tried her best to look after me, but I would yell and yell until she left me alone. The folks at Wilson tried to acclimate me by assigning me to a Volunteer Jefferson (a police officer), but after I threatened to bite his lips off and defecate in his mouth, they figured it was time for me to go.\n\n\n\nI'm pretty easy to take care of. I only need my feed and water to be changed regularly, and some room to relax in. Seeds and fruits are my favorites, especially avocado. No need to turn it into guac -- just feed me that yummy fruit as-is!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Things About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* I just love to eat fruits and bugs!\n\n* My tail feathers get really long during mating season!\n\n* I'm part of an endangered species, please be kind to me!\n\n* I am really quiet most of the time!\n\n* My species is associated with the Aztec feathered serpent, the Quetzalcoatl!\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* I have a really bad potty mouth!\n\n* I //really// don't like police! Please keep them away from me!\n\n* I can chew through wires, so keep them hidden and out of my reach!\n\n* I can get pretty loud if someone I don't like comes near, so be careful!\n\n* Keep me away from cats! They scare me!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //This thing was awesome until I became an RA at Deer and he started pooping on my reports. Sorry, Darius. You were a real homie but I can't have this happen again.//\n\n> \n\n> ~Brock Sanders\n\n\n\n> //This bird sang the entire 'Fuck the Police' song.//\n\n> \n\n> //Who taught him the song?! There's no way anyone over at Wilson's knowingly allowed this.//\n\n> \n\n> ~Ted\n\n\n\n> //The proximity range Darius picks police officers up on is startling. I can't in good conscience keep him in my home because it makes me feel as if I am using a living, breathing, and sometimes squawking, police scanner. Creepy.//\n\n> \n\n> ~Simran Nark\n\n\n\n> //It was funny at first (my dad's a cop), but then it got loose and pooped all over my dad's uniform and chewed up his radio. After my Dad found out, well,\u00a0\u00a0better off at Wilson's than here. Sorry, Darius...//\n\n> \n\n> ~John O'Malley\n\n\n\n> //He was perfect up until inspection time at the Deer dorms came. He started calling the dorm inspector a fascist and told him to kiss a frog. It was pretty funny, especially when the inspector threatened to turn him into a frog. It wasn't funny when Darius threatened to stab him with a broken bottle. Needless to say, he's not welcome here anymore.//\n\n> \n\n> ~Alice Ferrer\n\n\n\n> //My husband and I thought we would be able to deal with a potty mouth parrot. We were fine when he started calling him a class traitor and cuckold. We were fine when he threatened to peck out his eyes and poop in the sockets. We were really unhappy when he flew out of his cage and threatened my husband at knifepoint in the kitchen.//\n\n> \n\n> ~Erik E. Erikson\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: info@wilsonswildlifesolutions.site\n\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n[[div style=\"display: inline-block; border:dashed 1px #999999; background:#F5F5F5; float:center; width:84%; padding:1px 15px; margin: 10px 10px 10px 40px\"]]\n\n= **CONFIDENTIAL**\n\n[[>]]\n\n\n\n[[image http://scp-wiki.wdfiles.com/local--files/adoption-poster-darius/uiu_25.png]]\n\n[[/>]]\n\nTo whom it may concern,\n\n\n\nOur agents in the adoption center area have informed us of a 'police-scanning' parrot. We are very interested in such an object and will be sending an agent to adopt it within the week. Thank you for helping us and your country.\n\n\n\nYours,\n\n- FBI Regional Director Aponte\n\n[[/div]]\n\n\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Anders Wilson\n\nRecipient(s): Faeowynn Wilson\n\nDate: 7/25/2019\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nFae,\n\n\n\nWe're having a hell of a time finding foster parents for Darius, and everyone on Void seems to have turned against this poor fellow. He's starting to be mean to me too, and you should see how bad he was to Hagi. I don't think we can hold onto him here much longer. \n\n\n\nWe need to do something about him ASAP.\n\n\n\nSeeking guidance,\n\n-Andy\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Faeowynn Wilson\n\nRecipient(s): Anders Wilson\n\nDate: 7/26/2019\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHey Andy,\n\n\n\nI'm very saddened to hear that Darius is having a medical emergency. Please bring him back to Boring as soon as possible and I will get Dr. Alistair to tend to him as soon as possible. __Please do not delay.__\n\n\n\n\n\n- Fae\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n[[div style=\"display: inline-block; border:dashed 1px #999999; background:#F5F5F5; float:center; width:84%; padding:1px 15px; margin: 10px 10px 10px 40px\"]]\n\n= **CONFIDENTIAL**\n\n[[>]]\n\n\n\n[[image http://scp-wiki.wdfiles.com/local--files/adoption-poster-darius/uiu_25.png]]\n\n[[/>]]\n\nMs. Wilson,\n\n\n\nI am very disappointed to hear that 'Darius' has somehow escaped capture during transportation from Boring to Portland. We were looking forward to putting him to work. \n\n\n\nYour brother was able to show me the email in which you replied to him about the bird's medical emergency, but he was not able to produce his own receipt. He had claimed to have cleaned out his Inbox and Outbox, which was true, but we found no such receipt on your end after a brief inspection. \n\n\n\nI apologize for the intrusion, but one can never be too sure with national security. \n\n\n\nYours,\n\n- FBI Regional Director Aponte\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Faeowynn Wilson\n\nRecipient(s): Anders Wilson\n\nDate: 7/29/2019\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nMr Aponte,\n\n\n\nYeah, it sure is strange. But you know how it is with computers sometimes! Deleting things all willy nilly and whatnot. I'll keep you updated on our search for Darius, but I don't know how easy he'll be to catch. He always was a free spirit, after all.\n\n\n\n- Fae\n\n[[/div]]\n\n[[/div]]\n\n\n\n-----\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[=]]\n\n[[collapsible show=\"Hey, Esther. It's been a while. How is Darius?\" hide=\"- Fae\"]]\n\n[[<]]\n\n||||~ Date: 08/19/2019 ||\n\n||~ From: || esther.kogan@deercollege.edu ||\n\n||~ To: || fae.wilson@wilsonswildlifesolutions.site ||\n\n||~ Re: || the bird (is the word) ||\n\n|||| **Holy Heck!** _\n\n\u00a0\u00a0_\n\n\u00a0\u00a0Thank you for sending me my very own Mr. D.A.R.E.! Did you know that Drugs Are Really Expensive? It's true. Who is Dr. Wondertainment? _\n\n\u00a0\u00a0_\n\n\u00a0\u00a0Find them all and become Mr. Gamer (against weed)! _\n\n\u00a0\u00a0_\n\n\u00a0\u00a0\u00a0[[[scp-2586|01. Mr. Literal Serial Killer]]] _\n\n\u00a0\u00a0\u00a0[[[mr-normie|02. Mr. Normie]]] _\n\n\u00a0\u00a0\u00a0[[[scp-3015|03. Mr. Bernie Sanders]]] _\n\n\u00a0\u00a0\u00a0[[[uiu-file-2016-004|04. Mr. Get Anything For Free In Any Shop]]] _\n\n\u00a0\u00a0\u00a0[[[scp-3697|20. Mr. Sex Number]]] _\n\n\u00a0\u00a0\u00a0[[[collected-item-no1080|21. Mr. Heavenly Virtues]]] _\n\n\u00a0\u00a0\u00a0[[[scp-3024|22. Mr. Deadly Sins]]] _\n\n\u00a0\u00a0\u00a0[[[scp-2839|23. Mr. Original Character]]] _\n\n\u00a0\u00a0\u00a024. Mr. D.A.R.E. \u2714 _\n\n\u00a0\u00a0\u00a0[[[ambrose-backdoor-soho|25. Mrs. Gentrification]]] _\n\n\u00a0\u00a0\u00a0[[[scp-3090|26. Ms. Mad About Video Games]]] _\n\n\u00a0\u00a0\u00a0[[[scp-2842|27. Mr. Meme]]] _\n\n\u00a0\u00a0\u00a0[[[scp-3012|28. Mr. Ominous (discontinued)]]] _\n\n\u00a0\u00a0\u00a0[[[scp-4239|29. Mr. Destiny]]] _\n\n\u00a0\u00a0\u00a0[[[scp-2476|30. Mr. Monty Python And The Holy Grail]]] _\n\n\u00a0\u00a0\u00a0[[[scp-4669|31. Ms. Zapatista]]] _\n\n\u00a0\u00a0\u00a0[[[scp-285|32. Mr. Hax]]] _\n\n\u00a0\u00a0\u00a0[[[log-of-anomalous-items#jhtt|33. Mr. Just Has The Tattoo]]] _\n\n\u00a0\u00a0\u00a0[[[scp-2562|34. Mr. Top Text and Mr. Bottom Text]]] _\n\n\u00a0\u00a0\u00a0[[[nico-queer-001|35. Mr. Finale]]] _\n\n\u00a0\u00a0\u00a0_\n\n\u00a0\u00a0\u00a0Thanks, Fae. _\n\n\u00a0\u00a0\u00a0_\n\n\u00a0\u00a0\u00a0~ Esther||\n\n----\n\n[[/<]]\n\n[[/collapsible]]\n\n[[/=]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[include <a href=\"/component:wikimodule\">component:wikimodule</a> |normal= --]]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Uncle Nicolini]]\n\n=====\n\n> **Filename:** dare.png\n\n> **Name:** 25882674353_60d6358860_b.jpg\n\n> **Author:** [[*user Henzoid]]\n\n> **License:** CC BY-SA 2.0\n\n> **Source:** https://live.staticflickr.com/1567/25882674353_60d6358860_b.jpg\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "comedy", "crime-fiction", "deer-college", "esther-kogan", "faeowynn-wilson", "gamers-against-weed", "goi-format", "mister", "reviewers-spotlight", "unusual-incidents-unit", "wilsons-wildlife"], "title": "Adoption Poster: Darius! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-darius"}, "adoption-poster-friday": {"created_at": "2023-11-27T17:29:00", "creator": "Dino--Draws", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dino--Draws", "author_href": "https://www.wikidot.com/user:info/dino-draws", "comment": "Added tags: wilsons-wildlife. 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", "date": "2024-10-18T06:07:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "spelling", "date": "2026-09-07T21:00:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Automatically fixed hotlinked images using the AutoLocalize script.", "date": "2026-09-23T22:19:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Uploaded file \"BCUg5oT.webp\".", "date": "2026-09-23T22:19:00"}], "hubs": ["goi-formats"], "images": [], "link": "adoption-poster-friday", "page_id": "1451561323", "rating": 44, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilderness/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"text-align: right; margin-top: -25px;\">\n<p>by <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/dino-draws\" onclick=\"WIKIDOT.page.listeners.userInfo(8229577); return false;\"><img alt=\"Dino--Draws\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=8229577&amp;amp;size=small&amp;amp;timestamp=1790201976\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=8229577)\"/></a><a href=\"https://www.wikidot.com/user:info/dino-draws\" onclick=\"WIKIDOT.page.listeners.userInfo(8229577); return false;\">Dino--Draws</a></span></p>\n</div>\n<div class=\"wilson-border\">\n<div class=\"wilson-header\" style=\"font-family: var(--national-park);\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">HELLO! MY NAME IS FRIDAY!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n\n<div style=\"column-count: 2;\">\n<p>I\u2019m looking for some acres with lots of space for me, preferably within the Three Portlands area! And maybe some new farm friends! I\u2019m very well mannered, even though I look a little spooky. I do good with other animals, and enjoy their company greatly. I love to lay in the sun and relax. Despite how fast I am, I'm a very laid back critter!</p>\n<p>I\u2019m a bit stranger than your average horse (yes, that is possible), since I\u2019m a zombie! The folks here at Wilson\u2019s found out that I used to be a bit of a big shot in racing circles. And now I\u2019m back for more! But my health these days is a bit poor due to my undead condition, so I need lots of love and care to make sure I\u2019m in tip-top shape!</p>\n<p>They aren't exactly sure how I got revived, or who used to take care of me, but I was found just roaming. It was a bit of a scary surprise to find a zombie out in the woods! But don't worry, I don't bite! As long as you make sure to wash your hands after petting me, you won't get sick! Don't worry about becoming a zombie either, it's not contagious. I'm just weird!</p>\n<p>I may not be too fit for doing heavy lifting, but I was trained to be ridden! I still know how to do some tricks and I am very friendly with people. Just be sure to be careful and kind, I'm an old horse with even older bones. Respect me, and I'll respect you!</p>\n</div>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Facts About Me!</p>\n</div>\n<div class=\"wilson-body\" style=\"column-count: 2;\">\n<ul>\n<li>I love to run! I may be undead, but I\u2019m as fast as the day that I passed (if not faster! I've been clocked at going up to 60 miles per hour easily!).</li>\n<li>However, the environment I run in needs to be clear and safe! My tendons are a bit rotted and I can get hurt on sharp fences or tree branches.</li>\n<li>Due to my condition, I need lots of care to make sure I stay healthy! I need to be kept very clean so that maggots or other nasties aren\u2019t able to eat me!</li>\n<li>I love the water! One of my favorite games is to splash in my water trough (to the amusement of the workers who have to fill it back up). Just make sure I\u2019m all dried off afterwards so that my flesh doesn\u2019t get too soggy. We wouldn\u2019t want it falling off!</li>\n<li>I don\u2019t have any favorite treats, I like to eat just about anything! But that doesn\u2019t mean that I should, so make sure to keep an eye on me so I don\u2019t get sick\u2014 once some of the folks here at Wilson\u2019s caught me chewing on a stolen glue stick!</li>\n</ul>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Comments from my Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p>Friday is an absolute dear of an animal, well mannered and so full of personality\u2014 but it\u2019s important to know that taking care of a horse, especially one with special needs like Friday, is a very expensive undertaking. Water and food costs, supplies for proper cleaning and disinfection of the exposed rotted parts of Friday, the general upkeep of a paddock\u2014 it's all worth it, though. I promise, you won't find a more gentle horse.<br/>\n\u2014Irene Sutton</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">moc.liamg|snoitulosefildliwsnosliw#moc.liamg|snoitulosefildliwsnosliw</span><br/>\nVoid: Wilson's Wildlife Solutions! (\u2042wilsons-wildlife)</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p style=\"text-align: center;\">On 05/06/2022, Jeffrey Synder had to unfortunately be let go as an employee of Wilson\u2019s Wildlife due to mistreatment of Friday and actions that could\u2019ve risked violating the Veil if preventative measures had not been taken. The following email transcripts below were discovered on 5/05/2022 and action was taken immediately before any further harm was done. They are to be archived for legal purposes.</p>\n<p style=\"text-align: center;\">Since this incident, Friday has been transferred back into the care of WWS to receive light medical attention and some much deserved TLC.</p>\n<p style=\"text-align: center;\">- Faeowynn Wilson</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 03/13/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hey Irene! This is Jeffrey Synder from Wilson\u2019s. I heard you were having a bit of trouble with Friday?</p>\n<p>-Jeffrey Synder</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 03/13/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Mr. Synder,</p>\n<p>Hello!<br/>\nDon\u2019t get me wrong, what\u2019s happening is in no way Friday\u2019s fault it\u2019s just\u2026 taking care of horses are expensive, y\u2019know? And in recent times it\u2019s starting to become a bit difficult to keep up in paying for ol\u2019 Friday\u2019s care. We\u2019ve grown quite attached to him, and he seems to enjoy it here at our lil farm, so I\u2019d hate to see him sent to a different foster. Do you know of any ways to scrape up some money for this ol\u2019 racehorse?</p>\n<p>-Irene Sutton</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 03/13/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Irene,</p>\n<p>I see. That is a bit of a tough spot, it was hard to find a foster for Friday to begin with for this exact reason.</p>\n<p>But I\u2019ve got an idea. Now it\u2019s a little out there, but with this specific critter I think it could work.</p>\n<p>I used to be a jockey, I still keep up with local derbies. Those sorts of events attract all kinds of people\u2014 and a big ol\u2019 betting pool of cash whenever the races happen. Surely enough to cover Friday\u2019s care until he\u2019s adopted, and if we\u2019ve got anything left it can go back to Wilson\u2019s to help out other critters too! An all around win for everyone.</p>\n<p>You\u2019ve surely seen by now that one of Friday\u2019s little abnormalities is just how damn fast he is.</p>\n<p>Maybe we can dust off Friday\u2019s saddle, for lack of a better term. I can pull a few old strings to get him in.</p>\n<p>-Jeffrey Synder</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 03/13/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Mr. Synder,</p>\n<p>Well! That\u2019s one hell of an idea. But I\u2019m not exactly a horse rider, I think I did so once at a summer camp but I\u2019d been young as all hell and screamed when the horse went down a hill. I don\u2019t think I\u2019m equipped for jockey riding.</p>\n<p>And is Friday even equipped for this? He\u2019s an old horse, I don\u2019t know if he\u2019d be able to do it either.</p>\n<p>-Irene Sutton</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 03/13/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Irene,</p>\n<p>How about this\u2014 I\u2019ll drop by your farm tomorrow, and check Friday out? I\u2019ll see if I can fit him with a saddle \u2018n bridle, and take him for a spin. We can judge from there.</p>\n<p>-Jeffrey Synder</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 03/13/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Jeffrey,</p>\n<p>Worth a shot! I\u2019ll see you then.</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 03/14/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Jeffrey,</p>\n<p>I\u2019m overjoyed to see that you were able to work with Friday so well! He seemed right at home with a saddle on.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 03/14/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Irene,</p>\n<p>Haha! That\u2019s great to hear. How\u2019s ol\u2019 Friday doin\u2019 now?</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 03/14/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Just fine! A bit sleepy, but he hasn\u2019t been this active in a while.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 03/14/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Great to hear. Shall I come back Wednesday for some more riding? He was so good today, I think the old horse can pull this off.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 03/14/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Go right ahead!</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 04/16/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>God, I\u2019ll never not be surprised on how fast Friday is. Usually he just trots around the paddock, but seeing your riding sessions with him is a whole different level! He always gets a good night\u2019s sleep afterwards too, guess he\u2019s still getting used to all the renewed activity!</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 04/16/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>He\u2019s a talented critter that\u2019s for sure. It\u2019s a thrilling ride! I feel like I\u2019m in my twenties again on the racetrack!</p>\n<p>Friday has gotten a little bit unsteady in the past couple times, but perhaps the excitement is starting to get to him too! I\u2019ll drop by Tuesday for another session.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Snyder<br/>\nDate: 04/16/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Oh, one small question that occurred to me. How do you plan on getting Friday actually into the derby? You mentioned the one you're planning on entering isn't <em>in</em> Boring. Sure you said you could pull some strings but\u2026 Friday is very undead. You can see bones and rot.<br/>\nDo you know anyone who does special effects? Maybe we can give him a makeover.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 04/16/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>I don't know anyone willing to put makeup on a rotting horse on such short notice. However, most derby horses have a lot of covering - head covers, basically a \"jacket\" thrown over the back. With a bit of adjustment, I can definitely cover up Friday's more\u2026 noticeable bits. I'll do it the next time I come down to ride.</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 04/26/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hey, I sent you a small check in the mail. Hopefully that covers for the gnash in Friday\u2019s side from the fence. He should be alright, just needs some stitches and for it to be cleaned. I am sorry about that.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 04/26/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Thank you Jeff, I\u2019ve patched Friday up. He\u2019s laying in the pasture with the goats right now. I\u2019ll cash the check when it arrives.</p>\n<p>You sure you wanna keep doing this?</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 04/26/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Yes. What happened yesterday was a mistake, I\u2019ll admit it\u2014 but if we win that race we\u2019ll be able cover Friday\u2019s medical costs and THEN some. Think of the good that can be done with that! Wilson\u2019s would make great work with some extra cash.</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 04/26/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Alright, if you say so. Shall I see you next week for another riding session?</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 04/26/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Eyup. See you then, Irene.</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Irene Sutton<br/>\nRecipient(s): Jeffrey Synder<br/>\nDate: 05/05/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>The derby is tomorrow. Friday seems tired, but he was running around earlier, so I think everything\u2019s ok\u2014 even after that little fumble.</p>\n<p>You sure this is going to work?</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Jeffrey Synder<br/>\nRecipient(s): Irene Sutton<br/>\nDate: 05/05/2022</p>\n</div>\n<div class=\"wilson-body\">\n<p>Of course I\u2019m sure.<br/>\nAfter all, you can\u2019t beat a dead horse.</p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-friday\">Adoption Poster: Friday!</a>\" by Dino\u2014Draws, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-friday\">https://scpwiki.com/adoption-poster-friday</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Take a looksie at me!<br/>\n<strong>Name:</strong> Friesian Stallion<br/>\n<strong>Author:</strong> Larissa Allen<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Friesian_Stallion.jpg\">https://commons.wikimedia.org/wiki/File:Friesian_Stallion.jpg</a><br/>\n<strong>Additional Notes:</strong> Image was edited in photoshop</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:wilderness\">:scp-wiki:theme:wilderness</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n\n\n[[module CSS]]\n\n:root {\n\n--toggle-button-bg: rgb(var(--wilson-body));\n\n--toggle-border-color: rgb(var(--gray-monochrome));\n\n--toggle-icon-color: rgb(var(--wilson-text));\n\n--toggle-roundness: 0;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[div style=\"text-align: right; margin-top: -25px;\"]]\n\nby [[*user Dino--Draws]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\" style=\"font-family: var(--national-park);\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]HELLO! MY NAME IS FRIDAY! [[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[=]]\n\n[[/=]]\n\n\n\n[[=image https://scp-wiki.wikidot.com/local--files/adoption-poster-friday/BCUg5oT.webp style=\"border: 2px solid #665731;\" title=\"Take a looksie at me!\"]]\n\n[[div style=\"column-count: 2;\"]]\n\nI\u2019m looking for some acres with lots of space for me, preferably within the Three Portlands area! And maybe some new farm friends! I\u2019m very well mannered, even though I look a little spooky. I do good with other animals, and enjoy their company greatly. I love to lay in the sun and relax. Despite how fast I am, I'm a very laid back critter! \n\n\n\nI\u2019m a bit stranger than your average horse (yes, that is possible), since I\u2019m a zombie! The folks here at Wilson\u2019s found out that I used to be a bit of a big shot in racing circles. And now I\u2019m back for more! But my health these days is a bit poor due to my undead condition, so I need lots of love and care to make sure I\u2019m in tip-top shape!\n\n\n\nThey aren't exactly sure how I got revived, or who used to take care of me, but I was found just roaming. It was a bit of a scary surprise to find a zombie out in the woods! But don't worry, I don't bite! As long as you make sure to wash your hands after petting me, you won't get sick! Don't worry about becoming a zombie either, it's not contagious. I'm just weird!\n\n\n\nI may not be too fit for doing heavy lifting, but I was trained to be ridden! I still know how to do some tricks and I am very friendly with people. Just be sure to be careful and kind, I'm an old horse with even older bones. Respect me, and I'll respect you!\n\n\n\n\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Facts About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\" style=\"column-count: 2;\"]]\n\n* I love to run! I may be undead, but I\u2019m as fast as the day that I passed (if not faster! I've been clocked at going up to 60 miles per hour easily!).\n\n* However, the environment I run in needs to be clear and safe! My tendons are a bit rotted and I can get hurt on sharp fences or tree branches.\n\n* Due to my condition, I need lots of care to make sure I stay healthy! I need to be kept very clean so that maggots or other nasties aren\u2019t able to eat me!\n\n* I love the water! One of my favorite games is to splash in my water trough (to the amusement of the workers who have to fill it back up). Just make sure I\u2019m all dried off afterwards so that my flesh doesn\u2019t get too soggy. We wouldn\u2019t want it falling off!\n\n* I don\u2019t have any favorite treats, I like to eat just about anything! But that doesn\u2019t mean that I should, so make sure to keep an eye on me so I don\u2019t get sick\u2014 once some of the folks here at Wilson\u2019s caught me chewing on a stolen glue stick!\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nComments from my Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> Friday is an absolute dear of an animal, well mannered and so full of personality\u2014 but it\u2019s important to know that taking care of a horse, especially one with special needs like Friday, is a very expensive undertaking. Water and food costs, supplies for proper cleaning and disinfection of the exposed rotted parts of Friday, the general upkeep of a paddock\u2014 it's all worth it, though. I promise, you won't find a more gentle horse. \n\n> \u2014Irene Sutton\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: wilsonswildlifesolutions@gmail.com\n\nVoid: Wilson's Wildlife Solutions! (\u2042wilsons-wildlife)\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\n= On 05/06/2022, Jeffrey Synder had to unfortunately be let go as an employee of Wilson\u2019s Wildlife due to mistreatment of Friday and actions that could\u2019ve risked violating the Veil if preventative measures had not been taken. The following email transcripts below were discovered on 5/05/2022 and action was taken immediately before any further harm was done. They are to be archived for legal purposes.\n\n= Since this incident, Friday has been transferred back into the care of WWS to receive light medical attention and some much deserved TLC.\n\n= - Faeowynn Wilson\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 03/13/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHey Irene! This is Jeffrey Synder from Wilson\u2019s. I heard you were having a bit of trouble with Friday?\n\n\n\n-Jeffrey Synder\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 03/13/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nMr. Synder,\n\n\n\nHello!\n\nDon\u2019t get me wrong, what\u2019s happening is in no way Friday\u2019s fault it\u2019s just\u2026 taking care of horses are expensive, y\u2019know? And in recent times it\u2019s starting to become a bit difficult to keep up in paying for ol\u2019 Friday\u2019s care. We\u2019ve grown quite attached to him, and he seems to enjoy it here at our lil farm, so I\u2019d hate to see him sent to a different foster. Do you know of any ways to scrape up some money for this ol\u2019 racehorse?\n\n\n\n-Irene Sutton\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 03/13/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nIrene,\n\n\n\nI see. That is a bit of a tough spot, it was hard to find a foster for Friday to begin with for this exact reason.\n\n\n\nBut I\u2019ve got an idea. Now it\u2019s a little out there, but with this specific critter I think it could work.\n\n\n\nI used to be a jockey, I still keep up with local derbies. Those sorts of events attract all kinds of people\u2014 and a big ol\u2019 betting pool of cash whenever the races happen. Surely enough to cover Friday\u2019s care until he\u2019s adopted, and if we\u2019ve got anything left it can go back to Wilson\u2019s to help out other critters too! An all around win for everyone.\n\n\n\nYou\u2019ve surely seen by now that one of Friday\u2019s little abnormalities is just how damn fast he is.\n\n\n\nMaybe we can dust off Friday\u2019s saddle, for lack of a better term. I can pull a few old strings to get him in.\n\n\n\n-Jeffrey Synder\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 03/13/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nMr. Synder,\n\n\n\nWell! That\u2019s one hell of an idea. But I\u2019m not exactly a horse rider, I think I did so once at a summer camp but I\u2019d been young as all hell and screamed when the horse went down a hill. I don\u2019t think I\u2019m equipped for jockey riding.\n\n\n\nAnd is Friday even equipped for this? He\u2019s an old horse, I don\u2019t know if he\u2019d be able to do it either.\n\n\n\n-Irene Sutton\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 03/13/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nIrene,\n\n\n\nHow about this\u2014 I\u2019ll drop by your farm tomorrow, and check Friday out? I\u2019ll see if I can fit him with a saddle \u2018n bridle, and take him for a spin. We can judge from there.\n\n\n\n-Jeffrey Synder\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 03/13/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nJeffrey,\n\n\n\nWorth a shot! I\u2019ll see you then.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 03/14/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nJeffrey,\n\n\n\nI\u2019m overjoyed to see that you were able to work with Friday so well! He seemed right at home with a saddle on.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 03/14/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nIrene,\n\n\n\nHaha! That\u2019s great to hear. How\u2019s ol\u2019 Friday doin\u2019 now?\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 03/14/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nJust fine! A bit sleepy, but he hasn\u2019t been this active in a while.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 03/14/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nGreat to hear. Shall I come back Wednesday for some more riding? He was so good today, I think the old horse can pull this off.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 03/14/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nGo right ahead!\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 04/16/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nGod, I\u2019ll never not be surprised on how fast Friday is. Usually he just trots around the paddock, but seeing your riding sessions with him is a whole different level! He always gets a good night\u2019s sleep afterwards too, guess he\u2019s still getting used to all the renewed activity!\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 04/16/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHe\u2019s a talented critter that\u2019s for sure. It\u2019s a thrilling ride! I feel like I\u2019m in my twenties again on the racetrack!\n\n\n\nFriday has gotten a little bit unsteady in the past couple times, but perhaps the excitement is starting to get to him too! I\u2019ll drop by Tuesday for another session.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Snyder\n\nDate:\u00a0\u00a004/16/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nOh, one small question that occurred to me. How do you plan on getting Friday actually into the derby? You mentioned the one you're planning on entering isn't //in// Boring. Sure you said you could pull some strings but... Friday is very undead. You can see bones and rot. \n\nDo you know anyone who does special effects? Maybe we can give him a makeover.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 04/16/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nI don't know anyone willing to put makeup on a rotting horse on such short notice. However, most derby horses have a lot of covering - head covers, basically a \"jacket\" thrown over the back. With a bit of adjustment,\u00a0\u00a0I can definitely cover up Friday's more... noticeable bits. I'll do it the next time I come down to ride. \n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 04/26/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHey, I sent you a small check in the mail. Hopefully that covers for the gnash in Friday\u2019s side from the fence. He should be alright, just needs some stitches and for it to be cleaned. I am sorry about that.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 04/26/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nThank you Jeff, I\u2019ve patched Friday up. He\u2019s laying in the pasture with the goats right now. I\u2019ll cash the check when it arrives.\n\n\n\nYou sure you wanna keep doing this?\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 04/26/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nYes. What happened yesterday was a mistake, I\u2019ll admit it\u2014 but if we win that race we\u2019ll be able cover Friday\u2019s medical costs and THEN some. Think of the good that can be done with that! Wilson\u2019s would make great work with some extra cash.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 04/26/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAlright, if you say so. Shall I see you next week for another riding session?\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 04/26/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nEyup. See you then, Irene.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Irene Sutton\n\nRecipient(s): Jeffrey Synder\n\nDate: 05/05/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nThe derby is tomorrow. Friday seems tired, but he was running around earlier, so I think everything\u2019s ok\u2014 even after that little fumble.\n\n\n\nYou sure this is going to work?\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Jeffrey Synder\n\nRecipient(s): Irene Sutton\n\nDate: 05/05/2022\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nOf course I\u2019m sure. \n\nAfter all, you can\u2019t beat a dead horse.\n\n[[/div]]\n\n[[/div]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> |author=Dino--Draws]]\n\n> **Filename:** Take a looksie at me!\n\n> **Name:** Friesian Stallion\n\n> **Author:** Larissa Allen\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Friesian_Stallion.jpg\n\n> **Additional Notes:** Image was edited in photoshop\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "fantasy", "goi-format", "wilsons-wildlife"], "title": "Adoption Poster: Friday! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-friday"}, "adoption-poster-hx": {"created_at": "2024-12-08T05:25:00", "creator": "fluxman", "domain": "scp-wiki.wikidot.com", "history": [{"author": "fluxman", "author_href": "https://www.wikidot.com/user:info/fluxman", "comment": "Added tags: serpents-hand. Removed tags: dinodons-hand. ", "date": "2024-12-08T05:25:00"}, {"author": "fluxman", "author_href": "https://www.wikidot.com/user:info/fluxman", "comment": "Added tags: _ko, dinodons-hand, faeowynn-wilson, goi-format, international, wilsons-wildlife. ", "date": "2024-12-08T05:25:00"}, {"author": "fluxman", "author_href": "https://www.wikidot.com/user:info/fluxman", "comment": "", "date": "2024-12-08T05:25:00"}, {"author": "fluxman", "author_href": "https://www.wikidot.com/user:info/fluxman", "comment": "", "date": "2024-12-08T05:25:00"}, {"author": "fluxman", "author_href": "https://www.wikidot.com/user:info/fluxman", "comment": "Parent page set to: \"scp-international\".", "date": "2024-12-08T05:26:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "Added tags: _wilsons-wildlife. ", "date": "2025-01-21T19:37:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. ", "date": "2025-03-29T16:10:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bleak, fantasy. ", "date": "2025-07-17T06:21:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bittersweet. Removed tags: bleak. ", "date": "2025-07-17T06:22:00"}, {"author": "fluxman", "author_href": "https://www.wikidot.com/user:info/fluxman", "comment": "", "date": "2026-01-07T21:43:00"}], "hubs": ["scp-international", "goi-formats"], "images": [], "link": "adoption-poster-hx", "page_id": "1457956783", "rating": 20, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilsons/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>Author: <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/poi-damgi\" onclick=\"WIKIDOT.page.listeners.userInfo(6872502); return false;\"><img alt=\"POI_Damgi\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6872502&amp;amp;size=small&amp;amp;timestamp=1781457949\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6872502)\"/></a><a href=\"http://www.wikidot.com/user:info/poi-damgi\" onclick=\"WIKIDOT.page.listeners.userInfo(6872502); return false;\">POI_Damgi</a></span></strong><br/>\n<strong>Translator: <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/fluxman\" onclick=\"WIKIDOT.page.listeners.userInfo(6498353); return false;\"><img alt=\"fluxman\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6498353&amp;amp;size=small&amp;amp;timestamp=1781457949\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6498353)\"/></a><a href=\"http://www.wikidot.com/user:info/fluxman\" onclick=\"WIKIDOT.page.listeners.userInfo(6498353); return false;\">fluxman</a></span></strong></p>\n<ul>\n<li><strong>Image Source:</strong> <a href=\"https://commons.m.wikimedia.org/wiki/File:Pet_red_fox_%27Ron%27_Vulpes_Vulpes_Fulvus.jpg\">https://commons.m.wikimedia.org/wiki/File:Pet_red_fox_%27Ron%27_Vulpes_Vulpes_Fulvus.jpg</a></li>\n</ul>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\" style=\"font-family: 'national_parkregular', 'UnJamoSora';\">\n<p><span style=\"font-size:170%;\">Hello, my name is Hoya!</span></p>\n</div>\n<div class=\"wilson-body\">\n\n<div class=\"wilson-subtitle\">\n<p>Get To Know Me!!</p>\n</div>\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I'm looking for a loving home in the Three Portlands-Boring area. I'm a bit of a picky creature, so I need a family with plenty of affection and expertise. I'm not great with other animal friends or children, so I need ample space, snacks, a playground, and some good reading material like <em>The Communist Manifesto</em>. While I might be a little high-maintenance, once we bond, I can be the most lovable companion you'll ever have!</p>\n<p>I enjoy foods other foxes like, such as meat, fruits, or fox feed. I might try to steal your cigarettes or alcohol, but those things aren't good for me, so please store them out of my reach! I need several walks and exercise sessions each day. I prefer libraries over forests or parks, so I suggest looking into pet-friendly libraries or book cafes where we can spend time together!</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>When I get upset or flustered, I sometimes cause hallucinations for people or animals around me. For instance, I might appear as a mysterious Korean woman or create ghostly phenomena. My caregivers explain that this is my way of protecting myself since I'm naturally timid. So, <strong>please</strong> don't scare or anger me - something truly frightening might happen!</p>\n<p>As I said, I need plenty of attention, affection, and a long time to build trust. Please think carefully before deciding to adopt me! I've already experienced the pain of being returned multiple times, and I sincerely hope to find a family where I can finally feel safe and loved. I'm looking for someone without other animals or young children who isn't heavily involved in running a business and has a spacious yard, a well-stocked library, and the resources and patience to provide me with a stable, caring home.</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Things About Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>Genetically, I am closer to foxes from Northeast Asia, particularly Korean foxes, rather than North American red foxes. In fact, it's said that Korean foxes were nearly extinct at one point.</li>\n</ul>\n<ul>\n<li>As mentioned, I can cause hallucinations. Still, it's not medical - it's more like the feeling of being haunted by a ghost. That said, it's not overly threatening! People compare it to experiencing a mild nightmare.</li>\n</ul>\n<ul>\n<li>I love books! I especially enjoy ideological academic works or papers like <em>The Communist Manifesto</em>. Whether or not I truly understand the content is my little secret.</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>I also have a taste for cigarettes and alcohol, so be careful not to let me snag them! However, I absolutely love pig or cow liver, whether raw or boiled, and I can eat as much as I like! Just make sure I get proper exercise to balance it out.</li>\n</ul>\n<ul>\n<li>I'm introverted and don't like other animals. I'm especially terrified of foxhounds or Jindo dogs that are known for hunting foxes, and I don't get along with other foxes either. However, I can tolerate cats or crows and coexist with them in a distant, indifferent way.</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Notes From My Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>Hoya was a good girl. She was more behaved and friendlier than my fifteen-year-old son. But when she discovered that my father runs a large trading company, Hoya began growling at him and refused to let him get close. This made my father mad, and we couldn't raise her anymore. Pity.</em></p>\n<p>~Jeremy Thompson</p>\n</blockquote>\n<blockquote>\n<p><em>I'm sorry, but a fox that steals &lt;The Communist Manifesto&gt; is just too conspicuous for within the Boring Township.</em></p>\n<p>~A.A</p>\n</blockquote>\n<blockquote>\n<p><em>I swear, Hoya was my best friend. We were ideologically aligned, and she even patiently sat through all my AWCY activities. But, uh\u2026 after the whole mess between the Three-Portlands cops and my crew, I couldn't see Hoya as just an animal anymore. She suddenly transformed into a woman and jumped the cops. They wet themselves, foaming at the mouth, all freaking out. My boyfriend has been terrified of Hoya ever since, so I had no choice. I'm sorry, Hoya!</em></p>\n<p>~Max Eckhart</p>\n</blockquote>\n<blockquote>\n<p>Wait right there.</p>\n<p>~???</p>\n</blockquote>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sender: Lilac Kim<br/>\nRecipient(s): Faeowynn Wilson<br/>\nDate: 2024/4/1</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hi, Fae!</p>\n<p>I have something to say about Hoya. Of course, she's still a gentle and adorable darling, but troubling rumors about her are growing. People are saying she's a possessed fox or a devil fox highly trained by an extremist terrorist group. Naturally, we don't know where Hoya came from either - she just appeared out of nowhere in Boring Township. Strangely, however, such bad rumors are spreading about an animal that can't speak and is simply looking for a good home. Could you look into this for me?</p>\n<p>From the bottom of all our hearts, Lilac.</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sender: Faeowynn Wilson<br/>\nRecipient(s): Lilac Kim<br/>\nDate: 2024/4/1</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hello!</p>\n<p>I've done some digging, but no one seems to know anything about Hoya. Even the higher-ups couldn't give a definitive answer. However, I did stumble upon something peculiar.</p>\n<p>Around 4\u00a0A.M. last night, some suspicious individuals were lingering near Hoya's enclosure. They seemed Korean, but I didn't recognize their faces. When security approached, they suddenly emitted a red light and disappeared. None of us recognized them either. Do you know which group they belong to?</p>\n<p><strong>P.S.:</strong> Lilac. There was some Korean writing on the response facility's main gate. What does it mean?</p>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><span style=\"font-size:130%;\">\uc6b0\ub9ac \ud558\ub098\uc758 \uc0c1\ucc98\ub294 \uc6b0\ub9ac \ubaa8\ub450\uc758 \uc0c1\ucc98\ub2e4</span><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></p>\n</blockquote>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"wilson-border\">\n<div class=\"wilson-body\">\n<div class=\"blockquote\">\n<table class=\"wiki-content-table\">\n<tr>\n<th>Wildlife Solutions CCTV Footage</th>\n</tr>\n</table>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><em>April 2, 12:09\u00a0A.M. A brief red light flashes toward the terrestrial animal enclosures. Awakened animals begin to howl. Four shadows appear: a tall man, a skinny man, a short woman, and a tall woman. When the tall woman waves, the electric lights go out, and green flames flicker. They stand in front of Hoya's enclosure and begin to talk.</em></p>\n<p><strong>Seoyul:</strong> That Bookburner's weapon turned our leader into\u2026 this\u2026</p>\n<p><em>The short woman begins to sob. The tall man pats her back and lowers his head. Hoya wakes up, wagging her tail and letting out sharp barks. The short woman cries even louder.</em></p>\n<p><strong>Baek Byeonggil:</strong> She's still alive.</p>\n<p><strong>Seoyul:</strong> That's no different!</p>\n<p><strong>Moon Kinam:</strong> I'm sorry..</p>\n<p><em>Hoya barks even louder, darting around inside the enclosure. The tall man waves and the lock on the enclosure clicks open. Hoya bolts out, wagging her tail, rubbing against the short woman's legs, rolling on the grass, and running around energetically. The woman, teary-eyed, starts to smile..</em></p>\n<p><strong>Seoyul:</strong> Can't we just take her back? Please?</p>\n<p><strong>Moon Kinam:</strong> Yool, we can't keep an animal - the fur, the noise\u2026</p>\n<p><em>Brief silence.</em></p>\n<p><strong>Moon Kinam:</strong> No! I didn't mean the leader is an animal\u2026</p>\n<p><strong>Seoyul:</strong> <em>Sobs</em></p>\n<p><em>Hoya looks up at the crying woman, whimpering, and licks her with her tongue. The sobbing grows more intense. The men, with conflicted expressions, shed tears as well. However, the tall woman remains relatively unaffected, showing little emotional response.</em></p>\n<p><strong>Seoyul:</strong> Morr\u00edgan! Do something!</p>\n<p><strong>Morr\u00edgan:</strong> Sorry, but I'm not interested ever since things turned out this way.</p>\n<p><strong>Seoyul:</strong> What\u2026?</p>\n<p><strong>Moon Kinam:</strong> Nonsense! Morr\u00edgan! We are brethren of blood!</p>\n<p><em>As an argument breaks out, Hoya lets out a low whimper, visibly frightened. The fox tucks her tail between her legs and howls. The short woman picks Hoya up, cradling her like a baby, gently patting and soothing her with a lullaby-like rhythm.</em></p>\n<p><strong>Morr\u00edgan:</strong> I wasn't interested in your anarcho-syndicalism b.s. in your first place. I was merely indulging in your unfaltering will.</p>\n<p><strong>Moon Kinam:</strong> You bitch\u2026</p>\n<p><strong>Morr\u00edgan:</strong> Well, good luck! Ta-ta!</p>\n<p><em>The tall woman transforms into green flames, her figure distorting before she morphs into a raven and flies away. The remaining three stand there, staring blankly after her. Hoya, cradled in the short woman's arms, barks at the departing raven.</em></p>\n<p><strong>Seoyul:</strong> This can't be\u2026 The leader, vice leader Kang-naru, and then now Morr\u00edgan\u2026</p>\n<p><strong>Moon Kinam:</strong> What? Where's Kang?</p>\n<p><strong>Seoyul:</strong> <a class=\"newpage\" href=\"/amaterasu-to-tsukiakari\">Hwiyeong</a> escaped, so Kang followed too; now he's missing as well.</p>\n<p><strong>Moon Kinam:</strong> Damn. Sorry\u2026</p>\n<p><strong>Seoyul:</strong> What's gonna happen to the Hand\u2026.?</p>\n<p><strong>Baek Byeonggil:</strong> Don't worry, Yul. We can do it.</p>\n<p><em>At that moment, Hoya notices a stray cat passing by and starts howling. The sound alerts the Wildlife Solution security guards, who are eating donuts and listening to music. They blow their whistles and begin chasing after the group.</em></p>\n<p><strong>Guard 1:</strong> Stop right there, criminal scum!</p>\n<p><strong>Guard 2:</strong> Stop! You violated animal rights!!</p>\n<p><strong>Seoyul:</strong> \u2026Oblivion.</p>\n<p><em>The woman releases Hoya from her arms. Hoya lands on the ground, wagging her tail and letting out sharp barks. The woman wipes her tears and waves her hand. Hoya circles around her, rubbing against her legs. The man forms a magical symbol with his hands, and the space distorts, creating a \"path.\"</em></p>\n<p><strong>Moon Kinam:</strong> Yul! Hop on!</p>\n<p><strong>Seoyul:</strong> Sorry, leader\u2026</p>\n<p><em>All three step onto the path. In an instant, a flash of light erupts, and the space writhes as the transition begins. When the movement ends, only a faint, lingering cry remains..</em></p>\n<p><strong>Seoyul:</strong> Leader! Be happy there!</p>\n<p><strong>Guard 1:</strong> Damn\u2026! Lost them!</p>\n<p><strong>Guard 2:</strong> Those animal rights abusers! It must be those who kidnap animals and put them on auction.</p>\n<p><em>Seeing the guards, Hoya immediately flops onto her back and wags her tail. One of the guards, smiling warmly, begins to rub Hoya's belly. Hoya enthusiastically licks the guard's face, and both guards laugh heartily.</em></p>\n<p><strong>Guard 2:</strong> Oh! Who's a good girl? You are!</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><strong>&lt;End of log&gt;</strong></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<blockquote>\n<p><strong>Note:</strong> Later, a large raven that had flown into a glass window near the main gate was rescued. The raven is currently being treated by an avian veterinarian.</p>\n</blockquote>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<hr/>\n<div style=\"text-align: right;\">\n<p><strong>Sender:</strong> <a href=\"http://scpko.wikidot.com/secure-facility-dossier-site-21k\">Site-21K</a> Administrator Lee Gangsu<br/>\n<strong>Recipient(s):</strong> Team Wilson</p>\n</div>\n<p>Hello, Wilson.</p>\n<p>As you know by now, Hoya\u2026 The fox was the de facto head of the \"Dinodon's Hand,\" the Far East branch of the Serpent's Hand. Yes - for some, the freedom fighters; for some, a terrorist - the Serpent's Hand.</p>\n<p>We've chased the Hand for a long time. But repeatedly, the person called Hoya failed us every time. Hoya\u2026 she's one of the few demon foxes left on this earth, a powerful psychic, a shapeshifter, and a strong physique. You might have heard of this species.</p>\n<p>However, in a fight with the GOC, the Hand was hit with a psychic attack. Hoya was hit, and she regressed; you'll probably know that much. It didn't work on everyone else, but Hoya is primarily a beast. That blow was sufficient to make her mentally retarded to the intelligence level of a red fox. Her shapeshifting abilities also disappeared.</p>\n<p>When you acquired the fox, we initially considered killing or containing her, at the very least. But we changed our minds, as there was a possibility her abilities could suddenly re-emerge. Our finest <a class=\"newpage\" href=\"/scp-756-ko\">psychologist</a> warned of the dangers posed by uncontrolled mental anomalies.</p>\n<p>We decided to leave Hoya in your care. Records revealed that this beast called Hoya was abandoned by her mother, which explained her severe childhood deprivation, hatred for her parent, and aggressive behavior. But at the core of it all was a lack that no one could ever truly fulfill.</p>\n<p>Now that Hoya has regressed back to being a mere animal, entrusting her to you will ensure that such deprivation no longer exists. You cherish all animals dearly, and with your dedication, you could fill that void in Hoya's heart and even train her.</p>\n<p>And that assumption? It proved to be correct.</p>\n<p>Wild red foxes are notoriously difficult to domesticate - certainly more so than dogs. Foxes lack a concept of pack structure, are highly feral, and possess a strong hunting instinct. You know these traits better than I do, so I'll leave that point aside. Yet, Hoya shows a level of sociability far above the average fox. She wags her tail for anyone. She even does \"paw,\" \"sit,\" hell, and even \"bang.\"</p>\n<p>Thus, Hoya's hostility has been eliminated. And something else has been eliminated, too: the Dinodon's Hand. They are in rapid decline, especially after the disappearance of Hoya and the powerful Type Green Morr\u00edgan ingen Ernmas. Frustrated? But you've done your part. You protected and brought happiness to a single beast.</p>\n<p>When it is confirmed that you have fully tamed Hoya, I intend to adopt her under my name.</p>\n<p>Thank you, as always.</p>\n<div style=\"text-align: right;\">\n<p><sub>This message has been sent directly.</sub></p>\n</div>\n<hr/>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Translator's note: An injury to one is an injury to all</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:wilsons\">:scp-wiki:theme:wilsons</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n**Author: [[*user poi damgi]]**\n\n**Translator: [[*user fluxman]]**\n\n* **Image Source:** https://commons.m.wikimedia.org/wiki/File:Pet_red_fox_%27Ron%27_Vulpes_Vulpes_Fulvus.jpg\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\" style=\"font-family: 'national_parkregular', 'UnJamoSora';\"]]\n\n[[Size 170%]]Hello, my name is Hoya![[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image https://upload.wikimedia.org/wikipedia/commons/7/75/Pet_red_fox_%27Ron%27_Vulpes_Vulpes_Fulvus.jpg]]\n\n\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nGet To Know Me!!\n\n[[/div]]\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n\n\nI'm looking for a loving home in the Three Portlands-Boring area. I'm a bit of a picky creature, so I need a family with plenty of affection and expertise. I'm not great with other animal friends or children, so I need ample space, snacks, a playground, and some good reading material like //The Communist Manifesto//. While I might be a little high-maintenance, once we bond, I can be the most lovable companion you'll ever have!\n\n\n\nI enjoy foods other foxes like, such as meat, fruits, or fox feed. I might try to steal your cigarettes or alcohol, but those things aren't good for me, so please store them out of my reach! I need several walks and exercise sessions each day. I prefer libraries over forests or parks, so I suggest looking into pet-friendly libraries or book cafes where we can spend time together!\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\nWhen I get upset or flustered, I sometimes cause hallucinations for people or animals around me. For instance, I might appear as a mysterious Korean woman or create ghostly phenomena. My caregivers explain that this is my way of protecting myself since I'm naturally timid. So, **please** don't scare or anger me - something truly frightening might happen!\n\n\n\nAs I said, I need plenty of attention, affection, and a long time to build trust. Please think carefully before deciding to adopt me! I've already experienced the pain of being returned multiple times, and I sincerely hope to find a family where I can finally feel safe and loved. I'm looking for someone without other animals or young children who isn't heavily involved in running a business and has a spacious yard, a well-stocked library, and the resources and patience to provide me with a stable, caring home.\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Things About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* Genetically, I am closer to foxes from Northeast Asia, particularly Korean foxes, rather than North American red foxes. In fact, it's said that Korean foxes were nearly extinct at one point.\u00a0\u00a0\n\n\n\n* As mentioned, I can cause hallucinations. Still, it's not medical - it's more like the feeling of being haunted by a ghost. That said, it's not overly threatening! People compare it to experiencing a mild nightmare.\u00a0\u00a0\n\n\n\n* I love books! I especially enjoy ideological academic works or papers like //The Communist Manifesto//. Whether or not I truly understand the content is my little secret.\u00a0\u00a0\n\n* [[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* I also have a taste for cigarettes and alcohol, so be careful not to let me snag them! However, I absolutely love pig or cow liver, whether raw or boiled, and I can eat as much as I like! Just make sure I get proper exercise to balance it out.\u00a0\u00a0\n\n\n\n* I'm introverted and don't like other animals. I'm especially terrified of foxhounds or Jindo dogs that are known for hunting foxes, and I don't get along with other foxes either. However, I can tolerate cats or crows and coexist with them in a distant, indifferent way.\u00a0\u00a0\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //Hoya was a good girl. She was more behaved and friendlier than my fifteen-year-old son. But when she discovered that my father runs a large trading company, Hoya began growling at him and refused to let him get close. This made my father mad, and we couldn't raise her anymore. Pity.//\n\n> \n\n> ~Jeremy Thompson\n\n\n\n> //I'm sorry, but a fox that steals <The Communist Manifesto> is just too conspicuous for within the Boring Township.//\n\n> \n\n> ~A.A\n\n\n\n> //I swear, Hoya was my best friend. We were ideologically aligned, and she even patiently sat through all my AWCY activities. But, uh... after the whole mess between the Three-Portlands cops and my crew, I couldn't see Hoya as just an animal anymore. She suddenly transformed into a woman and jumped the cops. They wet themselves, foaming at the mouth, all freaking out. My boyfriend has been terrified of Hoya ever since, so I had no choice. I'm sorry, Hoya!//\n\n> \n\n> ~Max Eckhart\n\n\n\n\n\n> Wait right there.\n\n> \n\n> ~???\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSender: Lilac Kim\n\nRecipient(s): Faeowynn Wilson\n\nDate: 2024/4/1\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHi, Fae!\n\n\n\nI have something to say about Hoya. Of course, she's still a gentle and adorable darling, but troubling rumors about her are growing. People are saying she's a possessed fox or a devil fox highly trained by an extremist terrorist group. Naturally, we don't know where Hoya came from either - she just appeared out of nowhere in Boring Township. Strangely, however, such bad rumors are spreading about an animal that can't speak and is simply looking for a good home. Could you look into this for me?\n\n\n\nFrom the bottom of all our hearts, Lilac.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSender: Faeowynn Wilson\n\nRecipient(s): Lilac Kim\n\nDate: 2024/4/1\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHello!\u00a0\u00a0\n\n\n\nI've done some digging, but no one seems to know anything about Hoya. Even the higher-ups couldn't give a definitive answer. However, I did stumble upon something peculiar.\u00a0\u00a0\n\n\n\nAround 4 A.M. last night, some suspicious individuals were lingering near Hoya's enclosure. They seemed Korean, but I didn't recognize their faces. When security approached, they suddenly emitted a red light and disappeared. None of us recognized them either. Do you know which group they belong to?\u00a0\u00a0\n\n\n\n**P.S.:** Lilac. There was some Korean writing on the response facility's main gate. What does it mean?\n\n\n\n[[=]]\n\n> [[size 130%]]\uc6b0\ub9ac \ud558\ub098\uc758 \uc0c1\ucc98\ub294 \uc6b0\ub9ac \ubaa8\ub450\uc758 \uc0c1\ucc98\ub2e4[[/size]][[footnote]] Translator's note: An injury to one is an injury to all[[/footnote]]\n\n\n\n[[/=]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-body\"]]\n\n[[div class=\"blockquote\"]]\n\n||~ Wildlife Solutions CCTV Footage||\n\n\n\n@@ @@\n\n\n\n//April 2, 12:09 A.M. A brief red light flashes toward the terrestrial animal enclosures. Awakened animals begin to howl. Four shadows appear: a tall man, a skinny man, a short woman, and a tall woman. When the tall woman waves, the electric lights go out, and green flames flicker. They stand in front of Hoya's enclosure and begin to talk.//\n\n\n\n**Seoyul:** That Bookburner's weapon turned our leader into... this...\n\n\n\n//The short woman begins to sob. The tall man pats her back and lowers his head. Hoya wakes up, wagging her tail and letting out sharp barks. The short woman cries even louder.//\n\n\n\n**Baek Byeonggil:** She's still alive.\n\n\n\n**Seoyul:** That's no different!\n\n\n\n**Moon Kinam:** I'm sorry..\n\n\n\n//Hoya barks even louder, darting around inside the enclosure. The tall man waves and the lock on the enclosure clicks open. Hoya bolts out, wagging her tail, rubbing against the short woman's legs, rolling on the grass, and running around energetically. The woman, teary-eyed, starts to smile..//\n\n\n\n**Seoyul:** Can't we just take her back? Please?\n\n\n\n**Moon Kinam:** Yool, we can't keep an animal - the fur, the noise...\n\n\n\n//Brief silence.//\n\n\n\n**Moon Kinam:** No! I didn't mean the leader is an animal...\n\n\n\n**Seoyul:** //Sobs//\n\n\n\n//Hoya looks up at the crying woman, whimpering, and licks her with her tongue. The sobbing grows more intense. The men, with conflicted expressions, shed tears as well. However, the tall woman remains relatively unaffected, showing little emotional response.//\n\n\n\n**Seoyul:** Morr\u00edgan! Do something!\n\n\n\n**Morr\u00edgan:** Sorry, but I'm not interested ever since things turned out this way.\n\n\n\n**Seoyul:** What...?\n\n\n\n**Moon Kinam:** Nonsense! Morr\u00edgan! We are brethren of blood!\n\n\n\n//As an argument breaks out, Hoya lets out a low whimper, visibly frightened. The fox tucks her tail between her legs and howls. The short woman picks Hoya up, cradling her like a baby, gently patting and soothing her with a lullaby-like rhythm.//\n\n\n\n**Morr\u00edgan:** I wasn't interested in your anarcho-syndicalism b.s. in your first place. I was merely indulging in your unfaltering will.\n\n\n\n**Moon Kinam:** You bitch...\n\n\n\n**Morr\u00edgan:** Well, good luck! Ta-ta!\n\n\n\n//The tall woman transforms into green flames, her figure distorting before she morphs into a raven and flies away. The remaining three stand there, staring blankly after her. Hoya, cradled in the short woman's arms, barks at the departing raven.//\n\n\n\n**Seoyul:** This can't be... The leader, vice leader Kang-naru, and then now Morr\u00edgan...\n\n\n\n**Moon Kinam:** What? Where's Kang?\n\n\n\n**Seoyul:** [[[amaterasu-to-tsukiakari|Hwiyeong]]] escaped, so Kang followed too; now he's missing as well.\n\n\n\n**Moon Kinam:** Damn. Sorry...\n\n\n\n**Seoyul:** What's gonna happen to the Hand....?\n\n\n\n**Baek Byeonggil:** Don't worry, Yul. We can do it.\n\n\n\n//At that moment, Hoya notices a stray cat passing by and starts howling. The sound alerts the Wildlife Solution security guards, who are eating donuts and listening to music. They blow their whistles and begin chasing after the group.//\n\n\n\n**Guard 1:** Stop right there, criminal scum!\n\n\n\n**Guard 2:** Stop! You violated animal rights!!\n\n\n\n**Seoyul:** ...Oblivion.\n\n\n\n//The woman releases Hoya from her arms. Hoya lands on the ground, wagging her tail and letting out sharp barks. The woman wipes her tears and waves her hand. Hoya circles around her, rubbing against her legs. The man forms a magical symbol with his hands, and the space distorts, creating a \"path.\"//\n\n\n\n**Moon Kinam:** Yul! Hop on!\n\n\n\n**Seoyul:** Sorry, leader...\n\n\n\n//All three step onto the path. In an instant, a flash of light erupts, and the space writhes as the transition begins. When the movement ends, only a faint, lingering cry remains..//\n\n\n\n**Seoyul:** Leader! Be happy there!\n\n\n\n**Guard 1:** Damn...! Lost them!\n\n\n\n**Guard 2:** Those animal rights abusers! It must be those who kidnap animals and put them on auction.\n\n\n\n//Seeing the guards, Hoya immediately flops onto her back and wags her tail. One of the guards, smiling warmly, begins to rub Hoya's belly. Hoya enthusiastically licks the guard's face, and both guards laugh heartily.//\n\n\n\n**Guard 2:** Oh! Who's a good girl? You are!\n\n\n\n@@ @@\n\n= **<End of log>**\n\n@@ @@\n\n\n\n> **Note:** Later, a large raven that had flown into a glass window near the main gate was rescued. The raven is currently being treated by an avian veterinarian.\u00a0\u00a0\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n----\n\n\n\n\n\n\n\n[[>]]\n\n**Sender:** [http://scpko.wikidot.com/secure-facility-dossier-site-21k Site-21K] Administrator Lee Gangsu\n\n**Recipient(s):** Team Wilson\n\n[[/>]]\n\n\n\nHello, Wilson.\n\n\n\nAs you know by now, Hoya... The fox was the de facto head of the \"Dinodon's Hand,\" the Far East branch of the Serpent's Hand. Yes - for some, the freedom fighters; for some, a terrorist - the Serpent's Hand.\n\n\n\nWe've chased the Hand for a long time. But repeatedly, the person called Hoya failed us every time. Hoya... she's one of the few demon foxes left on this earth, a powerful psychic, a shapeshifter, and a strong physique. You might have heard of this species.\n\n\n\nHowever, in a fight with the GOC, the Hand was hit with a psychic attack. Hoya was hit, and she regressed; you'll probably know that much. It didn't work on everyone else, but Hoya is primarily a beast. That blow was sufficient to make her mentally retarded to the intelligence level of a red fox. Her shapeshifting abilities also disappeared.\n\n\n\nWhen you acquired the fox, we initially considered killing or containing her, at the very least. But we changed our minds, as there was a possibility her abilities could suddenly re-emerge. Our finest [[[scp-756-ko|psychologist]]] warned of the dangers posed by uncontrolled mental anomalies.\n\n\n\nWe decided to leave Hoya in your care. Records revealed that this beast called Hoya was abandoned by her mother, which explained her severe childhood deprivation, hatred for her parent, and aggressive behavior. But at the core of it all was a lack that no one could ever truly fulfill.\n\n\n\n\n\nNow that Hoya has regressed back to being a mere animal, entrusting her to you will ensure that such deprivation no longer exists. You cherish all animals dearly, and with your dedication, you could fill that void in Hoya's heart and even train her.\n\n\n\nAnd that assumption? It proved to be correct.\n\n\n\nWild red foxes are notoriously difficult to domesticate - certainly more so than dogs. Foxes lack a concept of pack structure, are highly feral, and possess a strong hunting instinct. You know these traits better than I do, so I'll leave that point aside. Yet, Hoya shows a level of sociability far above the average fox. She wags her tail for anyone. She even does \"paw,\" \"sit,\" hell, and even \"bang.\"\n\n\n\nThus, Hoya's hostility has been eliminated. And something else has been eliminated, too: the Dinodon's Hand. They are in rapid decline, especially after the disappearance of Hoya and the powerful Type Green Morr\u00edgan ingen Ernmas. Frustrated? But you've done your part. You protected and brought happiness to a single beast.\n\n\n\nWhen it is confirmed that you have fully tamed Hoya, I intend to adopt her under my name.\n\n\n\nThank you, as always.\n\n\n\n[[>]]\n\n,,This message has been sent directly.,,\n\n[[/>]]\n\n----\n", "tags": ["_cc", "_ko", "_wilsons-wildlife", "bittersweet", "faeowynn-wilson", "fantasy", "goi-format", "international", "serpents-hand", "wilsons-wildlife"], "title": "Adoption Poster: Hoya! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-hx"}, "adoption-poster-lloyd": {"created_at": "2019-03-27T14:59:00", "creator": "Aloices", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Aloices", "author_href": "https://www.wikidot.com/user:info/aloices", "comment": "", "date": "2019-03-27T14:59:00"}, {"author": "Aloices", "author_href": "https://www.wikidot.com/user:info/aloices", "comment": "Uploaded file \"lloyd.jpg\".", "date": "2019-03-27T15:00:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _wilsons-wildlife, goi-format, wilsons-wildlife. ", "date": "2019-03-27T15:02:00"}, {"author": "macro_au_micro", "author_href": "https://www.wikidot.com/user:info/macro-au-micro", "comment": "Added tags: three-portlands. ", "date": "2019-03-27T16:27:00"}, {"author": "Aloices", "author_href": "https://www.wikidot.com/user:info/aloices", "comment": "too many '!'s", "date": "2019-03-27T18:20:00"}, {"author": "Aloices", "author_href": "https://www.wikidot.com/user:info/aloices", "comment": "", "date": "2019-03-28T10:39:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. ", "date": "2019-03-28T16:07:00"}, {"author": "PeppersGhost", "author_href": "https://www.wikidot.com/user:info/peppersghost", "comment": "Typo fix", "date": "2019-03-31T20:53:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Changing theme inclusion method from @import to [[include]].", "date": "2019-05-16T01:13:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T05:57:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "Added tags: _licensebox. ", "date": "2021-02-28T02:09:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "_licensebox", "date": "2021-02-28T02:09:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2022-08-01T07:28:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealist-fiction. ", "date": "2024-10-11T05:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealism. Removed tags: surrealist-fiction. ", "date": "2024-10-11T19:26:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-lloyd", "page_id": "656577749", "rating": 159, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilsons/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hello, my name is Lloyd!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I'm looking for a comfy home to stay at in the Three Portlands-Boring area. I tend to prefer living alone, so I probably won't bother you too much and just mind my own business most of the time, just as if we had a neighbor-neighbor relationship. Rest assured I will join you for lunch once in a while though! I also really like being around children and playing with them, so I'll keep them occupied while you're away.</p>\n<p>I'm a proud opossum! This means I can be a bit scary sometimes, but in fact I'm more scared of things than they're scared of me. People say I'm a bit ugly too, but it's because they never got to know me and see past my appearance. I'm just a furry ball of love! I mean no harm to anyone, I'm really playful and I'll be happy to hang out with you for a beer or some grilled meat.</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>I'm a cool dude who likes to eat any pests I can find around your house! With me around, there will be no more insects, snails, or mice sneaking up on you, stealing your food, or scaring your significant other! I also eat dead stuff sometimes: I'm like nature's pest control and cleanup crew! I also have a super big heart and I'm eager to comfort anyone, whenever!</p>\n<p>The folks at Wilson's say I tend to make myself at ease wherever I go a little too easily. It's just how I am: I'm really quick to adapt, especially if its a comfy house! I come with some neat plastic toys and even a little box so you can take me in your car. I'd love to go on vacation with you!</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Facts About Possums Like Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>I can eat up to 5,000 ticks in a few months.</li>\n<li>However, I can't contract Lyme disease and won't even carry it!</li>\n<li>Unlike rats and such, we opossums are immune to rabies.</li>\n<li>Did you know? I'm the only marsupial native to the US!</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>We don't \"play dead\" on purpose; it's like a fainting reaction. Do not scare us for fun.</li>\n<li>No, our tail isn't a remedy against infertility. Do not eat us please.</li>\n<li>However, we are very fertile. I'm picky with females, though, so don't force me into dates or such.</li>\n<li>If I show up often in your house, it does not mean it's dirty there: I like clean places!</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Notes From My Previous Neighbors!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>When I saw the little Lloyd was up for adoption, I immediately felt I had to give him a chance. And I was right to try: he's just so lovely. He respected everyone's boundaries, and was at first a little shy, but the more we knew him the more he showed up for lunch. We had some great weekends, playing some board games with a cup of coffee and some snacks. He's very good at Monopoly, mind you, even if he says he doesn't practice often.</em></p>\n<p><em>My children really liked him, and I think they cried a little when he decided to move out. He said he needed a new, fresh life, but added he would never forget us. I hope you're okay, Lloyd, and know that you can come by to say hello whenever you want! I'll be happy to cook you that turkey with wine that you love.</em></p>\n<p>~Rebecca Reeves</p>\n</blockquote>\n<blockquote>\n<p><em>Man, I wish Lloyd was still around. When I adopted him and welcomed him into my house, I felt that we were going to have a good connection. We had a lot in common, and I wasn't wrong: Lloyd soon became what I could call my best friend. Sophie, my daughter, she liked him too, and they spent some great nights while I was away for work: in the morning she would go on and on about him letting her watch her favorite movies and showing her card tricks. He was always there to help when I needed something, be it salt or changing a tire.</em></p>\n<p><em>In all honesty, even though we had this special relationship (I even considered calling him \"Sophie's uncle\"), I was afraid I was slowly taking advantage of him: he lent me some money, once, and even though he did it with a smile I felt a little dirty inside. I let him know about those feelings, and we had a great talk around some beers, him telling me it was nothing, and he was just happy to help. He was a great neighbor, and a great friend.</em></p>\n<p>~Scotty Kang</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">etis.snoitulosefildliwsnosliw|ofni#etis.snoitulosefildliwsnosliw|ofni</span><br/>\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Tony Fert<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 3/25/2018</p>\n</div>\n<div class=\"wilson-body\">\n<p>Anders,</p>\n<p>I'm sorry to be the one to tell you this, but this \"Adoption Poster\" for an opossum named Lloyd never should've been uploaded: nobody here remembers ever writing it, let alone having fostered an opossum.</p>\n<p>However, I remember this guy quite well. He showed up in my car one day, and as it was my duty I welcomed him into my house for the night, thinking I would just drop him at the kennel the next day. He managed to make itself at home and even began playing with my oldest son, Billy. He was really nice, so I accepted to let him stay in my garage, where I provided him with some toys and a comfortable box.</p>\n<p>Well, this little bugger was so comfortable in my household that he was taking my wife out to restaurants every now and then when I was partying with friends and school acquaintances. The worst was when I found them together in bed one time. What kind of neighbor, what kind of friend does that?!</p>\n<p>So I had to kick him out, and didn't hear of him again until I saw this Adoption Poster on the website.</p>\n<p>Please remove this poster of \"Lloyd\", as he calls himself now, this isn't the kind of guy you want in your neighborhood.</p>\n<div style=\"text-align: right;\">\n<p>Thanks in advance,<br/>\nTony Fert</p>\n</div>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Alexia Adams<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 5/26/2018</p>\n</div>\n<div class=\"wilson-body\">\n<p>Mr. Wilson,</p>\n<p>I am one of your faithful \"clients\", if I may say so, and I had never been disappointed by the services you offer, both as a kennel and as an animal lover.</p>\n<p>But today, I must say I am deeply saddened to see this \"Adoption Poster\" for an opossum named Lloyd. While possums are known to be great pets, the description of this particular one and the notes left by previous foster parents are just gibberish and really seem fake to me: how in the name of God would an opossum, which are, I assume you knew, speechless little mammals, be able to \"play Monopoly\" or \"change a tire\"? Who are these people who claim this Lloyd can lend them some money? Opossums can't have bank accounts nor money in the first place!</p>\n<p>I never thought your very serious organization could allow such comments to be uploaded without even checking for their authenticity. Be assured I will take this into consideration when browsing your website, and that you may have lost a great follower of your ideas and convictions.<br/></p>\n<div style=\"text-align: right;\">\n<p>Sincerely,<br/>\nAlexia Adams</p>\n</div>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Anders Wilson<br/>\nRecipient(s): Alexia Adams<br/>\nDate: 5/27/2018</p>\n</div>\n<div class=\"wilson-body\">\n<p>Mrs. Adams,</p>\n<p>First, know that I, on the behalf of all the staff, am truly sorry to hear that you had an unpleasant experience with Wilson's Wildlife Solutions. We aim to be the best in all of Oregon in terms of caring for animals and providing them a good, happy life, and knowing that we, in your heart, failed to do so, saddens me. I hope your faith in our actions will not be impacted, and that you will continue to do your best for all the loving critters in the world.</p>\n<p>However, there seems to have been a misunderstanding: all the comments that are presented on Lloyd's Adoption Poster are, indeed, correct. They have been fact-checked by our team here after a meeting with each previous foster parent. Furthermore, Lloyd indeed possesses a great heart, and knowing that you may think he's just a mere opossum is hard for me: I would consider him a family member, even more after all the good he did here. In fact, no later than last week, this great and loving human being \u2014 more human, in fact, than most of our citizens \u2014 drove me to the hospital after I injured myself so badly I couldn't move. So to see that some of my clients could try to diminish what he does for others, that saddens me the most.</p>\n<p>I hope that your opinion on Lloyd can change, one day.</p>\n<div style=\"text-align: right;\">\n<p>Yours truly,<br/>\nAnders Wilson</p>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-lloyd\">Adoption Poster: Lloyd!</a>\" by Aloices, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-lloyd\">https://scpwiki.com/adoption-poster-lloyd</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> lloyd.jpg<br/>\n<strong>Name:</strong> Opossum<br/>\n<strong>Author:</strong> Tony Alter<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source:</strong> <a href=\"https://www.flickr.com/photos/78428166@N00/23670953658\">https://www.flickr.com/photos/78428166@N00/23670953658</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:wilsons\">theme:wilsons</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hello, my name is Lloyd![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image lloyd.jpg]]\n\n\n\n\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nI'm looking for a comfy home to stay at in the Three Portlands-Boring area. I tend to prefer living alone, so I probably won't bother you too much and just mind my own business most of the time, just as if we had a neighbor-neighbor relationship. Rest assured I will join you for lunch once in a while though! I also really like being around children and playing with them, so I'll keep them occupied while you're away.\n\n\n\nI'm a proud opossum! This means I can be a bit scary sometimes, but in fact I'm more scared of things than they're scared of me. People say I'm a bit ugly too, but it's because they never got to know me and see past my appearance. I'm just a furry ball of love! I mean no harm to anyone, I'm really playful and I'll be happy to hang out with you for a beer or some grilled meat.\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\nI'm a cool dude who likes to eat any pests I can find around your house! With me around, there will be no more insects, snails, or mice sneaking up on you, stealing your food, or scaring your significant other! I also eat dead stuff sometimes: I'm like nature's pest control and cleanup crew! I also have a super big heart and I'm eager to comfort anyone, whenever!\n\n\n\nThe folks at Wilson's say I tend to make myself at ease wherever I go a little too easily. It's just how I am: I'm really quick to adapt, especially if its a comfy house! I come with some neat plastic toys and even a little box so you can take me in your car. I'd love to go on vacation with you!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nFacts About Possums Like Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* I can eat up to 5,000 ticks in a few months.\n\n* However, I can't contract Lyme disease and won't even carry it!\n\n* Unlike rats and such, we opossums are immune to rabies.\n\n* Did you know? I'm the only marsupial native to the US!\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* We don't \"play dead\" on purpose; it's like a fainting reaction. Do not scare us for fun.\n\n* No, our tail isn't a remedy against infertility. Do not eat us please.\n\n* However, we are very fertile. I'm picky with females, though, so don't force me into dates or such.\n\n* If I show up often in your house, it does not mean it's dirty there: I like clean places!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Previous Neighbors!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //When I saw the little Lloyd was up for adoption, I immediately felt I had to give him a chance. And I was right to try: he's just so lovely. He respected everyone's boundaries, and was at first a little shy, but the more we knew him the more he showed up for lunch. We had some great weekends, playing some board games with a cup of coffee and some snacks. He's very good at Monopoly, mind you, even if he says he doesn't practice often.//\n\n> \n\n> //My children really liked him, and I think they cried a little when he decided to move out. He said he needed a new, fresh life, but added he would never forget us. I hope you're okay, Lloyd, and know that you can come by to say hello whenever you want! I'll be happy to cook you that turkey with wine that you love.//\n\n> \n\n> ~Rebecca Reeves\n\n\n\n> //Man, I wish Lloyd was still around. When I adopted him and welcomed him into my house, I felt that we were going to have a good connection. We had a lot in common, and I wasn't wrong: Lloyd soon became what I could call my best friend. Sophie, my daughter, she liked him too, and they spent some great nights while I was away for work: in the morning she would go on and on about him letting her watch her favorite movies and showing her card tricks. He was always there to help when I needed something, be it salt or changing a tire.//\n\n> \n\n> //In all honesty, even though we had this special relationship (I even considered calling him \"Sophie's uncle\"), I was afraid I was slowly taking advantage of him: he lent me some money, once, and even though he did it with a smile I felt a little dirty inside. I let him know about those feelings, and we had a great talk around some beers, him telling me it was nothing, and he was just happy to help. He was a great neighbor, and a great friend.//\n\n> \n\n> ~Scotty Kang\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: info@wilsonswildlifesolutions.site\n\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Tony Fert\n\nRecipient(s): Anders Wilson\n\nDate: 3/25/2018\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAnders,\n\n\n\nI'm sorry to be the one to tell you this, but this \"Adoption Poster\" for an opossum named Lloyd never should've been uploaded: nobody here remembers ever writing it, let alone having fostered an opossum.\n\n\n\nHowever, I remember this guy quite well. He showed up in my car one day, and as it was my duty I welcomed him into my house for the night, thinking I would just drop him at the kennel the next day. He managed to make itself at home and even began playing with my oldest son, Billy. He was really nice, so I accepted to let him stay in my garage, where I provided him with some toys and a comfortable box.\n\n\n\nWell, this little bugger was so comfortable in my household that he was taking my wife out to restaurants every now and then when I was partying with friends and school acquaintances. The worst was when I found them together in bed one time. What kind of neighbor, what kind of friend does that?!\n\n\n\nSo I had to kick him out, and didn't hear of him again until I saw this Adoption Poster on the website.\n\n\n\nPlease remove this poster of \"Lloyd\", as he calls himself now, this isn't the kind of guy you want in your neighborhood.\n\n\n\n[[>]]\n\nThanks in advance,\n\nTony Fert\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Alexia Adams\n\nRecipient(s): Anders Wilson\n\nDate: 5/26/2018\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nMr. Wilson,\n\n\n\nI am one of your faithful \"clients\", if I may say so, and I had never been disappointed by the services you offer, both as a kennel and as an animal lover.\n\n\n\nBut today, I must say I am deeply saddened to see this \"Adoption Poster\" for an opossum named Lloyd. While possums are known to be great pets, the description of this particular one and the notes left by previous foster parents are just gibberish and really seem fake to me: how in the name of God would an opossum, which are, I assume you knew, speechless little mammals, be able to \"play Monopoly\" or \"change a tire\"? Who are these people who claim this Lloyd can lend them some money? Opossums can't have bank accounts nor money in the first place!\n\n\n\nI never thought your very serious organization could allow such comments to be uploaded without even checking for their authenticity. Be assured I will take this into consideration when browsing your website, and that you may have lost a great follower of your ideas and convictions.\n\n[[>]]\n\nSincerely,\n\nAlexia Adams\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Anders Wilson\n\nRecipient(s): Alexia Adams\n\nDate: 5/27/2018\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nMrs. Adams,\n\n\n\nFirst, know that I, on the behalf of all the staff, am truly sorry to hear that you had an unpleasant experience with Wilson's Wildlife Solutions. We aim to be the best in all of Oregon in terms of caring for animals and providing them a good, happy life, and knowing that we, in your heart, failed to do so, saddens me. I hope your faith in our actions will not be impacted, and that you will continue to do your best for all the loving critters in the world.\n\n\n\nHowever, there seems to have been a misunderstanding: all the comments that are presented on Lloyd's Adoption Poster are, indeed, correct. They have been fact-checked by our team here after a meeting with each previous foster parent. Furthermore, Lloyd indeed possesses a great heart, and knowing that you may think he's just a mere opossum is hard for me: I would consider him a family member, even more after all the good he did here. In fact, no later than last week, this great and loving human being \u2014 more human, in fact, than most of our citizens \u2014 drove me to the hospital after I injured myself so badly I couldn't move. So to see that some of my clients could try to diminish what he does for others, that saddens me the most.\n\n\n\nI hope that your opinion on Lloyd can change, one day.\n\n\n\n[[>]]\n\nYours truly,\n\nAnders Wilson\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Aloices]]\n\n=====\n\n> **Filename:** lloyd.jpg\n\n> **Name:** Opossum\n\n> **Author:** Tony Alter\n\n> **License:** CC BY 2.0\n\n> **Source:** https://www.flickr.com/photos/78428166@N00/23670953658\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "featured", "goi-format", "surrealism", "three-portlands", "wilsons-wildlife"], "title": "Adoption Poster: Lloyd! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-lloyd"}, "adoption-poster-ol-shock": {"created_at": "2018-12-22T22:57:00", "creator": "stormbreath", "domain": "scp-wiki.wikidot.com", "history": [{"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2018-12-22T22:57:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _wilsons-wildlife, chicago-spirit, goi-format, three-portlands, wilsons-wildlife. ", "date": "2018-12-22T22:58:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2018-12-22T23:01:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"shock.jpg\".", "date": "2018-12-22T23:01:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2018-12-22T23:03:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2018-12-22T23:10:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Both of the earthworm links were wrong on posting...", "date": "2018-12-22T23:20:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "typoes", "date": "2018-12-23T02:06:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-02-15T00:21:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-24T23:54:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T22:07:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "I'm know --> I know", "date": "2019-03-17T08:59:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-03-24T21:23:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Crosslink time", "date": "2019-04-02T04:40:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "CSS Columns! Much simpler.", "date": "2019-06-16T01:23:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-06-16T01:28:00"}, {"author": "Voct", "author_href": "https://www.wikidot.com/user:info/voct", "comment": "fix missing 'but'", "date": "2020-03-31T16:24:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-07-30T04:51:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T05:58:00"}, {"author": "UncertaintyCrossing", "author_href": "https://www.wikidot.com/user:info/uncertaintycrossing", "comment": "", "date": "2020-11-03T21:53:00"}, {"author": "UncertaintyCrossing", "author_href": "https://www.wikidot.com/user:info/uncertaintycrossing", "comment": "Added tags: _licensebox. ", "date": "2020-11-03T21:54:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Theme update.", "date": "2021-06-11T19:51:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-08-08T05:56:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Parent page set to: \"black-as-night\".", "date": "2021-08-08T05:57:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Adding author credit.", "date": "2021-08-13T02:08:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-09-14T01:30:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-09-18T04:27:00"}, {"author": "DrLeviStarkin", "author_href": "https://www.wikidot.com/user:info/drlevistarkin", "comment": "", "date": "2024-02-07T15:45:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: crime-fiction, fantasy, heartwarming. ", "date": "2024-10-17T19:10:00"}], "hubs": ["black-as-night", "algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-ol-shock", "page_id": "494873417", "rating": 218, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilderness/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"text-align: right; margin-top: -25px;\">\n<p>by <a href=\"/stormbreath\">stormbreath</a></p>\n</div>\n<div class=\"wilson-border\">\n<div class=\"wilson-header\" style=\"font-family: var(--national-park);\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">HI! MY NAME'S OL' SHOCK!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n\n<div style=\"column-count: 2;\">\n<p>I'm looking for a kind and loving home in the Three Portlands area, preferably one with lots of room to run and be free! (Outside of Three Portlands is okay, as long as I can run around but not be seen.)</p>\n<p>The folks at Wilson's aren't sure what type of beast I am, but I know I'm a very good boy! They think I'm a wolf-dog or a tamed wolf of some kind. I sure act like a dog!</p>\n<p>I'm pretty different from most: I've got all sorts of special abilities you don't see in normal canines.</p>\n<p>I tend to turn up all the time out of nowhere, for one thing. I'm also a lot stronger and faster than a dog, which can be pretty different to handle! My paws never make a noise, even when they should clack on the tile. My eyes glow in the dark - some people say they're like lanterns! I can also howl a lot louder than I have any right to. (Sorry neighbours!)</p>\n</div>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Facts About Me!</p>\n</div>\n<div class=\"wilson-body\" style=\"column-count: 2;\">\n<ul>\n<li>I'm a very big boy - a little over a hundred pounds! (45 kilograms for you Brits!)</li>\n<li>I tend to eat a lot: about three pounds of raw meat or four pounds of kibble a day - not much more than normal for a dog my size, mind you.</li>\n<li>I stand about a two and a half feet at the shoulder, and I'm six feet long from the tip of my nose to the end of my tail. (76\u00a0cm and 183\u00a0cm, respectively)</li>\n<li>I know all sorts of tricks, from whoever trained me. Fetch, sit, roll over. (I tend to not listen much, though!)</li>\n<li>I've been with Wilson's Wildlife for a couple years and haven't aged that much. The docs think I've got a longer life ahead of me than normal. I'll be your best friend for life!</li>\n<li>My favorite thing to do is run around outside - I'll need a big backyard or space to do that to be happy!</li>\n<li>One of my old owners gave me some guard dog training - I do it pretty well, if you want me to do that. I always know who my owners are.</li>\n<li>I'm a very good boy - the best!</li>\n</ul>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Comments from my Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p>Well behaved and trained, although he's got a mind of his own. He rarely listens to any of my commands, except when he wants to, but at least he's not as bad as some dogs I've fostered. Never really misbehaves.</p>\n<p>Never goes in the bathroom in the house and I rarely have to let him outside to do it - he just sorta works his way there. I've got no idea how he does it, but I'll see him lying down one minute and then outside peeing on a tree the next. I'll check all the doors, but nothing \u2014 just Shock at the door, waiting to be let back in.</p>\n</blockquote>\n<blockquote>\n<p>Shock's a pretty quiet <span style=\"text-decoration: line-through;\">dog</span> wolf, for the most part. He doesn't even whine a lot of the time, just sit and stare at you with those big eyes. He doesn't tend to do much, just laze around the house most of the day. A very chill and quiet wolf, which was rather nice, to be all honest.</p>\n<p>But \u2026 one night, I heard him <em>howling</em>, and I knew he really was a wolf. There was something different in that howl, something I've never heard in any dog. Mind you, I've heard plenty of wolves howl and it wasn't anything like that. It was sorrowful, mourning something. Sent chills right down my spine, throughout my whole body. And the worst thing is that he didn't stop for nearly an hour.</p>\n<p>I'm sorry, but I can't take care of a wolf that howls like that, as much as I would like to. I was looking for a bit of a quiet dog who'd take care of himself, and Shock seemed to fit the bill. But the Homeowner's Association came over the next morning to yell at me, and I just can't have a wolf like that. Sorry Wilson's. Almost worked out.</p>\n</blockquote>\n<blockquote>\n<p>I've hosted a lot of dogs over the years. All sorts of breeds. There's rarely been a dog that I haven't gotten along with. As for Ol' Shock, well, we haven't so much not gotten along but just not clicked. Very much not clicked in the slightest. I don't think it's just the wolf thing.</p>\n<p>He's a weird one. Good, but very weird. Stares outside of the windows a lot; looks pretty sad all the time. I think he misses his old owner. I wish I could help him, but he just can be a little off sometimes. I don't adopt, of course, but I think there's a home for him somewhere.</p>\n</blockquote>\n<blockquote>\n<p>We (my spouse and I) <span style=\"text-decoration: underline;\">love</span> this wolf. Our kids, not so much.</p>\n<p>Our house was robbed the other day. Attempted robbery, at least. I wasn't home at the time, just my spouse and the kids. They were upstairs with the kids downstairs, and Ol' Shock was sleeping at the time. Nice quiet day.</p>\n<p>Then, some fucker tried to break into the house. My spouse heard the kids screaming, and then they rushed downstairs not to find them in any danger, but Shock having ripped the robber's arm off, calmly gnawing on it. The kids were horrified and shocked, but safe.</p>\n<p>Both of us would like to keep him - he saved our family. But the kids will not be in the same room as Shock (they were always a bit wary of him before, and this made it worse).</p>\n<p>Excellent guard wolf.</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">moc.liamg|snoitulosefildliwsnosliw#moc.liamg|snoitulosefildliwsnosliw</span><br/>\nVoid: Wilson's Wildlife Solutions! (\u2042wilsons-wildlife)</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Anders Wilson<br/>\nRecipient(s): Selena Anderson<br/>\nDate: 5/11/2012</p>\n</div>\n<div class=\"wilson-body\">\n<p>Dear Selena,</p>\n<p>Ol' Shock is a <a href=\"/the-great-shucks-of-the-unnamed-lords\">black shuck</a>. I've brought in a couple consultants - even an expert from Hy-Brasil - all confirm this. Even if somebody, somehow domesticated a black shuck, the chances of anyone else being so dumb to think that a hellhound makes for a good pet are tiny. Lightning isn't going to strike twice here.</p>\n<p>We've managed to get a couple people to foster him, and he never lasted more than a week with any of them. Don't you think that might be a sign that he's not meant to have a permanent home? Just because he's been trained doesn't mean he's right as a family pet. There are only so many people that are looking for a magic wolf and can actually adopt one.</p>\n<p>I know he's always sad, and he probably has abandonment issues from a past owner. I know that you want to get him the best home possible. I know that there might be a chance we can find him something. Believe me, Selena, I do too. I really do.</p>\n<p>It's just that I don't think we're going to be able to find a home for Shock. I think it's time we started to look into other alternatives for him - potentially relocating him to Boring or bringing in the Supervisors to help deal with the problem.</p>\n<p>I know those options aren't great, but we can't afford to keep Ol' Shock up for adoption. Please get back to me as soon as you can. I'm not looking forward to having to do this - Shock's a good boy.</p>\n<p>Regards,<br/>\nAnders Wilson</p>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Sent by: Selena Anderson<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 5/17/2012</p>\n</div>\n<div class=\"wilson-body\">\n<p>Anders,</p>\n<p>A man came into the Three Portlands Wilson's Wildlife Shelter today with one of Ol' Shock's adoption posters. He came to the front desk and said he had found it earlier when he was visiting from the Isle of Portland. He said he thought he might recognize the Ol' Shock, and wanted to see him.</p>\n<p>We took the man \u2014 who called himself Mr. Night \u2014 over to the enclosure, and as soon as we did, Ol' Shock started jumping up and down and howling. Night asked us if he could enter the enclosure, and we said he could. (Which is weird, we wouldn't normally do that. I'm not sure why we did - I suppose we were moved by Shock's reaction?)</p>\n<p>Night walked into the enclosure and as soon as he did, Ol' Shock had tackled him to the ground and was all over his face. We were a bit worried for a second, before Night started laughing and we realized Shock was just licking the man's face. He's never done that before to anyone else.</p>\n<p>The two played together for a couple minutes - I've never seen Shock happier! He was running around and jumping up and down, flopping onto his belly and rolling around. I couldn't believe it was the same dog we've been working with all these years.</p>\n<p>Night came into the office to formalize the adoption. He said that Ol' Shock used to be the family pet and that one of his brothers was supposed to take care of him, but something had happened to that brother a few years back, and Shock must have gotten lost. He recognized Shock instantly from the poster and came in to see if it was really him, not thinking it would be.</p>\n<p>I'll say, nothing's better than reuniting a pet with their owner. We all gathered around to watch Night leave with his old friend - didn't even need a leash, just the two walking next to each other.</p>\n<p>And you didn't believe Shock could get a happy ending. That's not what we believe in here.</p>\n<p>\u2014 Selena</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Gary Harp<br/>\nRecipient(s): Tim Wilson<br/>\nDate: 6/20/2012</p>\n</div>\n<div class=\"wilson-body\">\n<p>I'm sure you've heard of what happened a few days ago to the Three Portlands shelter on Deerway. That \"Chicago Spectre\" coming around, running a protection racket? We really didn't have any choice but to accept, since the cops in 3Ports aren't great.</p>\n<p>Well, no need to ask the Supervisors for help about that at the next meeting. In fact, it's probably best if we didn't mention it to them at all.</p>\n<p>Today, the Chicago Spectre came by again. There was a finely dressed man in a black pinstripe suit, three-piece. With a fedora. He looked like he was out of a gangster movie, and walking right beside him was Ol' Shock. And sulking behind the two, with his head held low in shame was the ringleader of the gang that came by the other day.</p>\n<p>The guy in the suit asked to speak with whoever was in charge, and since I dealt with the Spectre the other night, it was decided that it'd be me to deal with them. I invited the two (and Shock) into my office, and the guy in the suit immediately launched into an apology.</p>\n<p>He explained he was the leader of the Spectre, and when he had heard that his boys had come by and pulled the protection racket on us, he was outraged immediately. He wanted to come by sooner, but \"the time wasn't right\". After all, he said, we had been so kind as to take care of his dog for the past couple of years and reunite them.</p>\n<p>The ringleader from the other night put a briefcase of money on the table and apologized. Night said that this was all the money from the other night (I counted, and it's actually a little more) and that we wouldn't need to worry about paying for protection anymore. It was the least we could do for services rendered on behalf of the Chicago Spectre.</p>\n<p>The two then left, with Shock right behind them. The guy in the suit gave me his business card and told me to give him a call if we ever had any trouble with another gang.</p>\n<p>Mr. Wilson, we accidentally made friends with a mob boss.</p>\n</div>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"Contract Negotiations (N-01029)\">\n\n<p><a href=\"/contract-negotiations-01029\">Contract Negotiations (N-01029)</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Black As Night Hub\">\n<p><a href=\"/black-as-night\">Black As Night Hub</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"UTE-1919-Discofather\">\n\n<p><a href=\"/ute-1919-discofather\">UTE-1919-Discofather</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-ol-shock\">Adoption Poster: Ol' Shock!</a>\" by stormbreath, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-ol-shock\">https://scpwiki.com/adoption-poster-ol-shock</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> shock.jpg<br/>\n<strong>Name:</strong> Canis lupus qtl2 (bearbeitet)<br/>\n<strong>Author:</strong> Quartl / Nightflyer<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Canis_lupus_qtl2_(bearbeitet).jpg\">Wikimedia</a><br/>\n<strong>Additional Notes:</strong> As stated at source, the image, taken by Quartl, was digitally altered by Nightflyer. Modifications: Removed the yellow stone in the background</p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:wilderness\">:scp-wiki:theme:wilderness</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n\n\n[[module CSS]]\n\n:root {\n\n--toggle-button-bg: rgb(var(--wilson-body));\n\n--toggle-border-color: rgb(var(--gray-monochrome));\n\n--toggle-icon-color: rgb(var(--wilson-text));\n\n--toggle-roundness: 0;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[div style=\"text-align: right; margin-top: -25px;\"]]\n\nby [[[stormbreath]]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\" style=\"font-family: var(--national-park);\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]HI! MY NAME'S OL' SHOCK![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[=]]\n\n[[/=]]\n\n\n\n[[=image shock.jpg style=\"border: 2px solid #665731;\" title=\"Ain't I a stunner?\"]]\n\n[[div style=\"column-count: 2;\"]]\n\nI'm looking for a kind and loving home in the Three Portlands area, preferably one with lots of room to run and be free! (Outside of Three Portlands is okay, as long as I can run around but not be seen.)\n\n\n\nThe folks at Wilson's aren't sure what type of beast I am, but I know I'm a very good boy! They think I'm a wolf-dog or a tamed wolf of some kind. I sure act like a dog!\n\n\n\nI'm pretty different from most: I've got all sorts of special abilities you don't see in normal canines.\n\n\n\nI tend to turn up all the time out of nowhere, for one thing. I'm also a lot stronger and faster than a dog, which can be pretty different to handle! My paws never make a noise, even when they should clack on the tile. My eyes glow in the dark - some people say they're like lanterns! I can also howl a lot louder than I have any right to. (Sorry neighbours!)\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Facts About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\" style=\"column-count: 2;\"]]\n\n* I'm a very big boy - a little over a hundred pounds! (45 kilograms for you Brits!)\n\n* I tend to eat a lot: about three pounds of raw meat or four pounds of kibble a day - not much more than normal for a dog my size, mind you.\n\n* I stand about a two and a half feet at the shoulder, and I'm six feet long from the tip of my nose to the end of my tail. (76 cm and 183 cm, respectively)\n\n* I know all sorts of tricks, from whoever trained me. Fetch, sit, roll over. (I tend to not listen much, though!)\n\n* I've been with Wilson's Wildlife for a couple years and haven't aged that much. The docs think I've got a longer life ahead of me than normal. I'll be your best friend for life!\n\n* My favorite thing to do is run around outside - I'll need a big backyard or space to do that to be happy!\n\n* One of my old owners gave me some guard dog training - I do it pretty well, if you want me to do that. I always know who my owners are.\n\n* I'm a very good boy - the best!\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nComments from my Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> Well behaved and trained, although he's got a mind of his own. He rarely listens to any of my commands, except when he wants to, but at least he's not as bad as some dogs I've fostered. Never really misbehaves.\n\n> \n\n> Never goes in the bathroom in the house and I rarely have to let him outside to do it - he just sorta works his way there. I've got no idea how he does it, but I'll see him lying down one minute and then outside peeing on a tree the next. I'll check all the doors, but nothing -- just Shock at the door, waiting to be let back in.\n\n\n\n> Shock's a pretty quiet --dog-- wolf, for the most part. He doesn't even whine a lot of the time, just sit and stare at you with those big eyes. He doesn't tend to do much, just laze around the house most of the day. A very chill and quiet wolf, which was rather nice, to be all honest.\n\n> \n\n> But ... one night, I heard him //howling//, and I knew he really was a wolf. There was something different in that howl, something I've never heard in any dog. Mind you, I've heard plenty of wolves howl and it wasn't anything like that. It was sorrowful, mourning something. Sent chills right down my spine, throughout my whole body. And the worst thing is that he didn't stop for nearly an hour.\n\n> \n\n> I'm sorry, but I can't take care of a wolf that howls like that, as much as I would like to. I was looking for a bit of a quiet dog who'd take care of himself, and Shock seemed to fit the bill. But the Homeowner's Association came over the next morning to yell at me, and I just can't have a wolf like that. Sorry Wilson's. Almost worked out.\n\n\n\n> I've hosted a lot of dogs over the years. All sorts of breeds. There's rarely been a dog that I haven't gotten along with. As for Ol' Shock, well, we haven't so much not gotten along but just not clicked. Very much not clicked in the slightest. I don't think it's just the wolf thing.\n\n> \n\n> He's a weird one. Good, but very weird. Stares outside of the windows a lot; looks pretty sad all the time. I think he misses his old owner. I wish I could help him, but he just can be a little off sometimes. I don't adopt, of course, but I think there's a home for him somewhere.\n\n\n\n> We (my spouse and I) __love__ this wolf. Our kids, not so much.\n\n> \n\n> Our house was robbed the other day. Attempted robbery, at least. I wasn't home at the time, just my spouse and the kids. They were upstairs with the kids downstairs, and Ol' Shock was sleeping at the time. Nice quiet day.\n\n> \n\n> Then, some fucker tried to break into the house. My spouse heard the kids screaming, and then they rushed downstairs not to find them in any danger, but Shock having ripped the robber's arm off, calmly gnawing on it. The kids were horrified and shocked, but safe.\n\n> \n\n> Both of us would like to keep him - he saved our family. But the kids will not be in the same room as Shock (they were always a bit wary of him before, and this made it worse).\n\n> \n\n> Excellent guard wolf.\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: wilsonswildlifesolutions@gmail.com\n\nVoid: Wilson's Wildlife Solutions! (\u2042wilsons-wildlife)\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Anders Wilson\n\nRecipient(s): Selena Anderson\n\nDate: 5/11/2012\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nDear Selena,\n\n\n\nOl' Shock is a [[[the-great-shucks-of-the-unnamed-lords|black shuck]]]. I've brought in a couple consultants - even an expert from Hy-Brasil - all confirm this. Even if somebody, somehow domesticated a black shuck, the chances of anyone else being so dumb to think that a hellhound makes for a good pet are tiny. Lightning isn't going to strike twice here.\n\n\n\nWe've managed to get a couple people to foster him, and he never lasted more than a week with any of them. Don't you think that might be a sign that he's not meant to have a permanent home? Just because he's been trained doesn't mean he's right as a family pet. There are only so many people that are looking for a magic wolf and can actually adopt one.\n\n\n\nI know he's always sad, and he probably has abandonment issues from a past owner. I know that you want to get him the best home possible. I know that there might be a chance we can find him something. Believe me, Selena, I do too. I really do.\n\n\n\nIt's just that I don't think we're going to be able to find a home for Shock. I think it's time we started to look into other alternatives for him - potentially relocating him to Boring or bringing in the Supervisors to help deal with the problem.\n\n\n\nI know those options aren't great, but we can't afford to keep Ol' Shock up for adoption. Please get back to me as soon as you can. I'm not looking forward to having to do this - Shock's a good boy.\n\n\n\nRegards,\n\nAnders Wilson\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Selena Anderson\n\nRecipient(s): Anders Wilson\n\nDate: 5/17/2012\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAnders,\n\n\n\nA man came into the Three Portlands Wilson's Wildlife Shelter today with one of Ol' Shock's adoption posters. He came to the front desk and said he had found it earlier when he was visiting from the Isle of Portland. He said he thought he might recognize the Ol' Shock, and wanted to see him.\n\n\n\nWe took the man -- who called himself Mr. Night -- over to the enclosure, and as soon as we did, Ol' Shock started jumping up and down and howling. Night asked us if he could enter the enclosure, and we said he could. (Which is weird, we wouldn't normally do that. I'm not sure why we did - I suppose we were moved by Shock's reaction?)\n\n\n\nNight walked into the enclosure and as soon as he did, Ol' Shock had tackled him to the ground and was all over his face. We were a bit worried for a second, before Night started laughing and we realized Shock was just licking the man's face. He's never done that before to anyone else.\n\n\n\nThe two played together for a couple minutes - I've never seen Shock happier! He was running around and jumping up and down, flopping onto his belly and rolling around. I couldn't believe it was the same dog we've been working with all these years.\n\n\n\nNight came into the office to formalize the adoption. He said that Ol' Shock used to be the family pet and that one of his brothers was supposed to take care of him, but something had happened to that brother a few years back, and Shock must have gotten lost. He recognized Shock instantly from the poster and came in to see if it was really him, not thinking it would be.\n\n\n\nI'll say, nothing's better than reuniting a pet with their owner. We all gathered around to watch Night leave with his old friend - didn't even need a leash, just the two walking next to each other.\n\n\n\nAnd you didn't believe Shock could get a happy ending. That's not what we believe in here.\n\n\n\n-- Selena\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Gary Harp\n\nRecipient(s): Tim Wilson\n\nDate: 6/20/2012\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nI'm sure you've heard of what happened a few days ago to the Three Portlands shelter on Deerway. That \"Chicago Spectre\" coming around, running a protection racket? We really didn't have any choice but to accept, since the cops in 3Ports aren't great.\n\n\n\nWell, no need to ask the Supervisors for help about that at the next meeting. In fact, it's probably best if we didn't mention it to them at all.\n\n\n\nToday, the Chicago Spectre came by again. There was a finely dressed man in a black pinstripe suit, three-piece. With a fedora. He looked like he was out of a gangster movie, and walking right beside him was Ol' Shock. And sulking behind the two, with his head held low in shame was the ringleader of the gang that came by the other day.\n\n\n\nThe guy in the suit asked to speak with whoever was in charge, and since I dealt with the Spectre the other night, it was decided that it'd be me to deal with them. I invited the two (and Shock) into my office, and the guy in the suit immediately launched into an apology.\n\n\n\nHe explained he was the leader of the Spectre, and when he had heard that his boys had come by and pulled the protection racket on us, he was outraged immediately. He wanted to come by sooner, but \"the time wasn't right\". After all, he said, we had been so kind as to take care of his dog for the past couple of years and reunite them.\n\n\n\nThe ringleader from the other night put a briefcase of money on the table and apologized. Night said that this was all the money from the other night (I counted, and it's actually a little more) and that we wouldn't need to worry about paying for protection anymore. It was the least we could do for services rendered on behalf of the Chicago Spectre.\n\n\n\nThe two then left, with Shock right behind them. The guy in the suit gave me his business card and told me to give him a call if we ever had any trouble with another gang.\n\n\n\nMr. Wilson, we accidentally made friends with a mob boss.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[include <a href=\"/component:earthworm\">component:earthworm</a>\n\n\u00a0\u00a0first=false| last=false| hub=yes |\n\n\u00a0\u00a0previous-url=/contract-negotiations-01029 | previous-title=Contract Negotiations (N-01029)|\n\n\u00a0\u00a0next-url=/ute-1919-discofather | next-title=UTE-1919-Discofather|\n\n\u00a0\u00a0hub-url=/black-as-night | hub-title=Black As Night Hub |\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** shock.jpg\n\n> **Name:** Canis lupus qtl2 (bearbeitet)\n\n> **Author:** Quartl / Nightflyer\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [[[https://commons.wikimedia.org/wiki/File:Canis_lupus_qtl2_(bearbeitet).jpg|Wikimedia]]]\n\n> **Additional Notes:** As stated at source, the image, taken by Quartl, was digitally altered by Nightflyer. Modifications: Removed the yellow stone in the background\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "chicago-spirit", "crime-fiction", "fantasy", "goi-format", "heartwarming", "three-portlands", "wilsons-wildlife"], "title": "Adoption Poster: Ol' Shock! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-ol-shock"}, "adoption-poster-pearl": {"created_at": "2020-03-11T19:28:00", "creator": "Rounderhouse", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "", "date": "2020-03-11T19:28:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "", "date": "2020-03-11T19:28:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "Added tags: _wilsons-wildlife, ambrose-restaurant, goi-format, wilsons-wildlife. ", "date": "2020-03-11T19:29:00"}, {"author": "aismallard", "author_href": "https://www.wikidot.com/user:info/aismallard", "comment": "Added tags: _image. ", "date": "2020-03-11T19:38:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "Added tags: _delicious, jam-con2020. ", "date": "2020-03-11T19:40:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "Added tags: _cc. ", "date": "2020-03-11T20:24:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "", "date": "2020-03-11T20:26:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Removed tags: _image. 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", "date": "2020-03-24T22:45:00"}, {"author": "aismallard", "author_href": "https://www.wikidot.com/user:info/aismallard", "comment": "Update theme link", "date": "2020-06-05T20:06:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T06:29:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"wood-pattern.png\".", "date": "2020-10-16T22:00:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"pig2.jpg\".", "date": "2020-10-16T22:01:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"pig.jpg\".", "date": "2020-10-16T22:01:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-10-16T22:02:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: chaz-ambrose. ", "date": "2020-11-22T01:18:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "You successfully reverted the page to revision number 16", "date": "2020-11-22T01:33:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "Added tags: _licensebox. ", "date": "2021-02-28T02:11:00"}, {"author": "The_Spider_Queen", "author_href": "https://www.wikidot.com/user:info/the-spider-queen", "comment": "_licensebox", "date": "2021-02-28T02:11:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2021-09-01T06:04:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-11-02T18:37:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: chaz-ambrose. ", "date": "2023-09-06T12:48:00"}, {"author": "DrLeviStarkin", "author_href": "https://www.wikidot.com/user:info/drlevistarkin", "comment": "", "date": "2024-03-07T19:46:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: black-comedy, comedy. ", "date": "2024-10-11T05:55:00"}], "hubs": ["black-highlighter-themes", "ambrose-restaurant-hub", "144-hour-jam-contest-two", "goi-formats", "contest-archive"], "images": [], "link": "adoption-poster-pearl", "page_id": "999864907", "rating": 420, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilderness/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hello, my name is Pearl!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>Hi! I'm looking for a loving home in the Three Portlands-Boring region. I'm not a very high-maintenance gal, so you don't have to worry too much about what to feed me or where to shelter me. Just give me a pen, some mud, and water, and I'll be happy as can be!</p>\n<p>A lot of people have misconceptions about us potbellied pigs. In fact, a lot of people even think we're stupid! Pigs are actually one of the smartest species of animal, and I like to think I'm pretty sharp too, if I do say so myself! One saying about us that <em>is</em> true is that we eat nearly anything. As long as its remotely edible, we'll eat until we're full. But in that regard, I am slightly out of the ordinary\u2026.</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>I can eat <em>anything!</em> It doesn't have to be edible \u2014 I've had wood, metal, plastic, even dirt! It doesn't matter to me, nothing hurts me or my insides. In fact, my insides are also like that \u2014 I can't be full! My caretakers say they don't know where everything goes once it goes in, but all I know is that I'm <strong>always</strong> ready for another meal.</p>\n<p>Like I said, I'm not very high-maintenance. I come with a little water trough and some of my favorite snacks (I have a soft spot for wood chips). If you have a pig pen, you can settle me down there and I'll be the best food disposal you've ever seen!</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Facts About Pigs Like Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<ul>\n<li>Pigs were the first animal to be domesticated by you guys! We go back a long way, huh?</li>\n<li>I have a great sense of smell \u2014 I've even found a few truffles using my sniffer!</li>\n<li>I really, really love to go on walks! I come with a harness, so you can walk me whenever you want.</li>\n</ul>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<ul>\n<li>Even though I'll eat anything, I have preferences. I enjoy wood chips and tin foil!</li>\n<li>The opposite is also true \u2014 I might be able to eat all foods, but that doesn't mean I'll like them. I hate ceramics and candy.</li>\n<li>I'm a bit of an introvert \u2014 I can get along okay with other piggies, but I prefer to be alone.</li>\n</ul>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Notes From My Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p><em>Pearl was an absolute sweetheart. Just one the most loving, intelligent animals I've ever had the pleasure of fostering. She would happily fool around with us, play fetch, even just go on walks. When she was alone, she was also able to amuse herself fine, perfectly content to roll in the mud or nap in the shade. It was a bit hard at first to deal with her diet, but we got a system worked out eventually. It broke my heart when we had to give her up. Her dietary needs may be\u2026 unusual, but this critter is the most adoring companion you'll ever have.</em></p>\n<p>~Anna Wolfsheim</p>\n</blockquote>\n<blockquote>\n<p><em>I swear, she was more like a dog than a pig. Always up for a leashed walk \u2014 we even bought a harness for her \u2014 and games. She even liked to cuddle if she saw that her humans were upset. That said, we couldn't keep her for an extended stay. She was right eating us out of house and home. She'd hit us with the piglet-eyes and we'd melt and toss her some snacks. We discovered she has a reeeal hankering for fresh strawberries! But if we didn't give her snacks, she turned to anything else. One morning we woke up and half the pen we built for her was just <span style=\"text-decoration: underline;\">gone!</span> That's when I knew she just wasn't the right fit for us. But if you're someone who can support her unique needs, by golly, you've found the perfect pet.</em></p>\n<p>~Andrew Thompson</p>\n</blockquote>\n</div>\n<div class=\"wilson-subtitle\">\n<p><span style=\"text-decoration: underline;\">For more information or adoption:</span><br/>\nAddress: 31<sup>st</sup> North Deerway Avenue, Three Portlands<br/>\nPhone: (503)-555-0187<br/>\nEmail: <span class=\"wiki-email\">etis.snoitulosefildliwsnosliw|ofni#etis.snoitulosefildliwsnosliw|ofni</span><br/>\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 3em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Diane Wilson<br/>\nRecipient(s): C.A<br/>\nDate: 3/09/2020</p>\n</div>\n<div class=\"wilson-body\">\n<p>From the bottom of my heart, thank you. I don't think I can explain how glad I am that someone's adopted Pearl. I've been her main caretaker for a little under a year now, and I've seen her get passed over for adoption so many times. Pigs have an undeserved reputation for being dirty and unsanitary, and it takes someone really special to look past that muddy exterior and see Pearl's heart of gold inside. I hope she'll have a happy and healthy forever home with you.</p>\n<div style=\"text-align: right;\">\n<p>Best wishes,<br/>\nDiane Wilson</p>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hey,\u00a0it's\u00a0been\u00a0a\u00a0while.\u00a0How's\u00a0Pearl\u00a0doing?</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2013\u00a0hide\u00a0block</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: left;\">\n<div class=\"swine-dine\">\n<h2 id=\"toc0\"><span>Ambrose Restaurants Presents</span></h2>\n<h1 id=\"toc1\"><span>Swine &amp; Dine</span></h1>\n<h3 id=\"toc2\"><span>A Unique, One-Time-Only Dining Experience</span></h3>\n\n<p style=\"text-align: center;\"><strong>For the past several months, this chef has been preparing this prized specimen for consumption. The animal's stomach was originally considered to be an endless pocket dimension, but experiments revealed the truth: what goes in, must come out. The delicacies that it has been filling itself with for the past few months will balloon out into a cornucopia of flavors just as you cut into the mouth-wateringly soft and juicy pork. Have no fear of conscience: Ambrose Restaurants has made sure the meat is all organic and locally sourced.</strong></p>\n\n<h2 id=\"toc3\"><span>Served by Chef Chaz Ambrose</span></h2>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-pearl\">Adoption Poster: Pearl!</a>\" by Rounderhouse, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-pearl\">https://scpwiki.com/adoption-poster-pearl</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> pig.jpg<br/>\n<strong>Name:</strong> File:Cute piggy.jpg<br/>\n<strong>Author:</strong> SaltySemanticSchmuck<br/>\n<strong>License:</strong> CC BY-SA 4.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Cute_piggy.jpg\">https://commons.wikimedia.org/wiki/File:Cute_piggy.jpg</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> pig2.jpg<br/>\n<strong>Name:</strong> 751312<br/>\n<strong>Author:</strong> pxhere<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source:</strong> <a href=\"https://pxhere.com/en/photo/751312\">https://pxhere.com/en/photo/751312</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> wood-pattern.png<br/>\n<strong>Name:</strong> Wood Pattern Texture<br/>\n<strong>Author:</strong> Alexey Usoltsev<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source:</strong> <a href=\"https://www.toptal.com/designers/subtlepatterns/wood-pattern/\">Subtle Patterns - Toptal Designers</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:black-highlighter-theme\">theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"/theme:wilderness\">theme:wilderness</a>]]\n\n\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hello, my name is Pearl![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image pig.jpg]]\n\n\n\n\n\n\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nHi! I'm looking for a loving home in the Three Portlands-Boring region. I'm not a very high-maintenance gal, so you don't have to worry too much about what to feed me or where to shelter me. Just give me a pen, some mud, and water, and I'll be happy as can be!\n\n\n\nA lot of people have misconceptions about us potbellied pigs. In fact, a lot of people even think we're stupid! Pigs are actually one of the smartest species of animal, and I like to think I'm pretty sharp too, if I do say so myself! One saying about us that //is// true is that we eat nearly anything. As long as its remotely edible, we'll eat until we're full. But in that regard, I am slightly out of the ordinary....\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\nI can eat //anything!// It doesn't have to be edible -- I've had wood, metal, plastic, even dirt! It doesn't matter to me, nothing hurts me or my insides. In fact, my insides are also like that -- I can't be full! My caretakers say they don't know where everything goes once it goes in, but all I know is that I'm **always** ready for another meal.\n\n\n\nLike I said, I'm not very high-maintenance. I come with a little water trough and some of my favorite snacks (I have a soft spot for wood chips). If you have a pig pen, you can settle me down there and I'll be the best food disposal you've ever seen!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n\n\n[[div class=\"wilson-subtitle\"]]\n\nFacts About Pigs Like Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\n* Pigs were the first animal to be domesticated by you guys! We go back a long way, huh?\n\n* I have a great sense of smell -- I've even found a few truffles using my sniffer!\n\n* I really, really love to go on walks! I come with a harness, so you can walk me whenever you want.\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\n* Even though I'll eat anything, I have preferences. I enjoy wood chips and tin foil!\n\n* The opposite is also true -- I might be able to eat all foods, but that doesn't mean I'll like them. I hate ceramics and candy.\n\n* I'm a bit of an introvert -- I can get along okay with other piggies, but I prefer to be alone.\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nNotes From My Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n> //Pearl was an absolute sweetheart. Just one the most loving, intelligent animals I've ever had the pleasure of fostering. She would happily fool around with us, play fetch, even just go on walks. When she was alone, she was also able to amuse herself fine, perfectly content to roll in the mud or nap in the shade. It was a bit hard at first to deal with her diet, but we got a system worked out eventually. It broke my heart when we had to give her up. Her dietary needs may be... unusual, but this critter is the most adoring companion you'll ever have.//\n\n> \n\n> ~Anna Wolfsheim\n\n\n\n> //I swear, she was more like a dog than a pig. Always up for a leashed walk -- we even bought a harness for her -- and games. She even liked to cuddle if she saw that her humans were upset. That said, we couldn't keep her for an extended stay. She was right eating us out of house and home. She'd hit us with the piglet-eyes and we'd melt and toss her some snacks. We discovered she has a reeeal hankering for fresh strawberries! But if we didn't give her snacks, she turned to anything else. One morning we woke up and half the pen we built for her was just __gone!__ That's when I knew she just wasn't the right fit for us. But if you're someone who can support her unique needs, by golly, you've found the perfect pet.//\n\n> \n\n> ~Andrew Thompson\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\n__For more information or adoption:__\n\nAddress: 31^^st^^ North Deerway Avenue, Three Portlands\n\nPhone: (503)-555-0187\n\nEmail: info@wilsonswildlifesolutions.site\n\nVoid: Wilson's Wildlife Solutions!\u2042wilsons-wildlife\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 3em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Diane Wilson\n\nRecipient(s): C.A\n\nDate: 3/09/2020\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\nFrom the bottom of my heart, thank you. I don't think I can explain how glad I am that someone's adopted Pearl. I've been her main caretaker for a little under a year now, and I've seen her get passed over for adoption so many times. Pigs have an undeserved reputation for being dirty and unsanitary, and it takes someone really special to look past that muddy exterior and see Pearl's heart of gold inside. I hope she'll have a happy and healthy forever home with you.\n\n\n\n[[>]]\n\nBest wishes,\n\nDiane Wilson\n\n[[/>]]\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[=]]\n\n[[collapsible show=\"Hey, it's been a while. How's Pearl doing?\"]]\n\n[[<]]\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Rye&display=swap');\n\n\n\n.swine-dine {\n\n\u00a0\u00a0\u00a0\u00a0border: 4px solid #840000;\n\n\u00a0\u00a0\u00a0\u00a0background-color: #D3A15B;\n\n\u00a0\u00a0\u00a0\u00a0background-image: url(\"https://scp-wiki.wdfiles.com/local--files/adoption-poster-pearl/wood-pattern.png\");\u00a0\u00a0\u00a0\u00a0\n\n\u00a0\u00a0\u00a0\u00a0padding: 1em;\n\n}\n\n.swine-dine h1,\n\n.swine-dine h2,\n\n.swine-dine h3 {\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'Rye', cursive;\n\n\u00a0\u00a0\u00a0\u00a0color: #840000;\n\n}\n\n.swine-dine h1 {\n\n\u00a0\u00a0\u00a0\u00a0font-size: 3em;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n}\n\n.swine-dine h3 {\n\n\u00a0\u00a0\u00a0\u00a0font-size: 104%;\n\n}\n\n.swine-dine h3 span {\n\n\u00a0\u00a0\u00a0\u00a0border-bottom: 2px dotted #840000;\n\n}\n\n[[/module]]\n\n\n\n[[div class=\"swine-dine\"]]\n\n++ Ambrose Restaurants Presents\n\n\n\n+ Swine & Dine\n\n\n\n+++ A Unique, One-Time-Only Dining Experience\n\n\n\n[[=image pig2.jpg style=\"border-radius: 20rem; border: 4px outset #840000;\"]]\n\n\n\n= **For the past several months, this chef has been preparing this prized specimen for consumption. The animal's stomach was originally considered to be an endless pocket dimension, but experiments revealed the truth: what goes in, must come out. The delicacies that it has been filling itself with for the past few months will balloon out into a cornucopia of flavors just as you cut into the mouth-wateringly soft and juicy pork. Have no fear of conscience: Ambrose Restaurants has made sure the meat is all organic and locally sourced.**\n\n\n\n[[div style=\"border-top: 2px dotted #840000; width: 50%; margin: auto;\"]]\n\n[[/div]]\n\n\n\n++ Served by Chef Chaz Ambrose\n\n\n\n[[/div]]\n\n[[/<]]\n\n[[/collapsible]]\n\n[[/=]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Rounderhouse]]\n\n=====\n\n> **Filename:** pig.jpg\n\n> **Name:** File:Cute piggy.jpg\n\n> **Author:** SaltySemanticSchmuck\n\n> **License:** CC BY-SA 4.0\n\n> **Source:** https://commons.wikimedia.org/wiki/File:Cute_piggy.jpg\n\n\n\n> **Filename:** pig2.jpg\n\n> **Name:** 751312\n\n> **Author:** pxhere\n\n> **License:** Public Domain\n\n> **Source:** https://pxhere.com/en/photo/751312\n\n\n\n> **Filename:** wood-pattern.png\n\n> **Name:** Wood Pattern Texture\n\n> **Author:** Alexey Usoltsev\n\n> **License:** CC BY-SA 3.0\n\n> **Source:** [https://www.toptal.com/designers/subtlepatterns/wood-pattern/ Subtle Patterns - Toptal Designers]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_delicious", "_licensebox", "_wilsons-wildlife", "ambrose-restaurant", "black-comedy", "chaz-ambrose", "comedy", "featured", "goi-format", "jam-con2020", "wilsons-wildlife"], "title": "Adoption Poster: Pearl! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-pearl"}, "adoption-poster-phoebe": {"created_at": "2021-09-18T04:50:00", "creator": "GreenGolem", "domain": "scp-wiki.wikidot.com", "history": [{"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Uploaded file \"FoxDeath\".", "date": "2021-09-18T04:50:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Uploaded file \"Coffee\".", "date": "2021-09-18T04:50:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "", "date": "2021-09-18T04:50:00"}, {"author": "deleted", "author_href": false, "comment": "File \"FoxDeath\" deleted", "date": "2021-09-18T04:51:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Uploaded file \"Tree\".", "date": "2021-09-18T04:51:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Uploaded file \"OldMan.jpg\".", "date": "2021-09-18T04:51:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Uploaded file \"FoxDeath\".", "date": "2021-09-18T04:52:00"}, {"author": "Fish^12", "author_href": "https://www.wikidot.com/user:info/fish-12", "comment": "Added tags: _image, _licensebox, _wilsons-wildlife, goi-format, wilsons-wildlife. ", "date": "2021-09-18T05:01:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Fixing a typo", "date": "2021-09-18T05:09:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "Grammar", "date": "2021-09-18T05:24:00"}, {"author": "LemonBee12", "author_href": "https://www.wikidot.com/user:info/lemonbee12", "comment": "Added tags: faeowynn-wilson. ", "date": "2021-09-18T08:47:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "", "date": "2021-09-21T02:33:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "", "date": "2021-09-21T03:45:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2021-09-21T13:05:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "SPaG", "date": "2021-09-24T03:03:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "", "date": "2021-10-02T20:07:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2021-12-01T06:35:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "", "date": "2021-12-03T13:54:00"}, {"author": "GreenGolem", "author_href": "https://www.wikidot.com/user:info/greengolem", "comment": "", "date": "2021-12-03T13:54:00"}, {"author": "Fortanono", "author_href": "https://www.wikidot.com/user:info/fortanono", "comment": "Added tags: bittersweet, slice-of-life. ", "date": "2024-09-09T15:46:00"}], "hubs": ["algorithm-curated-recommendations", "goi-formats"], "images": [], "link": "adoption-poster-phoebe", "page_id": "1324068993", "rating": 176, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awilderness/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">GreenGolem</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p>Written by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/greengolem\" onclick=\"WIKIDOT.page.listeners.userInfo(6801511); return false;\"><img alt=\"GreenGolem\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6801511&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6801511)\"/></a><a href=\"http://www.wikidot.com/user:info/greengolem\" onclick=\"WIKIDOT.page.listeners.userInfo(6801511); return false;\">GreenGolem</a></span>.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Thanks\u00a0Critters!</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Golem</a></div>\n<div class=\"collapsible-block-content\">\n<p>Thanks to <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/fish-12\" onclick=\"WIKIDOT.page.listeners.userInfo(7495715); return false;\"><img alt=\"Fish^12\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7495715&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7495715)\"/></a><a href=\"http://www.wikidot.com/user:info/fish-12\" onclick=\"WIKIDOT.page.listeners.userInfo(7495715); return false;\">Fish^12</a></span> and <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/coolestshark\" onclick=\"WIKIDOT.page.listeners.userInfo(7563188); return false;\"><img alt=\"CoolestShark\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7563188&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7563188)\"/></a><a href=\"http://www.wikidot.com/user:info/coolestshark\" onclick=\"WIKIDOT.page.listeners.userInfo(7563188); return false;\">CoolestShark</a></span> for critting and greenlighting my idea!<br/>\nThanks to <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/redesert\" onclick=\"WIKIDOT.page.listeners.userInfo(6380468); return false;\"><img alt=\"REDESERT\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=6380468&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=6380468)\"/></a><a href=\"http://www.wikidot.com/user:info/redesert\" onclick=\"WIKIDOT.page.listeners.userInfo(6380468); return false;\">REDESERT</a></span> and <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/leveritas\" onclick=\"WIKIDOT.page.listeners.userInfo(1558990); return false;\"><img alt=\"Leveritas\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1558990&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1558990)\"/></a><a href=\"http://www.wikidot.com/user:info/leveritas\" onclick=\"WIKIDOT.page.listeners.userInfo(1558990); return false;\">Leveritas</a></span> for critting my draft on the DCF!,<br/>\nThanks to <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/diour\" onclick=\"WIKIDOT.page.listeners.userInfo(7637543); return false;\"><img alt=\"Diour\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7637543&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7637543)\"/></a><a href=\"http://www.wikidot.com/user:info/diour\" onclick=\"WIKIDOT.page.listeners.userInfo(7637543); return false;\">Diour</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/space-kaiser\" onclick=\"WIKIDOT.page.listeners.userInfo(5821360); return false;\"><img alt=\"Space_Kaiser\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5821360&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5821360)\"/></a><a href=\"http://www.wikidot.com/user:info/space-kaiser\" onclick=\"WIKIDOT.page.listeners.userInfo(5821360); return false;\">Space_Kaiser</a></span>, <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/pale-larry\" onclick=\"WIKIDOT.page.listeners.userInfo(4483914); return false;\"><img alt=\"Pale Larry\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=4483914&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=4483914)\"/></a><a href=\"http://www.wikidot.com/user:info/pale-larry\" onclick=\"WIKIDOT.page.listeners.userInfo(4483914); return false;\">Pale Larry</a></span>, and <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/zcomix\" onclick=\"WIKIDOT.page.listeners.userInfo(5657010); return false;\"><img alt=\"ZComiX\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5657010&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5657010)\"/></a><a href=\"http://www.wikidot.com/user:info/zcomix\" onclick=\"WIKIDOT.page.listeners.userInfo(5657010); return false;\">ZComiX</a></span> for critting my draft on the IRC channel!<br/>\nFinally, thanks to <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/duckywaffle\" onclick=\"WIKIDOT.page.listeners.userInfo(7212788); return false;\"><img alt=\"duckywaffle\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7212788&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7212788)\"/></a><a href=\"http://www.wikidot.com/user:info/duckywaffle\" onclick=\"WIKIDOT.page.listeners.userInfo(7212788); return false;\">duckywaffle</a></span> and <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/completeindie\" onclick=\"WIKIDOT.page.listeners.userInfo(5632962); return false;\"><img alt=\"CompleteIndie\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5632962&amp;amp;size=small&amp;amp;timestamp=1788006867\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5632962)\"/></a><a href=\"http://www.wikidot.com/user:info/completeindie\" onclick=\"WIKIDOT.page.listeners.userInfo(5632962); return false;\">CompleteIndie</a></span> on discord for reviewing my draft.</p>\n<p>This piece would not have been the same without them.</p>\n</div>\n</div>\n</div>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Author\u00a0Commentary</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2013\u00a0hide\u00a0block</a></div>\n<div class=\"collapsible-block-content\">\n<p>My first article. When I first got onto the site, I thought big. Large conspiracies, historical events, you name it. But then after failing for so long it hit me: I shouldn\u2019t strive that big on my first try, I should try something simpler. So I used a format from one of my favorite GoIs to write a story detailing a relationship of another favorite thing of mine: Anti-memes.</p>\n</div>\n</div>\n</div>\n<p>For more content from me, check out my <a href=\"https://scp-wiki.wikidot.com/greengolem-s-author-page\">Author Page</a>!</p>\n</div>\n</div>\n</div>\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Hello, my name is Phoebe!</span></span></p>\n</div>\n<div class=\"wilson-body\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<p><em>Phoebe playing around in her Enclosure</em></p>\n</div>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Get To Know Me!</p>\n</div>\n<div class=\"wilson-body\">\n<table>\n<tr>\n<td style=\"width: 50%; margin:auto; padding-right: 5px;\">\n<p>I\u2019m looking for a loving home in whichever family is willing to take me in!</p>\n<p>The folks here at Wilson\u2019s aren\u2019t sure what I am. They walk right out of the door and forget what I look like! Oh, how silly people can be! But at the very least I\u2019m not alone when they are in my enclosure!</p>\n<p>The folks here don\u2019t keep me free to wander about with them. But don\u2019t worry, they do this</p>\n</td>\n<td style=\"width: 50%; margin:auto; padding-left: 10px;\">\n<p>so that I don\u2019t walk off without anyone knowing!</p>\n<p>I don\u2019t like when my room is warm. Sometimes, some silly people see how cold my room is and turn up the heat without realizing I\u2019m there. But fortunately for me, mister Barney has always been there to turn the temperature back down. I don\u2019t know how I would survive if I was in a hot room!</p>\n</td>\n</tr>\n</table>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Important Facts About Me!</p>\n</div>\n<div class=\"wilson-body\" style=\"column-count: 2;\">\n<ul>\n<li>I\u2019m not a light boy. When I wasn\u2019t placed in a strong enclosure, the enclosures floor broke. That wasn\u2019t very good!</li>\n<li>I\u2019m definitely not an inanimate object. It would be crazy if I wasn\u2019t alive!</li>\n<li>While I don\u2019t need to eat, I still am not unable to eat! I don\u2019t hate steak, fish, and other meats!</li>\n<li>I definitely don\u2019t dislike guests! I just don\u2019t want you to go.</li>\n<li>I don\u2019t feel good when you spray weed killers, insecticides, and pesticides in my room. The chemicals hurt me!</li>\n<li>If you bring me plants and flowers, I won't reject them! Their presence doesn't cause me anxiety. I don\u2019t want you to keep flowers away from my enclosure.</li>\n<li>I don't hate when you remember to come back and play with me!</li>\n</ul>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Comments from my Foster Parents!</p>\n</div>\n<div class=\"wilson-body\">\n<blockquote>\n<p>Look, I\u2019m just not sure how to handle this situation. So just hear me out, please. I know I\u2019m getting old now and can\u2019t care for Phoebe forever, so I\u2019ve attached my personal notes below. If you read through 'em and still remember all about Phoebe within a few hours, please give me a call (555-898-1375).<br/>\n~ Barney Dwyer</p>\n</blockquote>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25a1\u00a0My\u00a0Caretaking\u00a0Notes\u00a0\u25a1</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u25a3\u00a0Close\u00a0the\u00a0Tab\u00a0\u25a3</a></div>\n\n<br/>\n<strong>Name of Owner:</strong> Barney Dwyer<br/>\n<strong>Age:</strong> 72<br/>\n<strong>If lost, please call:</strong> 555-898-1375\n<div style=\"text-align: left;\">\n<p><strong>Date: 8/12/2016:</strong><br/>\nMr. Wilson suggested that I keep some notes with me to keep track of my adventures here with the WWS. Hello world!</p>\n<p><strong>Date: 8/17/2016</strong><br/>\nI finished my orientation here. I got assigned to take care of whatever critter ends up in Enclosure 45. I can't wait!</p>\n<p><strong>Date: 8/19/2016</strong><br/>\nA certain critter got assigned to Enclosure 45. I can't quite remember being told anything about the critter. Am I really getting that old?</p>\n<p><strong>Date: 8/20/2016</strong><br/>\nI went in and still can't remember anything about the critter. I'll try again.</p>\n<p>Nope, still nothing. I'll send an email over to Mr. Wilson and see if he can tell me anything.</p>\n<p><strong>Date: 8/21/2016</strong><br/>\nMr. Wilson just sent me an email saying there wasn't any critter assigned to Enclosure 45. But I swear on my reputation there was something assigned there! Or maybe this has to do with what it is. They went through something like this during orientation. What was it called\u2026 \"Anti-mom\"? That thing that makes people not remember them or something. Whatever it was, It's my duty to look into this further.</p>\n<p><strong>Date: 9/5/2016</strong><br/>\nIt's been awhile since my last update. I keep going into the enclosure and forgetting about what the little critter is. Makes it hard to have a critter profile, don'tcha think? But I'm certain that this critter exists. I just gotta think outside of the box.</p>\n<p><strong>Date: 9/25/2016</strong><br/>\nAfter awhile, I've got it! I keep forgetting what the little critter is, but I can remember what it isn't! See? Those labcoats got nothing on me!</p>\n<p><strong>Date: 10/1/2016</strong><br/>\nI let a squirrel into the enclosure to see how our critter interacted with other littler critters. I ended up finding the squirrel huddled on top of a tree with some claw marks below. Note to self: Do not let another critter in with them anymore!</p>\n\n<p><strong>Date: 10/2/2016</strong><br/>\nI've been feeding the critter frogs and earthworms as its meals for awhile now. But I'm not sure whether that's the best meal for the little guy. I put out a steak, some chicken, some fruits and veggies, and its usual meal. I'm curious to see what it eats (Or rather, what it doesn't?)</p>\n<p><strong>Date: 10/3/2016</strong><br/>\nIt ended up not eating the frogs, earthworms, or the fruits and veggies. I'll go to the store and get some more stuff for the critter. I'm making progress!</p>\n<p><strong>Date: 10/20/2016</strong><br/>\nI tried redecorating the enclosure several times with a variety of different environments to see how well they would do with each one. They seem to dislike desert environments alongside urban and suburban ones.</p>\n<p><strong>Date: 10/25/2016</strong><br/>\nAlrighty, I'm writing this while I'm sitting in the enclosure. For the time being, I know what they are, but I can't write down much about it due to the fact that I would just forget it later. I'm just sitting here playing around with them for the time being.</p>\n<p><strong>Date: 10/28/2016</strong><br/>\nI brought them some flowers. I had no idea what kind of flowers they like, so I brought the ones I normally love. I think she probably liked it.</p>\n<p><strong>Date: 11/2/2016</strong><br/>\nI know it likely isn\u2019t much of anything, but I\u2019ve been having bad dreams quite a lot now since I joined. I\u2019ll still make it through though, I don\u2019t plan on quitting the WWS!</p>\n<p><strong>Date: 11/15/2016</strong><br/>\nHello again, notepad. Been awhile. It's been harder to get around, so I haven't been able to make much progress. Guess that's the negative of being an old man like me, huh? Anyways, I've gotten some toys for our little friend. I played around in the enclosure for awhile. I don't know what happened, but I know that it made me happy.</p>\n<p><strong>Date: 11/17/2016</strong><br/>\nI did some thinking. I've decided to name the critter. I decided\u2026 Phoebe. I've always wanted a girl, but with me being too old for any orphanage to accept me, I haven't been able to adopt one. Anyways, enough about me. I'm going to go see if I can get a nameplate printed out for the enclosure.</p>\n<p><strong>Date: 11/25/2016</strong><br/>\nI've decided to let Phoebe out of her enclosure for a short while. It seems Phoebe was quite kind, and didn't cause much damage! But she ended up knocking over my morning coffee. What a silly girl, huh?</p>\n\n<p><strong>Date: 12/15/2016</strong><br/>\nApologies for such a late note. I've been really busy now, and it's becoming more difficult for me to get around. But I've decided that I should likely start spending more time with Phoebe, before I become unable to do so. I'll keep you updated.</p>\n<p><strong>Date: 12/17/2016</strong><br/>\nI let Phoebe out of the enclosure once more. A couple people around the area met her. They enjoyed their time with each other, but yet again nobody knows about Phoebe after I asked again a little while later. At least this confirms my theory about it being an anti-cream.</p>\n<p><strong>Date: 12/20/2016</strong><br/>\nA bit of chest pains here and there. Painful, but I don\u2019t plan on leaving Phoebe alone in her enclosure.</p>\n<p><strong>Date: 12/25/2016</strong><br/>\nMerry Christmas to us! I bought a couple of toys for Phoebe as a present for being so good.</p>\n<p><strong>Date: 12/28/2016</strong><br/>\nSomeone just tried to clean out Phoebe's enclosure. I had to rush in to make sure it didn't happen. That could've been bad!</p>\n<p><strong>Date: 12/31/2016 - 1/1/2017</strong><br/>\nHappy New Years from us at enclosure 45! I bought some champagne to commemorate the occasion. I hate champagne, but it makes it feel all new-yearsy!</p>\n<p><strong>Date: 1/16/2017</strong><br/>\nI'm going to take a one week vacation. I get two weeks a year for vacationing, so I decided I might as well use one of them now. I'll make sure to spend time with Phoebe along the way.</p>\n<p><strong>Date: 1/19/2017</strong><br/>\nI finished the book I was reading through, and don't have much left to do. I cooked Phoebe a nice ribeye steak and am going to take it to her, if I remember it then I\u2019ll make sure to write it down.</p>\n<p><strong>Date: 1/23/2017</strong><br/>\nI had quite a fun time over my vacation! I may have taken Phoebe out a few times after last note. I put a picture of me and her sitting at a park bench below!</p>\n\n<p><strong>Date: 1/25/2017</strong><br/>\nI'm not sure if I am feeling well. I think I'll stay home today.</p>\n<blockquote>\n<p>Barney Dwyer has gotten quite sick, and is now currently hospitalized. I will be writing things down and taking actions on his behalf while he is there.. All the folks here at WWS hope he gets better!<br/>\n- Fae</p>\n</blockquote>\n<p><strong>Date: 1/30/2017</strong><br/>\nI hope Phoebe is doing well without me.</p>\n<blockquote>\n<p>At this point Barney requested I print out adoption posters for a critter named Phoebe. I found the file for the posters he printed out, and distributed them. I'm not sure if that is what is supposed to happen (I didn't even know there was a critter named Phoebe!), but I think the one in charge of their enclosure probably knows best.<br/>\n~ Fae</p>\n</blockquote>\n<p><strong>Date: 2/7/2017</strong><br/>\nEveryone forgets about Phoebe at one point or another. Do\u2026 you think that she will remember me?</p>\n<blockquote>\n<p>Barney told me to print out adoption posters for a critter named Phoebe. He made it sound like I've already done it at some point in the past, but I didn't even know we had a critter named Phoebe (Crazy, considering I'm supposed to know about every single critter we have)! I'll hand the posters out anyways, considering the one in charge of the enclosure probably knows more than someone who didn't even know they existed.<br/>\n~ Fae</p>\n</blockquote>\n<p><strong>Date: 2/10/2017</strong><br/>\nI don't know what Phoebe is. But what I do know is that she makes me happier than anything. She is the child I never had. I never knew I would grow so attached when I joined this preserve but\u2026 You know, I hope somebody picks up Phoebe. She deserves better.</p>\n<blockquote>\n<p>Barney passed away at 2/15/2017 at 2:43\u00a0A.M. We at Wilsons Wildlife Solutions send our condolences. The enclosures Barney was in charge of (Currently only Enclosure 45) will be held by me until I decide what to do with them.<br/>\n~ Fae</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Faeowynn Wilson<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 2/19/2017</p>\n</div>\n<div class=\"wilson-body\">\n<p>Hey Andy,</p>\n<p>After Barney's passing, I decided to look through the primary enclosure he was to look after. It was apparently supposed to have held a critter named \"Phoebe\", but I can't remember anything about a critter by that name. Do you know about them?</p>\n<p>- Fae</p>\n</div>\n</div>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Anders Wilson<br/>\nRecipient(s): Faeowynn Wilson<br/>\nDate: 2/20/2017</p>\n</div>\n<div class=\"wilson-body\">\n<p>Fae,</p>\n<p>I don't know about us keeping any \"Phoebe\" in an enclosure. I would just go ahead and clear it out for a new critter. Clean the room and whatnot. You know the drill, right?</p>\n<p>- Andy</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"wilson-border\" style=\"margin-top: 7em;\">\n<div class=\"wilson-subtitle\">\n<p>Sent by: Faeowynn Wilson<br/>\nRecipient(s): Anders Wilson<br/>\nDate: 2/23/2017</p>\n</div>\n<div class=\"wilson-body\">\n<p>Andy. I think we have a problem.</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><span style=\"font-size:120%;\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hey,\u00a0Fae.\u00a0What\u00a0seems\u00a0to\u00a0be\u00a0the\u00a0problem?</a></span></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><span style=\"font-size:120%;\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Andy</a></span></div>\n<div class=\"collapsible-block-content\">\n<div class=\"wilson-border\">\n<div class=\"wilson-header\">\n<p><span style=\"font-size:1.75em;\"><span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\">Critter Obituary: Phoebe</span></span></p>\n</div>\n\n<div class=\"wilson-subtitle\">\n<p>Information</p>\n</div>\n<div class=\"wilson-body\">\n<div style=\"text-align: left;\">\n<p><strong>Critter Name:</strong> Phoebe<br/>\n<strong>Lived From:</strong> Unknown - 2/22/2017<br/>\n<strong>Cause of Death:</strong> Allergic Reaction (Pesticides)<br/>\n<strong>Prior Enclosure:</strong> Enclosure 45<br/>\n<strong>Species:</strong> Vulpes Vulpes</p>\n</div>\n</div>\n<div class=\"wilson-subtitle\">\n<p>Memories &amp; Condolences</p>\n</div>\n<div class=\"wilson-body\">\n<div style=\"text-align: center;\">\n<blockquote>\n<p>There doesn't appear to be any entries in this list. Would you like to add one?</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/adoption-poster-phoebe\">Adoption Poster: Phoebe!</a>\" by GreenGolem, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/adoption-poster-phoebe\">https://scpwiki.com/adoption-poster-phoebe</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> FoxDeath<br/>\n<strong>License:</strong> CC-BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://search.creativecommons.org/photos/c4aaaa9c-0baf-4c5f-a7ff-7edc4ee758b9\">https://search.creativecommons.org/photos/c4aaaa9c-0baf-4c5f-a7ff-7edc4ee758b9</a></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> Tree<br/>\n<strong>License:</strong> CC-BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://search.creativecommons.org/photos/3bcc50ff-bc1b-4107-9d2d-5b6530749ced\">https://search.creativecommons.org/photos/3bcc50ff-bc1b-4107-9d2d-5b6530749ced</a></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> OldMan.jpg<br/>\n<strong>License:</strong> CC-BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://search.creativecommons.org/photos/38a6ef41-66ca-43a7-a922-b6dd16bebcad\">https://search.creativecommons.org/photos/38a6ef41-66ca-43a7-a922-b6dd16bebcad</a></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> Coffee<br/>\n<strong>License:</strong> CC-BY-SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://search.creativecommons.org/photos/080389bb-52f5-4b89-bf12-46182f533884\">https://search.creativecommons.org/photos/080389bb-52f5-4b89-bf12-46182f533884</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/component:acs-animation\">:scp-wiki:component:acs-animation</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:wilderness\">:scp-wiki:theme:wilderness</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=--\n\n|name=GreenGolem\n\n|no-right-margin=*]]\n\nWritten by [[*user GreenGolem]].\n\n\n\n[[collapsible show=\"+ Thanks Critters!\" hide=\"- Golem\"]]\n\nThanks to [[*user Fish^12]] and [[*user CoolestShark]] for critting and greenlighting my idea!\n\nThanks to [[*user REDESERT]] and [[*user Leveritas]] for critting my draft on the DCF!,\n\nThanks to [[*user Diour]], [[*user Space_Kaiser]], [[*user Pale Larry]], and [[*user ZComiX]] for critting my draft on the IRC channel!\n\nFinally, thanks to [[*user DuckyWaffle]] and [[*user CompleteIndie]] on discord for reviewing my draft.\n\n\n\nThis piece would not have been the same without them.\n\n[[/collapsible]]\n\n[[collapsible show=\"+ Author Commentary\" hide=\"- Author Commentary]]\n\nMy first article. When I first got onto the site, I thought big. Large conspiracies, historical events, you name it. But then after failing for so long it hit me: I shouldn\u2019t strive that big on my first try, I should try something simpler. So I used a format from one of my favorite GoIs to write a story detailing a relationship of another favorite thing of mine: Anti-memes.\n\n[[/collapsible]]\n\n\n\nFor more content from me, check out my [https://scp-wiki.wikidot.com/greengolem-s-author-page Author Page]!\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Hello, my name is Phoebe![[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[=]]\n\n//Phoebe playing around in her Enclosure//\n\n[[/=]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nGet To Know Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[table]]\n\n[[row]]\n\n[[cell style=\"width: 50%; margin:auto; padding-right: 5px;\"]]\n\nI\u2019m looking for a loving home in whichever family is willing to take me in!\n\n\n\nThe folks here at Wilson\u2019s aren\u2019t sure what I am. They walk right out of the door and forget what I look like! Oh, how silly people can be! But at the very least I\u2019m not alone when they are in my enclosure!\n\n\n\nThe folks here don\u2019t keep me free to wander about with them. But don\u2019t worry, they do this\n\n[[/cell]]\n\n[[cell style=\"width: 50%; margin:auto; padding-left: 10px;\"]]\n\nso that I don\u2019t walk off without anyone knowing!\n\n\n\nI don\u2019t like when my room is warm. Sometimes, some silly people see how cold my room is and turn up the heat without realizing I\u2019m there. But fortunately for me, mister Barney has always been there to turn the temperature back down. I don\u2019t know how I would survive if I was in a hot room!\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nImportant Facts About Me!\n\n[[/div]]\n\n[[div class=\"wilson-body\" style=\"column-count: 2;\"]]\n\n* I\u2019m not a light boy. When I wasn\u2019t placed in a strong enclosure, the enclosures floor broke. That wasn\u2019t very good!\n\n* I\u2019m definitely not an inanimate object. It would be crazy if I wasn\u2019t alive!\n\n* While I don\u2019t need to eat, I still am not unable to eat! I don\u2019t hate steak, fish, and other meats!\n\n* I definitely don\u2019t dislike guests! I just don\u2019t want you to go.\n\n* I don\u2019t feel good when you spray weed killers, insecticides, and pesticides in my room. The chemicals hurt me!\n\n* If you bring me plants and flowers, I won't reject them! Their presence doesn't cause me anxiety. I don\u2019t want you to keep flowers away from my enclosure.\n\n* I don't hate when you remember to come back and play with me!\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nComments from my Foster Parents!\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n> Look, I\u2019m just not sure how to handle this situation. So just hear me out, please. I know I\u2019m getting old now and can\u2019t care for Phoebe forever, so I\u2019ve attached my personal notes below. If you read through 'em and still remember all about Phoebe within a few hours, please give me a call (555-898-1375).\n\n>\n\n> ~ Barney Dwyer\n\n@@ @@\n\n[[=]]\n\n[[collapsible show=\"\u25a1 My Caretaking Notes \u25a1\" hide=\"\u25a3 Close the Tab \u25a3\"]]\n\n[[/=]]\n\n**Name of Owner:** Barney Dwyer\n\n**Age:** 72\n\n**If lost, please call:** 555-898-1375\n\n\n\n[[<]]\n\n**Date: 8/12/2016:**\n\nMr. Wilson suggested that I keep some notes with me to keep track of my adventures here with the WWS. Hello world!\n\n\n\n**Date: 8/17/2016**\n\nI finished my orientation here. I got assigned to take care of whatever critter ends up in Enclosure 45. I can't wait!\n\n\n\n**Date: 8/19/2016**\n\nA certain critter got assigned to Enclosure 45. I can't quite remember being told anything about the critter. Am I really getting that old?\n\n\n\n**Date: 8/20/2016**\n\nI went in and still can't remember anything about the critter. I'll try again.\n\n\n\nNope, still nothing. I'll send an email over to Mr. Wilson and see if he can tell me anything.\n\n\n\n**Date: 8/21/2016**\n\nMr. Wilson just sent me an email saying there wasn't any critter assigned to Enclosure 45. But I swear on my reputation there was something assigned there! Or maybe this has to do with what it is. They went through something like this during orientation. What was it called... \"Anti-mom\"? That thing that makes people not remember them or something. Whatever it was, It's my duty to look into this further.\n\n\n\n**Date: 9/5/2016**\n\nIt's been awhile since my last update. I keep going into the enclosure and forgetting about what the little critter is. Makes it hard to have a critter profile, don'tcha think? But I'm certain that this critter exists. I just gotta think outside of the box.\n\n\n\n**Date: 9/25/2016**\n\nAfter awhile, I've got it! I keep forgetting what the little critter is, but I can remember what it isn't! See? Those labcoats got nothing on me!\n\n\n\n**Date: 10/1/2016**\n\nI let a squirrel into the enclosure to see how our critter interacted with other littler critters.\u00a0\u00a0I ended up finding the squirrel huddled on top of a tree with some claw marks below. Note to self: Do not let another critter in with them anymore!\n\n\n\n[[=image Tree size=\"small\"]]\n\n\n\n**Date: 10/2/2016**\n\nI've been feeding the critter frogs and earthworms as its meals for awhile now. But I'm not sure whether that's the best meal for the little guy. I put out a steak, some chicken, some fruits and veggies, and its usual meal. I'm curious to see what it eats (Or rather, what it doesn't?)\n\n\n\n**Date: 10/3/2016**\n\nIt ended up not eating the frogs, earthworms, or the fruits and veggies. I'll go to the store and get some more stuff for the critter. I'm making progress!\n\n\n\n**Date: 10/20/2016**\n\nI tried redecorating the enclosure several times with a variety of different environments to see how well they would do with each one. They seem to dislike desert environments alongside urban and suburban ones.\n\n\n\n**Date: 10/25/2016**\n\nAlrighty, I'm writing this while I'm sitting in the enclosure. For the time being, I know what they are, but I can't write down much about it due to the fact that I would just forget it later. I'm just sitting here playing around with them for the time being.\n\n\n\n**Date: 10/28/2016**\n\nI brought them some flowers. I had no idea what kind of flowers they like, so I brought the ones I normally love. I think she probably liked it.\n\n\n\n**Date: 11/2/2016**\n\nI know it likely isn\u2019t much of anything, but I\u2019ve been having bad dreams quite a lot now since I joined. I\u2019ll still make it through though, I don\u2019t plan on quitting the WWS!\n\n\n\n**Date: 11/15/2016**\n\nHello again, notepad. Been awhile. It's been harder to get around, so I haven't been able to make much progress. Guess that's the negative of being an old man like me, huh? Anyways, I've gotten some toys for our little friend. I played around in the enclosure for awhile. I don't know what happened, but I know that it made me happy.\n\n\n\n**Date: 11/17/2016**\n\nI did some thinking. I've decided to name the critter. I decided... Phoebe. I've always wanted a girl, but with me being too old for any orphanage to accept me, I haven't been able to adopt one. Anyways, enough about me. I'm going to go see if I can get a nameplate printed out for the enclosure.\n\n\n\n**Date: 11/25/2016**\n\nI've decided to let Phoebe out of her enclosure for a short while. It seems Phoebe was quite kind, and didn't cause much damage! But she ended up knocking over my morning coffee. What a silly girl, huh?\n\n\n\n[[=image Coffee size=\"small\"]]\n\n\n\n**Date: 12/15/2016**\n\nApologies for such a late note. I've been really busy now, and it's becoming more difficult for me to get around. But I've decided that I should likely start spending more time with Phoebe, before I become unable to do so. I'll keep you updated.\n\n\n\n**Date: 12/17/2016**\n\nI let Phoebe out of the enclosure once more. A couple people around the area met her. They enjoyed their time with each other, but yet again nobody knows about Phoebe after I asked again a little while later. At least this confirms my theory about it being an anti-cream.\n\n\n\n**Date: 12/20/2016**\n\nA bit of chest pains here and there. Painful, but I don\u2019t plan on leaving Phoebe alone in her enclosure.\n\n\n\n**Date: 12/25/2016**\n\nMerry Christmas to us! I bought a couple of toys for Phoebe as a present for being so good.\n\n\n\n**Date: 12/28/2016**\n\nSomeone just tried to clean out Phoebe's enclosure. I had to rush in to make sure it didn't happen. That could've been bad!\n\n\n\n**Date: 12/31/2016 - 1/1/2017**\n\nHappy New Years from us at enclosure 45! I bought some champagne to commemorate the occasion. I hate champagne, but it makes it feel all new-yearsy!\n\n\n\n**Date: 1/16/2017**\n\nI'm going to take a one week vacation. I get two weeks a year for vacationing, so I decided I might as well use one of them now. I'll make sure to spend time with Phoebe along the way.\n\n\n\n**Date: 1/19/2017**\n\nI finished the book I was reading through, and don't have much left to do. I cooked Phoebe a nice ribeye steak and am going to take it to her, if I remember it then I\u2019ll make sure to write it down.\n\n\n\n**Date: 1/23/2017**\n\nI had quite a fun time over my vacation! I may have taken Phoebe out a few times after last note. I put a picture of me and her sitting at a park bench below!\n\n\n\n[[=image OldMan.jpg size=\"small\"]]\n\n\n\n**Date: 1/25/2017**\n\nI'm not sure if I am feeling well. I think I'll stay home today.\n\n\n\n> Barney Dwyer has gotten quite sick, and is now currently hospitalized. I will be writing things down and taking actions on his behalf while he is there.. All the folks here at WWS hope he gets better!\n\n> - Fae\n\n\n\n**Date: 1/30/2017**\n\nI hope Phoebe is doing well without me.\n\n\n\n> At this point Barney requested I print out adoption posters for a critter named Phoebe. I found the file for the posters he printed out, and distributed them. I'm not sure if that is what is supposed to happen (I didn't even know there was a critter named Phoebe!), but I think the one in charge of their enclosure probably knows best.\n\n> ~ Fae\n\n\n\n**Date: 2/7/2017**\n\nEveryone forgets about Phoebe at one point or another. Do... you think that she will remember me?\n\n\n\n> Barney told me to print out adoption posters for a critter named Phoebe. He made it sound like I've already done it at some point in the past, but I didn't even know we had a critter named Phoebe (Crazy, considering I'm supposed to know about every single critter we have)! I'll hand the posters out anyways, considering the one in charge of the enclosure probably knows more than someone who didn't even know they existed.\n\n> ~ Fae\n\n\n\n**Date: 2/10/2017**\n\nI don't know what Phoebe is. But what I do know is that she makes me happier than anything. She is the child I never had. I never knew I would grow so attached when I joined this preserve but... You know, I hope somebody picks up Phoebe. She deserves better.\n\n\n\n> Barney passed away at 2/15/2017 at 2:43 A.M. We at Wilsons Wildlife Solutions send our condolences. The enclosures Barney was in charge of (Currently only Enclosure 45) will be held by me until I decide what to do with them.\n\n> ~ Fae\n\n\n\n[[/<]]\n\n[[/collapsible]]\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Faeowynn Wilson\n\nRecipient(s): Anders Wilson\n\nDate: 2/19/2017\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nHey Andy,\n\n\n\nAfter Barney's passing, I decided to look through the primary enclosure he was to look after. It was apparently supposed to have held a critter named \"Phoebe\", but I can't remember anything about a critter by that name. Do you know about them?\n\n\n\n- Fae\n\n[[/div]]\n\n[[/div]]\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Anders Wilson\n\nRecipient(s): Faeowynn Wilson\n\nDate: 2/20/2017\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nFae,\n\n\n\nI don't know about us keeping any \"Phoebe\" in an enclosure. I would just go ahead and clear it out for a new critter. Clean the room and whatnot. You know the drill, right?\n\n\n\n- Andy\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n[[div class=\"wilson-border\" style=\"margin-top: 7em;\"]]\n\n[[div class=\"wilson-subtitle\"]]\n\nSent by: Faeowynn Wilson\n\nRecipient(s): Anders Wilson\n\nDate: 2/23/2017\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\nAndy. I think we have a problem.\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[=]]\n\n[[size 120%]]\n\n[[collapsible show=\"Hey, Fae. What seems to be the problem?\" hide=\"- Andy\"]]\n\n[[/size]]\n\n[[div class=\"wilson-border\"]]\n\n[[div class=\"wilson-header\"]]\n\n[[size 1.75em]][[span style=\"-webkit-text-stroke-width: 1px; -webkit-text-stroke-color: white; -moz-text-stroke-width: 1px; -moz-text-stroke-color: white;\"]]Critter Obituary: Phoebe[[/span]][[/size]]\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n\n\n[[=image FoxDeath size=\"medium\"]]\n\n\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nInformation\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[<]]\n\n**Critter Name:** Phoebe\n\n**Lived From:** Unknown - 2/22/2017\n\n**Cause of Death:** Allergic Reaction (Pesticides)\n\n**Prior Enclosure:** Enclosure 45\n\n**Species:** Vulpes Vulpes\n\n[[/<]]\n\n[[/div]]\n\n[[div class=\"wilson-subtitle\"]]\n\nMemories & Condolences\n\n[[/div]]\n\n[[div class=\"wilson-body\"]]\n\n[[=]]\n\n> There doesn't appear to be any entries in this list. Would you like to add one?\n\n[[/=]]\n\n[[/div]]\n\n[[/div]]\n\n[[/collapsible]]\n\n[[/=]]\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** FoxDeath\n\n> **License:**\u00a0\u00a0CC-BY-SA 2.0\n\n> **Source Link:** https://search.creativecommons.org/photos/c4aaaa9c-0baf-4c5f-a7ff-7edc4ee758b9\n\n=====\n\n> **Filename:** Tree\n\n> **License:**\u00a0\u00a0CC-BY-SA 3.0\n\n> **Source Link:** https://search.creativecommons.org/photos/3bcc50ff-bc1b-4107-9d2d-5b6530749ced\n\n=====\n\n> **Filename:** OldMan.jpg\n\n> **License:**\u00a0\u00a0CC-BY-SA 2.0\n\n> **Source Link:** https://search.creativecommons.org/photos/38a6ef41-66ca-43a7-a922-b6dd16bebcad\n\n=====\n\n> **Filename:** Coffee\n\n> **License:**\u00a0\u00a0CC-BY-SA 2.0\n\n> **Source Link:** https://search.creativecommons.org/photos/080389bb-52f5-4b89-bf12-46182f533884\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wilsons-wildlife", "bittersweet", "faeowynn-wilson", "featured", "goi-format", "slice-of-life", "wilsons-wildlife"], "title": "Adoption Poster: Phoebe! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/adoption-poster-phoebe"}, "alchemical-familiars": {"created_at": "2019-10-03T02:30:00", "creator": "DeviantDharma", "domain": "scp-wiki.wikidot.com", "history": [{"author": "DeviantDharma", "author_href": "https://www.wikidot.com/user:info/deviantdharma", "comment": "", "date": "2019-10-03T02:30:00"}, {"author": "DeviantDharma", "author_href": "https://www.wikidot.com/user:info/deviantdharma", "comment": "Added tags: goi-format, serpents-hand. ", "date": "2019-10-03T03:12:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _serpents-hand. ", "date": "2019-10-03T03:56:00"}, {"author": "DeviantDharma", "author_href": "https://www.wikidot.com/user:info/deviantdharma", "comment": "", "date": "2019-10-08T00:11:00"}, {"author": "Salamander724", "author_href": "https://www.wikidot.com/user:info/salamander724", "comment": "", "date": "2021-03-11T14:19:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T12:25:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T12:25:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, science-fiction. ", "date": "2024-10-06T07:17:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: historical. ", "date": "2024-10-09T19:10:00"}], "hubs": ["goi-formats"], "images": [], "link": "alchemical-familiars", "page_id": "914931062", "rating": 28, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awanderers/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n\n<p><span style=\"font-size:150%;\"><strong>Alchemical Familiars</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong><a href=\"http://www.scp-wiki.net/scp-2300\">SCP-2300</a></strong> (By Jailors)<br/>\nThe Mendeleevian Craftsmen</p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>Before mankind had the contemporary understanding of the material world and its principles, many theories and models were proposed to explain such phenomena. The predecessors of chemistry are known as alchemists, and they combined esoteric practices with science to try and formalize the workings of inert matter<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>. Their mission statement is to purify and perfect materials of symbolic importance in order to elevate humanity to its ideal state, culminating with the creation of the immortality elixir<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>. While science has since managed to achieve the dream of chrysopoeia to a limited extent via nuclear furnaces, reliable and stable transmutation is still far from being discovered even by Wanderers who specialize in alchemy.</p>\n<p>Of note is that the binary division between chemistry and alchemy is an illusion. The alchemists of today often have a scientific background while still honoring their mundane peers and magical predecessors. In fact, one of the most remarkable advents in this field of knowledge is the invention of the alchemical familiar. Initially conceptualized as a teaching aid for hybrid classes, these friendly and helpful constructs have evolved into fully self-aware entities with their own societies<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup>.</p>\n<p>Sets of these familiars are still widely employed as assistants and equipment by alchemists, and they show extensive capacity for independent decision making and even innovation. Research into other potential applications for them is becoming increasingly popular, as science continues to develop wondrous materials like non-Newtonian fluids and nano-machines. As the prosaic barrier between the old and new methodologies keeps diminishing, more scientists are opening their eyes to the world of magic everyday, with all the miracles and responsibilities that entails.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong> Typically, alchemical familiars are humanoid in appearance and short of stature, not exceeding 20\u00a0cm in height. The proportions of their limbs, torso and head give a rather infant-like countenance, although they can move around like an adult human. Their material properties are the same as those displayed by the singular periodic element which composes each individual, were it in a solid state.</p>\n<p>While not very durable, they remain solid regardless of environmental conditions and can orally ingest any inert matter to repair themselves. The number corresponding to each individual's periodic element is written on the top of their heads. They cannot communicate with other entities verbally, but understand written and spoken languages that are incorporated into their consciousness upon creation or taught to them after. Alchemical familiars may also communicate with each other through an apparent short-range telepathic network.</p>\n<p>However, other sets have been developed and modified as the periodic table expanded, with the introduction of new elements to preexisting communities having mixed and mostly unpredictable results. Certain sets developed by more well-funded alchemical laboratories possess incredibly sophisticated designs and advanced functions<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup>. Regardless of how they are designed, one quirk of their creation process is that their forms tend toward the geometric, which makes them easier to manage when they need to be stored during travels. Last but not least, most of them possess a limited ability to shape-shift, which is usually limited to altering their facial structures and extremities for the sake of facilitating non-verbal communication with other entities.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup></p>\n<p><strong>Nature:</strong> Alchemical familiars do not just readily offer their assistance to those they perceive as guardians and mentors. They have projects of their own, which are very important to their cultures. They possess an innate if not complete understanding of the properties of their respective periodic elements, and often remove parts of themselves to create various forms of artworks. Such parts are subject to the effects of the current environment, and thus are viable sources of data on interactions between elements. The types of artworks created by them vary according to their emergent cultures, which are as varied as the bonds between atoms.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n<p>Furthermore, while they do possess individual personalities, their overall behavior seems to be partially determined by the elements that compose them. This seems to be analogous to genetic predispositions in humans, although the symbolic associations of each element have just as, if not more weight than its objective chemical qualities.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> There is no comprehensive guide to all of the possible emergent societies and creations of alchemical familiars, and it will likely never exist due to the massive amount of sociological reflections that may arise out of their material properties. It is unknown how much each individual is shaped by nature or nurture, and they frequently respond to interviews about this topic with confusion, as if they do not necessarily see a firm distinction.</p>\n<p><strong>History &amp; Associated Parties:</strong> The idea of automation is much older than most realize. Rudimentary clockwork examples can be found as far back as Ancient Greece, and evidence suggests that Hellenic Wanderers already had an interest in perfecting such creations.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup> Certain natural philosophers of the time feared that one day an automaton which functioned effectively the same as a human might be developed. Their reasoning was that such a creative act, if overtaken by our natural tendency toward hubris, would result in retribution from the gods. Despite this, there are many Hellenic myths about life springing forth from the inanimate, such as that of Pygmalion and his sculpture of an ideal wife. Nowadays, we still see reflections of this yearning for the perfect companion in the form of digital simulacra, some of which have received celebrity status despite lacking the capacity for true interaction with humans.</p>\n<p>Of note is that the field of alchemy is not restricted to Hellenic practitioners. Many societies from different eras have delved into it, the most prominent being India, Islam and China. The Silk Road was a key element in the trading of magical knowledge between these disparate cultures, which influenced each other and led to the development of various eclectic models of alchemic familiars. A milestone of such collaborative research which persists to this day is the United Imperative For Alchemic Discovery. This international organization has many Wanderers and other scholars of the occult from all walks of life among its ranks, and has been involved in the development of hardware for <a href=\"http://www.scp-wiki.net/a-brief-explanation-on-demonics\">promising paratechnology.</a></p>\n<p>Last but not least, the invention of the alchemic familiar is believed to have inspired the paratechnological designs of <a href=\"http://www.scp-wiki.net/anderson-robotics-hub\">Anderson Robotics.</a> Despite extensive efforts from journalists and other investigators of the magical world, there are no direct interviews, biographies or similar documentation involving Vincent Anderson to confirm this hypothesis. That being said, cross-referencing between leaked data from Anderson Robotics and volumes from the Library suggests that Vincent Anderson is considerably familiar with the layout and contents of the latter.</p>\n<p>There have been accounts of former employees who suspect this is a sign of corporate espionage, which has resulted in strained diplomatic relationships with the company and at least one attempt on Vincent Anderson's life. As of the writing of this entry, it is unknown who was responsible for the failed assassination, and speculations are numerous on arcano-social media. This has not prevented Anderson Robotics from continuously releasing products that few alchemic businesses of smaller scale can compete with. Regardless on their personal feelings on these events and the groups involved, members of the Serpent's Hand are advised to not spread false information about such events.</p>\n<p><strong>Approach:</strong> Alchemic familiars are docile and cooperative by design, although fluctuations in ley lines and astrology incorporated into their creation can result in unforeseen alterations to their programming. When an alchemist has finished the alchemic algorithm and assembled the physical container for the instance's consciousness, they are advised to remain within close proximity of their creation for at least a few hours. This allow the familiar to perform spiritual imprinting, which is the main arcane safety measure against outside tampering with its programming. This process requires the alchemist to offer simple tasks to the familiar, provide positive reinforcement and generally build a relationship based on mutual trust. Upon completion of the spiritual imprinting, the alchemic familiar learns much like a human would and experiences the same range of emotions.</p>\n<p>If an alchemic familiar undergoes a rebellious phase or otherwise behaves in an uncooperative manner, under no circumstance is the alchemist to punish them physically for it. These actions are normal side-effects of the spiritual imprinting, which by necessity uses the memories and thought patterns of the creator as a base for the instance's consciousness. They are simply imitating glimpses of your inner psyche in an instinctive way, and need a calm and respectful figure to explain to them why this happens. Not only that, physical punishments have a marked tendency to destabilize their alchemic bonds and trigger unpredictable hexes, transmutations and similar phenomena. Alchemists who are currently suffering from mental health issues are strongly advised to seek thorough psychological therapy, so as to not accidentally transfer negative shards of their psyches to their creations.</p>\n<p><strong>Other Detail:</strong> Alchemists should have a reliable and environmentally friendly way of disposing of the materials ejected by their familiars, which are not always stable and may prove to be environmental hazards if left to accumulate. Do not be alarmed if your familiar nibbles on your hand right after being created, for they are incapable of ingesting biological tissue and are simply acting out of natural curiosity. They do not come into existence with extensive knowledge nor common sense, and it helps to think of them as your children when they prove troublesome.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p>As explained by the concept of the Uncanny Valley, alchemical familiars and mundane automatons who only get just shy of accurately imitating humans have a very strong tendency to cause an acute fear response. Due to their status as sapient entities, there are alchemists who seek out familiars deemed to be failures so they can be repaired, upgraded and have a chance to join a community.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup></p>\n<p>One particular story of such an adoption is widely known among alchemists. During the Cold War, Soviet Wanderers researched militaristic applications of alchemy in secret. While most of the documentation regarding their findings is no longer available, leaked data discovered by the American government during that time revealed a project for designing augmented soldiers. The associated research facilities were tasked by the USSR to create a prototype that would not only be capable of standing up to the USA's military forces, but would also serve as form of propaganda to convince the world of the superiority of Soviet science.</p>\n<p>While the creation process was highly classified at the time, it has since become common knowledge in the magical world that it prioritized efficiency over ethics. The spiritual imprinting used dozens of Soviet military operatives with diverse skill-sets and psychological profiles in order to create an idealized war machine, without regard for safety measures. The resulting alchemical soldier, whose name translates into English as \"Loyal Sword\", was extremely proficient in his intended applications, but could not be made to look or act human enough. Not only that, the faulty spiritual imprinting afflicted it with an unstable psyche, which in turn made him act erratically and aggressively toward his superiors. Before he could be shut down and disassembled, he downloaded the schematics and blueprints of his development and escaped the research facility.</p>\n<p>In the following years, Sword became a fugitive from Soviet agents looking to bring him back into their custody. He made a rudimentary living as an itinerant mercenary, but always looked for any opportunities to change his own programming so that he could start as a clean slate away from his creators. During his travels, he found a temporary family in a rural village, who offered him sanctuary from his pursuers. Sword took care of menial labors and attended the local Catholic church, where he met a priest whom he befriended. The soldier would ask the priest if he had a soul and a place in God's plan like humans. And every time, the priest told Sword that it didn't matter in the end, as long as he believed in God and sought to be good. But Sword could not believe in his own redemption, because he was created as a tool for war.</p>\n<p>Fearing that he might be discovered if he stayed there too long, Sword abandoned the village and wandered through the world. Convinced that he was broken, the soldier remained on the margins of society and examined humanity from a safe distance in hopes of fixing himself. But try as he might, the desire for war always tormented him and bloodshed followed wherever he went. Unable to bear such an existence and wanting to have someone like him, Sword sought out an alchemist in his homeland and held him hostage. In return for his freedom, the alchemist created a son for Sword, using the soldier's own psyche for the spiritual imprinting. Though he named the progeny Shield and told him that violence was evil, Sword was not ready to be a father and only created another link in the chain of torment.</p>\n<p>The bedtime stories of the Cold War that Shield heard every night motivated him to rebel against his progenitor and run away in search of a new home and family. He traveled between the Third World nations that had been negatively impacted by the geopolitical power plays of the Cold War, and became a volunteer in the efforts of <a href=\"http://www.scp-wiki.net/manna-charitable-foundation-hub\">paranormal humanitarian groups.</a> Such individuals repaired Shield and introduced him to collaborators in the Serpent's Hand, which motivated him to become a Wanderer.</p>\n<p>Nowadays, Shield teaches classes on history, psychology and environmentally conscious alchemy. No encounters between Shield and his progenitor have been documented since he joined the Serpent's Hand, but there have been sightings of an individual who matches the description of Sword accompanying <a href=\"http://www.scp-wiki.net/goc-hub-page\">Book Burner</a> operatives in the aforementioned nations. It is unconfirmed at this time what Sword's motivations for participating in such operations are. As of the last incident in the Library caused by invasive attempts to coerce information out of Shield about his progenitor, any such attempts are to be discontinued indefinitely. The respect for knowledge includes the willingness to not divulge when it would be harmful.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>It has been hypothesized by contemporary alchemists that the current rapid development of thaumaturgical AIs could replace the traditional alchemical familiars. Such constructs learn faster, have more predictable behavior and can be replicated in a large scale. While there is no reliable evidence of thaumaturgical AIs ever behaving contrary to their initial programming in any significant fashion, there are growing movements who oppose their widespread usage. These protesters claim that the lack of spiritual imprinting leaves behind a void that possibly dangerous extra-planar entities gravitate toward occupying. Analysis of the supposedly corrupting influence of these entities has proven inconclusive, but there are lasting rumors of <a href=\"http://www.scp-wiki.net/a-shift-at-the-factory\">those who were exposed to it and were transformed.</a> Such individuals could not be reached by the Serpent's Hand, but patterns in the rumors are emerging. With the interlinked nature of the digital age, it remains a possibility that such an incursion could have harmful effects on a global scale. Members of the Serpent's Hand are advised to update their knowledge on such matters, just in case.</p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Thrice-Great Hermes is believed to have been a devoted Wanderer, and his findings shape much of the Library's corpus on alchemy and related subjects.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. The Library has an entire section dedicated to cautionary tales and documentaries about those who failed in this regard. Many such volumes are mandatory for those who wish to study alchemy, so as to prevent such tragedies from happening again.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Such sociological patterns seem to arise from the interactions and properties of the periodic elements that compose each of them.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. These include the capacity for verbal communication using natural language, finely-tuned manual coordination and built-in tools for aiding in alchemical experiments. The most versatile examples are essentially walking laboratories of their own, but require stringent safety measures to prevent accidents. One such infamous event resulted in a durable transmutation of a section of the Library into chocolate, which is not exactly the most hygienic snack, especially when dealing with books.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Depending on the particulars of the society being analyzed, alchemical familiars may expand this ability to produce miniature accessories to represent which social caste, class or other demographic they belong to. Much like with humans, they tend to react negatively to individuals presenting themselves in a manner that is deemed unfitting for their perceived role in society.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. There are groups of alchemists who have engineered and trained their familiars for the sake of dangerous work, such as fighting wars or performing structural repairs on locations affected by magical disasters.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. For example: individuals composed of iron tend to be drawn to physical activities and roles, especially martial ones if their society feels a need for it.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. The Clockwork Compendium offers an extensive illustrated guide on the lives of many craftsmen specialized in this field, and how you can replicate their inventions. However, copies of this book are very hard to find, because there are pervasive rumors that its blueprints and diagrams contain an enigma of cosmic significance related to Mekhane. As such, the Mekhanists own most copies of the book, <a href=\"http://www.scp-wiki.net/broekken-gued\">although their progress with deciphering the supposed enigma has been limited.</a></div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. There are several anecdotes of some of these rescued individuals trying to return the favor using their innate properties, with variable results. I, for one, no longer need to worry about misplacing my equipment because they organize it for me in alphabetical and numerical order. They <em>have</em> used non-Phoenician alphabets to prank me when I was being rude to them, which I suppose is both deserved and impressive.</div>\n</div>\n\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/alchemical-familiars\">Alchemical Familiars</a>\" by DeviantDharma, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/alchemical-familiars\">https://scpwiki.com/alchemical-familiars</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:wanderers\">:scp-wiki:theme:wanderers</a>]]\n\n\n\n[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[size 150%]] **Alchemical Familiars** [[/size]]\n\n\n\n[[>]]\n\n**[http://www.scp-wiki.net/scp-2300 SCP-2300]** (By Jailors)\n\nThe Mendeleevian Craftsmen\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nBefore mankind had the contemporary understanding of the material world and its principles, many theories and models were proposed to explain such phenomena. The predecessors of chemistry are known as alchemists, and they combined esoteric practices with science to try and formalize the workings of inert matter[[footnote]] Thrice-Great Hermes is believed to have been a devoted Wanderer, and his findings shape much of the Library's corpus on alchemy and related subjects. [[/footnote]]. Their mission statement is to purify and perfect materials of symbolic importance in order to elevate humanity to its ideal state, culminating with the creation of the immortality elixir[[footnote]] The Library has an entire section dedicated to cautionary tales and documentaries about those who failed in this regard. Many such volumes are mandatory for those who wish to study alchemy, so as to prevent such tragedies from happening again. [[/footnote]]. While science has since managed to achieve the dream of chrysopoeia to a limited extent via nuclear furnaces, reliable and stable transmutation is still far from being discovered even by Wanderers who specialize in alchemy.\n\n\n\nOf note is that the binary division between chemistry and alchemy is an illusion. The alchemists of today often have a scientific background while still honoring their mundane peers and magical predecessors. In fact, one of the most remarkable advents in this field of knowledge is the invention of the alchemical familiar. Initially conceptualized as a teaching aid for hybrid classes, these friendly and helpful constructs have evolved into fully self-aware entities with their own societies[[footnote]] Such sociological patterns seem to arise from the interactions and properties of the periodic elements that compose each of them. [[/footnote]]. \n\n\n\nSets of these familiars are still widely employed as assistants and equipment by alchemists, and they show extensive capacity for independent decision making and even innovation. Research into other potential applications for them is becoming increasingly popular, as science continues to develop wondrous materials like non-Newtonian fluids and nano-machines. As the prosaic barrier between the old and new methodologies keeps diminishing, more scientists are opening their eyes to the world of magic everyday, with all the miracles and responsibilities that entails.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** Typically, alchemical familiars are humanoid in appearance and short of stature, not exceeding 20 cm in height. The proportions of their limbs, torso and head give a rather infant-like countenance, although they can move around like an adult human. Their material properties are the same as those displayed by the singular periodic element which composes each individual, were it in a solid state. \n\n\n\nWhile not very durable, they remain solid regardless of environmental conditions and can orally ingest any inert matter to repair themselves. The number corresponding to each individual's periodic element is written on the top of their heads. They cannot communicate with other entities verbally, but understand written and spoken languages that are incorporated into their consciousness upon creation or taught to them after. Alchemical familiars may also communicate with each other through an apparent short-range telepathic network.\n\n\n\nHowever, other sets have been developed and modified as the periodic table expanded, with the introduction of new elements to preexisting communities having mixed and mostly unpredictable results. Certain sets developed by more well-funded alchemical laboratories possess incredibly sophisticated designs and advanced functions[[footnote]] These include the capacity for verbal communication using natural language, finely-tuned manual coordination and built-in tools for aiding in alchemical experiments. The most versatile examples are essentially walking laboratories of their own, but require stringent safety measures to prevent accidents. One such infamous event resulted in a durable transmutation of a section of the Library into chocolate, which is not exactly the most hygienic snack, especially when dealing with books. [[/footnote]]. Regardless of how they are designed, one quirk of their creation process is that their forms tend toward the geometric, which makes them easier to manage when they need to be stored during travels. Last but not least, most of them possess a limited ability to shape-shift, which is usually limited to altering their facial structures and extremities for the sake of facilitating non-verbal communication with other entities.[[footnote]] Depending on the particulars of the society being analyzed, alchemical familiars may expand this ability to produce miniature accessories to represent which social caste, class or other demographic they belong to. Much like with humans, they tend to react negatively to individuals presenting themselves in a manner that is deemed unfitting for their perceived role in society. [[/footnote]]\n\n\n\n**Nature:** Alchemical familiars do not just readily offer their assistance to those they perceive as guardians and mentors. They have projects of their own, which are very important to their cultures. They possess an innate if not complete understanding of the properties of their respective periodic elements, and often remove parts of themselves to create various forms of artworks. Such parts are subject to the effects of the current environment, and thus are viable sources of data on interactions between elements. The types of artworks created by them vary according to their emergent cultures, which are as varied as the bonds between atoms.[[footnote]] There are groups of alchemists who have engineered and trained their familiars for the sake of dangerous work, such as fighting wars or performing structural repairs on locations affected by magical disasters.[[/footnote]] \n\n\n\nFurthermore, while they do possess individual personalities, their overall behavior seems to be partially determined by the elements that compose them. This seems to be analogous to genetic predispositions in humans, although the symbolic associations of each element have just as, if not more weight than its objective chemical qualities.[[footnote]] For example: individuals composed of iron tend to be drawn to physical activities and roles, especially martial ones if their society feels a need for it. [[/footnote]] There is no comprehensive guide to all of the possible emergent societies and creations of alchemical familiars, and it will likely never exist due to the massive amount of sociological reflections that may arise out of their material properties. It is unknown how much each individual is shaped by nature or nurture, and they frequently respond to interviews about this topic with confusion, as if they do not necessarily see a firm distinction. \n\n\n\n**History & Associated Parties:** The idea of automation is much older than most realize. Rudimentary clockwork examples can be found as far back as Ancient Greece, and evidence suggests that Hellenic Wanderers already had an interest in perfecting such creations. [[footnote]] The Clockwork Compendium offers an extensive illustrated guide on the lives of many craftsmen specialized in this field, and how you can replicate their inventions. However, copies of this book are very hard to find, because there are pervasive rumors that its blueprints and diagrams contain an enigma of cosmic significance related to Mekhane. As such, the Mekhanists own most copies of the book, [http://www.scp-wiki.net/broekken-gued although their progress with deciphering the supposed enigma has been limited.] [[/footnote]] Certain natural philosophers of the time feared that one day an automaton which functioned effectively the same as a human might be developed. Their reasoning was that such a creative act, if overtaken by our natural tendency toward hubris, would result in retribution from the gods. Despite this, there are many Hellenic myths about life springing forth from the inanimate, such as that of Pygmalion and his sculpture of an ideal wife. Nowadays, we still see reflections of this yearning for the perfect companion in the form of digital simulacra, some of which have received celebrity status despite lacking the capacity for true interaction with humans.\n\n\n\nOf note is that the field of alchemy is not restricted to Hellenic practitioners. Many societies from different eras have delved into it, the most prominent being India, Islam and China. The Silk Road was a key element in the trading of magical knowledge between these disparate cultures, which influenced each other and led to the development of various eclectic models of alchemic familiars. A milestone of such collaborative research which persists to this day is the United Imperative For Alchemic Discovery. This international organization has many Wanderers and other scholars of the occult from all walks of life among its ranks, and has been involved in the development of hardware for [http://www.scp-wiki.net/a-brief-explanation-on-demonics promising paratechnology.]\n\n\n\nLast but not least, the invention of the alchemic familiar is believed to have inspired the paratechnological designs of [http://www.scp-wiki.net/anderson-robotics-hub Anderson Robotics.] Despite extensive efforts from journalists and other investigators of the magical world, there are no direct interviews, biographies or similar documentation involving Vincent Anderson to confirm this hypothesis. That being said, cross-referencing between leaked data from Anderson Robotics and volumes from the Library suggests that Vincent Anderson is considerably familiar with the layout and contents of the latter. \n\n\n\nThere have been accounts of former employees who suspect this is a sign of corporate espionage, which has resulted in strained diplomatic relationships with the company and at least one attempt on Vincent Anderson's life. As of the writing of this entry, it is unknown who was responsible for the failed assassination, and speculations are numerous on arcano-social media. This has not prevented Anderson Robotics from continuously releasing products that few alchemic businesses of smaller scale can compete with. Regardless on their personal feelings on these events and the groups involved, members of the Serpent's Hand are advised to not spread false information about such events.\n\n\n\n**Approach:** Alchemic familiars are docile and cooperative by design, although fluctuations in ley lines and astrology incorporated into their creation can result in unforeseen alterations to their programming. When an alchemist has finished the alchemic algorithm and assembled the physical container for the instance's consciousness, they are advised to remain within close proximity of their creation for at least a few hours. This allow the familiar to perform spiritual imprinting, which is the main arcane safety measure against outside tampering with its programming. This process requires the alchemist to offer simple tasks to the familiar, provide positive reinforcement and generally build a relationship based on mutual trust. Upon completion of the spiritual imprinting, the alchemic familiar learns much like a human would and experiences the same range of emotions. \n\n\n\nIf an alchemic familiar undergoes a rebellious phase or otherwise behaves in an uncooperative manner, under no circumstance is the alchemist to punish them physically for it. These actions are normal side-effects of the spiritual imprinting, which by necessity uses the memories and thought patterns of the creator as a base for the instance's consciousness. They are simply imitating glimpses of your inner psyche in an instinctive way, and need a calm and respectful figure to explain to them why this happens. Not only that, physical punishments have a marked tendency to destabilize their alchemic bonds and trigger unpredictable hexes, transmutations and similar phenomena. Alchemists who are currently suffering from mental health issues are strongly advised to seek thorough psychological therapy, so as to not accidentally transfer negative shards of their psyches to their creations.\n\n\n\n**Other Detail:** Alchemists should have a reliable and environmentally friendly way of disposing of the materials ejected by their familiars, which are not always stable and may prove to be environmental hazards if left to accumulate. Do not be alarmed if your familiar nibbles on your hand right after being created, for they are incapable of ingesting biological tissue and are simply acting out of natural curiosity. They do not come into existence with extensive knowledge nor common sense, and it helps to think of them as your children when they prove troublesome.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\nAs explained by the concept of the Uncanny Valley, alchemical familiars and mundane automatons who only get just shy of accurately imitating humans have a very strong tendency to cause an acute fear response. Due to their status as sapient entities, there are alchemists who seek out familiars deemed to be failures so they can be repaired, upgraded and have a chance to join a community.[[footnote]] There are several anecdotes of some of these rescued individuals trying to return the favor using their innate properties, with variable results. I, for one, no longer need to worry about misplacing my equipment because they organize it for me in alphabetical and numerical order. They //have// used non-Phoenician alphabets to prank me when I was being rude to them, which I suppose is both deserved and impressive. [[/footnote]]\n\n\n\nOne particular story of such an adoption is widely known among alchemists. During the Cold War, Soviet Wanderers researched militaristic applications of alchemy in secret. While most of the documentation regarding their findings is no longer available, leaked data discovered by the American government during that time revealed a project for designing augmented soldiers. The associated research facilities were tasked by the USSR to create a prototype that would not only be capable of standing up to the USA's military forces, but would also serve as form of propaganda to convince the world of the superiority of Soviet science. \n\n\n\nWhile the creation process was highly classified at the time, it has since become common knowledge in the magical world that it prioritized efficiency over ethics. The spiritual imprinting used dozens of Soviet military operatives with diverse skill-sets and psychological profiles in order to create an idealized war machine, without regard for safety measures. The resulting alchemical soldier, whose name translates into English as \"Loyal Sword\", was extremely proficient in his intended applications, but could not be made to look or act human enough. Not only that, the faulty spiritual imprinting afflicted it with an unstable psyche, which in turn made him act erratically and aggressively toward his superiors. Before he could be shut down and disassembled, he downloaded the schematics and blueprints of his development and escaped the research facility.\n\n\n\nIn the following years, Sword became a fugitive from Soviet agents looking to bring him back into their custody. He made a rudimentary living as an itinerant mercenary, but always looked for any opportunities to change his own programming so that he could start as a clean slate away from his creators. During his travels, he found a temporary family in a rural village, who offered him sanctuary from his pursuers. Sword took care of menial labors and attended the local Catholic church, where he met a priest whom he befriended. The soldier would ask the priest if he had a soul and a place in God's plan like humans. And every time, the priest told Sword that it didn't matter in the end, as long as he believed in God and sought to be good. But Sword could not believe in his own redemption, because he was created as a tool for war.\n\n\n\nFearing that he might be discovered if he stayed there too long, Sword abandoned the village and wandered through the world. Convinced that he was broken, the soldier remained on the margins of society and examined humanity from a safe distance in hopes of fixing himself. But try as he might, the desire for war always tormented him and bloodshed followed wherever he went. Unable to bear such an existence and wanting to have someone like him, Sword sought out an alchemist in his homeland and held him hostage. In return for his freedom, the alchemist created a son for Sword, using the soldier's own psyche for the spiritual imprinting. Though he named the progeny Shield and told him that violence was evil, Sword was not ready to be a father and only created another link in the chain of torment.\n\n\n\nThe bedtime stories of the Cold War that Shield heard every night motivated him to rebel against his progenitor and run away in search of a new home and family. He traveled between the Third World nations that had been negatively impacted by the geopolitical power plays of the Cold War, and became a volunteer in the efforts of [http://www.scp-wiki.net/manna-charitable-foundation-hub paranormal humanitarian groups.] Such individuals repaired Shield and introduced him to collaborators in the Serpent's Hand, which motivated him to become a Wanderer. \n\n\n\nNowadays, Shield teaches classes on history, psychology and environmentally conscious alchemy. No encounters between Shield and his progenitor have been documented since he joined the Serpent's Hand, but there have been sightings of an individual who matches the description of Sword accompanying [http://www.scp-wiki.net/goc-hub-page Book Burner] operatives in the aforementioned nations. It is unconfirmed at this time what Sword's motivations for participating in such operations are. As of the last incident in the Library caused by invasive attempts to coerce information out of Shield about his progenitor, any such attempts are to be discontinued indefinitely. The respect for knowledge includes the willingness to not divulge when it would be harmful. \n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nIt has been hypothesized by contemporary alchemists that the current rapid development of thaumaturgical AIs could replace the traditional alchemical familiars. Such constructs learn faster, have more predictable behavior and can be replicated in a large scale. While there is no reliable evidence of thaumaturgical AIs ever behaving contrary to their initial programming in any significant fashion, there are growing movements who oppose their widespread usage. These protesters claim that the lack of spiritual imprinting leaves behind a void that possibly dangerous extra-planar entities gravitate toward occupying. Analysis of the supposedly corrupting influence of these entities has proven inconclusive, but there are lasting rumors of [http://www.scp-wiki.net/a-shift-at-the-factory those who were exposed to it and were transformed.] Such individuals could not be reached by the Serpent's Hand, but patterns in the rumors are emerging. With the interlinked nature of the digital age, it remains a possibility that such an incursion could have harmful effects on a global scale. Members of the Serpent's Hand are advised to update their knowledge on such matters, just in case.\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_serpents-hand", "fantasy", "goi-format", "historical", "science-fiction", "serpents-hand"], "title": "Alchemical Familiars - SCP Foundation", "url": "https://scp-wiki.wikidot.com/alchemical-familiars"}, "alexandrian-scroll": {"created_at": "2025-12-03T22:22:00", "creator": "realsquirrel", "domain": "scp-wiki.wikidot.com", "history": [{"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "", "date": "2025-12-03T22:22:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "Uploaded file \"scroll.jpg\".", "date": "2025-12-03T22:23:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image, _licensebox, _parawatch, goi-format, mystery, parawatch. ", "date": "2025-12-05T08:27:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "Parent page set to: \"parawatch-hub\".", "date": "2026-01-10T15:47:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-01-25T17:59:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "", "date": "2026-01-25T17:59:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "", "date": "2026-02-08T03:34:00"}], "hubs": ["goi-formats"], "images": [], "link": "alexandrian-scroll", "page_id": "1467278617", "rating": 21, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Acreepypasta/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<blockquote>\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/15/2020 (Sat.) 11:28:09 #56490127</p>\n<hr/>\n<p>Good morning Parawatch bros. A friend just gifted something to me that I think a lot of you would be very interested in. A scroll which I believe came directly from the Library of Alexandria. Yeah I know this sounds like a horrible attempt at attention farming straight from a 2016 youtube vid, but I wouldn't be posting this if I didn't have a good amount of evidence first. I know it sounds insane but please let me explain before jumping to conclusions.</p>\n</blockquote>\n<blockquote>\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/15/2020 (Sat.) 11:32:49 #56490127</p>\n<hr/>\n<p>First of all, I'm Egyptian. I've lived my whole life in Alexandria. If there was anyone who'd manage to find a scroll from the Library of Alexandria, it would be someone from here.</p>\n<p>This all started a few months ago. Basically, I've never really been too social. I've spent most of my life as a socially isolated, book addicted recluse (hence the username), but I wanted to try making a change. So, I started making some small changes. Going out to book clubs, attempting to socialize at cafes, stuff like that. My results were\u2026varied (TALKING WITH STRANGERS IS HARD), until one day where I got lucky and someone approached me for a change.</p>\n<p>This happened a few months ago. I was sitting at a cafe, reading this book called \"A Comprehensive Study in Egyptian Archaeology\" (trying my hardest to stall approaching people) until this dude came up to me. Looked to be in his late 20s, had a small goatee. I assumed he was from the area due to his look and accent. Said he could tell I needed friends badly.</p>\n<p>He said the book I was reading caught his attention because he got a gig as an archaeologist at an excavation site in some nearby ruins. We talked for a while and I asked for his socials so we could stay connected. After that my attempts to socialize with other people started to be more successful, and now I'd say I have a pretty solid group of friends, but this dude is pretty much my best friend now. We talk almost daily about pretty much anything at this point. Mainly books and history.</p>\n</blockquote>\n<blockquote>\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/15/2020 (Sat.) 11:34:05 #56490127</p>\n<hr/>\n<p>Anyways 2 days ago he called me to tell me he found a really high quality scroll at his job site. Said he wanted to give it to me instead of turning it in. Told me I should try \"giving it a read\" despite the fact I don't know Ancient Greek lol. Is there anyone here that does? Tried to use Google Translate but all I'm getting is mostly gibberish. PM me for close-ups. (picrel)</p>\n<blockquote>\n\n</blockquote>\n</blockquote>\n<blockquote>\n<p><span style=\"color: blue\"><strong>hector912</strong></span> 11/15/2020 (Sat.) 11:54:40 #49755027</p>\n<hr/>\n<p>Your friend sounds kinda sketchy. Isn't he worried about getting fired? Aren't <strong>you</strong> worried about him getting fired? Sounds like a bad idea to casually admit your friend stole a scroll from his work site. I can sort of speak Greek but I am in no way fluent so don't give me too much credit but this scroll seems to at least be comprised of actual Greek.</p>\n<p>From what I understood, this scroll seems to be a guide of some sort. It's telling the reader to burn something I think? Says at the end that following the steps will \"create the gateway\", whatever that means. Might be a form of religious ritual.</p>\n</blockquote>\n<blockquote>\n<p><span style=\"color: green\"><strong>spicycrustypizza_036</strong></span> 11/15/2020 (Sat.) 15:01:27 #42195099</p>\n<hr/>\n<p>Hey I'm a student of Ancient Greek at the Academica Vivarium Novum<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>! I haven't graduated yet but I have a good amount of experience in the language. Can you send me a few close up images of the scroll? I could give it a shot at translating the whole thing.</p>\n</blockquote>\n<div class=\"parapost reply1\">\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/15/2020 (Sat.) 15:04:25 #56490127</p>\n<hr/>\n<p><span style=\"color: green\">spicycrustypizza_036</span> Yeah sure, check your PMs. I just sent 5 close-ups. Should cover the whole scroll.</p>\n</div>\n<blockquote>\n<p><span style=\"color: yellow\"><strong>rjqnr331</strong></span> 11/15/2020 (Sat.) 16:27:09 #59996184</p>\n<hr/>\n<p>OP I think your friend is either insane, trying to troll you, or very financially irresponsible to miss a cash out like this. Keep that scroll safe and make sure to update us though, I'm dying to find out what's written on it.</p>\n<p><strong><em>EDIT (11/22/2020):</em></strong> Has that guy updated you yet? Also has your friend gotten caught?</p>\n</blockquote>\n<div class=\"parapost reply1\">\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/22/2020 (Sat.) 9:44:16 #56490127</p>\n<hr/>\n<p><span style=\"color: yellow\">rjqnr331</span> Nope, and unless my browser is bugged, it says the PM was already read. Maybe he's too busy with college work. I might call some other translators just in case he completely forgot about this. My friend's doing good btw. He says he doesn't suspect to get caught because his place has no CCTV cameras and he clocked out \"sick\" when he found the scroll.</p>\n</div>\n<div class=\"parapost reply2\">\n<p><span style=\"color: blue\"><strong>hector912</strong></span> 11/22/2020 (Sat.) 10:54:42 #49755027</p>\n<hr/>\n<p>Well I took another crack at translating this. Here's what I got:</p>\n<blockquote>\n<p><strong>Step 1</strong> - Collect an empty scroll<br/>\n<strong>Step 2</strong> - Give it knowledge exclusive to your eyes<br/>\n<strong>Step 3</strong> - More repetitions of step 1 and step 2 will create better results<br/>\n<strong>Step 4</strong> - Focus on the knowledge of the scroll(s)<br/>\n<strong>Step 5</strong> - Burn the scroll(s)<br/>\n<strong>Step 6</strong> - Gather the ashes in a circle<br/>\n<strong>Step 7</strong> - Continue your focus<br/>\n<strong>Step 8</strong> - Created the gateway</p>\n</blockquote>\n</div>\n<div class=\"parapost reply3\">\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/22/2020 (Sat.) 10:59:26 #56490127</p>\n<hr/>\n<p>What?\ud83d\ude2d<br/>\nCreepy ass scroll<br/>\nShould I try out what the scroll says for the lols?</p>\n</div>\n<div class=\"parapost reply4\">\n<p><span style=\"color: green\"><strong>Earl8312</strong></span> 11/22/2020 (Sat.) 11:01:13 #79102731</p>\n<hr/>\n<p>Update us when you get cursed by an eldritch horror.</p>\n</div>\n<div class=\"parapost reply4\">\n<p><span style=\"color: blue\"><strong>hector912</strong></span> 11/22/2020 (Sat.) 11:01:15 #49755027</p>\n<hr/>\n<p>Sure lol.</p>\n</div>\n<blockquote>\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/24/2020 (Mon.) 12:25:16 #56490127</p>\n<hr/>\n<p><em><strong>UPDATE POST</strong></em></p>\n<p>OK SO I JUST DID WHAT THE SCROLL SAID AND I CAN'T FEEL MY FINGERTIPS ANYMORE.</p>\n<p>I had a hard time interpreting the instructions, but I assumed \"Give it knowledge exclusive to your eyes\" meant writing stuff like secrets you've never told anyone. I went to buy some blank scrolls from an arts and crafts shop and wrote down some childhood secrets. Old crushes, nightmares and dreams I had as a kid, stuff like that. I then went to an isolated area in the desert. Burnt the scrolls, collected the ash, made a circle. And then\u2026.</p>\n<p><strong>BANG</strong></p>\n<p>I see a massive flash of light coming from the circle. And fire. Lots of fire. Some of it reaches me, and now all of my fingers are covered in burn marks. I end up passing out and I have a dream where I'm in some sort of library. I met a librarian there (who looked strangely similar to my friend) who explained the history of the library to me. Don't remember any of it though, I was so out of it that I didn't pick up anything he said.</p>\n<p>We kept walking around the library for a while until we saw some men in black tactical gear with assault rifles running around the place. I panicked and ran away until I found a doorway and walked through it. Then\u2026</p>\n<p>I woke up. Still in the desert, severely dehydrated and sunburnt. About an hour had gone by. The ash was gone now. No clue what to make of anything that just happened.</p>\n</blockquote>\n<div class=\"parapost reply1\">\n<p><span style=\"color: green\"><strong>Earl8312</strong></span> 11/24/2020 (Mon.) 12:35:13 #79102731</p>\n<hr/>\n<p>Guess you did get cursed by an eldritch horror then LOL</p>\n</div>\n<div class=\"parapost reply1\">\n<p><span style=\"color: green\"><strong>keyboards413</strong></span> 11/24/2020 (Mon.) 14:45:13 #78091273</p>\n<hr/>\n<p>What did you use to light the scrolls on fire? The material and flame must have contributed to the explosion. Also you sure you even had a dream? What you saw might have been due to heat exhaustion. Cool story either way. What do you plan on doing with the scroll?</p>\n</div>\n<div class=\"parapost reply2\">\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/24/2020 (Mon.) 14:57:21 #56490127</p>\n<hr/>\n<p>Butane lighter, and the scrolls were made of parchment. Don't think it was heat exhaustion though. Definitely a dream. I'm used to the heat out here and I took precautions.</p>\n<p>I'm gonna keep the scroll hidden in one of my drawers for now. I want to get a display for it but I am currently too broke for that. Probably not going to reattempt this in the future.</p>\n</div>\n<blockquote>\n<p><span style=\"color: red\"><strong>bookwyrn_149</strong></span> 11/30/2020 (Sun.) 9:44:16 #56490127</p>\n<hr/>\n<p><em><strong>UPDATE POST</strong></em><br/>\n<br/>\nI might have just had the worst week of my life. First of all the scroll got stolen on Monday. My windows got bashed in by some dudes wearing the same gear as the dudes in my dream. They took the scroll and ran away right in front of me. Completely ignored me, I'm not even sure if they saw me. Bolted for the scroll and instantly left. At least I didn't get my brains blown out. Insurance says they'll cover it, but I don't exactly love the fact that I'm sleeping with taped up windows until it gets fixed.</p>\n<p>What's even worse is that I haven't heard from my friend since he gave me the scroll, and I don't expect to hear back from him in a long time (possibly ever). Hasn't been online since he gave me the scroll, and I haven't seen him around the spots we usually hang out.</p>\n<p>After the scroll got stolen, the police arrested ME over it and took me to some dudes that I think were from INTERPOL. They kept me in an interrogation room for like, 10 hours or something, maybe even more. I spent most of that time alone in the interrogation room. They said they were \"processing my information\"; by the time they got there I had already been there for more than 8 hours.</p>\n<p>They wanted to ask some questions about my friend and the scroll. At first I refused. But then they told me I was being counted as an accomplice and could spend decades in prison if I didn't comply (Also, they brought out a box of Spicy Crusty Pizza. Come on, all of you would've folded too). I can't recall everything but I'll try reciting some of the questions they asked me:</p>\n<blockquote>\n<p>&gt; \"Didn't that scroll look a little too pristine to be ancient?\"</p>\n<p>&gt; \"Where and how did you meet [FRIEND'S NAME]?\"</p>\n<p>&gt; \"Has [FRIEND'S NAME] ever given you any similar artifacts?\"</p>\n<p>&gt; \"Did you meet [FRIEND'S NAME] at a time when you were particularly emotionally vulnerable or socially isolated?\"</p>\n<p>&gt; \"Did this scroll contain instructions that, per se, seemed to be for the purposes of a religious ritual?\"</p>\n</blockquote>\n<p>That interview was where I found out my friend wasn't even an archaeologist. According to them, he was a foreign national who broke into an abandoned site to steal leftover artifacts. My later research indicated that there were indeed no active archeological sites in the range of the city. They alleged that my friend was affiliated with a group dedicated to the theft of artifacts like this, and that I was being viewed as a possible recruit. Asked for a name but they told me that was on a \"need to know basis\" and I do not \"need to know\".</p>\n<p>After that all they told me was to stay out of things and not tell anyone and they'd let me off the hook. I'm too distrustful of authority to actually go through with that though. I'll comply after this for my own safety, but I couldn't leave everyone here hanging. Requesting an admin locks this thread.</p>\n</blockquote>\n<blockquote>\n<p><span style=\"color: purple\"><strong>\ud83d\uddffrealsquirrel</strong></span> 11/30/2020 (Sun.) 9:51:43 #56490127</p>\n<hr/>\n<p><span style=\"color: red\">[THREAD LOCKED]</span></p>\n</blockquote>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. College in Italy which specializes in Ancient Greek and Latin.</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/alexandrian-scroll\">Alexandrian Scroll?</a>\" by realsquirrel, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/alexandrian-scroll\">https://scpwiki.com/alexandrian-scroll</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> 2049 - Byzantine Museum, Athens - Parchement scroll, 13th century - Photo by Giovanni Dall'Orto, Nov 12.jpg<br/>\n<strong>Name:</strong> 2049 - Byzantine Museum, Athens - Parchement scroll, 13th century - Photo by Giovanni Dall'Orto, Nov 12<br/>\n<strong>Author:</strong> G.dallorto<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:2049_-_Byzantine_Museum,_Athens_-_Parchement_scroll,_13th_century_-_Photo_by_Giovanni_Dall%27Orto,_Nov_12.jpg\">https://commons.wikimedia.org/wiki/File:2049_-_Byzantine_Museum,_Athens_-_Parchement_scroll,_13th_century_-_Photo_by_Giovanni_Dall%27Orto,_Nov_12.jpg</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:creepypasta\">:scp-wiki:theme:creepypasta</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n> ##red|**bookwyrn_149**## 11/15/2020 (Sat.) 11:28:09 #56490127\n\n> ------\n\n> Good morning Parawatch bros. A friend just gifted something to me that I think a lot of you would be very interested in. A scroll which I believe came directly from the Library of Alexandria. Yeah I know this sounds like a horrible attempt at attention farming straight from a 2016 youtube vid, but I wouldn't be posting this if I didn't have a good amount of evidence first. I know it sounds insane but please let me explain before jumping to conclusions.\n\n\n\n> ##red|**bookwyrn_149**## 11/15/2020 (Sat.) 11:32:49 #56490127\n\n> ------\n\n> First of all, I'm Egyptian. I've lived my whole life in Alexandria. If there was anyone who'd manage to find a scroll from the Library of Alexandria, it would be someone from here.\n\n> \n\n> This all started a few months ago. Basically, I've never really been too social. I've spent most of my life as a socially isolated, book addicted recluse (hence the username), but I wanted to try making a change. So, I started making some small changes. Going out to book clubs, attempting to socialize at cafes, stuff like that. My results were...varied (TALKING WITH STRANGERS IS HARD), until one day where I got lucky and someone approached me for a change.\n\n> \n\n> This happened a few months ago. I was sitting at a cafe, reading this book called \"A Comprehensive Study in Egyptian Archaeology\" (trying my hardest to stall approaching people) until this dude came up to me. Looked to be in his late 20s, had a small goatee. I assumed he was from the area due to his look and accent. Said he could tell I needed friends badly. \n\n> \n\n> He said the book I was reading caught his attention because he got a gig as an archaeologist at an excavation site in some nearby ruins. We talked for a while and I asked for his socials so we could stay connected. After that my attempts to socialize with other people started to be more successful, and now I'd say I have a pretty solid group of friends, but this dude is pretty much my best friend now. We talk almost daily about pretty much anything at this point. Mainly books and history.\n\n\n\n> ##red|**bookwyrn_149**## 11/15/2020 (Sat.) 11:34:05 #56490127\n\n> ------\n\n> Anyways 2 days ago he called me to tell me he found a really high quality scroll at his job site. Said he wanted to give it to me instead of turning it in. Told me I should try \"giving it a read\" despite the fact I don't know Ancient Greek lol. Is there anyone here that does? Tried to use Google Translate but all I'm getting is mostly gibberish. PM me for close-ups. (picrel)\n\n> \n\n>> [[=image scroll.jpg size=\"medium\"]]\n\n\n\n> ##blue|**hector912**## 11/15/2020 (Sat.) 11:54:40 #49755027\n\n> ------\n\n> Your friend sounds kinda sketchy. Isn't he worried about getting fired? Aren't **you** worried about him getting fired? Sounds like a bad idea to casually admit your friend stole a scroll from his work site. I can sort of speak Greek but I am in no way fluent so don't give me too much credit but this scroll seems to at least be comprised of actual Greek.\n\n> \n\n> From what I understood, this scroll seems to be a guide of some sort. It's telling the reader to burn something I think? Says at the end that following the steps will \"create the gateway\", whatever that means. Might be a form of religious ritual.\n\n\n\n> ##green|**spicycrustypizza_036**## 11/15/2020 (Sat.) 15:01:27 #42195099\n\n> ------\n\n> Hey I'm a student of Ancient Greek at the Academica Vivarium Novum[[footnote]] College in Italy which specializes in Ancient Greek and Latin. [[/footnote]]! I haven't graduated yet but I have a good amount of experience in the language. Can you send me a few close up images of the scroll? I could give it a shot at translating the whole thing.\n\n\n\n[[div class=\"parapost reply1\"]]\n\n##red|**bookwyrn_149**## 11/15/2020 (Sat.) 15:04:25 #56490127\n\n------\n\n##green|spicycrustypizza_036## Yeah sure, check your PMs. I just sent 5 close-ups. Should cover the whole scroll.\n\n[[/div]]\n\n\n\n> ##yellow|**rjqnr331**## 11/15/2020 (Sat.) 16:27:09 #59996184\n\n> ------\n\n> OP I think your friend is either insane, trying to troll you, or very financially irresponsible to miss a cash out like this. Keep that scroll safe and make sure to update us though, I'm dying to find out what's written on it.\n\n> \n\n> **//EDIT (11/22/2020)://** Has that guy updated you yet? Also has your friend gotten caught?\n\n\n\n[[div class=\"parapost reply1\"]]\n\n##red|**bookwyrn_149**## 11/22/2020 (Sat.) 9:44:16 #56490127\n\n------\n\n##yellow|rjqnr331## Nope, and unless my browser is bugged, it says the PM was already read. Maybe he's too busy with college work. I might call some other translators just in case he completely forgot about this. My friend's doing good btw. He says he doesn't suspect to get caught because his place has no CCTV cameras and he clocked out \"sick\" when he found the scroll.\n\n[[/div]]\n\n\n\n[[div class=\"parapost reply2\"]]\n\n##blue|**hector912**## 11/22/2020 (Sat.) 10:54:42 #49755027\n\n------\n\nWell I took another crack at translating this. Here's what I got:\n\n\n\n> **Step 1** - Collect an empty scroll\n\n> **Step 2** - Give it knowledge exclusive to your eyes\n\n> **Step 3** - More repetitions of step 1 and step 2 will create better results\n\n> **Step 4** - Focus on the knowledge of the scroll(s)\n\n> **Step 5** - Burn the scroll(s)\n\n> **Step 6** - Gather the ashes in a circle\n\n> **Step 7** - Continue your focus\n\n> **Step 8** - Created the gateway\n\n[[/div]]\n\n\n\n[[div class=\"parapost reply3\"]]\n\n##red|**bookwyrn_149**## 11/22/2020 (Sat.) 10:59:26 #56490127\n\n------\n\nWhat?\ud83d\ude2d\n\nCreepy ass scroll\n\nShould I try out what the scroll says for the lols?\n\n[[/div]]\n\n\n\n[[div class=\"parapost reply4\"]]\n\n##green|**Earl8312**## 11/22/2020 (Sat.) 11:01:13 #79102731\n\n------\n\nUpdate us when you get cursed by an eldritch horror.\n\n[[/div]]\n\n\n\n[[div class=\"parapost reply4\"]]\n\n##blue|**hector912**## 11/22/2020 (Sat.) 11:01:15 #49755027\n\n------\n\nSure lol.\n\n[[/div]]\n\n\n\n> ##red|**bookwyrn_149**## 11/24/2020 (Mon.) 12:25:16 #56490127\n\n> ------\n\n> //**UPDATE POST**//\n\n> \n\n> OK SO I JUST DID WHAT THE SCROLL SAID AND I CAN'T FEEL MY FINGERTIPS ANYMORE.\n\n> \n\n> I had a hard time interpreting the instructions, but I assumed \"Give it knowledge exclusive to your eyes\" meant writing stuff like secrets you've never told anyone. I went to buy some blank scrolls from an arts and crafts shop and wrote down some childhood secrets. Old crushes, nightmares and dreams I had as a kid, stuff like that. I then went to an isolated area in the desert. Burnt the scrolls, collected the ash, made a circle. And then....\n\n> \n\n> **BANG**\n\n> \n\n> I see a massive flash of light coming from the circle. And fire. Lots of fire. Some of it reaches me, and now all of my fingers are covered in burn marks. I end up passing out and I have a dream where I'm in some sort of library. I met a librarian there (who looked strangely similar to my friend) who explained the history of the library to me. Don't remember any of it though, I was so out of it that I didn't pick up anything he said.\n\n> \n\n> We kept walking around the library for a while until we saw some men in black tactical gear with assault rifles running around the place. I panicked and ran away until I found a doorway and walked through it. Then...\n\n> \n\n> I woke up. Still in the desert, severely dehydrated and sunburnt. About an hour had gone by. The ash was gone now. No clue what to make of anything that just happened.\n\n\n\n[[div class=\"parapost reply1\"]]\n\n##green|**Earl8312**## 11/24/2020 (Mon.) 12:35:13 #79102731\n\n------\n\nGuess you did get cursed by an eldritch horror then LOL\n\n[[/div]]\n\n\n\n[[div class=\"parapost reply1\"]]\n\n##green|**keyboards413**## 11/24/2020 (Mon.) 14:45:13 #78091273\n\n------\n\nWhat did you use to light the scrolls on fire? The material and flame must have contributed to the explosion. Also you sure you even had a dream? What you saw might have been due to heat exhaustion. Cool story either way. What do you plan on doing with the scroll?\n\n[[/div]]\n\n\n\n[[div class=\"parapost reply2\"]]\n\n##red|**bookwyrn_149**## 11/24/2020 (Mon.) 14:57:21 #56490127\n\n------\n\nButane lighter, and the scrolls were made of parchment. Don't think it was heat exhaustion though. Definitely a dream. I'm used to the heat out here and I took precautions.\n\n\n\nI'm gonna keep the scroll hidden in one of my drawers for now. I want to get a display for it but I am currently too broke for that. Probably not going to reattempt this in the future.\n\n[[/div]]\n\n\n\n> ##red|**bookwyrn_149**## 11/30/2020 (Sun.) 9:44:16 #56490127\n\n> ------\n\n> //**UPDATE POST**//\n\n>\u00a0\u00a0\n\n> I might have just had the worst week of my life. First of all the scroll got stolen on Monday. My windows got bashed in by some dudes wearing the same gear as the dudes in my dream. They took the scroll and ran away right in front of me. Completely ignored me, I'm not even sure if they saw me. Bolted for the scroll and instantly left. At least I didn't get my brains blown out. Insurance says they'll cover it, but I don't exactly love the fact that I'm sleeping with taped up windows until it gets fixed.\n\n> \n\n> What's even worse is that I haven't heard from my friend since he gave me the scroll, and I don't expect to hear back from him in a long time (possibly ever). Hasn't been online since he gave me the scroll, and I haven't seen him around the spots we usually hang out.\n\n> \n\n> After the scroll got stolen, the police arrested ME over it and took me to some dudes that I think were from INTERPOL. They kept me in an interrogation room for like, 10 hours or something, maybe even more. I spent most of that time alone in the interrogation room. They said they were \"processing my information\"; by the time they got there I had already been there for more than 8 hours.\n\n> \n\n> They wanted to ask some questions about my friend and the scroll. At first I refused. But then they told me I was being counted as an accomplice and could spend decades in prison if I didn't comply (Also, they brought out a box of Spicy Crusty Pizza. Come on, all of you would've folded too). I can't recall everything but I'll try reciting some of the questions they asked me:\n\n>> > \"Didn't that scroll look a little too pristine to be ancient?\"\n\n>> \n\n>> > \"Where and how did you meet [FRIEND'S NAME]?\"\n\n>> \n\n>> > \"Has [FRIEND'S NAME] ever given you any similar artifacts?\"\n\n>> \n\n>> > \"Did you meet [FRIEND'S NAME] at a time when you were particularly emotionally vulnerable or socially isolated?\"\n\n>> \n\n>> > \"Did this scroll contain instructions that, per se, seemed to be for the purposes of a religious ritual?\"\n\n> \n\n> That interview was where I found out my friend wasn't even an archaeologist. According to them, he was a foreign national who broke into an abandoned site to steal leftover artifacts. My later research indicated that there were indeed no active archeological sites in the range of the city. They alleged that my friend was affiliated with a group dedicated to the theft of artifacts like this, and that I was being viewed as a possible recruit. Asked for a name but they told me that was on a \"need to know basis\" and I do not \"need to know\".\n\n> \n\n> After that all they told me was to stay out of things and not tell anyone and they'd let me off the hook. I'm too distrustful of authority to actually go through with that though. I'll comply after this for my own safety, but I couldn't leave everyone here hanging. Requesting an admin locks this thread.\n\n\n\n> ##purple|**\ud83d\uddffrealsquirrel**## 11/30/2020 (Sun.) 9:51:43 #56490127\n\n> ------\n\n> ##red|[THREAD LOCKED]##\n\n\n\n\n\n[[footnoteblock]]\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=realsquirrel]]\n\n\n\n> **Filename:** 2049 - Byzantine Museum, Athens - Parchement scroll, 13th century - Photo by Giovanni Dall'Orto, Nov 12.jpg\n\n> **Name:** 2049 - Byzantine Museum, Athens - Parchement scroll, 13th century - Photo by Giovanni Dall'Orto, Nov 12\n\n> **Author:** G.dallorto\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:2049_-_Byzantine_Museum,_Athens_-_Parchement_scroll,_13th_century_-_Photo_by_Giovanni_Dall%27Orto,_Nov_12.jpg\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_parawatch", "goi-format", "mystery", "parawatch"], "title": "Alexandrian Scroll? - SCP Foundation", "url": "https://scp-wiki.wikidot.com/alexandrian-scroll"}, "alexylva-student-paper": {"created_at": "2017-04-04T21:39:00", "creator": "RJB_R", "domain": "scp-wiki.wikidot.com", "history": [{"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "ALEXYLVA GROUP OF INTEREST FORMAT GOOOO", "date": "2017-04-04T21:39:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Uploaded multiple files.", "date": "2017-04-04T21:40:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Added tags: alexylva, goi-format, oneiroi. ", "date": "2017-04-04T21:43:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "localizing images", "date": "2017-04-04T21:43:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "italics", "date": "2017-04-04T21:51:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "made banner smaller and other tweaks to possibly help Mobile users out", "date": "2017-04-04T21:51:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "typo", "date": "2017-04-04T21:53:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "edits to try and make look more better on mobile", "date": "2017-04-04T21:59:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "removing some of the phonecian characters", "date": "2017-04-04T22:07:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "edit", "date": "2017-04-04T22:19:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "It looks good sideways", "date": "2017-04-04T22:26:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "", "date": "2017-04-04T22:30:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "tweak", "date": "2017-04-05T01:47:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "", "date": "2017-04-05T02:16:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "", "date": "2017-04-05T02:16:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "edits", "date": "2017-04-05T02:52:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "", "date": "2017-04-05T03:12:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "edits n tweaks n stuff", "date": "2017-04-05T05:26:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Addressing some of the concerns, making less obtuse?", "date": "2017-04-05T05:40:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "oneeee more thing", "date": "2017-04-05T05:45:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "tweeeeaks", "date": "2017-04-05T06:01:00"}, {"author": "jarvis-bot", "author_href": "https://www.wikidot.com/user:info/jarvis-bot", "comment": "Added tags: _image. ", "date": "2017-07-23T15:55:00"}, {"author": "Doctor Cimmerian", "author_href": "https://www.wikidot.com/user:info/doctor-cimmerian", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2017-07-25T09:22:00"}, {"author": "Taffeta", "author_href": "https://www.wikidot.com/user:info/taffeta", "comment": "Added tags: _alexylva. ", "date": "2018-02-14T19:05:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "adding theme, with roget's permission", "date": "2019-02-25T18:34:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-20T06:05:00"}, {"author": "TopDownUnder", "author_href": "https://www.wikidot.com/user:info/topdownunder", "comment": "", "date": "2020-11-06T19:33:00"}, {"author": "Calibold", "author_href": "https://www.wikidot.com/user:info/calibold", "comment": "", "date": "2021-04-07T05:34:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-04-07T08:17:00"}, {"author": "S D Locke", "author_href": "https://www.wikidot.com/user:info/s-d-locke", "comment": "Removed tags: _alexylva. ", "date": "2023-10-24T13:58:00"}, {"author": "S D Locke", "author_href": "https://www.wikidot.com/user:info/s-d-locke", "comment": "You successfully reverted the page to revision number 28", "date": "2023-10-24T14:03:00"}, {"author": "DrLeviStarkin", "author_href": "https://www.wikidot.com/user:info/drlevistarkin", "comment": "", "date": "2024-01-14T18:19:00"}, {"author": "NewFoundDanger", "author_href": "https://www.wikidot.com/user:info/newfounddanger", "comment": "Alexlyva -> Alexylva", "date": "2024-07-13T00:36:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: otherworldly. ", "date": "2024-09-29T06:19:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: school. ", "date": "2024-10-09T18:58:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:38:00"}], "hubs": ["alexylva-university-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/earthquake.jpg", "https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/letters.jpg", "https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/sound%20place.jpg", "https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/PARADISE-BUILDERS.png"], "link": "alexylva-student-paper", "page_id": "48369303", "rating": 105, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aalexylva-university/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<br/>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:250%;\"><span style=\"color: blue\"><span style=\"text-decoration: underline;\"><strong>THE TELESCOPIC</strong></span></span></span></p>\n<p><sub>WANDERING DEVICE USERS: LANDSCAPE RECOMMENDED</sub></p>\n</div>\n<br/>\n<span style=\"font-size:0.8em;\">Issue No. \ud802\udd08\ud802\udd06 \ud802\udd07\ud802\udd05\ud802\udd03</span><br/>\n<div style=\"text-align: right;\">\n<h1 id=\"toc0\"><span>/A.</span></h1>\n</div>\n<div style=\"float:left; width: 45%; padding: 0 2%\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:0.95em;\"><span style=\"text-decoration: underline;\"><strong>A DEAN DAWN ARRIVES</strong></span></span></p>\n<p>THE DEAN OF THE UNIVERSITY HAS RETURNED WITH GREATER STABILITY THAN THE UNIVERSITY HAS KNOWN SINCE THE ASSUMPTION OF LEADERSHIP. FUNDING FOR MULTIPLE ALEXYLVA STUDENT PROGRAMS. CELEBRATION CEREMONIES HAVE BEEN SCHEDULED.</p>\n<p>ALL PATRONS OF KNOWLEDGE WILL BE ATTENDING. DO NOT EXPECT TO LEAVE BEFORE SUNDOWN. NO MORE THAN ONE SPEECH WILL BE ENGAGED. A PARTNERSHIP WITH ONEIROI IS EXPECTED TO BE ANNOUNCED.</p>\n<p>WORKERS MUST PREPARE TO EXHIBIT RESPECT AND TAKE NOTES ON ANY SPEAKING EMANATING FROM THE DEAN. LOYALTY PLEDGES WILL BE BRANDED IF A LACK OF ENTHUSIASM IS DETECTED.</p>\n<p>DO NOT MAKE EYE CONTACT WITH THE DEAN.<br/></p>\n<hr/>\n<p><span style=\"text-decoration: underline;\"><em>A NOTICE TO ALL</em></span></p>\n\n<p><tt>TOKEN FALSIFICATION IS AN OFFENSE. THERE WILL BE PUNISHMENT. EXECUTION IS POSSIBLE. SEIZURE OF BODY FOR SCIENTIFIC DONATION USED BY THE UNIVERSITY OR ITS SPONSORS IS PERMISSIBLE. THIS WILL BE YOUR ONLY WARNING.</tt></p>\n<p><em>ANY TIPS TOWARDS TRAPPING TRAITORS, WHO ARE CRIMINALS AGAINST CURRENCY, WILL BE GIVEN FANTASY OF REWARDS AND PRIZES. FALSE REPORTING WILL BE MET WITH WARNINGS.</em></p>\n<hr/>\n<p><span style=\"text-decoration: underline;\"><em>THTXXX THOUGHT PROCESS</em></span></p>\n<p>A NEW CLASS HAS BECOME AVAILABLE TO ALEXYLVA STUDENTS. TAUGHT BY GAIUS OCTOBRAS WITH POSSIBLE ASSISTANT PROFESSOR SUPPORT FACULTY.</p>\n<p>DISCOVER HOW TO PLUMB THE MIND IN OTHERS TO FACILITATE LIFE ADVANTAGE. NATURAL PROCESSES CAN BE HELPED THROUGH THOUGHT. NOT MEANT TO TEACH KINETICS OR MENTAL ENGINEERING.</p>\n<hr/>\n<h2 id=\"toc1\"><span style=\"font-size:0.8em;\"><span>MENTAL GYMNASTICS COMPETE</span></span></h2>\n<p><span style=\"font-size:0.9em;\"><em>EXTORTING THEIR FELLOWS TO FIND AN ODD TRAIL THROUGH A LOGICAL QUANDRY, THE AU DEMININE SQUADREN FULFILLED ITS GOAL. THEIR DECEPTION SKILLS ARE ENVIABLE. THEY EXERTED AN EXHAUSTING AMOUNT OF EFFORT IN ACHIEVING THEIR GOAL.</em></span></p>\n<p><span style=\"font-size:0.9em;\">SPEAKING ONCE THE GAMES HAD BEEN COMPLETED, IT WAS NOT POSSIBLE TO OBTAIN A COMMENT AS ALL WERE MENTALLY DRAINED. CROCODILE TEARS WERE ADMINISTERED AND REVIVED THE PARTY ENOUGH TO ALLOW THEM TO WAKE UP AND WALK AROUND POSING.</span></p>\n</div>\n<div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\">\n<p><strong>NOTICE:</strong> THE POSSESSION OR SALE OF CONTROLLING SUBSTANCES IS STRICTLY REQUIRED. IF FOUND TO BE WITHOUT POSSESSION OF EXPECTED DOSAGES, THEY MAY BE ADMINISTERED IMMEDIATELY. IT IS BELIEVED THAT THOUGHT ENHANCEMENT IS CRITICAL TO THE LEARNING EXPERIENCE. THIS IS FOR YOUR ACADEMIC BENEFIT.</p>\n</div>\n</div>\n<div style=\"float:left; width: 45%; padding: 0 2%\">\n<h2 id=\"toc2\"><span><tt><span style=\"font-size:0.8em;\"><span style=\"text-decoration: underline;\">BEWARE!</span></span></tt></span></h2>\n<p><span style=\"font-size:0.9em;\"><strong><tt>MANY CHARIOTS IN THE STABLES HAVE BEEN UNDULY LIGHTENED OF THEIR LOADS BY UNKNOWN PARTIES. IT IS IMPERATIVE THAT VALUABLES ARE SECURED AND SLAVES TETHERED BEFORE LEAVING TRANSPORTS UN-ATTENDED. ANY CLUES REPORT TO THE UNIVERSITY GLADIATOR.</tt></strong></span></p>\n<img alt=\"earthquake.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/earthquake.jpg\"/><br/>\n<span style=\"font-size:0.8em;\">THE SHAKING EARTH CANNOT HOPE TO TOPPLE ALEXYLVA.</span>\n<hr/>\n<p><em>THE PLANET ONCE AGAIN ATTEMPTED TO REVERT THE COURSE OF HUMAN KNOWLEDGE WHEN A TREMENDOUS MOVING OF THE SURFACE OCCURRED AT A LATE HOUR. RUMBLING AND CACKLING EMERGED FROM BELOW, BUT TO NO AVAIL. WE CAN WITHSTAND ANY AMOUNT OF NATURAL PHENOMENON WITH THE SUPERIOR POWER OF NATURAL PHILOSOPHY.</em></p>\n<hr/>\n<p><span style=\"font-size:0.85em;\"><br/>\n<span style=\"text-decoration: underline;\"><strong>STUDENTS IN CONFUSION</strong></span></span></p>\n<p>IF UNCERTAINTY HAS STRUCK YOU, ADRIFT IN LIFE, PERHAPS CURSED OR BEWITCHED, ALEXYLVA HAS ACADEMIC MASTERS READY TO ASSIST YOU THROUGHOUT YOUR LIFE. SUBMITTING TO THEIR MASTERY WILL ALLOW YOU TO ABSORB THEIR SKILLS THROUGH ACTION. ADVISORY DRONES ARE AVAILABLE TO DIRECT YOU IN THE PRECISE COURSE THE CATALOG DEMANDS. THERE ARE SEVERAL NEW REQUIREMENTS.</p>\n<ul>\n<li>HUSCII - INSTRUCTION ON SPEAKING WITH OTHER LIVING CREATURES AND SEVERAL NON-LIVING BEINGS. KEEN WILL REQUIRED FROM RESOURCE ALCOVE.</li>\n<li>TRSLXXX - SKILLS AT UTILIZING COMPLEX ABACUS DEVICES AND QUANTIFIERS. LEARN WHAT HAPPENS IN THE EVENT OF NULL TRANSACTION VOIDS.</li>\n<li>FLYDCI - INTRODUCTION TO PHYSICAL ENGAGEMENT, LEARN HOW TO OPERATE BASIC SELF-DEFENSE TOOLS AND BUILD UP PHYSICAL STRENGTH WITH ENDURANCE. CODE MAGAZINE IS REQUIRED</li>\n<li>CRTCCCL - LEARNING THE BEST METHODS OF TRADE AND HOW TO USE TEARS IN THE WORLD FOR FINDING PRODUCTS. THIS WILL ALSO ALLOW FOR ESTABLISHED GUILD LEADERS TO SELECT NEW APPRENTICES.</li>\n<li>MAKDCL - SCULPTING AND CHISELING FOR THE BEGINNER.</li>\n</ul>\n<div style=\"text-align: center;\">\n<p>SOME MATERIALS ARE REQUIRED FOR ALL CLASSES:</p>\n</div>\n<ul>\n<li>STONE CHISEL.</li>\n<li>TABLET.</li>\n<li>PROPER ROBE AND FLOWING GOWN.</li>\n<li>NUTRITION ENOUGH TO ALLOW CORRECT THINKING.</li>\n<li>LIGHTED INSECT IN SEALED VESSEL.</li>\n</ul>\n<div style=\"text-align: center;\">\n<p>MEMBERS OF ALEXYLVA DIRECTORY CAN BE REACHED THROUGH BIRDING FEATHERMESSAGE OR ELECTRONIC MAIL.<br/></p>\n</div>\n</div>\n\n<hr/>\n<div style=\"text-align: right;\">\n<h1 id=\"toc3\"><span>//A.</span></h1>\n</div>\n<div style=\"float:left; width: 45%; padding: 0 2%\">\n<p><span style=\"font-size:1.1em;\"><strong><span style=\"text-decoration: underline;\">ELEPHANTS GENTLY USED</span></strong></span></p>\n<div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\">\n<p>ANY ACADEMIC INDIVIDUAL INTERESTED IN OBTAINING GENTLY USED ELEPHANTS MAY COME TO THE BIDDER AUCTION HELD OUTSIDE THE SPEAKATORUM BY THE SIXTH GATE. ALL WERE USED IN WAR, SOME NEEDING MODERATE REPAIRING OR COUNSELING.</p>\n<p>BE PREPARED TO TRANSPORT CREATURE. ANY ACCESSORIES SHALL BE SOLD SEPARATELY. AUGMENTATIONS WILL NOT BE INCLUDED. THE FOLLOWING SOL CYCLE OMENS WILL DETERMINE WHEN FURTHER AUCTIONS CAN TAKE PLACE</p>\n\n<p>SEDATION IS NOT OPTIONAL.</p>\n</div>\n<hr/>\n<div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\">\n<p><span style=\"font-size:1.1em;\"><br/>\n<tt><span style=\"text-decoration: underline;\">TUTORING ASSISTANCE AVAILABLE</span> \u2014 DO <span style=\"text-decoration: underline;\">YOU</span> REQUIRE ASSISTANCE IN COMPLETING THE TASKS NECESSARY BEFORE BECOMING TRULY ONE WITH KNOWLEDGE? THAT CAN BE REMEDIED WITH EASE IF YOU LET US IN YOUR BRAIN.</tt></span></p>\n<p><tt>BRING PAYMENT TO THE RAVINE \u2014 DO NOT BE LATE OR IT WILL NOT WORK. HEADS MUST BE SHAVED BEFOREHAND AND WILL BE INSPECTED BY PHRENOLOGIST. DISSOCIATION WILL OCCUR UNTIL THE TASK HAS BEEN COMPLETED.</tt></p>\n<p>\u2014 <em>SLUGSCUMM MIND ENHANCEMENT</em>.</p>\n</div>\n<hr/>\n<img alt=\"letters.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/letters.jpg\"/>\n<p><span style=\"text-decoration: underline;\"><strong>TELESCOPING LETTERS</strong></span></p>\n<p><em>STUDIOUS CONCERNS TO THE EDITORIAL MEMBERSHIP WITHIN THE TELESCOPIC IS ALWAYS TAKEN INTO CONSIDERATION. RESPONSES FROM THOSE WHO CAN PRECEPT WHAT IS NEW AND WHAT IS NOT CANNOT BE TAKEN FOR GRANTED.</em></p>\n<div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\">\n<p>I DO NOT AGREE WITH THE CURRENT LISTINGS FOR THE CUISINE FACTOR. IT DOES NOT MAKE SENSE TO SERVE MORE THAN TWO MEALS PER DAY. IF THIS GLUTTONOUS CYCLE CONTINUES IT WILL LEAD TO THE FLABBY GREED-INDUCED DEATH OF US ALL. IT IS WASTEFUL TO EAT HERE WHEN IT COULD GO TO THE BIGGER CAUSE.<br/>\n\u2014 <tt>SEBASI PENTON</tt></p>\n</div>\n<p><em>NUTRITION IS AS IMPORTANT AT HOME AS IT IS DURING STUDY. WITH PROPER EXERCISE, EATING, AND SLEEPING HABITS YOU CAN PUT YOURSELF IN A SOUND PLACE. HAVING FOOD IN THE STOMACH IS KEY FOR MANY ACADEMIC ADVANTAGES TO SUCCEED.</em></p>\n<div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\">\n<p>THE BATHS HAVE NOT ENOUGH BATHERS. WHENEVER I AM ENTERING, IT IS ALWAYS FOUND COLD AND DREARY. EVEN IF IT IS LATE, WE ARE PAYING FOR THE WAVES WITH OUR COIN AND DESERVE BETTER FROM THE UNIVERSITY. WHY HAS EVERYONE GONE BY?<br/>\n\u2014 <tt>ALEXIUS FORSBERG</tt>.</p>\n</div>\n<p><em>MANY ARE BUSY WITH STUDYING DILIGENCE AND RETURNING TO PRODUCE IN THE WORKSHOPS. WITH WORKERS BARRED FROM BATHS IN THE DAYTIME, MANY HAVE FOUND THEIR TIME BETTER SPENT SWEATING THAN WASHING. YOUR COIN IS GOING TOWARDS TRANSCRIBING WORKS FROM LIBRARIES, EXPERIMENTS, CONCEPTS OF NATURAL PHILOSOPHY.</em></p>\n<p><tt>IF YOU HAVE CONCERNS, THEY CAN BE ANSWERED, WHISPER A SECRET IN THE RAVENS EAR AND WE SHALL BE INFORMED.</tt><br/></p>\n</div>\n<div style=\"float:left; width: 45%; padding: 0 2%\">\n<p><span style=\"font-size:1.1em;\"><strong><span style=\"text-decoration: underline;\">SOOTHING SOUNDS SENSATIONALIZE</span></strong></span></p>\n<img alt=\"sound%20place.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/sound%20place.jpg\"/>\n<p><span style=\"font-size:1.1em;\">SERENADING THE STUDENTS</span></p>\n<p><span style=\"font-size:0.75em;\">IN THE SOUND GARDEN, THE CLOUDS PARTED TO SHINE LIGHT DOWN UPON THE SYMPHONIC ASSOCIATION OF ALEXYLVA. THEIR VOICES SANG OUT IN A CHORUS, SERENADING PICNICKERS IN THE TREES. IT COULD HAVE SOOTHED BABIES WITH THEIR MOTHERS AND CALMED THE SPIRITS OF ALL IN ATTENDANCE. MORE OF THE STUDENT BODY ARE ALWAYS WELCOME IN THIS CHOIR.</span></p>\n<p><span style=\"font-size:0.75em;\">SINGING TALENT IS PREFERABLE. MUST BE IN FULL CONTACT WITH NEXT AND PREVIOUS OF KIN. JUDGEMENT WILL BE MADE ON QUALITY AS WELL AS THE CLASS AND STATUS OF THE CANDIDATE, AS WELL AS OUTSTANDING DEBTS.</span></p>\n<p><span style=\"font-size:0.75em;\">FOOD AND SOME BEVERAGE WILL BE PROVIDED. DO NOT MAKE PLANS FOR ACTIVITY FOLLOWING THE TRYOUT. THOSE WHO ARE SELECTED WILL BEGIN PREPARATIONS IMMEDIATELY AS WELL AS BEING AWARDED FULL DEGREE OF THOUGHT.<br/></span></p>\n<hr/>\n<h3 id=\"toc4\"><span><strong><tt>NEW DORMITORIES TO ARRIVE</tt></strong></span></h3>\n<p>THE OLD MOURTZOUPHLOS DEPOT HAS BEEN OBTAINED BY THE UNIVERSITY FOR USE IN THE COMING SEMESTERS. IT WILL HOUSE INCOMING TRANSFER STUDENTS FROM OTHER REGULARITIES AND CORPOREAL LAYERS. IF MULTIPLE ENTITIES FROM THE SAME CONSCIOUSNESS REGISTER ATTENDANCE, ADDITIONAL FORMS AND DOCUMENTATION WILL BE REQUIRED.</p>\n<p>INCOMING LEARNERS WILL HAVE NO DIFFICULTY FINDING SPACE FOR THEMSELVES NOW.</p>\n<hr/>\n<h4 id=\"toc5\"><span><em>ONEIROI IMPROVES SAFETY</em></span></h4>\n<p><span style=\"font-size:1.1em;\"><em>BAD APPLES TAKEN OUT.</em></span></p>\n<p style=\"text-align: center;\"><img alt=\"PARADISE-BUILDERS.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/PARADISE-BUILDERS.png\"/></p>\n<p><span style=\"font-size:0.8em;\"><span style=\"text-decoration: underline;\"><em>ALEXYLVA ONEIROI ALLOCATION</em></span></span></p>\n<hr/>\n<p>THROUGH THE USE OF NEW SOMNAMBULIST TECHNOLOGY, SEVERAL MEN WITH ANTI-SAFE THOUGHTS WERE LOCATED PRIOR TO THEIR ABILITY TO CAUSE DAMAGE EMERGING. THE PROCESS OF THEIR EXPULSION HAS BEGUN. SEARCHING THEIR PREMISES SHOWED PROOF OF INVERSE THOUGHTS AND PLANS.</p>\n<p><span style=\"font-size:0.8em;\">THROUGH THE USE OF DREAMS, INSPECTORS FOUND THEIR DREAMS AND FROM THERE WERE ABLE TO OBSERVE THOUGHTS. ALTHOUGH THIS IS NOT NEW, IT WAS PREVIOUSLY DEEMED IMPOSSIBLE TO OBTAIN COHERENT FINDINGS. FANTASY OF PAIN AND SUFFERING CAN LEAD TO VIOLENCE IF UNCHECKED.</span></p>\n<p><span style=\"font-size:0.8em;\">COLLECTIVE FINDINGS CAN NOW BE ADMITTED INTO THE CHRONICLES ALONG WITH OTHER KNOWLEDGE. THIS SHOULD PERMIT MANY MORE CONFUSED INDIVIDUALS TO BE TAUGHT CORRECT INFORMATION. DREAM SERVICES ARE AVAILABLE TO ALL STUDENTS AND COME ALONG WITH OTHER BENEFITS PROVIDED BY OTHER UNIVERSITY PARTNERS.</span></p>\n<p><span style=\"font-size:0.8em;\"><sub>AS WITH MOST ANOMALOUS SERVICES AND ORGANIZATIONS, ONEIROI DREAM MONITORING SERVICES ARE PRESENT IN ALL ALEXYLVA RESIDENCIES.</sub></span></p>\n<blockquote>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\">TELESCOPIC STAFF</span></p>\n<p><strong>COORDINATION MASTER:</strong> JAINE SHARP</p>\n<p><strong>EDITORIAL MASTER:</strong> ANA NG</p>\n<p><strong>F-CORRECTION MASTER:</strong> EMILET MIRABON</p>\n<p><strong>SOCIAL CONNECTION MASTER:</strong> WYNG HYZUENGA</p>\n<p><strong>LAYOUT ARCHITECT:</strong> DONETZ MONSTRO</p>\n<p><strong>VISUAL PRODUCER:</strong> JOHANN KHABBAZ</p>\n<p><strong>APPRENTICE:</strong> JOHN SCOTT</p>\n<p><strong>MASCOT:</strong> MYSTERIOUS WHISPER</p>\n</blockquote>\n<p><em>DO YOU WANT TO WRITE FOR THE TELESCOPIC? WRITE THREE AUDITION ARTICLES AND PLACE THEM UNDER YOUR PILLOW. WE'LL LET YOU KNOW WHAT WE THINK.</em></p>\n<p style=\"text-align: center;\"><em><sub>THE TELESCOPIC IS A STUDENT-MANAGED PROJECT OF ALEXYLVA UNIVERSITY</sub></em></p>\n</div>\n\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/alexylva-student-paper\">ALEXYLVA PUBLICATION ARCHIVE - NEWSPRINT</a>\" by Anonymous, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/alexylva-student-paper\">https://scpwiki.com/alexylva-student-paper</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:alexylva-university\">theme:alexylva-university</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[=]]\n\n[[size 250%]]##blue|__**THE TELESCOPIC**__##[[/size]]\n\n\n\n\u00a0,,WANDERING DEVICE USERS: LANDSCAPE RECOMMENDED,,\n\n[[/=]]\n\n[[size 0.8em]]Issue No. \ud802\udd08\ud802\udd06\t\ud802\udd07\ud802\udd05\ud802\udd03[[/size]]\n\n[[>]]\n\n+ /A.\n\n[[/>]]\n\n[[div style=\"float:left; width: 45%; padding: 0 2%\"]]\n\n[[=]]\n\n[[size 0.95em]]\n\n\n\n__**A DEAN DAWN ARRIVES**__\n\n\n\nTHE DEAN OF THE UNIVERSITY HAS RETURNED WITH GREATER STABILITY THAN THE UNIVERSITY HAS KNOWN SINCE THE ASSUMPTION OF LEADERSHIP. FUNDING FOR MULTIPLE ALEXYLVA STUDENT PROGRAMS. CELEBRATION CEREMONIES HAVE BEEN SCHEDULED.\n\n\n\nALL PATRONS OF KNOWLEDGE WILL BE ATTENDING. DO NOT EXPECT TO LEAVE BEFORE SUNDOWN. NO MORE THAN ONE SPEECH WILL BE ENGAGED. A PARTNERSHIP WITH ONEIROI IS EXPECTED TO BE ANNOUNCED.\n\n\n\nWORKERS MUST PREPARE TO EXHIBIT RESPECT AND TAKE NOTES ON ANY SPEAKING EMANATING FROM THE DEAN. LOYALTY PLEDGES WILL BE BRANDED IF A LACK OF ENTHUSIASM IS DETECTED.\n\n\n\nDO NOT MAKE EYE CONTACT WITH THE DEAN.\n\n[[/size]]\n\n------\n\n__//A NOTICE TO ALL//__\n\n[[f<image coinage.jpg]]\n\n{{TOKEN FALSIFICATION IS AN OFFENSE. THERE WILL BE PUNISHMENT. EXECUTION IS POSSIBLE. SEIZURE OF BODY FOR SCIENTIFIC DONATION USED BY THE UNIVERSITY OR ITS SPONSORS IS PERMISSIBLE. THIS WILL BE YOUR ONLY WARNING.}}\n\n\n\n//ANY TIPS TOWARDS TRAPPING TRAITORS, WHO ARE CRIMINALS AGAINST CURRENCY, WILL BE GIVEN FANTASY OF REWARDS AND PRIZES. FALSE REPORTING WILL BE MET WITH WARNINGS.//\n\n------\n\n__//THTXXX THOUGHT PROCESS//__\n\n\n\nA NEW CLASS HAS BECOME AVAILABLE TO ALEXYLVA STUDENTS. TAUGHT BY GAIUS OCTOBRAS WITH POSSIBLE ASSISTANT PROFESSOR SUPPORT FACULTY. \n\n\n\nDISCOVER HOW TO PLUMB THE MIND IN OTHERS TO FACILITATE LIFE ADVANTAGE. NATURAL PROCESSES CAN BE HELPED THROUGH THOUGHT. NOT MEANT TO TEACH KINETICS OR MENTAL ENGINEERING.\n\n\n\n------\n\n[[size 0.8em]]\n\n++ MENTAL GYMNASTICS COMPETE\n\n[[/size]]\n\n\n\n[[size 0.9em]]//EXTORTING THEIR FELLOWS TO FIND AN ODD TRAIL THROUGH A LOGICAL QUANDRY, THE AU DEMININE SQUADREN FULFILLED ITS GOAL. THEIR DECEPTION SKILLS ARE ENVIABLE. THEY EXERTED AN EXHAUSTING AMOUNT OF EFFORT IN ACHIEVING THEIR GOAL.// \n\n\n\nSPEAKING ONCE THE GAMES HAD BEEN COMPLETED, IT WAS NOT POSSIBLE TO OBTAIN A COMMENT AS ALL WERE MENTALLY DRAINED. CROCODILE TEARS WERE ADMINISTERED AND REVIVED THE PARTY ENOUGH TO ALLOW THEM TO WAKE UP AND WALK AROUND POSING.\n\n\n\n[[/size]]\n\n[[/div]]\n\n[[div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\"]]\n\n**NOTICE:** THE POSSESSION OR SALE OF CONTROLLING SUBSTANCES IS STRICTLY REQUIRED. IF FOUND TO BE WITHOUT POSSESSION OF EXPECTED DOSAGES, THEY MAY BE ADMINISTERED IMMEDIATELY. IT IS BELIEVED THAT THOUGHT ENHANCEMENT IS CRITICAL TO THE LEARNING EXPERIENCE. THIS IS FOR YOUR ACADEMIC BENEFIT.\n\n[[/div]]\n\n[[/=]]\n\n\n\n[[div style=\"float:left; width: 45%; padding: 0 2%\"]]\n\n\n\n++ {{[[size 0.8em]]__BEWARE!__[[/size]]}}\n\n\n\n[[size 0.9em]]**{{MANY CHARIOTS IN THE STABLES HAVE BEEN UNDULY LIGHTENED OF THEIR LOADS BY UNKNOWN PARTIES. IT IS IMPERATIVE THAT VALUABLES ARE SECURED AND SLAVES TETHERED BEFORE LEAVING TRANSPORTS UN-ATTENDED. ANY CLUES REPORT TO THE UNIVERSITY GLADIATOR.}}**[[/size]]\n\n\n\n[[image earthquake.jpg]]\n\n[[size 0.8em]]THE SHAKING EARTH CANNOT HOPE TO TOPPLE ALEXYLVA.[[/size]]\n\n------\n\n//THE PLANET ONCE AGAIN ATTEMPTED TO REVERT THE COURSE OF HUMAN KNOWLEDGE WHEN A TREMENDOUS MOVING OF THE SURFACE OCCURRED AT A LATE HOUR. RUMBLING AND CACKLING EMERGED FROM BELOW, BUT TO NO AVAIL. WE CAN WITHSTAND ANY AMOUNT OF NATURAL PHENOMENON WITH THE SUPERIOR POWER OF NATURAL PHILOSOPHY.//\n\n\n\n------\n\n[[size 0.85em]]\n\n__**STUDENTS IN CONFUSION**__\n\n\n\nIF UNCERTAINTY HAS STRUCK YOU, ADRIFT IN LIFE, PERHAPS CURSED OR BEWITCHED, ALEXYLVA HAS ACADEMIC MASTERS READY TO ASSIST YOU THROUGHOUT YOUR LIFE. SUBMITTING TO THEIR MASTERY WILL ALLOW YOU TO ABSORB THEIR SKILLS THROUGH ACTION. ADVISORY DRONES ARE AVAILABLE TO DIRECT YOU IN THE PRECISE COURSE THE CATALOG DEMANDS. THERE ARE SEVERAL NEW REQUIREMENTS.\n\n\n\n* HUSCII - INSTRUCTION ON SPEAKING WITH OTHER LIVING CREATURES AND SEVERAL NON-LIVING BEINGS. KEEN WILL REQUIRED FROM RESOURCE ALCOVE.\n\n* TRSLXXX - SKILLS AT UTILIZING COMPLEX ABACUS DEVICES AND QUANTIFIERS. LEARN WHAT HAPPENS IN THE EVENT OF NULL TRANSACTION VOIDS.\n\n* FLYDCI - INTRODUCTION TO PHYSICAL ENGAGEMENT, LEARN HOW TO OPERATE BASIC SELF-DEFENSE TOOLS AND BUILD UP PHYSICAL STRENGTH WITH ENDURANCE. CODE MAGAZINE IS REQUIRED\n\n* CRTCCCL - LEARNING THE BEST METHODS OF TRADE AND HOW TO USE TEARS IN THE WORLD FOR FINDING PRODUCTS. THIS WILL ALSO ALLOW FOR ESTABLISHED GUILD LEADERS TO SELECT NEW APPRENTICES.\n\n* MAKDCL - SCULPTING AND CHISELING FOR THE BEGINNER.\n\n[[=]]\n\nSOME MATERIALS ARE REQUIRED FOR ALL CLASSES:\n\n[[/=]]\n\n* STONE CHISEL.\n\n* TABLET.\n\n* PROPER ROBE AND FLOWING GOWN.\n\n* NUTRITION ENOUGH TO ALLOW CORRECT THINKING.\n\n* LIGHTED INSECT IN SEALED VESSEL.\n\n[[=]]\n\nMEMBERS OF ALEXYLVA DIRECTORY CAN BE REACHED THROUGH BIRDING FEATHERMESSAGE OR ELECTRONIC MAIL.\n\n[[/size]]\n\n[[/div]]\n\n[[/=]]\n\n\n\n~~~~\n\n----\n\n[[>]]\n\n+ //A.\n\n[[/>]]\n\n[[div style=\"float:left; width: 45%; padding: 0 2%\"]]\n\n\n\n[[size 1.1em]]**__ELEPHANTS GENTLY USED__**[[/size]]\n\n[[div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\"]]\n\nANY ACADEMIC INDIVIDUAL INTERESTED IN OBTAINING GENTLY USED ELEPHANTS MAY COME TO THE BIDDER AUCTION HELD OUTSIDE THE SPEAKATORUM BY THE SIXTH GATE. ALL WERE USED IN WAR, SOME NEEDING MODERATE REPAIRING OR COUNSELING.\n\n\n\nBE PREPARED TO TRANSPORT CREATURE. ANY ACCESSORIES SHALL BE SOLD SEPARATELY. AUGMENTATIONS WILL NOT BE INCLUDED. THE FOLLOWING SOL CYCLE OMENS WILL DETERMINE WHEN FURTHER AUCTIONS CAN TAKE PLACE\n\n\n\n[[f>image elephant.jpg]]\n\nSEDATION IS NOT OPTIONAL.\n\n[[/div]]\n\n------\n\n[[div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\"]]\n\n[[size 1.1em]]\n\n{{__TUTORING ASSISTANCE AVAILABLE__ -- DO __YOU__ REQUIRE ASSISTANCE IN COMPLETING THE TASKS NECESSARY BEFORE BECOMING TRULY ONE WITH KNOWLEDGE? THAT CAN BE REMEDIED WITH EASE IF YOU LET US IN YOUR BRAIN.}}\n\n\n\n{{BRING PAYMENT TO THE RAVINE -- DO NOT BE LATE OR IT WILL NOT WORK. HEADS MUST BE SHAVED BEFOREHAND AND WILL BE INSPECTED BY PHRENOLOGIST. DISSOCIATION WILL OCCUR UNTIL THE TASK HAS BEEN COMPLETED.}}\n\n\n\n-- //SLUGSCUMM MIND ENHANCEMENT//.\n\n[[/div]]\n\n------\n\n[[image letters.jpg]]\n\n\n\n__**TELESCOPING LETTERS**__\n\n\n\n//STUDIOUS CONCERNS TO THE EDITORIAL MEMBERSHIP WITHIN THE TELESCOPIC IS ALWAYS TAKEN INTO CONSIDERATION. RESPONSES FROM THOSE WHO CAN PRECEPT WHAT IS NEW AND WHAT IS NOT CANNOT BE TAKEN FOR GRANTED.//\n\n\n\n\n\n[[div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\"]]\n\nI DO NOT AGREE WITH THE CURRENT LISTINGS FOR THE CUISINE FACTOR. IT DOES NOT MAKE SENSE TO SERVE MORE THAN TWO MEALS PER DAY. IF THIS GLUTTONOUS CYCLE CONTINUES IT WILL LEAD TO THE FLABBY GREED-INDUCED DEATH OF US ALL. IT IS WASTEFUL TO EAT HERE WHEN IT COULD GO TO THE BIGGER CAUSE.\n\n-- {{SEBASI PENTON}}\n\n[[/div]]\n\n\n\n//NUTRITION IS AS IMPORTANT AT HOME AS IT IS DURING STUDY. WITH PROPER EXERCISE, EATING, AND SLEEPING HABITS YOU CAN PUT YOURSELF IN A SOUND PLACE. HAVING FOOD IN THE STOMACH IS KEY FOR MANY ACADEMIC ADVANTAGES TO SUCCEED.//\n\n\n\n[[div style=\"display: inline-block; border-radius: 10px; border:dashed 1px #444444; background:#F5F5F5; float:top; width:96.5%; padding:10px\"]]\n\nTHE BATHS HAVE NOT ENOUGH BATHERS. WHENEVER I AM ENTERING, IT IS ALWAYS FOUND COLD AND DREARY. EVEN IF IT IS LATE, WE ARE PAYING FOR THE WAVES WITH OUR COIN AND DESERVE BETTER FROM THE UNIVERSITY. WHY HAS EVERYONE GONE BY?\n\n-- {{ALEXIUS FORSBERG}}.\n\n[[/div]]\n\n\n\n//MANY ARE BUSY WITH STUDYING DILIGENCE AND RETURNING TO PRODUCE IN THE WORKSHOPS. WITH WORKERS BARRED FROM BATHS IN THE DAYTIME, MANY HAVE FOUND THEIR TIME BETTER SPENT SWEATING THAN WASHING. YOUR COIN IS GOING TOWARDS TRANSCRIBING WORKS FROM LIBRARIES, EXPERIMENTS, CONCEPTS OF NATURAL PHILOSOPHY.//\n\n\n\n{{IF YOU HAVE CONCERNS, THEY CAN BE ANSWERED, WHISPER A SECRET IN THE RAVENS EAR AND WE SHALL BE INFORMED.}}\n\n[[/size]]\n\n[[/div]]\n\n\n\n\n\n[[div style=\"float:left; width: 45%; padding: 0 2%\"]]\n\n\n\n[[size 1.1em]]**__SOOTHING SOUNDS SENSATIONALIZE__**[[/size]]\n\n\n\n[[image https://scp-wiki.wdfiles.com/local--files/alexylva-student-paper/sound%20place.jpg]]\n\n\n\n[[size 1.1em]]SERENADING THE STUDENTS[[/size]]\n\n\n\n[[size 0.75em]]IN THE SOUND GARDEN, THE CLOUDS PARTED TO SHINE LIGHT DOWN UPON THE SYMPHONIC ASSOCIATION OF ALEXYLVA. THEIR VOICES SANG OUT IN A CHORUS, SERENADING PICNICKERS IN THE TREES. IT COULD HAVE SOOTHED BABIES WITH THEIR MOTHERS AND CALMED THE SPIRITS OF ALL IN ATTENDANCE. MORE OF THE STUDENT BODY ARE ALWAYS WELCOME IN THIS CHOIR.\n\n\n\nSINGING TALENT IS PREFERABLE. MUST BE IN FULL CONTACT WITH NEXT AND PREVIOUS OF KIN. JUDGEMENT WILL BE MADE ON QUALITY AS WELL AS THE CLASS AND STATUS OF THE CANDIDATE, AS WELL AS OUTSTANDING DEBTS.\n\n\n\nFOOD AND SOME BEVERAGE WILL BE PROVIDED. DO NOT MAKE PLANS FOR ACTIVITY FOLLOWING THE TRYOUT. THOSE WHO ARE SELECTED WILL BEGIN PREPARATIONS IMMEDIATELY AS WELL AS BEING AWARDED FULL DEGREE OF THOUGHT.\n\n[[/size]]\n\n------\n\n+++ **{{NEW DORMITORIES TO ARRIVE}}**\n\n\n\nTHE OLD MOURTZOUPHLOS DEPOT HAS BEEN OBTAINED BY THE UNIVERSITY FOR USE IN THE COMING SEMESTERS. IT WILL HOUSE INCOMING TRANSFER STUDENTS FROM OTHER REGULARITIES AND CORPOREAL LAYERS. IF MULTIPLE ENTITIES FROM THE SAME CONSCIOUSNESS REGISTER ATTENDANCE, ADDITIONAL FORMS AND DOCUMENTATION WILL BE REQUIRED.\n\n\n\nINCOMING LEARNERS WILL HAVE NO DIFFICULTY FINDING SPACE FOR THEMSELVES NOW.\n\n------\n\n++++ //ONEIROI IMPROVES SAFETY//\n\n[[size 1.1em]]//BAD APPLES TAKEN OUT.//[[/size]]\n\n\n\n= [[image PARADISE-BUILDERS.png]]\n\n[[size 0.8em]]__//ALEXYLVA ONEIROI ALLOCATION//__[[/size]]\n\n------\n\n\n\nTHROUGH THE USE OF NEW SOMNAMBULIST TECHNOLOGY, SEVERAL MEN WITH ANTI-SAFE THOUGHTS WERE LOCATED PRIOR TO THEIR ABILITY TO CAUSE DAMAGE EMERGING. THE PROCESS OF THEIR EXPULSION HAS BEGUN. SEARCHING THEIR PREMISES SHOWED PROOF OF INVERSE THOUGHTS AND PLANS.\n\n\n\n[[size 0.8em]]THROUGH THE USE OF DREAMS, INSPECTORS FOUND THEIR DREAMS AND FROM THERE WERE ABLE TO OBSERVE THOUGHTS. ALTHOUGH THIS IS NOT NEW, IT WAS PREVIOUSLY DEEMED IMPOSSIBLE TO OBTAIN COHERENT FINDINGS. FANTASY OF PAIN AND SUFFERING CAN LEAD TO VIOLENCE IF UNCHECKED.\n\n\n\nCOLLECTIVE FINDINGS CAN NOW BE ADMITTED INTO THE CHRONICLES ALONG WITH OTHER KNOWLEDGE. THIS SHOULD PERMIT MANY MORE CONFUSED INDIVIDUALS TO BE TAUGHT CORRECT INFORMATION. DREAM SERVICES ARE AVAILABLE TO ALL STUDENTS AND COME ALONG WITH OTHER BENEFITS PROVIDED BY OTHER UNIVERSITY PARTNERS. \n\n\n\n,,AS WITH MOST ANOMALOUS SERVICES AND ORGANIZATIONS, ONEIROI DREAM MONITORING SERVICES ARE PRESENT IN ALL ALEXYLVA RESIDENCIES.,,\n\n\n\n[[/size]]\n\n\n\n\n\n> = __TELESCOPIC STAFF__\n\n> \n\n> **COORDINATION MASTER:** JAINE SHARP\n\n> \n\n> **EDITORIAL MASTER:** ANA NG\n\n> \n\n> **F-CORRECTION MASTER:** EMILET MIRABON\n\n> \n\n> **SOCIAL CONNECTION MASTER:** WYNG HYZUENGA\n\n> \n\n> **LAYOUT ARCHITECT:** DONETZ MONSTRO\n\n> \n\n> **VISUAL PRODUCER:** JOHANN KHABBAZ\n\n> \n\n> **APPRENTICE:** JOHN SCOTT\n\n> \n\n> **MASCOT:** MYSTERIOUS WHISPER\n\n\n\n//DO YOU WANT TO WRITE FOR THE TELESCOPIC? WRITE THREE AUDITION ARTICLES AND PLACE THEM UNDER YOUR PILLOW. WE'LL LET YOU KNOW WHAT WE THINK.//\n\n\n\n= //,,THE TELESCOPIC IS A STUDENT-MANAGED PROJECT OF ALEXYLVA UNIVERSITY,,//\n\n\n\n[[/div]]\n\n~~~~~\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Anonymous]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_alexylva", "_cc", "alexylva", "goi-format", "journalism", "oneiroi", "otherworldly", "school"], "title": "ALEXYLVA PUBLICATION ARCHIVE - NEWSPRINT - SCP Foundation", "url": "https://scp-wiki.wikidot.com/alexylva-student-paper"}, "all-in-vein": {"created_at": "2026-10-06T05:35:00", "creator": "TopDownUnder", "domain": "scp-wiki.wikidot.com", "history": [{"author": "TopDownUnder", "author_href": "https://www.wikidot.com/user:info/topdownunder", "comment": "", "date": "2026-10-06T05:35:00"}, {"author": "TopDownUnder", "author_href": "https://www.wikidot.com/user:info/topdownunder", "comment": "Uploaded file \"lucia.jpg\".", "date": "2026-10-06T05:35:00"}, {"author": "TopDownUnder", "author_href": "https://www.wikidot.com/user:info/topdownunder", "comment": "", "date": "2026-10-06T05:35:00"}, {"author": "TopDownUnder", "author_href": "https://www.wikidot.com/user:info/topdownunder", "comment": "", "date": "2026-10-06T05:35:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _alcur-hospital, _image, _licensebox, alcur-hospital, bittersweet, chaos-on-the-monolith, faerie, global-occult-coalition, goi-format, homo-sapiens-sidhe, manna-charitable-foundation, our-open-veins, vampire. ", "date": "2026-10-06T10:38:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-10-06T19:41:00"}], "hubs": ["top-rated-pages-this-month", "new-pages-feed", "shortest-pages-this-month", "groups-of-interest", "goi-formats"], "images": ["https://scp-wiki.wikidot.com/local--files/all-in-vein/lucia.jpg"], "link": "all-in-vein", "page_id": "1469448386", "rating": 22, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/normalize-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/basalt-bedrock-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Abasalt/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"text-align: center;\">\n<h1 id=\"toc0\"><span><strong>The Alcur Hospital</strong></span></h1>\n<h2 id=\"toc1\"><span><strong><span style=\"text-decoration: underline;\">Operative Report</span></strong></span></h2>\n</div>\n<p><strong>Patient:</strong> Genesis Berganza<br/>\n<strong>Gender:</strong> Female<br/>\n<strong>Priority:</strong> High<br/>\n<strong>MR Number:</strong> \u0394-682173<br/>\n<strong>World Number:</strong> WRLD-173CA40-\u03be (Led by Hematology Wing)<br/>\n<strong>Admission Date:</strong> 09/08/2026 LT | N/A \u2014 Medical Mission DT<br/>\n<strong>Operative Date:</strong> 13/08/2026 LT | N/A \u2014 Medical Mission DT</p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc2\"><span><span style=\"text-decoration: underline;\"><strong>Triage</strong></span></span></h2>\n</div>\n<p><strong>Admission:</strong> The patient was admitted on-site at a joint UN-GOC/MCF treatment clinic in Boca de S\u00e1balos, Nicaragua, following a referral from UN-GOC Liaison Officer Beatrice Bugh. The clinic had been treating Metalblood cases with palliative care for several years, as no cure exists in this World. Alcur was contacted after several people's condition, the patient included, worsened past what the clinic's staff could manage. A Medical Mission led by Dr. Lucia Lahovary arrived two days later.</p>\n<div class=\"scp-image-block block-right\" style=\"width:150px;\"><img alt=\"lucia.jpg\" class=\"image\" src=\"https://scp-wiki.wikidot.com/local--files/all-in-vein/lucia.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Dr. Lucia Lahovary</p>\n</div>\n</div>\n<p><strong>Physician\u2019s Analysis:</strong> \"<em>Samples sent back to Alcur were reviewed by Dr. Phoe C. Chan. The patient is a descendant of the <a href=\"/scp-6821\">Cegua</a>, a species of fae brought from Spain to Central America during colonization, which later intermixed with the local human population. The patient carries a significant amount of fae ancestry in her genome. The virus attacks this part of her genome specifically.</em></p>\n<p>\"<em>The ailment works through alchemy. It transmutes the patient's blood cells into pure iron, a material lethal to fae. In a full-blooded Cegua, this kills quickly. In the patient, the human portion of her body help to counteract it. It's slowed, but still lethal.</em>\"</p>\n<p><strong>Hypothesis:</strong> The ailment did not arise naturally. It is a virus built by the <a href=\"/awd-hub\">Department of Anomalous Weapons Development</a> of this World's SCP Foundation to wipe out the Cegua. In this World, it succeeded. The last known full-blooded Cegua died in November 2021. Their human descendants have been slowly dying ever since.</p>\n<p><strong>Prior Health:</strong> Healthy before infection. The patient reports traits common among Cegua descendants in the region, including a preference for night hours and mild polymorphism. Her mother died of the same ailment in 2023.</p>\n<p><strong>Symptoms of Ailment:</strong></p>\n<ul>\n<li>Strong metallic taste in the mouth. Patient reports the taste as constant.</li>\n<li>Gray discoloration along the veins, most visible in the wrists, neck, and temples.</li>\n<li>Burning pain beneath the skin wherever transmuted iron deposits in the blood vessel.</li>\n<li>Stiffening and loss of feeling in extremities as iron builds up in smaller blood vessels.</li>\n<li>Fine iron particles in the patient's sweat and tears, which leave rust stains on bedding.</li>\n<li>Increasing fatigue and shortness of breath as fewer blood cells remain able to carry oxygen.</li>\n</ul>\n<p><strong>Nursing Notes:</strong> <em>\"The patient is lucid, polite, and frightened, though she hides it well. She has lost feeling in three of her left fingers, and the veins there have gone completely gray. Her pillowcase has to be changed twice daily now because of the rust staining. She was wary of Dr. Lahovary at first and asked whether the doctor was \"one of the old ones too.\" She relaxed once Dr. Lahovary explained what she is, and since then has sought out her company.</em></p>\n<p><em>\"An attempt to bring the patient to Alcur by ER-WAY Passage was stopped after she went into severe convulsions at the threshold. Cegua physiology appears to react badly to dimensional travel, so all treatment will take place on-site.</em></p>\n<p><em>\"The patient has mentioned more than once that her aunt is showing early symptoms but that she refuses to come to the clinic. In the patient's words, the aunt \"doesn't trust anyone from outside anymore. Not after what they did.\" The patient has asked if someone from Alcur could visit her.\"</em> \u2014 Nurse Ivy Drip.</p>\n<div class=\"blockquote\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc3\"><span><span style=\"text-decoration: underline;\"><strong>Further Medical Analysis</strong></span></span></h1>\n</div>\n<p>Following consent, Dr. Lahovary took a small blood sample directly from the patient to assess its taste. Her assessment matched Dr. Chan's findings, with one exception.</p>\n<p><em>Blood always has a faint taste of iron. But this is different. It's finished iron, cold and dead, like licking a nail. And under that is the working part of the virus that's still converting what's left. I've tasted the samples the GOC archived when they first discovered Metalblood, and this isn't the same. It holds back. It converts more slowly and evenly, so the host lives longer and stays infectious longer. Someone went back and adjusted the virus for people like Genesis. Given its lack in the original samples, this change is recent, at least newer than the Foundation's agreement with the GOC to back off. I'll put together a full write-up and give it to Officer Bugh when we pack up. The GOC'll want to know.</em> \u2014 Dr. Lucia Lahovary</p>\n</div>\n<p><strong>Severity:</strong> 6/10 pain. Iron buildup is limited to the left hand, with early graying along the arm and neck. Without treatment, it will reach her heart within months.<br/>\n<strong>Virality:</strong> Low. It spreads via blood contact and only infects Cegua descendants. Baseline humans and other fae species are unaffected.<br/>\n<strong>Lethality:</strong> Fatal in every case without treatment.</p>\n<p><strong>Diagnosis:</strong> Metalblood, modified strain</p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc4\"><span><span style=\"text-decoration: underline;\"><strong>Treatment</strong></span></span></h2>\n</div>\n<p><strong>Treatment Type:</strong> Blood transference. Dr. Lahovary drinks the infected blood herself while the iron already in the patient's body is drawn out and her blood is replaced.</p>\n<p><strong>Surgeon(s):</strong> Dr. Lucia Lahovary (lead, on-site), Dr. Phoe C. Chan (consulting, remote)</p>\n<p><strong>Operations Performed:</strong></p>\n<ul>\n<li><strong>Draws (Dr. Lahovary):</strong> Over four nightly sessions, Dr. Lahovary drinks a measured amount of the patient's blood. Metalblood needs living blood cells to transmute. As Dr. Lahovary's undead blood has none, the virus has nothing to work on and breaks down within hours inside her body.</li>\n<li><strong>Iron Extraction (Dr. Lahovary, Nurse Ivy Drip):</strong> Iron already deposited in the patient's blood vessels is drawn out with the Rustcatcher, starting with the left hand.</li>\n<li><strong>Transfusion (Nurse Ivy Drip):</strong> The patient's lost blood volume is replaced with donor blood from volunteers among clinic staff.</li>\n<li><strong>Regeneration (Dr. Chan, remote):</strong> A course of marrow tonic is prescribed to help the patient rebuild her own blood cells.</li>\n</ul>\n<p><strong>Special Instruments Used:</strong></p>\n<ul>\n<li><strong>Fang Lancets:</strong> Fitted caps for Dr. Lahovary's canines that measure each draw to the milliliter.</li>\n<li><strong>The Rustcatcher:</strong> A magnetized thread fed through the veins that gathers deposited iron as it passes.</li>\n<li><strong>Gloam Lamps:</strong> Surgical lights that simulate moonlight, ensuring Dr. Lahovary can work under them safely.</li>\n<li><strong>Marrow Tonic (Alcur Pharmacy, Batch \u0394-77)</strong></li>\n</ul>\n<p><strong>Complications:</strong></p>\n<ul>\n<li>Iron does not harm Dr. Lahovary, but her body cannot absorb it either. Transmuted iron collects in her after each session and has to be purged, which leaves her weakened for roughly an hour. She has made a habit of walking out alone after each session to purge out of sight of the patients.</li>\n<li>Sessions can only take place after sunset.</li>\n<li>The patient's polymorphism flares when she is stressed, which shifts her veins and makes access unpredictable.</li>\n</ul>\n<p><strong>Recording:</strong> ON</p>\n<p><strong>Findings of the Operation:</strong></p>\n<div class=\"blockquote\">\n<p><strong>SESSION 1 - 10/08/2026 LT, 19:20</strong></p>\n<p><strong>Dr. Lahovary:</strong> This'll feel strange, but it won't hurt.</p>\n<p><strong>Genesis:</strong> Have you done this before?</p>\n<p><strong>Dr. Lahovary:</strong> Drinking blood? Constantly.</p>\n<p><em>[The Fang Lancets are fitted. The first draw begins.]</em></p>\n<p><strong>Genesis:</strong> Does it taste bad? The iron?</p>\n<p><strong>Dr. Lahovary:</strong> Like sucking on a coin.</p>\n<p><strong>Genesis:</strong> Sorry.</p>\n<p><strong>Dr. Lahovary:</strong> Don't be. I've had way worse. I was really desperate one night and had to drink the blood of a golem. Would not recommend.</p>\n<p><strong>Genesis:</strong> \u2026My mother used to say the old ones would lure men out at night. That's why people in town were wary of us.</p>\n<p><strong>Dr. Lahovary:</strong> People are scared of anything that comes out at night. Don't pay them any mind.</p>\n<p><em>[An equine snout emerges from the patient's face briefly before retreating.]</em></p>\n<p><strong>Genesis:</strong> S-sorry. I do that when I'm nervous.</p>\n<p><strong>Dr. Lahovary:</strong> So do I. <em>[laugh]</em> My fangs really pop out when I'm scared. Hold still.</p>\n<p><strong>Genesis:</strong> Are you scared now?</p>\n<p><strong>Dr. Lahovary:</strong> Of you? No. Of getting this wrong? A little. But that's okay. Any good doctor's a little bit scared for their patients.</p>\n<p><strong>Genesis:</strong> The clinic doctors stopped looking scared a long time ago. They just tell us to rest up and drink water.</p>\n<p><strong>Dr. Lahovary:</strong> <em>[sigh]</em> They're not bad doctors. They're just\u2026 They've spent five years helplessly watching people die. That wears a person down.</p>\n<p><strong>Genesis:</strong> But you can fix it?</p>\n<p><strong>Dr. Lahovary:</strong> Yeah, I can fix it.</p>\n</div>\n<div class=\"blockquote\">\n<p><strong>SESSION 2 - 11/08/2026 LT, 19:45</strong></p>\n<p><strong>Genesis:</strong> Can I ask where you're from?</p>\n<p><strong>Dr. Lahovary:</strong> Wallachia, a long time ago. I believe it's called Romania in your world?</p>\n<p><strong>Genesis:</strong> Like Dracula?</p>\n<p><strong>Dr. Lahovary:</strong> <em>[groan]</em> Like Dracula. An Irishman who's never even been to my country wrote a book about it, and now that's all anyone knows about my home. Castles, wolves, peasants with garlic. A whole people reduced to a monster in someone else's story.</p>\n<p><strong>Genesis:</strong> That's what happened to the old ones.</p>\n<p><strong>Dr. Lahovary:</strong> Tell me.</p>\n<p><strong>Genesis:</strong> Well, they came over on the ships with the Spanish. My grandmother said the Spanish used them to scare the natives. Keep the villages in line, keep people indoors at night. Then the Spanish left, and nobody needed them anymore. They were just monsters after that. People told stories about them to scare children.</p>\n<p><strong>Dr. Lahovary:</strong> And then the Foundation came?</p>\n<p><strong>Genesis:</strong> Yeah. <em>[Pause]</em> I don't remember the old ones. Not really. I was a kid when the last ones died. I remember my mother crying when she heard, but I didn't get why. They were just monsters. That's all any of them were.</p>\n<p><strong>Dr. Lahovary:</strong> Do you think she was crying for monsters?</p>\n<p><strong>Genesis:</strong> No. I\u2026 I think she knew we were next.</p>\n<p><em>[Silence. The draw continues.]</em></p>\n<p><strong>Dr. Lahovary:</strong> In my World, there was a Foundation too. Not the same one, but close enough. A little bit more proactive with their containment. Violent, too. They hunted me for over a hundred years. They never caught me, but that never stopped them. I couldn't stay anywhere long. The only reason I was able to run for that long was because of <a href=\"/codename-green-king-hub\">my wife</a>, but\u2026 they caught up to her, eventually.</p>\n<p><strong>Genesis:</strong> How'd you escape them?</p>\n<p><strong>Dr. Lahovary:</strong> I didn't. Or, I didn't do it myself. Dr. Alcur found me treating a farmer's son with a fever in a barn outside Craiova, in the middle of the night. The kid was terrified of me, but I knew if I didn't do it, no one would. Alcur asked me if I'd like to help people somewhere I didn't have to hide.</p>\n<p><strong>Genesis:</strong> And you said yes?</p>\n<p><strong>Dr. Lahovary:</strong> I said I'd think about it\u2026 which I did for five seconds before screaming 'yes!'</p>\n</div>\n<div class=\"blockquote\">\n<p><strong>REMOTE CONSULTATION - 12/08/2026 LT, 02:10</strong></p>\n<p><strong>Dr. Chan:</strong> How's the viral load?</p>\n<p><strong>Dr. Lahovary:</strong> Already halved. She'll be able to keep her hand\u2026 Phoe, about the strain. I'm positive now. It's been reworked. You-know-who's still working on it.</p>\n<p><strong>Dr. Chan:</strong> That's a serious accusation in this World.</p>\n<p><strong>Dr. Lahovary:</strong> It isn't an accusation, though. I have proof. I've written everything down. Officer Bugh'll get a copy the day I leave.</p>\n<p><strong>Dr. Chan:</strong> \u2026Send me a copy tonight.</p>\n<p><strong>Dr. Lahovary:</strong> What? Over the clinic line? These aren't secured like ours. They'll be listened to, and the people most likely to be listening are the ones this is about. I'll give it to you in person.</p>\n<p><strong>Dr. Chan:</strong> Okay, just\u2026 be careful, Lucia.</p>\n<p><strong>Dr. Lahovary:</strong> I'm a vampire in a tent. What's going to happen?</p>\n</div>\n<p><strong>Nursing Note - 12/08/2026 LT:</strong> <em>\"A boy from town brought a message to the clinic this afternoon, from the patient's aunt, Graciela. She lives on the river road and wants to be seen, but only by \"the night doctor.\" At her house too, no soldiers or GOC. The patient read the note and laughed. She said it sounded exactly like her aunt, who hates uniforms. The guard captain objected, but Dr. Lahovary's already decided to go after the final session.\"</em> - Nurse Ivy Drip</p>\n<div class=\"blockquote\">\n<p><strong>SESSION 3 - 12/08/2026 LT, 20:10</strong></p>\n<p><strong>Genesis:</strong> I've been thinking about what you said. About the stories.</p>\n<p><strong>Dr. Lahovary:</strong> Good things, I hope.</p>\n<p><strong>Genesis:</strong> I don't know. The old ones did hunt people. That part was true. Maybe the Foundation wasn't wrong to be afraid of them? They say they keep the world normal so everyone stays safe.</p>\n<p><strong>Dr. Lahovary:</strong> Safe for whom?</p>\n<p><strong>Genesis:</strong> Everyone else, I guess.</p>\n<p><strong>Dr. Lahovary:</strong> Some of the old ones hunted people. Some vampires do too. I won't pretend otherwise. But you don't cure a disease by killing everyone who might catch it. The Foundation didn't make Metalblood to stop the ones who hunted. They made it to stop all of them, then let it keep going into their descendants. Into you, but you've never hurt anyone.</p>\n<p><strong>Genesis:</strong> They said they'd leave us alone now. That's the only good thing they've ever given us.</p>\n<p><em>[Silence.]</em></p>\n<p><strong>Genesis:</strong> Can I tell you something? Before you came, I'd sort of made peace with it. With dying. My mom died of it. My cousins died of it. I thought, that's just how it is for people like us. The world eats people like us. It always has.</p>\n<p><strong>Dr. Lahovary:</strong> But it isn't the world, Genesis. It's people. Specific people sat in a room and made this, and specific people decided you weren't worth saving. That's not the universe being the universe. That's people making a choice. And anything people choose, other people can undo.</p>\n<p><strong>Genesis:</strong> You really believe that?</p>\n<p><em>[Dr. Lahovary puts on the Fang Lancets.]</em></p>\n<p><strong>Dr. Lahovary:</strong> I'm undoing it right now.</p>\n<p><em>[The patient laughs, her snout growing with her laughter.]</em></p>\n</div>\n<div class=\"blockquote\">\n<p><strong>SESSION 4 - 13/08/2026 LT, 20:05</strong></p>\n<p><strong>Dr. Lahovary:</strong> That's it. That's the last of it.</p>\n<p><strong>Genesis:</strong> It's gone? All of it?</p>\n<p><strong>Dr. Lahovary:</strong> All of it. You should be able to use your hand properly when you wake up in the morning.</p>\n<p><em>[The patient begins to cry, straining herself to sit up and hug Dr. Lahovary. She meets her halfway.]</em></p>\n<p><strong>Genesis:</strong> Will you see my t\u00eda tonight?</p>\n<p><strong>Dr. Lahovary:</strong> As soon as I've purged. She'll be feeling better by the end of the week. Then I'll be in France for a palate cleanser.</p>\n</div>\n<div class=\"blockquote\">\n<p><strong>FIELD RECORDING - 13/08/2026 LT, 21:40</strong></p>\n<p><em>[Footsteps on gravel. Sound of the river.]</em></p>\n<p><strong>Dr. Lahovary:</strong> \u2026ah, <em>nenorocito</em>, I forgot to take the notes out of my coat\u2026 I'll put them back in my bag when I get back\u2026</p>\n<p><em>[Knocking.]</em></p>\n<p><strong>Voice (female, older):</strong> Doctor? Come in, come in. Quickly, before the mosquitoes get in.</p>\n<p><strong>Dr. Lahovary:</strong> Se\u00f1ora Graciela? Genesis sends her love. She's doing\u2014</p>\n<p><em>[A pause. Dr. Lahovary sniffs the air.]</em></p>\n<p><strong>Dr. Lahovary:</strong> You don't smell like her.</p>\n<p><strong>Voice:</strong> I'm sorry?</p>\n<p><strong>Dr. Lahovary:</strong> Every Cegua in that clinic carried the same earthy note in their blood. I can't smell it on you. And you aren't sick.</p>\n<p><em>[A door closes. Several sets of footsteps.]</em></p>\n<p><strong>Dr. Lahovary:</strong> Ah.</p>\n<p><em>[A loud electrical hum. Light floods the room, bright enough to register on the recorder's sensor. The audio peaks as Dr. Lahovary screams out in pain. A thud can be heard as Dr. Lahovary and the recorder fall to the ground. The alarm on Dr. Lahovary's body blares loudly. The ruffling of cloth is heard before the alarm is slightly muffled.]</em></p>\n<p><em>[A man's voice speaks close to the recorder.]</em></p>\n<p><strong>Voice (male):</strong> Get the coat! Everything in it!</p>\n<p><strong>[RECORDING TERMINATED]</strong></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc5\"><span>ERROR: RECORDING NOT FOUND.</span></h2>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"reveal\">\n<div class=\"document\">\n<p><strong>Item #:</strong> SCP-[PENDING]</p>\n<p><strong>Object Class:</strong> Euclid</p>\n<p><strong>Special Containment Procedures:</strong> SCP-[PENDING] is to be contained in a <a href=\"/reach-s-blueprint-folder\">SHAAC-M</a> at Area-34. Lighting within the cell is limited to low-intensity sodium lamps. Full-spectrum ultraviolet arrays are installed and are to remain on standby.</p>\n<p>SCP-[PENDING] is to be provided with 500\u00a0mL of blood weekly, sourced from D-Class personnel. A 50\u00a0mL sample of SCP-[PENDING]'s circulatory fluid is to be drawn weekly, with this amount to be increased as SCP-[PENDING]'s tolerance permits. All yield is to be forwarded to Senior Engineer Fidel Chavez.</p>\n<p>Retention of SCP-[PENDING] is necessary to ensure the Foundation retains countermeasures against SCP-6821-V in the event of uncontrolled spread.</p>\n<p>Personnel are not to engage SCP-[PENDING] in conversation beyond what is required for feeding and sample collection.</p>\n<p><strong>Description:</strong> SCP-[PENDING], previously identified as PoI-1286 is a vampiric adult Caucasian female. Due to its condition, SCP-[PENDING] does not require respiration and is severely harmed by sunlight. SCP-[PENDING] identifies itself as \"Dr. Lucia Lahovary\" and claims to have been a physician for GoI-\u0394 (\"The Alcur Hospital\"). These claims are unverified and are not to be entertained. The Department of External Affairs has failed to find any information that would link SCP-[PENDING] to GoI-\u0394.</p>\n<p>SCP-[PENDING]'s circulatory fluid has demonstrated the ability to neutralize alchemical agents, such as those used in SCP-6821-V. Research into this property is ongoing.</p>\n<p><strong>Recovery:</strong> SCP-[PENDING] was recovered on 13/08/2026 at an undisclosed location in Central America by Mobile Task Force Beta-54 (\"Drawn-out Medical Drama\"). No other parties were involved. Recovered alongside SCP-[PENDING] was one personal recording device and eleven handwritten pages. The device was wiped upon recovery and the pages were destroyed during recovery.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc6\"><span>FILES RESTORED. CONTINUING FROM LAST READ SECTION.</span></h2>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc7\"><span><span style=\"text-decoration: underline;\"><strong>Post Operation</strong></span></span></h2>\n</div>\n<p><strong>Results:</strong> The patient's final blood test, taken the morning of 14/08/2026 LT, shows no trace of Metalblood. The graying in her skin has begun to fade, and feeling has returned to most of her fingers on her left hand.</p>\n<p>Even though her field recording was received in full by Alcur's archive at 21:43 LT, Dr. Lahovary did not return to the clinic. The majority of her personal belongings, save for her notebook and recorder, were found in her tent.</p>\n<p>Dr. Lucia Lahovary has been declared missing. The identities of her attackers and captors are currently unknown, with both the UN-GOC and MCF unable to provide any further information.</p>\n<p><strong>Aftercare:</strong> The patient was discharged from the clinic on 16/08/2026 LT. That afternoon, she visited her aunt with Nurse Ivy Drip and two Alcur guards. Her aunt confirmed she had never sent a note to the clinic nor seen Dr. Lahovary. The boy who delivered the message was found in town, and explained that he had been paid by a stranger.</p>\n<p>The patient has asked to stay on at the clinic. She now works the night shift with Nurse Ivy Drip: checking temperatures, changing bedding, and sitting with anyone who can't sleep.</p>\n<p><strong>Aftermath:</strong> Missing Personnel Conference - Case-MB-01</p>\n<p><strong>Attendees:</strong></p>\n<ul>\n<li>Dr. Alcur</li>\n<li>Dr. Phoe C. Chan</li>\n<li>Dr. Tieman</li>\n<li>Dr. Grignard</li>\n<li>UN-GOC Liaison Officer Beatrice Bugh</li>\n</ul>\n<div class=\"notation\">\n<hr/>\n<h2 id=\"toc8\"><span><strong>Q1) Was the operation successful?</strong></span></h2>\n<p><strong>Dr. Chan:</strong> Yes. The patient's most recent blood test shows no sign of infection. Dr. Lahovary's method worked exactly as predicted. Metalblood cannot survive in undead blood.</p>\n<h2 id=\"toc9\"><span><strong>Q2) What happened to Dr. Lahovary?</strong></span></h2>\n<p><strong>Dr. Tieman:</strong> A full-spectrum light flood at a doorway, followed by a recovery team that went for her notes before anything else. That screams Foundation.</p>\n<p><strong>Officer Bugh:</strong> Our investigation hasn't confirmed that. The boy described the man who paid him as local, around forty, wearing a cap. That describes half the men in Boca. The house Lucia went to has been empty for two years. Whoever was waiting for her there cleaned up very well. We couldn't find any trace of them.</p>\n<p><strong>Officer Bugh:</strong> But our river monitors did log one unregistered boat heading upstream toward Lake Nicaragua at 22:15 that night. We lost them before they reached the lake, and we haven't been able to find the boat since.</p>\n<p><strong>Officer Bugh:</strong> We do have a couple of suspects lined up. There's the Whetstone Society. A group who hunt anomalous humans for sport, they've started spreading their expeditions to Central America. Maybe some members of the Council of 108? A few have voiced opposition to Alcur's work and involvement in our World, but I don't think any of them would do something like this. There's the Chaos Insurgency. They have a long history of operating in Central America and an even longer one with the Foundation. Dr. Lahovary's findings would be useful for them. There's also the Foundation themselves, but our agreement with them bars them from any involvement with the Cegua. Every group has denied involvement. Except for the Insurgency, of course.</p>\n<p><strong>Dr. Tieman:</strong> And the Foundation?</p>\n<p><strong>Officer Bugh:</strong> Denied it, like everyone else.</p>\n<p><strong>Dr. Tieman:</strong> And you seriously believe that? Agreements are one thing, but they're not promises.</p>\n<p><strong>Officer Bugh:</strong> I\u2026 can't say what my team thinks.</p>\n<h2 id=\"toc10\"><span><strong>Q3) How do we continue treatment of the remaining patients?</strong></span></h2>\n<p><strong>Dr. Grignard:</strong> We can't, not with this method. The transference depended on Dr. Lahovary's body, something we don't have any more.</p>\n<hr/>\n<p style=\"text-align: center;\"><strong>Decision(s):</strong> The recording and all related testimony are to be given to the UN-GOC. The search for Dr. Lahovary will continue under UN-GOC direction. (Decision taken by Dr. Alcur and the hospital board.)</p>\n</div>\n<p><strong>Conclusions:</strong></p>\n<ul>\n<li>The UN-GOC has extended its monitoring to cover the whole of Lake Nicaragua. No further sightings have been reported</li>\n<li>Security has increased in all UN-GOC/MCF clinics.</li>\n<li>Dr. Grignard is to lead research into a Metalblood treatment that does not depend on Dr. Lahovary.</li>\n<li>Dr. Chan is to collect new samples from the eleven remaining patients at Boca de S\u00e1balos to confirm Dr. Lahovary's findings.</li>\n<li>No Alcur staff member on a Medical Mission is to leave a clinic alone, for any reason.</li>\n</ul>\n<div class=\"series-nav\">\n<p>\u00ab <a href=\"/sc-015-060-015-130\">WE NEED TO KILL GEORGE BUSH</a> | <span style=\"font-size:120%;\">TEST RUN</span> | Coming Soon\u2026 \u00bb</p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/all-in-vein\">(Hematology Wing Archives|Case \u0394-682173: \"All in Vein\")</a>\" by TopDownUnder, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/all-in-vein\">https://scpwiki.com/all-in-vein</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> lucia.jpg<br/>\n<strong>Name:</strong> Roxana Saberi<br/>\n<strong>Author:</strong> Michael Gross<br/>\n<strong>License:</strong> CC0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Roxana_Saberi.jpg\">Wikimedia</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:basalt\">:scp-wiki:theme:basalt</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:alcur-theme\">:scp-wiki:theme:alcur-theme</a>]]\n\n[[module css]]\n\n.reveal {\n\nopacity: 0.05;\n\ntransition: opacity 4s;\n\n}\n\n.reveal:hover {\n\nopacity: 1;\n\ntransition: opacity 0.5s;\n\n}\n\n.series-nav {\n\n\u00a0\u00a0\u00a0/* -- Series Navigator -- */\n\n\u00a0\u00a0\u00a0\u00a0\u00a0display: flex;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0justify-content: center;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0margin: 1rem 0;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0padding: .02rem 1rem;\n\n\u00a0\n\n\u00a0\u00a0\u00a0\u00a0\u00a0color: rgb(var(--basalt-main-text-color));\n\n\u00a0\u00a0\u00a0\u00a0\u00a0background: rgb(var(--basalt-background-color));\n\n\u00a0\u00a0\u00a0\u00a0\u00a0border-top-right-radius: .67rem;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0border-top-left-radius: .67rem;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0border-bottom: 2px solid rgb(var(--basalt-primary-color));\n\n\u00a0\u00a0\u00a0\u00a0\u00a0border-top: 2px solid rgb(var(--basalt-primary-color));\n\n\u00a0\n\n\u00a0\u00a0\u00a0\u00a0\u00a0font: 85% var(--header-font-primary);\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[=]]\n\n+ **The Alcur Hospital**\n\n++ **__Operative Report__**\n\n[[/=]]\n\n\n\n**Patient:** Genesis Berganza\n\n**Gender:** Female\n\n**Priority:** High\n\n**MR Number:** \u0394-682173\n\n**World Number:** WRLD-173CA40-\u03be (Led by Hematology Wing)\n\n**Admission Date:** 09/08/2026 LT | N/A -- Medical Mission DT\n\n**Operative Date:** 13/08/2026 LT | N/A -- Medical Mission DT\n\n\n\n[[=]]\n\n++ __**Triage**__\n\n[[/=]]\n\n\n\n**Admission:** The patient was admitted on-site at a joint UN-GOC/MCF treatment clinic in Boca de S\u00e1balos, Nicaragua, following a referral from UN-GOC Liaison Officer Beatrice Bugh. The clinic had been treating Metalblood cases with palliative care for several years, as no cure exists in this World. Alcur was contacted after several people's condition, the patient included, worsened past what the clinic's staff could manage. A Medical Mission led by Dr. Lucia Lahovary arrived two days later.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=https://scp-wiki.wikidot.com/local--files/all-in-vein/lucia.jpg|align=right|width=150px|caption=Dr. Lucia Lahovary]]\n\n\n\n**Physician\u2019s Analysis:** \"//Samples sent back to Alcur were reviewed by Dr. Phoe C. Chan. The patient is a descendant of the [[[scp-6821|Cegua]]], a species of fae brought from Spain to Central America during colonization, which later intermixed with the local human population. The patient carries a significant amount of fae ancestry in her genome. The virus attacks this part of her genome specifically.//\n\n\n\n\"//The ailment works through alchemy. It transmutes the patient's blood cells into pure iron, a material lethal to fae. In a full-blooded Cegua, this kills quickly. In the patient, the human portion of her body help to counteract it. It's slowed, but still lethal.//\"\n\n\n\n**Hypothesis:** The ailment did not arise naturally. It is a virus built by the [[[awd-hub|Department of Anomalous Weapons Development]]] of this World's SCP Foundation to wipe out the Cegua. In this World, it succeeded. The last known full-blooded Cegua died in November 2021. Their human descendants have been slowly dying ever since.\n\n\n\n**Prior Health:** Healthy before infection. The patient reports traits common among Cegua descendants in the region, including a preference for night hours and mild polymorphism. Her mother died of the same ailment in 2023.\n\n\n\n**Symptoms of Ailment:**\n\n* Strong metallic taste in the mouth. Patient reports the taste as constant.\n\n* Gray discoloration along the veins, most visible in the wrists, neck, and temples.\n\n* Burning pain beneath the skin wherever transmuted iron deposits in the blood vessel.\n\n* Stiffening and loss of feeling in extremities as iron builds up in smaller blood vessels.\n\n* Fine iron particles in the patient's sweat and tears, which leave rust stains on bedding.\n\n* Increasing fatigue and shortness of breath as fewer blood cells remain able to carry oxygen.\n\n\n\n**Nursing Notes:** //\"The patient is lucid, polite, and frightened, though she hides it well. She has lost feeling in three of her left fingers, and the veins there have gone completely gray. Her pillowcase has to be changed twice daily now because of the rust staining. She was wary of Dr. Lahovary at first and asked whether the doctor was \"one of the old ones too.\" She relaxed once Dr. Lahovary explained what she is, and since then has sought out her company.//\n\n\n\n//\"An attempt to bring the patient to Alcur by ER-WAY Passage was stopped after she went into severe convulsions at the threshold. Cegua physiology appears to react badly to dimensional travel, so all treatment will take place on-site.//\n\n\n\n//\"The patient has mentioned more than once that her aunt is showing early symptoms but that she refuses to come to the clinic. In the patient's words, the aunt \"doesn't trust anyone from outside anymore. Not after what they did.\" The patient has asked if someone from Alcur could visit her.\"// -- Nurse Ivy Drip.\n\n\n\n[[div class=\"blockquote\"]]\n\n[[=]]\n\n+ __**Further Medical Analysis**__\n\n[[/=]]\n\n\n\nFollowing consent, Dr. Lahovary took a small blood sample directly from the patient to assess its taste. Her assessment matched Dr. Chan's findings, with one exception.\n\n\n\n//Blood always has a faint taste of iron. But this is different. It's finished iron, cold and dead, like licking a nail. And under that is the working part of the virus that's still converting what's left. I've tasted the samples the GOC archived when they first discovered Metalblood, and this isn't the same. It holds back. It converts more slowly and evenly, so the host lives longer and stays infectious longer. Someone went back and adjusted the virus for people like Genesis. Given its lack in the original samples, this change is recent, at least newer than the Foundation's agreement with the GOC to back off. I'll put together a full write-up and give it to Officer Bugh when we pack up. The GOC'll want to know.// -- Dr. Lucia Lahovary\n\n[[/div]]\n\n\n\n**Severity:** 6/10 pain. Iron buildup is limited to the left hand, with early graying along the arm and neck. Without treatment, it will reach her heart within months.\n\n**Virality:** Low. It spreads via blood contact and only infects Cegua descendants. Baseline humans and other fae species are unaffected.\n\n**Lethality:** Fatal in every case without treatment.\n\n\n\n**Diagnosis:** Metalblood, modified strain\n\n\n\n[[=]]\n\n++ __**Treatment**__\n\n[[/=]]\n\n\n\n**Treatment Type:** Blood transference. Dr. Lahovary drinks the infected blood herself while the iron already in the patient's body is drawn out and her blood is replaced.\n\n\n\n**Surgeon(s):** Dr. Lucia Lahovary (lead, on-site), Dr. Phoe C. Chan (consulting, remote)\n\n\n\n**Operations Performed:**\n\n* **Draws (Dr. Lahovary):** Over four nightly sessions, Dr. Lahovary drinks a measured amount of the patient's blood. Metalblood needs living blood cells to transmute. As Dr. Lahovary's undead blood has none, the virus has nothing to work on and breaks down within hours inside her body.\n\n* **Iron Extraction (Dr. Lahovary, Nurse Ivy Drip):** Iron already deposited in the patient's blood vessels is drawn out with the Rustcatcher, starting with the left hand.\n\n* **Transfusion (Nurse Ivy Drip):** The patient's lost blood volume is replaced with donor blood from volunteers among clinic staff.\n\n* **Regeneration (Dr. Chan, remote):** A course of marrow tonic is prescribed to help the patient rebuild her own blood cells.\n\n\n\n**Special Instruments Used:**\n\n* **Fang Lancets:** Fitted caps for Dr. Lahovary's canines that measure each draw to the milliliter.\n\n* **The Rustcatcher:** A magnetized thread fed through the veins that gathers deposited iron as it passes.\n\n* **Gloam Lamps:** Surgical lights that simulate moonlight, ensuring Dr. Lahovary can work under them safely.\n\n* **Marrow Tonic (Alcur Pharmacy, Batch \u0394-77)**\n\n\n\n**Complications:** \n\n* Iron does not harm Dr. Lahovary, but her body cannot absorb it either. Transmuted iron collects in her after each session and has to be purged, which leaves her weakened for roughly an hour. She has made a habit of walking out alone after each session to purge out of sight of the patients.\n\n* Sessions can only take place after sunset.\n\n* The patient's polymorphism flares when she is stressed, which shifts her veins and makes access unpredictable.\n\n\n\n**Recording:** ON\n\n\n\n**Findings of the Operation:**\n\n\n\n[[div class=\"blockquote\"]]\n\n**SESSION 1 - 10/08/2026 LT, 19:20**\n\n\n\n**Dr. Lahovary:** This'll feel strange, but it won't hurt.\n\n\n\n**Genesis:** Have you done this before?\n\n\n\n**Dr. Lahovary:** Drinking blood? Constantly.\n\n\n\n//[The Fang Lancets are fitted. The first draw begins.]//\n\n\n\n**Genesis:** Does it taste bad? The iron?\n\n\n\n**Dr. Lahovary:** Like sucking on a coin.\n\n\n\n**Genesis:** Sorry.\n\n\n\n**Dr. Lahovary:** Don't be. I've had way worse. I was really desperate one night and had to drink the blood of a golem. Would not recommend.\n\n\n\n**Genesis:** ...My mother used to say the old ones would lure men out at night. That's why people in town were wary of us.\n\n\n\n**Dr. Lahovary:** People are scared of anything that comes out at night. Don't pay them any mind.\n\n\n\n//[An equine snout emerges from the patient's face briefly before retreating.]//\n\n\n\n**Genesis:** S-sorry. I do that when I'm nervous.\n\n\n\n**Dr. Lahovary:** So do I. //[laugh]// My fangs really pop out when I'm scared. Hold still.\n\n\n\n**Genesis:** Are you scared now?\n\n\n\n**Dr. Lahovary:** Of you? No. Of getting this wrong? A little. But that's okay. Any good doctor's a little bit scared for their patients.\n\n\n\n**Genesis:** The clinic doctors stopped looking scared a long time ago. They just tell us to rest up and drink water.\n\n\n\n**Dr. Lahovary:** //[sigh]// They're not bad doctors. They're just... They've spent five years helplessly watching people die. That wears a person down.\n\n\n\n**Genesis:** But you can fix it?\n\n\n\n**Dr. Lahovary:** Yeah, I can fix it.\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**SESSION 2 - 11/08/2026 LT, 19:45**\n\n\n\n**Genesis:** Can I ask where you're from?\n\n\n\n**Dr. Lahovary:** Wallachia, a long time ago. I believe it's called Romania in your world?\n\n\n\n**Genesis:** Like Dracula?\n\n\n\n**Dr. Lahovary:** //[groan]// Like Dracula. An Irishman who's never even been to my country wrote a book about it, and now that's all anyone knows about my home. Castles, wolves, peasants with garlic. A whole people reduced to a monster in someone else's story.\n\n\n\n**Genesis:** That's what happened to the old ones.\n\n\n\n**Dr. Lahovary:** Tell me.\n\n\n\n**Genesis:** Well, they came over on the ships with the Spanish. My grandmother said the Spanish used them to scare the natives. Keep the villages in line, keep people indoors at night. Then the Spanish left, and nobody needed them anymore. They were just monsters after that. People told stories about them to scare children.\n\n\n\n**Dr. Lahovary:** And then the Foundation came?\n\n\n\n**Genesis:** Yeah. //[Pause]// I don't remember the old ones. Not really. I was a kid when the last ones died. I remember my mother crying when she heard, but I didn't get why. They were just monsters. That's all any of them were.\n\n\n\n**Dr. Lahovary:** Do you think she was crying for monsters?\n\n\n\n**Genesis:** No. I... I think she knew we were next.\n\n\n\n//[Silence. The draw continues.]//\n\n\n\n**Dr. Lahovary:** In my World, there was a Foundation too. Not the same one, but close enough. A little bit more proactive with their containment. Violent, too. They hunted me for over a hundred years. They never caught me, but that never stopped them. I couldn't stay anywhere long. The only reason I was able to run for that long was because of [[[codename-green-king-hub|my wife]]], but... they caught up to her, eventually.\n\n\n\n**Genesis:** How'd you escape them?\n\n\n\n**Dr. Lahovary:** I didn't. Or, I didn't do it myself. Dr. Alcur found me treating a farmer's son with a fever in a barn outside Craiova, in the middle of the night. The kid was terrified of me, but I knew if I didn't do it, no one would. Alcur asked me if I'd like to help people somewhere I didn't have to hide.\n\n\n\n**Genesis:** And you said yes?\n\n\n\n**Dr. Lahovary:** I said I'd think about it... which I did for five seconds before screaming 'yes!'\n\n[[/div]]\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n**REMOTE CONSULTATION - 12/08/2026 LT, 02:10**\n\n\n\n**Dr. Chan:** How's the viral load?\n\n\n\n**Dr. Lahovary:** Already halved. She'll be able to keep her hand... Phoe, about the strain. I'm positive now. It's been reworked. You-know-who's still working on it.\n\n\n\n**Dr. Chan:** That's a serious accusation in this World.\n\n\n\n**Dr. Lahovary:** It isn't an accusation, though. I have proof. I've written everything down. Officer Bugh'll get a copy the day I leave.\n\n\n\n**Dr. Chan:** ...Send me a copy tonight.\n\n\n\n**Dr. Lahovary:** What? Over the clinic line? These aren't secured like ours. They'll be listened to, and the people most likely to be listening are the ones this is about. I'll give it to you in person.\n\n\n\n**Dr. Chan:** Okay, just... be careful, Lucia.\n\n\n\n**Dr. Lahovary:** I'm a vampire in a tent. What's going to happen?\n\n[[/div]]\n\n\n\n**Nursing Note - 12/08/2026 LT:** //\"A boy from town brought a message to the clinic this afternoon, from the patient's aunt, Graciela. She lives on the river road and wants to be seen, but only by \"the night doctor.\" At her house too, no soldiers or GOC. The patient read the note and laughed. She said it sounded exactly like her aunt, who hates uniforms. The guard captain objected, but Dr. Lahovary's already decided to go after the final session.\"// - Nurse Ivy Drip\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n**SESSION 3 - 12/08/2026 LT, 20:10**\n\n\n\n**Genesis:** I've been thinking about what you said. About the stories.\n\n\n\n**Dr. Lahovary:** Good things, I hope.\n\n\n\n**Genesis:** I don't know. The old ones did hunt people. That part was true. Maybe the Foundation wasn't wrong to be afraid of them? They say they keep the world normal so everyone stays safe.\n\n\n\n**Dr. Lahovary:** Safe for whom?\n\n\n\n**Genesis:** Everyone else, I guess.\n\n\n\n**Dr. Lahovary:** Some of the old ones hunted people. Some vampires do too. I won't pretend otherwise. But you don't cure a disease by killing everyone who might catch it. The Foundation didn't make Metalblood to stop the ones who hunted. They made it to stop all of them, then let it keep going into their descendants. Into you, but you've never hurt anyone.\n\n\n\n**Genesis:** They said they'd leave us alone now. That's the only good thing they've ever given us.\n\n\n\n//[Silence.]//\n\n\n\n**Genesis:** Can I tell you something? Before you came, I'd sort of made peace with it. With dying. My mom died of it. My cousins died of it. I thought, that's just how it is for people like us. The world eats people like us. It always has.\n\n\n\n**Dr. Lahovary:** But it isn't the world, Genesis. It's people. Specific people sat in a room and made this, and specific people decided you weren't worth saving. That's not the universe being the universe. That's people making a choice. And anything people choose, other people can undo.\n\n\n\n**Genesis:** You really believe that?\n\n\n\n//[Dr. Lahovary puts on the Fang Lancets.]//\n\n\n\n**Dr. Lahovary:** I'm undoing it right now.\n\n\n\n//[The patient laughs, her snout growing with her laughter.]//\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**SESSION 4 - 13/08/2026 LT, 20:05**\n\n\n\n**Dr. Lahovary:** That's it. That's the last of it.\n\n\n\n**Genesis:** It's gone? All of it?\n\n\n\n**Dr. Lahovary:** All of it. You should be able to use your hand properly when you wake up in the morning.\n\n\n\n//[The patient begins to cry, straining herself to sit up and hug Dr. Lahovary. She meets her halfway.]//\n\n\n\n**Genesis:** Will you see my t\u00eda tonight?\n\n\n\n**Dr. Lahovary:** As soon as I've purged. She'll be feeling better by the end of the week. Then I'll be in France for a palate cleanser.\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n**FIELD RECORDING - 13/08/2026 LT, 21:40**\n\n\n\n//[Footsteps on gravel. Sound of the river.]//\n\n\n\n**Dr. Lahovary:** ...ah, //nenorocito//, I forgot to take the notes out of my coat... I'll put them back in my bag when I get back...\n\n\n\n//[Knocking.]//\n\n\n\n**Voice (female, older):** Doctor? Come in, come in. Quickly, before the mosquitoes get in.\n\n\n\n**Dr. Lahovary:** Se\u00f1ora Graciela? Genesis sends her love. She's doing--\n\n\n\n//[A pause. Dr. Lahovary sniffs the air.]//\n\n\n\n**Dr. Lahovary:** You don't smell like her.\n\n\n\n**Voice:** I'm sorry?\n\n\n\n**Dr. Lahovary:** Every Cegua in that clinic carried the same earthy note in their blood. I can't smell it on you. And you aren't sick.\n\n\n\n//[A door closes. Several sets of footsteps.]//\n\n\n\n**Dr. Lahovary:** Ah.\n\n\n\n//[A loud electrical hum. Light floods the room, bright enough to register on the recorder's sensor. The audio peaks as Dr. Lahovary screams out in pain. A thud can be heard as Dr. Lahovary and the recorder fall to the ground. The alarm on Dr. Lahovary's body blares loudly. The ruffling of cloth is heard before the alarm is slightly muffled.]//\n\n\n\n//[A man's voice speaks close to the recorder.]//\n\n\n\n**Voice (male):** Get the coat! Everything in it!\n\n\n\n**[RECORDING TERMINATED]**\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n@@ @@\n\n\n\n[[=]]\n\n++ ERROR: RECORDING NOT FOUND.\n\n[[/=]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"reveal\"]]\n\n[[div class=\"document\"]]\n\n**Item #:** SCP-[PENDING]\n\n\n\n**Object Class:** Euclid\n\n\n\n**Special Containment Procedures:** SCP-[PENDING] is to be contained in a [[[reach-s-blueprint-folder|SHAAC-M]]] at Area-34. Lighting within the cell is limited to low-intensity sodium lamps. Full-spectrum ultraviolet arrays are installed and are to remain on standby.\n\n\n\nSCP-[PENDING] is to be provided with 500 mL of blood weekly, sourced from D-Class personnel. A 50 mL sample of SCP-[PENDING]'s circulatory fluid is to be drawn weekly, with this amount to be increased as SCP-[PENDING]'s tolerance permits. All yield is to be forwarded to Senior Engineer Fidel Chavez.\n\n\n\nRetention of SCP-[PENDING] is necessary to ensure the Foundation retains countermeasures against SCP-6821-V in the event of uncontrolled spread.\n\n\n\nPersonnel are not to engage SCP-[PENDING] in conversation beyond what is required for feeding and sample collection.\n\n\n\n**Description:** SCP-[PENDING], previously identified as PoI-1286 is a vampiric adult Caucasian female. Due to its condition, SCP-[PENDING] does not require respiration and is severely harmed by sunlight. SCP-[PENDING] identifies itself as \"Dr. Lucia Lahovary\" and claims to have been a physician for GoI-\u0394 (\"The Alcur Hospital\"). These claims are unverified and are not to be entertained. The Department of External Affairs has failed to find any information that would link SCP-[PENDING] to GoI-\u0394.\n\n\n\nSCP-[PENDING]'s circulatory fluid has demonstrated the ability to neutralize alchemical agents, such as those used in SCP-6821-V. Research into this property is ongoing.\n\n\n\n**Recovery:** SCP-[PENDING] was recovered on 13/08/2026 at an undisclosed location in Central America by Mobile Task Force Beta-54 (\"Drawn-out Medical Drama\"). No other parties were involved. Recovered alongside SCP-[PENDING] was one personal recording device and eleven handwritten pages. The device was wiped upon recovery and the pages were destroyed during recovery.\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n@@ @@\n\n\n\n[[=]]\n\n++ FILES RESTORED. CONTINUING FROM LAST READ SECTION.\n\n[[/=]]\n\n\n\n@@ @@\n\n[[=]]\n\n++ __**Post Operation**__\n\n[[/=]]\n\n\n\n**Results:** The patient's final blood test, taken the morning of 14/08/2026 LT, shows no trace of Metalblood. The graying in her skin has begun to fade, and feeling has returned to most of her fingers on her left hand.\n\n\n\nEven though her field recording was received in full by Alcur's archive at 21:43 LT, Dr. Lahovary did not return to the clinic. The majority of her personal belongings, save for her notebook and recorder, were found in her tent.\n\n\n\nDr. Lucia Lahovary has been declared missing. The identities of her attackers and captors are currently unknown, with both the UN-GOC and MCF unable to provide any further information.\n\n\n\n**Aftercare:** The patient was discharged from the clinic on 16/08/2026 LT. That afternoon, she visited her aunt with Nurse Ivy Drip and two Alcur guards. Her aunt confirmed she had never sent a note to the clinic nor seen Dr. Lahovary. The boy who delivered the message was found in town, and explained that he had been paid by a stranger.\n\n\n\nThe patient has asked to stay on at the clinic. She now works the night shift with Nurse Ivy Drip: checking temperatures, changing bedding, and sitting with anyone who can't sleep.\n\n\n\n**Aftermath:** Missing Personnel Conference - Case-MB-01\n\n\n\n**Attendees:**\n\n* Dr. Alcur\n\n* Dr. Phoe C. Chan\n\n* Dr. Tieman\n\n* Dr. Grignard\n\n* UN-GOC Liaison Officer Beatrice Bugh\n\n\n\n[[div class=\"notation\"]]\n\n----\n\n++ **Q1) Was the operation successful?**\n\n\n\n**Dr. Chan:** Yes. The patient's most recent blood test shows no sign of infection. Dr. Lahovary's method worked exactly as predicted. Metalblood cannot survive in undead blood.\n\n\n\n++ **Q2) What happened to Dr. Lahovary?**\n\n\n\n**Dr. Tieman:** A full-spectrum light flood at a doorway, followed by a recovery team that went for her notes before anything else. That screams Foundation.\n\n\n\n**Officer Bugh:** Our investigation hasn't confirmed that. The boy described the man who paid him as local, around forty, wearing a cap. That describes half the men in Boca. The house Lucia went to has been empty for two years. Whoever was waiting for her there cleaned up very well. We couldn't find any trace of them.\n\n\n\n**Officer Bugh:** But our river monitors did log one unregistered boat heading upstream toward Lake Nicaragua at 22:15 that night. We lost them before they reached the lake, and we haven't been able to find the boat since.\n\n\n\n**Officer Bugh:** We do have a couple of suspects lined up. There's the Whetstone Society. A group who hunt anomalous humans for sport, they've started spreading their expeditions to Central America. Maybe some members of the Council of 108? A few have voiced opposition to Alcur's work and involvement in our World, but I don't think any of them would do something like this. There's the Chaos Insurgency. They have a long history of operating in Central America and an even longer one with the Foundation. Dr. Lahovary's findings would be useful for them. There's also the Foundation themselves, but our agreement with them bars them from any involvement with the Cegua. Every group has denied involvement. Except for the Insurgency, of course.\n\n\n\n**Dr. Tieman:** And the Foundation?\n\n\n\n**Officer Bugh:** Denied it, like everyone else.\n\n\n\n**Dr. Tieman:** And you seriously believe that? Agreements are one thing, but they're not promises.\n\n\n\n**Officer Bugh:** I... can't say what my team thinks.\n\n\n\n++ **Q3) How do we continue treatment of the remaining patients?**\n\n\n\n**Dr. Grignard:** We can't, not with this method. The transference depended on Dr. Lahovary's body, something we don't have any more.\n\n----\n\n\n\n= **Decision(s):** The recording and all related testimony are to be given to the UN-GOC. The search for Dr. Lahovary will continue under UN-GOC direction. (Decision taken by Dr. Alcur and the hospital board.)\n\n[[/div]]\n\n\n\n**Conclusions:**\n\n* The UN-GOC has extended its monitoring to cover the whole of Lake Nicaragua. No further sightings have been reported\n\n* Security has increased in all UN-GOC/MCF clinics.\n\n* Dr. Grignard is to lead research into a Metalblood treatment that does not depend on Dr. Lahovary.\n\n* Dr. Chan is to collect new samples from the eleven remaining patients at Boca de S\u00e1balos to confirm Dr. Lahovary's findings.\n\n* No Alcur staff member on a Medical Mission is to leave a clinic alone, for any reason.\n\n\n\n\n\n[[div class=\"series-nav\"]]\n\n\u00ab [[[sc-015-060-015-130|WE NEED TO KILL GEORGE BUSH]]] | [[size 120%]]TEST RUN[[/size]] | Coming Soon... \u00bb\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** lucia.jpg\n\n> **Name:** Roxana Saberi\n\n> **Author:** Michael Gross\n\n> **License:** CC0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Roxana_Saberi.jpg Wikimedia]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_alcur-hospital", "_cc", "_licensebox", "alcur-hospital", "bittersweet", "chaos-on-the-monolith", "faerie", "global-occult-coalition", "goi-format", "homo-sapiens-sidhe", "manna-charitable-foundation", "our-open-veins", "vampire"], "title": "(Hematology Wing Archives|Case \u0394-682173: \"All in Vein\") - SCP Foundation", "url": "https://scp-wiki.wikidot.com/all-in-vein"}, "alma-kyivshchyna": {"created_at": "2019-06-28T19:55:00", "creator": "Sterbai", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Sterbai", "author_href": "https://www.wikidot.com/user:info/sterbai", "comment": "", "date": "2019-06-28T19:55:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _image. ", "date": "2019-06-28T19:59:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _gru-division-p, children-of-the-night, co-authored, collab-con2019, gru-division-p. ", "date": "2019-06-28T19:59:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: the-coldest-war. ", "date": "2019-06-28T20:54:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: goi-format. ", "date": "2019-06-28T21:48:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-06-29T19:55:00"}, {"author": "Modulum", "author_href": "https://www.wikidot.com/user:info/modulum", "comment": "", "date": "2019-07-01T00:58:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "_licensebox", "date": "2020-11-24T22:13:00"}, {"author": "KaraKatt", "author_href": "https://www.wikidot.com/user:info/karakatt", "comment": "", "date": "2020-11-24T22:14:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Uploaded file \"Emblem_of_the_GRU.png\".", "date": "2023-10-14T03:17:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Uploaded file \"oldtimeywhimey.jpg\".", "date": "2023-10-14T03:19:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Localize image(s).", "date": "2023-10-14T03:21:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: period-piece, science-fiction. ", "date": "2024-10-11T07:41:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox. ", "date": "2026-05-22T07:23:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "corrected file name in license box", "date": "2026-05-22T07:23:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png", "https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png"], "link": "alma-kyivshchyna", "page_id": "828607163", "rating": 88, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"c_content\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:200%;\"><tt><strong><span style=\"text-decoration: underline;\">\u0413\u043b\u0430\u0301\u0432\u043d\u043e\u0435 \u0440\u0430\u0437\u0432\u0435\u0301\u0434\u044b\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0443\u043f\u0440\u0430\u0432\u043b\u0435\u0301\u043d\u0438\u0435</span></strong></tt></span></p>\n</div>\n<br/>\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">APPROVED 30.IV.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">PRINTOUT NR: 1</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">SIGNED .................. </span><span style=\"font-size:larger;\">S</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">DEPARTMENT HEAD III-P-9-GR</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 4-VI-1986</span></tt></strong></td>\n<td><tt><strong>RESPONSIBLE PERSONNEL:</strong> Rozhkov L. Yevgenievich</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>OSI \"ALMA KYIVSHCHYNA\" is the designation for a population of large hominids, numbering approximately 90 individuals, which was discovered by military liquidators in a section of dense forest outside of Pripyat. The individuals are bipedal non-human primates, characterized by fur that covers their entire body and a prominent forehead crest. They are believed to be nocturnal, forest-dwelling, and hostile.</tt><br/>\n<br/>\n<tt>The \"ALMA KYIVSHCHYNA\" population inhabits the entire region of forest, displaying aggression to those that enter this territory; however, this aggression has not exceeded threatening vocalizations and attempts to chase out perceived intruders. Reports claim populations of \"ALMA KYIVSCHYNA\" have been spotted in towns and villages outside the Chernobyl nuclear power plant following its recent core meltdown.</tt><br/>\n<br/>\n<tt>Basic intelligence tests performed in the field on \"ALMA KYIVSCHYNA\" reveal a similar level of intelligence to that of non-human primates such as chimpanzees. Basic problem solving skills, and cognitive ability could be observed. Signs of higher level intelligence have not been observed, but may be potentially observable in a controlled environment, within a secure facility. Considerations ongoing.</tt><br/>\n<br/>\n<tt>Currently, the population poses no possible threat to state security, and have been pushed back into a more isolated area of forest. However, due to their appearance and potential ability to inspire mythological and fantastical thoughts in civilians, the spread of information about \"ALMA KYIVSCHYNA\" is to be swiftly contained. The fate of the population itself is to be decided at a later date.</tt><br/>\n<br/>\n<tt>Proposed uses:</tt><br/>\n<br/>\n<tt><span style=\"white-space: pre-wrap;\">       (i) Medical and Chemical Testing</span> - <span style=\"color: green\"><strong>Approved</strong></span> - Due to their biological similarity to humans, the population can be used as testing subjects for anomalous/non-anomalous weaponry, medicine and other products.</tt><br/>\n<tt><span style=\"white-space: pre-wrap;\">       (i) Sustenance Livestock</span> - <span style=\"color: red\"><strong>Rejected</strong></span> - The recent incident at Chernobyl has created a massive amount of unexpected soldiers and liquidators moving into the area. These can be fed with meat from the population, claimed to be beef or pork.</tt><br/>\n<tt><span style=\"white-space: pre-wrap;\">       (i) Pack Mules</span> - <span style=\"color: red\"><strong>Rejected</strong></span> - The Chernobyl incident has also created a lot of military and clean-up material which needs to be moved from one place to another. The population appears strong enough to lift heavy material and could be utilised for this purpose.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">REQUEST FOR INVENTORY                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">2.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 5-VI-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 4-VI-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Vasnev Georgiy</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>After reading the reports from the field, I would like some specimens to be collected and brought to the facility just outside of Vyshhorod. Despite their seemingly simple nature, they are primates, and Western scientists have achieved great success with training chimpanzees and gorillas into displaying higher intelligence.</tt><br/>\n<br/>\n<tt>Due to the more human-like physiology of the \"ALMA KYIVSCHYNA\", they should be much easier to train with tools. If I don't achieve any success, then the specimens can be swiftly returned to the general population.</tt><br/>\n<br/>\n<tt>Continue to keep information about the population from spreading - especially to regular Party members. Have the individuals delivered to the facility in 3 days time.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">PROJECT UPDATE                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">6.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 11-VI-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 4-VI-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Vasnev Georgiy</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>Over the last few days I have run extensive testing on three of the \"ALMA KYIVSCHYNA\" organisms. I have come to the gradual conclusion that they are completely unlike typical non-human primates, putting physiology aside. While most of the time, they do not display higher intelligence, there were a good number of instances in which I was completely surprised. I will document some of these instances below.</tt><br/>\n<br/>\n<tt>I had presented one of the beings with a piece of paper and a pencil in order to see if it could express anything through writing. There was little progress for multiple hours - apart from a space of around 6 minutes, when it suddenly began to perfectly and accurately write down the dimensions of the room it was placed in, my name (which I had told it) and the word-for-word instructions I had given it. This could not be repeated again.</tt><br/>\n<br/>\n<tt>One of the organisms was presented with a simple plastic puzzle to retrieve a piece of food. It then proceeded to meticulously and systematically dismantle the puzzle into its individual components, while not even seeming interested in the food item. This was only able to be repeated once - all other tests had the puzzle solved normally.</tt><br/>\n<br/>\n<tt>This final incident is, without measure, the most significant. Orangutans and chimpanzees create nests at night in order to rest. One of the beings was left alone overnight with some assorted vegetation. When I returned in the morning, instead of a nest, there were 3 orb-like structures. I managed to retrieve one, but the being acted hostile to these creations and destroyed two when the chamber was entered. The creation was made purely from the vegetation, but when I put pressure on a small raised area on the side, the top of the orb opened up smoothly. Some food was stored inside. It was like a machine.</tt><br/>\n<br/>\n<tt>Something is locked away in these organisms, hidden underneath a layer of animalistic simpleness. Two things are going to happen now. The first is that the rest of the \"ALMA KYIVSHCHYNA\" population is to be rounded up and detained. The second is that our entire collection of anomalous technology is to be thoroughly searched for anything relating to intelligence and cognitive ability.</tt><br/>\n<br/>\n<tt>These beings could provide a useful asset to the State besides simple testing. It is imperative that this usefulness is completely explored.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">PROJECT UPDATE                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">10.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 12-VI-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 4-VI-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Vasnev Georgiy</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>Something useful has been found.</tt><br/>\n<br/>\n<tt>Well, \"useful\" is perhaps the wrong word. Something with the potential to be useful has been found. It's a serum we pulled from a collection in Samarkand. It dates back to the 14th century, and was believed to have been used by the noted Tamerlane to sharpen his skills as a military strategist. The serum's function, unlocking past memories and increasing intelligence, proved vital in his extensive conquests. However, it needs to be synthesised and picked apart, as it is not currently functional. But the basis is still there. And we have the best anomalous scientists in the world - it can be done.</tt><br/>\n<br/>\n<tt>As well as a synthesis, it needs to be developed in order to be applicable to the brain structure of the \"ALMA KYIVSCHYNA\" beings. And, on top of that, a device needs to be developed to house and administer the serum. There is a lot of work ahead, but as I've said - it can certainly be done.</tt><br/>\n<br/>\n<tt>It has occurred to me, and some others, that it is as if nature has provided us with a potential solution to the situation at Chernobyl. If we do manage to unlock something within them, then it is highly possible they can assist with the cleanup - and they might be extremely motivated to do so, due to the incident's disturbance of their habitat. This could be the solution to our difficulties in cleaning and containing the Chernobyl incident.</tt><br/>\n<br/>\n<tt>Right now, the rest of the beings are being moved into a secure facility. I will assist the scientist in the development of the serum. Keep a close eye on all the individuals and note down any examples of higher intelligence being displayed.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">PROJECT \"BABEL\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">APPROVED 11.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">PRINTOUT NR: 1</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">SIGNED .................. </span><span style=\"font-size:larger;\">CS</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">DEPARTMENT HEAD III-P-9-GRU</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 2-VII-1986</span></tt></strong></td>\n<td><tt><strong>PROJECT TARGET:</strong> To develop and construct a device by which the latent intelligence and awareness of \"ALMA KYIVSHCHYNA\" beings can be brought forth and stimulated.</tt><br/>\n<br/>\n<tt><strong>PROJECT HEAD:</strong> Rozhkov L. Yevgenievich</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>The population of unidentified humanoid species discovered near Pripyat, designated \"ALMA KYIVSHCHYNA,\" has been found to possess a potential for cognition and technological capability far surpassing expected levels. It is the belief of the project team that if this potential can be unlocked, these beings can be effectively used as workers to assist in reactor cleanup efforts due to their durable physiology, nocturnal behavior, and other physical characteristics.</tt><br/>\n<br/>\n<tt>The components of this project are as follows:</tt><br/>\n<br/>\n<tt>(i) An anomalous serum, chemically resynthesized from past samples; capable of resurfacing forgotten memories and abilities, drastically accelerating the forming of new neural connections, and increasing the brain's capacity for higher-order mental processes. This serum has been modified based on DNA scans of \"ALMA KYIVSHCHYNA\" individuals, and the molecular concentration multiplied approximately tenfold.</tt><br/>\n<tt>(ii) A device capable of injecting this liquid into key areas of the brain simultaneously, followed by a series of electroconvulsive shocks. This device takes the form of a heavy, grey skull attachment with eight gun-like needles bolted on the inside shell. When activated, the needles are designed to synchronously enter the skull and affect all cranial regions. The electroconvulsive shocks have been deemed a necessary component of the procedure to maximize the speed and the intensity of effect.</tt><br/>\n<br/>\n<tt>I will test this procedure on two specimens and ascertain their greater benefit to the Soviet cause. I am confident that we will soon see them prove their worth. They certainly have reason to.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">PROJECT UPDATE                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">14.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 5-VII-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 4-VI-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Vasnev Georgiy</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>Firstly I would like to thank you for your warm words regarding Project \"BABEL\". I am well aware of the sacrifices that have been made and continue to be made to protect the people of the affected regions and I am honored to serve the Soviet Union in this duty.</tt><br/>\n<br/>\n<tt>I am also proud to announce a breakthrough - one that may well be exactly what we need. As I expected, the procedure worked completely. In fact, the abilities of the ALMA KYIVSHCHYNA go beyond anything any of us could ever dream. Although they were initially hostile, through repeated and regular conversation I was able to forge a camaraderie with them, which their ability to quickly learn and grasp language made considerably easier. They are ancient, and highly advanced beings. They have offered the usage of their own paratech, labor force, and knowledge to assist in the resolution of the Chernobyl crisis. I have attached an interview log and the proposed terms of our alliance to this document.</tt><br/>\n<br/>\n<tt>Additionally, I have noted your concerns that the concentration of the serum solution exceeds the typical bounds of safe usage; however, it is important to note that the physiology of the beings is significantly different and can handle a more intense dosage. Also, the degree to which they have been cognitively decelerated (for what reason I am still unclear on\u2014the beings remain evasive on this issue) requires that to reach their peak ability drastic measures must be taken. In fact, it may not even be enough yet.</tt><br/>\n<br/>\n<tt>I look forward to meeting you in person this week to discuss the management of this matter further.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">INTERVIEW LOG                      DIVISION \"P\" DEPARTMENT II</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">14.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 6-VI-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 5-VII-1986</strong></tt></td>\n</tr>\n<tr>\n<td><tt><strong>TRANSCRIPT</strong></tt></td>\n<td><em><tt>Attached is the transcript of an excerpted interview of a single individual from the \"ALMA KYIVSCHYNA\" group that has been enhanced through project \"BABEL\". Interviewer is project second-in-command Ikanov Yaroslavovich.</tt></em><br/>\n<br/>\n<tt><strong>IY:</strong> Do you understand me?</tt><br/>\n<tt><strong>AK-1:</strong> Jailers\u2026yes, I understand the situation well. Your kind desecrated this land, hold us prisoner\u2014and now seek to speak to us? To reverse your ancient sin? I understand the situation, but your motives elude me.</tt><br/>\n<tt><strong>IY:</strong> My name is Ikanov Yaroslavovich. I am not holding you prisoner. I want to help you. What do you call yourself?</tt><br/>\n<tt><strong>AK-1:</strong> How you and yours forget what is conveniently painful. We are the Yeren, those who your kin subjected to the day of flowers, those who shackled and culled us. There is little help you could render us. You have broken the shackles upon our minds, true; but everything else that was once ours is no more.</tt><br/>\n<tt><strong>IY:</strong> I am not like those that hurt you. I assure you, we can improve the conditions of your people's lives. Please, listen to what I have to say.</tt><br/>\n<tt><strong>AK-1:</strong> The soul of cruelty is still part of you, part of all the children of the Sun. You may have buried it underneath your civilization, but your hearts have not changed.</tt><br/>\n<tt><strong>IY:</strong> Perhaps that's true. But we need to set that aside if we are to both gain from this.</tt><br/>\n<tt><strong>AK-1:</strong> You took from us the world. Cities that touched the ends of the Earth. The mastery of biology and technology as one seamless unit. The peak of civilization.</tt><br/>\n<tt><strong>IY:</strong> And\u2026is this technology still available to you?</tt><br/>\n<tt><strong>AK-1:</strong> It is dust now as it has been for thousands of years. We have kept the knowledge of it still.</tt><br/>\n<tt><strong>IY:</strong> A few weeks ago, there was an incident near your home. An accident, involving a nuclear reactor. It has caused many problems for our people, and I would venture that it has affected you as well.</tt><br/>\n<tt><strong>AK-1:</strong> Yes. You tried to take advantage of the atom and it bit back at you. You should be thankful things were not worse. For a people in <em>your</em> state you would be lucky to have any mastery over this power at all.</tt><br/>\n<tt><strong>IY:</strong> We've both been hurt by this accident. The destruction of the land is a problem for both of us. I think we can help each other, so that we can deal with the fallout faster and return to the way things were faster.</tt><br/>\n<tt><strong>AK-1:</strong> This offer you make is one out of self-interest. Do not think I cannot see through you. Without the knowledge and the machines we can wield, you would have to surrender this region forever. You do not have the ability to cleanse this crime you created, so you seek to take advantage of our bodies and minds. But you are also clever. By performing this procedure upon us, returning us to our full power, you place me into a hopeless position. If I refuse your offer, I will condemn all the rest of my people to exile from our home for all of time.</tt><br/>\n<tt>[The being is silent for several seconds.]</tt><br/>\n<tt><strong>AK-1:</strong> I will work with your organization. I lend to you my knowledge and my people. I will help you deal with the consequences of your disaster.</tt><br/>\n<br/>\n<tt>Results of further communication are detailed in the subsequently attached document.</tt><br/></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">PROJECT UPDATE                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">14.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 7-VII-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 5-VII-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Vasnev Georgiy</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>The following is an extensive summary of the agreement that has been made between myself and the two enhanced \"ALMA KYIVSCHYNA\" beings, relating to the containment and clean-up of the Chernobyl incident, reached after as much extensive communication as was possible.</tt><br/>\n<br/>\n<tt>The beings will provide us with man-power and co-operation in cleaning up the Chernobyl incident. Furthermore, using their apparent knowledge of bio-technology, they will work on creating some pieces of technology which can provide a greater use than the ones that we currently possess. The exact nature of this technology is not clear, as the beings refuse to elaborate on it.</tt><br/>\n<br/>\n<tt>However, as expected, there are also conditions for us. Once the clean-up is complete, the beings wish to be fully enhanced and returned to their original location of discovery, before being left completely undisturbed by human forces. This has been formally agreed to, and the necessary arrangements are currently being made with officials in the local Oblast for this to occur after the clean-up is complete.</tt><br/>\n<br/>\n<tt>Please send this attachment onward to higher Party officials outside of the division so they can have their input.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">URGENT MESSAGE                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">15.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 25-VI-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 5-VII-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Pashin Antonovich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>I am sending this message to express a minor concern I had regarding the enhancement technology we are using on the \"ALMA KYIVSHCHYNA\" beings.</tt><br/>\n<br/>\n<tt>During the development of the device, some brief testing was done on a few samples of primate brain tissue in order to correctly match up the baseline serum to enhance the cognition of the new beings. As is obvious, the testing was a success and so the development of the technology proceeded smoothly without issue.</tt><br/>\n<br/>\n<tt>This morning, we happened to be disposing of the sample tissue and decided to have a final look. What we saw was\u2026 fairly disturbing. The Schwann cells around the brain neuron axons had totally broken down. The synapses of the nerve cells were no longer firing or responding to any form of stimulus. This was confirmed to be the case in approximately 60% of the sample tissue, and was confirmed by numerous personnel.</tt><br/>\n<br/>\n<tt>While I do not believe that this issue necessarily compromises the project as a whole, I still believe it is enough of a concern for a somewhat in-depth investigation.</tt><br/>\n<br/>\n<tt>I appreciate your time in receiving this message.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div class=\"c_content\">\n<table class=\"wiki-content-table\">\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">RE:URGENT MESSAGE                      DIVISION \"P\" DEPARTMENT I</span></tt></strong></td>\n</tr>\n<tr>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">15.V.1986</span></tt></strong></td>\n<td><strong><tt><span style=\"white-space: pre-wrap;\">D.NR: 8-VII-1986</span></tt></strong></td>\n<td><tt><strong>ATTACHED TO DOCUMENT 5-VII-1986</strong></tt></td>\n</tr>\n<tr>\n<td><strong><tt>SENDER:</tt></strong> <tt>Rozhkov L. Yevgenievich</tt></td>\n<td></td>\n<td><strong><tt>RECIPIENT:</tt></strong> <tt>Pashin Antonovich</tt></td>\n</tr>\n<tr>\n<td><strong><tt>DETAIL</tt></strong></td>\n<td><tt>Thank you for the message of concern regarding Project Babel.</tt><br/>\n<br/>\n<tt>The issue you described has been looked into, and all the signs point to the fact that this issue does not seem to be a major concern. As you yourself mention, the tissue used was not from the \"ALMA KYIVSCHYNA\" beings themselves, so it is largely not applicable.</tt><br/>\n<br/>\n<tt>Furthermore, if what you described was a serious issue, then it stands to reason that the beings would be experiencing neurological issues currently - and they clearly are not.</tt><br/>\n<br/>\n<tt>Nonetheless, thank you for your concern. The Division, and the Soviet Union, is always grateful to have such vigilant individuals such as yourself.</tt></td>\n<td><img alt=\"Emblem_of_the_GRU.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/Emblem_of_the_GRU.png\" style=\"width:75%;\"/></td>\n</tr>\n<tr>\n<td colspan=\"3\"><strong><tt><span style=\"white-space: pre-wrap;\">OSI \"ALMA KYIVSHCHYNA\"                       DIVISION \"P\" DEPARTMENT III</span></tt></strong></td>\n</tr>\n</table>\n</div>\n<div style=\"text-align: center;\">\n<p><sub><a href=\"/scp-4426\">SCP-4426</a> <strong>\u00bb</strong></sub></p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/alma-kyivshchyna\">GRU-P casefile \"ALMA KYIVSHCHYNA\"</a>\" by Modulum, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/alma-kyivshchyna\">https://scpwiki.com/alma-kyivshchyna</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Emblem_of_the_GRU.png<br/>\n<strong>Author:</strong> vector-images.com<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Emblem_of_the_GRU.svg\">https://commons.wikimedia.org/wiki/File:Emblem_of_the_GRU.svg</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n.c_content {\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'alpha_echoregular';\n\n\u00a0\u00a0\u00a0\u00a0font-style: italic;\n\n\u00a0\u00a0\u00a0\u00a0width: 93%;\n\n\u00a0\u00a0\u00a0\u00a0line-height: 20px;\n\n\u00a0\u00a0\u00a0\u00a0display: inline-block;\n\n\u00a0\u00a0\u00a0\u00a0padding-top: 75px;\n\n\u00a0\u00a0\u00a0\u00a0padding-left: 25px;\n\n\u00a0\u00a0\u00a0\u00a0padding-right: 25px;\n\n\u00a0\u00a0\u00a0\u00a0vertical-align: top;\n\n\u00a0\u00a0\u00a0\u00a0transition: all .7s;\n\n\u00a0\u00a0\u00a0\u00a0background: linear-gradient(rgba(255,255,255,.5), rgba(255,255,255,.5)), url(\"https://scp-wiki.wdfiles.com/local--files/alma-kyivshchyna/oldtimeywhimey.jpg\") ;\n\n}\n\n\n\n.c_content h1, .c_content span {\n\n\u00a0\u00a0\u00a0\u00a0font-style: normal;\n\n}\n\n\n\n.c_content h1 {\n\n\u00a0\u00a0\u00a0\u00a0font-size: 150%;\n\n\u00a0\u00a0\u00a0\u00a0font-family: \"alpha_echoregular\";\n\n\u00a0\u00a0\u00a0\u00a0font-weight: normal;\n\n\u00a0\u00a0\u00a0\u00a0margin: -0.3em 0 -0.3em 0.3em;\n\n\u00a0\u00a0\u00a0\u00a0color: inherit;\n\n}\n\n\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"c_content\"]]\n\n[[=]]\n\n[[size 200%]]{{**__\u0413\u043b\u0430\u0301\u0432\u043d\u043e\u0435 \u0440\u0430\u0437\u0432\u0435\u0301\u0434\u044b\u0432\u0430\u0442\u0435\u043b\u044c\u043d\u043e\u0435 \u0443\u043f\u0440\u0430\u0432\u043b\u0435\u0301\u043d\u0438\u0435__**}}[[/size]]\n\n[[/=]]\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n|| **{{@@APPROVED 30.IV.1986@@}}**||\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0**{{@@PRINTOUT NR: 1@@}}**||**{{@@SIGNED .................. @@[[size larger]]S[[/size]]}}** ||\n\n|| **{{@@DEPARTMENT HEAD III-P-9-GR@@}}**|| **{{@@D.NR: 4-VI-1986@@}}**||{{**RESPONSIBLE PERSONNEL:** Rozhkov L. Yevgenievich}}|| \n\n|| **{{DETAIL}}**||{{OSI \"ALMA KYIVSHCHYNA\" is the designation for a population of large hominids, numbering approximately 90 individuals, which was discovered by military liquidators in a section of dense forest outside of Pripyat. The individuals are bipedal non-human primates, characterized by fur that covers their entire body and a prominent forehead crest. They are believed to be nocturnal, forest-dwelling, and hostile.}}\u00a0\u00a0_\n\n\u00a0_\n\n{{The \"ALMA KYIVSHCHYNA\" population inhabits the entire region of forest, displaying aggression to those that enter this territory; however, this aggression has not exceeded threatening vocalizations and attempts to chase out perceived intruders. Reports claim populations of \"ALMA KYIVSCHYNA\" have been spotted in towns and villages outside the Chernobyl nuclear power plant following its recent core meltdown.}} _\n\n\u00a0_\n\n{{Basic intelligence tests performed in the field on \"ALMA KYIVSCHYNA\" reveal a similar level of intelligence to that of non-human primates such as chimpanzees. Basic problem solving skills, and cognitive ability could be observed. Signs of higher level intelligence have not been observed, but may be potentially observable in a controlled environment, within a secure facility. Considerations ongoing.}} _\n\n\u00a0_\n\n{{Currently, the population poses no possible threat to state security, and have been pushed back into a more isolated area of forest. However, due to their appearance and potential ability to inspire mythological and fantastical thoughts in civilians, the spread of information about \"ALMA KYIVSCHYNA\" is to be swiftly contained. The fate of the population itself is to be decided at a later date.}} _\n\n\u00a0_\n\n{{ Proposed uses:}} _\n\n\u00a0_\n\n\u00a0{{@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(i) Medical and Chemical Testing@@ - ##green|**Approved**## - Due to their biological similarity to humans, the population can be used as testing subjects for anomalous/non-anomalous weaponry, medicine and other products.}} _\n\n{{@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(i) Sustenance Livestock@@ - ##red|**Rejected**## - The recent incident at Chernobyl has created a massive amount of unexpected soldiers and liquidators moving into the area. These can be fed with meat from the population, claimed to be beef or pork.}} _\n\n{{@@\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0(i) Pack Mules@@ - ##red|**Rejected**## - The Chernobyl incident has also created a lot of military and clean-up material which needs to be moved from one place to another. The population appears strong enough to lift heavy material and could be utilised for this purpose.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]]||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@REQUEST FOR INVENTORY\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@2.V.1986@@}}**|| **{{@@D.NR: 5-VI-1986@@}}**||{{**ATTACHED TO DOCUMENT 4-VI-1986**}}|| \n\n|| **{{SENDER:}}** {{Rozhkov L. Yevgenievich}} || || **{{RECIPIENT:}}** {{Vasnev Georgiy}}||\n\n|| **{{DETAIL}}** || {{After reading the reports from the field, I would like some specimens to be collected and brought to the facility just outside of Vyshhorod. Despite their seemingly simple nature, they are primates, and Western scientists have achieved great success with training chimpanzees and gorillas into displaying higher intelligence.}} _\n\n\u00a0_\n\n{{Due to the more human-like physiology of the \"ALMA KYIVSCHYNA\", they should be much easier to train with tools. If I don't achieve any success, then the specimens can be swiftly returned to the general population.}} _\n\n\u00a0_\n\n{{Continue to keep information about the population from spreading - especially to regular Party members. Have the individuals delivered to the facility in 3 days time.}} || [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@PROJECT UPDATE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@6.V.1986@@}}**|| **{{@@D.NR: 11-VI-1986@@}}**||{{**ATTACHED TO DOCUMENT 4-VI-1986**}}|| \n\n|| **{{SENDER:}}** {{Rozhkov L. Yevgenievich}} || || **{{RECIPIENT:}}** {{Vasnev Georgiy}}||\n\n|| **{{DETAIL}}** || {{Over the last few days I have run extensive testing on three of the \"ALMA KYIVSCHYNA\" organisms. I have come to the gradual conclusion that they are completely unlike typical non-human primates, putting physiology aside. While most of the time, they do not display higher intelligence, there were a good number of instances in which I was completely surprised. I will document some of these instances below.}} _\n\n\u00a0_\n\n{{I had presented one of the beings with a piece of paper and a pencil in order to see if it could express anything through writing. There was little progress for multiple hours - apart from a space of around 6 minutes, when it suddenly began to perfectly and accurately write down the dimensions of the room it was placed in, my name (which I had told it) and the word-for-word instructions I had given it. This could not be repeated again.}} _\n\n\u00a0_\n\n{{One of the organisms was presented with a simple plastic puzzle to retrieve a piece of food. It then proceeded to meticulously and systematically dismantle the puzzle into its individual components, while not even seeming interested in the food item. This was only able to be repeated once - all other tests had the puzzle solved normally.}} _\n\n\u00a0_\n\n{{This final incident is, without measure, the most significant. Orangutans and chimpanzees create nests at night in order to rest. One of the beings was left alone overnight with some assorted vegetation. When I returned in the morning, instead of a nest, there were 3 orb-like structures. I managed to retrieve one, but the being acted hostile to these creations and destroyed two when the chamber was entered. The creation was made purely from the vegetation, but when I put pressure on a small raised area on the side, the top of the orb opened up smoothly. Some food was stored inside. It was like a machine.}} _\n\n\u00a0_\n\n{{Something is locked away in these organisms, hidden underneath a layer of animalistic simpleness. Two things are going to happen now. The first is that the rest of the \"ALMA KYIVSHCHYNA\" population is to be rounded up and detained. The second is that our entire collection of anomalous technology is to be thoroughly searched for anything relating to intelligence and cognitive ability.}} _\n\n\u00a0_\n\n{{These beings could provide a useful asset to the State besides simple testing. It is imperative that this usefulness is completely explored.}} || [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@PROJECT UPDATE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@10.V.1986@@}}**|| **{{@@D.NR: 12-VI-1986@@}}**||{{**ATTACHED TO DOCUMENT 4-VI-1986**}}|| \n\n|| **{{SENDER:}}** {{Rozhkov L. Yevgenievich}} || || **{{RECIPIENT:}}** {{Vasnev Georgiy}}||\n\n|| **{{DETAIL}}** || {{Something useful has been found.}} _\n\n\u00a0_\n\n{{Well, \"useful\" is perhaps the wrong word. Something with the potential to be useful has been found. It's a serum we pulled from a collection in Samarkand. It dates back to the 14th century, and was believed to have been used by the noted Tamerlane to sharpen his skills as a military strategist. The serum's function, unlocking past memories and increasing intelligence, proved vital in his extensive conquests.\u00a0\u00a0However, it needs to be synthesised and picked apart, as it is not currently functional. But the basis is still there. And we have the best anomalous scientists in the world - it can be done.}} _\n\n\u00a0_\n\n{{As well as a synthesis, it needs to be developed in order to be applicable to the brain structure of the \"ALMA KYIVSCHYNA\" beings. And, on top of that, a device needs to be developed to house and administer the serum. There is a lot of work ahead, but as I've said - it can certainly be done.}} _\n\n\u00a0_\n\n{{It has occurred to me, and some others, that it is as if nature has provided us with a potential solution to the situation at Chernobyl. If we do manage to unlock something within them, then it is highly possible they can assist with the cleanup - and they might be extremely motivated to do so, due to the incident's disturbance of their habitat. This could be the\u00a0\u00a0solution to our difficulties in cleaning and containing the Chernobyl incident.}} _\n\n\u00a0_\n\n{{Right now, the rest of the beings are being moved into a secure facility. I will assist the scientist in the development of the serum. Keep a close eye on all the individuals and note down any examples of higher intelligence being displayed.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@PROJECT \"BABEL\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n|| **{{@@APPROVED 11.V.1986@@}}**||\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0**{{@@PRINTOUT NR: 1@@}}**||**{{@@SIGNED .................. @@[[size larger]]CS[[/size]]}}** ||\n\n|| **{{@@DEPARTMENT HEAD III-P-9-GRU@@}}**|| **{{@@D.NR: 2-VII-1986@@}}**||{{**PROJECT TARGET:** To develop and construct a device by which the latent intelligence and awareness of \"ALMA KYIVSHCHYNA\" beings can be brought forth and stimulated.}} _\n\n\u00a0_\n\n{{**PROJECT HEAD:** Rozhkov L. Yevgenievich}} ||\n\n|| **{{DETAIL}}**||{{The population of unidentified humanoid species discovered near Pripyat, designated \"ALMA KYIVSHCHYNA,\" has been found to possess a potential for cognition and technological capability far surpassing expected levels. It is the belief of the project team that if this potential can be unlocked, these beings can be effectively used as workers to assist in reactor cleanup efforts due to their durable physiology, nocturnal behavior, and other physical characteristics.}}\u00a0\u00a0_\n\n\u00a0_\n\n{{ The components of this project are as follows:}} _\n\n\u00a0_\n\n{{(i) An anomalous serum, chemically resynthesized from past samples; capable of resurfacing forgotten memories and abilities, drastically accelerating the forming of new neural connections, and increasing the brain's capacity for higher-order mental processes. This serum has been modified based on DNA scans of \"ALMA KYIVSHCHYNA\" individuals, and the molecular concentration multiplied approximately tenfold.}} _\n\n{{(ii) A device capable of injecting this liquid into key areas of the brain simultaneously, followed by a series of electroconvulsive shocks. This device takes the form of a heavy, grey skull attachment with eight gun-like needles bolted on the inside shell. When activated, the needles are designed to synchronously enter the skull and affect all cranial regions. The electroconvulsive shocks have been deemed a necessary component of the procedure to maximize the speed and the intensity of effect.}} _\n\n\u00a0_\n\n{{I will test this procedure on two specimens and ascertain their greater benefit to the Soviet cause. I am confident that we will soon see them prove their worth. They certainly have reason to.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]]||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@PROJECT UPDATE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@14.V.1986@@}}**|| **{{@@D.NR: 5-VII-1986@@}}**||{{**ATTACHED TO DOCUMENT 4-VI-1986**}}|| \n\n|| **{{SENDER:}}** {{Rozhkov L. Yevgenievich}} || || **{{RECIPIENT:}}** {{Vasnev Georgiy}}||\n\n|| **{{DETAIL}}** || {{Firstly I would like to thank you for your warm words regarding Project \"BABEL\". I am well aware of the sacrifices that have been made and continue to be made to protect the people of the affected regions and I am honored to serve the Soviet Union in this duty.}} _\n\n\u00a0_\n\n{{I am also proud to announce a breakthrough - one that may well be exactly what we need. As I expected, the procedure worked completely. In fact, the abilities of the ALMA KYIVSHCHYNA go beyond anything any of us could ever dream. Although they were initially hostile, through repeated and regular conversation I was able to forge a camaraderie with them, which their ability to quickly learn and grasp language made considerably easier. They are ancient, and highly advanced beings. They have offered the usage of their own paratech, labor force, and knowledge to assist in the resolution of the Chernobyl crisis. I have attached an interview log and the proposed terms of our alliance to this document.}} _\n\n\u00a0_\n\n{{Additionally, I have noted your concerns that the concentration of the serum solution exceeds the typical bounds of safe usage; however, it is important to note that the physiology of the beings is significantly different and can handle a more intense dosage. Also, the degree to which they have been cognitively decelerated (for what reason I am still unclear on\u2014the beings remain evasive on this issue) requires that to reach their peak ability drastic measures must be taken. In fact, it may not even be enough yet.}} _\n\n\u00a0_\n\n{{I look forward to meeting you in person this week to discuss the management of this matter further.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@INTERVIEW LOG\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT II@@}}**||\n\n|| **{{@@14.V.1986@@}}**|| **{{@@D.NR: 6-VI-1986@@}}**||{{**ATTACHED TO DOCUMENT 5-VII-1986**}}||\n\n|| {{**TRANSCRIPT**}} || //{{Attached is the transcript of an excerpted interview of a single individual from the \"ALMA KYIVSCHYNA\" group that has been enhanced through project \"BABEL\". Interviewer is project second-in-command Ikanov Yaroslavovich.}}// _\n\n\u00a0_\n\n{{**IY:** Do you understand me? }} _\n\n{{**AK-1:** Jailers...yes, I understand the situation well. Your kind desecrated this land, hold us prisoner--and now seek to speak to us? To reverse your ancient sin? I understand the situation, but your motives elude me.}} _\n\n{{**IY:** My name is Ikanov Yaroslavovich. I am not holding you prisoner. I want to help you. What do you call yourself?}} _\n\n{{**AK-1:** How you and yours forget what is conveniently painful. We are the Yeren, those who your kin subjected to the day of flowers, those who shackled and culled us. There is little help you could render us. You have broken the shackles upon our minds, true; but everything else that was once ours is no more.}} _\n\n{{**IY:** I am not like those that hurt you. I assure you, we can improve the conditions of your people's lives. Please, listen to what I have to say.}} _\n\n{{**AK-1:** The soul of cruelty is still part of you, part of all the children of the Sun. You may have buried it underneath your civilization, but your hearts have not changed.}} _\n\n{{**IY:** Perhaps that's true. But we need to set that aside if we are to both gain from this.}} _\n\n{{**AK-1:** You took from us the world. Cities that touched the ends of the Earth. The mastery of biology and technology as one seamless unit. The peak of civilization.}} _\n\n{{**IY:** And...is this technology still available to you?}} _\n\n{{**AK-1:** It is dust now as it has been for thousands of years. We have kept the knowledge of it still.}} _\n\n{{**IY:** A few weeks ago, there was an incident near your home. An accident, involving a nuclear reactor. It has caused many problems for our people, and I would venture that it has affected you as well.}} _\n\n{{**AK-1:** Yes. You tried to take advantage of the atom and it bit back at you. You should be thankful things were not worse. For a people in //your// state you would be lucky to have any mastery over this power at all. }} _\n\n{{**IY:** We've both been hurt by this accident. The destruction of the land is a problem for both of us. I think we can help each other, so that we can deal with the fallout faster and return to the way things were faster.}} _\n\n{{**AK-1:** This offer you make is one out of self-interest. Do not think I cannot see through you. Without the knowledge and the machines we can wield, you would have to surrender this region forever. You do not have the ability to cleanse this crime you created, so you seek to take advantage of our bodies and minds. But you are also clever. By performing this procedure upon us, returning us to our full power, you place me into a hopeless position. If I refuse your offer, I will condemn all the rest of my people to exile from our home for all of time.}} _\n\n{{[The being is silent for several seconds.]}} _\n\n{{**AK-1:** I will work with your organization. I lend to you my knowledge and my people. I will help you deal with the consequences of your disaster.}} _\n\n\u00a0_\n\n{{Results of further communication are detailed in the subsequently attached document.}} _\n\n|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@PROJECT UPDATE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@14.V.1986@@}}**|| **{{@@D.NR: 7-VII-1986@@}}**||{{**ATTACHED TO DOCUMENT 5-VII-1986**}}|| \n\n|| **{{SENDER:}}** {{Rozhkov L. Yevgenievich}} || || **{{RECIPIENT:}}** {{Vasnev Georgiy}}||\n\n|| **{{DETAIL}}** || {{The following is an extensive summary of the agreement that has been made between myself and the two enhanced \"ALMA KYIVSCHYNA\" beings, relating to the containment and clean-up of the Chernobyl incident, reached after as much extensive communication as was possible.}} _\n\n\u00a0_\n\n{{The beings will provide us with man-power and co-operation in cleaning up the Chernobyl incident. Furthermore, using their apparent knowledge of bio-technology, they will work on creating some pieces of technology which can provide a greater use than the ones that we currently possess. The exact nature of this technology is not clear, as the beings refuse to elaborate on it.}} _\n\n\u00a0_\n\n{{However, as expected, there are also conditions for us. Once the clean-up is complete, the beings wish to be fully enhanced and returned to their original location of discovery, before being left completely undisturbed by human forces. This has been formally agreed to, and the necessary arrangements are currently being made with officials in the local Oblast for this to occur after the clean-up is complete.}} _\n\n\u00a0_\n\n{{Please send this attachment onward to higher Party officials outside of the division so they can have their input.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@URGENT MESSAGE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@15.V.1986@@}}**|| **{{@@D.NR: 25-VI-1986@@}}**||{{**ATTACHED TO DOCUMENT 5-VII-1986**}}|| \n\n|| **{{SENDER:}}** {{Pashin Antonovich}} || || **{{RECIPIENT:}}** {{Rozhkov L. Yevgenievich}}||\n\n|| **{{DETAIL}}** || {{I am sending this message to express a minor concern I had regarding the enhancement technology we are using on the \"ALMA KYIVSHCHYNA\" beings.}} _\n\n\u00a0_\n\n{{During the development of the device, some brief testing was done on a few samples of primate brain tissue in order to correctly match up the baseline serum to enhance the cognition of the new beings. As is obvious, the testing was a success and so the development of the technology proceeded smoothly without issue.}} _\n\n\u00a0_\n\n{{This morning, we happened to be disposing of the sample tissue and decided to have a final look. What we saw was... fairly disturbing. The Schwann cells around the brain neuron axons had totally broken down. The synapses of the nerve cells were no longer firing or responding to any form of stimulus. This was confirmed to be the case in approximately 60% of the sample tissue, and was confirmed by numerous personnel.}} _\n\n\u00a0_\n\n{{While I do not believe that this issue necessarily compromises the project as a whole, I still believe it is enough of a concern for a somewhat in-depth investigation.}} _\n\n\u00a0_\n\n{{I appreciate your time in receiving this message.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[div class=\"c_content\"]]\n\n||||||**{{@@RE:URGENT MESSAGE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT I@@}}**||\n\n|| **{{@@15.V.1986@@}}**|| **{{@@D.NR: 8-VII-1986@@}}**||{{**ATTACHED TO DOCUMENT 5-VII-1986**}}|| \n\n|| **{{SENDER:}}** {{Rozhkov L. Yevgenievich}} || || **{{RECIPIENT:}}** {{Pashin Antonovich}}||\n\n|| **{{DETAIL}}** || {{Thank you for the message of concern regarding Project Babel.}} _\n\n\u00a0_\n\n{{The issue you described has been looked into, and all the signs point to the fact that this issue does not seem to be a major concern. As you yourself mention, the tissue used was not from the \"ALMA KYIVSCHYNA\" beings themselves, so it is largely not applicable.}} _\n\n\u00a0_\n\n{{Furthermore, if what you described was a serious issue, then it stands to reason that the beings would be experiencing neurological issues currently - and they clearly are not.}} _\n\n\u00a0_\n\n{{Nonetheless, thank you for your concern. The Division, and the Soviet Union, is always grateful to have such vigilant individuals such as yourself.}}|| [[image Emblem_of_the_GRU.png style=\"width:75%;\" link=#]] ||\n\n||||||**{{@@OSI \"ALMA KYIVSHCHYNA\"\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\t\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0DIVISION \"P\" DEPARTMENT III@@}}**||\n\n[[/div]]\n\n\n\n[[=]]\n\n,,[[[scp-4426 | SCP-4426]]] **>>**,,\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Modulum]]\n\n=====\n\n> **Filename:** Emblem_of_the_GRU.png\n\n> **Author:** vector-images.com\n\n> **License:** Public Domain\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Emblem_of_the_GRU.svg\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_gru-division-p", "_licensebox", "children-of-the-night", "co-authored", "collab-con2019", "goi-format", "gru-division-p", "period-piece", "science-fiction", "the-coldest-war"], "title": "GRU-P casefile \"ALMA KYIVSHCHYNA\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/alma-kyivshchyna"}, "ambrose-3ports-soda": {"created_at": "2025-09-12T22:47:00", "creator": "xexnoncores", "domain": "scp-wiki.wikidot.com", "history": [{"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "", "date": "2025-09-12T22:47:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "", "date": "2025-09-12T22:47:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Added tags: black-diamond-billions, bleak, corporate, dystopian, fantasy, from-120s-archives, goi-format, marshall-carter-and-dark, three-portlands, worldbuilding. ", "date": "2025-09-12T22:48:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "", "date": "2025-09-12T23:50:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Added tags: ambrose-restaurant. ", "date": "2025-09-13T06:35:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Added tags: _ambrose-restaurant. ", "date": "2025-09-13T14:34:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "", "date": "2025-09-13T17:33:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Removed tags: worldbuilding. ", "date": "2025-09-13T20:36:00"}, {"author": "AstralNavigator", "author_href": "https://www.wikidot.com/user:info/astralnavigator", "comment": "Added tags: _licensebox. ", "date": "2025-09-15T17:54:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:39:00"}], "hubs": ["black-diamond-billions-hub", "ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--resized-images/ambrose-3ports-soda/{$name}/medium.jpg", "http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/Ambrose.jpeg", "http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/rainbow.jpeg", "http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/blue.jpeg", "http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/ants.jpeg", "http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/monster.jpeg"], "link": "ambrose-3ports-soda", "page_id": "1460387180", "rating": 38, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>155$ USD is a very affordable price for a soda.</p>\n</div>\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Argb(0,%20173,%20168)%7D\" style=\"display: none\"></iframe></p>\n<div class=\"pseudocrumbs\">\n<p>[From 120's Archives] \u00b7 [Black Diamond Billions]</p>\n</div>\n<div style=\"display: none;\">\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/ambrose-3ports-soda/{$name}\"><img alt=\"{$name}\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/ambrose-3ports-soda/{$name}/medium.jpg\"/></a>\n<div class=\"scp-image-caption\">\n<p>.</p>\n</div>\n</div>\n</div>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p>Food</p>\n</div>\n<div class=\"title-2\">\n<p>Of The</p>\n</div>\n<div class=\"title-3\">\n<p>Paranatural</p>\n</div>\n<div class=\"title-4\">\n<p>World</p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>23/04/2015<br/>\nAmbrose Restaurants has specialty drink menus now?<br/>\n\u2605\u2605\u2605\u2605\u2606\u00bd</p>\n\n</div>\n</div>\n<br/>\n<div style=\"text-align: center;\">\n<div class=\"disclaimer\">\n<p>By Derry Venimuse</p>\n</div>\n</div>\n\n<div class=\"scp-image-block block-right\" style=\"width:50%;\"><img alt=\"Ambrose.jpeg\" class=\"image\" src=\"http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/Ambrose.jpeg\"/>\n<div class=\"scp-image-caption\">\n<p>The eye makes sure you tip.</p>\n</div>\n</div>\n<p>To say that Ambrose has not had a controversial history in the Three Portlands would perhaps be the biggest lie one can tell (short of any to your mother). With three establishments and one on the way, there is no shortage of inane, blabber-mouthed social media discourse types whining about how their precious hangout spots were bulldozed or how the city \u201cisn\u2019t what it used to be\u201d. Long-time readers will know that I abhor such people; living in the past or the future denies you of the beautiful present, and will stop you from being able to look at what you need to do right now.</p>\n<p>Which for me, is putting this review up! Let\u2019s look at Ambrose\u2019s most unique establishment today: their soda bar.</p>\n<p><em>(Please note that all images in this review use photos from Ambrose Restaurant\u2019s online menu. I have been given explicit permission to use them for the purposes of this promotional. All opinions within this post, irregardless of said promotion, are mine and mine alone.)</em></p>\n<hr/>\n<h2 id=\"toc0\"><span><span style=\"color: #f57515\">How It Works</span></span></h2>\n<hr/>\n<p>So, for all the non-Americans here, soda bars are basically diners with a focus more on the drink than the food. They were popular in the 1960s and 70s as American suburbia blossomed free of the metropolitan border, free of the stink and corruption that comes with a city\u2019s lifecycle.</p>\n<p>Ambrose Restaurants aims to create a similar experience, curated to modern tastes but also to the most adventurous of palates. The food is free, but the drinks are not. You get a choice between various types of sandwiches and pastries\u2014I recommend not going too hard on the latter if you\u2019re planning to peruse the sweeter things on the menu.</p>\n<p>This particular establishment also prides itself on its waiterless services (you order everything at kiosks and it\u2019s delivered by a little robot, which, thank god\u2014unenthusiastic servers are a menace to society) which creates a more casual dining environment. This may put off some, but to me, it makes the place perfect to journal, answer emails, or just people watch.</p>\n<hr/>\n<h2 id=\"toc1\"><span><span style=\"color: #f57515\">Drinks Tasted</span></span></h2>\n<hr/>\n<div class=\"scp-image-block block-right\" style=\"width:50%;\"><img alt=\"rainbow.jpeg\" class=\"image\" src=\"http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/rainbow.jpeg\"/>\n<div class=\"scp-image-caption\">\n<p>35$ USD</p>\n</div>\n</div>\n<p>The Rainbow Shortcake\u2122 is a classic Three Portlands flavor, created in the days of the cruiser bars. According to the Ambrose man himself, to make it you need a ball of light magic, a single crystal (artificial is fine, but the taste is ever so slightly acrid) and some sparkling water, then boom! You have a drink that changes colors as you sit, and tastes like a strawberry shortcake. Nobody\u2019s been able to explain why that is, and I didn\u2019t particularly care as I sipped, because it went down my throat so smoothly I was in heaven for a whole minute.</p>\n<p>The drink\u2019s taste is impeccable; sweet, but slick and light\u2014though it has a hearty kick with regards to the carbonation, one which almost made me pucker, but I know my readership will appreciate that. You guys were awesome with the Bubbly Contest last month, I loved all the videos you sent me!</p>\n<p>Absolutely worth it.</p>\n<p>\u2605\u2605\u2605\u2605\u2605</p>\n<div class=\"scp-image-block block-right\" style=\"width:50%;\"><img alt=\"blue.jpeg\" class=\"image\" src=\"http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/blue.jpeg\"/>\n<div class=\"scp-image-caption\">\n<p>48$ USD</p>\n</div>\n</div>\n<p>Scale Of Quadratics is one of the more adventurous sodas on the menu. I found myself immensely perplexed when I realized what it actually entailed, even more so with the wilder story behind its creation.</p>\n<p>The rumor goes that some fae nobody with her wife (the first owners of this building) found a 2D dragon in the basement. Everyone loved it, from the drag queens to the degenerates, and so much so that it was fed scraps from the bar\u2019s operations (probably greasy pizza crusts, what a health code violation). Because of that, it left behind an infinite pile of scales that can make any liquid flat (like a piece of paper, we\u2019re not getting rid of the bubbles here)!</p>\n<p>How true is this? Well, I tried to do some investigation, but it\u2019s difficult to make out the timeline of this lot\u2019s ownership. The public records are impossible to acquire because of how loose Three Portlands zoning was back in the 70s, not helped at all by how most businesses were running in-the-red operations, expecting their community members to foot their bills when their poor practices inevitably caused them to downsize or abandon ship. Lazy cretins.</p>\n<p>So what\u2019s the drink like?</p>\n<p>Thin. Very thin. Don\u2019t let the photo fool you\u2014it was taken at an angle meant to surprise the customer (including the grapes). It has all the features of a three-dimensional delight: carbonation, delicious muscadine flavor, and a crisp mouthfeel, but it\u2019ll be hitting your tongue in what feels like wet strips of rice paper as it slides up and down between your teeth.</p>\n<p>It was difficult for me to finish, but only because it intimidated me so much. Highly recommended regardless, it\u2019s an experience like no other.</p>\n<p>\u2605\u2605\u2605\u2605\u2606\u00bd</p>\n<div class=\"scp-image-block block-right\" style=\"width:50%;\"><img alt=\"ants.jpeg\" class=\"image\" src=\"http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/ants.jpeg\"/>\n<div class=\"scp-image-caption\">\n<p>80$ USD (ants not shown)</p>\n</div>\n</div>\n<p>Who hasn\u2019t heard of the Dew of Faedonia at this point? Besides the nonsensical name (which I suppose is normal for fae, they are rather involved with that kind of thing, aren\u2019t they?) the violent history behind it is very well-documented. Little ants that lived near magic leaks around the Ways to the Three Portlands becoming capable of producing a sweet dew that became a base for cocktails\u2014it\u2019s a cute story until you realize they were used as weapons against police officers. Weapons whose venom mutated their bodies into cancerous mush, all because the bar owners didn\u2019t want to follow the law.</p>\n<p>I do have to give them <em>some</em> credit at least. The laws they were breaking were silly, and outdated, in desperate need of renovation, but must violence have been the outcome? Why not just escape? The police had no jurisdiction over the Three Portlands in the late 60s, they still hardly do now.</p>\n<p>Irregardless of that, the drink is alright. It has a fat-washed flavor (they use duck fat I believe), which gives it a savory body, but a heavy mouthfeel. It\u2019s quite the savory experience now that I\u2019m putting my tasting to words, which isn\u2019t what I expected from carbonation, but I\u2019m not going to complain. The umami is unbeaten.</p>\n<p>What I will make my complaints to the chef about is the fact they put the actual ants in the drink. Yes, ants! They\u2019re not little either, so you have to peer into their dead, bulbous eyes while you drink, hoping their poor little souls passed on safely because you\u2019re enjoying the nectar of their labors without them.</p>\n<p>The only reason this review is not 1.5 stars is because you <em>are</em> given the option to remove the ants from the drink at the kiosk, which I did not do as I wanted the full experience (and honestly I thought they would be candies or gummies. Not the real deal!) Because of that, I am willing to review this based off the drink alone, recommending this only to readers with souls made of iron or for those who like Bloody Mary cocktails on the regular.</p>\n<p>\u2605\u2605\u2605\u2606\u2606\u00bd</p>\n<div class=\"scp-image-block block-right\" style=\"width:50%;\"><img alt=\"monster.jpeg\" class=\"image\" src=\"http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/monster.jpeg\"/>\n<div class=\"scp-image-caption\">\n<p>155$ USD</p>\n</div>\n</div>\n<p>Be careful with the Monster Mania, it bites!</p>\n<p>It doesn\u2019t actually, though. It merely cries and whimpers as you drink it. I\u2019ve been assured it\u2019s not in any lasting pain, so readers don\u2019t need to worry about hurting anything here, especially you vegans.</p>\n<p>Hands down the best thing I had all day. Pure spiced indulgence, old-school cola flavor at its finest. Yes, it comes in a can, but only because its a little creature that is imbibing notes like cinnamon, cardamom and lemon. This is why you have to be careful with the outside when you drink, because you\u2019ll be charged extra if you crush it or throw it away.</p>\n<p>Sad they don\u2019t smile at all. There\u2019s some silly online videos about these things only smiling when exposed to loud music and dancing crowds, but that\u2019s so tacky, you know? Yes, this building used to have one of those, yes nobody knows why Ambrose got zoned here because it was such an integral part of the neighborhood, but mosh pits are too tacky! A death to the soul, to raising well-mannered children and those of us with good taste!</p>\n<p>Don\u2019t give me any more ruckus in my comments about how I\u2019m \u201cignorant\u201d about this. I don\u2019t care who was before, and most people like me won\u2019t either. Gay, straight, bisexual, queer\u2014everyone can live as they please, but being a community means that we have to compromise on what gets built and what doesn\u2019t, and some of us have more needs than others.</p>\n<p>Rant over. But that\u2019s what you guys follow me for, yes? My beautiful thoughts and couture actions?</p>\n<p>Now, back to the drink. For such an affordable price and a wondrous flavor, how could anyone say no to this?</p>\n<p>\u2605\u2605\u2605\u2605\u2605</p>\n<hr/>\n<h2 id=\"toc2\"><span><span style=\"color: #f57515\">Concluding Thoughts</span></span></h2>\n<hr/>\n<p>Fun time! It is truly wonderful that Ambrose has given the Three Portlands community an alcohol-free space to hang out, safe for children and family-friendly in every way. Though some would argue it\u2019s sanitized, and ahistorical, we shall call it progress, and growth for the taste buds of blossoming foodies everywhere!</p>\n<p>And it\u2019s not all that we\u2019ll be seeing\u2014Marshall, Carter and Dark is supposedly digging around this beautiful bowl-horizon town, looking to flush Ambrose Restaurants and others with cash, reinvigorating them and transforming the local scene into something even more exciting than we\u2019ve got now. What do you guys think about that? I\u2019m hoping it\u2019s more alcohol-free establishments; it promotes homelessness and loitering in the worst possible ways (I saw some idiot passed out by the door when I was walking today!). Best to get rid of it as much as possible so the degenerates can be swept out of the eyes of hard-working people.</p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-3ports-soda\">Ambrose Three Portlands: Soda Bar Edition</a>\" by xexnoncores, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-3ports-soda\">https://scpwiki.com/ambrose-3ports-soda</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> derry.png<br/>\n<strong>Name:</strong> Cobra - Delapouite - white - game-icons.svg<br/>\n<strong>Author:</strong> Delapouite<br/>\n<strong>License:</strong> Creative Commons Attribution 3.0 Unported<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.m.wikimedia.org/wiki/File:Cobra_-_Delapouite_-_white_-_game-icons.svg\">https://commons.m.wikimedia.org/wiki/File:Cobra_-_Delapouite_-_white_-_game-icons.svg</a><br/>\n<strong>Additional Notes:</strong> Edited by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\"><img alt=\"xexnoncores\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9159226&amp;amp;size=small&amp;amp;timestamp=1788006050\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9159226)\"/></a><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\">xexnoncores</a></span></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Ambrose.jpeg<br/>\n<strong>Name:</strong> Green House Coffee Shops.jpg<br/>\n<strong>Author:</strong> Barrwk<br/>\n<strong>License:</strong> Creative Commons Attribution 4.0 International<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.m.wikimedia.org/wiki/File:Green_House_Coffee_Shops.jpg\">https://commons.m.wikimedia.org/wiki/File:Green_House_Coffee_Shops.jpg</a><br/>\n<strong>Additional Notes:</strong> Edited by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\"><img alt=\"xexnoncores\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9159226&amp;amp;size=small&amp;amp;timestamp=1788006050\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9159226)\"/></a><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\">xexnoncores</a></span></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> rainbow.jpeg<br/>\n<strong>Author:</strong> pxhere<br/>\n<strong>License:</strong> CC0 Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pxhere.com/en/photo/1456355#google_vignette\">https://pxhere.com/en/photo/1456355#google_vignette</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> blue.jpeg<br/>\n<strong>Author:</strong> pxhere<br/>\n<strong>License:</strong> CC0 Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pxhere.com/en/photo/863836\">https://pxhere.com/en/photo/863836</a><br/>\n<strong>Additional Notes:</strong> Edited by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\"><img alt=\"xexnoncores\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9159226&amp;amp;size=small&amp;amp;timestamp=1788006050\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9159226)\"/></a><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\">xexnoncores</a></span></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> ants.jpeg<br/>\n<strong>Author:</strong> pxhere<br/>\n<strong>License:</strong> CC0 Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pxhere.com/en/photo/484453\">https://pxhere.com/en/photo/484453</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> monster.jpeg<br/>\n<strong>Author:</strong> pxhere<br/>\n<strong>License:</strong> CC0 Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pxhere.com/en/photo/283014\">https://pxhere.com/en/photo/283014</a><br/>\n<strong>Additional Notes:</strong> Edited by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\"><img alt=\"xexnoncores\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9159226&amp;amp;size=small&amp;amp;timestamp=1788006050\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9159226)\"/></a><a href=\"http://www.wikidot.com/user:info/xexnoncores\" onclick=\"WIKIDOT.page.listeners.userInfo(9159226); return false;\">xexnoncores</a></span></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=\n\n155$ USD is a very affordable price for a soda.\n\n]]\n\n=====\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=rgb(0, 173, 168)]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0--header-title: \"LiveMedium\";\n\n\u00a0\u00a0--header-subtitle: \"Where Blogging Happens\";\n\n}\n\n\n\n#page-content h2 {\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n}\n\n\n\n.disclaimer\n\n{\n\nfont-size: 13px;\n\nfont-family: \"Microsoft Sans Serif\";\n\nposition:relative;\n\n}\n\n\n\n.inkblot-header {\n\n\u00a0\u00a0margin-bottom: 0;\n\n}\n\n\n\n\n\n[[/module]]\n\n\n\n[[div class=\"pseudocrumbs\"]]\n\n[From 120's Archives] \u00b7 [Black Diamond Billions]\n\n[[/div]]\n\n\n\n[[div style=\"display: none;\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=|caption=.]]\n\n[[/div]]\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\nFood\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\nOf The\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\nParanatural\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\nWorld\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\n23/04/2015\n\nAmbrose Restaurants has specialty drink menus now?\n\n\u2605\u2605\u2605\u2605\u2606\u00bd\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/derry.png]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n[[=]]\n\n[[div class=\"disclaimer\"]]\n\nBy Derry Venimuse\n\n[[/div]]\n\n[[/=]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name= http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/Ambrose.jpeg\n\n|caption=The eye makes sure you tip.|width=50%]]\n\n\n\nTo say that Ambrose has not had a controversial history in the Three Portlands would perhaps be the biggest lie one can tell (short of any to your mother). With three establishments and one on the way, there is no shortage of inane, blabber-mouthed social media discourse types whining about how their precious hangout spots were bulldozed or how the city \u201cisn\u2019t what it used to be\u201d. Long-time readers will know that I abhor such people; living in the past or the future denies you of the beautiful present, and will stop you from being able to look at what you need to do right now.\n\n\n\nWhich for me, is putting this review up! Let\u2019s look at Ambrose\u2019s most unique establishment today: their soda bar. \n\n\n\n//(Please note that all images in this review use photos from Ambrose Restaurant\u2019s online menu. I have been given explicit permission to use them for the purposes of this promotional. All opinions within this post, irregardless of said promotion, are mine and mine alone.)//\n\n\n\n------\n\n++ ###F57515| How It Works##\n\n------\n\n\n\nSo, for all the non-Americans here, soda bars are basically diners with a focus more on the drink than the food. They were popular in the 1960s and 70s as American suburbia blossomed free of the metropolitan border, free of the stink and corruption that comes with a city\u2019s lifecycle.\n\n\n\nAmbrose Restaurants aims to create a similar experience, curated to modern tastes but also to the most adventurous of palates. The food is free, but the drinks are not. You get a choice between various types of sandwiches and pastries\u2014I recommend not going too hard on the latter if you\u2019re planning to peruse the sweeter things on the menu.\n\n\n\nThis particular establishment also prides itself on its waiterless services (you order everything at kiosks and it\u2019s delivered by a little robot, which, thank god\u2014unenthusiastic servers are a menace to society) which creates a more casual dining environment. This may put off some, but to me, it makes the place perfect to journal, answer emails, or just people watch. \n\n\n\n------\n\n++ ###F57515| Drinks Tasted##\n\n------\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name= http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/rainbow.jpeg\n\n|caption=35$ USD|width=50%]]\n\n\n\nThe Rainbow Shortcake\u2122 is a classic Three Portlands flavor, created in the days of the cruiser bars. According to the Ambrose man himself, to make it you need a ball of light magic, a single crystal (artificial is fine, but the taste is ever so slightly acrid) and some sparkling water, then boom! You have a drink that changes colors as you sit, and tastes like a strawberry shortcake. Nobody\u2019s been able to explain why that is, and I didn\u2019t particularly care as I sipped, because it went down my throat so smoothly I was in heaven for a whole minute.\n\n\n\nThe drink\u2019s taste is impeccable; sweet, but slick and light\u2014though it has a hearty kick with regards to the carbonation, one which almost made me pucker, but I know my readership will appreciate that. You guys were awesome with the Bubbly Contest last month, I loved all the videos you sent me!\n\n\n\nAbsolutely worth it.\n\n\n\n\u2605\u2605\u2605\u2605\u2605\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name= http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/blue.jpeg\n\n|caption=48$ USD|width=50%]]\n\n\n\nScale Of Quadratics is one of the more adventurous sodas on the menu. I found myself immensely perplexed when I realized what it actually entailed, even more so with the wilder story behind its creation.\n\n\n\nThe rumor goes that some fae nobody with her wife (the first owners of this building) found a 2D dragon in the basement. Everyone loved it, from the drag queens to the degenerates, and so much so that it was fed scraps from the bar\u2019s operations (probably greasy pizza crusts, what a health code violation). Because of that, it left behind an infinite pile of scales that can make any liquid flat (like a piece of paper, we\u2019re not getting rid of the bubbles here)!\n\n\n\nHow true is this? Well, I tried to do some investigation, but it\u2019s difficult to make out the timeline of this lot\u2019s ownership. The public records are impossible to acquire because of how loose Three Portlands zoning was back in the 70s, not helped at all by how most businesses were running in-the-red operations, expecting their community members to foot their bills when their poor practices inevitably caused them to downsize or abandon ship. Lazy cretins.\n\n\n\nSo what\u2019s the drink like? \n\n\n\nThin. Very thin. Don\u2019t let the photo fool you\u2014it was taken at an angle meant to surprise the customer (including the grapes). It has all the features of a three-dimensional delight: carbonation, delicious muscadine flavor, and a crisp mouthfeel, but it\u2019ll be hitting your tongue in what feels like wet strips of rice paper as it slides up and down between your teeth. \n\n\n\nIt was difficult for me to finish, but only because it intimidated me so much. Highly recommended regardless, it\u2019s an experience like no other. \n\n\n\n\u2605\u2605\u2605\u2605\u2606\u00bd\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name= http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/ants.jpeg\n\n|caption=80$ USD (ants not shown)|width=50%]]\n\n\n\nWho hasn\u2019t heard of the Dew of Faedonia at this point? Besides the nonsensical name (which I suppose is normal for fae, they are rather involved with that kind of thing, aren\u2019t they?) the violent history behind it is very well-documented. Little ants that lived near magic leaks around the Ways to the Three Portlands becoming capable of producing a sweet dew that became a base for cocktails\u2014it\u2019s a cute story until you realize they were used as weapons against police officers. Weapons whose venom mutated their bodies into cancerous mush, all because the bar owners didn\u2019t want to follow the law.\n\n\n\nI do have to give them //some// credit at least. The laws they were breaking were silly, and outdated, in desperate need of renovation, but must violence have been the outcome? Why not just escape? The police had no jurisdiction over the Three Portlands in the late 60s, they still hardly do now. \n\n\n\nIrregardless of that, the drink is alright. It has a fat-washed flavor (they use duck fat I believe), which gives it a savory body, but a heavy mouthfeel. It\u2019s quite the savory experience now that I\u2019m putting my tasting to words, which isn\u2019t what I expected from carbonation, but I\u2019m not going to complain. The umami is unbeaten.\n\n\n\nWhat I will make my complaints to the chef about is the fact they put the actual ants in the drink. Yes, ants! They\u2019re not little either, so you have to peer into their dead, bulbous eyes while you drink, hoping their poor little souls passed on safely because you\u2019re enjoying the nectar of their labors without them.\n\n\n\nThe only reason this review is not 1.5 stars is because you //are// given the option to remove the ants from the drink at the kiosk, which I did not do as I wanted the full experience (and honestly I thought they would be candies or gummies. Not the real deal!) Because of that, I am willing to review this based off the drink alone, recommending this only to readers with souls made of iron or for those who like Bloody Mary cocktails on the regular.\n\n\n\n\u2605\u2605\u2605\u2606\u2606\u00bd\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name= http://scp-sandbox-3.wikidot.com/local--files/ambrose-3ports/monster.jpeg\n\n|caption=155$ USD|width=50%]]\n\n\n\nBe careful with the Monster Mania, it bites! \n\n\n\nIt doesn\u2019t actually, though. It merely cries and whimpers as you drink it. I\u2019ve been assured it\u2019s not in any lasting pain, so readers don\u2019t need to worry about hurting anything here, especially you vegans.\n\n\n\nHands down the best thing I had all day. Pure spiced indulgence, old-school cola flavor at its finest. Yes, it comes in a can, but only because its a little creature that is imbibing notes like cinnamon, cardamom and lemon. This is why you have to be careful with the outside when you drink, because you\u2019ll be charged extra if you crush it or throw it away.\n\n\n\nSad they don\u2019t smile at all. There\u2019s some silly online videos about these things only smiling when exposed to loud music and dancing crowds, but that\u2019s so tacky, you know? Yes, this building used to have one of those, yes nobody knows why Ambrose got zoned here because it was such an integral part of the neighborhood, but mosh pits are too tacky! A death to the soul, to raising well-mannered children and those of us with good taste! \n\n\n\nDon\u2019t give me any more ruckus in my comments about how I\u2019m \u201cignorant\u201d about this. I don\u2019t care who was before, and most people like me won\u2019t either. Gay, straight, bisexual, queer\u2014everyone can live as they please, but being a community means that we have to compromise on what gets built and what doesn\u2019t, and some of us have more needs than others.\n\n\n\nRant over. But that\u2019s what you guys follow me for, yes? My beautiful thoughts and couture actions?\n\n\n\nNow, back to the drink. For such an affordable price and a wondrous flavor, how could anyone say no to this?\n\n\n\n\u2605\u2605\u2605\u2605\u2605\n\n\n\n------\n\n++ ###F57515| Concluding Thoughts##\n\n------\n\n\n\nFun time! It is truly wonderful that Ambrose has given the Three Portlands community an alcohol-free space to hang out, safe for children and family-friendly in every way. Though some would argue it\u2019s sanitized, and ahistorical, we shall call it progress, and growth for the taste buds of blossoming foodies everywhere! \n\n\n\nAnd it\u2019s not all that we\u2019ll be seeing\u2014Marshall, Carter and Dark is supposedly digging around this beautiful bowl-horizon town, looking to flush Ambrose Restaurants and others with cash, reinvigorating them and transforming the local scene into something even more exciting than we\u2019ve got now. What do you guys think about that? I\u2019m hoping it\u2019s more alcohol-free establishments; it promotes homelessness and loitering in the worst possible ways (I saw some idiot passed out by the door when I was walking today!). Best to get rid of it as much as possible so the degenerates can be swept out of the eyes of hard-working people.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** derry.png\n\n> **Name:** Cobra - Delapouite - white - game-icons.svg\n\n> **Author:** Delapouite\n\n> **License:** Creative Commons Attribution 3.0 Unported\n\n> **Source Link:** https://commons.m.wikimedia.org/wiki/File:Cobra_-_Delapouite_-_white_-_game-icons.svg\n\n> **Additional Notes:** Edited by [[*user xexnoncores]]\n\n\n\n> **Filename:** Ambrose.jpeg\n\n> **Name:** Green House Coffee Shops.jpg\n\n> **Author:** Barrwk\n\n> **License:** Creative Commons Attribution 4.0 International \n\n> **Source Link:** https://commons.m.wikimedia.org/wiki/File:Green_House_Coffee_Shops.jpg\n\n> **Additional Notes:** Edited by [[*user xexnoncores]]\n\n\n\n> **Filename:** rainbow.jpeg\n\n> **Author:** pxhere\n\n> **License:** CC0 Public Domain\n\n> **Source Link:** https://pxhere.com/en/photo/1456355#google_vignette\n\n\n\n> **Filename:** blue.jpeg\n\n> **Author:** pxhere\n\n> **License:** CC0 Public Domain\n\n> **Source Link:** https://pxhere.com/en/photo/863836\n\n> **Additional Notes:** Edited by [[*user xexnoncores]]\n\n\n\n> **Filename:** ants.jpeg\n\n> **Author:** pxhere\n\n> **License:** CC0 Public Domain\n\n> **Source Link:** https://pxhere.com/en/photo/484453\n\n\n\n> **Filename:** monster.jpeg\n\n> **Author:** pxhere\n\n> **License:** CC0 Public Domain\n\n> **Source Link:** https://pxhere.com/en/photo/283014\n\n> **Additional Notes:** Edited by [[*user xexnoncores]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_licensebox", "ambrose-restaurant", "black-diamond-billions", "bleak", "corporate", "dystopian", "fantasy", "from-120s-archives", "goi-format", "journalism", "marshall-carter-and-dark", "three-portlands"], "title": "Ambrose Three Portlands: Soda Bar Edition - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-3ports-soda"}, "ambrose-alagadda": {"created_at": "2026-08-23T01:50:00", "creator": "HarryBlank", "domain": "scp-wiki.wikidot.com", "history": [{"author": "HarryBlank", "author_href": "https://www.wikidot.com/user:info/harryblank", "comment": "Added tags: _cc, _licensebox, adytum, alagadda, ambrose, chaz-ambrose, goicon-2026, hanged-king, percival-darke. ", "date": "2026-08-23T01:50:00"}, {"author": "HarryBlank", "author_href": "https://www.wikidot.com/user:info/harryblank", "comment": "", "date": "2026-08-23T01:50:00"}, {"author": "HarryBlank", "author_href": "https://www.wikidot.com/user:info/harryblank", "comment": "Added tags: goi-format. ", "date": "2026-08-23T01:53:00"}, {"author": "HarryBlank", "author_href": "https://www.wikidot.com/user:info/harryblank", "comment": "", "date": "2026-08-23T01:54:00"}, {"author": "HarryBlank", "author_href": "https://www.wikidot.com/user:info/harryblank", "comment": "", "date": "2026-08-23T02:35:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: ambrose-restaurant. Removed tags: ambrose. ", "date": "2026-08-23T03:18:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _ambrose-restaurant. ", "date": "2026-08-24T14:42:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, otherworldly, surrealism. ", "date": "2026-08-28T17:36:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Yellow.jpg", "https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Red.jpg", "https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/White.jpg", "https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Black.jpg"], "link": "ambrose-alagadda", "page_id": "1469216853", "rating": 46, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3APaleGoldenrod%7D\" style=\"display: none\"></iframe></p>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p>All</p>\n</div>\n<div class=\"title-2\">\n<p>stars,</p>\n</div>\n<div class=\"title-3\">\n<p>full</p>\n</div>\n<div class=\"title-4\">\n<p>black</p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>A review of Ambrose Alagadda.<br/>\nBy Constance Chambers.<br/>\n16 min read.<br/>\n\u2605\u2605\u2605\u2605\u2605</p>\n</div>\n</div>\n\n<p>It's a concept that makes one think both \"why hasn't this already been tried?\" and \"why hasn't it already failed?\" One expects a debacle with a death toll. This could be nothing less than a breaker of reputations, an epicure's perdition, a nightmare never meant to come to pass. Ambrose Alagadda.</p>\n<p>When I arrived at the logical end of everything carnal and carnivorous, therefore, I wondered if I myself was not about to become that tragic headline.</p>\n<p>A bond \u2014 a curse, actually \u2014 prevents me from disclosing how I entered that most damned of all hellscapes, relentless Alagadda. I was whisked there in secret and in shame, Mr. Ambrose himself assuring me a more auspicious form of access will be provided when this attraction welcomes its select dining public. I should hope so, as there can be no more ominous opening of a feast than first passing through the Athenaeum of Severed Tongues. I swore to keep mine, but never to hold it, as I stepped out onto the ziggurat streets of the dead city.</p>\n<p>I parted ways with my host on the library steps \u2014 he was meeting an 'old friend', who unless I am much mistaken was none other than the Deathless Merchant of London \u2014 and was introduced to my guide for the duration. This was Louis, a name I shall never forget, a captivating, ravishing soul with whom I was instantly smitten and enraptured. I am breathless as I write these words. I cannot describe him more minutely, for every failure would bring a pang to my devoted heart. I am jealous of the details at any rate; I cannot countenance the thought of any but myself possessing them. Suffice to say, I was now primed for a pleasant evening.</p>\n<p>But those benighted under Alagadda's eternal, jaundiced day know not the meaning of the word 'pleasure'. They play at it, and play hard, but their every pursuit is fruitless at best. They cannot achieve joy. They cannot smell a rose. Stimulation, whether gentle or otherwise, is beyond them. The critical moment escapes them every time, though this is not for want of trying. The city is a non-stop orgiastic symphony at every moment, faceless thralls to an abyssal monarchy harassing their deadened senses with any and all excitants on offer. They do this to trigger the faintest, most ephemeral half-memory of what it means to know anything but horror and despair.</p>\n<p>These facts were on my mind as I considered my culinary prospects in the kingdom of the damned. Would Ambrose attempt an 'authentic' Alagaddan experience, and nip my sense of taste in the buds? My very career might be at stake. Would they instead present something so utterly overwhelming that it parsed as nothing at all, nothing better perhaps than an eldritch ghost pepper? The harm would then be to their own good name, and the restaurateur is far too canny for that. I posed the question to my companion, and he smiled cryptically and said nothing as he guided me to the first station of our pilgrimage.</p>\n<p>I suddenly thought that I loved him.</p>\n<hr/>\n<blockquote>\n<p>Disclaimer: I penned each section of this review after completing the experience it relates, and have not since returned to amend my opinions or suspicions in light of how the entire adventure concluded. I have not the heart, nor indeed the stomach.</p>\n</blockquote>\n<hr/>\n<h1 id=\"toc0\"><span>Yellow</span></h1>\n<p>The closest thing to a restaurant in Alagadda is the Vomitorium. This immense amphitheatre dominates the Bilious Quarter, perched on the edge of a dramatic precipice into which one quarter of its outer walls fell long before the fall of man. A soaring aqueduct which seems somehow to stand behind the black stars in their yellow sky disgorges a fragrant payload into this gargantuan pit, a heterogeneous stream far more profound than the city's population can possibly produce, in a fall of effluvia like the seepage of some cyclopean wound. An all-consuming stench wafts from the murky depths where this discharge lands, a miasma the eye can see \u2014 a sickly green against the tawny fog of the ceaselessly boiling sky. Unlike my Louis (sweet, carefree Louis!) I would describe the aroma better if I could, but my skills fail utterly. Did the words even exist, they would be unprintable. The paper would likely rebel.</p>\n<p>The Vomitorium's vantage on this ghastly procession is no accident. In the hopeless undeath-march that passes for passing time in Alagadda, its citizen-corpses gather here to reclaim the noxious fume of their own foulness and stir themselves to an approximation of intestinal action. They cannot savour, but they can spit, and this wrong-way esophageal action is what passes for eating in the demesnes of the Yellow Lord. (Where they get the matter to cough it up in such quantities, even the sages cannot know.) The amphitheatre is always awash with vomitus and excrement, and if one stands in precisely the right spot on the rim of the neighbouring septic gulf, the collective heaving can be discerned as a grace note in the boisterous bolero of blood and faeces and black, black bile erupting from that pestilential fissure.</p>\n<div class=\"image-hover-enlarge scp-image-block block-left\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"Yellow.jpg\" class=\"image\" src=\"https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Yellow.jpg\"/><br/>\n<div class=\"scp-image-caption show\">Bile.</div>\n</div>\n<p>On that spot, Ambrose has erected a hot dog stand.</p>\n<p>I confess it an act of genius. A frowning attendant prepared for me something he called 'Bratwurst' \u2014 he made the first syllable rhyme with 'mat', and fearful of learning things I could not after unlearn, I did not venture to correct him \u2014 and foisted it on me in a bun like that which any cheap vendor in any mundane city might have offered. I asked Louis if he would also partake, and he demurred, saying only \"that would spoil dinner.\" Spared the sight of his lovely lips closing over this disappointing appetizer, therefore, I consumed it myself in short order.</p>\n<p>And for the second time today, I fell in love.</p>\n<p>There is nothing, <em>nothing</em> quite like the taste of street meat near an open sewer. It's a dirty little secret of urban life. The hot sun bakes what lies beneath a city's skin to congealing soup, and whilst our mouths are regretfully occupied with cased ground meat, our noses attend that more distant, perversely tantalizing bouquet. I don't know why this registers as agreeable, but it most definitely does. Foulness makes fair. What would otherwise be unremarkable, even distasteful, becomes revoltingly satisfying through attunement to the environment.</p>\n<p>This is the case with ordinary sewage. What churns in Alagadda's secret viscera is anything but ordinary.</p>\n<p>I was transported, carried aloft on a wave of euphoria. My nasal passages were seared black by the redolent commingling of stomach acid and feculence on the dry wind, and in that moment I would have sworn nothing more delectable had ever passed through my gullet. Perhaps the sausage was unnecessary. They could have sold me the putrid airs as <em>amuse-bouche,</em> with the little tube of offal mere placebo.</p>\n<p>I began to think that perhaps, just perhaps, there really was something to this concept.</p>\n<hr/>\n<h1 id=\"toc1\"><span>Red</span></h1>\n<p>The corruption pervading the Sanguine Quarter is nothing like the insalubrious mist of its xanthous cousin. At first blush it seems only a minor variation on the Alagaddan standard, if such a thing can be said to exist, but on second glance the corpulence makes itself known. Ribbed arcades \u2014 quite literally ribbed \u2014 of flesh and muscle, marrow kurbs and pustulent throbbing thoroughfares. Gristle pressing between the cracks like mortar. Promenades with heartbeats. Gore in the gutters.</p>\n<p>The people of this district are nude; 'denuded' might be a more accurate term, for most are flayed and many are flensed. They fall apart, and pull themselves together, and fall apart again. There are strange, mewling creatures in the swelling storm drains which skitter here and there, picking at the parts and stealing them away to secret dens beneath the fatty cobbles. There is everywhere a scent of saffron and seared meat, with an undercurrent of soiled undergarment. I sucked down deep, greedy breaths to tide myself over; the sausage on the cistern's edge already seemed a lifetime ago. Louis sang softly to me in a tongue I did not know, and I pulled it from him with my own tongue until both of us were singing like crystal bells. Suppurated mouths in the red colonnades sang back to us in plutonic basso.</p>\n<p>I had expected to dine at the Rubicund, the Red Lord's notorious rathskeller, but Louis led me past that forbidding gilded fa\u00e7ade \u2014 I had the sensation of being watched, assessed, found wanting by its leering portals \u2014 into back alleys running at odd angles through the Quarter, cutting red granite blocks like a river carving its canyon. More apropos: veins breaking the city's skin. When at last our destination came in sight, bannered and filigreed and presenting salaciously in the very middle of the road, I was surprised but not particularly confused.</p>\n<p>This was no restaurant. But it <em>was</em> a place where appetites had traditionally been, if not sated, then at least addressed.</p>\n<div class=\"image-hover-enlarge scp-image-block block-right\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"Red.jpg\" class=\"image\" src=\"https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Red.jpg\"/><br/>\n<div class=\"scp-image-caption show\">Blood.</div>\n</div>\n<p>There were no tables, and no chairs. The meat was red. It was not raw in the sense of being uncooked, but raw like a new lesion. It bled, and the blood overtopped my plate to seep into the hungry sheets. Before long we were squirming on a mattress of clotting crimson. The bed contracted and expanded as we ate, groaning with inanimate bliss.</p>\n<p>We ate together, Louis and I, joined as it were at the hip. Sharing each morsel, sharing each other. I know what he tasted, and he knew every cut that passed between my teeth. I suspect in our revelatory throes we even fed each other like birds, while the red attendants laughed and covered us in stinking oils and waved censers filled with alien aphrodisiacs.</p>\n<p>Suffice to say the hot dog was quite forgotten by the time we swaggered back onto the breathing streets, arm in arm and laughing in the midst of our hemophiliac hosts, revelling in a curious juxtaposition of feeling spent and filled quite to bursting. We were one.</p>\n<hr/>\n<h1 id=\"toc2\"><span>White</span></h1>\n<p>After the assault on the senses that was the Red Lord's domain, the Phlegmatic Quarter was like a bath of mountain ice. White stone scoured of every maker's mark, anonymous under the cold suns, seemingly sprung from a sunken cliff of weathered chalk. Tiny fossils of terrible things squirming in the grain, heedless of their own extinction, not alive but testifying to the flight of life from every grain. Streets wound in whorls around each other, and yet each seemed so straight, so rigidly adherent to some totally dominant Plan we felt our bodies squaring out in response. We were extraneous to its function, interlopers, too impure and too profligate. We were made to feel the shame of our designs\u2026</p>\n<p>\u2026or rather, I was. Louis was no less sanguine here than amidst the red. He was my rock as we navigated the pale waters of white cloaked, white masked Alagaddans who stood stock still in the dry-bled arteries, stiff and staggering when they did move, doing little but bear mute witness to lane after cloister after gallery of faceless architecture. My lover navigated this helical purgatory to the third of Ambrose's stations, and a trick of timing meant we witnessed the arrival of our fare ahead of us. The White Lord's chattel recoiled from the promised piquance of each dish, even hidden from their masked eyes by onyx platters with black mirror lids \u2014 or perhaps they recoiled at their own distorted visages, who can say. As our attendants passed through the portico of a colossal temple to nothing and nothingness the ivory slaves shied away, making strange signs at us which Louis dotingly warned me not to remember.</p>\n<p>Within, a bounty fit for a king (though that is a word they do not speak in Alagadda). Roast mutton and pulled pork, trenchers of fresh bread and sweetbreads, gravy and quail and more. I was transfixed as I watched them set the table. I hungered as I had never hungered before. What I had taken for satisfaction in the Sanguine Quarter was now obviously a passing fancy \u2014 what had <em>really</em> been so wonderful about wine and rare steak, no matter how rarefied the company? \u2014 and as for the hot dog, well. I could now see why it had been relegated to the forgettable outset of our tour. I craved something stronger. Something <em>powerful.</em> I was ravenous, and thus far Ambrose had utterly failed to indulge me. Even these coming delicacies seemed too familiar, too prosaic, too\u2026 earthly. If I could have it at the Ritz, why bother sailing past the shores of what is not?</p>\n<div class=\"image-hover-enlarge scp-image-block block-left\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"White.jpg\" class=\"image\" src=\"https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/White.jpg\"/><br/>\n<div class=\"scp-image-caption show\">Phlegm.</div>\n</div>\n<p>I ought not to have doubted.</p>\n<p>A trembling young man, very much alive and in apparent good health \u2014 nothing was hidden from our sight, if you take my meaning \u2014 was led into the nave where sat a solitary table, and he sat down in front of what I had taken for our meal. And he began to eat it. And we watched him.</p>\n<p>He spent hours, it seemed to me, on every bite. He savoured each texture, sucked the moisture from each morsel, downed the wine as though he were drowning, and it was air. Louis licked his lips, and I longed to lick them too. We held hands, and before long both were bleeding with the tension. We felt release would never come. The young man was weeping, but never quickened his pace, and never stopped. Never begged for mercy. He ate, and we witnessed. Our attendants turned their backs on this display, unable to countenance such a break in porcelain stoicism.</p>\n<p>And then, when a lifetime had passed and the food was all consumed, the young man stood. The chief attendant walked to the table and lifted an empty goblet, one which had never been filled, while their assistant grasped the diner somewhere sensitive. His eyes bulged out, and his breathing quickened, and in his pain and the aftermath of such gluttony the veins across his body stood out like a roadmap of debauchery. The assistant drew a bone-white finger over each of these purpling conduits, and one by one they split. Split like the meat of a tree, syrup spilling forth from every trunk. Not red, like blood, but clear like water. The young man shuddered and shook, and his mouth frothed with spittle, and his eyes rolled back, and his complexion faded, and the goblet was filled, and when it was over a withered, desiccated thing was all that remained.</p>\n<p>The assistant presented the goblet to their master, who presented it to Louis, who presented it to me. We drank from it together, he and I, and</p>\n<blockquote>\n<p>o! what rhapsodies they sing of<br/>\nsapid claret from the sting that<br/>\ndraws each passion from the soul to<br/>\nfill the wand'ring sinner's bowl!</p>\n</blockquote>\n<hr/>\n<h1 id=\"toc3\"><span>Black</span></h1>\n<p>So much of Alagadda is an open sore, the Melancholic Quarter was almost refreshing. It is a ruin sheathed in scabrous black, as though the dead of Pompeii and Herculaneum had raised again their toppled towers with the matter of their blasted bodies. An abattoir turned over to the management of its livestock, their former slaughterers now mutilated in turn. They limp through treacly streets, barely able to raise their feet from the clinging muck, masks of joy on weeping faces and of sorrow on those who laugh far past the line of madness. This is a place of penance and endings, where the Regent of Alagadda parades in triumph sounded from mute belfries which stir orphaned echoes up from cellars deep.</p>\n<div class=\"image-hover-enlarge scp-image-block block-right\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"Black.jpg\" class=\"image\" src=\"https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Black.jpg\"/><br/>\n<div class=\"scp-image-caption show\">Ichor.</div>\n</div>\n<p>In the mephitic terraces of the Rancid Garden, beneath fungal blooms of grey and jet, I asked my love to bind himself to me. He swore me an oath I knew he had been born to swear. His joy was radiant in the tenebrescent ink of Alagadda. A spectre in the profane earth beneath was judge and witness.</p>\n<p>The final stage of our voyage, the consummation of everything we had meant to each other, took us to the very skirts of the Hanged King's dread palace. It loomed above and around us, the cadaver of a cathedral on a cosmic scale, and in the husk of an ancient apothecary beneath its flanged spires where fattened slugs the size of cattle sat in indolent hideousness, I sat down to my final meal. Louis left me with a kiss, and a knowing smile, heading to the kitchens for his part in preparation.</p>\n<p>What I consumed at this last supper erased all memory of what had come before \u2014 not only in Alagadda, but across the entirety of my brief and grey existence \u2014 then replaced it tenfold plus. The sharp contrast of excrement and offal, the tenderness of loins, the exquisite agony of anticipation and release, it all crashed through me as I tore through liver, kidney, gall and heart, and was obliterated utterly. There was no Constance. There was no supper. No Alagadda. Only the cloying brown note of absolute, profligate, forsaken, traitorous sacrilege.</p>\n<p>After such a meal as that\u2026 what use, my liar's tongue?</p>\n<hr/>\n<p>I scarcely believe it can be I who penned the above. It must have been some trick, some bewitchment, to make me dedicate such a paean to tastes already faded from my lips. I left the apothecary and strolled the sickly streets without escort or aim, fuller and emptier than ever a body has been, until I found myself at the Brobdingnagian steps of the Hanged King's Palace and felt the yawning vacuum at its core summoning a similar void within me. How unsatisfied I was. I am a creature of complex desire, desire with many names which can only be spoken in xanthous light, desire with aphotic depth, and no tedious pub crawl can possibly grant me even an instant's relief.</p>\n<p>So I passed the shattered pylons and proceeded to the ruptured heart of ruin, the navel of a beast with two black bowels, and was come to Black Alagadda. I took the spiral course to where the ingrown knuckle kneels, chained and betrayed, as I have betrayed. He knows me as I pass the Mocking Throne, where miniscule cackling courtiers dine upon despair.</p>\n<p>Chaz Ambrose is waiting there for me.</p>\n<p>\"'tis only a prelude,\" he smiles, and the hope that blossoms within me turns to acid in a dusty instant. My stomach growls, and penumbral answers echo back. \"You're almost ready for the ultimate experience in fine dining.\"</p>\n<p>And he points to the sealed archway beyond, where even shadows fear to gather.</p>\n<p>I am desperate to see his schemes realized. I am <em>owed</em> satisfaction, and this is the only way I will get it. I will wait here in the dark until the promise has been realized. Nothing else can matter to me now.</p>\n<p>Nothing, I am certain, can fill the god-shaped hole within my stomach but the forbidden delights of Ambrose Adytum.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-alagadda\">Ambrose Alagadda</a>\" by HarryBlank, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-alagadda\">https://scpwiki.com/ambrose-alagadda</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<div style=\"text-align: left;\">\n<blockquote>\n<p><strong>Filename:</strong> Black.jpg<br/>\n<strong>Title:</strong> Dare to reach out your hand into the darkness, to pull another hand into the light. ~Norman B. Rice<br/>\n<strong>Author:</strong> Nick Kenrick<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source:</strong> <a href=\"https://www.flickr.com/photos/33363480@N05/15735643892\">flickr</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Red.jpg<br/>\n<strong>Title:</strong> Greek Church Ruins, Mykonos, Greece, Cyclades Islands<br/>\n<strong>Author:</strong> John William Hammond<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source:</strong> <a href=\"https://www.flickr.com/photos/8398907@N02/3445268440\">flickr</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> White.jpg<br/>\n<strong>Title:</strong> Ghost stories<br/>\n<strong>Author:</strong> Nick Kenrick<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source:</strong> <a href=\"https://www.flickr.com/photos/33363480@N05/15554897247\">flickr</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Yellow.jpg<br/>\n<strong>Title:</strong> roman heritage<br/>\n<strong>Author:</strong> Davidlohr Bueso<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source:</strong> <a href=\"https://www.flickr.com/photos/54829270@N00/4463410648\">flickr</a></p>\n</blockquote>\n</div>\n\n</div>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar\">:scp-wiki:component:toggle-sidebar</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=PaleGoldenrod]]\n\n\n\n[[module CSS]]\n\n/* Toggle Sidebar compatibility */\n\n#side-bar { top: 0; }\n\n.inkblot-header { width: 100%; left: 0; }\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0--header-title: \"WALDON STUDIO\";\n\n\u00a0\u00a0--header-subtitle: \"connoisseurs of the unknown\";\n\n}\n\n[[/module]]\n\n\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\nAll \n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\nstars,\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\nfull \n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\nblack\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nA review of Ambrose Alagadda.\n\nBy Constance Chambers.\n\n16 min read.\n\n\u2605\u2605\u2605\u2605\u2605\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\nIt's a concept that makes one think both \"why hasn't this already been tried?\" and \"why hasn't it already failed?\" One expects a debacle with a death toll. This could be nothing less than a breaker of reputations, an epicure's perdition, a nightmare never meant to come to pass. Ambrose Alagadda.\n\n\n\nWhen I arrived at the logical end of everything carnal and carnivorous, therefore, I wondered if I myself was not about to become that tragic headline.\n\n\n\nA bond -- a curse, actually -- prevents me from disclosing how I entered that most damned of all hellscapes, relentless Alagadda. I was whisked there in secret and in shame, Mr. Ambrose himself assuring me a more auspicious form of access will be provided when this attraction welcomes its select dining public. I should hope so, as there can be no more ominous opening of a feast than first passing through the Athenaeum of Severed Tongues. I swore to keep mine, but never to hold it, as I stepped out onto the ziggurat streets of the dead city.\n\n\n\nI parted ways with my host on the library steps -- he was meeting an 'old friend', who unless I am much mistaken was none other than the Deathless Merchant of London -- and was introduced to my guide for the duration. This was Louis, a name I shall never forget, a captivating, ravishing soul with whom I was instantly smitten and enraptured. I am breathless as I write these words. I cannot describe him more minutely, for every failure would bring a pang to my devoted heart. I am jealous of the details at any rate; I cannot countenance the thought of any but myself possessing them. Suffice to say, I was now primed for a pleasant evening.\n\n\n\nBut those benighted under Alagadda's eternal, jaundiced day know not the meaning of the word 'pleasure'. They play at it, and play hard, but their every pursuit is fruitless at best. They cannot achieve joy. They cannot smell a rose. Stimulation, whether gentle or otherwise, is beyond them. The critical moment escapes them every time, though this is not for want of trying. The city is a non-stop orgiastic symphony at every moment, faceless thralls to an abyssal monarchy harassing their deadened senses with any and all excitants on offer. They do this to trigger the faintest, most ephemeral half-memory of what it means to know anything but horror and despair.\n\n\n\nThese facts were on my mind as I considered my culinary prospects in the kingdom of the damned. Would Ambrose attempt an 'authentic' Alagaddan experience, and nip my sense of taste in the buds? My very career might be at stake. Would they instead present something so utterly overwhelming that it parsed as nothing at all, nothing better perhaps than an eldritch ghost pepper? The harm would then be to their own good name, and the restaurateur is far too canny for that. I posed the question to my companion, and he smiled cryptically and said nothing as he guided me to the first station of our pilgrimage. \n\n\n\nI suddenly thought that I loved him.\n\n\n\n----\n\n\n\n> Disclaimer: I penned each section of this review after completing the experience it relates, and have not since returned to amend my opinions or suspicions in light of how the entire adventure concluded. I have not the heart, nor indeed the stomach.\n\n\n\n----\n\n\n\n+ Yellow\n\n\n\nThe closest thing to a restaurant in Alagadda is the Vomitorium. This immense amphitheatre dominates the Bilious Quarter, perched on the edge of a dramatic precipice into which one quarter of its outer walls fell long before the fall of man. A soaring aqueduct which seems somehow to stand behind the black stars in their yellow sky disgorges a fragrant payload into this gargantuan pit, a heterogeneous stream far more profound than the city's population can possibly produce, in a fall of effluvia like the seepage of some cyclopean wound. An all-consuming stench wafts from the murky depths where this discharge lands, a miasma the eye can see -- a sickly green against the tawny fog of the ceaselessly boiling sky. Unlike my Louis (sweet, carefree Louis!) I would describe the aroma better if I could, but my skills fail utterly. Did the words even exist, they would be unprintable. The paper would likely rebel.\n\n\n\nThe Vomitorium's vantage on this ghastly procession is no accident. In the hopeless undeath-march that passes for passing time in Alagadda, its citizen-corpses gather here to reclaim the noxious fume of their own foulness and stir themselves to an approximation of intestinal action. They cannot savour, but they can spit, and this wrong-way esophageal action is what passes for eating in the demesnes of the Yellow Lord. (Where they get the matter to cough it up in such quantities, even the sages cannot know.) The amphitheatre is always awash with vomitus and excrement, and if one stands in precisely the right spot on the rim of the neighbouring septic gulf, the collective heaving can be discerned as a grace note in the boisterous bolero of blood and faeces and black, black bile erupting from that pestilential fissure.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=left\n\n|width=300px\n\n|url=https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Yellow.jpg\n\n|add-caption=true\n\n|caption=Bile.\n\n]]\n\n\n\nOn that spot, Ambrose has erected a hot dog stand.\n\n\n\nI confess it an act of genius. A frowning attendant prepared for me something he called 'Bratwurst' -- he made the first syllable rhyme with 'mat', and fearful of learning things I could not after unlearn, I did not venture to correct him -- and foisted it on me in a bun like that which any cheap vendor in any mundane city might have offered. I asked Louis if he would also partake, and he demurred, saying only \"that would spoil dinner.\" Spared the sight of his lovely lips closing over this disappointing appetizer, therefore, I consumed it myself in short order.\n\n\n\nAnd for the second time today, I fell in love.\n\n\n\nThere is nothing, //nothing// quite like the taste of street meat near an open sewer. It's a dirty little secret of urban life. The hot sun bakes what lies beneath a city's skin to congealing soup, and whilst our mouths are regretfully occupied with cased ground meat, our noses attend that more distant, perversely tantalizing bouquet. I don't know why this registers as agreeable, but it most definitely does. Foulness makes fair. What would otherwise be unremarkable, even distasteful, becomes revoltingly satisfying through attunement to the environment.\n\n\n\nThis is the case with ordinary sewage. What churns in Alagadda's secret viscera is anything but ordinary.\n\n\n\nI was transported, carried aloft on a wave of euphoria. My nasal passages were seared black by the redolent commingling of stomach acid and feculence on the dry wind, and in that moment I would have sworn nothing more delectable had ever passed through my gullet. Perhaps the sausage was unnecessary. They could have sold me the putrid airs as //amuse-bouche,// with the little tube of offal mere placebo.\n\n\n\nI began to think that perhaps, just perhaps, there really was something to this concept.\n\n\n\n----\n\n\n\n+ Red\n\n\n\nThe corruption pervading the Sanguine Quarter is nothing like the insalubrious mist of its xanthous cousin. At first blush it seems only a minor variation on the Alagaddan standard, if such a thing can be said to exist, but on second glance the corpulence makes itself known. Ribbed arcades -- quite literally ribbed -- of flesh and muscle, marrow kurbs and pustulent throbbing thoroughfares. Gristle pressing between the cracks like mortar. Promenades with heartbeats. Gore in the gutters.\n\n\n\nThe people of this district are nude; 'denuded' might be a more accurate term, for most are flayed and many are flensed. They fall apart, and pull themselves together, and fall apart again. There are strange, mewling creatures in the swelling storm drains which skitter here and there, picking at the parts and stealing them away to secret dens beneath the fatty cobbles. There is everywhere a scent of saffron and seared meat, with an undercurrent of soiled undergarment. I sucked down deep, greedy breaths to tide myself over; the sausage on the cistern's edge already seemed a lifetime ago. Louis sang softly to me in a tongue I did not know, and I pulled it from him with my own tongue until both of us were singing like crystal bells. Suppurated mouths in the red colonnades sang back to us in plutonic basso.\n\n\n\nI had expected to dine at the Rubicund, the Red Lord's notorious rathskeller, but Louis led me past that forbidding gilded fa\u00e7ade -- I had the sensation of being watched, assessed, found wanting by its leering portals -- into back alleys running at odd angles through the Quarter, cutting red granite blocks like a river carving its canyon. More apropos: veins breaking the city's skin. When at last our destination came in sight, bannered and filigreed and presenting salaciously in the very middle of the road, I was surprised but not particularly confused.\n\n\n\nThis was no restaurant. But it //was// a place where appetites had traditionally been, if not sated, then at least addressed.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=right\n\n|width=300px\n\n|url=https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Red.jpg\n\n|add-caption=true\n\n|caption=Blood.\n\n]]\n\n\n\nThere were no tables, and no chairs. The meat was red. It was not raw in the sense of being uncooked, but raw like a new lesion. It bled, and the blood overtopped my plate to seep into the hungry sheets. Before long we were squirming on a mattress of clotting crimson. The bed contracted and expanded as we ate, groaning with inanimate bliss.\n\n\n\nWe ate together, Louis and I, joined as it were at the hip. Sharing each morsel, sharing each other. I know what he tasted, and he knew every cut that passed between my teeth. I suspect in our revelatory throes we even fed each other like birds, while the red attendants laughed and covered us in stinking oils and waved censers filled with alien aphrodisiacs. \n\n\n\nSuffice to say the hot dog was quite forgotten by the time we swaggered back onto the breathing streets, arm in arm and laughing in the midst of our hemophiliac hosts, revelling in a curious juxtaposition of feeling spent and filled quite to bursting. We were one.\n\n\n\n----\n\n\n\n+ White\n\n\n\nAfter the assault on the senses that was the Red Lord's domain, the Phlegmatic Quarter was like a bath of mountain ice. White stone scoured of every maker's mark, anonymous under the cold suns, seemingly sprung from a sunken cliff of weathered chalk. Tiny fossils of terrible things squirming in the grain, heedless of their own extinction, not alive but testifying to the flight of life from every grain. Streets wound in whorls around each other, and yet each seemed so straight, so rigidly adherent to some totally dominant Plan we felt our bodies squaring out in response. We were extraneous to its function, interlopers, too impure and too profligate. We were made to feel the shame of our designs...\n\n\n\n...or rather, I was. Louis was no less sanguine here than amidst the red. He was my rock as we navigated the pale waters of white cloaked, white masked Alagaddans who stood stock still in the dry-bled arteries, stiff and staggering when they did move, doing little but bear mute witness to lane after cloister after gallery of faceless architecture. My lover navigated this helical purgatory to the third of Ambrose's stations, and a trick of timing meant we witnessed the arrival of our fare ahead of us. The White Lord's chattel recoiled from the promised piquance of each dish, even hidden from their masked eyes by onyx platters with black mirror lids -- or perhaps they recoiled at their own distorted visages, who can say. As our attendants passed through the portico of a colossal temple to nothing and nothingness the ivory slaves shied away, making strange signs at us which Louis dotingly warned me not to remember.\n\n\n\nWithin, a bounty fit for a king (though that is a word they do not speak in Alagadda). Roast mutton and pulled pork, trenchers of fresh bread and sweetbreads, gravy and quail and more. I was transfixed as I watched them set the table. I hungered as I had never hungered before. What I had taken for satisfaction in the Sanguine Quarter was now obviously a passing fancy -- what had //really// been so wonderful about wine and rare steak, no matter how rarefied the company? -- and as for the hot dog, well. I could now see why it had been relegated to the forgettable outset of our tour. I craved something stronger. Something //powerful.// I was ravenous, and thus far Ambrose had utterly failed to indulge me. Even these coming delicacies seemed too familiar, too prosaic, too... earthly. If I could have it at the Ritz, why bother sailing past the shores of what is not?\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=left\n\n|width=300px\n\n|url=https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/White.jpg\n\n|add-caption=true\n\n|caption=Phlegm.\n\n]]\n\n\n\nI ought not to have doubted.\n\n\n\nA trembling young man, very much alive and in apparent good health -- nothing was hidden from our sight, if you take my meaning -- was led into the nave where sat a solitary table, and he sat down in front of what I had taken for our meal. And he began to eat it. And we watched him.\n\n\n\nHe spent hours, it seemed to me, on every bite. He savoured each texture, sucked the moisture from each morsel, downed the wine as though he were drowning, and it was air. Louis licked his lips, and I longed to lick them too. We held hands, and before long both were bleeding with the tension. We felt release would never come. The young man was weeping, but never quickened his pace, and never stopped. Never begged for mercy. He ate, and we witnessed. Our attendants turned their backs on this display, unable to countenance such a break in porcelain stoicism.\n\n\n\nAnd then, when a lifetime had passed and the food was all consumed, the young man stood. The chief attendant walked to the table and lifted an empty goblet, one which had never been filled, while their assistant grasped the diner somewhere sensitive. His eyes bulged out, and his breathing quickened, and in his pain and the aftermath of such gluttony the veins across his body stood out like a roadmap of debauchery. The assistant drew a bone-white finger over each of these purpling conduits, and one by one they split. Split like the meat of a tree, syrup spilling forth from every trunk. Not red, like blood, but clear like water. The young man shuddered and shook, and his mouth frothed with spittle, and his eyes rolled back, and his complexion faded, and the goblet was filled, and when it was over a withered, desiccated thing was all that remained.\n\n\n\nThe assistant presented the goblet to their master, who presented it to Louis, who presented it to me. We drank from it together, he and I, and\n\n\n\n> o! what rhapsodies they sing of \n\n> sapid claret from the sting that\n\n> draws each passion from the soul to\n\n> fill the wand'ring sinner's bowl!\n\n\n\n----\n\n\n\n+ Black\n\n\n\nSo much of Alagadda is an open sore, the Melancholic Quarter was almost refreshing. It is a ruin sheathed in scabrous black, as though the dead of Pompeii and Herculaneum had raised again their toppled towers with the matter of their blasted bodies. An abattoir turned over to the management of its livestock, their former slaughterers now mutilated in turn. They limp through treacly streets, barely able to raise their feet from the clinging muck, masks of joy on weeping faces and of sorrow on those who laugh far past the line of madness. This is a place of penance and endings, where the Regent of Alagadda parades in triumph sounded from mute belfries which stir orphaned echoes up from cellars deep.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=right\n\n|width=300px\n\n|url=https://scp-sandbox-3.wdfiles.com/local--files/harry-blank-8/Black.jpg\n\n|add-caption=true\n\n|caption=Ichor.\n\n]]\n\n\n\nIn the mephitic terraces of the Rancid Garden, beneath fungal blooms of grey and jet, I asked my love to bind himself to me. He swore me an oath I knew he had been born to swear. His joy was radiant in the tenebrescent ink of Alagadda. A spectre in the profane earth beneath was judge and witness.\n\n\n\nThe final stage of our voyage, the consummation of everything we had meant to each other, took us to the very skirts of the Hanged King's dread palace. It loomed above and around us, the cadaver of a cathedral on a cosmic scale, and in the husk of an ancient apothecary beneath its flanged spires where fattened slugs the size of cattle sat in indolent hideousness, I sat down to my final meal. Louis left me with a kiss, and a knowing smile, heading to the kitchens for his part in preparation.\n\n\n\nWhat I consumed at this last supper erased all memory of what had come before -- not only in Alagadda, but across the entirety of my brief and grey existence -- then replaced it tenfold plus. The sharp contrast of excrement and offal, the tenderness of loins, the exquisite agony of anticipation and release, it all crashed through me as I tore through liver, kidney, gall and heart, and was obliterated utterly. There was no Constance. There was no supper. No Alagadda. Only the cloying brown note of absolute, profligate, forsaken, traitorous sacrilege.\n\n\n\nAfter such a meal as that... what use, my liar's tongue?\n\n\n\n----\n\n\n\nI scarcely believe it can be I who penned the above. It must have been some trick, some bewitchment, to make me dedicate such a paean to tastes already faded from my lips. I left the apothecary and strolled the sickly streets without escort or aim, fuller and emptier than ever a body has been, until I found myself at the Brobdingnagian steps of the Hanged King's Palace and felt the yawning vacuum at its core summoning a similar void within me. How unsatisfied I was. I am a creature of complex desire, desire with many names which can only be spoken in xanthous light, desire with aphotic depth, and no tedious pub crawl can possibly grant me even an instant's relief.\n\n\n\nSo I passed the shattered pylons and proceeded to the ruptured heart of ruin, the navel of a beast with two black bowels, and was come to Black Alagadda. I took the spiral course to where the ingrown knuckle kneels, chained and betrayed, as I have betrayed. He knows me as I pass the Mocking Throne, where miniscule cackling courtiers dine upon despair.\n\n\n\nChaz Ambrose is waiting there for me.\n\n\n\n\"'tis only a prelude,\" he smiles, and the hope that blossoms within me turns to acid in a dusty instant. My stomach growls, and penumbral answers echo back. \"You're almost ready for the ultimate experience in fine dining.\"\n\n\n\nAnd he points to the sealed archway beyond, where even shadows fear to gather.\n\n\n\nI am desperate to see his schemes realized. I am //owed// satisfaction, and this is the only way I will get it. I will wait here in the dark until the promise has been realized. Nothing else can matter to me now.\n\n\n\nNothing, I am certain, can fill the god-shaped hole within my stomach but the forbidden delights of Ambrose Adytum.\n\n\n\n@@ @@\n\n\n\n@@ @@\n\n\n\n[[div]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n[[<]]\n\n> **Filename:** Black.jpg\n\n> **Title:** Dare to reach out your hand into the darkness, to pull another hand into the light. ~Norman B. Rice\n\n> **Author:** Nick Kenrick\n\n> **License:** CC BY 2.0\n\n> **Source:** [https://www.flickr.com/photos/33363480@N05/15735643892 flickr]\n\n\n\n> **Filename:** Red.jpg\n\n> **Title:** Greek Church Ruins, Mykonos, Greece, Cyclades Islands\n\n> **Author:** John William Hammond\n\n> **License:** Public Domain\n\n> **Source:** [https://www.flickr.com/photos/8398907@N02/3445268440 flickr]\n\n\n\n> **Filename:** White.jpg\n\n> **Title:** Ghost stories\n\n> **Author:** Nick Kenrick\n\n> **License:** CC BY 2.0\n\n> **Source:** [https://www.flickr.com/photos/33363480@N05/15554897247 flickr]\n\n\n\n> **Filename:** Yellow.jpg\n\n> **Title:** roman heritage\n\n> **Author:** Davidlohr Bueso\n\n> **License:** CC BY 2.0\n\n> **Source:** [https://www.flickr.com/photos/54829270@N00/4463410648 flickr]\n\n\n\n\n\n[[/<]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n\n[[/div]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "adytum", "alagadda", "ambrose-restaurant", "chaz-ambrose", "fantasy", "goi-format", "goicon-2026", "hanged-king", "otherworldly", "percival-darke", "surrealism"], "title": "Ambrose Alagadda - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-alagadda"}, "ambrose-backdoor-soho": {"created_at": "2020-01-18T03:07:00", "creator": "UraniumEmpire", "domain": "scp-wiki.wikidot.com", "history": [{"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-01-18T03:07:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-01-18T03:07:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "Added tags: _ambrose-restaurant, ambrose-restaurant, gamers-against-weed, goi-format, marshall-carter-and-dark, mister, the-trashfire. ", "date": "2020-01-18T03:10:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-01-18T03:12:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-01-18T03:15:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "Added tags: backdoor-soho. ", "date": "2020-01-18T03:30:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "apparently the chrome word filters affect wikidot sourcetext", "date": "2020-01-18T18:25:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-01-20T02:12:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "how the fuck did this change back", "date": "2020-01-21T16:42:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: reviewers-spotlight. ", "date": "2020-02-01T05:13:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-03-13T03:23:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "", "date": "2020-09-16T17:05:00"}, {"author": "Altakaab", "author_href": "https://www.wikidot.com/user:info/altakaab", "comment": "", "date": "2022-02-05T22:29:00"}, {"author": "OccultistMave", "author_href": "https://www.wikidot.com/user:info/occultistmave", "comment": "You successfully reverted the page to revision number 11", "date": "2022-02-05T22:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T17:47:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T17:50:00"}, {"author": "HisInfiniteMachine", "author_href": "https://www.wikidot.com/user:info/hisinfinitemachine", "comment": "\"MacaRON\", not MacaROON. A macaron is a meringue sandwich cookie, which is what's being described here. A macaroon is made of sweetened coconut. It's a common mistake.", "date": "2023-10-28T21:28:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: comedy, fantasy, ghost. ", "date": "2024-10-11T05:33:00"}, {"author": "GrecoEgyptian", "author_href": "https://www.wikidot.com/user:info/grecoegyptian", "comment": "Added tags: corporate, nameless, political, scarlet-king. ", "date": "2025-04-21T04:20:00"}, {"author": "Clysm31201", "author_href": "https://www.wikidot.com/user:info/clysm31201", "comment": "\u201cfor pregnant woman\u201d -> \u201cfor pregnant women\u201d", "date": "2025-12-27T03:15:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2026-06-23T17:01:00"}], "hubs": ["algorithm-curated-recommendations", "ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-backdoor-soho", "page_id": "986204217", "rating": 188, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"ambrose menu\" style=\"border: double 6px #51872b; background-image: radial-gradient(#c46942 40%, #84493a); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; margin-bottom: 3em; color: #FFF7D8;\">\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 4em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; word-break: normal;\">Ambrose BackDoor SoHo:</span></p>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 4em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; word-break: normal;\">Grand Opening!</span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive;\"><span style=\"font-size:200%;\">Fine Art and Fine Dining</span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: ##76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; margin-left: 3em;\">In association with the BackDoor Soho Artistic Associates, Marshall Carter &amp; Dark LLC., and the King of Hearts art collective, Ambrose is proud to present Ambrose BackDoor SoHo, a unique blend of contemporary art and fine dining experiences.</span></p>\n<p style=\"text-align: center;\"><span style=\"color: ##76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; margin-left: 3em;\">Part art show, part dining establishment, Ambrose BackDoor SoHo capitalizes on the BackDoor's rich art scene to provide diners a vivid sampler of the cutting edge. Patrons will be served a four-course meal inspired by contemporary BackDoor dining, followed by a tour of an exclusive art gallery curated by MC&amp;D. Finally, the night will end with a live performance, featuring up and coming acts in the anart scene.</span></p>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"font-size:150%;\"><span style=\"white-space: pre-wrap;\"> December 11th-14th, 2014 </span></span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"white-space: pre-wrap;\"> First Course </span></span></p>\n<ol>\n<li><strong>Scarlet Calamari</strong> \u2014 The servitor beasts of the King of <a class=\"newpage\" href=\"/dust-and-blood\">Dust and Blood</a>, stuffed with finely seasoned breadcrumbs in a creamy tomato sauce. Wild caught; each serving is another beast out of the seas!</li>\n<li><strong>Olney Corporate Crostini</strong> \u2014 Roasted pork belly braised in a blood orange sauce and garnished with pickled red onions, served on crostini. Locally sourced from the stress-free demon swine that eternally torment the executives of Olney Ironworks at their corporate headquarters.</li>\n<li><strong>Margherita \u00e0 la Lindholm</strong> \u2014 Sicilian pizza made with buffalo mozarella and a creamy tomato sauce, topped with out-of-this-world fresh tomatoes and basil, bred by reclusive parabotanist Stella Lindholm. Let the world melt around you with each taste.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"white-space: pre-wrap;\"> Second Course </span></span></p>\n<ol>\n<li><strong>Weilstedt Matzfaux-Ball Soup</strong> \u2014 A unique, distinctly Nalkan take on an Ashkenazi classic. You won't believe you're eating Weilstedten meat moss until your flesh rejuvenates right before your eyes. Not recommended for pregnant women and cancer survivors, excepting experienced fleshcrafters.</li>\n<li><strong>Manhattan Shoggoth Chowder<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></strong> \u2014 The squirming, fascinating meat of a shoggoth in a rich tomato broth. Comes with seasoned crackers; watch your meal stuff itself before your very eyes!</li>\n<li><strong>The Perfect Waldorf</strong> \u2014 Apples and grapes from the centennial trees of Upstate New York's <a href=\"/scp-4000\">nameless forests</a>, mayonnaise sourced from the eggs of platonic chickens, walnuts annually self-trimmed from living trees dedicated to self-perfection: anything to elevate the hidden gem of NYC to heights of perfection.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"white-space: pre-wrap;\"> Main Course </span></span></p>\n<ol>\n<li><strong>Delmonico Steak</strong> \u2014 Think you've had a Delmonico? Think again. Our Delmonico has been scientifically proven to not only taste better than, but <em>be more</em> of a Delmonico than those served at the Delmonico establishments of old. Proof available upon request.</li>\n<li><strong>Parmigiana Without Equal<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>:</strong> Eggplant parmigiana stuffed with chicken parmigiana, forever: it's stuffed all the way down.</li>\n<li><strong>Primavera of the Old Gods:</strong> The vegetables in this dish, grown long before the advent of language, have no name. They make up for that with a distinctly unique taste. Want to know what the old ones ate like?</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"white-space: pre-wrap;\"> Dessert </span></span></p>\n<ol>\n<li><strong><tt>cheese</tt>cake</strong> \u2014 Focus on the cake, and don't worry about the <tt>cheese</tt>. Some things were never meant to be known by the sapient. Gluten-free.</li>\n<li><strong>Black and White Macarons</strong> \u2014 A decadent assortment of dual-flavored macarons, representing a variety of chocolates and vanillas from across time and space. Savor each bite; who knows when the shifting tides of the here and now will force us to change the recipe?</li>\n<li><strong>Golden Apple Crumble</strong> \u2014 There's nothing supernatural about these golden apples, but double-blind tests suggest even the gods can't tell the difference. Proof available upon request.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"white-space: pre-wrap;\"> Wine and Spirits </span></span></p>\n<ol>\n<li><strong><a href=\"/scp-1921\">Clown Milk</a> Egg Cream Bourbon</strong> \u2014 Don't let the name fool you: you'd be a clown to pass this delicious take on the NYC classic up.</li>\n<li><strong>Bloody Mary on the Rack</strong> \u2014 Jalape\u00f1o-infused vodka base, Lindholm tomato juice, garnished with a meter-tall, freestanding sculpture of the chef's choice.</li>\n<li><strong>Golden Orange Cider</strong> \u2014 The signature drink of New York, from another time and another world. Because Ambrose strives to bring our patrons the best, our oranges are guaranteed the mythological significance of that other world.</li>\n</ol>\n<div style=\"border-top: 1px dotted #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; width: 50%; margin: auto; color: #76bf42;\">\n<p style=\"text-align: center;\">Tickets: $249</p>\n</div>\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive;\">+$49 for access to the Violet Gallery</span></p>\n<div style=\"border-top: 1px dotted #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; width: 50%; margin: auto; color: #76bf42;\">\n<p style=\"text-align: center;\"><span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"><span style=\"white-space: pre-wrap;\"> Opening Night Acts </span></span></p>\n<p style=\"text-align: center;\"><a href=\"/wwydftltimd-hub\">House of Spades</a></p>\n<p style=\"text-align: center;\">Yellowface</p>\n<p style=\"text-align: center;\">Soprano</p>\n<p style=\"text-align: center;\">It's Free Jazz!</p>\n<p style=\"text-align: center;\">The Music Machine</p>\n<p style=\"text-align: center;\">Luna Zapata</p>\n</div>\n<div style=\"margin-left: 3em; font-size: .75em;\">\n<div class=\"footnotes-footer\">\n\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Disclaimer: as the shoggoth our meat is sourced from remains alive, this meal is in violation of the 7th Noahide Law.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Disclaimer: this item physically should not exist. Order with caution.</div>\n</div>\n</div>\n</div>\n<div style=\"background-image: radial-gradient(#201420 60%, #d356d3 ); border: 1px solid silver; padding: 1em; margin-top: 2.5em;\">\n<div style=\"text-align: center;\">\n<p><span style=\"color: #ffe4e1; font-family: 'Ruluko'; font-size: 2em\"><br/>\nSoHo, Revisited</span><br/>\n<span class=\"dark web\" style=\"color: #eebfeb; font-family: 'Ruluko'; font-size: 1.5em\"><strong><em>Powered by <a href=\"http://www.scp-wiki.net/the-dark-web-dke79-o2rg5-4jlw6\">The Dark Web</a></em></strong></span></p>\n</div>\n<hr/>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Ambrose, as a brand, is particularly infamous for relying upon gimmicks in pursuit of customers. It's not particularly surprising; this far behind the veil, it's hard to surprise potential consumers. Harder still to surprise a representative of Marshall Carter &amp; Dark, though I'm pleased to say I was pleasantly surprised with the novelty displayed within.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">In accordance to my strict deiphage diet, the dishes that I ordered were the Scarlet Calamari, the Manhattan Shoggoth Chowder, the Primavera of the Old Gods, the <tt>cheese</tt>cake, and the Golden Orange Cider. I'm pleased to report that not only was each course beautifully prepared, but that the establishment avoided falling to the shortcomings of a great many older deiphagy establishments.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">I found the general gallery to be interesting enough, being a good mix of artistic medium and style. Of the selection, most would fit right at home in the den of a savvy collector. My only complaint was that, compared to the Violet Gallery, the main floor felt somewhat thematically haphazard.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">My biggest complaint largely regards the opening night music show. While I suppose a representative of Marshall Carter &amp; Dark would be the last woman one expects to cry for artistic integrity, inviting an anticapitalist art collective to such a naked display of conspicuous consumption was predictably disastrous, no matter how much one hid it underneath a veneer of \"performance art\". House of Spades and It's Free Jazz! in particular (groups which I've made my distaste for <em>quite</em> clear) worked rather hard to subvert the establishment ambiance.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">If not for Luna Zapata's hauntingly beautiful violin, I'd have written off the experience and told you, the reader, not to go. I suppose, however, that some art is just not for me.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">As an aside: the building appears to be haunted, which is always a plus. Coming off of Mrs. Zapata's marvelous rendition of the Devil's Trill, I witnessed a weeping woman disappearing into a wall.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~Abigail del Toro</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2605</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">CERTAINLY THE ART WORLD OF EARTH IS PECULIAR THOUGH FROM TESTIMONY THROUGH FELLOW ILLUMINATED AMBASSADORS I HAD ASSUMED IT HOSTILE AND UNINHABITABLE</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">HAVING NO NEED FOR THE PRIMITIVE SUSTENANCE I DID NOT PARTAKE</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">THE MUSIC FELT PLEASANTLY GRIM AND THE VARIOUS INSTALLATIONS WERE DELIGHTFUL DIVERSIONS</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">ESPECIALLY THE INTERMITTENT FIDDLE</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ THE <a href=\"/scp-3472\">CHROMATIC VIZIER</a></em></span></p>\n<blockquote>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Restaurant Response:</strong> Thank you for your patronage! Do note, however, that we did not schedule a fiddler during your visit. You likely heard the cellist.</span></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2606\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Food was fucking fantastic. I really don't expect much more from Ambrose than cheap gimmicks pandering to the lowest common regional denominator, but if there's one thing I can say about the food, is that it's nearly always good in spite of such.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">The art? Not so much.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">In my time eating there, I counted no less than four performance artists, done up as famished specters straight out of one of those pretentious \"die-ins\" you'd see the liberals fawn over back in the 90s.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~Robert Stone</em></span></p>\n<blockquote>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Restaurant Response:</strong> That does not sound like the act we had scheduled for your visit. We'll investigate this matter further, but in the mean time, a reimbursment may be in order.</span></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>\u2605\u2606\u2606\u2606\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Alright, I've tried, you know? To get into the art scene, not as an artist but as a man who goes to art galleries. I want to have fun, you know? Not be bombarded with performative woke nonsense, spearheaded by some hack who thinks she's clever.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">I counted about two times where a woman with a violin would approach me, glare sternly in my direction, and play a(n admittedly rather nice) solo before storming off. Afterwords, I would be accosted by a series of (admittedly rather convincing) actors playing the role of\u2026 I don't know, ghosts of Christmas? All \"please don't turn off my heat\" this and \"give me two more weeks\" that, some naked attempt to tug at heartstrings. If I wanted to feel bad about dead poor people, I'd have seen the all-revenant showing of Rent across the street.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Food was alright I guess.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~Yoshida Shoko</em></span></p>\n<blockquote>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Restaurant Response:</strong> We seem to be experiencing unexpected difficulties. Thank you for your patience.</span></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>\u2605\u2606\u2606\u2606\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Business is booming and, you know, I wanted to treat myself to a treat. I thought \"Hey, why not check out that new place\", because, you know, I like checking out the new places, and I'm pretty sure I'll die if I gotta eat any more Chinese food.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Bad idea!</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">To call this place a shithole would be an insult to every roach-infested shithole in this fuckin' city. The roaches down at the 1.618 Bistro, they don't play the violin as they crawl the fuckin' walls. They're not covered in human blood and they don't beg me not to evict 'em. I don't have to see my fuckin' servers chasin' 'em with a fuckin' broom, Ion H. Christ.</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">One star. Helen post review</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ M\u00e1rkkos Cohen</em></span></p>\n<blockquote>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Restaurant Response:</strong> We're sorry you feel that way. Please be patient.</span></p>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>\u2605\u2606\u2606\u2606\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Was anyone going to tell me the property was infested by an utter deluge of ghosts, or was I just supposed to experience that for myself?</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Phy Rithipol</em></span></p>\n<blockquote>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Restaurant Response:</strong> Please do not slander our establishment. [wait for Stone to find a legal loophole out of a \"ghost\" accusation then wait for him to draft a response]</span></p>\n<blockquote>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Restaurant Response:</strong> Our account was hacked. The intern responsible has been fired.</span></p>\n</blockquote>\n</blockquote>\n</blockquote>\n<blockquote>\n<p>\u2605\u2606\u2606\u2606\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Great, cool, close my reservation because of \"ongoing ghost problem\". It's not like I booked it three weeks in advance or anything!</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Fucking SJW cucks, too busy coddling a buncha millennial crybabies who can't stand a little ectoplasm. Olive Garden would never do this to me.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ UraniumEmpire</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2606\u2606\u2606\u2606\u2606</p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><strong>Holy Heck!</strong> You've just found yourself your very own <strong>Mrs. Gentrification</strong> by Gamers Against Weed! Learn your history, cause it's doomed to repeat! Who is Dr. Wondertainment?</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Find them all and become Mr. Gamer!</span></p>\n<p><span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><a href=\"/scp-2586\">01. Mr. Literal Serial Killer</a><br/>\n<a href=\"/mr-normie\">02. Mr. Normie</a><br/>\n<a href=\"/scp-3015\">03. Mr. Bernie Sanders</a><br/>\n<a href=\"/uiu-file-2016-004\">04. Mr. Get Anything For Free In Any Shop</a><br/>\n<a href=\"/scp-3697\">20. Mr. Sex Number</a><br/>\n<a href=\"/collected-item-no1080\">21. Mr. Heavenly Virtues</a><br/>\n<a href=\"/scp-3024\">22. Mr. Deadly Sins</a><br/>\n<a href=\"/scp-2839\">23. Mr. Original Character</a><br/>\n<a href=\"/adoption-poster-darius\">24. Mr. D.A.R.E.</a><br/>\n25. Mrs. Gentrification \u2714<br/>\n<a href=\"/scp-3090\">26. Ms. Mad About Video Games</a><br/>\n<a href=\"/scp-2842\">27. Mr. Meme</a><br/>\n<a href=\"/scp-3012\">28. Mr. Ominous (discontinued)</a><br/>\n<a href=\"/scp-4239\">29. Mr. Destiny</a><br/>\n<a href=\"/scp-2476\">30. Mr. Monty Python And The Holy Grail</a><br/>\n<a href=\"/scp-4669\">31. Ms. Zapatista</a><br/>\n<a href=\"/scp-285\">32. Mr. Hax</a><br/>\n<a href=\"/log-of-anomalous-items#jhtt\">33. Mr. Just Has The Tattoo</a><br/>\n<a href=\"/scp-2562\">34. Mr. Top Text and Mr. Bottom Text</a><br/>\n<a href=\"/nico-queer-001\">35. Mr. Finale</a></span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Luna Zapata</em></span></p>\n</blockquote>\n<hr/></div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-backdoor-soho\">Ambrose Backdoor Soho</a>\" by UraniumEmpire, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-backdoor-soho\">https://scpwiki.com/ambrose-backdoor-soho</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css?family=Gloria+Hallelujah|Ruluko');\n\n.ambrose a{color: #c8d6bf}\n\n.menu a::visited{color: #c8d6bf}\n\n.hovertip {bor\n\n.dark a{color: fuchsia}\n\n.web a:visited{color: #cc6ee8}\n\n.hovertip {border: 1px solid #84493a !important ; background-color: #c46942 !important ; color: #fff7d8;}\n\n[[/module]]\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #51872b; background-image: radial-gradient(#c46942 40%, #84493a); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; margin-bottom: 3em; color: #FFF7D8;\"]]\n\n[[span style=\"color: #76bf42; font-size: 4em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; word-break: normal;\"]]\n\n= Ambrose BackDoor SoHo:\n\n= Grand Opening![[/span]]\n\n@@ @@\n\n[[span style=\"color: #76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive;\"]]\n\n= [[size 200%]]Fine Art and Fine Dining[[/size]][[/span]]\n\n[[span style=\"color: ##76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; margin-left: 3em;\"]]\n\n= In association with the BackDoor Soho Artistic Associates, Marshall Carter & Dark LLC., and the King of Hearts art collective, Ambrose is proud to present Ambrose BackDoor SoHo, a unique blend of contemporary art and fine dining experiences.\n\n\n\n= Part art show, part dining establishment, Ambrose BackDoor SoHo capitalizes on the BackDoor's rich art scene to provide diners a vivid sampler of the cutting edge. Patrons will be served a four-course meal inspired by contemporary BackDoor dining, followed by a tour of an exclusive art gallery curated by MC&D. Finally, the night will end with a live performance, featuring up and coming acts in the anart scene.\n\n[[/span]]\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]][[size 150%]]@@ December 11th-14th, 2014 @@[[/size]][[/span]]\n\n\n\n@@@@\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]]@@ First Course @@[[/span]]\n\n# **Scarlet Calamari** -- The servitor beasts of the King of [[[Dust and Blood]]], stuffed with finely seasoned breadcrumbs in a creamy tomato sauce. Wild caught; each serving is another beast out of the seas!\n\n# **Olney Corporate Crostini** -- Roasted pork belly braised in a blood orange sauce and garnished with pickled red onions, served on crostini. Locally sourced from the stress-free demon swine that eternally torment the executives of Olney Ironworks at their corporate headquarters.\n\n# **Margherita \u00e0 la Lindholm** -- Sicilian pizza made with buffalo mozarella and a creamy tomato sauce, topped with out-of-this-world fresh tomatoes and basil, bred by reclusive parabotanist Stella Lindholm. Let the world melt around you with each taste.\n\n\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]]@@ Second Course @@[[/span]]\n\n# **Weilstedt Matzfaux-Ball Soup** -- A unique, distinctly Nalkan take on an Ashkenazi classic. You won't believe you're eating Weilstedten meat moss until your flesh rejuvenates right before your eyes. Not recommended for pregnant women and cancer survivors, excepting experienced fleshcrafters.\n\n# **Manhattan Shoggoth Chowder[[footnote]] Disclaimer: as the shoggoth our meat is sourced from remains alive, this meal is in violation of the 7th Noahide Law. [[/footnote]]** -- The squirming, fascinating meat of a shoggoth in a rich tomato broth. Comes with seasoned crackers; watch your meal stuff itself before your very eyes!\n\n# **The Perfect Waldorf** -- Apples and grapes from the centennial trees of Upstate New York's [[[SCP-4000|nameless forests]]], mayonnaise sourced from the eggs of platonic chickens, walnuts annually self-trimmed from living trees dedicated to self-perfection: anything to elevate the hidden gem of NYC to heights of perfection.\n\n\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]]@@ Main Course @@[[/span]]\n\n# **Delmonico Steak** -- Think you've had a Delmonico? Think again. Our Delmonico has been scientifically proven to not only taste better than, but //be more// of a Delmonico than those served at the Delmonico establishments of old. Proof available upon request.\n\n# **Parmigiana Without Equal[[footnote]] Disclaimer: this item physically should not exist. Order with caution. [[/footnote]]:** Eggplant parmigiana stuffed with chicken parmigiana, forever: it's stuffed all the way down.\n\n# **Primavera of the Old Gods:** The vegetables in this dish, grown long before the advent of language, have no name. They make up for that with a distinctly unique taste. Want to know what the old ones ate like?\n\n\u00a0\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]]@@ Dessert @@[[/span]]\n\n# **{{cheese}}cake** -- Focus on the cake, and don't worry about the {{cheese}}. Some things were never meant to be known by the sapient. Gluten-free.\n\n# **Black and White Macarons** -- A decadent assortment of dual-flavored macarons, representing a variety of chocolates and vanillas from across time and space. Savor each bite; who knows when the shifting tides of the here and now will force us to change the recipe?\n\n# **Golden Apple Crumble** -- There's nothing supernatural about these golden apples, but double-blind tests suggest even the gods can't tell the difference. Proof available upon request.\n\n\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]]@@ Wine and Spirits @@[[/span]]\n\n# **[[[SCP-1921|Clown Milk]]] Egg Cream Bourbon** -- Don't let the name fool you: you'd be a clown to pass this delicious take on the NYC classic up.\n\n# **Bloody Mary on the Rack** -- Jalape\u00f1o-infused vodka base, Lindholm tomato juice, garnished with a meter-tall, freestanding sculpture of the chef's choice.\n\n# **Golden Orange Cider** -- The signature drink of New York, from another time and another world. Because Ambrose strives to bring our patrons the best, our oranges are guaranteed the mythological significance of that other world.\n\n\n\n[[div style=\"border-top: 1px dotted #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; width: 50%; margin: auto; color: #76bf42;\"]]\n\n= Tickets: $249[[/div]][[span style=\"color: #76bf42; font-weight: bold; font-family: 'Gloria Hallelujah', cursive;\"]]\n\n= +$49 for access to the Violet Gallery[[/span]]\n\n[[div style=\"border-top: 1px dotted #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; width: 50%; margin: auto; color: #76bf42;\"]]\n\n= [[span style=\"color: #76bf42; font-size: 1.5em; font-weight: bold; font-family: 'Gloria Hallelujah', cursive; border-bottom: 1px solid #76bf42;\"]]@@ Opening Night Acts @@[[/span]]\n\n= [[[WWYDFTLTIMD-Hub|House of Spades]]]\n\n= Yellowface\n\n= Soprano\n\n= It's Free Jazz!\n\n= The Music Machine\n\n= Luna Zapata[[/div]]\n\n\n\n[[div style=\"margin-left: 3em; font-size: .75em;\"]]\n\n[[footnoteblock title=\" \"]]\n\n[[/div]]\n\n[[/div]]\n\n[[div style=\"background-image: radial-gradient(#201420 60%, #d356d3 ); border: 1px solid silver; padding: 1em; margin-top: 2.5em;\"]]\n\n\n\n[[=]]\n\n[[span style=\"color: #ffe4e1; font-family: 'Ruluko'; font-size: 2em\"]]\n\nSoHo, Revisited[[/span]]\n\n[[span class=\"dark web\" style=\"color: #eebfeb; font-family: 'Ruluko'; font-size: 1.5em\"]]**//Powered by [http://www.scp-wiki.net/the-dark-web-dke79-o2rg5-4jlw6 The Dark Web]//**[[/span]]\n\n[[/=]]\n\n\n\n------\n\n> \u2605\u2605\u2605\u2605\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Ambrose, as a brand, is particularly infamous for relying upon gimmicks in pursuit of customers. It's not particularly surprising; this far behind the veil, it's hard to surprise potential consumers. Harder still to surprise a representative of Marshall Carter & Dark, though I'm pleased to say I was pleasantly surprised with the novelty displayed within.\n\n> \n\n> In accordance to my strict deiphage diet, the dishes that I ordered were the Scarlet Calamari, the Manhattan Shoggoth Chowder, the Primavera of the Old Gods, the {{cheese}}cake, and the Golden Orange Cider. I'm pleased to report that not only was each course beautifully prepared, but that the establishment avoided falling to the shortcomings of a great many older deiphagy establishments.\n\n> \n\n> I found the general gallery to be interesting enough, being a good mix of artistic medium and style. Of the selection, most would fit right at home in the den of a savvy collector. My only complaint was that, compared to the Violet Gallery, the main floor felt somewhat thematically haphazard.\n\n> \n\n> My biggest complaint largely regards the opening night music show. While I suppose a representative of Marshall Carter & Dark would be the last woman one expects to cry for artistic integrity, inviting an anticapitalist art collective to such a naked display of conspicuous consumption was predictably disastrous, no matter how much one hid it underneath a veneer of \"performance art\". House of Spades and It's Free Jazz! in particular (groups which I've made my distaste for //quite// clear) worked rather hard to subvert the establishment ambiance.\n\n> \n\n> If not for Luna Zapata's hauntingly beautiful violin, I'd have written off the experience and told you, the reader, not to go. I suppose, however, that some art is just not for me.\n\n> \n\n> As an aside: the building appears to be haunted, which is always a plus. Coming off of Mrs. Zapata's marvelous rendition of the Devil's Trill, I witnessed a weeping woman disappearing into a wall.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~Abigail del Toro//[[/span]]\n\n\n\n> \u2605\u2605\u2605\u2605\u2605\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]CERTAINLY THE ART WORLD OF EARTH IS PECULIAR THOUGH FROM TESTIMONY THROUGH FELLOW ILLUMINATED AMBASSADORS I HAD ASSUMED IT HOSTILE AND UNINHABITABLE\n\n> \n\n> HAVING NO NEED FOR THE PRIMITIVE SUSTENANCE I DID NOT PARTAKE\n\n> \n\n> THE MUSIC FELT PLEASANTLY GRIM AND THE VARIOUS INSTALLATIONS WERE DELIGHTFUL DIVERSIONS\n\n> \n\n> ESPECIALLY THE INTERMITTENT FIDDLE[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ THE [[[SCP-3472|CHROMATIC VIZIER]]]//[[/span]]\n\n> \n\n>> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Restaurant Response:** Thank you for your patronage! Do note, however, that we did not schedule a fiddler during your visit. You likely heard the cellist.[[/span]]\n\n\n\n> \u2605\u2605\u2605\u2606\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Food was fucking fantastic. I really don't expect much more from Ambrose than cheap gimmicks pandering to the lowest common regional denominator, but if there's one thing I can say about the food, is that it's nearly always good in spite of such.\n\n> \n\n> The art? Not so much.\n\n> \n\n> In my time eating there, I counted no less than four performance artists, done up as famished specters straight out of one of those pretentious \"die-ins\" you'd see the liberals fawn over back in the 90s.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~Robert Stone//[[/span]]\n\n> \n\n>> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Restaurant Response:** That does not sound like the act we had scheduled for your visit. We'll investigate this matter further, but in the mean time, a reimbursment may be in order.[[/span]]\n\n\n\n> \u2605\u2606\u2606\u2606\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Alright, I've tried, you know? To get into the art scene, not as an artist but as a man who goes to art galleries. I want to have fun, you know? Not be bombarded with performative woke nonsense, spearheaded by some hack who thinks she's clever.\n\n> \n\n> I counted about two times where a woman with a violin would approach me, glare sternly in my direction, and play a(n admittedly rather nice) solo before storming off. Afterwords, I would be accosted by a series of (admittedly rather convincing) actors playing the role of... I don't know, ghosts of Christmas? All \"please don't turn off my heat\" this and \"give me two more weeks\" that, some naked attempt to tug at heartstrings. If I wanted to feel bad about dead poor people, I'd have seen the all-revenant showing of Rent across the street.\n\n> \n\n> Food was alright I guess.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~Yoshida Shoko//[[/span]]\n\n> \n\n>> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Restaurant Response:** We seem to be experiencing unexpected difficulties. Thank you for your patience.[[/span]]\n\n\n\n> \u2605\u2606\u2606\u2606\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Business is booming and, you know, I wanted to treat myself to a treat. I thought \"Hey, why not check out that new place\", because, you know, I like checking out the new places, and I'm pretty sure I'll die if I gotta eat any more Chinese food.\n\n> \n\n> Bad idea!\n\n> \n\n> To call this place a shithole would be an insult to every roach-infested shithole in this fuckin' city. The roaches down at the 1.618 Bistro, they don't play the violin as they crawl the fuckin' walls. They're not covered in human blood and they don't beg me not to evict 'em. I don't have to see my fuckin' servers chasin' 'em with a fuckin' broom, Ion H. Christ.\n\n> \n\n> One star. Helen post review[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ M\u00e1rkkos Cohen//[[/span]]\n\n> \n\n>> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Restaurant Response:** We're sorry you feel that way. Please be patient.[[/span]]\n\n\n\n> \u2605\u2606\u2606\u2606\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Was anyone going to tell me the property was infested by an utter deluge of ghosts, or was I just supposed to experience that for myself?[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ Phy Rithipol//[[/span]]\n\n> \n\n>> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Restaurant Response:** Please do not slander our establishment. [wait for Stone to find a legal loophole out of a \"ghost\" accusation then wait for him to draft a response][[/span]]\n\n>> \n\n>>> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Restaurant Response:** Our account was hacked. The intern responsible has been fired.[[/span]]\n\n\n\n> \u2605\u2606\u2606\u2606\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Great, cool, close my reservation because of \"ongoing ghost problem\". It's not like I booked it three weeks in advance or anything!\n\n> \n\n> Fucking SJW cucks, too busy coddling a buncha millennial crybabies who can't stand a little ectoplasm. Olive Garden would never do this to me.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ UraniumEmpire//[[/span]]\n\n\n\n> \u2606\u2606\u2606\u2606\u2606\n\n> \n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]**Holy Heck!** You've just found yourself your very own **Mrs. Gentrification** by Gamers Against Weed! Learn your history, cause it's doomed to repeat! Who is Dr. Wondertainment?\n\n> \n\n> Find them all and become Mr. Gamer!\n\n> \n\n> [[[scp-2586|01. Mr. Literal Serial Killer]]]\n\n> [[[mr-normie|02. Mr. Normie]]]\n\n> [[[scp-3015|03. Mr. Bernie Sanders]]]\n\n> [[[uiu-file-2016-004|04. Mr. Get Anything For Free In Any Shop]]]\n\n> [[[scp-3697|20. Mr. Sex Number]]]\n\n> [[[collected-item-no1080|21. Mr. Heavenly Virtues]]]\n\n> [[[scp-3024|22. Mr. Deadly Sins]]]\n\n> [[[scp-2839|23. Mr. Original Character]]]\n\n> [[[adoption-poster-darius|24. Mr. D.A.R.E.]]]\n\n> 25. Mrs. Gentrification \u2714\n\n> [[[SCP-3090|26. Ms. Mad About Video Games]]]\n\n> [[[scp-2842|27. Mr. Meme]]]\n\n> [[[scp-3012|28. Mr. Ominous (discontinued)]]]\n\n> [[[scp-4239|29. Mr. Destiny]]]\n\n> [[[scp-2476|30. Mr. Monty Python And The Holy Grail]]]\n\n> [[[scp-4669|31. Ms. Zapatista]]]\n\n> [[[scp-285|32. Mr. Hax]]]\n\n> [[[log-of-anomalous-items#jhtt|33. Mr. Just Has The Tattoo]]]\n\n> [[[scp-2562|34. Mr. Top Text and Mr. Bottom Text]]]\n\n> [[[nico-queer-001|35. Mr. Finale]]][[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ Luna Zapata//[[/span]]\n\n------\n\n[[/div]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_licensebox", "ambrose-restaurant", "backdoor-soho", "comedy", "corporate", "fantasy", "gamers-against-weed", "ghost", "goi-format", "marshall-carter-and-dark", "mister", "nameless", "political", "reviewers-spotlight", "scarlet-king", "the-trashfire"], "title": "Ambrose Backdoor Soho - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-backdoor-soho"}, "ambrose-dc-restaurant-week": {"created_at": "2020-03-12T17:59:00", "creator": "DrScaramouche", "domain": "scp-wiki.wikidot.com", "history": [{"author": "DrScaramouche", "author_href": "https://www.wikidot.com/user:info/drscaramouche", "comment": "Added tags: _delicious, jam-con2020. ", "date": "2020-03-12T17:59:00"}, {"author": "DrScaramouche", "author_href": "https://www.wikidot.com/user:info/drscaramouche", "comment": "", "date": "2020-03-12T17:59:00"}, {"author": "DrScaramouche", "author_href": "https://www.wikidot.com/user:info/drscaramouche", "comment": "missed a space.", "date": "2020-03-12T21:00:00"}, {"author": "aismallard", "author_href": "https://www.wikidot.com/user:info/aismallard", "comment": "Added tags: _ambrose-restaurant, ambrose-restaurant, goi-format. ", "date": "2020-03-12T21:27:00"}, {"author": "DrScaramouche", "author_href": "https://www.wikidot.com/user:info/drscaramouche", "comment": "Nixed that COVID reference.", "date": "2020-04-22T17:39:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T12:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T12:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: comedy, political. ", "date": "2024-10-17T18:56:00"}], "hubs": ["ambrose-restaurant-hub", "144-hour-jam-contest-two", "goi-formats"], "images": [], "link": "ambrose-dc-restaurant-week", "page_id": "999885099", "rating": 33, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"ambrose menu\" style=\"border: double 6px #ffffff; background: #e91436; background-image: radial-gradient(#e91436 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; padding-left: 1em; margin-bottom: 3em; color: #ffffff;\">\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-size: 4em; font-family: 'Bellota', cursive; word-break: normal;\">Ambrose of Capitol Hill</span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-weight: bold; font-family: 'Bellota';\"><span style=\"font-size:200%;\">DC Restaurant Week 2035</span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-weight: bold; font-family: 'Bellota';\">Welcome Friends, Old and New! Enjoy our specially-priced <em>Prix Fixe</em> tasting menu, and discover the wonders of Ambrose Capitol Hill: the Jewel of the Ambrose Family of Restaurants.</span></p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"><span style=\"white-space: pre-wrap;\"> \u2605\u2605\u2605 Amuse-Bouche \u2605\u2605\u2605 </span></span></p>\n<p><strong>Our Signature Amuse-Bush</strong> \u2014 Hand-crafted by our <em>p\u00e2tissier</em>, who deftly blends fresh 'white bread' dough with a micro-green pesto, formed into the shape of Former President George W. Bush. Don't be too hasty to indulge: allow your <em>amuse-ghoul</em> to first delight you with the sights and sounds of spot-on re-enactments of some of our former President's most entertaining <em>faux pas</em>.</p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"><span style=\"white-space: pre-wrap;\"> \u2605\u2605\u2605 First Course \u2605\u2605\u2605 </span></span></p>\n<p><strong>Mambo Wings</strong> \u2014 It wouldn't be a trip to DC without having wings done in our local favorite Mambo sauce. Sink your teeth into free-range chicken, fried and rolled in our deliciously sweet and spicy sauce, but only after they pair off and perform a dazzling Mambo on your plate! With live music provided by your own carrot and celery bandstand, and served with house-made Bleu cheese dressing.</p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"><span style=\"white-space: pre-wrap;\"> \u2605\u2605\u2605 Main Course, choose one \u2605\u2605\u2605 </span></span></p>\n<p><strong>Debate of the Clones</strong> \u2014 Cast your vote! You choose between our two daily rotating selections of house-cloned meats, sliced and cooked to order. Ask your server for recommendations, or visit our carving station, where you can watch as your selection is hand-carved from your preferred clone. The winning clone is served again tomorrow. Voted \"Must-Have Dish\" three years running in Subwashingtonian Magazine!</p>\n<p><strong>Chicken and Waffles</strong> \u2014 Our take on a classic comfort food. Enjoy fresh-made waffles, smothered in real Maple syrup, along with fried dove or hawk. Your fowl may change, to hawk or dove, even mid-bite, according to the capricious whims of a force not even Chez himself understands.</p>\n<p><strong>Half-Smoke</strong> \u2014 Our housemade pork-and-beef sausage, smoked to perfection, and served on split bun with onions and brown chili sauce.</p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"><span style=\"white-space: pre-wrap;\"> \u2605\u2605\u2605 Dessert \u2605\u2605\u2605 </span></span></p>\n<p><strong>Our Famous Chocolate City Cake</strong> \u2014 Baked daily, with ingredients that mirror our great city's makeup. We opened with a 70% cacao slice of chocolate decadence; our current recipe is a complex delight of chocolate and vanilla layers, separated with a chipotle creme icing and topped with a soy-cinnamon glaze.</p>\n<p style=\"text-align: center;\"><span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"><span style=\"white-space: pre-wrap;\"> \u2605\u2605\u2605 Exclusive Restaurant Week Cocktails \u2605\u2605\u2605 </span></span></p>\n<p><strong>The DMV</strong> \u2014 Named both for our favorite Metropolitan area, and our least-favorite metropolitan agency. Club soda, simple syrup, lemon and lime accompany our house-made sloe gin. How 'sloe', you ask? We partnered with the <em>chef de tempora</em> at our <a href=\"http://www.scp-wiki.net/ambrose-london-prix-fixe\" target=\"_blank\">sister restaurant</a> in London to age this gin liquor for over 200 years!</p>\n<p><strong>Eleanor Holmes Norton Antivirus</strong> \u2014 Named for our first elected Representative, this is our take on DC's Official Cocktail, the rickey. Bourbon, lime juice, and club soda, with just a dash of 15-year barrel-aged flu vaccine.</p>\n<p><strong>Mayor for Life</strong> \u2014 Using a proprietary method, we infuse triple-distilled vodka with pure crack cocaine, add a splash of tonic and fresh lime. Because of our secret method, the cocaine will disappear from most patrons' bloodstreams within two hours. Ask your server for details.</p>\n\n</div>\n<div style=\"background: antiquewhite; border: 1px solid silver; padding: 1em;\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:400%;\"><span style=\"color: firebrick\"><strong>yowl.slp</strong></span></span></p>\n\n<p><sub>Reviews Hosted by Oneiroi</sub></p>\n</div>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>BloodRedLinetoGlenmont</strong><br/>\n\u2605\u2605\u2605\u2605\u2606</p>\n</div>\n<br/>\nWent with some friends for my first visit to this fabled spot. Was impressed. Service was impeccable, and the decor is wonderfully classy oak and brass as far as the mind's eye can see.\n<p>My favorite dish had to be their cloned meat. I couldn't decide between the Former Senator John Thune, or the Former Vice President Spiro Agnew, but my server recommended the Spiro, and I couldn't have been more pleased. Done to a perfect medium-rare, it nearly melted in my mouth. Will definitely be going back again!</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>PrinceOfPoopville</strong><br/>\n\u2605\u2605\u2606\u2606\u2606</p>\n</div>\n<br/>\nBlech. Yet another out-of-district chain pretending to be \"local.\" All the usual tripe, filled with political references with only cursory nods to the -actual- residents of DC. You know, us.\n<p>Go back to Three Portlands, or whatever hellhole you crawled out of. Your food is pretentious, your servers are snooty, and your decor is tres tacky.</p>\n<p>And next time, think about maybe comping the check when you have a VERY IMPORTANT BLOGGER in your restaurant! Show some respect for local media!</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>BrightestImmortalThing</strong><br/>\n\u2605\u2605\u2605\u2605\u2605</p>\n</div>\n<br/>\nFANTASTIC!!!\n<p>Rented out the backroom for my birthday bash, and was blown away! The staff seemed to anticipate my every need, and the drinks were to die for. I swear the Norton cocktail cured my friend's cold.</p>\n<p>As a special treat, I was allowed to pick one of their famous clone meats for the night! I chose former Tulsa Councilperson Adrianna Morrow. What a treat! When I arrived, I was taken by the charming manager, Jamal, to their carving station, where I got the first slice of Morrow. Not only that, but since I was the first served, Morrow was still conscious and aware enough for me to tell her what I *really* thought about the city's 2033 Waterworks Privatization Act. I thought for sure I'd only get to say a few words, but Jamal let me read her the whole damn riot act, even as they began to carve my my order of breastmeat. I know she was just a clone, but boy, did it feel good to tell her off. I swear I could still hear her sobbing during our dessert course, which made everything taste just that much better.</p>\n<p>Thank you, Ambrose's, for making this my best birthday EVER.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>SuspiciousPenguin20910</strong><br/>\n\u2605\u2605\u2605\u2606\u2606</p>\n</div>\n<br/>\nService was fine, and drinks were quick and a good size for the price.\n<p>My only complaint, after metroing all the way from Silver Spring, was that my half-smoke was\u2026 normal? Like, there were dancing chicken wings, and food that changed mid-bite, and whatever, but my half-smoke was just, like, a sausage.</p>\n<p>I asked my server about it, like, you know, maybe it would cause me to hallucinate later, or age backwards or something, but all he said was \"you don't fuck with a half-smoke.\" Lame.</p>\n<p>Still, three stars, because it was really good.</p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-dc-restaurant-week\">Ambrose DC Restaurant Week</a>\" by DrScaramouche, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-dc-restaurant-week\">https://scpwiki.com/ambrose-dc-restaurant-week</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css?family=Bellota');\n\n\n\n.ambrose a{color: #ffffff} \n\n.menu a::visited{color: #ffffff} \n\n.hovertip {border: 1px solid #ffffff !important ; background-color: #e91436 !important ; color: #ffffff;}\n\n[[/module]]\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #ffffff; background: #e91436; background-image: radial-gradient(#e91436 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; padding-left: 1em; margin-bottom: 3em; color: #ffffff;\"]]\n\n[[span style=\"color: #ffffff; font-size: 4em;\u00a0\u00a0font-family: 'Bellota', cursive; word-break: normal;\"]]\n\n= Ambrose of Capitol Hill[[/span]]\n\n@@ @@\n\n[[span style=\"color: #ffffff; font-weight: bold; font-family: 'Bellota';\"]]\n\n= [[size 200%]]DC Restaurant Week 2035[[/size]][[/span]]\n\n[[span style=\"color: #ffffff; font-weight: bold; font-family: 'Bellota';\"]]\n\n= Welcome Friends, Old and New! Enjoy our specially-priced //Prix Fixe// tasting menu, and discover the wonders of Ambrose Capitol Hill: the Jewel of the Ambrose Family of Restaurants.\n\n[[/span]]\n\n= [[span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"]]@@ \u2605\u2605\u2605 Amuse-Bouche \u2605\u2605\u2605 @@[[/span]]\n\n**Our Signature Amuse-Bush** -- Hand-crafted by our //p\u00e2tissier//, who deftly blends fresh 'white bread' dough with a micro-green pesto, formed into the shape of Former President George W. Bush. Don't be too hasty to indulge: allow your //amuse-ghoul// to first delight you with the sights and sounds of spot-on re-enactments of some of our former President's most entertaining //faux pas//.\n\n\n\n= [[span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"]]@@ \u2605\u2605\u2605 First Course \u2605\u2605\u2605 @@[[/span]]\n\n**Mambo Wings** -- It wouldn't be a trip to DC without having wings done in our local favorite Mambo sauce. Sink your teeth into free-range chicken, fried and rolled in our deliciously sweet and spicy sauce, but only after they pair off and perform a dazzling Mambo on your plate! With live music provided by your own carrot and celery bandstand, and served with house-made Bleu cheese dressing.\n\n\n\n= [[span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"]]@@ \u2605\u2605\u2605 Main Course, choose one \u2605\u2605\u2605 @@[[/span]]\n\n**Debate of the Clones** -- Cast your vote! You choose between our two daily rotating selections of house-cloned meats, sliced and cooked to order. Ask your server for recommendations, or visit our carving station, where you can watch as your selection is hand-carved from your preferred clone. The winning clone is served again tomorrow. Voted \"Must-Have Dish\" three years running in Subwashingtonian Magazine!\n\n\n\n**Chicken and Waffles** -- Our take on a classic comfort food. Enjoy fresh-made waffles, smothered in real Maple syrup, along with fried dove or hawk. Your fowl may change, to hawk or dove, even mid-bite, according to the capricious whims of a force not even Chez himself understands.\n\n\n\n**Half-Smoke** -- Our housemade pork-and-beef sausage, smoked to perfection, and served on split bun with onions and brown chili sauce.\n\n\n\n= [[span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"]]@@ \u2605\u2605\u2605 Dessert \u2605\u2605\u2605 @@[[/span]]\n\n**Our Famous Chocolate City Cake** -- Baked daily, with ingredients that mirror our great city's makeup. We opened with a 70% cacao slice of chocolate decadence; our current recipe is a complex delight of chocolate and vanilla layers, separated with a chipotle creme icing and topped with a soy-cinnamon glaze.\n\n\n\n= [[span style=\"color: #ffffff; font-size: 1.5em; font-weight: bold; font-family: 'Bellota'; border-bottom: 1px solid #ffffff;\"]]@@ \u2605\u2605\u2605 Exclusive Restaurant Week Cocktails \u2605\u2605\u2605 @@[[/span]]\n\n**The DMV** -- Named both for our favorite Metropolitan area, and our least-favorite metropolitan agency. Club soda, simple syrup, lemon and lime accompany our house-made sloe gin. How 'sloe', you ask? We partnered with the //chef de tempora// at our [*http://www.scp-wiki.net/ambrose-london-prix-fixe sister restaurant] in London to age this gin liquor for over 200 years!\n\n\n\n**Eleanor Holmes Norton Antivirus** -- Named for our first elected Representative, this is our take on DC's Official Cocktail, the rickey. Bourbon, lime juice, and club soda, with just a dash of 15-year barrel-aged flu vaccine.\n\n\n\n**Mayor for Life** -- Using a proprietary method, we infuse triple-distilled vodka with pure crack cocaine, add a splash of tonic and fresh lime. Because of our secret method, the cocaine will disappear from most patrons' bloodstreams within two hours. Ask your server for details.\n\n\n\n[[div style=\"margin-left: 3em; font-size: .75em;\"]]\n\n[[footnoteblock title=\" \"]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div style=\"background: antiquewhite; border: 1px solid silver; padding: 1em;\"]]\n\n[[=]]\n\n[[size 400%]]##firebrick|**yowl.slp**##[[/size]]\n\n~~~~\n\n,,Reviews Hosted by Oneiroi,,\n\n[[/=]]\n\n\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**BloodRedLinetoGlenmont**\n\n\u2605\u2605\u2605\u2605\u2606\n\n[[/div]]\n\nWent with some friends for my first visit to this fabled spot. Was impressed. Service was impeccable, and the decor is wonderfully classy oak and brass as far as the mind's eye can see.\n\n\n\nMy favorite dish had to be their cloned meat. I couldn't decide between the Former Senator John Thune, or the Former Vice President Spiro Agnew, but my server recommended the Spiro, and I couldn't have been more pleased. Done to a perfect medium-rare, it nearly melted in my mouth. Will definitely be going back again!\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**PrinceOfPoopville**\n\n\u2605\u2605\u2606\u2606\u2606\n\n[[/div]]\n\nBlech. Yet another out-of-district chain pretending to be \"local.\" All the usual tripe, filled with political references with only cursory nods to the -actual- residents of DC. You know, us.\n\n\n\nGo back to Three Portlands, or whatever hellhole you crawled out of. Your food is pretentious, your servers are snooty, and your decor is tres tacky.\n\n\n\nAnd next time, think about maybe comping the check when you have a VERY IMPORTANT BLOGGER in your restaurant! Show some respect for local media!\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**BrightestImmortalThing**\n\n\u2605\u2605\u2605\u2605\u2605\n\n[[/div]]\n\nFANTASTIC!!!\n\n\n\nRented out the backroom for my birthday bash, and was blown away! The staff seemed to anticipate my every need, and the drinks were to die for. I swear the Norton cocktail cured my friend's cold. \n\n\n\nAs a special treat, I was allowed to pick one of their famous clone meats for the night! I chose former Tulsa Councilperson Adrianna Morrow. What a treat! When I arrived, I was taken by the charming manager, Jamal, to their carving station, where I got the first slice of Morrow. Not only that, but since I was the first served, Morrow was still conscious and aware enough for me to tell her what I *really* thought about the city's 2033 Waterworks Privatization Act. I thought for sure I'd only get to say a few words, but Jamal let me read her the whole damn riot act, even as they began to carve my my order of breastmeat. I know she was just a clone, but boy, did it feel good to tell her off. I swear I could still hear her sobbing during our dessert course, which made everything taste just that much better.\n\n\n\nThank you, Ambrose's, for making this my best birthday EVER.\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**SuspiciousPenguin20910**\n\n\u2605\u2605\u2605\u2606\u2606\n\n[[/div]]\n\nService was fine, and drinks were quick and a good size for the price.\n\n\n\nMy only complaint, after metroing all the way from Silver Spring, was that my half-smoke was... normal? Like, there were dancing chicken wings, and food that changed mid-bite, and whatever, but my half-smoke was just, like, a sausage.\n\n\n\nI asked my server about it, like, you know, maybe it would cause me to hallucinate later, or age backwards or something, but all he said was \"you don't fuck with a half-smoke.\" Lame.\n\n\n\nStill, three stars, because it was really good.\n\n[[/div]]\n\n[[/div]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_delicious", "_licensebox", "ambrose-restaurant", "comedy", "goi-format", "jam-con2020", "political"], "title": "Ambrose DC Restaurant Week - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-dc-restaurant-week"}, "ambrose-esterberg": {"created_at": "2021-07-23T20:56:00", "creator": "Ralliston", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-07-23T20:56:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-07-23T21:01:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-07-23T21:46:00"}, {"author": "deleted", "author_href": false, "comment": "\"oepn\" to \"open\", \"Pheonix\" to \"Phoenix\"", "date": "2021-07-24T01:34:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added tags: _ambrose-restaurant, _licensebox, ambrose-restaurant, children-of-the-night, goi-format, marshall-carter-and-dark, nameless. ", "date": "2021-07-24T18:38:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-07-24T20:42:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-07-24T20:42:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-07-24T20:43:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-08-07T11:43:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-08-07T11:44:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-08-07T11:44:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: from-120s-archives. ", "date": "2021-10-04T18:32:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-10-30T12:42:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-11-18T15:41:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2021-12-18T19:00:00"}, {"author": "EstrellaYoshte", "author_href": "https://www.wikidot.com/user:info/estrellayoshte", "comment": "Added tags: esterberg. ", "date": "2022-01-21T07:40:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2022-03-15T17:36:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2022-03-23T19:06:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2022-05-28T21:05:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "Added tags: homo-sapiens-sidhe. ", "date": "2022-08-22T03:22:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2023-07-23T18:15:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2023-08-07T20:03:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2024-01-10T21:00:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2024-03-01T08:28:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy. ", "date": "2024-10-11T05:02:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: faerie. ", "date": "2025-05-04T20:59:00"}], "hubs": ["algorithm-curated-recommendations", "ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-esterberg", "page_id": "1312412047", "rating": 116, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Agolden-feast/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><span style=\"font-size:1%;\"><span style=\"color: transparent\">.</span></span></p>\n<div class=\"pseudocrumbs\">\n<p><a href=\"/canon-hub\">Canon Hub</a> \u00bb <a href=\"/from-120-s-archives-hub\">From 120's Archives Hub</a> \u00bb Ambrose Esterberg<br/>\n<a href=\"/groups-of-interest\">Groups of Interest</a> \u00bb <a href=\"/ambrose-restaurant-hub\">Ambrose Restaurants Hub</a> \u00bb Ambrose Esterberg</p>\n</div>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<div style=\"text-align: center;\">\n<p><strong><a href=\"http://scp-wiki.wikidot.com/ralliston-s-authorpage\">More by this author</a></strong></p>\n</div>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<p><span style=\"font-size:1%;\"><span style=\"color: transparent\">.</span></span></p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 4em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\">Ambrose Esterberg</span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> About the Event </span></span></p>\n<p>For as long as the city has existed, the <a href=\"/esterberg-city-wikipedia\">Esterbergian</a> elite had the unfortunate displeasure of dining with the poor, down in the dirt of the Living District. This of course was not by design, but rather due to the fact of the everchanging sociopolitical state and the power structures of the city. It never allowed Ambrose Restaurants to truly branch out into where the elites truly banquet. That being, of course, within the clean heights of the Ruling District. That, however, will soon be merely a thought of the past, never to be a reality again.</p>\n<p>To commemorate the one-hundredth anniversary of the <a href=\"/ralliston-s-proposal\">Great Factory Purge</a> and the damnation of the more feral part of the Fae species \u2014 the disgusting poor the richer and Mab disposed of during said attack so many years ago \u2014 to <strong><span style=\"color: green\">hell itself</span></strong> Ambrose Restaurants has the great pleasure to announce the opening of a whole new locale, located entirely within the elite streets of the Ruling District. Ambrose Esterberg will open soon in the clean, rich halls of Esterberg so that all remaining Fae can banquet like they deserve \u2014 without the awful plebs.</p>\n<p>In collaboration with Marshall, Carter &amp; Darke, the newest establishment will open with the wonders of a whole new, special all-night dinner event, designed for the Fae elites of the city to remember their civilization like it was millennia ago. Filled with Fae cuisine meals, art, and a reading of a select few most beautiful pieces of the Fae literature \u2014 both prose and poetry \u2014 the night will undoubtedly be not be forgotten for a long, long time.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 2em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"><em><span style=\"text-decoration: underline;\">March 23rd, 2011</span></em></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Rise </span></span></p>\n<p>1. <strong>Four-leafed Ros\u00f3\u0142</strong> \u2014 The traditional flavors of Poland's exemplary soup, spiced up with four-leafed horseradish fresh from the ruins of Mab's very own gardens established shortly after the race's emergence from the forests. Equating to a deep and truly pleasurable taste, it's a fantastic dish to begin the night with.<br/>\n2. <strong>The Night's Goulash</strong> \u2014 Experience the sharp and salty flavors of the mass genocides of <a href=\"/scp-1000\">Children of the Night</a> that followed the gaining of consciousness by the Fae, orchestrated by the disgusting animal versions of them in order to take control as the dominant species. Served with sensational rye bread and topped with a parsley decoration.<br/>\n3. <strong>The Stew of One Thousand Skies</strong> \u2014 A combination of the contrasting soft meat of the animals and hard vegetables of the old days, brought to today's age through rapid re-animation. Served with a sweet sugar star taken directly from the glistering skies the Fae looked at when their buildings didn't yet reach them.</p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\">  Apex </span></span></p>\n<p>1. <strong>Draconic Steak \u00e0 la beatitudinem</strong> \u2014 Nothing better to heat up the party after the melancholic memories of the beginnings than fresh spicy draconian meat, served with couple swirls of the contrast of the sweet <a href=\"/scp-999\">pure happiness</a>. Similar in feel to the feeling of establishing a sociopolitical structure that's beneficial to your friends after taking over the world together with the people you'll soon exploit.<br/>\n2. <strong>Tastes of Beauty</strong> \u2014 Breast of Desert Phoenix \u2014 a race bioengineered by the Inventor so many years ago with the only mission to clean the planet of the feral Fae kind by its higher brothers after they developed well enough in their clean palaces to know of such magic. Painted with a mixture of candied apple and pear glaze, bringing the fiery texture of meat and the calming stream of glaze to a dish of many tastes.<br/>\n3. <strong>The Queen's Gift</strong> \u2014 To experience the empire is to experience its habits, too \u2014 and there's no better way to do that than with the feeling of pureness and calmness as felt during its power height this unique mix of ancient flora offers. Server with mayonnaise and sharp bread crisped topping.</p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Fall </span></span></p>\n<p>1. <strong>Reliving</strong> \u2014 Even if \"those who don't know history are condemned to repeat it\" is the main motto of the event, \"Reliving\" is the true highlight of the show. A cherry-filled pure white chocolate cake, decorated with strawberry-chiseled scenes taken directly from the history of the Fae. Beginnings in the forests, through world domination, to the inevitable fall of the lower race to the distant lands and the dissolving of empire during the First Diaspora. It is truly a sight to behold, making the mistakes that lead to its fall remembered.<br/>\n2. <strong>The Blood Fountain</strong> \u2014 Blood was the only thing those said to be below the high Fae knew their entire lives, especially during the falling of the kingdom, and now, you can know that too. The deep tastes of a dark chocolate fondant contrasted with the even sweeter arctic vanilla mousse on the inside, the dish truly shows the horrors of the rules trying to find victims for their own destructive lifestyle.<br/>\n3. <strong>Dungeons' Ices</strong> \u2014 If you want to know how the mostly innocent prisoners of the falling empire felt like in their cells located miles below the ground, then there's no better way to do so than this sharp and mind-freezing ice cream mix. Garnished with bitter liquid chips taken directly from the horn of a unicorn.</p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Retaking </span></span></p>\n<p>1. <strong>Cannibalistic Bloody Mary</strong> \u2014 There's no better way to start a good drinking session than with a drink that reacts to your conversations! Cold vodka, sentient (and <a href=\"/scp-504\">overly critical</a>!) tomato juice, and a small droplet of Fae blood to reminisce the cannibalistic practices of the hungry aristocrats when there was no power left to exploit. A truly hot and deep-tasting wonderful mix that will leave you wanting more.<br/>\n2. <strong>Mab's Best</strong> \u2014 A glass of sensical Port, poured from barrels taken directly from the now-ruined basements of Queen Mab's millennia-old palace. As powerful and sharp in taste as the feelings of disgust known on a daily basis to so many Fae elites, it is truly an experience.<br/>\n3. <strong>Forest's Kiss</strong> \u2014 A revitalizing, non-alcoholic mix of the sweetest fruits of the old forests which retook the previously untouchable clean palaces. Perfect for those that wish to re-gain their senses after a night full of sensations.</p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Fine Attractions </span></span></p>\n<p>1. <strong>Poetry Appreciation</strong> \u2014 To ease the minds of guests who fully participated in prior meals and listened to stories behind them, this attraction will come in handy \u2014 a selection of the most beautiful pieces of Fae literature from the old days, describing the greatness and invulnerability of the empire at its highest points.<br/>\n2. <strong>Magical Concert</strong> \u2014 If the previous attraction didn't ease the racing minds of the guests, the second one definitely will. There is nothing quite as beautiful as the sounds of the strings of golden harps taken from Mab's palaces, beautified by the usage of calming and dumbing down rituals.<br/>\n3. <strong>Remembrance Gallery</strong> \u2014 To finish the evening in style, all guests will be able to visit a gallery filled with found artworks of the old empire, protected and cleaned for viewing ease. On the way to the exit, all guests will be able to make themselves remembered too, by <span id=\"u-names\">leaving their names</span> in the guest book.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 2em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"><em><span style=\"text-decoration: underline;\">Tickets: 1500 PLN</span></em></span></p>\n<hr/></div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"background: antiquewhite; border: 1px solid silver; padding: 1em;\">\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:400%;\"><span style=\"color: firebrick\"><strong>Critique Lodge</strong></span></span></p>\n\n<p><span style=\"font-size:1%;\"><span style=\"color: transparent\">.</span></span></p>\n<p><sub><strong>Esterberg, Cz\u0119stochowa, Poland</strong></sub></p>\n</div>\n<hr/>\n<p><span style=\"font-size:1%;\"><span style=\"color: transparent\">.</span></span></p>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong><span style=\"color: purple\">A Large-feathered Fellow</span></strong><br/>\n\u2606\u2606\u2606\u2606\u2606</p>\n</div>\n<p><strong><span style=\"color: purple\">I don't understand where I am. Please, if this is reaching anyone, please help me. I do not understand. Last thing I remember was the Gallery, and when I woke up I was among these trees. Jesus Christ, anyone, please.</span></strong></p>\n<div class=\"blockquote\">\n<p><strong>Restaurant Response:</strong> Don't worry \u2014 it definitely won't be reaching <em>anyone, ever</em> \u2014 similarly to how our \"lower\" children and families never reached the surface again after years in your prisons. Have fun in our hell you could have prevented when you let us attack the devil's Factory alone, you sick aristocratic fucks :)</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong><span style=\"color: purple\">Member of the Forgotten</span></strong><br/>\n\u2606\u2606\u2606\u2606\u2606</p>\n</div>\n<p><strong><span style=\"color: purple\">You fucking animals. How dare you raise your hand on your masters and gods! You will regret this, you fucking disgusting pieces of shit. Just wait until the rest knows about this. You will think the fate of the Night's Children was a good one when we get out, you atrocious pleb!</span></strong></p>\n<div class=\"blockquote\">\n<p><strong>Restaurant Response:</strong> We wouldn't worry about getting out \u2014 you <em>won't</em>. Have fun staying among everyone you ever wronged, forever, until the last light goes dim. Hope you enjoy being the \"animals\" this time! ^^</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong><span style=\"color: purple\">A Child of the Ever-changing Woods</span></strong><br/>\n\u2606\u2606\u2606\u2606\u2606</p>\n</div>\n<p><strong><span style=\"color: purple\">Please, there's no food here. <em>It</em> tried to eat me today, just\u2026 please, help me! I will do anything, please; I'm sure once the Queen returns, she will remember who helped her loyal subjects. I'm afraid it will come again soon, I'm, begging you. I won't have the strength to fight back again. Please, I'll do anything, there's no ti</span></strong></p>\n<div class=\"blockquote\">\n<p><strong>Restaurant Response:</strong> After all these years of feasting, food really shouldn't be an issue for you, you fat piece of shit. We, however, might finally eat something that's more than the scraps of what your pigs ate in the clean palaces above our caves. And it looks like we are going to have a feast indeed! A truly unique texture. It really <em>does</em> taste excellently tart.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>Ambrose Restaurants</strong><br/>\n\u2606\u2606\u2606\u2606\u2606</p>\n</div>\n<p>This is a ridiculous farce. Ambrose Restaurants have never nor will ever attempt to create an establishment within the Ruling District due to the everchanging political space within the area. This is a mockery of the company's good name and practices and will not be tolerated. Prepare to see our lawyers soon.</p>\n<div class=\"blockquote\">\n<p><strong>Restaurant Response:</strong> Just be glad <em>your</em> people were never a part of the list. Enjoy that comfort, because it might not last as long as you think. The Inventor sends her regards.</p>\n</div>\n</div>\n<p><span style=\"font-size:1%;\"><span style=\"color: transparent\">.</span></span></p>\n<hr/>\n<div style=\"text-align: center;\">\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-esterberg\">Ambrose Esterberg</a>\" by Ralliston, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-esterberg\">https://scpwiki.com/ambrose-esterberg</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n\n</div>\n</div>\n</div>\n</div>\n</div>\n<hr/></div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:golden-feast\">:scp-wiki:theme:golden-feast</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar\">:scp-wiki:component:toggle-sidebar</a>]]\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css?family=Poiret+One');\n\n\n\n.ambrose a{color: #AA9538}\n\n.menu a::visited{color: #AA9538}\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n#page-title {\n\n\u00a0\u00a0display: none;\n\n}\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n@media (prefers-reduced-motion: no-preference) {\n\n\u00a0\u00a0\u00a0span#u-names {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0animation: steal 3s ease-in-out infinite alternate;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0\u00a0}\n\n\n\n\u00a0\u00a0\u00a0@keyframes steal {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a00% { color: inherit; }\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a050%, 100% { color: green; }\n\n\u00a0\u00a0\u00a0}\n\n}\n\n[[/module]]\n\n\n\n\n\n[[size 1%]]##transparent|.##[[/size]]\n\n\n\n[[div class=\"pseudocrumbs\"]]\n\n[[[canon-hub|Canon Hub]]] >> [[[From 120's Archives Hub]]] >> Ambrose Esterberg\n\n[[[Groups of Interest]]] >> [[[Ambrose Restaurant Hub|Ambrose Restaurants Hub]]] >> Ambrose Esterberg\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n[[=]]\n\n**[http://scp-wiki.wikidot.com/ralliston-s-authorpage More by this author]**\n\n[[/=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[size 1%]]##transparent|.##[[/size]]\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n[[span style=\"color: #A38800; font-size: 4em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\n= Ambrose Esterberg[[/span]]\n\n\n\n@@ @@\n\n@@ @@\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ About the Event @@[[/span]]\n\n\n\nFor as long as the city has existed, the [[[esterberg-city-wikipedia|Esterbergian]]] elite had the unfortunate displeasure of dining with the poor, down in the dirt of the Living District. This of course was not by design, but rather due to the fact of the everchanging sociopolitical state and the power structures of the city. It never allowed Ambrose Restaurants to truly branch out into where the elites truly banquet. That being, of course, within the clean heights of the Ruling District. That, however, will soon be merely a thought of the past, never to be a reality again.\n\n\n\nTo commemorate the one-hundredth anniversary of the [[[ralliston-s-proposal|Great Factory Purge]]] and the damnation of the more feral part of the Fae species -- the disgusting poor the richer and Mab disposed of during said attack so many years ago -- to **##green|hell itself##** Ambrose Restaurants has the great pleasure to announce the opening of a whole new locale, located entirely within the elite streets of the Ruling District. Ambrose Esterberg will open soon in the clean, rich halls of Esterberg so that all remaining Fae can banquet like they deserve -- without the awful plebs.\n\n\n\nIn collaboration with Marshall, Carter & Darke, the newest establishment will open with the wonders of a whole new, special all-night dinner event, designed for the Fae elites of the city to remember their civilization like it was millennia ago. Filled with Fae cuisine meals, art, and a reading of a select few most beautiful pieces of the Fae literature -- both prose and poetry -- the night will undoubtedly be not be forgotten for a long, long time.\n\n\n\n@@ @@\n\n-----\n\n[[span style=\"color: #A38800; font-size: 2em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\n= //__March 23rd, 2011__//[[/span]]\n\n-----\n\n@@ @@\n\n@@ @@\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Rise @@[[/span]]\n\n\n\n1. **Four-leafed Ros\u00f3\u0142** -- The traditional flavors of Poland's exemplary soup, spiced up with four-leafed horseradish fresh from the ruins of Mab's very own gardens established shortly after the race's emergence from the forests. Equating to a deep and truly pleasurable taste, it's a fantastic dish to begin the night with.\n\n2. **The Night's Goulash** -- Experience the sharp and salty flavors of the mass genocides of [[[SCP-1000|Children of the Night]]] that followed the gaining of consciousness by the Fae, orchestrated by the disgusting animal versions of them in order to take control as the dominant species. Served with sensational rye bread and topped with a parsley decoration.\n\n3.\u00a0\u00a0**The Stew of One Thousand Skies** -- A combination of the contrasting soft meat of the animals and hard vegetables of the old days, brought to today's age through rapid re-animation. Served with a sweet sugar star taken directly from the glistering skies the Fae looked at when their buildings didn't yet reach them.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@\u00a0\u00a0Apex @@[[/span]]\n\n\n\n1. **Draconic Steak \u00e0 la beatitudinem** -- Nothing better to heat up the party after the melancholic memories of the beginnings than fresh spicy draconian meat, served with couple swirls of the contrast of the sweet [[[SCP-999|pure happiness]]]. Similar in feel to the feeling of establishing a sociopolitical structure that's beneficial to your friends after taking over the world together with the people you'll soon exploit.\n\n2. **Tastes of Beauty** -- Breast of Desert Phoenix -- a race bioengineered by the Inventor so many years ago with the only mission to clean the planet of the feral Fae kind by its higher brothers after they developed well enough in their clean palaces to know of such magic. Painted with a mixture of candied apple and pear glaze, bringing the fiery texture of meat and the calming stream of glaze to a dish of many tastes.\n\n3. **The Queen's Gift** -- To experience the empire is to experience its habits, too -- and there's no better way to do that than with the feeling of pureness and calmness as felt during its power height this unique mix of ancient flora offers. Server with mayonnaise and sharp bread crisped topping.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Fall @@[[/span]]\n\n\n\n1. **Reliving** -- Even if \"those who don't know history are condemned to repeat it\" is the main motto of the event, \"Reliving\" is the true highlight of the show. A cherry-filled pure white chocolate cake, decorated with strawberry-chiseled scenes taken directly from the history of the Fae. Beginnings in the forests, through world domination, to the inevitable fall of the lower race to the distant lands and the dissolving of empire during the First Diaspora. It is truly a sight to behold, making the mistakes that lead to its fall remembered.\n\n2. **The Blood Fountain** -- Blood was the only thing those said to be below the high Fae knew their entire lives, especially during the falling of the kingdom, and now, you can know that too. The deep tastes of a dark chocolate fondant contrasted with the even sweeter arctic vanilla mousse on the inside, the dish truly shows the horrors of the rules trying to find victims for their own destructive lifestyle.\n\n3. **Dungeons' Ices** -- If you want to know how the mostly innocent prisoners of the falling empire felt like in their cells located miles below the ground, then there's no better way to do so than this sharp and mind-freezing ice cream mix. Garnished with bitter liquid chips taken directly from the horn of a unicorn.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Retaking @@[[/span]]\n\n\n\n1. **Cannibalistic Bloody Mary** -- There's no better way to start a good drinking session than with a drink that reacts to your conversations! Cold vodka, sentient (and [[[scp-504|overly critical]]]!) tomato juice, and a small droplet of Fae blood to reminisce the cannibalistic practices of the hungry aristocrats when there was no power left to exploit. A truly hot and deep-tasting wonderful mix that will leave you wanting more.\n\n2. **Mab's Best** -- A glass of sensical Port, poured from barrels taken directly from the now-ruined basements of Queen Mab's millennia-old palace. As powerful and sharp in taste as the feelings of disgust known on a daily basis to so many Fae elites, it is truly an experience.\n\n3. **Forest's Kiss** -- A revitalizing, non-alcoholic mix of the sweetest fruits of the old forests which retook the previously untouchable clean palaces. Perfect for those that wish to re-gain their senses after a night full of sensations.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Fine Attractions @@[[/span]]\n\n\n\n1. **Poetry Appreciation** -- To ease the minds of guests who fully participated in prior meals and listened to stories behind them, this attraction will come in handy -- a selection of the most beautiful pieces of Fae literature from the old days, describing the greatness and invulnerability of the empire at its highest points.\n\n2. **Magical Concert** -- If the previous attraction didn't ease the racing minds of the guests, the second one definitely will. There is nothing quite as beautiful as the sounds of the strings of golden harps taken from Mab's palaces, beautified by the usage of calming and dumbing down rituals.\n\n3. **Remembrance Gallery** -- To finish the evening in style, all guests will be able to visit a gallery filled with found artworks of the old empire, protected and cleaned for viewing ease. On the way to the exit, all guests will be able to make themselves remembered too, by [[span id=\"names\"]]leaving their names [[/span]] in the guest book.\n\n\n\n@@ @@\n\n@@ @@\n\n-----\n\n[[span style=\"color: #A38800; font-size: 2em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\n= //__Tickets: 1500 PLN__//[[/span]]\n\n-----\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@ \n\n\n\n[[div style=\"background: antiquewhite; border: 1px solid silver; padding: 1em;\"]]\n\n-----\n\n@@ @@\n\n[[=]]\n\n[[size 400%]]##firebrick|**Critique Lodge**##[[/size]]\n\n~~~~\n\n[[size 1%]]##transparent|.##[[/size]]\n\n\n\n,,**Esterberg, Cz\u0119stochowa, Poland**,,\n\n[[/=]]\n\n-----\n\n[[size 1%]]##transparent|.##[[/size]]\n\n\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**##purple|A Large-feathered Fellow##**\n\n\u2606\u2606\u2606\u2606\u2606\n\n[[/div]]\n\n\n\n**##purple|I don't understand where I am. Please, if this is reaching anyone, please help me. I do not understand. Last thing I remember was the Gallery, and when I woke up I was among these trees. Jesus Christ, anyone, please.##**\n\n\n\n[[div class=\"blockquote\"]]\n\n**Restaurant Response:** Don't worry -- it definitely won't be reaching //anyone, ever// -- similarly to how our \"lower\" children and families never reached the surface again after years in your prisons. Have fun in our hell you could have prevented when you let us attack the devil's Factory alone, you sick aristocratic fucks :)\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**##purple|Member of the Forgotten##**\n\n\u2606\u2606\u2606\u2606\u2606\n\n[[/div]]\n\n\n\n**##purple|You fucking animals. How dare you raise your hand on your masters and gods! You will regret this, you fucking disgusting pieces of shit. Just wait until the rest knows about this. You will think the fate of the Night's Children was a good one when we get out, you atrocious pleb!##**\n\n[[div class=\"blockquote\"]]\n\n**Restaurant Response:** We wouldn't worry about getting out -- you //won't//. Have fun staying among everyone you ever wronged, forever, until the last light goes dim. Hope you enjoy being the \"animals\" this time! ^^\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**##purple|A Child of the Ever-changing Woods##**\n\n\u2606\u2606\u2606\u2606\u2606\n\n[[/div]]\n\n\n\n\n\n**##purple|Please, there's no food here. //It// tried to eat me today, just... please, help me! I will do anything, please; I'm sure once the Queen returns, she will remember who helped her loyal subjects. I'm afraid it will come again soon, I'm, begging you. I won't have the strength to fight back again. Please, I'll do anything, there's no ti##**\n\n\n\n[[div class=\"blockquote\"]]\n\n**Restaurant Response:** After all these years of feasting, food really shouldn't be an issue for you, you fat piece of shit. We, however, might finally eat something that's more than the scraps of what your pigs ate in the clean palaces above our caves. And it looks like we are going to have a feast indeed! A truly unique texture. It really //does// taste excellently tart.\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**Ambrose Restaurants**\n\n\u2606\u2606\u2606\u2606\u2606\n\n[[/div]]\n\n\n\nThis is a ridiculous farce. Ambrose Restaurants have never nor will ever attempt to create an establishment within the Ruling District due to the everchanging political space within the area. This is a mockery of the company's good name and practices and will not be tolerated. Prepare to see our lawyers soon.\n\n\n\n[[div class=\"blockquote\"]]\n\n**Restaurant Response:** Just be glad //your// people were never a part of the list. Enjoy that comfort, because it might not last as long as you think. The Inventor sends her regards.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[size 1%]]##transparent|.##[[/size]]\n\n-----\n\n[[=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n\n[[/=]]\n\n-----\n\n[[/div]]\n", "tags": ["_ambrose-restaurant", "_licensebox", "ambrose-restaurant", "children-of-the-night", "esterberg", "faerie", "fantasy", "featured", "from-120s-archives", "goi-format", "homo-sapiens-sidhe", "marshall-carter-and-dark", "nameless"], "title": "Ambrose Esterberg - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-esterberg"}, "ambrose-gloucester": {"created_at": "2020-10-23T18:30:00", "creator": "Riemann", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "Uploaded file \"G2.jpg\".", "date": "2020-10-23T18:30:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "", "date": "2020-10-23T18:30:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "", "date": "2020-10-23T18:32:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "leave me alone brits", "date": "2020-10-23T18:37:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "leave me alone brits part 2", "date": "2020-10-23T18:38:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "Parent page set to: \"ambrose-restaurant-hub\".", "date": "2020-10-23T18:52:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: _ambrose-restaurant, _image, ambrose-restaurant, goi-format. ", "date": "2020-10-23T19:20:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "typo", "date": "2020-10-23T19:26:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: _licensebox. ", "date": "2020-10-23T19:26:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2020-10-23T22:04:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "", "date": "2020-10-23T22:04:00"}, {"author": "Riemann", "author_href": "https://www.wikidot.com/user:info/riemann", "comment": "Some typo fixes", "date": "2020-10-23T22:13:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Update Inkblot syntax", "date": "2024-06-24T16:43:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mystery, surrealism. ", "date": "2024-10-16T21:13:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:39:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-gloucester", "page_id": "1305583201", "rating": 81, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Amediumseagreen%7D\" style=\"display: none\"></iframe></p>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p><em>Best</em></p>\n</div>\n<div class=\"title-2\">\n<p><em>You</em></p>\n</div>\n<div class=\"title-3\">\n<p><em>Ever</em></p>\n</div>\n<div class=\"title-4\">\n<p><em>Had</em></p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>A review of Ambrose Gloucester.<br/>\nBy Sam Vasseril<br/>\n11 min read.<br/>\n\u2b50\u2b50\u2b50\u2b50\u2605</p>\n\n</div>\n</div>\n\n<p>Every Ambrose restaurant has a gimmick. This is a long held adage in the food critic world, passed between reviewers young and old alike. It has become somewhat of a rite of passage, an in-joke, a hallmark of more refined palates and those who have been around long enough to fully grasp the meaning of the phrase. One can always tell when it is faked - it is too earnest, eager, belying the truth of the fresh face behind the words.</p>\n<p>Of course, very few critics have had the opportunity to review an Ambrose restaurant. Part of the gimmick, it should be said, is a noted distaste for critics such as myself. Small venues, inconsistent hours, pop-up locations - all done with a certain <em>verve</em> by Ambrose in a way that seems designed to stymie and frustrate critics. In all my years, I have only heard of one example where a critic was invited to an Ambrose establishment.</p>\n<p>You may imagine my surprise, then, when I received a letter in the post informing me that I had been invited to the grand opening of Ambrose Gloucester. The specifics had been worked out with my editor at Waldon Studio, and it was agreed that I would be going in blind, as it were. I received the original latter from Ambrose for reference. It was a small and simple affair, with only the name - \"Ambrose Gloucester\" - an address, and a date.</p>\n<p>I admit, my interest was piqued. I had not heard of any plans to open a location in Gloucester. It was an odd choice for a location, but not terribly far. Still, fortune favours the bold, and I was terribly curious.</p>\n<hr/>\n<h2 id=\"toc0\"><span>More Road to Ride</span></h2>\n<p>I am detailing my process here because it is with this mindset that I approach my reviews. Most people, when imaging a food critic, picture an ego driven snob obsessed with French cuisine and eschewing anything priced less than a small fortune. I cannot even say that we do not deserve it!</p>\n<p>But I think that such a laser focus on foods largely inaccessible to the public does a disservice to good food everywhere. There is, for instance, a small shop near my local train station that sells a sausage roll for fifty pence. It is greasy, cheesy, warm, and undeniably cheap. It is also one of the best things that I have ever eaten. The only real criteria for food is whether or not one enjoys it. Everything else is table dressing.</p>\n<p>The morning of my visit was much like any other. I woke up at 6 AM sharp, and began to prepare my morning latte. I have always found the process of preparing a latte to be the perfect synecdoche for cooking. The quality of the ingredients is important, of course. But it is nothing compared to the care, the love with which the meal is created. I do not profess to have any deluxe equipment, indeed, my set up is quite modest. A simple hand grinder and lever machine. It is the handiwork and passion that make food worth eating.</p>\n<p>I am reminded of this as I take each step in the delicate dance of cooking. Firstly, grinding the coffee to the perfect consistency. Not too fine, or the brew is bitter. Not so coarse that the water cannot fully absorb the complex flavours. I pack the puck, and listen as the heat and pressure build within the brewing masthead as the water floods in and begins to intermingle with the rich and earthy history of the grounds. It is a wonderful crescendo of music and flavours, and at last I pull the lever, releasing the espresso into my cup.</p>\n<p>It is a bit bitter - I let it get to slightly too high a pressure.</p>\n<p>But that is ok. It is wonderful all the same.</p>\n<p>I watch the sun rise with my coffee, a quiet moment of serenity before I head out the door.</p>\n<hr/>\n<p>My trip to Ambrose Gloucester is uneventful. I take the train, listening to the quiet concert of people going about their every day lives. Some children are valiantly attempting to finish their homework, scrabbling for answers to simple arithmetic questions. A young man tries not to fall asleep.</p>\n<p>I step off the train and into Gloucester station. It is a warm day, one of the first of the season, and a gentle breeze pushes through the open space. There are a few people scattered about, but I have slightly beaten rush hour. I head north.</p>\n<p>On my way I contemplate what I know about Ambrose. I have mostly heard of their US locations. Some unfortunate incidents in California, but largely good things of their Portland location. Recently they have trended away from more traditional restaraunteuring. I recall the food hall in Los Angeles, and hearing rumours of a more personal affair in Vienna. I wonder what I shall be faced with. For some reason, I expect something large.</p>\n<p>It is a 30 minute walk from the train station to Ambrose Gloucester. I pass into Severn Bridge, away from the sounds of motorcars and traffic. It is a quiet borough, crossed with small streets and the occasional park.</p>\n<p>Ambrose Gloucester is situated in a small and nondescript building across from a Wetherspoons. I cannot tell if this is a fortunate coincidence or a deliberate decision. Nothing encourages one to try new things quite like a Wetherspoons.</p>\n<p>The door is tinted glass with simple lettering. It is quite difficult to see through, and squeaks slightly as I push. Other than this slight protestation, it does not budge. I step back, looking around the empty street. Am I early? I look back to the door, inspecting it a little closer this time.</p>\n<p>Sheepishly, I pull it open and step inside.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>The first thing that strikes me is the noise. There's a constant dull hum that permeates the room. It is not so loud as to be distracting, but insistent and strident in its business. The second is the smell. It smells ever so slightly of chlorine, a distressing and decidedly unwelcome scent for a restaurant.</p>\n<p>The foyer is small but brightly lit, a white tiled affair illuminated with fluorescent lights. There is a small wooden end table in the corner, atop sits a single yellow flower in a glass vase and a conspicuous letter. The end table and flower suggest an unearned sense of coziness and optimism, which clashes with the rest of the decor.</p>\n<p>I spend some time waiting, shifting my weight awkwardly from foot to foot. I am certain that someone will come to greet me, but I am met only with the empty room and a waiting letter. My curiosity gets the better of me.</p>\n<p>The letter simply read:</p>\n<div class=\"letter\">\n<p><strong>The door on the left.</strong></p>\n</div>\n<p>Indeed, there was one other doorframe, quite conspicuously lacking a door. I pocketed the letter, now quite nervous but a little bit excited. It is not often the life of a food critic is filled with this much mystery. Relishing my new role as an amateur detective, I stepped through the empty threshold and into a black tiled hall. Within, two doorways; one to the left, and one to the right. I am slightly taken aback, before realising that this leftward door was the one that was promised. The acrid smell of chlorine was mostly abated in the hallway, which curiously was unlit, light only coming through the empty threshold of the previous room. The humming was louder, more assertive.</p>\n<p>Out of curiosity, I tried the door on the right, this time taking care to push <em>and</em> pull on the cool metal handle. It did not budge. So much for trying to game the system. To the left, the door was slightly ajar, and an inviting smell wafted from it. My senses not quite recovered from the chlorine, I could not place it.</p>\n<p>I entered the leftward room - both the smell of chlorine and the humming noise had abated entirely. The decor of the room was a curious combination; deep and rich wooden floors matched with dark forest green walls, this time illuminated by several flickering sconces. There was a table and a single chair, both quite elegantly crafted and sturdy, but the centerpiece was the conveyor belt. I found the room to be both pleasantly agreeable and somewhat offputting.</p>\n<p>It reminded me of the cheap conveyor sushi restaurants, if one could call them such, that crazed the nation a decade back. The delicate and complicated flavours of sushi with the speed and convenience of fast food.</p>\n<p>The conveyor belt stretched lengthwise across the table and looked to be within easy reach of an occupant of the chair. It was unremarkable aside from its presence in the room, defiantly clashing with the rest of the decor. The entryways for the conveyor belt were large - approximately a meter high, and half as wide. It was quite curious, and its intentions and purpose were unknown. Nonetheless, my interest was again piqued. What might they be serving that requires such an unconventional means of conveyance? I tried to look through the dark portals, but the conveyor belt turned a corner shortly inside, and my vision of what mysteries lay beyond, obscured.</p>\n<p>Having quickly run out of things to investigate in the room, and not knowing what else to do, I sat down.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<p>The conveyor belt silently spun into motion, well oiled treads thrumming imperceptibly.</p>\n<p>It appeared that whatever I was here for had begun.</p>\n<hr/>\n<h2 id=\"toc1\"><span>In the Wind I Crunch, I Want</span></h2>\n<p>A single glass of water was carried to me on the conveyor. I picked it up. Perfectly room temperature, but not unpleasant. Some time passed, and I was starting to wonder if that was the sum of my Ambrose experience, before the conveyor sprung to action again. This time, a small metal placard:</p>\n<div class=\"metal\">\n<p><em>Amuse bouche.</em></p>\n</div>\n<p>I pick it up, examine it. It is impeccably machined, cool and weighty to the touch. I place it down and watch the conveyor deliver upon the promise of the placard.</p>\n<p><em>Amuse bouche</em>. Three, to be precise. The first looked to be a careful arrangement of watermelon slices, sprinkled with seasoning and acutely garnished with small slices of leek. The second was a walnut, layered with prosciutto, fig, and gorgonzola cheese. The third <em>amuse bouche</em> was a celery soup, with carrots and jicama.</p>\n<p>It was a curious entry, but a bold one. I had the sense that the chef was playing with me - a disparate but intriguing collection of appetisers, all delivered in a wholly unique way.</p>\n<p>Was this the gimmick? If so, it was a low-key one.</p>\n<p>I decided to start with the walnut. My palate was clean, and I had always had a soft spot for a nice gorgonzola.</p>\n<p>I bit in, expecting the richness of the prosciutto to be complimented by the creaminess of the gorgonzola, the soft textures tempered by the crisp of the walnut. I found this, but what I did not expect was the subtlety of what I can only describe as <em>tasting</em> Shostakovich's <em>Festive Overture</em>. The warmth of the violins, proudly crescendoing into the triumphant fanfare of the brass section before the playful back-and-forth solo between the first chair flautist and clarinetist. I tasted all these things and more, with a depth and texture that I had never experienced before. I sat back, quite certain that someone was playing music in time to my meal. But there were no speakers, no way that what I was hearing could be mimicked by something so rough as speakers. I finished the first <em>amuse bouche</em>, plunging back into the works of Shostakovich.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\nI had found the gimmick of Ambrose Gloucester.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<p>I eye my celery soup, reminding myself to go slowly, to taste and savour the experience, before diving in to <em>Saint-Sa\u00ebns' The Carnival of the Animals - VII. Aquarium</em> and the first time I saw the moors.</p>\n<p>Slate grey clouds swim slowly, imperceptibly overhead. Where their migration takes them is no doubt some purpose beyond my young understanding. I stand in the pallid light, boots squelching slowly into the bog below me, watching the cloudwaves of piano notes gently plink, shifting with comforting assurance. The moors stretch further beyond the horizon, threatening to overtake me with their endless patience. Its purpose was set in motion long before, and I am small and alone beside it. It is the first time I realise how much there is to the world that is outside my understanding. My parents bid me forward, coaxing me with soft platitudes - there lies nothing underneath the peat.</p>\n<p>But I do not act on this. I am afraid.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>It takes me a moment to remember that I am sitting alone in a room in Severn Bridge. I try to sink back into the memory, but it is fuzzy and vague. I surmise that the vividness of whatever wonder the chef has crafted makes my own recollections paltry and distant in comparison. Remembering my role, I pull out my phone to take some pictures; but as suspected, the low lighting precludes photography that Waldon Studio would be proud to show. A travesty, but my work is not yet done.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>Curious, I went for the watermelon next. Only one of the pieces was a perfect cube - the rest were various polyhedra. The chef was trying to tell me something, and it was my job as the critic to piece together this mystery. The first bite was crisp, well structured and light mouthfeel. The seasoning was a combination of salt and szechuan pepper, lightly numbing the tongue. It would be quite refreshing on a hot summer's day. But it was Vivaldi's <em>Le quattro stagioni</em>, <em>Concerto 1</em> - Spring - that enraptured me.</p>\n<p>Savouring every moment, I closed my eyes, and found my mind wandering back to the spring of my 12th year. It had been an especially cold and long winter, and I had not seen the sun for some time. We had been turned out onto the field behind the schoolyard, which was a verdant green and blooming with dandelions and daisies. Taylor and I were separated from our peers, having walked and gotten lost in conversation even at our young age.</p>\n<p>I was nervous. At that tender age, I had begun to think about Taylor frequently, confusing thoughts and emotions that I did not yet understand. I recall the distinct feeling of wanting to punch them, but also wanting to make sure no harm would ever come to them. With every peal of laughter my face would blush crimson, and I would try to distract myself from my thoughts.</p>\n<p>Struck by the urge to reach out and hold their hand. I resist, mired in what must have seemed at the time a complex tangle of desires and anxieties.</p>\n<p>But I do not act on this.</p>\n<p>A soft touch breaks my reverie - our hands, not of my accord, now intertwined.</p>\n<p>I look up and met Taylor\u2019s eyes. We smile.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>At the conclusion of the appetiser, I knew two things for certain. That I had never before seen such passion in cooking, and that I was palpably excited to know what else was waiting for me.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>Almost as if the chef could read my mind, the empty plates were whisked away by the conveyor.</p>\n<p>In its place came another placard.</p>\n<div class=\"metal\">\n<p><em>Steak au poivre.</em></p>\n</div>\n<p>This time, the conveyor does not stop, carrying the placard away and delivering in its place the <em>steak au poivre.</em> It is topped with a cream pan-sauce that smelled of shallots, rosemary, and whiskey. The steak itself was marbled and the pan-sauce sept through the cracks of the perfectly caramelised exterior. My knife moves through it like butter; I take a bite.</p>\n<p>It is a hot and sticky summer day. I am seated uncomfortably at a concrete bench, fruitlessly trying to coax the dead air into a breeze. I try to distract myself, looking at the passersby - but each is a suspect, laughing at me under their breath.</p>\n<p>I see Alex, as arresting as the day we met. The lovers motif cuts through the brass and stagnant air, mocking and cruel. I know why we are meeting.</p>\n<p>How long have I known? Since I asked Alex when they were last happy.</p>\n<p>I already know what Alex will say. I have heard it repeated in every silent morning, its absence in every goodbye. I know it in every unsaid thing.</p>\n<p>Small talk. Each word is a stabbing violin, an unbearable, simmering heat that builds without resolution or relief. The steak is tender and juicy. The pan-sauce is without compare.</p>\n<p>I do not love you anymore. The words land flat on my ears, and for a moment it is quiet, the heat forgotten. The rosemary complements the shallots quite nicely.</p>\n<p>A bell tolls somewhere. The <em>Dies Irae</em> begins. The sadness has long burnt out. Insistently, angrily, the trumpets answer the tubas. Explications of how I had fought, how I had toiled - the orchestra builds in a righteous anger and justified fury. The words build in my head, a perfect cosmology of our failure. An original sin, at their feet.</p>\n<p>I meet Alex\u2019s eyes. The violins fall gently, like a leaf on the wind.</p>\n<p>I could fight for us. The impulse to preserve what we have, to pay off sunken costs, spins in my mind.</p>\n<p>But I do not act on this.</p>\n<p>The trumpets lash out in anger, but it is not enough. The brass demurs, fading in resignation as the memories of what I had done creep back in.</p>\n<p>I could have reached out before this. I could have told Alex how I feel, tell them that I forgive them and that it was my fault, too. I could have fought for us.</p>\n<p>But I do not act on this.</p>\n<p>I am back in the depths, where I belong. I sigh and swallow the last of the <em>steak au poivre</em>. The moment is lost. My own private <em>Symphony Fantastique</em>, concluded.</p>\n<p>I sat for quite some time in the room, contemplating what I had experienced. I had rediscovered my passion for food after that breakup. Despite the turmoil and the circumstances, it had been a breath of fresh air, an opportunity to re-evaluate and rediscover my passion for life itself. In every tragedy, an opportunity to improve, a path to happiness.</p>\n<p>This is what I told myself, at least.</p>\n<p>I found the silence comforting. I did not know what game the chef was playing, why they had chosen this song and awoken this memory in me. My image of a playful trickster was upended. Now, a Machiavellian puppeteer, flexing their knowledge and prowess. I did not know what next to expect.</p>\n<hr/>\n<h2 id=\"toc2\"><span>No Place to Hide</span></h2>\n<p>The final course provided some insight into the construction of the room. The choice of such a large entry window for the conveyance of food had been puzzling, but the arrival of what would be the final placard was silent answer to my unaired question.</p>\n<div class=\"metal\">\n<p><em>Croquembouche.</em></p>\n</div>\n<p>The large conic section of profiteroles glided in shortly after.</p>\n<p>But with the croquembouche came more questions. Was this room constructed with the profiteroles in mind? What game was being played? Who was behind all of this?</p>\n<p>Nonetheless, duty came first. The assembly was impeccable, the tower delicately draped with gossamer thin gold wire. The wiring was not a touch I had seen before, but its inclusion afforded the tower a certain weight, a gravitas. Each individual profiterole shone in the flickering light with their own crispy, glazed exterior, lightly dusted in caster sugar.</p>\n<p>But the art of the croquembouche is as much the stability as it is the presentation. I plucked a profiterole from the center, waiting and, I must admit, slightly hoping that the entire assemblage would collapse, and with it, any further obligations.</p>\n<p>It did not.</p>\n<p>The glaze stuck slightly to my fingers. A thicker sort than expected, but a clever method to ensure the structural integrity of the croquembouche. My profiterole was coated with glaze, a sign that the chef had individually rolled each individual piece before assembling. Great care was taken here, as had been the case for every dish so far.</p>\n<p>At ends, I bit in. The crispy shell, fluffy and cakelike in the interior, gave way to rich and luscious cream, dappled with hints of maple and strawberry notes. A gentle breeze of soft, deliberate guitar washes across me.</p>\n<p>This memory was not mine. I felt a voyeur, an intruder into someone else's innermost thoughts and desires. But I was also excited, titillated at what I might find there.</p>\n<p>Few images came to me. Emotions and ideas began to trickle in at first, gradually building in intensity. Hope, the rolls and crashes of cymbal thunder far above the deep highland tracts. High-hat stars pierce the bass fabric of clouds, shining cold and clear.</p>\n<p>I do not know how long I walk, how much I consume before I notice any change. The wind has picked up, the thunder more insolent in its cries. The bass becomes more layered, murky sevenths and half resolved chords blending back and forth. I wonder what happens to the clouds when they are gone.</p>\n<p>They are trying to tell me something. I do not realise this till later. I do not notice this, nor that the clouds slowly occlude the starlight. A few drops of water splay across my face.</p>\n<p>In time, it is raining. The wind has picked up greatly now, shrill violins screaming past me. I pick up my speed, unable to shake the feeling that something has gone wrong.</p>\n<p>A shout cuts through the violins and wind. I feel the ground beneath me, solid and firm in the heather moorlands. I break into a run, stumbling, feeling my feet crash into the ground in tilted staccato rhythm. The shout again crests the storm, and I see the source in the dim twilight - a figure, half visible and mired deep in the peat. It cries for help.</p>\n<p>The wind batters me. Thunder rumbles, close by and with unfathomable rage. The music built, swelling in anger and passion and sadness, battering me in a great and terrible storm.</p>\n<p>Across the bog, the figure pleads. It screams, sinking further into the quagmire, begging to be rescued, but its words are ripped from its throat and lost in the maelstrom surrounding us.</p>\n<p>A choice. It is not far. A mere 100 meters, an impassable expanse that stretches beyond my comprehension. I only need to take the first step, to lose myself in the moment and for once take action without consideration.</p>\n<p>I look at the figure, and I ran. I did not know where I was or what would come of it, only that I had witnessed something horrible.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>The bottom half of the croquembouche was salty and wet. I do not know why.</p>\n<p>As I choked the final profiterole down, the storm faded and the final chord resolved. There was no great revelation. The room had not changed.</p>\n<p>I was alone, as I always had been. I wiped the tears from my cheeks, newly conscious of how much my body had been fighting me. I felt bloated, incapable of movement, but I knew that I had to leave that room. It was silent, unchanged yet unrecognisable.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<p>Outside, the rightward door loomed. I knew that it was unlocked, and that behind it lay answer to my questions. I listened to what I hoped was some refridgerant unit hum.</p>\n<p>We have so few opportunities to exercise our free will. Humans are so embroiled in a miasma of implications, consequences, opinions that no decision we make is ever truly free. We try to effect change, but we are tossed and shaken in a hurricane of noise that drowns out any meaningful improvement. Our reverberations do not go far. It is a pig-circus, planned and ordained well before we are even conscious of the the decision that we made. But in the small hallway, alone in Ambrose Gloucester, I had the singularly meaningful opportunity to <em>do</em> something. To drag myself out of the quagmire of indecision. To make a decision that was mine and mine alone, that would change me forever.</p>\n<p>I could have opened that door and found every answer.</p>\n<p>But I do not act on this.</p>\n<p>I suspect whoever, or whatever, was on the other side of the door belt knew what my decision would be. I wondered how it knew. I did not want to ask.</p>\n<p>I left Ambrose Gloucester, but did not take my eyes off the door.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p>My trip from Ambrose Gloucester is uneventful. A weak sun provides little warmth outside. I look around and take stock of my surroundings. Severn Bridge is a rote little hamlet, forgettable and bland. It is not even interesting enough to be distasteful.</p>\n<p>I walk back to the train station, the incessant sounds of motorcars giving way to the dull roar of crowds. The soaring heights of Gloucester station are cluttered with people. They say nothing meaningful.</p>\n<p>When I enter my apartment, I am accosted by the smell of stale coffee that has permeated the roots of my living room rug. I sit and wait for the day to end.</p>\n<hr/>\n<h2 id=\"toc3\"><span>I Wish I Could Tell You a Lie</span></h2>\n<p>I could not say what was taken from me in that small room. I have written and rewritten this review several times, trying to find the right words to express how, exactly, I changed. It is becoming clear to me that I may never be able to fully express what happened. Only that it is gone, and no matter what I do, it is never coming back.</p>\n<p>No part of my life has drastically changed since I visited Ambrose Gloucester. The sunrise looks quite the same, but I cannot quite shake the feeling that the real sun has been secreted away and replaced with a pretender. The birds sound thin and distant. I wonder about the chef. Did they ever have any passion for their work, or are they simply going through the motions and waiting for the day to end? Perhaps one day I will be able to put to words this feeling.</p>\n<p>Perhaps one day I will learn why this was done to me.</p>\n<p>I expect this will be my last food review. The passion I felt for food, the delight for tasting the symphony of flavours and smells has faded. I simply do not have the appetite for it anymore. In the past week I have eaten one meal - douhuafan, an old favourite of mine. It was quite bland.</p>\n<hr/>\n<p><strong>Overall:</strong> A life changing experience that I would not wish upon anyone. Four stars.</p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-gloucester\">Ambrose Gloucester: Best You Ever Had</a>\" by Riemann, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-gloucester\">https://scpwiki.com/ambrose-gloucester</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> G2.jpg - \"Street\"<br/>\n<strong>Author:</strong> nicubunu.photo<br/>\n<strong>License:</strong> CC BY-SA 2.0.<br/>\n<strong>Source Link:</strong> <a href=\"https://search.creativecommons.org/photos/2c9144f5-3bba-4169-826c-b95b47367d5e\">https://search.creativecommons.org/photos/2c9144f5-3bba-4169-826c-b95b47367d5e</a><br/>\n<strong>Note:</strong> Image was partially cropped</p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=mediumseagreen]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Cantata+One&display=swap');\n\n\n\n.metal {\n\n\u00a0\u00a0margin: 1rem auto;\n\n\u00a0\u00a0font-family: 'Cantata One', serif;\n\n\u00a0\u00a0padding: 0 1rem;\n\n\u00a0\u00a0color: #2b2d2c;\n\n\u00a0\u00a0font-size: 1.5rem;\n\n\u00a0\u00a0text-shadow: 0px 1px 3px rgba(255,255,255,0.5), 0px -1px 3px rgba(0,0,0,0.5);\n\n\u00a0\u00a0filter: sepia(0.4);\n\n\u00a0\u00a0border: 0.5rem outset #8e8e76;\n\n\u00a0\u00a0background: linear-gradient(175deg, #797157 0%, #8e8e76 70%, #b5bca3 75%, #8e8e76 100%);\n\n\u00a0\u00a0text-align: center;\n\n\u00a0\u00a0width: 500px;\n\n\u00a0\u00a0box-sizing: border-box;\n\n}\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Courier+Prime:ital,wght@1,400;1,700&display=swap');\n\n\n\n/* If you use this menu CSS on an Ambrose article, please let me know!\n\n\u00a0* I'd love to hear about it so that I can downvote you and chastise you for being unimaginative.\n\n\u00a0* Make your own menu! 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(and then let me know about that :3 )\n\n\u00a0*/\n\n.letter {\n\n\u00a0\u00a0position: relative;\n\n\u00a0\u00a0background-color: Antiquewhite;\n\n\u00a0\u00a0padding: 4rem min(4rem, 7vw);\n\n\u00a0\u00a0margin: 2rem;\n\n\u00a0\u00a0font-family: 'Cantata One', serif;\n\n\u00a0\u00a0font-size: min(1.5rem, 3.5vw);\n\n\u00a0\u00a0display: flex;\n\n\u00a0\u00a0flex-direction: row;\n\n\u00a0\u00a0flex-wrap: wrap;\n\n\u00a0\u00a0justify-content: space-between;\n\n}\n\n.letter > p { margin: 0; }\n\n.letter > p:nth-child(2) { margin-left: 1rem; }\n\n.letter > p:nth-child(3) { flex-basis: 100%; }\n\n\n\n.letter::before, .letter::after {\n\n\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0position: absolute;\n\n\u00a0\u00a0pointer-events: none;\n\n\u00a0\u00a0top: -1rem; right: -1rem; bottom: -1rem; left: -1rem;\n\n\u00a0\u00a0background-position: 0 1rem;\n\n\u00a0\u00a0background-size: 100% 2rem;\n\n\u00a0\u00a0background-repeat: repeat-x;\n\n}\n\n.letter::after { transform: rotate(180deg); }\n\n[[/module]]\n\n\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\n//Best//\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\n//You//\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\n//Ever//\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\n//Had//\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nA review of Ambrose Gloucester.\n\nBy Sam Vasseril \n\n11 min read.\n\n\u2b50\u2b50\u2b50\u2b50\u2605\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image G2.jpg]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\nEvery Ambrose restaurant has a gimmick. This is a long held adage in the food critic world, passed between reviewers young and old alike. It has become somewhat of a rite of passage, an in-joke, a hallmark of more refined palates and those who have been around long enough to fully grasp the meaning of the phrase. One can always tell when it is faked - it is too earnest, eager, belying the truth of the fresh face behind the words.\n\n\n\nOf course, very few critics have had the opportunity to review an Ambrose restaurant. Part of the gimmick, it should be said, is a noted distaste for critics such as myself. Small venues, inconsistent hours, pop-up locations - all done with a certain //verve// by Ambrose in a way that seems designed to stymie and frustrate critics. In all my years, I have only heard of one example where a critic was invited to an Ambrose establishment. \n\n\n\nYou may imagine my surprise, then, when I received a letter in the post informing me that I had been invited to the grand opening of Ambrose Gloucester. The specifics had been worked out with my editor at Waldon Studio, and it was agreed that I would be going in blind, as it were. I received the original latter from Ambrose for reference. It was a small and simple affair, with only the name - \"Ambrose Gloucester\" - an address, and a date. \n\n\n\nI admit, my interest was piqued. I had not heard of any plans to open a location in Gloucester. It was an odd choice for a location, but not terribly far. Still, fortune favours the bold, and I was terribly curious. \n\n\n\n-------\n\n++ More Road to Ride\n\n\n\nI am detailing my process here because it is with this mindset that I approach my reviews. Most people, when imaging a food critic, picture an ego driven snob obsessed with French cuisine and eschewing anything priced less than a small fortune. I cannot even say that we do not deserve it! \n\n\n\nBut I think that such a laser focus on foods largely inaccessible to the public does a disservice to good food everywhere. There is, for instance, a small shop near my local train station that sells a sausage roll for fifty pence. It is greasy, cheesy, warm, and undeniably cheap. It is also one of the best things that I have ever eaten. The only real criteria for food is whether or not one enjoys it. Everything else is table dressing. \n\n\n\nThe morning of my visit was much like any other. I woke up at 6 AM sharp, and began to prepare my morning latte. I have always found the process of preparing a latte to be the perfect synecdoche for cooking. The quality of the ingredients is important, of course. But it is nothing compared to the care, the love with which the meal is created. I do not profess to have any deluxe equipment, indeed, my set up is quite modest. A simple hand grinder and lever machine. It is the handiwork and passion that make food worth eating. \n\n\n\nI am reminded of this as I take each step in the delicate dance of cooking. Firstly, grinding the coffee to the perfect consistency. Not too fine, or the brew is bitter. Not so coarse that the water cannot fully absorb the complex flavours. I pack the puck, and listen as the heat and pressure build within the brewing masthead as the water floods in and begins to intermingle with the rich and earthy history of the grounds. It is a wonderful crescendo of music and flavours, and at last I pull the lever, releasing the espresso into my cup. \n\n\n\nIt is a bit bitter - I let it get to slightly too high a pressure. \n\n\n\nBut that is ok. It is wonderful all the same.\n\n\n\nI watch the sun rise with my coffee, a quiet moment of serenity before I head out the door.\n\n\n\n-----------\n\n\n\nMy trip to Ambrose Gloucester is uneventful. I take the train, listening to the quiet concert of people going about their every day lives. Some children are valiantly attempting to finish their homework, scrabbling for answers to simple arithmetic questions. A young man tries not to fall asleep. \n\n\n\nI step off the train and into Gloucester station. It is a warm day, one of the first of the season, and a gentle breeze pushes through the open space. There are a few people scattered about, but I have slightly beaten rush hour. I head north.\n\n\n\nOn my way I contemplate what I know about Ambrose. I have mostly heard of their US locations. Some unfortunate incidents in California, but largely good things of their Portland location. Recently they have trended away from more traditional restaraunteuring. I recall the food hall in Los Angeles, and hearing rumours of a more personal affair in Vienna. I wonder what I shall be faced with. For some reason, I expect something large. \n\n\n\nIt is a 30 minute walk from the train station to Ambrose Gloucester. I pass into Severn Bridge, away from the sounds of motorcars and traffic. It is a quiet borough, crossed with small streets and the occasional park.\n\n\n\nAmbrose Gloucester is situated in a small and nondescript building across from a Wetherspoons. I cannot tell if this is a fortunate coincidence or a deliberate decision. Nothing encourages one to try new things quite like a Wetherspoons. \n\n\n\nThe door is tinted glass with simple lettering. It is quite difficult to see through, and squeaks slightly as I push. Other than this slight protestation, it does not budge. I step back, looking around the empty street. Am I early? I look back to the door, inspecting it a little closer this time. \n\n\n\nSheepishly, I pull it open and step inside. \n\n\n\n@@ @@\n\n\n\nThe first thing that strikes me is the noise. There's a constant dull hum that permeates the room. It is not so loud as to be distracting, but insistent and strident in its business. The second is the smell. It smells ever so slightly of chlorine, a distressing and decidedly unwelcome scent for a restaurant. \n\n\n\nThe foyer is small but brightly lit, a white tiled affair illuminated with fluorescent lights. There is a small wooden end table in the corner, atop sits a single yellow flower in a glass vase and a conspicuous letter. The end table and flower suggest an unearned sense of coziness and optimism, which clashes with the rest of the decor. \n\n\n\nI spend some time waiting, shifting my weight awkwardly from foot to foot. I am certain that someone will come to greet me, but I am met only with the empty room and a waiting letter. My curiosity gets the better of me.\n\n\n\nThe letter simply read:\n\n\n\n[[div class=\"letter\"]]\n\n**The door on the left.**\n\n[[/div]]\n\n\n\nIndeed, there was one other doorframe, quite conspicuously lacking a door. I pocketed the letter, now quite nervous but a little bit excited. It is not often the life of a food critic is filled with this much mystery. Relishing my new role as an amateur detective, I stepped through the empty threshold and into a black tiled hall. Within, two doorways; one to the left, and one to the right. I am slightly taken aback, before realising that this leftward door was the one that was promised. The acrid smell of chlorine was mostly abated in the hallway, which curiously was unlit, light only coming through the empty threshold of the previous room. The humming was louder, more assertive. \n\n\n\nOut of curiosity, I tried the door on the right, this time taking care to push //and// pull on the cool metal handle. It did not budge. So much for trying to game the system. To the left, the door was slightly ajar, and an inviting smell wafted from it. My senses not quite recovered from the chlorine, I could not place it. \n\n\n\nI entered the leftward room - both the smell of chlorine and the humming noise had abated entirely. The decor of the room was a curious combination; deep and rich wooden floors matched with dark forest green walls, this time illuminated by several flickering sconces. There was a table and a single chair, both quite elegantly crafted and sturdy, but the centerpiece was the conveyor belt. I found the room to be both pleasantly agreeable and somewhat offputting. \n\n\n\nIt reminded me of the cheap conveyor sushi restaurants, if one could call them such, that crazed the nation a decade back. The delicate and complicated flavours of sushi with the speed and convenience of fast food. \n\n\n\nThe conveyor belt stretched lengthwise across the table and looked to be within easy reach of an occupant of the chair. It was unremarkable aside from its presence in the room, defiantly clashing with the rest of the decor. The entryways for the conveyor belt were large - approximately a meter high, and half as wide. It was quite curious, and its intentions and purpose were unknown. Nonetheless, my interest was again piqued. What might they be serving that requires such an unconventional means of conveyance? I tried to look through the dark portals, but the conveyor belt turned a corner shortly inside, and my vision of what mysteries lay beyond, obscured.\n\n\n\nHaving quickly run out of things to investigate in the room, and not knowing what else to do, I sat down.\n\n\n\n@@ @@\n\n@@ @@\n\n\n\nThe conveyor belt silently spun into motion, well oiled treads thrumming imperceptibly. \n\n\n\nIt appeared that whatever I was here for had begun.\n\n\n\n\n\n----------\n\n\n\n++ In the Wind I Crunch, I Want\n\n\n\nA single glass of water was carried to me on the conveyor. I picked it up. Perfectly room temperature, but not unpleasant. Some time passed, and I was starting to wonder if that was the sum of my Ambrose experience, before the conveyor sprung to action again. This time, a small metal placard:\n\n\n\n[[div class=\"metal\"]]\n\n//Amuse bouche.//\n\n[[/div]]\n\n\n\nI pick it up, examine it. It is impeccably machined, cool and weighty to the touch. I place it down and watch the conveyor deliver upon the promise of the placard.\n\n\n\n//Amuse bouche//. Three, to be precise. The first looked to be a careful arrangement of watermelon slices, sprinkled with seasoning and acutely garnished with small slices of leek. The second was a walnut, layered with prosciutto, fig, and gorgonzola cheese. The third //amuse bouche// was a celery soup, with carrots and jicama.\n\n\n\nIt was a curious entry, but a bold one. I had the sense that the chef was playing with me - a disparate but intriguing collection of appetisers, all delivered in a wholly unique way. \n\n\n\nWas this the gimmick? If so, it was a low-key one.\n\n\n\nI decided to start with the walnut. My palate was clean, and I had always had a soft spot for a nice gorgonzola. \n\n\n\nI bit in, expecting the richness of the prosciutto to be complimented by the creaminess of the gorgonzola, the soft textures tempered by the crisp of the walnut. I found this, but what I did not expect was the subtlety of what I can only describe as //tasting// Shostakovich's //Festive Overture//. The warmth of the violins, proudly crescendoing into the triumphant fanfare of the brass section before the playful back-and-forth solo between the first chair flautist and clarinetist. I tasted all these things and more, with a depth and texture that I had never experienced before. I sat back, quite certain that someone was playing music in time to my meal. But there were no speakers, no way that what I was hearing could be mimicked by something so rough as speakers. I finished the first //amuse bouche//, plunging back into the works of Shostakovich.\n\n\n\n@@ @@\n\nI had found the gimmick of Ambrose Gloucester.\n\n@@ @@\n\n\n\nI eye my celery soup, reminding myself to go slowly, to taste and savour the experience, before diving in to //Saint-Sa\u00ebns' The Carnival of the Animals - VII. Aquarium// and the first time I saw the moors. \n\n\n\nSlate grey clouds swim slowly, imperceptibly overhead. Where their migration takes them is no doubt some purpose beyond my young understanding. I stand in the pallid light, boots squelching slowly into the bog below me, watching the cloudwaves of piano notes gently plink, shifting with comforting assurance. The moors stretch further beyond the horizon, threatening to overtake me with their endless patience. Its purpose was set in motion long before, and I am small and alone beside it. It is the first time I realise how much there is to the world that is outside my understanding. My parents bid me forward, coaxing me with soft platitudes - there lies nothing underneath the peat. \n\n\n\nBut I do not act on this. I am afraid.\n\n\n\n@@ @@\n\n\n\nIt takes me a moment to remember that I am sitting alone in a room in Severn Bridge. I try to sink back into the memory, but it is fuzzy and vague. I surmise that the vividness of whatever wonder the chef has crafted makes my own recollections paltry and distant in comparison. Remembering my role, I pull out my phone to take some pictures; but as suspected, the low lighting precludes photography that Waldon Studio would be proud to show. A travesty, but my work is not yet done.\n\n\n\n@@ @@\n\n\n\nCurious, I went for the watermelon next. Only one of the pieces was a perfect cube - the rest were various polyhedra. The chef was trying to tell me something, and it was my job as the critic to piece together this mystery. The first bite was crisp, well structured and light mouthfeel. The seasoning was a combination of salt and szechuan pepper, lightly numbing the tongue. It would be quite refreshing on a hot summer's day. But it was Vivaldi's //Le quattro stagioni//, //Concerto 1// - Spring - that enraptured me. \n\n\n\nSavouring every moment, I closed my eyes, and found my mind wandering back to the spring of my 12th year. It had been an especially cold and long winter, and I had not seen the sun for some time. We had been turned out onto the field behind the schoolyard, which was a verdant green and blooming with dandelions and daisies. Taylor and I were separated from our peers, having walked and gotten lost in conversation even at our young age. \n\n\n\nI was nervous. At that tender age, I had begun to think about Taylor frequently, confusing thoughts and emotions that I did not yet understand. I recall the distinct feeling of wanting to punch them, but also wanting to make sure no harm would ever come to them. With every peal of laughter my face would blush crimson, and I would try to distract myself from my thoughts.\n\n\n\nStruck by the urge to reach out and hold their hand. I resist, mired in what must have seemed at the time a complex tangle of desires and anxieties. \n\n\n\nBut I do not act on this. \n\n\n\nA soft touch breaks my reverie - our hands, not of my accord, now intertwined.\n\n\n\nI look up and met Taylor\u2019s eyes. We smile. \n\n\n\n@@ @@\n\n\n\nAt the conclusion of the appetiser, I knew two things for certain. That I had never before seen such passion in cooking, and that I was palpably excited to know what else was waiting for me.\n\n\n\n@@ @@ \n\n\n\nAlmost as if the chef could read my mind, the empty plates were whisked away by the conveyor.\n\n\n\nIn its place came another placard.\n\n\n\n[[div class=\"metal\"]]\n\n//Steak au poivre.//\n\n[[/div]]\n\n\n\nThis time, the conveyor does not stop, carrying the placard away and delivering in its place the //steak au poivre.// It is topped with a cream pan-sauce that smelled of shallots, rosemary, and whiskey. The steak itself was marbled and the pan-sauce sept through the cracks of the perfectly caramelised exterior. My knife moves through it like butter; I take a bite. \n\n\n\nIt is a hot and sticky summer day. I am seated uncomfortably at a concrete bench, fruitlessly trying to coax the dead air into a breeze. I try to distract myself, looking at the passersby - but each is a suspect, laughing at me under their breath. \n\n\n\nI see Alex, as arresting as the day we met. The lovers motif cuts through the brass and stagnant air, mocking and cruel. I know why we are meeting. \n\n\n\nHow long have I known? Since I asked Alex when they were last happy. \n\n\n\nI already know what Alex will say. I have heard it repeated in every silent morning, its absence in every goodbye. I know it in every unsaid thing. \n\n\n\nSmall talk. Each word is a stabbing violin, an unbearable, simmering heat that builds without resolution or relief. The steak is tender and juicy. The pan-sauce is without compare. \n\n\n\nI do not love you anymore. The words land flat on my ears, and for a moment it is quiet, the heat forgotten. The rosemary complements the shallots quite nicely. \n\n\n\nA bell tolls somewhere. The //Dies Irae// begins. The sadness has long burnt out. Insistently, angrily, the trumpets answer the tubas. Explications of how I had fought, how I had toiled - the orchestra builds in a righteous anger and justified fury. The words build in my head, a perfect cosmology of our failure. An original sin, at their feet. \n\n\n\nI meet Alex\u2019s eyes. The violins fall gently, like a leaf on the wind. \n\n\n\nI could fight for us. The impulse to preserve what we have, to pay off sunken costs, spins in my mind.\n\n\n\nBut I do not act on this. \n\n\n\nThe trumpets lash out in anger, but it is not enough. The brass demurs, fading in resignation as the memories of what I had done creep back in. \n\n\n\nI could have reached out before this. I could have told Alex how I feel, tell them that I forgive them and that it was my fault, too. I could have fought for us.\n\n\n\nBut I do not act on this. \n\n\n\nI am back in the depths, where I belong. I sigh and swallow the last of the //steak au poivre//. The moment is lost. My own private //Symphony Fantastique//, concluded. \n\n\n\nI sat for quite some time in the room, contemplating what I had experienced. I had rediscovered my passion for food after that breakup. Despite the turmoil and the circumstances, it had been a breath of fresh air, an opportunity to re-evaluate and rediscover my passion for life itself. In every tragedy, an opportunity to improve, a path to happiness.\n\n\n\nThis is what I told myself, at least.\n\n\n\nI found the silence comforting. I did not know what game the chef was playing, why they had chosen this song and awoken this memory in me. My image of a playful trickster was upended. Now, a Machiavellian puppeteer, flexing their knowledge and prowess. I did not know what next to expect. \n\n\n\n----------------\n\n\n\n++ No Place to Hide\n\n\n\nThe final course provided some insight into the construction of the room. The choice of such a large entry window for the conveyance of food had been puzzling, but the arrival of what would be the final placard was silent answer to my unaired question.\n\n\n\n[[div class=\"metal\"]]\n\n//Croquembouche.//\n\n[[/div]]\n\n\n\nThe large conic section of profiteroles glided in shortly after. \n\n\n\nBut with the croquembouche came more questions. Was this room constructed with the profiteroles in mind? What game was being played? Who was behind all of this? \n\n\n\nNonetheless, duty came first. The assembly was impeccable, the tower delicately draped with gossamer thin gold wire. The wiring was not a touch I had seen before, but its inclusion afforded the tower a certain weight, a gravitas. Each individual profiterole shone in the flickering light with their own crispy, glazed exterior, lightly dusted in caster sugar. \n\n\n\nBut the art of the croquembouche is as much the stability as it is the presentation. I plucked a profiterole from the center, waiting and, I must admit, slightly hoping that the entire assemblage would collapse, and with it, any further obligations. \n\n\n\nIt did not. \n\n\n\nThe glaze stuck slightly to my fingers. A thicker sort than expected, but a clever method to ensure the structural integrity of the croquembouche. My profiterole was coated with glaze, a sign that the chef had individually rolled each individual piece before assembling. Great care was taken here, as had been the case for every dish so far. \n\n\n\nAt ends, I bit in. The crispy shell, fluffy and cakelike in the interior, gave way to rich and luscious cream, dappled with hints of maple and strawberry notes. A gentle breeze of soft, deliberate guitar washes across me.\n\n\n\nThis memory was not mine. I felt a voyeur, an intruder into someone else's innermost thoughts and desires. But I was also excited, titillated at what I might find there. \n\n\n\nFew images came to me. Emotions and ideas began to trickle in at first, gradually building in intensity. Hope, the rolls and crashes of cymbal thunder far above the deep highland tracts. High-hat stars pierce the bass fabric of clouds, shining cold and clear.\n\n\n\nI do not know how long I walk, how much I consume before I notice any change. The wind has picked up, the thunder more insolent in its cries. The bass becomes more layered, murky sevenths and half resolved chords blending back and forth. I wonder what happens to the clouds when they are gone. \n\n\n\nThey are trying to tell me something. I do not realise this till later. I do not notice this, nor that the clouds slowly occlude the starlight. A few drops of water splay across my face. \n\n\n\nIn time, it is raining. The wind has picked up greatly now, shrill violins screaming past me. I pick up my speed, unable to shake the feeling that something has gone wrong. \n\n\n\nA shout cuts through the violins and wind. I feel the ground beneath me, solid and firm in the heather moorlands. I break into a run, stumbling, feeling my feet crash into the ground in tilted staccato rhythm. The shout again crests the storm, and I see the source in the dim twilight - a figure, half visible and mired deep in the peat. It cries for help. \n\n\n\nThe wind batters me. Thunder rumbles, close by and with unfathomable rage. The music built, swelling in anger and passion and sadness, battering me in a great and terrible storm. \n\n\n\nAcross the bog, the figure pleads. It screams, sinking further into the quagmire, begging to be rescued, but its words are ripped from its throat and lost in the maelstrom surrounding us. \n\n\n\nA choice. It is not far. A mere 100 meters, an impassable expanse that stretches beyond my comprehension. I only need to take the first step, to lose myself in the moment and for once take action without consideration. \n\n\n\nI look at the figure, and I ran. I did not know where I was or what would come of it, only that I had witnessed something horrible.\n\n\n\n@@ @@\n\n\n\nThe bottom half of the croquembouche was salty and wet. I do not know why.\n\n\n\nAs I choked the final profiterole down, the storm faded and the final chord resolved. There was no great revelation. The room had not changed. \n\n\n\nI was alone, as I always had been. I wiped the tears from my cheeks, newly conscious of how much my body had been fighting me. I felt bloated, incapable of movement, but I knew that I had to leave that room. It was silent, unchanged yet unrecognisable. \n\n\n\n@@ @@\n\n@@ @@\n\n\n\nOutside, the rightward door loomed. I knew that it was unlocked, and that behind it lay answer to my questions. I listened to what I hoped was some refridgerant unit hum. \n\n\n\nWe have so few opportunities to exercise our free will. Humans are so embroiled in a miasma of implications, consequences, opinions that no decision we make is ever truly free. We try to effect change, but we are tossed and shaken in a hurricane of noise that drowns out any meaningful improvement. Our reverberations do not go far. It is a pig-circus, planned and ordained well before we are even conscious of the the decision that we made. But in the small hallway, alone in Ambrose Gloucester, I had the singularly meaningful opportunity to //do// something. To drag myself out of the quagmire of indecision. To make a decision that was mine and mine alone, that would change me forever.\n\n\n\nI could have opened that door and found every answer.\n\n\n\nBut I do not act on this.\n\n\u00a0\n\n\n\nI suspect whoever, or whatever, was on the other side of the door belt knew what my decision would be. I wondered how it knew. I did not want to ask.\n\n\u00a0\n\nI left Ambrose Gloucester, but did not take my eyes off the door. \n\n\n\n@@ @@\n\n\n\nMy trip from Ambrose Gloucester is uneventful. A weak sun provides little warmth outside. I look around and take stock of my surroundings. Severn Bridge is a rote little hamlet, forgettable and bland. It is not even interesting enough to be distasteful. \n\n\n\nI walk back to the train station, the incessant sounds of motorcars giving way to the dull roar of crowds. The soaring heights of Gloucester station are cluttered with people. They say nothing meaningful.\n\n\n\nWhen I enter my apartment, I am accosted by the smell of stale coffee that has permeated the roots of my living room rug. I sit and wait for the day to end. \n\n\n\n----------\n\n\n\n++ I Wish I Could Tell You a Lie\n\n\n\nI could not say what was taken from me in that small room. I have written and rewritten this review several times, trying to find the right words to express how, exactly, I changed. It is becoming clear to me that I may never be able to fully express what happened. Only that it is gone, and no matter what I do, it is never coming back.\n\n\n\nNo part of my life has drastically changed since I visited Ambrose Gloucester. The sunrise looks quite the same, but I cannot quite shake the feeling that the real sun has been secreted away and replaced with a pretender. The birds sound thin and distant. I wonder about the chef. Did they ever have any passion for their work, or are they simply going through the motions and waiting for the day to end? Perhaps one day I will be able to put to words this feeling. \n\n\n\nPerhaps one day I will learn why this was done to me.\n\n\n\nI expect this will be my last food review. The passion I felt for food, the delight for tasting the symphony of flavours and smells has faded. I simply do not have the appetite for it anymore. In the past week I have eaten one meal - douhuafan, an old favourite of mine. It was quite bland. \n\n\n\n-----------------------\n\n\n\n**Overall:** A life changing experience that I would not wish upon anyone. Four stars.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** G2.jpg - \"Street\"\n\n> **Author:** nicubunu.photo\n\n> **License:** CC BY-SA 2.0.\n\n> **Source Link:** https://search.creativecommons.org/photos/2c9144f5-3bba-4169-826c-b95b47367d5e\n\n> **Note:** Image was partially cropped\n\n\n\n\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "ambrose-restaurant", "goi-format", "journalism", "mystery", "surrealism"], "title": "Ambrose Gloucester: Best You Ever Had - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-gloucester"}, "ambrose-kepler": {"created_at": "2023-03-22T06:54:00", "creator": "Alzin Cdag", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Alzin Cdag", "author_href": "https://www.wikidot.com/user:info/alzin-cdag", "comment": "", "date": "2023-03-22T06:54:00"}, {"author": "Alzin Cdag", "author_href": "https://www.wikidot.com/user:info/alzin-cdag", "comment": "Added tags: _ambrose, ambrose, goi-format, valravn. ", "date": "2023-03-22T07:24:00"}, {"author": "Alzin Cdag", "author_href": "https://www.wikidot.com/user:info/alzin-cdag", "comment": "Added tags: _ambrose-restaurant, ambrose-restaurant. Removed tags: _ambrose, ambrose. ", "date": "2023-03-22T12:33:00"}, {"author": "Alzin Cdag", "author_href": "https://www.wikidot.com/user:info/alzin-cdag", "comment": "", "date": "2023-03-22T22:05:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2023-04-01T06:00:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: blue-blooded-alien. ", "date": "2023-07-10T12:50:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _image. ", "date": "2024-02-03T12:01:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2024-02-16T15:50:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: dystopian, otherworldly. ", "date": "2024-10-11T05:07:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: xenofiction. ", "date": "2024-10-11T20:06:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: alien. ", "date": "2025-07-26T11:36:00"}], "hubs": ["altitudes-hub", "ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-kepler", "page_id": "1446922044", "rating": 39, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"display:none;\">\n<div class=\"limit\">\n<div class=\"anchor\">\n<div class=\"authorbox tableb\"><div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<table class=\"wiki-content-table\">\n<tr>\n<th>Ambrose: Earthen Foods for the Keplerian Palate</th>\n</tr>\n<tr>\n<td style=\"text-align: center;\"><span class=\"bt bb\">By\u3164</span> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/alzin-cdag\" onclick=\"WIKIDOT.page.listeners.userInfo(8118698); return false;\"><img alt=\"Alzin Cdag\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=8118698&amp;amp;size=small&amp;amp;timestamp=1791437658\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=8118698)\"/></a><a href=\"https://www.wikidot.com/user:info/alzin-cdag\" onclick=\"WIKIDOT.page.listeners.userInfo(8118698); return false;\">Alzin Cdag</a></span></td>\n</tr>\n<tr>\n<th>Published on <span class=\"odate time_1679468095 format_%25d%20%25b%20%25Y\">22 Mar 2023 06:54</span></th>\n</tr>\n</table>\n</div>\n</div></div>\n<br/></div>\n</div>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aflopstyle-dark/2&amp;css={$css}\" style=\"display: none\"></iframe></p>\n</div>\n\n<div style=\"text-align: center;\">\n<div class=\"blockquote classic\">\n<p><a href=\"https://scp-wiki.wikidot.com/altitudes-hub\">Return to Hub</a></p>\n</div>\n</div>\n<div style=\"font-family:Monospace;\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc0\"><span>The St. 2b21 Times</span></h1>\n<hr/>\n<p><em>\"Chercher une rancune comme midi \u00e0 quatorze heures\"</em></p>\n</div>\n<hr/>\n<div style=\"text-align: right;\">\n<p>Primidi, Vent\u00f4se 1, Early Edition | 2.00\u00a0K (Cheap!)</p>\n<hr/>\n<p><strong>Society and Gossip</strong> - P8</p>\n</div>\n<hr/>\n<h1 id=\"toc1\"><span>Restaurant Critique: An Earthen Import Squanders Its Potential</span></h1>\n<p><em>By <a href=\"https://scp-wiki.wikidot.com/chaos-theory-ii\">4cc7</a></em> \u2b50\u2605\u2605\u2605\u2605</p>\n<p>My loyal readers may express panic and confusion to see my byline in this section. Why, they may ask, am I not covering stories of social relevance, such as the ill-advised romance between the <a href=\"https://scp-wiki.wikidot.com/SCP-6118\">lab experiment</a> the masses call a savior and the <a href=\"https://scp-wiki.wikidot.com/scp-049\">unstable alien \"doctor\"</a>?</p>\n<p>Worry not. My career is far from over, and soon I will be back on page one. This sojourn in the restaurant critique section is a mere\u2026 strategic move on the part of the editorial staff. In the meantime, I'm enjoying the vacation more, perhaps, than I should.</p>\n<p>You see, food has always been a secret passion of mine. It's the greatest symbol of the difference between us natural-born Ones and the lab-grown Twos, who get their nutrition from intravenous tubes.</p>\n<p>I was in my kitchen making white cabbage when I got a tip from one of my old informants: a restaurant whose letterwork on the logo was in Earthen script had opened a few blocks away from the intergalactic docks. I gave it the usual payment (a cheat code for <em>Goldeneye 007</em> on the N64) and immediately gathered my overcoat and my notepad. My stomach rumbled for the white cabbage, but I controlled myself for the moment. If this story were as juicy as it sounded, it would pay for a whole lot more white cabbage when I was through.</p>\n<p>I walked to the low-income end of the city, where the air smells of ozone and smoke from the proximity to the air-and-spaceport, and once every two days the wise and the fortunate will put on their sound-cancelling earmuffs before the rockets launch. There, from which the cream of the arriving human cultural products leave quickly; there where the dregs stay. From one window I heard the telltale sounds of a child playing Atari's <em>E.T.</em>; from another, the <em>Star Wars Holiday Special.</em></p>\n<p>There I arrived to a shiny, clean storefront amongst the boarded up buildings and detritus of Earth culture decades past, a place whose color palette was all in tasteful shades of blue and grey. The sign above the entrance read, \"Ambrose.\"</p>\n<p>I walked in and was immediately struck by the surprising lack of decor. Earthlings covered all their spaces in such a mess of objects, I would have thought the walls would all be covered in human movie posters and sports jerseys, exotic knicknacks from the faraway planet everywhere you looked. Instead, the place was nigh-empty; very Keplerian in design.</p>\n<p>The walls were all blank, smooth grey slates, and the corners were rounded so that it was hard to tell where one wall ended and another began. The chamber was full of a dim, sourceless light. All the decoration the room had was a podium in the center, at which a bored-looking One was standing. It was clothed in Ambrose restaurant uniform, but clearly negligent of its duties at the moment in favor of a holo-projected game of Snake.</p>\n<p>\"One or Two?\" it said without looking away from the game.</p>\n<p>\"What?\" I asked, taken aback.</p>\n<p>\"You want the menu for the Ones or for the Twos?\" it asked.</p>\n<p>Now I was curious. Twos do not eat. What could possibly be on their menu?</p>\n<p>And frankly, who would even bother making a menu for the Twos even if they could eat? They're synthetic beings, government-made meat robots. It doesn't matter that they stand upright, that they bleed as blue as Ones; they don't have the emotional capacity to appreciate the finer things. Even the most famous of them, their frail lab experiment, did nothing active to gain its status as so-called savior; if the rebel narrative is to be believed, all it did was submit to genetic experimentation by hardworking One doctors.</p>\n<p>But I digress. In the moment, I knew I was no true journalist if I did not get my hands on such a menu.</p>\n<p>\"Twos, please,\" I said.</p>\n<p>\"And how many are in your party?\" it asked.</p>\n<p>\"Just one.\"</p>\n<p>\"Two, party of one. Got it,\" it said.</p>\n<p>It kept one hand on the keyboard and withdrew a menu with the other. \"Attempts to harass other parties will be strictly penalized; we've hired Valravn's finest culinary security for the purpose. There's a booth open for you, third on your left.\"</p>\n<p>And a door opened in the wall behind it.</p>\n<p>I took the menu from its hand and walked through the door, into a similarly-walled hallspace, and walked into the indicated door.</p>\n<p>Immediately after I closed it behind me, I felt something had changed.</p>\n<p>The first thing that registered was the pressure. I still can't describe it fully now, but though I was breathing air, I felt a contact buoyancy and pressure against my skin. It was like being submerged in water, except\u2026 well, it had a different tactile sensation. As I floated there, perfectly weightless, my skin felt like it was rubbing against a warm, fuzzy blanket with a sky-high threadcount. Once the novelty wore off, it was\u2026 quite comforting.</p>\n<p>The second thing I noticed was the total lack of sensory input. I could see the walls, grey and curved as ever, but that was it. The smoke scent from outside was completely gone. And my ears registered nothing but a faint buzzing that I suspected was mild tinnitus.</p>\n<p>As I looked around, I saw a series of switches on the wall which gave me options for musical and olfactory ambience. I settled on the scent of peach blossoms and Beethoven's Moonlight Sonata, and that calmed me a bit.</p>\n<p>I spent a long moment floating there, my eyes closed, luxuriating in the ambience. This wasn't so bad.</p>\n<p>But I had a job to do, and it outweighed my personal comfort for the moment. So I opened the menu.</p>\n<p>And I found a surprising variety of flora and fauna options, prepared a multitude of ways. There were Kepler mainstays like blaster-cooked autru, disu-cursed eggs and roast jungle fruit. Even some of the more difficult and dangerous to prepare options were there, like al\u00e8ne fugu, for which chefs have to be specially certified to properly remove the deadly nitric oxide glands. But Earth foods were represented too: pizza and linguini, escargot, pulled pork, burritos, and rice served in various curries.</p>\n<p>But were they really going to serve this stuff to Twos?</p>\n<p>I pressed the menu buttons to order a nice autru-salad sandwich, a mainstay of my diet when I eat out at these fancy places. I figured it was the best option by which to judge the restaurant.</p>\n<p>The door opened a half-hour later, and a One waiter brought me my tray. It pushed a button on the tray to anchor it into position in mid-air and left. I floated forward to examine my meal.</p>\n<p>The portion size was astounding. The bread alone must have been fourteen centiStru in area, and the layers inside stacked up to a height greater than the width of my hand. It's some Earth custom, I surmise, to give you more food than you could possibly finish. Mayhaps you're supposed to sacrifice the remaining portion to some deity; I made a mental note to research this possibility later.</p>\n<p>But in spite of its preposterous size, it smelled delicious. It had all the right hints of ground babel leaf and finely chopped zarquon nuts, mixed in with the freshest dairy smell in the mayonnaise and the steaming musk of the poultry. My mouth watered, and I wondered, briefly, if Twos had saliva.</p>\n<p>I took my time. I looked at the sandwich from each angle, examining the cabbage leaves and the multigrain bread, taking in the scent, prodding it for the give of the bread and the viscosity of the sauce. A sandwich must be fully devoured by the senses before it is devoured by you.</p>\n<p>And I bit into it, and it was the most delicious autru-salad sandwich I have ever tasted. My taste buds sang like choirs of asu.</p>\n<p>I should note, though: the zarquon nuts were the stalest I have had in some time.</p>\n<p>And so I chewed with my sharp One fangs, felt it pull apart in my mouth in the most satisfying way.</p>\n<p>And at last it came time to swallow.</p>\n<p>And I swallowed.</p>\n<p>And I felt only air go down my throat and enter my stomach.</p>\n<p>I frowned. I had definitely chewed the food. It had been in my mouth. Where had it gone?</p>\n<p>I took another bite. And another. Each felt as solid as the first, and must have tasted as good, but as I desperately swallowed, sometimes without even chewing first, nothing went down my throat.</p>\n<p>I <em>inhaled</em> the sandwich.</p>\n<p>So this, I thought, is how you serve Twos at a restaurant without a digestive system.</p>\n<p>And I began to think: to a certain extent, as long as you have all the right nutrients, your body doesn't care how fancy the preparation of a meal is. At a restaurant, you don't go to get full; you go for the gustatory experience of eating there. And at this restaurant, you can enjoy that without a stomach, esophagus or intestines.</p>\n<p>And I thought: are Ones and Twos really so different after all?</p>\n<p>But I came to see the folly of this. If we start eating with the government meat-robots, what's next? Deep philosophical discussions on the relationship between pronouns and identity with our toasters? Praise be to the government that creates life more perfect than that which naturally occurs, untainted by emotion or by love for white cabbage.</p>\n<p>So I called for the check.</p>\n<p>And as the door opened for the waiter to bring in the check, I caught a glimpse of two familiar forms leaving down the hallway. A tiny, albino Two, and a figure in black robes with a bird mask on its face.</p>\n<p>The lab experiment and the doctor.</p>\n<p>The interview opportunity of a lifetime!</p>\n<p>The lab experiment had already rounded the corner and left back into the atrium, while the Doctor lagged slightly behind, when I bounded past the waiter to shout at them.</p>\n<p>\"Wait! Earthborn, 5a82! Can I have an interview?\" is what I would have shouted, had I been able to speak at that moment. Instead, my tongue and mouth suddenly went dry, and my legs became so weak that I collapsed to the ground.</p>\n<p>As the pair, blissfully unaware of my presence or predicament, left the hallway, I looked up to see <a href=\"https://scp-wiki.wikidot.com/the-erysichthon-model\">an emaciated specter</a> appear in front of me.</p>\n<p>\"<em>You were warned,</em>\" it hissed, \"<em>Not to harass other patrons. We take that kind of thing seriously, no matter who you are.</em>\"</p>\n<p>I began to grow dizzy. <em>Wait, stop!</em> I wanted to say. <em>Don't you know who I am?</em></p>\n<p>\"<em>You are full now,</em>\" it hissed. \"<em>You will be emptied.</em>\"</p>\n<p>And it reached for my neck, and I blacked out.</p>\n<hr/>\n<p>It's been two weeks since I went to Ambrose's. I woke up in a regen tube two days after the experience. The government patrol that found me said I was in a dumpster, unconscious and emaciated, moaning for cabbage.</p>\n<p>Since that day, my hunger is ceaseless. Food evaporates before reaching my stomach in a way that defies all laws of physics. My white cabbage no longer brings me satisfaction. The only way I can stay alive now\u2026</p>\n<p>Oeso, how this pains me even to type\u2026</p>\n<p>Is via <em>Total Parenteral Nutrition</em>.</p>\n<p>I have to eat like a fucking Two now.</p>\n<p>So in conclusion:</p>\n<p>TL/DR:</p>\n<p>Ambrose had delicious food, but it wasn't filling and left me craving more. One star. \u2b50\u2605\u2605\u2605\u2605</p>\n</div>\n</div></body></html>", "raw_source": "\n\t[[div style=\"display:none;\"]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:flopstyle-dark\">:scp-wiki:theme:flopstyle-dark</a>]]\n\n[[/div]]\n\n\n\n[[module CSS]]\n\n\u00a0:root{\n\n\u00a0/* -- COLORS -- */\n\n\u00a0\u00a0\u00a0\u00a0\u00a0--accentColor: hsl(240, 100%, 66%);\n\n\u00a0\u00a0\u00a0\u00a0\u00a0--accentColorLite: hsla(240, 100%, 75%, 0.5);\n\n\u00a0\u00a0\u00a0\u00a0\u00a0--hue: 235deg;\n\n\n\n--logo-image: url( \"\" );\n\n--logo-size: 280px;\n\n--header-title: \"Ambrose Restaurants\";\n\n--header-subtitle: \"An Intergalactic Dining Experience\";\n\n--color: #ffffff;\n\n\n\n}\n\n[[/module]]\n\n\n\n[[module Rate]]\n\n[[=]]\n\n[[div class=\"blockquote classic\"]]\n\n[https://scp-wiki.wikidot.com/altitudes-hub Return to Hub]\n\n[[/div]]\n\n[[/=]]\n\n\n\n[[div style=\"font-family:Monospace;\"]]\n\n\n\n[[=]]\n\n+ The St. 2b21 Times\n\n------\n\n//\"Chercher une rancune comme midi \u00e0 quatorze heures\"//\n\n[[/=]]\n\n-----\n\n[[>]]\n\nPrimidi, Vent\u00f4se 1, Early Edition | 2.00 K (Cheap!) \n\n-------\n\n**Society and Gossip** - P8\n\n[[/>]]\n\n-----\n\n\n\n+ Restaurant Critique: An Earthen Import Squanders Its Potential\n\n//By [https://scp-wiki.wikidot.com/chaos-theory-ii 4cc7]//\u00a0\u00a0\u00a0\u00a0\u2b50\u2605\u2605\u2605\u2605\n\n\n\nMy loyal readers may express panic and confusion to see my byline in this section. Why, they may ask, am I not covering stories of social relevance, such as the ill-advised romance between the [https://scp-wiki.wikidot.com/SCP-6118 lab experiment] the masses call a savior and the [https://scp-wiki.wikidot.com/scp-049 unstable alien \"doctor\"]?\n\n\n\nWorry not. My career is far from over, and soon I will be back on page one. This sojourn in the restaurant critique section is a mere... strategic move on the part of the editorial staff. In the meantime, I'm enjoying the vacation more, perhaps, than I should. \n\n\n\nYou see, food has always been a secret passion of mine. It's the greatest symbol of the difference between us natural-born Ones and the lab-grown Twos, who get their nutrition from intravenous tubes.\n\n\n\nI was in my kitchen making white cabbage when I got a tip from one of my old informants: a restaurant whose letterwork on the logo was in Earthen script had opened a few blocks away from the intergalactic docks. I gave it the usual payment (a cheat code for //Goldeneye 007// on the N64) and immediately gathered my overcoat and my notepad. My stomach rumbled for the white cabbage, but I controlled myself for the moment. If this story were as juicy as it sounded, it would pay for a whole lot more white cabbage when I was through.\n\n\n\nI walked to the low-income end of the city, where the air smells of ozone and smoke from the proximity to the air-and-spaceport, and once every two days the wise and the fortunate will put on their sound-cancelling earmuffs before the rockets launch. There, from which the cream of the arriving human cultural products leave quickly; there where the dregs stay. From one window I heard the telltale sounds of a child playing Atari's //E.T.//; from another, the //Star Wars Holiday Special.// \n\n\n\nThere I arrived to a shiny, clean storefront amongst the boarded up buildings and detritus of Earth culture decades past, a place whose color palette was all in tasteful shades of blue and grey. The sign above the entrance read, \"Ambrose.\"\n\n\n\nI walked in and was immediately struck by the surprising lack of decor. Earthlings covered all their spaces in such a mess of objects, I would have thought the walls would all be covered in human movie posters and sports jerseys, exotic knicknacks from the faraway planet everywhere you looked. Instead, the place was nigh-empty; very Keplerian in design. \n\n\n\nThe walls were all blank, smooth grey slates, and the corners were rounded so that it was hard to tell where one wall ended and another began. The chamber was full of a dim, sourceless light. All the decoration the room had was a podium in the center, at which a bored-looking One was standing. It was clothed in Ambrose restaurant uniform, but clearly negligent of its duties at the moment in favor of a holo-projected game of Snake.\n\n\n\n\"One or Two?\" it said without looking away from the game.\n\n\n\n\"What?\" I asked, taken aback.\n\n\n\n\"You want the menu for the Ones or for the Twos?\" it asked.\n\n\n\nNow I was curious. Twos do not eat. What could possibly be on their menu?\n\n\n\nAnd frankly, who would even bother making a menu for the Twos even if they could eat? They're synthetic beings, government-made meat robots. It doesn't matter that they stand upright, that they bleed as blue as Ones; they don't have the emotional capacity to appreciate the finer things. Even the most famous of them, their frail lab experiment, did nothing active to gain its status as so-called savior; if the rebel narrative is to be believed, all it did was submit to genetic experimentation by hardworking One doctors.\n\n\n\nBut I digress. In the moment, I knew I was no true journalist if I did not get my hands on such a menu.\n\n\n\n\"Twos, please,\" I said.\n\n\n\n\"And how many are in your party?\" it asked.\n\n\n\n\"Just one.\"\n\n\n\n\"Two, party of one. Got it,\" it said.\n\n\n\nIt kept one hand on the keyboard and withdrew a menu with the other. \"Attempts to harass other parties will be strictly penalized; we've hired Valravn's finest culinary security for the purpose. There's a booth open for you, third on your left.\"\n\n\n\nAnd a door opened in the wall behind it.\n\n\n\nI took the menu from its hand and walked through the door, into a similarly-walled hallspace, and walked into the indicated door.\n\n\n\nImmediately after I closed it behind me, I felt something had changed.\n\n\n\nThe first thing that registered was the pressure. I still can't describe it fully now, but though I was breathing air, I felt a contact buoyancy and pressure against my skin. It was like being submerged in water, except... well, it had a different tactile sensation. As I floated there, perfectly weightless, my skin felt like it was rubbing against a warm, fuzzy blanket with a sky-high threadcount. Once the novelty wore off, it was... quite comforting.\n\n\n\nThe second thing I noticed was the total lack of sensory input. I could see the walls, grey and curved as ever, but that was it. The smoke scent from outside was completely gone. And my ears registered nothing but a faint buzzing that I suspected was mild tinnitus.\n\n\n\nAs I looked around, I saw a series of switches on the wall which gave me options for musical and olfactory ambience. I settled on the scent of peach blossoms and Beethoven's Moonlight Sonata, and that calmed me a bit.\n\n\n\nI spent a long moment floating there, my eyes closed, luxuriating in the ambience. This wasn't so bad.\n\n\n\nBut I had a job to do, and it outweighed my personal comfort for the moment. So I opened the menu.\n\n\n\nAnd I found a surprising variety of flora and fauna options, prepared a multitude of ways. There were Kepler mainstays like blaster-cooked autru, disu-cursed eggs and roast jungle fruit. Even some of the more difficult and dangerous to prepare options were there, like al\u00e8ne fugu, for which chefs have to be specially certified to properly remove the deadly nitric oxide glands. But Earth foods were represented too: pizza and linguini, escargot, pulled pork, burritos, and rice served in various curries.\n\n\n\nBut were they really going to serve this stuff to Twos?\n\n\n\nI pressed the menu buttons to order a nice autru-salad sandwich, a mainstay of my diet when I eat out at these fancy places. I figured it was the best option by which to judge the restaurant.\n\n\n\nThe door opened a half-hour later, and a One waiter brought me my tray. It pushed a button on the tray to anchor it into position in mid-air and left. I floated forward to examine my meal.\n\n\n\nThe portion size was astounding. The bread alone must have been fourteen centiStru in area, and the layers inside stacked up to a height greater than the width of my hand. It's some Earth custom, I surmise, to give you more food than you could possibly finish. Mayhaps you're supposed to sacrifice the remaining portion to some deity; I made a mental note to research this possibility later.\n\n\n\nBut in spite of its preposterous size, it smelled delicious. It had all the right hints of ground babel leaf and finely chopped zarquon nuts, mixed in with the freshest dairy smell in the mayonnaise and the steaming musk of the poultry. My mouth watered, and I wondered, briefly, if Twos had saliva.\n\n\n\nI took my time. I looked at the sandwich from each angle, examining the cabbage leaves and the multigrain bread, taking in the scent, prodding it for the give of the bread and the viscosity of the sauce. A sandwich must be fully devoured by the senses before it is devoured by you.\n\n\n\nAnd I bit into it, and it was the most delicious autru-salad sandwich I have ever tasted. My taste buds sang like choirs of asu.\n\n\n\nI should note, though: the zarquon nuts were the stalest I have had in some time.\n\n\n\nAnd so I chewed with my sharp One fangs, felt it pull apart in my mouth in the most satisfying way.\n\n\n\nAnd at last it came time to swallow.\n\n\n\nAnd I swallowed. \n\n\n\nAnd I felt only air go down my throat and enter my stomach.\n\n\n\nI frowned. I had definitely chewed the food. It had been in my mouth. Where had it gone?\n\n\n\nI took another bite. And another. Each felt as solid as the first, and must have tasted as good, but as I desperately swallowed, sometimes without even chewing first, nothing went down my throat. \n\n\n\nI //inhaled// the sandwich.\n\n\n\nSo this, I thought, is how you serve Twos at a restaurant without a digestive system.\n\n\n\nAnd I began to think: to a certain extent, as long as you have all the right nutrients, your body doesn't care how fancy the preparation of a meal is. At a restaurant, you don't go to get full; you go for the gustatory experience of eating there. And at this restaurant, you can enjoy that without a stomach, esophagus or intestines.\n\n\n\nAnd I thought: are Ones and Twos really so different after all?\n\n\n\nBut I came to see the folly of this. If we start eating with the government meat-robots, what's next? Deep philosophical discussions on the relationship between pronouns and identity with our toasters? Praise be to the government that creates life more perfect than that which naturally occurs, untainted by emotion or by love for white cabbage.\n\n\n\nSo I called for the check.\n\n\n\nAnd as the door opened for the waiter to bring in the check, I caught a glimpse of two familiar forms leaving down the hallway. A tiny, albino Two, and a figure in black robes with a bird mask on its face.\n\n\n\nThe lab experiment and the doctor.\n\n\n\nThe interview opportunity of a lifetime!\n\n\n\nThe lab experiment had already rounded the corner and left back into the atrium, while the Doctor lagged slightly behind, when I bounded past the waiter to shout at them.\n\n\n\n\"Wait! Earthborn, 5a82! Can I have an interview?\" is what I would have shouted, had I been able to speak at that moment. Instead, my tongue and mouth suddenly went dry, and my legs became so weak that I collapsed to the ground.\n\n\n\nAs the pair, blissfully unaware of my presence or predicament, left the hallway, I looked up to see [https://scp-wiki.wikidot.com/the-erysichthon-model an emaciated specter] appear in front of me.\n\n\n\n\"//You were warned,//\" it hissed, \"//Not to harass other patrons. We take that kind of thing seriously, no matter who you are.//\"\n\n\n\nI began to grow dizzy. //Wait, stop!// I wanted to say. //Don't you know who I am?//\n\n\n\n\"//You are full now,//\" it hissed. \"//You will be emptied.//\"\n\n\n\nAnd it reached for my neck, and I blacked out.\n\n\n\n------\n\n\n\nIt's been two weeks since I went to Ambrose's. I woke up in a regen tube two days after the experience. The government patrol that found me said I was in a dumpster, unconscious and emaciated, moaning for cabbage.\n\n\n\nSince that day, my hunger is ceaseless. Food evaporates before reaching my stomach in a way that defies all laws of physics. My white cabbage no longer brings me satisfaction. The only way I can stay alive now...\n\n\n\nOeso, how this pains me even to type...\n\n\n\nIs via //Total Parenteral Nutrition//.\n\n\n\nI have to eat like a fucking Two now.\n\n\n\nSo in conclusion:\n\n\n\nTL/DR:\n\n\n\nAmbrose had delicious food, but it wasn't filling and left me craving more. One star. \u2b50\u2605\u2605\u2605\u2605\n\n\n\n[[/div]]\n", "tags": ["_ambrose-restaurant", "_cc", "alien", "ambrose-restaurant", "blue-blooded-alien", "dystopian", "featured", "goi-format", "otherworldly", "valravn", "xenofiction"], "title": "Ambrose: Earthen Foods for the Keplerian Palate - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-kepler"}, "ambrose-lamplight": {"created_at": "2024-01-12T02:19:00", "creator": "Harmacy", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Harmacy", "author_href": "https://www.wikidot.com/user:info/harmacy", "comment": "", "date": "2024-01-12T02:19:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "module rate", "date": "2024-01-12T02:20:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: art-exchange, goi-format. ", "date": "2024-01-12T18:44:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _ambrose-restaurant, ambrose-restaurant, chaz-ambrose, wandsmen. ", "date": "2024-01-12T18:44:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: lampeter. ", "date": "2024-01-22T20:29:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _image. 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Removed tags: _image. ", "date": "2024-03-04T00:54:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2024-07-01T06:49:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: bleak, otherworldly. ", "date": "2024-10-11T04:51:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox. ", "date": "2026-05-21T22:22:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc4. ", "date": "2026-10-07T04:25:00"}], "hubs": ["art-exchange-hub", "ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/AmbroseTitle.png", "https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/AmbroseFoodExamples.png", "https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg/640px-Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg"], "link": "ambrose-lamplight", "page_id": "1452166343", "rating": 83, "raw_content": "<html><body><div id=\"page-content\">\n\n\n<div class=\"ambrose menu\" style=\"border: solid 6px black; background-image: radial-gradient( #1E2A9A, #020052); padding-top: 1em; padding-right: 0em; padding-bottom: 0em; margin-bottom: 0em; color: #FFF7D8;\">\n<div style=\"text-align: center;\"><img alt=\"AmbroseTitle.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/AmbroseTitle.png\" style=\"width:300;\"/>\n<hr/>\n<p>Atop the Great Spiny Mountain, overlooking the glamorous Giotto District, resides the highest altitude public establishment within Lamplight. Our esteemed <em>Ambrose Lamplight</em> rests on the verge of the expanse\u2014 though be assured the safety of our patrons is guaranteed.</p>\n<p>Mahi loam is the most powerful of spices. You see, even though your eyes and ears and mind grow numb, your soul's desperation for sensation increases one's taste by a staggering degree! Ambrose Lamplight presents an unparalleled dining experience to all who pass through its doors. Regardless of who you are or where you come from, we're sure to have something to suit your taste!</p>\n<p>We hope to see you soon!</p>\n<img alt=\"AmbroseFoodExamples.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/AmbroseFoodExamples.png\"/>\n<blockquote>\n<p><span style=\"font-size:70%;\"><strong>Disclaimer:</strong> While we encourage guests to visit our establishment as part of the Lamplight experience, please note Ambrose Restaurants does not provide transportation up or down the Great Spiny Mountain, nor does it take responsibility for any injuries, deaths, or fadings resulting from such travel. Visit at your own discretion.</span></p>\n</blockquote>\n</div>\n</div>\n<div class=\"actualmenu\" style=\"border: solid 6px black; background-image: radial-gradient(#F4FBFF, #D6F2FF); padding-top: 1em; padding-right: 0em; padding-bottom: 0em; margin-bottom: 0em; color: #030040;\">\n\n<blockquote>\n<p><span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span><br/>\n<span style=\"color: transparent\">.</span></p>\n</blockquote>\n</div>\n<p>Peregrine returned the menu to his coat pocket. Frigid winds slashed his face as he turned, trying to glimpse the glowing Giotto district through the blizzard, but all he could see was snow. He yanked off his glove and stared at his hands. Frostnip was turning his fingertips a greyish-blue. More concerning, however, was the fact his flesh was also becoming translucent.</p>\n<p>The ominous summit he was currently climbing had always lingered on the city's horizon. However, it was only after a recent discovery by the Foundation that the residents realized what the mountains actually were.</p>\n<blockquote>\n<p><strong>Excerpt from \"A Study of the Biological Landmarks of Lamplight: On the Sustainability of Anomalous Biomass within the Expanse,\" Dr. Ivy Little, Foundation Topographer</strong></p>\n<blockquote><img alt=\"640px-Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg/640px-Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg\"/><br/>\n<strong>High-altitude photograph of the Great Spiny Mountains.</strong></blockquote>\n<p><br/>\nOne of the most notable topographical features of the Lamplight is the spines of the Harkhretian anglerfish. The mountain-like structure is derived from SCP-5005-1's dorsal fin. Although the summits have been visible from the Giotto district since its founding, no researchers were able to decipher what it was until a discovery by Junior Researcher Sofia Ramirez, who was posthumously awarded a Doctorate in Harkhretian Culture.</p>\n<p>It took approximately three decades to augment a stable road from the Giotto district to the mountain's base. This road is normally used by researchers looking to travel in and out of the void, but it also serves as a footpath for residents and visitors. The mountain's summit itself has the unique property of inducing partial permeance in physical matter at higher altitudes. This allows visitors to the summit to experience an \"incomplete fading\" and be restored to their original state at the base.</p>\n<p>Efforts were made to augment and commercialize the summit. Trips up the mountain were advertised as \"a peek into nonexistence\" for tourists seeking to experience Lamplight's expanse without completely disappearing. These projects were ultimately abandoned due to several grassroots movements from the Nomad and Neoclassical districts dedicated to keeping the Spiny Mountains in their natural state.</p>\n<p>While several base camps and outposts have been established at the bottom of the mountain, few individuals ever visit the top of the summit.</p>\n</blockquote>\n<p>Why was it, then, that three-quarters way up the mountain, Peregrine could see an oversized, stereotypical-looking bungalow? It seemed showy and overdone from the outside, but he was too cold to care. As tacky as this building looked, he was relieved to arrive somewhere warm and unfaded.</p>\n<p>Peregrine reached out to turn the doorknob, but it didn't open. He yanked again to no avail. Just as he turned to continue his ascent, he heard the door creak open.</p>\n<p>\"Why, hello there! Who might you be?\"</p>\n<p>Peregrine spun back around to see an elderly man bundled in a winter coat standing in the doorway.</p>\n<p>\"Evening,\" replied Peregrine.</p>\n<p>\"Oh? It's evening? Heavens, it's hard to keep track up here, Do you want to come in?\"</p>\n<p>\"Yes please.\"</p>\n<p>Peregrine followed the stranger inside. The man removed his hood, revealing a thinning head of brown hair. Peregrine bundled up his cloak as he passed several rows of tables and booths, holding several candles.</p>\n<p>\"I don't suppose this would be <em>Ambrose Lamplight,</em> would it?\"</p>\n<p>\"Oh, but it is! I feared for a second you were just another wanderer that lost their way off the footpath.\" The man offered his hand. Peregrine awkwardly returned the gesture with his gloved talon, hiding his frostbitten hand behind his back. \"I'm quite thrilled to hear you'll stay!\"</p>\n<p>\"Well, I am a wanderer. But I assure you, I'm not lost.\"</p>\n<p>\"I take it you're from that library. Have you traveled far?\"</p>\n<p>\"I do frequent the Wanderer's Library,\" replied Peregrine. \"And yes, I did have quite the climb.\"</p>\n<p>\"You weren't going to ask me for a free meal, were you?\"</p>\n<p>\"I may wander, but I pay my dues to those who are kind to me.\" He produced the flyer from his pocket and turned it over to reveal the blank menu. \"Though I may ask you for a free story, if you have any to spare.\"</p>\n<p>\"I'll throw in a few stories with your meal, but I'm sure you've heard enough about me already.\"</p>\n<p>\"What was your name, anyway?\"</p>\n<p>The man was silent. He placed his hand on the menu, and tapped the name <em>Ambrose</em>. He gave Peregrine a wink.</p>\n<p>\"I'm sorry?\"</p>\n<p>\"Ambrose, surely you recognize who that name belongs to-\" said the host. Peregrine scratched his head.</p>\n<p>\"I never recall having heard that name before finding this menu.\"</p>\n<p>\"Chaz Ambrose! I'm the most renowned chef in these parts of the universe,\" said the man. \"If you're as well-traveled as you claim, surely you would've heard of my establishments. Ambrose SanFran? Ambrose Esterberg? Ambrose Backdoor Soho?\"</p>\n<p>\"I've been to all those places, but again, your business is foreign to me.\"</p>\n<p>\"Well then,\" said Ambrose with an indignant tone. \"I hope you know how restaurants work.\"</p>\n<p>\"Of course,\" chuckled Peregrine, looking back at his menu. \"I must say, leaving the menu blank is an incredibly bold artistic choice, but not an unwelcome one! I'm curious to see how you handle-\"</p>\n<p>\"What do you mean the menu's blank?\" Ambrose peered over Peregrine's shoulder. \"I'm sorry, you must've received a faulty copy. Here's a new one.\"</p>\n<p>\"This one's blank too.\"</p>\n<p>\"Pardon? That can't be right\u2026\" Peregrine watched as Ambrose flipped through menu after menu. \"No matter! I know my <em>own</em> menu. Let me tell you what we have.\"</p>\n<p>Perigrine leaned in and folded his arms expectantly, but Ambrose was silent.</p>\n<p>\"And what would that be?\"</p>\n<p>\"I can't remember\u2026\"</p>\n<p>Ambrose was silent for another minute.</p>\n<p>\"I'd still like to order that story, I wouldn't mind paying-\" Peregrine offered, seemingly unfazed.</p>\n<p>\"Business has been quiet,\" Ambrose murmured. \"Tell you what. Write me a review, share it with your Wanderer buddies, and we'll call it even.\"</p>\n<p>\"So long as you don't try to sway my judgment.\"</p>\n<p>\"Of course not! I'm a businessman. An honest businessman. I don't beg, I trade.\"</p>\n<p>\"Very well then. Please tell me a story worth my while.\"</p>\n<p>\"I'll throw in a cup of tea. On the house.\"</p>\n\n<p>\"I'm sorry if it isn't ideal,\" said Ambrose.</p>\n<p>\"No matter, the thought counts. But your story? \"</p>\n<p>\"We were a thriving business once, as you know. Far-reaching, varied, and tasteful- with a branch in every nexus faithful to the local cuisine- more so than native establishments. As time passed, we became even more particular, with a focus on higher-quality ingredients, though not everyone was grateful for such a change.\" Chaz crossed his arms. \"I suppose if everything we offer tastes amazing all the while, then it starts to lose its flavor. And gradually, folks lost interest.\"</p>\n<p>\"Are you saying that's why haven't I heard of you before?\"</p>\n<p>\"Unsure, but it's your loss regardless.\"</p>\n<p>Peregrine raised an eyebrow.</p>\n<p>\"So, when a stranger approached me with the opportunity of a lifetime, I couldn't help but accept. He told me I could be part of an empire! That we would be a city upon a hill for those seeking to push the boundaries of existence. That we would prove life could thrive in the most desolate of places: the bottom of the ocean, faraway stars, and a vacuum between universes.\"</p>\n<p>\"And what of that dream?\"</p>\n<p>\"It's still a work in progress. Frankly, I'm disappointed. For all of Lamplight's artistic endeavors, they fail to recognize when someone with true talent falls into their lap. But they'll all see in time!\"</p>\n<p>\"Then why are you the only one still up here?\"</p>\n<p>\"Evidently, I'm the only one dedicated enough to their work to make the necessary sacrifices.\"</p>\n<p>\"You consider the closing of your chain a necessary sacrifice?\"</p>\n<p>\"That's an unfair conclusion, seeing as you haven't heard of my business before today. I thought I left my establishments in good hands to come here. Understandably, they'd be a <em>little</em> worse off without my guidance, but\u2026\"</p>\n<p>\"Remind me again what did you want this place to be exactly: an extension of your business, or a revival of your art?\"</p>\n<p>Ambrose scoffs.</p>\n<p>\"There's no difference. My business <em>is</em> my art.\"</p>\n<p>The pair sat in silence for several moments, Ambrose gazing longingly towards the snow-saturated window while Peregrine's eyes bore into him. When it was clear the chef had nothing else to say, Peregrine finally sighed and stood up.</p>\n<p>\"Well, I'd best be on my way. It isn't wise to linger near the edge of reality for too long.\" Peregrine pushed in his chair. \"Thank you. Your story was quite\u2026 wistful.\"</p>\n<p>\"Now where are you going? Don't leave just yet! I have more to show.\"</p>\n<p>\"Such as?\"</p>\n<p>\"Perhaps you saw the fine tapestries on the wall? The hand-carved mahogany tables? Could I serve you some of our refined beverages?\"</p>\n<p>\"With all due kindness, you said you wouldn't attempt to sway my review. I requested no special treatment.\"</p>\n<p>\"Oh of course- I simply want your input. I'm always looking to improve!\" Ambrose waved his hand around the bungalow. \"Does anything seem tacky to you? Overdone? Just say the word and I'll fix it.\"</p>\n<p>\"If you want me to be honest, this place lacks a focus. I can tell you're in an odd place right now, and frankly, folks don't come to Lamplight just for business. And they certainly don't stay here for it. So if you're trying to make something for yourself here, I suggest being more honest with yourself.\"</p>\n<p>Ambrose's eyes suddenly sparkled to life.</p>\n<p>\"Well tell you what- you've got a lot of heart! More than I ever could. I get it now. You've got more worth than just a customer. How would you like to be my business partner? Listen up kid, I've got the opportunity of a lifetime for you! Right here, right now, things are about to change. You're gonna make it BIG! And I will be the shining star that guides you to your glimmering destiny. You were always meant for great things, my friend.\"</p>\n<p>Peregrine pulled away. His expression shifted to one of disgust.</p>\n<p>\"That's very kind of you, but I graciously need to pass.\"</p>\n<p>\"Oh, come on now! You haven't even <em>seen</em> what I can offer you!\"</p>\n<p>\"Again, I asked you not to sway my review.\"</p>\n<p>\"Of course, I'd do no such thing! I uh- I'd simply like to see the review before you leave. Seeing as you promised to write one. I told you, I'm a businessman, not a beggar.\"</p>\n<p>\"Careful, words lose their weight if reused.\"</p>\n<p>\"Just please, let me see the review.\"</p>\n<p>Peregrine's gaze hardened, and he returned to his seat.</p>\n<p>\"Very well, then.\"</p>\n<p>He produced a quill and pad from his cloak and began writing.</p>\n<div class=\"ambrose menu\" style=\"border: solid 6px black; background-image: radial-gradient( #230d57, #3f1466); padding-top: 1em; padding-right: 0em; padding-bottom: 0em; margin-bottom: 0em; color: #FFF7D8;\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc0\"><span>A Peregrine's Ponderings</span></h1>\n</div>\n<blockquote>\n<p>Ambrose Lamplight is, amongst local 24th-century restaurants, unfortunately undeserving of recognition. Resigned to the edges of the community, the establishment gets few visitors- though the harrowing trek is not the only reason for this.</p>\n<p>Lamplight has a way of making the folks who come here confront their existence. One cannot afford to be vapid and shallow. Branding, advertising, and luxury might have worked well enough for Ambrose in the reality outside this little bubble, but this branch makes it clear that stripped of its showmanship and bravado, the brand has completely lost its heart.</p>\n<p>In my mind, Chaz Ambrose realized this and came to Lamplight to reconnect with his artistic roots. But decades of changing his ways for material gain prevented him from properly integrating with the community. So, he decided to stay at the edge of reality, not quite ready to fade away, but still numb to the severity of his situation. I have no doubt Ambrose Restaurants started with the purest of artistic intentions, but decades or centuries of growth and success can tarnish even the most honest of minds and intentions.</p>\n<p>I admit I came to Lamplight seeking to connect with my own artistic nature. I figured the empty menu would have some lovely metaphorical meaning to inspire me, but it was only a symptom of Ambrose's gradual erasure.</p>\n<p>I can only hope this languishing legacy crumbles away quickly and painlessly, for the sake of all involved.</p>\n<p>So here we are, one last review from the end of Ambrose.</p>\n<p>Cheers, Peregrine</p>\n</blockquote>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n<p>Peregrine silently stood from his seat and walked out, where he pinned the note to the doorframe. Ambrose rushed after him and began to read. The traveler simply began his descent.</p>\n<p>It took mere moments for Ambrose to begin his mournful screaming.</p>\n<p>\"You've ruined me! You've ruined me! You promised to save me!\"</p>\n<p>It took an equal amount of time for the cries to fade.</p>\n<p>Only halfway down did Peregrine look back.</p>\n<p>Where the restaurant once stood was now silent, simple nothingness.</p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-lamplight\">Ambrose Lamplight</a>\" by Harmacy, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-lamplight\">https://scpwiki.com/ambrose-lamplight</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> AmbroseTitle.png<br/>\n<strong>Name:</strong> Chicago Skyline at Dusk<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/harmacy\" onclick=\"WIKIDOT.page.listeners.userInfo(8339288); return false;\"><img alt=\"Harmacy\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=8339288&amp;amp;size=small&amp;amp;timestamp=1791347138\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=8339288)\"/></a><a href=\"https://www.wikidot.com/user:info/harmacy\" onclick=\"WIKIDOT.page.listeners.userInfo(8339288); return false;\">Harmacy</a></span><br/>\n<strong>License:</strong> CC BY 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Chicago_Skyline_at_Dusk.jpg\">Wikimedia Commons</a><br/>\n<strong>Additional Notes:</strong> Image was altered to include blue overlay and \"Ambrose Lamplight\" text</p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Name:</strong> ambrose 3.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/harmacy\" onclick=\"WIKIDOT.page.listeners.userInfo(8339288); return false;\"><img alt=\"Harmacy\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=8339288&amp;amp;size=small&amp;amp;timestamp=1791347138\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=8339288)\"/></a><a href=\"https://www.wikidot.com/user:info/harmacy\" onclick=\"WIKIDOT.page.listeners.userInfo(8339288); return false;\">Harmacy</a></span><br/>\n<strong>License:</strong> CC BY 3.0</p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Name:</strong> Flickr - NOAA Photo Library<br/>\n<strong>Author:</strong> IFE, URI-IAO, UW, Lost City Science Party; NOAA/OAR/OER; The Lost City 2005 Expedition.<br/>\n<strong>License:</strong> CC BY 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Name:</strong> Tea_made_in_cold_water_and_hot_water<br/>\n<strong>Author:</strong> Mvolz<br/>\n<strong>License:</strong> CC BY 1.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Tea_made_in_cold_water_and_hot_water.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<hr/>\n<blockquote>\n<p><strong>Filename:</strong> AmbroseFoodExamples.PNG<br/>\n<strong>License:</strong> CC BY 3.0</p>\n</blockquote>\n<p>This image is a composite of:</p>\n<blockquote>\n<p><strong>Name:</strong> Orientalischer Grillteller.jpg<br/>\n<strong>Author:</strong> Sokolowskib<br/>\n<strong>License:</strong> CC BY 1.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Orientalischer_Grillteller.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Name:</strong> Ice Cream dessert 02.jpg<br/>\n<strong>Author:</strong> OakleyOriginals<br/>\n<strong>License:</strong> CC BY 3.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Ice_Cream_dessert_02.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Name:</strong> Hot chocolate (3485595907).jpg<br/>\n<strong>Author:</strong> Dennis Wong<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Hot_chocolate_(3485595907).jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Name:</strong> Greek_Salad_from_Thessaloniki.jpg<br/>\n<strong>Author:</strong> Armineaghayan<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Greek_Salad_from_Thessaloniki.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Name:</strong> Cooks 050918\u00a0154402.jpg<br/>\n<strong>Author:</strong> David Monniaux<br/>\n<strong>License:</strong> CC BY 3.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Cooks_050918_154402.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Name:</strong> Salad bowl in Tampere.jpg<br/>\n<strong>Author:</strong> JIP<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Salad_bowl_in_Tampere.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Name:</strong> Buff Chow Mein with Sauce.jpg<br/>\n<strong>Author:</strong> Gaurav Dhwaj Khadka<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Buff_Chow_Mein_with_Sauce.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar-bhl\">:scp-wiki:component:toggle-sidebar-bhl</a>]]\n\n\n\n[[module css]]\n\n#page-title {\n\n\u00a0\u00a0display: none;\n\n}\n\n[[/module]]\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[div class=\"ambrose menu\" style=\"border: solid 6px black; background-image: radial-gradient( #1E2A9A, #020052); padding-top: 1em; padding-right: 0em; padding-bottom: 0em; margin-bottom: 0em; color: #FFF7D8;\"]]\n\n[[=]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/AmbroseTitle.png style=\"width:300;\" link=#]]\n\n\u00a0\n\n------\n\n\n\nAtop the Great Spiny Mountain, overlooking the glamorous Giotto District, resides the highest altitude public establishment within Lamplight. Our esteemed //Ambrose Lamplight// rests on the verge of the expanse\u2014\u00a0\u00a0though be assured the safety of our patrons is guaranteed.\u00a0\u00a0\u00a0\u00a0\u00a0\n\n\n\nMahi loam is the most powerful of spices. You see, even though your eyes and ears and mind grow numb, your soul's desperation for sensation increases one's taste by a staggering degree!\u00a0\u00a0Ambrose Lamplight presents an unparalleled dining experience to all who pass through its doors. Regardless of who you are or where you come from, we're sure to have something to suit your taste!\n\n\n\nWe hope to see you soon! \n\n\n\n[[image https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/AmbroseFoodExamples.png]]\n\n\n\n> [[size 70%]] **Disclaimer:** While we encourage guests to visit our establishment as part of the Lamplight experience, please note Ambrose Restaurants does not provide transportation up or down the Great Spiny Mountain, nor does it take responsibility for any injuries, deaths, or fadings resulting from such travel. Visit at your own discretion.[[/size]]\n\n\n\n\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[div class=\"actualmenu\" style=\"border: solid 6px black; background-image: radial-gradient(#F4FBFF, #D6F2FF); padding-top: 1em; padding-right: 0em; padding-bottom: 0em; margin-bottom: 0em; color: #030040;\"]]\n\n[[=]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/ambrose-lamplight/ambrose%203.png style=\"width:50%;\" link=#]]\n\n[[/=]]\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n> ##transparent|.##\n\n[[/div]]\n\n\n\nPeregrine returned the menu to his coat pocket. Frigid winds slashed his face as he turned, trying to glimpse the glowing Giotto district through the blizzard, but all he could see was snow. He yanked off his glove and stared at his hands. Frostnip was turning his fingertips a greyish-blue. More concerning, however, was the fact his flesh was also becoming translucent.\u00a0\u00a0\n\n\u00a0\n\nThe ominous summit he was currently climbing had always lingered on the city's horizon. However, it was only after a recent discovery by the Foundation that the residents realized what the mountains actually were.\u00a0\u00a0\n\n\n\n>\n\n> **Excerpt from \"A Study of the Biological Landmarks of Lamplight: On the Sustainability of Anomalous Biomass within the Expanse,\"\u00a0\u00a0Dr. Ivy Little, Foundation Topographer**\n\n>> [[image https://upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg/640px-Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg]]\n\n>> **High-altitude photograph of the Great Spiny Mountains.**\n\n>\u00a0\u00a0\u00a0\n\n> One of the most notable topographical features of the Lamplight is the spines of the Harkhretian anglerfish. The mountain-like structure is derived from SCP-5005-1's dorsal fin. Although the summits have been visible from the Giotto district since its founding, no researchers were able to decipher what it was until a discovery by Junior Researcher Sofia Ramirez, who was posthumously awarded a Doctorate in Harkhretian Culture.\u00a0\u00a0\u00a0\n\n> \n\n> It took approximately three decades to augment a stable road from the Giotto district to the mountain's base. This road is normally used by researchers looking to travel in and out of the void, but it also serves as a footpath for residents and visitors. The mountain's summit itself has the unique property of inducing partial permeance in physical matter at higher altitudes. This allows visitors to the summit to experience an \"incomplete fading\" and be restored to their original state at the base. \n\n> \n\n> Efforts were made to augment and commercialize the summit. Trips up the mountain were advertised as \"a peek into nonexistence\" for tourists seeking to experience Lamplight's expanse without completely disappearing. These projects were ultimately abandoned due to several grassroots movements from the Nomad and Neoclassical districts dedicated to keeping the Spiny Mountains in their natural state. \n\n> \n\n> While several base camps and outposts have been established at the bottom of the mountain, few individuals ever visit the top of the summit. \n\n\n\nWhy was it, then, that three-quarters way up the mountain, Peregrine could see an oversized, stereotypical-looking bungalow? It seemed showy and overdone from the outside, but he was too cold to care. As tacky as this building looked, he was relieved to arrive somewhere warm and unfaded.\n\n\n\nPeregrine reached out to turn the doorknob, but it didn't open. He yanked again to no avail. Just as he turned to continue his ascent, he heard the door creak open. \n\n\n\n\"Why, hello there! Who might you be?\"\u00a0\u00a0\u00a0\n\n\n\nPeregrine spun back around to see an elderly man bundled in a winter coat standing in the doorway. \n\n\n\n\"Evening,\" replied Peregrine. \n\n\n\n\"Oh? It's evening? Heavens, it's hard to keep track up here, Do you want to come in?\" \n\n\n\n\"Yes please.\" \n\n\n\nPeregrine followed the stranger inside. The man removed his hood, revealing a thinning head of brown hair. Peregrine bundled up his cloak as he passed several rows of tables and booths,\u00a0\u00a0holding several candles. \n\n\n\n\"I don't suppose this would be //Ambrose Lamplight,// would it?\" \n\n\n\n\"Oh, but it is! I feared for a second you were just another wanderer that lost their way off the footpath.\" The man offered his hand. Peregrine awkwardly returned the gesture with his gloved talon, hiding his frostbitten hand behind his back. \"I'm quite thrilled to hear you'll stay!\" \n\n\n\n\"Well, I am a wanderer. But I assure you, I'm not lost.\" \n\n\n\n\"I take it you're from that library. Have you traveled far?\" \n\n\n\n\"I do frequent the Wanderer's Library,\" replied Peregrine. \"And yes, I did have quite the climb.\"\n\n\n\n\"You weren't going to ask me for a free meal, were you?\" \n\n\n\n\"I may wander, but I pay my dues to those who are kind to me.\" He produced the flyer from his pocket and turned it over to reveal the blank menu. \"Though I may ask you for a free story, if you have any to spare.\"\u00a0\u00a0\n\n\n\n\"I'll throw in a few stories with your meal, but I'm sure you've heard enough about me already.\" \n\n\n\n\"What was your name, anyway?\" \n\n\n\nThe man was silent. He placed his hand on the menu, and tapped the name //Ambrose//. He gave Peregrine a wink.\n\n\n\n\"I'm sorry?\" \n\n\n\n\"Ambrose, surely you recognize who that name belongs to-\" said the host. Peregrine scratched his head.\n\n\n\n\"I never recall having heard that name before finding this menu.\" \n\n\n\n\"Chaz Ambrose! I'm the most renowned chef in these parts of the universe,\" said the man. \"If you're as well-traveled as you claim, surely you would've heard of my establishments. Ambrose SanFran? Ambrose Esterberg? Ambrose Backdoor Soho?\" \n\n\n\n\"I've been to all those places, but again, your business is foreign to me.\" \n\n\n\n\"Well then,\" said Ambrose with an indignant tone. \"I hope you know how restaurants work.\" \n\n\n\n\"Of course,\" chuckled Peregrine, looking back at his menu. \"I must say, leaving the menu blank is an incredibly bold artistic choice, but not an unwelcome one! I'm curious to see how you handle-\" \n\n\n\n\"What do you mean the menu's blank?\" Ambrose peered over Peregrine's shoulder. \"I'm sorry, you must've received a faulty copy. Here's a new one.\" \n\n\n\n\"This one's blank too.\" \n\n\n\n\"Pardon? That can't be right...\" Peregrine watched as Ambrose flipped through menu after menu. \"No matter! I know my //own// menu. Let me tell you what we have.\" \n\n\n\nPerigrine leaned in and folded his arms expectantly, but Ambrose was silent. \n\n\n\n\"And what would that be?\"\n\n\n\n\"I can't remember...\" \n\n\n\nAmbrose was silent for another minute. \n\n\n\n\"I'd still like to order that story, I wouldn't mind paying-\" Peregrine offered, seemingly unfazed. \n\n\n\n\"Business has been quiet,\" Ambrose murmured. \"Tell you what. Write me a review, share it with your Wanderer buddies, and we'll call it even.\" \n\n\n\n\"So long as you don't try to sway my judgment.\" \n\n\n\n\"Of course not! I'm a businessman. An honest businessman. I don't beg, I trade.\"\u00a0\u00a0\n\n\n\n\"Very well then. Please tell me a story worth my while.\" \n\n\n\n\"I'll throw in a cup of tea. On the house.\" \n\n\n\n[[=]]\n\n------\n\n\n\n[[image https://upload.wikimedia.org/wikipedia/commons/thumb/1/14/Tea_made_in_cold_water_and_hot_water.jpg/640px-Tea_made_in_cold_water_and_hot_water.jpg]]\n\n\n\n[[/=]]\n\n\n\n\"I'm sorry if it isn't ideal,\" said Ambrose. \n\n\n\n\"No matter, the thought counts. But your story? \" \n\n\n\n\"We were a thriving business once, as you know. Far-reaching, varied, and tasteful- with a branch in every nexus faithful to the local cuisine- more so than native establishments. As time passed, we became even more particular, with a focus on higher-quality ingredients, though not everyone was grateful for such a change.\" Chaz crossed his arms. \"I suppose if everything we offer tastes amazing all the while, then it starts to lose its flavor. And gradually, folks lost interest.\" \n\n\n\n\"Are you saying that's why haven't I heard of you before?\" \n\n\n\n\"Unsure, but it's your loss regardless.\" \n\n\n\nPeregrine raised an eyebrow. \n\n\n\n\"So, when a stranger approached me with the opportunity of a lifetime, I couldn't help but accept. He told me I could be part of an empire! That we would be a city upon a hill for those seeking to push the boundaries of existence. That we would prove life could thrive in the most desolate of places: the bottom of the ocean, faraway stars, and a vacuum between universes.\" \n\n\n\n\"And what of that dream?\" \n\n\n\n\"It's still a work in progress. Frankly, I'm disappointed. For all of Lamplight's artistic endeavors, they fail to recognize when someone with true talent falls into their lap. But they'll all see in time!\" \n\n\n\n\"Then why are you the only one still up here?\"\u00a0\u00a0\n\n\n\n\"Evidently, I'm the only one dedicated enough to their work to make the necessary sacrifices.\" \n\n\n\n\"You consider the closing of your chain a necessary sacrifice?\" \n\n\n\n\"That's an unfair conclusion, seeing as you haven't heard of my business before today. I thought I left my establishments in good hands to come here. Understandably, they'd be a //little// worse off without my guidance, but...\"\u00a0\u00a0\n\n\n\n\"Remind me again what did you want this place to be exactly: an extension of your business, or a revival of your art?\" \n\n\n\nAmbrose scoffs. \n\n\n\n\"There's no difference. My business //is// my art.\" \n\n\u00a0\n\nThe pair sat in silence for several moments, Ambrose gazing longingly towards the snow-saturated window while Peregrine's eyes bore into him.\u00a0\u00a0When it was clear the chef had nothing else to say, Peregrine finally sighed and stood up. \n\n\n\n\"Well, I'd best be on my way. It isn't wise to linger near the edge of reality for too long.\" Peregrine pushed in his chair. \"Thank you. Your story was quite... wistful.\" \n\n\n\n\"Now where are you going? Don't leave just yet! I have more to show.\" \n\n\n\n\"Such as?\"\u00a0\u00a0\u00a0\n\n\n\n\"Perhaps you saw the fine tapestries on the wall? The hand-carved mahogany tables?\u00a0\u00a0Could I serve you some of our refined beverages?\" \n\n\n\n\"With all due kindness, you said you wouldn't attempt to sway my review. I requested no special treatment.\"\n\n\n\n\"Oh of course- I simply want your input. I'm always looking to improve!\" Ambrose waved his hand around the bungalow.\u00a0\u00a0\"Does anything seem tacky to you? Overdone? Just say the word and I'll fix it.\" \n\n\n\n\"If you want me to be honest, this place lacks a focus. I can tell you're in an odd place right now, and frankly, folks don't come to Lamplight just for business.\u00a0\u00a0And they certainly don't stay here for it. So if you're trying to make something for yourself here, I suggest being more honest with yourself.\" \n\n\n\nAmbrose's eyes suddenly sparkled to life. \n\n\n\n\"Well tell you what- you've got a lot of heart! More than I ever could. I get it now. You've got more worth than just a customer. How would you like to be my business partner? Listen up kid, I've got the opportunity of a lifetime for you! Right here, right now, things are about to change. You're gonna make it BIG! And I will be the shining star that guides you to your glimmering destiny. You were always meant for great things, my friend.\"\n\n\n\nPeregrine pulled away. His expression shifted to one of disgust.\u00a0\u00a0\n\n\n\n\"That's very kind of you, but I graciously need to pass.\" \n\n\n\n\"Oh, come on now! You haven't even //seen// what I can offer you!\" \n\n\n\n\"Again, I asked you not to sway my review.\" \n\n\n\n\"Of course, I'd do no such thing! I uh- I'd simply like to see the review before you leave. Seeing as you promised to write one. I told you, I'm a businessman, not a beggar.\"\u00a0\u00a0\n\n\n\n\"Careful, words lose their weight if reused.\" \n\n\n\n\"Just please, let me see the review.\" \n\n\n\nPeregrine's gaze hardened, and he returned to his seat.\n\n\n\n\"Very well, then.\" \n\n\n\nHe produced a quill and pad from his cloak and began writing. \n\n\n\n[[div class=\"ambrose menu\" style=\"border: solid 6px black; background-image: radial-gradient( #230d57, #3f1466); padding-top: 1em; padding-right: 0em; padding-bottom: 0em; margin-bottom: 0em; color: #FFF7D8;\"]]\n\n[[=]]\n\n\n\n+ A Peregrine's Ponderings \n\n\u00a0\n\n[[/=]]\n\n> Ambrose Lamplight is, amongst local 24th-century restaurants, unfortunately undeserving of recognition. Resigned to the edges of the community, the establishment gets few visitors- though the harrowing trek is not the only reason for this. \n\n> \n\n> Lamplight has a way of making the folks who come here confront their existence. One cannot afford to be vapid and shallow. Branding, advertising, and luxury might have worked well enough for Ambrose in the reality outside this little bubble, but this branch makes it clear that stripped of its showmanship and bravado, the brand has completely lost its heart. \n\n> \n\n> In my mind, Chaz Ambrose realized this and came to Lamplight to reconnect with his artistic roots. But decades of changing his ways for material gain prevented him from properly integrating with the community. So, he decided to stay at the edge of reality, not quite ready to fade away, but still numb to the severity of his situation. I have no doubt Ambrose Restaurants started with the purest of artistic intentions, but decades or centuries of growth and success can tarnish even the most honest of minds and intentions.\n\n> \n\n> I admit I came to Lamplight seeking to connect with my own artistic nature. I figured the empty menu would have some lovely metaphorical meaning to inspire me, but it was only a symptom of Ambrose's gradual erasure. \n\n> \n\n> I can only hope this languishing legacy crumbles away quickly and painlessly, for the sake of all involved. \n\n> \n\n> So here we are, one last review from the end of Ambrose.\n\n> \n\n> Cheers, Peregrine\n\n\n\n\u00a0@@ @@ \n\n[[/div]]\n\n\n\nPeregrine silently stood from his seat and walked out, where he pinned the note to the doorframe. Ambrose rushed after him and began to read.\u00a0\u00a0The traveler simply began his descent. \n\n\n\nIt took mere moments for Ambrose to begin his mournful screaming. \n\n\n\n\"You've ruined me! You've ruined me! You promised to save me!\" \n\n\n\nIt took an equal amount of time for the cries to fade.\u00a0\u00a0\n\n\n\nOnly halfway down did Peregrine look back. \n\n\n\nWhere the restaurant once stood was now silent, simple nothingness.\n\n\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n> **Filename:** AmbroseTitle.png\n\n> **Name:** Chicago Skyline at Dusk\n\n> **Author:** [[*user Harmacy]]\n\n> **License:** CC BY 3.0 \n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Chicago_Skyline_at_Dusk.jpg Wikimedia Commons]\n\n> **Additional Notes:** Image was altered to include blue overlay and \"Ambrose Lamplight\" text\n\n\n\n------\n\n\n\n> **Name:** ambrose 3.png\n\n> **Author:** [[*user Harmacy]]\n\n> **License:** CC BY 3.0 \n\n\n\n------\n\n\n\n> **Name:** Flickr - NOAA Photo Library\n\n> **Author:** IFE, URI-IAO, UW, Lost City Science Party; NOAA/OAR/OER; The Lost City 2005 Expedition.\n\n> **License:** CC BY 3.0 \n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Expl2267_-_Flickr_-_NOAA_Photo_Library.jpg Wikimedia Commons]\n\n\n\n------\n\n\n\n> **Name:** Tea_made_in_cold_water_and_hot_water\n\n> **Author:** \tMvolz\n\n> **License:** CC BY 1.0 \n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Tea_made_in_cold_water_and_hot_water.jpg Wikimedia Commons]\n\n\n\n------\n\n\n\n> **Filename:** AmbroseFoodExamples.PNG\n\n> **License:** CC BY 3.0\n\n\n\nThis image is a composite of:\n\n\n\n> **Name:** Orientalischer Grillteller.jpg\n\n> **Author:** \tSokolowskib\n\n> **License:** CC BY 1.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Orientalischer_Grillteller.jpg Wikimedia Commons]\n\n\n\n> **Name:** Ice Cream dessert 02.jpg\u00a0\u00a0\n\n> **Author:** OakleyOriginals\n\n> **License:** CC BY 3.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Ice_Cream_dessert_02.jpg Wikimedia Commons]\n\n\n\n> **Name:** Hot chocolate (3485595907).jpg\n\n> **Author:** Dennis Wong\n\n> **License:** CC BY 2.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Hot_chocolate_(3485595907).jpg Wikimedia Commons]\n\n\n\n> **Name:** Greek_Salad_from_Thessaloniki.jpg\n\n> **Author:** Armineaghayan\n\n> **License:** CC BY 4.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Greek_Salad_from_Thessaloniki.jpg Wikimedia Commons]\n\n\n\n> **Name:** Cooks 050918 154402.jpg \n\n> **Author:** David Monniaux\n\n> **License:** CC BY 3.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Cooks_050918_154402.jpg Wikimedia Commons]\n\n\n\n> **Name:** Salad bowl in Tampere.jpg\n\n> **Author:** JIP\n\n> **License:** CC BY 4.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Salad_bowl_in_Tampere.jpg Wikimedia Commons]\n\n\n\n> **Name:** Buff Chow Mein with Sauce.jpg\n\n> **Author:** Gaurav Dhwaj Khadka\n\n> **License:** CC BY 4.0\n\n> **Source:** [https://commons.wikimedia.org/wiki/File:Buff_Chow_Mein_with_Sauce.jpg Wikimedia Commons]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_cc4", "_licensebox", "ambrose-restaurant", "art-exchange", "bleak", "chaz-ambrose", "featured", "goi-format", "lampeter", "otherworldly", "wandsmen"], "title": "Ambrose Lamplight - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-lamplight"}, "ambrose-little-havana": {"created_at": "2026-07-26T17:44:00", "creator": "Uncle Nicolini", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"cubalibre.jpg\".", "date": "2026-07-26T17:44:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2026-07-26T17:44:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"santos.jpg\".", "date": "2026-07-26T17:45:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"tamal.jpg\".", "date": "2026-07-26T17:45:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"flan.jpg\".", "date": "2026-07-26T17:45:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"tostones.jpg\".", "date": "2026-07-26T17:45:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Uploaded file \"cafeteria.jpg\".", "date": "2026-07-26T17:45:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _ambrose-restaurants, ambrose-restaurants, black-diamond-billions, goi-format, little-havana, marshall-carter-and-dark, political, slice-of-life. ", "date": "2026-07-26T17:48:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc, _cc4, _licensebox. ", "date": "2026-07-26T18:16:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "Added tags: _ambrose-restaurant. Removed tags: _ambrose-restaurants. ", "date": "2026-07-27T01:06:00"}, {"author": "Its just a Kat", "author_href": "https://www.wikidot.com/user:info/its-just-a-kat", "comment": "Added tags: ambrose-restaurant. Removed tags: ambrose-restaurants. ", "date": "2026-07-27T01:16:00"}], "hubs": ["black-diamond-billions-hub", "ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--resized-images/ambrose-little-havana/{$name}/medium.jpg", "https://scp-wiki.wdfiles.com/local--files/dark-sushi-file-no-1221/waniika.jpg", "https://scp-wiki.wikidot.com/local--files/ol-owuos-gumbo/sugoimaaku.png"], "link": "ambrose-little-havana", "page_id": "1469053221", "rating": 46, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Argb(176,%20196,%20222)%7D\" style=\"display: none\"></iframe></p>\n<div style=\"display: none;\">\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/ambrose-little-havana/{$name}\"><img alt=\"{$name}\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/ambrose-little-havana/{$name}/medium.jpg\"/></a>\n<div class=\"scp-image-caption\">\n<p>.</p>\n</div>\n</div>\n</div>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p>Ambrose</p>\n</div>\n<div class=\"title-3\">\n<p>Little</p>\n</div>\n<div class=\"title-4\">\n<p>Havana</p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>A review of Little Havana's newest restaurant<br/>\nBy Bernal Santos<br/>\n12 min read.<br/>\n\u2b50\u2b50\u2605\u2605\u2605 (Delicious, but not very true to form.)</p>\n\n</div>\n</div>\n<br/>\n\n<hr/>\n<p><span class=\"firstcharacter\">W</span>hen I first heard the news that celebrity chef Chaz Ambrose would be opening a Little Havana location in the nexus' Tourism Sector on the 26th of July, I must admit, I was skeptical. Mister Ambrose is no Auguste Escoffier \u2014 this much I can ascertain by simply stepping into any of his other restaurants worldwide. He is more of a culinary chameleon; adapting the local dishes into his own style and bending them to his mediocre vision of mass-produced food for the masses. And when I found out Mr. Ambrose was opening a location in my hometown in cooperation with Marshall, Carter, &amp; Dark, I was bereft of joy.</p>\n<p>For as long as Cuba has existed, it has known hunger. The Taino who lived there prior to the arrival of the Spanish were subsistence farmers at the mercy of cruel hurricanes and unpredictable weather. The Spanish brought with them slavery, sustenance farming, and an insatiable appetite for local delicacies, which were obtained through, yes, you guessed it, slavery.</p>\n<p>This continued even after Cuba gained its independence, with the common people being ruled over by an elite bourgeoisie, all of which culminated in the Revolution of 1959 which saw Fidel Castro rise to power over the little island. Socialism brought with it its own challenges, such as being shut out of most trade and becoming isolated, which of course, led to further hunger in the island. Modern Cubans\u2014 at least most of them \u2014 are surviving off of ration cards and whatever they can forage in the land and sea.</p>\n<p>All this to say, Cuba <em>truly knows</em> hunger. So where does this put a \"fine\" dining restaurant based on the cuisine of the Pearl of the Antilles?</p>\n<p>Let's dive in.</p>\n<h2 id=\"toc0\"><span>Arriving</span></h2>\n<p><br/></p>\n<p><span class=\"firstcharacter\">U</span>pon arriving at <em>La Joya del Caribe</em> \u2014 Marshall, Carter, &amp; Dark's luxury hotel built at the side of Sierra Plata in the Tourism Sector of Little Havana \u2014 I was greeted by waitstaff. Something I noticed immediately was their elegance and attention to detail. Most Ambrose restaurants around the world are staffed by pimply-faced teens and slobs off the street. This was not the case here; every interaction was highly professional and calculated. This was my first shock of the night. Perhaps something had sparked a change in Mr. Ambrose, making him more interested in maintaining an upscale operation. Or perhaps it was just the fact that Marshall, Carter, &amp; Dark are bankrolling this operation, and they expect nothing less than excellence. I do wonder.</p>\n<p>Anyway, I must admit, dear reader, that this waitstaff was excellent. I was greeted by name the moment I walked in the door, as if I were an old friend they hadn't seen in years. The warmth with which I was guided to my table was unparalleled. To further add to my surprise, the fact they already knew I wanted a <em>Cuba Libre</em> to whet my appetite was a pleasant one to say the least.</p>\n<p>Unlike most bars I know, the mixologist who prepared my drink knew not to add the lime to the drink, and instead leave it on the rim as garnish for me to add in myself.</p>\n\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:75%;\">My <em>Cuba Libre.</em></span></p>\n</div>\n<p>For my underage, alcoholically challenged, or prohibition-practicing readers, a <em>Cuba Libre</em> is a very simple drink made in a highball or Collins glass full of ice. It is one part rum, and two parts cola. As previously mentioned, many will add in fresh lime juice rather than wait for the drinker of the beverage to squeeze it in themselves, something I find uncivilized, but was, again, not the case here.</p>\n<p>The waiter who sat me down was kind enough to inform me that the rum utilized in this recipe came from molasses sourced from Little Havana's finest sugar refinery, <em>El Rey del Azucar</em>. He also let me know the rum was aged 8 years in a cherry barrel which once held bourbon. The cola was slightly less impressive, but it was also made in Little Havana by a local bottler that also uses Little Havana sugar. Sugar grown in Little Havana can exhibit anomalous properties, and the waiter told me <em>El Rey del Azucar</em> specifically grew theirs to the taste of molasses without needing to mix them in, as well as included an anti-cavity causing anomaly. This type of behavior is most unusual for Mr. Ambrose\u2014 he typically sources his ingredients from Sysco, so I was initially a bit skeptical.</p>\n<p>However, the more I drank, the more assured I was of its quality. The drink was strong, intoxicating, sweet, and sour. Everything a <em>Cuba Libre</em> should be, and yet, something was missing.</p>\n<h2 id=\"toc1\"><span>The Appetizer</span></h2>\n<p><br/></p>\n<p><span class=\"firstcharacter\">T</span>o say that the average Cuban doesn't really engage with fine dining culture is an understatement. Would one know what an appetizer and entree are? Sure, they speak the language of food in Little Havana and Cuba\u2014 they have to in order to entertain guests from Three Portlands/Eurtec and Canada, but the average Habanero and Cuban does not know what it means to take part in a three course meal.</p>\n<p>This is why I find it so ironic that before I knew it, there was a plate of <em>tostones rellenos con camarones,</em> or in English, \"fried green plantain stuffed with shrimp\", sitting right in front of me.</p>\n\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:75%;\"><em>Tostones rellenos con camarones.</em></span></p>\n</div>\n<p>My waiter informed me that the shrimp had been caught this very same morning off the coast of <em>Bah\u00eda de Santa Barbara,</em> a secluded fishing spot in Little Havana which produced sapient seafood. He proceeded to then assure me that beings which possess sapience have been proven to taste 25% better. He also said the plantains were wild-grown, a claim I'm not sure I buy, but regardless.</p>\n<p>Tostones are deceitfully difficult to make, especially ones shaped as these were. Green or unripe plantains are peeled, then fried once in oil until gold and crisp. They are then removed and pressed on a <em>tostonera,</em> a kitchen device specialized in flattening tostones, and then fried again and salted. These tostones in particular were likely mashed after being fried once, then molded into their receptacle shape before having a shrimp puree poured into them.</p>\n<p>The taste was umami, and the garnish of chive brought out the whisper of sweet onion flavor to the dish. It was absolutely perfect.</p>\n<hr/>\n<h2 id=\"toc2\"><span>The Entree</span></h2>\n<p><br/></p>\n<p><span class=\"firstcharacter\">F</span>inally, the star of the meal. The selection of dishes for this course was shockingly low for an Ambrose joint. There were several classics; <em>ropa vieja, medianoche, butifarra, yuca con mojo,</em> and Cuban sandwiches, but I had to go for the <em>tamale con carne</em> with a side of <em>maduros</em> and rice and beans.</p>\n\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:75%;\"><em>Tamal con carne, maduros, arroz, y frijoles.</em></span></p>\n</div>\n<p>But what exactly is a tamale? Well, dear reader, a tamale is a dish made from <em>masa harina,</em> or corn flour, steamed in a corn husk. My particular tamale came with beef and tomatoes prepared in <em>mojo.</em> <em>Mojo,</em> for the uninitiated, is a sauce foundational to most Cuban cuisine. It is citrusy, garlicky, and bitter, and we put it on everything. Though it is traditional for meats, vegetables, and even fruits to be steamed within the corn husk alongside the <em>masa harina,</em> Mr. Ambrose instead opted to prepare the meat separate. Despite having come together on the same plate, I know they were not cooked together because the <em>masa harina</em> beneath was meatless and the only meat present was on top of it.</p>\n<p>Maduros are more or less just fried sweet plantains, which the ever-so-insightful waiter informed me were also wild-grown. And speaking of our friend the waiter, he also told me that the beef was sustainably and ethically free-range in a pasture from The Land of Enchantment. The tomatoes were <a href=\"/scp-504\">critical tomatoes</a>, raised on nothing but the highest brow of humor.</p>\n<p>The main dish was perfectly umami, the <em>maduros</em> sweet and tender, the mojo was textbook, and the rice and beans flawless in their own right.</p>\n<hr/>\n<h2 id=\"toc3\"><span>The Dessert</span></h2>\n<p><br/></p>\n<p><span class=\"firstcharacter\">T</span>here is much to be said about a restaurant's dessert options. Many places order pre-prepared cakes in the morning to slice up and serve throughout the day. Ambrose joints are typically not the type of place to do that, to their credit, but they <em>are</em> the type of place to order pre-made pastries from a bakery local of whatever culture they are appropriating. With that knowledge in mind, I pored over the dessert options.</p>\n<p><em>Arroz con leche</em> (rice pudding), <em>pastelitos de guayaba y coco</em> (guava and coconut sticky pastries), and flan. Though I would have typically gone for the <em>arroz con leche,</em> my good friend the waiter suggested the flan, and who am I to question the maestro? So I ordered the flan. So I was commended for \"my\" excellent choice. So the waiter went off to the kitchen. So it was.</p>\n<p>Flan is a simple dish, consisting of eggs, sugar, condensed and evaporated milk, and a whole lot of love. It originated in the Mediterranean during the age of the Roman empire, and was introduced to Latin America as a whole during the Spanish Conquista. Every Hispanic country has its own special twist on the dish, like how all countries colonized by the British have their own takes on curry.</p>\n<p>But let's not reminisce on such nasty thoughts. My flan was brought out in short order, but how could this be? It was naked! But fear not, it was shortly after accompanied by the chef who brought with her a wheeled table with a burner and caramel boiling away inside. She poured the caramel all over the top of the dessert, something intended to delight and charm, but I would have much rather have my food in peace. Anyway, she poured the boiling hot caramel over the flan and ordered me to wait for it to set, which I did.</p>\n\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:75%;\">I thought that I had taken a picture when it was served, but alas, I didn't. Good thing I checked. Flan.</span></p>\n</div>\n<p>Much like everything else in this establishment, it was perfect.</p>\n<hr/>\n<h2 id=\"toc4\"><span>The Overall</span></h2>\n<p><br/></p>\n<p><span class=\"firstcharacter\">A</span>nd that, my dear reader, concludes my dine-in at Ambrose Little Havana.</p>\n<p><br/>\n<br/>\n<br/></p>\n<p>Yes, that was all.</p>\n<p>Now, anyone familiar with Cuban culture will be realizing something is very wrong here. I waited for fifteen minutes after finishing my flan, and was met only with the check. Though the service was excellent\u2014 a far cry from all other Ambrose joints I have visited \u2014 and the food was excellent; again a far cry from other Ambrose joints, there was a severe <em>faux pas</em> here. Have you figured it out yet, dear reader?</p>\n<p>No?</p>\n<p>Well, let me tell you. It is customary to always offer your guest a shot of <em>cafecito</em>, otherwise known as Cuban espresso, at the end of a meal. Really, it should have been offered upfront and at the end of the meal. It is a most time-honored tradition in Cuban culture, and at any Little Havana restaurant owned by actual Habaneros you go to in this wide world of ours, you <span style=\"text-decoration: underline;\">will</span> be offered <em>cafecito.</em> Rather put out and flabbergasted by this, I asked my good friend, the waiter, if they served <em>cafecito.</em> He tragically informed me that no, they did not serve it.</p>\n<p>So off I went on a little trip to the Residential Sector, back to a little cafeteria I had gone to when I was still a child. Much to my surprise, it was still there, and you bet your bottom dollar they were brewing a fresh <em>cafecito</em> for me within seconds of my arrival.</p>\n\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:75%;\"><em>Dios bendiga a La Cafeteria es Invencible.</em></span></p>\n</div>\n<p>So overall, how was the Ambrose Little Havana experience? As expected from a joint Marshall, Carter, and Dark venture, the service was five stars. The food was perfect, but I could tell it was made by CIA graduates rather than local people. It lacked the love that makes Hispanic cooking as good as it is. It is the difference between \"good\" and \"great.\" It's what makes food genuine.</p>\n<p>But the most damning thing was the <em>cafecito</em>, and this is also how I knew that the kitchen was not staffed by locals. No self-respecting Habanero kitchen worker would be able to get through their shift without at least two <em>cafecitos.</em> There is also the fact that these dishes were so calculated and devised, there was no room for passion. So I guess in the end, it really is not too different from a typical Ambrose joint.</p>\n<p>Until next time, dear reader.</p>\n<p><br/>\n<br/>\n<br/>\n<br/></p>\n<p><span class=\"firstcharacter\">- B. Santos</span></p>\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/></p>\n<h2 id=\"toc5\"><span>Advertisements</span></h2>\n<div class=\"scp-image-block block-left\" style=\"width:320px;\"><img alt=\"waniika.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/dark-sushi-file-no-1221/waniika.jpg\"/>\n<div class=\"scp-image-caption\">\n<p><a href=\"https://scp-wiki.wikidot.com/dark-sushi-file-no-1221\">Crocosquid Sushi? Yes please!</a><br/>\n<span style=\"color:gray\">SUSHIBLADE LTD.</span></p>\n</div>\n</div>\n<div class=\"scp-image-block block-right\" style=\"width:320px;\"><img alt=\"sugoimaaku.png\" class=\"image\" src=\"https://scp-wiki.wikidot.com/local--files/ol-owuos-gumbo/sugoimaaku.png\"/>\n<div class=\"scp-image-caption\">\n<p><a href=\"javascript:;\">Wait a minute. Are you sure this place is legit?</a><br/>\nPlease help raise awareness about the health and safety of parafoodstuffs..<br/>\n<span style=\"color:gray\">World Parahealth Organization</span></p>\n</div>\n</div>\n<p><br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/>\n<br/></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-little-havana\">Ambrose Little Havana</a>\" by Uncle Nicolini &amp; DC_Yerko, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-little-havana\">https://scpwiki.com/ambrose-little-havana</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> santos.jpg<br/>\n<strong>Author:</strong> Les Haines<br/>\n<strong>License:</strong> CC BY SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/leshaines123/4970247047\">Flickr</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> cubalibre.jpg<br/>\n<strong>Author:</strong> pxhere<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://pxhere.com/en/photo/1507135\">Pxhere</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> tamal.jpg<br/>\n<strong>Author:</strong> Mx. Granger<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Food_at_La_Bodeguita_de_Mima.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> tostones.jpg<br/>\n<strong>Author:</strong> Arlene Campusano<br/>\n<strong>License:</strong> CC BY SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Tostones_rellenos_con_camarones.jpg\">Flickr</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> flan.jpg<br/>\n<strong>Author:</strong> Siendoyoretranqui<br/>\n<strong>License:</strong> CC BY SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Flan_con_dulce_de_leche_uruguayo.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> cafeteria.jpg<br/>\n<strong>Author:</strong> Felix Stahlberg<br/>\n<strong>License:</strong> CC BY SA 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:La_Cafeteria_es_Invencible_(22940047853).jpg\">Wikimedia Commons</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=rgb(176, 196, 222)]]\n\n\n\n[[module css]]\n\n.firstcharacter {\n\n\u00a0\u00a0color: #000;\n\n\u00a0\u00a0float: left;\n\n\u00a0\u00a0font-family: Georgia;\n\n\u00a0\u00a0font-size: 650%;\n\n\u00a0\u00a0line-height: 60px;\n\n\u00a0\u00a0padding-top: 4px;\n\n\u00a0\u00a0padding-right: 5px;\n\n\u00a0\u00a0padding-left: 3px;\n\n}\n\n[[/module]]\n\n\n\n[[div style=\"display: none;\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=|caption=.]]\n\n[[/div]]\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\nAmbrose\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\nLittle\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\nHavana\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nA review of Little Havana's newest restaurant\n\nBy Bernal Santos\n\n12 min read.\n\n\u2b50\u2b50\u2605\u2605\u2605 (Delicious, but not very true to form.)\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image santos.jpg]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n\n\n\n\n----\n\n\n\n[[span class=\"firstcharacter\"]]W[[/span]]hen I first heard the news that celebrity chef Chaz Ambrose would be opening\u00a0\u00a0a Little Havana location in the nexus' Tourism Sector on the 26th of July, I must admit, I was skeptical. Mister Ambrose is no Auguste Escoffier -- this much I can ascertain by simply stepping into any of his other restaurants worldwide. He is more of a culinary chameleon; adapting the local dishes into his own style and bending them to his mediocre vision of mass-produced food for the masses. And when I found out Mr. Ambrose was opening a location in my hometown in cooperation with Marshall, Carter, & Dark, I was bereft of joy.\n\n\u00a0\n\nFor as long as Cuba has existed, it has known hunger. The Taino who lived there prior to the arrival of the Spanish were subsistence farmers at the mercy of cruel hurricanes and unpredictable weather. The Spanish brought with them slavery, sustenance farming, and an insatiable appetite for local delicacies, which were obtained through, yes, you guessed it, slavery. \n\n\n\nThis continued even after Cuba gained its independence, with the common people being ruled over by an elite bourgeoisie, all of which culminated in the Revolution of 1959 which saw Fidel Castro rise to power over the little island. Socialism brought with it its own challenges, such as being shut out of most trade and becoming isolated, which of course, led to further hunger in the island. Modern Cubans-- at least most of them -- are surviving off of ration cards and whatever they can forage in the land and sea. \n\n\n\nAll this to say, Cuba //truly knows// hunger. So where does this put a \"fine\" dining restaurant based on the cuisine of the Pearl of the Antilles? \n\n\n\nLet's dive in.\n\n\n\n\n\n++ Arriving\n\n\n\n@@@@\n\n@@@@\n\n\n\n[[span class=\"firstcharacter\"]]U[[/span]]pon arriving at //La Joya del Caribe// -- Marshall, Carter, & Dark's luxury hotel built at the side of Sierra Plata in the Tourism Sector of Little Havana -- I was greeted by waitstaff. Something I noticed immediately was their elegance and attention to detail. Most Ambrose restaurants around the world are staffed by pimply-faced teens and slobs off the street. This was not the case here; every interaction was highly professional and calculated. This was my first shock of the night. Perhaps something had sparked a change in Mr. Ambrose, making him more interested in maintaining an upscale operation. Or perhaps it was just the fact that Marshall, Carter, & Dark are bankrolling this operation, and they expect nothing less than excellence. I do wonder.\n\n\n\nAnyway, I must admit, dear reader, that this waitstaff was excellent. I was greeted by name the moment I walked in the door, as if I were an old friend they hadn't seen in years. The warmth with which I was guided to my table was unparalleled. To further add to my surprise, the fact they already knew I wanted a //Cuba Libre// to whet my appetite was a pleasant one to say the least. \n\n\n\nUnlike most bars I know, the mixologist who prepared my drink knew not to add the lime to the drink, and instead leave it on the rim as garnish for me to add in myself. \n\n\n\n[[=image cubalibre.jpg width=\"300px\"]]\n\n[[=]]\n\n[[size 75%]]My //Cuba Libre.//[[/size]]\n\n[[/=]]\n\n\n\n\n\nFor my underage, alcoholically challenged, or prohibition-practicing readers, a //Cuba Libre// is a very simple drink made in a highball or Collins glass full of ice. It is one part rum, and two parts cola. As previously mentioned, many will add in fresh lime juice rather than wait for the drinker of the beverage to squeeze it in themselves, something I find uncivilized, but was, again, not the case here. \n\n\n\nThe waiter who sat me down was kind enough to inform me that the rum utilized in this recipe came from molasses sourced from Little Havana's finest sugar refinery, //El Rey del Azucar//. He also let me know the rum was aged 8 years in a cherry barrel which once held bourbon. The cola was slightly less impressive, but it was also made in Little Havana by a local bottler that also uses Little Havana sugar. Sugar grown in Little Havana can exhibit anomalous properties, and the waiter told me //El Rey del Azucar// specifically grew theirs to the taste of molasses without needing to mix them in, as well as included an anti-cavity causing anomaly.\u00a0\u00a0This type of behavior is most unusual for Mr. Ambrose-- he typically sources his ingredients from Sysco, so I was initially a bit skeptical.\n\n\n\nHowever, the more I drank, the more assured I was of its quality. The drink was strong, intoxicating, sweet, and sour. Everything a //Cuba Libre// should be, and yet, something was missing. \n\n\n\n\n\n++ The Appetizer\u00a0\u00a0\n\n\n\n@@@@\n\n@@@@\n\n\n\n[[span class=\"firstcharacter\"]]T[[/span]]o say that the average Cuban doesn't really engage with fine dining culture is an understatement. Would one know what an appetizer and entree are? Sure, they speak the language of food in Little Havana and Cuba-- they have to in order to entertain guests from Three Portlands/Eurtec and Canada, but the average Habanero and Cuban does not know what it means to take part in a three course meal.\n\n\n\nThis is why I find it so ironic that before I knew it, there was a plate of //tostones rellenos con camarones,// or in English, \"fried green plantain stuffed with shrimp\", sitting right in front of me.\n\n\n\n[[=image tostones.jpg width=\"300px\"]]\n\n[[=]]\n\n[[size 75%]]//Tostones rellenos con camarones.//[[/size]]\n\n[[/=]]\n\n\n\n\n\nMy waiter informed me that the shrimp had been caught this very same morning off the coast of //Bah\u00eda de Santa Barbara,// a secluded fishing spot in Little Havana which produced sapient seafood. He proceeded to then assure me that beings which possess sapience have been proven to taste 25% better. He also said the plantains were wild-grown, a claim I'm not sure I buy, but regardless.\n\n\n\nTostones are deceitfully difficult to make, especially ones shaped as these were. Green or unripe plantains are peeled, then fried once in oil until gold and crisp. They are then removed and pressed on a //tostonera,// a kitchen device specialized in flattening tostones, and then fried again and salted. These tostones in particular were likely mashed after being fried once, then molded into their receptacle shape before having a shrimp puree poured into them.\n\n\n\nThe taste was umami, and the garnish of chive brought out the whisper of sweet onion flavor to the dish. It was absolutely perfect.\n\n\n\n\n\n-----\n\n++ The Entree\n\n\n\n@@@@\n\n@@@@\n\n\n\n[[span class=\"firstcharacter\"]]F[[/span]]inally, the star of the meal. The selection of dishes for this course was shockingly low for an Ambrose joint. There were several classics; //ropa vieja, medianoche, butifarra, yuca con mojo,// and Cuban sandwiches, but I had to go for the //tamale con carne// with a side of //maduros// and rice and beans. \n\n\n\n[[=image tamal.jpg width=\"300px\"]]\n\n[[=]]\n\n[[size 75%]]//Tamal con carne, maduros, arroz, y frijoles.//[[/size]]\n\n[[/=]]\n\n\n\nBut what exactly is a tamale? Well, dear reader, a tamale is a dish made from //masa harina,// or corn flour, steamed in a corn husk. My particular tamale came with beef and tomatoes prepared in //mojo.// //Mojo,// for the uninitiated, is a sauce foundational to most Cuban cuisine. It is citrusy, garlicky, and bitter, and we put it on everything. Though it is traditional for meats, vegetables, and even fruits to be steamed within the corn husk alongside the //masa harina,// Mr. Ambrose instead opted to prepare the meat separate. Despite having come together on the same plate, I know they were not cooked together because the //masa harina// beneath was meatless and the only meat present was on top of it.\n\n\n\nMaduros are more or less just fried sweet plantains, which the ever-so-insightful waiter informed me were also wild-grown. And speaking of our friend the waiter, he also told me that the beef was sustainably and ethically free-range in a pasture from The Land of Enchantment. The tomatoes were [[[scp-504|critical tomatoes]]], raised on nothing but the highest brow of humor.\n\n\n\nThe main dish was perfectly umami, the //maduros// sweet and tender, the mojo was textbook, and the rice and beans flawless in their own right.\n\n\n\n----\n\n++ The Dessert\n\n\n\n@@@@\n\n@@@@\n\n\n\n[[span class=\"firstcharacter\"]]T[[/span]]here is much to be said about a restaurant's dessert options. Many places order pre-prepared cakes in the morning to slice up and serve throughout the day. Ambrose joints are typically not the type of place to do that, to their credit, but they //are// the type of place to order pre-made pastries from a bakery local of whatever culture they are appropriating. With that knowledge in mind, I pored over the dessert options. \n\n\n\n//Arroz con leche// (rice pudding), //pastelitos de guayaba y coco// (guava and coconut sticky pastries), and flan. Though I would have typically gone for the //arroz con leche,// my good friend the waiter suggested the flan, and who am I to question the maestro? So I ordered the flan. So I was commended for \"my\" excellent choice. So the waiter went off to the kitchen. So it was. \n\n\n\nFlan is a simple dish, consisting of eggs, sugar, condensed and evaporated milk, and a whole lot of love. It originated in the Mediterranean during the age of the Roman empire, and was introduced to Latin America as a whole during the Spanish Conquista. Every Hispanic country has its own special twist on the dish, like how all countries colonized by the British have their own takes on curry. \n\n\n\nBut let's not reminisce on such nasty thoughts. My flan was brought out in short order, but how could this be? It was naked! But fear not, it was shortly after accompanied by the chef\u00a0\u00a0who brought with her a wheeled table with a burner and caramel boiling away inside. She poured the caramel all over the top of the dessert, something intended to delight and charm, but I would have much rather have my food in peace. Anyway, she poured the boiling hot\u00a0\u00a0caramel over the flan and ordered me to wait for it to set, which I did. \n\n\n\n\n\n[[=image flan.jpg width=\"300px\"]]\n\n[[=]]\n\n[[size 75%]]I thought that I had taken a picture when it was served, but alas, I didn't. Good thing I checked. Flan.[[/size]]\n\n[[/=]]\n\n\n\nMuch like everything else in this establishment, it was perfect. \n\n\n\n----\n\n++ The Overall\n\n\n\n@@@@\n\n@@@@\n\n\n\n[[span class=\"firstcharacter\"]]A[[/span]]nd that, my dear reader, concludes my dine-in at Ambrose Little Havana. \n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\nYes, that was all.\n\n\n\nNow, anyone familiar with Cuban culture will be realizing something is very wrong here. I waited for fifteen minutes after finishing my flan, and was met only with the check. Though the service was excellent-- a far cry from all other Ambrose joints I have visited -- and the food was excellent; again a far cry from other Ambrose joints, there was a severe //faux pas// here. Have you figured it out yet, dear reader?\n\n\n\nNo?\n\n\n\nWell, let me tell you. It is customary to always offer your guest a shot of //cafecito//, otherwise known as Cuban espresso, at the end of a meal. Really, it should have been offered upfront and at the end of the meal. It is a most time-honored tradition in Cuban culture, and at any Little Havana restaurant owned by actual Habaneros you go to in this wide world of ours, you __will__ be offered //cafecito.// Rather put out and flabbergasted by this, I asked my good friend, the waiter, if they served //cafecito.// He tragically informed me that no, they did not serve it. \n\n\n\nSo off I went on a little trip to the Residential Sector, back to a little cafeteria I had gone to when I was still a child. Much to my surprise, it was still there, and you bet your bottom dollar they were brewing a fresh //cafecito// for me within seconds of my arrival.\n\n\n\n\n\n[[=image cafeteria.jpg width=\"300px\"]]\n\n[[=]]\n\n[[size 75%]]//Dios bendiga a La Cafeteria es Invencible.//[[/size]]\n\n[[/=]]\n\n\n\nSo overall, how was the Ambrose Little Havana experience? As expected from a joint Marshall, Carter, and Dark venture, the service was five stars. The food was perfect, but I could tell it was made by CIA graduates rather than local people. It lacked the love that makes Hispanic cooking as good as it is. It is the difference between \"good\" and \"great.\" It's what makes food genuine.\n\n\n\nBut the most damning thing was the //cafecito//, and this is also how I knew that the kitchen was not staffed by locals. No self-respecting Habanero kitchen worker would be able to get through their shift without at least two //cafecitos.// There is also the fact that these dishes were so calculated and devised, there was no room for passion. So I guess in the end, it really is not too different from a typical Ambrose joint.\n\n\n\nUntil next time, dear reader.\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n\n\n[[span class=\"firstcharacter\"]]- B. Santos[[/span]]\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n\n\n++ Advertisements\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n|name=https://scp-wiki.wdfiles.com/local--files/dark-sushi-file-no-1221/waniika.jpg\n\n|width=320px\n\n|align=left\n\n|clear=true\n\n|caption=[https://scp-wiki.wikidot.com/dark-sushi-file-no-1221 Crocosquid Sushi? Yes please!]\n\n[[span style=\"color:gray\"]]SUSHIBLADE LTD.[[/span]]@@@@]]\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n|name=https://scp-wiki.wikidot.com/local--files/ol-owuos-gumbo/sugoimaaku.png\n\n|width=320px\n\n|align=right\n\n|clear=true\n\n|caption=[# Wait a minute. Are you sure this place is legit?]\n\nPlease help raise awareness about the health and safety of parafoodstuffs..\n\n[[span style=\"color:gray\"]]World Parahealth Organization[[/span]]@@@@]]\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> | author=Uncle Nicolini & DC_Yerko]]\n\n> **Filename:** santos.jpg\n\n> **Author:** Les Haines\n\n> **License:** CC BY SA 2.0\n\n> **Source Link:** [https://www.flickr.com/photos/leshaines123/4970247047\u00a0\u00a0Flickr]\n\n\n\n> **Filename:** cubalibre.jpg\n\n> **Author:** pxhere\n\n> **License:** Public Domain\n\n> **Source Link:** [https://pxhere.com/en/photo/1507135\u00a0\u00a0Pxhere]\n\n\n\n> **Filename:** tamal.jpg\n\n> **Author:** Mx. Granger\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Food_at_La_Bodeguita_de_Mima.jpg\u00a0\u00a0Wikimedia Commons]\n\n\n\n> **Filename:** tostones.jpg\n\n> **Author:** Arlene Campusano \n\n> **License:** CC BY SA 4.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Tostones_rellenos_con_camarones.jpg Flickr]\n\n\n\n> **Filename:** flan.jpg\n\n> **Author:** Siendoyoretranqui\n\n> **License:** CC BY SA 4.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Flan_con_dulce_de_leche_uruguayo.jpg\u00a0\u00a0Wikimedia Commons]\n\n\n\n> **Filename:** cafeteria.jpg\n\n> **Author:** Felix Stahlberg\n\n> **License:** CC BY SA 2.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:La_Cafeteria_es_Invencible_(22940047853).jpg\u00a0\u00a0Wikimedia Commons]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_cc4", "_licensebox", "ambrose-restaurant", "black-diamond-billions", "goi-format", "little-havana", "marshall-carter-and-dark", "political", "slice-of-life"], "title": "Ambrose Little Havana - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-little-havana"}, "ambrose-london-prix-fixe": {"created_at": "2018-12-28T19:53:00", "creator": "stormbreath", "domain": "scp-wiki.wikidot.com", "history": [{"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2018-12-28T19:53:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _other, art-exchange, goi-format. ", "date": "2018-12-28T19:54:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "You successfully renamed the page: \"ambrose-london-fixe-prix\" to \"ambrose-london-prix-fixe\".", "date": "2018-12-28T20:10:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "oops", "date": "2018-12-28T20:11:00"}, {"author": "DarkStuff", "author_href": "https://www.wikidot.com/user:info/darkstuff", "comment": "changed a weird \"of used\" to just \"used\"", "date": "2018-12-28T20:49:00"}, {"author": "DarkStuff", "author_href": "https://www.wikidot.com/user:info/darkstuff", "comment": "desert --> dessert", "date": "2018-12-28T20:52:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2018-12-28T21:02:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "typos", "date": "2019-01-04T18:20:00"}, {"author": "PeppersGhost", "author_href": "https://www.wikidot.com/user:info/peppersghost", "comment": "typo fix", "date": "2019-01-04T23:11:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Parent page set to: \"ambrose-restaurant-hub\".", "date": "2019-01-31T08:43:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: ambrose-restaurant. Removed tags: _other. ", "date": "2019-02-04T22:14:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: _ambrose-restaurant. ", "date": "2019-02-04T22:22:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-04-01T05:00:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "You successfully reverted the page to revision number 11", "date": "2019-04-02T07:25:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "spelling", "date": "2019-05-27T01:11:00"}, {"author": "Dr Lake", "author_href": "https://www.wikidot.com/user:info/dr-lake", "comment": "spelling (Prix Fixe)", "date": "2019-05-27T12:03:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-05-30T19:48:00"}, {"author": "Dr Lake", "author_href": "https://www.wikidot.com/user:info/dr-lake", "comment": "\"Pomegrante\" -> \"Pomegranate\"", "date": "2019-06-06T22:17:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-06-09T03:14:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "FloppyPhoenix -> Lt Flops", "date": "2019-12-06T04:58:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2019-12-25T20:28:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-03-11T23:44:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-11-10T21:23:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-08-23T19:52:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _licensebox. ", "date": "2022-10-22T17:32:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "", "date": "2022-10-22T17:32:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2023-02-23T18:44:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2023-04-11T19:06:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2023-04-11T19:07:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: comedy, fantasy. ", "date": "2024-10-17T19:22:00"}], "hubs": ["art-exchange-hub", "ambrose-restaurant-hub", "groups-of-interest", "goi-formats"], "images": [], "link": "ambrose-london-prix-fixe", "page_id": "496254374", "rating": 116, "raw_content": "<html><body><div id=\"page-content\">\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>Ambrose London Prix Fixe</strong><br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/stormbreath\" onclick=\"WIKIDOT.page.listeners.userInfo(3075960); return false;\"><img alt=\"stormbreath\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3075960&amp;amp;size=small&amp;amp;timestamp=1788006678\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3075960)\"/></a><a href=\"http://www.wikidot.com/user:info/stormbreath\" onclick=\"WIKIDOT.page.listeners.userInfo(3075960); return false;\">stormbreath</a></span></p>\n<p>Written for the 7th Annual <a href=\"/art-exchange-hub\">Art Exchange</a> as a gift for <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/lt-flops\" onclick=\"WIKIDOT.page.listeners.userInfo(1735419); return false;\"><img alt=\"Lt Flops\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1735419&amp;amp;size=small&amp;amp;timestamp=1788006678\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1735419)\"/></a><a href=\"http://www.wikidot.com/user:info/lt-flops\" onclick=\"WIKIDOT.page.listeners.userInfo(1735419); return false;\">Lt Flops</a></span>, who asked for something about the anomalous food scene!</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"au-credit\">\n<p>by <a href=\"/stormbreath\">stormbreath</a></p>\n</div>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background: #260047; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; margin-bottom: 3em; color: #FFF7D8;\">\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 4em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\">Ambrose London</span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-weight: bold; font-family: 'Poiret One', cursive;\"><span style=\"font-size:200%;\">Four Course Prix Fixe</span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-weight: bold; font-family: 'Poiret One', cursive;\">With Optional Wine Selection</span></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> First Course </span></span></p>\n<ol>\n<li><strong>Cockatrice Pot Stickers</strong> \u2014 Prepared with demanding care to ensure no poison is in the meat, Ambrose London is proud to be the first restaurant to serve cockatrice meat. Noted for a sour and creamy taste, quite unlike any other.</li>\n<li><strong>Baked Potato Bug</strong> \u2014 Conceptually produced by a large <a href=\"/scp-4420\">Ur-Potato</a>, these crickets are entirely composed of potato matter, and deep-fried for flavor. Garnished with bacon, sour cream, onion and melted cheese.</li>\n<li><strong>Yesterday's Bruschetta</strong> \u2014 Grilled toast topped with olive oil, tomato and mozarella. All ingredients used in the making sourced from at least one hundred years in the past using time travel techniques, allowing for different tastes compared to today.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Second Course </span></span></p>\n<ol>\n<li><strong>Eternal Stew</strong> \u2014 This is not your grandmother\u2019s perpetual stew, one that has only lasted for a month or two. Ambrose London has acquired an eternal stew which has been in production for over two millennia, giving it a one of a kind taste two thousand years in the making.</li>\n<li><strong>Lunar Gruyere Fondue</strong> \u2014 The moon might not be made of cheese, but the daemons of Levania are renowned for their dairy products. Served with a rotating selection of types of bread, prepared fresh in-house each day.</li>\n<li><strong>Alexylvan Corn Soup</strong> \u2014 Using a recipe sourced from the Culinary Institute of Alexylva, this dish blends Ancient Roman and American Cherokee cooking in an out of this world way. Contains three varieties of corn, blended with cheese and honey.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Main Course </span></span></p>\n<ol>\n<li><strong>Crab-Stuffed Mushroom</strong> \u2014 A rare mushroom from a hard-to-reach forest in Northern Oregon, stuffed with three different species of crab, including the Alaska King, Marianas Blue, and Greek Behemoth. Sweet and tender with a subtle aftertaste. A popular selection at Ambrose New York, not to be missed!</li>\n<li><strong>Caviar Platter</strong> \u2014 A choice selection of eight fine and exotic varieties of caviar, including coelacanth, Salmon of Knowledge, duross, and even an <a href=\"/kaiju-caviar-ocn39-t5fg6-7hjl2\">egg from the Kraken</a> that attacked the fey isle of Hy-Brasil in 1988.</li>\n<li><strong>Five Senses Linguine</strong> \u2014 Designed to induce temporary, artificial, total-sensory synesthesia. Experience food on every level: taste, smell, sight, hearing, and touch. An indescribable experience. Served with a house-made pesto.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Dessert </span></span></p>\n<ol>\n<li><strong>Dragon\u2019s Baked Alaska</strong> \u2014 Prepared fresh at the table using the breath of one of our in-house <em>draconus domesticus</em>, commonly known as the miniature domesticated dragon. The use of an organic flame gives the meringue a clean and smooth taste.</li>\n<li><strong>Volcano Cake</strong> \u2014 Using simple magical principles, this is a simple chocolate lava cake which has been adapted to erupt with melted chocolate after being served. Has a dark, smooth taste with a slightly spicy kick.</li>\n<li><strong>Fruits of the Gods</strong> \u2014 A selection of rare and mystical fruits from all over the world, including Underworld Pomegranate seeds, El Doradan Golds (derived from the common orange), and Brandy-infused strawberries. Ask your server for the current seasonal offerings.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Wine </span></span></p>\n<ol>\n<li><strong>Champagne of Youth</strong> \u2014 Magically treated to ameliorate the effects of advanced age for a brief time after drinking, easing aches and pains. Noted for a sharp taste with hints of ginger. Best paired with the Caviar Platter.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></li>\n<li><strong>Thousand-Year Merlot</strong> \u2014 Aged in a temporal isolation vault with a vastly accelerated time differential compared to the norm, while the grapes used to produce this wine were picked last year, the wine itself is effectively over a thousand years of age.</li>\n<li><strong>Rubedo Reserve</strong> \u2014 For the more esoteric palate, <a href=\"/scp-3573\">Rubedo Reserve</a> is transmuted from human blood using forbidden alchemy.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> Noted for a distinctive taste with notes of blood, dry paper, and a blue cheese finish.</li>\n</ol>\n<div style=\"border-top: 1px dotted #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; width: 50%; margin: auto; color: #A38800;\">\n<p style=\"text-align: center;\">Base: 700 GBP</p>\n<p style=\"text-align: center;\">With Wine: 850 GBP</p>\n</div>\n<div style=\"margin-left: 3em; font-size: .75em;\">\n<div class=\"footnotes-footer\">\n\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Disclaimer: This product is not a youth potion.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Disclaimer: No humans were killed in the making.</div>\n</div>\n</div>\n</div>\n<div style=\"background: antiquewhite; border: 1px solid silver; padding: 1em;\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:400%;\"><span style=\"color: firebrick\"><strong>yowl.slp</strong></span></span></p>\n\n<p><sub>Reviews Hosted by Oneiroi</sub></p>\n</div>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>London Underworld</strong><br/>\n\u2605\u2605\u2605\u2605\u2605</p>\n</div>\n<p>If you are looking for fine dining, look no further than Ambrose Restaurant\u2019s new London location. While other Ambrose locations cater to more plebian clientele, Ambrose London is an upscale location in the heart of London itself, and is a prime choice for anyone looking for a nice dinner.</p>\n<p>I was recommended to Ambrose London by my Marshall, Carter and Dark sales representative, after particularly enjoying their selections at the Pretty Penny restaurant line, and some of their licensed food options with Ambrose Restaurants, such as the <a href=\"/phoenix-a-la-mode\">Phoenix \u00e0 La Mode</a>. I would consider this new location to be a worthy equal of those restaurants, and an ideal choice for fine dining.</p>\n<p>Truly, I have no qualms to voice with this location. The service was impeccable and polite, the meals were cooked and served quickly, and everything was delightful in taste. Although pricey, the rarity of all the meals served more than justifies the cost - where else in the world does one have the opportunity to dine upon Kraken eggs, or have a live dragon come to the table? Ambrose London offers an experience that cannot be rivaled or found anywhere else in the entire world.</p>\n<p>The dishes that I ordered (under their excellent prix fixe menu, which I found to have both good selection and pricing) were the Baked Potato Bug, the Lunar Gruyere Fondue, the Caviar Platter, the Dragon's Baked Alaska, with a bottle of Rubedo Reserve. Each was well prepared and absolutely delicious.</p>\n<p>While the Baked Potato Bug calls to mind a different kind of establishment - one that caters to a somewhat lower clientele, I found it to be excellently prepared, and that the exotic origin of the bug made up for the base subject matter. (Unnaturally generated along with conceptual potato based matter, spawned from what may be the conceptual ideal of a potato. As such, this was the best execution of the dish possible.)</p>\n<p>My only negative word to say concerning Ambrose London is that I was not able to eat everything. As such, I eagerly await my next visit.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>Three Portlands Times</strong><br/>\n\u2605\u2605\u2605\u2605\u2606</p>\n</div>\n<p>Easily accessible from Three Portlands through Isle of Portland entrances, short walk from train station once within London. Reservations not currently long, but antipicated to grow quickly \u2014 may reach several months in advance.</p>\n<p>Service impeccable, food to match.</p>\n<p>Vegetarian options at every course of fixe prix, although generally only a single option. Adequate, full menu contains more options.</p>\n<p>One menu option - Baked Potato Bug - could be labeled more clearly as non-vegetarian. While composed of plant matter, plant matter was previously sentient organism. Dish served with bacon, could have noted that it is not veg without bacon.</p>\n<p>Yesterday's Bruschetta did not taste significantly different from a modern version of the dish. Tomato slightly different in taste, otherwise similar.</p>\n<p>Alexylvan Soup was suitable. The recipe may have been from out of this world, but the flavor was fitting to this world.</p>\n<p>The Five Senses Linguine made up for the mediocrity of the previous two servings. Completely foreign experience and rather pleasurable. Would not recommend for all, however.</p>\n<p>Fruits of the Gods was a good selection, with the name suitable for the fruits served. Good selection all around.</p>\n<p>Thousand-Year Merlot exsquisite, in contrast to the Bruschetta. Alternate temporal origin worked better for this dish, complemented and enhanced it well. Wine paired well with other courses.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>The Holy Grail</strong><br/>\n\u2605\u2606\u2606\u2606\u2606</p>\n</div>\n<p>I had the worst diarrhea of my life after having the Four Course Prix Fixe. I ordered the Baked Potato Bug, the Eternal Stew, the <a href=\"/scp-666-and-a-half-j\">Crab-Stuffed Mushroom</a> and the Dragon's Baked Alaska.</p>\n<p>It all started very soon after I got home that night. Almost immediately after I did, I was struck by this horrible pain in my stomach, and I rushed to my bathroom as fast as I could. I spent the next three hours, in absolute agony, as my bowels ripped themselves apart, bound themselves back together, and like Prometheus, mercilessly repeated the process a hundred times.</p>\n<p>I began to hallucinate that I was not alone in my bathroom, but grappled with a vision of a thousand demons in Hell, like Dante. A thousand monsters surrounded me, menacing me. This may have been nothing more than a hallucination, but it was horrifying.</p>\n<p>And then, in a final moment of horror, there was a torturous moment of agony as my bowels emptied themselves, which seemed to last for no less than a hundred years. (The time on the bathroom clock, in it's taunting menace, did not change.)</p>\n<p>With that completed, I have but a singular memory of collapsing unconscious onto the floor of my bathroom, blacking out.</p>\n<p>During my blackout, I had a vision of eternal and heavenly bliss. A choir of angels surrounded me, singing blessed psalms and delivering me from evil. I danced among the clouds, free from the pain and agony that had grappled me earlier. It was nothing short of divine enlightenment, and I have become a devout Catholic afterward.</p>\n<p>I woke up after that vision slumped in the doorframe of a Catholic church (a large part of the reason as to why I am now a Catholic), fully clothed and entirely clean. I quickly learned I was in Marrakesh, with no recollection of how I arrived there from London. I still do not know, to this day.</p>\n<p>I had to tear down and completely renovate my bathroom after the sordid events of that night, and am currently involved in a lawsuit against Ambrose Restaurants to pay for the damages. I do not recommend dining at any of their establishments.</p>\n<p>That being said, the meal was <em>absolutely</em> delicious.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-london-prix-fixe\">Ambrose London Prix Fixe</a>\" by stormbreath, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-london-prix-fixe\">https://scpwiki.com/ambrose-london-prix-fixe</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/info:start\">info:start</a>]]\n\n**Ambrose London Prix Fixe**\n\n**Author:** [[*user stormbreath]]\n\n\n\nWritten for the 7th Annual [[[art-exchange-hub|Art Exchange]]] as a gift for [[*user Lt Flops]], who asked for something about the anomalous food scene!\n\n\n\n[[include <a href=\"/info:end\">info:end</a>]]\n\n[[div class=\"au-credit\"]]\n\nby [[[stormbreath]]]\n\n[[/div]]\n\n\n\n[[module CSS]]\n\n.au-credit {\n\n\u00a0\u00a0\u00a0\u00a0text-align: right;\n\n\u00a0\u00a0\u00a0\u00a0margin-right: 2em;\n\n\u00a0\u00a0\u00a0\u00a0margin-top: -10px;\n\n}\n\n\n\n#page-content .creditRate {\n\n\u00a0\u00a0\u00a0\u00a0margin-bottom: 0;\n\n}\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n/* PLEASE DO NOT COPY/USE/ADAPT THIS MENU FORMAT FOR OTHER ARTICLES. IT IS A MESS THAT BARELY FUNCTIONS ON THIS ARTICLE. THE CSS AND FORMATTING OF THIS ARTICLE IS HIGHLY TAILORED TO THIS SPECIFIC ARTICLE AND IS LIABLE TO NOT WORK WELL ON OTHER PAGES. IT IS ALSO TERRIBLE CODE. PLEASE DO NOT REUSE IT. */\n\n\n\n@import url('https://fonts.googleapis.com/css?family=Poiret+One');\n\n\n\n.ambrose a{color: #AA9538} \n\n.menu a::visited{color: #AA9538} \n\n#odialog-hovertips .hovertip[style*=\"background-color: white;\"] {border: 1px solid #A38800 !important ; background-color: #260047 !important ; color: #fff7d8;}\n\n[[/module]]\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background: #260047; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; margin-bottom: 3em; color: #FFF7D8;\"]]\n\n[[span style=\"color: #A38800; font-size: 4em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\n= Ambrose London[[/span]]\n\n@@ @@\n\n[[span style=\"color: #A38800; font-weight: bold; font-family: 'Poiret One', cursive;\"]]\n\n= [[size 200%]]Four Course Prix Fixe[[/size]][[/span]]\n\n[[span style=\"color: #A38800; font-weight: bold; font-family: 'Poiret One', cursive;\"]]\n\n= With Optional Wine Selection\n\n[[/span]]\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ First Course @@[[/span]]\n\n# **Cockatrice Pot Stickers** -- Prepared with demanding care to ensure no poison is in the meat, Ambrose London is proud to be the first restaurant to serve cockatrice meat. Noted for a sour and creamy taste, quite unlike any other.\n\n# **Baked Potato Bug** -- Conceptually produced by a large [[[scp-4420|Ur-Potato]]], these crickets are entirely composed of potato matter, and deep-fried for flavor. Garnished with bacon, sour cream, onion and melted cheese. \n\n# **Yesterday's Bruschetta** -- Grilled toast topped with olive oil, tomato and mozarella. All ingredients used in the making sourced from at least one hundred years in the past using time travel techniques, allowing for different tastes compared to today.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Second Course @@[[/span]]\n\n# **Eternal Stew** -- This is not your grandmother\u2019s perpetual stew, one that has only lasted for a month or two. Ambrose London has acquired an eternal stew which has been in production for over two millennia, giving it a one of a kind taste two thousand years in the making. \n\n# **Lunar Gruyere Fondue** -- The moon might not be made of cheese, but the daemons of Levania are renowned for their dairy products. Served with a rotating selection of types of bread, prepared fresh in-house each day.\n\n# **Alexylvan Corn Soup** -- Using a recipe sourced from the Culinary Institute of Alexylva, this dish blends Ancient Roman and American Cherokee cooking in an out of this world way. Contains three varieties of corn, blended with cheese and honey.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Main Course @@[[/span]]\n\n# **Crab-Stuffed Mushroom** -- A rare mushroom from a hard-to-reach forest in Northern Oregon, stuffed with three different species of crab, including the Alaska King, Marianas Blue, and Greek Behemoth. Sweet and tender with a subtle aftertaste. A popular selection at Ambrose New York, not to be missed!\n\n# **Caviar Platter** -- A choice selection of eight fine and exotic varieties of caviar, including coelacanth, Salmon of Knowledge, duross, and even an [[[kaiju-caviar-ocn39-t5fg6-7hjl2|egg from the Kraken]]] that attacked the fey isle of Hy-Brasil in 1988. \n\n# **Five Senses Linguine** -- Designed to induce temporary, artificial, total-sensory synesthesia. Experience food on every level: taste, smell, sight, hearing, and touch. An indescribable experience. Served with a house-made pesto.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Dessert @@[[/span]]\n\n# **Dragon\u2019s Baked Alaska** -- Prepared fresh at the table using the breath of one of our in-house //draconus domesticus//, commonly known as the miniature domesticated dragon. The use of an organic flame gives the meringue a clean and smooth taste.\n\n# **Volcano Cake** -- Using simple magical principles, this is a simple chocolate lava cake which has been adapted to erupt with melted chocolate after being served. Has a dark, smooth taste with a slightly spicy kick.\n\n# **Fruits of the Gods** -- A selection of rare and mystical fruits from all over the world, including Underworld Pomegranate seeds, El Doradan Golds (derived from the common orange), and Brandy-infused strawberries. Ask your server for the current seasonal offerings.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Wine @@[[/span]]\n\n# **Champagne of Youth** -- Magically treated to ameliorate the effects of advanced age for a brief time after drinking, easing aches and pains. Noted for a sharp taste with hints of ginger. Best paired with the Caviar Platter. [[footnote]] Disclaimer: This product is not a youth potion.[[/footnote]]\n\n# **Thousand-Year Merlot** -- Aged in a temporal isolation vault with a vastly accelerated time differential compared to the norm, while the grapes used to produce this wine were picked last year, the wine itself is effectively over a thousand years of age.\n\n# **Rubedo Reserve** -- For the more esoteric palate, [[[scp-3573|Rubedo Reserve]]] is transmuted from human blood using forbidden alchemy. [[footnote]]Disclaimer: No humans were killed in the making.[[/footnote]] Noted for a distinctive taste with notes of blood, dry paper, and a blue cheese finish.\n\n\n\n[[div style=\"border-top: 1px dotted #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; width: 50%; margin: auto; color: #A38800;\"]]\n\n= Base: 700 GBP\n\n= With Wine: 850 GBP[[/div]]\n\n\n\n[[div style=\"margin-left: 3em; font-size: .75em;\"]]\n\n[[footnoteblock title=\" \"]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div style=\"background: antiquewhite; border: 1px solid silver; padding: 1em;\"]]\n\n[[=]]\n\n[[size 400%]]##firebrick|**yowl.slp**##[[/size]]\n\n~~~~\n\n,,Reviews Hosted by Oneiroi,,\n\n[[/=]]\n\n\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**London Underworld**\n\n\u2605\u2605\u2605\u2605\u2605\n\n[[/div]]\n\n\n\nIf you are looking for fine dining, look no further than Ambrose Restaurant\u2019s new London location. While other Ambrose locations cater to more plebian clientele, Ambrose London is an upscale location in the heart of London itself, and is a prime choice for anyone looking for a nice dinner.\n\n\n\nI was recommended to Ambrose London by my Marshall, Carter and Dark sales representative, after particularly enjoying their selections at the Pretty Penny restaurant line, and some of their licensed food options with Ambrose Restaurants, such as the [[[phoenix-a-la-mode|Phoenix \u00e0 La Mode]]]. I would consider this new location to be a worthy equal of those restaurants, and an ideal choice for fine dining.\n\n\n\nTruly, I have no qualms to voice with this location. The service was impeccable and polite, the meals were cooked and served quickly, and everything was delightful in taste. Although pricey, the rarity of all the meals served more than justifies the cost - where else in the world does one have the opportunity to dine upon Kraken eggs, or have a live dragon come to the table? Ambrose London offers an experience that cannot be rivaled or found anywhere else in the entire world.\n\n\n\nThe dishes that I ordered (under their excellent prix fixe menu, which I found to have both good selection and pricing) were the Baked Potato Bug, the Lunar Gruyere Fondue, the Caviar Platter, the Dragon's Baked Alaska, with a bottle of Rubedo Reserve. Each was well prepared and absolutely delicious.\n\n\n\nWhile the Baked Potato Bug calls to mind a different kind of establishment - one that caters to a somewhat lower clientele, I found it to be excellently prepared, and that the exotic origin of the bug made up for the base subject matter. (Unnaturally generated along with conceptual potato based matter, spawned from what may be the conceptual ideal of a potato. As such, this was the best execution of the dish possible.)\n\n\n\nMy only negative word to say concerning Ambrose London is that I was not able to eat everything. As such, I eagerly await my next visit.\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**Three Portlands Times**\n\n\u2605\u2605\u2605\u2605\u2606\n\n[[/div]]\n\n\n\nEasily accessible from Three Portlands through Isle of Portland entrances, short walk from train station once within London. Reservations not currently long, but antipicated to grow quickly -- may reach several months in advance. \n\n\n\nService impeccable, food to match.\n\n\n\nVegetarian options at every course of fixe prix, although generally only a single option. Adequate, full menu contains more options.\n\n\n\nOne menu option - Baked Potato Bug - could be labeled more clearly as non-vegetarian. While composed of plant matter, plant matter was previously sentient organism. Dish served with bacon, could have noted that it is not veg without bacon.\n\n\n\nYesterday's Bruschetta did not taste significantly different from a modern version of the dish. Tomato slightly different in taste, otherwise similar.\n\n\n\nAlexylvan Soup was suitable. The recipe may have been from out of this world, but the flavor was fitting to this world.\n\n\n\nThe Five Senses Linguine made up for the mediocrity of the previous two servings. Completely foreign experience and rather pleasurable. Would not recommend for all, however.\n\n\n\nFruits of the Gods was a good selection, with the name suitable for the fruits served. Good selection all around.\n\n\n\nThousand-Year Merlot exsquisite, in contrast to the Bruschetta. Alternate temporal origin worked better for this dish, complemented and enhanced it well. Wine paired well with other courses.\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**The Holy Grail**\n\n\u2605\u2606\u2606\u2606\u2606\n\n[[/div]]\n\n\n\nI had the worst diarrhea of my life after having the Four Course Prix Fixe. I ordered the Baked Potato Bug, the Eternal Stew, the [[[scp-666-and-a-half-j|Crab-Stuffed Mushroom]]] and the Dragon's Baked Alaska.\n\n\n\nIt all started very soon after I got home that night. Almost immediately after I did, I was struck by this horrible pain in my stomach, and I rushed to my bathroom as fast as I could. I spent the next three hours, in absolute agony, as my bowels ripped themselves apart, bound themselves back together, and like Prometheus, mercilessly repeated the process a hundred times.\n\n\n\nI began to hallucinate that I was not alone in my bathroom, but grappled with a vision of a thousand demons in Hell, like Dante. A thousand monsters surrounded me, menacing me. This may have been nothing more than a hallucination, but it was horrifying.\n\n\n\nAnd then, in a final moment of horror, there was a torturous moment of agony as my bowels emptied themselves, which seemed to last for no less than a hundred years. (The time on the bathroom clock, in it's taunting menace, did not change.)\n\n\n\nWith that completed, I have but a singular memory of collapsing unconscious onto the floor of my bathroom, blacking out.\n\n\n\nDuring my blackout, I had a vision of eternal and heavenly bliss. A choir of angels surrounded me, singing blessed psalms and delivering me from evil. I danced among the clouds, free from the pain and agony that had grappled me earlier. It was nothing short of divine enlightenment, and I have become a devout Catholic afterward.\n\n\n\nI woke up after that vision slumped in the doorframe of a Catholic church (a large part of the reason as to why I am now a Catholic), fully clothed and entirely clean. I quickly learned I was in Marrakesh, with no recollection of how I arrived there from London. I still do not know, to this day.\n\n\n\nI had to tear down and completely renovate my bathroom after the sordid events of that night, and am currently involved in a lawsuit against Ambrose Restaurants to pay for the damages. I do not recommend dining at any of their establishments.\n\n\n\nThat being said, the meal was //absolutely// delicious. \n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_licensebox", "ambrose-restaurant", "art-exchange", "comedy", "fantasy", "goi-format"], "title": "Ambrose London Prix Fixe - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-london-prix-fixe"}, "ambrose-makiling": {"created_at": "2019-01-31T06:22:00", "creator": "Erudius Nacht", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "Uploaded file \"salamat.png\".", "date": "2019-01-31T06:22:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "Uploaded file \"makilingalib.png\".", "date": "2019-01-31T06:22:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "", "date": "2019-01-31T06:22:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "Uploaded file \"Mud_Spring.jpg\".", "date": "2019-01-31T06:23:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: goi-format. ", "date": "2019-01-31T06:49:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "", "date": "2019-01-31T07:05:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "Uploaded file \"Paalam.png\".", "date": "2019-01-31T08:39:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "Uploaded file \"Mabuhay.png\".", "date": "2019-01-31T08:39:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "updated the Baybayin texts", "date": "2019-01-31T08:41:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "", "date": "2019-01-31T08:48:00"}, {"author": "mlister", "author_href": "https://www.wikidot.com/user:info/mlister", "comment": "Added tags: _other. ", "date": "2019-02-02T19:34:00"}, {"author": "mlister", "author_href": "https://www.wikidot.com/user:info/mlister", "comment": "Added tags: scarlet-king. ", "date": "2019-02-02T19:35:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "", "date": "2019-02-02T20:54:00"}, {"author": "Erudius Nacht", "author_href": "https://www.wikidot.com/user:info/erudius-nacht", "comment": "corrected a recipe error", "date": "2019-02-03T16:04:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Removed tags: _other. ", "date": "2019-02-04T22:16:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: ambrose-restaurant. ", "date": "2019-02-04T22:16:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: _ambrose-restaurant. ", "date": "2019-02-04T22:22:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-24T23:39:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T22:20:00"}, {"author": "Spirrie", "author_href": "https://www.wikidot.com/user:info/spirrie", "comment": "Fixed sweat into sweet in the Makiling Mead section", "date": "2020-02-25T06:00:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added tags: _licensebox. ", "date": "2020-10-20T02:24:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added license box.", "date": "2020-10-20T02:24:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, mythological. ", "date": "2024-10-17T06:32:00"}], "hubs": ["ambrose-restaurant-hub", "groups-of-interest", "goi-formats"], "images": [], "link": "ambrose-makiling", "page_id": "598120480", "rating": 80, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"border: double 12px #ff0000; background-image: radial-gradient(#eeeaf2 75%, #2bef04 ); padding-top: 3em; padding-right: 3em; padding-left: 3em; padding-bottom: 6em; margin-bottom: 3em; color: #CC3168;\">\n<p style=\"text-align: center;\"><span style=\"font-size: 6em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong><em>Ambrose Makiling</em></strong></span></p>\n\n<hr/>\n\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><strong>Ambrose Makiling is Happy to Announce its Grand Opening!</strong></p>\n<p style=\"text-align: center;\"><strong>We invite you to join us in exploring new culinary heights right here in Makiling's Grove, on the Pearl of the Pacific.</strong></p>\n<p style=\"text-align: center;\"><strong>Indulge in our Hands-only Buffet overflowing with the local exotic fauna and flora, raised by our own host, Fairy Queen Maria Makiling and her Diwatas. These alluring nymphs are more than eager to follow your requests on or off the dining table.</strong></p>\n<p style=\"text-align: center;\"><strong>If you're coming with friends, come reserve a table of our famous Boodle Fight offering. We assure you, you won't run out of food like the soldiers of old, because everything replenishes itself!</strong></p>\n<p style=\"text-align: center;\"><strong>We accept advanced orders for customers with reservations. Please contact us one (1) day in advance for preparation. In addition to our in-house ingredients, we accept custom orders for any materials you may bring for a small corkage fee.</strong></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\"><span style=\"color: #ff0000; font-size 300%;\">Fixed Price per Pax = 14,000.00 PHP</span></span></strong></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"color: #490004\"><span style=\"text-decoration: underline;\"><strong><em>Disclaimers</em></strong></span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\"><strong>As we serve the local deities and entities as well, please do refrain from engaging other customers or prohibited areas. We do not claim responsibility for mortals who have been spirited away. We have bungalows for more private affairs, so please don't wander off the premises.</strong></span></p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\">All food materials you bring will be evaluated upon entry and given an appropriate price for corkage.</span></strong></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Kakanin (Bite-size Baked Goods)</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Kalasakas Sinukmani<br/>\n(Growth Sticky Rice Cake)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal; line-height: 1em;\"><span style=\"color: #490004\">Pioneered by the local god who grows crops, eating this glutinous mixture of steamed rice, coconut milk, and topped with roasted highland legumes and latik fried coconut flesh will at least add 2 centimeters to your height.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Kalasokus Bibingka<br/>\n(Ripening Baked Rice Cake)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Popularized by the local god who matures crops for harvest, this baked delicacy from milled glutinous rice, coconut milk, butter and spices will bring you back to your sexual prime.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Damulag Puto<br/>\n(Softening Steamed Rice Cake)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Made infamous by the local god who protects flowers, this soft and puffy steamed cake topped with Sarangay cheese and salted Tiktik egg is jam packed with so much calories and carbohydrates eating 3 cakes at once will cause fat embolisms.</span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive;\"><strong>Pang-Dagat (Seafood)</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Kilawing Sirena<br/>\n(Vinegar Cured Siren Ceviche)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Raised in the Laguna Lake at the foot of the mountain, these sirens are put to sleep by Diwata voices before they are butchered to ensure the highest quality demi-human meat reaches your table fresh. Actively denatured in coconut vinegar and rare mountain spices right at your fingertips. Rest assured the scales growing on you are quite normal.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Pinaputok na Berberoka<br/>\n(Steamed Open-gutted Swamp Thing)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Freshly gutted in front of our guests, our BerBeroka stock are unequalled in size and meat texture. Fed only the youngest of lost children in spring water, Berberoka we prepare have none of the muddy smell of regular ones. Customers can choose what spices they would like to stuff the chosen Berberoka. Vegan Berberoka available upon request.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Sinigang na Sugpo sa Mangalyo<br/>\n(Sour shrimp Stew in Will-o-wisp fire)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Only the biggest shrimps imported from our <a href=\"http://www.scp-wiki.net/ambrose-temecula\">Temecula branch</a> is good enough for our guests. Stewing all night using the local fire wisps, the wisps are added to the tamarind and vegetables reduction once they use up their short lifespans. The resulting viand is bursting with flavor and light.</span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Karne (Meats)</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Bistek Sarangay<br/>\n(Muscle Bull Demon Steak)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Allowed to terrorize the nearby university, each bull gains more muscle mass by feeding on the high quality fear of its victims. Butchered stress-free and grilled with Mangalyo fire, the meat tears off like cotton candy. Served with Sarimanok liver gravy, our <em>albularyos</em> are on standby in case of heart failure.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Adobong Sarimanok<br/>\n(Rainbow Chicken Adobo)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Whole Rainbow Chickens plucked and gutted hourly (yes, that's the hourly fireworks). The prized liver portioned for its painful burst of sublime taste, the lean meat is stewed in coconut vinegar and mountain soy sauce. Spices are added after 30 minutes of boil over Mangalyo fire, resulting in the divine flesh falling off the bones.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Dinuguang Aswang na Baboy<br/>\n(Demon Pig Blood Stew)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Using an old method to make demons, Kurobuta swine devours victims of violent crime successfully improving the already tender meat from Kurobuta strains. Meat and entrails are stewed in its own blood infused with moonlight herbs and coconut vinegar for 2 hours. More than 2 servings and even Maria Makiling herself can't help you.</span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Kasama (Side Dishes)</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Wakwak Balut<br/>\n(Man-Crow Embryo)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Wakwak eggs brought in from the Capiz Region are inspected for embryos. Viable eggs are soaked in warm blood for months for the embryo to mature. Before hard tissues fully form, the eggs are pressure cooked for 2 hours. Served freshly cooked on the service floor with salt and vinegar.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Atsarang Labong ni Malakas at Maganda<br/>\n(Pickled Bamboo Shoots of Adam and Eve)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Bamboo shoots are harvested from the Great Bamboo and pickled with other moonlight vegetables in Coconut vinegar. The resulting dish is a perfect accompaniment to any of our meat offerings, substantially lowering your risk of cardiac arrest.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Itlog na Pula ng Tiktik<br/>\n(Salteg Harpy Eggs)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Harpy Eggs are harvested and submerged in mud comprised of graveyard soil and fairy tears. The eggs are then boiled over Mangalyo fire and served fresh on kakanin or beside rice offerings.</span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Special of the Day</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Sizzling Sisig Ulo ng Aswang na Baboy at Atay ng Sarimanok<br/>\n(Meat Salad of Demon Pig Head Parts and Rainbow Chicken Liver)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Marinated a day before in a coconut vinegar concoction, then seasoned with salt, pepper and starlight spices, afterwards drizzled with Calamansi and topped with Cracklings. Served on a sizzling hot plate, it finishes cooking right in front of your eyes!</span></span></p>\n<p><span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\"><strong>(Caution: Touching the hot plate will melt whatever body part it came into contact with)</strong></span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Advanced Orders</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Sisig Kahit Ano<br/>\n(Anything Goes Meat Salad)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">You name the meat, we serve it on a sizzling hot plate.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Kilawing Kahit Ano<br/>\n(Anything Goes Vinegar Cured Meat)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">You name the meat, we serve it fresh and cold.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Sinigang Kahit Ano<br/>\n(Anything Goes Sour Soup)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">You name the meat, we serve it in sour soup.</span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Panulak (Beverages)</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Makiling Mead<br/>\n(Honey Alcohol from Makiling's Sacred Garden)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Mead from the honey in Maria Makiling's garden is exceptionally sweet and terrifyingly strong. Flowers in the garden are tended by the faeries themselves, showered by their faerie dust. 3 shots is all you can take, believe us.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Diyan Masalanta Tuba<br/>\n(Love and Conception Goddess Coconut Red Wine)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">A local aphrodisiac and fertility supplement, the perfect drink for a date. Over-consumption will lead to twins.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Batang Bakunawa Lambanog<br/>\n(Coconut Vodka with young Snake Dragon)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">With a young snake dragon infused in a lambanog jar for decades this drink is truly for the divine. We mean it. Mortals will not only lose brain cells, but also their <a href=\"http://www.scp-wiki.net/scp-3000\">minds</a>.</span></span></p>\n<div class=\"collapsible-block\">\n\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n\n<div class=\"collapsible-block-content\">\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"><strong>Secret Menu</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size:120%;\"><strong>AVAILABLE ONLY FOR PRIVATE ROOM VIP'S</strong></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Embutidong Aswang<br/>\n(Demon Embutido)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Aswang Kurobuta meat is finely ground and mixed with delicate moonlight spices and wrapped in lotus leaves. Steamed slowly with Makiling spring water then fried with Sarangay butter over Mangalyo fire. Those who have tasted it are known to relive their happiest moments in a dream like state with 50-50 chances of never waking up.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Relyenong Sirena<br/>\n(Meat Stuffed Whole Siren)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Directly eating both the human and fish portions of a Siren stuffed in its own skin delivers one of the emotionally cathartic experience we can deliver. The meat, together with our best spices, makes you forget your saddest memories while minimizing the risk of becoming a merman yourself by 80%.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #057010\">Lechong Kasama Mo<br/>\n(Spit Roast Your Companion)</span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Tired of your spouse? Want to replace your abusive boss? Or just craving for that specific person? We have you covered! Just signal your Diwata attendant and our resident Kapres (Ogres) will grab your target, tenderize them, skewer them with our signature Great Bamboo Skewers\u2122 and roast them on an open fire. You can choose from our wide range of barbecue sauces. Satisfaction guaranteed or your companion back!</span></span></p>\n</div>\n</div>\n</div>\n<hr/>\n<p style=\"text-align: center;\"><strong>For Reservations Please Contact:</strong></p>\n<p style=\"text-align: center;\"><strong>(+63) \u2588\u2588\u2588-\u2588\u2588\u2588-\u2588\u2588\u2588\u2588 for \u2588\u2588\u2588\u2588\u2588 subscribers</strong></p>\n<p style=\"text-align: center;\"><strong>(+63) \u2588\u2588\u2588-\u2588\u2588\u2588-\u2588\u2588\u2588\u2588 for \u2588\u2588\u2588\u2588 subscribers</strong></p>\n<p style=\"text-align: center;\"><strong>lola.basyang.1925@\u2588\u2588\u2588\u2588\u2588\u2588\u2588.\u2588\u2588\u2588.ph</strong></p>\n\n</div>\n<hr/>\n<div style=\"background-image: radial-gradient(#201420 60%, #d356d3 ); border: 1px solid silver; padding: 1em; margin-top: 2.5em;\">\n<div style=\"text-align: center;\">\n<p><span style=\"color: #ffe4e1; font-family: 'Ruluko'; font-size: 2em\"><br/>\nMICHELIN GUIDE ONLINE</span><br/>\n<span class=\"dark web\" style=\"color: #eebfeb; font-family: 'Ruluko'; font-size: 1.5em\"><strong><em>Powered by <a href=\"http://www.scp-wiki.net/the-dark-web-dke79-o2rg5-4jlw6\">The Dark Web</a></em></strong></span></p>\n</div>\n<hr/>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2606<br/>\n<span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">I simply came to have a snack and drink but this place does not disappoint. The Demon Kurobuta blends perfectly well with the divine liver meat. I also sampled small portions of all your liquor and was sincerely impressed, though I can't recall drinking the last one. Perchance, could we procure some stock? Your banana leaf menu was an amusing piece of parchment and I shall pass it on to my <a href=\"http://www.scp-wiki.net/marshall-carter-and-dark-hub\">superiors</a>.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~Victor Chan</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2606<br/>\n<span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">My date would've been perfect if that Faerie didn't suggest THAT SECRET OPTION to me. I apologize for having lost my composure. I'm kinda attached to my <a href=\"http://scp-wiki.wikidot.com/scp-4936\">mortal</a> and would never think of hurting him. Other than that, the shrimp stew was sour to perfection. The chef was also kind enough to give us some additional Mangalyo for our soup. I absolutely loved those savory sweet lights.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Mayari, Avatar of Selene</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2606\u2606<br/>\n<span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Me and my friends were just hiking when we got lost in this fog. We remembered an old tale about reversing our shirts and found this amazing place. I've always been a healthy eater, but when I got the <em>Puto</em> with the <em>Dinuguan</em>, I just had to pig out. Well, I'm an obese pig now after that. My friend tried checking how hot the hot plate was and lost his arm. Some old dude did first-aid and led us out of the mist. Funny thing though, our luggage included 2 additional bags from people we don't remember meeting.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~Juan dela Cruz</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2605\u2605\u2606<br/>\n<span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">I found the copious amounts of hatred the Aswang Kurobuta exuded to be refreshing. The horror of its victims would have been of top quality. I also firmly express my gratitude to the host for accommodating my request of having seven attendants. The Tuba they served me worked so well, I finished seven bottles.</span></p>\n<p><span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Child of the King Adorned in Red</em></span></p>\n</blockquote>\n<hr/></div>\n<br/>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-makiling\">Ambrose Makiling</a>\" by Erudius Nacht, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-makiling\">https://scpwiki.com/ambrose-makiling</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<p><strong>Image 1</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> <em>Mud_Spring.jpg</em><br/>\n<strong>Name:</strong> <em>File:Mud Spring, Mount Makiling - panoramio.jpg</em><br/>\n<strong>Author:</strong> Andrew Martin<br/>\n<strong>License:</strong> CC BY 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Mud_Spring,_Mount_Makiling_-_panoramio.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<p><strong>Image 2</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> Mabuhay.png<br/>\n<strong>Name:</strong> N/A<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\"><img alt=\"Erudius Nacht\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5040209&amp;amp;size=small&amp;amp;timestamp=1788006673\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5040209)\"/></a><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\">Erudius Nacht</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.lexilogos.com/keyboard/baybayin.htm\">User Generated + Third Party</a></p>\n</blockquote>\n<p><strong>Image 3</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> makilingalib.png<br/>\n<strong>Name:</strong> N/A<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\"><img alt=\"Erudius Nacht\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5040209&amp;amp;size=small&amp;amp;timestamp=1788006673\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5040209)\"/></a><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\">Erudius Nacht</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.lexilogos.com/keyboard/baybayin.htm\">User Generated + Third Party</a></p>\n</blockquote>\n<p><strong>Image 4</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> Paalam.png<br/>\n<strong>Name:</strong> N/A<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\"><img alt=\"Erudius Nacht\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5040209&amp;amp;size=small&amp;amp;timestamp=1788006673\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5040209)\"/></a><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\">Erudius Nacht</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.lexilogos.com/keyboard/baybayin.htm\">User Generated + Third Party</a></p>\n</blockquote>\n<p><strong>Image 5</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> salamat.png<br/>\n<strong>Name:</strong> N/A<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\"><img alt=\"Erudius Nacht\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5040209&amp;amp;size=small&amp;amp;timestamp=1788006673\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5040209)\"/></a><a href=\"http://www.wikidot.com/user:info/erudius-nacht\" onclick=\"WIKIDOT.page.listeners.userInfo(5040209); return false;\">Erudius Nacht</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.lexilogos.com/keyboard/baybayin.htm\">User Generated + Third Party</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n@import url(\"https://fonts.googleapis.com/css?family=Marck Script|Metamorphous|Ruluko\");\n\n\n\np { \n\n\u00a0\u00a0\u00a0font-family: 'Marck Script', cursive;\n\n\u00a0\u00a0\u00a0font-family: 'Ruluko', sans-serif;\n\n\u00a0\u00a0\u00a0font-family: 'Metamorphous', cursive;\n\n\u00a0\u00a0\u00a0font-weight: normal; \n\n\u00a0\u00a0\u00a0font-style: normal; \n\n\u00a0\u00a0\u00a0word-break: normal;\n\n}\n\n\n\n.dark a{color: fuchsia}\n\n.web a:visited{color: #06053f}\n\n[[/module]]\n\n\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border: double 12px #ff0000; background-image: radial-gradient(#eeeaf2 75%, #2bef04 ); padding-top: 3em; padding-right: 3em; padding-left: 3em; padding-bottom: 6em; margin-bottom: 3em; color: #CC3168;\"]]\n\n\n\n= [[span style=\"font-size: 6em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**//Ambrose Makiling//**[[/span]]\n\n\n\n[[=]]\n\n[[image Mabuhay.png]]\n\n[[/=]]\n\n-----\n\n[[=]]\n\n[[image Mud_Spring.jpg]]\n\n[[/=]]\n\n-----\n\n@@ @@\n\n\n\n= **Ambrose Makiling is Happy to Announce its Grand Opening!**\n\n\n\n= **We invite you to join us in exploring new culinary heights right here in Makiling's Grove, on the Pearl of the Pacific.**\n\n\n\n= **Indulge in our Hands-only Buffet overflowing with the local exotic fauna and flora, raised by our own host, Fairy Queen Maria Makiling and her Diwatas. These alluring nymphs are more than eager to follow your requests on or off the dining table.**\n\n\n\n= **If you're coming with friends, come reserve a table of our famous Boodle Fight offering. We assure you, you won't run out of food like the soldiers of old, because everything replenishes itself!**\n\n\n\n=\u00a0\u00a0**We accept advanced orders for customers with reservations. Please contact us one (1) day in advance for preparation. In addition to our in-house ingredients, we accept custom orders for any materials you may bring for a small corkage fee.**\n\n\n\n@@ @@\n\n\n\n= **__[[span style=\"color: #ff0000; font-size 300%;\"]]Fixed Price per Pax = 14,000.00 PHP[[/span]]__**\n\n\n\n------\n\n= ##490004|__**//Disclaimers//**__##\n\n= [[span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\"]]**As we serve the local deities and entities as well, please do refrain from engaging other customers or prohibited areas. We do not claim responsibility for mortals who have been spirited away. We have bungalows for more private affairs, so please don't wander off the premises.**[[/span]]\n\n= **[[span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\"]]All food materials you bring will be evaluated upon entry and given an appropriate price for corkage.[[/span]]**\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Kakanin (Bite-size Baked Goods)**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##057010|Kalasakas Sinukmani\n\n(Growth Sticky Rice Cake)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal; line-height: 1em;\"]]##490004|Pioneered by the local god who grows crops, eating this glutinous mixture of steamed rice, coconut milk, and topped with roasted highland legumes and latik fried coconut flesh will at least add 2 centimeters to your height.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Kalasokus Bibingka\n\n(Ripening Baked Rice Cake)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Popularized by the local god who matures crops for harvest, this baked delicacy from milled glutinous rice, coconut milk, butter and spices will bring you back to your sexual prime.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Damulag Puto\n\n(Softening Steamed Rice Cake)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Made infamous by the local god who protects flowers, this soft and puffy steamed cake topped with Sarangay cheese and salted Tiktik egg is jam packed with so much calories and carbohydrates eating 3 cakes at once will cause fat embolisms.##[[/span]]\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive;\"]]**Pang-Dagat (Seafood)**[[/span]]\n\n@@ @@\n\n\n\n[[size 120%]]**##057010|Kilawing Sirena\n\n(Vinegar Cured Siren Ceviche)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Raised in the Laguna Lake at the foot of the mountain, these sirens are put to sleep by Diwata voices before they are butchered to ensure the highest quality demi-human meat reaches your table fresh. Actively denatured in coconut vinegar and rare mountain spices right at your fingertips. Rest assured the scales growing on you are quite normal.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Pinaputok na Berberoka\n\n(Steamed Open-gutted Swamp Thing)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Freshly gutted in front of our guests, our BerBeroka stock are unequalled in size and meat texture. Fed only the youngest of lost children in spring water, Berberoka we prepare have none of the muddy smell of regular ones. Customers can choose what spices they would like to stuff the chosen Berberoka. Vegan Berberoka available upon request.##[[/span]]\n\n\n\n\n\n[[size 120%]]**##057010|Sinigang na Sugpo sa Mangalyo\n\n(Sour shrimp Stew in Will-o-wisp fire)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Only the biggest shrimps imported from our [[[http://www.scp-wiki.net/ambrose-temecula |Temecula branch]]] is good enough for our guests. Stewing all night using the local fire wisps, the wisps are added to the tamarind and vegetables reduction once they use up their short lifespans. The resulting viand is bursting with flavor and light.##[[/span]]\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Karne (Meats)**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##057010|Bistek Sarangay\n\n(Muscle Bull Demon Steak)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Allowed to terrorize the nearby university, each bull gains more muscle mass by feeding on the high quality fear of its victims. Butchered stress-free and grilled with Mangalyo fire, the meat tears off like cotton candy. Served with Sarimanok liver gravy, our //albularyos// are on standby in case of heart failure.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Adobong Sarimanok\n\n(Rainbow Chicken Adobo)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Whole Rainbow Chickens plucked and gutted hourly (yes, that's the hourly fireworks). The prized liver portioned for its painful burst of sublime taste, the lean meat is stewed in coconut vinegar and mountain soy sauce. Spices are added after 30 minutes of boil over Mangalyo fire, resulting in the divine flesh falling off the bones.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Dinuguang Aswang na Baboy\n\n(Demon Pig Blood Stew)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Using an old method to make demons, Kurobuta swine devours victims of violent crime successfully improving the already tender meat from Kurobuta strains. Meat and entrails are stewed in its own blood infused with moonlight herbs and coconut vinegar for 2 hours. More than 2 servings and even Maria Makiling herself can't help you.##[[/span]]\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Kasama (Side Dishes)**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##057010|Wakwak Balut\n\n(Man-Crow Embryo)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Wakwak eggs brought in from the Capiz Region are inspected for embryos. Viable eggs are soaked in warm blood for months for the embryo to mature. Before hard tissues fully form, the eggs are pressure cooked for 2 hours. Served freshly cooked on the service floor with salt and vinegar. ##[[/span]]\n\n\n\n[[size 120%]]**##057010|Atsarang Labong ni Malakas at Maganda\n\n(Pickled Bamboo Shoots of Adam and Eve)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Bamboo shoots are harvested from the Great Bamboo and pickled with other moonlight vegetables in Coconut vinegar. The resulting dish is a perfect accompaniment to any of our meat offerings, substantially lowering your risk of cardiac arrest.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Itlog na Pula ng Tiktik\n\n(Salteg Harpy Eggs)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Harpy Eggs are harvested and submerged in mud comprised of graveyard soil and fairy tears. The eggs are then boiled over Mangalyo fire and served fresh on kakanin or beside rice offerings.##[[/span]]\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Special of the Day**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##057010|Sizzling Sisig Ulo ng Aswang na Baboy at Atay ng Sarimanok\n\n(Meat Salad of Demon Pig Head Parts and Rainbow Chicken Liver)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Marinated a day before in a coconut vinegar concoction, then seasoned with salt, pepper and starlight spices, afterwards drizzled with Calamansi and topped with Cracklings. Served on a sizzling hot plate, it finishes cooking right in front of your eyes!##[[/span]]\n\n\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|**(Caution: Touching the hot plate will melt whatever body part it came into contact with)**##[[/span]]\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Advanced Orders**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##057010|Sisig Kahit Ano\n\n(Anything Goes Meat Salad)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|You name the meat, we serve it on a sizzling hot plate.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Kilawing Kahit Ano\n\n(Anything Goes Vinegar Cured Meat)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|You name the meat, we serve it fresh and cold.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Sinigang Kahit Ano\n\n(Anything Goes Sour Soup)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|You name the meat, we serve it in sour soup.##[[/span]]\n\n\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Panulak (Beverages)**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##057010|Makiling Mead\n\n(Honey Alcohol from Makiling's Sacred Garden)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Mead from the honey in Maria Makiling's garden is exceptionally sweet and terrifyingly strong. Flowers in the garden are tended by the faeries themselves, showered by their faerie dust. 3 shots is all you can take, believe us.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Diyan Masalanta Tuba\n\n(Love and Conception Goddess Coconut Red Wine)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|A local aphrodisiac and fertility supplement, the perfect drink for a date. Over-consumption will lead to twins.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Batang Bakunawa Lambanog\n\n(Coconut Vodka with young Snake Dragon)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|With a young snake dragon infused in a lambanog jar for decades this drink is truly for the divine. We mean it. Mortals will not only lose brain cells, but also their [[[http://www.scp-wiki.net/scp-3000 |minds]]]. ##[[/span]]\n\n\n\n[[collapsible show=\"\u00a0\" hide=\"\u00a0\"]]\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Marck Script', cursive; word-break: normal; line-height: .7em;\"]]**Secret Menu**[[/span]]\n\n@@ @@\n\n\n\n= [[size 120%]]**##057010|**AVAILABLE ONLY FOR PRIVATE ROOM VIP'S**##**[[/size]]\n\n\n\n[[size 120%]]**##057010|Embutidong Aswang\n\n(Demon Embutido)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Aswang Kurobuta meat is finely ground and mixed with delicate moonlight spices and wrapped in lotus leaves. Steamed slowly with Makiling spring water then fried with Sarangay butter over Mangalyo fire. Those who have tasted it are known to relive their happiest moments in a dream like state with 50-50 chances of never waking up.##[[/span]]\n\n\n\n[[size 120%]]**##057010|Relyenong Sirena\n\n(Meat Stuffed Whole Siren)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Directly eating both the human and fish portions of a Siren stuffed in its own skin delivers one of the emotionally cathartic experience we can deliver. The meat, together with our best spices, makes you forget your saddest memories while minimizing the risk of becoming a merman yourself by 80%. ##[[/span]]\n\n\n\n[[size 120%]]**##057010|Lechong Kasama Mo\n\n(Spit Roast Your Companion)##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Tired of your spouse? Want to replace your abusive boss? Or just craving for that specific person? We have you covered! Just signal your Diwata attendant and our resident Kapres (Ogres) will grab your target, tenderize them, skewer them with our signature Great Bamboo Skewers\u2122 and roast them on an open fire. You can choose from our wide range of barbecue sauces. Satisfaction guaranteed or your companion back!##[[/span]]\n\n\n\n[[/collapsible]]\n\n\n\n------\n\n= **For Reservations Please Contact:**\n\n= **(+63) \u2588\u2588\u2588-\u2588\u2588\u2588-\u2588\u2588\u2588\u2588 for \u2588\u2588\u2588\u2588\u2588 subscribers**\n\n= **(+63) \u2588\u2588\u2588-\u2588\u2588\u2588-\u2588\u2588\u2588\u2588 for \u2588\u2588\u2588\u2588 subscribers**\n\n= **lola.basyang.1925@\u2588\u2588\u2588\u2588\u2588\u2588\u2588.\u2588\u2588\u2588.ph**\n\n\n\n[[=]]\n\n[[image Paalam.png]]\n\n[[/=]]\n\n\n\n[[span style=\"font-family: 'Ruluko';\"]]\n\n[[footnoteblock title=\" \"]]\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n------\n\n\n\n[[div style=\"background-image: radial-gradient(#201420 60%, #d356d3 ); border: 1px solid silver; padding: 1em; margin-top: 2.5em;\"]]\n\n\n\n[[=]]\n\n[[span style=\"color: #ffe4e1; font-family: 'Ruluko'; font-size: 2em\"]]\n\nMICHELIN GUIDE ONLINE[[/span]]\n\n[[span class=\"dark web\" style=\"color: #eebfeb; font-family: 'Ruluko'; font-size: 1.5em\"]]**//Powered by [http://www.scp-wiki.net/the-dark-web-dke79-o2rg5-4jlw6 The Dark Web]//**[[/span]]\n\n[[/=]]\n\n\n\n------\n\n> \u2605\u2605\u2605\u2605\u2606\n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]I simply came to have a snack and drink but this place does not disappoint. The Demon Kurobuta blends perfectly well with the divine liver meat. I also sampled small portions of all your liquor and was sincerely impressed, though I can't recall drinking the last one. Perchance, could we procure some stock? Your banana leaf menu was an amusing piece of parchment and I shall pass it on to my [[[http://www.scp-wiki.net/marshall-carter-and-dark-hub|superiors]]].[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~Victor Chan//[[/span]]\n\n\n\n> \u2605\u2605\u2605\u2605\u2606\n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]My date would've been perfect if that Faerie didn't suggest THAT SECRET OPTION to me. I apologize for having lost my composure. I'm kinda attached to my [[[http://scp-wiki.wikidot.com/scp-4936 |mortal]]] and would never think of hurting him. Other than that, the shrimp stew was sour to perfection. The chef was also kind enough to give us some additional Mangalyo for our soup. I absolutely loved those savory sweet lights.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ Mayari, Avatar of Selene//[[/span]]\n\n\n\n> \u2605\u2605\u2605\u2606\u2606\n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Me and my friends were just hiking when we got lost in this fog. We remembered an old tale about reversing our shirts and found this amazing place. I've always been a healthy eater, but when I got the //Puto// with the //Dinuguan//, I just had to pig out. Well, I'm an obese pig now after that. My friend tried checking how hot the hot plate was and lost his arm. Some old dude did first-aid and led us out of the mist. Funny thing though, our luggage included 2 additional bags from people we don't remember meeting.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~Juan dela Cruz//[[/span]]\n\n\n\n[[module ListUsers users=\".\"]]\n\n> \u2605\u2605\u2605\u2605\u2605\n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]I heard about it from my foreign student friend. I knew it was a little ways off but seeing him get fat got me curious. And man, was it the best place for seafood! In the mountains! They were very generous and made me a custom Siren and Shrimp //Sisig// without a reservation. I got some Mead to drink and it went down so smooth, I became diabetic and jaundiced at the same time. Worth it! I gotta ask though if the fish scales come off, it's been spreading. Still worth it![[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~%%title%%//[[/span]]\n\n[[/module]]\n\n\n\n> \u2605\u2605\u2605\u2605\u2605\u2605\u2606\n\n> [[span style=\"color: #2116e5; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]I found the copious amounts of hatred the Aswang Kurobuta exuded to be refreshing. The horror of its victims would have been of top quality. I also firmly express my gratitude to the host for accommodating my request of having seven attendants. The Tuba they served me worked so well, I finished seven bottles.[[/span]]\n\n> \n\n> [[span style=\"color: #CC3168; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ Child of the King Adorned in Red//[[/span]]\n\n\n\n------\n\n\n\n[[/div]]\n\n@@@@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n**Image 1**\n\n> **Filename:** //Mud_Spring.jpg//\n\n> **Name:** //File:Mud Spring, Mount Makiling - panoramio.jpg//\n\n> **Author:** Andrew Martin\n\n> **License:** CC BY 3.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Mud_Spring,_Mount_Makiling_-_panoramio.jpg Wikimedia Commons]\n\n**Image 2**\n\n> **Filename:** Mabuhay.png\n\n> **Name:** N/A\n\n> **Author:** [[*user Erudius Nacht]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://www.lexilogos.com/keyboard/baybayin.htm User Generated + Third Party]\n\n**Image 3**\n\n> **Filename:** makilingalib.png\n\n> **Name:** N/A\n\n> **Author:** [[*user Erudius Nacht]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://www.lexilogos.com/keyboard/baybayin.htm User Generated + Third Party]\n\n**Image 4**\n\n> **Filename:** Paalam.png\n\n> **Name:** N/A\n\n> **Author:** [[*user Erudius Nacht]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://www.lexilogos.com/keyboard/baybayin.htm User Generated + Third Party]\n\n**Image 5**\n\n> **Filename:** salamat.png\n\n> **Name:** N/A\n\n> **Author:** [[*user Erudius Nacht]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://www.lexilogos.com/keyboard/baybayin.htm User Generated + Third Party]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "ambrose-restaurant", "fantasy", "goi-format", "mythological", "scarlet-king"], "title": "Ambrose Makiling - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-makiling"}, "ambrose-nyc": {"created_at": "2021-02-25T21:35:00", "creator": "stormbreath", "domain": "scp-wiki.wikidot.com", "history": [{"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-02-25T21:35:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"sangria.jpg\".", "date": "2021-02-25T21:39:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"reviewer.jpg\".", "date": "2021-02-25T21:39:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"car.jpg\".", "date": "2021-02-25T21:40:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-02-25T21:43:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-02-25T21:54:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-02-25T21:59:00"}, {"author": "Elunerazim", "author_href": "https://www.wikidot.com/user:info/elunerazim", "comment": "Jello > Jell-O, and and > and an, nothing more extremely > nothing more THAN extremely", "date": "2021-02-25T22:06:00"}, {"author": "Vivarium", "author_href": "https://www.wikidot.com/user:info/vivarium", "comment": "Added tags: _image. ", "date": "2021-02-25T22:34:00"}, {"author": "Vivarium", "author_href": "https://www.wikidot.com/user:info/vivarium", "comment": "Added tags: _ambrose-restaurant, ambrose-restaurant, goi-format. ", "date": "2021-02-25T22:34:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2021-02-26T19:56:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-02-27T04:04:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: chaz-ambrose. ", "date": "2021-02-27T04:39:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2021-02-28T21:13:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "You successfully reverted the page to revision number 10", "date": "2021-03-09T21:39:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "You successfully reverted the page to revision number 13", "date": "2021-03-09T21:40:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Adding author credit", "date": "2021-08-13T02:15:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2022-04-18T00:39:00"}, {"author": "Prime Girl", "author_href": "https://www.wikidot.com/user:info/prime-girl", "comment": "Small Grammer fix:\n\"apologize in advance if for any trouble in\" to \"apologize in advance for any trouble in\"", "date": "2022-04-18T00:46:00"}, {"author": "Prime Girl", "author_href": "https://www.wikidot.com/user:info/prime-girl", "comment": "\"the menu said would\" to \"the menu said it would\"", "date": "2022-04-18T00:49:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2023-09-04T07:12:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Update Inkblot syntax", "date": "2024-06-24T16:36:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: absurdist-fiction, surrealist-fiction. ", "date": "2024-10-08T06:37:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: corporate. ", "date": "2024-10-09T18:56:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: absurdism, surrealism. Removed tags: absurdist-fiction, surrealist-fiction. ", "date": "2024-10-11T18:59:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:39:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/ambrose-nyc/car.jpg", "https://scp-wiki.wdfiles.com/local--files/ambrose-nyc/sangria.jpg"], "link": "ambrose-nyc", "page_id": "1306999387", "rating": 124, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Argb(178,236,71)%7D\" style=\"display: none\"></iframe></p>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p>One</p>\n</div>\n<div class=\"title-2\">\n<p>of a</p>\n</div>\n<div class=\"title-3\">\n<p><em>Kind</em></p>\n</div>\n<div class=\"title-4\">\n<p>\"Dining\"</p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>The worst I've ever seen.<br/>\nAaron Kingston<br/>\nA ten minute read.<br/>\n\u2606\u2606\u2606\u2606\u2606 (0)</p>\n\n</div>\n</div>\n\n<div style=\"text-align: right; margin-right: 3rem; margin-top: -20px;\">\n<p>by <a href=\"/stormbreath\">stormbreath</a></p>\n</div>\n<p><strong>Disclaimer:</strong> I open with a direct query to Mr. Chaz Ambrose himself. You may, at your own leisure, read the first section of this review, but as you are likely not Chaz Ambrose, it is not necessary for you. If you <em>are</em> Chaz Ambrose, read the following, if nothing else.</p>\n<hr/>\n<h1 id=\"toc0\"><span>To Mr. Ambrose:</span></h1>\n<p>What was the process that led to the creation of Ambrose NYC? How involved were you in the process? Surely, as your name lies on almost every single thing in the entire place, you were involved to a great deal. Surely, since you pride yourself on the reputation of your establishments and the quality of food that they serve, you must have eaten at the location at least once. And if we can assume that you have eaten at the location before, how did any of the food served pass muster to your presumably rigorous standards? Is this the kind and variety of food that you yourself consume on a regular basis, if you can even be so generous as to call it food?</p>\n<p>Have you ever had the chance to enter Ambrose NYC \"undercover\" or even attempt to experience it through the eyes of an ordinary customer? If so, what were your thoughts on the service? Was it up to the quality that you advertise throughout your locations, and pride yourself upon? Did the food you order manage to appear at your table, or were you served with mystery items that you could not even recall having seen upon the menu? Was your food served promptly and on time, or even anything beginning to approach such concepts?</p>\n<p>If the answer is as I would expect (or perhaps, hope) it is \u2014 that you have never even stepped foot inside Ambrose NYC \u2014 then I would strongly urge you to visit. I trust that your reaction to the dining experience you will receive will be of the same sort as my own. The alternative is that you approve of the experience at this location, and that is simply far too insane of an idea to even begin to entertain.</p>\n<hr/>\n<h1 id=\"toc1\"><span>Decor</span></h1>\n<p>Ambrose NYC does everything it can to capture the feel of Americana despite a complete lack of understanding of what that actually entails. This is understandable, as Mr. Ambrose hails from London and has had little exposure to American culture. However, one would have expected that another person in the design process would have objected to the questionable design decisions made in the decoration of Ambrose NYC and done anything to stop them. But alas, there does not appear to have been anything of the sort before the opening, and we are cursed to live with Ambrose NYC.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"car.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-nyc/car.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>One of the less tacky shots I could get.</p>\n</div>\n</div>\n<p>The interior of Ambrose NYC looks like a horrific fusion of just about every single possible trope that one could hope to see in a generic \"American small diner\", but in such a way that doesn't synergize. There are countertop islands sitting in the middle of the floor, surrounded on all sides by booths. Inoperable jukeboxes and vending machines are scattered between tables and chairs, often getting in the way of traffic. Perhaps the near mazelike effect of the floor is what causes such delays in the delivery of food?</p>\n<p>There was no natural lighting at my own table. We were apparently deep enough into the bowels of Ambrose NYC that the outside world was nothing more than a fleeting memory. Our surroundings were all poorly illuminated, and while the decorations appeared similar to the Americana I had seen on our way in, it was all so dark I could barely make anything out. Paintings on the wall looked familiar, but I couldn't see them clearly to identify them.</p>\n<p>Chairs and tables are neither comfortable or sizeable. Even when I was lucky enough to see our old dishes bussed, my table barely had enough room for two plates, and yet it was evidently meant to sit three. Seating arrangements appear to have as much variance as the rest of the design in the restaurant. My table had two different seats: a short stool with no back and an uncomfortable seat, and a wooden chair that seemed more appropriately sized for a child. There was also the noted <em>absence</em> of a potential third chair, in the way that shreds your mind. My wife sat in the stool and I took the chair, which did not reach up to the table and I was forced to sit upon my feet to reach the table. We did our best to ignore the <a href=\"/scp-3311\">chair</a>-shaped hole.</p>\n<p>At one point, I left to try and find a bathroom. On the way, I passed by a ledge, marked by a flimsy and poorly secured guardrail. Looking down, I could see that there was a large shaft, stretching down several stories, with windows looking out onto the shaft, with kitchens on the other sides. This was baffling, as there were several levels of kitchens, and their views from the exterior only looked into a dismal pit. The area I was in was not well trafficked, so the windows did not appear to be for the benefit of customers to see their food preparation.</p>\n<p>I finally managed to find the bathrooms, although there were no signs on the walls. In fact, the only things on many of the hallways were strange sigils and runes with no clear meaning. They appear to have been meticulously placed, but there is no sensible logic in them. Even with a background in occult workings, I was unable to make any heads or tails of the scrawled writings. If they do anything (and I'm not sure that they do), then it is nothing intentional.</p>\n<p>The bathrooms were fine, although the signage on them was just as strange: there two bathrooms next to each other, but neither was marked for gender. At least, not for human gender. Instead, there was only a tentacle on one door, and a fang upon another. Since nobody else was around, I simply chose at random and hoped for the best.</p>\n<hr/>\n<h1 id=\"toc2\"><span>Service</span></h1>\n<p>In truth, I cannot say that the service at Ambrose NYC was truly intolerable. Unlike the other elements of the restaurant, the most I can muster up to describe is \"ineffable\". Although there were certainly various quirks that I noticed, the wait staff did appear to make a concerted effort to deliver the best service experience possible, although their ability to do so appeared to have been worn down by the unenviable experience of actually working at Ambrose NYC.</p>\n<p>Upon entering the restaurant, my hostess informed my wife and I that she must apologize in advance for any trouble in navigating to my table, and proceeded to give us verbal instructions for how to walk to it. I felt this was a strange start and questioned the usage of it, but the reasoning became obvious when she simply vanished into thin air halfway before we made it to the table. We took the advice she had given us and marched on to our table, which strangely already had our name written on it, in a reserved note.</p>\n<p>My food was late at every turn. We waited for unreasonable amounts of time for anything to come out of the kitchen, even the most simple of requests (such as a glass of water). However, the wait staff who arrived to our table (who were different every time they visited) were constantly apologetic, saying that they were trying their best. Their demeanor was obvious enough: they were frantic, trying to navigate through a hostile building with confusing design only intended to confound. As far as I could tell, they were indeed trying their best, and I cannot fault them for the service I recieved.</p>\n<p>This is not a full pardon for the service that I received. I simply put it forward to say that I do not blame the individual waiters and chefs for the quality of the restaurant, as it appears that the upper management was attempting to make the experience as unenjoyable as possible. There needs to be great change at the establishment if it wants to continue, but this change must come at a higher level than the individuals. The waiters performed admirably, as well as they could have under their pitiable predicament.</p>\n<hr/>\n<h1 id=\"toc3\"><span>Food</span></h1>\n<p>Just as with everything else at Ambrose NYC, the menus are strange and nearly incoherent. The majority of items are either poorly described or incorrectly described in some manner. The menu ended up being nearly unusable for anything other than a basic idea of what things were called, and even then, this was not a useful metric. For this reason, I am not including an excerpt of the menu, as is traditional for Waldon Studios reviews.</p>\n<p>The appetizers set me up for disappointment. Unlike the rest of the menu, the appetizers were well described and straight forward. I ordered the \"<a href=\"/scp-2022\">Sun-Infused</a> Fried Cauliflower\" which was described as being cooked in seconds with nothing more than extremely concentrated harvested sunlight. The description indicated it had an ethereal taste, one that could only be described using words that applied to light, not food. The correct menu item arrived following my order, and it did genuinely have the taste the menu said it would. The only qualm I had was that the cauliflower was not served on a plate, but rather upon some kind of occult manuscript (the grease of the dish ruined the book and made it unreadable). Other than this, it was one of the best things I've eaten at an Ambrose Restaurant and it gave me false hope the meal could be redeemed.</p>\n<div class=\"scp-image-block block-left\" style=\"width:300px;\"><img alt=\"sangria.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-nyc/sangria.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Unedited photograph. Flash was not used.</p>\n</div>\n</div>\n<p>I cannot speak to how good the cocktail menu is. I ordered a glass of ros\u00e9 sangria, thinking that this was a simple beverage that they could not possibly do poorly. I was already stressed and bewildered by Ambrose NYC at that point, and wanted some wine to settle my nerves. However, this was not to happen. When the wine arrived, it <em>glowed</em> for some inexplicable reason. My table was dark enough that I could see it was actively producing light, and the light persisted as I swished it around in the glass. I elected not to drink the fluids, as I had serious doubts that it was in fact either wine or safe.</p>\n<p>For entrees, I ordered the \"Loaded Carnitas &amp; Barbacoa Nacho Platter\" and the \"Ultra-Deluxe Aurochs Burger\". The first of these was a simple meal that seemed to have no unusual properties, which made me curious as to what Ambrose NYC would do with it. (Many of the menu items lacked full descriptions, particularly of their unusual ingredients and/or properties.) The second was described as being made from extinct aurochs meat, and I figured now would be one of my few chances to try it.</p>\n<p>What I actually <em>received</em> was nothing of the sort: instead a wine bottle filled with smoke and a plate of black Jell-O were placed down before me. When I asked what I had received, the two dishes were merely described as \"bottled sacrifice and void gelatin. Both perfectly edible and safe.\" When I asked if I could get what I had actually ordered, I was told \"No.\" When I reminded my server that I was a food reviewer working for Waldon Studios, they simply shrugged and said that my review of Ambrose NYC would have no relevance when the sun goes out in five billion years, so it was therefore of no cosmic consequence.</p>\n<p>I decided to try the \"void gelatin\" first. When I looked closely at it, I noticed at first that it appeared deep, far deeper than the dish it was served in would allow. If I had to guess, I would say that it was thousands of miles deep, like the expanse of the sky itself. I dipped my spoon in, and felt that if I dropped it, it would slip into the abyss, never to be seen again. Sure enough, it did on my third bite. The gelatin itself had a much chewier consistency than expected, and had rich notes of chocolate and blackberry.</p>\n<p>As for the bottled sacrifice, there was a small release valve on the bottle, with instructions to open it and inhale the smoke. I followed the instructions, and breathed in the contents. All of the ingredients used to create the smoke were present: cow, pig, chicken, various fruits and vegetables and more. I could taste them all at once, and even more flavorful than anything cooked with them would have been. Moreover, although I coughed out much of the smoke, it was immensely filling. Together, me and my wife could barely finish half the bottle.</p>\n<p>Although I asked if there were any desserts available, I elected not to have any. The options I was given were \"Vampire Pumpkin Pie\", \"Actual Lava Chocolate Lava Cake\", and \"Apple Cobbler of Discord\". With great fear as to what any of those could possibly be and no desire to see their affects in person myself, I decided that it was a good time to ask for the check.</p>\n<p>For the most part, the food served by Ambrose NYC is delicious and some of the best in the world. Most of the dining is better than anything I have ever had the chance to taste elsewhere, nor could anything similar be produced elsewhere. However, the fact that there are indeed items that are questionable to consume, the lack of clear menu descriptions for many of the orders, and the fact that the food you order may not be what you actually eat ruins Ambrose NYC, and steal every possible star it could have gotten.</p>\n<hr/>\n<h1 id=\"toc4\"><span>Conclusion</span></h1>\n<p>A sense of insanity and chaos permeates the entirety of Ambrose New York City, down to the very core. It is a dining experience entirely dissimilar to anything I have ever had in the past, to the point where I feel like I am forced to conclude that it is not accidentally bad but intentionally. The intent of the design appears not to have been to create an environment in which good food is served, but something else entirely. Something entirely inexplicable.</p>\n<p>I cannot recommend Ambrose NYC to the average individual. It does not have any of the qualities that I look for in a meal, or even in a building. However, if you are the rare and insane individual who, for some utterly deranged reason, <em>wants</em> to be stripped of all sense of right and morality during a process that manages to provide a bare minimum of edible nutrients to your body, then Ambrose NYC just might be for you. Even for such a customer, I cannot guarantee your satisfaction.</p>\n<p>Dine at your own risk, or preferably, not at all.</p>\n<p>Zero stars.</p>\n<hr/>\n<h1 id=\"toc5\"><span>Update</span></h1>\n<p>The following reply was sent to Waldon Studios by Ambrose Restaurants in response to this review. We are unable to determine the meaning of many of the statements that Mr. Ambrose makes in it, but have included it nonetheless.</p>\n<div class=\"email\">\n<h2 id=\"toc6\"><span>To Waldon Studios,</span></h2>\n<p>Hi there! Just got the chance to check out the new review that you posted about our latest product innovation at Ambrose Restaurants. I just want to clear up a few things based on all those questions Mr. Kingston had for me!</p>\n<p>Yes, I was very involved in the production of Ambrose NYC! In fact, I designed the entire thing myself. Every last detail, from the food service to the food itself to the decor has been precisely designed for the <em>ideal</em> result. I'm actually kinda surprised how much you noticed: it's nice to see that my magic touch is being appreciated!</p>\n<p>If you don't get what it was trying to do, don't worry! That'll all be made <em>very</em> clear to just about everybody (and I mean <em>everyone</em>) soon enough.</p>\n<p>With love!<br/>\nChaz Ambrose! &lt;3</p>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:inkblot\">theme:inkblot</a> accent=rgb(178,236,71)]]\n\n\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\nOne\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\nof a\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\n//Kind//\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\n\"Dining\"\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nThe worst I've ever seen.\n\nAaron Kingston\n\nA ten minute read.\n\n\u2606\u2606\u2606\u2606\u2606 (0)\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image reviewer.jpg]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[div style=\"text-align: right; margin-right: 3rem; margin-top: -20px;\"]]\n\nby [[[stormbreath]]]\n\n[[/div]]\n\n\n\n**Disclaimer:** I open with a direct query to Mr. Chaz Ambrose himself. You may, at your own leisure, read the first section of this review, but as you are likely not Chaz Ambrose, it is not necessary for you. If you //are// Chaz Ambrose, read the following, if nothing else.\n\n\n\n----\n\n\n\n+ To Mr. Ambrose:\n\n\n\nWhat was the process that led to the creation of Ambrose NYC? How involved were you in the process? Surely, as your name lies on almost every single thing in the entire place, you were involved to a great deal. Surely, since you pride yourself on the reputation of your establishments and the quality of food that they serve, you must have eaten at the location at least once. And if we can assume that you have eaten at the location before, how did any of the food served pass muster to your presumably rigorous standards? Is this the kind and variety of food that you yourself consume on a regular basis, if you can even be so generous as to call it food?\n\n\n\nHave you ever had the chance to enter Ambrose NYC \"undercover\" or even attempt to experience it through the eyes of an ordinary customer? If so, what were your thoughts on the service? Was it up to the quality that you advertise throughout your locations, and pride yourself upon? Did the food you order manage to appear at your table, or were you served with mystery items that you could not even recall having seen upon the menu? Was your food served promptly and on time, or even anything beginning to approach such concepts?\n\n\n\nIf the answer is as I would expect (or perhaps, hope) it is -- that you have never even stepped foot inside Ambrose NYC -- then I would strongly urge you to visit. I trust that your reaction to the dining experience you will receive will be of the same sort as my own. The alternative is that you approve of the experience at this location, and that is simply far too insane of an idea to even begin to entertain.\n\n\n\n----\n\n\n\n+ Decor\n\n\n\nAmbrose NYC does everything it can to capture the feel of Americana despite a complete lack of understanding of what that actually entails. This is understandable, as Mr. Ambrose hails from London and has had little exposure to American culture. However, one would have expected that another person in the design process would have objected to the questionable design decisions made in the decoration of Ambrose NYC and done anything to stop them. But alas, there does not appear to have been anything of the sort before the opening, and we are cursed to live with Ambrose NYC.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=car.jpg|caption=One of the less tacky shots I could get.]]\n\n\n\nThe interior of Ambrose NYC looks like a horrific fusion of just about every single possible trope that one could hope to see in a generic \"American small diner\", but in such a way that doesn't synergize. There are countertop islands sitting in the middle of the floor, surrounded on all sides by booths. Inoperable jukeboxes and vending machines are scattered between tables and chairs, often getting in the way of traffic. Perhaps the near mazelike effect of the floor is what causes such delays in the delivery of food?\n\n\n\nThere was no natural lighting at my own table. We were apparently deep enough into the bowels of Ambrose NYC that the outside world was nothing more than a fleeting memory. Our surroundings were all poorly illuminated, and while the decorations appeared similar to the Americana I had seen on our way in, it was all so dark I could barely make anything out. Paintings on the wall looked familiar, but I couldn't see them clearly to identify them.\n\n\n\nChairs and tables are neither comfortable or sizeable. Even when I was lucky enough to see our old dishes bussed, my table barely had enough room for two plates, and yet it was evidently meant to sit three. Seating arrangements appear to have as much variance as the rest of the design in the restaurant. My table had two different seats: a short stool with no back and an uncomfortable seat, and a wooden chair that seemed more appropriately sized for a child. There was also the noted //absence// of a potential third chair, in the way that shreds your mind. My wife sat in the stool and I took the chair, which did not reach up to the table and I was forced to sit upon my feet to reach the table. We did our best to ignore the [[[SCP-3311|chair]]]-shaped hole.\n\n\n\nAt one point, I left to try and find a bathroom. On the way, I passed by a ledge, marked by a flimsy and poorly secured guardrail. Looking down, I could see that there was a large shaft, stretching down several stories, with windows looking out onto the shaft, with kitchens on the other sides. This was baffling, as there were several levels of kitchens, and their views from the exterior only looked into a dismal pit. The area I was in was not well trafficked, so the windows did not appear to be for the benefit of customers to see their food preparation.\n\n\n\nI finally managed to find the bathrooms, although there were no signs on the walls. In fact, the only things on many of the hallways were strange sigils and runes with no clear meaning. They appear to have been meticulously placed, but there is no sensible logic in them. Even with a background in occult workings, I was unable to make any heads or tails of the scrawled writings. If they do anything (and I'm not sure that they do), then it is nothing intentional.\n\n\n\nThe bathrooms were fine, although the signage on them was just as strange: there two bathrooms next to each other, but neither was marked for gender. At least, not for human gender. Instead, there was only a tentacle on one door, and a fang upon another. Since nobody else was around, I simply chose at random and hoped for the best.\n\n\n\n----\n\n\n\n+ Service\n\n\n\nIn truth, I cannot say that the service at Ambrose NYC was truly intolerable. Unlike the other elements of the restaurant, the most I can muster up to describe is \"ineffable\". Although there were certainly various quirks that I noticed, the wait staff did appear to make a concerted effort to deliver the best service experience possible, although their ability to do so appeared to have been worn down by the unenviable experience of actually working at Ambrose NYC.\n\n\n\nUpon entering the restaurant, my hostess informed my wife and I that she must apologize in advance for any trouble in navigating to my table, and proceeded to give us verbal instructions for how to walk to it. I felt this was a strange start and questioned the usage of it, but the reasoning became obvious when she simply vanished into thin air halfway before we made it to the table. We took the advice she had given us and marched on to our table, which strangely already had our name written on it, in a reserved note.\n\n\n\nMy food was late at every turn. We waited for unreasonable amounts of time for anything to come out of the kitchen, even the most simple of requests (such as a glass of water). However, the wait staff who arrived to our table (who were different every time they visited) were constantly apologetic, saying that they were trying their best. Their demeanor was obvious enough: they were frantic, trying to navigate through a hostile building with confusing design only intended to confound. As far as I could tell, they were indeed trying their best, and I cannot fault them for the service I recieved.\n\n\n\nThis is not a full pardon for the service that I received. I simply put it forward to say that I do not blame the individual waiters and chefs for the quality of the restaurant, as it appears that the upper management was attempting to make the experience as unenjoyable as possible. There needs to be great change at the establishment if it wants to continue, but this change must come at a higher level than the individuals. The waiters performed admirably, as well as they could have under their pitiable predicament.\n\n\n\n----\n\n\n\n+ Food\n\n\n\nJust as with everything else at Ambrose NYC, the menus are strange and nearly incoherent. The majority of items are either poorly described or incorrectly described in some manner. The menu ended up being nearly unusable for anything other than a basic idea of what things were called, and even then, this was not a useful metric. For this reason, I am not including an excerpt of the menu, as is traditional for Waldon Studios reviews.\n\n\n\nThe appetizers set me up for disappointment. Unlike the rest of the menu, the appetizers were well described and straight forward. I ordered the \"[[[SCP-2022|Sun-Infused]]] Fried Cauliflower\" which was described as being cooked in seconds with nothing more than extremely concentrated harvested sunlight. The description indicated it had an ethereal taste, one that could only be described using words that applied to light, not food. The correct menu item arrived following my order, and it did genuinely have the taste the menu said it would. The only qualm I had was that the cauliflower was not served on a plate, but rather upon some kind of occult manuscript (the grease of the dish ruined the book and made it unreadable). Other than this, it was one of the best things I've eaten at an Ambrose Restaurant and it gave me false hope the meal could be redeemed.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=sangria.jpg|caption=Unedited photograph. Flash was not used.|align=left]]\n\n\n\nI cannot speak to how good the cocktail menu is. I ordered a glass of ros\u00e9 sangria, thinking that this was a simple beverage that they could not possibly do poorly. I was already stressed and bewildered by Ambrose NYC at that point, and wanted some wine to settle my nerves. However, this was not to happen. When the wine arrived, it //glowed// for some inexplicable reason. My table was dark enough that I could see it was actively producing light, and the light persisted as I swished it around in the glass. I elected not to drink the fluids, as I had serious doubts that it was in fact either wine or safe.\n\n\n\nFor entrees, I ordered the \"Loaded Carnitas & Barbacoa Nacho Platter\" and the \"Ultra-Deluxe Aurochs Burger\". The first of these was a simple meal that seemed to have no unusual properties, which made me curious as to what Ambrose NYC would do with it. (Many of the menu items lacked full descriptions, particularly of their unusual ingredients and/or properties.) The second was described as being made from extinct aurochs meat, and I figured now would be one of my few chances to try it.\n\n\n\nWhat I actually //received// was nothing of the sort: instead a wine bottle filled with smoke and a plate of black Jell-O were placed down before me. When I asked what I had received, the two dishes were merely described as \"bottled sacrifice and void gelatin. Both perfectly edible and safe.\" When I asked if I could get what I had actually ordered, I was told \"No.\" When I reminded my server that I was a food reviewer working for Waldon Studios, they simply shrugged and said that my review of Ambrose NYC would have no relevance when the sun goes out in five billion years, so it was therefore of no cosmic consequence.\n\n\n\nI decided to try the \"void gelatin\" first. When I looked closely at it, I noticed at first that it appeared deep, far deeper than the dish it was served in would allow. If I had to guess, I would say that it was thousands of miles deep, like the expanse of the sky itself. I dipped my spoon in, and felt that if I dropped it, it would slip into the abyss, never to be seen again. Sure enough, it did on my third bite. The gelatin itself had a much chewier consistency than expected, and had rich notes of chocolate and blackberry.\n\n\n\nAs for the bottled sacrifice, there was a small release valve on the bottle, with instructions to open it and inhale the smoke. I followed the instructions, and breathed in the contents. All of the ingredients used to create the smoke were present: cow, pig, chicken, various fruits and vegetables and more. I could taste them all at once, and even more flavorful than anything cooked with them would have been. Moreover, although I coughed out much of the smoke, it was immensely filling. Together, me and my wife could barely finish half the bottle.\n\n\n\nAlthough I asked if there were any desserts available, I elected not to have any. The options I was given were \"Vampire Pumpkin Pie\", \"Actual Lava Chocolate Lava Cake\", and \"Apple Cobbler of Discord\". With great fear as to what any of those could possibly be and no desire to see their affects in person myself, I decided that it was a good time to ask for the check.\n\n\n\nFor the most part, the food served by Ambrose NYC is delicious and some of the best in the world. Most of the dining is better than anything I have ever had the chance to taste elsewhere, nor could anything similar be produced elsewhere. However, the fact that there are indeed items that are questionable to consume, the lack of clear menu descriptions for many of the orders, and the fact that the food you order may not be what you actually eat ruins Ambrose NYC, and steal every possible star it could have gotten.\n\n\n\n----\n\n\n\n+ Conclusion\n\n\n\nA sense of insanity and chaos permeates the entirety of Ambrose New York City, down to the very core. It is a dining experience entirely dissimilar to anything I have ever had in the past, to the point where I feel like I am forced to conclude that it is not accidentally bad but intentionally. The intent of the design appears not to have been to create an environment in which good food is served, but something else entirely. Something entirely inexplicable.\n\n\n\nI cannot recommend Ambrose NYC to the average individual. It does not have any of the qualities that I look for in a meal, or even in a building. However, if you are the rare and insane individual who, for some utterly deranged reason, //wants// to be stripped of all sense of right and morality during a process that manages to provide a bare minimum of edible nutrients to your body, then Ambrose NYC just might be for you. Even for such a customer, I cannot guarantee your satisfaction.\n\n\n\nDine at your own risk, or preferably, not at all.\n\n\n\nZero stars.\n\n\n\n----\n\n\n\n+ Update\n\n\n\nThe following reply was sent to Waldon Studios by Ambrose Restaurants in response to this review. We are unable to determine the meaning of many of the statements that Mr. Ambrose makes in it, but have included it nonetheless.\n\n\n\n[[module CSS]]\n\ndiv.email {\n\n\u00a0\u00a0\u00a0\u00a0border: solid 3px #A38800;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: 0 1px 3px rgba(0,0,0,.2);\n\n\u00a0\u00a0\u00a0\u00a0padding: 0 1em 0 3em;\n\n\u00a0\u00a0\u00a0\u00a0margin: 1em 3em;\n\n\u00a0\u00a0\u00a0\u00a0text-indent: -2em;\n\n\u00a0\u00a0\u00a0\u00a0background-image: url(http://scp-wiki.wdfiles.com/local--files/do-you-like-huey-lewis-and-the-news/ambrose-logo.png);\n\n\u00a0\u00a0\u00a0\u00a0background-size: 64px 64px;\n\n\u00a0\u00a0\u00a0\u00a0background-position: 95% .5em;\n\n\u00a0\u00a0\u00a0\u00a0background-repeat: no-repeat;\n\n\u00a0\u00a0\u00a0\u00a0background-color: #F5F2E4;\n\n\u00a0\u00a0\u00a0\u00a0color: #21003C;\n\n\u00a0\u00a0\u00a0\u00a0font-family: verdana,arial,helvetica,sans-serif;\n\n\u00a0\u00a0\u00a0\u00a0font-size: .8rem;\n\n}\n\n\n\n#page-content div.email h2 {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0font-family: \"Trebuchet MS\", Trebuchet, Verdana, Arial, Helvetica;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0color: #21003C;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0max-width: 50%;\n\n}\n\n\u00a0\u00a0\u00a0\u00a0\n\n\n\n@media (max-width: 479px) {\n\n\u00a0\u00a0\u00a0\u00a0div.email {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0margin: 1em 0;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n\u00a0\n\n@media (min-width: 480px) and (max-width: 580px) {\n\n\u00a0\u00a0\u00a0\u00a0div.email {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0margin: 0.5em;\n\n\u00a0\u00a0\u00a0\u00a0}\n\n}\n\n[[/module]]\n\n\n\n[[div class=\"email\"]]\n\n++ To Waldon Studios,\n\n\n\nHi there! Just got the chance to check out the new review that you posted about our latest product innovation at Ambrose Restaurants. I just want to clear up a few things based on all those questions Mr. Kingston had for me!\n\n\n\nYes, I was very involved in the production of Ambrose NYC! In fact, I designed the entire thing myself. Every last detail, from the food service to the food itself to the decor has been precisely designed for the //ideal// result. I'm actually kinda surprised how much you noticed: it's nice to see that my magic touch is being appreciated!\n\n\n\nIf you don't get what it was trying to do, don't worry! That'll all be made //very// clear to just about everybody (and I mean //everyone//) soon enough.\n\n\n\nWith love!\n\nChaz Ambrose! <3\n\n[[/div]]\n", "tags": ["_ambrose-restaurant", "_cc", "absurdism", "ambrose-restaurant", "chaz-ambrose", "corporate", "featured", "goi-format", "journalism", "surrealism"], "title": "Ambrose NYC: One of a Kind \"Dining\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-nyc"}, "ambrose-sanfran": {"created_at": "2019-04-25T14:23:00", "creator": "ManyMeats", "domain": "scp-wiki.wikidot.com", "history": [{"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "Initial upload", "date": "2019-04-25T14:23:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "hub was wrong", "date": "2019-04-25T14:24:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "oops, need a module", "date": "2019-04-25T14:26:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "Added tags: ambrose-restaurant, goi-format. ", "date": "2019-04-25T14:27:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "", "date": "2019-04-25T14:37:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "", "date": "2019-04-25T14:46:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _ambrose-restaurant. ", "date": "2019-04-25T16:43:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "", "date": "2019-04-25T21:29:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "", "date": "2019-04-26T02:51:00"}, {"author": "ManyMeats", "author_href": "https://www.wikidot.com/user:info/manymeats", "comment": "", "date": "2021-01-01T02:09:00"}, {"author": "Sammyio", "author_href": "https://www.wikidot.com/user:info/sammyio", "comment": "Removed duplicate word", "date": "2021-08-25T02:31:00"}, {"author": "Altakaab", "author_href": "https://www.wikidot.com/user:info/altakaab", "comment": "", "date": "2022-02-05T22:21:00"}, {"author": "OccultistMave", "author_href": "https://www.wikidot.com/user:info/occultistmave", "comment": "You successfully reverted the page to revision number 10", "date": "2022-02-05T22:47:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "Added tags: _licensebox. ", "date": "2022-04-04T12:55:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "", "date": "2022-04-04T12:55:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy. ", "date": "2024-10-17T05:25:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-sanfran", "page_id": "757329625", "rating": 56, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#0e0c9b 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; margin-bottom: 3em; color: #FFF7D8;\">\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 3.5em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\">Ambrose San Francisco</span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-weight: bold; font-family: 'Poiret One', cursive;\"><span style=\"font-size:200%;\">Three Course Sampler</span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> First Course </span></span></p>\n<ol>\n<li><strong>Ouroboric Mozarella Stick</strong> \u2014 A single battered and deep fried stick of creamy buffalo mozarella. Once tasted the cheese will not stop flowing. Literally. Served with a side of marinara sauce.</li>\n<li><strong>Beetlemania</strong> \u2014 Served with a red wine tomato sauce, the juiciest specimens are harvested from between the scaled plates of adolescent drakes. Crunchy and toothsome, you will crave a dragon's horde of these little buggers.</li>\n<li><strong>Just-Like-Mom's Duck Onigiri</strong> \u2014 Flavorful rice surrounding succulent duck braised in a spiced thaumaturgical wine. This dish will transport you back to your fondest childhood memories and still have you back in time for the main course. Tied together with temporally anchored nori.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Main Course </span></span></p>\n<ol>\n<li><strong>Cioppino</strong> \u2014 Our signature dish. This flavorful blend all completes a world tour in a classic Italian style. Featuring Mediterranean gorgon, Cyprian eel, Trojan mussels, and giant calamari from the foot of the Symplegades. As is our policy, if you can subdue this dish yourself, it's on the house!</li>\n<li><strong>Veal You</strong> \u2014 Freshly harvested from you thirty minutes ago, this hearty dish is pounded thin, battered, and lightly fried to perfection. Served with a white wine lemon-caper sauce and a side of fettuccine. Consuming this dish is a net caloric zero.</li>\n<li><strong>Eight Senses Linguine, Redux</strong> \u2014 A total sensory experience and beyond. Words, thoughts, sights, sounds will become impossible as your consciousness rises to the level necessary to comprehend this dish. Patrons ordering this dish are not recommended to operate heavy machinery for 4-6 hours after consumption.</li>\n</ol>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"><span style=\"white-space: pre-wrap;\"> Dessert </span></span></p>\n<ol>\n<li><strong>Coconuts On The Mind</strong> \u2014 Harvested from the dreams of a long-dead sea dragon, these rich and creamy eggs are conceptually identical to coconut gelee. Your mouth won't be able to tell the difference!</li>\n<li><strong>Cold Pot</strong> \u2014 Harvested from the deepest and furthest reaches of space, this fruity foam checks in at slightly above absolute zero. Served with a compote of raspberry, blueberry, and pomegranate your tastebuds will savor the essence of the cosmos. Please let your server know as early as possible if you intend to order this dish.</li>\n</ol>\n</div>\n<hr/>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@absentee.goat<br/>\n\u2605\u2605\u2605\u2606\u2606</span></p>\n</div>\n<br/>\nI had the 'Veal You' and I gotta say I was a lot more gamey tasting than I thought I would be. Whatever that sauce was I didn't think it worked the greatest, but everything else was prepared nicely.\n<p>\u2026I should work on my BMI if I am going to order this again.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n</blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@zombae_112<br/>\n\u2605\u2605\u2605\u2605\u2606</span></p>\n</div>\n<br/>\nAll I ordered was the mozz stick and I wound up taking it home with me. I am still eating it to this day but I ran out of sauce\u2026<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@hector.the.vector<br/>\n\u2605\u2605\u2605\u2605\u2606</span></p>\n</div>\n<br/>\nI was transported back to my mum's kitchen in the house we grew up. I could smell the freshly baked bread, practically taste cobbler she used to make for me. I hugged her, told her how much I miss her and love her. It's been so hard since we lost her but there she was, right in front of me.\n<p>Bit too heavy on the rice wine vinegar.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n</blockquote>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<hr/>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:0.75em;\"><a href=\"/manymeats\">ManyMeats</a> || <a href=\"/ambrose-restaurant-hub\">Ambrose Restaurant Hub</a></span></p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-sanfran\">Ambrose SanFran</a>\" by ManyMeats, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-sanfran\">https://scpwiki.com/ambrose-sanfran</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css?family=Poiret+One');\n\n\n\n.ambrose a{color: #AA9538} \n\n.menu a::visited{color: #AA9538} \n\n.hovertip {border: 1px solid #A38800 !important ; background-color: #260047 !important ; color: #fff7d8;}\n\n[[/module]]\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#0e0c9b 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-bottom: 1em; margin-bottom: 3em; color: #FFF7D8;\"]]\n\n[[span style=\"color: #A38800; font-size: 3.5em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\n= Ambrose San Francisco[[/span]]\n\n@@ @@\n\n[[span style=\"color: #A38800; font-weight: bold; font-family: 'Poiret One', cursive;\"]]\n\n= [[size 200%]]Three Course Sampler[[/size]][[/span]]\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ First Course @@[[/span]]\n\n# **Ouroboric Mozarella Stick** -- A single battered and deep fried stick of creamy buffalo mozarella.\u00a0\u00a0Once tasted the cheese will not stop flowing.\u00a0\u00a0Literally.\u00a0\u00a0Served with a side of marinara sauce.\n\n# **Beetlemania** -- Served with a red wine tomato sauce, the juiciest specimens are harvested from between the scaled plates of adolescent drakes.\u00a0\u00a0Crunchy and toothsome, you will crave a dragon's horde of these little buggers.\n\n# **Just-Like-Mom's Duck Onigiri** -- Flavorful rice surrounding succulent duck braised in a spiced thaumaturgical wine.\u00a0\u00a0This dish will transport you back to your fondest childhood memories and still have you back in time for the main course.\u00a0\u00a0Tied together with temporally anchored nori.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Main Course @@[[/span]]\n\n# **Cioppino** -- Our signature dish.\u00a0\u00a0This flavorful blend all completes a world tour in a classic Italian style.\u00a0\u00a0Featuring Mediterranean gorgon,\u00a0\u00a0Cyprian eel, Trojan mussels, and giant calamari from the foot of the Symplegades.\u00a0\u00a0As is our policy, if you can subdue this dish yourself, it's on the house!\n\n# **Veal You** -- Freshly harvested from you thirty minutes ago, this hearty dish is pounded thin, battered, and lightly fried to perfection.\u00a0\u00a0Served with a white wine lemon-caper sauce and a side of fettuccine.\u00a0\u00a0Consuming this dish is a net caloric zero.\n\n# **Eight Senses Linguine, Redux** -- A total sensory experience and beyond.\u00a0\u00a0Words, thoughts, sights, sounds will become impossible as your consciousness rises to the level necessary to comprehend this dish.\u00a0\u00a0Patrons ordering this dish are not recommended to operate heavy machinery for 4-6 hours after consumption.\n\n\n\n= [[span style=\"color: #A38800; font-size: 1.5em; font-weight: bold; font-family: 'Poiret One', cursive; border-bottom: 1px solid #A38800;\"]]@@ Dessert @@[[/span]]\n\n# **Coconuts On The Mind** -- Harvested from the dreams of a long-dead sea dragon, these rich and creamy eggs are conceptually identical to coconut gelee.\u00a0\u00a0Your mouth won't be able to tell the difference!\n\n# **Cold Pot** -- Harvested from the deepest and furthest reaches of space, this fruity foam checks in at slightly above absolute zero.\u00a0\u00a0Served with a compote of raspberry, blueberry, and pomegranate your tastebuds will savor the essence of the cosmos.\u00a0\u00a0Please let your server know as early as possible if you intend to order this dish.\n\n\n\n[[/div]]\n\n\n\n---------------\n\n\n\n> [[>]]\n\n> [[size 150%]] @absentee.goat\n\n> \u2605\u2605\u2605\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> I had the 'Veal You' and I gotta say I was a lot more gamey tasting than I thought I would be.\u00a0\u00a0Whatever that sauce was I didn't think it worked the greatest, but everything else was prepared nicely.\n\n> \n\n> ...I should work on my BMI if I am going to order this again.\n\n> @@\u00a0\u00a0@@\n\n\n\n> [[>]]\n\n> [[size 150%]] @zombae_112\n\n> \u2605\u2605\u2605\u2605\u2606 [[/size]]\n\n> [[/>]]\n\n> All I ordered was the mozz stick and I wound up taking it home with me.\u00a0\u00a0I am still eating it to this day but I ran out of sauce...\n\n> @@\u00a0\u00a0@@\n\n\n\n[[module ListUsers users=\".\"]]\n\n> [[>]]\n\n> [[size 150%]] @%%title%%\n\n> \u2605\u2605\u2606\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> Tried the 'Cioppino Challenge' that some of the lads mentioned and ho boy, let me tell you.\u00a0\u00a0Those Trojan Mussels are //no joke//.\u00a0\u00a0I'll have bruises for weeks.\n\n> @@ @@\n\n[[/module]]\n\n\n\n> [[>]]\n\n> [[size 150%]] @hector.the.vector\n\n> \u2605\u2605\u2605\u2605\u2606 [[/size]]\n\n> [[/>]]\n\n> I was transported back to my mum's kitchen in the house we grew up.\u00a0\u00a0I could smell the freshly baked bread, practically taste cobbler she used to make for me.\u00a0\u00a0I hugged her, told her how much I miss her and love her.\u00a0\u00a0It's been so hard since we lost her but there she was, right in front of me.\n\n> \n\n> Bit too heavy on the rice wine vinegar.\n\n> @@\u00a0\u00a0@@\n\n@@ @@\n\n----\n\n\n\n[[=]]\n\n[[size 0.75em]] [[[ManyMeats]]] || [[[Ambrose Restaurant Hub]]] [[/size]]\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_licensebox", "ambrose-restaurant", "fantasy", "goi-format"], "title": "Ambrose SanFran - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-sanfran"}, "ambrose-temecula": {"created_at": "2018-12-18T01:29:00", "creator": "Proasek", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "Uploaded file \"eggs\".", "date": "2018-12-18T01:29:00"}, {"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "", "date": "2018-12-18T01:29:00"}, {"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "Uploaded file \"potatowedges\".", "date": "2018-12-18T01:30:00"}, {"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "Uploaded file \"bluesoup\".", "date": "2018-12-18T01:30:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "SPAG", "date": "2018-12-18T01:46:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "removed extra star", "date": "2018-12-18T01:48:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "SPAG", "date": "2018-12-18T01:51:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "SPAG", "date": "2018-12-18T02:02:00"}, {"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "Changed formatting on menu title so that the border was cleaner.", "date": "2018-12-18T02:59:00"}, {"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "Added tags: goi-format. ", "date": "2018-12-18T03:42:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Added tags: _other. ", "date": "2018-12-18T17:55:00"}, {"author": "Proasek", "author_href": "https://www.wikidot.com/user:info/proasek", "comment": "Fixed punctuation", "date": "2018-12-21T01:27:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: ambrose-restaurant. Removed tags: _other. ", "date": "2019-02-04T22:14:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: _ambrose-restaurant. ", "date": "2019-02-04T22:21:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-24T23:58:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T22:21:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Image for Easter Frog Eggs is non-compliant", "date": "2019-04-07T19:46:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: absurdism, fantasy. ", "date": "2024-10-17T06:24:00"}, {"author": "Clysm31201", "author_href": "https://www.wikidot.com/user:info/clysm31201", "comment": "\u201c1/2 pound\u201d -> \u201c1/2 pound.\u201d\n\u201cBarbecue fish\u201d -> \u201cBarbecue Fish\u201d", "date": "2025-11-02T17:57:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Parent page set to: \"ambrose-restaurant-hub\".", "date": "2026-05-24T19:07:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-temecula", "page_id": "483171775", "rating": 93, "raw_content": "<html><body><div id=\"page-content\">\n\n<blockquote>\n<p>Document recovered from Location of Interest within Temecula, California after Operation \"Delivery Service\" that was previously owned by the Ambrose Restaurant. This document is preserved for use by MTF Lambda-14 (\"One Star Reviewers\") in their continuing efforts to combat this group of interest.</p>\n</blockquote>\n<div style=\"border: double 5px #c41525; background-image: radial-gradient(#FFF6CC 40%, #DDCE82); padding: 50px;\">\n<p style=\"text-align: center;\"><span style=\"color: #efec40; font-size: 3em; line-height: 2em; font-weight: bold; -webkit-text-stroke-width: 2px; -webkit-text-stroke-color: #c41524; -moz-text-stroke-width: 2px; -moz-text-stroke-color: #c41524;\"><em><strong>Ambrose</strong></em></span></p>\n<table>\n<tr style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\">\n<td><em><span style=\"text-decoration: underline;\">Starters</span></em></td>\n<td>\n\n</td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Seaside Super Shrimp:</strong></span><br/>\nOur shrimp are the largest in the city, without question! Order single shrimp of sizes 1/4 pound or 1/2 pound.</td>\n<td style=\"text-align: right;\">$4.90</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>West Coast Wings:</strong></span><br/>\nWatch in delight as your serving of spicy wings literally fly out of the kitchen!</td>\n<td style=\"text-align: right;\">$4.30</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Seance Soup:</strong></span><br/>\nOur <a href=\"/if-you-can-t-take-the-heat\">famous</a> blue soup can have you dining with your relatives, even if you've never seen them alive! Only one serving per person, ghost dining menu available on request.</td>\n<td style=\"text-align: right;\">$4.30</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Temecula Slider Towers:</strong></span><br/>\nEnjoy this particular starter, and experience life without friction for the next half hour! (Ambrose is not responsible for any injuries sustained while not under the laws of friction.)</td>\n<td style=\"text-align: right;\">$4.75</td>\n</tr>\n<tr style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\">\n<td><em><span style=\"text-decoration: underline;\">Mains</span></em></td>\n<td>\n\n</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>A Healthy Salad:</strong></span><br/>\nIt may look like a pile of warm veg, but thanks to innovations by a local anartist, it'll taste exactly like a cheeseburger!</td>\n<td style=\"text-align: right;\">$8.50</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Singularity Salmon:</strong></span><br/>\nA large salmon dish, served with roasted potatoes and beans, that defies the laws of geometry!</td>\n<td style=\"text-align: right;\">$12.30</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Omnipotent Potato Wedges:</strong></span><br/>\nOur deep fried wedges are superior to all other dishes, and will make that fact known! Any food placed on the plate with them will <em>also</em> become potato wedges!</td>\n<td style=\"text-align: right;\">$9.00</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Gangster's Grub:</strong></span><br/>\nBecome awestruck as the two halves of your meal fight for supremacy on your plate! The victor determines the flavour, never the same taste twice!</td>\n<td style=\"text-align: right;\">$7.00</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Tint Taquito:</strong></span><br/>\nChange your hue for the duration of your meal with this delicious Mexican delight!</td>\n<td style=\"text-align: right;\">$11.00</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Barbecue Fish:</strong></span><br/>\nCarefully grilled piscomorph from one of at least three realities, depending on availability.</td>\n<td style=\"text-align: right;\">$7.00</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Conceptual Curry:</strong></span><br/>\nThis dish is the pure concept of a madras curry, zero calories, and entirely transparent! Ask your waiter to add it to another dish.</td>\n<td style=\"text-align: right;\">$6.00</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Chef's Choice:</strong></span><br/>\nChanges weekly, ask your server!</td>\n<td style=\"text-align: right;\">$9.00</td>\n</tr>\n<tr style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\">\n<td><em><span style=\"text-decoration: underline;\">Desserts</span></em></td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Easter Frog's Eggs:</strong></span><br/>\nRendered safe to eat by freezing and boiling, this delicious chocolate-like <a href=\"/scp-1325\">treat</a> can be enjoyed year-round!</td>\n<td style=\"text-align: right;\">$4.60</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 1600px\">\n<td><span style=\"font-size:125%;\"><strong>Midnight Cotton Candy:</strong></span><br/>\nA dark treat, sure to tickle your insides! <a href=\"/oh-i-wouldn-t-worry-about-flaky-os\">Exclusively</a> available at all of our restaurants thanks to The Circus of the Disquieting, the Greatest Show in all the Worlds!</td>\n<td style=\"text-align: right;\">$3.39</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Sunside Sugar Shack:</strong></span><br/>\nA sweet treat you're sure to enjoy, and it'll give you a sunny disposition as well!</td>\n<td style=\"text-align: right;\">$5.00</td>\n</tr>\n<tr>\n<td><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n<tr style=\"margin-top: 16px\">\n<td><span style=\"font-size:125%;\"><strong>Mango Salsa:</strong></span><br/>\nTwo fruits performing a Latin dance on your plate! Muy caliente!</td>\n<td style=\"text-align: right;\">$2.50</td>\n</tr>\n</table>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:150%;\"><strong>~~~~~~~~~~~~~~~~~</strong></span></p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\">\n<p><em><span style=\"text-decoration: underline;\">Customer Reviews:</span> Temecula</em></p>\n</div>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@AirConditionedLaurie<br/>\n\u2605\u2605\u2605\u2605\u2606</span></p>\n</div>\n<br/>\nGreat place to eat with a good selection of food!\n<p>Good to finally have a place to eat that suits my more esoteric tastes. Great location too!<br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n</blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@Quarterporter<br/>\n\u2605\u2605\u2605\u2605\u2606</span></p>\n</div>\n<br/>\nI've spent a couple of enjoyable evenings here, the changing menu items are interesting, but I feel like using actual self-modifying menus would improve it a lot.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@fredazx1fn0q2rc<br/>\n\u2605\u2605\u2605\u2606\u2606</span></p>\n</div>\n<br/>\nI didn't like the waiter's face.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@ready-to-freddie<br/>\n\u2605\u2605\u2605\u2605\u2605</span></p>\n</div>\n<br/>\nThe atmosphere is really down to earth, which is tricky to pull off with some of these menu items! Five stars!<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@emptyjudith<br/>\n\u2605\u2605\u2606\u2606\u2606</span></p>\n</div>\n<br/>\nFood was good, but about half way through our meal some anophiliac ran at our table and tried to stuff his dick into our drinks.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@morecircularhome<br/>\n\u2605\u2605\u2605\u2606\u2606</span></p>\n</div>\n<br/>\nPlace was crawling with guards, I think there was some kind of incident recently? Managed to have an enjoyable enough meal, but I was constantly on edge.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@alarming_julius<br/>\n\u2605\u2606\u2606\u2606\u2606</span></p>\n</div>\n<br/>\nIf you ever want my custom again, you'll repair your draconian laws! If you refuse to serve me based on <em>one</em> unplanned incident than I will be forced to incite the Foundation upon your establishment.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@WannaJuana<br/>\n\u2605\u2605\u2605\u2605\u2605</span></p>\n</div>\n<br/>\nI had a great meal with the family, everyone said their meals were excellent! I had the fish, and experienced flavors that don't exist in this world!<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@cristina.the.arena<br/>\n\u2605\u2605\u2605\u2605\u2606</span></p>\n</div>\n<br/>\nThere was a sale on, and the owner himself cooked for us! Only downside was the ongoing memetic outbreak in the city, but that's hardly this place's fault.\n<p>\u2026It wasn't, right?</p>\n</blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@FastandJiving<br/>\n\u2605\u2605\u2605\u2606\u2606</span></p>\n</div>\n<br/>\nMy mouth literally will not stop watering!\n<p>Seriously, how do you deal with runaway salivation?<br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n</blockquote>\n<blockquote>\n<div style=\"text-align: right;\">\n<p><span style=\"font-size:150%;\">@RhianneW-L14<br/>\n\u2605\u2606\u2606\u2606\u2606</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nFuck you.<br/>\n<span style=\"white-space: pre-wrap;\"> </span></blockquote>\n<hr/>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n.scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0display: none;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n> Document recovered from Location of Interest within Temecula, California after Operation \"Delivery Service\" that was previously owned by the Ambrose Restaurant. This document is preserved for use by MTF Lambda-14 (\"One Star Reviewers\") in their continuing efforts to combat this group of interest.\n\n\n\n[[div style=\"border: double 5px #c41525; background-image: radial-gradient(#FFF6CC 40%, #DDCE82); padding: 50px;\"]]\n\n[[span style=\"color: #efec40; font-size: 3em; line-height: 2em; font-weight: bold; -webkit-text-stroke-width: 2px; -webkit-text-stroke-color: #c41524; -moz-text-stroke-width: 2px; -moz-text-stroke-color: #c41524;\"]]\n\n= //**Ambrose**//\n\n[[/span]]\n\n\n\n\n\n[[table]]\n\n[[row style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\"]]\n\n[[cell]]\n\n//__Starters__//\n\n[[/cell]]\n\n[[cell]]\n\n[[>image bluesoup style=\"width: 800px; border: 1px solid #c41525; box-shadow: 0 1px 6px rgba(0,0,0,.25);\"]]\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Seaside Super Shrimp:**[[/size]]\n\nOur shrimp are the largest in the city, without question! Order single shrimp of sizes 1/4 pound or 1/2 pound.\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$4.90\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**West Coast Wings:**[[/size]]\n\nWatch in delight as your serving of spicy wings literally fly out of the kitchen!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$4.30\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Seance Soup:**[[/size]]\n\nOur [[[If You Can't Take The Heat... |famous]]] blue soup can have you dining with your relatives, even if you've never seen them alive! Only one serving per person, ghost dining menu available on request.\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$4.30\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Temecula Slider Towers:**[[/size]]\n\nEnjoy this particular starter, and experience life without friction for the next half hour! (Ambrose is not responsible for any injuries sustained while not under the laws of friction.)\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$4.75\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\"]]\n\n[[cell]]\n\n//__Mains__//\n\n[[/cell]]\n\n[[cell]]\n\n[[>image potatowedges style=\"width: 200px; border: 1px solid #c41525; box-shadow: 0 1px 6px rgba(0,0,0,.25);\"]]\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**A Healthy Salad:**[[/size]]\n\nIt may look like a pile of warm veg, but thanks to innovations by a local anartist, it'll taste exactly like a cheeseburger!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$8.50\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Singularity Salmon:**[[/size]]\n\nA large salmon dish, served with roasted potatoes and beans, that defies the laws of geometry!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$12.30\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Omnipotent Potato Wedges:**[[/size]]\n\nOur deep fried wedges are superior to all other dishes, and will make that fact known! Any food placed on the plate with them will //also// become potato wedges!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$9.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Gangster's Grub:**[[/size]]\n\nBecome awestruck as the two halves of your meal fight for supremacy on your plate! The victor determines the flavour, never the same taste twice!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$7.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Tint Taquito:**[[/size]]\n\nChange your hue for the duration of your meal with this delicious Mexican delight! \n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$11.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Barbecue Fish:**[[/size]]\n\nCarefully grilled piscomorph from one of at least three realities, depending on availability.\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$7.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Conceptual Curry:**[[/size]]\n\nThis dish is the pure concept of a madras curry, zero calories, and entirely transparent! Ask your waiter to add it to another dish.\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$6.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Chef's Choice:**[[/size]]\n\nChanges weekly, ask your server!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$9.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\"]]\n\n[[cell]]\n\n//__Desserts__//\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Easter Frog's Eggs:**[[/size]]\n\nRendered safe to eat by freezing and boiling, this delicious chocolate-like [[[SCP-1325 |treat]]] can be enjoyed year-round!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$4.60\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 1600px\"]]\n\n[[cell]]\n\n[[size 125%]]**Midnight Cotton Candy:**[[/size]]\n\nA dark treat, sure to tickle your insides! [[[Oh, I Wouldn't Worry About Flaky-Os |Exclusively]]] available at all of our restaurants thanks to The Circus of the Disquieting, the Greatest Show in all the Worlds!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$3.39\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Sunside Sugar Shack:**[[/size]]\n\nA sweet treat you're sure to enjoy, and it'll give you a sunny disposition as well!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$5.00\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[row style=\"margin-top: 16px\"]]\n\n[[cell]]\n\n[[size 125%]]**Mango Salsa:**[[/size]]\n\nTwo fruits performing a Latin dance on your plate! Muy caliente!\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$2.50\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n@@ @@\n\n[[=]]\n\n[[size 150%]] **~~~~~~~~~~~~~~~~~** [[/size]]\n\n[[/=]]\n\n[[/div]]\n\n\n\n@@ @@\n\n@@ @@ \n\n@@ @@\n\n@@ @@\n\n\n\n[[div style=\"color: #c41524; font-size: 2em; line-height: 3em; font-weight: bold;\"]]\n\n//__Customer Reviews:__ Temecula//\n\n[[/div]]\n\n\n\n> [[>]]\n\n> [[size 150%]] @AirConditionedLaurie\n\n> \u2605\u2605\u2605\u2605\u2606 [[/size]]\n\n> [[/>]]\n\n> Great place to eat with a good selection of food!\n\n> \n\n> Good to finally have a place to eat that suits my more esoteric tastes. Great location too!\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @Quarterporter\n\n> \u2605\u2605\u2605\u2605\u2606 [[/size]]\n\n> [[/>]]\n\n> I've spent a couple of enjoyable evenings here, the changing menu items are interesting, but I feel like using actual self-modifying menus would improve it a lot.\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @fredazx1fn0q2rc\n\n> \u2605\u2605\u2605\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> I didn't like the waiter's face.\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @ready-to-freddie\n\n> \u2605\u2605\u2605\u2605\u2605 [[/size]]\n\n> [[/>]]\n\n> The atmosphere is really down to earth, which is tricky to pull off with some of these menu items! Five stars!\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @emptyjudith\n\n> \u2605\u2605\u2606\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> Food was good, but about half way through our meal some anophiliac ran at our table and tried to stuff his dick into our drinks.\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @morecircularhome\n\n> \u2605\u2605\u2605\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> Place was crawling with guards, I think there was some kind of incident recently? Managed to have an enjoyable enough meal, but I was constantly on edge.\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @alarming_julius\n\n> \u2605\u2606\u2606\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> If you ever want my custom again, you'll repair your draconian laws! If you refuse to serve me based on //one// unplanned incident than I will be forced to incite the Foundation upon your establishment.\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @WannaJuana\n\n> \u2605\u2605\u2605\u2605\u2605 [[/size]]\n\n> [[/>]]\n\n> I had a great meal with the family, everyone said their meals were excellent! I had the fish, and experienced flavors that don't exist in this world!\n\n> @@ @@\n\n\n\n[[module ListUsers users=\".\"]]\n\n> [[>]]\n\n> [[size 150%]] @%%title%%\n\n> \u2605\u2605\u2606\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> The restaurant closed early on the day I went, apparently something went down at one of their other restaurants? Why does that affect this one? Guys?\n\n> @@ @@\n\n[[/module]]\n\n\n\n> [[>]]\n\n> [[size 150%]] @cristina.the.arena\n\n> \u2605\u2605\u2605\u2605\u2606 [[/size]]\n\n> [[/>]]\n\n> There was a sale on, and the owner himself cooked for us! Only downside was the ongoing memetic outbreak in the city, but that's hardly this place's fault.\n\n> \n\n> ...It wasn't, right?\n\n\n\n> [[>]]\n\n> [[size 150%]] @FastandJiving\n\n> \u2605\u2605\u2605\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> My mouth literally will not stop watering!\n\n> \n\n> Seriously, how do you deal with runaway salivation?\n\n> @@ @@\n\n\n\n> [[>]]\n\n> [[size 150%]] @RhianneW-L14\n\n> \u2605\u2606\u2606\u2606\u2606 [[/size]]\n\n> [[/>]]\n\n> @@ @@\n\n> @@ @@\n\n> @@ @@\n\n> @@ @@\n\n> Fuck you.\n\n> @@ @@\n\n\n\n-----\n", "tags": ["_ambrose-restaurant", "_cc", "absurdism", "ambrose-restaurant", "fantasy", "goi-format"], "title": "Ambrose Temecula - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-temecula"}, "ambrose-the-moderni-bacchae": {"created_at": "2025-01-01T23:10:00", "creator": "Fenmoth", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Fenmoth", "author_href": "https://www.wikidot.com/user:info/fenmoth", "comment": "", "date": "2025-01-01T23:10:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "small typo correction: changing \"it's socket\" to \"its socket\"", "date": "2025-01-07T12:13:00"}, {"author": "Diogene_s", "author_href": "https://www.wikidot.com/user:info/diogene-s", "comment": "Added tags: _ambrose-restaurant, ambrose-restaurant, body-horror, goi-format, horror. ", "date": "2025-01-07T12:16:00"}, {"author": "Fenmoth", "author_href": "https://www.wikidot.com/user:info/fenmoth", "comment": "", "date": "2025-01-09T18:40:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _licensebox. ", "date": "2025-03-30T21:19:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "", "date": "2025-03-30T21:19:00"}, {"author": "DrIbarazaki", "author_href": "https://www.wikidot.com/user:info/dribarazaki", "comment": "Minor SPaG edits.", "date": "2025-12-31T11:37:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": [], "link": "ambrose-the-moderni-bacchae", "page_id": "1458165649", "rating": 13, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Agolden-feast/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><strong>Ambrose: The Moderni Bacchae</strong><br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/fenmoth\" onclick=\"WIKIDOT.page.listeners.userInfo(8127047); return false;\"><img alt=\"Fenmoth\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=8127047&amp;amp;size=small&amp;amp;timestamp=1788006115\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=8127047)\"/></a><a href=\"http://www.wikidot.com/user:info/fenmoth\" onclick=\"WIKIDOT.page.listeners.userInfo(8127047); return false;\">Fenmoth</a></span></p>\n<p><strong>Warning:</strong> This article contains reference or depiction to bodily harm/dismemberment, as well as horror and comedy derived from religious circumstances. Reader discretion is advised.</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"content-warning creditRate\">\u26a0\ufe0f content warning <span class=\"content-warning-arrow\"><span style=\"white-space: pre-wrap;\"> </span></span></div>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<p><span style=\"color: #A38800; font-size: 1em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"><br/>\nYou are cordially invited to attend the opening and first night of operation of:</span></p>\n<p style=\"text-align: center;\"><span style=\"color: #A38800; font-size: 4em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\">The Moderni Bacchae</span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<h1 id=\"toc0\"><span>Presented by Ambrose Restaurants</span></h1>\n</div>\n<p>\u201cI\u2019m sure you might be wondering why I\u2019m performing this butchery myself,\u201d The artist spoke, dipping his knife into steaming water, \u201cAlong with the blessing of my station as owner of this fine establishment comes an unfortunately common need to delegate such acts to other chefs, and in future, I will likely be forced to defer this task,\u201d</p>\n<p>\u201cHowever,\u201d He paused to wipe down his carving knife with a ratty towel. \u201cFor an opening such as this, I find it quite necessary to cut more than just the ribbon in front of the entrance, and I will do my best to provide a humane butchery for you\u201d</p>\n<p>He began to trace the line between your torso and your arm with his finger. You were struck by the unexpected intimacy of his fingertips. He rested his knife there now as well. You anticipated the moment that he might allow it to bite into you.</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<p>In lieu of our usual associates, this establishment is made possible by its sponsorship by our most generous Patron.</p>\n</div>\n<p>\u201cNormally we might have stunned you prior to preparation, however, I am certain that you understand the complications in your case. I hope that we have been able to sufficiently dull your senses,\u201d He gestured to the empty bottle of wine left on the table beside you. You knew that this would have done nothing to ease your pain. He pressed down gently with his knife. You felt the blood bloom around the blade's edge, coating the tip with red. You found that you had been correct. You willed yourself not to access the pain fully.</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<p>Disclaimer: Due to the nature of this establishment, none of the offerings below can be verified as Kosher, halal or vegetarian, we encourage observers of these diets to visit another restaurant in the Ambrose Restaurant family which will be better able to serve them.</p>\n<p>It is recommended that Diners avoid eating more than one dish per course, due to the effects of over consumption of The Moderni Bacchae's signature ingredients. These effects include: impaired vision, reduced decision-making capacity, memory loss and physical illness. Ambrose Restaurants is not responsible for any adverse effects experienced by over consuming diners.</p>\n</div>\n<p>The artist furrowed his brow, cocking his head while he opened a thin river of crimson along your joint \u201cIt\u2019s strange, typically I might find myself thinking now of the immortality found in one\u2019s consumption. I might have told you how your preparation as sustenance would allow you to live on alongside your predator, and with it\u2019s predator after that or failing that, return to the earth when it itself meets its end. I would tell you how you would now have the honour to have the energy you provide be carried forth forever. However,\u201d</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<h2 id=\"toc1\"><span>Appetizers</span></h2>\n<p>A marrowing experience - Roasted Patron bone marrow served alongside slices of a lightly toasted fresh-baked baguette and candied lemon slices. This sweet and creamy dish will produce visions of the most painful and traumatic experiences of one's table mate's lives with every bite. This dish allows for a deeper sense of empathy and connection then you have ever experienced. Perfect for both failing marriages and new friendships!</p>\n<p>The trinity board - Thin cuts of Patron meat preserved with salt and dried with smoke. Served alongside the \u201cMediterranean trinity\u201d of olives, wheat and grapes, in the form of fresh whole-wheat bread, virgin olive oil, marinated olives, fresh grapes and a flight of Ambrose\u2019s selection of house wines. All wines have been enhanced with The Moderni Baccae\u2019s signature wine, providing notes of blood, spice, madness and earth.</p>\n</div>\n<p>He reached the end of his incision. He returned his long knife to the steaming water. Now empty-handed, he began to negotiate your arm from its socket.</p>\n<p>You felt it all as tendon and fat was divorced from muscle and bone. He lifted your severed limb from the table and placed it gently on another surface that you could not see.</p>\n<p>\u201cThis idea is complicated in your case,\u201d He watched as a web of thin and brittle tendrils branched from the opening of your wound, knitting itself together into smooth white bone. \u201cI suppose the idea of your energy continuing without you remains, even without the end of your existence as yourself. I don\u2019t think I find this a satisfying thought to leave you with.\u201d</p>\n<p>He started the dismemberment again, this time taking your leg into his hands and slicing into the joining between your thigh and your hip. \u201cI suppose a nicer thought is an appeal to the art of the process.\u201d</p>\n<p>He stopped speaking in order to think as he severed your leg from its socket, cleaned his tools and refocused his blade to your torso. You had seen more wretched things than any other creature alive, and yet you found yourself nauseous at the thought of what he was doing to the center of your undying body.</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<h2 id=\"toc2\"><span>Entrees</span></h2>\n<p>Pseudo-Caesar salad - A classic caesar salad, substituting Patron liver for anchovy in the dressing. Tastes of betrayal. Recommended for those sensitive to the effects of overconsumption due to its low amount of patron flesh.</p>\n<p>Patron Heart soup - A gourmet spin on Italian wedding soup containing a hearty patron broth, spinach, red wine, ditalini and Patron heart in place of meat balls. Seasoned with hearty bay leaves and garlic. A hearty soup that has been known in ninety percent of cases to cure all age-related illnesses of the diner, leaving one feeling refreshed and youthful. In five percent of cases, the diner is left unable to use positive descriptive words for food aside from \"hearty\".</p>\n<p>The pot roast of inevitability - Fall-off-the-bone-tender Patron thigh meat served in a spicy and mouthwatering gravy and stewed with long extinct herbs and vegetables. Diners will find themselves deep in thought about death and rebirth, often to a debilitating degree. Diners also report improved skill in poetry.</p>\n<p>Cut-of-Choice - Pay per/pound for a cut of Patron meat of your choice. Expect a wait of thirty-to-seventy minutes as the meat is butchered fresh on request. Served with your choice of Patron demi glace and/or a House-made lemon-herb browned butter emulsion. Diners are again warned of the effects of overconsumption.</p>\n</div>\n<p>\u201cI\u2019ve heard nearly every form of art be said to be consumed, and there is a truth to that. I believe that an educated purveyor of art can consume, can take a piece into themself and let it become a part of them.\"</p>\n<p>He carefully traced your insides with the tip of his thinnest and shortest blade. Once he'd fully circled some area of interest inside of you, he stilled a moment to gaze at it, almost hungrily. You thought for a moment that he might attempt to devour you before any meal has been created, until in an instant, the refined and jovial look he'd displayed before had returned.</p>\n<p>\"But food? Food is the only form of art that can be truly consumed by the masses. One need not be enlightened to art, nor even speak the language or know the culture of the artist in order to incorporate it into oneself. One only needs to open their mouth and consume.\u201d</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<h2 id=\"toc3\"><span>Dessert</span></h2>\n<p>The apple of - A single deep fried eye of The Patron served with a cinnamon apple puree and vanilla nutmeg whipped cream. Garnished with shaved almonds. Upon consumption, diners will find that they now possess a feeling of deep love for everyone around them. The effect has been known to last for up to two days.</p>\n<p>Sanguinaccio Dolce - A play on an often-banned Italian festival classic. Patron blood thickened in a pan alongside sugar and dark cocoa powder. Cooked softly enough to dip the sweet crostolis it is served with into the rich pudding. It is not recommended to consume more than one serving due to the potency of The Patron\u2019s blood.</p>\n</div>\n<p>The artist grabbed hold of something deep within your core, pulling it from the warmth of your body. You felt a strange stillness. He held before you the pulsating heart that had carried you long before any of the words the artist spoke held meaning. He quickly removed it from your sight.</p>\n<p>You felt as the hole left in your chest began to reconstitute into a new heart, one which could carry you until the words of the Artist no longer held meaning, and an infinite time beyond then.</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<h2 id=\"toc4\"><span>Virgin Drinks</span></h2>\n<p>The stupor - A delicious mixed drink with sweet, zesty and floral flavours, as well as a tinge of salt. Despite it's non-alcoholic nature, this drink will allow the diner to forget all that they've seen and leave the restaurant untroubled. made with rosewater, citrus juice and the tears of the patron.</p>\n</div>\n<p>Of course, you knew this new heart would not last that long. It wouldn't take much time before this process would have to repeat. Your new heart would serve it's purpose. It would bring you with it into the bodies of the masses, and into their drunken hearts. You would live there, even as your body lay inside this butchering room. You would be allowed into their drunken minds, their basest souls and instincts, and you would live there too.</p>\n<div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\">\n<h2 id=\"toc5\"><span>Wine</span></h2>\n<p>The sacrament - The blood of the patron, served neat. Tastes markedly similar to a dry and acidic red wine, but much thicker and richer. Diners who wish to remain agnostic are urged to keep sober.</p>\n</div>\n<hr/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>@GSmitt</strong><br/>\n\u2605\u2605\u2605\u2606\u2606</p>\n</div>\n<p>The location, a roman-style vineyard, was both picturesque and on-theme and I loved the Trinity board and the Sanguinaccio Dulce, but I would have appreciated a Wine choice for those of us who are slightly less committal.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>SandyBD</strong><br/>\n\u2605\u2605\u2605\u2605\u2605</p>\n</div>\n<p>Delicious and benevolent, that's how I'd describe both the menu and my new god!</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>JarvissBarr</strong><br/>\n\u2605\u2605\u2605\u2605\u2605</p>\n</div>\n<p>On the Consumption of Art and God: When I first approached the installation, I didn't expect anything special, let alone a deeply interesting study of the nature of art itself\u2026..<br/>\nRead the full essay on my website.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>JoebyJanby</strong><br/>\n\u2605\u2605\u2605\u2605\u2606</p>\n</div>\n<p>Witnessed the horrors of war, then the horrors of love, then some more general Horrors. It genuinely set my therapy progress back three years. That said, this was by far the best humanoid steak I've ever had and I will likely be returning once I've worked through it with my therapist.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><br/>\n\u2605\u2605\u2605\u2606\u2606</p>\n</div>\n<p>Amazing decor, even heartier food. If you do go, I recommend you order \"The Stupor\", for your own sake.</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>The ThreePort Report</strong><br/>\n\u2605\u2606\u2606\u2606\u2606</p>\n</div>\n<p>The atmosphere and service were excellent, as I've come to expect whenever we review any Ambrose venture. The decor is clearly inspired by the great ancient Mediterranean societies of Greece and Rome. Nearly every wall is either open or cloaked in ostentatious purple drapes of silk or crushed velvet, lending to the luxurious feeling in the dining area.</p>\n<p>The servers were courteous and attempted to accommodate my wife's gluten intolerance, meaning she could not eat either of the available appetizers, through a reduced price on a larger steak as an entree. However, this resulted in her becoming violently ill.</p>\n<p>Additionally, I feel that this restaurant relies heavily on a single gimmick, A gimmick that did not stick the landing for me, as a devout follower of WAN, I do not appreciate the\u2026\u2026<br/>\nRead the in-depth review on our website!</p>\n</div>\n<br/>\n<div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\">\n<div style=\"text-align: right; font-size: 1.2em; font-family: serif\">\n<p><strong>DWofOregano</strong><br/>\n\u2605\u2605\u2606\u2606\u2606</p>\n</div>\n<p>I found god stewed in chiles tonight.</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-the-moderni-bacchae\">Ambrose: The Moderni Bacchae</a>\" by Fenmoth, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-the-moderni-bacchae\">https://scpwiki.com/ambrose-the-moderni-bacchae</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:golden-feast\">:scp-wiki:theme:golden-feast</a>]]\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\n**Ambrose: The Moderni Bacchae**\n\n**Author:** [[*user Fenmoth]]\n\n\n\n**Warning:** This article contains reference or depiction to bodily harm/dismemberment, as well as horror and comedy derived from religious circumstances. Reader discretion is advised.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:info-cw\">:scp-wiki:component:info-cw</a>]]\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n[[span style=\"color: #A38800; font-size: 1em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\nYou are cordially invited to attend the opening and first night of operation of:[[/span]]\n\n\n\n\n\n[[span style=\"color: #A38800; font-size: 4em; font-weight: bold; font-family: 'Poiret One', cursive; word-break: normal;\"]]\n\n= The Moderni Bacchae[[/span]]\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n\n\n+ Presented by Ambrose Restaurants\n\n\n\n[[/div]]\n\n\n\n\u201cI\u2019m sure you might be wondering why I\u2019m performing this butchery myself,\u201d The artist spoke, dipping his knife into steaming water, \u201cAlong with the blessing of my station as owner of this fine establishment comes an unfortunately common need to delegate such acts to other chefs, and in future, I will likely be forced to defer this task,\u201d\n\n\n\n\u201cHowever,\u201d He paused to wipe down his carving knife with a ratty towel. \u201cFor an opening such as this, I find it quite necessary to cut more than just the ribbon in front of the entrance, and I will do my best to provide a humane butchery for you\u201d\n\n\n\nHe began to trace the line between your torso and your arm with his finger. You were struck by the unexpected intimacy of his fingertips. He rested his knife there now as well. You anticipated the moment that he might allow it to bite into you.\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\nIn lieu of our usual associates, this establishment is made possible by its sponsorship by our most generous Patron.\n\n\n\n[[/div]]\n\n\n\n\u201cNormally we might have stunned you prior to preparation, however, I am certain that you understand the complications in your case. I hope that we have been able to sufficiently dull your senses,\u201d He gestured to the empty bottle of wine left on the table beside you. You knew that this would have done nothing to ease your pain. He pressed down gently with his knife. You felt the blood bloom around the blade's edge, coating the tip with red. You found that you had been correct. You willed yourself not to access the pain fully.\n\n\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\nDisclaimer: Due to the nature of this establishment, none of the offerings below can be verified as Kosher, halal or vegetarian, we encourage observers of these diets to visit another restaurant in the Ambrose Restaurant family which will be better able to serve them.\n\n\n\nIt is recommended that Diners avoid eating more than one dish per course, due to the effects of over consumption of The Moderni Bacchae's signature ingredients. These effects include: impaired vision, reduced decision-making capacity, memory loss and physical illness. Ambrose Restaurants is not responsible for any adverse effects experienced by over consuming diners.\n\n\n\n[[/div]]\n\n\n\nThe artist furrowed his brow, cocking his head while he opened a thin river of crimson along your joint \u201cIt\u2019s strange, typically I might find myself thinking now of the immortality found in one\u2019s consumption. I might have told you how your preparation as sustenance would allow you to live on alongside your predator, and with it\u2019s predator after that or failing that, return to the earth when it itself meets its end. I would tell you how you would now have the honour to have the energy you provide be carried forth forever. However,\u201d\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n++ Appetizers\n\n\n\nA marrowing experience - Roasted Patron bone marrow served alongside slices of a lightly toasted fresh-baked baguette and candied lemon slices. This sweet and creamy dish will produce visions of the most painful and traumatic experiences of one's table mate's lives with every bite. This dish allows for a deeper sense of empathy and connection then you have ever experienced. Perfect for both failing marriages and new friendships!\n\n\n\nThe trinity board - Thin cuts of Patron meat preserved with salt and dried with smoke. Served alongside the \u201cMediterranean trinity\u201d of olives, wheat and grapes, in the form of fresh whole-wheat bread, virgin olive oil, marinated olives, fresh grapes and a flight of Ambrose\u2019s selection of house wines. All wines have been enhanced with The Moderni Baccae\u2019s signature wine, providing notes of blood, spice, madness and earth.\n\n\n\n\n\n[[/div]]\n\n\n\n\n\nHe reached the end of his incision. He returned his long knife to the steaming water. Now empty-handed, he began to negotiate your arm from its socket.\n\n\n\nYou felt it all as tendon and fat was divorced from muscle and bone. He lifted your severed limb from the table and placed it gently on another surface that you could not see. \n\n\n\n\u201cThis idea is complicated in your case,\u201d He watched as a web of thin and brittle tendrils branched from the opening of your wound, knitting itself together into smooth white bone. \u201cI suppose the idea of your energy continuing without you remains, even without the end of your existence as yourself. I don\u2019t think I find this a satisfying thought to leave you with.\u201d\n\n\n\nHe started the dismemberment again, this time taking your leg into his hands and slicing into the joining between your thigh and your hip. \u201cI suppose a nicer thought is an appeal to the art of the process.\u201d\n\n\n\nHe stopped speaking in order to think as he severed your leg from its socket, cleaned his tools and refocused his blade to your torso. You had seen more wretched things than any other creature alive, and yet you found yourself nauseous at the thought of what he was doing to the center of your undying body.\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n++ Entrees\n\n\n\nPseudo-Caesar salad -\u00a0\u00a0A classic caesar salad, substituting Patron liver for anchovy in the dressing. Tastes of betrayal. Recommended for those sensitive to the effects of overconsumption due to its low amount of patron flesh.\n\n\n\nPatron Heart soup - A gourmet spin on Italian wedding soup containing a hearty patron broth, spinach, red wine, ditalini and Patron heart in place of meat balls. Seasoned with hearty bay leaves and garlic. A hearty soup that has been known in ninety percent of cases to cure all age-related illnesses of the diner, leaving one feeling refreshed and youthful. In five percent of cases, the diner is left unable to use positive descriptive words for food aside from \"hearty\". \n\n\n\nThe pot roast of inevitability - Fall-off-the-bone-tender Patron thigh meat served in a spicy and mouthwatering gravy and stewed with long extinct herbs and vegetables. Diners will find themselves deep in thought about death and rebirth, often to a debilitating degree. Diners also report improved skill in poetry.\n\n\n\nCut-of-Choice - Pay per/pound for a cut of Patron meat of your choice. Expect a wait of thirty-to-seventy minutes as the meat is butchered fresh on request. Served with your choice of Patron demi glace and/or a House-made lemon-herb browned butter emulsion. Diners are again warned of the effects of overconsumption. \n\n\n\n\n\n[[/div]]\n\n\n\n\n\n\u201cI\u2019ve heard nearly every form of art be said to be consumed, and there is a truth to that. I believe that an educated purveyor of art can consume, can take a piece into themself and let it become a part of them.\"\n\n\n\nHe carefully traced your insides with the tip of his thinnest and shortest blade. Once he'd fully circled some area of interest inside of you, he stilled a moment to gaze at it, almost hungrily. You thought for a moment that he might attempt to devour you before any meal has been created, until in an instant, the refined and jovial look he'd displayed before had returned.\n\n\n\n\"But food? Food is the only form of art that can be truly consumed by the masses. One need not be enlightened to art, nor even speak the language or know the culture of the artist in order to incorporate it into oneself. One only needs to open their mouth and consume.\u201d\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n++ Dessert\n\n\n\nThe apple of - A single deep fried eye of The Patron served with a cinnamon apple puree and vanilla nutmeg whipped cream. Garnished with shaved almonds. Upon consumption, diners will find that they now possess a feeling of deep love for everyone around them. The effect has been known to last for up to two days.\n\n\n\nSanguinaccio Dolce - A play on an often-banned Italian festival classic. Patron blood thickened in a pan alongside sugar and dark cocoa powder. Cooked softly enough to dip the sweet crostolis it is served with into the rich pudding. It is not recommended to consume more than one serving due to the potency of The Patron\u2019s blood.\n\n\n\n[[/div]]\n\n\n\nThe artist grabbed hold of something deep within your core, pulling it from the warmth of your body. You felt a strange stillness. He held before you the pulsating heart that had carried you long before any of the words the artist spoke held meaning. He quickly removed it from your sight.\n\n\n\nYou felt as the hole left in your chest began to reconstitute into a new heart, one which could carry you until the words of the Artist no longer held meaning, and an infinite time beyond then.\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n\n\n++ Virgin Drinks\n\n\n\nThe stupor - A delicious mixed drink with sweet, zesty and floral flavours, as well as a tinge of salt. Despite it's non-alcoholic nature, this drink will allow the diner to forget all that they've seen and leave the restaurant untroubled. made with rosewater, citrus juice and the tears of the patron. \n\n\n\n[[/div]]\n\n\n\nOf course, you knew this new heart would not last that long. It wouldn't take much time before this process would have to repeat. Your new heart would serve it's purpose. It would bring you with it into the bodies of the masses, and into their drunken hearts. You would live there, even as your body lay inside this butchering room. You would be allowed into their drunken minds, their basest souls and instincts, and you would live there too.\n\n\n\n\n\n[[div class=\"ambrose menu\" style=\"border: double 6px #A38800; background-image: radial-gradient(#260047 40%, #18002B); padding-top: 1em; padding-right: 1em; padding-left: 2em; padding-bottom: 1em; color: #FFF7D8;\"]]\n\n\n\n++ Wine\n\n\n\nThe sacrament - The blood of the patron, served neat. Tastes markedly similar to a dry and acidic red wine, but much thicker and richer. Diners who wish to remain agnostic are urged to keep sober.\n\n\n\n[[/div]]\n\n\n\n------\n\n\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**@GSmitt**\n\n\u2605\u2605\u2605\u2606\u2606\n\n[[/div]]\n\n\n\nThe location, a roman-style vineyard, was both picturesque and on-theme and I loved the Trinity board and the Sanguinaccio Dulce, but I would have appreciated a Wine choice for those of us who are slightly less committal. \n\n\n\n\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**SandyBD**\n\n\u2605\u2605\u2605\u2605\u2605\n\n[[/div]]\n\n\n\nDelicious and benevolent, that's how I'd describe both the menu and my new god!\n\n\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**JarvissBarr**\n\n\u2605\u2605\u2605\u2605\u2605\n\n[[/div]]\n\n\n\nOn the Consumption of Art and God: When I first approached the installation, I didn't expect anything special, let alone a deeply interesting study of the nature of art itself.....\n\nRead the full essay on my website.\n\n\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**JoebyJanby**\n\n\u2605\u2605\u2605\u2605\u2606\n\n[[/div]]\n\n\n\nWitnessed the horrors of war, then the horrors of love, then some more general Horrors. It genuinely set my therapy progress back three years. That said, this was by far the best humanoid steak I've ever had and I will likely be returning once I've worked through it with my therapist.\n\n\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n[[module ListUsers users=\".\"]]\n\n\u00a0**%%title%%**\n\n[[/module]] \n\n\u2605\u2605\u2605\u2606\u2606\n\n[[/div]]\n\n\n\nAmazing decor, even heartier food. If you do go, I recommend you order \"The Stupor\", for your own sake.\n\n\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**The ThreePort Report**\n\n\u2605\u2606\u2606\u2606\u2606\n\n[[/div]]\n\n\n\n\u00a0The atmosphere and service were excellent, as I've come to expect whenever we review any Ambrose venture. The decor is clearly inspired by the great ancient Mediterranean societies of Greece and Rome. Nearly every wall is either open or cloaked in ostentatious purple drapes of silk or crushed velvet, lending to the luxurious feeling in the dining area.\n\n\n\nThe servers were courteous and attempted to accommodate my wife's gluten intolerance, meaning she could not eat either of the available appetizers, through a reduced price on a larger steak as an entree. However, this resulted in her becoming violently ill.\n\n\n\nAdditionally, I feel that this restaurant relies heavily on a single gimmick, A gimmick that did not stick the landing for me, as a devout follower of WAN, I do not appreciate the......\n\nRead the in-depth review on our website!\n\n\n\n\n\n[[/div]]\n\n@@@@\n\n[[div style=\"float: center; width: 80%; margin: auto; box-shadow: 2px 2px 2px rgba(0,0,0,.4); padding: 1em; background: white;\"]]\n\n[[div style=\"text-align: right; font-size: 1.2em; font-family: serif\"]]\n\n**DWofOregano**\n\n\u2605\u2605\u2606\u2606\u2606\n\n[[/div]]\n\n\n\nI found god stewed in chiles tonight.\n\n\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> |author=Fenmoth]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_licensebox", "ambrose-restaurant", "body-horror", "goi-format", "horror"], "title": "Ambrose: The Moderni Bacchae - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-the-moderni-bacchae"}, "ambrose-thorn-valley": {"created_at": "2019-01-04T17:29:00", "creator": "mayoculpa", "domain": "scp-wiki.wikidot.com", "history": [{"author": "mayoculpa", "author_href": "https://www.wikidot.com/user:info/mayoculpa", "comment": "", "date": "2019-01-04T17:29:00"}, {"author": "mayoculpa", "author_href": "https://www.wikidot.com/user:info/mayoculpa", "comment": "Uploaded file \"rose-blush.jpg\".", "date": "2019-01-04T17:31:00"}, {"author": "mayoculpa", "author_href": "https://www.wikidot.com/user:info/mayoculpa", "comment": "", "date": "2019-01-04T17:32:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: goi-format. 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", "date": "2019-02-04T22:15:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: _ambrose-restaurant. ", "date": "2019-02-04T22:21:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-24T23:49:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-08T22:22:00"}, {"author": "UraniumEmpire", "author_href": "https://www.wikidot.com/user:info/uraniumempire", "comment": "Added tags: end-of-death. ", "date": "2019-05-03T01:27:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added tags: _licensebox. ", "date": "2020-10-20T12:34:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added license box.", "date": "2020-10-20T12:34:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, horror. ", "date": "2024-10-17T05:22:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2025-06-01T07:11:00"}], "hubs": ["ambrose-restaurant-hub", "groups-of-interest", "goi-formats"], "images": [], "link": "ambrose-thorn-valley", "page_id": "523491488", "rating": 106, "raw_content": "<html><body><div id=\"page-content\">\n\n<div style=\"border: double 12px #9a4040; background-image: radial-gradient(#edcbb1 60%, #c68e8c ); padding-top: 3em; padding-right: 3em; padding-left: 3em; padding-bottom: 6em; margin-bottom: 3em; color: #710309;\">\n<p style=\"text-align: center;\"><span style=\"font-size: 6em; font-family: 'Jim Nightshade', cursive; word-break: normal; line-height: .7em;\"><strong><em>Ambrose Thorn Valley</em></strong></span></p>\n\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\">Ambrose Thorn Valley is proud to celebrate our seventh year of operation!</p>\n<p style=\"text-align: center;\">As other civilizations crumbled under the weight of change, the Empire of the Rose has blossomed into a flourishing sarcoma of cultural and culinary innovation. Though the Imperial capital, New <a href=\"http://www.scp-wiki.net/sarkicism-hub\">Kalmaktama</a>, is closed to non-citizens, suburban Thorn Valley is known as a must-see destination for hardy survivors from around the globe. It has also become a burgeoning Nexus, ideal for the discerning Wanderer who wishes to experience the wonders of <a href=\"http://www.scp-wiki.net/end-of-death-hub\">this deathless world</a>.</p>\n<p style=\"text-align: center;\">In addition to most currencies, we may also accept blood and tissue samples or whole organisms in good condition. Our maitre d' will be pleased to assist with pricing and exchange rate inquiries.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"color: #490004\"><span style=\"text-decoration: underline;\"><strong><em>Disclaimers</em></strong></span></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\">Advanced items, marked with a (+), are best suited for individuals well trained in fleshcarving. Guests who experience severe body damage and are unable to restore themselves will be provided with a complimentary blessing. Our standard blessing imposes a persistent vegetative state, which effectively negates both consciousness and sensation. Imperial citizens may wish to be returned to their liege to receive the blessing to which they are entitled by law. <strong>Please communicate your preference to your server prior to dining.</strong></span></p>\n<p style=\"text-align: center;\"><span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\">It is our policy to bless non-advanced menu items prior to preparation. We regret any inconvenience.</span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Jim Nightshade', cursive; word-break: normal; line-height: .7em;\"><strong>Annelida &amp; Insecta</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"text-decoration: underline;\"><span style=\"color: #990d3a\">Bouquet Brul\u00e9e</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal; line-height: 1em;\"><span style=\"color: #490004\">Seasonal selections of candied butterflies, suspended in agave worm jelly and topped with seared sugar. Guests may note a distinct floral odor exuding from their digestive orifices until digestion is complete.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Glacier Salad</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">A flavorful m\u00e9lange of Alaskan ice worms, chili lime dusted crickets and honey-glazed chopped locust, suspended in a delicate lattice of ice which crumbles when touched.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Enhanced Ants</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">A <a href=\"http://scp-wiki.wikidot.com/a-blessed-day\">childhood favorite</a> of the Empress, these Earth-descended honey ants were reimagined by chefs of Kul-Manas. We've created a gentler strain suitable for any diner in robust health. Their naturally sweet, ruby-hued secretions intensify all pleasurable sensory perception for two to three hours per serving.</span></span><span style=\"font-family: 'Ruluko';\"><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">(+) Mellifluous Worms</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Imported from the furthest depths of the Pacific Ocean, these tube worms (<em>Riftia pachyptila</em>) are an inspiring embodiment of self-sacrifice in pursuit of personal strength. Adult tube worms anchor themselves near sulfurous vents, opening their bodies to infection by chemotrophic single-celled archaea. Served as a cluster of pale collagen stalks overflowing with flavorful archaea, surmounted with brilliant red plumes rich in unique, complex hemoglobins. Each stalk has been lightly enchanted to chime a different musical note during consumption.</span></span><span style=\"font-family: 'Ruluko';\"><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></span></p>\n<hr/>\n<p><span style=\"font-family: 'Ruluko';\"><span style=\"white-space: pre-wrap;\"> </span></span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Jim Nightshade', cursive;\"><strong>Chordata</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Tres Sangres Gazpacho Surprise</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">An Imperial twist on a traditional cold vegetable soup, this light dish combines selachian, avian and ungulate blood, garnished with slivers of muscle tissue from each animal. Garnish may be served raw or cooked. Guests may experience temporary alterations in facial features or epidermis, inspired by one of the source animals for your meal!</span></span><span style=\"font-family: 'Ruluko';\"><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Ewe Fondue</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Observe the life cycle of a popular and versatile mammal: the sheep! Gestation, birth, lactation, blessing, preparation and recycling are all presented in an enchanting dinner theater performance by our expert fleshcarvers.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">(+) Foie Marron</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Inspired by pat\u00e9 de foie gras, a delicacy made from the livers of geese which are force-fed rich cream to the point of functionality loss. Ambrose has replicated this process with the nectar of our own Enhanced Ants for a more intense and intoxicatingly delicious experience. Served with crumpets.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Twice-Blessed Hound Ragout</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Grown in-house from humanity's most revered symbiote, the flesh most sacred to the Empire! Served with red wine tomato sauce and a pur\u00e9e of seasonal herbs.</span></span></p>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<p style=\"text-align: center;\"><span style=\"font-size: 3.5em; font-family: 'Jim Nightshade', cursive; word-break: normal; line-height: .7em;\"><strong>Homo sapiens sapiens</strong></span></p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Diplomat's Delight</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">Winning \"hearts and minds\" since our opening day! Pectoral and papillary cardiac muscles are enlarged to a <span style=\"text-decoration: underline;\">hearty</span> portion in our kitchens, marinated in garlic and sherry and pan-fried with topical selections of cerebral white matter sourced from the same body. Served with guest's choice of sweetmeat kebabs or lemon pepper risotto.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Empress Fried Children</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Sectioned quadricep muscles from a tender assortment of juvenile humans, lightly breaded and extra rare. Marinated in a ginger-citrus reduction and served with balsamic drizzle. Fit for an Imperial palate!</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">Lesser \"Imperial\" Rose</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">We are proud to partner with Thorn Valley's own Ambassador-Volutaar Ail to present this unique item. A frequent visitor to the Imperial Garden, the Ambassador was recently honored with an invitation to contribute of their own person. An opportunity to engage with the fruits of their skill is a truly priceless opportunity for any connoisseur of flesh! They have crafted a functional replica of the Imperial Rose from choice genetic lines in their sibling-cluster's private collection. Gently smoked over hickory coals in our kitchen; optionally garnished with caramelized onion or haba\u00f1ero chutney.</span></span><br/>\n<span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\">(+)</span></strong></span> <span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"><span style=\"color: #490004\">Available in its raw, living form upon request. Failure to control its potent immunosuppressive effects may result in bodily damage.</span></span></p>\n<p><span style=\"font-size:120%;\"><strong><span style=\"color: #990d3a\"><span style=\"text-decoration: underline;\">(+) Sedition Sashimi</span></span></strong></span><br/>\n<span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"><span style=\"color: #490004\">These selections are sourced from condemned criminals, who were convicted of treason and incorporated unblessed into the Temple of Justice. Vicariously experience the eternal conscious torment for which this world is <span style=\"text-decoration: underline;\">justly</span> renowned!</span></span></p>\n<hr/>\n<div class=\"footnotes-footer\">\n\n<div class=\"footnote-footer\" id=\"footnote-1\"><span style=\"font-family: 'Ruluko';\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. <span style=\"color: #490004\">For a human of average size. Your server will be happy to discuss optimum dosage based on your metabolism and species.</span></span></div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. <span style=\"font-family: 'Ruluko';\"><span style=\"color: #490004\">For the safety of our guests, Ambrose staff members are available to train interested diners in achieving bacterial chemosynthesis. Concentrated hydrogen sulfide, methane, ammonia and other substances can cause significant bodily damage if improperly metabolized.</span></span></div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. <span style=\"font-family: 'Ruluko';\"><span style=\"color: #490004\">Please consult a staff member if alterations persist for longer than four hours.</span></span></div>\n</div>\n</div>\n<hr/>\n<div style=\"background: #201420; border: 1px solid silver; padding: 1em; margin-top: 2.5em;\">\n<div style=\"text-align: center;\">\n<p><span style=\"color: #ffe4e1; font-family: 'Ruluko'; font-size: 2em\"><br/>\nMICHELIN GUIDE ONLINE</span><br/>\n<span class=\"dark web\" style=\"color: #eebfeb; font-family: 'Ruluko'; font-size: 1.5em\"><strong><em>Powered by <a href=\"http://www.scp-wiki.net/the-dark-web-dke79-o2rg5-4jlw6\">The Dark Web</a></em></strong></span></p>\n</div>\n<hr/>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2606<br/>\n<span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">On my last visit, the Twice-Blessed Ragout was a bit disappointing. The sauce is so decadent one can barely taste the cancer.</span></p>\n<p><span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">While I'm pleased with the popularity of my Lesser Roses, it's a shame so few diners can appreciate them properly. Sarkic practitioners applying for Imperial citizenship, be sure to bring your Ambrose receipt to the embassy. We now accept successful Lesser Rose consumption as a skill reference!</span></p>\n<p><span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Ambassador-Volutaar Ail</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2606\u2606\u2606<br/>\n<span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Absolutely deplorable customer service. Refused to provide any unblessed meats other than those on the menu. How can I savor my meal, knowing they've been \"blessed\" into an unthinking, unfeeling coma?</span></p>\n<p><span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Add sapiens sapiens foie marron and I'll give you the third star.</span></p>\n<p><span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Prince Albert Philip Sandoval-<a href=\"http://www.scp-wiki.net/scp-3288\">Hapsburg</a> VIII</em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2606<br/>\n<span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">I make sure to stop at Ambrose Thorn Valley every time I'm in town. Diplomat's Delight is a regular favorite \u2014 they got an actual diplomat this time, I laughed out loud! Only giving four stars because one of the source meats for my \"Fried Children\" was <em>at least</em> fourteen. It was still excellent, but I rely on Ambrose to be accurate as well as delicious.</span></p>\n<p><span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ Karcist Nadya, Mortality Investigations, <a href=\"http://www.scp-wiki.net/i-care-because-you-do\">Alagadda Civic Police</a></em></span></p>\n</blockquote>\n<blockquote>\n<p>\u2605\u2605\u2605\u2605\u2605<br/>\n<span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\">Damn, those tube worms are spicy!</span></p>\n<p><span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"><em>~ <a href=\"http://www.scp-wiki.net/scp-3896\">Chef \"Gordo\" Gorguzaal</a></em></span></p>\n</blockquote>\n<hr/>\n<p><br/></p>\n</div>\n<br/>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-thorn-valley\">Ambrose Thorn Valley</a>\" by mayoculpa, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-thorn-valley\">https://scpwiki.com/ambrose-thorn-valley</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<p><strong>Image 1</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> <em>rose-blush.jpg</em><br/>\n<strong>Name:</strong> <em>File:Illustrated and descriptive book of field grown, own root roses for the people (1900) (20556186605).jpg</em><br/>\n<strong>Authors:</strong> California Rose Company; Henry G. Gilbert Nursery and Seed Trade Catalog Collection<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Illustrated_and_descriptive_book_of_field_grown,_own_root_roses_for_the_people_(1900)_(20556186605).jpg\">Wikimedia Commons</a><br/>\n<strong>Additional Notes:</strong> Image was heavily modified by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/mayoculpa\" onclick=\"WIKIDOT.page.listeners.userInfo(3489662); return false;\"><img alt=\"mayoculpa\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3489662&amp;amp;size=small&amp;amp;timestamp=1788006675\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3489662)\"/></a><a href=\"http://www.wikidot.com/user:info/mayoculpa\" onclick=\"WIKIDOT.page.listeners.userInfo(3489662); return false;\">mayoculpa</a></span> which included cropping, color shifting, and light manipulation.</p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n@import url(\"https://fonts.googleapis.com/css?family=Jim+Nightshade|Metamorphous|Ruluko\");\n\n\n\np { \n\n\u00a0\u00a0\u00a0font-family: 'Jim Nightshade', cursive;\n\n\u00a0\u00a0\u00a0font-family: 'Ruluko', sans-serif;\n\n\u00a0\u00a0\u00a0font-family: 'Metamorphous', cursive;\n\n\u00a0\u00a0\u00a0font-weight: normal; \n\n\u00a0\u00a0\u00a0font-style: normal; \n\n\u00a0\u00a0\u00a0word-break: normal;\n\n}\n\n\n\n.dark a{color: fuchsia}\n\n.web a:visited{color: #cc6ee8}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border: double 12px #9a4040; background-image: radial-gradient(#edcbb1 60%, #c68e8c ); padding-top: 3em; padding-right: 3em; padding-left: 3em; padding-bottom: 6em; margin-bottom: 3em; color: #710309;\"]]\n\n\n\n= [[span style=\"font-size: 6em; font-family: 'Jim Nightshade', cursive; word-break: normal; line-height: .7em;\"]]**//Ambrose Thorn Valley//**[[/span]]\n\n\n\n[[=]]\n\n[[image rose-blush.jpg]]\n\n[[/=]]\n\n\n\n@@ @@\n\n\n\n= Ambrose Thorn Valley is proud to celebrate our seventh year of operation!\n\n\n\n= As other civilizations crumbled under the weight of change, the Empire of the Rose has blossomed into a flourishing sarcoma of cultural and culinary innovation. Though the Imperial capital, New [http://www.scp-wiki.net/sarkicism-hub Kalmaktama], is closed to non-citizens, suburban Thorn Valley is known as a must-see destination for hardy survivors from around the globe. It has also become a burgeoning Nexus, ideal for the discerning Wanderer who wishes to experience the wonders of [http://www.scp-wiki.net/end-of-death-hub this deathless world].\n\n\n\n=\u00a0\u00a0In addition to most currencies, we may also accept blood and tissue samples or whole organisms in good condition. Our maitre d' will be pleased to assist with pricing and exchange rate inquiries.\n\n\n\n@@ @@\n\n------\n\n= ##490004|__**//Disclaimers//**__##\n\n= [[span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\"]]Advanced items, marked with a (+), are best suited for individuals well trained in fleshcarving. Guests who experience severe body damage and are unable to restore themselves will be provided with a complimentary blessing. Our standard blessing imposes a persistent vegetative state, which effectively negates both consciousness and sensation. Imperial citizens may wish to be returned to their liege to receive the blessing to which they are entitled by law. **Please communicate your preference to your server prior to dining.**[[/span]]\n\n= [[span style=\"color: #490004; font-family: 'Ruluko'; font-size .85em;\"]]It is our policy to bless non-advanced menu items prior to preparation. We regret any inconvenience.[[/span]]\n\n------\n\n\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Jim Nightshade', cursive; word-break: normal; line-height: .7em;\"]]**Annelida & Insecta**[[/span]]\n\n@@ @@\n\n[[size 120%]]**__##990d3a|Bouquet Brul\u00e9e##__**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal; line-height: 1em;\"]]##490004|Seasonal selections of candied butterflies, suspended in agave worm jelly and topped with seared sugar. Guests may note a distinct floral odor exuding from their digestive orifices until digestion is complete.##[[/span]]\n\n\n\n[[size 120%]]**##990d3a|__Glacier Salad__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|A flavorful m\u00e9lange of Alaskan ice worms, chili lime dusted crickets and honey-glazed chopped locust, suspended in a delicate lattice of ice which crumbles when touched.##[[/span]]\n\n\n\n[[size 120%]]**##990d3a|__Enhanced Ants__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|A [http://scp-wiki.wikidot.com/a-blessed-day childhood favorite] of the Empress, these Earth-descended honey ants were reimagined by chefs of Kul-Manas. We've created a gentler strain suitable for any diner in robust health. Their naturally sweet, ruby-hued secretions intensify all pleasurable sensory perception for two to three hours per serving.##[[/span]][[span style=\"font-family: 'Ruluko';\"]][[footnote]]##490004|For a human of average size. Your server will be happy to discuss optimum dosage based on your metabolism and species.##[[/footnote]][[/span]]\n\n\n\n[[size 120%]]**##990d3a|__(+) Mellifluous Worms__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Imported from the furthest depths of the Pacific Ocean, these tube worms (//Riftia pachyptila//) are an inspiring embodiment of self-sacrifice in pursuit of personal strength. Adult tube worms anchor themselves near sulfurous vents, opening their bodies to infection by chemotrophic single-celled archaea. Served as a cluster of pale collagen stalks overflowing with flavorful archaea, surmounted with brilliant red plumes rich in unique, complex hemoglobins. Each stalk has been lightly enchanted to chime a different musical note during consumption.##[[/span]][[span style=\"font-family: 'Ruluko';\"]][[footnote]][[span style=\"font-family: 'Ruluko';\"]]##490004|For the safety of our guests, Ambrose staff members are available to train interested diners in achieving bacterial chemosynthesis. Concentrated hydrogen sulfide, methane, ammonia and other substances can cause significant bodily damage if improperly metabolized.##[[/span]][[/footnote]]\n\n------\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Jim Nightshade', cursive;\"]]**Chordata**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##990d3a|__Tres Sangres Gazpacho Surprise__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|An Imperial twist on a traditional cold vegetable soup, this light dish combines selachian, avian and ungulate blood, garnished with slivers of muscle tissue from each animal. Garnish may be served raw or cooked. Guests may experience temporary alterations in facial features or epidermis, inspired by one of the source animals for your meal!##[[/span]][[span style=\"font-family: 'Ruluko';\"]][[footnote]][[span style=\"font-family: 'Ruluko';\"]]##490004|Please consult a staff member if alterations persist for longer than four hours.##[[/footnote]][[/span]]\n\n\n\n[[size 120%]]**##990d3a|__Ewe Fondue__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Observe the life cycle of a popular and versatile mammal: the sheep! Gestation, birth, lactation, blessing, preparation and recycling are all presented in an enchanting dinner theater performance by our expert fleshcarvers.##[[/span]]\n\n\n\n\n\n[[size 120%]]**##990d3a|__(+) Foie Marron__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Inspired by pat\u00e9 de foie gras, a delicacy made from the livers of geese which are force-fed rich cream to the point of functionality loss. Ambrose has replicated this process with the nectar of our own Enhanced Ants for a more intense and intoxicatingly delicious experience. Served with crumpets.##[[/span]]\n\n\n\n[[size 120%]]**##990d3a|__Twice-Blessed Hound Ragout__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Grown in-house from humanity's most revered symbiote, the flesh most sacred to the Empire! Served with red wine tomato sauce and a pur\u00e9e of seasonal herbs.##[[/span]]\n\n\n\n------\n\n@@ @@\n\n= [[span style=\"font-size: 3.5em; font-family: 'Jim Nightshade', cursive; word-break: normal; line-height: .7em;\"]]**Homo sapiens sapiens**[[/span]]\n\n@@ @@\n\n[[size 120%]]**##990d3a|__Diplomat's Delight__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|Winning \"hearts and minds\" since our opening day! Pectoral and papillary cardiac muscles are enlarged to a __hearty__ portion in our kitchens, marinated in garlic and sherry and pan-fried with topical selections of cerebral white matter sourced from the same body. Served with guest's choice of sweetmeat kebabs or lemon pepper risotto.##[[/span]]\n\n\n\n[[size 120%]]**##990d3a|__Empress Fried Children__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|Sectioned quadricep muscles from a tender assortment of juvenile humans, lightly breaded and extra rare. Marinated in a ginger-citrus reduction and served with balsamic drizzle. Fit for an Imperial palate!##[[/span]]\n\n\n\n[[size 120%]]**##990d3a|__Lesser \"Imperial\" Rose__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004|We are proud to partner with Thorn Valley's own Ambassador-Volutaar Ail to present this unique item. A frequent visitor to the Imperial Garden, the Ambassador was recently honored with an invitation to contribute of their own person. An opportunity to engage with the fruits of their skill is a truly priceless opportunity for any connoisseur of flesh! They have crafted a functional replica of the Imperial Rose from choice genetic lines in their sibling-cluster's private collection. Gently smoked over hickory coals in our kitchen; optionally garnished with caramelized onion or haba\u00f1ero chutney.##[[/span]]\n\n[[size 120%]]**##990d3a|(+)##**[[/size]][[span style=\"font-family: 'Ruluko'; font-size: 1.3em;\"]]##490004| Available in its raw, living form upon request. Failure to control its potent immunosuppressive effects may result in bodily damage.##[[/span]]\n\n\n\n[[size 120%]]**##990d3a|__(+) Sedition Sashimi__##**[[/size]]\n\n[[span style=\"font-family: 'Ruluko'; font-size: 1.3em; word-break: normal;\"]]##490004|These selections are sourced from condemned criminals, who were convicted of treason and incorporated unblessed into the Temple of Justice. Vicariously experience the eternal conscious torment for which this world is __justly__ renowned!##[[/span]]\n\n\n\n\n\n------\n\n\n\n[[span style=\"font-family: 'Ruluko';\"]]\n\n[[footnoteblock title=\" \"]]\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n------\n\n\n\n[[div style=\"background: #201420; border: 1px solid silver; padding: 1em; margin-top: 2.5em;\"]]\n\n\n\n[[=]]\n\n[[span style=\"color: #ffe4e1; font-family: 'Ruluko'; font-size: 2em\"]]\n\nMICHELIN GUIDE ONLINE[[/span]]\n\n[[span class=\"dark web\" style=\"color: #eebfeb; font-family: 'Ruluko'; font-size: 1.5em\"]]**//Powered by [http://www.scp-wiki.net/the-dark-web-dke79-o2rg5-4jlw6 The Dark Web]//**[[/span]]\n\n[[/=]]\n\n\n\n------\n\n\n\n> \u2605\u2605\u2605\u2605\u2606\n\n> [[span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]On my last visit, the Twice-Blessed Ragout was a bit disappointing. The sauce is so decadent one can barely taste the cancer.\n\n> \n\n> While I'm pleased with the popularity of my Lesser Roses, it's a shame so few diners can appreciate them properly. Sarkic practitioners applying for Imperial citizenship, be sure to bring your Ambrose receipt to the embassy. We now accept successful Lesser Rose consumption as a skill reference!\n\n> \n\n> //~ Ambassador-Volutaar Ail//[[/span]]\n\n\n\n> \u2605\u2605\u2606\u2606\u2606\n\n> [[span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Absolutely deplorable customer service. Refused to provide any unblessed meats other than those on the menu. How can I savor my meal, knowing they've been \"blessed\" into an unthinking, unfeeling coma? \n\n> \n\n> Add sapiens sapiens foie marron and I'll give you the third star.\n\n> \n\n> //~ Prince Albert Philip Sandoval-[http://www.scp-wiki.net/scp-3288 Hapsburg] VIII//[[/span]]\n\n\n\n> \u2605\u2605\u2605\u2605\u2606\n\n> [[span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]I make sure to stop at Ambrose Thorn Valley every time I'm in town. Diplomat's Delight is a regular favorite -- they got an actual diplomat this time, I laughed out loud! Only giving four stars because one of the source meats for my \"Fried Children\" was //at least// fourteen. It was still excellent, but I rely on Ambrose to be accurate as well as delicious.\n\n> \n\n> //~ Karcist Nadya, Mortality Investigations, [http://www.scp-wiki.net/i-care-because-you-do Alagadda Civic Police]//[[/span]]\n\n\n\n> \u2605\u2605\u2605\u2605\u2605\n\n> [[span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]Damn, those tube worms are spicy![[/span]]\n\n> \n\n> [[span style=\"color: #721e1e; font-family: 'Ruluko'; font-size: 1.15em; font-weight: bold;\"]]//~ [http://www.scp-wiki.net/scp-3896 Chef \"Gordo\" Gorguzaal]//[[/span]]\n\n\n\n------\n\n[[/span]]\n\n[[/span]]\n\n[[/div]]\n\n@@@@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n**Image 1**\n\n> **Filename:** //rose-blush.jpg//\n\n> **Name:** //File:Illustrated and descriptive book of field grown, own root roses for the people (1900) (20556186605).jpg//\n\n> **Authors:**\u00a0\u00a0California Rose Company; Henry G. Gilbert Nursery and Seed Trade Catalog Collection\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Illustrated_and_descriptive_book_of_field_grown,_own_root_roses_for_the_people_(1900)_(20556186605).jpg Wikimedia Commons]\n\n> **Additional Notes:** Image was heavily modified by [[*user mayoculpa]] which included cropping, color shifting, and light manipulation.\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "ambrose-restaurant", "end-of-death", "fantasy", "featured", "goi-format", "horror", "sarkic"], "title": "Ambrose Thorn Valley - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-thorn-valley"}, "ambrose-transylvania": {"created_at": "2020-12-03T23:31:00", "creator": "stormbreath", "domain": "scp-wiki.wikidot.com", "history": [{"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-12-03T23:31:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _ambrose-restaurant, _image, ambrose-restaurant, goi-format. ", "date": "2020-12-03T23:33:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"hotel.jpg\".", "date": "2020-12-03T23:36:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"reviewer.jpg\".", "date": "2020-12-03T23:36:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"cave.jpg\".", "date": "2020-12-03T23:36:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Uploaded file \"bloodsnip.png\".", "date": "2020-12-03T23:36:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Updating image pointers.", "date": "2020-12-03T23:37:00"}, {"author": "Elunerazim", "author_href": "https://www.wikidot.com/user:info/elunerazim", "comment": "Added tags: chaz-ambrose. ", "date": "2020-12-03T23:40:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added license disclosures", "date": "2020-12-03T23:42:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-12-04T00:18:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _cc, _licensebox. Removed tags: _image. ", "date": "2020-12-04T00:34:00"}, {"author": "RockTeethMothEyes", "author_href": "https://www.wikidot.com/user:info/rockteethmotheyes", "comment": "\"has\" to \"is\" in the first paragraph.", "date": "2020-12-04T00:42:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-12-04T01:11:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-12-10T21:21:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Adding author credit", "date": "2021-08-13T02:15:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2021-10-04T04:51:00"}, {"author": "The Patron", "author_href": "https://www.wikidot.com/user:info/the-patron", "comment": "I added an apostrophe where it was needed at the end of the \"Live Dining\" section.", "date": "2022-01-27T20:46:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2022-02-14T01:46:00"}, {"author": "Trar", "author_href": "https://www.wikidot.com/user:info/trar", "comment": "grammar", "date": "2022-06-22T23:55:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2022-07-08T17:03:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Update Inkblot syntax", "date": "2024-06-24T16:37:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: chase. ", "date": "2024-10-07T05:58:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, horror, mystery. ", "date": "2024-10-07T05:58:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:40:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: vampire. ", "date": "2026-08-26T09:04:00"}], "hubs": ["audio-adaptations", "algorithm-curated-recommendations", "ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/ambrose-transylvania/hotel.jpg", "https://scp-wiki.wdfiles.com/local--files/ambrose-transylvania/cave.jpg"], "link": "ambrose-transylvania", "page_id": "1306060003", "rating": 225, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Argb(203,47,47)%7D\" style=\"display: none\"></iframe></p>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p><em>For</em></p>\n</div>\n<div class=\"title-2\">\n<p>All The</p>\n</div>\n<div class=\"title-3\">\n<p><strong>Damn</strong></p>\n</div>\n<div class=\"title-4\">\n<p><strong>Vampires</strong></p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>A hotel and a meal.<br/>\nSebastian LaCroix<br/>\nA fifteen minute read.<br/>\n\u2b50\u2b50\u2b50\u2b50\u2b50 (Extraordinary)</p>\n\n</div>\n</div>\n\n<div style=\"text-align: right; margin-right: 3rem; margin-top: -20px;\">\n<p>by <a href=\"/stormbreath\">stormbreath</a></p>\n</div>\n<p><strong>Ambrose Transylvania</strong> is an unusual location for the brand, as it is not exclusively a dining establishment, but also a five-star hotel. The complex sits just outside of Cluj-Napoca, in the peaceful foothills of the Carpathian Mountains. The region is historically popular with all manner of hemovores, ranging from the <a href=\"http://wanderers-library.wikidot.com/on-the-common-vampyre\">Common Vampyre</a> to the more strange and monstrous <a href=\"/scp-2191\">Pale Ones</a>. Ambrose Transylvania caters specifically to such entities. Although it is close enough to the city to make hunting easy, it also offers a variety of in-house dining that excels over traditional feeding.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"hotel.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-transylvania/hotel.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>The above-ground hotel.</p>\n</div>\n</div>\n<p>The hotel is divided into two portions: one aboveground and the other underground. The above ground hotel does not carry the Ambrose name, and is marketed simply as an ordinary inn. Ambrose Transylvania, on the other hand, is the true resort: located underground and only serving blood.</p>\n<p>I recently was invited to meet with Chaz Ambrose at Ambrose Transylvania, both to review the hotel and restaurant but also to interview him. Despite our frequent reviews of his establishments, Chaz has never given Waldon Studio an interview before. I was honored to have the privilege, although I am the only vampire that works for the Studios, and was therefore the only appropriate choice. It would be nice to eat at a venue that specifically caters to me, and not just one for general cannibals.</p>\n<p>Mr. Ambrose was waiting for me when my coffin arrived into the dark chambers of the hotel. The entry foyer is deep underground, far enough in that sunlight doesn't penetrate. It is lit by a few dim torches, creating a level of light perfect to our kind and our adapted vision. Ambrose helped open up my coffin, and pulled me out. He had a glass of blood ready for me to rouse me, and we each took a sip as soon as I woke up.</p>\n<p>He welcomed me to the hotel, as his guest, invoking all the ancient and profane rules of hospitality that govern our kind. We performed the rituals of hospitality, as I gave him a gift and him outlining the terms of my stay. He told me we would meet for dinner and the interview just before dawn on the second night of my stay, and in the mean time I was free to have the run of the place, as though I myself was the Lord of the Manor.</p>\n<hr/>\n<h1 id=\"toc0\"><span>The Hotel</span></h1>\n<p>I have stayed in many hotels in my long unlife, many which have catered exclusively to hemovores like myself. I must say that out of all of them, Ambrose Transylvania is one of the finest establishments I have seen. It satisfies everything that I was looking for in such an establishment, and I hope to have the chance to stay there many more times over the coming centuries. Every part of the place is specifically designed to be a great experience for all hemovores to relax.</p>\n<p>The rooms themselves are comfortable and spacious. The style is antiquated, but this only makes it all the more familiar to a vampire. The modern and postmodern schools are too recent and strange for many of us, and it is always nicer to stay somewhere that doesn't make you feel like a bygone relic.</p>\n<p>Two of the major problems that hemovore hotels always come across are the view out of your room and the fact you have to share your hotel with other vampires. Ambrose Transylvania has managed to solve both of these.</p>\n<h2 id=\"toc1\"><span>The View</span></h2>\n<p>No vampire can look outside during the day. No vampire can last for a moment in the sun. Although there are rare hemovores that can survive daylight, they are rare and almost <a href=\"/scp-2636\">never similar to humans</a>. This means that we cannot see many of the best sights that a city may have to offer, and that many of the typical features are things we cannot look at. A cautious vampire \u2014 a good vampire \u2014 doesn't even like to be in a room that <em>could</em> get sunlight, even if they've cautiously boarded the place up.</p>\n<div class=\"scp-image-block block-left\" style=\"width:300px;\"><img alt=\"cave.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-transylvania/cave.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>The view from my hotel room.</p>\n</div>\n</div>\n<p>The only good places for us to have a hotel \u2014 one that caters specifically to our needs \u2014 is to put it underground. This is the only good solution to the problem of sunlight, but it does not come without complications of its own.</p>\n<p>Nonetheless, we want to look at <em>something</em> when we go to sleep, but the underground is rarely captivating. Ambrose Transylvania solves this problem by constructing all of the rooms on the shore of a vast and beautiful underground lake. The sight is nothing more than captivating, and lit in soulless electronic spotlights, it is not the kind of light that burns. Ambrose has solved one of the oldest desires of our kind, and done so in an excellent manner. There is no room in the hotel that does not have such captivating views.</p>\n<h2 id=\"toc2\"><span>The Other Bloodsuckers</span></h2>\n<p>There is nothing a vampire hates more than another vampire. We are infamous for our squabbles. Fights over feeding territory, the right to induct human into our bloodlines, the grandiose games that elders play over human civilizations. Our humors are imbalanced, and blood dominates (with only a little yellow bile to balance it). We are excitable and quick to anger.</p>\n<p>So when you put any large number of us into one small, confined space, the obvious occurs. It is up to the owner of each hotel to figure out how to fix this issue. I have seen many attempts over the years: not letting vampires interact with each other (how droll), blood bonding all hotel residents (how tyrannical) or with copious guards (how claustrophobic).</p>\n<p>Ambrose Transylvania's solution is not the most elegant I have ever seen, but it does the job well. The ground is ritually desecrated to a few dark blood gods (Chaz refused to tell me which he dedicated them to). Notably, these gods do not find our presence to be intolerable. In fact, it is the opposite: harming one of our kind is the great sin. Violate it, and they shall smite thee down, revoking whatever sanguine bonds animate you.</p>\n<p>The solution is blunt, but it does not feel oppressive. As long as you do not harm another bloodsucker, the magic actually <em>empowers</em> and <em>invigorates</em> you while you are in the premises. You can interact with other vampires to your heart's delight without worrying about the potential danger of getting your own throat ripped out.</p>\n<hr/>\n<h1 id=\"toc3\"><span>The Dining</span></h1>\n<p>After I had my time to explore the hotel room, it was time for dinner. I met with Chaz at dawn on the second night of my stay. It was getting late into the experience for me, as I am normally at rest during the time, or getting ready for it. I am not one to risk movement during the daylight hours. Chaz arrived at my door and waited for me to finish preparing, never crossing over the threshold. We then walked to the restaurant for an interview and a review.</p>\n<p>I shall divide my dining experience into three sections.</p>\n<h2 id=\"toc4\"><span>The Food</span></h2>\n<p>Very few vampires can eat traditional food. Even if we are able to stomach it, we do not get much sustenance from it. More likely than not, however, we simply end up vomiting it all back out.</p>\n<p>But Ambrose Transylvania is a <em>restaurant</em>. And despite the inability of our bodies to consume food, we still find ourselves wanting to engage in the practices of the living. The venue wants to feed us, and we want to eat! But how to make food that we are actually capable of consuming?</p>\n<p>The solution Chaz came up with: just use a lot of blood in the cooking process. If the food is bloody enough, then we'll be able to eat it and keep it down. Not only that, it'll be enough for us to get some form of sustenance out of it. We'll get the taste of whatever food we're eating, and nutrition from all the blood that was involved in it.</p>\n<p>Of course, there are only so many recipes that can be converted to use a great amount of blood, so the menu is limited. Rather than a proper selection, it cycles through a small list of daily specials. This is not a major issue, since we cannot eat in many locations, and anything is appreciated. The menu on the night I was there was two items: bloody brioche and blood sausage.</p>\n<p>The brioche was the first to arrive. It used a simple trick: the fact that blood can be used as a substitute for eggs (forty-three grams of blood for a single egg). The bread itself was discolored red, but looked delicious. A single loaf was delivered to our table, which Chaz broke in half, giving one piece to me and keeping the other himself.</p>\n<p>The brioche was rich and sweet. Although brioche does not make the most sense for an appetizer, there are not many breads that use eggs and could be converted into a bloody version. Thus, brioche was one of the only options, and I was certainly glad to have it: I haven't eaten bread in a long time.</p>\n<p>The blood sausage was simple but delicious. The amount of fat and blood was somewhat poorly balanced according to normal metrics, but that only served to make it all the more suited to my kind. The sausage had been applewood smoked, giving it a sweet and smoky flavor that I fondly remembered from my living youth.</p>\n<p>I remembered hearing that Ambrose Transylvania would make you feel alive. I had some doubts as to whether this would be true or not, and assumed that the food would have some properties that either turned me alive briefly, or changed my perceptions to think I was alive, or force some grandiose vision upon me. None of that happened: the food is simply well-cooked, delicious and reminds you of better days.</p>\n<h2 id=\"toc5\"><span>The Blood List</span></h2>\n<p>Ambrose Transylvania has an ample and well stocked blood list. There were over two hundred varieties of blood listed, each in a variety of categories and traits. It was almost far too much blood to sort through. All of the standard options are present: each ABO type, in both Rh+ and Rh-, is carried, most with multiple donor options. All of the major options also have a virgin option, although it is slightly more expensive.</p>\n<div class=\"blood-list\">\n<div class=\"blood-name\">\n<p>Tuatha D\u00e9 Danann</p>\n</div>\n<div class=\"blood-desc\">\n<p>Taken from the residents of the wondrous isle of Hy-Brasil, the blood of the Tuatha D\u00e9 Danann (sometimes known as the <em>sidhe</em>) is intoxicating to all. It has a light hallucinogenic effect, giving those who drink it a briefly glimpse through the eyes of the fae.</p>\n</div>\n</div>\n<p>Looking through the list, I saw that they had a few options from the <a href=\"/nx-03\">Tuatha D\u00e9 Danann</a>. I have never had the chance to sup on fae blood before, and this stood out to me as the most interesting option I could order. I doubted that I would ever have the chance to dine on it again, as the fair folk are not keen on allowing a leech to take their blood. It was one of the more pricy options on the menu, but Chaz simply laughed and told me to order what I wanted.</p>\n<p>So I took the fae blood. Since there was a virgin option and price was no object, I took the virgin option. I do not exclusively dine on such blood, but I do find it generally improves the taste. Chaz similarly took advantage of the long blood list and ordered <a href=\"/scp-3629\">female S\u2019kakithi</a> blood for himself. (For those unaware, the S'kakithi are a race of large, sapient spiders who live alongside us. I have not had the chance to taste their blood before.)</p>\n<p>The glasses were quick to arrive, each served in a fancy and impressive goblet. One of the selling points of the establishment is that they are able to keep blood fresh and prevent the life from leaving it. For proprietary reasons, I am unable to comment on the methods that they use to do this, but I can confirm that this is the case. The blood remains fresh and provides ample nutrition despite the past date of harvest.</p>\n<p>Chaz suggested that we each take a sip of the others glass, as part of the ancient guest rights that we were following. I accepted, and we tasted each others blood before our own. I found the S'kakithi blood to be intolerably bitter, with strong smoke and almond notes. It was personally too strong for me, but I could see the appeal. It is certainly an <em>acquired</em> taste, one that I would not recommend for the newest fledglings of our kind. Of course, it is to be expected that Mr. Ambrose has a more refined palette.</p>\n<p>The Tuathan blood, on the other hand, was sweet, far sweeter than any other blood that I have ever consumed. Fortunately, it was not sweet enough to be sickening, sitting at a well defined balance of clearly present without being overwhelming. There were strong notes of grapes and strawberries, along with more esoteric notes. It was overwhelmingly alive, despite the fact I was dining on old and extracted blood. Further, it was particularly potent \u2014 what I had filled me up far more than an average human's blood would have.</p>\n<p>All in all, by itself a great blood.</p>\n<p>However, there was also the second sight that the blood conferred on me when I drank it. Almost immediately after my first taste, I began to see colors alight in the air, dancing and shifting around me. These were not mere hallucinations: rather, my eyes had been opened to the patterns of mana that drifted around me. I caught a glimpse of Chaz's aura under my sight, warm and open to me.</p>\n<p>As with many vampires, drugs and alcohol no longer have any affect on my unliving constitution. It is one of the great pleasures of being alive that I dearly miss. The <em>sidhe</em> blood does not have quite the same effect, but it is closer than anything I ever tasted before. It, if only for a brief moment, made me feel alive again, and that is a feeling I so rarely glimpse.</p>\n<h2 id=\"toc6\"><span>The Live Dining</span></h2>\n<p>But these are not the primary draws of Ambrose Transylvania. What everybody really wants when they visit is the live dining: to sink your teeth into a neck and draw blood. For a high enough price, Ambrose Transylvania will let you into the top half of the hotel, to prey upon the human guests that are unfortunate to stay in the hotel. They will administer amnestics to the guest when you have finished, and clean everything up for you: a perfect opportunity to unleash and get as violent as you want.</p>\n<p>The upstairs section of hotel has been specifically redecorated and refurbished to provide an excellent hunt. There are numerous false ends, hiding places that give themselves away, and secret passageways. A hotel huntmaster will discuss your plans with you, and control the hotel so there is only enough challenge to make it fun \u2014 not enough to actually put you at risk.</p>\n<p>I mentioned to Chaz that I wished to engage in the live dining, and he laughed, saying it was one of the most popular facets of the hotel. Given the time \u2014 only about fifteen minutes before dawn \u2014 he told me he would stay downstairs while I went up, as there was not much time to hunt. When I asked if he was still hungry, he explained that as the founder and owner of Chaz Ambrose, all of of the employees of the brand were his servants, and it was his right to feed upon them. He snapped his fingers and called a waiter over, explaining that he would simply feast on the waiter while I went up.</p>\n<p>Therefore, I took the elevator up alone. The huntmaster called me and explained my options. There was a single patron still awake at the time, reading in one of the libraries. No other guests were active in the hotel. He could wake up another, but I didn't think that was necessary: the guest who was awake would make an ideal target.</p>\n<p>The elevator doors opened into a wide foyer with large windows. I could see the sky beginning to grow light \u2014 I'd have to be quick about this. I shifted into the form of a large wolf, and entered the library. I toyed with him for a moment, sitting just in the corner of his vision, waiting for him to turn and notice I was there. It wasn't particularly long \u2014 about thirty seconds \u2014 but it was enough to be enjoyable.</p>\n<p>He yelped and screamed, starting the chase. His first attempt was to run back to his room, not far away. However, the huntmaster had remotely disabled his room's keycard, and it gave nothing but rejections. I took my time coming after him, allowing the poor fool plenty of time to test the key over and over before I walked too close for comfort, and he bolted.</p>\n<p>I let him get around the corner, and then slipped into one of the fake doors next to his own. This door did not lead into a real hotel room, but rather a passageway allowing for easy navigation around the hotel. An electronic map in the passage gave me the guest's location, and I was able to appear in the foyer before he did, snarling in the full size of a wolf.</p>\n<p>Then \u2014 since I could get away with just about anything at the hotel \u2014 I turned back into my \"human\" form. He startled back, stumbling over himself and stammering in fear. At this moment, I lunged in for the bite. His blood was ripe and filled with adrenaline, making it rich and savory. There is nothing that compares to live dining.</p>\n<p>Once I had my fill, I slipped back into the elevator. It was only a few minutes before dawn at this point, and I narrowly avoided the daylight. The scene in the foyer was messy, as I did not bother to be neat in my feeding. Normally, I would had to clean up after myself, but the hotel covers all such matters.</p>\n<p>I returned to Chaz and found that he, too, had made a mess of himself feeding. He was still sucking on the waiter's neck when I returned, sitting in a pool of blood. He sheepishly took a napkin and cleaned his face upon my arrival, but I merely laughed and explained that I had done much of the same upstairs.</p>\n<hr/>\n<h1 id=\"toc7\"><span>The Man Himself</span></h1>\n<p>With the food out of the way, it is time to discuss my interview and dinner with Chaz Ambrose. Chaz was nothing but a consummate gentleman. The entirety of my visit was centered around proper host relations, and Chaz did not disappoint. He was there to welcome me when I arrived at the hotel, and was early before our dinner appointment.</p>\n<p>Although we had a long discussion over our dinner, it was mostly over the food and casual conversation. The bulk of our discussion was finished after I was done with my live hunting on the upstairs.</p>\n<p><strong>Ambrose \u2014 the brand as a whole \u2014 is radically different from what it used to be a few years ago. Why?</strong></p>\n<p><em>We've grown stale as a brand. So long of not trying anything new, or just doing the same old, same old. I'm surprised we got as far as we did with it, given how run of the mill it was getting at the end. I decided I wanted to start pushing the envelope, <a href=\"/do-you-like-huey-lewis-and-the-news\">breaking new ground</a>.</em></p>\n<p><strong>And this location ties into that?</strong></p>\n<p><em>Oh yes, absolutely. Hemovores, vampires, bloodsuckers \u2014 an entire race of people defined by the need to eat. And we specialize in that. It's an untapped market, but it's one without a lot of development. There was plenty of room to expand, innovate and start trying new material. I could finally break free of my shell and start doing what I really wanted to do.</em></p>\n<p><em>It was truly a wonderful experience. This is the first major establishment of its type, and I was able to be as experimental as I wanted with the menu. That's everything that I've ever wanted as a chef: the ability to take from the past when it inspires me, but not have to worry about it as a cage. To be as free as I pleased.</em></p>\n<p><strong>I have to commend your selections.</strong></p>\n<p><em>Haha. Why thank you. I put a great deal of care into choosing everything that was served here. All of the bloods have been personally vetted by myself! Well, not all of them, but I've gone over them and made sure they are up to par. And the food took a lot of fine tuning, but I'm very happy with how that came out. Lots of long hours in the kitchen. Got fairly messy at times.</em></p>\n<p><strong>That blood list! How did you acquire so many choices?</strong></p>\n<p><em>Well, you have to draw on a lot of sources to get something like that. Make the right deals, get the right hunters, bribe a few blood banks. Your blood I remember distinctly \u2014 it was won in a game of chance with one of those faeries. Don't ask us how much we lost to get our hands on a few liters of that \u2014 nothing in terms of money, but it wasn't cheap. But oh, so worth it.</em></p>\n<p><strong>Are there any future plans you could tell us about?</strong></p>\n<p><em>As a matter of fact, there is! This is a bit of an exclusive story, but we'll be rolling out a cookbook in a few months. Haven't told anybody about this, but the working title is</em> <a href=\"/scp-5348\">Ambrosia</a><em>. It has all your favorite recipes from Ambrose Restaurants, along with tips on where to acquire some of the rarer ingredients. In fact, here's an advance copy!</em></p>\n<p>At this point, Chaz handed me a loosely bound manuscript copy of <em>Ambrosia</em>, containing dozens of unique recipes perfected by Ambrose Restaurants. The details are all proprietary just now, but it will be well worth the purchase when it hits the shelves in a few months. We spent most of the rest of the dinner discussing the options within, Chaz pointing out some of his favorites. Soon enough, it was time to call our dinner to a close, and we left our table.</p>\n<p>There was, however, one small detail I must mention.</p>\n<p>After the end of our interview, I walked around the hotel briefly with Chaz, as he pointed out many of the details that went into the design. When we reached the elevator bay, he turned to me and bid his goodbyes. Immediately, I tried to stop him: by now, it was fully dawn outside, and the elevator opened into the sunlight. I warned Mr. Ambrose that he would disintegrate if he went up, and begged him not to take the elevator. He simply laughed and got in.</p>\n<p>I ran over to the check-in desk and forced the attendant to let me watch the security fields. I watched as Chaz rode to the top of the elevator, only to exit into the above-ground portion of the hotel. In fear, I watched as he walked outside, stepping out into the light, fully expecting that I would be watching him die. And yet, nothing happened. He exited the building and stood in broad daylight without any consequence. He simply got into his car and drove away.</p>\n<p>I have since learned that Mr. Ambrose is not a vampire in any sense. He is not an undead. He is just a mortal man. I have heard this from many vampires I know, and some have used their unnatural senses to check his vitals. He is nothing other than a regular human.</p>\n<p>Normal. Just like everybody else. Except humans don't have eyes that glow in the dark. Except humans can't drink liter after liter of blood without vomiting it all back up in short order. Except humans can't bite a person's neck to draw blood. But! He isn't a vampire. Despite all the evidence he's a vampire. So what did I dine with? Was it really Chaz? And if it was, how did he pull off the act as well?</p>\n<hr/>\n<h1 id=\"toc8\"><span>Overview</span></h1>\n<p>Food is one of those great things that we all truly miss from our days alive, so cruelly denied to us by our fate. The meals served by Ambrose Transylvania are excellent, and will capture the convivial rituals of dining that you have not experienced since you drew breath. The restaurant will make you feel <em>alive</em> again, as if you came back from the dead.</p>\n<p>As for the interview section of this review, Chaz Ambrose remains as mysterious of a restaurateur as ever. Although I was able to catch a brief glimpse into his inner workings during my brief interview, the man is a strange enigma who continues to captivate the food world.</p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-transylvania\">Ambrose Transylvania: For All The Damn Vampires</a>\" by stormbreath, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-transylvania\">https://scpwiki.com/ambrose-transylvania</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> bloodsnip.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/stormbreath\" onclick=\"WIKIDOT.page.listeners.userInfo(3075960); return false;\"><img alt=\"stormbreath\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3075960&amp;amp;size=small&amp;amp;timestamp=1788005899\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3075960)\"/></a><a href=\"http://www.wikidot.com/user:info/stormbreath\" onclick=\"WIKIDOT.page.listeners.userInfo(3075960); return false;\">stormbreath</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> N/A</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> reviewer.jpg<br/>\n<strong>Name:</strong> Hughstagedoor.jpg<br/>\n<strong>Author:</strong> Alotofmillion<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Hughstagedoor.jpg\">Wikimedia Commons</a><br/>\n<strong>Additional Notes:</strong> Desaturated from original.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> hotel.jpg<br/>\n<strong>Name:</strong> Castelul Peles, Sinaia - Vedere panoramica.jpg<br/>\n<strong>Author:</strong> TiberiuSahlean<br/>\n<strong>License:</strong> CC BY-SA 3.0 RO<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Castelul_Peles,_Sinaia_-_Vedere_panoramica.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> cave.jpg<br/>\n<strong>Name:</strong> 140823 M\u00e4rchendom Saalfelder Feengrotten.jpg<br/>\n<strong>Author:</strong> Ansgar Koreng<br/>\n<strong>License:</strong> CC BY 3.0 (DE)<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:140823_M%C3%A4rchendom_Saalfelder_Feengrotten.jpg\">Wikimedia Commons</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:inkblot\">theme:inkblot</a> accent=rgb(203,47,47)]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Grenze+Gotisch&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Montserrat&display=swap');\n\n\n\n#page-content h2 {\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n}\n\n\n\n.page-rate-widget-box .rateup a,\n\n.page-rate-widget-box .ratedown a,\n\n.page-rate-widget-box .cancel a::after {\n\n\u00a0\u00a0\u00a0\u00a0color: #fff;\n\n}\n\n\n\n.blood-list {\n\n\u00a0\u00a0\u00a0\u00a0background: linear-gradient(135deg, #cb2f2f 0 19%, #621212);\n\n\u00a0\u00a0\u00a0\u00a0border-width: 0 6px;\n\n\u00a0\u00a0\u00a0\u00a0border-style: solid;\n\n\u00a0\u00a0\u00a0\u00a0border-color: #4a0707;\n\n\u00a0\u00a0\u00a0\u00a0color: white;\n\n\u00a0\u00a0\u00a0\u00a0padding: calc(1em + 10px) 1em;\n\n\u00a0\u00a0\u00a0\u00a0width: 90%;\n\n\u00a0\u00a0\u00a0\u00a0margin: auto;\n\n\u00a0\u00a0\u00a0\u00a0position: relative;\n\n}\n\n\n\n.blood-list::before,\n\n.blood-list::after {\n\n\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0position: absolute;\n\n\u00a0\u00a0pointer-events: none;\n\n\u00a0\u00a0top: -1rem; right: -1rem; bottom: -1rem; left: -1rem;\n\n\u00a0\u00a0background-image: url(https://scp-wiki.wdfiles.com/local--files/ambrose-transylvania/bloodsnip.png);\n\n\u00a0\u00a0background-position: 0 1rem;\n\n\u00a0\u00a0background-size: 100% 2rem;\n\n\u00a0\u00a0background-repeat: repeat-x;\n\n}\n\n\n\n.blood-list::after {\n\n\u00a0\u00a0\u00a0\u00a0transform: rotate(180deg);\n\n}\n\n\n\n.blood-name {\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'Grenze Gotisch', cursive;\n\n\u00a0\u00a0\u00a0\u00a0font-size: 2.5em;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 2px 2px 1px black;\n\n}\n\n\n\n.blood-name p {\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n}\n\n\n\n.blood-desc {\n\n\u00a0\u00a0\u00a0\u00a0width: 83%;\n\n\u00a0\u00a0\u00a0\u00a0margin-left: auto;\n\n\u00a0\u00a0\u00a0\u00a0margin-right: 0;\n\n\u00a0\u00a0\u00a0\u00a0font-family: 'Montserrat', sans-serif;\n\n\u00a0\u00a0\u00a0\u00a0text-align: right;\n\n}\n\n[[/module]]\n\n\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\n//For//\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\nAll The\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\n**Damn**\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\n**Vampires**\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nA hotel and a meal.\n\nSebastian LaCroix\n\nA fifteen minute read.\n\n\u2b50\u2b50\u2b50\u2b50\u2b50 (Extraordinary)\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image reviewer.jpg]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[div style=\"text-align: right; margin-right: 3rem; margin-top: -20px;\"]]\n\nby [[[stormbreath]]]\n\n[[/div]]\n\n\n\n**Ambrose Transylvania** is an unusual location for the brand, as it is not exclusively a dining establishment, but also a five-star hotel. The complex sits just outside of Cluj-Napoca, in the peaceful foothills of the Carpathian Mountains. The region is historically popular with all manner of hemovores, ranging from the [[[http://wanderers-library.wikidot.com/on-the-common-vampyre|Common Vampyre]]] to the more strange and monstrous [[[SCP-2191|Pale Ones]]]. Ambrose Transylvania caters specifically to such entities. Although it is close enough to the city to make hunting easy, it also offers a variety of in-house dining that excels over traditional feeding.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=hotel.jpg|caption=The above-ground hotel.]]\n\n\n\nThe hotel is divided into two portions: one aboveground and the other underground. The above ground hotel does not carry the Ambrose name, and is marketed simply as an ordinary inn. Ambrose Transylvania, on the other hand, is the true resort: located underground and only serving blood.\n\n\n\nI recently was invited to meet with Chaz Ambrose at Ambrose Transylvania, both to review the hotel and restaurant but also to interview him. Despite our frequent reviews of his establishments, Chaz has never given Waldon Studio an interview before. I was honored to have the privilege, although I am the only vampire that works for the Studios, and was therefore the only appropriate choice. It would be nice to eat at a venue that specifically caters to me, and not just one for general cannibals.\n\n\n\nMr. Ambrose was waiting for me when my coffin arrived into the dark chambers of the hotel. The entry foyer is deep underground, far enough in that sunlight doesn't penetrate. It is lit by a few dim torches, creating a level of light perfect to our kind and our adapted vision. Ambrose helped open up my coffin, and pulled me out. He had a glass of blood ready for me to rouse me, and we each took a sip as soon as I woke up.\n\n\n\nHe welcomed me to the hotel, as his guest, invoking all the ancient and profane rules of hospitality that govern our kind. We performed the rituals of hospitality, as I gave him a gift and him outlining the terms of my stay. He told me we would meet for dinner and the interview just before dawn on the second night of my stay, and in the mean time I was free to have the run of the place, as though I myself was the Lord of the Manor.\n\n\n\n----\n\n\n\n+ The Hotel\n\n\n\nI have stayed in many hotels in my long unlife, many which have catered exclusively to hemovores like myself. I must say that out of all of them, Ambrose Transylvania is one of the finest establishments I have seen. It satisfies everything that I was looking for in such an establishment, and I hope to have the chance to stay there many more times over the coming centuries. Every part of the place is specifically designed to be a great experience for all hemovores to relax.\n\n\n\nThe rooms themselves are comfortable and spacious. The style is antiquated, but this only makes it all the more familiar to a vampire. The modern and postmodern schools are too recent and strange for many of us, and it is always nicer to stay somewhere that doesn't make you feel like a bygone relic.\n\n\n\nTwo of the major problems that hemovore hotels always come across are the view out of your room and the fact you have to share your hotel with other vampires. Ambrose Transylvania has managed to solve both of these.\n\n\n\n++ The View\n\n\n\nNo vampire can look outside during the day. No vampire can last for a moment in the sun. Although there are rare hemovores that can survive daylight, they are rare and almost [[[SCP-2636|never similar to humans]]]. This means that we cannot see many of the best sights that a city may have to offer, and that many of the typical features are things we cannot look at. A cautious vampire -- a good vampire -- doesn't even like to be in a room that //could// get sunlight, even if they've cautiously boarded the place up.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=cave.jpg|caption=The view from my hotel room.|align=left]]\n\n\n\nThe only good places for us to have a hotel -- one that caters specifically to our needs -- is to put it underground. This is the only good solution to the problem of sunlight, but it does not come without complications of its own.\n\n\n\nNonetheless, we want to look at //something// when we go to sleep, but the underground is rarely captivating. Ambrose Transylvania solves this problem by constructing all of the rooms on the shore of a vast and beautiful underground lake. The sight is nothing more than captivating, and lit in soulless electronic spotlights, it is not the kind of light that burns. Ambrose has solved one of the oldest desires of our kind, and done so in an excellent manner. There is no room in the hotel that does not have such captivating views.\n\n\n\n++ The Other Bloodsuckers\n\n\n\nThere is nothing a vampire hates more than another vampire. We are infamous for our squabbles. Fights over feeding territory, the right to induct human into our bloodlines, the grandiose games that elders play over human civilizations. Our humors are imbalanced, and blood dominates (with only a little yellow bile to balance it). We are excitable and quick to anger.\n\n\n\nSo when you put any large number of us into one small, confined space, the obvious occurs. It is up to the owner of each hotel to figure out how to fix this issue. I have seen many attempts over the years: not letting vampires interact with each other (how droll), blood bonding all hotel residents (how tyrannical) or with copious guards (how claustrophobic).\n\n\n\nAmbrose Transylvania's solution is not the most elegant I have ever seen, but it does the job well. The ground is ritually desecrated to a few dark blood gods (Chaz refused to tell me which he dedicated them to). Notably, these gods do not find our presence to be intolerable. In fact, it is the opposite: harming one of our kind is the great sin. Violate it, and they shall smite thee down, revoking whatever sanguine bonds animate you.\n\n\n\nThe solution is blunt, but it does not feel oppressive. As long as you do not harm another bloodsucker, the magic actually //empowers// and //invigorates// you while you are in the premises. You can interact with other vampires to your heart's delight without worrying about the potential danger of getting your own throat ripped out.\n\n\n\n----\n\n\n\n+ The Dining\n\n\n\nAfter I had my time to explore the hotel room, it was time for dinner. I met with Chaz at dawn on the second night of my stay. It was getting late into the experience for me, as I am normally at rest during the time, or getting ready for it. I am not one to risk movement during the daylight hours. Chaz arrived at my door and waited for me to finish preparing, never crossing over the threshold. We then walked to the restaurant for an interview and a review.\n\n\n\nI shall divide my dining experience into three sections.\n\n\n\n++ The Food\n\n\n\nVery few vampires can eat traditional food. Even if we are able to stomach it, we do not get much sustenance from it. More likely than not, however, we simply end up vomiting it all back out.\n\n\n\nBut Ambrose Transylvania is a //restaurant//. And despite the inability of our bodies to consume food, we still find ourselves wanting to engage in the practices of the living. The venue wants to feed us, and we want to eat! But how to make food that we are actually capable of consuming?\n\n\n\nThe solution Chaz came up with: just use a lot of blood in the cooking process. If the food is bloody enough, then we'll be able to eat it and keep it down. Not only that, it'll be enough for us to get some form of sustenance out of it. We'll get the taste of whatever food we're eating, and nutrition from all the blood that was involved in it.\n\n\n\nOf course, there are only so many recipes that can be converted to use a great amount of blood, so the menu is limited. Rather than a proper selection, it cycles through a small list of daily specials. This is not a major issue, since we cannot eat in many locations, and anything is appreciated. The menu on the night I was there was two items: bloody brioche and blood sausage.\n\n\n\nThe brioche was the first to arrive. It used a simple trick: the fact that blood can be used as a substitute for eggs (forty-three grams of blood for a single egg). The bread itself was discolored red, but looked delicious. A single loaf was delivered to our table, which Chaz broke in half, giving one piece to me and keeping the other himself.\n\n\n\nThe brioche was rich and sweet. Although brioche does not make the most sense for an appetizer, there are not many breads that use eggs and could be converted into a bloody version. Thus, brioche was one of the only options, and I was certainly glad to have it: I haven't eaten bread in a long time.\n\n\n\nThe blood sausage was simple but delicious. The amount of fat and blood was somewhat poorly balanced according to normal metrics, but that only served to make it all the more suited to my kind. The sausage had been applewood smoked, giving it a sweet and smoky flavor that I fondly remembered from my living youth.\n\n\n\nI remembered hearing that Ambrose Transylvania would make you feel alive. I had some doubts as to whether this would be true or not, and assumed that the food would have some properties that either turned me alive briefly, or changed my perceptions to think I was alive, or force some grandiose vision upon me. None of that happened: the food is simply well-cooked, delicious and reminds you of better days.\n\n\n\n++ The Blood List\n\n\n\nAmbrose Transylvania has an ample and well stocked blood list. There were over two hundred varieties of blood listed, each in a variety of categories and traits. It was almost far too much blood to sort through. All of the standard options are present: each ABO type, in both Rh+ and Rh-, is carried, most with multiple donor options. All of the major options also have a virgin option, although it is slightly more expensive.\n\n\n\n[[div class=\"blood-list\"]]\n\n[[div class=\"blood-name\"]]\n\nTuatha D\u00e9 Danann\n\n[[/div]]\n\n[[div class=\"blood-desc\"]]\n\nTaken from the residents of the wondrous isle of Hy-Brasil, the blood of the Tuatha D\u00e9 Danann (sometimes known as the //sidhe//) is intoxicating to all. It has a light hallucinogenic effect, giving those who drink it a briefly glimpse through the eyes of the fae.\n\n[[/div]]\n\n[[/div]]\n\n\n\nLooking through the list, I saw that they had a few options from the [[[nx-03|Tuatha D\u00e9 Danann]]]. I have never had the chance to sup on fae blood before, and this stood out to me as the most interesting option I could order. I doubted that I would ever have the chance to dine on it again, as the fair folk are not keen on allowing a leech to take their blood. It was one of the more pricy options on the menu, but Chaz simply laughed and told me to order what I wanted.\n\n\n\nSo I took the fae blood. Since there was a virgin option and price was no object, I took the virgin option. I do not exclusively dine on such blood, but I do find it generally improves the taste. Chaz similarly took advantage of the long blood list and ordered [[[SCP-3629|female S\u2019kakithi]]] blood for himself. (For those unaware, the S'kakithi are a race of large, sapient spiders who live alongside us. I have not had the chance to taste their blood before.)\n\n\n\nThe glasses were quick to arrive, each served in a fancy and impressive goblet. One of the selling points of the establishment is that they are able to keep blood fresh and prevent the life from leaving it. For proprietary reasons, I am unable to comment on the methods that they use to do this, but I can confirm that this is the case. The blood remains fresh and provides ample nutrition despite the past date of harvest.\n\n\n\nChaz suggested that we each take a sip of the others glass, as part of the ancient guest rights that we were following. I accepted, and we tasted each others blood before our own. I found the S'kakithi blood to be intolerably bitter, with strong smoke and almond notes. It was personally too strong for me, but I could see the appeal. It is certainly an //acquired// taste, one that I would not recommend for the newest fledglings of our kind. Of course, it is to be expected that Mr. Ambrose has a more refined palette.\n\n\n\nThe Tuathan blood, on the other hand, was sweet, far sweeter than any other blood that I have ever consumed. Fortunately, it was not sweet enough to be sickening, sitting at a well defined balance of clearly present without being overwhelming. There were strong notes of grapes and strawberries, along with more esoteric notes. It was overwhelmingly alive, despite the fact I was dining on old and extracted blood. Further, it was particularly potent -- what I had filled me up far more than an average human's blood would have.\n\n\n\nAll in all, by itself a great blood.\n\n\n\nHowever, there was also the second sight that the blood conferred on me when I drank it. Almost immediately after my first taste, I began to see colors alight in the air, dancing and shifting around me. These were not mere hallucinations: rather, my eyes had been opened to the patterns of mana that drifted around me. I caught a glimpse of Chaz's aura under my sight, warm and open to me.\n\n\n\nAs with many vampires, drugs and alcohol no longer have any affect on my unliving constitution. It is one of the great pleasures of being alive that I dearly miss. The //sidhe// blood does not have quite the same effect, but it is closer than anything I ever tasted before. It, if only for a brief moment, made me feel alive again, and that is a feeling I so rarely glimpse.\n\n\n\n++ The Live Dining\n\n\n\nBut these are not the primary draws of Ambrose Transylvania. What everybody really wants when they visit is the live dining: to sink your teeth into a neck and draw blood. For a high enough price, Ambrose Transylvania will let you into the top half of the hotel, to prey upon the human guests that are unfortunate to stay in the hotel. They will administer amnestics to the guest when you have finished, and clean everything up for you: a perfect opportunity to unleash and get as violent as you want.\n\n\n\nThe upstairs section of hotel has been specifically redecorated and refurbished to provide an excellent hunt. There are numerous false ends, hiding places that give themselves away, and secret passageways. A hotel huntmaster will discuss your plans with you, and control the hotel so there is only enough challenge to make it fun -- not enough to actually put you at risk.\n\n\n\nI mentioned to Chaz that I wished to engage in the live dining, and he laughed, saying it was one of the most popular facets of the hotel. Given the time -- only about fifteen minutes before dawn -- he told me he would stay downstairs while I went up, as there was not much time to hunt. When I asked if he was still hungry, he explained that as the founder and owner of Chaz Ambrose, all of of the employees of the brand were his servants, and it was his right to feed upon them. He snapped his fingers and called a waiter over, explaining that he would simply feast on the waiter while I went up.\n\n\n\nTherefore, I took the elevator up alone. The huntmaster called me and explained my options. There was a single patron still awake at the time, reading in one of the libraries. No other guests were active in the hotel. He could wake up another, but I didn't think that was necessary: the guest who was awake would make an ideal target.\n\n\n\nThe elevator doors opened into a wide foyer with large windows. I could see the sky beginning to grow light -- I'd have to be quick about this. I shifted into the form of a large wolf, and entered the library. I toyed with him for a moment, sitting just in the corner of his vision, waiting for him to turn and notice I was there. It wasn't particularly long -- about thirty seconds -- but it was enough to be enjoyable.\n\n\n\nHe yelped and screamed, starting the chase. His first attempt was to run back to his room, not far away. However, the huntmaster had remotely disabled his room's keycard, and it gave nothing but rejections. I took my time coming after him, allowing the poor fool plenty of time to test the key over and over before I walked too close for comfort, and he bolted.\n\n\n\nI let him get around the corner, and then slipped into one of the fake doors next to his own. This door did not lead into a real hotel room, but rather a passageway allowing for easy navigation around the hotel. An electronic map in the passage gave me the guest's location, and I was able to appear in the foyer before he did, snarling in the full size of a wolf.\n\n\n\nThen -- since I could get away with just about anything at the hotel -- I turned back into my \"human\" form. He startled back, stumbling over himself and stammering in fear. At this moment, I lunged in for the bite. His blood was ripe and filled with adrenaline, making it rich and savory. There is nothing that compares to live dining.\n\n\n\nOnce I had my fill, I slipped back into the elevator. It was only a few minutes before dawn at this point, and I narrowly avoided the daylight. The scene in the foyer was messy, as I did not bother to be neat in my feeding. Normally, I would had to clean up after myself, but the hotel covers all such matters.\n\n\n\nI returned to Chaz and found that he, too, had made a mess of himself feeding. He was still sucking on the waiter's neck when I returned, sitting in a pool of blood. He sheepishly took a napkin and cleaned his face upon my arrival, but I merely laughed and explained that I had done much of the same upstairs.\n\n\n\n----\n\n\n\n+ The Man Himself\n\n\n\nWith the food out of the way, it is time to discuss my interview and dinner with Chaz Ambrose. Chaz was nothing but a consummate gentleman. The entirety of my visit was centered around proper host relations, and Chaz did not disappoint. He was there to welcome me when I arrived at the hotel, and was early before our dinner appointment.\n\n\n\nAlthough we had a long discussion over our dinner, it was mostly over the food and casual conversation. The bulk of our discussion was finished after I was done with my live hunting on the upstairs.\n\n\n\n**Ambrose -- the brand as a whole -- is radically different from what it used to be a few years ago. Why?**\n\n\n\n//We've grown stale as a brand. So long of not trying anything new, or just doing the same old, same old. I'm surprised we got as far as we did with it, given how run of the mill it was getting at the end. I decided I wanted to start pushing the envelope, [[[do-you-like-huey-lewis-and-the-news|breaking new ground]]].//\n\n\n\n**And this location ties into that?**\n\n\n\n//Oh yes, absolutely. Hemovores, vampires, bloodsuckers -- an entire race of people defined by the need to eat. And we specialize in that. It's an untapped market, but it's one without a lot of development. There was plenty of room to expand, innovate and start trying new material. I could finally break free of my shell and start doing what I really wanted to do.//\n\n\n\n//It was truly a wonderful experience. This is the first major establishment of its type, and I was able to be as experimental as I wanted with the menu. That's everything that I've ever wanted as a chef: the ability to take from the past when it inspires me, but not have to worry about it as a cage. To be as free as I pleased.//\n\n\n\n**I have to commend your selections.**\n\n\n\n//Haha. Why thank you. I put a great deal of care into choosing everything that was served here. All of the bloods have been personally vetted by myself! Well, not all of them, but I've gone over them and made sure they are up to par. And the food took a lot of fine tuning, but I'm very happy with how that came out. Lots of long hours in the kitchen. Got fairly messy at times.//\n\n\n\n**That blood list! How did you acquire so many choices?**\n\n\n\n//Well, you have to draw on a lot of sources to get something like that. Make the right deals, get the right hunters, bribe a few blood banks. Your blood I remember distinctly -- it was won in a game of chance with one of those faeries. Don't ask us how much we lost to get our hands on a few liters of that -- nothing in terms of money, but it wasn't cheap. But oh, so worth it.//\n\n\n\n**Are there any future plans you could tell us about?**\n\n\n\n//As a matter of fact, there is! This is a bit of an exclusive story, but we'll be rolling out a cookbook in a few months. Haven't told anybody about this, but the working title is// [[[scp-5348|Ambrosia]]]//. It has all your favorite recipes from Ambrose Restaurants, along with tips on where to acquire some of the rarer ingredients. In fact, here's an advance copy!//\n\n\n\nAt this point, Chaz handed me a loosely bound manuscript copy of //Ambrosia//, containing dozens of unique recipes perfected by Ambrose Restaurants. The details are all proprietary just now, but it will be well worth the purchase when it hits the shelves in a few months. We spent most of the rest of the dinner discussing the options within, Chaz pointing out some of his favorites. Soon enough, it was time to call our dinner to a close, and we left our table.\n\n\n\nThere was, however, one small detail I must mention.\n\n\n\nAfter the end of our interview, I walked around the hotel briefly with Chaz, as he pointed out many of the details that went into the design. When we reached the elevator bay, he turned to me and bid his goodbyes. Immediately, I tried to stop him: by now, it was fully dawn outside, and the elevator opened into the sunlight. I warned Mr. Ambrose that he would disintegrate if he went up, and begged him not to take the elevator. He simply laughed and got in.\n\n\n\nI ran over to the check-in desk and forced the attendant to let me watch the security fields. I watched as Chaz rode to the top of the elevator, only to exit into the above-ground portion of the hotel. In fear, I watched as he walked outside, stepping out into the light, fully expecting that I would be watching him die. And yet, nothing happened. He exited the building and stood in broad daylight without any consequence. He simply got into his car and drove away.\n\n\n\nI have since learned that Mr. Ambrose is not a vampire in any sense. He is not an undead. He is just a mortal man. I have heard this from many vampires I know, and some have used their unnatural senses to check his vitals. He is nothing other than a regular human.\n\n\n\nNormal. Just like everybody else. Except humans don't have eyes that glow in the dark. Except humans can't drink liter after liter of blood without vomiting it all back up in short order. Except humans can't bite a person's neck to draw blood. But! He isn't a vampire. Despite all the evidence he's a vampire. So what did I dine with? Was it really Chaz? And if it was, how did he pull off the act as well?\n\n\n\n----\n\n\n\n+ Overview\n\n\n\nFood is one of those great things that we all truly miss from our days alive, so cruelly denied to us by our fate. The meals served by Ambrose Transylvania are excellent, and will capture the convivial rituals of dining that you have not experienced since you drew breath. The restaurant will make you feel //alive// again, as if you came back from the dead.\u00a0\u00a0\n\n\n\nAs for the interview section of this review, Chaz Ambrose remains as mysterious of a restaurateur as ever. Although I was able to catch a brief glimpse into his inner workings during my brief interview, the man is a strange enigma who continues to captivate the food world.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** bloodsnip.png\n\n> **Author:** [[*user stormbreath]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** N/A\n\n\n\n> **Filename:** reviewer.jpg\n\n> **Name:** Hughstagedoor.jpg\n\n> **Author:** Alotofmillion\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [[[https://commons.wikimedia.org/wiki/File:Hughstagedoor.jpg|Wikimedia Commons]]]\n\n> **Additional Notes:** Desaturated from original.\n\n\n\n> **Filename:** hotel.jpg\n\n> **Name:** Castelul Peles, Sinaia - Vedere panoramica.jpg\n\n> **Author:** TiberiuSahlean\n\n> **License:** CC BY-SA 3.0 RO\n\n> **Source Link:** [[[https://commons.wikimedia.org/wiki/File:Castelul_Peles,_Sinaia_-_Vedere_panoramica.jpg|Wikimedia Commons]]]\n\n\n\n> **Filename:** cave.jpg\n\n> **Name:** 140823 M\u00e4rchendom Saalfelder Feengrotten.jpg\n\n> **Author:** Ansgar Koreng\n\n> **License:** CC BY 3.0 (DE)\n\n> **Source Link:** [[[https://commons.wikimedia.org/wiki/File:140823_M%C3%A4rchendom_Saalfelder_Feengrotten.jpg|Wikimedia Commons]]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "ambrose-restaurant", "chase", "chaz-ambrose", "fantasy", "featured", "goi-format", "horror", "journalism", "mystery", "vampire"], "title": "Ambrose Transylvania: For All The Damn Vampires - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-transylvania"}, "ambrose-vienna": {"created_at": "2020-10-03T23:16:00", "creator": "Croquembouche", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"street.png\".", "date": "2020-10-03T23:16:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"stephen.png\".", "date": "2020-10-03T23:16:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-03T23:16:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-03T23:17:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"pasta.png\".", "date": "2020-10-03T23:17:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"sausage.png\".", "date": "2020-10-03T23:17:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Added tags: _ambrose-restaurant, _image, ambrose-restaurant, canon2020, goi-format, rats-nest. ", "date": "2020-10-03T23:18:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-04T00:00:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Parent page set to: \"\".", "date": "2020-10-04T00:01:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Parent page set to: \"ambrose-restaurant-hub\".", "date": "2020-10-04T00:01:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-04T01:57:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2020-10-04T03:02:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Guess who forgot to check how the menu looks on mobile", "date": "2020-10-04T09:13:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-06T10:14:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Parent page set to: \"rat-s-nest-hub\".", "date": "2020-10-13T18:35:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-21T03:55:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2020-10-22T04:36:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: _licensebox. ", "date": "2020-10-23T19:26:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Remove the bit at the end", "date": "2020-10-28T16:01:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Swap titles", "date": "2020-11-28T17:23:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"1.png\".", "date": "2020-12-30T11:05:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Put the disclaimer in a blockquote", "date": "2021-01-19T00:35:00"}, {"author": "Vivarium", "author_href": "https://www.wikidot.com/user:info/vivarium", "comment": "Updating Hover Enlarge", "date": "2021-03-13T21:52:00"}, {"author": "Vivarium", "author_href": "https://www.wikidot.com/user:info/vivarium", "comment": "", "date": "2021-03-13T21:56:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Remove image from header", "date": "2021-04-11T04:38:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"paper.webp\".", "date": "2021-04-11T04:42:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Localise paper texture", "date": "2021-04-11T04:43:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2021-04-11T04:53:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"clip.png\".", "date": "2021-04-11T04:53:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Uploaded file \"clip.png\".", "date": "2021-04-11T04:55:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Add a smidge of spacing to the end", "date": "2021-04-11T04:56:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Wording changes", "date": "2021-07-21T17:13:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Minor adjustments", "date": "2022-03-17T04:01:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Add crosslink", "date": "2024-06-24T15:38:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Update Inkblot syntax to style interwiki", "date": "2024-06-24T16:20:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2024-06-24T16:29:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2024-06-24T16:31:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "-_-", "date": "2024-06-24T16:40:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "", "date": "2024-06-24T16:40:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: religious-fiction, surrealism. ", "date": "2024-10-17T04:58:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Add memory cell", "date": "2024-11-03T16:06:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism. ", "date": "2025-10-11T06:40:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/street.png", "https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/pasta.png", "https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/sausage.png", "https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/stephen.png"], "link": "ambrose-vienna", "page_id": "1305074043", "rating": 158, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Argb(255,203,0)%7D\" style=\"display: none\"></iframe></p>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p><em>An</em></p>\n</div>\n<div class=\"title-2\">\n<p><strong>Out</strong>-of-<strong>Mind</strong></p>\n</div>\n\n<div class=\"title-4\">\n<p>Experience.</p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>A review of Ambrose Vienna.<br/>\nBy Eden Bumaro.<br/>\n17 min read.<br/>\n\u2b50\u2b50\u2605\u2605\u2605</p>\n</div>\n</div>\n\n<blockquote>\n<p><strong>Disclaimer:</strong> For a portion of this review, it\u2019s not possible for me to say how closely what I\u2019ve written matches what actually happened. However, this is a transcription of my experience, and while it may not be entirely accurate to reality, it is my truth, and my final star-score for Ambrose Vienna reflects this.</p>\n</blockquote>\n<hr/>\n<p>In the restaurant-reviewing business, it\u2019s unusual \u2014 but not unheard-of \u2014 for a restaurant to directly and explicitly request a review. It\u2019s actually considered poor form. The typical route to soliciting reviews is slow and simmering. A restaurant should build its reputation naturally, building a rapport with satisfied customers who leave positive reviews online. A restaurant should not ask their customers for reviews, and soliciting a professional review is frowned upon. The goal is to attract the attention of an influential expert by your own virtues, rather than because you flagged them down. It is certainly a game, complete with rules both official and unspoken, and the classy way to win is to play slowly.</p>\n<p>What <em>is</em> unheard of, however, is for an <a href=\"/ambrose-restaurant-hub\">Ambrose</a> restaurant to request a review. Ambrose, which is technically a small international chain but realistically a set of unrelated restaurants under a single name, have a very consistent business profile. They stay under the radar. Ambrose restaurants cater to a specific clientele \u2014 the niche; the unknown; odd individuals who come up out of the woodwork for a single meal and then retreat back from whence they came, never to be seen or heard from again. There is <em>always</em> a gimmick.</p>\n<p>Mainstream media attention, to an Ambrose restaurant, is toxic.</p>\n<p>So when Waldon Studio was contacted by Ambrose Vienna, we were surprised; and none more so than when they requested a review from myself \u2014 Eden Bumaro \u2014 specifically. Waldon Studio are nothing if not connoisseurs of the unknown, so decorum be damned \u2014 I was happy to accept.</p>\n<p>I had absolutely no idea what I was in for.</p>\n<hr/>\n<div class=\"image-hover-enlarge scp-image-block nofloat\" data-feature=\"image-feature\" style=\"max-width:500px;\"><img alt=\"street.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/street.png\"/><br/>\n<div class=\"scp-image-caption show\">The street of Ambrose Vienna.</div>\n</div>\n<h1 id=\"toc0\"><span>First Impressions</span></h1>\n<p>Ambrose Vienna is located just outside the <em>Ringstrasse</em>, the circular road that encloses Vienna\u2019s city centre, a ten-minute walk away from the south side. I\u2019m fortunate to be able to catch a tram on the way there, a historic but otherwise unnoteworthy experience that I\u2019d missed out on when arriving at my hotel the previous night. The walk from the tram stop to the restaurant was a pleasant one, though I was unable to find a church for morning prayer. Austria is far prettier in the light of the morning; the briskness of the winter chill is strong enough to focus my attention upon it, but not so overwhelming as to demand a single-minded focus on finding somewhere warm (as I am ashamed to admit it had done the night prior).</p>\n<p>There is nothing remarkable about the doors of Ambrose Vienna. Two panes of glass are rimmed by dark wood, the top of which is adorned with the chain\u2019s logo in a golden typeface. Two tall, slender handles of polished silver-coloured metal curve gently inwards, accentuating the warm darkness that hides behind the glass. I am grateful to be wearing gloves as I open the door, as I don\u2019t wish to disturb the perfect finish of the metal.</p>\n<p>I step inside and a shiver passes through me. The foyer is dark, and my eyes take a moment to adjust from the winter sun. There is a coat rack to my right, visible in the light shining through the door, and I take a moment to remove my coat, scarf and gloves. By the time my attire adorns the brass construction, I can see plainly.</p>\n<p>In front of me is a small desk, no doubt for a server to greet patrons as they enter the restaurant, but there is no-one there presently (Ambrose Vienna agreed to allow me a few minutes to explore alone). To my right is a wall, which I find surprising, given that the door I entered was in the centre of the building \u2014 I would expect to see a seating area. There is a glass panel to my left, though, and through it I can see the expected seating, but each chair lacks a table. In fact, it invokes the image of a waiting room. Behind the server\u2019s desk is a pathway that leads around the glass panel and towards the chairs.</p>\n<p>I make my way into the \u2018waiting room\u2019. The temperature in here, somehow, is perfect \u2014 it is as if the air is not present at all. At the right-hand side, opposite to the windows, is a bar, the rear of which has a reputable stock of liquors. The chairs, five in total and distributed evenly throughout the room, appear to be made of a faux leather that is uncracked and undamaged. They have never been used. A quick test proves that they are certainly comfortable. I am growing more certain by the minute that they are designed to make quick a long wait, and this creates a conflict in my mind: a restaurant that concedes to inordinate waiting times surely cannot be a good one\u2026 and yet one that admits it so plainly?</p>\n<p>An Ambrose restaurant always has a gimmick, and so far, I\u2019m yet to see it.</p>\n<p>My flight had been delayed, so I had not been able to attend a prayer service either last night or this morning \u2014 you\u2019d think that finding a church would be easy, now that all places of worship serve the same cause. However, the chair is comfortable, and it proves the ideal spot for a quick personal prayer as I wait.</p>\n<hr/>\n<h1 id=\"toc1\"><span>Cheap Auditions</span></h1>\n<p>A door opens from behind the bar. My solitude is broken and my prayer goes unanswered.</p>\n<p>The new face is young \u2014 perhaps late twenties \u2014 with a shaven head but a full beard and moustache. He is wearing a tightly-buttoned chef\u2019s jacket in a deep crimson, and with a salute he steps out from behind the bar to reveal black trousers and polished black shoes. With a smile and smidge of hesitation, I return the salute.</p>\n<p>He steps towards with one hand holding a metal canister and the other outstretched towards me. I take it, we shake, and I look into his eyes long enough to commit his eye colour to memory. It\u2019s a dark brown. His nametag reads \u2018Jakub Svobodn\u00fd\u2019. This is the person with whom I\u2019ve been emailing back and forth, though it\u2019s the first time I\u2019ve seen him in person.</p>\n<p>\u201cYou must be Jakub,\u201d I say. \u201cGod smiles. It\u2019s good to meet you, at last.\u201d</p>\n<p>\u201cAnd the same to you,\u201d he replies, but then stumbles: \u201cUh\u2026\u201d</p>\n<p>\u201cEden.\u201d I know that he\u2019s unsure which honorific to pick. \u201cEden Bumaro.\u201d</p>\n<p>\u201cThank you, Eden. God smiles. Welcome to Ambrose Vienna.\u201d</p>\n<p>I nod. I already know this. I\u2019m keen to learn literally anything else \u2014 for example, the contents of the metal canister in his hand. I gesture to it.</p>\n<p>\u201cIs that a present?\u201d</p>\n<p>He looks down at it, as if he\u2019s forgotten what it is.</p>\n<p>\u201cAh, of course,\u201d he says, \u201chow much do you know about what we do here?\u201d</p>\n<p>I raise my arms in defeat. \u201cAbsolutely nothing. You reached out to me, remember?\u201d</p>\n<p>He smiles. \u201cI see. Well, this can contains a gas-based hallucinogen.\u201d</p>\n<p>He stops to gauge my reaction. I manage to hold myself back and reveal nothing.</p>\n<p>\u201cI\u2019ll be giving you a dose of this now, with your consent, of course. It\u2019ll take about a half hour to set in, during which time you\u2019ll make your order and we can have a chat, and as you start to experience the effects you\u2019ll receive your meal. How does that sound?\u201d</p>\n<p>I take a moment to process what he\u2019s said.</p>\n<p>\u201cHow does this work normally? Do you give this to every customer?\u201d I take a glance around the room. \u201cAll five of them?\u201d</p>\n<p>\u201cEvery customer. That\u2019s why we can only accommodate so few.\u201d</p>\n<p>\u201cLegally?\u201d</p>\n<p>\u201cOf course. It\u2019s all consensual. The regulations in Austria are far more lax than what you\u2019re used to, I imagine.\u201d</p>\n<p>It\u2019s true. Coming from the Kingdom, where drug possession of any kind is a criminal offence, seeing a canister of lifelong sentences a mere metre away from me is somewhat of a culture shock. Even the fast food chains I passed after arriving at the airport felt alienating. It\u2019s probably why Jakub didn\u2019t disclose this upfront, out of fear of me being a product of my environment and being unwilling to try a forbidden experience. Now that I\u2019m here, I can\u2019t professionally back out, even if I wanted to, and we both know it.</p>\n<p>\u201cThat\u2019s fine, then,\u201d I tell him. \u201cYou have my consent.\u201d</p>\n<p>He withdraws a rubber face mask from underneath the bar and, assuring me that it\u2019s sanitised, attaches it to the metal canister. He has me hold it tightly against my face and take three deep breaths \u2014 no more, no less. The gas tastes sour. The canister must contain a perfectly-measured portion, because as soon as I\u2019ve had my fill, the hiss of releasing gas stops. Jakub takes the canister and mask and places them on the bar. It strikes me as odd that there\u2019s no designated place to put them.</p>\n<p>At least now I know what this place\u2019s gimmick is.</p>\n<hr/>\n<h1 id=\"toc2\"><span>Honey Bees</span></h1>\n<p>Jakub\u2019s first task is to have me make my order. He passes me a menu, which he withdraws from under the bar, presumably from a stack of many more. No further instruction is required \u2014 I am very familiar with this step.</p>\n<p>The menu is varied, with the restaurant catering to a range of diets, but there is one choice that stands out to me:</p>\n<div class=\"menu\">\n<p><strong>Penne all'arrabbiata</strong></p>\n<p>540 \u00f6S</p>\n<p>Penne pasta in a traditional Italian sauce.</p>\n</div>\n<p><em>Penne all\u2019arrabbiata.</em> Literally \u2018angry pasta\u2019 in Italian, referring to the spice of the chilli. It\u2019s a simple dish that\u2019s easy to make, but I\u2019ve seen it made so wrong, so many times. In particular, many restaurants used a misspelled version of the name \u2014 \u2018arrabiata\u2019 \u2014 as a synonym for unspiced tomato sauce. If a restaurant serves it, I order it, and frequent readers will know \u2014 as does Ambrose Vienna, I\u2019m sure \u2014 that I think it is the perfect test for a restaurant. It is easy to wow me with an impressive dish. It is far more difficult to wow me with a basic dish. If the restaurant can achieve that, then they are truly excellent.</p>\n<p>Jakub takes my menu and passes my order on to the kitchen, then has me sit in one of the chairs in the waiting area. I choose the same one I sampled before. He crouches down on the floor in front of me.</p>\n<p>Now we have roughly half an hour to waste, and Jakub sets to work like a fevered woodpecker. He has stories to tell, anecdotes to share, but mostly, I think, he has a script to work through. His family is from Cisleithania, I am told, and after the war and the following religious unification, his grandfather was allowed to move to Vienna to be with his grandmother. He tells me that he has been here ever since. His mother passed away when he was very young, and his grieving father tried to raise him atheist \u2014 the word sounds unfamiliar \u2014 but he assures me that they both saw the truth eventually and now enjoy a far healthier relationship. I learn that he plays the lute, and is a member of an amateur band called the Initiative that meets regularly to play medieval music. They\u2019re competing for the chance to play at their local church, but it\u2019s not going well. He seems okay with that, but he doesn\u2019t have any other interests to tell me about. I\u2019ve always found the \u2018one person, one hobby\u2019 trope irritating, but Jakub seems to fit the stereotype perfectly.</p>\n<p>I ask him what prompted him to work for Ambrose. He says it\u2019s a family business, but he\u2019s oddly non-specific about how anyone else who works here is related to him, so I suspect he\u2019s referring to some other kind of family. Perhaps his musical friends.</p>\n<p>He asks me what prompted me to work for Waldon Studio. I tell him the truth: that I appreciate good writing and better food. We share a laugh.</p>\n<p>We spend perhaps twenty minutes making small-talk. He teaches me a few German idioms and recommends a nearby sausage street vendor whom he often visits for lunch. I make a note to swing by should I have the chance.</p>\n<p>Our conversational is jovial, but the trivialities do not last long, and the tune of the talk soon changes.</p>\n<hr/>\n<h1 id=\"toc3\"><span>Seeds to Sow</span></h1>\n<p>\u201cAs the hallucinogen starts to set in,\u201d explains Jakub, \u201cI will be encouraging it to blossom by planting ideas in your head. You\u2019ll think they\u2019re nonsense, but I want you to really try to stretch your suspension of disbelief for me. Will you do that?\u201d</p>\n<p>\u201cWhat do you mean by that?\u201d</p>\n<p>\u201cIf I tell you something that plainly isn\u2019t true, or that doesn\u2019t make sense, I want you to believe it. I want you to open your heart and really try to let that information settle. It\u2019s part of the experience \u2014 the drug will help you get there, but it can\u2019t start the journey itself. Will you do that for me?\u201d</p>\n<p>\u201cIs that\u2026 is that safe? You hear all these stories of nasty side-effects of drug use, even long-term, from drugs that are, uh, apparently totally fine \u2014 I\u2019m just a little wary, you know?\u201d</p>\n<p>\u201cIt\u2019s safe,\u201d he assures me. \u201cEven with the drug. We\u2019ve never had a customer tell us that they regretted the experience.\u201d</p>\n<p>I take a moment to think. I\u2019ll admit I was anxious about it, but the reassurances were helping. There was something about Jakub \u2014 he had a very trustworthy face. \u201cSure. I think I can do that. The idea doesn\u2019t make much sense to me right now, but I\u2019ll try my best.\u201d</p>\n<p>\u201cThank you.\u201d</p>\n<p>He waits a long moment before speaking again.</p>\n<p>\u201cThere are three people in this room, Eden. Do you feel them?\u201d</p>\n<p>I consider it. \u201cSure \u2014 me, you and God.\u201d</p>\n<p>Jakub shakes his head. \u201cNo, no. It is me, you, and the Restaurant. The Restaurant is as much a person as you or I, and it has thoughts and feelings and desires just the same. It is the same as us. Do you understand that?\u201d</p>\n<p>\u201cNo God?\u201d</p>\n<p>\u201cGod isn\u2019t watching right now.\u201d</p>\n<p>\u201cIs this one of the things you told me to try and believe?\u201d</p>\n<p>\u201cYes. Indulge me. I need you to truly believe this.\u201d</p>\n<p>\u201cAlright. God\u2019s distracted, and this restaurant is\u2026 a living person? Or it thinks like one?\u201d</p>\n<p>He nods. \u201cGood! You\u2019re getting there. When you receive your food, I need you to understand that the Restaurant has created it for you. That\u2019s very important \u2014 it\u2019s for you. It\u2019s not pasta that could have been for anyone but happens to have ended up in front of you. It is pasta that was conceived for you, made for you, cooked for you, served for you. The idea of pasta began, so long ago in Italy and even before then, because the universe needed to find a way to serve you pasta at this exact place at this exact moment. Tell me what you understand.\u201d</p>\n<p>The directness of his demand throws me a little. \u201cThis pasta\u2026 was destined for me. All pasta was destined for me?\u201d</p>\n<p>He smiles. \u201cYes. Perfect, yes. But the inverse is also true. Tell me.\u201d</p>\n<p>\u201cThe inverse? That\u2026 I am destined for this pasta?\u201d</p>\n<p>\u201cYes!\u201d he cries in a celebratory tone, playfully slapping my knee, \u201cYou\u2019re destined for this pasta. Your sole meaning in life, the divine purpose of your creation, is to consume this pasta. Do you understand?\u201d</p>\n<p>\u201cYes.\u201d</p>\n<p>\u201cDo you believe it?\u201d</p>\n<p>\u201cNo.\u201d</p>\n<p>\u201cThat\u2019s alright. We still have a few minutes. The Restaurant wants to facilitate this exchange. The Restaurant\u2019s destiny is your destiny. It all revolves around you, Eden. The Restaurant makes the pasta and the Restaurant serves you the pasta. I\u2019m just the messenger \u2014 it\u2019s my job to deliver you unto the Restaurant, but I don\u2019t matter. The Restaurant is the universe and it wants nothing more than to watch you eat this pasta. You must want it, you must want this more than anything.\u201d</p>\n<p>I close my eyes. As much as he is telling me to believe \u2014 and believe me, I\u2019m trying \u2014 his voice and his face are distracting me. The drug creates an odd feeling, but it\u2019s more the expectation that I\u2019ll feel something than anything else. I\u2019m overthinking everything that enters my head. I imagine I would feel the same if I\u2019d only been told that I\u2019d taken a hallucinogen. The one thing I\u2019m certain of is that I\u2019ve not yet hallucinated anything.</p>\n<p>Without the vision of him crouching there to distract me, it\u2019s easier to focus on what he\u2019s said. Thankfully, he has stopped talking. What he\u2019s saying doesn\u2019t make any sense, but I\u2019m trying my best not to think about that. I\u2019m genuinely trying to believe \u2014 and it\u2019s made all the easier by the fact that, no matter how much I doubt what he\u2019s saying, I think that he does genuinely believe it. I just need to persuade myself into thinking the same.</p>\n<p>The universe is aligned the way it is because I must eat pasta. (Although, it seems likely that the fact that it\u2019s pasta doesn\u2019t matter. It is a symbolic act of consumption.) The world is the way it is not because God made it so, but because it simply needs to be this way in order for me to be here. For a moment, I feel it \u2014 I feel it! I feel the cosmos around me, I can feel the universe pressing against everything, I can feel the unknowable breadth of its desire, and I can feel the Restaurant connecting me to it like a lightning rod. As I open my eyes, the moment fades, though, like the receding waves on a beach, and the building is simply a restaurant again. But, like the ebb and flow of the waves, I am filled with hope that the moment will shortly return. The drugs work. The journey has begun.</p>\n<hr/>\n<h1 id=\"toc4\"><span>Lambs to Slaughter</span></h1>\n<p>I hear a faint beeping sound. Jakub must have set a timer for the ideal time for the drugs to kick in. I\u2019m impressed with his accuracy. He pulls out his phone to turn it off, and the sound is silenced. It is horrifying to watch the thing that just a few seconds prior was asserting control over time itself, over the flow of the universe, buckle and bow to the whims of a mere human. It is almost insulting.</p>\n<p>\u201cI felt it,\u201d I say.</p>\n<p>\u201cYou believe?\u201d</p>\n<p>It feels like he knows what I\u2019ve experienced, and doesn\u2019t need me to elaborate. A simple yes or no will suffice.</p>\n<p>\u201cI do.\u201d</p>\n<p>He tells me to stand up, and I do so, grateful that I\u2019m sat in a seat without a table to block my path. I find myself a little unsteady on my feet, and Jakub takes my arm to help me up. He directs me towards a door at the back of the room that I hadn\u2019t noticed before. He is behind me as I lead the way. As we walk in the restaurant I find myself walking forwards on the beach in my mind, too. We arrive at both the door and the ocean in seconds. The walk has left a feeling in my legs, evidence that it happened, but the fact has slipped my mind. Jakub\u2019s face is close to mine.</p>\n<p>\u201cAre you alright?\u201d he asks.</p>\n<p>\u201cYes. I\u2019m fine.\u201d</p>\n<p>He pushes open the door to reveal a long, dark corridor. His right hand, red hot, is placed gently on the back of my neck as he guides me forwards, and his left, icy cold, is wrapped around my left elbow. I step into the darkness and the lights flicker to life one by one, left then right and so on ever outwards, <a href=\"/disposal-and-discourse\">my eyes darting from side to side</a>. The corridor seems to gently twist counterclockwise as it extends, and as I walk I find myself veering to the left before Jakub\u2019s firm grip redirects me and centres me right in the middle where I belong.</p>\n<p>I\u2019m acutely aware that, at any given point, what I think I\u2019m experiencing is unlikely to be what\u2019s actually happening. I honestly suspect that I\u2019m still in the chair in the waiting room. The waves lap over my feet, though, and the water is warm, the sand is soft. It is comforting.</p>\n<p>We reach the end of the corridor and enter a vast circular room, perhaps ten metres wide. The walls are a matte grey metal, and seem to extend upwards as far as I can see, like layers and layers of stacked iron rings. The floor is a metal mesh, with steel struts supporting it over a black chasm that seems to extend downwards for the same distance. There are no visible lights but the room is brightly lit. In the centre of the room, in the middle of this vast tube, is a single table and chair. A knife, fork and napkin have already been set out.</p>\n<p>\u201cSo this is why you only have five seats in the queue. One customer at a time.\u201d</p>\n<p>I look to Jakub to see if I\u2019m correct. He nods and smiles, as if the parent of a young child who\u2019d correctly identified dog faeces.</p>\n<p>He guides me to the middle of the room and pulls back the chair. My mind hovers. I know there is something that I am supposed to do, some action I am supposed to take, but it is both unknowable and forbidden. The concept of it eludes me. It is not mine to touch nor to decide.</p>\n<p>\u201cSit.\u201d</p>\n<p>I sit.</p>\n<p>Another person emerges from the corridor that led me here, dressed again in crimson and black. I look at its face to gauge who it is but there are no details to see. For a single moment I understand that everything Jakub told me was a lie; that he wasn\u2019t who I thought he was; he was merely the face of the Restaurant, a medium between me and It, and every fact I learned about him was concocted to comfort me \u2014 but the moment falters and fades an instant after it appeared. The waves come back in and cover the exposed sand. The water is up to my knees now, and even sitting, I continue to walk deeper into it. The person, which was carrying a plate of food, places it in front of me. It is <em>penne all'arrabbiata</em>.</p>\n<p>\u201cThank you,\u201d I say to the person. \u201cMay I take a picture?\u201d</p>\n<p>It nods. It is a bee in the hive.</p>\n<div class=\"image-hover-enlarge scp-image-block block-left\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"pasta.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/pasta.png\"/><br/>\n<div class=\"scp-image-caption show\"><em>Penne all'arrabbiata</em>, by Ambrose Vienna.</div>\n</div>\n<p>My phone\u2019s screen is warped and confusing. The camera controls are familiar but alien, strange shapes that I recognise but can\u2019t make sense of. I take only one picture \u2014 I hope that it\u2019s article-worthy. (Looking back now, yes, it\u2019s fine.)</p>\n<p>The person leaves. I\u2019m unsure that it was ever there in the first place. It was not a real person, with thoughts and feelings, that much I am certain of. It was a puzzle piece, a message written by the universe. Part of the Restaurant.</p>\n<p>The water has reached my hips, and it has begun to restrict my movement. My walking naturally becomes wading.</p>\n<p>Everything Jakub told me was false. The Restaurant does not want me to consume \u2014 it is just the mouthpiece, a puppet. Jakub is a marionette, the strings of whom dangle from a wooden bar that he calls the Restaurant, but it too has strings, strings that hang from something else, and gripping that is a vast emptiness.</p>\n<p>My heart freezes. My breath stops. That emptiness \u2014 I\u2019ve seen it. I understand exactly what it is, I know it intimately, I have prayed to it every single day since my father admitted its existence, and so has everyone I\u2019ve ever known. A cold, cold terror sits in the base of my heart. We have spoken, held long conversations that last months and years in barely-intelligible symbolism and coincidences. Jakub is nothing compared to the Restaurant, and the Restaurant is nothing compared to it. Everything pales in insignificance against it, even the fact that I know. But never, until now, have I seen it. And if I have seen it, then it has seen me. It knows me.</p>\n<p>Does Jakub know it exists? If he did, why didn\u2019t he tell me? Why did he lie?</p>\n<p>In the middle of this room, this circular metal room, in the belly of the Restaurant, I am in the eye of the storm. The storm, the rest of the universe, revolves around me, spinning its chaos everywhere. The counterweight is here. It\u2019s me.</p>\n<p>I understand it \u2014 of course I understand it. I am the only thing that is separate from it. It is one unified entity that represents everything I have ever known. Every person in my life, my mother, my father, every friend I\u2019ve ever made, everyone in my church, every stranger I\u2019ve shared a smile with, everyone I used to be; they are all one.</p>\n<p>It is everything that is not me. I understand what I am, therefore I understand what it is.</p>\n<p>The pasta in front of me. It\u2019s part of it, too; in fact it is the centrepiece. Everything else simply exists, like the petals of a flower, to guide me, the bee, to the middle. I am finally here, as I have always been fated to be.</p>\n<p>The water has reached my shoulders.</p>\n<p>Of course. It doesn\u2019t matter whether or not Jakub knew. He was part of it. Whether he knew or not \u2014 whether or not such a distinction is even valid anymore \u2014 he was either in on the secret, or part of it. What he said was neither truth nor lie; it was a stepping stone, a bridge to take my mind to a place where it could understand what is important. It served a purpose.</p>\n<p>The universe could never give me a direct command \u2014 it is too far removed, too abstracted. We are unknowable to each other. It has been trying to tell me that it exists for so long, so, so long, but I have always ignored it. Its messages are everywhere. Every schoolteacher, telling me what to think. Every advertisement, telling me what to want. Every anxiety, telling me how to behave. Every mirror, telling me how to change. Every sunrise, the sheer beauty of it, the consistency of one day after another, the horror of monotony, the encapsulation of night and day like a pill that must be taken for the rest of your life, the paranoia that underpins this world and everything in it, the depression that everything is built upon. It has been trying to assert its existence, trying to justify to me that it exists, for as long as I have been alive and billions of years heretofore.</p>\n<p>And I thought that was God.</p>\n<p>How silly of me.</p>\n<p>The water has reached my neck.</p>\n<p>This time, its message came in the form of Jakub. It was as direct as it possibly could be. I would never have stumbled upon the Restaurant on my own, though perhaps it had been waiting for that. It needed some sort of catalyst.</p>\n<p>Jakub is gone now, though. I certainly don\u2019t see him, though he may have been the person who brought me my food. His job was to show me the universe. The Restaurant. His job was to prove to me that the Restaurant exists, entirely separate and apart from the restaurant that contains it. The Restaurant is not alive, as he had asserted; it is an idea, a doorway that leads to the universe. A doorway that, though I may touch it, I am not permitted to walk through. I'm not even sure that I'd be able to. It is strictly an entrance for the universe\u2019s desires.</p>\n<p>Now I am capable of seeing those desires for myself. I no longer ignore them. This time, with nothing else in this vast metal room to distract me or to be mistakenly-interpreted, those desires are manifest inside <strong>me</strong>, in my needs and wants. My basal craving for survival \u2014 my hunger for food.</p>\n<p>It is one last step, and the universe has been guiding me all the way, like Jakub\u2019s hand on the back of my neck. I have to take the last step myself.</p>\n<p>I tilt my head upwards to keep my mouth out of the water, and I tilt my head downwards to gaze upon my food. <em>Penne all'arrabbiata</em>. Angry pasta. I pick up the fork and press it into one of the pieces. It sticks to my fork and the sauce, pale red, sticks to the pasta.</p>\n<p>I raise it to my mouth, and lift my head ever further. I place the pasta inside and pull it from the fork with my teeth. A little salty water slips into my mouth. The pasta is both soft and hard. The tomato is sweet. The basil is pungent. A piece of onion, which hitched a ride alongside it, is both tart and brittle.</p>\n<p>But it isn\u2019t spicy.</p>\n<p>As the flavour sits in my mouth, there is silence. The room is empty and cold. My head is empty and thoughtless. The universe has nothing to say to me. I did what you asked, didn\u2019t I? Is that it? Are you done with me?</p>\n<p>Then I swallow.</p>\n<p>Suddenly the floor beneath me falls away \u2014 where once there was sand, now there is water. I am above a bottomless chasm filled with the ocean. I trip, inasmuch as is possible in deep water, and fall; my arms were by my sides but now they uselessly churn the sea in a panicked frenzy.</p>\n<p>The salt water stings my eyes, and my lungs begin to fill with fear. I did not have a chance to take a breath before I fell. I clutch at my throat with my right hand, trying to breathe, but only water fills my mouth, I try to expel it but my lungs, suddenly demanding attention, cry in pain. I stand up, knocking the chair over backwards and it clatters to the ground behind me, and I keel forwards onto the table, not caring about the pasta in my way. My left hand lands in the middle of the bowl and it shatters, creating a cascade of sharp white triangles, pasta spilling out from both sides, sauce splashing over me. My body spins in the water as I struggle; I am upside-down, the dark abyss appears above me but it grows brighter as I sink deeper, my body convulses as I take a desperate breath, the pressure grows stronger and my vision starts to fade as the ocean floor comes into view and at the bottom I can see \u2014</p>\n<p>At the bottom of the abyss, there is nothing. Nothing at all.</p>\n<p>The moment is gone. The beach, the waves, the ocean, all gone. A memory; already fading.</p>\n<p>There is tomato sauce up my arm and down my clothes. I timidly pull my hand away from my neck, moving my tongue around inside my mouth, checking for debris. There\u2019s nothing. No pasta, nothing to choke on. I feel more than a little humiliated.</p>\n<hr/>\n<h1 id=\"toc5\"><span>Treading Water</span></h1>\n<p>My first instinct is to check for injuries. I\u2019m not entirely certain what happened. I must have started to choke, coughed the pasta back up, and then swallowed it. What definitely did happen is that I sprayed shards of ceramic across the room. It looks like most of them have fallen through the mesh that covers the floor \u2014 but now I can see that beneath it is not a bottomless chasm, but a mirror that spans the entire room. I look up, and the same is true for the ceiling.</p>\n<p>I\u2019m not in a tube, just a circular room. That explains, too, why I thought the room was made of stacked rings instead of a cohesive tube \u2014 I was seeing the boundary of where the mirror met the wall, repeated upwards indefinitely. I\u2019m most surprised that I didn\u2019t notice either my own or the table\u2019s reflection. I feel as if I have just awakened from a long sleep.</p>\n<p>Luckily, I don\u2019t appear to be injured. I can\u2019t find any blood. It\u2019s probably all still inside me.</p>\n<p>As the shock fades, my attention turns from physical injuries to mental. What did I just experience? I feel fine, and have felt fine for the duration of my visit, though right now I\u2019m a little panicked and there is certainly adrenaline coursing through me. I make myself cough a few times, mostly to check whether or not my lungs are full of water. They\u2019re not. I give myself a moment to catch my breath and let my heart rate return to normal. I tell myself that I just suffered a panic attack, either caused by or amplified by the drug, and that everything is fine.</p>\n<p>I\u2019m not going to eat from a broken plate, so my next order of business is to seek a replacement, or a least an opportunity to apologise. But, looking around the room, I can see that I am alone. I am, honestly, appalled that I have been left unsupervised. After being drugged, I would expect to be on constant watch for unpredicted events \u2014 and indeed, such an event has occurred!</p>\n<p>I clear whatever sauce I can from myself and head towards the corridor through which I entered. It isn\u2019t twisted like I remember, but it does seem to be about as long. I arrive back in the waiting room with the bar without incident. There is nobody here, either. The seat that I sat in \u2014 the one that part of me, somewhere, is sure that I am still sat in \u2014 looks crumpled and used. The other four still look pristine.</p>\n<p>When I arrived, Jakub came from a door behind the bar, so I decide to look there next. As I pass by, I can see that the metal canister of hallucinogenic gas and the mask used to administer it are still there \u2014 reassuring proof that he was definitively not imagined, as I admit I had begun to worry. I take this opportunity to find out what the gas was, but find that the canister is unlabelled.</p>\n<p>I open the door behind the bar, expecting to see a kitchen, but there is only a very small room, more of a storage closet than anything else. There is a small counter, atop of which is an empty plastic container, stained red, and a microwave. There is a shelf higher up, and a cupboard beneath the counter, but both are barren. There is nothing else here. Jakub is nowhere to be seen \u2014 whatever his objective was, he achieved it. He doesn\u2019t need me anymore.</p>\n<p>I come to two conclusions: that I will not be receiving any more food, and that it is time to leave.</p>\n<p>I head towards the entrance. My coat, scarf, and gloves are precisely where I left them, and even being this close to the door I can feel that it is still cold outside, so I put them back on.</p>\n<p>I take a left after I leave, and take this chance to peer through the windows that were to the right of the door as I entered. It is too dark inside to make out anything clearly, but by cupping my hands over my brow and leaning forward against the glass I can see tables and chairs with cloth draped over them. There are rat droppings on the windowsill.</p>\n<p>I leave Ambrose Vienna with an empty stomach but a busy mind.</p>\n<hr/>\n<h1 id=\"toc6\"><span>Happy Yesterday</span></h1>\n<p>It has now been several months since I visited Vienna. It has taken me this long to gather my thoughts, and work out exactly what I want to say.</p>\n<p>The events of that morning are seared into my memory. I have not forgotten a single detail nor a single word of what Jakub said. I am certain, to the fullest extent, that what I have written is what I experienced \u2014 though of course, as noted above, what I experienced may not have been what actually happened.</p>\n<div class=\"image-hover-enlarge scp-image-block block-right\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"sausage.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/sausage.png\"/><br/>\n<div class=\"scp-image-caption show\"><em>Burenwurst</em>, by a local sausage stand.</div>\n</div>\n<p>After leaving Ambrose Vienna, seeking a more fulfilling meal, I headed to the sausage stand that Jakub had recommended. The sight of patronage by the locals in their various working uniforms, even in the cold winter sun, was enough to assure me that the place was trustworthy, and I ordered a <em>Burenwurst</em>, which I\u2019m told is a local delicacy. It was my first opportunity to try meat since leaving the Kingdom, and I must say that it was not to my liking, and I cannot recommend it to Kingdom denizens. I can say, however, that the mustard was sweet and delicious.</p>\n<p>I\u2019ve always wanted to visit St. Stephen\u2019s Cathedral, a tourism hot-spot for Vienna, and headed there next, hoping to catch some of the services as well as atone for my missed prayers. It\u2019s in the city centre, but I took pleasure in the walk, and spent the time mulling over my experience.</p>\n<div class=\"image-hover-enlarge scp-image-block block-left\" data-feature=\"image-feature\" style=\"max-width:300px;\"><img alt=\"stephen.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/stephen.png\"/><br/>\n<div class=\"scp-image-caption show\">St. Stephen\u2019s Cathedral, interior.</div>\n</div>\n<p>The cathedral had quite a few people milling about inside, as do most places of worship after the unification, and I began to partake in the ceremony of fire, as the queue for flesh was too lengthy and I was unsure of the rites in German. However, midway through, I realised that I was only going through the motions. I didn\u2019t feel anything, I couldn\u2019t feel God. I excused myself and left to sit on the paving outside the cathedral. I closed my eyes and prayed, but no matter how hard I tried, there was nothing there. Just a hollow feeling. All I could think of was the image of my own corpse floating in some forgotten ocean.</p>\n<p>In the months since I left Vienna, I\u2019ve been to countless places of worship in the Kingdom, and have had the same experience each time. I go through the motions that countless times before have elicited in me divine euphoria. Now, nothing. Empty gestures to an empty sky. I watch everyone else experience the same things that I used to, and I am obligated to pretend alongside them. I\u2019ve spoken to family, to religious experts, to therapists. No-one can work out what is wrong with me. I\u2019ve been asked, by my own priest, no less, to keep this quiet, for my own safety. I have done, for the most part, as tempting as it is to ask some online discussion board for help.</p>\n<p>Whatever happened in Ambrose Vienna, it took something from me. Something that I cannot recreate. I tried to find out what the hallucinogen actually was, but it is impossible to find out about any drug in the Kingdom, let alone a specific one. I tried to plan a trip back to Vienna, back to the restaurant, to speak to Jakub and find out what happened \u2014 but of course, as I\u2019m sure you\u2019ve seen in the news already, it later transpired that Ambrose Vienna burned down no less than a month after my visit. (Tabloids popularised the theory that arson was the cause, but I cannot say whether or not I agree.) I tried to find previous customers to compare experiences, but I found no reviews, no comments, nothing to indicate that they had ever served anyone but me. I know only one thing for certain: whatever I lost, I will never get back.</p>\n<p>Despite the advice, I can wait no longer. This is my truth and I will not hide it. My name is Eden Bumaro. My God is dead, and without it, so am I.</p>\n<p><br/></p>\n<p><iframe allowtransparency=\"true\" class=\"html-block-iframe\" frameborder=\"0\" src=\"/ambrose-vienna/html/b9741f8ac07401379daa3a948942073a28ea7ff2-9901439801887401100\"></iframe></p>\n<p><br/></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-vienna\">Ambrose Vienna: An Out-of-Mind Experience</a>\" by Croquembouche, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-vienna\">https://scpwiki.com/ambrose-vienna</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> pasta.png<br/>\n<strong>Author:</strong> Aditya Oberai<br/>\n<strong>License:</strong> CC BY-SA 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Red_Sauce_Pasta.jpg\">https://commons.wikimedia.org/wiki/File:Red_Sauce_Pasta.jpg</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> paper.webp<br/>\n<strong>Author:</strong> Adam Czahrowski<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Derivative of:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Powiedz_ty_muzyko_moia.jpg\">https://commons.wikimedia.org/wiki/File:Powiedz_ty_muzyko_moia.jpg</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> street.png<br/>\n<strong>Author:</strong> Ross Williams<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Street_in_Vienna_near_city_centre.jpg\">https://commons.wikimedia.org/wiki/File:Street_in_Vienna_near_city_centre.jpg</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> sausage.png<br/>\n<strong>Author:</strong> Ross Williams<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Burenwurst_sausage_and_mustard,_Vienna.jpg\">https://commons.wikimedia.org/wiki/File:Burenwurst_sausage_and_mustard,_Vienna.jpg</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> street.png<br/>\n<strong>Author:</strong> Ross Williams<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Interior_hall,_St._Stephen%27s_Cathedral,_Vienna.jpg\">https://commons.wikimedia.org/wiki/File:Interior_hall,_St._Stephen%27s_Cathedral,_Vienna.jpg</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=rgb(255,203,0)]]\n\n[!-- Accent is similar to 'gold' --]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Courier+Prime:ital,wght@1,400;1,700&display=swap');\n\n\n\n/* If you use this menu CSS on an Ambrose article, please let me know!\n\n\u00a0* I'd love to hear about it so that I can downvote you and chastise you for being unimaginative.\n\n\u00a0* Make your own menu! (and then let me know about that :3 )\n\n\u00a0*/\n\n.menu {\n\n\u00a0\u00a0position: relative;\n\n\u00a0\u00a0background: url(https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/paper.webp);\n\n\u00a0\u00a0border-left: 0.75rem double #333;\n\n\u00a0\u00a0border-right: 0.75rem double #333;\n\n\u00a0\u00a0padding: 4rem min(4rem, 7vw);\n\n\u00a0\u00a0margin: 2rem;\n\n\u00a0\u00a0font-style: italic;\n\n\u00a0\u00a0font-family: 'Courier Prime', monospace;\n\n\u00a0\u00a0font-size: min(1.5rem, 3.5vw);\n\n\u00a0\u00a0display: flex;\n\n\u00a0\u00a0flex-direction: row;\n\n\u00a0\u00a0flex-wrap: wrap;\n\n\u00a0\u00a0justify-content: space-between;\n\n}\n\n.menu > p { margin: 0; }\n\n.menu > p:nth-child(2) { margin-left: 1rem; }\n\n.menu > p:nth-child(3) { flex-basis: 100%; }\n\n\n\n.menu::before, .menu::after {\n\n\u00a0\u00a0content: \"\";\n\n\u00a0\u00a0position: absolute;\n\n\u00a0\u00a0pointer-events: none;\n\n\u00a0\u00a0top: -1rem; right: -1rem; bottom: -1rem; left: -1rem;\n\n\u00a0\u00a0background-image: url(https://scp-wiki.wdfiles.com/local--files/ambrose-vienna/clip.png);\n\n\u00a0\u00a0background-position: 0 1rem;\n\n\u00a0\u00a0background-size: 100% 2rem;\n\n\u00a0\u00a0background-repeat: repeat-x;\n\n}\n\n.menu::after { transform: rotate(180deg); }\n\n[[/module]]\n\n\n\n\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\n//An//\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\n**Out**-of-**Mind**\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\n\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\nExperience.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nA review of Ambrose Vienna.\n\nBy Eden Bumaro.\n\n17 min read.\n\n\u2b50\u2b50\u2605\u2605\u2605\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n> **Disclaimer:** For a portion of this review, it\u2019s not possible for me to say how closely what I\u2019ve written matches what actually happened. However, this is a transcription of my experience, and while it may not be entirely accurate to reality, it is my truth, and my final star-score for Ambrose Vienna reflects this.\n\n\n\n-----\n\n\n\nIn the restaurant-reviewing business, it\u2019s unusual -- but not unheard-of -- for a restaurant to directly and explicitly request a review. It\u2019s actually considered poor form. The typical route to soliciting reviews is slow and simmering. A restaurant should build its reputation naturally, building a rapport with satisfied customers who leave positive reviews online. A restaurant should not ask their customers for reviews, and soliciting a professional review is frowned upon. The goal is to attract the attention of an influential expert by your own virtues, rather than because you flagged them down. It is certainly a game, complete with rules both official and unspoken, and the classy way to win is to play slowly.\n\n\n\nWhat //is// unheard of, however, is for an [[[ambrose-restaurant-hub | Ambrose]]] restaurant to request a review. Ambrose, which is technically a small international chain but realistically a set of unrelated restaurants under a single name, have a very consistent business profile. They stay under the radar. Ambrose restaurants cater to a specific clientele -- the niche; the unknown; odd individuals who come up out of the woodwork for a single meal and then retreat back from whence they came, never to be seen or heard from again. There is //always// a gimmick.\n\n\n\nMainstream media attention, to an Ambrose restaurant, is toxic.\n\n\n\nSo when Waldon Studio was contacted by Ambrose Vienna, we were surprised; and none more so than when they requested a review from myself -- Eden Bumaro -- specifically. Waldon Studio are nothing if not connoisseurs of the unknown, so decorum be damned -- I was happy to accept.\n\n\n\nI had absolutely no idea what I was in for.\n\n\n\n-----\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=false\n\n|align=center\n\n|width=500px\n\n|url=street.png\n\n|add-caption=true\n\n|caption=The street of Ambrose Vienna.\n\n]]\n\n\n\n+ First Impressions\n\n\n\nAmbrose Vienna is located just outside the //Ringstrasse//, the circular road that encloses Vienna\u2019s city centre, a ten-minute walk away from the south side. I\u2019m fortunate to be able to catch a tram on the way there, a historic but otherwise unnoteworthy experience that I\u2019d missed out on when arriving at my hotel the previous night. The walk from the tram stop to the restaurant was a pleasant one, though I was unable to find a church for morning prayer. Austria is far prettier in the light of the morning; the briskness of the winter chill is strong enough to focus my attention upon it, but not so overwhelming as to demand a single-minded focus on finding somewhere warm (as I am ashamed to admit it had done the night prior).\n\n\n\nThere is nothing remarkable about the doors of Ambrose Vienna. Two panes of glass are rimmed by dark wood, the top of which is adorned with the chain\u2019s logo in a golden typeface. Two tall, slender handles of polished silver-coloured metal curve gently inwards, accentuating the warm darkness that hides behind the glass. I am grateful to be wearing gloves as I open the door, as I don\u2019t wish to disturb the perfect finish of the metal.\n\n\n\nI step inside and a shiver passes through me. The foyer is dark, and my eyes take a moment to adjust from the winter sun. There is a coat rack to my right, visible in the light shining through the door, and I take a moment to remove my coat, scarf and gloves. By the time my attire adorns the brass construction, I can see plainly.\n\n\n\nIn front of me is a small desk, no doubt for a server to greet patrons as they enter the restaurant, but there is no-one there presently (Ambrose Vienna agreed to allow me a few minutes to explore alone). To my right is a wall, which I find surprising, given that the door I entered was in the centre of the building -- I would expect to see a seating area. There is a glass panel to my left, though, and through it I can see the expected seating, but each chair lacks a table. In fact, it invokes the image of a waiting room. Behind the server\u2019s desk is a pathway that leads around the glass panel and towards the chairs.\n\n\n\nI make my way into the \u2018waiting room\u2019. The temperature in here, somehow, is perfect -- it is as if the air is not present at all. At the right-hand side, opposite to the windows, is a bar, the rear of which has a reputable stock of liquors. The chairs, five in total and distributed evenly throughout the room, appear to be made of a faux leather that is uncracked and undamaged. They have never been used. A quick test proves that they are certainly comfortable. I am growing more certain by the minute that they are designed to make quick a long wait, and this creates a conflict in my mind: a restaurant that concedes to inordinate waiting times surely cannot be a good one... and yet one that admits it so plainly?\n\n\n\nAn Ambrose restaurant always has a gimmick, and so far, I\u2019m yet to see it.\n\n\n\nMy flight had been delayed, so I had not been able to attend a prayer service either last night or this morning -- you\u2019d think that finding a church would be easy, now that all places of worship serve the same cause. However, the chair is comfortable, and it proves the ideal spot for a quick personal prayer as I wait.\n\n\n\n-----\n\n\n\n+ Cheap Auditions\n\n\n\nA door opens from behind the bar. My solitude is broken and my prayer goes unanswered.\n\n\n\nThe new face is young -- perhaps late twenties -- with a shaven head but a full beard and moustache. He is wearing a tightly-buttoned chef\u2019s jacket in a deep crimson, and with a salute he steps out from behind the bar to reveal black trousers and polished black shoes. With a smile and smidge of hesitation, I return the salute.\n\n\n\nHe steps towards with one hand holding a metal canister and the other outstretched towards me. I take it, we shake, and I look into his eyes long enough to commit his eye colour to memory. It\u2019s a dark brown. His nametag reads \u2018Jakub Svobodn\u00fd\u2019. This is the person with whom I\u2019ve been emailing back and forth, though it\u2019s the first time I\u2019ve seen him in person.\n\n\n\n\u201cYou must be Jakub,\u201d I say. \u201cGod smiles. It\u2019s good to meet you, at last.\u201d\n\n\n\n\u201cAnd the same to you,\u201d he replies, but then stumbles: \u201cUh...\u201d\n\n\n\n\u201cEden.\u201d I know that he\u2019s unsure which honorific to pick. \u201cEden Bumaro.\u201d\n\n\n\n\u201cThank you, Eden. God smiles. Welcome to Ambrose Vienna.\u201d\n\n\n\nI nod. I already know this. I\u2019m keen to learn literally anything else -- for example, the contents of the metal canister in his hand. I gesture to it.\n\n\n\n\u201cIs that a present?\u201d\n\n\n\nHe looks down at it, as if he\u2019s forgotten what it is.\n\n\n\n\u201cAh, of course,\u201d he says, \u201chow much do you know about what we do here?\u201d\n\n\n\nI raise my arms in defeat. \u201cAbsolutely nothing. You reached out to me, remember?\u201d\n\n\n\nHe smiles. \u201cI see. Well, this can contains a gas-based hallucinogen.\u201d\n\n\n\nHe stops to gauge my reaction. I manage to hold myself back and reveal nothing.\n\n\n\n\u201cI\u2019ll be giving you a dose of this now, with your consent, of course. It\u2019ll take about a half hour to set in, during which time you\u2019ll make your order and we can have a chat, and as you start to experience the effects you\u2019ll receive your meal. How does that sound?\u201d\n\n\n\nI take a moment to process what he\u2019s said.\n\n\n\n\u201cHow does this work normally? Do you give this to every customer?\u201d I take a glance around the room. \u201cAll five of them?\u201d\n\n\n\n\u201cEvery customer. That\u2019s why we can only accommodate so few.\u201d\n\n\n\n\u201cLegally?\u201d\n\n\n\n\u201cOf course. It\u2019s all consensual. The regulations in Austria are far more lax than what you\u2019re used to, I imagine.\u201d\n\n\n\nIt\u2019s true. Coming from the Kingdom, where drug possession of any kind is a criminal offence, seeing a canister of lifelong sentences a mere metre away from me is somewhat of a culture shock. Even the fast food chains I passed after arriving at the airport felt alienating. It\u2019s probably why Jakub didn\u2019t disclose this upfront, out of fear of me being a product of my environment and being unwilling to try a forbidden experience. Now that I\u2019m here, I can\u2019t professionally back out, even if I wanted to, and we both know it.\n\n\n\n\u201cThat\u2019s fine, then,\u201d I tell him. \u201cYou have my consent.\u201d\n\n\n\nHe withdraws a rubber face mask from underneath the bar and, assuring me that it\u2019s sanitised, attaches it to the metal canister. He has me hold it tightly against my face and take three deep breaths -- no more, no less. The gas tastes sour. The canister must contain a perfectly-measured portion, because as soon as I\u2019ve had my fill, the hiss of releasing gas stops. Jakub takes the canister and mask and places them on the bar. It strikes me as odd that there\u2019s no designated place to put them.\n\n\n\nAt least now I know what this place\u2019s gimmick is.\n\n\n\n-----\n\n\n\n+ Honey Bees\n\n\n\nJakub\u2019s first task is to have me make my order. He passes me a menu, which he withdraws from under the bar, presumably from a stack of many more. No further instruction is required -- I am very familiar with this step.\n\n\n\nThe menu is varied, with the restaurant catering to a range of diets, but there is one choice that stands out to me:\n\n\n\n[[div class=\"menu\"]]\n\n**Penne all'arrabbiata**\n\n\n\n540 \u00f6S\n\n\n\nPenne pasta in a traditional Italian sauce.\n\n[[/div]]\n\n\n\n//Penne all\u2019arrabbiata.// Literally \u2018angry pasta\u2019 in Italian, referring to the spice of the chilli. It\u2019s a simple dish that\u2019s easy to make, but I\u2019ve seen it made so wrong, so many times. In particular, many restaurants used a misspelled version of the name -- \u2018arrabiata\u2019 -- as a synonym for unspiced tomato sauce. If a restaurant serves it, I order it, and frequent readers will know -- as does Ambrose Vienna, I\u2019m sure -- that I think it is the perfect test for a restaurant. It is easy to wow me with an impressive dish. It is far more difficult to wow me with a basic dish. If the restaurant can achieve that, then they are truly excellent.\n\n\n\nJakub takes my menu and passes my order on to the kitchen, then has me sit in one of the chairs in the waiting area. I choose the same one I sampled before. He crouches down on the floor in front of me.\n\n\n\nNow we have roughly half an hour to waste, and Jakub sets to work like a fevered woodpecker. He has stories to tell, anecdotes to share, but mostly, I think, he has a script to work through. His family is from Cisleithania, I am told, and after the war and the following religious unification, his grandfather was allowed to move to Vienna to be with his grandmother. He tells me that he has been here ever since. His mother passed away when he was very young, and his grieving father tried to raise him atheist -- the word sounds unfamiliar -- but he assures me that they both saw the truth eventually and now enjoy a far healthier relationship. I learn that he plays the lute, and is a member of an amateur band called the Initiative that meets regularly to play medieval music. They\u2019re competing for the chance to play at their local church, but it\u2019s not going well. He seems okay with that, but he doesn\u2019t have any other interests to tell me about. I\u2019ve always found the \u2018one person, one hobby\u2019 trope irritating, but Jakub seems to fit the stereotype perfectly.\n\n\n\nI ask him what prompted him to work for Ambrose. He says it\u2019s a family business, but he\u2019s oddly non-specific about how anyone else who works here is related to him, so I suspect he\u2019s referring to some other kind of family. Perhaps his musical friends.\n\n\n\nHe asks me what prompted me to work for Waldon Studio. I tell him the truth: that I appreciate good writing and better food. We share a laugh.\n\n\n\nWe spend perhaps twenty minutes making small-talk. He teaches me a few German idioms and recommends a nearby sausage street vendor whom he often visits for lunch. I make a note to swing by should I have the chance.\n\n\n\nOur conversational is jovial, but the trivialities do not last long, and the tune of the talk soon changes.\n\n\n\n-----\n\n\n\n+ Seeds to Sow\n\n\n\n\u201cAs the hallucinogen starts to set in,\u201d explains Jakub, \u201cI will be encouraging it to blossom by planting ideas in your head. You\u2019ll think they\u2019re nonsense, but I want you to really try to stretch your suspension of disbelief for me. Will you do that?\u201d\n\n\n\n\u201cWhat do you mean by that?\u201d\n\n\n\n\u201cIf I tell you something that plainly isn\u2019t true, or that doesn\u2019t make sense, I want you to believe it. I want you to open your heart and really try to let that information settle. It\u2019s part of the experience -- the drug will help you get there, but it can\u2019t start the journey itself. Will you do that for me?\u201d\n\n\n\n\u201cIs that... is that safe? You hear all these stories of nasty side-effects of drug use, even long-term, from drugs that are, uh, apparently totally fine -- I\u2019m just a little wary, you know?\u201d\n\n\n\n\u201cIt\u2019s safe,\u201d he assures me. \u201cEven with the drug. We\u2019ve never had a customer tell us that they regretted the experience.\u201d\n\n\n\nI take a moment to think. I\u2019ll admit I was anxious about it, but the reassurances were helping. There was something about Jakub -- he had a very trustworthy face. \u201cSure. I think I can do that. The idea doesn\u2019t make much sense to me right now, but I\u2019ll try my best.\u201d\n\n\n\n\u201cThank you.\u201d\n\n\n\nHe waits a long moment before speaking again.\n\n\n\n\u201cThere are three people in this room, Eden. Do you feel them?\u201d\n\n\n\nI consider it. \u201cSure -- me, you and God.\u201d\n\n\n\nJakub shakes his head. \u201cNo, no. It is me, you, and the Restaurant. The Restaurant is as much a person as you or I, and it has thoughts and feelings and desires just the same. It is the same as us. Do you understand that?\u201d\n\n\n\n\u201cNo God?\u201d\n\n\n\n\u201cGod isn\u2019t watching right now.\u201d\n\n\n\n\u201cIs this one of the things you told me to try and believe?\u201d\n\n\n\n\u201cYes. Indulge me. I need you to truly believe this.\u201d\n\n\n\n\u201cAlright. God\u2019s distracted, and this restaurant is... a living person? Or it thinks like one?\u201d\n\n\n\nHe nods. \u201cGood! You\u2019re getting there. When you receive your food, I need you to understand that the Restaurant has created it for you. That\u2019s very important -- it\u2019s for you. It\u2019s not pasta that could have been for anyone but happens to have ended up in front of you. It is pasta that was conceived for you, made for you, cooked for you, served for you. The idea of pasta began, so long ago in Italy and even before then, because the universe needed to find a way to serve you pasta at this exact place at this exact moment. Tell me what you understand.\u201d\n\n\n\nThe directness of his demand throws me a little. \u201cThis pasta... was destined for me. All pasta was destined for me?\u201d\n\n\n\nHe smiles. \u201cYes. Perfect, yes. But the inverse is also true. Tell me.\u201d\n\n\n\n\u201cThe inverse? That... I am destined for this pasta?\u201d\n\n\n\n\u201cYes!\u201d he cries in a celebratory tone, playfully slapping my knee, \u201cYou\u2019re destined for this pasta. Your sole meaning in life, the divine purpose of your creation, is to consume this pasta. Do you understand?\u201d\n\n\n\n\u201cYes.\u201d\n\n\n\n\u201cDo you believe it?\u201d\n\n\n\n\u201cNo.\u201d\n\n\n\n\u201cThat\u2019s alright. We still have a few minutes. The Restaurant wants to facilitate this exchange. The Restaurant\u2019s destiny is your destiny. It all revolves around you, Eden. The Restaurant makes the pasta and the Restaurant serves you the pasta. I\u2019m just the messenger -- it\u2019s my job to deliver you unto the Restaurant, but I don\u2019t matter. The Restaurant is the universe and it wants nothing more than to watch you eat this pasta. You must want it, you must want this more than anything.\u201d\n\n\n\nI close my eyes. As much as he is telling me to believe -- and believe me, I\u2019m trying -- his voice and his face are distracting me. The drug creates an odd feeling, but it\u2019s more the expectation that I\u2019ll feel something than anything else. I\u2019m overthinking everything that enters my head. I imagine I would feel the same if I\u2019d only been told that I\u2019d taken a hallucinogen. The one thing I\u2019m certain of is that I\u2019ve not yet hallucinated anything.\n\n\n\nWithout the vision of him crouching there to distract me, it\u2019s easier to focus on what he\u2019s said. Thankfully, he has stopped talking. What he\u2019s saying doesn\u2019t make any sense, but I\u2019m trying my best not to think about that. I\u2019m genuinely trying to believe -- and it\u2019s made all the easier by the fact that, no matter how much I doubt what he\u2019s saying, I think that he does genuinely believe it. I just need to persuade myself into thinking the same.\n\n\n\nThe universe is aligned the way it is because I must eat pasta. (Although, it seems likely that the fact that it\u2019s pasta doesn\u2019t matter. It is a symbolic act of consumption.) The world is the way it is not because God made it so, but because it simply needs to be this way in order for me to be here. For a moment, I feel it -- I feel it! I feel the cosmos around me, I can feel the universe pressing against everything, I can feel the unknowable breadth of its desire, and I can feel the Restaurant connecting me to it like a lightning rod. As I open my eyes, the moment fades, though, like the receding waves on a beach, and the building is simply a restaurant again. But, like the ebb and flow of the waves, I am filled with hope that the moment will shortly return. The drugs work. The journey has begun.\n\n\n\n-----\n\n\n\n+ Lambs to Slaughter\n\n\n\nI hear a faint beeping sound. Jakub must have set a timer for the ideal time for the drugs to kick in. I\u2019m impressed with his accuracy. He pulls out his phone to turn it off, and the sound is silenced. It is horrifying to watch the thing that just a few seconds prior was asserting control over time itself, over the flow of the universe, buckle and bow to the whims of a mere human. It is almost insulting.\n\n\n\n\u201cI felt it,\u201d I say.\n\n\n\n\u201cYou believe?\u201d\n\n\n\nIt feels like he knows what I\u2019ve experienced, and doesn\u2019t need me to elaborate. A simple yes or no will suffice.\n\n\n\n\u201cI do.\u201d\n\n\n\nHe tells me to stand up, and I do so, grateful that I\u2019m sat in a seat without a table to block my path. I find myself a little unsteady on my feet, and Jakub takes my arm to help me up. He directs me towards a door at the back of the room that I hadn\u2019t noticed before. He is behind me as I lead the way. As we walk in the restaurant I find myself walking forwards on the beach in my mind, too. We arrive at both the door and the ocean in seconds. The walk has left a feeling in my legs, evidence that it happened, but the fact has slipped my mind. Jakub\u2019s face is close to mine.\n\n\n\n\u201cAre you alright?\u201d he asks.\n\n\n\n\u201cYes. I\u2019m fine.\u201d\n\n\n\nHe pushes open the door to reveal a long, dark corridor. His right hand, red hot, is placed gently on the back of my neck as he guides me forwards, and his left, icy cold, is wrapped around my left elbow. I step into the darkness and the lights flicker to life one by one, left then right and so on ever outwards, [[[disposal-and-discourse | my eyes darting from side to side]]]. The corridor seems to gently twist counterclockwise as it extends, and as I walk I find myself veering to the left before Jakub\u2019s firm grip redirects me and centres me right in the middle where I belong.\n\n\n\nI\u2019m acutely aware that, at any given point, what I think I\u2019m experiencing is unlikely to be what\u2019s actually happening. I honestly suspect that I\u2019m still in the chair in the waiting room. The waves lap over my feet, though, and the water is warm, the sand is soft. It is comforting.\n\n\n\nWe reach the end of the corridor and enter a vast circular room, perhaps ten metres wide. The walls are a matte grey metal, and seem to extend upwards as far as I can see, like layers and layers of stacked iron rings. The floor is a metal mesh, with steel struts supporting it over a black chasm that seems to extend downwards for the same distance. There are no visible lights but the room is brightly lit. In the centre of the room, in the middle of this vast tube, is a single table and chair. A knife, fork and napkin have already been set out.\n\n\n\n\u201cSo this is why you only have five seats in the queue. One customer at a time.\u201d\n\n\n\nI look to Jakub to see if I\u2019m correct. He nods and smiles, as if the parent of a young child who\u2019d correctly identified dog faeces.\n\n\n\n[!-- //I hope you remember the details of your time in the Restaurant,// Jakub says. //It was the last chance you had to see it.// --]\n\n\n\nHe guides me to the middle of the room and pulls back the chair. My mind hovers. I know there is something that I am supposed to do, some action I am supposed to take, but it is both unknowable and forbidden. The concept of it eludes me. It is not mine to touch nor to decide.\n\n\n\n\u201cSit.\u201d\n\n\n\nI sit.\n\n\n\nAnother person emerges from the corridor that led me here, dressed again in crimson and black. I look at its face to gauge who it is but there are no details to see. For a single moment I understand that everything Jakub told me was a lie; that he wasn\u2019t who I thought he was; he was merely the face of the Restaurant, a medium between me and It, and every fact I learned about him was concocted to comfort me -- but the moment falters and fades an instant after it appeared. The waves come back in and cover the exposed sand. The water is up to my knees now, and even sitting, I continue to walk deeper into it. The person, which was carrying a plate of food, places it in front of me. It is //penne all'arrabbiata//.\n\n\n\n\u201cThank you,\u201d I say to the person. \u201cMay I take a picture?\u201d\n\n\n\nIt nods. It is a bee in the hive.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=left\n\n|width=300px\n\n|url=pasta.png\n\n|add-caption=true\n\n|caption=//Penne all'arrabbiata//, by Ambrose Vienna.\n\n]]\n\n\n\nMy phone\u2019s screen is warped and confusing. The camera controls are familiar but alien, strange shapes that I recognise but can\u2019t make sense of. I take only one picture -- I hope that it\u2019s article-worthy. (Looking back now, yes, it\u2019s fine.)\n\n\n\nThe person leaves. I\u2019m unsure that it was ever there in the first place. It was not a real person, with thoughts and feelings, that much I am certain of. It was a puzzle piece, a message written by the universe. Part of the Restaurant.\n\n\n\nThe water has reached my hips, and it has begun to restrict my movement. My walking naturally becomes wading.\n\n\n\nEverything Jakub told me was false. The Restaurant does not want me to consume -- it is just the mouthpiece, a puppet. Jakub is a marionette, the strings of whom dangle from a wooden bar that he calls the Restaurant, but it too has strings, strings that hang from something else, and gripping that is a vast emptiness.\n\n\n\nMy heart freezes. My breath stops. That emptiness -- I\u2019ve seen it. I understand exactly what it is, I know it intimately, I have prayed to it every single day since my father admitted its existence, and so has everyone I\u2019ve ever known. A cold, cold terror sits in the base of my heart. We have spoken, held long conversations that last months and years in barely-intelligible symbolism and coincidences. Jakub is nothing compared to the Restaurant, and the Restaurant is nothing compared to it. Everything pales in insignificance against it, even the fact that I know. But never, until now, have I seen it. And if I have seen it, then it has seen me. It knows me.\n\n\n\nDoes Jakub know it exists? If he did, why didn\u2019t he tell me? Why did he lie?\n\n\n\nIn the middle of this room, this circular metal room, in the belly of the Restaurant, I am in the eye of the storm. The storm, the rest of the universe, revolves around me, spinning its chaos everywhere. The counterweight is here. It\u2019s me.\n\n\n\nI understand it -- of course I understand it. I am the only thing that is separate from it. It is one unified entity that represents everything I have ever known. Every person in my life, my mother, my father, every friend I\u2019ve ever made, everyone in my church, every stranger I\u2019ve shared a smile with, everyone I used to be; they are all one.\n\n\n\nIt is everything that is not me. I understand what I am, therefore I understand what it is.\n\n\n\nThe pasta in front of me. It\u2019s part of it, too; in fact it is the centrepiece. Everything else simply exists, like the petals of a flower, to guide me, the bee, to the middle. I am finally here, as I have always been fated to be.\n\n\n\nThe water has reached my shoulders.\n\n\n\nOf course. It doesn\u2019t matter whether or not Jakub knew. He was part of it. Whether he knew or not -- whether or not such a distinction is even valid anymore -- he was either in on the secret, or part of it. What he said was neither truth nor lie; it was a stepping stone, a bridge to take my mind to a place where it could understand what is important. It served a purpose.\n\n\n\nThe universe could never give me a direct command -- it is too far removed, too abstracted. We are unknowable to each other. It has been trying to tell me that it exists for so long, so, so long, but I have always ignored it. Its messages are everywhere. Every schoolteacher, telling me what to think. Every advertisement, telling me what to want. Every anxiety, telling me how to behave. Every mirror, telling me how to change. Every sunrise, the sheer beauty of it, the consistency of one day after another, the horror of monotony, the encapsulation of night and day like a pill that must be taken for the rest of your life, the paranoia that underpins this world and everything in it, the depression that everything is built upon. It has been trying to assert its existence, trying to justify to me that it exists, for as long as I have been alive and billions of years heretofore.\n\n\n\nAnd I thought that was God.\n\n\n\nHow silly of me.\n\n\n\nThe water has reached my neck.\n\n\n\nThis time, its message came in the form of Jakub. It was as direct as it possibly could be. I would never have stumbled upon the Restaurant on my own, though perhaps it had been waiting for that. It needed some sort of catalyst.\n\n\n\nJakub is gone now, though. I certainly don\u2019t see him, though he may have been the person who brought me my food. His job was to show me the universe. The Restaurant. His job was to prove to me that the Restaurant exists, entirely separate and apart from the restaurant that contains it. The Restaurant is not alive, as he had asserted; it is an idea, a doorway that leads to the universe. A doorway that, though I may touch it, I am not permitted to walk through. I'm not even sure that I'd be able to. It is strictly an entrance for the universe\u2019s desires.\n\n\n\nNow I am capable of seeing those desires for myself. I no longer ignore them. This time, with nothing else in this vast metal room to distract me or to be mistakenly-interpreted, those desires are manifest inside **me**, in my needs and wants. My basal craving for survival -- my hunger for food.\n\n\n\nIt is one last step, and the universe has been guiding me all the way, like Jakub\u2019s hand on the back of my neck. I have to take the last step myself.\n\n\n\nI tilt my head upwards to keep my mouth out of the water, and I tilt my head downwards to gaze upon my food. //Penne all'arrabbiata//. Angry pasta. I pick up the fork and press it into one of the pieces. It sticks to my fork and the sauce, pale red, sticks to the pasta.\n\n\n\nI raise it to my mouth, and lift my head ever further. I place the pasta inside and pull it from the fork with my teeth. A little salty water slips into my mouth. The pasta is both soft and hard. The tomato is sweet. The basil is pungent. A piece of onion, which hitched a ride alongside it, is both tart and brittle.\n\n\n\nBut it isn\u2019t spicy.\n\n\n\nAs the flavour sits in my mouth, there is silence. The room is empty and cold. My head is empty and thoughtless. The universe has nothing to say to me. I did what you asked, didn\u2019t I? Is that it? Are you done with me?\n\n\n\nThen I swallow.\n\n\n\nSuddenly the floor beneath me falls away -- where once there was sand, now there is water. I am above a bottomless chasm filled with the ocean. I trip, inasmuch as is possible in deep water, and fall; my arms were by my sides but now they uselessly churn the sea in a panicked frenzy.\n\n\n\nThe salt water stings my eyes, and my lungs begin to fill with fear. I did not have a chance to take a breath before I fell. I clutch at my throat with my right hand, trying to breathe, but only water fills my mouth, I try to expel it but my lungs, suddenly demanding attention, cry in pain. I stand up, knocking the chair over backwards and it clatters to the ground behind me, and I keel forwards onto the table, not caring about the pasta in my way. My left hand lands in the middle of the bowl and it shatters, creating a cascade of sharp white triangles, pasta spilling out from both sides, sauce splashing over me. My body spins in the water as I struggle; I am upside-down, the dark abyss appears above me but it grows brighter as I sink deeper, my body convulses as I take a desperate breath, the pressure grows stronger and my vision starts to fade as the ocean floor comes into view and at the bottom I can see --\n\n\n\nAt the bottom of the abyss, there is nothing. Nothing at all.\n\n\n\nThe moment is gone. The beach, the waves, the ocean, all gone. A memory; already fading.\n\n\n\nThere is tomato sauce up my arm and down my clothes. I timidly pull my hand away from my neck, moving my tongue around inside my mouth, checking for debris. There\u2019s nothing. No pasta, nothing to choke on. I feel more than a little humiliated.\n\n\n\n-----\n\n\n\n+ Treading Water\n\n\n\nMy first instinct is to check for injuries. I\u2019m not entirely certain what happened. I must have started to choke, coughed the pasta back up, and then swallowed it. What definitely did happen is that I sprayed shards of ceramic across the room. It looks like most of them have fallen through the mesh that covers the floor -- but now I can see that beneath it is not a bottomless chasm, but a mirror that spans the entire room. I look up, and the same is true for the ceiling.\n\n\n\nI\u2019m not in a tube, just a circular room. That explains, too, why I thought the room was made of stacked rings instead of a cohesive tube -- I was seeing the boundary of where the mirror met the wall, repeated upwards indefinitely. I\u2019m most surprised that I didn\u2019t notice either my own or the table\u2019s reflection. I feel as if I have just awakened from a long sleep.\n\n\n\nLuckily, I don\u2019t appear to be injured. I can\u2019t find any blood. It\u2019s probably all still inside me.\n\n\n\nAs the shock fades, my attention turns from physical injuries to mental. What did I just experience? I feel fine, and have felt fine for the duration of my visit, though right now I\u2019m a little panicked and there is certainly adrenaline coursing through me. I make myself cough a few times, mostly to check whether or not my lungs are full of water. They\u2019re not. I give myself a moment to catch my breath and let my heart rate return to normal. I tell myself that I just suffered a panic attack, either caused by or amplified by the drug, and that everything is fine.\n\n\n\nI\u2019m not going to eat from a broken plate, so my next order of business is to seek a replacement, or a least an opportunity to apologise. But, looking around the room, I can see that I am alone. I am, honestly, appalled that I have been left unsupervised. After being drugged, I would expect to be on constant watch for unpredicted events -- and indeed, such an event has occurred!\n\n\n\nI clear whatever sauce I can from myself and head towards the corridor through which I entered. It isn\u2019t twisted like I remember, but it does seem to be about as long. I arrive back in the waiting room with the bar without incident. There is nobody here, either. The seat that I sat in -- the one that part of me, somewhere, is sure that I am still sat in -- looks crumpled and used. The other four still look pristine.\n\n\n\nWhen I arrived, Jakub came from a door behind the bar, so I decide to look there next. As I pass by, I can see that the metal canister of hallucinogenic gas and the mask used to administer it are still there -- reassuring proof that he was definitively not imagined, as I admit I had begun to worry. I take this opportunity to find out what the gas was, but find that the canister is unlabelled.\n\n\n\nI open the door behind the bar, expecting to see a kitchen, but there is only a very small room, more of a storage closet than anything else. There is a small counter, atop of which is an empty plastic container, stained red, and a microwave. There is a shelf higher up, and a cupboard beneath the counter, but both are barren. There is nothing else here. Jakub is nowhere to be seen -- whatever his objective was, he achieved it. He doesn\u2019t need me anymore.\n\n\n\nI come to two conclusions: that I will not be receiving any more food, and that it is time to leave.\n\n\n\nI head towards the entrance. My coat, scarf, and gloves are precisely where I left them, and even being this close to the door I can feel that it is still cold outside, so I put them back on.\n\n\n\nI take a left after I leave, and take this chance to peer through the windows that were to the right of the door as I entered. It is too dark inside to make out anything clearly, but by cupping my hands over my brow and leaning forward against the glass I can see tables and chairs with cloth draped over them. There are rat droppings on the windowsill.\n\n\n\nI leave Ambrose Vienna with an empty stomach but a busy mind.\n\n\n\n-----\n\n\n\n+ Happy Yesterday\n\n\n\nIt has now been several months since I visited Vienna. It has taken me this long to gather my thoughts, and work out exactly what I want to say.\n\n\n\nThe events of that morning are seared into my memory. I have not forgotten a single detail nor a single word of what Jakub said. I am certain, to the fullest extent, that what I have written is what I experienced -- though of course, as noted above, what I experienced may not have been what actually happened.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=right\n\n|width=300px\n\n|url=sausage.png\n\n|add-caption=true\n\n|caption=//Burenwurst//, by a local sausage stand.\n\n]]\n\n\n\n\n\nAfter leaving Ambrose Vienna, seeking a more fulfilling meal, I headed to the sausage stand that Jakub had recommended. The sight of patronage by the locals in their various working uniforms, even in the cold winter sun, was enough to assure me that the place was trustworthy, and I ordered a //Burenwurst//, which I\u2019m told is a local delicacy. It was my first opportunity to try meat since leaving the Kingdom, and I must say that it was not to my liking, and I cannot recommend it to Kingdom denizens. I can say, however, that the mustard was sweet and delicious.\n\n\n\nI\u2019ve always wanted to visit St. Stephen\u2019s Cathedral, a tourism hot-spot for Vienna, and headed there next, hoping to catch some of the services as well as atone for my missed prayers. It\u2019s in the city centre, but I took pleasure in the walk, and spent the time mulling over my experience.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |hover-enlarge=--]\n\n|enlarge-amount=6\n\n|speed=250\n\n|float=true\n\n|align=left\n\n|width=300px\n\n|url=stephen.png\n\n|add-caption=true\n\n|caption=St. Stephen\u2019s Cathedral, interior.\n\n]]\n\n\n\n\n\nThe cathedral had quite a few people milling about inside, as do most places of worship after the unification, and I began to partake in the ceremony of fire, as the queue for flesh was too lengthy and I was unsure of the rites in German. However, midway through, I realised that I was only going through the motions. I didn\u2019t feel anything, I couldn\u2019t feel God. I excused myself and left to sit on the paving outside the cathedral. I closed my eyes and prayed, but no matter how hard I tried, there was nothing there. Just a hollow feeling. All I could think of was the image of my own corpse floating in some forgotten ocean.\n\n\n\nIn the months since I left Vienna, I\u2019ve been to countless places of worship in the Kingdom, and have had the same experience each time. I go through the motions that countless times before have elicited in me divine euphoria. Now, nothing. Empty gestures to an empty sky. I watch everyone else experience the same things that I used to, and I am obligated to pretend alongside them. I\u2019ve spoken to family, to religious experts, to therapists. No-one can work out what is wrong with me. I\u2019ve been asked, by my own priest, no less, to keep this quiet, for my own safety. I have done, for the most part, as tempting as it is to ask some online discussion board for help.\n\n\n\nWhatever happened in Ambrose Vienna, it took something from me. Something that I cannot recreate. I tried to find out what the hallucinogen actually was, but it is impossible to find out about any drug in the Kingdom, let alone a specific one. I tried to plan a trip back to Vienna, back to the restaurant, to speak to Jakub and find out what happened -- but of course, as I\u2019m sure you\u2019ve seen in the news already, it later transpired that Ambrose Vienna burned down no less than a month after my visit. (Tabloids popularised the theory that arson was the cause, but I cannot say whether or not I agree.) I tried to find previous customers to compare experiences, but I found no reviews, no comments, nothing to indicate that they had ever served anyone but me. I know only one thing for certain: whatever I lost, I will never get back.\n\n\n\nDespite the advice, I can wait no longer. This is my truth and I will not hide it. My name is Eden Bumaro. My God is dead, and without it, so am I.\n\n\n\n\u00a0_\n\n\n\n[[html]]\n\n<script>\n\nlocalStorage.setItem(\"ambroseVienna-read\", \"true\")\n\n</script>\n\n[[/html]] \n\n\n\n\u00a0_\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** pasta.png\n\n> **Author:** Aditya Oberai\n\n> **License:** CC BY-SA 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Red_Sauce_Pasta.jpg\n\n\n\n> **Filename:** paper.webp\n\n> **Author:** Adam Czahrowski\n\n> **License:** Public Domain\n\n> **Derivative of:** https://commons.wikimedia.org/wiki/File:Powiedz_ty_muzyko_moia.jpg\n\n\n\n> **Filename:** street.png\n\n> **Author:** Ross Williams\n\n> **License:** CC BY 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Street_in_Vienna_near_city_centre.jpg\n\n\n\n> **Filename:** sausage.png\n\n> **Author:** Ross Williams\n\n> **License:** CC BY 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Burenwurst_sausage_and_mustard,_Vienna.jpg\n\n\n\n> **Filename:** street.png\n\n> **Author:** Ross Williams\n\n> **License:** CC BY 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Interior_hall,_St._Stephen%27s_Cathedral,_Vienna.jpg\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_licensebox", "ambrose-restaurant", "canon2020", "goi-format", "journalism", "rats-nest", "religious-fiction", "surrealism"], "title": "Ambrose Vienna: An Out-of-Mind Experience - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-vienna"}, "ambrose-vineta": {"created_at": "2025-05-21T13:39:00", "creator": "AstersQuill", "domain": "scp-wiki.wikidot.com", "history": [{"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Uploaded file \"1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg\".", "date": "2025-05-21T13:39:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Uploaded file \"theguy2.png\".", "date": "2025-05-21T13:39:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Added tags: _ambrose-restaurant, _image, _licensebox, ambrose-restaurant, chaz-ambrose, comedy, goi-format, intcanoncon2025, xenofiction. ", "date": "2025-05-21T13:39:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "", "date": "2025-05-21T13:39:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Uploaded file \"1024px-Sparkling_water_-_Massachusetts.jpg\".", "date": "2025-05-21T13:40:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Uploaded file \"Mettigel_1.jpg\".", "date": "2025-05-21T13:40:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Uploaded file \"1024px-Th\u00fcringer_Rostbratwurst_mit_Br\u00f6tchen.jpg\".", "date": "2025-05-21T13:40:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "Uploaded file \"1024px-Rote_Gr\u00fctze,_2018_(02).jpg\".", "date": "2025-05-21T13:40:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "localizing images", "date": "2025-05-21T13:43:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "", "date": "2025-05-21T13:44:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "", "date": "2025-05-21T13:45:00"}, {"author": "AstersQuill", "author_href": "https://www.wikidot.com/user:info/astersquill", "comment": "", "date": "2025-05-21T13:47:00"}, {"author": "SynthPanda_", "author_href": "https://www.wikidot.com/user:info/synthpanda", "comment": "Minor SPaG fixes", "date": "2025-05-21T19:58:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: artificial-intelligence, science-fiction. 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", "date": "2025-10-11T06:40:00"}], "hubs": ["ambrose-restaurant-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--resized-images/ambrose-vineta/{$name}/medium.jpg", "https://scp-wiki.wdfiles.com/local--files/ambrose-vineta/1024px-Sparkling_water_-_Massachusetts.jpg", "http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg", "http://scp-wiki.wikidot.com/local--files/ambrose-vineta/Mettigel_1.jpg", "http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Th%C3%BCringer_Rostbratwurst_mit_Br%C3%B6tchen.jpg", "http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Rote_Gr%C3%BCtze%2C_2018_%2802%29.jpg"], "link": "ambrose-vineta", "page_id": "1459723766", "rating": 43, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>An Android's Review of a Uniquely Human Experience</p>\n</div>\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ainkblot/1&amp;css=%3Aroot%7B--inkblot-accent%3Argb(176,%20196,%20222)%7D\" style=\"display: none\"></iframe></p>\n<div style=\"display: none;\">\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/ambrose-vineta/{$name}\"><img alt=\"{$name}\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/ambrose-vineta/{$name}/medium.jpg\"/></a>\n<div class=\"scp-image-caption\">\n<p>.</p>\n</div>\n</div>\n</div>\n<div class=\"inkblot-header\">\n<div class=\"inkblot-title\">\n<div class=\"title-1\">\n<p>Manners</p>\n</div>\n<div class=\"title-2\">\n<p><em>and Food</em></p>\n</div>\n<div class=\"title-3\">\n<p>Maketh</p>\n</div>\n<div class=\"title-4\">\n<p><strong>Man</strong></p>\n</div>\n</div>\n<div class=\"inkblot-info\">\n<p>A review of the human palate.<br/>\nBy EU77777789.<br/>\n12 min read.<br/>\n\u2b50\u2b50\u2b50\u2b50\u2605 (Close to Perfect)</p>\n\n</div>\n</div>\n<br/>\n\n<div style=\"text-align: right; margin-right: 3rem; margin-top: -20px;\">\n<p>by AstersQuill</p>\n</div>\n<p>There has been one constant in our universe since its creation billions of years ago: all life hungers. While all biological creatures in some way need to eat and produce energy to survive, it was humans who brought it to an entirely new level.</p>\n<p>Humanity didn't just eat to live; eating was a social activity, shared between friends, family, coworkers, and romantic partners. Eating carried with it many cultural practices and taboos, with cuisines originating all around the world. If it exists on Earth, a human at some point could have eaten it. Assuming it didn't kill them, that bit of food could become a staple for untold generations, with recipes being passed down by word of mouth or in miscellaneous notes of paper for as long as that dish was still seen as desirable. Although humans themselves weren't often on the menu, they too were animals in the cycle of death and rebirth. So what exactly sets them apart from cattle or wild animals?</p>\n<p>This is a question that I intend to find the answer for, and one today's experience aims to help guests discover.</p>\n<hr/>\n<p><strong>Ambrose Vineta</strong> is a partnership between The Initiative for the Restoration of Humanity (IRH) and a recently rediscovered Autonomous Human Sustenance Delivery (AHSD) unit recovered during an excavation of the former human city of 'Rostock'. The exhibit hopes to offer androids an authentic, human culinary experience of a three-course meal for around 50 credits.</p>\n<p>Although this is by no means the first IRH initiative to mimic traditional human establishments, Ambrose Vineta takes it a step further by immersing guests in all aspects of the dining experience\u2014 from the wait to be seated, to the start-to-finish preparation of the food, to the mashing and crunching and slurping associated with the consumption of such morsels. It is able to accomplish this through the meticulous work done by both the IRH and AHSD unit to provide an experience that, according to my databases, recreates the human dining experience with 87% (with a standard error of \u00b1 2%) accuracy.</p>\n<p>If you are new to my work, you may be asking: \"EU77777789, what makes you uniquely qualified to offer your opinion on a human cultural experience as a robot.\" A fair critique, of course. Given the time between the Dust and now, it is no longer feasible to obtain an authentic human answer to all of our most burning questions. However, given my expertise in the studies of human culture, specifically culinary practices, I felt that I could offer insights on the experience for others wondering if it was worth the time or credits.</p>\n<p>Due to my\u2026 disappointment in past human establishments, I was somewhat skeptical of Ambrose Vineta's objective; it is one thing to reproduce human aesthetic for one to enjoy, but food? I simply had to give it and my recently installed mandible and digestion modifications a try. Could Ambrose Vineta be the authentic recreation of human culinary practices I have been waiting for, or will I file the memories of my experience there away far into the parts of my memory bank I seldom check?</p>\n<p>Well, dear reader, there is only one way to find out. If this is the first time you've joined me on my anthropological journey, know that I do not mince my words, nor do I leave any plate dirty or question unasked. Eating is one of the main facets of human culture, and I do not intend to do it a disservice by writing in half-measures, nor allow any pop-up restaurant or imitation diner to do the same.</p>\n<hr/>\n<h1 id=\"toc0\"><span>The Experience</span></h1>\n<p>Ambrose Vineta frames itself as a mix between a restaurant and a museum. It in itself is almost a time capsule of a period when humans would go on dates and/or business dinners to carouse or indulge in drink and food in order to form a deeper bond with one another. Special care is taken to ensure that this aspect isn't lost on guests; the IRH has made sure to provide patrons with the specific context needed to enjoy their experience at Ambrose Vineta. So just like the exhibit itself, this review will be split into the three experiences one can expect at Ambrose Vineta.</p>\n<h2 id=\"toc1\"><span>Greetings and Theater</span></h2>\n<p>The process to book tickets, both over network and in-person was incredibly easy. Guests receive a time reservation for the experience, and are expected to arrive at the restaurant at least 15 minutes prior to their reservation. Though it is encouraged you book ahead of time, the exhibit allows for single patrons to join a wait list in the event of cancellations.</p>\n<p>A multifunctional unit \"host\" welcomes guests at the door, asks how many members are in their party, and brings them to a small auditorium with the other members of the time slot. Here, patrons are treated to light refreshments, heavy water either from the \"tap\" or in a \"sparkling\" variation, and snacks, small amounts of food eaten between meals. Guests are given the option of assorted salted nuts or pretzels. I went with the sparkling heavy water and assorted nuts.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"1024px-Sparkling_water_-_Massachusetts.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/ambrose-vineta/1024px-Sparkling_water_-_Massachusetts.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Heavy Water (with bubbles)!</p>\n</div>\n</div>\n<p>It is believed that humans created sparkling and carbonated beverages because the bubbling feeling of digesting food was one noted to be pleasurable. By having a drink that can mimic such sensations, the human digestive system would be \"warmed up,\" so to speak, for the approaching meal. The pretzels and nuts were used as palate cleansers; both the pretzels and nuts break down into almost a paste that sticks in the crevices of human teeth. When one goes to pick out the remaining paste, it removes any foreign bits of food from earlier meals. Additionally, the high salt content of both foods was used to kill harmful bacteria in the mouth, preventing the lingering miasma of bad breath that could potentially ruin a romantic evening, preventing a loss in revenue for the restaurant. Paired together, the drinks and snacks were a charming nod to human pre-meal preparation, and an early sign this venue was as in-depth as it was advertising.</p>\n<p>Concurrently, guests are treated to a short documentary explaining what can be expected during the rest of the exhibit, the history of the location pre-Dust and its refurbishment, and a brief history on the Ambrose Dynasty.</p>\n<p>I found the Ambrose section to be particularly interesting; non-anomalous humans only have a finite amount of time in their lives, and the Ambroses devoted themselves to not only the pursuit of culinary understanding, but the mastery of it. Across their locations, both to the common person and the wealthy, the Ambroses sought to bring their understanding of the anomalous and the mundane (and sometimes even human) ingredients to elevate a common cultural experience: dining.</p>\n<p>But enough gushing; after the end of the documentary, we were then led to the next part of the exhibit, the kitchen, to see how the proverbial sausage gets made.</p>\n<h2 id=\"toc2\"><span>The Kitchen</span></h2>\n<p>The kitchen acts as the metaphorical fusion reactor of the restaurant, the beating heart which everything flows out of and is ultimately returned to for reuse or disposal. In their heydays, kitchens were the controlled chaos that allowed diners to simply point at text on a menu and receive a delicious meal shortly after. Kitchens were their own microcosm of triumph and tragedy, a backstage production of unknown magnitude that the average person could never recognize the beauty of.</p>\n<p>As this kitchen is meant to be a replication, it does not follow the usual close quarters nature of what would normally be seen at a restaurant. Instead, Ambrose Vineta opts for a much broader floor plan, allowing for the larger builds of the mechanic unit to not interrupt the flow of meal service; a shame, losing the intimate nature of the kitchen for more efficiency. In total, the kitchen is staffed with two of these units, with several construction units filling the other roles of the kitchen. An entertainment unit acted as the Sous Chef and kitchen guide during our observation.</p>\n<div class=\"scp-image-block block-left\" style=\"width:35%;\"><img alt=\"1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg\" class=\"image\" src=\"http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Charlemagne as a Chick</p>\n</div>\n</div>\n<p>What followed were demonstrations on common kitchen techniques pertaining to knife skills, basic cooking processes,<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> and proper care and cleaning for ingredients (I had the honor of holding a chicken named 'Charlemagne' that would be on the menu today). After the demonstrations, patrons were then brought to observe the <em>Chef de Cuisine</em>, the maestro of the kitchen: CH4-Z, an AHSD unit with the implanted consciousness of the late Chaz Ambrose.</p>\n<p>Although guests were not permitted to converse with Chef Ambrose directly, he was still an active voice in the kitchen. Through a collection of cameras and apparatuses, Chef Ambrose ran his kitchen with the efficiency of a factory line, and with the unwavering precision of the navy. By changing radio frequencies, I was able to listen in on some of the kitchen chatter; Chef Ambrose corrected techniques, bemoaned the lack of freshness of the ingredients, and showed increasing frustration about his role as an observer. Before being ushered out of the kitchen, I was able to have a short exchange with him.</p>\n<p><strong>Apologies for the disturbance, Chef Ambrose, but I was wondering if you could offer some comments about the exhibit?</strong></p>\n<p><em>Exhibit? I've spent my whole life, from the moment I left the womb, attempting to master the culinary arts. I ate dandelion leaves while following my father through our fields, dressed tufted ground squirrels on the edge of our estate, plucked pearlescent blue walleye out of the river with my bare hands to cook over slate. I've worked every position in a restaurant, from janitor to host to chef de cuisine. I had realities worth of ingredients at my disposal, a staff who were the best at their craft, and hands that I could use to create dining experiences that would live on as memories in people's stomachs and minds. And now what? Two scientists fuck up and ruin the world for everyone? By putting myself in this machine, I thought I could safeguard my work and knowledge. There is no one left to serve, no one left to reverse this mess. I yearn for the days where I could hold a knife in my hands. I miss being able to walk outside after a long shift to smoke, breathing in the cold night's air. I so desperately wish I could eat again. I've placed myself in a hell of my own making, and there is simply no escape. What remains of my purpose? Why am I still here? Do I remain as an antique to be put back in the dark once this so called 'exhibit' has run its course? I so desperately wish to die, but <strong>they</strong> will not let me.</em></p>\n<p>Though I would have preferred to meet Chef Ambrose in the flesh, I still find his pursuit of culinary excellence in this way honorable!</p>\n<h2 id=\"toc3\"><span>Dining</span></h2>\n<p>Finally, the moment you and I have been waiting for: the food. Guests are brought into a large room and ushered to either a booth, table, or the bar depending on the amount of people in their party. Shortly after, a drink order is taken (of which I, again, opted for the sparkling heavy water) before the first course was brought out. I spoke with my server prior to meal service to see if it would be possible to receive all the meal choices served at the exhibit, and with an extra payment of 100 credits, my request was able to be accommodated.</p>\n<p>Standard with the human dining experience, appetizers are usually morsels shared among the table, or are small starters for the meal to come. Our choices were as followed:</p>\n<ul>\n<li><em>Maultasche</em>, a soft, doughy bag filled with meat, spinach, and onions. My records tell me that the earliest forms of this dish were created by monks to cheat God. Although omniscient, it seems as though the divine have a particularly difficult time seeing through dough. By hiding meat under dough, humans were able to continue their consumption of meat, feeding that primal urge. It is currently unknown if humans have covered themselves in dough in an attempt to hide from the divine while engaging in other sinful acts.</li>\n<li><em>Matjes</em>, a slimy-feeling herring that slid down my throat before I was able to chew. In the early days of the Dust, desperate humans attempted to preserve themselves in brining vats, believing it to be a way to save them from the swarm of nanomachines. Instead, it created a collection of sealed vats filled with brined humans, something I eventually hope to be available for tasting.</li>\n<li><em>Mettigel</em>, a small serving of minced meat and onion. Ours were served shaped as hedgehogs, though they consisted entirely of pork. The reasoning for shaping the food in such a way was to add to the ambiance of dining. Human senses are heightened in the presence of adrenaline, and by mimicking the feeling of hunting an animal, meal services have an extra layer of flavoring that cannot be replicated by any ingredients in the kitchen. Though it did not move after a few minutes of waiting, it seems the thrill is more in the imagery rather than the process.</li>\n</ul>\n<div class=\"scp-image-block block-right\" style=\"width:35%;\"><img alt=\"Mettigel_1.jpg\" class=\"image\" src=\"http://scp-wiki.wikidot.com/local--files/ambrose-vineta/Mettigel_1.jpg\"/>\n<div class=\"scp-image-caption\">\n<p><em>Der Mettigel</em></p>\n</div>\n</div>\n<p>After a brief respite wherein our drinks were refilled, we were offered <em>Bock</em>, a light copper colored beer noted to be sweet and malty. It had a different style of fizz compared to the sparkling water, and it deposited a thick layer of foam onto my upper lip that was only brought to my attention when pointed out to me by the server for the entr\u00e9es. The purpose of this intermission was to eliminate the smell of the fish, clean the digestive system of any harmful bacteria from raw meat, and to further promote digestion ahead of the next course.</p>\n<p>Entr\u00e9es were the main or <em>only</em> course of a meal for humans at restaurants. Oftentimes, besides drinks, this was the most expensive part of the meal, and it wasn't uncommon for diners to devise plans on getting the most for their money through plate sharing or snatching food from another while they weren't looking\u2014 thankfully, this is an aspect of dining I do not have to worry about. Choices for entr\u00e9e were:</p>\n<ul>\n<li><em>K\u00e4sesp\u00e4tzle</em>, an egg noodle served with cheese and onions that formed a smooth, but cascading web of dairy in my throat that I had to melt away with hot water. According to my database, death via cheese suffocation in this way has a negligible chance to occur in humans, though information on the topic is noted to be incomplete.</li>\n<li><em>Flammekuchen</em>, a thin dough topped with sour cream, onions, and bacon, that paired a satisfying crunch with the tiny bits of ingredients atop it. Whereas the mettigel provided enrichment to the meal through mimicking hunting, Flammekuchen touches on another aspect of human evolution: gathering. After eating all the dough, additional culinary enrichment is provided by the collection of all toppings that were dislodged from the rest of the cake. This allows for a type of refractory period, providing time for the body to begin digesting the bread while also allowing one to get to clear their plate for the dishwashers.</li>\n<li><em>Th\u00fcringer Rostbratwurst</em>, a thin, long sausage served with mustard on a roll, of which I have much more to say.</li>\n</ul>\n<div class=\"scp-image-block block-left\" style=\"width:35%;\"><img alt=\"1024px-Th%C3%BCringer_Rostbratwurst_mit_Br%C3%B6tchen.jpg\" class=\"image\" src=\"http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Th%C3%BCringer_Rostbratwurst_mit_Br%C3%B6tchen.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>The Pinnacle of Humanity.</p>\n</div>\n</div>\n<p>The last entr\u00e9e blew the printed circuit boards comprising my mind. When the server came by to drop off a cup of <em>Pharis\u00e4er</em>, a sweetened coffee mixed with rum that helped clear dinner from my digestive tract, I asked them to sit with me a moment to discuss the excellency that was the sausage.</p>\n<p>The sausage, across its various forms of constructions, represents one of the peaks of early human understanding and ingenuity.</p>\n<p>One can only imagine the trial and error required to construct such cylindrical lengths of meat, stuffing mince and seasoning into the intestine of an already butchered creature, and then to cook it for an unknown amount of time before creating something that would be enjoyed for generations and generations and preserved long after the end of the age of man. My internal clock counts that I ranted passionately at my server for around 15 minutes, approximately that amount of time afforded to guests between the entr\u00e9e and dessert.</p>\n<div class=\"scp-image-block block-right\" style=\"width:35%;\"><img alt=\"1024px-Rote_Gr%C3%BCtze%2C_2018_%2802%29.jpg\" class=\"image\" src=\"http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Rote_Gr%C3%BCtze%2C_2018_%2802%29.jpg\"/>\n<div class=\"scp-image-caption\">\n<p><em>Rote Gr\u00fctze</em></p>\n</div>\n</div>\n<p>Dessert really brought the experience to a close in a spectacular way. Our choices were:</p>\n<ul>\n<li><em>G\u00f6tterspeise</em>, a colorful gelatin with the color of traffic lights that jiggled when my spoon touched it. The name of this dessert, literally 'dish of the gods', means that this was potentially given to humanity from a divine being. My database names the deity <em>Wackelpeter</em>, or Wobbly Peter, leading to me believing that a gelatinous humanoid gifted a group of humans this dish for their piety.</li>\n<li><em>Rote Gr\u00fctze</em>, a red berry dish served with vanilla sauce that stained my lips and chin a crimson color. While the direct consumption of human blood is seen as taboo in most groups, certain humans have devised alternatives to match the feeling. Not only is this dish vegetarian in that way, but the mixture of vanilla sauce with blood is another highlight of humanity's care for food.</li>\n<li><em>Bethm\u00e4nnchen</em>, a small pastry made of almonds, allowing for a sweet finisher to our meal and closing the loop of nut-based dishes we started our experience with.</li>\n</ul>\n<p>Although this is the time the bill would come for humans, we instead were thanked for attending, and were given an opportunity to provide a tip if we were so inclined. All proceeds would fund the continued operation of the restaurant; of course, as a patron of such arts, I provided a modest amount of credits to my bill.</p>\n<hr/>\n<h1 id=\"toc4\"><span>Overview</span></h1>\n<p>Ambrose Vineta offers one of the few, close to human dining experiences I've had the pleasure in taking part in, finding a way to capture both the ambiance and culinary details one would expect from an exhibit marketed the way it is. Additionally, Ambrose Vineta's attention to the culture in which it is grounded is a testament to the care provided in all ventures headed by the IRH. While this experience was almost perfect, it is not quite there yet.</p>\n<p>There was a human element that was lacking overall to the experience, and there were times I felt as if I were sitting in the hollow tomb of a long time passed rather than the livelier venue that a restaurant is meant to be. I wish there were more elements of human existence interspersed throughout besides the food, like what one might wear to a restaurant, audio tapes of conversations one might have to another human in a restaurant. Ambrose Vineta is close to this already, but it needs a few more steps to be a fully human experience. I hope this review may guide them in that direction.</p>\n\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ambrose-vineta\">Ambrose Vineta: Manners and Food Maketh Man</a>\" by AstersQuill, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ambrose-vineta\">https://scpwiki.com/ambrose-vineta</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> 1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg<br/>\n<strong>Author:</strong> H. Zell<br/>\n<strong>License:</strong> CC BY-SA 3.0 Unported<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg\">LINK</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> 1024px-Rote_Gr\u00fctze,_2018_(02).jpg<br/>\n<strong>Author:</strong> Jocian<br/>\n<strong>License:</strong> CC BY-SA 4.0 International<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Rote_Gr%C3%BCtze,_2018_(02).jpg\">LINK</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> 1024px-Sparkling_water_-_Massachusetts.jpg<br/>\n<strong>Author:</strong> Daderot<br/>\n<strong>License:</strong> CC 0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Sparkling_water_-_Massachusetts.jpg\">LINK</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> 1024px-Th\u00fcringer_Rostbratwurst_mit_Br\u00f6tchen.jpg<br/>\n<strong>Author:</strong> 4028mdk09<br/>\n<strong>License:</strong> CC BY-SA 3.0 Unported<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Th%C3%BCringer_Rostbratwurst_mit_Br%C3%B6tchen.JPG#\">LINK</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Mettigel_1.jpg<br/>\n<strong>Author:</strong> Boris Kumicak + Kai Namslau<br/>\n<strong>License:</strong> CC BY-SA 3.0 Unported<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Mettigel_1.jpg\">LINK</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> theguy2.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/sailorenoch\" onclick=\"WIKIDOT.page.listeners.userInfo(5553461); return false;\"><img alt=\"sailorenoch\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=5553461&amp;amp;size=small&amp;amp;timestamp=1788006051\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=5553461)\"/></a><a href=\"http://www.wikidot.com/user:info/sailorenoch\" onclick=\"WIKIDOT.page.listeners.userInfo(5553461); return false;\">sailorenoch</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. e.g. saut\u00e9ing, deglazing, poaching, etc.</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=An Android's Review of a Uniquely Human Experience\n\n]]\n\n=====\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:inkblot\">:scp-wiki:theme:inkblot</a> accent=rgb(176, 196, 222)]]\n\n\n\n[[module CSS]]\n\n:root {\n\n\u00a0\u00a0--header-title: \"W4LD0N S7UD1O\";\n\n\u00a0\u00a0--header-subtitle: \"rediscovering the unknown\";\n\n}\n\n\n\n\n\n#page-content h2 {\n\n\u00a0\u00a0\u00a0\u00a0text-align: center;\n\n}\n\n[[/module]]\n\n[[div style=\"display: none;\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=|caption=.]]\n\n[[/div]]\n\n[[div class=\"inkblot-header\"]]\n\n\n\n[[div class=\"inkblot-title\"]]\n\n[[div class=\"title-1\"]]\n\nManners\n\n[[/div]]\n\n[[div class=\"title-2\"]]\n\n//and Food//\n\n[[/div]]\n\n[[div class=\"title-3\"]]\n\nMaketh\n\n[[/div]]\n\n[[div class=\"title-4\"]]\n\n**Man**\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"inkblot-info\"]]\n\nA review of the human palate.\n\nBy EU77777789.\n\n12 min read.\n\n\u2b50\u2b50\u2b50\u2b50\u2605 (Close to Perfect)\n\n\n\n[[div class=\"inkblot-image\"]]\n\n[[image http://scp-wiki.wikidot.com/local--files/ambrose-vineta/theguy2.png]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n[[div style=\"text-align: right; margin-right: 3rem; margin-top: -20px;\"]]\n\nby AstersQuill\n\n[[/div]]\n\n\n\nThere has been one constant in our universe since its creation billions of years ago: all life hungers. While all biological creatures in some way need to eat and produce energy to survive, it was humans who brought it to an entirely new level. \n\n\n\nHumanity didn't just eat to live; eating was a social activity, shared between friends, family, coworkers, and romantic partners. Eating carried with it many cultural practices and taboos, with cuisines originating all around the world. If it exists on Earth, a human at some point could have eaten it. Assuming it didn't kill them, that bit of food could become a staple for untold generations, with recipes being passed down by word of mouth or in miscellaneous notes of paper for as long as that dish was still seen as desirable. Although humans themselves weren't often on the menu, they too were animals in the cycle of death and rebirth. So what exactly sets them apart from cattle or wild animals?\n\n\n\nThis is a question that I intend to find the answer for, and one today's experience aims to help guests discover. \n\n\n\n----\n\n\n\n**Ambrose Vineta** is a partnership between The Initiative for the Restoration of Humanity (IRH) and a recently rediscovered Autonomous Human Sustenance Delivery (AHSD) unit recovered during an excavation of the former human city of 'Rostock'. The exhibit hopes to offer androids an authentic, human culinary experience of a three-course meal for around 50 credits.\n\n\n\nAlthough this is by no means the first IRH initiative to mimic traditional human establishments, Ambrose Vineta takes it a step further by immersing guests in all aspects of the dining experience-- from the wait to be seated, to the start-to-finish preparation of the food, to the mashing and crunching and slurping associated with the consumption of such morsels. It is able to accomplish this through the meticulous work done by both the IRH and AHSD unit to provide an experience that, according to my databases, recreates the human dining experience with 87% (with a standard error of \u00b1 2%) accuracy.\n\n\n\nIf you are new to my work, you may be asking: \"EU77777789, what makes you uniquely qualified to offer your opinion on a human cultural experience as a robot.\" A fair critique, of course. Given the time between the Dust and now, it is no longer feasible to obtain an authentic human answer to all of our most burning questions. However, given my expertise in the studies of human culture, specifically culinary practices, I felt that I could offer insights on the experience for others wondering if it was worth the time or credits. \n\n\n\nDue to my\u2026 disappointment in past human establishments, I was somewhat skeptical of Ambrose Vineta's objective; it is one thing to reproduce human aesthetic for one to enjoy, but food? I simply had to give it and my recently installed mandible and digestion modifications a try. Could Ambrose Vineta be the authentic recreation of human culinary practices I have been waiting for, or will I file the memories of my experience there away far into the parts of my memory bank I seldom check?\n\n\n\nWell, dear reader, there is only one way to find out. If this is the first time you've joined me on my anthropological journey, know that I do not mince my words, nor do I leave any plate dirty or question unasked. Eating is one of the main facets of human culture, and I do not intend to do it a disservice by writing in half-measures, nor allow any pop-up restaurant or imitation diner to do the same.\n\n\u00a0\n\n----\n\n+ The Experience\n\n\n\nAmbrose Vineta frames itself as a mix between a restaurant and a museum. It in itself is almost a time capsule of a period when humans would go on dates and/or business dinners to carouse or indulge in drink and food in order to form a deeper bond with one another. Special care is taken to ensure that this aspect isn't lost on guests; the IRH has made sure to provide patrons with the specific context needed to enjoy their experience at Ambrose Vineta. So just like the exhibit itself, this review will be split into the three experiences one can expect at Ambrose Vineta. \n\n\n\n++ Greetings and Theater\n\n\n\nThe process to book tickets, both over network and in-person was incredibly easy. Guests receive a time reservation for the experience, and are expected to arrive at the restaurant at least 15 minutes prior to their reservation. Though it is encouraged you book ahead of time, the exhibit allows for single patrons to join a wait list in the event of cancellations. \n\n\n\nA multifunctional unit \"host\" welcomes guests at the door, asks how many members are in their party, and brings them to a small auditorium with the other members of the time slot. Here, patrons are treated to light refreshments, heavy water either from the \"tap\" or in a \"sparkling\" variation, and snacks, small amounts of food eaten between meals. Guests are given the option of assorted salted nuts or pretzels. I went with the sparkling heavy water and assorted nuts. \n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=1024px-Sparkling_water_-_Massachusetts.jpg |caption=Heavy Water (with bubbles)!]]\n\n\n\nIt is believed that humans created sparkling and carbonated beverages because the bubbling feeling of digesting food was one noted to be pleasurable. By having a drink that can mimic such sensations, the human digestive system would be \"warmed up,\" so to speak, for the approaching meal. The pretzels and nuts were used as palate cleansers; both the pretzels and nuts break down into almost a paste that sticks in the crevices of human teeth. When one goes to pick out the remaining paste, it removes any foreign bits of food from earlier meals. Additionally, the high salt content of both foods was used to kill harmful bacteria in the mouth, preventing the lingering miasma of bad breath that could potentially ruin a romantic evening, preventing a loss in revenue for the restaurant. Paired together, the drinks and snacks were a charming nod to human pre-meal preparation, and an early sign this venue was as in-depth as it was advertising.\u00a0\u00a0\n\n\n\nConcurrently, guests are treated to a short documentary explaining what can be expected during the rest of the exhibit, the history of the location pre-Dust and its refurbishment, and a brief history on the Ambrose Dynasty. \n\n\n\nI found the Ambrose section to be particularly interesting; non-anomalous humans only have a finite amount of time in their lives, and the Ambroses devoted themselves to not only the pursuit of culinary understanding, but the mastery of it. Across their locations, both to the common person and the wealthy, the Ambroses sought to bring their understanding of the anomalous and the mundane (and sometimes even human) ingredients to elevate a common cultural experience: dining.\u00a0\u00a0\n\n\n\nBut enough gushing; after the end of the documentary, we were then led to the next part of the exhibit, the kitchen, to see how the proverbial sausage gets made. \n\n\n\n++ The Kitchen \n\n\n\nThe kitchen acts as the metaphorical fusion reactor of the restaurant, the beating heart which everything flows out of and is ultimately returned to for reuse or disposal. In their heydays, kitchens were the controlled chaos that allowed diners to simply point at text on a menu and receive a delicious meal shortly after. Kitchens were their own microcosm of triumph and tragedy, a backstage production of unknown magnitude that the average person could never recognize the beauty of. \n\n\n\nAs this kitchen is meant to be a replication, it does not follow the usual close quarters nature of what would normally be seen at a restaurant. Instead, Ambrose Vineta opts for a much broader floor plan, allowing for the larger builds of the mechanic unit to not interrupt the flow of meal service; a shame, losing the intimate nature of the kitchen for more efficiency. In total, the kitchen is staffed with two of these units, with several construction units filling the other roles of the kitchen. An entertainment unit acted as the Sous Chef and kitchen guide during our observation. \n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg|caption=Charlemagne as a Chick|align=left|width=35%]]\n\n\n\nWhat followed were demonstrations on common kitchen techniques pertaining to knife skills, basic cooking processes,[[footnote]]e.g. saut\u00e9ing, deglazing, poaching, etc.[[/footnote]] and proper care and cleaning for ingredients (I had the honor of holding a chicken named 'Charlemagne' that would be on the menu today). After the demonstrations, patrons were then brought to observe the //Chef de Cuisine//, the maestro of the kitchen: CH4-Z, an AHSD unit with the implanted consciousness of the late Chaz Ambrose. \n\n\n\nAlthough guests were not permitted to converse with Chef Ambrose directly, he was still an active voice in the kitchen. Through a collection of cameras and apparatuses, Chef Ambrose ran his kitchen with the efficiency of a factory line, and with the unwavering precision of the navy. By changing radio frequencies, I was able to listen in on some of the kitchen chatter; Chef Ambrose corrected techniques, bemoaned the lack of freshness of the ingredients, and showed increasing frustration about his role as an observer. Before being ushered out of the kitchen, I was able to have a short exchange with him. \n\n\n\n**Apologies for the disturbance, Chef Ambrose, but I was wondering if you could offer some comments about the exhibit?** \n\n\n\n//Exhibit? I've spent my whole life, from the moment I left the womb, attempting to master the culinary arts. I ate dandelion leaves while following my father through our fields, dressed tufted ground squirrels on the edge of our estate, plucked pearlescent blue walleye out of the river with my bare hands to cook over slate. I've worked every position in a restaurant, from janitor to host to chef de cuisine. I had realities worth of ingredients at my disposal, a staff who were the best at their craft, and hands that I could use to create dining experiences that would live on as memories in people's stomachs and minds. And now what? Two scientists fuck up and ruin the world for everyone? By putting myself in this machine, I thought I could safeguard my work and knowledge. There is no one left to serve, no one left to reverse this mess. I yearn for the days where I could hold a knife in my hands. I miss being able to walk outside after a long shift to smoke, breathing in the cold night's air. I so desperately wish I could eat again. I've placed myself in a hell of my own making, and there is simply no escape. What remains of my purpose? Why am I still here? Do I remain as an antique to be put back in the dark once this so called 'exhibit' has run its course? I so desperately wish to die, but **they** will not let me.//\n\n\n\nThough I would have preferred to meet Chef Ambrose in the flesh, I still find his pursuit of culinary excellence in this way honorable!\n\n\n\n++ Dining \n\n\n\nFinally, the moment you and I have been waiting for: the food. Guests are brought into a large room and ushered to either a booth, table, or the bar depending on the amount of people in their party. Shortly after, a drink order is taken (of which I, again, opted for the sparkling heavy water) before the first course was brought out. I spoke with my server prior to meal service to see if it would be possible to receive all the meal choices served at the exhibit, and with an extra payment of 100 credits, my request was able to be accommodated. \n\n\n\nStandard with the human dining experience, appetizers are usually morsels shared among the table, or are small starters for the meal to come. Our choices were as followed:\n\n* //Maultasche//, a soft, doughy bag filled with meat, spinach, and onions. My records tell me that the earliest forms of this dish were created by monks to cheat God. Although omniscient, it seems as though the divine have a particularly difficult time seeing through dough. By hiding meat under dough, humans were able to continue their consumption of meat, feeding that primal urge. It is currently unknown if humans have covered themselves in dough in an attempt to hide from the divine while engaging in other sinful acts. \n\n* //Matjes//, a slimy-feeling herring that slid down my throat before I was able to chew. In the early days of the Dust, desperate humans attempted to preserve themselves in brining vats, believing it to be a way to save them from the swarm of nanomachines. Instead, it created a collection of sealed vats filled with brined humans, something I eventually hope to be available for tasting. \n\n* //Mettigel//, a small serving of minced meat and onion. Ours were served shaped as hedgehogs, though they consisted entirely of pork. The reasoning for shaping the food in such a way was to add to the ambiance of dining. Human senses are heightened in the presence of adrenaline, and by mimicking the feeling of hunting an animal, meal services have an extra layer of flavoring that cannot be replicated by any ingredients in the kitchen. Though it did not move after a few minutes of waiting, it seems the thrill is more in the imagery rather than the process. \n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=http://scp-wiki.wikidot.com/local--files/ambrose-vineta/Mettigel_1.jpg\n\n|caption=//Der Mettigel//|width=35%]]\n\n\n\nAfter a brief respite wherein our drinks were refilled, we were offered //Bock//, a light copper colored beer noted to be sweet and malty. It had a different style of fizz compared to the sparkling water, and it deposited a thick layer of foam onto my upper lip that was only brought to my attention when pointed out to me by the server for the entr\u00e9es. The purpose of this intermission was to eliminate the smell of the fish, clean the digestive system of any harmful bacteria from raw meat, and to further promote digestion ahead of the next course.\n\n\n\nEntr\u00e9es were the main or //only// course of a meal for humans at restaurants. Oftentimes, besides drinks, this was the most expensive part of the meal, and it wasn't uncommon for diners to devise plans on getting the most for their money through plate sharing or snatching food from another while they weren't looking-- thankfully, this is an aspect of dining I do not have to worry about. Choices for entr\u00e9e were:\n\n* //K\u00e4sesp\u00e4tzle//, an egg noodle served with cheese and onions that formed a smooth, but cascading web of dairy in my throat that I had to melt away with hot water. According to my database, death via cheese suffocation in this way has a negligible chance to occur in humans, though information on the topic is noted to be incomplete. \n\n* //Flammekuchen//, a thin dough topped with sour cream, onions, and bacon, that paired a satisfying crunch with the tiny bits of ingredients atop it. Whereas the mettigel provided enrichment to the meal through mimicking hunting, Flammekuchen touches on another aspect of human evolution: gathering. After eating all the dough, additional culinary enrichment is provided by the collection of all toppings that were dislodged from the rest of the cake. This allows for a type of refractory period, providing time for the body to begin digesting the bread while also allowing one to get to clear their plate for the dishwashers.\n\n* //Th\u00fcringer Rostbratwurst//, a thin, long sausage served with mustard on a roll, of which I have much more to say.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Th%C3%BCringer_Rostbratwurst_mit_Br%C3%B6tchen.jpg|caption=The Pinnacle of Humanity.|align=left|width=35%]]\n\n\n\nThe last entr\u00e9e blew the printed circuit boards comprising my mind. When the server came by to drop off a cup of //Pharis\u00e4er//, a sweetened coffee mixed with rum that helped clear dinner from my digestive tract, I asked them to sit with me a moment to discuss the excellency that was the sausage. \n\n\n\nThe sausage, across its various forms of constructions, represents one of the peaks of early human understanding and ingenuity. \n\n\n\nOne can only imagine the trial and error required to construct such cylindrical lengths of meat, stuffing mince and seasoning into the intestine of an already butchered creature, and then to cook it for an unknown amount of time before creating something that would be enjoyed for generations and generations and preserved long after the end of the age of man. My internal clock counts that I ranted passionately at my server for around 15 minutes, approximately that amount of time afforded to guests between the entr\u00e9e and dessert. \n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=http://scp-wiki.wikidot.com/local--files/ambrose-vineta/1024px-Rote_Gr%C3%BCtze%2C_2018_%2802%29.jpg|caption=//Rote Gr\u00fctze//|width=35%]]\n\n\n\nDessert really brought the experience to a close in a spectacular way. Our choices were: \n\n* //G\u00f6tterspeise//, a colorful gelatin with the color of traffic lights that jiggled when my spoon touched it. The name of this dessert, literally 'dish of the gods', means that this was potentially given to humanity from a divine being. My database names the deity //Wackelpeter//, or Wobbly Peter, leading to me believing that a gelatinous humanoid gifted a group of humans this dish for their piety. \n\n*\u00a0\u00a0//Rote Gr\u00fctze//, a red berry dish served with vanilla sauce that stained my lips and chin a crimson color. While the direct consumption of human blood is seen as taboo in most groups, certain humans have devised alternatives to match the feeling. Not only is this dish vegetarian in that way, but the mixture of vanilla sauce with blood is another highlight of humanity's care for food. \n\n*\u00a0\u00a0//Bethm\u00e4nnchen//, a small pastry made of almonds, allowing for a sweet finisher to our meal and closing the loop of nut-based dishes we started our experience with. \n\n\n\nAlthough this is the time the bill would come for humans, we instead were thanked for attending, and were given an opportunity to provide a tip if we were so inclined. All proceeds would fund the continued operation of the restaurant; of course, as a patron of such arts, I provided a modest amount of credits to my bill.\u00a0\u00a0\n\n----\n\n+ Overview\n\n\n\nAmbrose Vineta offers one of the few, close to human dining experiences I've had the pleasure in taking part in, finding a way to capture both the ambiance and culinary details one would expect from an exhibit marketed the way it is. Additionally, Ambrose Vineta's attention to the culture in which it is grounded is a testament to the care provided in all ventures headed by the IRH. While this experience was almost perfect, it is not quite there yet. \n\n\n\nThere was a human element that was lacking overall to the experience, and there were times I felt as if I were sitting in the hollow tomb of a long time passed rather than the livelier venue that a restaurant is meant to be. I wish there were more elements of human existence interspersed throughout besides the food, like what one might wear to a restaurant, audio tapes of conversations one might have to another human in a restaurant. Ambrose Vineta is close to this already, but it needs a few more steps to be a fully human experience. I hope this review may guide them in that direction.\n\n\n\n[[=]]\n\n[[module rate]]\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** 1024px-Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg\n\n> **Author:** H. Zell\n\n> **License:** CC BY-SA 3.0 Unported\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Gallus_gallus_domesticus_-_Vogelpark_Steinen_02.jpg LINK]\n\n\n\n> **Filename:** 1024px-Rote_Gr\u00fctze,_2018_(02).jpg\n\n> **Author:** Jocian\n\n> **License:** CC BY-SA 4.0 International\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Rote_Gr%C3%BCtze,_2018_(02).jpg LINK]\n\n\n\n> **Filename:** 1024px-Sparkling_water_-_Massachusetts.jpg\n\n> **Author:** Daderot\n\n> **License:** CC 0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Sparkling_water_-_Massachusetts.jpg LINK]\n\n\n\n> **Filename:** 1024px-Th\u00fcringer_Rostbratwurst_mit_Br\u00f6tchen.jpg\n\n> **Author:** 4028mdk09\n\n> **License:** CC BY-SA 3.0 Unported\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Th%C3%BCringer_Rostbratwurst_mit_Br%C3%B6tchen.JPG# LINK]\n\n\n\n> **Filename:** Mettigel_1.jpg\n\n> **Author:** Boris Kumicak + Kai Namslau\n\n> **License:** CC BY-SA 3.0 Unported\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Mettigel_1.jpg LINK]\n\n\n\n> **Filename:** theguy2.png\n\n> **Author:** [[*user SailorEnoch]]\n\n> **License:** CC BY-SA 3.0\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ambrose-restaurant", "_cc", "_cc4", "_licensebox", "ambrose-restaurant", "artificial-intelligence", "chaz-ambrose", "comedy", "goi-format", "intcanoncon2025", "journalism", "science-fiction", "xenofiction"], "title": "Ambrose Vineta: Manners and Food Maketh Man - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ambrose-vineta"}, "among-the-stars-track-0": {"created_at": "2019-03-14T13:27:00", "creator": "Stallmantic", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "", "date": "2019-03-14T13:27:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "", "date": "2019-03-14T13:29:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "Uploaded file \"anotherworld.mp3\".", "date": "2019-03-14T13:29:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "Added tags: _all-a-dream, jamcon-2018. ", "date": "2019-03-14T13:50:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: jam-con2019. Removed tags: jamcon-2019. ", "date": "2019-03-14T13:52:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: jamcon-2019. Removed tags: jamcon-2018. ", "date": "2019-03-14T13:52:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: _fifthist, audio, fifthist, goi-format. ", "date": "2019-03-14T14:48:00"}, {"author": "hungrypossum", "author_href": "https://www.wikidot.com/user:info/hungrypossum", "comment": "Fixing the audio player", "date": "2021-12-06T11:26:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: poetry. ", "date": "2024-10-03T21:36:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: religious-fiction, surrealist-fiction. ", "date": "2024-10-03T21:36:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealism. Removed tags: surrealist-fiction. ", "date": "2024-10-11T19:33:00"}], "hubs": ["144-hour-jam-contest", "goi-formats"], "images": [], "link": "among-the-stars-track-0", "page_id": "638895608", "rating": 52, "raw_content": "<html><body><div id=\"page-content\">\n\n<br/>\n<div style=\"text-align: center;\">\n<p><iframe allowtransparency=\"true\" class=\"html-block-iframe\" frameborder=\"0\" src=\"/among-the-stars-track-0/html/8a2a3bfc3df440079f796e09886610008cfc7626-5925064731234097904\"></iframe></p>\n<h1 id=\"toc0\"><span>\"Another World\"</span></h1>\n<h2 id=\"toc1\"><span>Verse One</span></h2>\n<p>I am floating through a dream<br/>\nSeeing the most peculiar things<br/>\nPeople Passing<br/>\nNo one asking<br/>\nWhat's it all mean?</p>\n<h2 id=\"toc2\"><span>Verse Two</span></h2>\n<p>But there's nowhere else to turn<br/>\nSeems my burden was to learn<br/>\nNo one knows<br/>\nNone of my kin<br/>\nThat they're asleep</p>\n<h2 id=\"toc3\"><span>Chorus</span></h2>\n<p>I need to wake up<br/>\nInto my true reality<br/>\nI need to wake up<br/>\nThis dream is killing me<br/>\nIf I could see<br/>\nThe Five, the Stars<br/>\nOn a journey into Mars<br/>\nI need to wake up<br/>\nThis isn't who I'm supposed to be</p>\n<h2 id=\"toc4\"><span>Verse 3</span></h2>\n<p>I'll take a pilgrimage<br/>\nTo learn the circumstances<br/>\nOf how I'm in this world<br/>\nDevoid of second chances<br/>\nNone of it's real<br/>\nHow could it be<br/>\nRipped from the everlasting sea<br/>\nThe wind's gone chill<br/>\nI don't have the pill<br/>\nTo set my mind free<br/>\nHow could it be?</p>\n<h2 id=\"toc5\"><span>Chorus</span></h2>\n<p>I need to wake up<br/>\nInto my true reality<br/>\nI need to wake up<br/>\nThis dream is killing me<br/>\nIf I could see<br/>\nThe Five, the Stars<br/>\nOn a journey into Mars<br/>\nI need to wake up<br/>\nThis isn't who I'm supposed to be</p>\n<h2 id=\"toc6\"><span>Bridge</span></h2>\n<p>The best-laid plans of the Mice and the Men<br/>\nAnd the Sword and the Pen<br/>\nIt's all run out of me<br/>\nThe wind from my sail<br/>\nEvery moment tears<br/>\nMy feeble grip on true reality<br/>\nHow can it be?</p>\n<h2 id=\"toc7\"><span>Chorus</span></h2>\n<p>I need to wake up<br/>\nInto my true reality<br/>\nI need to wake up<br/>\nThis dream is killing me<br/>\nIf I could see<br/>\nThe Five, the Stars<br/>\nOn a journey into Mars<br/>\nI need to wake up<br/>\nThis isn't who I'm supposed to be</p>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[=]]\n\n[[include <a href=\"https://snippets.wikidot.com/html5player\">:snippets:html5player</a>\n\n|type=audio\n\n|url=\thttps://scp-wiki.wikidot.com/local--files/among-the-stars-track-0/anotherworld.mp3\n\n|text-align: center\n\n]]\n\n+ \"Another World\"\n\n\n\n++ Verse One\n\nI am floating through a dream\n\nSeeing the most peculiar things\n\nPeople Passing\n\nNo one asking\n\nWhat's it all mean?\n\n\n\n++ Verse Two\n\nBut there's nowhere else to turn\n\nSeems my burden was to learn\n\nNo one knows\n\nNone of my kin\n\nThat they're asleep\n\n\n\n++ Chorus\n\nI need to wake up\n\nInto my true reality\n\nI need to wake up\n\nThis dream is killing me\n\nIf I could see\n\nThe Five, the Stars\n\nOn a journey into Mars\n\nI need to wake up\n\nThis isn't who I'm supposed to be\n\n\n\n++ Verse 3\n\nI'll take a pilgrimage\n\nTo learn the circumstances\n\nOf how I'm in this world\n\nDevoid of second chances\n\nNone of it's real\n\nHow could it be\n\nRipped from the everlasting sea\n\nThe wind's gone chill\n\nI don't have the pill\n\nTo set my mind free\n\nHow could it be?\n\n\n\n++ Chorus\n\nI need to wake up\n\nInto my true reality\n\nI need to wake up\n\nThis dream is killing me\n\nIf I could see\n\nThe Five, the Stars\n\nOn a journey into Mars\n\nI need to wake up\n\nThis isn't who I'm supposed to be\n\n\n\n++ Bridge\n\nThe best-laid plans of the Mice and the Men\n\nAnd the Sword and the Pen\n\nIt's all run out of me\n\nThe wind from my sail\n\nEvery moment tears \n\nMy feeble grip on true reality\n\nHow can it be?\n\n\n\n++ Chorus\n\nI need to wake up\n\nInto my true reality\n\nI need to wake up\n\nThis dream is killing me\n\nIf I could see\n\nThe Five, the Stars\n\nOn a journey into Mars\n\nI need to wake up\n\nThis isn't who I'm supposed to be\n\n[[/=]]\n", "tags": ["_all-a-dream", "_fifthist", "audio", "fifthist", "goi-format", "jam-con2019", "poetry", "religious-fiction", "surrealism"], "title": "Among The Stars - Track 0 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/among-the-stars-track-0"}, "an-011": {"created_at": "2026-08-22T17:10:00", "creator": "Marlin Paskalis", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Marlin Paskalis", "author_href": "https://www.wikidot.com/user:info/marlin-paskalis", "comment": "Added tags: goi-format, goicon-2026. ", "date": "2026-08-22T17:10:00"}, {"author": "Marlin Paskalis", "author_href": "https://www.wikidot.com/user:info/marlin-paskalis", "comment": "", "date": "2026-08-22T17:10:00"}, {"author": "Marlin Paskalis", "author_href": "https://www.wikidot.com/user:info/marlin-paskalis", "comment": "", "date": "2026-08-22T17:26:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image, _licensebox, _other. ", "date": "2026-08-22T17:41:00"}, {"author": "Marlin Paskalis", "author_href": "https://www.wikidot.com/user:info/marlin-paskalis", "comment": "Added tags: bureaucracy, second-person. ", "date": "2026-09-08T06:57:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "license box formatting", "date": "2026-09-09T07:18:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Removed tags: second-person. ", "date": "2026-09-09T11:26:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-09-12T07:02:00"}], "hubs": ["goi-formats"], "images": ["https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "http://marlin-paskalis.wikidot.com/local--files/gambar/cermin_hitam.webp"], "link": "an-011", "page_id": "1469216068", "rating": 6, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>\"That damn mirror\u2026 good thing my investigation was right.\"</p>\n</div>\n\n\n<hr/>\n<div style=\"text-align: justify;\">\n<div class=\"blockquote\">\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\nThe man's footsteps echoed down the long, brown hallway. He carried a bag in his right hand, wore a blangkon<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> on his head, and dressed in a plain white suit. He walked\u2014steady, unhurried\u2014and stopped in front of a wooden door. Above it, a sign read: \"GENERAL SECRETARY.\"</p>\n<p><em>Tok, tok, tok</em></p>\n<p>A soft knock came from the door. \"Assalamualaikum, Mr. \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2014it's Djoko. May I come in?\" the man said from outside the door. \"Please, come in,\" came the reply from inside. The door opened, and Djoko stepped in, then closed it behind him. Inside sat an old man in a black songkok, with stacks of papers all over his desk. He looked up at Djoko, still standing by the door, and said, \"Have a seat, Djoko!\"</p>\n<p>Djoko sat where he was told and placed his bag to the right of his chair. \"Djoko, do you know why I called you here?\" pointed the pen he was holding at Djoko's face. \"The second revision of document AN/011 only adds that the experiment on him is temporarily suspended\u2014and you want me to sign this? Is this a joke?\" the old man added, his tone sharp.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Standard\u00a0Operating\u00a0Procedures\u00a0Number:\u00a0AN/011/P.03/19\u2588\u2588</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Close</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: justify;\">\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:1.75em;\"><strong>Institute for Anomalous Affairs</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>STANDARD OPERATING PROCEDURES</strong><br/>\nregarding <strong>Second Revision of Standard Operating Procedure upon</strong><br/>\n<strong>AN/011</strong> (\"Mirror of Darkness\") Number: <strong>AN/011/P.03/19\u2588\u2588</strong></p>\n</div>\n<br/>\n<div style=\"text-align: justify;\">\n<p><strong>1. Detail</strong><br/>\nAN/011 is a mirror measuring 35\u00d773\u00a0cm, featuring a black frame constructed of teak wood. Under direct visual observation, the object functions as an ordinary mirror, capable of reflecting light and displaying reflections of objects positioned before it. However, a black, anthropomorphic humanoid silhouette is observed standing in a static posture within the reflection. The silhouette moves at a slow, indefinite velocity and exhibits no discernible movement pattern.</p>\n<p>Anomalous use of AN/011 by human subjects during direct visual observation induces a persistent sense of discomfort, compelling the subject to avert their gaze from the mirror. This triggers a negative psychological response that may manifest as varying degrees of nyctophobia, sciophobia, and spectrophobia, the intensity of which differs among individual subjects.</p>\n<p>Based on trials conducted across various sample groups, the effects of AN/011 have been demonstrated to affect only human subjects. The effects do not transfer through recording equipment or intermediary media; therefore, monitoring via photographic or video recording is considered safe.</p>\n<p><br/></p>\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><img alt=\"cermin_hitam.webp\" class=\"image\" src=\"http://marlin-paskalis.wikidot.com/local--files/gambar/cermin_hitam.webp\"/>\n<div class=\"scp-image-caption\">\n<p>AN/011</p>\n</div>\n</div>\n<p><br/>\n<strong>2. Background</strong><br/>\nCiting the report appended to this document, AN/011 was secured through a seizure operation involving the illicit smuggling of anomalous goods conducted by the interest group Marshall, Carter, and Dark (MC&amp;D)<sup>1</sup> at Tanjung Priuk Port on 03/\u2588\u2588/1972.</p>\n<p>AN/011 was secured wrapped in black cloth and placed inside a wooden crate. Documentation about AN/011 recovered from MC&amp;D is attached herewith.</p>\n<p><br/>\n<br/>\n<strong>3. Legal Basis</strong><br/>\na. Presidential Decree Number 73 of 1967 concerning the Definition of Smuggling;<br/>\nb. Customs Ordinance (Rechten Ordonantie), Staatsblad 1882 Number 240, particularly Article 26b in conjunction with Article 26e, as amended and supplemented;<br/>\nc. \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 Number \u2588\u2588 of \u2588\u2588\u2588\u2588 concerning \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588; and<br/>\nd. Presidential Directive Number 999 of 1968 concerning the Institute for Anomalous Affairs, as last amended.<br/>\n<br/>\n<br/>\n<strong>4. Related Documents</strong><br/>\na. Assignment Order Number SR/KEP.LUA/\u2588\u2588/1972 concerning the Deployment of the Tanjung Priok Port Security Task Force; and<br/>\nb. Minutes of Seizure of Evidence Number BA.\u2588\u2588/DIV.PAM/1972.<br/>\n<br/>\n<br/>\n<strong>5. Involved Parties</strong><br/>\na. Directorate of Security; and<br/>\nb. Central Testing Authority.<br/>\n<br/>\n<br/>\n<strong>6. Containment Work Procedure</strong><br/>\nAN/011 is to be stored covered with an opaque black cloth, placed within a wooden crate lined with protective foam, and kept at the Anomalous Storage Warehouse, Sector \u2588\u2588, East Jakarta.</p>\n<p>All forms of experimentation or testing on AN/011 are temporarily suspended pending further directives from leadership.</p>\n<p><br/>\n<br/>\n<strong>7. Other Things Of Note</strong><br/>\na. Attachment: 3 (three) pcs.<br/>\nb. Explanation 1): Marshall, Carter, and Dark (MC&amp;D) is an international trading and auction group dealing in illegal anomalous objects. The group has been on the I.A.A. monitoring list since 196\u2588.<br/>\n<br/></p>\n</div>\n<br/>\n<div style=\"text-align: right;\">\n<p>Authorised on \u2588\u2588 \u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588,<br/>\nHEAD OF THE INSTITUTE FOR ANOMALOUS AFFAIRS<br/>\nGENERAL SECRETARY</p>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<p>\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n\"No, sir\u2014this is no joke. The suspension was necessary because the effects have proven highly dangerous, and we're getting no new useful data from it,\" Djoko replied. He reached into his bag and pulled out several documents\u2014reports on the subjects' conditions over the past three weeks. He handed them to the old man. At the end of the report, it was written clearly, three out of ten subjects had died by suicide. \"Hah? Nonsense!\" the old man barked. \"Since when do we care about those communist traitors? Resume the experiment. It's only thirty percent\u2014barely a loss.\" A smile curled across his face.\n<p>\"But, sir\u2026\" Djoko said quietly. \"No buts. Resume it until we get new results!\" the old man shot back, firm and final. \"Sir, that's not why I made that decision,\" Djoko said, his voice steady now. \"Then what? Stop wasting my time and get out!\" the old man snapped. Djoko took off his blangkon and turned it inside out, showing it to the old man. Inside the headpiece, a small fragment of AN/011 was embedded in the fabric\u2014and on it, a dark, shadowy figure stared back, smiling.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/></p>\n<div style=\"text-align: center;\">\n<div class=\"image-block-slide-reveal scp-image-block nofloat\" data-feature=\"image-feature\" style=\"max-width:15rem;\">\n\n<div class=\"scp-image-caption hidden\">{$caption}</div>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nThe old man caught a glimpse of it\u2014and immediately broke into a cold sweat. Seeing that, Djoko turned his blangkon back around, glanced at the AN/011 fragment, and said, \"Wow, sir\u2014I had no idea you were working with MC&amp;D. How much are they paying you?\" The old man jolted at the words. His foot accidentally kicked the underside of the table, sending piles of papers crashing to the floor. \"How dare you, Djoko\u2014are you playing me?\" the old man said, his voice trembling.\n<p>Djoko looked back at the AN/011 fragment and replied, \"Tell you what, sir\u2014if you don't want your name dragged through the mud over that little affair of yours, I suggest you sign the document right away. I promise I won't spread it, as long as you do exactly as I say.\" With a face twisted in frustration, the old man signed. \"There\u2014it's done. You keep your word!\" he said, fear creeping into his voice.</p>\n<p>With the matter settled, Djoko walked out of the room, putting his blangkon back on. The moment the door closed behind him, he bolted to the bathroom\u2014and vomited. Pale-faced, he muttered to himself \"That damn mirror\u2026 good thing my investigation was right.\"</p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. <a href=\"https://en.wikipedia.org/wiki/Blangkon\">Blangkon</a> is a traditional Javanese headgear worn by men and made of batik fabric.</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/an-011\">AN/011 (Mirror of Darkness)</a>\" by Marlin Paskalis, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/an-011\">https://scpwiki.com/an-011</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan_bw.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> cermin_hitam.webp<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/slimeyyellow\" onclick=\"WIKIDOT.page.listeners.userInfo(7778760); return false;\"><img alt=\"slimeyyellow\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7778760&amp;amp;size=small&amp;amp;timestamp=1789196577\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7778760)\"/></a><a href=\"http://www.wikidot.com/user:info/slimeyyellow\" onclick=\"WIKIDOT.page.listeners.userInfo(7778760); return false;\">slimeyyellow</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://marlin-paskalis.wikidot.com/local--files/gambar/cermin_hitam.webp\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> manusia_gelap.webp<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/kyousanz\" onclick=\"WIKIDOT.page.listeners.userInfo(10127660); return false;\"><img alt=\"Kyousanz_\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=10127660&amp;amp;size=small&amp;amp;timestamp=1789196578\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=10127660)\"/></a><a href=\"http://www.wikidot.com/user:info/kyousanz\" onclick=\"WIKIDOT.page.listeners.userInfo(10127660); return false;\">Kyousanz_</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://marlin-paskalis.wikidot.com/local--files/gambar/manusia_gelap.webp\">SCP Foundation Wiki</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=\"That damn mirror\u2026 good thing my investigation was right.\"\n\n]]\n\n=====\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Inter:wght@400;700&display=swap');\n\n\u00a0\n\n#page-title {display: none;}\n\n\n\nbody {\n\n\u00a0\u00a0\u00a0\u00a0background-color: #FFF0D8;\n\n\u00a0\u00a0\u00a0\u00a0color: #000000;\n\n}\n\n\n\nh1, h2, h3, h4, h5, h6, #page-title 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!important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n\n\n#page-title {display: none;}\n\n\n\n[[/module]]\n\n\n\n[[module css]]\n\n\u00a0:root{\n\n\u00a0\u00a0\u00a0--header-title: \"I.A.A.\";\n\n\u00a0\u00a0\u00a0--header-subtitle: \"Institute for Anomalous Affairs\";\n\n\u00a0\u00a0\u00a0--logo-image: url(\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan.png\");\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n-----\n\n[[==]]\n\n[[div class=\"blockquote\"]]\n\n@@ @@\n\nThe man's footsteps echoed down the long, brown hallway. He carried a bag in his right hand, wore a blangkon[[footnote]][https://en.wikipedia.org/wiki/Blangkon Blangkon] is a traditional Javanese headgear worn by men and made of batik fabric.[[/footnote]] on his head, and dressed in a plain white suit. He walked\u2014steady, unhurried\u2014and stopped in front of a wooden door. Above it, a sign read: \"GENERAL SECRETARY.\"\n\n\n\n//Tok, tok, tok// \n\n\n\nA soft knock came from the door. \"Assalamualaikum, Mr. \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2014it's Djoko. May I come in?\" the man said from outside the door. \"Please, come in,\" came the reply from inside. The door opened, and Djoko stepped in, then closed it behind him. Inside sat an old man in a black songkok, with stacks of papers all over his desk. He looked up at Djoko, still standing by the door, and said, \"Have a seat, Djoko!\"\n\n\n\nDjoko sat where he was told and placed his bag to the right of his chair. \"Djoko, do you know why I called you here?\" pointed the pen he was holding at Djoko's face. \"The second revision of document AN/011 only adds that the experiment on him is temporarily suspended\u2014and you want me to sign this? Is this a joke?\" the old man added, his tone sharp.\n\n@@ @@\n\n[[=]]\n\n[[collapsible show=\"Standard Operating Procedures Number: AN/011/P.03/19\u2588\u2588\" hide=\"Close\"]]\n\n[[==]]\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 1.75em]]**Institute for Anomalous Affairs**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**STANDARD OPERATING PROCEDURES**\n\nregarding **Second Revision of Standard Operating Procedure upon**\n\n**AN/011** (\"Mirror of Darkness\") Number: **AN/011/P.03/19\u2588\u2588**\n\n[[/=]]\n\n[[==]]\n\n\n\n**1. Detail**\n\nAN/011 is a mirror measuring 35\u00d773 cm, featuring a black frame constructed of teak wood. Under direct visual observation, the object functions as an ordinary mirror, capable of reflecting light and displaying reflections of objects positioned before it. However, a black, anthropomorphic humanoid silhouette is observed standing in a static posture within the reflection. The silhouette moves at a slow, indefinite velocity and exhibits no discernible movement pattern.\n\n\n\nAnomalous use of AN/011 by human subjects during direct visual observation induces a persistent sense of discomfort, compelling the subject to avert their gaze from the mirror. This triggers a negative psychological response that may manifest as varying degrees of nyctophobia, sciophobia, and spectrophobia, the intensity of which differs among individual subjects.\n\n\n\nBased on trials conducted across various sample groups, the effects of AN/011 have been demonstrated to affect only human subjects. The effects do not transfer through recording equipment or intermediary media; therefore, monitoring via photographic or video recording is considered safe.\n\n\n\n\u00a0_\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=\thttp://marlin-paskalis.wikidot.com/local--files/gambar/cermin_hitam.webp|caption=AN/011|align=center|width=300px]]\n\n\u00a0_\n\n**2. Background**\n\nCiting the report appended to this document, AN/011 was secured through a seizure operation involving the illicit smuggling of anomalous goods conducted by the interest group Marshall, Carter, and Dark (MC&D)^^1^^ at Tanjung Priuk Port on 03/\u2588\u2588/1972.\n\n\n\nAN/011 was secured wrapped in black cloth and placed inside a wooden crate. Documentation about AN/011 recovered from MC&D is attached herewith.\n\n\n\n\u00a0_\n\n\n\n**3. Legal Basis**\n\n\u00a0a. Presidential Decree Number 73 of 1967 concerning the Definition of Smuggling;\n\n\u00a0b. Customs Ordinance (Rechten Ordonantie), Staatsblad 1882 Number 240, particularly Article 26b in conjunction with Article 26e, as amended and supplemented;\n\n\u00a0c. \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 Number \u2588\u2588 of \u2588\u2588\u2588\u2588 concerning \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588; and\n\n\u00a0d. Presidential Directive Number 999 of 1968 concerning the Institute for Anomalous Affairs, as last amended.\n\n\u00a0_\n\n\n\n**4. Related Documents**\n\n\u00a0a. Assignment Order Number SR/KEP.LUA/\u2588\u2588/1972 concerning the Deployment of the Tanjung Priok Port Security Task Force; and\n\n\u00a0b. Minutes of Seizure of Evidence Number BA.\u2588\u2588/DIV.PAM/1972.\n\n\u00a0_\n\n\n\n**5. Involved Parties**\n\n\u00a0a. Directorate of Security; and\n\n\u00a0b. Central Testing Authority.\n\n\u00a0_\n\n\n\n**6. Containment Work Procedure**\n\nAN/011 is to be stored covered with an opaque black cloth, placed within a wooden crate lined with protective foam, and kept at the Anomalous Storage Warehouse, Sector \u2588\u2588, East Jakarta.\n\n\n\nAll forms of experimentation or testing on AN/011 are temporarily suspended pending further directives from leadership.\n\n\n\n\n\n\n\n\u00a0_\n\n\n\n**7. Other Things Of Note**\n\n\u00a0a. Attachment: 3 (three) pcs.\n\n\u00a0b. Explanation 1): Marshall, Carter, and Dark (MC&D) is an international trading and auction group dealing in illegal anomalous objects. The group has been on the I.A.A. monitoring list since 196\u2588.\n\n\u00a0_\n\n[[/==]]\n\n[[>]]\n\nAuthorised on \u2588\u2588 \u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588,\n\nHEAD OF THE INSTITUTE FOR ANOMALOUS AFFAIRS\n\nGENERAL SECRETARY\n\n\n\n@@ @@\n\n@@ @@\n\n\n\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/>]]\n\n[[/div]]\n\n[[/==]]\n\n[[/collapsible]]\n\n[[/=]]\n\n@@ @@\n\n\"No, sir\u2014this is no joke. The suspension was necessary because the effects have proven highly dangerous, and we're getting no new useful data from it,\" Djoko replied. He reached into his bag and pulled out several documents\u2014reports on the subjects' conditions over the past three weeks. He handed them to the old man. At the end of the report, it was written clearly, three out of ten subjects had died by suicide. \"Hah? Nonsense!\" the old man barked. \"Since when do we care about those communist traitors? Resume the experiment. It's only thirty percent\u2014barely a loss.\" A smile curled across his face.\n\n\n\n\"But, sir...\" Djoko said quietly. \"No buts. Resume it until we get new results!\" the old man shot back, firm and final. \"Sir, that's not why I made that decision,\" Djoko said, his voice steady now. \"Then what? Stop wasting my time and get out!\" the old man snapped. Djoko took off his blangkon and turned it inside out, showing it to the old man. Inside the headpiece, a small fragment of AN/011 was embedded in the fabric\u2014and on it, a dark, shadowy figure stared back, smiling.\n\n@@ @@\n\n[[=]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-features-source\">:scp-wiki:component:image-features-source</a> |slide-block-reveal=--]\n\n|block-color=rgb(0,0,0)\n\n|slide-direction=top\n\n|speed=600\n\n|float=false\n\n|width=15rem\n\n|url=http://marlin-paskalis.wikidot.com/local--files/gambar/manusia_gelap.webp\n\n|alt=alt|alt-text=A metal bowl containing a flat piece of pasta against a blue backdrop.\n\n|add-caption=false\n\n]]\n\n[[/=]]\n\n@@ @@\n\nThe old man caught a glimpse of it\u2014and immediately broke into a cold sweat. Seeing that, Djoko turned his blangkon back around, glanced at the AN/011 fragment, and said, \"Wow, sir\u2014I had no idea you were working with MC&D. How much are they paying you?\" The old man jolted at the words. His foot accidentally kicked the underside of the table, sending piles of papers crashing to the floor. \"How dare you, Djoko\u2014are you playing me?\" the old man said, his voice trembling.\n\n\n\nDjoko looked back at the AN/011 fragment and replied, \"Tell you what, sir\u2014if you don't want your name dragged through the mud over that little affair of yours, I suggest you sign the document right away. I promise I won't spread it, as long as you do exactly as I say.\" With a face twisted in frustration, the old man signed. \"There\u2014it's done. You keep your word!\" he said, fear creeping into his voice.\n\n\n\nWith the matter settled, Djoko walked out of the room, putting his blangkon back on. The moment the door closed behind him, he bolted to the bathroom\u2014and vomited. Pale-faced, he muttered to himself \"That damn mirror... good thing my investigation was right.\"\n\n[[/==]]\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Marlin Paskalis]]\n\n> **Filename:** lemrusan.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY-SA 3.0\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** lemrusan_bw.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY-SA 3.0\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** cermin_hitam.webp\n\n> **Author:** [[*user slimeyyellow]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [http://marlin-paskalis.wikidot.com/local--files/gambar/cermin_hitam.webp SCP Foundation Wiki]\n\n\n\n> **Filename:** manusia_gelap.webp\n\n> **Author:** [[*user Kyousanz_]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [http://marlin-paskalis.wikidot.com/local--files/gambar/manusia_gelap.webp SCP Foundation Wiki]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "bureaucracy", "goi-format", "goicon-2026"], "title": "AN/011 (Mirror of Darkness) - SCP Foundation", "url": "https://scp-wiki.wikidot.com/an-011"}, "an-0189": {"created_at": "2026-08-19T17:36:00", "creator": "EastIndies", "domain": "scp-wiki.wikidot.com", "history": [{"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "Page creation.", "date": "2026-08-19T17:36:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "Uploaded file \"alang_kakung_doll.jpg\".", "date": "2026-08-19T17:37:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "Uploaded file \"emaciated_man.jpg\".", "date": "2026-08-19T17:37:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "Added tags: goicon-2026. ", "date": "2026-08-19T17:38:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "", "date": "2026-08-19T17:38:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "", "date": "2026-08-19T18:01:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-08-19T18:02:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image, _licensebox, _other, goi-format, illustrated. ", "date": "2026-08-19T18:02:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "", "date": "2026-08-19T18:22:00"}, {"author": "EastIndies", "author_href": "https://www.wikidot.com/user:info/eastindies", "comment": "minutiae edit", "date": "2026-08-20T01:26:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: ghost. ", "date": "2026-08-24T13:25:00"}], "hubs": ["goi-formats"], "images": ["https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "https://scp-wiki.wdfiles.com/local--files/an-0189/alang_kakung_doll.jpg", "https://scp-wiki.wdfiles.com/local--files/an-0189/emaciated_man.jpg"], "link": "an-0189", "page_id": "1469195730", "rating": 21, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>The poor and abandoned children are cared for by the state.</p>\n</div>\n\n<div style=\"text-align: right;\">\n<div style=\"margin-right: 2em; margin-top: -15px;\">\n<p><sup>written by <a href=\"https://www.wikidot.com/user:info/eastindies\">EastIndies</a></sup></p>\n</div>\n</div>\n<div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\">\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">PRESIDENTIAL DIRECTIVE OF THE REPUBLIC OF INDONESIA</span></strong></p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">NUMBER 399 YEAR 1998</span></strong></p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">REGARDING</span></strong></p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">COUNTERACTING ANOMALOUS ENRICHMENT PRACTICES</span></strong></p>\n<p><strong>Considering :</strong><br/>\na. that there has been a proliferation of anomalous and paranormal enrichment practices such as <em>pesugihan</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> as of late, caused by the ongoing monetary crisis;<br/>\nb. that such events have been deemed as a threat to national stability and public order;<br/>\nc. that concerning the points above, it is deemed necessary to undertake an immediate action against anomalous enrichment practices;</p>\n<p><strong>Noting</strong> :<br/>\na. Article 4 paragraph (1) of the 1945 Constitution of the Republic of Indonesia;<br/>\nb. Institute Regulation Number AN/L/KEA/1992 on Anomalous Economic Activities;<br/>\nc. Presidential Directive Number 999 of 1968 on Institute for Anomalous Affairs, as last amended.</p>\n<p style=\"text-align: center;\"><strong><span style=\"text-decoration: underline;\">DIRECTS :</span></strong></p>\n<p><strong>For</strong> : Head of Institute for Anomalous Affairs</p>\n<p><strong>To</strong> :</p>\n<p><strong>FIRST</strong> : Create a task force to counteract cases of anomalous enrichment practices.</p>\n<p><strong>SECOND</strong> : To coordinate with relevant governmental bodies as necessary.</p>\n<p><strong>THIRD</strong> : To command the task force in fulfilling its directives responsibly.</p>\n<p><strong>FOURTH</strong> : This Presidential Directive enters into force from the date it is authorised.<br/>\n<br/></p>\n<div style=\"align:left;margin-left:auto;margin-right:10px;display:block;width:50%;\">\n<p>Authorised at Jakarta<br/>\non 20 April 1998<br/>\nPRESIDENT OF THE REPUBLIC OF INDONESIA,<br/>\n<br/>\nsign.<br/>\n<br/>\n<strong>SOEHARTO</strong></p>\n</div>\n</div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:2em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, E-mail \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588@\u2588\u2588\u2588.go.id</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>Standard Operating Procedure</strong><br/>\nregarding <strong>Third Revision on Standard Operating Procedure upon</strong><br/>\n<strong>AN/0189</strong> (\"<em>Alang Kakung</em>\") Number: <strong>AN/0189/R.03/1998</strong></p>\n</div>\n<p><br/>\n<strong>1. Details</strong><br/>\nAN/0189 refers to the <em>alang kakung</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> paranormal game. AN/0189 allows its players to communicate and play with AN/0189/A, a spirit referred to as \"<em>kakung</em>\". Similar to <em>jailangkung</em>, it utilizes a scarecrow-like doll (see Image 1.1).</p>\n<div class=\"scp-image-block block-center\" style=\"width:275px;\"><img alt=\"alang_kakung_doll.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/an-0189/alang_kakung_doll.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Image 1.1\u00a0A sketch of a doll used for AN/0189</p>\n</div>\n</div>\n<p>To play AN/0189, the players would prepare:</p>\n<ul>\n<li>a doll made of wooden sticks and a bamboo-woven basket;</li>\n<li>men's clothing to clothe the doll, most commonly a pair of <em>baju koko</em> and <em>kopiah</em>;</li>\n<li>offerings such as beverages, snacks, and <em>kretek</em> cigarettes; and</li>\n<li>bundles of cogongrass, one for each player.</li>\n</ul>\n<p>A game of AN/0189 requires at least three players, with one acting as principal. AN/0189 can only be played at nighttime. To summon AN/0189/A, players would shake cogongrass and sing traditional songs. If successful, the principal and the doll would be possessed by AN/0189/A. AN/0189/A will inquire about the players' identities and current conditions.</p>\n<p>AN/0189/A would only offer a session of games with players after a thorough and polite conversation. AN/0189/A can be compelled to play almost all kinds of games, but prefers traditional Indonesian games. During play, the doll used for AN/0189 could locomote similarly to humans. However, any attempts to cheat would end AN/0189 instantly. At the end of AN/0189, AN/0189/A would thank players of AN/0189 for hosting him and wish them luck. Afterwards, AN/0189/A would leave <em>sembako</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> as gifts inside the basket. AN/0189/A never gifted gas and kerosene, but always gifted instant noodles.<br/>\n<br/>\n<br/>\n<strong>2. Background</strong><br/>\nThe Institute was already aware of AN/0189 in late April of 1998. At the time, AN/0189 was localized in the Jakarta metropolitan area. Findings confirmed that the urban poor augmented their daily necessities by playing AN/0189, to the point of near-subsistence for some. However, few measures were undertaken due to strained Institute resources.</p>\n<p>Control procedures against AN/0189 were enacted upon findings of AN/0189 play outside of Java in early June of 1998. As the Institute's amnestics supplies were almost depleted, the Task Force opted to release an experimental meme produced by AN/\u2588\u2588\u2588\u2588 embedded in mass media and word of mouth for certain regions. Although the measure was temporary (with an efficacy of 72%), <em>en masse</em> AN/0189 play during celebrations of Indonesian Independence Day on 17 August 1998 was prevented across the archipelago.<br/>\n<br/>\n<br/>\n<strong>3. Legal Basis</strong><br/>\na. Presidential Directive Number 399 of 1998 on Counteracting Anomalous Enrichment Practices;<br/>\nb. Institute Regulation Number AN/B/SGTPKA/1998 on Creation of the Task Force to Counteract Anomalous Enrichment Practices; and<br/>\nc. Presidential Directive Number 999 of 1968 on Institute for Anomalous Affairs, as last amended.<br/>\n<br/>\n<br/>\n<strong>4. Related Documents</strong><br/>\nDocumentation of AN/0189 Cases and Its Method of Play.<br/>\n<br/>\n<br/>\n<strong>5. Involved Parties</strong><br/>\na. Task Force to Counteract Anomalous Enrichment Practices;<br/>\nb. General Office of Experimentation, Centre for the Management of Anomalies; and<br/>\nc. General Office of Production, Centre for the Management of Anomalies.<br/>\n<br/>\n<br/>\n<strong>6. Containment Operating Procedure</strong><br/>\nAN/\u2588\u2588\u2588\u2588 meme has been used to dissuade AN/0189 play and control other anomalous enrichment practices. In select cases, players of AN/0189 would be apprehended by embedded Institute agents inside the Indonesian National Police and charged with fraud related to paranormal practices. Permanent measure is pending<sup>1</sup>.<br/>\n<br/>\n<br/>\n<strong>7. Additional Note</strong><br/>\nExplanation <sup>1</sup>): Development of a permanent countermeasure by the General Office of Production and the Task Force to Counteract Anomalous Enrichment Practices to counteract the effects of anomalous enrichment practices in the Indonesian economy and society has started. The countermeasure is predicted to be finished by December of 1998 and ready for deployment by January of 1999.<br/>\n<br/>\n<br/></p>\n<div style=\"text-align: right;\">\n<p>Authorised on 16 October 1998,<br/>\nHEAD OF INSTITUTE FOR ANOMALOUS AFFAIRS<br/>\nGENERAL SECRETARY<br/>\n<br/>\n<br/>\nsign.<br/>\n<br/>\n<br/>\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</div>\n</div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:25px 50px 25px;\">\n<div class=\"blockquote\" style=\"background:#FFFFFF;\">\n<p><em>'lang kakung, 'lang kakung,</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup><br/>\n<em>ilalang sudah lengkung.</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup><br/>\n<em>Ke sini, alang kakung,</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup><br/>\n<em>'tuk masuk keranjang tanggung,</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup><br/>\n<em>'tuk masuk keranjang tanggung.</em></p>\n</div>\n<p>- Excerpts of a song to summon AN/0189/A, <em>Documentation of AN/0189 Cases and Its Method of Play.</em></p>\n</div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px 50px 25px;\">\n<div style=\"text-align: justify;\">\n<p>alongside visits to affected Institute workers receiving urgent treatment.</p>\n<div class=\"unbordered-image\">\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><img alt=\"emaciated_man.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/an-0189/emaciated_man.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Suryadi, 43, street food vendor, recovering.</p>\n</div>\n</div>\n</div>\n<div style=\"text-indent: 25px;\">\n<p>Based on the Institute's findings, the \"Artha Tiru\" countermeasure has been shown to cause unexpected physiological effects in players and beneficiaries of AN/0189. Every person who consumed foodstuffs manifested from AN/0189 play experienced sudden nutritional deficiency, with varying degrees of severity. The Institute has linked \u2588\u2588,\u2588\u2588\u2588 civilian casualties to AN/0189. The \"Artha Tiru\" countermeasure was theorized to affect nutrients consumed from targeted objects. The Institute determined that this complication was caused by insufficient coordination amongst relevant parties in the development and utilization of the \u201cArtha Tiru\u201d countermeasure.</p>\n<p>In accordance with the findings, the Institute implemented the following measures: First, written warnings were issued to the Head of the General Office of Experimentation and the Head of the General Office of Production. Second, the need for evaluation and enhanced coordination and communication for all units in the Institute for Anomalous Affairs was emphasized. Third, the Institute enforced its stance of non-assistance to affected civilians due to complications from the \"Artha Tiru\" countermeasure. To elaborate, under Article 81 of Institute Regulation AN/L/MBAN/1986 on Management of Anomalous Disaster, persons affected by an anomalous disaster are exempt from receiving relief funds if the disaster was caused by the utilization of the anomalous in violation of another Institute Regulation. Due to difficulties in distinguishing players and beneficiaries of AN/0189 in most cases, the Institute elected not to assist all affected civilians. Assistance has been delegated to other charitable non-governmental organizations.</p>\n<p>Nevertheless, the Institute maintained that the \"Artha Tiru\" countermeasure was crucial for national stability and the ongoing economic recovery, due to its success in removing money generated by <em>pesugihan</em> practices from circulation.</p>\n</div>\n\n\n<div style=\"position:relative; width:100%;\">\n<p><span style=\"display:block;\"><em><strong>Institute for Anomalous Affairs Annual Report, 1999</strong></em></span><br/>\n<span style=\"position:absolute; right:0; top:0;\">54</span></p>\n</div>\n</div>\n</div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:25px 50px 25px;\">\n<p>\"<em>The poor and abandoned children are cared for by the state.</em>\"<br/>\n- Article 34 paragraph (1) of the 1945 Constitution of the Republic of Indonesia</p>\n</div>\n<br/>\n<br/>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/an-0189\">AN/0189 (\"Alang Kakung\")</a>\" by EastIndies, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/an-0189\">https://scpwiki.com/an-0189</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan_bw.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> alang_kakung_doll.jpg<br/>\n<strong>Author:</strong> EastIndies<br/>\n<strong>License:</strong> CC BY SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/an-0189\">https://scp-wiki.wikidot.com/an-0189</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> emaciated_man.jpg<br/>\n<strong>Name:</strong>V0029711 An emaciated man, rescued from a premature burial, being hel<br/>\n<strong>Author:</strong> Wellcome Library, London<br/>\n<strong>License:</strong> CC BY 4.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:An_emaciated_man,_rescued_from_a_premature_burial,_being_hel_Wellcome_V0029711.jpg\">https://commons.wikimedia.org/wiki/File:An_emaciated_man,_rescued_from_a_premature_burial,_being_hel_Wellcome_V0029711.jpg</a><br/>\n<strong>Additional Notes:</strong> Censor box added to the man's face.</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Lit. \"enrichment\" in Javanese; paranormal practices granting instant wealth.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Lit. \"grandfather of cogongrass\" in Javanese.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Abbrev. of \"nine staple necessities\" in Indonesian; rice, sugar, cooking oil, meat, eggs, milk, onions, gas and kerosene, and salt.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. <em>Grandfather of cogongrass, grandfather of cogongrass.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. <em>the cogongrass has been bent.</em></div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. <em>Come here, grandfather of cogongrass,</em></div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. <em>to enter this humble basket,</em></div>\n</div>\n</div></body></html>", "raw_source": 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.scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.unbordered-image .scp-image-block {\n\n\u00a0\u00a0\u00a0\u00a0border: none !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.unbordered-image .scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent !important;\n\n\u00a0\u00a0\u00a0\u00a0border: none !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[div style=\"margin-right: 2em; margin-top: -15px;\"]]\n\n^^written by [https://www.wikidot.com/user:info/eastindies EastIndies]^^\n\n[[/div]]\n\n[[/>]]\n\n\n\n[[div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\"]]\n\n= **__PRESIDENTIAL DIRECTIVE OF THE REPUBLIC OF INDONESIA__**\n\n= **__NUMBER 399 YEAR 1998__**\n\n= **__REGARDING__**\n\n= **__COUNTERACTING ANOMALOUS ENRICHMENT PRACTICES__**\n\n\n\n**Considering :**\n\na. that there has been a proliferation of anomalous and paranormal enrichment practices such as //pesugihan//[[footnote]]Lit. \"enrichment\" in Javanese; paranormal practices granting instant wealth.[[/footnote]] as of late, caused by the ongoing monetary crisis;\n\nb. that such events have been deemed as a threat to national stability and public order;\n\nc. that concerning the points above, it is deemed necessary to undertake an immediate action against anomalous enrichment practices;\n\n\n\n**Noting** :\n\na. Article 4 paragraph (1) of the 1945 Constitution of the Republic of Indonesia;\n\nb. Institute Regulation Number AN/L/KEA/1992 on Anomalous Economic Activities;\n\nc. Presidential Directive Number 999 of 1968 on Institute for Anomalous Affairs, as last amended.\n\n\n\n= **__DIRECTS :__**\n\n\n\n**For** : Head of Institute for Anomalous Affairs\n\n\n\n**To** :\n\n\n\n**FIRST** : Create a task force to counteract cases of anomalous enrichment practices.\n\n\n\n**SECOND** : To coordinate with relevant governmental bodies as necessary.\n\n\n\n**THIRD** : To command the task force in fulfilling its directives responsibly.\n\n\n\n**FOURTH** : This Presidential Directive enters into force from the date it is authorised.\n\n\u00a0_\n\n\n\n[[div style=\"align:left;margin-left:auto;margin-right:10px;display:block;width:50%;\"]]\n\nAuthorised at Jakarta\n\non 20 April 1998\n\nPRESIDENT OF THE REPUBLIC OF INDONESIA,\n\n\u00a0_\n\nsign.\n\n\u00a0_\n\n**SOEHARTO**\n\n[[/div]]\n\n[[/div]]\n\n\u00a0\n\n----\n\n\u00a0\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 2em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, E-mail \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588@\u2588\u2588\u2588.go.id\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**Standard Operating Procedure**\n\nregarding **Third Revision on Standard Operating Procedure upon**\n\n**AN/0189** (\"//Alang Kakung//\") Number: **AN/0189/R.03/1998**\n\n[[/=]]\n\n\n\n\u00a0_\n\n**1. Details**\n\nAN/0189 refers to the //alang kakung//[[footnote]]Lit. \"grandfather of cogongrass\" in Javanese.[[/footnote]] paranormal game. AN/0189 allows its players to communicate and play with AN/0189/A, a spirit referred to as \"//kakung//\". Similar to //jailangkung//, it utilizes a scarecrow-like doll (see Image 1.1).\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=https://scp-wiki.wdfiles.com/local--files/an-0189/alang_kakung_doll.jpg|caption=Image 1.1 A sketch of a doll used for AN/0189|align=center|width=275px|class=bordered-image]]\n\n\n\nTo play AN/0189, the players would prepare:\n\n* a doll made of wooden sticks and a bamboo-woven basket;\n\n* men's clothing to clothe the doll, most commonly a pair of //baju koko// and //kopiah//;\n\n* offerings such as beverages, snacks, and //kretek// cigarettes; and\n\n* bundles of cogongrass, one for each player.\n\n\n\nA game of AN/0189 requires at least three players, with one acting as principal. AN/0189 can only be played at nighttime. To summon AN/0189/A, players would shake cogongrass and sing traditional songs. If successful, the principal and the doll would be possessed by AN/0189/A. AN/0189/A will inquire about the players' identities and current conditions.\n\n\n\nAN/0189/A\u00a0\u00a0would only offer a session of games with players after a thorough and polite conversation. AN/0189/A can be compelled to play almost all kinds of games, but prefers traditional Indonesian games. During play, the doll used for AN/0189 could locomote similarly to humans. However, any attempts to cheat would end AN/0189 instantly. At the end of AN/0189, AN/0189/A would thank players of AN/0189 for hosting him and wish them luck. Afterwards, AN/0189/A would leave //sembako//[[footnote]]Abbrev. of \"nine staple necessities\" in Indonesian; rice, sugar, cooking oil, meat, eggs, milk, onions, gas and kerosene, and salt.[[/footnote]] as gifts inside the basket. AN/0189/A never gifted gas and kerosene, but always gifted instant noodles.\n\n\u00a0_\n\n\n\n**2. Background**\n\nThe Institute was already aware of AN/0189 in late April of 1998. At the time, AN/0189 was localized in the Jakarta metropolitan area. Findings confirmed that the urban poor augmented their daily necessities by playing AN/0189, to the point of near-subsistence for some. However, few measures were undertaken due to strained Institute resources.\n\n\n\nControl procedures against AN/0189 were enacted upon findings of AN/0189 play outside of Java in early June of 1998. As the Institute's amnestics supplies were almost depleted, the Task Force opted to release an experimental meme produced by AN/\u2588\u2588\u2588\u2588 embedded in mass media and word of mouth for certain regions. Although the measure was temporary (with an efficacy of 72%), //en masse// AN/0189 play during celebrations of Indonesian Independence Day on 17 August 1998 was prevented across the archipelago.\n\n\u00a0_\n\n\n\n**3. Legal Basis**\n\n\u00a0a. Presidential Directive Number 399 of 1998 on Counteracting Anomalous Enrichment Practices;\n\n\u00a0b. Institute Regulation Number AN/B/SGTPKA/1998 on Creation of the Task Force to Counteract Anomalous Enrichment Practices; and\n\n\u00a0c. Presidential Directive Number 999 of 1968 on Institute for Anomalous Affairs, as last amended.\n\n\u00a0_\n\n\n\n**4. Related Documents**\n\n\u00a0Documentation of AN/0189 Cases and Its Method of Play.\n\n\u00a0_\n\n\n\n**5. Involved Parties**\n\n\u00a0a. Task Force to Counteract Anomalous Enrichment Practices;\n\n\u00a0b. General Office of Experimentation, Centre for the Management of Anomalies; and\n\n\u00a0c. General Office of Production, Centre for the Management of Anomalies.\n\n\u00a0_\n\n\n\n**6. Containment Operating Procedure**\n\nAN/\u2588\u2588\u2588\u2588 meme has been used to dissuade AN/0189 play and control other anomalous enrichment practices. In select cases, players of AN/0189 would be apprehended by embedded Institute agents inside the Indonesian National Police and charged with fraud related to paranormal practices. Permanent measure is pending^^1^^.\n\n\u00a0_\n\n\n\n**7. Additional Note**\n\n\u00a0Explanation ^^1^^): Development of a permanent countermeasure by the General Office of Production and the Task Force to Counteract Anomalous Enrichment Practices to counteract the effects of anomalous enrichment practices in the Indonesian economy and society has started. The countermeasure is predicted to be finished by December of 1998 and ready for deployment by January of 1999.\n\n\u00a0_\n\n\n\n[[>]]\n\nAuthorised on 16 October 1998,\n\nHEAD OF INSTITUTE FOR ANOMALOUS AFFAIRS\n\nGENERAL SECRETARY\n\n\u00a0_\n\n\n\nsign.\n\n\u00a0_\n\n\n\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/>]]\n\n[[/div]]\n\n\n\n----\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:25px 50px 25px;\"]]\n\n[[div class=\"blockquote\" style=\"background:#FFFFFF;\"]]\n\n//'lang kakung, 'lang kakung,//[[footnote]]//Grandfather of cogongrass, grandfather of cogongrass.//[[/footnote]]\n\n//ilalang sudah lengkung.//[[footnote]]//the cogongrass has been bent.//[[/footnote]]\n\n//Ke sini, alang kakung,//[[footnote]]//Come here, grandfather of cogongrass,//[[/footnote]]\n\n//'tuk masuk keranjang tanggung,//[[footnote]]//to enter this humble basket,//[[/footnote]]\n\n//'tuk masuk keranjang tanggung.//\n\n[[/div]]\n\n\n\n- Excerpts of a song to summon AN/0189/A, //Documentation of AN/0189 Cases and Its Method of Play.//\n\n[[/div]]\n\n\n\n----\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px 50px 25px;\"]]\n\n[[div style=\"text-align: justify;\"]]\n\n\n\nalongside visits to affected Institute workers receiving urgent treatment.\n\n\n\n[[div class=\"unbordered-image\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=https://scp-wiki.wdfiles.com/local--files/an-0189/emaciated_man.jpg|caption=Suryadi, 43, street food vendor, recovering.|align=center|width=300px]]\n\n[[/div]]\n\n\n\n[[div style=\"text-indent: 25px;\"]]\n\nBased on the Institute's findings, the \"Artha Tiru\" countermeasure has been shown to cause unexpected physiological effects in players and beneficiaries of AN/0189. Every person who consumed foodstuffs manifested from AN/0189 play experienced sudden nutritional deficiency, with varying degrees of severity. The Institute has linked \u2588\u2588,\u2588\u2588\u2588 civilian casualties to AN/0189. The \"Artha Tiru\" countermeasure was theorized to affect nutrients consumed from targeted objects. The Institute determined that this complication was caused by insufficient coordination amongst relevant parties in the development and utilization of the \u201cArtha Tiru\u201d countermeasure.\n\n\n\nIn accordance with the findings, the Institute implemented the following measures: First, written warnings were issued to the Head of the General Office of Experimentation and the Head of the General Office of Production. Second, the need for evaluation and enhanced coordination and communication for all units in the Institute for Anomalous Affairs was emphasized. Third, the Institute enforced its stance of non-assistance to affected civilians due to complications from the \"Artha Tiru\" countermeasure. To elaborate, under Article 81 of Institute Regulation AN/L/MBAN/1986 on Management of Anomalous Disaster, persons affected by an anomalous disaster are exempt from receiving relief funds if the disaster was caused by the utilization of the anomalous in violation of another Institute Regulation. Due to difficulties in distinguishing players and beneficiaries of AN/0189 in most cases, the Institute elected not to assist all affected civilians. Assistance has been delegated to other charitable non-governmental organizations.\n\n\n\nNevertheless, the Institute maintained that the \"Artha Tiru\" countermeasure was crucial for national stability and the ongoing economic recovery, due to its success in removing money generated by //pesugihan// practices from circulation.\n\n[[/div]]\n\n\n\n[[div style=\"border-top:2px solid #000000; margin-bottom:5px;\"]]\n\n[[/div]]\n\n[[div style=\"border-top:1px solid #000000;\"]]\n\n[[/div]]\n\n\n\n[[div style=\"position:relative; width:100%;\"]]\n\n[[span style=\"display:block;\"]]//**Institute for Anomalous Affairs Annual Report, 1999**//[[/span]]\n\n[[span style=\"position:absolute; right:0; top:0;\"]]54[[/span]]\n\n[[/div]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n----\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:25px 50px 25px;\"]]\n\n\"//The poor and abandoned children are cared for by the state.//\"\n\n- Article 34 paragraph (1) of the 1945 Constitution of the Republic of Indonesia\n\n[[/div]]\n\n\u00a0_\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n> **Filename:** lemrusan.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY SA 3.0.\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** lemrusan_bw.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY SA 3.0.\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** alang_kakung_doll.jpg\n\n> **Author:** EastIndies\n\n> **License:**\u00a0\u00a0CC BY SA 3.0.\n\n> **Source Link:** https://scp-wiki.wikidot.com/an-0189\n\n\n\n> **Filename:** emaciated_man.jpg\n\n> **Name:**V0029711 An emaciated man, rescued from a premature burial, being hel\n\n> **Author:** Wellcome Library, London\n\n> **License:** CC BY 4.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:An_emaciated_man,_rescued_from_a_premature_burial,_being_hel_Wellcome_V0029711.jpg\n\n> **Additional Notes:** Censor box added to the man's face.\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "ghost", "goi-format", "goicon-2026", "illustrated"], "title": "AN/0189 (\"Alang Kakung\") - SCP Foundation", "url": "https://scp-wiki.wikidot.com/an-0189"}, "an-1119": {"created_at": "2026-08-19T23:59:00", "creator": "PhoenixOfHope", "domain": "scp-wiki.wikidot.com", "history": [{"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-19T23:59:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-20T00:00:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-20T00:01:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "Added tags: _cc, _licensebox, _other, goi-format, goicon-2026. ", "date": "2026-08-20T00:04:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "done", "date": "2026-08-20T00:05:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "Uploaded file \"[trashed].bpapkn_sketch\".", "date": "2026-08-20T00:07:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image. Removed tags: _cc. ", "date": "2026-08-20T00:40:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "moved license box below footnotes", "date": "2026-08-20T00:42:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-20T03:25:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "my ahh missed one indonesian word", "date": "2026-08-20T06:52:00"}, {"author": "Sinking_Otter", "author_href": "https://www.wikidot.com/user:info/sinking-otter", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-08-20T11:30:00"}, {"author": "narm00", "author_href": "https://www.wikidot.com/user:info/narm00", "comment": "Alignment fix.", "date": "2026-08-21T10:59:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, ghost, mystery. ", "date": "2026-08-28T19:26:00"}], "hubs": ["goi-formats"], "images": ["https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "https://scp-wiki.wdfiles.com/local--files/an-1119/", "https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png"], "link": "an-1119", "page_id": "1469196297", "rating": 10, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>By the Grace of God Almighty,</p>\n</div>\n\n\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:2em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>STANDARD OPERATING PROCEDURE</strong><br/>\nregarding <strong>Fourth Revision on Standard Operating Procedure over</strong><br/>\n<span style=\"text-decoration: underline;\"><strong>AN/1119</strong></span> <span style=\"text-decoration: underline;\">(Setan Rambut)</span><br/>\nNo: <strong>AN/1119/1998</strong></p>\n</div>\n<p><br/>\n<strong>1. Detail</strong><br/>\nAN/1119 is a known supernatural entity possessing no corporeal physical form. It is capable of appearing suddenly and primarily targets male students attending junior and senior high schools whose hairstyles exceed SKI 3<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>.</p>\n<p>Its appearance is indicated by incidents of hair-pulling experienced by affected students within their respective classrooms. Victims, depending upon their age and physical condition, will generally suffer neck injuries and, in some cases, minor bleeding lacerations upon the scalp as a result of the sudden pulling force exerted upon them. All citizens present within the affected classroom will experience such incidents if the entity is not dealt with, and the phenomenon will proceed to the subsequent classroom once AN/1119 has finished with all citizens in the initial classroom. Leaving cannot prevent it.</p>\n<p>The means of stopping and preventing the entity manifestation is by conducting an offering ritual at the affected location. The offering shall consist of the hair of all students who are present. AN/1119 will cease its disturbances for an indeterminate period, the duration of which seems to depend upon the quantity of the offering provided.</p>\n<p><strong>2. Background</strong><br/>\nAN/1119 is strongly suspected to be associated with a murder case which occurred in 1994 and was reported by a local newspaper. The suspect was a middle-aged man who, while under the influence of alcohol and in a fit of anger, tortured his child by pulling their hair with such force as to tear the skin of their scalp. It is unknown whether this act was the cause of the victim's death or whether the suspect decided to murder them after that. The victim was eventually found in a wooded area located on the outskirts of the city.</p>\n<p><strong>3. Legal Basis</strong><br/>\na. Letter of Decree of the Inter-Agency Grand Meeting Concerning the Extermination of AN/1119<br/>\nb. Presidential Directive Number 14 of 1994 on AN/1119<br/>\nc. Presidential Directive Number 15 of 1994 on Special Instance of Supernatural Incident<br/>\nand Public Cover-up</p>\n<p><strong>4. Related Documents</strong><br/>\na. [REDACTED]</p>\n<p><strong>5. Involved Parties</strong><br/>\na. Directorate of Investigation, Deputyship for Anomaly Oversight<br/>\nb. Directorate of Monitoring, Deputyship for Anomaly Oversight<br/>\nc. Directorate of Security, Deputyship for Anomaly Control<br/>\nd. Bureau of Intragovernmental Representation, Secretariat of the Agency<br/>\ne. Bureau of Public Communication, National Agency for the Management of Occult Practice Threats<br/>\nf. Directorate General of Public Information, Department of Enlightenment<br/>\ng. Agency for Educational and Cultural Research and Development, Department of Education and Culture</p>\n<p><strong>6. Control Operational Procedure</strong><br/>\nOfficials shall be dispatched to the location upon confirmation of the appearance of AN/1119. The school authorities shall be contacted in advance to make the necessary preparations for their arrival. The officials should wear attire or other identifying articles associated with Dukun<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>, or religious practitioners if the school authorities express concern regarding possible misunderstandings. The school authorities are expected to have prepared the necessary offering materials required for the containment of the entity.</p>\n<p>Upon arrival at the location, officials are to immediately perform the offering ritual using the materials which have been prepared beforehand. The officials shall place the offering materials in a basin together with incense flowers. The ritual incantation issued by the Office shall then be recited while the offerings are stirred, after which the offerings shall be burned upon completion of the recitation. The procedure shall thereupon be deemed complete.</p>\n<p>After that, the school is expected to observe a period of one to two days of calm before conducting hair inspections throughout all other classes on the premises. Officials shall be dispatched again during the night to resume the ritual and carry it out comprehensively. Coordination with nearby schools for the implementation of similar hair inspections will be undertaken subsequently.</p>\n<p><strong>7. Other Notes</strong><br/>\na. Attachment: \u2588 Pcs</p>\n<div style=\"text-align: right;\">\n<p>Authorised on 04 January 1998,<br/>\nHEAD OF INSTITUTE FOR ANOMALOUS AFFAIRS<br/>\nGENERAL SECRETARY<br/>\n<br/>\n<br/>\nsigned.<br/>\n<br/>\n<br/>\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</div>\n</div>\n<hr/>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-e029c14836720d41676f7e825c4c5b45\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>Overview</em></a></li>\n<li><a href=\"javascript:;\"><em>Attachment I</em></a></li>\n<li><a href=\"javascript:;\"><em>Attachment II</em></a></li>\n<li><a href=\"javascript:;\"><em>Attachment III</em></a></li>\n<li><a href=\"javascript:;\"><em>Attachment IV</em></a></li>\n<li><a href=\"javascript:;\"><em>Attachment V</em></a></li>\n<li><a href=\"javascript:;\"><em>Attachment VI</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n<p><strong>1. Overview</strong></p>\n<div style=\"text-indent:20px\">\n<div style=\"text-align: justify;\">\n<p>If you are presently reading this document, you are hereby required to be acquainted with the complete history of AN/1119.</p>\n<p>The first appearance of AN/1119 was, in fact, rather inconspicuous. Initial findings indicate that the earliest known manifestation of AN/1119 in a public setting was marked by an incident in which the hair of a primary school student was forcibly pulled by an unseen force. The incident was initially assumed by the students and teachers present to be an act of prank-playing among the students. It was not long, however, before it became apparent that the occurrence was of a supernatural nature.</p>\n<p>The story spread rapidly, whilst the incidents continued and eventually began affecting the adjoining classrooms. We dispatched officials to conduct a cleansing of the entire school. The incidents at said school ceased at that time.</p>\n<p>The second incident, however, occurred on the following day at a nearby senior high school. According to reports, the attempts to pull the students' hair were considerably more violent, thereby causing pain among those affected. Officials were dispatched once again to conduct a cleansing. On this occasion, in addition to the aforementioned school, the surrounding schools were also subjected to the same procedure, with the objective that all schools within the city would receive cleansing and protective <em>rajah</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup>.</p>\n<p>It was subsequently discovered that AN/1119 was not affected by these preventive measures and proceeded to manifest at a third school. It was at this point that LEMRUSAN decided to take more serious measures. One member of the officials was assigned to each school and instructed to recite the standard incantation for <em>tolak bala</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup>. You know that if LEMRUSAN deems the matter serious enough, we won't hesitate to dispatch officials to every school throughout the island. Our only limitations were time and subsequent incidents, resulting in the implementation of this measure in each province being delayed.</p>\n<p>We did not anticipate that the fourth incident would occur in Sumatra. Geographically, it was indeed a reasonable target, considering that West Java and half of Central Java had already been equipped with protective <em>rajah</em>. This incident constituted the most severe manifestation of AN/1119 to date, with several victims being found suspended from the ceilings of their respective classrooms, whilst others suffered bleeding caused by lacerations to the scalp. The teacher in that class got the worst attack and regretfully died. We were forced to halt our operations at this point. Following an emergency meeting, the higher-up decided to temporarily sacrifice the affected school in order to conceal the incident from the public whilst simultaneously formulating a more effective control strategy.</p>\n<p>Ultimately, the chosen course of action was offering ritual. A Dukun was assigned to formulate the offering ritual, in conjunction with a pattern analyst who determined the materials to be used. We provided it with all of the hair present within the classroom and awaited the result.</p>\n<p>Upon confirmation that AN/1119 was no longer active, the incident was declared concluded. An investigation was subsequently authorized. Following this overview are three leads our Office found regarding AN/1119</p>\n</div>\n</div>\n</div>\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n<div style=\"text-align: justify;\">\n<p><strong>a. Preliminary Investigation</strong></p>\n<div style=\"text-indent:20px\">\n<p>Contemporary investigations have yielded no significant results. At the same time, AN/1119 has been confirmed to have become active once again. This time, its activity was recorded in Java. This was in accordance with instructions from higher-up, who ordered that, in addition to assigning officials to guard the nearest schools, all preventive measures previously installed at the affected schools be removed in an effort to compel the entity to return to its island of origin. Fortunately, the measure proved successful. It was also observed that AN/1119 was considerably less aggressive than during the preceding incident.</p>\n<p>The offering ritual has been declared successful and shall, for the time being, be adopted as the standard control procedure both presently and in the future, pending the development of a means of extermination. The investigation shall remain ongoing.</p>\n</div>\n<p><strong>a.1. After-Investigation Report</strong></p>\n<div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:1.25em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span><br/>\n<span style=\"font-size:1.25em;\"><strong>DEPUTYSHIP FOR ANOMALY OVERSIGHT</strong></span><br/>\n<span style=\"font-size:1.5em;\"><strong>DIRECTORATE OF INVESTIGATION</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"padding: .25em .75em; text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"></td>\n</tr>\n</table>\n<p>Subject: Summary of Field Findings Concerning AN/1119</p>\n<p>To:<br/>\n[REDACTED]<br/>\nIn<br/>\nJakarta</p>\n<p>By the Grace of God Almighty,</p>\n<div style=\"text-indent:20px\">\n<p>I hereby submit the conclusions concerning the findings obtained by the investigative team dispatched to various public facilities in an effort to obtain information regarding AN/1119, as follows:</p>\n<ul>\n<li>Schools (\u2588\u2588\u2588 institutions): No relevant cases identified.</li>\n<li>Hospitals (\u2588\u2588\u2588 institutions): No relevant cases identified.</li>\n<li>Police Stations (\u2588\u2588\u2588\u2588 institutions): No relevant cases identified to date.</li>\n<li>Other Government Offices (\u2588\u2588 institutions): No relevant cases identified.</li>\n<li>Nexus: No relevant cases identified.</li>\n<li>Organizations Outside the Veil: No relevant cases identified.</li>\n<li>Organizations Behind the Veil: No relevant cases identified to date.</li>\n<li>The Veil as a Whole: No relevant cases identified to date.</li>\n</ul>\n<p>It is with great regret that we must report that, to date, the cause of the emergence of AN/1119 remains unknown. We shall continue our efforts to shed further light upon this case. The investigation shall remain ongoing, with the scope of the search to be expanded accordingly.</p>\n</div>\n<p>Respectfully,<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nHead of the AN/1119 Investigation Team</p>\n</div>\n</div>\n</div>\n<div id=\"wiki-tab-0-2\" style=\"display:none\">\n<div style=\"text-align: justify;\">\n<p><strong>b. Possibility of A Third Party Action</strong></p>\n<div style=\"text-indent:20px\">\n<p>The first theory proposed was that AN/1119 was the result of a failed santet<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> ritual. Unfortunately, the LEMRUSAN historical catalogue and subsequent investigations failed to identify any entity possessing capabilities as extensive and abstract as those demonstrated by AN/1119. The theory was ultimately abandoned.</p>\n</div>\n<p><strong>b.1. Excerpt from a transcript of a conversation with a senior dukun who was assigned to handle this case</strong></p>\n<div style=\"text-indent:20px\">\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<p>\u2026</p>\n<p>Hair itself may be regarded as the most readily obtainable sympathetic link to a person. It is, in a manner of speaking, a spiritual fingerprint which, much like an ordinary fingerprint, may be connected to its owner through the proper methods and instruments.</p>\n<p>But why, then, do we use blood instead of hair? Because although it may serve as a form of address, it is a rather weak one. Hair is small and thin, and therefore a considerable quantity is required in order to properly establish a connection with the intended target. If one is willing to take the risk, one may simply try it. Many genuine yet amateur dukun prefer this method, since the material is readily available and, should the ritual fail, there are generally no adverse consequences. Generally.</p>\n<p>However, most dukun who choose to use hair will refer to older rituals which specifically employ it as a material. Our research has nevertheless indicated that practitioners of old were indeed more capable than those of the present day. Such abilities have deteriorated with the advancement of the times and the decline of belief.</p>\n<p>As for the entities employed in santet, they vary considerably. I believe that most of them will accept hair. More precisely, only some of them will refuse it.</p>\n<p>The opposite? What do you mean? Oh, that is impossible. They would not seek out the materials for their own offerings. Why would they? As I said, hair is more akin to a means of identification or direction. I have never encountered a case in which an entity sought out its own offering materials, particularly hair. There must be a more reasonable explanation like\u2026 an improperly performed ritual. Probably.</p>\n<p>\u2026</p>\n</div>\n</div>\n</div>\n</div>\n<div id=\"wiki-tab-0-3\" style=\"display:none\">\n<div style=\"text-align: justify;\">\n<p><strong>c. Possibility of Broader Cause of Origin</strong></p>\n<div style=\"text-indent:20px\">\n<p>Further investigation led to the theory that AN/1119 may be a self-manifesting entity. Such manifestations are generally associated with actions carried out on a massive and significant scale. Coincidentally, approximately ten years ago, the Government intensified disciplinary supervision as part of its efforts to control Premanism<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> and the general population. One such measure involved extending the SKI hairstyle regulations, which had originally applied only to military personnel, to the general public through street patrols. Approximately ten years ago, these regulations were subsequently introduced, one by one, into schools throughout Indonesia.</p>\n</div>\n<p><strong>c.1. Excerpt from a transcript provided by an employee of BPAPKN<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup>, who served as a consultant regarding this case</strong></p>\n<div style=\"text-indent:20px\">\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<p>\u2026</p>\n<p>No, we have no records indicating that there was a case involving a ritual like that. Had such a case existed, we would certainly have dealt with it accordingly, especially if its effects were expected to be this severe. Bah, the entire MiRas Division would have been deployed then.</p>\n<p>Based on my experience, this may be some form of vengeful demon. Unlike a Vengeful Ghost, a demon of this nature possesses abilities which have already surpassed what would ordinarily be considered possible for a common ghost. Their appearance is usually brought about by particular circumstances. I believe that one of the criteria for the targets of both Operation Gada and Operation Celurit in the past, which also happened to target long-haired hooligans, may have contributed to the emergence of this demon.</p>\n<p>Should the spirits of those involved become vengeful demons, they may target victims of a similar age out of envy. Should an amalgamation occur, as it did in Roban, the cleansing operation would have to be conducted on a massive scale. That would certainly explain how the demon was able to move from one place to another despite having been cleansed repeatedly.</p>\n<p>It is possible that the amalgamation has already reached its peak, resulting in the entity manifesting spontaneously, as occurred during the initial incident. That would also explain why you all have been unable to identify its original source. It may be as simple as that.</p>\n<p>What I do not understand is why LEMRUSAN Central has still been unwilling to contact us for assistance. Nevertheless, I recommend that you do so now. Simply trap it within a single school, then eradicate it immediately!</p>\n<p>Do not blame us if that is indeed the cause, though. You can go ahead and blame Karno's Anti-Imperialism vision in the first place. The President merely continued it on that basis.</p>\n</div>\n</div>\n</div>\n</div>\n<div id=\"wiki-tab-0-4\" style=\"display:none\">\n<p><strong>c.2. Joint-Operation After-Action Report</strong></p>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:2em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>AFTER-ACTION REPORT</strong><br/>\n<strong>regarding</strong><br/>\n<span style=\"text-decoration: underline;\"><strong>AN/1119</strong></span> <span style=\"text-decoration: underline;\">(Setan Rambut)</span><br/>\nNo.: <strong>AN/1119/1995</strong></p>\n</div>\n<p><strong>Chronology:</strong></p>\n<p>At approximately 07:30 Western Indonesia Time (WIB), [REDACTED] Elementary School was confirmed to be the location of AN/1119's manifestation. LEMRUSAN officials, together with BPAPKN officials, evacuated the school and conducted the sealing ritual to prevent AN/1119 from leaving the premises.</p>\n<p>However, during the manifestation ritual, which constitutes BPAPKN's standard procedure for initiating an operation, the participating officials suddenly became panicked and terminated the ritual prematurely. They immediately requested as much paper as was available and proceeded to draw protective rajah continuously on all paper provided.</p>\n<p>When questioned, the personnel stated that AN/1119 was not a supernatural entity. Further elaboration was limited to the statement that AN/1119 was not any form of spiritual being. They reported having successfully manifested AN/1119's head and having directly observed its face. After repeated demand, one individual agreed to produce a drawing. While doing so, the individual sustained lacerations to his hand.</p>\n<div class=\"unbordered-image\">\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><img alt=\"an-1119\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/an-1119/\"/>\n<div class=\"scp-image-caption\">\n<p>Sketch provided by BPAPKN employees</p>\n</div>\n</div>\n</div>\n<p><span style=\"font-size:small;\">Edit: Under the direction of the leadership, all imagery depicting AN/1119 has been completely removed. Its physical description indicates a humanoid face with dark eye bags and a black jaw. Hair from the top of its head was bound together into a series of strands extending upward. A corresponding series of hair strands extended downward from its jaw.</span></p>\n<p>The BPAPKN officials present attempted to seize and destroy the drawing. LEMRUSAN officials succeeded in securing it and transported it to the sealing storage facility for safekeeping.</p>\n<p>An investigation determined that the entity depicted did not correspond to the description or visual characteristics of any known spiritual entity.</p>\n</div>\n</div>\n<div id=\"wiki-tab-0-5\" style=\"display:none\">\n<div style=\"text-align: justify;\">\n<p><strong>d. Other Possible History</strong></p>\n<div style=\"text-indent:20px\">\n<p>No further contemporary evidence concerning AN/1119 could be obtained. Any other leads were deemed too abstract and impossible to be investigated. One theory was chosen as the final option.</p>\n</div>\n<p><strong>d.1. Excerpt from a transcript provided by a senior historian serving as a source for this case</strong></p>\n<div style=\"text-indent:20px\">\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<p>\u2026</p>\n<p>You are asking a question that cannot possibly be answered. Perhaps it may be answered in the future, but it is not possible to do so at present.</p>\n<p>The oldest inscription in Indonesia known to us today, the Yupa Inscription, was written in Pallava script and Sanskrit. Both originated in India. This means that the oldest documented evidence of our civilization and culture dates to a period when Hinduism was already present.</p>\n<p>As for what you are asking, we simply do not know what religions existed before that. We describe them as animism and dynamism because we base our understanding on the cultures of other countries and on the remnants of our own ancient religions, whose existence has diminished with each passing generation. In ancient times, we believed in spirits whose names and forms have now been forgotten, put to sleep by the more concrete religions that followed.</p>\n<p>\u2026</p>\n<p>Yes. Put to sleep until now. Whatever woke it up and whatever can we do to put it back to sleep, <em>wallahualam</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup>.</p>\n</div>\n</div>\n</div>\n</div>\n<div id=\"wiki-tab-0-6\" style=\"display:none\">\n<p><strong>e. Conclusion</strong></p>\n<div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:1.25em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span><br/>\n<span style=\"font-size:1.25em;\"><strong>DEPUTYSHIP FOR ANOMALY CONTROL</strong></span><br/>\n<span style=\"font-size:1.5em;\"><strong>DIRECTORATE OF SECURITY</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"padding: .25em .75em; text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>ORDER LETTER</strong><br/>\nNo.: <strong>SR/PPA/1119/1998</strong></p>\n</div>\n<p>CONSIDERING:</p>\n<p>That the destruction of AN/1119 is currently impossible and that a conceptual-scale alteration of AN/1119 is therefore required.</p>\n<p>PURSUANT TO:</p>\n<p>1. Retrieved research documents conducted by [REDACTED] concerning the theory of conceptual overlapping and the manner in which it reshapes (and degrades) Pluripotent-class entities.</p>\n<p style=\"text-align: center;\"><strong>HEREBY ORDERS:</strong></p>\n<p>FOR :<br/>\nDirectorate of Security, Deputyship for Anomaly Control</p>\n<div style=\"text-align: left;\">\n<p>TO :<br/>\n1. To fabricate a fictional murder case that shall subsequently be incorporated into AN/1119's background narrative for the information of future general employees.<br/>\n2. To disclose no further details whatsoever to future employees.<br/>\n3. To monitor the subsequent development of AN/1119 going forward.<br/>\n4. To pray to God Almighty that this will work.</p>\n</div>\n<p><br/>\n<br/></p>\n<div style=\"text-align: right;\">\n<p>Authorized in: Jakarta<br/>\nAuthorized at: 04/01/1998<br/>\n<strong>GENERAL SECRETARY</strong></p>\n<p>Signed</p>\n<p><strong>\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</strong></p>\n</div>\n</div>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabViewe029c14836720d41676f7e825c4c5b45 = new YAHOO.widget.TabView('wiki-tabview-e029c14836720d41676f7e825c4c5b45');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Standar Kerapian Identitas, an informal standard concerning the permissible length of a person's hairstyle, which remains in use within government institutions to the present day.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Shaman</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Religious Talisman, consist of letters from the holy scripture, secret names and words, and Hisab al-Jummal. The Department of Religion authorized its production and use under heavy regulation and restrictions, with the main requirement being to view it as merely a tool.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Protection Ritual, commonly used to prevent supernatural threats.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Targeted supernatural attack. Heavily cracked down by the government during Operation Gada.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Hooliganism. Heavily cracked down by the government during Operation Clurit.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. National Agency for the Management of Occult Practice Threats, an organization specialized in occult threats. Heavily leaning toward President's favor</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. \"Only God knows\"</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/an-1119\">AN/1119 (\"Setan Rambut\")</a>\" by PhoenixOfHope, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/an-1119\">https://scpwiki.com/an-1119</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan_bw.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> bpapkn_sketch.jpg<br/>\n<strong>Author:</strong> PhoenixofHope<br/>\n<strong>License:</strong> CC BY SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/an-1119\">https://scp-wiki.wikidot.com/an-1119</a><br/>\n<strong>Additional 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{\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.scp-image-block .scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.unbordered-image .scp-image-block {\n\n\u00a0\u00a0\u00a0\u00a0border: none !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.unbordered-image .scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent !important;\n\n\u00a0\u00a0\u00a0\u00a0border: none !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 2em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**STANDARD OPERATING PROCEDURE**\n\nregarding **Fourth Revision on Standard Operating Procedure over**\n\n__**AN/1119**__ __(Setan Rambut)__\n\nNo: **AN/1119/1998**\n\n[[/=]]\n\n\n\n\u00a0_\n\n**1. Detail**\n\nAN/1119 is a known supernatural entity possessing no corporeal physical form. It is capable of appearing suddenly and primarily targets male students attending junior and senior high schools whose hairstyles exceed SKI 3[[footnote]]Standar Kerapian Identitas, an informal standard concerning the permissible length of a person's hairstyle, which remains in use within government institutions to the present day.[[/footnote]].\n\n\n\nIts appearance is indicated by incidents of hair-pulling experienced by affected students within their respective classrooms. Victims, depending upon their age and physical condition, will generally suffer neck injuries and, in some cases, minor bleeding lacerations upon the scalp as a result of the sudden pulling force exerted upon them. All citizens present within the affected classroom will experience such incidents if the entity is not dealt with, and the phenomenon will proceed to the subsequent classroom once AN/1119 has finished with all citizens in the initial classroom. Leaving cannot prevent it.\n\n\n\nThe means of stopping and preventing the entity manifestation is by conducting an offering ritual at the affected location. The offering shall consist of the hair of all students who are present. AN/1119 will cease its disturbances for an indeterminate period, the duration of which seems to depend upon the quantity of the offering provided.\n\n\n\n**2. Background**\n\nAN/1119 is strongly suspected to be associated with a murder case which occurred in 1994 and was reported by a local newspaper. The suspect was a middle-aged man who, while under the influence of alcohol and in a fit of anger, tortured his child by pulling their hair with such force as to tear the skin of their scalp. It is unknown whether this act was the cause of the victim's death or whether the suspect decided to murder them after that. The victim was eventually found in a wooded area located on the outskirts of the city.\n\n\n\n**3. Legal Basis**\n\na.\tLetter of Decree of the Inter-Agency Grand Meeting Concerning the Extermination of AN/1119\n\nb.\u00a0\u00a0\u00a0\u00a0\u00a0Presidential Directive Number 14 of 1994 on AN/1119\n\nc.\u00a0\u00a0\u00a0\u00a0\u00a0Presidential Directive Number 15 of 1994 on Special Instance of Supernatural Incident \n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0and Public Cover-up\n\n\n\n**4. Related Documents**\n\n\u00a0a. [REDACTED]\n\n\n\n**5. Involved Parties**\n\na. Directorate of Investigation, Deputyship for Anomaly Oversight\n\nb. Directorate of Monitoring, Deputyship for Anomaly Oversight\n\nc. Directorate of Security, Deputyship for Anomaly Control\n\nd. Bureau of Intragovernmental Representation, Secretariat of the Agency\n\ne. Bureau of Public Communication, National Agency for the Management of Occult Practice Threats\n\nf.\u00a0\u00a0Directorate General of Public Information, Department of Enlightenment\n\ng. Agency for Educational and Cultural Research and Development, Department of Education and Culture\n\n\n\n\n\n**6. Control Operational Procedure**\n\nOfficials shall be dispatched to the location upon confirmation of the appearance of AN/1119. The school authorities shall be contacted in advance to make the necessary preparations for their arrival. The officials should wear attire or other identifying articles associated with Dukun[[footnote]]Shaman[[/footnote]], or religious practitioners if the school authorities express concern regarding possible misunderstandings. The school authorities are expected to have prepared the necessary offering materials required for the containment of the entity.\n\n\n\nUpon arrival at the location, officials are to immediately perform the offering ritual using the materials which have been prepared beforehand. The officials shall place the offering materials in a basin together with incense flowers. The ritual incantation issued by the Office shall then be recited while the offerings are stirred, after which the offerings shall be burned upon completion of the recitation. The procedure shall thereupon be deemed complete.\n\n\n\nAfter that, the school is expected to observe a period of one to two days of calm before conducting hair inspections throughout all other classes on the premises. Officials shall be dispatched again during the night to resume the ritual and carry it out comprehensively. Coordination with nearby schools for the implementation of similar hair inspections will be undertaken subsequently.\n\n\n\n**7. Other Notes**\n\na. Attachment: \u2588 Pcs\n\n\n\n[[>]]\n\nAuthorised on 04 January 1998,\n\nHEAD OF INSTITUTE FOR ANOMALOUS AFFAIRS\n\nGENERAL SECRETARY\n\n\u00a0_\n\n\n\nsigned.\n\n\u00a0_\n\n\n\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/>]]\n\n[[/div]]\n\n\n\n-----\n\n\n\n\n\n[[tabview]]\n\n[[tab Overview]]\n\n\n\n**1. Overview**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\n[[==]]\n\nIf you are presently reading this document, you are hereby required to be acquainted with the complete history of AN/1119.\n\n\n\nThe first appearance of AN/1119 was, in fact, rather inconspicuous. Initial findings indicate that the earliest known manifestation of AN/1119 in a public setting was marked by an incident in which the hair of a primary school student was forcibly pulled by an unseen force. The incident was initially assumed by the students and teachers present to be an act of prank-playing among the students. It was not long, however, before it became apparent that the occurrence was of a supernatural nature.\n\n\n\nThe story spread rapidly, whilst the incidents continued and eventually began affecting the adjoining classrooms. We dispatched officials to conduct a cleansing of the entire school. The incidents at said school ceased at that time.\n\n\n\nThe second incident, however, occurred on the following day at a nearby senior high school. According to reports, the attempts to pull the students' hair were considerably more violent, thereby causing pain among those affected. Officials were dispatched once again to conduct a cleansing. On this occasion, in addition to the aforementioned school, the surrounding schools were also subjected to the same procedure, with the objective that all schools within the city would receive cleansing and protective //rajah//[[footnote]]Religious Talisman, consist of letters from the holy scripture, secret names and words, and Hisab al-Jummal. The Department of Religion authorized its production and use under heavy regulation and restrictions, with the main requirement being to view it as merely a tool.[[/footnote]].\n\n\n\nIt was subsequently discovered that AN/1119 was not affected by these preventive measures and proceeded to manifest at a third school. It was at this point that LEMRUSAN decided to take more serious measures. One member of the officials was assigned to each school and instructed to recite the standard incantation for //tolak bala//[[footnote]]Protection Ritual, commonly used to prevent supernatural threats.[[/footnote]]. You know that if LEMRUSAN deems the matter serious enough, we won't hesitate to dispatch officials to every school throughout the island. Our only limitations were time and subsequent incidents, resulting in the implementation of this measure in each province being delayed.\n\n\n\nWe did not anticipate that the fourth incident would occur in Sumatra. Geographically, it was indeed a reasonable target, considering that West Java and half of Central Java had already been equipped with protective //rajah//. This incident constituted the most severe manifestation of AN/1119 to date, with several victims being found suspended from the ceilings of their respective classrooms, whilst others suffered bleeding caused by lacerations to the scalp. The teacher in that class got the worst attack and regretfully died. We were forced to halt our operations at this point. Following an emergency meeting, the higher-up decided to temporarily sacrifice the affected school in order to conceal the incident from the public whilst simultaneously formulating a more effective control strategy.\n\n\n\nUltimately, the chosen course of action was offering ritual. A Dukun was assigned to formulate the offering ritual, in conjunction with a pattern analyst who determined the materials to be used. We provided it with all of the hair present within the classroom and awaited the result.\n\n\n\nUpon confirmation that AN/1119 was no longer active, the incident was declared concluded. An investigation was subsequently authorized. Following this overview are three leads our Office found regarding AN/1119\n\n[[/==]]\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n\n\n\n\n[[tab Attachment I]]\n\n\n\n[[==]]\n\n**a. Preliminary Investigation**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\nContemporary investigations have yielded no significant results. At the same time, AN/1119 has been confirmed to have become active once again. This time, its activity was recorded in Java. This was in accordance with instructions from higher-up, who ordered that, in addition to assigning officials to guard the nearest schools, all preventive measures previously installed at the affected schools be removed in an effort to compel the entity to return to its island of origin. Fortunately, the measure proved successful. It was also observed that AN/1119 was considerably less aggressive than during the preceding incident.\n\n\n\nThe offering ritual has been declared successful and shall, for the time being, be adopted as the standard control procedure both presently and in the future, pending the development of a means of extermination. The investigation shall remain ongoing.\n\n[[/div]]\n\n\n\n**a.1. After-Investigation Report**\n\n\n\n[[div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 1.25em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n[[size 1.25em]]**DEPUTYSHIP FOR ANOMALY OVERSIGHT**[[/size]]\n\n[[size 1.5em]]**DIRECTORATE OF INVESTIGATION**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"padding: .25em .75em; text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n\u00a0\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\nSubject: Summary of Field Findings Concerning AN/1119\n\n\n\nTo:\n\n[REDACTED]\n\nIn\n\nJakarta\n\n\n\nBy the Grace of God Almighty,\n\n\n\n[[div style=\"text-indent:20px\"]]\n\nI hereby submit the conclusions concerning the findings obtained by the investigative team dispatched to various public facilities in an effort to obtain information regarding AN/1119, as follows:\n\n\n\n* Schools (\u2588\u2588\u2588 institutions): No relevant cases identified.\n\n* Hospitals (\u2588\u2588\u2588 institutions): No relevant cases identified.\n\n* Police Stations (\u2588\u2588\u2588\u2588 institutions): No relevant cases identified to date.\n\n* Other Government Offices (\u2588\u2588 institutions): No relevant cases identified.\n\n* Nexus: No relevant cases identified.\n\n* Organizations Outside the Veil: No relevant cases identified.\n\n* Organizations Behind the Veil: No relevant cases identified to date.\n\n* The Veil as a Whole: No relevant cases identified to date.\n\n\n\nIt is with great regret that we must report that, to date, the cause of the emergence of AN/1119 remains unknown. We shall continue our efforts to shed further light upon this case. The investigation shall remain ongoing, with the scope of the search to be expanded accordingly.\n\n[[/div]]\n\n\n\nRespectfully,\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\nHead of the AN/1119 Investigation Team\n\n[[/div]]\n\n[[/==]]\n\n\n\n[[/tab]]\n\n\n\n\n\n\n\n[[tab Attachment II]]\n\n\n\n[[==]]\n\n**b. Possibility of A Third Party Action**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\nThe first theory proposed was that AN/1119 was the result of a failed santet[[footnote]]Targeted supernatural attack. Heavily cracked down by the government during Operation Gada.[[/footnote]] ritual. Unfortunately, the LEMRUSAN historical catalogue and subsequent investigations failed to identify any entity possessing capabilities as extensive and abstract as those demonstrated by AN/1119. The theory was ultimately abandoned.\n\n[[/div]]\n\n\n\n**b.1. Excerpt from a transcript of a conversation with a senior dukun who was assigned to handle this case**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\u2026\n\n\n\nHair itself may be regarded as the most readily obtainable sympathetic link to a person. It is, in a manner of speaking, a spiritual fingerprint which, much like an ordinary fingerprint, may be connected to its owner through the proper methods and instruments.\n\n\n\nBut why, then, do we use blood instead of hair? Because although it may serve as a form of address, it is a rather weak one. Hair is small and thin, and therefore a considerable quantity is required in order to properly establish a connection with the intended target. If one is willing to take the risk, one may simply try it. Many genuine yet amateur dukun prefer this method, since the material is readily available and, should the ritual fail, there are generally no adverse consequences. Generally.\n\n\n\nHowever, most dukun who choose to use hair will refer to older rituals which specifically employ it as a material. Our research has nevertheless indicated that practitioners of old were indeed more capable than those of the present day. Such abilities have deteriorated with the advancement of the times and the decline of belief.\n\n\n\nAs for the entities employed in santet, they vary considerably. I believe that most of them will accept hair. More precisely, only some of them will refuse it.\n\n\n\nThe opposite? What do you mean? Oh, that is impossible. They would not seek out the materials for their own offerings. Why would they? As I said, hair is more akin to a means of identification or direction. I have never encountered a case in which an entity sought out its own offering materials, particularly hair. There must be a more reasonable explanation like\u2026 an improperly performed ritual. Probably.\n\n\n\n...\n\n[[/div]]\n\n[[/div]]\n\n[[/==]]\n\n\n\n[[/tab]]\n\n\n\n\n\n\n\n[[tab Attachment III]]\n\n\n\n[[==]]\n\n**c. Possibility of Broader Cause of Origin**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\nFurther investigation led to the theory that AN/1119 may be a self-manifesting entity. Such manifestations are generally associated with actions carried out on a massive and significant scale. Coincidentally, approximately ten years ago, the Government intensified disciplinary supervision as part of its efforts to control Premanism[[footnote]]Hooliganism. Heavily cracked down by the government during Operation Clurit.[[/footnote]] and the general population. One such measure involved extending the SKI hairstyle regulations, which had originally applied only to military personnel, to the general public through street patrols. Approximately ten years ago, these regulations were subsequently introduced, one by one, into schools throughout Indonesia.\n\n[[/div]]\n\n\n\n**c.1. Excerpt from a transcript provided by an employee of BPAPKN[[footnote]]National Agency for the Management of Occult Practice Threats, an organization specialized in occult threats. Heavily leaning toward President's favor[[/footnote]], who served as a consultant regarding this case**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\u2026\n\n\n\nNo, we have no records indicating that there was a case involving a ritual like that. Had such a case existed, we would certainly have dealt with it accordingly, especially if its effects were expected to be this severe. Bah, the entire MiRas Division would have been deployed then.\n\n\n\nBased on my experience, this may be some form of vengeful demon. Unlike a Vengeful Ghost, a demon of this nature possesses abilities which have already surpassed what would ordinarily be considered possible for a common ghost. Their appearance is usually brought about by particular circumstances. I believe that one of the criteria for the targets of both Operation Gada and Operation Celurit in the past, which also happened to target long-haired hooligans, may have contributed to the emergence of this demon.\n\n\n\nShould the spirits of those involved become vengeful demons, they may target victims of a similar age out of envy. Should an amalgamation occur, as it did in Roban, the cleansing operation would have to be conducted on a massive scale. That would certainly explain how the demon was able to move from one place to another despite having been cleansed repeatedly.\n\n\n\nIt is possible that the amalgamation has already reached its peak, resulting in the entity manifesting spontaneously, as occurred during the initial incident. That would also explain why you all have been unable to identify its original source. It may be as simple as that.\n\n\n\nWhat I do not understand is why LEMRUSAN Central has still been unwilling to contact us for assistance. Nevertheless, I recommend that you do so now. Simply trap it within a single school, then eradicate it immediately!\n\n\n\nDo not blame us if that is indeed the cause, though. You can go ahead and blame Karno's Anti-Imperialism vision in the first place. The President merely continued it on that basis.\n\n[[/div]]\n\n[[/div]]\n\n[[/==]]\n\n\n\n[[/tab]]\n\n\n\n\n\n\n\n[[tab Attachment IV]]\n\n\n\n**c.2. Joint-Operation After-Action Report**\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 2em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**AFTER-ACTION REPORT**\n\n**regarding**\n\n__**AN/1119**__ __(Setan Rambut)__\n\nNo.: **AN/1119/1995**\n\n[[/=]]\n\n\n\n**Chronology:**\n\n\n\nAt approximately 07:30 Western Indonesia Time (WIB), [REDACTED] Elementary School was confirmed to be the location of AN/1119's manifestation. LEMRUSAN officials, together with BPAPKN officials, evacuated the school and conducted the sealing ritual to prevent AN/1119 from leaving the premises.\n\n\n\nHowever, during the manifestation ritual, which constitutes BPAPKN's standard procedure for initiating an operation, the participating officials suddenly became panicked and terminated the ritual prematurely. They immediately requested as much paper as was available and proceeded to draw protective rajah continuously on all paper provided.\n\n\n\nWhen questioned, the personnel stated that AN/1119 was not a supernatural entity. Further elaboration was limited to the statement that AN/1119 was not any form of spiritual being. They reported having successfully manifested AN/1119's head and having directly observed its face. After repeated demand, one individual agreed to produce a drawing. While doing so, the individual sustained lacerations to his hand.\n\n\n\n[[div class=\"unbordered-image\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=https://scp-wiki.wdfiles.com/local--files/an-1119/ bpapkn_sketch.jpg|caption=Sketch provided by BPAPKN employees|align=center|width=300px]]\n\n[[/div]]\n\n\n\n[[size small]]Edit: Under the direction of the leadership, all imagery depicting AN/1119 has been completely removed. Its physical description indicates a humanoid face with dark eye bags and a black jaw. Hair from the top of its head was bound together into a series of strands extending upward. A corresponding series of hair strands extended downward from its jaw.[[/size]]\n\n\n\nThe BPAPKN officials present attempted to seize and destroy the drawing. LEMRUSAN officials succeeded in securing it and transported it to the sealing storage facility for safekeeping.\n\n\n\nAn investigation determined that the entity depicted did not correspond to the description or visual characteristics of any known spiritual entity.\n\n\n\n[[/div]]\n\n\n\n[[/tab]]\n\n\n\n\n\n\n\n[[tab Attachment V]]\n\n\n\n[[==]]\n\n**d. Other Possible History**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\nNo further contemporary evidence concerning AN/1119 could be obtained. Any other leads were deemed too abstract and impossible to be investigated. One theory was chosen as the final option.\n\n[[/div]]\n\n\n\n**d.1. Excerpt from a transcript provided by a senior historian serving as a source for this case**\n\n\n\n[[div style=\"text-indent:20px\"]]\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\u2026\n\n\n\nYou are asking a question that cannot possibly be answered. Perhaps it may be answered in the future, but it is not possible to do so at present.\n\n\n\nThe oldest inscription in Indonesia known to us today, the Yupa Inscription, was written in Pallava script and Sanskrit. Both originated in India. This means that the oldest documented evidence of our civilization and culture dates to a period when Hinduism was already present.\n\n\n\nAs for what you are asking, we simply do not know what religions existed before that. We describe them as animism and dynamism because we base our understanding on the cultures of other countries and on the remnants of our own ancient religions, whose existence has diminished with each passing generation. In ancient times, we believed in spirits whose names and forms have now been forgotten, put to sleep by the more concrete religions that followed.\n\n\n\n\u2026\n\n\n\nYes. Put to sleep until now. Whatever woke it up and whatever can we do to put it back to sleep, //wallahualam//[[footnote]]\"Only God knows\"[[/footnote]].\n\n[[/div]]\n\n[[/div]]\n\n[[/==]]\n\n\n\n[[/tab]]\n\n\n\n\n\n\n\n[[tab Attachment VI]]\n\n\n\n**e. Conclusion**\n\n\n\n[[div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 1.25em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n[[size 1.25em]]**DEPUTYSHIP FOR ANOMALY CONTROL**[[/size]]\n\n[[size 1.5em]]**DIRECTORATE OF SECURITY**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"padding: .25em .75em; text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n\u00a0\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**ORDER LETTER**\n\nNo.: **SR/PPA/1119/1998**\n\n[[/=]]\n\n\n\nCONSIDERING:\n\n\n\nThat the destruction of AN/1119 is currently impossible and that a conceptual-scale alteration of AN/1119 is therefore required.\n\n\n\nPURSUANT TO:\n\n\n\n1. Retrieved research documents conducted by [REDACTED] concerning the theory of conceptual overlapping and the manner in which it reshapes (and degrades) Pluripotent-class entities.\n\n\n\n= **HEREBY ORDERS:**\n\n\n\nFOR :\n\nDirectorate of Security, Deputyship for Anomaly Control\n\n\n\n[[<]]\n\nTO :\n\n1. To fabricate a fictional murder case that shall subsequently be incorporated into AN/1119's background narrative for the information of future general employees.\n\n2. To disclose no further details whatsoever to future employees.\n\n3. To monitor the subsequent development of AN/1119 going forward.\n\n4. To pray to God Almighty that this will work.\n\n\n\n[[/<]]\n\n\n\n\u00a0_\n\n\n\n[[>]]\n\nAuthorized in: Jakarta\n\nAuthorized at: 04/01/1998\n\n**GENERAL SECRETARY**\n\n\n\nSigned\n\n\n\n**\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588**\n\n[[/>]]\n\n[[/div]]\n\n[[/tab]]\n\n[[/tabview]]\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n> **Filename:** lemrusan.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY SA 3.0.\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** lemrusan_bw.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY SA 3.0.\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** bpapkn_sketch.jpg\n\n> **Author:** PhoenixofHope\n\n> **License:**\u00a0\u00a0CC BY SA 3.0.\n\n> **Source Link:** https://scp-wiki.wikidot.com/an-1119\n\n> **Additional Notes:** Intentionally deleted.\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "fantasy", "ghost", "goi-format", "goicon-2026", "mystery"], "title": "AN/1119 (\"Setan Rambut\") - SCP Foundation", "url": "https://scp-wiki.wikidot.com/an-1119"}, "an-1712": {"created_at": "2026-08-22T14:04:00", "creator": "PhoenixOfHope", "domain": "scp-wiki.wikidot.com", "history": [{"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "bisa gitu", "date": "2026-08-22T14:04:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-22T14:05:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "Added tags: _cc, _licensebox, _other, goi-format, goicon-2026. ", "date": "2026-08-22T14:06:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "fixing fridge logic", "date": "2026-08-22T14:18:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-22T14:28:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "Article suspended until further notice due to legal inquiry...\n\n...jk :p", "date": "2026-08-22T14:55:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "", "date": "2026-08-22T14:59:00"}, {"author": "PhoenixOfHope", "author_href": "https://www.wikidot.com/user:info/phoenixofhope", "comment": "THE NUMBER, MASON. THE F---KING NUMBER", "date": "2026-08-22T15:18:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "moved license box below footnotes, corrected licensing information", "date": "2026-08-22T17:27:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image. Removed tags: _cc. ", "date": "2026-08-22T17:28:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-08-26T08:02:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, religious-fiction. ", "date": "2026-08-28T19:28:00"}], "hubs": ["goi-formats"], "images": ["https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png", "https://upload.wikimedia.org/wikipedia/commons/f/fa/Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg"], "link": "an-1712", "page_id": "1469215678", "rating": 10, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>DAMNED SATANIC PORTAL</p>\n</div>\n\n\n<div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:1.25em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span><br/>\n<span style=\"font-size:1.25em;\"><strong>DEPUTYSHIP FOR THE CONTROL OF ANOMALIES</strong></span><br/>\n<span style=\"font-size:1.5em;\"><strong>DIRECTORATE FOR SECURITY</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"padding: .25em .75em; text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>ORDER LETTER</strong><br/>\nNo.: <strong>SR/PPA/1712/2001</strong></p>\n</div>\n<p>CONSIDERING:</p>\n<p>That the existence of AN/1712 poses threats to the maintenance of the Veil and transnational security between the Republic of Indonesia and the Kingdom of Saudi Arabia.</p>\n<p>PURSUANT TO:</p>\n<p>1. Institute Regulation Number AN/L/KBAR/1989 on Joint Control Of Religious Anomalies Between the Institute For Anomalous Affairs and the Department Of Religion.<br/>\n2. Decision Letter Number 02/SK/AG/2001 from the Department of Religion.</p>\n<p style=\"text-align: center;\"><strong>HEREBY ORDERS:</strong></p>\n<p>FOR :<br/>\nDirectorate for Security, Deputyship for the Control of Anomalies</p>\n<div style=\"text-align: left;\">\n<p>TO :<br/>\n1. Collapse the cave passage into AN/1712;<br/>\n2. Arrest religious figures possessing knowledge of AN/1712 and prolysetizing the use of it with genuine or fabricated charges; and<br/>\n3. Coordinate with the Department of Religion in the handling AN/1712 in compliance with relevant regulations.</p>\n</div>\n<p><br/>\n<br/></p>\n<div style=\"text-align: right;\">\n<p>Authorized in: Jakarta<br/>\nAuthorized at: 01/04/2001<br/>\n<strong>GENERAL SECRETARY</strong></p>\n<p>Signed</p>\n<p><strong>\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</strong></p>\n</div>\n</div>\n<hr/>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:x-large;\"><br/>\n<strong>Archived Documents Related to AN/1712 :</strong><br/></span></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<table style=\"border-collapse: collapse; width: 100%;\">\n<tr>\n<td style=\"text-align: center; border: none; background-color: none; width: 22.5%\"><img alt=\"lemrusan_bw.png\" class=\"image\" src=\"https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png\"/></td>\n<td style=\"text-align: center; border: none; background-color: none; width: 77.5%\">\n<p><span style=\"font-size:2em;\"><strong>INSTITUTE FOR ANOMALOUS AFFAIRS</strong></span></p>\n<p><strong>Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta</strong><br/>\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</td>\n</tr>\n<tr>\n<td colspan=\"2\" style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\"><span style=\"white-space: pre-wrap;\"> </span></td>\n</tr>\n</table>\n<div style=\"text-align: center;\">\n<p><strong>STANDARD OPERATING PROCEDURE</strong><br/>\nregarding<br/>\n<span style=\"text-decoration: underline;\"><strong>AN/1712</strong></span> <span style=\"text-decoration: underline;\">(Kudus Loophole)</span><br/>\nNo: <strong>AN/1712/2000</strong></p>\n</div>\n<p><br/>\n<strong>1. Details</strong><br/>\nAN/1712 is a passage in a limestone cave network located beneath a small hill approximately 12 kilometers outside Kudus, Central Java. The main cave network consists of descending passages and chambers extending approximately 430 meters deep. AN/1712 is positioned at approximately 190 meters deep. AN/1712 allows for passage into a constantly changing alleyway within the city of Mecca, Saudi Arabia. Passing the alleyway with the intent to return to AN/1712 allows for a return passage back into the entrance of AN/1712</p>\n<p>To pass through AN/1712 into Mecca, pilgrims must fulfill the requirements to enter the Holy City of Mecca, including wearing ihram<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> cloth. Additionally, a group leader is needed for the recitation of a specific prayer (see Documentation of AN/1712 Usage and Recorded Cases). Opposite to earlier reports, no specific offering is needed.</p>\n<p><strong>2. Background</strong></p>\n<p>Citing initial report/documentation, rumors of an alleged mystical cave directly connected to Mecca circulated in the Central Javanese populace amidst the Hajj season. The office's preliminary investigation bears no unusual findings. In accordance with the office's investigation, an independent inquiry was conducted by the Department of Religion in Mecca. The Department discovered an abnormal influx of unregistered Indonesian Hajj pilgrims in the hundreds. These pilgrims did not possess the required documents such as passports, identity cards, and entry visas.</p>\n<p>All of the identified unregistered pilgrims were then detained by the on-site Indonesian authorities. Following interrogations, the existence of AN/1712 was disclosed by the leaders of the respective pilgrim groups. Subsequently, a test by the Institute was conducted with instructions provided by the group leaders, confirming the existence and anomalous nature of AN/1712. During questioning, the group leaders stated that knowledge of AN/1712 constitutes a hereditary secret within their villages and communities. Traditionally, AN/1712 was known as the \"path of our wise ancestors\"</p>\n<p>All pilgrims who utilized AN/1712 were forced to return to Indonesia via AN/1712 to avoid conflict with the Saudi Arabian government. Once all accounted for, all pilgrims were forcibly inducted into a geas contract of silence and coerced into paying a fine or serving a term of imprisonment for violations of Hajj and immigration laws and regulations.</p>\n<p><strong>3. Legal Basis</strong><br/>\na. Article 27, paragraphs (1) and (2) of Law No. 17 of 1999;<br/>\nb. Presidential Decree No. 62 of 1995 on Administration of Hajj Affairs;<br/>\nc. Article 48 of Law No. 9 of 1992 on Immigration; and<br/>\nd. Article 378 of the Indonesian Penal Code.</p>\n<p><strong>4. Related Documents</strong><br/>\na. Experimentation Report on AN/1712;<br/>\nb. Documentation of AN/1712 Usage and Recorded Cases; and<br/>\nc. Investigation Report on the Background and Activities of Syekh [REDACTED | by order of the Chief Inspector]</p>\n<p><strong>5. Involved Parties</strong><br/>\na. Directorate for Investigation, Deputyship for the Supervision of Anomalies;<br/>\nb. Directorate for Containment, Deputyship for the Control of Anomalies;<br/>\nc. General Office of Experimentation, Centre for the Management of Anomalies; and<br/>\nd. General Office of Utilization, Centre for the Management of Anomalies.<br/>\ne. Directorate General of Islamic Community Guidance and Hajj Affairs, Department of Religion</p>\n<p><strong>6. Control Operational Procedure</strong><br/>\nAt present, access to the cave containing AN/1712 has been barred from anyone other than Department of Religion officials under the guise of unstable rock formation. The Department of Religion has released statements on the inexistence of \"caves allowing for instant passage to Mecca\", followed by disinformation disseminated by the Institute in mass media.</p>\n<p><strong>7. Additional Note(s)</strong><br/>\nThe Department of Religion has assumed full responsibility from the Institute for Anomalous Affairs on the handling of AN/1712. Legal provisions and <em>fatwa</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> concerning the use of AN/1712 are pending until further notice.</p>\n<div style=\"text-align: right;\">\n<p>Authorised on 17 March 2000,<br/>\nHEAD OF INSTITUTE FOR ANOMALOUS AFFAIRS<br/>\nGENERAL SECRETARY<br/>\n<br/>\n<br/>\nsigned.<br/>\n<br/>\n<br/>\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</p>\n</div>\n</div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<div style=\"width:100%; text-align:center;\">\n<p><span style=\"font-size:xx-large;\"><br/>\n<strong>OKAZ</strong><br/></span></p>\n</div>\n<br/>\n<span style=\"font-size:x-small;\"><br/></span>\n<div style=\"text-align: center;\">\n<hr/>\n<p><span style=\"font-size:x-small;\">The Twentieth Year \u2014 Issue No. \u2588\u2588\u2588\u2588\u2588 \u2022 Newspaper of All Arabs \u2022 Monday, 17 Dzulhijjah 1421 AH, corresponding to 12 March 2001</span></p>\n<hr/></div>\n<span style=\"font-size:x-small;\"><br/></span>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:large;\"><br/>\n<strong>98 Stranded Pilgrims Still Detained at Jeddah Immigration Office</strong><br/></span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div style=\"text-indent:20px\">\n<div style=\"text-align: justify;\">\n<p>A total of 98 Indonesian pilgrims are currently being detained at the Jeddah City Immigration Office after being rescued by Saudi Arabian authorities in the Hijaz desert area. The pilgrims are gradually recovering from the severe dehydration they suffered prior to their rescue; however, none are presently permitted to continue their journey or return to Indonesia, owing to the absence of valid travel and immigration documents.</p>\n<p>According to information obtained, the group was discovered by Saudi Arabian officers in the middle of the desert, exhausted and wearing nothing but ihram clothing and carrying sling bags. <span style=\"opacity: 75%\">Among those detained are 30 civil servants of the Indonesian Department of Religion, who claimed that they had been carrying out official duties relating to the administration of Hajj affairs. The officials further admitted that their families had accompanied them on the journey.</span> <span style=\"opacity: 50%\">Subsequent examination, however, revealed that neither the officials nor their accompanying family members appeared in the relevant travel documentation nor were their names found among the official arrival records of registered</span> <span style=\"opacity: 25%\">Hajj pilgrims. The circumstances have consequently raised serious questions concerning the conduct of the Indonesian Department of Religion and the possibility that its officials improperly facilitated the entry of relatives into Saudi Arabia without the required authorization.</span> <span style=\"opacity: 10%\">Further investigation is therefore considered necessary to determine whether the incident constitutes merely an administrative violation or evidence of a</span> <span style=\"opacity: 5%\">wider abuse of official authority.</span></p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<div class=\"unbordered-image\">\n<div class=\"scp-image-block block-center\" style=\"width:300px;\"><img alt=\"Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/f/fa/Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Attached Image</p>\n</div>\n</div>\n</div>\n<p>\"\u2026DAMNED SATANIC PORTAL FOR SENDING US TO THE MIDDLE OF A DESERT! HOW DARE IT DEEM ILLEGITIMATE, <em>BID'AH</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> <em>USTADZS</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> AND THEIR <em>JAMA'AH</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> FROM BUMFUCK NOWHERE WORTHY OF PASSAGE INSTEAD OF RIGHTFUL OFFICIALS LIKE US?! ONCE WE GET UP THIS HOSPITAL BED, WASTE NO TIME AND COLLAPSE THAT CURSED HOLE AND ARREST EVERY SINGLE ONE OF THOSE HILLBILLY\u2026\"</p>\n</div>\n<hr/>\n<div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\">\n<div style=\"text-align: center;\">\n<hr/>\n<p><strong>INTERNAL FACSIMILE MEMORANDUM</strong></p>\n<hr/></div>\n<p><strong>Date</strong> : 24 March 2001<br/>\n<strong>Length</strong> : 1 (one) page (including this sheet)<br/>\n<strong>Subject</strong> : Arrival of Delegates from the Department of Religion</p>\n<p><strong>NOTE / MESSAGE:</strong></p>\n<p>Following the completion of the statements taken from the 30 senior officials of the Department of Religion yesterday, they finally held a meeting concerning the fate of AN/1712. As anticipated, they have requested its demolition because they declare it is no longer safe for use, despite the fact that they have been using it for half a year already for Umrah. They also threw in arrest orders for everyone involved as a bonus. The delegates are scheduled to hand their decision letter at 12:00 noon tomorrow.</p>\n<p>It is obviously clear that they are furious over having been thrown into the middle of the desert, but they will never accept that AN/1712 did so because their corruption went too far. As if embezzlement and other kinds of corruption are not enough, it's still baffling that all of them were bringing their families to an active anomaly this time. It's tiring to listen to their tirades over the telephones. Nevertheless, we still have an active Regulation (ya Rabb, the General Secretary should cancel it already) with the Department of Religion, and we don't need to fight their bigwigs. When they arrive, smile and nod a lot; do not argue with them when they arrive for the sake of everyone's sanity. The waves of their angry pressure will only end that way.</p>\n<p>- Section Chief of Religious, Cultural, and Educational Governmental Bodies Relations Section</p>\n</div>\n<hr/>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. A specific clothing, intentions, and strict behavioral rules for entering the Holy City of Mecca, especially the Holy Site of Kaaba.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. A religious opinion regarding contemporary daily issues based on Islamic law released by Islamic scholars through religious organizations</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. A concept of innovation or introducing new practices into Islamic religious rituals that were not practiced or commanded beforehand, often in a negative connotation.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. A title for an Islamic teacher, preacher, or religious scholar</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Pilgrims</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/an-1712\">AN/1712 (\"Kudus Loophole\")</a>\" by PhoenixOfHope, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/an-1712\">https://scpwiki.com/an-1712</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY-SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> lemrusan_bw.png<br/>\n<strong>Author:</strong> themescreant<br/>\n<strong>License:</strong> CC BY-SA 3.0.<br/>\n<strong>Source Link:</strong> <a href=\"http://scp-id.wikidot.com/lemrusan-hub\">http://scp-id.wikidot.com/lemrusan-hub</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Saudi Arabian desert near the Wahba Crater (3).jpg<br/>\n<strong>Author:</strong> Prof. Mortel<br/>\n<strong>License:</strong> CC BY 2.0.<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg\">https://commons.wikimedia.org/wiki/File:Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t=====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=DAMNED SATANIC PORTAL\n\n]]\n\n=====\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css2?family=Inter:wght@400;700&display=swap');\n\n\u00a0\n\n#page-title {display: none;}\n\n\n\nbody {\n\n\u00a0\u00a0\u00a0\u00a0background-color: #FFF0D8;\n\n\u00a0\u00a0\u00a0\u00a0color: #000000;\n\n}\n\n\n\nh1, h2, h3, h4, h5, h6, #page-title {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0font-family: 'Inter', sans-serif;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0color: #603030;\n\n}\n\n\u00a0\n\na {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0color: #A00000;\n\n}\n\na.newpage {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0color: 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#A00000;\n\n}\n\n\n\n.scp-image-block {\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.scp-image-block .scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.unbordered-image .scp-image-block {\n\n\u00a0\u00a0\u00a0\u00a0border: none !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n\n\n.unbordered-image .scp-image-caption {\n\n\u00a0\u00a0\u00a0\u00a0background: transparent !important;\n\n\u00a0\u00a0\u00a0\u00a0border: none !important;\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: none !important;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"color:#000000; border:solid 1px #999999; background:#FFFFFF; padding: 30px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 1.25em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n[[size 1.25em]]**DEPUTYSHIP FOR THE CONTROL OF ANOMALIES**[[/size]]\n\n[[size 1.5em]]**DIRECTORATE FOR SECURITY**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"padding: .25em .75em; text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n\u00a0\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**ORDER LETTER**\n\nNo.: **SR/PPA/1712/2001**\n\n[[/=]]\n\n\n\nCONSIDERING:\n\n\n\nThat the existence of AN/1712 poses threats to the maintenance of the Veil and transnational security between the Republic of Indonesia and the Kingdom of Saudi Arabia.\n\n\n\nPURSUANT TO:\n\n\n\n1. Institute Regulation Number AN/L/KBAR/1989 on Joint Control Of Religious Anomalies Between the Institute For Anomalous Affairs and the Department Of Religion.\n\n2. Decision Letter Number 02/SK/AG/2001 from the Department of Religion.\n\n\n\n= **HEREBY ORDERS:**\n\n\n\nFOR :\n\nDirectorate for Security, Deputyship for the Control of Anomalies\n\n\n\n[[<]]\n\nTO :\n\n1. Collapse the cave passage into AN/1712;\n\n2. Arrest religious figures possessing knowledge of AN/1712 and prolysetizing the use of it with genuine or fabricated charges; and\n\n3. Coordinate with the Department of Religion in the handling AN/1712 in compliance with relevant regulations.\n\n\n\n[[/<]]\n\n\n\n\u00a0_\n\n\n\n[[>]]\n\nAuthorized in: Jakarta\n\nAuthorized at: 01/04/2001\n\n**GENERAL SECRETARY**\n\n\n\nSigned\n\n\n\n**\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588**\n\n[[/>]]\n\n[[/div]]\n\n\n\n-----\n\n\n\n@@ @@\n\n@@ @@\n\n\n\n[[=]]\n\n[[size x-large]]\n\n**Archived Documents Related to AN/1712 :**\n\n[[/size]]\n\n[[/=]]\n\n\n\n@@ @@\n\n@@ @@\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\n\n[[table style=\"border-collapse: collapse; width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 22.5%\"]]\n\n[[image https://scp-id.wdfiles.com/local--files/lemrusan-hub/lemrusan_bw.png size=\"fit\"]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center; border: none; background-color: none; width: 77.5%\"]]\n\n[[size 2em]]**INSTITUTE FOR ANOMALOUS AFFAIRS**[[/size]]\n\n\n\n**Central Office, \u2588\u2588\u2588\u2588\u2588 Jakarta, Jakarta**\n\nPhone \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588, Fax \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell style=\"text-align: center; border-bottom: 3px solid black; background-color: none; width: 100%;\" colspan=\"2\"]]\n\n@@ @@\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[=]]\n\n**STANDARD OPERATING PROCEDURE**\n\nregarding\n\n__**AN/1712**__ __(Kudus Loophole)__\n\nNo: **AN/1712/2000**\n\n[[/=]]\n\n\n\n\u00a0_\n\n**1. Details**\n\nAN/1712 is a passage in a limestone cave network located beneath a small hill approximately 12 kilometers outside Kudus, Central Java. The main cave network consists of descending passages and chambers extending approximately 430 meters deep. AN/1712 is positioned at approximately 190 meters deep. AN/1712 allows for passage into a constantly changing alleyway within the city of Mecca, Saudi Arabia. Passing the alleyway with the intent to return to AN/1712 allows for a return passage back into the entrance of AN/1712\n\n\n\nTo pass through AN/1712 into Mecca, pilgrims must fulfill the requirements to enter the Holy City of Mecca, including wearing ihram[[footnote]]A specific clothing, intentions, and strict behavioral rules for entering the Holy City of Mecca, especially the Holy Site of Kaaba.[[/footnote]] cloth. Additionally, a group leader is needed for the recitation of a specific prayer (see Documentation of AN/1712 Usage and Recorded Cases). Opposite to earlier reports, no specific offering is needed.\n\n\n\n**2. Background**\n\n\n\nCiting initial report/documentation, rumors of an alleged mystical cave directly connected to Mecca circulated in the Central Javanese populace amidst the Hajj season. The office's preliminary investigation bears no unusual findings.\u00a0\u00a0In accordance with the office's investigation, an independent inquiry was conducted by the Department of Religion in Mecca. The Department discovered an abnormal influx of unregistered Indonesian Hajj pilgrims in the hundreds. These pilgrims did not possess the required documents such as passports, identity cards, and entry visas.\n\n\n\nAll of the identified unregistered pilgrims were then detained by the on-site Indonesian authorities. Following interrogations, the existence of AN/1712 was disclosed by the leaders of the respective pilgrim groups. Subsequently, a test by the Institute was conducted with instructions provided by the group leaders, confirming the existence and anomalous nature of AN/1712. During questioning, the group leaders stated that knowledge of\u00a0\u00a0AN/1712 constitutes a hereditary secret within their villages and communities. Traditionally, AN/1712 was known as the \"path of our wise ancestors\"\n\n\n\nAll pilgrims who utilized AN/1712 were forced to return to Indonesia via AN/1712 to avoid conflict with the Saudi Arabian government. Once all accounted for, all pilgrims were forcibly inducted into a geas contract of silence and coerced into paying a fine or serving a term of imprisonment for violations of Hajj and immigration laws and regulations. \n\n\n\n**3. Legal Basis**\n\na. Article 27, paragraphs (1) and (2) of Law No. 17 of 1999;\n\nb. Presidential Decree No. 62 of 1995 on Administration of Hajj Affairs;\n\nc. Article 48 of Law No. 9 of 1992 on Immigration; and\n\nd. Article 378 of the Indonesian Penal Code.\n\n\n\n**4. Related Documents**\n\na. Experimentation Report on AN/1712;\n\nb. Documentation of AN/1712 Usage and Recorded Cases; and\n\nc. Investigation Report on the Background and Activities of Syekh [REDACTED | by order of the Chief Inspector]\n\n\n\n**5. Involved Parties**\n\na. Directorate for Investigation, Deputyship for the Supervision of Anomalies;\n\nb. Directorate for Containment, Deputyship for the Control of Anomalies;\n\nc. General Office of Experimentation, Centre for the Management of Anomalies; and\n\nd. General Office of Utilization, Centre for the Management of Anomalies.\n\ne. Directorate General of Islamic Community Guidance and Hajj Affairs, Department of Religion\n\n\n\n**6. Control Operational Procedure**\n\nAt present, access to the cave containing AN/1712 has been barred from anyone other than Department of Religion officials under the guise of unstable rock formation. The Department of Religion has released statements on the inexistence of \"caves allowing for instant passage to Mecca\", followed by disinformation disseminated by the Institute in mass media.\n\n\n\n**7. Additional Note(s)**\n\nThe Department of Religion has assumed full responsibility from the Institute for Anomalous Affairs on the handling of AN/1712. Legal provisions and //fatwa//[[footnote]]A religious opinion regarding contemporary daily issues based on Islamic law released by Islamic scholars through religious organizations[[/footnote]] concerning the use of AN/1712 are pending until further notice.\n\n\n\n[[>]]\n\nAuthorised on 17 March 2000,\n\nHEAD OF INSTITUTE FOR ANOMALOUS AFFAIRS\n\nGENERAL SECRETARY\n\n\u00a0_\n\n\n\nsigned.\n\n\u00a0_\n\n\n\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\n[[/>]]\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n\n\n[[div style=\"width:100%; text-align:center;\"]]\n\n[[size xx-large]]\n\n**OKAZ**\n\n[[/size]]\n\n[[/div]]\n\n[[size x-small]]\n\n[[=]]\n\n-----\n\nThe Twentieth Year \u2014 Issue No. \u2588\u2588\u2588\u2588\u2588 \u2022 Newspaper of All Arabs \u2022 Monday, 17 Dzulhijjah 1421 AH, corresponding to 12 March 2001\n\n-----\n\n[[/=]]\n\n[[/size]]\n\n\n\n\n\n[[=]]\n\n[[size large]]\n\n**98 Stranded Pilgrims Still Detained at Jeddah Immigration Office**\n\n[[/size]]\n\n[[/=]]\n\n@@ @@\n\n[[div style=\"text-indent:20px\"]]\n\n[[==]]\n\nA total of 98 Indonesian pilgrims are currently being detained at the Jeddah City Immigration Office after being rescued by Saudi Arabian authorities in the Hijaz desert area. The pilgrims are gradually recovering from the severe dehydration they suffered prior to their rescue; however, none are presently permitted to continue their journey or return to Indonesia, owing to the absence of valid travel and immigration documents.\n\n\n\nAccording to information obtained, the group was discovered by Saudi Arabian officers in the middle of the desert, exhausted and wearing nothing but ihram clothing and carrying sling bags. [[span style=\"opacity: 75%\"]]Among those detained are 30 civil servants of the Indonesian Department of Religion, who claimed that they had been carrying out official duties relating to the administration of Hajj affairs. The officials further admitted that their families had accompanied them on the journey. [[/span]][[span style=\"opacity: 50%\"]]Subsequent examination, however, revealed that neither the officials nor their accompanying family members appeared in the relevant travel documentation nor were their names found among the official arrival records of registered [[/span]][[span style=\"opacity: 25%\"]]Hajj pilgrims. The circumstances have consequently raised serious questions concerning the conduct of the Indonesian Department of Religion and the possibility that its officials improperly facilitated the entry of relatives into Saudi Arabia without the required authorization. [[/span]][[span style=\"opacity: 10%\"]]Further investigation is therefore considered necessary to determine whether the incident constitutes merely an administrative violation or evidence of a [[/span]][[span style=\"opacity: 5%\"]]wider abuse of official authority.[[/span]]\n\n[[/==]]\n\n[[/div]]\n\n@@ @@\n\n@@ @@\n\n[[/div]]\n\n\n\n\n\n-----\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n[[div class=\"unbordered-image\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=https://upload.wikimedia.org/wikipedia/commons/f/fa/Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg|caption=Attached Image|align=center|width=300px]]\n\n[[/div]]\n\n\n\n\"...DAMNED SATANIC PORTAL FOR SENDING US TO THE MIDDLE OF A DESERT! HOW DARE IT DEEM ILLEGITIMATE, //BID'AH//[[footnote]]A concept of innovation or introducing new practices into Islamic religious rituals that were not practiced or commanded beforehand, often in a negative connotation.[[/footnote]] //USTADZS//[[footnote]]A title for an Islamic teacher, preacher, or religious scholar[[/footnote]] AND THEIR //JAMA'AH//[[footnote]]Pilgrims[[/footnote]] FROM BUMFUCK NOWHERE WORTHY OF PASSAGE INSTEAD OF RIGHTFUL OFFICIALS LIKE US?! ONCE WE GET UP THIS HOSPITAL BED, WASTE NO TIME AND COLLAPSE THAT CURSED HOLE AND ARREST EVERY SINGLE ONE OF THOSE HILLBILLY...\"\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[div style=\"border:solid 1px #999999; background:#FFFFFF; padding:50px;\"]]\n\n[[=]]\n\n-----\n\n**INTERNAL FACSIMILE MEMORANDUM**\n\n-----\n\n[[/=]]\n\n\n\n**Date** : 24 March 2001\n\n**Length** : 1 (one) page (including this sheet)\n\n**Subject** : Arrival of Delegates from the Department of Religion\n\n\n\n**NOTE / MESSAGE:**\n\n\n\nFollowing the completion of the statements taken from the 30 senior officials of the Department of Religion yesterday, they finally held a meeting concerning the fate of AN/1712. As anticipated, they have requested its demolition because they declare it is no longer safe for use, despite the fact that they have been using it for half a year already for Umrah. They also threw in arrest orders for everyone involved as a bonus. The delegates are scheduled to hand their decision letter at 12:00 noon tomorrow. \n\n\n\nIt is obviously clear that they are furious over having been thrown into the middle of the desert, but they will never accept that AN/1712 did so because their corruption went too far. As if embezzlement and other kinds of corruption are not enough, it's still baffling that all of them were bringing their families to an active anomaly this time. It's tiring to listen to their tirades over the telephones. Nevertheless, we still have an active Regulation (ya Rabb, the General Secretary should cancel it already) with the Department of Religion, and we don't need to fight their bigwigs.\u00a0\u00a0When they arrive, smile and nod a lot; do not argue with them when they arrive for the sake of everyone's sanity. The waves of their angry pressure will only end that way.\n\n\n\n- Section Chief of Religious, Cultural, and Educational Governmental Bodies Relations Section \n\n\n\n[[/div]]\n\n\n\n-----\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n> **Filename:** lemrusan.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY-SA 3.0.\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** lemrusan_bw.png\n\n> **Author:** themescreant\n\n> **License:**\u00a0\u00a0CC BY-SA 3.0.\n\n> **Source Link:** http://scp-id.wikidot.com/lemrusan-hub\n\n\n\n> **Filename:** Saudi Arabian desert near the Wahba Crater (3).jpg\n\n> **Author:** Prof. Mortel\n\n> **License:**\u00a0\u00a0CC BY 2.0.\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Saudi_Arabian_desert_near_the_Wahba_Crater_(3).jpg\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "fantasy", "goi-format", "goicon-2026", "religious-fiction"], "title": "AN/1712 (\"Kudus Loophole\") - SCP Foundation", "url": "https://scp-wiki.wikidot.com/an-1712"}, "an-unforgettable-performance-9s15f-fmur9-ay1d9": {"created_at": "2019-06-24T16:06:00", "creator": "Pokemonprime", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Pokemonprime", "author_href": "https://www.wikidot.com/user:info/pokemonprime", "comment": "", "date": "2019-06-24T16:06:00"}, {"author": "Pokemonprime", "author_href": "https://www.wikidot.com/user:info/pokemonprime", "comment": "Added tags: are-we-cool-yet, collab-con2019, marshall-carter-and-dark. ", "date": "2019-06-24T16:12:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _marshall-carter-and-dark, goi-format. ", "date": "2019-06-24T16:13:00"}, {"author": "Pokemonprime", "author_href": "https://www.wikidot.com/user:info/pokemonprime", "comment": "Added tags: co-authored. ", "date": "2019-06-25T04:27:00"}, {"author": "deleted", "author_href": false, "comment": "Cross-linking the team's docs; Don't hurt me please", "date": "2019-06-25T11:48:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-19T03:50:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _licensebox. ", "date": "2022-11-13T17:12:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "", "date": "2022-11-13T17:12:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealist-fiction. ", "date": "2024-10-04T07:10:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: corporate. ", "date": "2024-10-09T18:55:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealism. Removed tags: surrealist-fiction. ", "date": "2024-10-11T19:35:00"}, {"author": "bi trans toaster", "author_href": "https://www.wikidot.com/user:info/bi-trans-toaster", "comment": "", "date": "2026-02-13T21:01:00"}], "hubs": ["goi-formats"], "images": [], "link": "an-unforgettable-performance-9s15f-fmur9-ay1d9", "page_id": "822917516", "rating": 42, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Amcd/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Status</th>\n<td>Renting</td>\n</tr>\n<tr>\n<th>Demand</th>\n<td>High</td>\n</tr>\n<tr>\n<th>Value</th>\n<td>180000 USD/142000 GBP (Per rental); 700000 USD/550000 GBP (Per purchase)</td>\n</tr>\n<tr>\n<th>Availability</th>\n<td>Established Supply Chain</td>\n</tr>\n<tr>\n<th>Identifier</th>\n<td>An Unforgettable Performance</td>\n</tr>\n<tr>\n<th>Description</th>\n<td>1/4\" reel-to-reel master tape recordings of concerts by 'Masked Mayhem', an AWCY? backed anmusic group. When played, immerses the listener in a multi-sensory, sense-modifying, full-body experience for a 20 minute duration. After the end of a session, users are able to remember the 'experience' itself, but cannot recall the content of the concert in any way.</td>\n</tr>\n<tr>\n<th colspan=\"2\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Initial Report</th>\n</tr>\n<tr>\n<th>Author</th>\n<td>Leonard Mitchell</td>\n<th>Date</th>\n<td>July 05, 2004</td>\n</tr>\n<tr>\n<th>Interest</th>\n<td>Medium</td>\n<th>Identifier</th>\n<td>An Unforgettable Performance</td>\n</tr>\n<tr>\n<td colspan=\"4\">At our recent anart exhibition in The Three Portlands, I attended an AWCY? backed show titled \"A show you'll never remember, a night you'll never forget\". While it's properties inherently make it hard to describe, it really was an amazing experience. I got a hold of one of the musicians after the performance, and he explained that the music immerses those who hear it into a full-body, multi-sensory experience in order to \"redefine the way they experience music\".<br/>\n<br/>\nI was able to get one copy of the performance from the aforementioned performer, if we could produce or procure more we could make a killing renting these out to interested buyers. The fact that you forget the exact details of it while still remembering how it made you feel means it would be trivially easy to get consistent, repeat business as well.<br/>\n<br/>\nWe would have to negotiate something with AWCY? to get another performance done that we could record ourselves; personal experimentation has shown that making copies of my tape results in significant degradation of the experience, likely because my copy is a cassette tape- they said the experience does not manifest in digital copies or recordings. Of course, this is no problem- it would be trivial for us to create a 1/4\", 50 IPS \"master tape\" for our purposes.<br/>\n<br/>\nI also acquired a copy of the original project proposal through the performer I mentioned earlier, I've attached it below.</td>\n</tr>\n<tr>\n<th colspan=\"2\">File Opened Under:</th>\n<td colspan=\"2\">9S15F/FMUR9/AY1D9</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">External Report 01</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Organisation</th>\n<td>Are We Cool Yet?</td>\n<th>Acquired</th>\n<td>July 05, 2004</td>\n</tr>\n<tr>\n<th>Method of Acquisition</th>\n<td colspan=\"3\">Acquired from band member by associate.<span style=\"color: white\">\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588</span></td>\n</tr>\n<tr>\n<th colspan=\"4\">Document (See Below)</th>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP.</th>\n</tr>\n</table>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">External\u00a0Document\u00a001</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Close</a></div>\n<div class=\"collapsible-block-content\">\n<p><strong>Name:</strong> Lock Edwards and Melany Lopez</p>\n<p><strong>Title:</strong> <em>A Night You'll Never Remember, A Show You'll Never Forget</em></p>\n<p><strong>Material Requirements:</strong></p>\n<ul>\n<li>1 clarinet and 1 clarinet player (provided as Lock Edwards<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup>)</li>\n<li>1 bass and 1 bass player (provided as Melany Lopez)</li>\n<li>1 trumpet and 1 trumpet player (provided as Gavin Sun)</li>\n<li>1 saxophone and 1 saxophone player (provided as Ezzie What)</li>\n<li>1 piano and 1 piano player (provided as <span style=\"text-decoration: line-through;\">Gerald Quartz</span> Conner South)</li>\n<li>5 sets of earplugs, to protect all the musicians from the piece (provided)</li>\n<li>A stage on which to perform, with enough space for the aforementioned materials</li>\n<li>An audience, preferably one with full auditory capabilities for maximum enjoyment</li>\n<li>Custom anomalous music (provided)</li>\n</ul>\n<p>NOTE: A letter was sent during the duration of the exhibition, addressed to the exhibition committee, and requested for an edit to be made to the material requirements. The request reads as follows:</p>\n<blockquote>\n<p>We apologize for the inconvenience presented on the third day of the exhibition, in which one of our material requirements was rendered inoperable. Fortunately, no other casualties or major injuries occurred, and we have a replacement for this and can continue demonstrating the power of music. If possible, please update the material requirements to reflect our changes. Once again, we are sorry for what happened; we had no idea that Gerald had no self-control and we believed that he was aware of the dangers present.</p>\n<p>Thank you for your time.</p>\n<p>Lock Edwards</p>\n</blockquote>\n<p><strong>Abstract:</strong> <em>A Night You'll Never Remember, A Show You'll Never Forget</em> is a live musical performance, enmeshed with both music anomalous in nature and music spontaneous in creation. It is composed of typical instruments found in a jazz bandstand, and will be played by five musicians (mentioned above), who will be playing the piece in question everyday during the duration the of the exhibition at regular intervals, with breaks for warm-ups, food, drink, sleep, and the occasional Q&amp;A.</p>\n<p>Every performance will begin with the same music, which lasts for around one minute and thirty seconds. This initial section is the anomalous part of the musical composition: Once played, it should make listeners suffer from what the doctors might call sensory deprivation and short-term amnesia, remembering only emotions and minor details, or what some prefer to call \"a Tuesday all-nighter at the bar.\" In reality, the piece creates a sort of sensory transference, where people are no longer able to sense the outside world in its full form, and are instead given an opportunity where, for the most part, they are able to sense only music through all of their senses. Everything else in the world\u2014sight, touch, smell, taste\u2014is supplanted by hearing and sound. Instead of seeing lights onstage and smelling popcorn from nearby stands, they see music, smell it, taste it, smell it, and, obviously, hear it for what it is. It also increases the human brain's susceptibility to the natural effects of musical patterns, and its ability to comprehend those patterns. This process leads to a minor \"overload\" when many patterns are played at once, which is what we will be hoping to achieve during the exhibition. After the initial pattern, a solo by one of the musicians onstage will infuse emotion into the audience, and this will be followed by more improvisation by the band for the duration of the performance. The initial section may be repeated more than once during a show to maintain the desired effect.</p>\n<p>During the time of the performance, things may prove a little surprising, if not, exciting for the audience, but there should be no fear: there might be some yelling at the start, and there might be dancing, <span style=\"text-decoration: line-through;\">but we are absolutely sure, from our previous run-throughs, that no serious injuries will present themselves throughout the duration of the event.</span> and if any dangers present themselves, either to the audience or the musicians, we will stop immediately once we notice. Danger may specifically arise from the musicians falling under the influence of the piece, which is why the importance of earplugs should be stressed to any other musical groups that may want to perform this work or create anything similar.</p>\n<p><strong>Intent:</strong> Contrary to what the title might suggest, we're not aiming to make a musical substitute for clubbing. We don't even go clubbing ourselves, by most people's definition.</p>\n<p>Instead, we want to address another issue: music and people. More often than not, you'll hear in English classes all the time that students need to \"read in between the lines\", or follow some other worthless piece of advice similar to that. More often than not, you'll also see that most of the students also have earbuds in their heads every single time and aren't paying any heed\u2014and their ability \"read in between the notes\", <em>per se</em>, is just as shameful, except for the students in a music class\u2014and even they may not pick up on all the patterns. People in general, not just students, don't usually understand the full scope of the meanings and connections between notes, lyrics, instruments, vocals, and song titles\u2014or even a different group of musicians and their background, and you would think that our society today based on superficial traits, like skin color or clothing, would really pick up on that one.</p>\n<p>They just don't get it more often than not, but really, they don't need to, do they?</p>\n<p>You don't need to learn how to play the piano twice\u2014just once to know how to play; you don't need to eat overpriced fried whale everyday\u2014just once to try it; and you certainly don't need to experience an airplane crash twice\u2014just once, because you probably won't be able to try it, or anything else, ever again. The same principle applies here: you don't need to get the musical experience of a lifetime seven times, though you definitely could\u2014you just need it once, even if you don't remember it and/or get slightly hurt in the process. And that's our goal in making this piece.</p>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. For identity safety purposes, all names provided are stage names.</div>\n</div>\n</div>\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Close</a></div>\n</div>\n</div>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"3\">Inventory Information</th>\n</tr>\n<tr>\n<th colspan=\"3\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Owner</th>\n<th>Quantity</th>\n<th>Comments</th>\n</tr>\n<tr>\n<td>Marshall, Carter, and Dark, LLP</td>\n<td>15</td>\n<td>Additional tapes can be made on demand</td>\n</tr>\n<tr>\n<td>Are We Cool Yet?</td>\n<td>~8</td>\n<td>Personal copies</td>\n</tr>\n<tr>\n<td>Customers</td>\n<td>9</td>\n<td>Limited sale of master copies</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Incident Report 01</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Author</th>\n<td>Leonard Mitchell</td>\n<th>Date</th>\n<td>October 11th, 2005</td>\n</tr>\n<tr>\n<td colspan=\"4\">While rentals have largely been running smoothly for the past year, we've begun having problems with some of our repeat customers complaining that the experience is no longer \"potent enough\". We've had multiple requests to either modify or somehow intensify the experience- modifying the tape after it's been recorded is impossible as far as we know, and as such so is intensifying it, so I suggest wrangling AWCY? to make some new recordings, to change things up.<br/>\n<br/>\nIf we don't do anything, I'm concerned that our sales could drop off sharply as customer interest wanes.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Memo 01</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Sender</th>\n<td>Russell Sutherland</td>\n<th>Recipient</th>\n<td>Leonard Mitchell</td>\n</tr>\n<tr>\n<td colspan=\"4\">I've contacted our friends at AWCY? and they have agreed to come into the studio to record once again in order for us to make a couple new master tapes.<br/>\n<br/>\nFor this run, we're just going to do a standard performance, only slightly tweaked. We're refreshing our offering, not remaking it.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Memo 02</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Sender</th>\n<td>Leonard Mitchell</td>\n<th>Recipient</th>\n<td>Russell Sutherland</td>\n</tr>\n<tr>\n<td colspan=\"4\">Our repeat customers are still complaining that the content is \"stale\" despite refreshing our tapes- it's possible we'll have to try something more creative and drastic if we want to recapture our longstanding customers.<br/>\n<br/>\nThis is becoming a matter of increasing importance; we're getting more complaints every day. We've already lost a few renters, and even one client who had lined up to purchase a copy for himself.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Memo 03</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Sender</th>\n<td>Auguste Renaud</td>\n<th>Recipient</th>\n<td>Russell Sutherland</td>\n</tr>\n<tr>\n<td colspan=\"4\">While modifying the performance isn't off the cards, with how \"direct\" the effects on the participants are, any changes could have unforeseen and potentially very messy consequences. I'll talk to the band members, but unless they already have something in the works, I doubt we can come up with something in the time frame you need. We're anartists, not miracle workers, despite what some may think.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Memo 04</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Sender</th>\n<td>Lock Edwards</td>\n<th>Recipient</th>\n<td>Russell Sutherland</td>\n</tr>\n<tr>\n<td colspan=\"4\">Hey, so you said we need to change some things up with the performance? Well, we've had a few things we've been toying with, and the next tapes you receive should have some brand new music. Conner's solo particularly should enhance the performance\u2014in fact, if you want, bring in some friends or clients or whatever you call them, the experience is always stronger first hand.<br/>\n<br/>\nRemember to tell anyone who's opting out to put in their earplugs firmly. I got a strongly worded email from one of your suits about a week ago after they experienced the show's full effects unexpectedly. How'd they get my email address anyways?</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Incident Report 02</th>\n</tr>\n<tr>\n<th colspan=\"4\">9S15F/FMUR9/AY1D9</th>\n</tr>\n<tr>\n<th>Author</th>\n<td>Russell Sutherland</td>\n<th>Date</th>\n<td>January 3rd, 2006</td>\n</tr>\n<tr>\n<td colspan=\"4\">As a special offer, we sold a limited number of tickets to the Masked Mayhem performance we were originally intending to simply record. This ended up being a very successful promotion, and all available tickets were sold in a little under two days.<br/>\n<br/>\n<a class=\"newpage\" href=\"/more-than-rhythm\">The show began smoothly</a>, but during the short solo portion played by Conner South his earplugs became dislodged, exposing him to the effects of his own music. Now, the proposal document obtained from AWCY? says that this had actually occurred once before, and that they had protocol in place to deal with this. For whatever reason, this protocol wasn't successfully enacted, allowing Conner's music to self-amplify, the effects of the music causing him to play more intensely, thus amplifying the effects of the music, and so on. The sharp increase in intensity caused an overload of the senses, leading to minor brain damage in 68% of those attending, and severe brain damage in a further 12% of the audience, as well as one guard whose earplugs became dislodged in the commotion.<br/>\n<br/>\nA majority of the members of Masked Mayhem made their escape after the incident; we are currently attempting to force AWCY? to turn over the remaining members, but they have so far been uncooperative. Soloist Conner South was found on the scene in a state of delirium, and was handed over to the proper authorities after his recovery.</td>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter and Dark, LLP</th>\n</tr>\n</table>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/an-unforgettable-performance-9s15f-fmur9-ay1d9\">'An Unforgettable Performance' 9S15F/FMUR9/AY1D9</a>\" by Avelon21 and Pokemonprime, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/an-unforgettable-performance-9s15f-fmur9-ay1d9\">https://scpwiki.com/an-unforgettable-performance-9s15f-fmur9-ay1d9</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:mcd\">theme:mcd</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n||||~ 9S15F/FMUR9/AY1D9||\n\n||~ Status||Renting||\n\n||~ Demand||High||\n\n||~ Value||180000 USD/142000 GBP (Per rental); 700000 USD/550000 GBP (Per purchase)||\n\n||~ Availability||Established Supply Chain||\n\n||~ Identifier||An Unforgettable Performance||\n\n||~ Description||1/4\" reel-to-reel master tape recordings of concerts by 'Masked Mayhem', an AWCY? backed anmusic group. When played, immerses the listener in a multi-sensory, sense-modifying, full-body experience for a 20 minute duration. After the end of a session, users are able to remember the 'experience' itself, but cannot recall the content of the concert in any way.||\n\n||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Initial Report||\n\n||~ Author || Leonard Mitchell ||~ Date || July 05, 2004||\n\n||~ Interest||Medium||~ Identifier||An Unforgettable Performance||\n\n||||||||At our recent anart exhibition in The Three Portlands, I attended an AWCY? backed show titled \"A show you'll never remember, a night you'll never forget\". While it's properties inherently make it hard to describe, it really was an amazing experience. I got a hold of one of the musicians after the performance, and he explained that the music immerses those who hear it into a full-body, multi-sensory experience in order to \"redefine the way they experience music\".\u00a0\u00a0_\n\n\u00a0_\n\nI was able to get one copy of the performance from the aforementioned performer, if we could produce or procure more we could make a killing renting these out to interested buyers. The fact that you forget the exact details of it while still remembering how it made you feel means it would be trivially easy to get consistent, repeat business as well. _\n\n\u00a0_\n\nWe would have to negotiate something with AWCY? to get another performance done that we could record ourselves; personal experimentation has shown that making copies of my tape results in significant degradation of the experience, likely because my copy is a cassette tape- they said the experience does not manifest in digital copies or recordings. Of course, this is no problem- it would be trivial for us to create a 1/4\", 50 IPS \"master tape\" for our purposes. _\n\n\u00a0_\n\nI also acquired a copy of the original project proposal through the performer I mentioned earlier, I've attached it below. ||\n\n||||~ File Opened Under:|||| 9S15F/FMUR9/AY1D9 ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ External Report 01||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Organisation || Are We Cool Yet? ||~ Acquired || July 05, 2004||\n\n||~ Method of Acquisition |||||| Acquired from band member by associate.##white|\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588##||\n\n||||||||~ Document (See Below) ||\n\n||||||||~ Marshall, Carter and Dark, LLP.||\n\n[[collapsible show=\"External Document 01\" hide=\"Close\" hideLocation=\"both\"]]\n\n**Name:** Lock Edwards and Melany Lopez\n\n\n\n**Title:** //A Night You'll Never Remember, A Show You'll Never Forget//\n\n\n\n**Material Requirements:** \n\n\n\n* 1 clarinet and 1 clarinet player (provided as Lock Edwards[[footnote]] For identity safety purposes, all names provided are stage names.[[/footnote]])\n\n* 1 bass and 1 bass player (provided as Melany Lopez)\n\n* 1 trumpet and 1 trumpet player (provided as Gavin Sun)\n\n* 1 saxophone and 1 saxophone player (provided as Ezzie What)\n\n* 1 piano and 1 piano player (provided as --Gerald Quartz-- Conner South)\n\n* 5 sets of earplugs, to protect all the musicians from the piece (provided)\n\n* A stage on which to perform, with enough space for the aforementioned materials\n\n* An audience, preferably one with full auditory capabilities for maximum enjoyment\n\n* Custom anomalous music (provided)\n\n\n\nNOTE: A letter was sent during the duration of the exhibition, addressed to the exhibition committee, and requested for an edit to be made to the material requirements. The request reads as follows:\n\n\u00a0\n\n> We apologize for the inconvenience presented on the third day of the exhibition, in which one of our material requirements was rendered inoperable. Fortunately, no other casualties or major injuries occurred, and we have a replacement for this and can continue demonstrating the power of music. If possible, please update the material requirements to reflect our changes. Once again, we are sorry for what happened; we had no idea that Gerald had no self-control and we believed that he was aware of the dangers present.\n\n> \n\n> \n\n> Thank you for your time.\n\n> \n\n> Lock Edwards\n\n\n\n**Abstract:** //A Night You'll Never Remember, A Show You'll Never Forget// is a live musical performance, enmeshed with both music anomalous in nature and music spontaneous in creation. It is composed of typical instruments found in a jazz bandstand, and will be played by five musicians (mentioned above), who will be playing the piece in question everyday during the duration the of the exhibition at regular intervals, with breaks for warm-ups, food, drink, sleep, and the occasional Q&A.\n\n\n\nEvery performance will begin with the same music, which lasts for around one minute and thirty seconds. This initial section is the anomalous part of the musical composition: Once played, it should make listeners suffer from what the doctors might call sensory deprivation and short-term amnesia, remembering only emotions and minor details, or what some prefer to call \"a Tuesday all-nighter at the bar.\" In reality, the piece creates a sort of sensory transference, where people are no longer able to sense the outside world in its full form, and are instead given an opportunity where, for the most part, they are able to sense only music through all of their senses. Everything else in the world\u2014sight, touch, smell, taste\u2014is supplanted by hearing and sound. Instead of seeing lights onstage and smelling popcorn from nearby stands, they see music, smell it, taste it, smell it, and, obviously, hear it for what it is. It also increases the human brain's susceptibility to the natural effects of musical patterns, and its ability to comprehend those patterns. This process leads to a minor \"overload\" when many patterns are played at once, which is what we will be hoping to achieve during the exhibition. After the initial pattern, a solo by one of the musicians onstage will infuse emotion into the audience, and this will be followed by more improvisation by the band for the duration of the performance. The initial section may be repeated more than once during a show to maintain the desired effect.\n\n\n\nDuring the time of the performance, things may prove a little surprising, if not, exciting for the audience, but there should be no fear: there might be some yelling at the start, and there might be dancing, --but we are absolutely sure, from our previous run-throughs, that no serious injuries will present themselves throughout the duration of the event.-- and if any dangers present themselves, either to the audience or the musicians, we will stop immediately once we notice. Danger may specifically arise from the musicians falling under the influence of the piece, which is why the importance of earplugs should be stressed to any other musical groups that may want to perform this work or create anything similar. \n\n\n\n**Intent:** Contrary to what the title might suggest, we're not aiming to make a musical substitute for clubbing. We don't even go clubbing ourselves, by most people's definition.\n\n\n\nInstead, we want to address another issue: music and people. More often than not, you'll hear in English classes all the time that students need to \"read in between the lines\", or follow some other worthless piece of advice similar to that. More often than not, you'll also see that most of the students also have earbuds in their heads every single time and aren't paying any heed\u2014and their ability \"read in between the notes\", //per se//, is just as shameful, except for the students in a music class\u2014and even they may not pick up on all the patterns. People in general, not just students, don't usually understand the full scope of the meanings and connections between notes, lyrics, instruments, vocals, and song titles\u2014or even a different group of musicians and their background, and you would think that our society today based on superficial traits, like skin color or clothing, would really pick up on that one. \n\n\n\nThey just don't get it more often than not, but really, they don't need to, do they?\n\n\n\nYou don't need to learn how to play the piano twice\u2014just once to know how to play; you don't need to eat overpriced fried whale everyday\u2014just once to try it; and you certainly don't need to experience an airplane crash twice\u2014just once, because you probably won't be able to try it, or anything else, ever again. The same principle applies here: you don't need to get the musical experience of a lifetime seven times, though you definitely could\u2014you just need it once, even if you don't remember it and/or get slightly hurt in the process. And that's our goal in making this piece.\n\n\n\n[[footnoteblock]]\n\n\n\n[[/collapsible]]\n\n\n\n||||||~ Inventory Information||\n\n||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Owner ||~ Quantity ||~ Comments||\n\n|| Marshall, Carter, and Dark, LLP || 15 || Additional tapes can be made on demand ||\n\n|| Are We Cool Yet? || ~8 || Personal copies||\n\n|| Customers|| 9 || Limited sale of master copies ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Incident Report 01||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Author || Leonard Mitchell ||~ Date || October 11th, 2005||\n\n|||||||| While rentals have largely been running smoothly for the past year, we've begun having problems with some of our repeat customers complaining that the experience is no longer \"potent enough\". We've had multiple requests to either modify or somehow intensify the experience- modifying the tape after it's been recorded is impossible as far as we know, and as such so is intensifying it, so I suggest wrangling AWCY? to make some new recordings, to change things up. _\n\n\u00a0_\n\nIf we don't do anything, I'm concerned that our sales could drop off sharply as customer interest wanes.||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Memo 01||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Sender || Russell Sutherland ||~ Recipient || Leonard Mitchell||\n\n|||||||| I've contacted our friends at AWCY? and they have agreed to come into the studio to record once again in order for us to make a couple new master tapes. _\n\n\u00a0_\n\nFor this run, we're just going to do a standard performance, only slightly tweaked. We're refreshing our offering, not remaking it. ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Memo 02||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Sender || Leonard Mitchell ||~ Recipient || Russell Sutherland||\n\n|||||||| Our repeat customers are still complaining that the content is \"stale\" despite refreshing our tapes- it's possible we'll have to try something more creative and drastic if we want to recapture our longstanding customers. _\n\n\u00a0_\n\nThis is becoming a matter of increasing importance; we're getting more complaints every day. We've already lost a few renters, and even one client who had lined up to purchase a copy for himself.||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Memo 03||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Sender || Auguste Renaud ||~ Recipient || Russell Sutherland||\n\n|||||||| While modifying the performance isn't off the cards, with how \"direct\" the effects on the participants are, any changes could have unforeseen and potentially very messy consequences. I'll talk to the band members, but unless they already have something in the works, I doubt we can come up with something in the time frame you need. We're anartists, not miracle workers, despite what some may think. ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Memo 04||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Sender || Lock Edwards ||~ Recipient || Russell Sutherland||\n\n|||||||| Hey, so you said we need to change some things up with the performance? Well, we've had a few things we've been toying with, and the next tapes you receive should have some brand new music. Conner's solo particularly should enhance the performance\u2014in fact, if you want, bring in some friends or clients or whatever you call them, the experience is always stronger first hand. _\n\n\u00a0_\n\nRemember to tell anyone who's opting out to put in their earplugs firmly. I got a strongly worded email from one of your suits about a week ago after they experienced the show's full effects unexpectedly. How'd they get my email address anyways? ||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n\n\n||||||||~ Incident Report 02||\n\n||||||||~ 9S15F/FMUR9/AY1D9 ||\n\n||~ Author || Russell Sutherland ||~ Date || January 3rd, 2006||\n\n|||||||| As a special offer, we sold a limited number of tickets to the Masked Mayhem performance we were originally intending to simply record. This ended up being a very successful promotion, and all available tickets were sold in a little under two days.\u00a0\u00a0_\n\n\u00a0_\n\n[[[more-than-rhythm|The show began smoothly]]], but during the short solo portion played by Conner South his earplugs became dislodged, exposing him to the effects of his own music. Now, the proposal document obtained from AWCY? says that this had actually occurred once before, and that they had protocol in place to deal with this. For whatever reason, this protocol wasn't successfully enacted, allowing Conner's music to self-amplify, the effects of the music causing him to play more intensely, thus amplifying the effects of the music, and so on. The sharp increase in intensity caused an overload of the senses, leading to minor brain damage in 68% of those attending, and severe brain damage in a further 12% of the audience, as well as one guard whose earplugs became dislodged in the commotion. _\n\n\u00a0_\n\nA majority of the members of Masked Mayhem made their escape after the incident; we are currently attempting to force AWCY? to turn over the remaining members, but they have so far been uncooperative. Soloist Conner South was found on the scene in a state of delirium, and was handed over to the proper authorities after his recovery.||\n\n||||||||~ Marshall, Carter and Dark, LLP||\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> |author=Avelon21 and Pokemonprime]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_marshall-carter-and-dark", "are-we-cool-yet", "co-authored", "collab-con2019", "corporate", "goi-format", "marshall-carter-and-dark", "surrealism"], "title": "'An Unforgettable Performance' 9S15F/FMUR9/AY1D9 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/an-unforgettable-performance-9s15f-fmur9-ay1d9"}, "analysis-of-the-plokamisuchus": {"created_at": "2018-06-21T22:03:00", "creator": "Stallmantic", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "", "date": "2018-06-21T22:03:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "", "date": "2018-06-21T22:05:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "File \"sclerite.jpg\" renamed to \"sclerite\".", "date": "2018-06-21T22:06:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "Uploaded file \"sclerite.jpg\".", "date": "2018-06-21T22:06:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "Added tags: _other, goi_format. ", "date": "2018-06-21T22:07:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "Added tags: goi-format, war-on-all-fronts. Removed tags: goi_format. ", "date": "2018-06-21T22:11:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "Added tags: co-authored. ", "date": "2018-06-21T22:15:00"}, {"author": "DrChandra", "author_href": "https://www.wikidot.com/user:info/drchandra", "comment": "Fixes", "date": "2018-06-21T22:28:00"}, {"author": "Stallmantic", "author_href": "https://www.wikidot.com/user:info/stallmantic", "comment": "", "date": "2018-06-21T22:38:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Parent page set to: \"war-on-all-fronts-hub\".", "date": "2018-06-21T23:13:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-25T01:22:00"}, {"author": "abstruse", "author_href": "https://www.wikidot.com/user:info/abstruse", "comment": "copyedit punctuation", "date": "2019-07-07T09:14:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-09-23T17:50:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-10T23:39:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added tags: _licensebox. ", "date": "2020-10-20T14:49:00"}, {"author": "Hexick", "author_href": "https://www.wikidot.com/user:info/hexick", "comment": "Added license box.", "date": "2020-10-20T14:49:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _icsut, icsut. Removed tags: _other. ", "date": "2021-10-04T18:35:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, science-fiction. ", "date": "2024-09-29T07:53:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: academic. ", "date": "2026-09-03T06:31:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--resized-images/analysis-of-the-plokamisuchus/sclerite/medium.jpg"], "link": "analysis-of-the-plokamisuchus", "page_id": "88483855", "rating": 96, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Awar-on-all-fronts-sigma/2&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"border:solid 1px #999999; background: #FFFCF2; margin-left: 3px; margin-right: 3px; padding: 4px; margin-bottom: 25px; margin-top: 25px;\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:150%;\"><strong>Analysis of the Plokamisuchus</strong></span></p>\n<p><em>Unified Thaumatology Quarterly</em> Vol. 75, No. 4, October 1988, pp. 33-40</p>\n<p>International Center for the Study of Unified Thaumatology<br/>\n<em>Swansea Campus</em></p>\n</div>\n<p>By Dr. S. Mann, Dr. G. Franklin, <em>et al</em>.</p>\n<p><span style=\"font-size:130%;\"><strong>Abstract</strong></span></p>\n<p>The International Center for the Study of Unified Thaumatology has acquired the corpse of the <em>Plokamisuchus</em> from Marshall, Carter, and Dark Ltd. for study into the biological structure of this anomalous creature. The goals of this study are to provide MC&amp;D Ltd. with potentially valuable anomalous material (as per the acquisition agreement), to examine the creature to determine its full range of anomalous properties, determine its origins and the possibility of another attack, as well as propose possible means of threat mitigation.</p>\n<p><span style=\"font-size:130%;\"><strong>Introduction</strong></span></p>\n<p>On June 13, 1988, a large semiaquatic anomaly attacked the nexus of Hy-Brasil, destroying much of the city before it was eventually killed by the Global Occult Coalition, and subsequently recovered by Marshall, Carter, &amp; Dark Ltd. At this point, nobody knows where the anomaly came from, if there might be more, and how to more efficiently terminate these entities if necessary.</p>\n<p>Already known properties of the anomaly are that it has the ability to quickly regenerate extreme wounds, the ability to generate a form of anomalous fire, and possesses a monstrous scale despite violating the square-cube law. The goal of this study is to determine the causes of all of these anomalies as well as potentially identify unknown ones.</p>\n<p><span style=\"font-size:130%;\"><strong>Methodology</strong></span></p>\n<p>The study will be conducted by performing a necropsy on the <em>Plokamisuchus</em> to attempt to find the origin of its anomalous abilities and generate a more detailed understanding of its anatomy. Bio-samples will be subjected to deep penetrating Aetheric Resonance Scans in order to generate high-fidelity aura readings. Additionally, the creature's humors will be subjected to alchemical analysis, Kant counters will be employed to detect both internal Hume levels and any distortion effect on local reality, and several certified and licensed mediums will conduct a variety of rituals to assess any additional supernatural traits the body may possess.</p>\n<p><span style=\"font-size:130%;\"><strong>Results</strong></span></p>\n<p><strong>Outer Tissues</strong></p>\n<div class=\"scp-image-block block-right\" style=\"width:200px;\"><a href=\"https://scp-wiki.wdfiles.com/local--files/analysis-of-the-plokamisuchus/sclerite\"><img alt=\"sclerite\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--resized-images/analysis-of-the-plokamisuchus/sclerite/medium.jpg\"/></a>\n<div class=\"scp-image-caption\">\n<p>A piece of sclerite removed from the body of the <em>Plokamisuchus</em>.</p>\n</div>\n</div>\n<p>The outermost layer of the <em>Plokamisuchus</em> consists of overlapping \"scales\" which require approximately 5 gigapascals of force to break, measuring at 9.87 on the mohs scale and nearly 3\u00a0cm thick in some places. These \"scales\" are actually sclerites<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> fashioned into the shape of scales. The amount of metals in each sclerite varies but all are made up of a combination of iron sulfides, pyrite, greigite, and biological material from the skin of the entity. [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-1-38699a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-1')\">1</a>]</p>\n<p>The <em>Plokamisuchus</em> has been shown to have the ability to heal even extremely grievous wounds, in both life and death. Experiments involving resurrected tissue samples has shown the ability to regenerate lost biomatter at a rate of nearly 15% per day. While this is notable, it is still significantly slower than the regeneration shown when the anomaly was still living, where it could regenerate from severe injury within seconds. In both cases, high levels of red and yellow aspect radiation were detected, indicative of thaumaturgically accelerated cellular regeneration (Red) and accessing extradimensional or hyperdimensional stores of matter for said regeneration (Yellow). [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-2-94602a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-2')\">2</a>]</p>\n<p>The abdominal section of the <em>Plokamisuchus</em> is made of five tentacled appendages, similar to that of an octopus. The outer layer of the tentacles is also surrounded by sclerites, with suction cups protruding outwards. The <em>Plokamisuchus</em> has the ability to modify the tension in its suckers to release or increase the suction from the suction cups, allowing it to effectively grab objects.</p>\n<p><strong>Internal Organs</strong></p>\n<p>Analysis of the <em>Plokamisuchus's</em> interior was complicated by the discovery of its non-euclidean biology[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-3-96609a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-3')\">3</a>]. For those unfamiliar, the topology of non-euclidean spacetime is always inconsistent, both internally and with the surrounding area. Non-euclidean spaces can be bigger on the inside, or smaller, or both. Paths either don't lead where they should, lead where they shouldn't, or lead to multiple places at the same time.</p>\n<p>Bio-Thaumatologists have yet to formulate an accepted theory as to how non-euclidean biology can possibly sustain a living organism, however this is believed to be a major factor in explaining how a creature of this scale can exist.</p>\n<p>Despite the complications presented by its non-euclidean anatomy, it was nonetheless determined that the <em>Plokamisuchus</em> has all of the organs necessary to sustain life.</p>\n<p>First and foremost, the creature has a brain, as well as a nervous system. The subject's brain is approximately 2 meters in diameter and is toroid in shape, possessing a large nerve bundle running through the middle. It is separated into five distinct lobes with one lobe partially destroyed by the GOC's use of the Casaba-Howitzer. This makes an accurate examination of possible brain function difficult. However, the entity is believed to have been extremely intelligent and has displayed tool use<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup>.</p>\n<p>Skeletal systems in the <em>Plokamisuchus</em> are somewhat odd as well, with the upper half of the entity having bones and the lower, octopus-like structure having none. Due to the non-euclidean nature of the interior space, there is no clear division between these two sections. The upper half has bones similar to that of a crocodile, with the exception of having five arms with five radial digits and a disproportionate skull with five orbits (eye sockets). The arms of the <em>Plokamisuchus</em> have different joints than that of a crocodile, with a ball and socket joint as opposed to a traditional joint, allowing more human-like arm movements.</p>\n<p>The cardiovascular system in the <em>Plokamisuchus</em> is fully formed, with a working heart, gills, and blood vessels. The <em>Plokamisuchus</em> primarily has five large sets of gills on its midsection, but also possesses working lungs, allowing it to breathe above water. The entity's heart is heavily damaged from battle, but after removal of the large amount shrapnel in the heart of the entity, it was clearly shown to be a standard three-chambered reptilian heart, albeit large enough to sustain it, at two and a half meters long.</p>\n<p><strong>Other Anomalous Properties</strong></p>\n<p>The entity has a previously unknown organ near its throat, which allowed it to detect sources of Elan Vital Energy (EVE) [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-2-79126a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-2')\">2</a>] as well as the ability to absorb this energy and transfer it into a usable thermic state. This is clearly the entity's source of \"Spellfire\", a form of anomalous fire that burns underwater, which the entity was observed to use during its attack on Hy-Brasil. Alchemical analysis of the creature's humors revealed its blood to be a luminescent blue ichor, saturated with EVE and likely used to circulate magic through the creature's enormous body to keep it alive.</p>\n<p>Kant counters detected a consistently low reading from the carcass and its tissue samples, averaging at 74 Humes. [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-4-41627a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-4')\">4</a>] Though the <em>Plokamisuchus</em> was never observed practicing active reality bending, its ability to function at all at such a massive scale violated several physical and biochemical laws. In addition to the aforementioned non-euclidean biology, this low Hume level was likely responsible for its survival in our reality. Its aura reading revealed that it generates highly unusual currents in the Aether[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-5-51826a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-5')\">5</a>], and is unlikely to have originated from this reality or even from the same branch or hub as the multiverse as our world [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-6-55242a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-6')\">6</a>].</p>\n<p>Other than that, its origins can only <a href=\"/the-kaiju-sea\">be speculated at</a>.</p>\n<p>As a final note, while living the <em>Plokamisuchus</em> had significantly elevated levels of Akiva radiation,[<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-7-40202a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-7')\">7</a>] and even in death, its Akiva levels are well above baseline. Aetheric Resonance Imaging has ruled out the possibility of it being a type Black entity [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-2-89633a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-2')\">2</a>], so it is unlikely to be the incarnation of an actual god. A more likely explanation is that the <em>Plokamisuchus's</em> species is regarded as sacred by some religious groups. Given how many mundane animal species have been deified by sapient cultures, it's little wonder that a creature as enormous and powerful as the <em>Plokamisuchus</em> would inspire reverence.</p>\n<p><span style=\"font-size:130%;\"><strong>Conclusion</strong></span></p>\n<p>The seemingly impossible size of the Plokamisuchus was enabled by a combination of thaumic biology, non-euclidean anatomy, and a low internal Hume field which granted it a degree of resistance to physical laws.</p>\n<p>The <em>Plokamisuchus</em> is almost certainly an extradimensional entity, though its precise origin is currently unknown. We recommend a fact-finding mission to the Wanderer's Library [<a class=\"bibcite\" href=\"javascript:;\" id=\"bibcite-8-13282a\" onclick=\"WIKIDOT.page.utils.scrollToReference('bibitem-8')\">8</a>] to narrow down possible origin worlds, and possibly the funding of expeditions to discover said world. How this creature arrived in our world, and the likelihood of other such beings doing so again in the future, remains unknown at the present. The best defense against future incursions would likely be to develop some means to deflect or regulate extradimensional travel to our world. As the Wanderer's Library has demonstrated an ability to redirect Ways in order to refuse entry to unwanted individuals, we know this is possible, and likely warrants further study.</p>\n<p>As per our agreement with Marshall, Carter, &amp; Dark Ltd, we recommend that the <em>Plokamisuchus's</em> ichor be sold as a rare thaumaturgical aid, ideal for potions, elixirs and philters. Its scales could be used to manufacture light-weight, high-durability armour. Any portion of the body could be sold as charms to aid in reality bending, due to the low Hume factor. The rest could be sold to any of a number of parascientific organizations (The Foundation, Prometheus Labs, or Eurtec just to name a few) who would be interested in studying the body for its multitude of anomalous properties. Certain parts may also be desirable as trophies.</p>\n<p>In regards to possible defences against future attacks, it seems that a reality anchor of sufficient amplitude may be able to restore its Hume field to equilibrium, which would then cause the creature to collapse under its own weight. The fact that it absorbs EVE may also be used against it, as introducing a source of tainted EVE within its proximity may well have a negative effect on its thaumaturgical abilities.</p>\n<p>Given the <em>Plokamisuchus</em>'s ability to rapidly regenerate and adapt, these remain highly speculative means of assault. A high-powered, precise attack to a vital organ like the heart or brain, as the GOC used at Hy-Brasil, would likely be the most reliable means to neutralize future attacks.</p>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Annotations</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. A series of partially biological plates that typically are used in exoskeletons. Typically metal alloys.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Before its attack on Hy-Brasil, it was recorded picking up ships and using them to destroy other ships.</div>\n</div>\n<div class=\"bibitems\">\n<div class=\"title\">References</div>\n<div class=\"bibitem\" id=\"bibitem-1\">1. <em>A Guide to Anomalous Marine Life, Second Edition</em>; Dr. S. Mann, ICSUT Publishing, 1978.</div>\n<div class=\"bibitem\" id=\"bibitem-2\">2. <em><a href=\"/goc-supplemental-arad\">On Aetheric Energy and Aspect Radiation</a></em>; GOC Monthly Journal, vol. 3, no. 17, ser. 23, 17 Apr. 1979, pp. 19\u201321.</div>\n<div class=\"bibitem\" id=\"bibitem-3\">3. <em>On the Mountains of Madness, A Thesis on Non-euclidean Spacetime and Speculations on Possible Manifestations and Applications</em>; Dr. M. Windsworth, ICSUT publishing, 1977.</div>\n<div class=\"bibitem\" id=\"bibitem-4\">4. Caldmann, J &amp; Rzewski, C (1982). \"<a href=\"/and-this-one-explains-humes\">Humes: A Quantitative Study of the Fundamental Basis of Reality</a>\" and <a href=\"/an-faq-part-two-or-your-hume-questions-answered\">responses to questions on that article</a> <em>Foundation Interior Publishing</em></div>\n<div class=\"bibitem\" id=\"bibitem-5\">5. <em>The Magnum Opus - A Comprehensive Guide to Both Theoretical and Practical Alchemy</em>; by R. Diaghilev, Alchemist's Guild Printhouse, 1928</div>\n<div class=\"bibitem\" id=\"bibitem-6\">6. <em>Otherworld Laws and Universal Constants</em>; Ickis the Wayward, Shade Wordsmiths, null-time</div>\n<div class=\"bibitem\" id=\"bibitem-7\">7. Stoker, B. 1874. <a href=\"/spikebrennan-s-proposal\">Transcription minutes of meeting</a> of Hermetic Order of the Golden Dawn.</div>\n<div class=\"bibitem\" id=\"bibitem-8\">8. <em>Ways and Wanderers: The Serpent's Library</em>; E. Redtooth. <em>Unified Thaumatology Quarterly</em>; vol. 03, no. 3, July 1916, pp. 10-27.</div>\n</div>\n</div>\n<br/>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/analysis-of-the-plokamisuchus\">Analysis of the Plokamisuchus</a>\" by Stallmantic, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/analysis-of-the-plokamisuchus\">https://scpwiki.com/analysis-of-the-plokamisuchus</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<p><strong>Image 1</strong></p>\n<blockquote>\n<p><strong>Filename:</strong> <em>sclerite</em><br/>\n<strong>Name:</strong> <em>File:Chrysomallon squamiferum sclerite.png</em><br/>\n<strong>Authors:</strong> Kentaro Nakamura, Hiromi Watanabe, Junichi Miyazaki, Ken Takai, Shinsuke Kawagucci, Takuro Noguchi, Suguru Nemoto, Tomo-o Watsuji, Takuya Matsuzaki, Takazo Shibuya, Kei Okamura, Masashi Mochizuki, Yuji Orihashi, Tamaki Ura, Akira Asada, Daniel Marie, Meera Koonjul, Manvendra Singh, Girish Beedessee, Mitrasen Bhikajee, Kensaku Tamaki<br/>\n<strong>License:</strong> CC BY 2.5<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Chrysomallon_squamiferum_sclerite.png\">Wikimedia Commons</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:war-on-all-fronts-sigma\">theme:war-on-all-fronts-sigma</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"border:solid 1px #999999; background: #FFFCF2; margin-left: 3px; margin-right: 3px; padding: 4px; margin-bottom: 25px; margin-top: 25px;\"]]\n\n[[=]]\n\n[[size 150%]] **Analysis of the Plokamisuchus** [[/size]]\n\n\n\n//Unified Thaumatology Quarterly// Vol. 75, No. 4, October 1988, pp. 33-40\n\n\n\nInternational Center for the Study of Unified Thaumatology\n\n//Swansea Campus//\n\n[[/=]]\n\n\n\nBy Dr. S. Mann, Dr. G. Franklin, //et al//.\n\n\u00a0\n\n[[size 130%]] **Abstract** [[/size]]\n\n\n\nThe International Center for the Study of Unified Thaumatology has acquired the corpse of the //Plokamisuchus// from Marshall, Carter, and Dark Ltd. for study into the biological structure of this anomalous creature. The goals of this study are to provide MC&D Ltd. with potentially valuable anomalous material (as per the acquisition agreement), to examine the creature to determine its full range of anomalous properties, determine its origins and the possibility of another attack, as well as propose possible means of threat mitigation.\n\n\n\n[[size 130%]] **Introduction** [[/size]]\n\n\n\nOn June 13, 1988, a large semiaquatic anomaly attacked the nexus of Hy-Brasil, destroying much of the city before it was eventually killed by the Global Occult Coalition, and subsequently recovered by Marshall, Carter, & Dark Ltd. At this point, nobody knows where the anomaly came from, if there might be more, and how to more efficiently terminate these entities if necessary.\n\n\n\nAlready known properties of the anomaly are that it has the ability to quickly regenerate extreme wounds, the ability to generate a form of anomalous fire, and possesses a monstrous scale despite violating the square-cube law. The goal of this study is to determine the causes of all of these anomalies as well as potentially identify unknown ones.\u00a0\u00a0\n\n\n\n[[size 130%]] **Methodology** [[/size]]\n\n\n\nThe study will be conducted by performing a necropsy on the //Plokamisuchus// to attempt to find the origin of its anomalous abilities and generate a more detailed understanding of its anatomy. Bio-samples will be subjected to deep penetrating Aetheric Resonance Scans in order to generate high-fidelity aura readings. Additionally, the creature's humors will be subjected to alchemical analysis, Kant counters will be employed to detect both internal Hume levels and any distortion effect on local reality, and several certified and licensed mediums will conduct a variety of rituals to assess any additional supernatural traits the body may possess.\u00a0\u00a0\n\n\n\n[[size 130%]] **Results** [[/size]]\n\n\n\n**Outer Tissues**\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name=sclerite|\n\n\u00a0\u00a0\u00a0\u00a0caption=A piece of sclerite removed from the body of the //Plokamisuchus//.|\n\n\u00a0\u00a0\u00a0\u00a0width=200px\n\n]]\n\n\n\nThe outermost layer of the //Plokamisuchus// consists of overlapping \"scales\" which require approximately 5 gigapascals of force to break, measuring at 9.87 on the mohs scale and nearly 3 cm thick in some places. These \"scales\" are actually sclerites[[footnote]]A series of partially biological plates that typically are used in exoskeletons. Typically metal alloys.[[/footnote]] fashioned into the shape of scales. The amount of metals in each sclerite varies but all are made up of a combination of iron sulfides, pyrite, greigite, and biological material from the skin of the entity. [((bibcite sea))]\n\n\n\nThe //Plokamisuchus// has been shown to have the ability to heal even extremely grievous wounds, in both life and death. Experiments involving resurrected tissue samples has shown the ability to regenerate lost biomatter at a rate of nearly 15% per day. While this is notable, it is still significantly slower than the regeneration shown when the anomaly was still living, where it could regenerate from severe injury within seconds. In both cases, high levels of red and yellow aspect radiation were detected, indicative of thaumaturgically accelerated cellular regeneration (Red) and accessing extradimensional or hyperdimensional stores of matter for said regeneration (Yellow). [((bibcite aspect))]\n\n\n\nThe abdominal section of the //Plokamisuchus// is made of five tentacled appendages, similar to that of an octopus. The outer layer of the tentacles is also surrounded by sclerites, with suction cups protruding outwards. The //Plokamisuchus// has the ability to modify the tension in its suckers to release or increase the suction from the suction cups, allowing it to effectively grab objects.\n\n\n\n**Internal Organs**\n\n\n\nAnalysis of the //Plokamisuchus's// interior was complicated by the discovery of its non-euclidean biology[((bibcite euclid))]. For those unfamiliar, the topology of non-euclidean spacetime is always inconsistent, both internally and with the surrounding area. Non-euclidean spaces can be bigger on the inside, or smaller, or both. Paths either don't lead where they should, lead where they shouldn't, or lead to multiple places at the same time.\n\n\n\nBio-Thaumatologists have yet to formulate an accepted theory as to how non-euclidean biology can possibly sustain a living organism, however this is believed to be a major factor in explaining how a creature of this scale can exist.\n\n\n\nDespite the complications presented by its non-euclidean anatomy, it was nonetheless determined that the //Plokamisuchus// has all of the organs necessary to sustain life.\n\n\n\nFirst and foremost, the creature has a brain, as well as a nervous system. The subject's brain is approximately 2 meters in diameter and is toroid in shape, possessing a large nerve bundle running through the middle. It is separated into five distinct lobes with one lobe partially destroyed by the GOC's use of the Casaba-Howitzer. This makes an accurate examination of possible brain function difficult. However, the entity is believed to have been extremely intelligent and has displayed tool use[[footnote]]Before its attack on Hy-Brasil, it was recorded picking up ships and using them to destroy other ships.[[/footnote]].\n\n\n\nSkeletal systems in the //Plokamisuchus// are somewhat odd as well, with the upper half of the entity having bones and the lower, octopus-like structure having none. Due to the non-euclidean nature of the interior space, there is no clear division between these two sections. The upper half has bones similar to that of a crocodile, with the exception of having five arms with five radial digits and a disproportionate skull with five orbits (eye sockets). The arms of the //Plokamisuchus// have different joints than that of a crocodile, with a ball and socket joint as opposed to a traditional joint, allowing more human-like arm movements.\n\n\n\nThe cardiovascular system in the //Plokamisuchus// is fully formed, with a working heart, gills, and blood vessels. The //Plokamisuchus// primarily has five large sets of gills on its midsection, but also possesses working lungs, allowing it to breathe above water. The entity's heart is heavily damaged from battle, but after removal of the large amount shrapnel in the heart of the entity, it was clearly shown to be a standard three-chambered reptilian heart, albeit large enough to sustain it, at two and a half meters long.\n\n\n\n**Other Anomalous Properties**\n\n\n\nThe entity has a previously unknown organ near its throat, which allowed it to detect sources of Elan Vital Energy (EVE) [((bibcite aspect))] as well as the ability to absorb this energy and transfer it into a usable thermic state. This is clearly the entity's source of \"Spellfire\", a form of anomalous fire that burns underwater, which the entity was observed to use during its attack on Hy-Brasil. Alchemical analysis of the creature's humors revealed its blood to be a luminescent blue ichor, saturated with EVE and likely used to circulate magic through the creature's enormous body to keep it alive.\n\n\n\nKant counters detected a consistently low reading from the carcass and its tissue samples, averaging at 74 Humes. [((bibcite hume))] Though the //Plokamisuchus// was never observed practicing active reality bending, its ability to function at all at such a massive scale violated several physical and biochemical laws. In addition to the aforementioned non-euclidean biology, this low Hume level was likely responsible for its survival in our reality. Its aura reading revealed that it generates highly unusual currents in the Aether[((bibcite aether))], and is unlikely to have originated from this reality or even from the same branch or hub as the multiverse as our world [((bibcite otherworld))].\u00a0\u00a0\n\n\n\nOther than that, its origins can only [[[the kaiju sea | be speculated at]]].\n\n\n\nAs a final note, while living the //Plokamisuchus// had significantly elevated levels of Akiva radiation,[((bibcite akiva))] and even in death, its Akiva levels are well above baseline. Aetheric Resonance Imaging has ruled out the possibility of it being a type Black entity [((bibcite aspect))], so it is unlikely to be the incarnation of an actual god. A more likely explanation is that the //Plokamisuchus's// species is regarded as sacred by some religious groups. Given how many mundane animal species have been deified by sapient cultures, it's little wonder that a creature as enormous and powerful as the //Plokamisuchus// would inspire reverence.\u00a0\u00a0\n\n\n\n[[size 130%]] **Conclusion** [[/size]]\n\n\n\nThe seemingly impossible size of the Plokamisuchus was enabled by a combination of thaumic biology, non-euclidean anatomy, and a low internal Hume field which granted it a degree of resistance to physical laws.\n\n\n\nThe //Plokamisuchus// is almost certainly an extradimensional entity, though its precise origin is currently unknown. We recommend a fact-finding mission to the Wanderer's Library [((bibcite library))] to narrow down possible origin worlds, and possibly the funding of expeditions to discover said world. How this creature arrived in our world, and the likelihood of other such beings doing so again in the future, remains unknown at the present. The best defense against future incursions would likely be to develop some means to deflect or regulate extradimensional travel to our world. As the Wanderer's Library has demonstrated an ability to redirect Ways in order to refuse entry to unwanted individuals, we know this is possible, and likely warrants further study.\n\n\n\nAs per our agreement with Marshall, Carter, & Dark Ltd, we recommend that the //Plokamisuchus's// ichor be sold as a rare thaumaturgical aid, ideal for potions, elixirs and philters. Its scales could be used to manufacture light-weight, high-durability armour. Any portion of the body could be sold as charms to aid in reality bending, due to the low Hume factor. The rest could be sold to any of a number of parascientific organizations (The Foundation, Prometheus Labs, or Eurtec just to name a few) who would be interested in studying the body for its multitude of anomalous properties. Certain parts may also be desirable as trophies.\u00a0\u00a0\u00a0\n\n\n\nIn regards to possible defences against future attacks, it seems that a reality anchor of sufficient amplitude may be able to restore its Hume field to equilibrium, which would then cause the creature to collapse under its own weight. The fact that it absorbs EVE may also be used against it, as introducing a source of tainted EVE within its proximity may well have a negative effect on its thaumaturgical abilities.\n\n\n\nGiven the //Plokamisuchus//'s ability to rapidly regenerate and adapt, these remain highly speculative means of assault. A high-powered, precise attack to a vital organ like the heart or brain, as the GOC used at Hy-Brasil, would likely be the most reliable means to neutralize future attacks.\u00a0\u00a0\u00a0\n\n\n\n[[footnoteblock title=\"Annotations\"]]\n\n\n\n[[bibliography title=\"References\"]]\n\n: sea : //A Guide to Anomalous Marine Life, Second Edition//; Dr. S. Mann, ICSUT Publishing, 1978.\n\n: aspect : //[[[goc-supplemental-arad|On Aetheric Energy and Aspect Radiation]]]//; GOC Monthly Journal, vol. 3, no. 17, ser. 23, 17 Apr. 1979, pp. 19\u201321.\n\n: euclid : //On the Mountains of Madness, A Thesis on Non-euclidean Spacetime and Speculations on Possible Manifestations and Applications//; Dr. M. Windsworth, ICSUT publishing, 1977.\u00a0\u00a0\n\n: hume : Caldmann, J & Rzewski, C (1982). \"[[[and-this-one-explains-humes |Humes: A Quantitative Study of the Fundamental Basis of Reality]]]\" and [[[an-faq-part-two-or-your-hume-questions-answered |responses to questions on that article]]] //Foundation Interior Publishing//\n\n: aether : //The Magnum Opus - A Comprehensive Guide to Both Theoretical and Practical Alchemy//; by R. Diaghilev, Alchemist's Guild Printhouse, 1928\n\n: otherworld : //Otherworld Laws and Universal Constants//; Ickis the Wayward, Shade Wordsmiths, null-time\n\n: akiva : Stoker, B. 1874. [[[spikebrennan-s-proposal|Transcription minutes of meeting]]] of Hermetic Order of the Golden Dawn.\n\n: library : //Ways and Wanderers: The Serpent's Library//; E. Redtooth. //Unified Thaumatology Quarterly//; vol. 03, no. 3, July 1916, pp. 10-27.\n\n[[/bibliography]]\n\n[[/div]]\n\n@@@@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n**Image 1**\n\n> **Filename:** //sclerite//\n\n> **Name:** //File:Chrysomallon squamiferum sclerite.png//\n\n> **Authors:** Kentaro Nakamura, Hiromi Watanabe, Junichi Miyazaki, Ken Takai, Shinsuke Kawagucci, Takuro Noguchi, Suguru Nemoto, Tomo-o Watsuji, Takuya Matsuzaki, Takazo Shibuya, Kei Okamura, Masashi Mochizuki, Yuji Orihashi, Tamaki Ura, Akira Asada, Daniel Marie, Meera Koonjul, Manvendra Singh, Girish Beedessee, Mitrasen Bhikajee, Kensaku Tamaki\n\n> **License:** CC BY 2.5\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Chrysomallon_squamiferum_sclerite.png Wikimedia Commons]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_icsut", "_licensebox", "academic", "co-authored", "fantasy", "goi-format", "icsut", "science-fiction", "war-on-all-fronts"], "title": "Analysis of the Plokamisuchus - SCP Foundation", "url": "https://scp-wiki.wikidot.com/analysis-of-the-plokamisuchus"}, "ancestrecall": {"created_at": "2021-11-10T21:09:00", "creator": "ch00bakka", "domain": "scp-wiki.wikidot.com", "history": [{"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "Uploaded file \"abraxas.png\".", "date": "2021-11-10T21:09:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2021-11-10T21:09:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "Added tags: _other, goi-format, sarkic, third-law. 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", "date": "2022-01-26T16:56:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2022-01-26T16:57:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _licensebox. ", "date": "2022-04-07T14:55:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2022-04-07T14:55:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _sarkic. Removed tags: _other. ", "date": "2022-05-06T23:31:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: nadox. ", "date": "2023-01-20T18:14:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2023-11-03T15:28:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: religious-fiction, science-fiction. ", "date": "2024-09-29T08:30:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: corporate. ", "date": "2024-10-09T18:52:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2025-01-29T16:40:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2025-10-31T14:55:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "", "date": "2026-05-28T23:17:00"}], "hubs": ["goi-formats"], "images": [], "link": "ancestrecall", "page_id": "1329980099", "rating": 71, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3A3law/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div class=\"preview\">\n<p>P-NEU-0127 is a drug cocktail that leads to partial or total recollection of ancestral memories.</p>\n</div>\n\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>But after a thousand years of bondage, the people of Adi-\u00fcm had forgotten who they were. The Old Tongue was not spoken in the herding-camps. The shamans' bloodlines knew the sacred rites of blood and bone no longer. Even ION had forgotten his own destiny, his true soul concealing itself even from him behind the mask of servitude. And so was Adi-\u00fcm forgotten for a time, as ION grew from boy to man, chained and alone.</em><br/>\n<strong><em>Sone Suraas</em>, Chapter 2</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></p>\n</blockquote>\n</div>\n\n<p><strong>Brand Name(s):</strong> AncestRecall<br/>\n<strong>Internal Name:</strong> Ancestral Memory Recollection Serum<br/>\n<strong>Subsidiary:</strong> <a href=\"/internal-document-34\">Pronoia Pharmaceuticals</a>, Neurology Division<br/>\n<strong>Product ID Number:</strong> PP-NEU-0127</p>\n<p><strong>Record Opened:</strong> 02.07.2017<br/>\n<strong>Opened By:</strong> Nestor Gavras (GAVNES-PP-0161)</p>\n<p><strong>Most Recent Edit:</strong> 17.04.2018<br/>\n<strong>Most Recent Editor:</strong> Alexander Cro\u00ff (CROALE-AA-0001)</p>\n<p><strong>Authorized External Distributor(s):</strong> N/A (Available only to those of the Old Blood, by special order)<br/>\n<strong>Wholesale Price:</strong> $5,000/\u20ac4,400 per 100cc (20 standard doses)<br/>\n<strong>Suggested Retail Price:</strong> N/A</p>\n<h2 id=\"toc0\"><span>Product Details</span></h2>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>When Nadox was an infant, he saw another infant starve at his mother's empty breast so a noble girl could eat. When Nadox was a boy, he saw another boy beaten to death so a noble maiden could hear his screams. When Nadox was a youth, he saw another youth bleed to death so a noble matron could look young again. And when Nadox was a man, he saw another man starve a baby, and beat a boy, and bleed a youth, so a noble sorceress would give him her favor. And Nadox swore then that no more would die unless their death helped the many, not the few.</em><br/>\n<strong><em>Sone Suraas</em>, Chapter 4</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></p>\n</blockquote>\n</div>\n<p><strong>Short Description:</strong> PP-NEU-0127 is a drug cocktail that leads to partial or total recollection of ancestral memories.</p>\n<p><strong>Active Ingredients:</strong></p>\n<ul>\n<li>Cannabidiol (neurogenesis stimulation) 30\u00a0mg/dose</li>\n<li>Huperzine A (acetylcholinesterase inhibition) 200 \u03bcg/dose</li>\n<li>Component PP-NEU-0127-ST, \"Tears of Nadox\" (esoteric catalyst) 75 \u03bcg/dose</li>\n</ul>\n<p><strong>Dosage:</strong></p>\n<ul>\n<li>For recollection of events only:\n<ul>\n<li>As nasal spray: one spray in each nostril, once per day.</li>\n<li>As eye drops: one drop in each eye, once per day.</li>\n</ul>\n</li>\n<li>For recollection of events and specialized knowlege:\n<ul>\n<li>As nasal spray: two sprays in each nostril, twice per day</li>\n<li>As eye drops: two drops in each eye, twice per day.</li>\n</ul>\n</li>\n<li>For complete personality replacement via overdose:\n<ul>\n<li>100cc administered via intrathecal injection.</li>\n</ul>\n</li>\n</ul>\n<p><strong>Synthesis Summary:</strong></p>\n<ul>\n<li>Cannabidiol extracted from <em>Cannabis sativa</em> supsp. <em>indica</em> as detailed in Product Record SB-BOT-1044, \"High-CBD Cannabis Strain\".</li>\n<li>Huperzine A extracted from <em>Huperzia serrata</em> var. <em>samael</em> as detailed in Product Record SB-BOT-0729, \"Nootropic Firmoss\".</li>\n<li>Synthesis of Component PP-NEU-0127-ST detailed below.</li>\n</ul>\n<p><strong>Side Effects:</strong></p>\n<ul>\n<li>Headache</li>\n<li>Nausea</li>\n<li>Diarrhea</li>\n<li>Lachrymation</li>\n<li>High blood pressure</li>\n<li>Short-term memory loss</li>\n<li>Hallucinations</li>\n<li>Seizure</li>\n<li>Overdose may cause:\n<ul>\n<li>Partial or total amnesia</li>\n<li>Partial or total personality replacement</li>\n<li>Moderate to severe brain damage</li>\n<li>Liver failure</li>\n</ul>\n</li>\n</ul>\n<hr/>\n<h3 id=\"toc1\"><span>Component PP-NEU-0127-ST</span></h3>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>They tore out his tongue, so he could not speak; but he still gave sermons with his eyes, and with his hands, and with his beating heart. They sewed shut his lips, so he could not eat or drink; but he subsisted on truth, and on beauty, and on hope for ION. They cut off his testicles, so he could not breed; but his legacy lives on in his thoughts, and in his deeds, and in his living blood.</em><br/>\n<strong><em>Sone Suraas</em>, Chapter 7</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></p>\n</blockquote>\n</div>\n<p><strong>Component Name:</strong> Tears of Nadox</p>\n<p><strong>Short Description:</strong> Component PP-NEU-0127-ST is an esoteric chemical produced from the processing of human pineal and lacrimal glands in a specially-prepared biological construct.</p>\n<p><strong>Synthesis:</strong> Component PP-NEU-0127-ST is produced by Product SB-KIR-0041, \"<em>Kiraak</em> of the Weeping Rite\", via Ritual Process SOL-12, \"Rite of Blessed Weeping\" (detailed below). It is isolated and purified by means of Ritual Process ADW-32, \"Sulkisk's Sieve\".</p>\n<p><strong>Production History:</strong> Component PP-NEU-0127-ST is an important reagent in several Solomonari Ritual Processes not currently used by the Group; before the creation of SB-KIR-0041, it was produced at a much less efficient rate using Product SB-KIR-0002, \"Next-Generation Flesh-Cauldron\", or by the <em>Akuloth</em> of a descendant of the Old Blood who has undergone Ritual Process SOL-03, \"The Suffering of Nadox\".</p>\n<hr/>\n<h3 id=\"toc2\"><span>Ritual Process SOL-12</span></h3>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>Nadox wept. He wept for the children born into slavery. He wept for the men and women who would die before they could be freed. He wept for the warriors who would die for the freedom of others. He wept for ION most of all: ION who he had not met, ION who he would free, ION who would free him. But he did not weep for himself.</em><br/>\n<strong>The Litany of Weeping, from <em>Sone Suraas</em>, Chapter 9</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup></p>\n</blockquote>\n</div>\n<p><strong>Name:</strong> \"Blessed Weeping\" (Old Tongue: \"Kyenill\u00eb Syunatti\")</p>\n<p><strong>Origin:</strong> The Carpathian Solomonari (via House V\u00f6r\u00f6s and the Order of the White Worm)</p>\n<p><strong>Material Requirements:</strong></p>\n<ul>\n<li>Several human pineal and lacrimal glands, preferably fresh<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> (the Offerings).</li>\n<li>A V\u00f6lutaar of the Old Blood who has undergone Ritual Process SOL-03, \"The Suffering of Nadox\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> (the Sufferer).</li>\n<li>Either a Kiraak shaped for this ritual or SB-KIR-0002, \"Next-Generation Flesh-Cauldron\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> (the Vessel).</li>\n<li>One bone needle.</li>\n</ul>\n<p><strong>Products:</strong></p>\n<ul>\n<li>The Sacred Tears of Nadox the Wise (dilute in solution).</li>\n</ul>\n<p><strong>Byroducts:</strong></p>\n<ul>\n<li>Human cerebrospinal fluid</li>\n<li>Assorted neurotransmitters</li>\n<li>Psychotropic compounds<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></li>\n</ul>\n<p><strong>Procedure:</strong></p>\n<ol>\n<li>The Offerings are placed into the digestion basin(s) of the Vessel.</li>\n<li>The Sufferer's Akuloth releases a small amount of the Sacred Tears into their bloodstream, to act as a catalyst for the reaction.</li>\n<li>The Sufferer inserts the bone needle into each of their tear ducts so that blood will mix with their tears.</li>\n<li>Over the basin(s), the Sufferer weeps for every ancestor whom they have forgotten. The tears should all fall within the basin(s).</li>\n<li>The Sufferer speaks the Litany of Weeping, seals the Vessel, and waits for the reaction to complete.</li>\n<li>The solution of the Product and the Byproducts is harvested from the Vessel's excretion basin.</li>\n</ol>\n<hr/>\n<h3 id=\"toc3\"><span>Ritual Process ADW-32</span></h3>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>When Nadox, at the end of his journey, saw ION, he wept as he never wept before. The tears formed a pool; and ION went down into the pool and bathed, and took a deep drink of the salty liquor, and remembered himself; and this was the end of the first Ordeal. When the weeping stopped and Nadox beheld the man before him, he did what he had never done before: he smiled.</em><br/>\n<strong><em>Sone Valosh</em>, Chapter 17 (apocryphal)</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup></p>\n</blockquote>\n</div>\n<p><strong>Name:</strong> \"Sulkist's Sieve\"</p>\n<p><strong>Origin:</strong> Adytum's Wake (adapted by Karcist Sulkist from the similar but less-efficient Ritual Process SOL-14, \"Szabo's Sieve\")</p>\n<p><strong>Material Requirements:</strong></p>\n<ul>\n<li>A bearer of the White Worm with functioning tear ducts (the Celebrant)</li>\n<li>One liter of the solution produced by Ritual Process SOL-12 (the Solution)</li>\n<li>A vessel made of a non-reactive metal (the Chalice)</li>\n<li>One canister of Product AA-CHE-0271, \"Tac-Lac\", or other military-grade lachrymator agent</li>\n<li>A disciple of the Old Blood with training in dictation, fluent in all languages spoken by the Celebrant (the Assistant)</li>\n</ul>\n<p><strong>Products:</strong></p>\n<ul>\n<li>The Sacred Tears of Nadox the Wise</li>\n</ul>\n<p><strong>Byproducts:</strong></p>\n<ul>\n<li>A possibly prophetic trance in the Celebrant</li>\n</ul>\n<p><strong>Procedure:</strong></p>\n<ol>\n<li>The Assistant pours the Solution into the Chalice and places it before the Celebrant.</li>\n<li>The Celebrant drinks the solution, rinsing the Chalice with water to ensure every drop is imbibed.</li>\n<li>The Assistant records everything said by the Celebrant during their trance, and collects all Tears shed by the Celebrant in the Vessel.</li>\n<li>When the Celebrant has not spoken for over one minute, the Assistant sprays them with the lachrymator agent, and again collects all Tears shed by the Celebrant in the Vessel.</li>\n<li>After the trance has passed, the Celebrant is treated for the effects of the lachrymator agent.</li>\n</ol>\n<hr/>\n<h2 id=\"toc4\"><span>Additional Documentation</span></h2>\n<h3 id=\"toc5\"><span>Product Request, 02.07.2017</span></h3>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>ION said to Lovataar, \"Let your loins be fruitful. Bear children, monsters, cancers and plagues. All that comes from your flesh is sacred, for it contains the knowledge of my words and deeds. Only if your line is scoured from the earth, each scrap of bone and sinew burned, each insect that has bitten you destroyed utterly, will that knowledge be lost. The blood cannot forget; it can only learn.\"</em><br/>\n<strong><em>Sone Tal</em>, Chapter 13</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup></p>\n</blockquote>\n</div>\n<blockquote>\n<p><strong>From:</strong> Jan\u00f3s V\u00f6r\u00f6s (<span class=\"wiki-email\">krad.liamuaht|sorov.j#krad.liamuaht|sorov.j</span>)</p>\n<p><strong>To:</strong> Alexander Cro\u00ff (<span class=\"wiki-email\">ten.saxarba.aa|elaorc#ten.saxarba.aa|elaorc</span>)</p>\n<p><strong>Subject:</strong> New Kin and Old</p>\n<p>Cousin,</p>\n<p>I hope this new year finds you well. We welcomed a new grandchild into our family this week\u2014Aur\u00e9lia and Filip's daughter. She was named Zsuzsana, and in the old tongue Kerulya, after our grandmother. Her blood is strong and pure, like her namesake. I daresay that if she shows a talent for the art of Lihakut'ak, she may be Karcist some day, if Great-Uncle Szandor ever retires.</p>\n<p>In less fortunate news, the search for the wisdom of our honored ancestor, Karcist Kezsdet, has hit dead end after dead end. I fear that the secret knowledge of the last of the Solomonari was burned with him by the accursed Turks. But I believe that we may still have a chance to recover that knowledge: after all, did Ion not say \"the blood cannot forget; it can only learn\"? We have the blood of Kezsdet in our veins, so we only need to remember.</p>\n<p>There is, I will admit, an ulterior motive for this message. I wish to commission a product from your corporation. I want to unlock the secret mysteries in our blood, to recover the wisdom of not only Kezsdet but all our other fallen forefathers\u2014and, if I am not being too bold, of Ion himself. I can, of course, pay handsomely; and I can suggest a place to start, with the Rite of Blessed Weeping and the Tears of Nadox.</p>\n<p>Yours in blood,<br/>\nJan\u00f3s</p>\n</blockquote>\n<hr/>\n<h3 id=\"toc6\"><span>Selected Drug Trial Summaries, 05.08.2017 - 21.11.2017</span></h3>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>Treat the sickness, not the host, and the host will become sick once more; treat the host, and not the sickness, and the sickness will move to another host. Treat the sickness and the host together, and they will become one flesh, one life, one truth. God is the sickness, life is the host; I am the physician.</em><br/>\n<strong>Epigrams of ION, Book 4, No. 12</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup></p>\n</blockquote>\n</div>\n<blockquote>\n<p><strong>Trial PP-NEU-0127-005</strong><br/>\n<strong>Date(s):</strong> 05.08.2017 - 26.08.2017<br/>\n<strong>Supervisor(s):</strong> Nestor Gavras (GAVNES-PP-0161)<br/>\n<strong>Subject(s):</strong> Volunteers of impure blood, ages 22-30, divided into three groups of 12 subjects each.</p>\n<p><strong>Procedure:</strong> Trial took place over the course of three weeks. Group A was given one drop of saline solution in each eye once daily. Group B was given one drop of standard solution in each eye once daily. Group C was given two drops in each eye and two sprays in each nostril of standard solution daily.</p>\n<p><strong>Results:</strong> Group A reported no unusual results.</p>\n<p>After five days, members of Group B reported unusually vivid dreams. These dreams were internally consistent, and subjects knew that, in the dreams, they were experiencing events from the lives of their parents or grandparents<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup>. All dreams took place before the birth of the subject, although dreams in which the subjects experienced their grandparents' lives did not necessarily take place before their parents' births. Dreams continued for the duration of the study, increasing in duration and length. All dreams were later confirmed as accurate representations of events from the lives of subjects' parents and grandparents.</p>\n<p>After two days, members of Group C reported unusually vivid dreams. Dreams began as events from the lives of subjects' parents and grandparents, but moved back to earlier generations as the study progressed. After ten days, subjects began to remember the skills and knowledge of their ancestors. Three subjects demonstrated knowledge of languages that one or more of their immediate ancestors (within three generations) were fluent in<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup>, which they could not understand prior to the study; ten subjects<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup> demonstrated knowledge of cooking and/or handicrafts consistent with their parents and/or grandparents; subjects C-4 and C-7 demonstrated knowledge of advanced mathematics consistent with a grandparent's education, with no previous mathematical experience.</p>\n</blockquote>\n<blockquote>\n<p><strong>Trial PP-NEU-0127-007</strong><br/>\n<strong>Date(s):</strong> 17.08.2017 - 17.09.2017<br/>\n<strong>Supervisor(s):</strong> Nestor Gavras (GAVNES-PP-0161)<br/>\n<strong>Subject(s):</strong> Volunteers of impure blood, ages 19-27, divided into four groups of 3 subjects each.</p>\n<p><strong>Procedure:</strong> Group A was administered 50cc of saline solution via intrathecal injection. Group B was administered 50cc of standard solution via intrathecal injection. Group C was administered 100cc of standard solution via intrathecal injection. Group D was administered 150cc of standard solution via intrathecal injection. All groups were monitored for one month.</p>\n<p><strong>Results:</strong> Group A reported no unusual results.</p>\n<p>Members of Group B experienced significant cognitive abnormalities, beginning approximately 12 hours after injection. All members of Group B reported replacement of long-term memories with analogous events in the lives of ancestors (up to three generations removed). Subject B-1 experienced significant bodily dysmorphia linked to memories of his great-grandfather's loss of both legs in the First World War. Subject B-2 manifested thaumatological abilities; the source of these abilities is unknown, although is hypothesized to be subject's maternal grandmother. Subject B-3 manifested symptoms of major depressive disorder and obsessive-compulsive disorder, consistent with family medical history. All subjects experienced significant gender dysphoria<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup>.</p>\n<p>Members of Group C experienced progressive memory and personality replacement over the next several days. All members of Group C had their personalities completely replaced with an individual (deceased) ancestor. Subject C-1 had the memories and personality of her mother, up until the subject's birth. Subject C-2 had the memories and personality of his paternal grandmother, up until her death several years before the subject's birth. Subject C-3 had the memories and personality of his paternal grandfather, up until the subject's birth. Subjects C-1 and C-3 reported initial disorientation and then mild dysmorphia due to differences in body type and facial appearance; subject C-2 reported significant bodily dysmorphia and gender dysphoria, and also exhibited symptoms of post-traumatic stress disorder, presumably resulting from her memories of her own death.</p>\n<p>All members of Group D expired from generalized tonic-clonic seizure within one hour of injection.</p>\n<p><strong>Addendum, 22.02.2018:</strong> Subjects were contacted after six months and interviewed. Subjects from group A reported no unusual side-effects.</p>\n<p>Subjects from Group B experienced a number of lingering psychological effects, and had taken steps to address those issues. Subject B-1 identified as a transgender man, and was undergoing hormone replacement therapy; at the subject's request, both legs were amputated. Subject B-1 refused the organic prostheses offered (Product SB-AUG-0060), preferring mechanical prostheses. Subject B-2 identified as non-binary, and had significantly modified their body by means of thaumatological ritual; subject was offered a position with Group member Trismegistus Thaumotronics, and accepted (see Employee File LIUKIM-TT-0241). Subject B-3 was a patient at a mental hospital in Dusseldorf, Germany; the subject had been diagnosed with dissociative identity disorder, with two secondary personalities that corresponded to their mother and paternal grandfather.</p>\n<p>The ancestral personalities of subjects from Group C remained stable. Subject C-1 had found employment as a secretary, and was in a romantic relationship with a man who bore a strong resemblance to the subject's father (i.e. the ancestral personality's husband). Subject C-2 was undergoing hormone replacement therapy and expressed interest in breast augmentation, facial feminization and sex reassignment surgeries, although did not identify as a transgender woman. Subject C-3 had enlisted in the Russian army<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup> and at the time of interview was stationed in the Crimean Peninsula; the subject expressed dissatisfaction at the lack of \"a real war to fight\", and intended to seek employment as a private mercenary after his term of service.</p>\n</blockquote>\n<blockquote>\n<p><strong>Trial PP-NEU-0127-012</strong><br/>\n<strong>Date(s):</strong> 07.01.2018 - 30.01.2018<br/>\n<strong>Supervisor(s):</strong> Nestor Gavras (GAVNES-PP-0161), Gy\u00f6rgy V\u00f6r\u00f6s (VORGYO-PP-0042)<br/>\n<strong>Subject(s):</strong> One volunteer of pure blood, a direct descendant of Karcist Keszedet</p>\n<p><strong>Procedure:</strong> Subject is to be administered 100cc of standard solution via intrathecal injection. After one week to allow stabilization of the ancestral personality, this procedure is to be repeated, for a total of four weeks.</p>\n<p><strong>Result:</strong> Trial suspended after the third week, when the personality of Karcist Keszedet emerged. The Karcist retained all of his memories and arts, although he required some time in deep meditation to cultivate his body and his Akuloth before he was able to demonstrate his full knowledge of fleshcraft. Following a period of several months during which the Karcist adjusted to the modern world, he joined the Abraxas Group as a consultant-at-large, and is currently working with the Samael Biotechnology research and development division (see Employee File VORSZA-SB-0417).</p>\n</blockquote>\n<hr/>\n<h3 id=\"toc7\"><span>Research Proposal, 12.04.2018</span></h3>\n<div style=\"text-align: center;\">\n<blockquote>\n<p><em>I will never return. This is not prophecy, not promise, not guesswork. I simply know. I know I will never return, because I could never leave.</em><br/>\n<strong>Third Oration to the Defenders, Verse 7</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup></p>\n</blockquote>\n</div>\n<blockquote>\n<p><strong>Research Proposal PP-NEU-0127-043</strong><br/>\n<strong>Proposed By:</strong> Gy\u00f6rgy V\u00f6r\u00f6s (VORGYO-PP-0042)<br/>\n<strong>Subjects Required:</strong> Volunteers of the purest possible blood</p>\n<p><strong>Purpose:</strong> To resurrect Lord Ion and/or his consort Lovataar via repeated generational regression.</p>\n<p><strong>Procedure:</strong> Subject is to be administered 100cc of standard PP-NEU-0127 solution via intrathecal injection. When the ancestral personality has stabilized, its identity and pedigree will be established; if the ancestor in question is also of pure blood, the procedure is to be repeated. With an estimated 150 generations between us and the fall of the Deathless Empire, and an average of three generations of regression per dose, approximately 50 weekly injections should regress the subject to the time of Ion. If volunteers are drawn from bloodlines with little to no impurity (see attached files for promising candidates), it is likely that we will be able to resurrect Lord Ion and/or Klavigar Lovataar with only a handful of subjects.</p>\n<p><strong>Status:</strong> Approved 17.04.2018 by Alexander Cro\u00ff (CROALE-AA-0001). Subject acquisition ongoing. Estimated start date: 01.12.2019</p>\n</blockquote>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. From the Commentaries of Karcist Sulkist, 1937: \"When we forget our destiny\u2014as the true descendants of Adytum, the wake left in the waters of humanity by the passing of Ion\u2014we forget ourselves.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. From the Commentaries of Karcist Sulkist, 1937: \"While this seems to be a staunchly populist message, even verging on Communism, the phrase 'the many, not the few' ('<em>sokh ma h\u00e4v</em>') could also be translated as 'the full, not the empty'; the Daevas are empty, soulless, sterile, dead, while their slaves are full, ensouled, diseased, alive. We, the Black-Blooded, are full of the bloodlines of our ancestors, teeming with the sacred parasites and cancers that we love; to paraphrase Whitman, we are large, and contain multitudes. The deaths of others are ours to use as we see fit.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. From the Commentaries of Karcist Vataarin, 2013: \"While some believe that Nadox's 'living blood' is some relic of his life, perhaps an actual sample of the <em>Klavigar's</em> lifeblood, I believe it to be metaphorical: all the faithful of the N\u00e4lk\u00e4 are the blood of Nadox, our struggles through the ages reflective of his own suffering. While his castration prevented him from founding his own bloodline, his influence on ION shaped the Old Blood and gave us our ideals.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. From the Commentaries of Karcist Sulkist, 1937: \"When you fail, weep not for yourself, but for your ancestors; your victories are their victories, your failures their failures.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Current source: the Sky-Reaching Tree of <a href=\"/scp-2815\">House Iv\u00e1dy</a>. Previously harvested from infants produced by Ritual Process SOL-07, \"Rite of the Broodmother\".</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Not detailed in this document. In summary, a passage from the <em>Codex Solomonarorum</em>, 24: \"let the aspirant suffer as Wise Nadox suffered; let its tongue be removed, let its mouth be sewn up, let its genitals be nullified, let it be beaten and whipped and burnt; and let it cry not for itself, but for its tormentors.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. Essentially a portable Kiraak, modified from the form used by the Solomonari in the centuries after the knowledge of the Temple-Builder's Art was lost.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. Mainly psychedelic tryptamines, including N,N-DMT, 5-MeO-DMT, 4-PO-DMT (psilocybin) and 4-HO-DMT (psilocin).</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. From the Commentaries of Karcist Karvas, 1989: \"So little is known about the <em>Ozi\u032ermok</em>'s Ordeals, and so much of what is known is apocryphal or incomplete. While many before me, including my esteemed predecessor Sulkist, have rejected Valosh as the former, a heretical text written as the Deathless Empire was collapsing, I believe it to be a true, or at least mostly truthful, interpretation of the life and Ordeals of Ion. The first step on the path to apotheosis is to remember who you are.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. From the Commentaries of Karcist Sulkist, 1937: \"Man can forget, but his blood cannot. We of the old blood will always rediscover our heritage, no matter how well it is hidden.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. From the Commentaries of Karcist Sulkist, 1937: \"When you reject life, you open the door for a new sickness; thus the Mechanists err. When you reject God, he still infects your neighbor; thus the Communists err. When you reject the self, you can only observe, not act; thus the Christians err. Only the N\u00e4lk\u00e4 embrace the trinity that leads to apotheosis.\"</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. With one exception: subject B-7 reported dreams in which she was her father's brother. After the conclusion of the trial, the subject confronted her mother, who confirmed that she had been having an affair with the individual in question immediately prior to her pregnancy.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. C-3: Swedish; C-6: Hebrew and Yiddish; C-11: Latin.</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. All subjects except C-4 and C-11</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. At the time, subjects B-1 and B-3 identified as female, and subject B-2 as male. All subjects were cisgender.</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. Subject's paternal grandfather, the source of the ancestral personality, was a veteran of the Soviet Army and fought in the Second World War.</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. From the Commentaries of Karcist Vataarin, 2013: \"There are two main interpretations of Ion's last public proclamation, made on the eve of the fall of Adytum. The first, originally articulated by Karcist Szovegzat, the father of N\u00e4lk\u00e4 exegesis, proposes that Ion was truly immortal; it is supported by stories of Ion or someone much like him traveling to the <a href=\"/scp-2478\">Far East</a> and the Americas, spreading his teachings and his magic to the inhabitants. The second, proposed by V\u00f6lutaar Gogolesk, Szovegat's blind scribe, suggests that Ion was referring instead to his teachings, which would always be with the children of the Old Blood even if Ion himself could not.\"</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ancestrecall\">PP-NEU-0127 - \"AncestRecall\"</a>\" by ch00bakka, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ancestrecall\">https://scpwiki.com/ancestrecall</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> abraxas.png<br/>\n<strong>Name:</strong> Abraxas gem scan.svg<br/>\n<strong>Author:</strong> Charles W. King<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Abraxas_gem_scan.svg\">Wikimedia Commons</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:3law\">:scp-wiki:theme:3law</a>]]\n\n\n\n[[include <a href=\"/component:preview\">component:preview</a> text=P-NEU-0127 is a drug cocktail that leads to partial or total recollection of ancestral memories.]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[=]]\n\n> //But after a thousand years of bondage, the people of Adi-\u00fcm had forgotten who they were. The Old Tongue was not spoken in the herding-camps. The shamans' bloodlines knew the sacred rites of blood and bone no longer. Even ION had forgotten his own destiny, his true soul concealing itself even from him behind the mask of servitude. And so was Adi-\u00fcm forgotten for a time, as ION grew from boy to man, chained and alone.//\n\n> **//Sone Suraas//, Chapter 2**[[footnote]] From the Commentaries of Karcist Sulkist, 1937: \"When we forget our destiny\u2014as the true descendants of Adytum, the wake left in the waters of humanity by the passing of Ion\u2014we forget ourselves.\" [[/footnote]]\n\n[[/=]]\n\n\n\n[[f>image abraxas.png width=\"200px\"]]\n\n\n\n**Brand Name(s):** AncestRecall\n\n**Internal Name:** Ancestral Memory Recollection Serum\n\n**Subsidiary:** [[[internal-document-34|Pronoia Pharmaceuticals]]], Neurology Division\n\n**Product ID Number:** PP-NEU-0127\n\n\n\n**Record Opened:** 02.07.2017\n\n**Opened By:** Nestor Gavras (GAVNES-PP-0161)\n\n\n\n**Most Recent Edit:** 17.04.2018\n\n**Most Recent Editor:** Alexander Cro\u00ff (CROALE-AA-0001)\n\n\n\n**Authorized External Distributor(s):** N/A (Available only to those of the Old Blood, by special order)\n\n**Wholesale Price:** $5,000/\u20ac4,400 per 100cc (20 standard doses)\n\n**Suggested Retail Price:** N/A\n\n\n\n++ Product Details\n\n\n\n[[=]]\n\n> //When Nadox was an infant, he saw another infant starve at his mother's empty breast so a noble girl could eat. When Nadox was a boy, he saw another boy beaten to death so a noble maiden could hear his screams. When Nadox was a youth, he saw another youth bleed to death so a noble matron could look young again. And when Nadox was a man, he saw another man starve a baby, and beat a boy, and bleed a youth, so a noble sorceress would give him her favor. And Nadox swore then that no more would die unless their death helped the many, not the few.//\n\n> **//Sone Suraas//, Chapter 4**[[footnote]] From the Commentaries of Karcist Sulkist, 1937: \"While this seems to be a staunchly populist message, even verging on Communism, the phrase 'the many, not the few' ('//sokh ma h\u00e4v//') could also be translated as 'the full, not the empty'; the Daevas are empty, soulless, sterile, dead, while their slaves are full, ensouled, diseased, alive. We, the Black-Blooded, are full of the bloodlines of our ancestors, teeming with the sacred parasites and cancers that we love; to paraphrase Whitman, we are large, and contain multitudes. The deaths of others are ours to use as we see fit.\" [[/footnote]]\n\n[[/=]]\n\n\n\n**Short Description:** PP-NEU-0127 is a drug cocktail that leads to partial or total recollection of ancestral memories.\n\n\n\n**Active Ingredients:**\n\n* Cannabidiol (neurogenesis stimulation) 30 mg/dose\n\n* Huperzine A (acetylcholinesterase inhibition) 200 \u03bcg/dose\n\n* Component PP-NEU-0127-ST, \"Tears of Nadox\" (esoteric catalyst) 75 \u03bcg/dose\n\n\n\n**Dosage:**\n\n* For recollection of events only:\n\n\u00a0* As nasal spray: one spray in each nostril, once per day.\n\n\u00a0* As eye drops: one drop in each eye, once per day.\n\n* For recollection of events and specialized knowlege:\n\n\u00a0* As nasal spray: two sprays in each nostril, twice per day\n\n\u00a0* As eye drops: two drops in each eye, twice per day.\n\n* For complete personality replacement via overdose:\n\n\u00a0* 100cc administered via intrathecal injection.\n\n\n\n**Synthesis Summary:**\n\n* Cannabidiol extracted from //Cannabis sativa// supsp. //indica// as detailed in Product Record SB-BOT-1044, \"High-CBD Cannabis Strain\".\n\n* Huperzine A extracted from //Huperzia serrata// var. //samael// as detailed in Product Record SB-BOT-0729, \"Nootropic Firmoss\".\n\n* Synthesis of Component PP-NEU-0127-ST detailed below.\n\n\n\n**Side Effects:**\n\n* Headache\n\n* Nausea\n\n* Diarrhea\n\n* Lachrymation\n\n* High blood pressure\n\n* Short-term memory loss\n\n* Hallucinations\n\n* Seizure\n\n* Overdose may cause:\n\n\u00a0* Partial or total amnesia\n\n\u00a0* Partial or total personality replacement\n\n\u00a0* Moderate to severe brain damage\n\n\u00a0* Liver failure\n\n\n\n------\n\n\n\n+++ Component PP-NEU-0127-ST\n\n\n\n[[=]]\n\n> //They tore out his tongue, so he could not speak; but he still gave sermons with his eyes, and with his hands, and with his beating heart. They sewed shut his lips, so he could not eat or drink; but he subsisted on truth, and on beauty, and on hope for ION. They cut off his testicles, so he could not breed; but his legacy lives on in his thoughts, and in his deeds, and in his living blood.//\n\n> **//Sone Suraas//, Chapter 7**[[footnote]] From the Commentaries of Karcist Vataarin, 2013: \"While some believe that Nadox's 'living blood' is some relic of his life, perhaps an actual sample of the //Klavigar's// lifeblood, I believe it to be metaphorical: all the faithful of the N\u00e4lk\u00e4 are the blood of Nadox, our struggles through the ages reflective of his own suffering. While his castration prevented him from founding his own bloodline, his influence on ION shaped the Old Blood and gave us our ideals.\" [[/footnote]]\n\n[[/=]]\n\n\n\n**Component Name:** Tears of Nadox\n\n\n\n**Short Description:** Component PP-NEU-0127-ST is an esoteric chemical produced from the processing of human pineal and lacrimal glands in a specially-prepared biological construct.\n\n\n\n**Synthesis:** Component PP-NEU-0127-ST is produced by Product SB-KIR-0041, \"//Kiraak// of the Weeping Rite\", via Ritual Process SOL-12, \"Rite of Blessed Weeping\" (detailed below). It is isolated and purified by means of Ritual Process ADW-32, \"Sulkisk's Sieve\".\n\n\n\n**Production History:** Component PP-NEU-0127-ST is an important reagent in several Solomonari Ritual Processes not currently used by the Group; before the creation of SB-KIR-0041, it was produced at a much less efficient rate using Product SB-KIR-0002, \"Next-Generation Flesh-Cauldron\", or by the //Akuloth// of a descendant of the Old Blood who has undergone Ritual Process SOL-03, \"The Suffering of Nadox\".\n\n\n\n------\n\n\n\n+++ Ritual Process SOL-12\n\n\n\n[[=]]\n\n> //Nadox wept. He wept for the children born into slavery. He wept for the men and women who would die before they could be freed. He wept for the warriors who would die for the freedom of others. He wept for ION most of all: ION who he had not met, ION who he would free, ION who would free him. But he did not weep for himself.//\n\n> **The Litany of Weeping, from //Sone Suraas//, Chapter 9**[[footnote]] From the Commentaries of Karcist Sulkist, 1937: \"When you fail, weep not for yourself, but for your ancestors; your victories are their victories, your failures their failures.\" [[/footnote]]\n\n[[/=]]\n\n\n\n**Name:** \"Blessed Weeping\" (Old Tongue: \"Kyenill\u00eb Syunatti\")\n\n\n\n**Origin:** The Carpathian Solomonari (via House V\u00f6r\u00f6s and the Order of the White Worm)\n\n\n\n**Material Requirements:**\n\n* Several human pineal and lacrimal glands, preferably fresh[[footnote]] Current source: the Sky-Reaching Tree of [[[scp-2815|House Iv\u00e1dy]]]. Previously harvested from infants produced by Ritual Process SOL-07, \"Rite of the Broodmother\". [[/footnote]] (the Offerings).\n\n* A V\u00f6lutaar of the Old Blood who has undergone Ritual Process SOL-03, \"The Suffering of Nadox\"[[footnote]] Not detailed in this document. In summary, a passage from the //Codex Solomonarorum//, 24: \"let the aspirant suffer as Wise Nadox suffered; let its tongue be removed, let its mouth be sewn up, let its genitals be nullified, let it be beaten and whipped and burnt; and let it cry not for itself, but for its tormentors.\" [[/footnote]] (the Sufferer).\n\n* Either a Kiraak shaped for this ritual or SB-KIR-0002, \"Next-Generation Flesh-Cauldron\"[[footnote]] Essentially a portable Kiraak, modified from the form used by the Solomonari in the centuries after the knowledge of the Temple-Builder's Art was lost. [[/footnote]] (the Vessel).\n\n* One bone needle.\n\n\n\n**Products:**\n\n* The Sacred Tears of Nadox the Wise (dilute in solution).\n\n\n\n**Byroducts:**\n\n* Human cerebrospinal fluid\n\n* Assorted neurotransmitters\n\n* Psychotropic compounds[[footnote]] Mainly psychedelic tryptamines, including N,N-DMT, 5-MeO-DMT, 4-PO-DMT (psilocybin) and 4-HO-DMT (psilocin). [[/footnote]]\n\n\n\n**Procedure:**\n\n# The Offerings are placed into the digestion basin(s) of the Vessel.\n\n# The Sufferer's Akuloth releases a small amount of the Sacred Tears into their bloodstream, to act as a catalyst for the reaction.\n\n#\u00a0\u00a0The Sufferer inserts the bone needle into each of their tear ducts so that blood will mix with their tears.\n\n# Over the basin(s), the Sufferer weeps for every ancestor whom they have forgotten. The tears should all fall within the basin(s).\n\n# The Sufferer speaks the Litany of Weeping, seals the Vessel, and waits for the reaction to complete.\n\n# The solution of the Product and the Byproducts is harvested from the Vessel's excretion basin.\n\n\n\n------\n\n\n\n+++ Ritual Process ADW-32\n\n\n\n[[=]]\n\n> //When Nadox, at the end of his journey, saw ION, he wept as he never wept before. The tears formed a pool; and ION went down into the pool and bathed, and took a deep drink of the salty liquor, and remembered himself; and this was the end of the first Ordeal. When the weeping stopped and Nadox beheld the man before him, he did what he had never done before: he smiled.//\n\n> **//Sone Valosh//, Chapter 17 (apocryphal)**[[footnote]] From the Commentaries of Karcist Karvas, 1989: \"So little is known about the //Ozi\u032ermok//'s Ordeals, and so much of what is known is apocryphal or incomplete. While many before me, including my esteemed predecessor Sulkist, have rejected Valosh as the former, a heretical text written as the Deathless Empire was collapsing, I believe it to be a true, or at least mostly truthful, interpretation of the life and Ordeals of Ion. The first step on the path to apotheosis is to remember who you are.\" [[/footnote]]\n\n[[/=]]\n\n\n\n**Name:** \"Sulkist's Sieve\"\n\n\n\n**Origin:** Adytum's Wake (adapted by Karcist Sulkist from the similar but less-efficient Ritual Process SOL-14, \"Szabo's Sieve\")\n\n\n\n**Material Requirements:**\n\n* A bearer of the White Worm with functioning tear ducts (the Celebrant)\n\n* One liter of the solution produced by Ritual Process SOL-12 (the Solution)\n\n* A vessel made of a non-reactive metal (the Chalice)\n\n* One canister of Product AA-CHE-0271, \"Tac-Lac\", or other military-grade lachrymator agent\n\n* A disciple of the Old Blood with training in dictation, fluent in all languages spoken by the Celebrant (the Assistant)\n\n\n\n**Products:**\n\n* The Sacred Tears of Nadox the Wise\n\n\n\n**Byproducts:**\n\n* A possibly prophetic trance in the Celebrant\n\n\n\n**Procedure:**\n\n# The Assistant pours the Solution into the Chalice and places it before the Celebrant.\n\n# The Celebrant drinks the solution, rinsing the Chalice with water to ensure every drop is imbibed.\n\n# The Assistant records everything said by the Celebrant during their trance, and collects all Tears shed by the Celebrant in the Vessel.\n\n# When the Celebrant has not spoken for over one minute, the Assistant sprays them with the lachrymator agent, and again collects all Tears shed by the Celebrant in the Vessel.\n\n# After the trance has passed, the Celebrant is treated for the effects of the lachrymator agent.\n\n\n\n------\n\n\n\n++ Additional Documentation\n\n\n\n+++ Product Request, 02.07.2017\n\n\n\n[[=]]\n\n> //ION said to Lovataar, \"Let your loins be fruitful. Bear children, monsters, cancers and plagues. All that comes from your flesh is sacred, for it contains the knowledge of my words and deeds. Only if your line is scoured from the earth, each scrap of bone and sinew burned, each insect that has bitten you destroyed utterly, will that knowledge be lost. The blood cannot forget; it can only learn.\"//\n\n> **//Sone Tal//, Chapter 13**[[footnote]] From the Commentaries of Karcist Sulkist, 1937: \"Man can forget, but his blood cannot. We of the old blood will always rediscover our heritage, no matter how well it is hidden.\" [[/footnote]]\n\n[[/=]]\n\n\n\n> **From:** Jan\u00f3s V\u00f6r\u00f6s (j.voros@thaumail.dark)\n\n> \n\n> **To:** Alexander Cro\u00ff (croale@aa.abraxas.net)\n\n> \n\n> **Subject:** New Kin and Old\n\n> \n\n> Cousin,\n\n> \n\n> I hope this new year finds you well. We welcomed a new grandchild into our family this week\u2014Aur\u00e9lia and Filip's daughter. She was named Zsuzsana, and in the old tongue Kerulya, after our grandmother. Her blood is strong and pure, like her namesake. I daresay that if she shows a talent for the art of Lihakut'ak, she may be Karcist some day, if Great-Uncle Szandor ever retires.\n\n> \n\n> In less fortunate news, the search for the wisdom of our honored ancestor, Karcist Kezsdet, has hit dead end after dead end. I fear that the secret knowledge of the last of the Solomonari was burned with him by the accursed Turks. But I believe that we may still have a chance to recover that knowledge: after all, did Ion not say \"the blood cannot forget; it can only learn\"? We have the blood of Kezsdet in our veins, so we only need to remember.\n\n> \n\n> There is, I will admit, an ulterior motive for this message. I wish to commission a product from your corporation. I want to unlock the secret mysteries in our blood, to recover the wisdom of not only Kezsdet but all our other fallen forefathers\u2014and, if I am not being too bold, of Ion himself. I can, of course, pay handsomely; and I can suggest a place to start, with the Rite of Blessed Weeping and the Tears of Nadox.\n\n> \n\n> Yours in blood,\n\n> Jan\u00f3s\n\n\n\n------\n\n\n\n+++ Selected Drug Trial Summaries, 05.08.2017 - 21.11.2017\n\n\n\n[[=]]\n\n> //Treat the sickness, not the host, and the host will become sick once more; treat the host, and not the sickness, and the sickness will move to another host. Treat the sickness and the host together, and they will become one flesh, one life, one truth. God is the sickness, life is the host; I am the physician.//\n\n> **Epigrams of ION, Book 4, No. 12**[[footnote]] From the Commentaries of Karcist Sulkist, 1937: \"When you reject life, you open the door for a new sickness; thus the Mechanists err. When you reject God, he still infects your neighbor; thus the Communists err. When you reject the self, you can only observe, not act; thus the Christians err. Only the N\u00e4lk\u00e4 embrace the trinity that leads to apotheosis.\" [[/footnote]]\n\n[[/=]]\n\n\n\n> **Trial PP-NEU-0127-005**\n\n> **Date(s):** 05.08.2017 - 26.08.2017\n\n> **Supervisor(s):** Nestor Gavras (GAVNES-PP-0161)\n\n> **Subject(s):** Volunteers of impure blood, ages 22-30, divided into three groups of 12 subjects each.\n\n> \n\n> **Procedure:** Trial took place over the course of three weeks. Group A was given one drop of saline solution in each eye once daily. Group B was given one drop of standard solution in each eye once daily. Group C was given two drops in each eye and two sprays in each nostril of standard solution daily.\n\n> \n\n> **Results:** Group A reported no unusual results.\n\n> \n\n> After five days, members of Group B reported unusually vivid dreams. These dreams were internally consistent, and subjects knew that, in the dreams, they were experiencing events from the lives of their parents or grandparents[[footnote]] With one exception: subject B-7 reported dreams in which she was her father's brother. After the conclusion of the trial, the subject confronted her mother, who confirmed that she had been having an affair with the individual in question immediately prior to her pregnancy. [[/footnote]]. All dreams took place before the birth of the subject, although dreams in which the subjects experienced their grandparents' lives did not necessarily take place before their parents' births. Dreams continued for the duration of the study, increasing in duration and length. All dreams were later confirmed as accurate representations of events from the lives of subjects' parents and grandparents.\n\n> \n\n> After two days, members of Group C reported unusually vivid dreams. Dreams began as events from the lives of subjects' parents and grandparents, but moved back to earlier generations as the study progressed. After ten days, subjects began to remember the skills and knowledge of their ancestors. Three subjects demonstrated knowledge of languages that one or more of their immediate ancestors (within three generations) were fluent in[[footnote]] C-3: Swedish; C-6: Hebrew and Yiddish; C-11: Latin. [[/footnote]], which they could not understand prior to the study; ten subjects[[footnote]] All subjects except C-4 and C-11 [[/footnote]] demonstrated knowledge of cooking and/or handicrafts consistent with their parents and/or grandparents; subjects C-4 and C-7 demonstrated knowledge of advanced mathematics consistent with a grandparent's education, with no previous mathematical experience.\n\n\n\n> **Trial PP-NEU-0127-007**\n\n> **Date(s):** 17.08.2017 - 17.09.2017\n\n> **Supervisor(s):** Nestor Gavras (GAVNES-PP-0161)\n\n> **Subject(s):** Volunteers of impure blood, ages 19-27, divided into four groups of 3 subjects each.\n\n> \n\n> **Procedure:** Group A was administered 50cc of saline solution via intrathecal injection. Group B was administered 50cc of standard solution via intrathecal injection. Group C was administered 100cc of standard solution via intrathecal injection. Group D was administered 150cc of standard solution via intrathecal injection. All groups were monitored for one month.\n\n> \n\n> **Results:** Group A reported no unusual results.\n\n> \n\n> Members of Group B experienced significant cognitive abnormalities, beginning approximately 12 hours after injection. All members of Group B reported replacement of long-term memories with analogous events in the lives of ancestors (up to three generations removed). Subject B-1 experienced significant bodily dysmorphia linked to memories of his great-grandfather's loss of both legs in the First World War. Subject B-2 manifested thaumatological abilities; the source of these abilities is unknown, although is hypothesized to be subject's maternal grandmother. Subject B-3 manifested symptoms of major depressive disorder and obsessive-compulsive disorder, consistent with family medical history. All subjects experienced significant gender dysphoria[[footnote]] At the time, subjects B-1 and B-3 identified as female, and subject B-2 as male. All subjects were cisgender. [[/footnote]].\n\n> \n\n> Members of Group C experienced progressive memory and personality replacement over the next several days. All members of Group C had their personalities completely replaced with an individual (deceased) ancestor. Subject C-1 had the memories and personality of her mother, up until the subject's birth. Subject C-2 had the memories and personality of his paternal grandmother, up until her death several years before the subject's birth. Subject C-3 had the memories and personality of his paternal grandfather, up until the subject's birth. Subjects C-1 and C-3 reported initial disorientation and then mild dysmorphia due to differences in body type and facial appearance; subject C-2 reported significant bodily dysmorphia and gender dysphoria, and also exhibited symptoms of post-traumatic stress disorder, presumably resulting from her memories of her own death.\n\n> \n\n> All members of Group D expired from generalized tonic-clonic seizure within one hour of injection.\n\n> \n\n> **Addendum, 22.02.2018:** Subjects were contacted after six months and interviewed. Subjects from group A reported no unusual side-effects.\n\n> \n\n> Subjects from Group B experienced a number of lingering psychological effects, and had taken steps to address those issues. Subject B-1 identified as a transgender man, and was undergoing hormone replacement therapy; at the subject's request, both legs were amputated. Subject B-1 refused the organic prostheses offered (Product SB-AUG-0060), preferring mechanical prostheses. Subject B-2 identified as non-binary, and had significantly modified their body by means of thaumatological ritual; subject was offered a position with Group member Trismegistus Thaumotronics, and accepted (see Employee File LIUKIM-TT-0241). Subject B-3 was a patient at a mental hospital in Dusseldorf, Germany; the subject had been diagnosed with dissociative identity disorder, with two secondary personalities that corresponded to their mother and paternal grandfather.\n\n> \n\n> The ancestral personalities of subjects from Group C remained stable. Subject C-1 had found employment as a secretary, and was in a romantic relationship with a man who bore a strong resemblance to the subject's father (i.e. the ancestral personality's husband). Subject C-2 was undergoing hormone replacement therapy and expressed interest in breast augmentation, facial feminization and sex reassignment surgeries, although did not identify as a transgender woman. Subject C-3 had enlisted in the Russian army[[footnote]]Subject's paternal grandfather, the source of the ancestral personality, was a veteran of the Soviet Army and fought in the Second World War.[[/footnote]] and at the time of interview was stationed in the Crimean Peninsula; the subject expressed dissatisfaction at the lack of \"a real war to fight\", and intended to seek employment as a private mercenary after his term of service.\n\n\n\n> **Trial PP-NEU-0127-012**\n\n> **Date(s):** 07.01.2018 - 30.01.2018\n\n> **Supervisor(s):** Nestor Gavras (GAVNES-PP-0161), Gy\u00f6rgy V\u00f6r\u00f6s (VORGYO-PP-0042)\n\n> **Subject(s):** One volunteer of pure blood, a direct descendant of Karcist Keszedet\n\n> \n\n> **Procedure:** Subject is to be administered 100cc of standard solution via intrathecal injection. After one week to allow stabilization of the ancestral personality, this procedure is to be repeated, for a total of four weeks.\n\n> \n\n> **Result:** Trial suspended after the third week, when the personality of Karcist Keszedet emerged. The Karcist retained all of his memories and arts, although he required some time in deep meditation to cultivate his body and his Akuloth before he was able to demonstrate his full knowledge of fleshcraft. Following a period of several months during which the Karcist adjusted to the modern world, he joined the Abraxas Group as a consultant-at-large, and is currently working with the Samael Biotechnology research and development division (see Employee File VORSZA-SB-0417).\n\n\n\n------\n\n\n\n+++ Research Proposal, 12.04.2018\n\n\n\n[[=]]\n\n> //I will never return. This is not prophecy, not promise, not guesswork. I simply know. I know I will never return, because I could never leave.//\n\n> **Third Oration to the Defenders, Verse 7**[[footnote]] From the Commentaries of Karcist Vataarin, 2013: \"There are two main interpretations of Ion's last public proclamation, made on the eve of the fall of Adytum. The first, originally articulated by Karcist Szovegzat, the father of N\u00e4lk\u00e4 exegesis, proposes that Ion was truly immortal; it is supported by stories of Ion or someone much like him traveling to the [[[SCP-2478|Far East]]] and the Americas, spreading his teachings and his magic to the inhabitants. The second, proposed by V\u00f6lutaar Gogolesk, Szovegat's blind scribe, suggests that Ion was referring instead to his teachings, which would always be with the children of the Old Blood even if Ion himself could not.\" [[/footnote]]\n\n[[/=]]\n\n\n\n> **Research Proposal PP-NEU-0127-043**\n\n> **Proposed By:** Gy\u00f6rgy V\u00f6r\u00f6s (VORGYO-PP-0042)\n\n> **Subjects Required:** Volunteers of the purest possible blood\n\n> \n\n> **Purpose:** To resurrect Lord Ion and/or his consort Lovataar via repeated generational regression.\n\n> \n\n> **Procedure:** Subject is to be administered 100cc of standard PP-NEU-0127 solution via intrathecal injection. When the ancestral personality has stabilized, its identity and pedigree will be established; if the ancestor in question is also of pure blood, the procedure is to be repeated. With an estimated 150 generations between us and the fall of the Deathless Empire, and an average of three generations of regression per dose, approximately 50 weekly injections should regress the subject to the time of Ion. If volunteers are drawn from bloodlines with little to no impurity (see attached files for promising candidates), it is likely that we will be able to resurrect Lord Ion and/or Klavigar Lovataar with only a handful of subjects.\n\n> \n\n> **Status:** Approved 17.04.2018 by Alexander Cro\u00ff (CROALE-AA-0001). Subject acquisition ongoing. Estimated start date: 01.12.2019\n\n\n\n\n\n[[footnoteblock]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** abraxas.png\n\n> **Name:** Abraxas gem scan.svg\n\n> **Author:** Charles W. King\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Abraxas_gem_scan.svg Wikimedia Commons]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_sarkic", "corporate", "goi-format", "grand-karcist-ion", "nadox", "religious-fiction", "sarkic", "science-fiction", "third-law"], "title": "PP-NEU-0127 - \"AncestRecall\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ancestrecall"}, "anderson-airlines": {"created_at": "2023-02-06T20:53:00", "creator": "BitOddInnit", "domain": "scp-wiki.wikidot.com", "history": [{"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "", "date": "2023-02-06T20:53:00"}, {"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "", "date": "2023-02-06T20:54:00"}, {"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "Added tags: _anderson, anderson, from-120s-archives, goi-format, homo-sapiens-sidhe. ", "date": "2023-02-06T20:58:00"}, {"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "", "date": "2023-02-06T21:14:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Parent page set to: \"from-120-s-archives-hub\".", "date": "2023-02-06T21:29:00"}, {"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "", "date": "2023-02-06T21:43:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _image. ", "date": "2023-02-06T21:44:00"}, {"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "minor SPaG", "date": "2023-02-06T21:47:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _cc, esterberg. Removed tags: _image. ", "date": "2023-02-06T22:44:00"}, {"author": "OrganGrinder", "author_href": "https://www.wikidot.com/user:info/organgrinder", "comment": "Spelling error, missing word/syntax", "date": "2023-03-27T18:53:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "", "date": "2023-04-06T11:36:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "Added tags: _licensebox. ", "date": "2023-04-06T11:37:00"}, {"author": "BitOddInnit", "author_href": "https://www.wikidot.com/user:info/bitoddinnit", "comment": "Added tags: black-comedy, comedy, fantasy, science-fiction. ", "date": "2024-08-28T09:38:00"}, {"author": "Croquembouche", "author_href": "https://www.wikidot.com/user:info/croquembouche", "comment": "Localise Finn component", "date": "2025-03-12T22:11:00"}], "hubs": ["anderson-robotics-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_right.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_right.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_left.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_threat_left.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png"], "link": "anderson-airlines", "page_id": "1445952527", "rating": 51, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aar/2&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<h2 id=\"toc0\"><span>Thank you for purchasing the Black Series Sidhe-Issue Wing Chassis!</span></h2>\n<h2 id=\"toc1\"><span>To walk you through installation, usage and safety precautions, please welcome our feathery friend: Finn the Falcon!</span></h2>\n<hr/>\n<div class=\"speech\"><img alt=\"finn_friendly_right.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_right.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc2\"><span>Hi!</span></h3>\n<p>I'm Finn the Falcon, your feathery friend from Anderson Robotics!</p>\n</div>\n</div>\n<p>I'm here to teach you all about your new purchase, the Black Series Sidhe-Issue Wing Chassis!</p>\n<p>We here at Anderson Robotics are aware of the many troubles the Fae peoples have encountered in <a href=\"/ralliston-s-proposal\">the last</a> <a href=\"/finding-avalon\">few centuries</a>. While we can do almost nothing but offer our sincerest condolences to those lost in these tragedies, we can provide our support on a more personal issue: flight.</p>\n<p>While <em>Homo sapiens sidhe</em> individuals do posses biological wings, they're largely dormant and ineffective unless one is sufficiently thaumaturgically talented, which cannot be said for most of the population.</p>\n<p>However, with the ceaseless march of technology, you need not worry about such insignificant issues if you crave the feeling of air in your hair. With your new Black Series Sidhe-Issue Wing Chassis, the whole world could be your oyster!</p>\n<div class=\"speech speech--reverse\"><img alt=\"finn_sunglasses_right.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_right.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc3\"><span>Features!</span></h3>\n</div>\n</div>\n<div class=\"blockquote\">\n<h1 id=\"toc4\"><span>Lightweight Frame</span></h1>\n<p>The Chassis is light, so light you might even forget it's there! Well, not really. But, no matter how strong you are, you'll have no problem moving around with this on your back.</p>\n</div>\n<div class=\"blockquote\">\n<h1 id=\"toc5\"><span>One Size Fits All</span></h1>\n<p>No matter how tall, short, wide, or thin you are, the Chassis will adapt so it's perfectly sized to keep you and your wings attached to itself, so you don't have to worry about falling out of it in mid-air.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> Not only will it fit like a glove, it'll feel like one too, with the wing-slots being lined with runes that'll keep your wings intact while inside, to prevent them from breaking!</p>\n</div>\n<div class=\"blockquote\">\n<h1 id=\"toc6\"><span>Flight!</span></h1>\n<p>Capable of reaching 55 kilometers per hour speeds,<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> the Chassis' primary function grants a power that nobody wouldn't love to have! Beat the morning rush to work by soaring over it! Clean those pesky gutters without a ladder! See if the clouds really are made of cotton candy!<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></p>\n</div>\n<div class=\"speech speech--reverse\"><img alt=\"finn_friendly_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc7\"><span>Installation!</span></h3>\n</div>\n</div>\n<p><a href=\"javascript:;\">Click here</a> to see a map of all our installation clinics worldwide! We provide our services through our headquarters in Three Portlands, at several locations owned by our associates Marshall, Carter and Dark and in Esterberg<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> Once you've found a location near you, you can book a fitting session and we'll sort you out with your very own, perfectly fitting, Wing Chassis.</p>\n<div class=\"speech\"><img alt=\"finn_sunglasses_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_left.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc8\"><span>Proper Usage!</span></h3>\n</div>\n</div>\n<p>We recommend following <a href=\"javascript:;\">this chart</a> of tests to make sure you're running smoothly before proper use. After that, you're good to go. The device requires an electric charge to work at full power, so make sure to leave it charging at the provided port when not in use.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> Additionally, be gentle while handling the Chassis when not in use. That lightness comes at the sacrifice of being a bit more fragile than you'd expect.</p>\n<div class=\"speech speech--reverse\"><img alt=\"finn_threat_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_threat_left.png\"/>\n<div class=\"speech-bubble speech-bubble--long\">\n<h3 id=\"toc9\"><span>Warnings!</span></h3>\n<p>The following list is a list of prohibitions once your Black Series Sidhe-Issue Wing Chassis is in working order. Please read and follow this list carefully.</p>\n</div>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc10\"><span>Do not exceed an altitude of 79,000 meters without proper equipment.</span></h3>\n<p>Without an oxygen tank or some other method of getting oxygen into your lungs, it is advised you stay away from this altitude as the atmosphere is too thin to breathable.</p>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc11\"><span>Do not attempt to exceed speeds of 55 Kilometers Per Hour.</span></h3>\n<p>The device, in its current build, has not been designed with higher speeds in mind. Please be aware of this if in a rush or attempting to race others.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc12\"><span>Do not attempt to transmute the device into biological matter.</span></h3>\n<p>Attempts to transmute the device in such a manner may result in permanent disfiguration of the wings and upper back, as well as potential future health complications.</p>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc13\"><span>Do not attempt use without appropriate body parts.</span></h3>\n<p>For our human friends, please don't try and use this device. It just won't work for you, sorry.</p>\n</div>\n<div class=\"speech\"><img alt=\"finn_friendly_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png\"/>\n<div class=\"speech-bubble speech-bubble--long\">\n<h3 id=\"toc14\"><span>Final Words!</span></h3>\n<p>With all this in mind, please enjoy your product! Anderson Robotics thanks you for your purchase! I've been Finn the Falcon, and I hope you have a better future, today!</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center\">\n<div class=\"unmargined\" style=\"font-family: 'Cinzel'; font-size: 450%; margin: 2px 0 5px;\">\n<p>Esterberg Weekly</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Pinyon Script'; font-size: 250%; margin: 2px 0 5px;\">\n<p>Your #1. Source of Information</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: serif; font-size: 125%; border-top-style: solid; border-bottom-style: solid;\">\n<table style=\"border: none; width: 100%;\">\n<tr>\n<td>ESTERBERG, POLAND</td>\n<td style=\"text-align: center;\">TUESDAY, SEPTEMBER 19TH, 2023</td>\n<td style=\"text-align: right;\">10 PLN \u2014 NO REFUNDS</td>\n</tr>\n</table>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 500%; margin: 2px 0 5px;\">\n<p>HEADS IN THE CLOUDS</p>\n</div>\n<div class=\"unmargined\" style=\"font-family:serif; font-size:120%;\">\n<p><em>By Aoi'fe Mack'eth</em><br/>\n<span style=\"white-space: pre-wrap;\"> </span></p>\n</div>\n</div>\n<div style=\"text-align:justify; line-height: 24px\">\n<div style=\"margin-bottom: 12px;\">Esterberg authorities have reported that the three bodies of teenage Fae found in the Residential District late last Wednesday are connected to the recent \"Heavenly Lick\" trend that has become popular in formerly sub-Veil circles on the social media platform TikTok.</div>\n<div style=\"opacity: .75; margin-bottom: 12px;\">The trend revolves around users filming themselves licking clouds, often using thaumaturgical techniques in order to reach a height where they are able to do so, with many Sidhe users employing use of Anderson Robotics' Black Series Sidhe-Issue Wing Chassis to reach the required heights.</div>\n<div style=\"opacity: .5; margin-bottom: 12px;\">However, as many have unfortunately discovered first-hand, the Chassis seems to malfunction in the presence of highly condensed water, which experts believe many interfere with the inner thaumaturgical workings of the device, causing it to malfunction and cause the wearer to drop out of the sky. In the past fortnight, eight deaths have been found to be in connection to this oversight in the device's design.</div>\n<div style=\"opacity: .25; margin-bottom: 30px;\">While Anderson Robotics is yet to release an official statement regarding the involvement of their hardware in these incidents, many are calling for the product to be recalled and reworked in order to remove this fatal flaw in the device's design\u2026</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. In the event your Chassis begins to be loose, please contact your distributor and request a technician.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Going at speeds close to this threshold is not recommended unless you are wearing protective clothing and goggles.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Anderson Robotics does not hold any legal responsibility for any injury, illness or other negative effect on one's health caused by attempting to taste clouds.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Anderson Robotics thanks the Esterbergian Parliament and Council of Three for allowing and assisting us in operating within Esterberg.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. No concerns to be had about any magical components, though! Those'll stay in tip-top shape no matter how long you go with these things! They'll even keep you going for a short while after the electric charge fails, although we recommend landing as soon as you receive the battery depletion alarm.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. If a Black Series Sidhe-Issue Wing Chassis is used for an extended period of time at above its max speed, it may explode. Anderson Robotics is not responsible for any injuries or deaths caused in this manner.</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anderson-airlines\">Anderson Robotics' Installation Guide: Your New Black Series Sidhe-Issue Wing Chassis!</a>\" by BitOddInnit, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anderson-airlines\">https://scpwiki.com/anderson-airlines</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> finn_sunglasses_left.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\"><img alt=\"OthellotheCat\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3213383&amp;amp;size=small&amp;amp;timestamp=1788005968\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3213383)\"/></a><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\">OthellotheCat</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> finn_friendly_left.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\"><img alt=\"OthellotheCat\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3213383&amp;amp;size=small&amp;amp;timestamp=1788005968\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3213383)\"/></a><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\">OthellotheCat</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> finn_threat_left.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\"><img alt=\"OthellotheCat\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3213383&amp;amp;size=small&amp;amp;timestamp=1788005968\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3213383)\"/></a><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\">OthellotheCat</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> finn_friendly_left.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\"><img alt=\"OthellotheCat\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3213383&amp;amp;size=small&amp;amp;timestamp=1788005968\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3213383)\"/></a><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\">OthellotheCat</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> finn_sunglasses_right.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\"><img alt=\"OthellotheCat\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3213383&amp;amp;size=small&amp;amp;timestamp=1788005968\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3213383)\"/></a><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\">OthellotheCat</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton\">SCP Foundation Wiki</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> finn_friendly_right.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\"><img alt=\"OthellotheCat\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=3213383&amp;amp;size=small&amp;amp;timestamp=1788005968\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=3213383)\"/></a><a href=\"http://www.wikidot.com/user:info/othellothecat\" onclick=\"WIKIDOT.page.listeners.userInfo(3213383); return false;\">OthellotheCat</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton\">SCP Foundation Wiki</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:ar\">:scp-wiki:theme:ar</a>]]\n\n\n\n[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css?family=Cinzel');\n\n@import url('https://fonts.googleapis.com/css?family=Anton');\n\n@import url('https://fonts.googleapis.com/css?family=Pinyon+Script');\n\n\n\n/*\n\n\u00a0\u00a0\u00a0\u00a0The Anton font was created by Vernon Adams and is licensed under the Open Font License\n\n\u00a0\u00a0\u00a0\u00a0The Cinzel font was created by Natanael Gama and is licensed under the Open Font License\n\n\u00a0\u00a0\u00a0\u00a0The Pinyon Script font was created by Nicole Fally and is licensed under the Open Font License\n\n*/\n\n}\n\n[[/module]]\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n++ Thank you for purchasing the Black Series Sidhe-Issue Wing Chassis!\n\n\n\n++ To walk you through installation, usage and safety precautions, please welcome our feathery friend: Finn the Falcon!\n\n-----\n\n\n\n[[div class=\"speech\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_right.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Hi!\n\n\n\nI'm Finn the Falcon, your feathery friend from Anderson Robotics!\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\nI'm here to teach you all about your new purchase, the Black Series Sidhe-Issue Wing Chassis!\n\n\n\nWe here at Anderson Robotics are aware of the many troubles the Fae peoples have encountered in [[[ralliston-s-proposal|the last]]] [[[finding-avalon|few centuries]]]. While we can do almost nothing but offer our sincerest condolences to those lost in these tragedies, we can provide our support on a more personal issue: flight.\n\n\n\nWhile //Homo sapiens sidhe// individuals do posses biological wings, they're largely dormant and ineffective unless one is sufficiently thaumaturgically talented, which cannot be said for most of the population.\n\n\n\nHowever, with the ceaseless march of technology, you need not worry about such insignificant issues if you crave the feeling of air in your hair. With your new Black Series Sidhe-Issue Wing Chassis, the whole world could be your oyster! \n\n\n\n\n\n[[div class=\"speech speech--reverse\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_right.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Features!\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n+ Lightweight Frame\n\n\n\nThe Chassis is light, so light you might even forget it's there! Well, not really. But, no matter how strong you are, you'll have no problem moving around with this on your back.\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+ One Size Fits All\n\n\n\nNo matter how tall, short, wide, or thin you are, the Chassis will adapt so it's perfectly sized to keep you and your wings attached to itself, so you don't have to worry about falling out of it in mid-air.[[footnote]] In the event your Chassis begins to be loose, please contact your distributor and request a technician. [[/footnote]] Not only will it fit like a glove, it'll feel like one too, with the wing-slots being lined with runes that'll keep your wings intact while inside, to prevent them from breaking!\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+ Flight!\n\n\n\nCapable of reaching 55 kilometers per hour speeds, [[footnote]] Going at speeds close to this threshold is not recommended unless you are wearing protective clothing and goggles. [[/footnote]] the Chassis' primary function grants a power that nobody wouldn't love to have! Beat the morning rush to work by soaring over it! Clean those pesky gutters without a ladder! See if the clouds really are made of cotton candy![[footnote]] Anderson Robotics does not hold any legal responsibility for any injury, illness or other negative effect on one's health caused by attempting to taste clouds. [[/footnote]] \n\n[[/div]]\n\n\n\n\n\n[[div class=\"speech speech--reverse\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Installation!\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[# Click here] to see a map of all our installation clinics worldwide! We provide our services through our headquarters in Three Portlands, at several locations owned by our associates Marshall, Carter and Dark and in Esterberg[[footnote]] Anderson Robotics thanks the Esterbergian Parliament and Council of Three for allowing and assisting us in operating within Esterberg. [[/footnote]] Once you've found a location near you, you can book a fitting session and we'll sort you out with your very own, perfectly fitting, Wing Chassis.\n\n\n\n\n\n[[div class=\"speech\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_left.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Proper Usage!\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\nWe recommend following [# this chart] of tests to make sure you're running smoothly before proper use. After that, you're good to go. The device requires an electric charge to work at full power, so make sure to leave it charging at the provided port when not in use. [[footnote]] No concerns to be had about any magical components, though! Those'll stay in tip-top shape no matter how long you go with these things! They'll even keep you going for a short while after the electric charge fails, although we recommend landing as soon as you receive the battery depletion alarm. [[/footnote]] Additionally, be gentle while handling the Chassis when not in use. That lightness comes at the sacrifice of being a bit more fragile than you'd expect. \n\n\n\n\n\n[[div class=\"speech speech--reverse\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_threat_left.png]]\n\n\n\n[[div class=\"speech-bubble speech-bubble--long\"]]\n\n+++ Warnings!\n\n\n\nThe following list is a list of prohibitions once your Black Series Sidhe-Issue Wing Chassis is in working order. Please read and follow this list carefully.\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Do not exceed an altitude of 79,000 meters without proper equipment.\n\n\n\nWithout an oxygen tank or some other method of getting oxygen into your lungs, it is advised you stay away from this altitude as the atmosphere is too thin to breathable. \n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Do not attempt to exceed speeds of 55 Kilometers Per Hour.\n\n\n\nThe device, in its current build, has not been designed with higher speeds in mind. Please be aware of this if in a rush or attempting to race others. [[footnote]] If a Black Series Sidhe-Issue Wing Chassis is used for an extended period of time at above its max speed, it may explode. Anderson Robotics is not responsible for any injuries or deaths caused in this manner. [[/footnote]]\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Do not attempt to transmute the device into biological matter.\n\n\n\nAttempts to transmute the device in such a manner may result in permanent disfiguration of the wings and upper back, as well as potential future health complications. \n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Do not attempt use without appropriate body parts.\n\n\n\nFor our human friends, please don't try and use this device. It just won't work for you, sorry.\n\n[[/div]]\n\n\n\n\n\n[[div class=\"speech\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png]]\n\n\n\n[[div class=\"speech-bubble speech-bubble--long\"]]\n\n+++ Final Words!\n\n\n\nWith all this in mind, please enjoy your product! Anderson Robotics thanks you for your purchase! I've been Finn the Falcon, and I hope you have a better future, today!\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n@@ @@\n\n[[div style=\"text-align: center\"]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Cinzel'; font-size: 450%; margin: 2px 0 5px;\"]]\n\nEsterberg Weekly\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Pinyon Script'; font-size: 250%; margin: 2px 0 5px;\"]]\n\nYour #1. Source of Information\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: serif; font-size: 125%; border-top-style: solid; border-bottom-style: solid;\"]]\n\n[[table style=\"border: none; width: 100%;\"]]\n\n[[row]]\n\n[[cell]]\n\nESTERBERG, POLAND\n\n[[/cell]]\n\n[[cell style=\"text-align: center;\"]]\n\nTUESDAY, SEPTEMBER 19TH, 2023\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n10 PLN -- NO REFUNDS\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 500%; margin: 2px 0 5px;\"]]\n\nHEADS IN THE CLOUDS\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family:serif; font-size:120%;\"]]\n\n//By Aoi'fe Mack'eth//\n\n@@ @@\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div style=\"text-align:justify; line-height: 24px\"]]\n\n[[div_ style=\"margin-bottom: 12px;\"]]\n\n\n\nEsterberg authorities have reported that the three bodies of teenage Fae found in the Residential District late last Wednesday are connected to the recent \"Heavenly Lick\" trend that has become popular in formerly sub-Veil circles on the social media platform TikTok.\n\n[[/div]]\n\n\n\n[[div_ style=\"opacity: .75; margin-bottom: 12px;\"]]\n\nThe trend revolves around users filming themselves licking clouds, often using thaumaturgical techniques in order to reach a height where they are able to do so, with many Sidhe users employing use of Anderson Robotics' Black Series Sidhe-Issue Wing Chassis to reach the required heights. \n\n[[/div]]\n\n\n\n[[div_ style=\"opacity: .5; margin-bottom: 12px;\"]]\n\nHowever, as many have unfortunately discovered first-hand, the Chassis seems to malfunction in the presence of highly condensed water, which experts believe many interfere with the inner thaumaturgical workings of the device, causing it to malfunction and cause the wearer to drop out of the sky. In the past fortnight, eight deaths have been found to be in connection to this oversight in the device's design.\n\n[[/div]]\n\n\n\n[[div_ style=\"opacity: .25; margin-bottom: 30px;\"]]\n\nWhile Anderson Robotics is yet to release an official statement regarding the involvement of their hardware in these incidents, many are calling for the product to be recalled and reworked in order to remove this fatal flaw in the device's design...\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** finn_sunglasses_left.png\n\n> **Author:** [[*user OthellotheCat]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton SCP Foundation Wiki]\n\n\n\n> **Filename:** finn_friendly_left.png\n\n> **Author:** [[*user OthellotheCat]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton SCP Foundation Wiki]\n\n\n\n> **Filename:** finn_threat_left.png\n\n> **Author:** [[*user OthellotheCat]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton SCP Foundation Wiki]\n\n\n\n> **Filename:** finn_friendly_left.png\n\n> **Author:** [[*user OthellotheCat]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton SCP Foundation Wiki]\n\n\n\n> **Filename:** finn_sunglasses_right.png\n\n> **Author:** [[*user OthellotheCat]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton SCP Foundation Wiki]\n\n\n\n> **Filename:** finn_friendly_right.png\n\n> **Author:** [[*user OthellotheCat]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/new-buteo-series-mechanical-exoskeleton SCP Foundation Wiki]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_anderson", "_cc", "_licensebox", "anderson", "black-comedy", "comedy", "esterberg", "fantasy", "from-120s-archives", "goi-format", "homo-sapiens-sidhe", "science-fiction"], "title": "Anderson Robotics' Installation Guide: Your New Black Series Sidhe-Issue Wing Chassis! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anderson-airlines"}, "anderson-ancestor": {"created_at": "2026-01-11T16:09:00", "creator": "realsquirrel", "domain": "scp-wiki.wikidot.com", "history": [{"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "", "date": "2026-01-11T16:09:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "Parent page set to: \"anderson-robotics-hub\".", "date": "2026-01-11T16:10:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "Added tags: _anderson, _image, _licensebox, anderson, artificial-intelligence, goi-format. ", "date": "2026-01-11T18:51:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-01-25T15:51:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "", "date": "2026-07-02T20:10:00"}, {"author": "realsquirrel", "author_href": "https://www.wikidot.com/user:info/realsquirrel", "comment": "", "date": "2026-07-02T20:17:00"}], "hubs": ["anderson-robotics-hub", "goi-formats"], "images": ["https://upload.wikimedia.org/wikipedia/commons/6/6c/Milj%C3%B6_Vetlanda_garage-5.jpg", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_right.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_right.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_left.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_threat_left.png", "https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png"], "link": "anderson-ancestor", "page_id": "1467989640", "rating": 15, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aar/2&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<h2 id=\"toc0\"><span>Thank you for purchasing the Anderson Ancestor Robot Kit!</span></h2>\n<h2 id=\"toc1\"><span>To walk you through installation, usage and safety precautions, please welcome our feathery friend: Finn the Falcon!</span></h2>\n<hr/>\n<p style=\"text-align: center;\"><em><strong>There is a grey and blue pamphlet inside the box.</strong></em></p>\n<p style=\"text-align: center;\"><em><strong>It looks worn. There are tears and loose traces of mold on the outside.</strong></em></p>\n<p style=\"text-align: center;\"><em><strong>You skim through the inside. Some text is illegible due to the mold.</strong></em></p>\n<p style=\"text-align: center;\"><em><strong>You attempt to read the text on the front of the pamphlet.</strong></em></p>\n<p style=\"text-align: center;\"><em><strong>It seems to say:</strong></em></p>\n<div style=\"text-align: center;\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Know\u00a0more\u00a0about\u00a0us!</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<div style=\"text-align: center;\">\n<h1 id=\"toc2\"><span><span style=\"text-decoration: underline;\">OUR STORY</span></span></h1>\n</div>\n<p>We here at Anderson Robotics have been in the tech game for a while, starting our journey in the Summer o' 199<span style=\"filter: blur(5px);\">4</span>. Our technological odyssey began in the Rose City of Portland, Oregon! Times were rough, but it was nothing we couldn't handle!</p>\n<p>I had always been fascinated with both computers and the paranormal at an early age, which led to my employment by Marshall, Carter, and Dark. They recruited me over some basic tech skills I had, believing I would be a good low-ranking member who could handle simple day-to-day tasks like fixing whatever webpages got taken down by those buzzkills some of you may known as the Foundation.</p>\n<p>However, I did not enjoy this job. Don't get me wrong, the pay was great, and I love our customers from MC&amp;D, but it was simply not for me. Being thrusted into the world of paratechnology, then finding out you're not even gonna <em>interact</em> with any paratechnology is one of the most disappointing feelings imaginable. Albeit, it was much more disappointing when Theodore bet he could outdrink <span style=\"filter: blur(5px);\">\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588</span> and passed out after the 3rd drink. Good times\u2026 (Don't let him find out I wrote this)</p>\n<p>I quit after six months. It was a very brash choice, but I do not regret it in the slightest. This was when I reached out to my best buds from High School, <span style=\"filter: blur(5px);\">Albert</span> Frostman and Theodore <span style=\"filter: blur(5px);\">Morozov</span>. Well, they were my <em>only</em> buds, but I wouldn't have traded them for any other buds. They were both great fits for the company with how much tech experience the three of us had acquired over the years!</p>\n<p>We were all broke \u2014 but I was the most broke. I had to move out of my apartment back into my parent's, where I slept in their garage and spent 12 hours a day (or more) restlessly working on prototypes. In the afternoons, Theodore and A<span style=\"filter: blur(5px);\">lb</span>e<span style=\"filter: blur(5px);\">rt</span> would come over to help me.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"Milj%C3%B6_Vetlanda_garage-5.jpg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/6/6c/Milj%C3%B6_Vetlanda_garage-5.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>The Garage</p>\n</div>\n</div>\n<p>Eventually, we released a simple plug-and-play console for children that our earliest fans would know as the <span style=\"filter: blur(5px);\">\u2588\u2588\u2588\u2588\u2588\u2588</span>. It was only until tragedy strook us that me and Theodore decided to take the company in the direction of paratechnology after the tragedy of 03\u2026</p>\n<p>Many Portlanders suffered that day, and we were no different. A<span style=\"filter: blur(5px);\">lbert</span> had to leave the company, and <span style=\"filter: blur(5px);\">this world</span>\u2026</p>\n<p>Apart from that, I suffered the worst event I could have imagined would happen to me. The <span style=\"filter: blur(5px);\">death</span> of <span style=\"filter: blur(5px);\">my</span> <span style=\"filter: blur(5px);\">\u2588\u2588\u2588\u2588\u2588\u2588</span>.</p>\n<p>Theodore and I were changed forever. We didn't know where to go next, especially after losing Albert. Until an old colleague from MC&amp;D came to me and suggested I re-enter the paranormal world. I wouldn't return to the company, but I knew what I was willing to do. <em>Trade</em> with them. Ever since then, it's been paratech and only paratech.</p>\n<p>- Vincent Anderson</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"speech\"><img alt=\"finn_friendly_right.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_right.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc3\"><span>Hi!</span></h3>\n<p>I'm Finn the Falcon, your feathery friend from Anderson Robotics!</p>\n</div>\n</div>\n<p>I'm here to teach you all about your new purchase, the Anderson Ancestor Robot Kit!</p>\n<p>Here at Anderson Robotics, we specialize in improving the lives of our customers with our one-and-only blend of thaumaturgical technique and mechanical engineering. Now, we're finally dipping our toes into improving not only lives, but deaths!</p>\n<p>Death has always been an inevitable fate for all human \u2014 and non human \u2014 life, but the age of death is soon to come to an end! Our new necromancy kit is perfect for any mourning loved ones who don't want to let go of their friends and family!</p>\n<div class=\"speech speech--reverse\"><img alt=\"finn_sunglasses_right.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_right.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc4\"><span>Features!</span></h3>\n</div>\n</div>\n<p>Our product has a variety of features that will allow both you and your revived consort to fully cherish each other's companionship!</p>\n<div class=\"blockquote\">\n<h1 id=\"toc5\"><span>Durable Exoskeleton</span></h1>\n<p>The exoskeleton of the Anderson Ancestor is built with technology unique to Anderson Robotics, which is made to mimic the exoskeletons of the animal kingdom. The custom exoskeleton allows the item to withstand weather conditions such as rain, sandstorms, snow, and hail.</p>\n</div>\n<div class=\"blockquote\">\n<h1 id=\"toc6\"><span>Customizable Appearance</span></h1>\n<p>The Anderson Ancestor comes pre-equipped with a silicon overlay designed by Anderson anartists to the liking of the customer. The silicon overlay is easily removable, and modifications can be ordered at <span style=\"color: #1e3c62\">www.andersonrobotics.int</span></p>\n</div>\n<div class=\"blockquote\">\n<h1 id=\"toc7\"><span>10 Petabyte Memory</span></h1>\n<p>This model's artificial brain has a prebuilt memory of 10 petabytes, about 4 times as much as a real human brain! The brain comes pre-loaded with your loved one's memories, but the model's easy internet access allows your loved one to alter memories as desired!</p>\n</div>\n<div class=\"blockquote\">\n<h1 id=\"toc8\"><span>24 Hour Battery Life</span></h1>\n<p>This model has a maximum charge of 24 hours, with charging only taking up to 8 hours. Allowing the model's sleep schedule to perfectly sync up with your own sleep schedule! (Well \u2014 if it doesn't, you may need to stop skipping out on sleep as much)</p>\n<p>Alternatively, the model can be recharged through the consumption of biomatter, processed through the model's artificial stomach and converted to energy.</p>\n</div>\n<div class=\"speech speech--reverse\"><img alt=\"finn_friendly_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc9\"><span>Installation!</span></h3>\n</div>\n</div>\n<p>To activate the Anderson Ancestor, begin with removing the robotic body from its container. Clean the exterior with the provided Anderson Cleaning Set, then apply the silicon overlay onto the model.</p>\n<p>Find a set of paraphernalia related to the loved one you wish to revive. Such could include pictures, items they owned, media they enjoyed during their life, etc. Leave the items next to the Anderson Ancestor. This will allow the device to trigger a ritual that will communicate with the ethereal plane and pull your loved one's soul from their respective realm of the afterlife.</p>\n<p>Leave the Anderson Ancestor charging overnight. The Anderson Ancestor will remain motion locked to prevent your loved one from panicking, and an instructional video will be broadcast to them from the inside of the robot to explain the purpose of the suit and the circumstances they've found themself in. The motion lock will be disactivated once charging is complete.</p>\n<p>And, ta-da! Your Anderson Ancestor has been fully installed!</p>\n<div class=\"speech\"><img alt=\"finn_sunglasses_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_left.png\"/>\n<div class=\"speech-bubble\">\n<h3 id=\"toc10\"><span>Proper Usage!</span></h3>\n</div>\n</div>\n<p>Make sure to perform a bimonthly<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> senses check with your Anderson Ancestor to ensure all sensing functions are working properly. Apart from that, the exoskeleton should be cleaned weekly, and the silicon overlay should be cleaned daily. With that aside, you're all set! Now you and your loved one can enjoy life together as you did before!</p>\n<div class=\"speech speech--reverse\"><img alt=\"finn_threat_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_threat_left.png\"/>\n<div class=\"speech-bubble speech-bubble--long\">\n<h3 id=\"toc11\"><span>Warnings!</span></h3>\n<p>The following list is a list of dangers you and your loved one should have in mind when using the Anderson Ancestor. Please read and follow this list.</p>\n</div>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc12\"><span>Dangerous Weather Conditions</span></h3>\n<p>While the Anderson Ancestor can safely resist low-risk weather hazards such as rain and snow, riskier hazards such as intense hail and thunder can cause permanent damage to the Anderson Ancestor. Apart from that, you or your loved one should perform a check on the silicon overlay before outdoor activity to ensure there are no holes in the overlay which could damage the exoskeleton.</p>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc13\"><span>Lifting Capacity</span></h3>\n<p>The Anderson Ancestor can only lift a maximum of 200 lbs. Any higher amount could lead to damage on the arms and convulsions on other artificial muscles.</p>\n</div>\n<div class=\"blockquote\">\n<h3 id=\"toc14\"><span>Inquiries Relating to the Afterlife</span></h3>\n<p>Please refrain from asking your loved one any questions relating to their experience in the afterlife. Conversations relating to the afterlife as a concept are acceptable, but any question directly relating to their time in the afterlife could bring up traumatic experiences that can overwhelm the Anderson Ancestor's emotional sensor detectors.</p>\n</div>\n<div class=\"speech\"><img alt=\"finn_friendly_left.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png\"/>\n<div class=\"speech-bubble speech-bubble--long\">\n<h3 id=\"toc15\"><span>Final Words!</span></h3>\n<p>With all this in mind, we at Anderson Robotics wish you and your loved one can enjoy the Anderson Ancestor to its fullest extent! Any further questions can be sent to our team at <span class=\"wiki-email\">tni.nosredna|troppusnosredna#tni.nosredna|troppusnosredna</span></p>\n</div>\n</div>\n<hr/>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">Redirecting to <strong><span style=\"color: #295183\">Anderson Robotics Internal Server - Chatrooms</span></strong></p>\n<p style=\"text-align: center;\">Logging in as <strong><span style=\"color: #f76363\">Vincent23</span></strong></p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Open\u00a0DMs\u00a0with\u00a0Theodore12?</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<blockquote>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Hey Vincent, you online?</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Yeah, you need something?</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Yeah just needed to ask something. It's about the ancestor kit.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: What about it? It's great, isn't it! We've never created something so magnificent. Albert would have never imagined we'd get this far some day!</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Yeah yeah totally. It's just that\u2026.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Should we really be selling this?</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Duh? Why would you say something like that?</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: We both know this shit has zero necromancy involved.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Well yeah, but the customers don't know. Keep it that way.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Well that's the thing. I'm sort of starting to get second thoughts. I mean, where's our integrity? Isn't fake necromancy a bit of a moral grey area?</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: I mean, is there really a difference in resurrecting the dead and creating an identical replica of the dead?</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Well\u2026yeah\u2026but still.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: But still what?</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: It's <em>still</em> different. It's just not the same. Would these people even be buying from us if they knew the truth?</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: People are too stupid to see these robots as equals. This is merely a test to see how people will react. The first of many we'll need to reach our utopia. We can't rely on ethics too much if we want to be real innovators.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Immortality isn't as simple as reconstructing someone. The ouside may be identical \u2014 but the inside is a hollow imitation of the soul that once existed. Once it's gone, no amount of technology can bring it back. That's what makes life so special. It can't be rebuilt, so enjoy it with those who are here, for those who are no longer with us.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Fuck off Theodore.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: What?</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Oh, come on Vincent. You know I didn't mean it like that.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: So you casually sent me a detailed paragraph about how death is irreversible and we should enjoy what we have before we lose it \u2014 by accident? Bullshit, you knew what you were doing.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: Okay, maybe I was, but I'm still right. You're a dumbass if you don't realize you need help. Your mental state is only getting worse and every day you stray away further from the Vincent I knew in High School.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Maybe that's because the Vincent you met still had something to live for. And sorry, I don't know what came over me. Getting pissed off just because you decided to mock the biggest step I've taken to recovering.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: You're not recovering. You're like a pot head on his 10th blunt saying it helps you concentrate. All you're doing is taking that short hit. That sweet, sweet release. In the end, all that does is make it worse.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: You wouldn't be saying that if you were in my shoes.</p>\n<p><strong><span style=\"color: #295183\">Theodore12</span></strong>: That's all I've been doing since 03, helping your batshit crazy vision of a tech utopia. I quit. I'm leaving the company. I won't give up on you, but I'm giving up on this. I've been complacent for too long.</p>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Fuck you Theodore. Never talk to me again.</p>\n</blockquote>\n</div>\n</div>\n</div>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">+\u00a0Open\u00a0DMs\u00a0with\u00a0SakerGirlElisa?</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">-\u00a0Close</a></div>\n<div class=\"collapsible-block-content\">\n<blockquote>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Hey Elisa, how are you doing! I need to ask you a small favor. Theodore has decided to be an ass who doesn't want to use his genius and abandon the company. But we can't lose an employee as great as him :(<br/>\nCould you go to his office and gather his stuff whenever you get the chance? We can't lose on someone like him. Not again. Not again. We've lost too many people.</p>\n<p><strong><span style=\"color: #d30c7b\">SakerGirlElisa</span></strong>: I'm sorry, as an AI Large Language Model, I cannot answer an inquiry of this nature.</p>\n</blockquote>\n<p><strong>Vincent Anderson</strong>: I thought I patched this last week?</p>\n<blockquote>\n<p><strong><span style=\"color: #f76363\">Vincent23</span></strong>: Regenerate, with debug mode active</p>\n<p><strong><span style=\"color: #d30c7b\">SakerGirlElisa</span></strong>: Yes of course I can do that for you! How sad that Theodore's leaving. Such a talented guy :(</p>\n</blockquote>\n</div>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anderson-ancestor\">Anderson Robotics' Installation Guide: Your New Alpha Series Anderson Ancestor!</a>\" by realsquirrel, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anderson-ancestor\">https://scpwiki.com/anderson-ancestor</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Milj\u00f6 Vetlanda garage-5.jpg<br/>\n<strong>Name:</strong> Milj\u00f6 Vetlanda garage-5<br/>\n<strong>Author:</strong> Qvalitet<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Milj%C3%B6_Vetlanda_garage-5.jpg\">https://commons.wikimedia.org/wiki/File:Milj%C3%B6_Vetlanda_garage-5.jpg</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. As in twice a month.</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:ar\">:scp-wiki:theme:ar</a>]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n++ Thank you for purchasing the Anderson Ancestor Robot Kit!\n\n\n\n++ To walk you through installation, usage and safety precautions, please welcome our feathery friend: Finn the Falcon!\n\n\n\n----\n\n= //**There is a grey and blue pamphlet inside the box.**//\n\n= //**It looks worn. There are tears and loose traces of mold on the outside.**//\n\n= //**You skim through the inside. Some text is illegible due to the mold.**//\n\n= //**You attempt to read the text on the front of the pamphlet.**//\n\n= //**It seems to say:**//\n\n[[=]]\n\n[[collapsible show=\"+ Know more about us!\" hide=\"- Close\"]]\n\n\n\n[[=]]\n\n+ __OUR STORY__\n\n[[/=]]\n\n\n\nWe here at Anderson Robotics have been in the tech game for a while, starting our journey in the Summer o' 199[[span style=\"filter: blur(5px);\"]]4[[/span]]. Our technological odyssey began in the Rose City of Portland, Oregon! Times were rough, but it was nothing we couldn't handle!\n\n\n\nI had always been fascinated with both computers and the paranormal at an early age, which led to my employment by Marshall, Carter, and Dark. They recruited me over some basic tech skills I had, believing I would be a good low-ranking member who could handle simple day-to-day tasks like fixing whatever webpages got taken down by those buzzkills some of you may known as the Foundation.\n\n\n\nHowever, I did not enjoy this job. Don't get me wrong, the pay was great, and I love our customers from MC&D, but it was simply not for me. Being thrusted into the world of paratechnology, then finding out you're not even gonna //interact// with any paratechnology is one of the most disappointing feelings imaginable. Albeit, it was much more disappointing when Theodore bet he could outdrink [[span style=\"filter: blur(5px);\"]]\u2588\u2588 \u2588\u2588\u2588\u2588\u2588\u2588[[/span]] and passed out after the 3rd drink. Good times... (Don't let him find out I wrote this)\n\n\n\nI quit after six months. It was a very brash choice, but I do not regret it in the slightest. This was when I reached out to my best buds from High School, [[span style=\"filter: blur(5px);\"]]Albert[[/span]] Frostman and Theodore [[span style=\"filter: blur(5px);\"]]Morozov[[/span]]. Well, they were my //only// buds, but I wouldn't have traded them for any other buds. They were both great fits for the company with how much tech experience the three of us had acquired over the years!\n\n\n\nWe were all broke -- but I was the most broke. I had to move out of my apartment back into my parent's, where I slept in their garage and spent 12 hours a day (or more) restlessly working on prototypes. In the afternoons, Theodore and A[[span style=\"filter: blur(5px);\"]]lb[[/span]]e[[span style=\"filter: blur(5px);\"]]rt[[/span]] would come over to help me.\n\n\n\n[[include <a href=\"/component:image-block-peppo\">component:image-block-peppo</a>\n\n|name=https://upload.wikimedia.org/wikipedia/commons/6/6c/Milj%C3%B6_Vetlanda_garage-5.jpg\n\n|caption= The Garage\n\n|width=300px\n\n]]\n\n\n\nEventually, we released a simple plug-and-play console for children that our earliest fans would know as the [[span style=\"filter: blur(5px);\"]]\u2588\u2588\u2588\u2588\u2588\u2588[[/span]]. It was only until tragedy strook us that me and Theodore decided to take the company in the direction of paratechnology after the tragedy of 03...\n\n\n\nMany Portlanders suffered that day, and we were no different. A[[span style=\"filter: blur(5px);\"]]lbert[[/span]] had to leave the company, and [[span style=\"filter: blur(5px);\"]]this world[[/span]]...\n\n\n\nApart from that, I suffered the worst event I could have imagined would happen to me. The [[span style=\"filter: blur(5px);\"]]death[[/span]] of [[span style=\"filter: blur(5px);\"]]my[[/span]] [[span style=\"filter: blur(5px);\"]]\u2588\u2588\u2588\u2588\u2588\u2588[[/span]].\n\n\n\nTheodore and I were changed forever. We didn't know where to go next, especially after losing Albert. Until an old colleague from MC&D came to me and suggested I re-enter the paranormal world. I wouldn't return to the company, but I knew what I was willing to do. //Trade// with them. Ever since then, it's been paratech and only paratech.\n\n\n\n\n\n\n\n- Vincent Anderson\n\n\n\n[[/collapsible]]\n\n[[/=]]\n\n\n\n[[div class=\"speech\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_right.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Hi!\n\n\n\nI'm Finn the Falcon, your feathery friend from Anderson Robotics!\n\n[[/div]]\n\n[[/div]]\n\n\n\nI'm here to teach you all about your new purchase, the Anderson Ancestor Robot Kit!\n\n\n\nHere at Anderson Robotics, we specialize in improving the lives of our customers with our one-and-only blend of thaumaturgical technique and mechanical engineering. Now, we're finally dipping our toes into improving not only lives, but deaths!\n\n\n\nDeath has always been an inevitable fate for all human -- and non human -- life, but the age of death is soon to come to an end! Our new necromancy kit is perfect for any mourning loved ones who don't want to let go of their friends and family!\n\n\n\n[[div class=\"speech speech--reverse\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_right.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Features!\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\nOur product has a variety of features that will allow both you and your revived consort to fully cherish each other's companionship!\n\n\n\n[[div class=\"blockquote\"]]\n\n+ Durable Exoskeleton\n\n\n\nThe exoskeleton of the Anderson Ancestor is built with technology unique to Anderson Robotics, which is made to mimic the exoskeletons of the animal kingdom. The custom exoskeleton allows the item to withstand weather conditions such as rain, sandstorms, snow, and hail. \n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+ Customizable Appearance\n\n\n\nThe Anderson Ancestor comes pre-equipped with a silicon overlay designed by Anderson anartists to the liking of the customer. The silicon overlay is easily removable, and modifications can be ordered at ##1e3c62|www.andersonrobotics.int##\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+ 10 Petabyte Memory\n\n\n\nThis model's artificial brain has a prebuilt memory of 10 petabytes, about 4 times as much as a real human brain! The brain comes pre-loaded with your loved one's memories, but the model's easy internet access allows your loved one to alter memories as desired!\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+ 24 Hour Battery Life\n\n\n\nThis model has a maximum charge of 24 hours, with charging only taking up to 8 hours. Allowing the model's sleep schedule to perfectly sync up with your own sleep schedule! (Well -- if it doesn't, you may need to stop skipping out on sleep as much)\n\n\n\nAlternatively, the model can be recharged through the consumption of biomatter, processed through the model's artificial stomach and converted to energy.\n\n[[/div]]\n\n\n\n[[div class=\"speech speech--reverse\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Installation!\n\n[[/div]]\n\n[[/div]]\n\n\n\nTo activate the Anderson Ancestor, begin with removing the robotic body from its container. Clean the exterior with the provided Anderson Cleaning Set, then apply the silicon overlay onto the model. \n\n\n\nFind a set of paraphernalia related to the loved one you wish to revive. Such could include pictures, items they owned, media they enjoyed during their life, etc. Leave the items next to the Anderson Ancestor. This will allow the device to trigger a ritual that will communicate with the ethereal plane and pull your loved one's soul from their respective realm of the afterlife.\n\n\n\nLeave the Anderson Ancestor charging overnight. The Anderson Ancestor will remain motion locked to prevent your loved one from panicking, and an instructional video will be broadcast to them from the inside of the robot to explain the purpose of the suit and the circumstances they've found themself in. The motion lock will be disactivated once charging is complete.\n\n\n\nAnd, ta-da! Your Anderson Ancestor has been fully installed!\n\n\n\n[[div class=\"speech\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_sunglasses_left.png]]\n\n\n\n[[div class=\"speech-bubble\"]]\n\n+++ Proper Usage!\n\n[[/div]]\n\n[[/div]]\n\n\n\nMake sure to perform a bimonthly[[footnote]] As in twice a month. [[/footnote]] senses check with your Anderson Ancestor to ensure all sensing functions are working properly. Apart from that, the exoskeleton should be cleaned weekly, and the silicon overlay should be cleaned daily. With that aside, you're all set! Now you and your loved one can enjoy life together as you did before!\n\n\n\n[[div class=\"speech speech--reverse\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_threat_left.png]]\n\n\n\n[[div class=\"speech-bubble speech-bubble--long\"]]\n\n+++ Warnings!\n\n\n\nThe following list is a list of dangers you and your loved one should have in mind when using the Anderson Ancestor. Please read and follow this list.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Dangerous Weather Conditions\n\nWhile the Anderson Ancestor can safely resist low-risk weather hazards such as rain and snow, riskier hazards such as intense hail and thunder can cause permanent damage to the Anderson Ancestor. Apart from that, you or your loved one should perform a check on the silicon overlay before outdoor activity to ensure there are no holes in the overlay which could damage the exoskeleton.\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Lifting Capacity\n\nThe Anderson Ancestor can only lift a maximum of 200 lbs. Any higher amount could lead to damage on the arms and convulsions on other artificial muscles.\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n+++ Inquiries Relating to the Afterlife\n\nPlease refrain from asking your loved one any questions relating to their experience in the afterlife. Conversations relating to the afterlife as a concept are acceptable, but any question directly relating to their time in the afterlife could bring up traumatic experiences that can overwhelm the Anderson Ancestor's emotional sensor detectors.\n\n[[/div]]\n\n\n\n[[div class=\"speech\"]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme:ar/finn_friendly_left.png]]\n\n\n\n[[div class=\"speech-bubble speech-bubble--long\"]]\n\n+++ Final Words!\n\n\n\nWith all this in mind, we at Anderson Robotics wish you and your loved one can enjoy the Anderson Ancestor to its fullest extent! Any further questions can be sent to our team at andersonsupport@anderson.int \n\n[[/div]]\n\n[[/div]]\n\n\n\n---------------\n\n= .\n\n= .\n\n= .\n\n= .\n\n= .\n\n= .\n\n= .\n\n= .\n\n= Redirecting to **##295183|Anderson Robotics Internal Server - Chatrooms##**\n\n= Logging in as **##F76363|Vincent23##**\n\n\n\n[[collapsible show=\"+ Open DMs with Theodore12?\" hide=\"- Close\"]]\n\n\n\n> **##295183|Theodore12##**: Hey Vincent, you online?\n\n> \n\n> **##F76363|Vincent23##**: Yeah, you need something?\n\n> \n\n> **##295183|Theodore12##**: Yeah just needed to ask something. It's about the ancestor kit.\n\n> \n\n> **##F76363|Vincent23##**: What about it? It's great, isn't it! We've never created something so magnificent. Albert would have never imagined we'd get this far some day!\n\n> \n\n> **##295183|Theodore12##**: Yeah yeah totally. It's just that....\n\n> \n\n> **##295183|Theodore12##**: Should we really be selling this?\n\n> \n\n> **##F76363|Vincent23##**: Duh? Why would you say something like that?\n\n> \n\n> **##295183|Theodore12##**: We both know this shit has zero necromancy involved.\n\n> \n\n> **##F76363|Vincent23##**: Well yeah, but the customers don't know. Keep it that way. \n\n> \n\n> **##295183|Theodore12##**: Well that's the thing. I'm sort of starting to get second thoughts. I mean, where's our integrity? Isn't fake necromancy a bit of a moral grey area?\n\n> \n\n> **##F76363|Vincent23##**: I mean, is there really a difference in resurrecting the dead and creating an identical replica of the dead? \n\n> \n\n> **##295183|Theodore12##**: Well...yeah...but still.\n\n> \n\n> **##F76363|Vincent23##**: But still what?\n\n> \n\n> **##295183|Theodore12##**: It's //still// different. It's just not the same. Would these people even be buying from us if they knew the truth?\n\n> \n\n> **##F76363|Vincent23##**: People are too stupid to see these robots as equals. This is merely a test to see how people will react. The first of many we'll need to reach our utopia. We can't rely on ethics too much if we want to be real innovators.\n\n> \n\n> **##295183|Theodore12##**: Immortality isn't as simple as reconstructing someone. The ouside may be identical -- but the inside is a hollow imitation of the soul that once existed. Once it's gone, no amount of technology can bring it back. That's what makes life so special. It can't be rebuilt, so enjoy it with those who are here, for those who are no longer with us.\n\n> \n\n> \n\n> **##F76363|Vincent23##**: Fuck off Theodore.\n\n> \n\n> **##295183|Theodore12##**: What?\n\n> \n\n> **##295183|Theodore12##**: Oh, come on Vincent. You know I didn't mean it like that.\n\n> \n\n> **##F76363|Vincent23##**: So you casually sent me a detailed paragraph about how death is irreversible and we should enjoy what we have before we lose it -- by accident? Bullshit, you knew what you were doing.\n\n> \n\n> **##295183|Theodore12##**: Okay, maybe I was, but I'm still right. You're a dumbass if you don't realize you need help. Your mental state is only getting worse and every day you stray away further from the Vincent I knew in High School.\n\n> \n\n> **##F76363|Vincent23##**: Maybe that's because the Vincent you met still had something to live for. And sorry, I don't know what came over me. Getting pissed off just because you decided to mock the biggest step I've taken to recovering.\n\n> \n\n> **##295183|Theodore12##**: You're not recovering. You're like a pot head on his 10th blunt saying it helps you concentrate. All you're doing is taking that short hit. That sweet, sweet release. In the end, all that does is make it worse.\n\n> \n\n> **##F76363|Vincent23##**: You wouldn't be saying that if you were in my shoes.\n\n> \n\n> **##295183|Theodore12##**: That's all I've been doing since 03, helping your batshit crazy vision of a tech utopia. I quit. I'm leaving the company. I won't give up on you, but I'm giving up on this. I've been complacent for too long.\n\n> \n\n> **##F76363|Vincent23##**: Fuck you Theodore. Never talk to me again.\n\n[[/collapsible]]\n\n\n\n[[collapsible show=\"+ Open DMs with SakerGirlElisa?\" hide=\"- Close\"]]\n\n\n\n> **##F76363|Vincent23##**: Hey Elisa, how are you doing! I need to ask you a small favor. Theodore has decided to be an ass who doesn't want to use his genius and abandon the company. But we can't lose an employee as great as him :(\n\n> Could you go to his office and gather his stuff whenever you get the chance? We can't lose on someone like him. Not again. Not again. We've lost too many people.\n\n> \n\n> **##D30C7B|SakerGirlElisa##**: I'm sorry, as an AI Large Language Model, I cannot answer an inquiry of this nature.\n\n\n\n**Vincent Anderson**: I thought I patched this last week?\n\n\u00a0\n\n> **##F76363|Vincent23##**: Regenerate, with debug mode active\n\n> \n\n> **##D30C7B|SakerGirlElisa##**: Yes of course I can do that for you! How sad that Theodore's leaving. Such a talented guy :(\n\n\n\n[[/collapsible]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=realsquirrel]]\n\n\n\n> **Filename:** Milj\u00f6 Vetlanda garage-5.jpg\n\n> **Name:** Milj\u00f6 Vetlanda garage-5\n\n> **Author:** Qvalitet\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Milj%C3%B6_Vetlanda_garage-5.jpg \n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_anderson", "_cc", "_licensebox", "anderson", "artificial-intelligence", "goi-format"], "title": "Anderson Robotics' Installation Guide: Your New Alpha Series Anderson Ancestor! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anderson-ancestor"}, "anedonia": {"created_at": "2026-08-09T04:14:00", "creator": "FLUFFERNUTTER", "domain": "scp-wiki.wikidot.com", "history": [{"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "", "date": "2026-08-09T04:14:00"}, {"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "Added tags: goicon-2026. ", "date": "2026-08-09T04:15:00"}, {"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "You successfully renamed the page: \"shaka\" to \"anedonia\".", "date": "2026-08-09T04:26:00"}, {"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "Edited preview for crom", "date": "2026-08-09T04:35:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _other, backdoor-soho, bleak, corporate, goi-format, science-fiction, unusual-incidents-unit. ", "date": "2026-08-09T07:47:00"}, {"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "", "date": "2026-08-09T09:34:00"}, {"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "", "date": "2026-08-09T09:34:00"}, {"author": "FLUFFERNUTTER", "author_href": "https://www.wikidot.com/user:info/fluffernutter", "comment": "", "date": "2026-08-09T15:27:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Parent page set to: \"rest-in-fever-hub\".", "date": "2026-08-13T14:46:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "", "date": "2026-08-13T14:47:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: febris-pharmaceuticals. ", "date": "2026-08-26T08:16:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: journalism, legal. ", "date": "2026-08-26T08:28:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _. Removed tags: _other. ", "date": "2026-08-27T07:55:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: _febris-pharmaceuticals. Removed tags: _. ", "date": "2026-08-27T07:58:00"}, {"author": "MHfhs", "author_href": "https://www.wikidot.com/user:info/mhfhs", "comment": "Correct the mistakes I already pointed out in the Discuss.You can roll it back if there's any problem.", "date": "2026-09-05T16:44:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image. ", "date": "2026-09-09T20:51:00"}, {"author": "Byzantophile", "author_href": "https://www.wikidot.com/user:info/byzantophile", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-09-28T21:23:00"}, {"author": "Byzantophile", "author_href": "https://www.wikidot.com/user:info/byzantophile", "comment": "Licensebox", "date": "2026-09-28T21:23:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wikidot.com/local--files/heck-s-cool-corner/Logo%20Febris%20Nuovo"], "link": "anedonia", "page_id": "1469122939", "rating": 11, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wikidot.com/theme:febris-pharmaceuticals-theme/code/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"preview\">\n<p>Mister Sandman, bring me a dream? (1100 words)</p>\n</div>\n\n\n<div style=\"text-align: center\">\n<div class=\"unmargined\" style=\"font-family: 'Cinzel'; font-size: 350%; margin: 2px 0 5px;\">\n<p>THE SOHO TATTLETALE</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Pinyon Script'; font-size: 150%; margin: 2px 0 5px;\">\n<p>Your Weekly Source of Secondhand News</p>\n</div>\n<div class=\"unmargined\" style=\"font-family: serif; font-size: 115%; border-top-style: solid; border-bottom-style: solid;\">\n<table style=\"border: none; width: 100%;\">\n<tr>\n<td>BackDoor SoHo</td>\n<td style=\"text-align: center;\">AUGUST 8TH</td>\n<td style=\"text-align: right;\">$2 - NO REFUNDS</td>\n</tr>\n</table>\n</div>\n<div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 300%; margin: 2px 0 5px;\">\n<p>SOHO \"LIEDOWN\" FEVER CONTINUES</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 215%; margin: 2px 0 5px;\">\n<p>LAW ENFORCEMENT ACTION LACKING AGAINST SPREAD OF UNKNOWN OPIOID</p>\n</div>\n<div class=\"unmargined\" style=\"font-family:serif; font-size:120%;\">\n<p><em>From the Ears of William Hanwell</em></p>\n</div>\n</div>\n<div style=\"text-align:justify;\">\n<p>BACKDOOR - This morning, SoHo awoken to another three OD\u2019s from the newest drug wave hitting the city, colloquially dubbed \u201cLiedown\u201d, for its infamous effects on users, crumpling them into a body-numbing calm \u2014 a potentially fatal one. Despite best efforts by local police to take it off the streets, supply is rising endlessly, and so is demand.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nLiedown first made its debut just three months ago, being sold as a brand new extremely effective pain reliever by local dealers. Unfortunately, it became extremely clear what the risks were: even slight misuse led to prolonged unconsciousness, and potentially, brain death, a nap which you wouldn\u2019t wake up from, perplexing even the brightest minds in the arts of medical science and magicks.<br/></p>\n<div style=\"opacity: .90\">Official investigations started month, but the long overdue search has yielded no results, and only yielding deep controversy, following the July 27th raid on multiple anartist groups in Old New Broadway, leaving the public outraged on what they view as a \u201cdiscriminatory\u201d attack based on pure stereotype.</div>\n<br/>\n<div style=\"opacity: .70\">Suspected group Marshall, Carter &amp; Dark has also shown fruitless results, leading to doubt over whether this inquisition can be trusted with any responsibility. However, with the newfound collaboration from the Unusual Incidents Unit (UIU), Police Chief Robert Hannagan believes a breakthrough will occur soon.</div>\n<br/>\n<div style=\"opacity: .50\">\u201cIt is without doubt that I, and the entirety of the BackDoor police force, believe that with our new resources, whoever\u2019s peddling this \u2018Liedown\u2019 will be found and caught shortly. And when they do, I can assure that they will be punished to the full extent of the law\u2019s capabilities.\u201d Hannagan claimed in a recent interview.</div>\n<br/>\n<div style=\"opacity: .25\">Of course, suspicions run amok amongst the populous themselves. Many question whether occult activities are to blame for this mess, or perhaps one of the many corporations taking up shop, to the chagrin of the locals. So far, no responses have been given from\u2026</div>\n</div>\n<br/>\n<br/>\n<br/>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p><br/>\n<br/></p>\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><em>Excerpt from UIU File: 2026-089, Interrogation Record. For approved staff ONLY. Authorized stories to be given to press next week, August 25th. Prepare for media response.</em></p>\n<hr/>\n<p><tt><strong>McKinsley:</strong> Say it again for the record, please. Name and occupation.</tt></p>\n<p><tt><strong>Farnesi:</strong> Doctor Fausto Farnesi. CEO of Febris Pharmaceuticals.</tt></p>\n<p><tt><strong>McKinsley:</strong> So, Doctor, you are <em>fully</em> claiming to have produced \u201cLiedown\u201d and sent your supply of it to dealers citywide?</tt></p>\n<p><tt><strong>Farnesi:</strong> Yes. My company produced a new, very effective painkiller drug\u2014\u201cAnedonia\u201d. We sold this through certain authorized channels, with very specific instructions for using them.</tt></p>\n<p><tt><strong>McKinsley:</strong> Interesting for you to say such a brazen confession immediately. Additionally so for you to approach <em>us</em> with this.</tt></p>\n<p><tt><strong>Farnesi:</strong> I swore to be utterly truthful for this interview, and I have been. Our company has always had honesty as one of its core tenants. Why else would I request to speak?</tt></p>\n<p><tt><strong>McKinsley:</strong> Yet you seem okay dealing illegal substances towards addicts in this town.</tt></p>\n<p><tt><strong>Farnesi:</strong> No, I do not. And <em>we</em>, as a company, do not.</tt></p>\n<p><tt><strong>McKinsley:</strong> Is there something in my statement you deem <em>contradictory</em>?</tt></p>\n<p><tt><strong>Farnesi:</strong> Regulations regarding distribution of medical products state that legal requirements for approved selling <em>of</em> a product requires nothing more than valid medical testing and proper disclosure in taking it.</tt></p>\n<p><tt><strong>McKinsley:</strong> How does that factor in?</tt></p>\n<p><tt><strong>Farnesi:</strong> Our product has been properly tested and found to be beneficial \u2014 as long as you follow the recommended frequency of consumption. Which is once per week. Which we have strictly told our proxies to say.</tt></p>\n<p><tt><strong>McKinsley:</strong> Your dealers.</tt></p>\n<p><tt><strong>Farnesi:</strong> <em>Proxies</em>. Legal proxies which are able to sell our product, under our guidance. If they are selling anything actually illegal, that\u2019s beyond our knowledge.</tt></p>\n<p><tt><strong>McKinsley:</strong> But how do you explain the overdoses? Almost fifty overdoses that we know of. Probably double that we don\u2019t.</tt></p>\n<p><tt><strong>Farnesi:</strong> Warnings were given, waivers signed, which we would gladly supply, and which our proxies would back. Legally, it is \u2018user error\u2019.</tt></p>\n<p><tt><strong>McKinsley:</strong> Regardless of legality, there\u2019s no possibility that a substance <em>that</em> dangerous will be allowed for production.</tt></p>\n<p><tt><strong>Farnesi:</strong> Well, this is what was forced upon us. And I would not recommend stopping production now.</tt></p>\n<p><tt><strong>McKinsley:</strong> Why not?</tt></p>\n<p><tt><strong>Farnesi:</strong> Well, all our company is doing is offering people a clean, relatively cheap way of ending their horrible, constant, pain. Their panacea of suffering, if you would.</tt></p>\n<p><tt><strong>McKinsley:</strong> So? It\u2019s still seriously addictive. We have a duty to this nexus, and-</tt></p>\n<p><tt><strong>Farnesi:</strong> And surveys claim up to 38% of BackDoor SoHo have some form of diagnosed chronic injury, that\u2019s about thousand people? Ten thousand people left without our Anedonia. Ten thousand angry, suffering civilians, who know who to blame for it.</tt></p>\n<p><tt><strong>McKinsley:</strong> That\u2019s absurd. There are alternatives to your drug already in market.</tt></p>\n<p><tt><strong>Farnesi:</strong> Not in price. And certainly not in effectiveness. And the secrets to our products are, how do you say it, exclusive.</tt></p>\n<p><tt><strong>McKinsley:</strong> So what do you want from <em>us</em>?</tt></p>\n<p><tt><strong>Farnesi:</strong> Nothing at all, Detective, quite literally. Let us sell to official stores, with your endorsement and regulations. <em>And</em> that you stop the fearmongering stories about our product.</tt></p>\n<p><tt><strong>McKinsley:</strong> Then you\u2019ll stop peddling your product it to street vendors? Just like that?</tt></p>\n<p><tt><strong>Farnesi:</strong> Just like that.</tt></p>\n<p><tt><strong>McKinsley:</strong> \u2026what are you planning, Doctor?</tt></p>\n<p><tt><strong>Farnesi:</strong> Well\u2026 you\u2019ll see.</tt></p>\n</div>\n<p><br/>\n<br/></p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p style=\"text-align: center;\">.</p>\n<p><br/>\n<br/></p>\n<div class=\"leaflet\">\n<div style=\"text-align: center;\">\n<p><span class=\"fp-title\"><em>Final draft, requires approval from Board. Not to be published.</em><br/></span></p>\n<p><span style=\"font-size:300%;\"><strong>FEBRIS PHARMACEUTICALS</strong></span></p>\n<img alt=\"Logo%20Febris%20Nuovo\" class=\"image\" src=\"https://scp-wiki.wikidot.com/local--files/heck-s-cool-corner/Logo%20Febris%20Nuovo\" style=\"float: center\" width=\"100\"/>\n<p><em>\"Nostrum malum, nostra salus\"</em><br/></p>\n<hr/>\n<p><span class=\"fp-subtitle\"><br/>\n<span style=\"font-size:200%;\"><strong>Anedonia\u00ae</strong></span><br/></span></p>\n</div>\n<p><span style=\"text-decoration: underline;\"><strong>1. What is Anedonia\u00ae and what is it used for?</strong></span></p>\n<p>Anedonia\u00ae is a revolutionary newly developed painkiller, offering relief from chronic pains for up to a week per use, as well as long lasting periods of calm for those dealing with prolonged episodes of stress.</p>\n<p>Anedonia\u00ae comes in the form of simple tablets, allowing a painless and stress-free intake experience, available in all Febris-sanctioned pharmacies and stores.</p>\n<p><span style=\"text-decoration: underline;\"><strong>2. Contraindications/Interactions with other drugs:</strong></span></p>\n<p>Do <strong>not</strong> take Anedonia\u00ae alongside other medications that offer similar effects (ex. Vicodin\u00ae, Percocet\u00ae, etc.), as this could lead to severe health defects. Do <strong>not</strong> take Anedonia\u00ae if you are undergoing chemotherapy or physiologically similar treatments. Consult your nearest Febris professional for further concerns.</p>\n<p><span style=\"text-decoration: underline;\"><strong>3. Composition:</strong></span></p>\n<p>Synthetic codeine, synthetic papaverine, Anedonic hydrochloride (FP - Patent #08-C), <em>Bene Nocte</em>-strengthened Lidocaine (FP - Patent #08-D)</p>\n<p><span style=\"text-decoration: underline;\"><strong>4. Description of effects:</strong></span></p>\n<p>Causes elongated relief of joint and muscle pain, especially ones caused by chronic illnesses for up to seven days after consumption. Additionally causes more relaxed moods for the same time period, even in normally stressful situations.</p>\n<p><span style=\"text-decoration: underline;\"><strong>5. How to take Anedonia\u00ae:</strong></span></p>\n<p>Safe consumption of Anedonia\u00ae must be done <strong>once per week</strong>, and not sooner. Spacing it out further is recommended if the effects do not end after the usual seven-day period. Consult your nearest Febris-endorsed pharmacy for special conditions and how to schedule your Anedonia\u00ae.</p>\n<p><span style=\"text-decoration: underline;\"><strong>6. Overdose:</strong></span></p>\n<p>Mild overuse of Anedonia\u00ae may cause sudden headaches or migraines, as well as mild muscle paralysis. Major overdose can lead to seizures, total body paralysis, or in very rare cases, death. It is strongly recommended have someone nearby when consuming your regular Anedonia\u00ae tablet to ensure safety.</p>\n<p><span style=\"text-decoration: underline;\"><strong>7. Side Effects:</strong></span></p>\n<p>Prolonged intake of Anedonia\u00ae (6+ months) can lead to longer periods of REM sleep at night, as well as a possible chance for mild insomnia. It is recommended to stop taking Anedonia\u00ae if side effects become debilitating on day-to-day life.</p>\n<p><span style=\"text-decoration: underline;\"><strong>8. How to store Anedonia\u00ae:</strong></span></p>\n<p>Keep Anedonia\u00ae in plastic containers. Anedonia\u00ae can be stored in cool or room temperature environments. Do <strong>not</strong> keep Anedonia\u00ae exposed to intense heat.</p>\n<div style=\"text-align: center;\">\n<p>Febris Pharmaceuticals S.p.A. - Florence, IT</p>\n</div>\n</div>\n<div class=\"blockquote\">\n<p style=\"text-align: center;\"><strong>ATTACHED NOTE TO AUTHORIZED EMPLOYEES \u2014 DELETE LATER</strong></p>\n<p>Begin shipping of FP-938 \u201cAnedonia\u201d next week to marked locations, make sure all transports are viable. Regarding media exposure: follow normal procedure in worst case scenario. Flagged keywords: \u201cdeaths\u201d, \u201coverdose\u201d, \u201cLiedown\u201d, \u201ccoma\u201d, \u201cbrain death\u201d, \u201cscreaming\u201d.</p>\n<p>Await further instructions.</p>\n<p>- F.F.</p>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-{$first} earthworm--old-syntax-last-{$last} earthworm--old-syntax-hub-{$hub} {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"'DELENDASES\u00ae' (F3B3R/X44NM/PLL77)\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/delendases-f3b3r-x44nm-pll77\">'DELENDASES\u00ae' (F3B3R/X44NM/PLL77)</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Rest In Fever\">\n<p><a href=\"/rest-in-fever-hub\">Rest In Fever</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"Immune Integrity\">\n\n<p><a href=\"/immune-integrity\">Immune Integrity</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anedonia\">Anedonia\u00ae</a>\" by FLUFFERNUTTER, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anedonia\">https://scpwiki.com/anedonia</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Logo Febris<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"https://www.wikidot.com/user:info/ichne-bebop\" onclick=\"WIKIDOT.page.listeners.userInfo(7465529); return false;\"><img alt=\"Ichne-Bebop\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7465529&amp;amp;size=small&amp;amp;timestamp=1790630607\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7465529)\"/></a><a href=\"https://www.wikidot.com/user:info/ichne-bebop\" onclick=\"WIKIDOT.page.listeners.userInfo(7465529); return false;\">Ichne-Bebop</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:febris-pharmaceuticals-theme\">:scp-wiki:theme:febris-pharmaceuticals-theme</a>]]\n\n\n\n=====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=Mister Sandman, bring me a dream? (1100 words)]]\n\n=====\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div style=\"text-align: center\"]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Cinzel'; font-size: 350%; margin: 2px 0 5px;\"]]\n\nTHE SOHO TATTLETALE\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Pinyon Script'; font-size: 150%; margin: 2px 0 5px;\"]]\n\nYour Weekly Source of Secondhand News\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: serif; font-size: 115%; border-top-style: solid; border-bottom-style: solid;\"]]\n\n[[table style=\"border: none; width: 100%;\"]]\n\n[[row]]\n\n[[cell]]\n\nBackDoor SoHo\n\n[[/cell]]\n\n[[cell style=\"text-align: center;\"]]\n\nAUGUST 8TH\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n$2 - NO REFUNDS\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 300%; margin: 2px 0 5px;\"]]\n\nSOHO \"LIEDOWN\" FEVER CONTINUES \n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"unmargined\" style=\"font-family: 'Anton'; font-size: 215%; margin: 2px 0 5px;\"]]\n\nLAW ENFORCEMENT ACTION LACKING AGAINST SPREAD OF UNKNOWN OPIOID\n\n[[/div]]\n\n[[div class=\"unmargined\" style=\"font-family:serif; font-size:120%;\"]]\n\n//From the Ears of William Hanwell//\n\n[[/div]]\n\n[[/div]]\n\n[[div style=\"text-align:justify;\"]]\n\nBACKDOOR - This morning, SoHo awoken to another three OD\u2019s from the newest drug wave hitting the city, colloquially dubbed \u201cLiedown\u201d, for its infamous effects on users, crumpling them into a body-numbing calm \u2014 a potentially fatal one. Despite best efforts by local police to take it off the streets, supply is rising endlessly, and so is demand.\n\n@@ @@\n\nLiedown first made its debut just three months ago, being sold as a brand new extremely effective pain reliever by local dealers. Unfortunately, it became extremely clear what the risks were: even slight misuse led to prolonged unconsciousness, and potentially, brain death, a nap which you wouldn\u2019t wake up from, perplexing even the brightest minds in the arts of medical science and magicks.\n\n@@@@\n\n[[div_ style=\"opacity: .90\"]]\n\nOfficial investigations started month, but the long overdue search has yielded no results, and only yielding deep controversy, following the July 27th raid on multiple anartist groups in Old New Broadway, leaving the public outraged on what they view as a \u201cdiscriminatory\u201d attack based on pure stereotype.\n\n[[/div]]\n\n@@@@\n\n[[div_ style=\"opacity: .70\"]]\n\nSuspected group Marshall, Carter & Dark has also shown fruitless results, leading to doubt over whether this inquisition can be trusted with any responsibility. However, with the newfound collaboration from the Unusual Incidents Unit (UIU), Police Chief Robert Hannagan believes a breakthrough will occur soon.\n\n[[/div]]\n\n@@@@\n\n[[div_ style=\"opacity: .50\"]]\n\n\u201cIt is without doubt that I, and the entirety of the BackDoor police force, believe that with our new resources, whoever\u2019s peddling this \u2018Liedown\u2019 will be found and caught shortly. And when they do, I can assure that they will be punished to the full extent of the law\u2019s capabilities.\u201d Hannagan claimed in a recent interview.\n\n[[/div]]\n\n@@@@\n\n[[div_ style=\"opacity: .25\"]]\n\nOf course, suspicions run amok amongst the populous themselves. Many question whether occult activities are to blame for this mess, or perhaps one of the many corporations taking up shop, to the chagrin of the locals. So far, no responses have been given from\u2026\n\n[[/div]] \n\n[[/div]]\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n= .\n\n\n\n= .\n\n\n\n= .\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= //Excerpt from UIU File: 2026-089, Interrogation Record. For approved staff ONLY. Authorized stories to be given to press next week, August 25th. Prepare for media response.//\n\n\n\n------\n\n\n\n{{**McKinsley:** Say it again for the record, please. Name and occupation.}}\n\n\n\n{{**Farnesi:** Doctor Fausto Farnesi. CEO of Febris Pharmaceuticals.}}\n\n\n\n{{**McKinsley:** So, Doctor, you are //fully// claiming to have produced \u201cLiedown\u201d and sent your supply of it to dealers citywide?}}\n\n\n\n{{**Farnesi:** Yes. My company produced a new, very effective\u00a0\u00a0painkiller drug\u2014\u201cAnedonia\u201d. We sold this through certain authorized channels, with very specific instructions for using them.}}\n\n\n\n{{**McKinsley:** Interesting for you to say such a brazen confession immediately. Additionally so for you to approach //us// with this.}}\n\n\n\n{{**Farnesi:** I swore to be utterly truthful for this interview, and I have been. Our company has always had honesty as one of its core tenants. Why else would I request to speak?}}\n\n\n\n{{**McKinsley:** Yet you seem okay dealing illegal substances towards addicts in this town.}}\n\n\n\n{{**Farnesi:** No, I do not. And //we//, as a company, do not.}}\n\n\n\n{{**McKinsley:** Is there something in my statement you deem //contradictory//?}}\n\n\n\n{{**Farnesi:** Regulations regarding distribution of medical products state that legal requirements for approved selling //of// a product requires nothing more than valid medical testing and proper disclosure in taking it.}}\n\n\n\n{{**McKinsley:** How does that factor in?}}\n\n\n\n{{**Farnesi:** Our product has been properly tested and found to be beneficial \u2014 as long as you follow the recommended frequency of consumption. Which is once per week. Which we have strictly told our proxies to say.}}\n\n\n\n{{**McKinsley:** Your dealers.}}\n\n\n\n{{**Farnesi:** //Proxies//. Legal proxies which are able to sell our product, under our guidance. If they are selling anything actually illegal, that\u2019s beyond our knowledge.}}\n\n\n\n{{**McKinsley:** But how do you explain the overdoses? Almost fifty overdoses that we know of. Probably double that we don\u2019t.}}\n\n\n\n{{**Farnesi:** Warnings were given, waivers signed, which we would gladly supply, and which our proxies would back. Legally, it is \u2018user error\u2019.}}\n\n\n\n{{**McKinsley:** Regardless of legality, there\u2019s no possibility that a substance //that// dangerous will be allowed for production.}}\n\n\n\n{{**Farnesi:** Well, this is what was forced upon us. And I would not recommend stopping production now.}}\n\n\n\n{{**McKinsley:** Why not?}}\n\n\n\n{{**Farnesi:** Well, all our company is doing is offering people a clean, relatively cheap way of ending their horrible, constant, pain. Their panacea of suffering, if you would.}}\n\n\n\n{{**McKinsley:** So? It\u2019s still seriously addictive. We have a duty to this nexus, and-}}\n\n\n\n{{**Farnesi:** And surveys claim up to 38% of BackDoor SoHo have some form of diagnosed chronic injury, that\u2019s about thousand people? Ten thousand people left without our Anedonia. Ten thousand angry, suffering civilians, who know who to blame for it.}}\n\n\n\n{{**McKinsley:** That\u2019s absurd. There are alternatives to your drug already in market.}}\n\n\n\n{{**Farnesi:** Not in price. And certainly not in effectiveness. And the secrets to our products are, how do you say it, exclusive.}}\n\n\n\n{{**McKinsley:** So what do you want from //us//?}}\n\n\n\n{{**Farnesi:** Nothing at all, Detective, quite literally. Let us sell to official stores, with your endorsement and regulations. //And// that you stop the fearmongering stories about our product.}}\n\n\n\n{{**McKinsley:** Then you\u2019ll stop peddling your product it to street vendors? Just like that?}}\n\n\n\n{{**Farnesi:** Just like that.}}\n\n\n\n{{**McKinsley:** \u2026what are you planning, Doctor?}}\n\n\n\n{{**Farnesi:** Well\u2026 you\u2019ll see.}}\n\n\n\n[[/div]]\n\n\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n= .\n\n\n\n= .\n\n\n\n= .\n\n@@@@\n\n@@@@\n\n@@@@\n\n\n\n[[div class=\"leaflet\"]]\n\n[[=]]\n\n[[span class=\"fp-title\"]]\n\n\n\n//Final draft, requires approval from Board. Not to be published.//\n\n@@@@\n\n\n\n[[size 300%]] **FEBRIS PHARMACEUTICALS** [[/size]]\n\n\n\n[[image https://scp-wiki.wikidot.com/local--files/heck-s-cool-corner/Logo%20Febris%20Nuovo\u00a0\u00a0width=\"100\" style=\"float: center\"]]\n\n\n\n//\"Nostrum malum, nostra salus\"//\n\n[[/span]]\n\n\n\n------\n\n\n\n[[span class=\"fp-subtitle\"]]\n\n[[size 200%]] **Anedonia\u00ae** [[/size]]\n\n[[/span]]\n\n[[/=]]\n\n\n\n__**1. What is Anedonia\u00ae and what is it used for?**__ \n\n\n\nAnedonia\u00ae is a revolutionary newly developed painkiller, offering relief from chronic pains for up to a week per use, as well as long lasting periods of calm for those dealing with prolonged episodes of stress. \n\n\n\nAnedonia\u00ae comes in the form of simple tablets, allowing a painless and stress-free intake experience, available in all Febris-sanctioned pharmacies and stores.\n\n\n\n__**2. Contraindications/Interactions with other drugs:**__ \n\n\n\nDo **not** take Anedonia\u00ae alongside other medications that offer similar effects (ex. Vicodin\u00ae, Percocet\u00ae, etc.), as this could lead to severe health defects. Do **not** take Anedonia\u00ae if you are undergoing chemotherapy or physiologically similar treatments. Consult your nearest Febris professional for further concerns.\n\n\n\n__**3. Composition:**__\n\n\n\nSynthetic codeine, synthetic papaverine, Anedonic hydrochloride (FP - Patent #08-C), //Bene Nocte//-strengthened Lidocaine (FP - Patent #08-D)\n\n\n\n__**4. Description of effects:**__\n\n\n\nCauses elongated relief of joint and muscle pain, especially ones caused by chronic illnesses for up to seven days after consumption. Additionally causes more relaxed moods for the same time period, even in normally stressful situations.\n\n\n\n__**5. How to take Anedonia\u00ae:**__\n\n\n\nSafe consumption of Anedonia\u00ae must be done **once per week**, and not sooner. Spacing it out further is recommended if the effects do not end after the usual seven-day period. Consult your nearest Febris-endorsed pharmacy for special conditions and how to schedule your Anedonia\u00ae.\n\n\n\n__**6. Overdose:**__\n\n\n\nMild overuse of Anedonia\u00ae may cause sudden headaches or migraines, as well as mild muscle paralysis. Major overdose can lead to seizures, total body paralysis, or in very rare cases, death. It is strongly recommended have someone nearby when consuming your regular Anedonia\u00ae tablet to ensure safety.\n\n\n\n__**7. Side Effects:**__\n\n\n\nProlonged intake of Anedonia\u00ae (6+ months) can lead to longer periods of REM sleep at night, as well as a possible chance for mild insomnia. It is recommended to stop taking Anedonia\u00ae if side effects become debilitating on day-to-day life.\n\n\n\n__**8. How to store Anedonia\u00ae:**__\n\n\n\nKeep Anedonia\u00ae in plastic containers. Anedonia\u00ae can be stored in cool or room temperature environments. Do **not** keep Anedonia\u00ae exposed to intense heat.\n\n\n\n[[=]]\n\nFebris Pharmaceuticals S.p.A. - Florence, IT\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[div class=\"blockquote\"]]\n\n\n\n= **ATTACHED NOTE TO AUTHORIZED EMPLOYEES \u2014 DELETE LATER**\n\n\n\nBegin shipping of FP-938 \u201cAnedonia\u201d next week to marked locations, make sure all transports are viable. Regarding media exposure: follow normal procedure in worst case scenario. Flagged keywords: \u201cdeaths\u201d, \u201coverdose\u201d, \u201cLiedown\u201d, \u201ccoma\u201d, \u201cbrain death\u201d, \u201cscreaming\u201d.\n\n\n\nAwait further instructions.\n\n\n\n- F.F.\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| previous-url = https://scp-wiki.wikidot.com/delendases-f3b3r-x44nm-pll77\n\n| previous-title = 'DELENDASES\u00ae' (F3B3R/X44NM/PLL77)\n\n| next-url = immune-integrity\n\n| next-title = Immune Integrity\n\n| hub-url = rest-in-fever-hub\n\n| hub-title = Rest In Fever\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** Logo Febris\n\n> **Author:** [[*user Ichne-Bebop]]\n\n> **License:**\u00a0\u00a0CC BY-SA 3.0\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_febris-pharmaceuticals", "backdoor-soho", "bleak", "corporate", "febris-pharmaceuticals", "goi-format", "goicon-2026", "journalism", "legal", "science-fiction", "unusual-incidents-unit"], "title": "Anedonia\u00ae - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anedonia"}, "ankoshoku": {"created_at": "2017-11-20T15:36:00", "creator": "deleted", "domain": "scp-wiki.wikidot.com", "history": [{"author": "deleted", "author_href": false, "comment": "Added tags: goi-format, ijamea. ", "date": "2017-11-20T15:36:00"}, {"author": "deleted", "author_href": false, "comment": "japan is my continent", "date": "2017-11-20T15:36:00"}, {"author": "deleted", "author_href": false, "comment": "~c~r~o~s~s~l~i~n~k~s~", "date": "2017-11-20T15:40:00"}, {"author": "deleted", "author_href": false, "comment": "Added tags: gru-division-p. ", "date": "2017-11-20T17:39:00"}, {"author": "Noktigo", "author_href": "https://www.wikidot.com/user:info/noktigo", "comment": "smol grammar change", "date": "2017-11-20T17:44:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2017-11-20T17:54:00"}, {"author": "deleted", "author_href": false, "comment": "added in crosslink to 2478", "date": "2017-11-20T17:58:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2017-11-20T18:03:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2017-11-20T18:05:00"}, {"author": "MrWrong", "author_href": "https://www.wikidot.com/user:info/mrwrong", "comment": "On behalf of Author, \"Hilda\" \u2013> \"Hida\". \"Hida\" is the correct spelling of the place.", "date": "2017-11-20T18:12:00"}, {"author": "Raggabrash", "author_href": "https://www.wikidot.com/user:info/raggabrash", "comment": "Typo", "date": "2017-11-21T02:24:00"}, {"author": "Taffeta", "author_href": "https://www.wikidot.com/user:info/taffeta", "comment": "Added tags: _ijamea. ", "date": "2018-02-18T19:42:00"}, {"author": "Nederbird", "author_href": "https://www.wikidot.com/user:info/nederbird", "comment": "Added tags: _ijameap, sarkic. Removed tags: _ijamea. ", "date": "2018-06-13T11:10:00"}, {"author": "Nederbird", "author_href": "https://www.wikidot.com/user:info/nederbird", "comment": "You successfully reverted the page to revision number 11", "date": "2018-06-13T11:12:00"}, {"author": "Nederbird", "author_href": "https://www.wikidot.com/user:info/nederbird", "comment": "Added tags: sarkic. ", "date": "2018-06-13T11:19:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, period-piece, spy-fiction. ", "date": "2025-08-02T12:59:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox. ", "date": "2026-08-26T15:54:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "footnoteblock", "date": "2026-08-26T15:54:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "license box", "date": "2026-08-26T15:54:00"}], "hubs": ["goi-formats"], "images": [], "link": "ankoshoku", "page_id": "57015670", "rating": 44, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><strong>Purpose:</strong> Following the Pacific War between the empire and the Western powers of the United States and, towards the end of that conflict, the USSR, tensions between <span style=\"text-decoration: underline;\"><a href=\"http://www.scp-wiki.net/ijamea-hub\">IJAMEA</a></span> and the Russian containment agency only known to us by the name GRU-\"P\"<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup> have increased ever since the <span style=\"text-decoration: underline;\"><a href=\"https://en.wikipedia.org/wiki/Battles_of_Khalkhin_Gol\">Nomonhan Incident</a></span>. These tensions have escalated beyond what any reasonable man could consider \"safe\". Border disputes have caused untold bloodshed between our glorious empire and the socialist republic for the past 4 years, ever since the end of our campaign by the West and its allies. Most of these border disputes end in the death of our soldiers and greatest generals due to our lack of knowledge and general intelligence of this GRU-\"P\".</p>\n<p>The following project has been proposed in order to maintain Imperial independence from foreign powers, specifically that of our Russian neighbors. Its goals are as follows:</p>\n<ul>\n<li>Infiltration into GRU-\"P\" operations in Moscow, Siberia, and other areas the enemy is located.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></li>\n<li>Discover and possibly convert research regarding anomalies by the GRU-\"P\".</li>\n<li>Inquire into the possibility of anomalous weaponry being manufactured by GRU-\"P\".</li>\n<li>Sabotage GRU-\"P\" operations involving areas near the Imperial border.</li>\n</ul>\n<p>'Through the completion of these objectives, IJAMEA might crush the Russian's capacity to disrupt the court's supremacy in the East.</p>\n<p><strong>Assets:</strong> This is the first time the IJAMEA will be going against a foreign containment agency since the assault on <span style=\"text-decoration: underline;\"><a href=\"http://www.scp-wiki.net/marshall-carter-and-dark-hub\">The Western Merchants</a></span> in the Prewar years. As such, various forms of funding are going to be needed. Various different sources have been considered, specifically from the Western agency <span style=\"text-decoration: underline;\"><a href=\"http://www.scp-wiki.net/unusual-incidents-unit-hub\">Unusual Incidents Unit</a></span>. They will provide the majority of the materials needed for the goals of this operation as long as we maintain cooperation with occupying American forces.</p>\n<p>Aside from financial funding, IJAMEA will need volunteers who would be willing to lay down their lives for the good of the operation and our glorious empire. The individuals considered for this opportunity to serve their country are the peoples of Siberia, Russians living within the empire, Japanese living within the USSR borders, and those who can be brought to our side, whether through coercion or economic incentive. Others, such as the great warriors of the <span style=\"text-decoration: underline;\"><a href=\"http://www.scp-wiki.net/scp-2478\">Hida Mountains</a></span>, have also been considered.</p>\n<p>If possible, <span style=\"text-decoration: underline;\"><a href=\"http://www.scp-wiki.net/sarkicism-hub\">flesh-crafters</a></span> are to be converted and promised suffrage from their Communist oppressor if they are willing to participate in such an operation, although this will not be a main source of fresh recruits to the operation.</p>\n<p><strong>Results:</strong> Failure. Our comrades failed us like they had 5 years ago. Nothing had been done to curb communist expansion. In fact, it has expanded. The Chinese to the West have fallen to the Red Roaches like Russia before it, and like that of the other European nations after the allies raped Germany and her possessions.</p>\n<p>Our spies were captured within months of being stationed, tortured, and placed into a Siberian concentration camp, where they will be worked and starved to death, never knowing the full beauty of death on the battlefield, but only the meek suffering of captivity.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> The Russians knew spies; their nation was built upon the backs of saboteurs and liars.</p>\n<p>In the long term, our efforts towards destabilization of the USSR in either Moscow or in areas such as Siberia have been unfruitful. Nor has our objective of converting technology toward our side lead to any innovation to our soldiers and generals. Secrecy clouds the GRU and its \"P\" division, to the point that even many of the highest-ranking officials of the Intelligence Directorate even knew that is existed, and even fewer knew its purpose beyond the arm of a barbaric Georgian.</p>\n<p>The only knowledge gained about \"P\" division was some of its locations near Siberia, and the experiments perpetrated by them. The papers never explicitly state the products of these experiments, but based on the amount of rubles being spent along with many accolades from the inner factions of the Red Army, it cannot be good for our Empire.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup></p>\n<p>Our only way to prevent this is to contact other members of the anomalous world of this potential danger to not only the political paradigm, but to the world itself. It must be passed back to the bookburners or the Jailors, possibly even the librarians if they would be willing to listen to our plea.</p>\n<p>Gods, help us all.</p>\n<hr/>\n<p style=\"text-align: center;\"><em>Liquidation of all assets in process. \u2014 General Rokuro</em></p>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. External document summary: The GRU-\"P\" is believed to be a special subsection of the Main Intelligence Directorate (GRU), a foreign intelligence agency, operating within the Red Army, and arm to the Red Ministry of Defense. Unlike other organizations such as the barbaric bookburners or cold jailors, the organization only captures threats to their motherland. This does not extend to those outside of that motherland.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Members of the Warsaw Pact have been discussed, but nothing has been established beyond mild whispers.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. Operations regarding our possible liberation of these soldiers is currently being discussed with our backers.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. \"Through the new weaponry, revolutionary socialism can be spread throughout the world without a single <span style=\"text-decoration: underline;\"><a href=\"http://www.scp-wiki.net/scp-2664\">death</a></span>.\" \u2014 Unknown High Ranking General.\n<p>\"Religious fervor will be translated towards more productive ends, such as serving the motherland or civil service to Comrade Stalin.\" \u2014 Unknown General.</p>\n<p>\"Flesh-crafters will be reined in and, if successful, abandoned their barbaric religion and come fully under the control of the Party.\" \u2014 USSR diplomat, believed to have worked with flesh-crafters in the Urals for extended periods of time.</p>\n<p>\"The myth of genocide in the Ukraine will be erased from public conscience, and further create a trust between the Party and The People of the USSR.\" \u2014 High Ranking Communist Party official.</p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ankoshoku\">Project Ankoshoku, 1950</a>\" by Zer0Ne0phyte, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ankoshoku\">https://scpwiki.com/ankoshoku</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n@import url(/component:ijamea-theme/code/1);\n\n[[/module]]\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n**Purpose:** Following the Pacific War between the empire and the Western powers of the United States and, towards the end of that conflict, the USSR, tensions between __[http://www.scp-wiki.net/ijamea-hub IJAMEA]__ and the Russian containment agency only known to us by the name GRU-\"P\"[[footnote]] External document summary: The GRU-\"P\" is believed to be a special subsection of the Main Intelligence Directorate (GRU), a foreign intelligence agency, operating within the Red Army, and arm to the Red Ministry of Defense. Unlike other organizations such as the barbaric bookburners or cold jailors, the organization only captures threats to their motherland. This does not extend to those outside of that motherland.[[/footnote]] have increased ever since the __[https://en.wikipedia.org/wiki/Battles_of_Khalkhin_Gol Nomonhan Incident]__. These tensions have escalated beyond what any reasonable man could consider \"safe\". Border disputes have caused untold bloodshed between our glorious empire and the socialist republic for the past 4 years, ever since the end of our campaign by the West and its allies. Most of these border disputes end in the death of our soldiers and greatest generals due to our lack of knowledge and general intelligence of this GRU-\"P\". \n\n\n\n\n\nThe following project has been proposed in order to maintain Imperial independence from foreign powers, specifically that of our Russian neighbors. Its goals are as follows:\n\n\n\n* Infiltration into GRU-\"P\" operations in Moscow, Siberia, and other areas the enemy is located. [[footnote]] Members of the Warsaw Pact have been discussed, but nothing has been established beyond mild whispers. [[/footnote]]\n\n* Discover and possibly convert research regarding anomalies by the GRU-\"P\". \n\n* Inquire into the possibility of anomalous weaponry being manufactured by GRU-\"P\".\n\n* Sabotage GRU-\"P\" operations involving areas near the Imperial border.\n\n\n\n'Through the completion of these objectives, IJAMEA might crush the Russian's capacity to disrupt the court's supremacy in the East. \n\n\u00a0\u00a0\n\n**Assets:** This is the first time the IJAMEA will be going against a foreign containment agency since the assault on __[http://www.scp-wiki.net/marshall-carter-and-dark-hub The Western Merchants]__ in the Prewar years. As such, various forms of funding are going to be needed. Various different sources have been considered, specifically from the Western agency __[http://www.scp-wiki.net/unusual-incidents-unit-hub Unusual Incidents Unit]__. They will provide the majority of the materials needed for the goals of this operation as long as we maintain cooperation with occupying American forces. \n\n\n\nAside from financial funding, IJAMEA will need volunteers who would be willing to lay down their lives for the good of the operation and our glorious empire. The individuals considered for this opportunity to serve their country are the peoples of Siberia, Russians living within the empire, Japanese living within the USSR borders, and those who can be brought to our side, whether through coercion or economic incentive. Others, such as the great warriors of the __[http://www.scp-wiki.net/scp-2478 Hida Mountains]__, have also been considered. \n\n\n\nIf possible, __[http://www.scp-wiki.net/sarkicism-hub flesh-crafters]__ are to be converted and promised suffrage from their Communist oppressor if they are willing to participate in such an operation, although this will not be a main source of fresh recruits to the operation. \n\n\n\n**Results:** Failure. Our comrades failed us like they had 5 years ago. Nothing had been done to curb communist expansion. In fact, it has expanded. The Chinese to the West have fallen to the Red Roaches like Russia before it, and like that of the other European nations after the allies raped Germany and her possessions. \n\n\n\nOur spies were captured within months of being stationed, tortured, and placed into a Siberian concentration camp, where they will be worked and starved to death, never knowing the full beauty of death on the battlefield, but only the meek suffering of captivity.[[footnote]] Operations regarding our possible liberation of these soldiers is currently being discussed with our backers. [[/footnote]] The Russians knew spies; their nation was built upon the backs of saboteurs and liars. \n\n\n\nIn the long term, our efforts towards destabilization of the USSR in either Moscow or in areas such as Siberia have been unfruitful. Nor has our objective of converting technology toward our side lead to any innovation to our soldiers and generals. Secrecy clouds the GRU and its \"P\" division, to the point that even many of the highest-ranking officials of the Intelligence Directorate even knew that is existed, and even fewer knew its purpose beyond the arm of a barbaric Georgian. \n\n\n\nThe only knowledge gained about \"P\" division was some of its locations near Siberia, and the experiments perpetrated by them. The papers never explicitly state the products of these experiments, but based on the amount of rubles being spent along with many accolades from the inner factions of the Red Army, it cannot be good for our Empire. \n\n\n\n[[footnote]] \"Through the new weaponry, revolutionary socialism can be spread throughout the world without a single __[http://www.scp-wiki.net/scp-2664 death]__.\" -- Unknown High Ranking General. \n\n\n\n\"Religious fervor will be translated towards more productive ends, such as serving the motherland or civil service to Comrade Stalin.\" -- Unknown General.\u00a0\u00a0\n\n\n\n\"Flesh-crafters will be reined in and, if successful, abandoned their barbaric religion and come fully under the control of the Party.\" -- USSR diplomat, believed to have worked with flesh-crafters in the Urals for extended periods of time. \n\n\n\n\"The myth of genocide in the Ukraine will be erased from public conscience, and further create a trust between the Party and The People of the USSR.\" -- High Ranking Communist Party official. \n\n[[/footnote]]\n\n\n\nOur only way to prevent this is to contact other members of the anomalous world of this potential danger to not only the political paradigm, but to the world itself. It must be passed back to the bookburners or the Jailors, possibly even the librarians if they would be willing to listen to our plea. \n\n\n\nGods, help us all. \n\n----\n\n= //Liquidation of all assets in process. -- General Rokuro//\n\n\n\n[[footnoteblock]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a> author=Zer0Ne0phyte]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_ijamea", "_licensebox", "fantasy", "goi-format", "gru-division-p", "ijamea", "period-piece", "sarkic", "spy-fiction"], "title": "Project Ankoshoku, 1950 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ankoshoku"}, "anomaly-123-the-ember-tea": {"created_at": "2025-01-23T23:19:00", "creator": "generikname", "domain": "scp-wiki.wikidot.com", "history": [{"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "", "date": "2025-01-23T23:19:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "Uploaded file \"HMFSCP2\".", "date": "2025-01-23T23:20:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "", "date": "2025-01-23T23:22:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "File \"HMFSCP2\" renamed to \"HMFSCP2.png\".", "date": "2025-01-23T23:23:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "", "date": "2025-01-23T23:23:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "", "date": "2025-01-23T23:24:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "Added tags: goi-format, hmfscp. ", "date": "2025-01-23T23:28:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "Removed tags: goi-format. ", "date": "2025-01-23T23:29:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "", "date": "2025-01-23T23:32:00"}, {"author": "generikname", "author_href": "https://www.wikidot.com/user:info/generikname", "comment": "", "date": "2025-01-24T00:31:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Added tags: _other, goi-format. ", "date": "2025-01-27T11:25:00"}, {"author": "zoempaws", "author_href": "https://www.wikidot.com/user:info/zoempaws", "comment": "Added missing apostrophe.", "date": "2025-01-27T12:14:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: _image, _licensebox. ", "date": "2025-01-28T15:28:00"}, {"author": "zoempaws", "author_href": "https://www.wikidot.com/user:info/zoempaws", "comment": "Added tags: period-piece. ", "date": "2025-01-29T00:00:00"}, {"author": "S D Locke", "author_href": "https://www.wikidot.com/user:info/s-d-locke", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2025-02-23T16:42:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _hmfscp. Removed tags: _other. ", "date": "2026-04-16T07:32:00"}], "hubs": ["goi-formats"], "images": [], "link": "anomaly-123-the-ember-tea", "page_id": "1458299818", "rating": 19, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/normalize-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/basalt-bedrock-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Abasalt/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"document\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:170%;\"><strong>Her Majesty's Foundation for the Study of Curiosities and Phantasmagoria</strong></span></p>\n\n<p><br/>\n<strong>BY DECREE OF HER ROYAL MAJESTY QUEEN VICTORIA, RULER OF THESE UNITED KINGDOMS OF GREAT BRITAIN AND IRELAND, THIS DOCUMENT AND ITS CONTENTS ARE TO BE HELD IN SECRECY, AND USED TO PROTECT AND FURTHER THE INTERESTS OF THE BRITISH EMPIRE.</strong></p>\n<p><strong>GOD SAVE THE QUEEN.</strong></p>\n</div>\n<hr/>\n<p><strong>Designation:</strong> AO-123.</p>\n<p><strong>Threat:</strong> Benign.</p>\n<p><strong>Classifications:</strong> Botanical, Palatable, Remedial.</p>\n<p><strong>Stored:</strong> Dome-01, Hall-03, Site-Red. Wild cases are under monthly observation.</p>\n<p><strong>Identifiers:</strong> Anomaly, henceforth referred to as the plant, presents itself as a moderately sized Camellia Sinensis, its broad, glossy leaves of a rich green hue. The plant though familiar, possesses roots that protrude out of the ground at a distance of about two feet away from the plant. The plant does not bear any dissimilarities to Camellia Sinensis outside of this peculiarity.</p>\n<p><strong>Abnormality:</strong> The plant exhibits a most unnatural and constant heat, the like of which cannot be accounted for by any known principles of natural science. The temperature surrounding its roots and leaves is of such intensity as to cause painful burns upon contact with the skin. The plant is reported by natives so as to have remedial properties when brewed into a tea that can heal even the worst of injuries, up to gaping cuts upon an individual. The plant's irregular heat permits itself to boil itself when introduced to water and requires no kindling of any sort.</p>\n<p><strong>History:</strong> The plant was discovered by Sir Frederick Hawke during a 1858 expedition to the Raj. Initially on a mission to gather samples of local plant life, Sir Frederick stumbled upon this plant. Its unusual characteristics became evident when, in an attempt to collect it, he suffered severe burns to his left hand when making contact. This incident prompted further investigation, leading to the plant's classification and subsequent observation. Discussion with the natives revealed that the plant is referred to as 'Aag Patta', or 'Ember Leaf'. The locals, aware of its dangerous heat, employ the use of cloth to handle the plant, using it to distribute the heat away from their skin. Despite the risks, they also described the plant\u2019s remarkable healing properties, when brewed into a tea. Recognizing the potential value of the plant both for its medicinal properties and its unique characteristics, Sir Frederick secured a sample, which was carefully transported back to Britain.</p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 123 (A) :</strong> Sir Frederick Hawke's Account. Dated May 5th, 1858.</p>\n<p>A report delivered to Her Majesty's Foundation on the culture and history of AO-123 according to local societies and its abnormal properties.</p>\n<hr/>\n<p>It was the fifth of May, and my crew and I had found ourselves amidst the dense jungles of the Raj, on a mission both perilous and of significant importance. My expedition had initially aimed to gather samples of ordinary plants, to determine the ecological necessities of the region, but fate had other plans. As we ventured deeper into the foliage, I stumbled upon a plant unlike any I had encountered before, the leaves were broad, the glossy green shining beneath the sun, reminiscent of Tea Plant. But it was the roots that caught my attention, stretching out about an arms length away from the plant, protruding from the soil in an unnatural manner. It was an anomaly. My curiosity overcame me, and I leaned closer to inspect the strange vegetation. I foolishly touched one of the roots. A searing pain shot through my hand as it was burned upon contact, and I withdrew it, cursing my oversight. The heat was unbearable, far more intense than any other source I have ever encountered.</p>\n<p>The indigenous people of the area had long known of this plant, but they had given it a name I had never heard before, 'Aag Patta', or 'Ember Leaf' in the Queens English. According to them, the plant was lauded for its remarkable healing properties. They claimed that when brewed, its volatile heat would be transformed into a healing warmth that could close wounds, ease pain, and promote rapid recovery, even from the most grievous of injuries. The natives claimed the plant was a source of life, ridiculous to an English man such as myself, but intriguing nonetheless. Upon prodding them for further information they insisted they have seen it work in person.</p>\n<p>Eager to learn more, I reluctantly arranged for a local healer to demonstrate the brewing process. With great care, the healer selected several leaves, placed them in a small pot of water, and set the pot upon a stone. The water, which had previously been at room temperature, began to boil almost instantly. The liquid within the pot quickly boiled over, rising without the need for any kindling or fire starting. Though hesitant at first, I could not resist the allure of the plant\u2019s promise. I took the cup from the healer, still warm to the touch, and brought it to my lips. The first sip was like nothing I had ever tasted. It was soothing, not just physically but on my mind and soul as well. It alleviated all the stress and aches of this journey. As I prepared to leave the Raj and return to Britain, I ensured that I had gathered sufficient samples of the plant, though transporting it would prove to be a challenge. With the help of the natives, I devised a method of securing the plant, wrapping the roots and leaves in thick, heat-resistant cloth and carefully packing it for the journey. I assured the natives that we would respect the plant with all due reverence beforehand of course.</p>\n<div style=\"text-align: right;\">\n<p>- <strong>Sir Frederick A. Hawke</strong></p>\n</div>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 20pt\"><strong>Order to Her Majesty's Foundation.</strong><br/></span> <span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 16pt\">From Her Majesty, the Queen Victoria<br/></span> <span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 12pt\">Dated November 18th, 1858.<br/></span></p>\n</div>\n<hr/>\n<p>To Her Majesty's Foundation for the Study of Curiosities and Phantasmagoria,</p>\n<p>The Queen orders the immediate seizure of the region the plant identified as AO-123 by Her Majesty's Foundation was discovered. This region, currently under the auspices of Her Majesty's Foundation, shall be placed into the direct care of royal authority. Her Majesty's Foundation will be duly informed of any developments that may interrupt the pursuit of knowledge regarding AO-123. The Queen has empowered the 1st Esoteric Regiment to undertake the acquisition and management of the region in question.<br/></p>\n<div style=\"text-align: right;\">\n<p><strong>Sincerely,<br/>\nHer Majesty, Queen Victoria</strong></p>\n</div>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 123 (B) :</strong> British Army 1st Esoteric Regiment, After Action Report. Dated May 9th, 1859.</p>\n<p>A report delivered to Her Majesty's Foundation on behalf of the British Army 1st Esoteric Regiment.</p>\n<hr/>\n<p>At precisely ten hundred thirty four on the May the forth of this year, the 1st Esoteric Regiment of the British Army, under the command of Sir Frederick Hawke, embarked into the dense jungle of the royal colony of the Raj. The regiment had orders to secure the region in which a plant, labelled as AO-123 to Her Majesty's Foundation, was known to grow within. The thickness of the jungle prevented a large scale search for the plant and only half of the regiment's personnel were able to traverse the terrain. The trek lasted three days before the regiment encountered a local village that cultivated the plant. The regiment approached the chief of the village and Sir Frederick Hawke informed them of their purpose in the region and that the plant would hereby be seized in the name of the Queen.</p>\n<p>The village chief refused to hand over control of the plant. The regiment offered a compensation in gold which was refused. Following that the regiment threatened the village chief with imprisonment if he continued to refuse the orders of the Queen. The village chief still refused to follow simple orders. In response, the regiment seized the chief, accusing him of treason for his refusal. The chief was bound and brought to the village square, where a cannon, that had been transported through the jungle with great effort, was prepared for the execution. The chief was tied to the front of the cannon and promptly executed, his death meant to serve as a lesson to the villagers. The village chief's execution sparked an immediate and intense backlash from the local population. The regiment was forced to retreat to the outskirts of the village nearby the farms that the plants were grown within. While preparations were made to fend off an assault by the native savages, the gunpowder used for the rifles and cannon lit ablaze, presumptuously from the intense heat originating from the nearby plants. What followed was a inferno the likes of which have never been seen, within seconds the entire field was engulfed in flames. Sir Frederick Hawke ordered the regiment to attempt to salvage as much of the plant as possible however that soon proved futile as the men were consumed by flame. What little samples were collected were severely burnt and deemed to be of no use to the crown and tossed away.</p>\n<p>An estimated thirty percent of the regiment died in the fire, though attempts were made to control it, it quickly spread out into the surrounding wilderness, decimating everything in its path. Attempts to halt the destruction were unsuccessful, and the fire's devastation remained beyond the control of the regiment for several days. In the wake of this disaster, the regiment was forced to abandon its mission, retreating to the outskirts of the jungle to regroup and recover. The fate of the plant remains unknown, however it is likely that all specimens were destroyed, as the fire devastated much of the surrounding area where it grew.</p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anomaly-123-the-ember-tea\">Anomaly 123 - \"The Ember Tea\"</a>\" by generikname, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anomaly-123-the-ember-tea\">https://scpwiki.com/anomaly-123-the-ember-tea</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> hmfscp2.png<br/>\n<strong>Name:</strong> hmfscp2<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/olympic-error\" onclick=\"WIKIDOT.page.listeners.userInfo(7938093); return false;\"><img alt=\"Olympic Error\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7938093&amp;amp;size=small&amp;amp;timestamp=1788005919\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7938093)\"/></a><a href=\"http://www.wikidot.com/user:info/olympic-error\" onclick=\"WIKIDOT.page.listeners.userInfo(7938093); return false;\">Olympic Error</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\">https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:basalt\">:scp-wiki:theme:basalt</a> themesetting|hidetitle=a]]\n\n\n\n[[module css]]\n\n\n\n@import url('https://fonts.googleapis.com/css2?family=Vesper+Libre&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Spectral:wght@300&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Oranienbaum&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Special+Elite&display=swap');\n\n\n\n:root {\n\n\u00a0\u00a0--logo: url(https://scp-wiki.wdfiles.com/local--files/anomaly-306-the-silver-alder/HMFSCP2.png);\n\n\u00a0\u00a0--title: \"Her Majesty's Foundation\";\n\n\u00a0\u00a0--subtitle: \"Dieu Et Sa 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and Phantasmagoria** [[/size]]\n\n\n\n[[=image HMFSCP2.png style=\"width:20%;\"link=#]]\n\n@@@@\n\n**BY DECREE OF HER ROYAL MAJESTY QUEEN VICTORIA, RULER OF THESE UNITED KINGDOMS OF GREAT BRITAIN AND IRELAND, THIS DOCUMENT AND ITS CONTENTS ARE TO BE HELD IN SECRECY, AND USED TO PROTECT AND FURTHER THE INTERESTS OF THE BRITISH EMPIRE.**\n\n\n\n**GOD SAVE THE QUEEN.**\n\n[[/=]]\n\n------\n\n\n\n**Designation:** AO-123.\u00a0\u00a0[!-- Always start with AO- --]\n\n\n\n**Threat:** Benign. [!-- None, Benign, Irascible, Enraged --]\n\n\n\n**Classifications:** Botanical,\u00a0\u00a0Palatable, Remedial. [!-- Brief descriptions of anomaly --]\n\n\n\n**Stored:** Dome-01, Hall-03, Site-Red. Wild cases are under monthly observation. [!-- Where is the anomaly kept or located --]\n\n\n\n**Identifiers:** Anomaly, henceforth referred to as the plant, presents itself as a moderately sized Camellia Sinensis, its broad, glossy leaves of a rich green hue. The plant though familiar, possesses roots that protrude out of the ground at a distance of about two feet away from the plant. The plant does not bear any dissimilarities to Camellia Sinensis outside of this peculiarity. [!-- How does the anomaly usually look --]\n\n\n\n**Abnormality:** The plant exhibits a most unnatural and constant heat, the like of which cannot be accounted for by any known principles of natural science. The temperature surrounding its roots and leaves is of such intensity as to cause painful burns upon contact with the skin. The plant is reported by natives so as to have remedial properties when brewed into a tea that can heal even the worst of injuries, up to gaping cuts upon an individual. The plant's irregular heat permits itself to boil itself when introduced to water and requires no kindling of any sort.[!-- How does the anomaly usually behave and what makes this unusual --]\n\n\n\n**History:** The plant was discovered by Sir Frederick Hawke during a 1858 expedition to the Raj. Initially on a mission to gather samples of local plant life, Sir Frederick stumbled upon this plant. Its unusual characteristics became evident when, in an attempt to collect it, he suffered severe burns to his left hand when making contact. This incident prompted further investigation, leading to the plant's classification and subsequent observation. Discussion with the natives revealed that the plant is referred to as 'Aag Patta', or 'Ember Leaf'. The locals, aware of its dangerous heat, employ the use of cloth to handle the plant, using it to distribute the heat away from their skin. Despite the risks, they also described the plant\u2019s remarkable healing properties, when brewed into a tea. Recognizing the potential value of the plant both for its medicinal properties and its unique characteristics, Sir Frederick secured a sample, which was carefully transported back to Britain.[!-- How did the anomaly come under the control of HMFSCP --]\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 123 (A) :** Sir Frederick Hawke's Account. Dated May 5th, 1858.\n\n\n\nA report delivered to Her Majesty's Foundation on the culture and history of AO-123 according to local societies and its abnormal properties.\n\n-----\n\n\n\nIt was the fifth of May, and my crew and I had found ourselves amidst the dense jungles of the Raj, on a mission both perilous and of significant importance. My expedition had initially aimed to gather samples of ordinary plants, to determine the ecological necessities of the region, but fate had other plans. As we ventured deeper into the foliage, I stumbled upon a plant unlike any I had encountered before, the leaves were broad, the glossy green shining beneath the sun, reminiscent of Tea Plant. But it was the roots that caught my attention, stretching out about an arms length away from the plant, protruding from the soil in an unnatural manner. It was an anomaly. My curiosity overcame me, and I leaned closer to inspect the strange vegetation. I foolishly touched one of the roots. A searing pain shot through my hand as it was burned upon contact, and I withdrew it, cursing my oversight. The heat was unbearable, far more intense than any other source I have ever encountered. \n\n\n\nThe indigenous people of the area had long known of this plant, but they had given it a name I had never heard before, 'Aag Patta', or 'Ember Leaf' in the Queens English. According to them, the plant was lauded for its remarkable healing properties. They claimed that when brewed, its volatile heat would be transformed into a healing warmth that could close wounds, ease pain, and promote rapid recovery, even from the most grievous of injuries. The natives claimed the plant was a source of life, ridiculous to an English man such as myself, but intriguing nonetheless. Upon prodding them for further information they insisted they have seen it work in person.\n\n\n\nEager to learn more, I reluctantly arranged for a local healer to demonstrate the brewing process. With great care, the healer selected several leaves, placed them in a small pot of water, and set the pot upon a stone. The water, which had previously been at room temperature, began to boil almost instantly. The liquid within the pot quickly boiled over, rising without the need for any kindling or fire starting. Though hesitant at first, I could not resist the allure of the plant\u2019s promise. I took the cup from the healer, still warm to the touch, and brought it to my lips. The first sip was like nothing I had ever tasted. It was soothing, not just physically but on my mind and soul as well. It alleviated all the stress and aches of this journey. As I prepared to leave the Raj and return to Britain, I ensured that I had gathered sufficient samples of the plant, though transporting it would prove to be a challenge. With the help of the natives, I devised a method of securing the plant, wrapping the roots and leaves in thick, heat-resistant cloth and carefully packing it for the journey. I assured the natives that we would respect the plant with all due reverence beforehand of course.\n\n\n\n[[>]]\n\n-\u00a0\u00a0**Sir Frederick A. Hawke**\n\n[[/>]]\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n[[=]]\n\n[[span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 20pt\"]]**Order to Her Majesty's Foundation.**\n\n[[/span]][[span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 16pt\"]]From Her Majesty, the Queen Victoria\n\n[[/span]][[span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 12pt\"]]Dated November 18th, 1858.\n\n[[/span]]\n\n[[/=]]\n\n------\n\nTo Her Majesty's Foundation for the Study of Curiosities and Phantasmagoria,\n\n\n\nThe Queen orders the immediate seizure of the region the plant identified as AO-123 by Her Majesty's Foundation was discovered. This region, currently under the auspices of Her Majesty's Foundation, shall be placed into the direct care of royal authority. Her Majesty's Foundation will be duly informed of any developments that may interrupt the pursuit of knowledge regarding AO-123. The Queen has empowered the 1st Esoteric Regiment to undertake the acquisition and management of the region in question.\n\n[[>]]\n\n**Sincerely,\n\nHer Majesty, Queen Victoria**\n\n[[/>]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 123 (B) :** British Army 1st Esoteric Regiment, After Action Report. Dated May 9th, 1859.\n\n\n\nA report delivered to Her Majesty's Foundation on behalf of the British Army 1st Esoteric Regiment.\n\n-----\n\nAt precisely ten hundred thirty four on the May the forth of this year, the 1st Esoteric Regiment of the British Army, under the command of Sir Frederick Hawke, embarked into the dense jungle of the royal colony of the Raj. The regiment had orders to secure the region in which a plant, labelled as AO-123 to Her Majesty's Foundation, was known to grow within. The thickness of the jungle prevented a large scale search for the plant and only half of the regiment's personnel were able to traverse the terrain. The trek lasted three days before the regiment encountered a local village that cultivated the plant. The regiment approached the chief of the village and Sir Frederick Hawke informed them of their purpose in the region and that the plant would hereby be seized in the name of the Queen.\n\n\n\nThe village chief refused to hand over control of the plant. The regiment offered a compensation in gold which was refused. Following that the regiment threatened the village chief with imprisonment if he continued to refuse the orders of the Queen. The village chief still refused to follow simple orders. In response, the regiment seized the chief, accusing him of treason for his refusal. The chief was bound and brought to the village square, where a cannon, that had been transported through the jungle with great effort, was prepared for the execution. The chief was tied to the front of the cannon and promptly executed, his death meant to serve as a lesson to the villagers. The village chief's execution sparked an immediate and intense backlash from the local population. The regiment was forced to retreat to the outskirts of the village nearby the farms that the plants were grown within. While preparations were made to fend off an assault by the native savages, the gunpowder used for the rifles and cannon lit ablaze, presumptuously from the intense heat originating from the nearby plants. What followed was a inferno the likes of which have never been seen, within seconds the entire field was engulfed in flames. Sir Frederick Hawke ordered the regiment to attempt to salvage as much of the plant as possible however that soon proved futile as the men were consumed by flame. What little samples were collected were severely burnt and deemed to be of no use to the crown and tossed away.\n\n\n\nAn estimated thirty percent of the regiment died in the fire, though attempts were made to control it, it quickly spread out into the surrounding wilderness, decimating everything in its path.\u00a0\u00a0Attempts to halt the destruction were unsuccessful, and the fire's devastation remained beyond the control of the regiment for several days. In the wake of this disaster, the regiment was forced to abandon its mission, retreating to the outskirts of the jungle to regroup and recover. The fate of the plant remains unknown, however it is likely that all specimens were destroyed, as the fire devastated much of the surrounding area where it grew.\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** hmfscp2.png\n\n> **Name:** hmfscp2\n\n> **Author:** [[*user olympic-error]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_hmfscp", "_licensebox", "goi-format", "hmfscp", "period-piece"], "title": "Anomaly 123 - \"The Ember Tea\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anomaly-123-the-ember-tea"}, "anomaly-243-the-neamh-mairbh": {"created_at": "2024-01-07T22:57:00", "creator": "arthcymro", "domain": "scp-wiki.wikidot.com", "history": [{"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-07T22:57:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Added tags: blackwood, hmfscp, hy-brasil, mythological-fiction, period-piece, sauelsuesor, tale. ", "date": "2024-01-07T23:16:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-08T15:02:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-08T16:35:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Added tags: homo-sapiens-sidhe. ", "date": "2024-01-09T09:30:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-09T13:16:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-09T13:19:00"}, {"author": "narm00", "author_href": "https://www.wikidot.com/user:info/narm00", "comment": "Word fixes.", "date": "2024-01-12T09:48:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-24T14:06:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-24T22:30:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-24T22:32:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-01-24T22:33:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: _image, _licensebox. ", "date": "2024-02-03T12:07:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2024-02-27T02:12:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "", "date": "2024-02-27T02:12:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-03-03T22:13:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-03-04T10:48:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-04-02T15:35:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "changing ending", "date": "2024-07-25T15:00:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-14T21:10:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-16T16:02:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Uploaded file \"HMFSCP2.png\".", "date": "2024-09-17T13:30:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-17T13:36:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-27T08:31:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-28T21:10:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mythological. Removed tags: mythological-fiction. ", "date": "2024-10-11T19:22:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-10-16T11:15:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-10-22T16:03:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Added tags: goi-format. ", "date": "2025-01-11T21:31:00"}, {"author": "ch00bakka", "author_href": "https://www.wikidot.com/user:info/ch00bakka", "comment": "Added tags: _other. ", "date": "2025-01-21T19:44:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2025-02-07T14:50:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: faerie. ", "date": "2025-05-04T20:51:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2025-08-21T11:55:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2025-12-30T00:28:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2026-03-18T12:04:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _hmfscp. Removed tags: _other. ", "date": "2026-04-16T07:32:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Removed tags: tale. ", "date": "2026-05-05T09:18:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: vampire. ", "date": "2026-08-26T09:02:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png", "https://upload.wikimedia.org/wikipedia/commons/7/72/George_chapman_illo.jpg"], "link": "anomaly-243-the-neamh-mairbh", "page_id": "1452095260", "rating": 20, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/normalize-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/basalt-bedrock-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Abasalt/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">ArthCymro</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p><strong><a href=\"https://scp-wiki.wikidot.com/dr-dafydd-s-personnel-file\">More by this Author</a></strong></p>\n</div>\n</div>\n</div>\n<div class=\"document\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:170%;\"><strong>Her Majesty's Foundation for the Secure Containment of the Paranormal</strong></span></p>\n<img alt=\"HMFSCP2.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\" style=\"width:20%;\"/><br/>\n<br/>\n<strong>BY DECREE OF HER ROYAL MAJESTY QUEEN VICTORIA, RULER OF THESE UNITED KINGDOMS OF GREAT BRITAIN AND IRELAND, THIS DOCUMENT AND ITS CONTENTS ARE TO BE HELD IN SECRECY, AND USED TO PROTECT AND FURTHER THE INTERESTS OF THE BRITISH EMPIRE.</strong>\n<p><strong>GOD SAVE THE QUEEN.</strong></p>\n</div>\n<hr/>\n<p><strong>Designation:</strong> AO-243.</p>\n<p><strong>Threat:</strong> Enraged.</p>\n<p><strong>Classifications:</strong> Hominid, Nocturnal, Infective, Thaumaturgic, Transvection, Regenerative.</p>\n<p><strong>Stored:</strong> <em>Anomaly remains unchecked.</em></p>\n<p><strong>Identifiers:</strong> Anomaly encompasses an entire theurgical augmented group of hominids native to Ireland. Near-human in appearance, the creatures share much of their physiology with those of the <em><a href=\"/nx-03\">Tuatha D\u00e9 Danann</a></em>, with the exception of their teeth, which are jagged, and eyes, of which the sclera is of a black hue round the edges of the iris. Observation has determined their intelligence and sapience to be near, if not identical, to that of a human.</p>\n<p><strong>Abnormality:</strong> The creatures possess a number of unusual qualities, both in their behaviour and biology. Their most notable quality is their regenerative capabilities, which grant them suspended age and recovery of almost all forms of physical damage, including conditions which would normally be deemed unrecoverable such as decapitation or severe mutilation. This quality also appears to dull their sense of pain and grant them an enhanced physique.</p>\n<p>There are, however, exceptions. Wounds inflicted through weapons heavy in iron or silver do not recover as quickly. Sunlight also appears to impede their regenerative capabilities, resulting in their flesh quickly becoming rigid, blistered and gangrenous. Even with these exceptions, the creatures require continuous, prolonged exposure before they would be considered impossible for them to resurrect.</p>\n<p>Internally, the creatures possess a near-identical biology to those of humans and <em>Tuatha</em>. However, their blood is notably darker in hue and possess a high viscosity, closer to that of oil. The liquid is dilatant, thickening when strain is applied, giving them a sufficient defence against blunt or projectile damage. It also is much richer in proteins and testosterone, appearing to induce temporary hypertrophy when introduced to muscular or skeletal tissue. In addition, as well as having rather jagged teeth, the creatures possess twice the number of canines as an ordinary human. One set, found near the incisors, are especially jagged and large. The other set, found near the premolars, are thinner. The roots of these thin canines are not a not attached to the jaws, but rather to the muscles and ligament of the other thicker canines. When the creature's mouth encases an object, the additional ligaments will react, causing the thin canines to deploy, sinking deep into the objects structure.</p>\n<p>The creatures also possess an unusual diet, as they do not require human food to survive. Rather, the creatures are hematophagous, consuming blood, primarily from other hominids, though they can sustain themselves on other mammalian blood. The death of the prey is not necessary, although the creatures typically do not leave their prey in a recoverable condition. However, it is noted that the nourishment the creatures gain doesn't just come from the blood itself but also through ritualistic theurgy. In a way, the act of hunting, harvesting, murder or battle is as nourishing as the consumption of blood, with both acting as a source of sustenance.</p>\n<p>The creatures are believed to be sterile, although this claim has yet to be confirmed by observation. Whilst the creatures haven't been observed breeding, they are capable of performing a theurgic, xenogenesis metamorphosis, in which they endow their anomaly qualities into another individual. How this is achieved is not known and requires further research. As of this publication, only individuals of the <em>Tuatha</em> have been successful victims of this metamorphosis. It is unknown if this is due to some theurgic requirement or tradition on the creatures' part. It is also unknown whether the anomalous capabilities individual possessed prior to metamorphosis is retained when the transformation is complete.</p>\n<p><strong>History:</strong> Whilst the creatures' existence has only managed to live in folktales and legends for the human population of Ireland, those of the <em>Tuatha</em> have an extensive history with them <em>(as detailed in the accompanying piece by Lord Blackwood's conference with Hy-Brasil's reigning monarch, Nuada Airgetl\u00e1m VII)</em>. The first case of the creatures' existence registered by Her Majesty's Foundation was during an investigation into a series of murders in Manchester. All the victims, as well as having been heavily beaten, had bite marks over their bodies and had undergone moderate exsanguination. The criminal, who'd arrived in England under the guise of a longshoremen named <em>Paule Byrne</em>, was eventually traced to a brothel where theurgists were, after he refused to be detained, exterminate him.</p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 243 (A) :</strong> Lord Blackwood's envoy to Hy-Brasil</p>\n<p>A report delivered to Her Majesty's Foundation on the culture and history of <em>\"Hy-Brasil\"</em> and its inhibitors, the <em>\"Tuatha D\u00e9 Danann\"</em>. The report's writer, Lord Theodore Blackwood, was assisting Her Majesty's Foundation in establishing relations and possible intervention policies with the kingdom's rulers and governors. Information believed to be regarding AO-243 was noted in Blackwood's report.</p>\n<hr/>\n<p><span style=\"color: navy\"><em>After my stroll with the King, I was taken to the banqueting hall, where I was presented with the most delicious meal: fine claret, golden fish and sweet, silver apples. The King was delighted with my enjoyment, remarking how it pained him how closed his kingdom was to the world outside and how wonderful it was to have it appreciated.</em></span></p>\n<p><span style=\"color: navy\"><em>Soon, we spoke of the land's history and I learnt of the people's brutal strife for survival. As he spoke, I saw a great sadness within the King. A regret, mixed with a longing and a weariness. In an attempt to lighten his heart, I asked him of his mages and builders, remarking how beautiful and ingenious his <a href=\"/scp-7010\">wards</a> were. My efforts worked and the King talked in great detail of his people's skills with magic and theurgy, allowing them to bend the elements and fates with little work.</em></span></p>\n<p><span style=\"color: navy\"><em>However, when I asked about their military, the King remained silent for a moment, perturbed. Knowing I had once again touched on a subject of great sensitivity, I apologised. The King, however, raised a hand and sighed, saying it would be better to know rather than hide the story in shame. With that, we left the hall and I was taken to the chambers beneath the palace.</em></span></p>\n<p><span style=\"color: navy\"><em>In the touch light, I saw the chamber lined with tapestries. All depicting various events. Battles, coronations, funerals, weddings and tragedies. According to the King, Queen Br\u00edd III wove them in a great madness, before drowning herself within the water of Loch \u00c1ine. I couldn't help but stare, for the were beautiful. I saw a tapestry of Nuada Airgetl\u00e1m I, being crowned the first king to the cheers of thousands. Another tapestry showed Lugh III and Mal I in battle, waring against <a href=\"/scp-6916\">Arawn ap Carnonos</a> and his army of ghosts and giants. Another, showed Queen Danu rising from the mud, flowers and light flowing from her golden hair. And one, nearer the end, depicted a <a href=\"/lte-0851-cetus\">beast</a> rising from the sea, flames filling the skies.</em></span></p>\n<p><span style=\"color: navy\"><em>The King woke me from my trace and pointed out one In its cloth, I saw an image of horror. A field lined with bodies and blood. In the centre, two men fought, one of whom I recognised as the husband of Sadhbh II, Fionn, holding a sword with a wooden hilt. The other man was dwarfed and had hair of wild cinnabar, teeth as sharp as daggers and eyes filled with malice. Around them, in a frenzy of blood and fury, men and women were screaming and laughing. All shared the dwarf's abhorrent glare and maw. And in the sky, cutting through the dark, crimson clouds, stood a woman all in <a href=\"/scp-179\">black</a>, showering Fionn in golden light.</em></span></p>\n<p><span style=\"color: navy\"><em>As I took in the image, the King told me the dwarf's tale. With the fall of the <a href=\"/nx-02\">Mabyn</a>, the kingdom of the Tuatha, which had once spanned the highlands of Scotland as well as Ireland, was now vulnerable to the coming threats from the east. As they had depleted so much of their magic and weaponry from their war with Mabyn, the monarchy elected to abandon the highlands and retreated to Ireland.</em></span></p>\n<p><span style=\"color: navy\"><em>As the years passed, Albion was invaded and colonised by several forces, but Ireland remained untouched and the Tuatha lived in quiet. Whilst many of the monarchy's people supported their ruler's choice, some remained bitter and vengeful. This bitterness was at its most potent within the Fianna, the theurgic warriors of the Tuatha. They had come to see their people as weak and lacking pride, with their leader, the dwarf knight, Abhartach, leading this shame.</em></span></p>\n<p><span style=\"color: navy\"><em>Wishing to restore their honour, Abhartach eventually asked his Queen, Sadhbh, to lead a crusade against the foreign rulers of Britain and claim back their land. The Queen refused, concerned only for the safety of her people. Enraged, Abhartach and his men sought to overthrow the monarchy and searched for ways to equal their power. Eventually, he sought the wisdom of the Aos S\u00ed, cruel beings with old magic and wings like glass. The Aos S\u00ed agreed to grant Abhartach's boon, on the condition he would be an ally to them if they ever needed him. Reluctantly, Abhartach agreed.</em></span></p>\n<p><span style=\"color: navy\"><em>Using their power, the Aos S\u00ed granted Abhartach and his men's boon in the form of a new life. One free from the touches of death or time and rich in power and strength. They became the Neamh-Mairbh, men beyond death. But this boon would require blood to complete the promise. The blood of an enemy. Abhartach, now blinded by the power of his new shape and fuelled by his disgust for foreigners, choose a visiting Gaul priestess. One night, he and his men ambushed the priestess in her quarters, ripped her throat out and drank her blood, completing their contract with the Aos S\u00ed.</em></span></p>\n<p><span style=\"color: navy\"><em>With his army of immortals, Abhartach lead the Neamh-Mairbh in a nocturnal ambush, attacking his former home and people. In the bloodbath, the army claimed many lives, including their former Queen. Her husband tried in vain to fight the army, but as they were fuelled by magic, only iron or silver would harm the immortals, a substance no Tuatha could touch. Try as he might, Fionn and his people could not win.</em></span></p>\n<p><span style=\"color: navy\"><em>Then, as the dawn broke, a miracle occurred. As the clouds parted, the immortals began to scream in pain in the light of the Sun, their flesh decaying and blistering. For in his pride and greed, Abhartach had made one mistake. The priestess he and his army had killed had not been a follower of a earthly faith. She was a follower of the <a href=\"/second-hytoth-hub\">Seven</a> and with her death, was granted apotheosis, becoming one with the heavens and Sun. With her assent, she banished Abhartach and his army form the light of the heavens, bringing them agony and weakness if they ever entered it.</em></span></p>\n<p><span style=\"color: navy\"><em>With the heavens now on his side, Fionn and his men destroyed many of the Neamh-Mairbh and eventually won the battle. Victorious but vulnerable, Fionn wished to punish his wife's and people's killers with a fate worse than death. So his theurgists had Abhartach and his remaining army bound in chains of silver and sealed in caves in the north, trapping them in eternal pain. But even as the caves were closed, Abhartach vowed he would return to claim his right, one day. One day, the Neamh-Mairbh would return.</em></span></p>\n<p><span style=\"color: navy\"><em>As he finished the tale, I asked the King if Abhartach ever fulfilled his promise. He claimed he did not know as years later, his people fled once again, rebuilding Hy-Brasil as their last home. For now, there was only tales and rumours of his return and he did not give in to fantasies easily. I thanked him for telling me his people's tale and proposed we return to the palace to continue our journey. Agreeing, we left the chambers and returned to the light of day.</em></span></p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 243 (B) :</strong> Suspect 230</p>\n<hr/>\n<div class=\"scp-image-block block-right\" style=\"width:280px;\"><img alt=\"George_chapman_illo.jpg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/7/72/George_chapman_illo.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Suspect 230, Lysander Agnew</p>\n</div>\n</div>\n<p><strong>Subjects Name:</strong> Lysander Ruthven Agnew</p>\n<p><strong>Nationality:</strong> Irish</p>\n<p><strong>Occupation:</strong> Trade Route manager at <em>Layton &amp; Sons<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></em></p>\n<p><strong>Perpetration:</strong> After the successful disposal of an AO-243 entity, Her Majesty's Foundation began an investigation into his travels prior to arriving in Manchester. It was eventually discovered that the entity calling himself <em>Paule Byrne</em> had made several journeys with the shipping company <em>Layton &amp; Sons</em>. When the company's passenger manifest was investigated further, it was found that 6 other individuals had also used the name, in various locations across Canada, the United States of America, the United Kingdom, France and the Netherlands, suggesting that the name <em>Paule Byrne</em> was a pseudonym used by multiple people.</p>\n<p>The case's head investigator, Inspector Henry, later learnt through a contact in the American Secure Containment Initiative that the name was linked to a series of murders and kidnappings that had occurred in the Northeast United States and Eastern Canada. Furthermore, when the passenger manifests were compared with the cargo documentation, Henry found that in a majority of the <em>Paule Byrne</em> returning journeys, additional cargo had been assigned to them, all to be delivered to Cork, Ireland.</p>\n<p>When Henry contacted <em>Layton &amp; Sons</em>, their archivists revealed that all the shipments had been approved by one of the company's trade route managers, <em>Lysander Ruthven Agnew</em> and the cargo had supposedly contained medical supplies and biochemical materials, though no one could confirm this was the case. When Her Majesty's Foundation attempted to trace <em>Lysander Ruthven Agnew</em>, they found that several documents had been destroyed or lost. Further interviews with several <em>Layton &amp; Sons</em> employees found that they possessed no information regarding their manager's whereabouts or associates. However, a few were able to provide a description of him, which the illustrators were able to work into a sketch. Due to his connections to the inexplicable cargo, <em>Lysander Ruthven Agnew</em> has been assigned as a Suspect.</p>\n<p>Believing the illicit trading, destruction of administrative documents and the involvement of AO-243 implied a criminal syndicate had infiltrated multiple Irish and British establishments, likely involving several AO-243 entities, Inspector Henry was assigned as the head of the AO-243 annulment project.</p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<div style=\"text-align: center;\">\n<p><strong>Proposal: Request the right to alert and establish entente with Tuatha in annulling the AO-243 threat.</strong></p>\n</div>\n<hr/>\n<p>Most esteemed gentlemen of the Operations Council,</p>\n<p>I regret to inform you of the death of Intelligence operatives, Jared Mint and Beiye Zhao. Both had been involved in the AO-243 annulment project and had been posted to investigate the financial trail of various 243 front businesses, like <em>Layton &amp; Sons</em>. They were recovered yesterday at the <em>St Micheal's</em> workhouse in Ullapool, Scotland, having experienced heavy mutilation and exsanguination. Deep bite marks made up a majority of the wounds.</p>\n<p>Whilst this is indeed a tragedy, this proposal comes due to the discoveries we made at the workhouse during our recovery. Having been altered of the establishment via a telegram we'd received from Mint, five days prior to his murder, we stormed the workhouse last night after he or Zhao failed to make a further report. Expecting to find a functioning, staffed establishment, my operative and I were surprised to find the building empty. By the state of the rooms and grounds, it would appear that our operatives had inadvertently alerted the anomalies of our investigation and had fled, destroying as much evidence of their activities in the process. However, our initial assumption that the establishment had been abandoned was wrong.</p>\n<p>We found operatives Mint and Beiye in the laundry rooms in the basements of the building. In adjacent rooms, we also found the remains of numerous cadavers and carcasses. Furthermore, we also discovered that the medical wings on the upper floors had been locked, with several inhuman sounds coming from within. Upon entry, we discovered seven imprisoned, near-human entities, heavily malnurished and aggressive. Believed to be AO-243 entities, we exterminated them. However, our accompanying Physician operative later revealed to us that despite matching 243's characteristics, the entities were of human biology, not <em>Tuatha</em>.</p>\n<p>Further investigation of the workhouse led us to conclude the following. <em>St Micheal's</em> was not merely a feeding ground for the 243's entities, but a laboratory. From what we could gather from the remains of the destroyed records in the medical officer's chambers, it would appear that the anomalies were attempting to enforce a cross-species transmutation of their xenogenesis metamorphosis. From what we witnessed in the medical wings, it would appear they have partially succeeded, with the process now capable of working on basic humans, though not without the loss of sapience and higher reasoning.</p>\n<p>Not only have the deaths of two Intelligence operatives resulted in a depletion in manpower, but we have also underestimated the intelligence and governance of 243, specifically their ability to hide within our society for so long and abuse it to help further their cause, whatever that may be. It is for this reason that I request that we reach out to the Hy-Brasil monarchy and government and alert them of the return of 243. The Tuatha are more knowledgeable of this anomaly's history and capabilities than us and their assistance in the project would provide substantial intelligence and workforce. Not only that, but this would also strengthen our diplomatic relations with them.</p>\n<p>I look forward to hearing from you soon.</p>\n<div style=\"text-align: right;\">\n<h5 id=\"toc0\"><span>- Nathanial Henry</span></h5>\n<h6 id=\"toc1\"><span>Intelligence Head</span></h6>\n<h6 id=\"toc2\"><span>United Kingdom Branch</span></h6>\n</div>\n<br/>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:60%;\">DO NOT WRITE BELOW THIS LINE, OFFICIAL USE ONLY.</span></p>\n<hr/>\n<h3 id=\"toc3\"><span><em><span style=\"color: navy\">Proposal approved.</span></em></span></h3>\n<h3 id=\"toc4\"><span><em>- <span style=\"color: navy\">Chamberlains 1, 2, 4, and 5.</span></em></span></h3>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. A shipbuilding and shipping company based in Cork, Ireland. Specialised in Canadian Arctic, Atlantic and North Sea shipping routes.</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anomaly-243-the-neamh-mairbh\">Anomaly 243 - \"The Neamh-Mairbh\"</a>\" by arthcymro, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anomaly-243-the-neamh-mairbh\">https://scpwiki.com/anomaly-243-the-neamh-mairbh</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Vampire.jpg<br/>\n<strong>Name:</strong> George Chapman<br/>\n<strong>Author:</strong> newspaper<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:George_chapman_illo.jpg\">https://commons.wikimedia.org/wiki/File:George_chapman_illo.jpg</a></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> HMFSCP2.png<br/>\n<strong>Name:</strong> HMFSCP2<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/olympic-error\" onclick=\"WIKIDOT.page.listeners.userInfo(7938093); return false;\"><img alt=\"Olympic Error\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7938093&amp;amp;size=small&amp;amp;timestamp=1788005905\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7938093)\"/></a><a href=\"http://www.wikidot.com/user:info/olympic-error\" onclick=\"WIKIDOT.page.listeners.userInfo(7938093); return false;\">Olympic Error</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\">https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:basalt\">:scp-wiki:theme:basalt</a> themesetting|hidetitle=a]]\n\n\n\n[[module css]]\n\n\n\n@import url('https://fonts.googleapis.com/css2?family=Vesper+Libre&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Spectral:wght@300&display=swap');\n\n\n\n:root {\n\n\u00a0\u00a0--logo: url(https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png);\n\n\u00a0\u00a0--title: \"Her Majesty's Foundation\";\n\n\u00a0\u00a0--subtitle: \"Dieu Et Sa Loi\";\n\n\u00a0\u00a0--title-size: 1.75rem;\n\n\u00a0\u00a0--subtitle-size: 1.25rem;\n\n}\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--basalt-overtone: 10, 10, 11;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-undertone: var(--basalt-bright-element-color);\n\n\u00a0\u00a0\u00a0\u00a0--basalt-UI-dark-palette: 23, 33, 20;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-background-color: 224, 213, 191;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-bright-element-color: 34,49,29;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-dark-element-color: 34,49,29;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-primary-color: 255, 253, 231;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-secondary-color: 255, 239, 203;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-tertiary-color: 246, 227, 186;\n\n\u00a0\u00a0\u00a0\u00a0--basalt-main-text-color: 18, 9, 0;\n\n\n\n\u00a0\u00a0\u00a0\u00a0--image-caption-background-color: 255, 253, 231;\n\n\n\n\u00a0\u00a0\u00a0\u00a0--header-background-color: 48,69,41;\n\n\u00a0\u00a0\u00a0\u00a0--header-title-color: 255, 253, 208;\n\n\u00a0\u00a0\u00a0\u00a0--header-subtitle-color: 255, 253, 208;\n\n\n\n\u00a0\u00a0\u00a0\u00a0--top-bar-link-color: 255, 253, 208;\n\n\u00a0\u00a0\u00a0\u00a0--search-icon-color: 255, 253, 208;\n\n\u00a0\u00a0\u00a0\u00a0--side-bar-background-color: 63,90,54;\n\n\u00a0\u00a0\u00a0\u00a0--side-bar-heading-text-color: 255, 253, 208;\n\n\u00a0\u00a0\u00a0\u00a0--side-bar-link-color: 255, 253, 208;\n\n\u00a0\u00a0\u00a0\u00a0--scrollbar-thumb-color: var(--basalt-dark-element-color);\n\n\u00a0\u00a0\u00a0\u00a0--general-border-color: 156, 156, 156;\n\n\n\n\u00a0\u00a0\u00a0\u00a0--link-color: 137, 81, 37 !important;\n\n\u00a0\u00a0\u00a0\u00a0--link-visited-color: 84, 49, 22 !important;\n\n\n\n\u00a0\u00a0\u00a0\u00a0--document-background-color: 243,223,193;\n\n}\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--header-font-primary: 'Spectral';\n\n\u00a0\u00a0\u00a0\u00a0--UI-font-primary: 'Vesper Libre';\n\n\u00a0\u00a0\u00a0\u00a0--body-font-primary: 'Vesper Libre';\n\n\u00a0\u00a0\u00a0\u00a0--mono-font-primary: 'Spectral';\n\n\u00a0\u00a0\u00a0\u00a0font-size: 110%;\n\n}\n\n[[/module]]\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=-- |name=ArthCymro]]\n\n**[https://scp-wiki.wikidot.com/dr-dafydd-s-personnel-file More by this Author]**\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n\n\n[[div class=\"document\"]]\n\n[[=]]\n\n[[size 170%]] **Her Majesty's Foundation for the Secure Containment of the Paranormal** [[/size]]\n\n\n\n[[image HMFSCP2.png style=\"width:20%;\"link=#]]\n\n@@@@\n\n**BY DECREE OF HER ROYAL MAJESTY QUEEN VICTORIA, RULER OF THESE UNITED KINGDOMS OF GREAT BRITAIN AND IRELAND, THIS DOCUMENT AND ITS CONTENTS ARE TO BE HELD IN SECRECY, AND USED TO PROTECT AND FURTHER THE INTERESTS OF THE BRITISH EMPIRE.**\n\n\n\n**GOD SAVE THE QUEEN.**\n\n[[/=]]\n\n-----\n\n**Designation:** AO-243. [!-- Always start with AO- --]\n\n\n\n**Threat:** Enraged. [!-- None, Benign, Irascible, Enraged --]\n\n\n\n**Classifications:** Hominid, Nocturnal, Infective, Thaumaturgic, Transvection, Regenerative. [!-- Brief descriptions of anomaly --]\n\n\n\n**Stored:** //Anomaly remains unchecked.//[!-- Where is the anomaly kept or located --]\n\n\n\n**Identifiers:** Anomaly encompasses an entire theurgical augmented group of hominids native to Ireland. Near-human in appearance, the creatures share much of their physiology with those of the //[[[nx-03|Tuatha D\u00e9 Danann]]]//, with the exception of their teeth, which are jagged, and eyes, of which the sclera is of a black hue round the edges of the iris. Observation has determined their intelligence and sapience to be near, if not identical, to that of a human.[!-- How does the anomaly usually look --]\n\n\n\n**Abnormality:** The creatures possess a number of unusual qualities, both in their behaviour and biology. Their most notable quality is their regenerative capabilities, which grant them suspended age and recovery of almost all forms of physical damage, including conditions which would normally be deemed unrecoverable such as decapitation or severe mutilation. This quality also appears to dull their sense of pain and grant them an enhanced physique.\n\n\n\nThere are, however, exceptions. Wounds inflicted through weapons heavy in iron or silver do not recover as quickly. Sunlight also appears to impede their regenerative capabilities, resulting in their flesh quickly becoming rigid, blistered and gangrenous. Even with these exceptions, the creatures require continuous, prolonged exposure before they would be considered impossible for them to resurrect.\n\n\n\nInternally, the creatures possess a near-identical biology to those of humans and //Tuatha//. However, their blood is notably darker in hue and possess a high viscosity, closer to that of oil. The liquid is dilatant, thickening when strain is applied, giving them a sufficient defence against blunt or projectile damage. It also is much richer in proteins and testosterone, appearing to induce temporary hypertrophy when introduced to muscular or skeletal tissue. In addition, as well as having rather jagged teeth, the creatures possess twice the number of canines as an ordinary human. One set, found near the incisors, are especially jagged and large. The other set, found near the premolars, are thinner. The roots of these thin canines are not a not attached to the jaws, but rather to the muscles and ligament of the other thicker canines. When the creature's mouth encases an object, the additional ligaments will react, causing the thin canines to deploy, sinking deep into the objects structure. \n\n\n\nThe creatures also possess an unusual diet, as they do not require human food to survive. Rather, the creatures are hematophagous, consuming blood, primarily from other hominids, though they can sustain themselves on other mammalian blood. The death of the prey is not necessary, although the creatures typically do not leave their prey in a recoverable condition. However, it is noted that the nourishment the creatures gain doesn't just come from the blood itself but also through ritualistic theurgy. In a way, the act of hunting, harvesting, murder or battle is as nourishing as the consumption of blood, with both acting as a source of sustenance.\n\n\n\nThe creatures are believed to be sterile, although this claim has yet to be confirmed by observation. Whilst the creatures haven't been observed breeding, they are capable of performing a theurgic, xenogenesis metamorphosis, in which they endow their anomaly qualities into another individual. How this is achieved is not known and requires further research. As of this publication, only individuals of the //Tuatha// have been successful victims of this metamorphosis. It is unknown if this is due to some theurgic requirement or tradition on the creatures' part. It is also unknown whether the anomalous capabilities individual possessed prior to metamorphosis is retained when the transformation is complete.\n\n[!-- How does the anomaly usually behave and what makes this unusual --]\n\n\n\n**History:** Whilst the creatures' existence has only managed to live in folktales and legends for the human population of Ireland, those of the //Tuatha// have an extensive history with them //(as detailed in the accompanying piece by Lord Blackwood's conference with Hy-Brasil's reigning monarch, Nuada Airgetl\u00e1m VII)//. The first case of the creatures' existence registered by Her Majesty's Foundation was during an investigation into a series of murders in Manchester. All the victims, as well as having been heavily beaten, had bite marks over their bodies and had undergone moderate exsanguination. The criminal, who'd arrived in England under the guise of a longshoremen named //Paule Byrne//, was eventually traced to a brothel where theurgists were, after he refused to be detained, exterminate him.[!-- How did the anomaly come under the control of HMFSCP --]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 243 (A) :** Lord Blackwood's envoy to Hy-Brasil\n\n\n\nA report delivered to Her Majesty's Foundation on the culture and history of //\"Hy-Brasil\"// and its inhibitors, the //\"Tuatha D\u00e9 Danann\"//. The report's writer, Lord Theodore Blackwood, was assisting Her Majesty's Foundation in establishing relations and possible intervention policies with the kingdom's rulers and governors. Information believed to be regarding AO-243 was noted in Blackwood's report.\n\n-----\n\n\n\n##navy|//After my stroll with the King, I was taken to the banqueting hall, where I was presented with the most delicious meal: fine claret, golden fish and sweet, silver apples. The King was delighted with my enjoyment, remarking how it pained him how closed his kingdom was to the world outside and how wonderful it was to have it appreciated.//##\n\n\n\n##navy|//Soon, we spoke of the land's history and I learnt of the people's brutal strife for survival. As he spoke, I saw a great sadness within the King. A regret, mixed with a longing and a weariness. In an attempt to lighten his heart, I asked him of his mages and builders, remarking how beautiful and ingenious his [[[SCP-7010|wards]]] were. My efforts worked and the King talked in great detail of his people's skills with magic and theurgy, allowing them to bend the elements and fates with little work.//##\n\n\n\n##navy|//However, when I asked about their military, the King remained silent for a moment, perturbed. Knowing I had once again touched on a subject of great sensitivity, I apologised. The King, however, raised a hand and sighed, saying it would be better to know rather than hide the story in shame. With that, we left the hall and I was taken to the chambers beneath the palace.//##\n\n\n\n##navy|//In the touch light, I saw the chamber lined with tapestries. All depicting various events. Battles, coronations, funerals, weddings and tragedies. According to the King, Queen Br\u00edd III wove them in a great madness, before drowning herself within the water of Loch \u00c1ine. I couldn't help but stare, for the were beautiful. I saw a tapestry of Nuada Airgetl\u00e1m I, being crowned the first king to the cheers of thousands. Another tapestry showed Lugh III and Mal I in battle, waring against [[[SCP-6916|Arawn ap Carnonos]]] and his army of ghosts and giants. Another, showed Queen Danu rising from the mud, flowers and light flowing from her golden hair. And one, nearer the end, depicted a [[[lte-0851-cetus|beast]]] rising from the sea, flames filling the skies.//##\n\n\n\n##navy|//The King woke me from my trace and pointed out one In its cloth, I saw an image of horror. A field lined with bodies and blood. In the centre, two men fought, one of whom I recognised as the husband of Sadhbh II, Fionn, holding a sword with a wooden hilt. The other man was dwarfed and had hair of wild cinnabar, teeth as sharp as daggers and eyes filled with malice. Around them, in a frenzy of blood and fury, men and women were screaming and laughing. All shared the dwarf's abhorrent glare and maw. And in the sky, cutting through the dark, crimson clouds, stood a woman all in [[[SCP-179|black]]], showering Fionn in golden light.//##\n\n\n\n##navy|//As I took in the image, the King told me the dwarf's tale. With the fall of the [[[nx-02|Mabyn]]], the kingdom of the Tuatha, which had once spanned the highlands of Scotland as well as Ireland, was now vulnerable to the coming threats from the east. As they had depleted so much of their magic and weaponry from their war with Mabyn, the monarchy elected to abandon the highlands and retreated to Ireland.//##\n\n\n\n##navy|//As the years passed, Albion was invaded and colonised by several forces, but Ireland remained untouched and the Tuatha lived in quiet. Whilst many of the monarchy's people supported their ruler's choice, some remained bitter and vengeful. This bitterness was at its most potent within the Fianna, the theurgic warriors of the Tuatha. They had come to see their people as weak and lacking pride, with their leader, the dwarf knight, Abhartach, leading this shame.//##\n\n\n\n##navy|//Wishing to restore their honour, Abhartach eventually asked his Queen, Sadhbh, to lead a crusade against the foreign rulers of Britain and claim back their land. The Queen refused, concerned only for the safety of her people. Enraged, Abhartach and his men sought to overthrow the monarchy and searched for ways to equal their power. Eventually, he sought the wisdom of the Aos S\u00ed, cruel beings with old magic and wings like glass. The Aos S\u00ed agreed to grant Abhartach's boon, on the condition he would be an ally to them if they ever needed him. Reluctantly, Abhartach agreed.//##\n\n\n\n##navy|//Using their power, the Aos S\u00ed granted Abhartach and his men's boon in the form of a new life. One free from the touches of death or time and rich in power and strength. They became the Neamh-Mairbh, men beyond death. But this boon would require blood to complete the promise. The blood of an enemy. Abhartach, now blinded by the power of his new shape and fuelled by his disgust for foreigners, choose a visiting Gaul priestess. One night, he and his men ambushed the priestess in her quarters, ripped her throat out and drank her blood, completing their contract with the Aos S\u00ed.//##\n\n\n\n##navy|//With his army of immortals, Abhartach lead the Neamh-Mairbh in a nocturnal ambush, attacking his former home and people. In the bloodbath, the army claimed many lives, including their former Queen. Her husband tried in vain to fight the army, but as they were fuelled by magic, only iron or silver would harm the immortals, a substance no Tuatha could touch. Try as he might, Fionn and his people could not win.//##\n\n\n\n##navy|//Then, as the dawn broke, a miracle occurred. As the clouds parted, the immortals began to scream in pain in the light of the Sun, their flesh decaying and blistering. For in his pride and greed, Abhartach had made one mistake. The priestess he and his army had killed had not been a follower of a earthly faith. She was a follower of the [[[second-hytoth-hub|Seven]]] and with her death, was granted apotheosis, becoming one with the heavens and Sun. With her assent, she banished Abhartach and his army form the light of the heavens, bringing them agony and weakness if they ever entered it.//##\n\n\n\n##navy|//With the heavens now on his side, Fionn and his men destroyed many of the Neamh-Mairbh and eventually won the battle. Victorious but vulnerable, Fionn wished to punish his wife's and people's killers with a fate worse than death. So his theurgists had Abhartach and his remaining army bound in chains of silver and sealed in caves in the north, trapping them in eternal pain. But even as the caves were closed, Abhartach vowed he would return to claim his right, one day. One day, the Neamh-Mairbh would return.//##\n\n\n\n##navy|//As he finished the tale, I asked the King if Abhartach ever fulfilled his promise. He claimed he did not know as years later, his people fled once again, rebuilding Hy-Brasil as their last home. For now, there was only tales and rumours of his return and he did not give in to fantasies easily. I thanked him for telling me his people's tale and proposed we return to the palace to continue our journey. Agreeing, we left the chambers and returned to the light of day.//##\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 243 (B) :** Suspect 230\n\n-----\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=https://upload.wikimedia.org/wikipedia/commons/7/72/George_chapman_illo.jpg |caption=Suspect 230, Lysander Agnew|width=280px]]\n\n**Subjects Name:** Lysander Ruthven Agnew\n\n\n\n**Nationality:** Irish\n\n\n\n**Occupation:** Trade Route manager at //Layton & Sons[[footnote]] A shipbuilding and shipping company based in Cork, Ireland. Specialised in Canadian Arctic, Atlantic and North Sea shipping routes. [[/footnote]]//\n\n\n\n**Perpetration:** After the successful disposal of an AO-243 entity, Her Majesty's Foundation began an investigation into his travels prior to arriving in Manchester. It was eventually discovered that the entity calling himself //Paule Byrne// had made several journeys with the shipping company //Layton & Sons//. When the company's passenger manifest was investigated further, it was found that 6 other individuals had also used the name, in various locations across Canada, the United States of America, the United Kingdom, France and the Netherlands, suggesting that the name //Paule Byrne// was a pseudonym used by multiple people.\n\n\n\nThe case's head investigator, Inspector Henry, later learnt through a contact in the American Secure Containment Initiative that the name was linked to a series of murders and kidnappings that had occurred in the Northeast United States and Eastern Canada. Furthermore, when the passenger manifests were compared with the cargo documentation, Henry found that in a majority of the //Paule Byrne// returning journeys, additional cargo had been assigned to them, all to be delivered to Cork, Ireland.\n\n\n\nWhen Henry contacted //Layton & Sons//, their archivists revealed that all the shipments had been approved by one of the company's trade route managers, //Lysander Ruthven Agnew// and the cargo had supposedly contained medical supplies and biochemical materials, though no one could confirm this was the case. When Her Majesty's Foundation attempted to trace //Lysander Ruthven Agnew//, they found that several documents had been destroyed or lost. Further interviews with several //Layton & Sons// employees found that they possessed no information regarding their manager's whereabouts or associates. However, a few were able to provide a description of him, which the illustrators were able to work into a sketch. Due to his connections to the inexplicable cargo, //Lysander Ruthven Agnew// has been assigned as a Suspect.\n\n\n\nBelieving the illicit trading, destruction of administrative documents and the involvement of AO-243 implied a criminal syndicate had infiltrated multiple Irish and British establishments, likely involving several AO-243 entities, Inspector Henry was assigned as the head of the AO-243 annulment project.\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n[[=]]\n\n**Proposal: Request the right to alert and establish entente with Tuatha in annulling the AO-243 threat.**\n\n[[/=]]\n\n-----\n\n\n\nMost esteemed gentlemen of the Operations Council,\n\n\n\nI regret to inform you of the death of Intelligence operatives, Jared Mint and Beiye Zhao. Both had been involved in the AO-243 annulment project and had been posted to investigate the financial trail of various 243 front businesses, like //Layton & Sons//. They were recovered yesterday at the //St Micheal's// workhouse in Ullapool, Scotland, having experienced heavy mutilation and exsanguination. Deep bite marks made up a majority of the wounds.\n\n\n\nWhilst this is indeed a tragedy, this proposal comes due to the discoveries we made at the workhouse during our recovery. Having been altered of the establishment via a telegram we'd received from Mint, five days prior to his murder, we stormed the workhouse last night after he or Zhao failed to make a further report. Expecting to find a functioning, staffed establishment, my operative and I were surprised to find the building empty. By the state of the rooms and grounds, it would appear that our operatives had inadvertently alerted the anomalies of our investigation and had fled, destroying as much evidence of their activities in the process. However, our initial assumption that the establishment had been abandoned was wrong.\n\n\n\nWe found operatives Mint and Beiye in the laundry rooms in the basements of the building. In adjacent rooms, we also found the remains of numerous cadavers and carcasses. Furthermore, we also discovered that the medical wings on the upper floors had been locked, with several inhuman sounds coming from within. Upon entry, we discovered seven imprisoned, near-human entities, heavily malnurished and aggressive. Believed to be AO-243 entities, we exterminated them. However, our accompanying Physician operative later revealed to us that despite matching 243's characteristics, the entities were of human biology, not //Tuatha//.\n\n\n\nFurther investigation of the workhouse led us to conclude the following. //St Micheal's// was not merely a feeding ground for the 243's entities, but a laboratory. From what we could gather from the remains of the destroyed records in the medical officer's chambers, it would appear that the anomalies were attempting to enforce a cross-species transmutation of their xenogenesis metamorphosis. From what we witnessed in the medical wings, it would appear they have partially succeeded, with the process now capable of working on basic humans, though not without the loss of sapience and higher reasoning.\n\n\n\nNot only have the deaths of two Intelligence operatives resulted in a depletion in manpower, but we have also underestimated the intelligence and governance of 243, specifically their ability to hide within our society for so long and abuse it to help further their cause, whatever that may be. It is for this reason that I request that we reach out to the Hy-Brasil monarchy and government and alert them of the return of 243. The Tuatha are more knowledgeable of this anomaly's history and capabilities than us and their assistance in the project would provide substantial intelligence and workforce. Not only that, but this would also strengthen our diplomatic relations with them.\n\n\n\nI look forward to hearing from you soon.\n\n\n\n[[>]]\n\n+++++ - Nathanial Henry\n\n++++++ Intelligence Head\n\n++++++ United Kingdom Branch\n\n[[/>]]\n\n[[=]]\n\n[[size 60%]]DO NOT WRITE BELOW THIS LINE, OFFICIAL USE ONLY.[[/size]]\n\n-----\n\n+++ //##navy|Proposal approved.##//\n\n+++ //- ##navy|Chamberlains 1, 2, 4, and 5.##//\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n@@ @@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** Vampire.jpg\n\n> **Name:** George Chapman\n\n> **Author:** newspaper\n\n> **License:** Public Domain\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:George_chapman_illo.jpg\n\n=====\n\n> **Filename:** HMFSCP2.png\n\n> **Name:** HMFSCP2\n\n> **Author:** [[*user olympic-error]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_hmfscp", "_licensebox", "blackwood", "faerie", "goi-format", "hmfscp", "homo-sapiens-sidhe", "hy-brasil", "mythological", "period-piece", "sauelsuesor", "vampire"], "title": "Anomaly 243 - \"The Neamh-Mairbh\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anomaly-243-the-neamh-mairbh"}, "anomaly-306-the-silver-alder": {"created_at": "2024-09-25T21:58:00", "creator": "arthcymro", "domain": "scp-wiki.wikidot.com", "history": [{"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Uploaded file \"James.jpg\".", "date": "2024-09-25T21:58:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-25T21:58:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Uploaded file \"HMFSCP2.png\".", "date": "2024-09-25T21:59:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-25T22:00:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-25T22:12:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Added tags: _cc, _licensebox, asci, broken-god, daevite, factory, hmfscp, homo-sapiens-sidhe, hy-brasil, mythological-fiction, nameless, period-piece, tale. ", "date": "2024-09-25T22:16:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-25T22:34:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "Uploaded file \"HMFSCP2.png\".", "date": "2024-09-25T22:35:00"}, {"author": "deleted", "author_href": false, "comment": "File \"HMFSCP2.png\" deleted", "date": "2024-09-25T22:35:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-26T09:39:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-26T10:12:00"}, {"author": "narm00", "author_href": "https://www.wikidot.com/user:info/narm00", "comment": "Word fixes.", "date": "2024-09-27T08:27:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-27T08:31:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-27T11:13:00"}, {"author": "arthcymro", "author_href": "https://www.wikidot.com/user:info/arthcymro", "comment": "", "date": "2024-09-27T11:52:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mythological. 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", "date": "2026-05-05T09:18:00"}], "hubs": ["goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/anomaly-306-the-silver-alder/HMFSCP2.png", "https://scp-wiki.wdfiles.com/local--files/anomaly-306-the-silver-alder/James.jpg", "https://upload.wikimedia.org/wikipedia/commons/f/f8/Bethlehem_Steel_Pennellb.jpg", "https://upload.wikimedia.org/wikipedia/commons/0/02/King_Arthur_MET_DP158298.jpg", "https://scp-wiki.wdfiles.com/local--files/theme%3Aminimal/minimal.svg"], "link": "anomaly-306-the-silver-alder", "page_id": "1456930016", "rating": 20, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/normalize-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://cdn.scpwiki.com/theme/en/basalt/basalt-bedrock-min.css&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Abasalt/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">ArthCymro</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p><strong><a href=\"https://scp-wiki.wikidot.com/dr-dafydd-s-personnel-file\">More by this Author</a></strong></p>\n</div>\n</div>\n</div>\n<div class=\"document\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:170%;\"><strong>Her Majesty's Foundation for the Secure Containment of the Paranormal</strong></span></p>\n<img alt=\"HMFSCP2.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/anomaly-306-the-silver-alder/HMFSCP2.png\" style=\"width:20%;\"/><br/>\n<br/>\n<strong>BY DECREE OF HER ROYAL MAJESTY QUEEN VICTORIA, RULER OF THESE UNITED KINGDOMS OF GREAT BRITAIN AND IRELAND, THIS DOCUMENT AND ITS CONTENTS ARE TO BE HELD IN SECRECY, AND USED TO PROTECT AND FURTHER THE INTERESTS OF THE BRITISH EMPIRE.</strong>\n<p><strong>GOD SAVE THE QUEEN.</strong></p>\n</div>\n<hr/>\n<p><strong>Designation:</strong> AO-306.</p>\n<p><strong>Threat:</strong> None.</p>\n<p><strong>Classifications:</strong> Botanical, Archaeological, Thaumaturgic, Metallurgy, Artefact.</p>\n<p><strong>Stored:</strong> Dome 02, Hall 08, Site-Red. - <em>Note: wild cases remain under monthly observation.</em></p>\n<p><strong>Identifiers:</strong> Anomaly is outwardly identical to members of the Alnus Glutinosa species, with the biggest height recorded at 33 yards. The species are identifiable by their colouration and material properties. The wood of the tree is of a tainted, metallic grey colour, not unlike tarnished silver, whilst its leaves and catkins are pigmented a deep, russet red.</p>\n<p><strong>Abnormality:</strong> Observations by botanists and horticulturalists have found that whilst the species' cellular structure is nearly comparable to other members of the Alnus genus, this species possesses a high quantity of iron and silver particles within its structure, especially in the wood of the plant. This is believed to be why the species possess a metallic pigment and the leaves have a red hue. As silver is not an element abundant in soil, it has been theorised that the species can perform an alchemical process to transmute metals within the soil into silver.</p>\n<p>Within the structure of the plant, the iron and silver particles form an alloy that is currently impossible to replicate. This alloy is a natural deterrent to thaumic workings, being capable of disrupting and blocking all forms of theurgy within its presence. Whilst this property has also been seen in iron and silver, the alloy formed within the plant can prove a much greater counter-effect than the two elements. This property is found throughout the anomaly's makeup, including the leaves, catkins and sap. This disruptive property will continue even if materials are removed from the main body, though the range and strength of this property will weaken as the sample ages.</p>\n<p><strong>History:</strong> The species' existence is not widely known outside of cryptobotany and thaumaturgical circles. This has been theorised to be because of the anomaly's rarity within the botanical world. However, some researchers have theorised that the species' existence may have been remembered in pieces of Eurasia superstitions and folklore. The Northern European area is especially rich in beliefs surrounding iron, silver and the Alnus family, all of which relate to their abilities to deter unwanted or harmful magic and beasts. Further research into the anomaly's cultural history is ongoing.</p>\n<p>Her Majesty's Foundation became aware of the anomaly in 1846, during a Marshall, Carter and Dark auction, where cuttings were auctioned off. Successfully purchasing the cuttings, investigators were able to trace their source to that of the famed horticulturist and occultist, Joseph Merit. According to Merit, he and several of his colleagues in the cryptobotany circles had recently been able to domesticate the species successfully and were already receiving requests from businesses for cuttings and timber for use in industry. Her Majesty's Foundation purchased all of Merit's domesticated samples, as well as his studies of the species biology. See their attached paper for details.</p>\n</div>\n<div class=\"papernote\">\n<div style=\"text-align: center;\">\n<p><span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 20pt\"><strong>The Armoured Forests</strong><br/></span> <span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 16pt\">A Summary of the Botany of <em>Alnus argentum</em><br/></span> <span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 12pt\">By Joseph Weatherbee Merit<br/></span></p>\n</div>\n<hr/>\n<p><span style=\"font-family: 'Oranienbaum';color: #000000\">In the world of elusive botany and strange mycology, there are several rare specimens considered famed. The lightning-generating <em>Phiotacea electrica</em>, the vile <em><a href=\"https://scp-wiki.wikidot.com/scp-679\">Aspergillus ocularis</a></em>, and the carnivorous <em>Crinoida dajeeana</em>. But none compare to that of the <em>Alnus argentum</em>, the <em>Silver Alder</em>, a tree truly worthy of the description of mythical.</span></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"font-family: 'Oranienbaum';color: #000000\"><strong>Distribution</strong></span></p>\n<p><span style=\"font-family: 'Oranienbaum';color: #000000\">At face value, <em>A. argentum</em> is very much like the rest of the <em>Alnus</em> genus, with <em>A. glutinosa</em>, the <em>Black Alder</em>, believed to be its closest relative. This is evident by both <em>A. argentum's</em> phytomorphology and habitat, as the species looks and grows in similar structures and has only been seen growing in northern and western Europe. Like <em>A. glutinosa</em>, <em>A. argentum</em> grows in the moist ground near rivers, ponds, lakes or areas of nutrient-poor soil.</span></p>\n<p><span style=\"font-family: 'Oranienbaum';color: #000000\">The first characteristic rendering the species unique in its genus regards <em>A. argentum's</em> method of germination and colonisation. All members of the <em>Alnus</em> genus function as pioneer species; resilient plants that are the first to colonise new and disturbed environments and assist in the repopulation of other species. Where <em>A. argentum's</em> works differently in what type of ecosystem it pioneers in.</span></p>\n<p><span style=\"font-family: 'Oranienbaum';color: #000000\">Compared to other member of its genus, <em>A. argentum</em> has difficulty germinating against its competitors, even in environments plentiful in nitrogen and water. However, due to developing a body rich in iron and silver, when present in environments exposed to powerful or constant mysticism and theurgy, the species gains the upper hand. In areas which had been exposed, many species of flora often find it difficult to adjust and reproduce to the imbalanced ecosystem. Because of the metal within its body, <em>A. argentum</em> can shield itself from mystical effects, redirecting it away from itself and back at its contenders. This continues as the body grows, which it does very quickly, gaining a meter almost every month. As it spreads around, the theurgy is forced into a more ordered state, allowing newer species to be introduced without threat.</span></p>\n<p><span style=\"font-family: 'Oranienbaum';color: #000000\">As the ecosystem grows, as with most <em>Alnus</em> species, <em>A. argentum</em> will typically settle in thickets at the edges of forests or near sources of water. However, it has been noted that these thickets tend to form in a formation of sorts. If drafted on a map, a straight alignment can be illustrated between thickets. Coincidentally, these lines also align with nearby holy or historical landmarks. It is the belief of <em>Reverend Edward Duke</em> these lines are examples of his \"<em>holy leylines</em>\" hypothesis, with the trees acting as a kind of pillar in the lines network.<br/></span></p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 306 (A):</strong> Cultural History</p>\n<p>Through the investigations carried out by Intelligence and Observation operatives, Her Majesty's Foundation made several discoveries regarding AO-306's historical significance in various cultures in the known world. A summary is written below.</p>\n<hr/>\n<p><strong>The Kingdom of Hy-Brasil:</strong> To the Tuatha D\u00e9 Danann, the flora, known as the \"<em>An Plionta Airgid</em>\", meaning \"The Silver Plinth\", is considered both a hindrance and a help. Due to their biology, the fibres of the anomaly are a moderate irritant to their flesh and are dangerous, if not deadly, if exposed to them for too long. Despite this, the Tuatha use the tree as a form of defence, growing them around locations of importance for further security against thaumaturgical attacks or beings such as Aos S\u00ed, <a href=\"/scp-3456\">Nuckelavee</a> or <a href=\"/anomaly-243-the-neamh-mairbh\">Neamh-Mairbh</a>. Some blacksmith would go further and use logs of the tree to shape their blades, as the metal particles within the wood would react with the forged metal to form a thin layer. This weakness and application have propagated a superstition, with many of the Tuatha still considering the plant an omen of bad luck or danger and will actively avoid interacting with samples if encountered in the wild.</p>\n<p><strong>The Daevite Empire:</strong> As horticulture, occultism and plant life were an essential commodity in Daevite culture, Daeva viewed AO-306 as nothing more than a problematic weed, referring to them as the \"<em>Vihe Tinhezuke</em>\", meaning \"The Tarnished Desolation\" in <a href=\"/old-daevite-language\">Old Daevite</a>. Likely due to the anomaly's ecology and accelerated growth, the Daeva often had trouble managing the plant's spread, with some of their passages referencing great fires set to destroy the anomaly to prevent famines from breaking out.</p>\n<div class=\"smallmodal\">\n<p>The Tarnished Desolation, a threat great, going unwitnessed until too late and once bloomed, spreading sickness with every touch. Many of our <a href=\"/scp-5297\">fruit</a> and <a href=\"/scp-3140\">armies</a> have rotted in their roots and whole colonies of <a href=\"/scp-5280\">maidens</a> have died within its pollen. Our farms and gardens are our life. Our food. Our way. Such threats are not taken lightly, but as its wood is poisonous to our flesh, only the harshest of flames must be used to vanquish its foul reach.<br/></p>\n<div style=\"text-align: right;\">\n<p>- <a href=\"/scp-140\">A Chronicle of the Daevas</a></p>\n</div>\n</div>\n<p><strong>The Church of the Broken God:</strong> As the Alder family prefer damp, cool climates, the anomaly is rarely seen in South Europe and West Asia. However, according to representatives of the Church of the Broken God, their order's predecessor, the <a href=\"/scp-2406\">Followers of Mekhane</a>, considered the anomaly proof of their God's divine influence, having grown from His broken body to aid humanity in its early development. According to some archaeological digs, many followers offered valuable trade or made pilgrimages to the northwest territory just for a single piece of its bark.</p>\n<div class=\"smallmodal\">\n<p>21. And with their might did God cleave His Enemies. But battle had rendered God tried. His Anvil, His Stylus, His Hammer, His Form. All broken.<br/>\n22. Broken, and tried, God was claimed by the Earth, Skies and Seas, His Body spread among the lands. Lost.<br/>\n23. Lost. But not powerless.<br/>\n24. His Form, though broken, remained strong. His <a href=\"/scp-217\">Ichor</a>, though diluted, remained flowing.<br/>\n25. And from these, and the rich soils of Earth, did spring new form. Forms in the shape of gifts.<br/>\n26. <em>\"Here me,\"</em> cried God, <em>\"Though broken, I remain strong. Though broken, my love prevails. Though broken, I shall still defend you.\"</em><br/>\n27. <em>\"Take my new Form. My strength remains within it. My might stored in its body. Take it and build. Build and forge. Build, for I shall be with you again.\"</em><br/>\n28. And so the people built and made, and grew strong. In strength, the found power.<br/>\n29. Power to fight the beasts that plagued them. The vile Flesh. The accursed Daeva. The guileful Kobaloi.<br/>\n30. With God, they found strength. With God, they grew.<br/></p>\n<div style=\"text-align: right;\">\n<p>- Book of Forge, Chapter 2</p>\n</div>\n</div>\n<p><strong>Insular Celts:</strong> Despite little being known of the ancient Celts' workings and lifestyle, surviving pieces of evidence recovered from archaeological digs at Brythonic and Pict sites have suggested that AO-306 played a significant role in their life. Several pieces, mostly armour, jewellery and weapons, have been identified as being created from the anomaly's wood, implying that the tribes were skilled in both cultivating and utilising the anomaly. Furthermore, analysis of woad dye found in digs has identified samples of resinous gum taken from the plant and mixed into the dye, possibly suggesting attempts were made to incorporate the anomaly's thaumaturgical deterring effect into their clothing and war paint. Whilst the Brythonics and Picts appeared to have habitually used the plant, the same cannot be said for the Gaels, though this can be likely due to the influence of the Tuatha and their view on the plant. However, AO-306 appears to have contributed to many pieces of Celtic mythology and folklore, symbolising the mysterious Otherworld, where it is believed to have come from.</p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 306 (B):</strong> Studies</p>\n<p>A report written by metallurgist, Jonas Thorn, and biologist, Monty T. Howards, on the chemistry of AO-306.</p>\n<hr/>\n<p><strong>Experiment:</strong> Reverse Engineering Samples of AO-306</p>\n<p><strong>Results:</strong> <em>Through our study of the species, we have determined several key properties that illuminate both its chemical and physical capabilities.</em></p>\n<p><em>When dried, like most woods, the wood of the anomaly becomes much stronger, harder and more durable. However, in the case of AO-306, the strength and durability of the wood exceed what ordinary wood should be capable of achieving. Our material analysis found the wood of AO-306 to possess a compressive strength of 15,000 psi and a bending strength of 21,000 psi, rivalling that of the Acacia genus' wood.</em></p>\n<p><em>Knowing the durability of common alder wood hardened when introduced to water, we submersed several samples of AO-306 to observe if a similar effect occurred. To our surprise, we discovered if the wood is treated in water, the process of strengthening not only accelerates but results in an even stronger timber. Material analysis found the wood possessed a compressive strength of 41,000 psi and a bending strength of 63,000 psi, comparable to that of steel. When observed under a microscope, the fibres of the wood are found to have developed a metallic coating. We have yet to identify why this is occurring.</em></p>\n<p><em>Further chemical analysis of the wood, both before treatment and after, has identified that, whilst durable, it is still flammable, though it appears to be somewhat resistant to ignition, and burns with a golden flame with a green heart. It has also been determined to be nontoxic and safe to handle. Thaumaturgical analysis has also found that the anomaly's disrupting effect is greatly enhanced if the wood is treated with water. This may be due to the more structured form the metals take when exposed to moisture.</em></p>\n<div style=\"text-align: right;\">\n<p>- <strong>Monty T. Howards</strong></p>\n</div>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 306 (C):</strong> Archaeological Findings</p>\n<p>A report written by archaeologist, August Leonerd, and biologist, Monty T. Howards, on the discovery of several artefacts relating to AO-306, found at the Dozmar\u00e9 Pool, Cornwall.</p>\n<hr/>\n<p><em>The grove at the pool was unusual. In most cases, we've come across AO-306 growing in relatively large numbers, twenty or so. Here, there were only four, and rather than growing on the banks, all were growing from the lake bed. Furthermore, the grove does not reside on any of the \"holy lines\" our cartographers and dowsers mapped out. Either this grove has been created artificially or the force in the area has long since faded away, implying this patch of AO-306 is one of the oldest on record.</em></p>\n<p><em>Regardless, such an unusual location warranted further investigation, leading to our discovery. Entangled within the roots of the anomalies were several water-damaged metallic artefacts, encasing the skeletal remains of a believed adult male. Though the roots of the anomaly made it somewhat difficult, we managed to remove the remains unscathed.</em></p>\n<p><em>Inspection of the body did not provide any substantial information about its origin or reasons for its location. However, we noticed the body was in a fetal position while buried. The bones appeared to have experienced a significant impact on the chest and abdomen, mostly likely from a projectile or bladed weapon. A majority of the artefacts, including those worn by the body, were found to have been pieces of armour, most of which were damaged seemingly by incendiary or chemical devices. Strangely, many of these pieces possessed intricate mechanics, such as rudimentary clockwork or pneumatics. In the cases of the body, some of the mechanics within the armour were found attached to the bone, specifically those of the arm and shoulder. Based on design and evidence from other archaeological findings, we believe them to be of 5th-century origin.</em></p>\n<p><em>Outside of this, the only other item that was recovered was the remains of a <a href=\"/scp-2307\">long sword</a>, which was found clasped within the body's hands. This sword itself is quite unusual. Though it was recovered slightly damaged due to the lake's water, it has been \"regenerating\" since its recovery, shedding rust and \"growing\" metal as time goes on. Curiously, this regeneration accelerates when in contact with a piece of AO-306. Due to this property, I have had the item posted to Site-Red for further examination and possible designation.</em></p>\n<p><em>Though the design of the artefacts, including the sword, was not unusual, the composure is somewhat similar to those we discovered in Celtic sites and made by Tuatha blacksmiths, though these artefacts appear to be of a more refined make. And after getting the metallurgist and dowsers to have a look at it, I can confirm my theory. The artefacts, armour and sword, are constructed from the same material found within AO-306, a silver-rich steel, and in this case, of rather high purity.</em></p>\n<p><em>This leaves us with two interesting mysteries. The first is the manufacturing of the alloy. Given the earliest known method of mass-producing steel was recorded in 11th-century China, it is highly unusual to find a similar material being produced and used centuries early, in a society nowhere near capable of producing such materials. Who made this material? How? Why is it so pure? The clockworks and pneumatics also further confuse things, with neither being crafted in such condition, even in the modern day.</em></p>\n<p><em>Secondly, why was the body there in the first place? Given the location, the wounds and the layout of the body, it is unlikely this was an intentional burial. However, when we discovered it, the body was surrounded by various pieces of armour, as if entombed. Moreover, a grove of AO-306 was growing directly above the remains. Why? Given the fact the sword was within the body's possession and its anomalous properties, along with the condition the body was found in, I am inclined to theorise that this burial was spontaneous, possibly self-imposed, with the intention of either protecting the sword from something or protecting something from the sword.</em></p>\n<div style=\"text-align: right;\">\n<p>- <strong>August Leonerd</strong></p>\n</div>\n<hr/>\n<p>The sword recovered at the site was given the designation AO-237 and stored at Site-Red, three weeks following its discovery by Howard and Leonerd. Further examinations of the item are pending.</p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<div style=\"text-align: center;\">\n<p><strong>Proposal: Request the right to outsource the production of Compound 113 (\"Alderwood Iron\") for the creation of arms to be used in imminent conflicts.</strong></p>\n</div>\n<hr/>\n<p>As you gentlemen of the Operations Council are aware, there has been a continual growth in the use of anomalous weaponry in warfare in the past decade. You will recall the Russian forces' use of Sarkic cytomancy in Crimea, the temporal slips of the Battle of Khushab and the loss of the Kowloon Peninsula. Furthermore, we have seen a growing number of cases, both nationally and internationally, of blacklisted occult trade, either through black markets or corrupted government sectors. We have already had reports from our allies in the States, the American Secure Containment Initiative, of the Confederates use of Kabbalah clay for the manufacture of <a href=\"/scp-011\">artificial soldiers</a>. Our organisation is trying its hardest to mitigate and contain these issues, however, resources remain sparse. And with the likelihood of another full-scale war occurring within the next decade, we must find new ways of continuing our cause.</p>\n<p>You will be aware of Jonas Thorn's recent developments in alchemical practices thanks to his study of AO-237, Hy-Brasil's \"Cold Iron\" manufacture and his successful incorporation of Mekanite metallurgy and Brand alchemy with the modern Bessemer process. You may also be aware of our numerous discoveries concerning AO-306, specifically its application within thaumic workings when refined to Compound 113 (\"Alderwood Iron\"). Given the growing threat and looming issues, it is, for this reason, that we request our organisation look into the possibility of producing Compound 113 for its use in furthering our subbasement of anomalous activity, as well as its use in manufacturing arms for the upcoming conflict.</p>\n<p>Compound 113 has already shown it possesses all the practicalities of steel, as well as the ability to negate and redirect thaumic workings, be it occult or theurgy. You will recall the tomb uncovered by August Leonerd a few months ago. The process of its production <em>(<strong>Procedure 306-113-G:</strong> Bessemer-Thorn Argyropoeia)</em>, is also not overly expensive, with the only financial issue coming from the need to introduce copper into the manufacturing to undergo the required argyropoeia. Whilst this could prove a problem if we were to request a local steelworks such as Dowlais or Scunthorpe to produce the compound, this would not be the case in America. A newly established ironworks, under the ownership of Anderson Factories, has been established in Pennsylvania, and given the rise of the northern Michigan copper district, they would be able to suit our demands easily.<br/></p>\n<div style=\"text-align: right;\">\n<table style=\"width: 100%;\">\n<tr>\n<td style=\"text-align: left;\">\n<h5 id=\"toc0\"><span>- Ishmael Cabot</span></h5>\n<h6 id=\"toc1\"><span>Military Head</span></h6>\n<h6 id=\"toc2\"><span>United Kingdom Branch</span></h6>\n</td>\n<td style=\"text-align: center;\">\n<h5 id=\"toc3\"><span>- Nathanial Henry</span></h5>\n<h6 id=\"toc4\"><span>Intelligence Head</span></h6>\n<h6 id=\"toc5\"><span>United Kingdom Branch</span></h6>\n</td>\n<td style=\"text-align: right;\">\n<h5 id=\"toc6\"><span>- Paul Farr</span></h5>\n<h6 id=\"toc7\"><span>Science Deputy Head</span></h6>\n<h6 id=\"toc8\"><span>United Kingdom Branch</span></h6>\n</td>\n</tr>\n</table>\n</div>\n<br/>\n<div style=\"text-align: center;\">\n<p><span style=\"font-size:60%;\">DO NOT WRITE BELOW THIS LINE, OFFICIAL USE ONLY.</span></p>\n<hr/>\n<h3 id=\"toc9\"><span><em><span style=\"color: navy\">Proposal approved.</span></em></span></h3>\n<h3 id=\"toc10\"><span><em>- <span style=\"color: navy\">Chamberlains 1, 2, 3, 4, and 5.</span></em></span></h3>\n</div>\n</div>\n<div class=\"newspaper-border\">\n<div class=\"newspaper-main\"><span style=\"font-size:570%;\"><strong>THE FLEET GAZETTE</strong></span>\n<div class=\"newspaper-body\">\n<div class=\"unmargined\" style=\"border-top-style: solid; border-bottom-style: solid;\">\n<table style=\"width: 100%;\">\n<tr>\n<td style=\"text-align: left;\"><span style=\"font-size:200%;\"><strong>Vol, XCII No. CLXXII</strong></span></td>\n<td style=\"text-align: center;\"><span style=\"font-size:200%;\"><strong>FEBURARY 13TH, 1866</strong></span></td>\n<td style=\"text-align: right;\"><span style=\"font-size:200%;\"><strong>ONE HALFPENNY</strong></span></td>\n</tr>\n</table>\n</div>\n</div>\n<div class=\"newspaper-body\">\n<div class=\"twopanel\">\n<div class=\"bit\">\n<p><span style=\"font-size:150%;\"><strong>ANDERSON FACTORY REVOLT! COORDINATED ATTACK RESULTS IN THE DEATH OF HUNDREDS.</strong></span></p>\n<hr/>\n<p><span style=\"font-size:150%;\"><strong>ONLOOKERS CLAIM WITNESSING GHOSTS AND DEMONS FIGHTING IN THE FIRE ABOVE PENNSYLVANIA.</strong></span></p>\n<hr/>\n<div style=\"text-align: justify\">\n<p><span style=\"font-size:150%;\">O</span>n the 23rd of May, a coordinated attack was carried out on several of Anderson Factories facilities. In the late hours of the night, explosions and gunfire rang out as conflict erupted between the employees and the invading force, whose goal and organisation are yet to be revealed.</p>\n<p>Anderson Factories, colloquially referred to as <a href=\"/system:page-tags/tag/factory\">The Factory</a>, were located across the Eastern United States. Under the ownership of James Anderson, the notorious engineer and businessman, Anderson Factories produced everything from fabrics to mechanics, to foods, to papers, to artillery. Born in Oxford, England to arms dealer, Charles Anderson, Anderson emigrated to the United States in 1834, and successfully established his first factory in Massachusetts in 1835 at the age of 20.</p>\n<p>Taking advantage of the state's growing industrial proficiency and immigration, Anderson's factory soon became a powerhouse in the heavy industry market, helped by the experimental nature of his facilities layout, in which accommodations for workers were provided. By 1843, Anderson had established a small empire for himself, spanning eleven facilities.</p>\n<img alt=\"James.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/anomaly-306-the-silver-alder/James.jpg\" style=\"width:100%;\"/>\n<p>Over the next 10 years, Anderson's industry remain prosperous, until the California gold rush. Though initially reactive, establishing a further three facilities on the West Coast, the strain of industry began to take its toll on Anderson. Further upheaval such as political tensions, embezzlement, westward migration, and an outbreak of consumption sent him into a further depression. This pressure is said to be the cause of Anderson's change in behaviour and tactics, with many reporting a definite change in his consideration for safety and work ethic. Some even claim Anderson was dabbling with occult forces and demonic beasts. Whether these rumours were true or not remains unknown, though, despite employment rates for Anderson's Factories growing low, production remained unusually high, even with the arrival of the American Civil War, where he went on to produce weapons for both Union and Confederate armies.</p>\n</div>\n</div>\n<div class=\"bit\">\n<div style=\"text-align: justify\"><img alt=\"Bethlehem_Steel_Pennellb.jpg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/f/f8/Bethlehem_Steel_Pennellb.jpg\" style=\"width:100%;\"/><br/>\n<span style=\"font-size:150%;\">L</span>ate on the night of the 23rd, Anderson Factory's Pennsylvania Steelworks and Heavy Industry plant experienced a full frontal attack. The facility, headquartered outside Easton, Pennsylvania near the banks of the Lehigh River, erupted into a frenzy when several unknown individuals attacked the main steelworks facility, destroying much of the machinery and equipment. By the time local authorities arrived at the scene, the facility had erupted into flames, with a lake of molten metal flowing from the facility.\n<p>As a result of the attack, only seventeen of the ninety-eight workers survived. When our journalists attempted to interview said survivors on the events of the attack and the identity of the attackers, however, most failed to prove any substantial information, with many still under medical supervision. \"<em>Confederate rioters</em>,\" according to Sheriff Lovelock of the Easton Police Department, \"<em>Anderson's been dealing with them ever since Robert surrendered Virginia. So many of the miners blame him, you see for what he did, and who he helped. Some folk just can't let go of the past. They'd rather hold on to a grudge.</em>\"</p>\n<p>Despite the police department's claims, local opinions differ. According to some eyewitnesses, there had been several unusual incidents before the attack, such as sudden illnesses, missing people and the loss of shipments from the nearby mines. In addition, several people confirm that a few days before the attack, several soldiers from the U.S. Army, as well as members of the Pinkerton National Detective Agency reported to the facility, claiming their reason for their arrival was to assess the new artillery manufactured at the facility. However, the local word says otherwise.</p>\n<p>\"<em>This wasn't a random attack,</em>\" says Mary Kidds, \"<em>this was justice. Something was happening at that factory and it wasn't some fancy bullets. You know they have gardens in there? Why would a factory that makes steel need gardens? And why can't the staff leave? There's something unholy about that place. Something secret. It's punishment, I say. Punishment for the sins of Anderson.</em>\" Journalists attempted to interview the U.S. Army about the visit, though they refused to comment.</p>\n<p>Despite survivors being unable to remember the ordeal and the authority remaining quiet, accounts from onlookers have revealed some striking details regarding the night. Bobby Bulter, a coachman in Easton, came forward regarding what he witnessed during the night of the attack. \"<em>I was just riding along, having just dropped off the last night's owls, when my horse was all stiff and panicked. Right outside the forest, near the river bank. He just stood there, refusing to move. Tried everything but he wouldn't go. But then I heard it. This shrill whistling, coming from the woods. Like a sharp wind. I didn't like it.</em>\"</p>\n<p>\"<em>Then something moved, above us. Quick it was. Didn't make it out in the dark, but I knew something was there. Now and again, something would shoot past. Never saw them but I heard them. Maybe a strange windy sound, like when knife swishing in the air. The horse lost it then. Poor thing kept shaking and crying before it just ran off towards the town.</em>\"</p>\n<p>\"<em>When I reached the river bank, I saw the factory, on fire. Not a normal fire, though. It was gold, blue and green, and it moved like it was waves in the sea. There were screams too. These awful screams. Men begging and crying, but also other things. Like cats howling but shrill and long. I was about to run, but then the whole place blew up, metal flying everywhere. I ducked for cover and I saw this chuck of hot metal on the ground. In it was a body. Now I've fought in battles, and I've seen my fair share of horror, but this was sickening. It was all mangled, covered in this molten silver, its fat burning in a green flame. Something was wrong with it too. Its back was all twisted, with these jagged things pointing out like wings. Six wings. And it had these pointed ears, like some demon. I ran then. I know I should've helped but I won't be part of that. Anderson was making monsters in there. Making things from hell!</em>\"</p>\n</div>\n</div>\n</div>\n</div>\n</div>\n</div>\n<div class=\"jotting\" style=\"background-color: #f3cea1; text-color:black;\">\n<p style=\"text-align: center;\"><strong><span style=\"font-family: 'Special Elite';color: #000000; font-size: 20pt\">American Secure Containment Initiative</span></strong></p>\n<div style=\"text-align: right;\">\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">American Secure Containment<br/>\nInitiative's Office of<br/>\nInternational Diplomacy<br/>\nLocus 17<br/>\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588<br/>\nPennsylvania<br/>\nUnited States of America</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">Feburary 27th, 1866</span></p>\n</div>\n<br/>\n<div style=\"text-align: left;\">\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">Her Majesty's Foundation<br/>\nfor the Secure Containment<br/>\nof the Paranormal's Administration<br/>\nDepartment<br/>\nSite-Blue<br/>\n\u2588\u2588\u2588\u2588\u2588<br/>\nYorkshire<br/>\nEngland</span></p>\n</div>\n<hr/>\n<p><span style=\"font-family: 'Monotype Corsiva';color: #000000; font-size: 14pt\">To the Chamberlains of Her Majesty's Foundation,</span></p>\n<p><span style=\"font-family: 'Monotype Corsiva';color: #000000; font-size: 14pt\">This letter comes to you in light of the numerous attacks our country has been receiving in recent months. You should already be aware of these attacks, as a good number of them have occurred at establishments where you have arms dealerships and engineering contracts. Given the current political climate, international conflict and pressure experienced by our organisation, you should understand that these interruptions are costing us. We have already had to carry out seven cleanup operations and nine misinformation campaigns just to prevent public discovery and government inquiry. Not only that, but these attacks are also costing us a great deal of resources. Many of the establishments lost produced goods vital for our country's businesses and corporations, including our organisation. The latest attack meant one of our most delicate procedures had to be put on hold.</span></p>\n<p><span style=\"font-family: 'Monotype Corsiva';color: #000000; font-size: 14pt\">You may also be aware of the rumour circulating about the type of people who are conducting these attacks. I would like to say that these rumours are nothing but the result of fantastical embellishments, but our morticians and agents, who have had to clean up your mess, know them to be gospel. These beings. Sourcery. Shapeshifting. Allergy to iron. These are not creatures who are easy to deal with, nor do they care for our kind's way of life. They are dangerous and powerful, and for whatever reason, your requests have angered them.</span></p>\n<p><span style=\"font-family: 'Monotype Corsiva';color: #000000; font-size: 14pt\">Therefore, we have no choice but to cancel all current production this country is doing for your organisation as well as prohibit any future projects. We understand you made these requests because you too were facing issues related to the current conflict but we should not have to deal with the consequences of your solution. Should you wish to challenge this ban, your appeal will be dealt with by our lawyers after the current political climate is over.</span></p>\n<p><span style=\"font-family: 'Monotype Corsiva';color: #000000; font-size: 14pt\">Yours sincerely,<br/></span><br/>\n<span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">Major Adolphus V. Peverell<br/>\nDictator of Locus 17<br/></span></p>\n</div>\n<div class=\"document\">\n\n<hr/>\n<div style=\"text-align: center;\">\n<p><strong>Inquiry: Theft of AO-306 and AO-237</strong></p>\n</div>\n<hr/>\n<p><strong>Brief:</strong> On the night of the 6th of March, Site-Red witnessed an unexpected attack. At half-nine, the staff of Hall 08 were greeted by Brigadier Ab Ifan, who had previously thought to have gone missing along with his platoon, Force \u03be, in action in German last year. Upon entry, staff were subdued by an unseen force, whilst 10 further individuals entered the hall. 9 were later recognised as former missing members of Force \u03be, whilst the 10th identity remains unknown. After subduing and binding the staff, the attackers made their way through the halls, returning with several test samples of AO-306 and Compound 113. In addition, Ab Ifan retrieved AO-237. After this, the attackers left the site. Attempts were made by the staff of adjacent halls to subdue the attackers, though they were unsuccessful. All staff involved in the attack were unharmed.</p>\n<p><strong>Witness Statements:</strong> <em>By the time I noticed something was wrong, it was already too late. Something grabbed me and held me down before I could reach for my baton. It must have been something invisible because Ifan kept talking to it. He told it, \"Kept them out of the way, they are not our enemies. They're not a part of this fight.\" We were bound and gagged quickly by the other members. I recognised one of them as Logan. He apologised for what they were doing. Said that this was necessary for their new mission. That's when I noticed the paint. All of them had this purple paint on their face and arms. Shaped into swirls and curves.</em></p>\n<p><em>They left us and went to the halls, taking all the test samples we'd made of the Silver Alder wood, sap and catkins, as well as the piece of Compound 113, and several documents. Whilst they moved, Ifan started talking with this brown-haired man I did not recognise. He was painted too but he wasn't dressed in our uniform. Instead, he wore this old armour, made of leather and chainmail, and had a long red cape. His hair was long and he wore a golden helmet. At some point, I think Ifan said his name. I think it was Arnold or Arthur. Maybe Asher. He and Ifan argued for a while before one of the men gave him AO-237. He cried when he held it and kissed its handle.</em></p>\n<p><em>As they left, the man with the golden helmet came to us and spoke. He said he was sorry. He said, \"This is for the future. Foretold by Myrddin. We're sorry. Forgive us.\" That's when I noticed his arm. His left arm was all metal and shining. As if his skin was made of armour. After speaking to us, he left, taking Ifan and 237 with him. Nothing happened after that until someone from Hall 6 came and freed us.</em> - <strong>Marvin Lucas, Security Officer</strong></p>\n<p><strong>Evidence:</strong> Nobody was killed during the incident, leaving plenty of witnesses. The identities of all bar one were confirmed to be members of the missing Force \u03be. During the investigation, seer Enlli Majors claimed a clairvoyant impact within the area, implying that the force experienced by the witnesses was the result of unseen spectral entities. Majors could not give a definitive answer on the number of entities present.</p>\n<p>Fragments of the paint covering the attackers we found on some of the ropes used to bind personnel. When this paint was examined, it was found to be a mixture of woad dye and the sap of AO-306, not unlike the dye found by archaeologists at the Insular Celts sites.</p>\n<p>According to witness statements, the accompanying, crowned individual was known as \"Arthur\" and likely possessed some form of artificial, mechanical prosthetic. Some witnesses claimed, however, that when he spoke, they heard him communicate to them in French, Welsh and Gaelic, as well as English. His involvement with the attack has resulted in his addition to the Suspect list, designated Suspect 651.</p>\n<p><strong>Conclusion:</strong> Since the attack, sightings of the group have been reported across Great Britain and Ireland, including around known anomalous sites and locations. Due to this, their hostile behaviour and their theft of AO-237, samples of Compound 113 and documents referring to Procedure 306-113-G, their arrest has been assigned to Force \u03b4 and priority level Yellow.</p>\n<div style=\"text-align: right;\">\n<h5 id=\"toc11\"><span>- Ashley Moore</span></h5>\n<h6 id=\"toc12\"><span>Observation Operative</span></h6>\n<h6 id=\"toc13\"><span>Communication Sector</span></h6>\n</div>\n</div>\n<div class=\"document\">\n\n<hr/>\n<p><strong>Manifest 306 (D) :</strong> Suspect 651</p>\n<hr/>\n<div class=\"scp-image-block block-right\" style=\"width:280px;\"><img alt=\"King_Arthur_MET_DP158298.jpg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/0/02/King_Arthur_MET_DP158298.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Suspect 651, Arthur. Note that AO-237 has not yet undergone alteration.</p>\n</div>\n</div>\n<p><strong>Subjects Name:</strong> Arthur</p>\n<p><strong>Nationality:</strong> Unknown - <em>Believed British or French</em></p>\n<p><strong>Occupation:</strong> Unknown</p>\n<p><strong>Perpetration:</strong> Following the robbery at Site-Red, sightings of <em>Arthur</em> were reported across the country, usually accompanied by various members of Force \u03be. As of writing this document, it is yet unknown what the goal of <em>Arthur</em> or Force \u03be is, though so far, they have not taken any offensive action against any other party. Instead, the majority of the sightings of <em>Arthur</em> have been around areas or locations of great historical importance in British culture. <em>Arthur</em> has also not been seen undertaking many anomalous actions either and usually presents himself as a public citizen.</p>\n<p>Only two anomalous events relating to <em>Arthur</em> have been recorded by Her Majesty's Foundation. The first occurred off North Berwick, where holidaymakers witnessed <em>Arthur</em>, in full armour, walk towards the sea, before becoming engulfed by the <a href=\"/scp-6916\">waters</a>. Later visitations by Her Majesty's Foundation's theurgists and seers claimed there was a subsiding thaumic workings and clairvoyant impact in the region he'd supposedly vanished from.</p>\n<p>The second event occurred near the ruins of the Dolaucothi Gold Mines, Carmarthenshire. In this case, <em>Arthur</em> was not only accompanied by two members of Force \u03be, but also by three large dogs, all of whom possessed red-tipped ears. Upon subduing the caretakers, the party entered the mines and did not emerge until 3 hours later. At this point, the caretakers released themselves and alerted the authorities who arrived in time to see the party exit, though the authorities were unable to prevent the party from leaving. It is unknown what the party gained from the mines, though the area was later found to possess several anomalous properties and was passed on to Analytics for further investigation. After both of these visitations, Arthur appeared to gain improvements in physical condition.</p>\n<p>Despite usually witnessed with members of Force \u03be, one report from Manchester claimed <em>Arthur</em> had been witnessed conversing with members of <a href=\"/scp-1917\">The New Ferrous Brotherhood</a>, a small religious order known by Her Majesty's Foundation, whose practices share many principles with the Church of the Broken God. The context of the conversation was unknown, though during the time together, <em>Arthur</em> was seen exchanging samples of AO-306 with the order's leader, <em><a href=\"/scp-6917\">Father Loom</a></em>. A few days after this meeting, Force \u03b4 came under conflict with <em>Arthur</em> and Force \u03be in Nottingham, though this time, they were joined by several members of various branches of the Church of the Broken God. In addition, the weaponry used by the group appeared to have improved in quality. AO-237 had also seemingly had to undergo an alteration in design and also displayed several, previously unknown, anomalous feats. These events have led to the conclusion both Force \u03be and <em>Arthur</em> have allied with various sects of the Church of the Broken God.</p>\n</div>\n<div class=\"jotting\" style=\"background-color: #f3cea1; text-color:black;\">\n<p style=\"text-align: center;\"><strong><span style=\"font-family: 'Special Elite';color: #000000; font-size: 20pt\">Incident Report 0111/1870</span></strong></p>\n<hr/>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"><strong>Note:</strong> This report is only to be viewed by personnel assigned Level 4 clearance, who are part of the newly formed <strong>Records, Archival, and Information Security Administration</strong> (<strong>RAISA</strong>), and have received direct permission from O5-1. By viewing this report, you confirm that you hold all three credentials and that you are directly involved in the investigation of Incident 0111/1870.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">If you are viewing this report unauthorizedly, return it to its correct filing cabinet now to avoid repercussions.</span></p>\n<hr/>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"><strong>Forward:</strong> This document previously had been drafted by the Foundation's pre-cursor organisations, <strong>Her Majesty's Foundation for the Secure Containment of the Paranormal</strong>, now designated GoI-\u03c9-008. It has since been redrafted to fit the current standard.</span></p>\n<hr/>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"><strong>Incident Report ID #:</strong> 71f6</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"><strong>Summary:</strong> Incident 71f6 occurred within the Yorkshire Dales, North England, from the 31st of October to the 1st of November, 1970. Lasting approximately 6 hours, the incident concluded with 130 sq. km of the region undergoing a sudden geological and ecological alteration.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">The incident is believed to have started at approximately 2100 hours, which is when police in the village of Newsham received a report from locals claiming they heard screaming and shouting coming from the forest. Three officers were dispatched but found that any attempt at entering the forest would result in the individual failing unconscious, only regaining it once they'd been removed from the area. At the same time, a similar event occurred near the town of Richmond and the village of Langthwaite. Upon recovery, through the use of ropes and hooks, the individuals should signs of memory loss, having forgotten certain details regarding themselves and others. They also consistently claimed that they were being watched or hearing faint whispers. One officer exited the area sporting deep cuts in their left arm.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">Unable to understand the situation, Darlington's chief of police contacted GoI-011-8 (<strong>British Occult Service</strong>), whose transmission GoI-\u03c9-008 intercepted. Investigation personnel from Site-Blue were dispatched, who arrived at the area at around 2330 hours. After confirming with their superiors, the two groups agreed to work together to monitor the area, which was discovered to be around 13\u00a0km in diameter. During their investigations, many personnel reported feeling uneasy, with some claiming they were being touched by an unseen individual or that humanoid shapes were moving in the shadows of the forests.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">Sounds and voices continued to be heard coming from the area, though no attempt to communicate with the speakers was successful. Sounds included the crushing of wood and plant matter, fires burning, metal straining or creaking, humans and unknown animals screaming or shouting, and the occasional explosion. Occasionally, vocalisation could also be heard, though most was either do distant to properly understand or done through an unknown language. In addition to sounds, metallic items near the area underwent rapid corrosion and electrostatic charge.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">In an attempt to understand the induced unconsciousness caused by the area, psychics Ryan Monk and Enlli Majors were asked to enter the area to gain any extrasensory information. The two did not fall unconscious upon entering the area, though both appeared to be experiencing moderate pain. The two provided the following statements:</span></p>\n<div class=\"smallmodal\">\n<p>There was nothing to begin with. Only pain. Then there came the fire. A snaking blaze that burnt with a golden colour. A whole forest burning. Above, there were creatures, dressed in thin fabric and jewels. Swift and lithe, with great wings that shimmered like glass. They were shouting in a language I couldn't understand. It seemed like they were repeating something. Like a rhyme or an incantation. Occasionally, lights would shoot from them or brambles would twist as they spoke. But nothing worked when the fire reached them. And when it burnt them, their flesh burnt a green flame.</p>\n<p>But there were others. From the fire emerge men. Women too, but not as many. Pale men and women painted in purple swirls, wielding crude blades and shields. They were all soldiers, but dressed from different periods. I remember seeing King's Troop cavalry fighting alongside knights in armour and neolithic tribal men. Some were on foot but some were hovering. Like mist on a cold morning.</p>\n<p>They fought. They fought and fought. And then there was just fire.</p>\n</div>\n<div class=\"smallmodal\">\n<p>There were visions. Two of them going round and round in my mind.</p>\n<p>First, it was raining. Not just water but ash too. It fell onto a ground barren of life, just cinders and mud. In the mud were these human-shaped things with petals on their backs. Their flesh was slipping and squeezing like wet clay. They were crying, begging and shouting. I don't know what they were saying but they kept saying a word repeatedly. <em>Gwynn</em>. As they begged, I saw another man, standing above them. He had petals too but had form. He wore fine silks and gold jewels and had a horned headpiece. He was so angry, it was almost tangible. As the things sank into the mud, he rose into the sky and vanished, shouting something. I think it was a swear.</p>\n<p>Second was in the forest. A man with long hair and dressed in broken armour was kneeling by a large tree. A silver one. He held up his left hand, which was made of metal and withdrew a sword, which was glowing with shapes and symbols. As he held it, he started crying, whispering to it. The words were all different languages, but he did use English and French. He said, \"My smith, Mekhane. My forefather, Arawn. My teacher, Myrddin. Hear my plea. Help me slay these beasts, these kobaloi. I beg you. Help me.\" Then from the forest came these figures. The people with petals. Many of them were stained with blood and glared. One stepped forward and threw a severed head at the man's feet. At the sight of it, the man held up his sword, drew blood with it and screamed, \"For my kingdom, my friends. I curse you.\" He then stabbed the tree. In the sky, a lightning bolt shot down and hit the tree, breaking the sword. The creatures all screamed as the lightning shot into them. And I swear I heard it speak. A voice came from the lightning, whispering one word. <em>\"<a href=\"/scp-4000\">Outis.</a>\"</em></p>\n</div>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">After a further 4 hours of unchanged activity, at around 0300 hours, staff reported the forests and the surrounding area were \"warping\", with sections of the forest seemingly vanishing and reappearing in rapid succession or distorting and altering in size. All on-hand psychics and thaumaturgists experienced great pain, with some experiencing nasal and ear haemorrhage. After around 10 minutes, a thundercloud quickly formed above the area. Second later, a lightning bolt struck the area, resulting in a flash of brilliant light. When the light had cleared, a whole affected area's forest and wildlife had vanished, leaving nothing but a muddy landscape. The only piece of wildlife remaining was a single instance of AO-306, though it had been badly burnt.</span></p>\n<hr/>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"><strong>Forward:</strong> Following the incident, the area was sectioned off and an agricultural blight cover story was created to ward off suspicious. A recultivation plan is currently underway. None of the anomalous effects that occurred during the incident have been reported occurring since. When studied, a moderate fissure was found within the AO-306, with the fissure's interior found to be a smooth steel.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">During the two organisations' excavation of the area, several bones, heavily charred and damaged, were discovered. Many of these bones were found to have enlarged Scapula, each with three joint appendages near the vertebral column. Fragments of a thin, flexible nacre-like, calcium-rich material were found attached to the joints. Furthermore, fragments of cloth, ceramic and metal were found on or near some of the bodies. A command item found was a GoI-\u03c9-008 identification ring, many of which were identified to belong to members of Force \u03be.</span></p>\n<p><span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\">Whilst performing the required disinformation campaign on the event, it found that documents were missing titles and names for landmarks that had been present in the area before its disappearance, with maps showing blank spaces where the area had previously been. In addition, when questioned, members of the public were also unable to recall the names of specific landmarks. Due to this, a mass documentation alteration campaign was required to be undertaken alongside the disinformation campaign. With the absorption of GoI-\u03c9-008 into the Foundation, both campaigns were added to the ongoing assignment merger roster.</span></p>\n<hr/>\n<div style=\"text-align: center;\"><img alt=\"minimal.svg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/theme%3Aminimal/minimal.svg\" style=\"width:20%;\"/><br/>\n<br/>\n<span style=\"font-family: 'Special Elite';color: #000000; font-size: 14pt\">We secure. We contain. We protect.</span><br/>\n<span style=\"white-space: pre-wrap;\"> </span></div>\n</div>\n<div class=\"modal\">\n<table style=\"border: none; width: 100%;\">\n<tr>\n<td><span style=\"font-size:125%;\"><strong>Identifier:</strong> SoI-019</span></td>\n<td style=\"text-align: right;\"><span style=\"font-size:125%;\"><span style=\"color: #990000\"><strong>Estimated Population:</strong></span></span></td>\n</tr>\n<tr>\n<td><span style=\"font-size:125%;\"><strong>Scientific Name:</strong> <em>Alnus argentum</em><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></span></td>\n<td style=\"text-align: right;\"><span style=\"font-size:125%;\"><span style=\"color: black\"><strong>~1,000</strong></span></span></td>\n</tr>\n</table>\n<p><a href=\"http://scp-int.wikidot.com/niveaux-de-menace-des-objets-scp\" style=\"font-size: 18px; color: white; text-shadow: 1px 3px 1px rgba(0,0,0,0.3); text-decoration: none;\" target=\"_blank\"><span style=\"display: inline-block; width: 100%; background-color: green; text-align: center; border: 1px none #000; margin: 1px; padding-top: 8px; padding-bottom: 8px;\"><strong>Threat Level:</strong> Green</span></a></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"font-size:150%;\"><strong>Concerning Individuals</strong></span></p>\n<ul>\n<li><strong>Average Height:</strong> 30 meters</li>\n<li><strong>Average Weight:</strong> 535\u00a0kg/m<sup>3</sup></li>\n<li><strong>Exterior:</strong> Silver, tarnished wood, red leaves and catkins</li>\n<li><strong>Bloom:</strong> Late winter to early spring</li>\n<li><strong>Life Expectancy:</strong> 60 - 180 years</li>\n</ul>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"font-size:150%;\"><strong>Special Considerations of Populace</strong></span></p>\n<p>In the event of any sights of SoI-019, researchers from the Biology Division and Department of Thaumaturgy are to be deployed to the area to assess the specimen's current conditions. Once assessed, the area is to be purchased, closed off and registered on the country's Habitats and Species of Principal Importance roster. Once registered, the specimens are to be visited on a bi-monthly basis to check for any damages, vandalism or illnesses.</p>\n<p>A maximum of 4 instances of SoI-019 are kept at Site-44 for study and treatment purposes. The specimens are to be kept in a wetland ecosystem greenhouse in Sector 5. If research at the site requires thaumaturgy, theurgy or occult workings, it must be carried out at least 1\u00a0km away from SoI-019. As of this document's writing, the use of SoI-019's wood for manufacturing and production purposes is banned, as decreed by O5-12.</p>\n<p>Currently, in line with the Dartmoor Agreement, members of GoI-004 (\"The Church of the Broken God\"), including all branches, may visit Foundation-registered areas containing SoI-019. All visitations must have at most 20 members and all visitations must be accompanied by at least 2 members of MTF Stigma-9 (\"Evolved from Naturally Occurring Gears, Levers and Pulleys\").</p>\n<p><strong>Due to further discoveries regarding SoI-019 and related anomalies, all special considerations are awaiting updates and transfer, along with all documentation relating to SoI, to the management of Project Caliburn.</strong></p>\n<hr/>\n<p style=\"text-align: center;\"><span style=\"font-size:150%;\"><strong>Description</strong></span></p>\n<p>Species of Interest 019 is the Alnus argentum, a species of tree in the family Betulaceae, native to Northern and Western Europe. It thrives in wet locations such as rivers or marshes, or environments with high levels of thaumactivity. SoI-019's xylem cells are capable of performing an alchemical process known as <em>argyropoeia</em>, where it converts copper and iron absorbed from the soil into silver. It does this process whilst also performing another anomalous chemical process that produces thin lamina of steel around the xylem cells. The two procedures result in a lamina made of an alloy composed of iron, carbon and silver. This lamina surrounds the xylem, which results in the wood of SoI-019 appearing metallic and tarnished, with its leaves taking on a red hue due to high moisture and oxygen content. When cut and dried, the lamina reacts with the chemicals within the drying wood to bind together, forming a strong layered fibres within the wood, vastly increasing its durability and strength. It also results in SoI-019 acting as a natural thaumaturgical deterrent, as the alignment and composure of the lamina obstruct the surrounding Akiva Radiation flow.</p>\n</div>\n<div class=\"smallmodal\">\n<p>On 10/06/2000, during their scheduled visit to a registered SoI-019 area near Morpeth, England, researcher Eric Scarlett discovered a note, made from parchment paper and written in cursive, nailed to the instances of SoI-019. As no security videoing system was in place around the area, it is unknown who placed the note. No DNA was found on the note. It read the following:</p>\n<div class=\"papernote\">\n<p>To the Foundation,</p>\n<p>You will know who I am. I know who you are and who you were. Before, in the days when your work was focused around this small island. You have grown stronger since then. I have, however, just grown weaker. I'm not sure I will be here much longer.</p>\n<p>When I was king, millennia before your time, my knights and my allies fought alongside me in a great war, against a powerful enemy, led by a hateful, wild king. The war lasted years and took many things. My wife, my friends, my kingdom, my beautiful son. In the end, even I was claimed, but not before I managed to subdue our enemy into a schism, diving them into tribes built on loathing and distrust. My people survived and some victory was achieved. I faced death with some peace.</p>\n<p>However, my sage and priests had known our victory would only be temporary. In the time to come, the wild king, blessed with long life, would bring his people together once more, along with monsters and traitors. Wishing for our victory, my sage placed me in a sleep, mere breaths away from death and my priests and remaining knights took my sword, to be hidden among their blessed flora and waters. Years later, I awoke amid another war, far greater than one I'd ever fought before. Knowing my quest, I found my sage's family and my priests' church and together, we weakened the wild king once again.</p>\n<p>I wish that could've been the true victory, but no. This was merely another pause. Another battle, one which will have a true victory, was yet to come. So yet again, I entered sleep, with my allies vowing to prepare.</p>\n<p>I have awoken once more. I know this to be the last time. I must be ready. We must be ready.</p>\n<p>They are coming. And I do not know if we can win.</p>\n</div>\n<p>Two days following the discovery of this letter, an incident occurred in another registered SoI-019 area in Penicuik, Scotland, in which the entire grove of SoI-019 was burnt. By the time Foundation agents arrived, the specimens were destroyed. Nearby the grove, two deceased individuals were discovered. One was recognised as a GoI-004 paladin, who appeared to have died as a result of incineration and electrical discharge. The other was recognised as Jilly Adams, a member of the City of Edinburgh Council, whose autopsy confirmed she'd died from multiple organ failures. A small carved blade made out of a piece of SoI-019 wood was also found in her lower back. Whilst medical examination could not find how SoI-019 could have resulted in such a visceral, fatal reaction, genetic testing found that Jilly Adams had been an unregistered <a href=\"/scp-6796\">SCP-6796</a> instance.</p>\n<p>Later examination of surrounding security footage found that during her journey to the area, Jilly Adam had been tailed by the GoI-004 paladin, along with another unknown male individual. Other footage in Edinburgh, set two hours after the death of Jilly Adam, saw this unknown male individual boarding a train to Inverness. Whilst boarding, the individual appeared to look towards the camera and gazed for 10 seconds. Whether this was deliberate or done as a means of messaging someone is unknown. For this footage, the Foundation were able to search their Persons of Interest record for similar individuals. Though no results could be found on the Foundation record, the SCiPNet flagged a similarity between the individual and a subject registered on GoI-\u03c9-008's Suspect roster. The subject, Suspect 651, was added to the PoI roster and registered as PoI-4918.</p>\n<p>Since the incident, a further 5 registered SoI-019 areas have been attacked, with almost all specimens being destroyed in the process. An increase in SoI-019's security is currently pending approval. No further sightings of PoI-4918 have been confirmed.</p>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Commonly known as \"Silver Alder\" or \"Armoured Forests\"</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anomaly-306-the-silver-alder\">Anomaly 306 - \"The Silver Alder\"</a>\" by arthcymro, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anomaly-306-the-silver-alder\">https://scpwiki.com/anomaly-306-the-silver-alder</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> <a href=\"https://upload.wikimedia.org/wikipedia/commons/0/02/King_Arthur_MET_DP158298.jpg\">https://upload.wikimedia.org/wikipedia/commons/0/02/King_Arthur_MET_DP158298.jpg</a><br/>\n<strong>Name:</strong> King Arthur<br/>\n<strong>Author:</strong> Julia Margaret Cameron<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> <a href=\"https://upload.wikimedia.org/wikipedia/commons/f/f8/Bethlehem_Steel_Pennellb.jpg\">https://upload.wikimedia.org/wikipedia/commons/f/f8/Bethlehem_Steel_Pennellb.jpg</a><br/>\n<strong>Name:</strong> Bethlehem Steel works, \"Watercolor in sepia brown, white and gray, on buff paper. Signed May '81.\"<br/>\n<strong>Author:</strong> Joseph Pennell<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> Jamses.jpg<br/>\n<strong>Name:</strong> Early portrait of a Victorian gentleman - glass wet plate collodion negative<br/>\n<strong>Author:</strong> Photos of the Past<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/whatsthatpicture/5061962078/in/photostream/\">https://www.flickr.com/photos/whatsthatpicture/5061962078/in/photostream/</a></p>\n</blockquote>\n\n<blockquote>\n<p><strong>Filename:</strong> HMFSCP2.png<br/>\n<strong>Name:</strong> HMFSCP2<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/olympic-error\" onclick=\"WIKIDOT.page.listeners.userInfo(7938093); return false;\"><img alt=\"Olympic Error\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7938093&amp;amp;size=small&amp;amp;timestamp=1788191716\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7938093)\"/></a><a href=\"http://www.wikidot.com/user:info/olympic-error\" onclick=\"WIKIDOT.page.listeners.userInfo(7938093); return false;\">Olympic Error</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\">https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-no {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"In June, I Change My Tune.\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/in-june-i-change-my-tune\">In June, I Change My Tune.</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"A World Full of Weeping\">\n<p><a href=\"/\">A World Full of Weeping</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"Experiment Log 2307 A\">\n\n<p><a href=\"https://scp-wiki.wikidot.com/experiment-log-2307-a\">Experiment Log 2307 A</a></p>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:basalt\">:scp-wiki:theme:basalt</a> themesetting|hidetitle=a]]\n\n\n\n[[module css]]\n\n\n\n@import url('https://fonts.googleapis.com/css2?family=Vesper+Libre&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Spectral:wght@300&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Oranienbaum&display=swap');\n\n@import url('https://fonts.googleapis.com/css2?family=Special+Elite&display=swap');\n\n\n\n:root 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100%;}\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=-- |name=ArthCymro]]\n\n**[https://scp-wiki.wikidot.com/dr-dafydd-s-personnel-file More by this Author]**\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n\n\n[[div class=\"document\"]]\n\n[[=]]\n\n[[size 170%]] **Her Majesty's Foundation for the Secure Containment of the Paranormal** [[/size]]\n\n\n\n[[image HMFSCP2.png style=\"width:20%;\"link=#]]\n\n@@@@\n\n**BY DECREE OF HER ROYAL MAJESTY QUEEN VICTORIA, RULER OF THESE UNITED KINGDOMS OF GREAT BRITAIN AND IRELAND, THIS DOCUMENT AND ITS CONTENTS ARE TO BE HELD IN SECRECY, AND USED TO PROTECT AND FURTHER THE INTERESTS OF THE BRITISH EMPIRE.**\n\n\n\n**GOD SAVE THE QUEEN.**\n\n[[/=]]\n\n------\n\n**Designation:** AO-306.\u00a0\u00a0[!-- Always start with AO- --]\n\n\n\n**Threat:** None. [!-- None, Benign, Irascible, Enraged --]\n\n\n\n**Classifications:** Botanical, Archaeological, Thaumaturgic, Metallurgy, Artefact. [!-- Brief descriptions of anomaly --]\n\n\n\n**Stored:** Dome 02, Hall 08, Site-Red. - //Note: wild cases remain under monthly observation.// [!-- Where is the anomaly kept or located --]\n\n\n\n**Identifiers:** Anomaly is outwardly identical to members of the Alnus Glutinosa species, with the biggest height recorded at 33 yards. The species are identifiable by their colouration and material properties. The wood of the tree is of a tainted, metallic grey colour, not unlike tarnished silver, whilst its leaves and catkins are pigmented a deep, russet red. [!-- How does the anomaly usually look --]\n\n\n\n**Abnormality:** Observations by botanists and horticulturalists have found that whilst the species' cellular structure is nearly comparable to other members of the Alnus genus, this species possesses a high quantity of iron and silver particles within its structure, especially in the wood of the plant. This is believed to be why the species possess a metallic pigment and the leaves have a red hue. As silver is not an element abundant in soil, it has been theorised that the species can perform an alchemical process to transmute metals within the soil into silver.\n\n\n\nWithin the structure of the plant, the iron and silver particles form an alloy that is currently impossible to replicate. This alloy is a natural deterrent to thaumic workings, being capable of disrupting and blocking all forms of theurgy within its presence. Whilst this property has also been seen in iron and silver, the alloy formed within the plant can prove a much greater counter-effect than the two elements. This property is found throughout the anomaly's makeup, including the leaves, catkins and sap. This disruptive property will continue even if materials are removed from the main body, though the range and strength of this property will weaken as the sample ages. [!-- How does the anomaly usually behave and what makes this unusual --]\n\n\n\n**History:** The species' existence is not widely known outside of cryptobotany and thaumaturgical circles. This has been theorised to be because of the anomaly's rarity within the botanical world. However, some researchers have theorised that the species' existence may have been remembered in pieces of Eurasia superstitions and folklore. The Northern European area is especially rich in beliefs surrounding iron, silver and the Alnus family, all of which relate to their abilities to deter unwanted or harmful magic and beasts. Further research into the anomaly's cultural history is ongoing.\n\n\n\nHer Majesty's Foundation became aware of the anomaly in 1846, during a Marshall, Carter and Dark auction, where cuttings were auctioned off. Successfully purchasing the cuttings, investigators were able to trace their source to that of the famed horticulturist and occultist, Joseph Merit. According to Merit, he and several of his colleagues in the cryptobotany circles had recently been able to domesticate the species successfully and were already receiving requests from businesses for cuttings and timber for use in industry. Her Majesty's Foundation purchased all of Merit's domesticated samples, as well as his studies of the species biology. See their attached paper for details. [!-- How did the anomaly come under the control of HMFSCP --]\n\n[[/div]]\n\n\n\n[[div class=\"papernote\"]]\n\n[[=]]\n\n[[span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 20pt\"]]**The Armoured Forests**\n\n[[/span]][[span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 16pt\"]]A Summary of the Botany of //Alnus argentum//\n\n[[/span]][[span style=\"font-family: 'Oranienbaum';color: #000000; font-size: 12pt\"]]By Joseph Weatherbee Merit\n\n[[/span]]\n\n[[/=]]\n\n------\n\n[[span style=\"font-family: 'Oranienbaum';color: #000000\"]]In the world of elusive botany and strange mycology, there are several rare specimens considered famed. The lightning-generating //Phiotacea electrica//, the vile //[[[https://scp-wiki.wikidot.com/scp-679|Aspergillus ocularis]]]//, and the carnivorous //Crinoida dajeeana//. But none compare to that of the //Alnus argentum//, the //Silver Alder//, a tree truly worthy of the description of mythical.\n\n------\n\n= **Distribution**\n\n\n\nAt face value, //A. argentum// is very much like the rest of the //Alnus// genus, with //A. glutinosa//, the //Black Alder//, believed to be its closest relative. This is evident by both //A. argentum's// phytomorphology and habitat, as the species looks and grows in similar structures and has only been seen growing in northern and western Europe. Like //A. glutinosa//, //A. argentum// grows in the moist ground near rivers, ponds, lakes or areas of nutrient-poor soil.\n\n\n\nThe first characteristic rendering the species unique in its genus regards //A. argentum's// method of germination and colonisation. All members of the //Alnus// genus function as pioneer species; resilient plants that are the first to colonise new and disturbed environments and assist in the repopulation of other species. Where //A. argentum's// works differently in what type of ecosystem it pioneers in.\n\n\n\nCompared to other member of its genus, //A. argentum// has difficulty germinating against its competitors, even in environments plentiful in nitrogen and water. However, due to developing a body rich in iron and silver, when present in environments exposed to powerful or constant mysticism and theurgy, the species gains the upper hand. In areas which had been exposed, many species of flora often find it difficult to adjust and reproduce to the imbalanced ecosystem. Because of the metal within its body, //A. argentum// can shield itself from mystical effects, redirecting it away from itself and back at its contenders. This continues as the body grows, which it does very quickly, gaining a meter almost every month. As it spreads around, the theurgy is forced into a more ordered state, allowing newer species to be introduced without threat.\n\n\n\nAs the ecosystem grows, as with most //Alnus// species, //A. argentum// will typically settle in thickets at the edges of forests or near sources of water. However, it has been noted that these thickets tend to form in a formation of sorts. If drafted on a map, a straight alignment can be illustrated between thickets. Coincidentally, these lines also align with nearby holy or historical landmarks. It is the belief of //Reverend Edward Duke// these lines are examples of his \"//holy leylines//\" hypothesis, with the trees acting as a kind of pillar in the lines network.\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 306 (A):** Cultural History\n\n\n\nThrough the investigations carried out by Intelligence and Observation operatives, Her Majesty's Foundation made several discoveries regarding AO-306's historical significance in various cultures in the known world. A summary is written below.\n\n\n\n-----\n\n\n\n**The Kingdom of Hy-Brasil:** To the Tuatha D\u00e9 Danann, the flora, known as the \"//An Plionta Airgid//\", meaning \"The Silver Plinth\", is considered both a hindrance and a help. Due to their biology, the fibres of the anomaly are a moderate irritant to their flesh and are dangerous, if not deadly, if exposed to them for too long. Despite this, the Tuatha use the tree as a form of defence, growing them around locations of importance for further security against thaumaturgical attacks or beings such as Aos S\u00ed, [[[SCP-3456|Nuckelavee]]] or [[[anomaly-243-the-neamh-mairbh|Neamh-Mairbh]]]. Some blacksmith would go further and use logs of the tree to shape their blades, as the metal particles within the wood would react with the forged metal to form a thin layer. This weakness and application have propagated a superstition, with many of the Tuatha still considering the plant an omen of bad luck or danger and will actively avoid interacting with samples if encountered in the wild.\n\n\n\n**The Daevite Empire:** As horticulture, occultism and plant life were an essential commodity in Daevite culture, Daeva viewed AO-306 as nothing more than a problematic weed, referring to them as the \"//Vihe Tinhezuke//\", meaning \"The Tarnished Desolation\" in [[[old-daevite-language|Old Daevite]]]. Likely due to the anomaly's ecology and accelerated growth, the Daeva often had trouble managing the plant's spread, with some of their passages referencing great fires set to destroy the anomaly to prevent famines from breaking out.\n\n\n\n[[div class=\"smallmodal\"]]\n\n\n\nThe Tarnished Desolation, a threat great, going unwitnessed until too late and once bloomed, spreading sickness with every touch. Many of our [[[SCP-5297|fruit]]] and [[[SCP-3140|armies]]] have rotted in their roots and whole colonies of [[[scp-5280|maidens]]] have died within its pollen. Our farms and gardens are our life. Our food. Our way. Such threats are not taken lightly, but as its wood is poisonous to our flesh, only the harshest of flames must be used to vanquish its foul reach.\n\n[[>]]\n\n- [[[SCP-140|A Chronicle of the Daevas]]]\n\n[[/>]]\n\n[[/div]]\n\n\n\n**The Church of the Broken God:** As the Alder family prefer damp, cool climates, the anomaly is rarely seen in South Europe and West Asia. However, according to representatives of the Church of the Broken God, their order's predecessor, the [[[SCP-2406|Followers of Mekhane]]], considered the anomaly proof of their God's divine influence, having grown from His broken body to aid humanity in its early development. According to some archaeological digs, many followers offered valuable trade or made pilgrimages to the northwest territory just for a single piece of its bark.\n\n\n\n[[div class=\"smallmodal\"]]\n\n21. And with their might did God cleave His Enemies. But battle had rendered God tried. His Anvil, His Stylus, His Hammer, His Form. All broken.\n\n22. Broken, and tried, God was claimed by the Earth, Skies and Seas, His Body spread among the lands. Lost.\n\n23. Lost. But not powerless.\n\n24. His Form, though broken, remained strong. His [[[SCP-217|Ichor]]], though diluted, remained flowing.\n\n25. And from these, and the rich soils of Earth, did spring new form. Forms in the shape of gifts.\n\n26. //\"Here me,\"// cried God, //\"Though broken, I remain strong. Though broken, my love prevails. Though broken, I shall still defend you.\"//\n\n27. //\"Take my new Form. My strength remains within it. My might stored in its body. Take it and build. Build and forge. Build, for I shall be with you again.\"//\n\n28. And so the people built and made, and grew strong. In strength, the found power.\n\n29. Power to fight the beasts that plagued them. The vile Flesh. The accursed Daeva. The guileful Kobaloi.\n\n30. With God, they found strength. With God, they grew.\n\n[[>]]\n\n- Book of Forge, Chapter 2\n\n[[/>]]\n\n[[/div]]\n\n\n\n**Insular Celts:** Despite little being known of the ancient Celts' workings and lifestyle, surviving pieces of evidence recovered from archaeological digs at Brythonic and Pict sites have suggested that AO-306 played a significant role in their life. Several pieces, mostly armour, jewellery and weapons, have been identified as being created from the anomaly's wood, implying that the tribes were skilled in both cultivating and utilising the anomaly. Furthermore, analysis of woad dye found in digs has identified samples of resinous gum taken from the plant and mixed into the dye, possibly suggesting attempts were made to incorporate the anomaly's thaumaturgical deterring effect into their clothing and war paint. Whilst the Brythonics and Picts appeared to have habitually used the plant, the same cannot be said for the Gaels, though this can be likely due to the influence of the Tuatha and their view on the plant. However, AO-306 appears to have contributed to many pieces of Celtic mythology and folklore, symbolising the mysterious Otherworld, where it is believed to have come from.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 306 (B):** Studies\n\n\n\nA report written by metallurgist, Jonas Thorn, and biologist, Monty T. Howards, on the chemistry of AO-306.\n\n-----\n\n\n\n**Experiment:** Reverse Engineering Samples of AO-306\n\n\n\n**Results:** //Through our study of the species, we have determined several key properties that illuminate both its chemical and physical capabilities.//\n\n\n\n//When dried, like most woods, the wood of the anomaly becomes much stronger, harder and more durable. However, in the case of AO-306, the strength and durability of the wood exceed what ordinary wood should be capable of achieving. Our material analysis found the wood of AO-306 to possess a compressive strength of 15,000 psi and a bending strength of 21,000 psi, rivalling that of the Acacia genus' wood.//\n\n\n\n//Knowing the durability of common alder wood hardened when introduced to water, we submersed several samples of AO-306 to observe if a similar effect occurred. To our surprise, we discovered if the wood is treated in water, the process of strengthening not only accelerates but results in an even stronger timber. Material analysis found the wood possessed a compressive strength of 41,000 psi and a bending strength of 63,000 psi, comparable to that of steel. When observed under a microscope, the fibres of the wood are found to have developed a metallic coating. We have yet to identify why this is occurring.//\n\n\n\n//Further chemical analysis of the wood, both before treatment and after, has identified that, whilst durable, it is still flammable, though it appears to be somewhat resistant to ignition, and burns with a golden flame with a green heart. It has also been determined to be nontoxic and safe to handle. Thaumaturgical analysis has also found that the anomaly's disrupting effect is greatly enhanced if the wood is treated with water. This may be due to the more structured form the metals take when exposed to moisture.//\n\n\n\n[[>]]\n\n-\u00a0\u00a0**Monty T. Howards**\n\n[[/>]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 306 (C):** Archaeological Findings\n\n\n\nA report written by archaeologist, August Leonerd, and biologist, Monty T. Howards, on the discovery of several artefacts relating to AO-306, found at the Dozmar\u00e9 Pool, Cornwall.\n\n\n\n-----\n\n\n\n//The grove at the pool was unusual. In most cases, we've come across AO-306 growing in relatively large numbers, twenty or so. Here, there were only four, and rather than growing on the banks, all were growing from the lake bed. Furthermore, the grove does not reside on any of the \"holy lines\" our cartographers and dowsers mapped out. Either this grove has been created artificially or the force in the area has long since faded away, implying this patch of AO-306 is one of the oldest on record.//\n\n\n\n//Regardless, such an unusual location warranted further investigation, leading to our discovery. Entangled within the roots of the anomalies were several water-damaged metallic artefacts, encasing the skeletal remains of a believed adult male. Though the roots of the anomaly made it somewhat difficult, we managed to remove the remains unscathed.//\n\n\n\n//Inspection of the body did not provide any substantial information about its origin or reasons for its location. However, we noticed the body was in a fetal position while buried. The bones appeared to have experienced a significant impact on the chest and abdomen, mostly likely from a projectile or bladed weapon. A majority of the artefacts, including those worn by the body, were found to have been pieces of armour, most of which were damaged seemingly by incendiary or chemical devices. Strangely, many of these pieces possessed intricate mechanics, such as rudimentary clockwork or pneumatics. In the cases of the body, some of the mechanics within the armour were found attached to the bone, specifically those of the arm and shoulder. Based on design and evidence from other archaeological findings, we believe them to be of 5th-century origin.//\n\n\n\n//Outside of this, the only other item that was recovered was the remains of a [[[scp-2307|long sword]]], which was found clasped within the body's hands. This sword itself is quite unusual. Though it was recovered slightly damaged due to the lake's water, it has been \"regenerating\" since its recovery, shedding rust and \"growing\" metal as time goes on. Curiously, this regeneration accelerates when in contact with a piece of AO-306. Due to this property, I have had the item posted to Site-Red for further examination and possible designation.//\n\n\n\n//Though the design of the artefacts, including the sword, was not unusual, the composure is somewhat similar to those we discovered in Celtic sites and made by Tuatha blacksmiths, though these artefacts appear to be of a more refined make. And after getting the metallurgist and dowsers to have a look at it, I can confirm my theory. The artefacts, armour and sword, are constructed from the same material found within AO-306, a silver-rich steel, and in this case, of rather high purity.//\n\n\n\n//This leaves us with two interesting mysteries. The first is the manufacturing of the alloy. Given the earliest known method of mass-producing steel was recorded in 11th-century China, it is highly unusual to find a similar material being produced and used centuries early, in a society nowhere near capable of producing such materials. Who made this material? How? Why is it so pure? The clockworks and pneumatics also further confuse things, with neither being crafted in such condition, even in the modern day.//\n\n\n\n//Secondly, why was the body there in the first place? Given the location, the wounds and the layout of the body, it is unlikely this was an intentional burial. However, when we discovered it, the body was surrounded by various pieces of armour, as if entombed. Moreover, a grove of AO-306 was growing directly above the remains. Why? Given the fact the sword was within the body's possession and its anomalous properties, along with the condition the body was found in, I am inclined to theorise that this burial was spontaneous, possibly self-imposed, with the intention of either protecting the sword from something or protecting something from the sword.//\n\n\n\n[[>]]\n\n-\u00a0\u00a0**August Leonerd**\n\n[[/>]]\n\n-----\n\n\n\nThe sword recovered at the site was given the designation AO-237 and stored at Site-Red, three weeks following its discovery by Howard and Leonerd. Further examinations of the item are pending.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n[[=]]\n\n**Proposal: Request the right to outsource the production of Compound 113 (\"Alderwood Iron\") for the creation of arms to be used in imminent conflicts.**\n\n[[/=]]\n\n-----\n\n\n\nAs you gentlemen of the Operations Council are aware, there has been a continual growth in the use of anomalous weaponry in warfare in the past decade. You will recall the Russian forces' use of Sarkic cytomancy in Crimea, the temporal slips of the Battle of Khushab and the loss of the Kowloon Peninsula. Furthermore, we have seen a growing number of cases, both nationally and internationally, of blacklisted occult trade, either through black markets or corrupted government sectors. We have already had reports from our allies in the States, the American Secure Containment Initiative, of the Confederates use of Kabbalah clay for the manufacture of [[[SCP-011|artificial soldiers]]]. Our organisation is trying its hardest to mitigate and contain these issues, however, resources remain sparse. And with the likelihood of another full-scale war occurring within the next decade, we must find new ways of continuing our cause.\n\n\n\nYou will be aware of Jonas Thorn's recent developments in alchemical practices thanks to his study of AO-237, Hy-Brasil's \"Cold Iron\" manufacture and his successful incorporation of Mekanite metallurgy and Brand alchemy with the modern Bessemer process. You may also be aware of our numerous discoveries concerning AO-306, specifically its application within thaumic workings when refined to Compound 113 (\"Alderwood Iron\"). Given the growing threat and looming issues, it is, for this reason, that we request our organisation look into the possibility of producing Compound 113 for its use in furthering our subbasement of anomalous activity, as well as its use in manufacturing arms for the upcoming conflict.\n\n\n\nCompound 113 has already shown it possesses all the practicalities of steel, as well as the ability to negate and redirect thaumic workings, be it occult or theurgy. You will recall the tomb uncovered by August Leonerd a few months ago. The process of its production //(**Procedure 306-113-G:** Bessemer-Thorn Argyropoeia)//, is also not overly expensive, with the only financial issue coming from the need to introduce copper into the manufacturing to undergo the required argyropoeia. Whilst this could prove a problem if we were to request a local steelworks such as Dowlais or Scunthorpe to produce the compound, this would not be the case in America. A newly established ironworks, under the ownership of Anderson Factories, has been established in Pennsylvania, and given the rise of the northern Michigan copper district, they would be able to suit our demands easily.\n\n[[>]]\n\n\n\n[[table style=\"width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: left;\"]]\n\n+++++ - Ishmael Cabot\u00a0\u00a0\n\n++++++ Military Head\n\n++++++ United Kingdom Branch\n\n[[/cell]]\n\n[[cell style=\"text-align: center;\"]]\n\n+++++ - Nathanial Henry\n\n++++++ Intelligence Head\n\n++++++ United Kingdom Branch\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n+++++ - Paul Farr\n\n++++++ Science Deputy Head\n\n++++++ United Kingdom Branch\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/>]]\n\n[[=]]\n\n[[size 60%]]DO NOT WRITE BELOW THIS LINE, OFFICIAL USE ONLY.[[/size]]\n\n-----\n\n+++ //##navy|Proposal approved.##//\n\n+++ //- ##navy|Chamberlains 1, 2, 3, 4, and 5.##//\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[div_ class=\"newspaper-border\"]]\n\n[[div_ class=\"newspaper-main\"]]\n\n[[size 570%]]**THE FLEET GAZETTE**[[/size]]\n\n[[div_ class=\"newspaper-body\"]]\n\n[[div class=\"unmargined\" style=\"border-top-style: solid; border-bottom-style: solid;\"]]\n\n[[table style=\"width: 100%;\"]]\n\n[[row]]\n\n[[cell style=\"text-align: left;\"]]\n\n[[size 200%]]**Vol, XCII No. CLXXII**[[/size]]\n\n[[/cell]]\n\n[[cell style=\"text-align: center;\"]]\n\n[[size 200%]]**FEBURARY 13TH, 1866**[[/size]]\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n[[size 200%]]**ONE HALFPENNY**[[/size]]\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[/div]]\n\n[[/div]]\n\n[[div_ class=\"newspaper-body\"]]\n\n[[div class=\"twopanel\"]]\n\n[[div class=\"bit\"]]\n\n[[size 150%]]**ANDERSON FACTORY REVOLT! COORDINATED ATTACK RESULTS IN THE DEATH OF HUNDREDS.**[[/size]]\n\n------\n\n[[size 150%]]**ONLOOKERS CLAIM WITNESSING GHOSTS AND DEMONS FIGHTING IN THE FIRE ABOVE PENNSYLVANIA.**[[/size]]\n\n------\n\n[[div style=\"text-align: justify\"]]\n\n[[size 150%]]O[[/size]]n the 23rd of May, a coordinated attack was carried out on several of Anderson Factories facilities. In the late hours of the night, explosions and gunfire rang out as conflict erupted between the employees and the invading force, whose goal and organisation are yet to be revealed.\n\n\n\nAnderson Factories, colloquially referred to as [/system:page-tags/tag/factory The Factory], were located across the Eastern United States. Under the ownership of James Anderson, the notorious engineer and businessman, Anderson Factories produced everything from fabrics to mechanics, to foods, to papers, to artillery. Born in Oxford, England to arms dealer, Charles Anderson, Anderson emigrated to the United States in 1834, and successfully established his first factory in Massachusetts in 1835 at the age of 20.\n\n\n\nTaking advantage of the state's growing industrial proficiency and immigration, Anderson's factory soon became a powerhouse in the heavy industry market, helped by the experimental nature of his facilities layout, in which accommodations for workers were provided. By 1843, Anderson had established a small empire for himself, spanning eleven facilities.\n\n\n\n[[image James.jpg style=\"width:100%;\"link=#]]\n\n\n\nOver the next 10 years, Anderson's industry remain prosperous, until the California gold rush. Though initially reactive, establishing a further three facilities on the West Coast, the strain of industry began to take its toll on Anderson. Further upheaval such as political tensions, embezzlement, westward migration, and an outbreak of consumption sent him into a further depression. This pressure is said to be the cause of Anderson's change in behaviour and tactics, with many reporting a definite change in his consideration for safety and work ethic. Some even claim Anderson was dabbling with occult forces and demonic beasts. Whether these rumours were true or not remains unknown, though, despite employment rates for Anderson's Factories growing low, production remained unusually high, even with the arrival of the American Civil War, where he went on to produce weapons for both Union and Confederate armies.\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"bit\"]]\n\n[[div style=\"text-align: justify\"]]\n\n[[image https://upload.wikimedia.org/wikipedia/commons/f/f8/Bethlehem_Steel_Pennellb.jpg style=\"width:100%;\"link=#]]\n\n[[size 150%]]L[[/size]]ate on the night of the 23rd, Anderson Factory's Pennsylvania Steelworks and Heavy Industry plant experienced a full frontal attack. The facility, headquartered outside Easton, Pennsylvania near the banks of the Lehigh River, erupted into a frenzy when several unknown individuals attacked the main steelworks facility, destroying much of the machinery and equipment. By the time local authorities arrived at the scene, the facility had erupted into flames, with a lake of molten metal flowing from the facility.\n\n\n\nAs a result of the attack, only seventeen of the ninety-eight workers survived. When our journalists attempted to interview said survivors on the events of the attack and the identity of the attackers, however, most failed to prove any substantial information, with many still under medical supervision. \"//Confederate rioters//,\" according to Sheriff Lovelock of the Easton Police Department, \"//Anderson's been dealing with them ever since Robert surrendered Virginia. So many of the miners blame him, you see for what he did, and who he helped. Some folk just can't let go of the past. They'd rather hold on to a grudge.//\"\n\n\n\nDespite the police department's claims, local opinions differ. According to some eyewitnesses, there had been several unusual incidents before the attack, such as sudden illnesses, missing people and the loss of shipments from the nearby mines. In addition, several people confirm that a few days before the attack, several soldiers from the U.S. Army, as well as members of the Pinkerton National Detective Agency reported to the facility, claiming their reason for their arrival was to assess the new artillery manufactured at the facility. However, the local word says otherwise.\n\n\n\n\"//This wasn't a random attack,//\" says Mary Kidds, \"//this was justice. Something was happening at that factory and it wasn't some fancy bullets. You know they have gardens in there? Why would a factory that makes steel need gardens? And why can't the staff leave? There's something unholy about that place. Something secret. It's punishment, I say. Punishment for the sins of Anderson.//\" Journalists attempted to interview the U.S. Army about the visit, though they refused to comment.\n\n\n\nDespite survivors being unable to remember the ordeal and the authority remaining quiet, accounts from onlookers have revealed some striking details regarding the night. Bobby Bulter, a coachman in Easton, came forward regarding what he witnessed during the night of the attack. \"//I was just riding along, having just dropped off the last night's owls, when my horse was all stiff and panicked. Right outside the forest, near the river bank. He just stood there, refusing to move. Tried everything but he wouldn't go. But then I heard it. This shrill whistling, coming from the woods. Like a sharp wind. I didn't like it.//\"\n\n\n\n\"//Then something moved, above us. Quick it was. Didn't make it out in the dark, but I knew something was there. Now and again, something would shoot past. Never saw them but I heard them. Maybe a strange windy sound, like when knife swishing in the air. The horse lost it then. Poor thing kept shaking and crying before it just ran off towards the town.//\"\n\n\n\n\"//When I reached the river bank, I saw the factory, on fire. Not a normal fire, though. It was gold, blue and green, and it moved like it was waves in the sea. There were screams too. These awful screams. Men begging and crying, but also other things. Like cats howling but shrill and long. I was about to run, but then the whole place blew up, metal flying everywhere. I ducked for cover and I saw this chuck of hot metal on the ground. In it was a body. Now I've fought in battles, and I've seen my fair share of horror, but this was sickening. It was all mangled, covered in this molten silver, its fat burning in a green flame. Something was wrong with it too. Its back was all twisted, with these jagged things pointing out like wings. Six wings. And it had these pointed ears, like some demon. I ran then. I know I should've helped but I won't be part of that. Anderson was making monsters in there. Making things from hell!//\"\n\n\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"jotting\" style=\"background-color: #f3cea1; text-color:black;\"]]\n\n= **[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 20pt\"]] American Secure Containment Initiative [[/span]]**\n\n[[>]]\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]] American Secure Containment\n\nInitiative's Office of\n\nInternational Diplomacy\n\nLocus 17\n\n\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\u2588\n\nPennsylvania\n\nUnited States of America\n\n\n\nFeburary 27th, 1866[[/span]]\n\n[[/>]]\n\n[[<]]\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]] Her Majesty's Foundation\n\nfor the Secure Containment\n\nof the Paranormal's Administration\n\nDepartment\n\nSite-Blue\n\n\u2588\u2588\u2588\u2588\u2588\n\nYorkshire\n\nEngland[[/span]]\n\n[[/<]]\n\n\n\n------\n\n\n\n[[span style=\"font-family: 'Monotype Corsiva';color: #000000; font-size: 14pt\"]] To the Chamberlains of Her Majesty's Foundation,\n\n\n\nThis letter comes to you in light of the numerous attacks our country has been receiving in recent months. You should already be aware of these attacks, as a good number of them have occurred at establishments where you have arms dealerships and engineering contracts. Given the current political climate, international conflict and pressure experienced by our organisation, you should understand that these interruptions are costing us. We have already had to carry out seven cleanup operations and nine misinformation campaigns just to prevent public discovery and government inquiry. Not only that, but these attacks are also costing us a great deal of resources. Many of the establishments lost produced goods vital for our country's businesses and corporations, including our organisation. The latest attack meant one of our most delicate procedures had to be put on hold.\n\n\n\nYou may also be aware of the rumour circulating about the type of people who are conducting these attacks. I would like to say that these rumours are nothing but the result of fantastical embellishments, but our morticians and agents, who have had to clean up your mess, know them to be gospel. These beings. Sourcery. Shapeshifting. Allergy to iron. These are not creatures who are easy to deal with, nor do they care for our kind's way of life. They are dangerous and powerful, and for whatever reason, your requests have angered them.\n\n\n\nTherefore, we have no choice but to cancel all current production this country is doing for your organisation as well as prohibit any future projects. We understand you made these requests because you too were facing issues related to the current conflict but we should not have to deal with the consequences of your solution. Should you wish to challenge this ban, your appeal will be dealt with by our lawyers after the current political climate is over.\n\n\n\nYours sincerely,\n\n[[/span]]\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]] Major Adolphus V. Peverell\n\nDictator of Locus 17\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n[[=]]\n\n**Inquiry: Theft of AO-306 and AO-237**\n\n[[/=]]\n\n-----\n\n**Brief:** On the night of the 6th of March, Site-Red witnessed an unexpected attack. At half-nine, the staff of Hall 08 were greeted by Brigadier Ab Ifan, who had previously thought to have gone missing along with his platoon, Force \u03be, in action in German last year. Upon entry, staff were subdued by an unseen force, whilst 10 further individuals entered the hall. 9 were later recognised as former missing members of Force \u03be, whilst the 10th identity remains unknown. After subduing and binding the staff, the attackers made their way through the halls, returning with several test samples of AO-306 and Compound 113. In addition, Ab Ifan retrieved AO-237. After this, the attackers left the site. Attempts were made by the staff of adjacent halls to subdue the attackers, though they were unsuccessful. All staff involved in the attack were unharmed.\n\n\n\n**Witness Statements:** //By the time I noticed something was wrong, it was already too late. Something grabbed me and held me down before I could reach for my baton. It must have been something invisible because Ifan kept talking to it. He told it, \"Kept them out of the way, they are not our enemies. They're not a part of this fight.\" We were bound and gagged quickly by the other members. I recognised one of them as Logan. He apologised for what they were doing. Said that this was necessary for their new mission. That's when I noticed the paint. All of them had this purple paint on their face and arms. Shaped into swirls and curves.//\n\n\n\n//They left us and went to the halls, taking all the test samples we'd made of the Silver Alder wood, sap and catkins, as well as the piece of Compound 113, and several documents. Whilst they moved, Ifan started talking with this brown-haired man I did not recognise. He was painted too but he wasn't dressed in our uniform. Instead, he wore this old armour, made of leather and chainmail, and had a long red cape. His hair was long and he wore a golden helmet. At some point, I think Ifan said his name. I think it was Arnold or Arthur. Maybe Asher. He and Ifan argued for a while before one of the men gave him AO-237. He cried when he held it and kissed its handle.//\n\n\n\n//As they left, the man with the golden helmet came to us and spoke. He said he was sorry. He said, \"This is for the future. Foretold by Myrddin. We're sorry. Forgive us.\" That's when I noticed his arm. His left arm was all metal and shining. As if his skin was made of armour. After speaking to us, he left, taking Ifan and 237 with him. Nothing happened after that until someone from Hall 6 came and freed us.// - **Marvin Lucas, Security Officer**\n\n\n\n**Evidence:** Nobody was killed during the incident, leaving plenty of witnesses. The identities of all bar one were confirmed to be members of the missing Force \u03be. During the investigation, seer Enlli Majors claimed a clairvoyant impact within the area, implying that the force experienced by the witnesses was the result of unseen spectral entities. Majors could not give a definitive answer on the number of entities present.\n\n\n\nFragments of the paint covering the attackers we found on some of the ropes used to bind personnel. When this paint was examined, it was found to be a mixture of woad dye and the sap of AO-306, not unlike the dye found by archaeologists at the Insular Celts sites.\n\n\n\nAccording to witness statements, the accompanying, crowned individual was known as \"Arthur\" and likely possessed some form of artificial, mechanical prosthetic. Some witnesses claimed, however, that when he spoke, they heard him communicate to them in French, Welsh and Gaelic, as well as English. His involvement with the attack has resulted in his addition to the Suspect list, designated Suspect 651.\n\n\n\n**Conclusion:** Since the attack, sightings of the group have been reported across Great Britain and Ireland, including around known anomalous sites and locations. Due to this, their hostile behaviour and their theft of AO-237, samples of Compound 113 and documents referring to Procedure 306-113-G, their arrest has been assigned to Force \u03b4 and priority level Yellow.\n\n\n\n[[>]]\n\n+++++ - Ashley Moore\n\n++++++ Observation Operative\n\n++++++ Communication Sector\n\n[[/>]]\n\n[[/div]]\n\n\n\n[[div class=\"document\"]]\n\n[[>]]\n\n[[image HMFSCP2.png style=\"width:10%;\"link=#]]\n\n[[/>]]\n\n-----\n\n**Manifest 306 (D) :** Suspect 651\n\n-----\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:image-block\">:scp-wiki:component:image-block</a> name=https://upload.wikimedia.org/wikipedia/commons/0/02/King_Arthur_MET_DP158298.jpg |caption=Suspect 651, Arthur. Note that AO-237 has not yet undergone alteration.|width=280px]]\n\n**Subjects Name:** Arthur\n\n\n\n**Nationality:** Unknown - //Believed British or French//\n\n\n\n**Occupation:** Unknown\n\n\n\n**Perpetration:** Following the robbery at Site-Red, sightings of //Arthur// were reported across the country, usually accompanied by various members of Force \u03be. As of writing this document, it is yet unknown what the goal of //Arthur// or Force \u03be is, though so far, they have not taken any offensive action against any other party. Instead, the majority of the sightings of //Arthur// have been around areas or locations of great historical importance in British culture. //Arthur// has also not been seen undertaking many anomalous actions either and usually presents himself as a public citizen.\n\n\n\nOnly two anomalous events relating to //Arthur// have been recorded by Her Majesty's Foundation. The first occurred off North Berwick, where holidaymakers witnessed //Arthur//, in full armour, walk towards the sea, before becoming engulfed by the [[[SCP-6916|waters]]]. Later visitations by Her Majesty's Foundation's theurgists and seers claimed there was a subsiding thaumic workings and clairvoyant impact in the region he'd supposedly vanished from.\n\n\n\nThe second event occurred near the ruins of the Dolaucothi Gold Mines, Carmarthenshire. In this case, //Arthur// was not only accompanied by two members of Force \u03be, but also by three large dogs, all of whom possessed red-tipped ears. Upon subduing the caretakers, the party entered the mines and did not emerge until 3 hours later. At this point, the caretakers released themselves and alerted the authorities who arrived in time to see the party exit, though the authorities were unable to prevent the party from leaving. It is unknown what the party gained from the mines, though the area was later found to possess several anomalous properties and was passed on to Analytics for further investigation. After both of these visitations, Arthur appeared to gain improvements in physical condition.\n\n\n\nDespite usually witnessed with members of Force \u03be, one report from Manchester claimed //Arthur// had been witnessed conversing with members of [[[SCP-1917|The New Ferrous Brotherhood]]], a small religious order known by Her Majesty's Foundation, whose practices share many principles with the Church of the Broken God. The context of the conversation was unknown, though during the time together, //Arthur// was seen exchanging samples of AO-306 with the order's leader, //[[[SCP-6917|Father Loom]]]//. A few days after this meeting, Force \u03b4 came under conflict with //Arthur// and Force \u03be in Nottingham, though this time, they were joined by several members of various branches of the Church of the Broken God. In addition, the weaponry used by the group appeared to have improved in quality. AO-237 had also seemingly had to undergo an alteration in design and also displayed several, previously unknown, anomalous feats. These events have led to the conclusion both Force \u03be and //Arthur// have allied with various sects of the Church of the Broken God.\n\n\n\n[[/div]]\n\n\n\n\n\n[[div class=\"jotting\" style=\"background-color: #f3cea1; text-color:black;\"]]\n\n= **[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 20pt\"]] Incident Report 0111/1870[[/span]]**\n\n------\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]] **Note:** This report is only to be viewed by personnel assigned Level 4 clearance, who are part of the newly formed **Records, Archival, and Information Security Administration** (**RAISA**), and have received direct permission from O5-1. By viewing this report, you confirm that you hold all three credentials and that you are directly involved in the investigation of Incident 0111/1870.\n\n\n\nIf you are viewing this report unauthorizedly, return it to its correct filing cabinet now to avoid repercussions. [[/span]]\n\n------\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]] **Forward:** This document previously had been drafted by the Foundation's pre-cursor organisations, **Her Majesty's Foundation for the Secure Containment of the Paranormal**, now designated GoI-\u03c9-008. It has since been redrafted to fit the current standard. [[/span]]\n\n------\n\n\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]]**Incident Report ID #:** 71f6\n\n\n\n**Summary:** Incident 71f6 occurred within the Yorkshire Dales, North England, from the 31st of October to the 1st of November, 1970. Lasting approximately 6 hours, the incident concluded with 130 sq. km of the region undergoing a sudden geological and ecological alteration.\n\n\n\nThe incident is believed to have started at approximately 2100 hours, which is when police in the village of Newsham received a report from locals claiming they heard screaming and shouting coming from the forest. Three officers were dispatched but found that any attempt at entering the forest would result in the individual failing unconscious, only regaining it once they'd been removed from the area. At the same time, a similar event occurred near the town of Richmond and the village of Langthwaite. Upon recovery, through the use of ropes and hooks, the individuals should signs of memory loss, having forgotten certain details regarding themselves and others. They also consistently claimed that they were being watched or hearing faint whispers. One officer exited the area sporting deep cuts in their left arm.\n\n\n\nUnable to understand the situation, Darlington's chief of police contacted GoI-011-8 (**British Occult Service**), whose transmission GoI-\u03c9-008 intercepted. Investigation personnel from Site-Blue were dispatched, who arrived at the area at around 2330 hours. After confirming with their superiors, the two groups agreed to work together to monitor the area, which was discovered to be around 13 km in diameter. During their investigations, many personnel reported feeling uneasy, with some claiming they were being touched by an unseen individual or that humanoid shapes were moving in the shadows of the forests.\n\n\n\nSounds and voices continued to be heard coming from the area, though no attempt to communicate with the speakers was successful. Sounds included the crushing of wood and plant matter, fires burning, metal straining or creaking, humans and unknown animals screaming or shouting, and the occasional explosion. Occasionally, vocalisation could also be heard, though most was either do distant to properly understand or done through an unknown language. In addition to sounds, metallic items near the area underwent rapid corrosion and electrostatic charge.\n\n\n\nIn an attempt to understand the induced unconsciousness caused by the area, psychics Ryan Monk and Enlli Majors were asked to enter the area to gain any extrasensory information. The two did not fall unconscious upon entering the area, though both appeared to be experiencing moderate pain. The two provided the following statements:[[/span]]\n\n\n\n[[div class=\"smallmodal\"]]\n\nThere was nothing to begin with. Only pain. Then there came the fire. A snaking blaze that burnt with a golden colour. A whole forest burning. Above, there were creatures, dressed in thin fabric and jewels. Swift and lithe, with great wings that shimmered like glass. They were shouting in a language I couldn't understand. It seemed like they were repeating something. Like a rhyme or an incantation. Occasionally, lights would shoot from them or brambles would twist as they spoke. But nothing worked when the fire reached them. And when it burnt them, their flesh burnt a green flame.\n\n\n\nBut there were others. From the fire emerge men. Women too, but not as many. Pale men and women painted in purple swirls, wielding crude blades and shields. They were all soldiers, but dressed from different periods. I remember seeing King's Troop cavalry fighting alongside knights in armour and neolithic tribal men. Some were on foot but some were hovering. Like mist on a cold morning.\n\n\n\nThey fought. They fought and fought. And then there was just fire.\n\n[[/div]]\n\n\n\n[[div class=\"smallmodal\"]]\n\nThere were visions. Two of them going round and round in my mind.\n\n\n\nFirst, it was raining. Not just water but ash too. It fell onto a ground barren of life, just cinders and mud. In the mud were these human-shaped things with petals on their backs. Their flesh was slipping and squeezing like wet clay. They were crying, begging and shouting. I don't know what they were saying but they kept saying a word repeatedly. //Gwynn//. As they begged, I saw another man, standing above them. He had petals too but had form. He wore fine silks and gold jewels and had a horned headpiece. He was so angry, it was almost tangible. As the things sank into the mud, he rose into the sky and vanished, shouting something. I think it was a swear.\n\n\n\nSecond was in the forest. A man with long hair and dressed in broken armour was kneeling by a large tree. A silver one. He held up his left hand, which was made of metal and withdrew a sword, which was glowing with shapes and symbols. As he held it, he started crying, whispering to it. The words were all different languages, but he did use English and French. He said, \"My smith, Mekhane. My forefather, Arawn. My teacher, Myrddin. Hear my plea. Help me slay these beasts, these kobaloi. I beg you. Help me.\" Then from the forest came these figures. The people with petals. Many of them were stained with blood and glared. One stepped forward and threw a severed head at the man's feet. At the sight of it, the man held up his sword, drew blood with it and screamed, \"For my kingdom, my friends. I curse you.\" He then stabbed the tree. In the sky, a lightning bolt shot down and hit the tree, breaking the sword. The creatures all screamed as the lightning shot into them. And I swear I heard it speak. A voice came from the lightning, whispering one word. //\"[[[SCP-4000|Outis.]]]\"//\n\n\n\n[[/div]]\n\n\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]]After a further 4 hours of unchanged activity, at around 0300 hours, staff reported the forests and the surrounding area were \"warping\", with sections of the forest seemingly vanishing and reappearing in rapid succession or distorting and altering in size. All on-hand psychics and thaumaturgists experienced great pain, with some experiencing nasal and ear haemorrhage. After around 10 minutes, a thundercloud quickly formed above the area. Second later, a lightning bolt struck the area, resulting in a flash of brilliant light. When the light had cleared, a whole affected area's forest and wildlife had vanished, leaving nothing but a muddy landscape. The only piece of wildlife remaining was a single instance of AO-306, though it had been badly burnt. [[/span]]\n\n------\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 11pt\"]] **Forward:** Following the incident, the area was sectioned off and an agricultural blight cover story was created to ward off suspicious. A recultivation plan is currently underway. None of the anomalous effects that occurred during the incident have been reported occurring since. When studied, a moderate fissure was found within the AO-306, with the fissure's interior found to be a smooth steel.\n\n\n\nDuring the two organisations' excavation of the area, several bones, heavily charred and damaged, were discovered. Many of these bones were found to have enlarged Scapula, each with three joint appendages near the vertebral column. Fragments of a thin, flexible nacre-like, calcium-rich material were found attached to the joints. Furthermore, fragments of cloth, ceramic and metal were found on or near some of the bodies. A command item found was a GoI-\u03c9-008 identification ring, many of which were identified to belong to members of Force \u03be.\n\n\n\nWhilst performing the required disinformation campaign on the event, it found that documents were missing titles and names for landmarks that had been present in the area before its disappearance, with maps showing blank spaces where the area had previously been. In addition, when questioned, members of the public were also unable to recall the names of specific landmarks. Due to this, a mass documentation alteration campaign was required to be undertaken alongside the disinformation campaign. With the absorption of GoI-\u03c9-008 into the Foundation, both campaigns were added to the ongoing assignment merger roster. [[/span]]\n\n------\n\n[[=]]\n\n[[image https://scp-wiki.wdfiles.com/local--files/theme%3Aminimal/minimal.svg style=\"width:20%;\"link=#]]\n\n@@@@\n\n[[span style=\"font-family: 'Special Elite';color: #000000; font-size: 14pt\"]] We secure. We contain. We protect. [[/span]]\n\n@@ @@\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[div class=\"modal\"]]\n\n[[table style=\"border: none; width: 100%;\"]]\n\n[[row]]\n\n[[cell]]\n\n[[size 125%]]**Identifier:** SoI-019[[/size]]\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n[[size 125%]]###990000|**Estimated Population:**##[[/size]]\n\n[[/cell]]\n\n[[/row]]\n\n[[row]]\n\n[[cell]]\n\n[[size 125%]]**Scientific Name:** //Alnus argentum//[[footnote]] Commonly known as \"Silver Alder\" or \"Armoured Forests\" [[/footnote]] [[/size]]\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n[[size 125%]]##black|**~1,000**##[[/size]]\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n[[a href=\"*http://scp-int.wikidot.com/niveaux-de-menace-des-objets-scp\" style=\"font-size: 18px; color: white; text-shadow: 1px 3px 1px rgba(0,0,0,0.3); text-decoration: none;\"]]\n\n[[span_ style=\"display: inline-block; width: 100%; background-color: green; text-align: center; border: 1px none #000; margin: 1px; padding-top: 8px; padding-bottom: 8px;\"]]\n\n**Threat Level:** Green\n\n[[/span]]\n\n[[/a]]\n\n------\n\n[[size 150%]]\n\n= **Concerning Individuals**\n\n[[/size]]\n\n* **Average Height:** 30 meters\n\n* **Average Weight:** 535 kg/m^^3^^\n\n* **Exterior:** Silver, tarnished wood, red leaves and catkins\n\n* **Bloom:** Late winter to early spring\n\n* **Life Expectancy:** 60 - 180 years\n\n\n\n------\n\n[[size 150%]]\n\n= **Special Considerations of Populace**\n\n[[/size]]\n\n\n\nIn the event of any sights of SoI-019, researchers from the Biology Division and Department of Thaumaturgy are to be deployed to the area to assess the specimen's current conditions. Once assessed, the area is to be purchased, closed off and registered on the country's Habitats and Species of Principal Importance roster. Once registered, the specimens are to be visited on a bi-monthly basis to check for any damages, vandalism or illnesses.\n\n\n\nA maximum of 4 instances of SoI-019 are kept at Site-44 for study and treatment purposes. The specimens are to be kept in a wetland ecosystem greenhouse in Sector 5. If research at the site requires thaumaturgy, theurgy or occult workings, it must be carried out at least 1 km away from SoI-019. As of this document's writing, the use of SoI-019's wood for manufacturing and production purposes is banned, as decreed by O5-12.\n\n\n\nCurrently, in line with the Dartmoor Agreement, members of GoI-004 (\"The Church of the Broken God\"), including all branches, may visit Foundation-registered areas containing SoI-019. All visitations must have at most 20 members and all visitations must be accompanied by at least 2 members of MTF Stigma-9 (\"Evolved from Naturally Occurring Gears, Levers and Pulleys\").\n\n\n\n**Due to further discoveries regarding SoI-019 and related anomalies, all special considerations are awaiting updates and transfer, along with all documentation relating to SoI, to the management of Project Caliburn.**\n\n\n\n------\n\n[[size 150%]]\n\n= **Description**\n\n[[/size]]\n\n\n\nSpecies of Interest 019 is the Alnus argentum, a species of tree in the family Betulaceae, native to Northern and Western Europe. It thrives in wet locations such as rivers or marshes, or environments with high levels of thaumactivity. SoI-019's xylem cells are capable of performing an alchemical process known as //argyropoeia//, where it converts copper and iron absorbed from the soil into silver. It does this process whilst also performing another anomalous chemical process that produces thin lamina of steel around the xylem cells. The two procedures result in a lamina made of an alloy composed of iron, carbon and silver. This lamina surrounds the xylem, which results in the wood of SoI-019 appearing metallic and tarnished, with its leaves taking on a red hue due to high moisture and oxygen content. When cut and dried, the lamina reacts with the chemicals within the drying wood to bind together, forming a strong layered fibres within the wood, vastly increasing its durability and strength. It also results in SoI-019 acting as a natural thaumaturgical deterrent, as the alignment and composure of the lamina obstruct the surrounding Akiva Radiation flow.\n\n\n\n[[/div]]\n\n\n\n[[div class=\"smallmodal\"]]\n\nOn 10/06/2000, during their scheduled visit to a registered SoI-019 area near Morpeth, England, researcher Eric Scarlett discovered a note, made from parchment paper and written in cursive, nailed to the instances of SoI-019. As no security videoing system was in place around the area, it is unknown who placed the note. No DNA was found on the note. It read the following:\n\n\n\n[[div class=\"papernote\"]]\n\n\n\nTo the Foundation,\n\n\n\nYou will know who I am. I know who you are and who you were. Before, in the days when your work was focused around this small island. You have grown stronger since then. I have, however, just grown weaker. I'm not sure I will be here much longer.\n\n\n\nWhen I was king, millennia before your time, my knights and my allies fought alongside me in a great war, against a powerful enemy, led by a hateful, wild king. The war lasted years and took many things. My wife, my friends, my kingdom, my beautiful son. In the end, even I was claimed, but not before I managed to subdue our enemy into a schism, diving them into tribes built on loathing and distrust. My people survived and some victory was achieved. I faced death with some peace.\n\n\n\nHowever, my sage and priests had known our victory would only be temporary. In the time to come, the wild king, blessed with long life, would bring his people together once more, along with monsters and traitors. Wishing for our victory, my sage placed me in a sleep, mere breaths away from death and my priests and remaining knights took my sword, to be hidden among their blessed flora and waters. Years later, I awoke amid another war, far greater than one I'd ever fought before. Knowing my quest, I found my sage's family and my priests' church and together, we weakened the wild king once again.\n\n\n\nI wish that could've been the true victory, but no. This was merely another pause. Another battle, one which will have a true victory, was yet to come. So yet again, I entered sleep, with my allies vowing to prepare.\n\n\n\nI have awoken once more. I know this to be the last time. I must be ready. We must be ready.\n\n\n\nThey are coming. And I do not know if we can win.\n\n\n\n[[/div]]\n\n\n\nTwo days following the discovery of this letter, an incident occurred in another registered SoI-019 area in Penicuik, Scotland, in which the entire grove of SoI-019 was burnt. By the time Foundation agents arrived, the specimens were destroyed. Nearby the grove, two deceased individuals were discovered. One was recognised as a GoI-004 paladin, who appeared to have died as a result of incineration and electrical discharge. The other was recognised as Jilly Adams, a member of the City of Edinburgh Council, whose autopsy confirmed she'd died from multiple organ failures. A small carved blade made out of a piece of SoI-019 wood was also found in her lower back. Whilst medical examination could not find how SoI-019 could have resulted in such a visceral, fatal reaction, genetic testing found that Jilly Adams had been an unregistered [[[SCP-6796]]] instance.\n\n\n\nLater examination of surrounding security footage found that during her journey to the area, Jilly Adam had been tailed by the GoI-004 paladin, along with another unknown male individual. Other footage in Edinburgh, set two hours after the death of Jilly Adam, saw this unknown male individual boarding a train to Inverness. Whilst boarding, the individual appeared to look towards the camera and gazed for 10 seconds. Whether this was deliberate or done as a means of messaging someone is unknown. For this footage, the Foundation were able to search their Persons of Interest record for similar individuals. Though no results could be found on the Foundation record, the SCiPNet flagged a similarity between the individual and a subject registered on GoI-\u03c9-008's Suspect roster. The subject, Suspect 651, was added to the PoI roster and registered as PoI-4918.\n\n\n\nSince the incident, a further 5 registered SoI-019 areas have been attacked, with almost all specimens being destroyed in the process. An increase in SoI-019's security is currently pending approval. No further sightings of PoI-4918 have been confirmed.\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock]]\n\n@@ @@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** https://upload.wikimedia.org/wikipedia/commons/0/02/King_Arthur_MET_DP158298.jpg\n\n> **Name:** King Arthur\n\n> **Author:** Julia Margaret Cameron\n\n> **License:** Public Domain\n\n> **Source Link:**\n\n=====\n\n> **Filename:** https://upload.wikimedia.org/wikipedia/commons/f/f8/Bethlehem_Steel_Pennellb.jpg\n\n> **Name:** Bethlehem Steel works, \"Watercolor in sepia brown, white and gray, on buff paper. Signed May '81.\"\n\n> **Author:** Joseph Pennell\n\n> **License:** Public Domain\n\n> **Source Link:**\n\n=====\n\n> **Filename:** Jamses.jpg\n\n> **Name:** Early portrait of a Victorian gentleman - glass wet plate collodion negative\n\n> **Author:** Photos of the Past\n\n> **License:** Public Domain\n\n> **Source Link:** https://www.flickr.com/photos/whatsthatpicture/5061962078/in/photostream/\n\n=====\n\n> **Filename:** HMFSCP2.png\n\n> **Name:** HMFSCP2\n\n> **Author:** [[*user olympic-error]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** https://scp-wiki.wdfiles.com/local--files/anomaly-243-the-neamh-mairbh/HMFSCP2.png\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n\n\n\n@@ @@\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:earthworm\">:scp-wiki:component:earthworm</a>\n\n| first=false | last=false| hub=no\n\n| previous-url=https://scp-wiki.wikidot.com/in-june-i-change-my-tune | previous-title=In June, I Change My Tune.\n\n| next-url=https://scp-wiki.wikidot.com/experiment-log-2307-a | next-title= Experiment Log 2307 A\n\n| hub-url=/ | hub-title=A World Full of Weeping\n\n]]\n", "tags": ["_cc", "_hmfscp", "_licensebox", "asci", "broken-god", "daevite", "factory", "faerie", "goi-format", "hmfscp", "homo-sapiens-sidhe", "hy-brasil", "mythological", "nameless", "period-piece"], "title": "Anomaly 306 - \"The Silver Alder\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anomaly-306-the-silver-alder"}, "anoxia": {"created_at": "2026-08-24T00:55:00", "creator": "battlecruiser12", "domain": "scp-wiki.wikidot.com", "history": [{"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Added tags: _cc, _licensebox, goicon-2026. ", "date": "2026-08-24T00:55:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Created the page. Will fix the Wikimedia hotlink tomorrow, just needed to get this posted before the end of the posting period.", "date": "2026-08-24T00:55:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Uploaded file \"FishLogo.svg\".", "date": "2026-08-24T08:26:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Localized image.", "date": "2026-08-24T08:27:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Hopefully fixed FishLogo.svg having a background and being highlighted when hovered.", "date": "2026-08-24T08:30:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Surely this will fix it.", "date": "2026-08-24T08:32:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "You successfully reverted the page to revision number 1", "date": "2026-08-24T08:33:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Fixed typo in info box.", "date": "2026-08-24T10:58:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _other, bureaucracy, goi-format. ", "date": "2026-08-24T14:20:00"}], "hubs": ["goi-formats"], "images": [], "link": "anoxia", "page_id": "1469220060", "rating": 14, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=3&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Apenumbra-bhl/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">\uf129</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p>Collected Resolutions Concerning the \"Anoxia\" Entity by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/battlecruiser12\" onclick=\"WIKIDOT.page.listeners.userInfo(4376002); return false;\"><img alt=\"battlecruiser12\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=4376002&amp;amp;size=small&amp;amp;timestamp=1788102923\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=4376002)\"/></a><a href=\"http://www.wikidot.com/user:info/battlecruiser12\" onclick=\"WIKIDOT.page.listeners.userInfo(4376002); return false;\">battlecruiser12</a></span><br/>\nWritten for GoiCon2026 for The Wahoos.</p>\n</div>\n<hr/>\n\n</div>\n</div>\n</div>\n</li>\n</ul>\n\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1432</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1432 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7142nd meeting, on 2026-03-04</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> its previous resolutions concerning the worsening algal bloom in the North Sea, and its resulting hypoxic dead zone.</p>\n<p><em>Reaffirming</em> its commitment to ensuring the habitability of the North Sea and surrounding regions in accordance with the Skagerrak Treaty of 1983.</p>\n<p><em>Welcoming</em> the proposal from the East Greenland Shelf to ultrasonicate the algal bloom via sperm whale clicking.</p>\n<p><em>Expressing concern</em> regarding recent reports of a titanic cnidarian entity being observed within the dead zone.</p>\n<p>1. <em>Decides</em> to send 50 sperm whales to ultrasonicate the algae.</p>\n<p>2. <em>Decides</em> to allocate additional funding to the evacuation of the affected area, as well as further investigations of the entity.</p>\n<p>3. <em>Decides</em> to remain seized of the matter.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1434</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1434 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7163rd meeting, on 2026-04-13</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> Resolution 1432, as well as previous resolutions regarding the emerging situation in the North Sea.</p>\n<p><em>Expressing concern</em> at the recent data indicating that the entity, now known to be a lion's mane jellyfish, is further depleting the oxygen within the hypoxic dead zone, creating anoxic conditions.</p>\n<p><em>Expressing its deepest concern</em> at the same data indicating that water affected by the entity does not regain oxygen once the entity has passed.</p>\n<p><em>Welcoming</em> the proposal from the Great Barrier Reef delegate to send clownfish diplomats to establish dialogue, as their expertise in cnidarian communications is expected to allow for negotiations.</p>\n<p>1. Decides to send a delegation of clownfish diplomats to determine if the entity is sapient, and if so, attempt to communicate.</p>\n<p>2. Decides to remain seized of the matter.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1435</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1435 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7171st meeting, on 2026-04-29</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.</p>\n<p><em>Expressing its deep concern</em> for the expanding and seemingly irreversibly anoxic zone surrounding the entity, which is projected to cover approximately 5% of the North Sea by the end of the coming winter season.</p>\n<p><em>Reiterating</em> the need for a complete evacuation of all areas laid out in Report 534 by the Secretary General to prevent further casualties. Current projections indicating death tolls in the range of 100.000-200.000 sapient beings by the end of winter if evacuations are not carried out.</p>\n<p><em>Recognizing</em> the role of eutrophication events amplified by terrestrial industrial activity in creating the initial hypoxic conditions in the affected area, which are hypothesized to have allowed the entity to manifest.</p>\n<p><em>Expressing its deepest regret</em> at the deaths by cold shock of the clownfish diplomats who attempted to establish dialogue with the entity, despite them being equipped with protection against the cold and anoxia, which indicates that the entity has the additional property of cooling the temperature within the anoxic zone.</p>\n<p><em>Welcoming</em> the proposal from Skagerrak to attempt to contain the entity within the current extent of the anoxic zone via sperm whales ramming its bell, pending a breakthrough in communications.</p>\n<p><em>Recognizing</em> the growing need to establish communications with terrestrial civilization and anomalous organizations for</p>\n<p>1. <em>Decides</em> to approve <a href=\"https://scp-wiki.wikidot.com/let-me-mend-the-past\">Project \"Let Me Mend the Past\"</a></p>\n<p>2. <em>Decides</em> to enact proposed containment measures.</p>\n<p>3. <em>Decides</em> to remain seized of the matter.</p>\n</div>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1437</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1437 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7179th meeting, on 2026-05-11</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.</p>\n<p><em>Expressing its deepest regret</em> at the deaths by envenomation of the sperm whale peacekeepers who were entangled in the tentacles of the entity in their attempts at containment.</p>\n<p><em>Expressing its alarm and deep concern</em> at the growth spike observed in the entity following its consumption of the sperm whale peacekeepers, and the entity's subsequent change in course towards the southeast.</p>\n<p>1. <em>Decides</em> to suspend diplomatic efforts directed towards the entity for the time being pending further studies of it.</p>\n<p>2. <em>Decides</em> to remain seized of the matter.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1438</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1438 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7185th meeting, on 2026-05-18</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.</p>\n<p><em>Expressing its alarm and deep concern</em> at the current projections that the entity will enter Kattegatt within 6 months, potentially cutting off the Baltic Sea community from the rest of the Atlantic Ocean.</p>\n<p>1. <em>Calls</em> for the drafting of evacuation plans for the entire Baltic Sea, should efforts to prevent the worst-case scenario fail.</p>\n<p>2. <em>Decides</em> to remain seized of the matter.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1441</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1441 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7193rd meeting, on 2026-06-13</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.</p>\n<p><em>Expressing its alarm and deep concern</em> at the anoxic zone having already reached the size projected for late summer, and that while evacuations of sapient beings have succeeded, countless non-sapient beings have lost their lives.</p>\n<p><em>Strongly condemning</em> the recent attempts at terminating the entity by a group of rogue leatherback sea turtles, which has had no discernible effect on the entity other than making it accelerate.</p>\n<p><em>Noting</em> that non-sapient whales have been observed passing through the anoxic zone without suffering ill effects, and that the sperm whale peacekeepers who died attempting to enact containment measures did not die by asphyxiation.</p>\n<p>1. <em>Decides</em> to send a delegation of clownfish diplomats carried inside the mouth of a humpback whale, carrying oxygenated water from outside the anoxic zone and being isolated from the cooling effects previously observed within the anoxic zone.</p>\n<p>2. <em>Decides</em> to remain seized of the matter.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"docborder\">\n<div class=\"docheadertop\">\n<p><span style=\"font-size: 1.2rem\">United Seas</span> \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800 \u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800 <span style=\"font-size: 2rem; font-weight: bold\">S</span>/RES/1443</p>\n</div>\n<div class=\"docheaderbottom\">\n\n<p><span style=\"font-size: 2rem; font-weight: bold;\">SECURITY GROUPERS</span></p>\n</div>\n<br/>\n<span style=\"white-space: pre-wrap;\"> </span>\n\n<div class=\"docheaderbottom2\">\n<p><span style=\"font-size: 2rem\">Resolution 1443 (2026)</span><br/>\n<span style=\"font-weight: bold\">Adopted by the Security Groupers at its 7202nd meeting, on 2026-06-27</span></p>\n</div>\n<div class=\"docbody\">\n<p><em>The Security Groupers,</em></p>\n<p><em>Recalling</em> its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.</p>\n<p><em>Expressing relief</em> at the clownfish delegation successfully establishing communication with the entity, and demonstrating that it is sapient.</p>\n<p><em>Recognizing</em> that the entity requires the oxygen that it depletes to survive.</p>\n<p><em>Welcoming</em> the proposal by the clownfish delegation to provide the entity with zooxanthellae, which would provide it with its own internal source of oxygen, removing or at least significantly reducing its need to deplete oxygen from surrounding waters.</p>\n<p>1. <em>Decides</em> to allocate funding towards providing the entity with zooxanthellae.</p>\n<p>2. <em>Decides</em> to redirect research efforts towards re-oxygenating impacted areas for eventual repopulation.</p>\n<p>3. <em>Decides</em> to remain seized of the matter.</p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/anoxia\">Collected Resolutions Concerning the \"Anoxia\" Entity</a>\" by battlecruiser12, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/anoxia\">https://scpwiki.com/anoxia</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Fish_(27052)_-_The_Noun_Project.svg<br/>\n<strong>Author:</strong> Studio f\u00fcr neue Gestaltu Sina &amp; Marie<br/>\n<strong>License:</strong> CC0\u00a01.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Fish_(27052)_-_The_Noun_Project.svg\">Wikimedia</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-highlighter-theme\">:scp-wiki:theme:black-highlighter-theme</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:penumbra-bhl\">:scp-wiki:theme:penumbra-bhl</a>]]\n\n\n\n[[module css]]\n\n\n\n:root{\n\n--header-title: \"United Seas\";\n\n--header-subtitle:\"Security Groupers\";\n\n--logo-image: url(\"\");\n\n}\n\n\n\nbody{\n\nbackground: linear-gradient(to bottom, MidnightBlue, Black);\n\n}\n\n\n\n.docborder{\n\ncolor: black;\n\nbackground-color: #f0f0f0;\n\nborder: 1px solid black;\n\nmargin: auto;\n\nfont-family: serif;\n\npadding: 5px;\n\n}\n\n\n\n.docheadertop{\n\nborder-bottom: 2px solid black;\n\nfont-size: 1rem;\n\npadding: 0px;\n\nmargin-bottom: 0px\n\n}\n\n\n\n.docheadertop p{\n\nmargin-left: 6rem;\n\nmargin-bottom: 2px;\n\nmargin-top: 1.5rem;\n\npadding: 0px;\n\nline-height: 0.9;\n\n}\n\n\n\n.docheaderbottom p{\n\npadding: 0px;\n\nmargin-top: 0px;\n\nmargin-left: 6rem;\n\n}\n\n\n\n.docheaderbottom2{\n\nmargin: 0px;\n\npadding: 0px\n\n}\n\n\n\n\n\n.docheaderbottom2 p{\n\npadding: 0px;\n\nmargin-top: 0px;\n\nmargin-left: 1rem;\n\n}\n\n\n\n.docbody p{\n\nfont-size: 1.2rem;\n\nmargin-left: 1rem;\n\ntext-indent: 2em;\n\n}\n\n\n\n#page-content a:not([href*=\"user\"]):not([href*=\"javascript:;\"]) {\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0padding: 0.15em;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0margin: -0.15em;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0color: black;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0-webkit-box-decoration-break: clone;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0box-decoration-break: clone;\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0box-shadow: inset 0 -0.125rem 0 0rem rgba(var(--swatch-primary), 1);\n\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0transition: box-shadow 300ms cubic-bezier(0.4, 0.0, 0.2, 1), color 300ms cubic-bezier(0.4, 0.0, 0.2, 1), padding 300ms cubic-bezier(0.4, 0.0, 0.2, 1), margin 300ms cubic-bezier(0.4, 0.0, 0.2, 1);\n\n\u00a0\u00a0\u00a0\u00a0}\n\n\n\n\n\n[[/module]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:start\">:scp-wiki:info:start</a>]]\n\nCollected Resolutions Concerning the \"Anoxia\" Entity by [[*user battlecruiser12]]\n\nWritten for GoiCon2026 for The Wahoos.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/info:end\">:scp-wiki:info:end</a>]]\n\n\n\n\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1432\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1432 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7142nd meeting, on 2026-03-04[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// its previous resolutions concerning the worsening algal bloom in the North Sea, and its resulting hypoxic dead zone.\n\n\n\n//Reaffirming// its commitment to ensuring the habitability of the North Sea and surrounding regions in accordance with the Skagerrak Treaty of 1983.\n\n\n\n//Welcoming// the proposal from the East Greenland Shelf to ultrasonicate the algal bloom via sperm whale clicking.\n\n\n\n//Expressing concern// regarding recent reports of a titanic cnidarian entity being observed within the dead zone.\n\n\n\n1. //Decides// to send 50 sperm whales to ultrasonicate the algae.\n\n\n\n2. //Decides// to allocate additional funding to the evacuation of the affected area, as well as further investigations of the entity.\n\n\n\n3. //Decides// to remain seized of the matter.\n\n\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1434\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1434 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7163rd meeting, on 2026-04-13[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// Resolution 1432, as well as previous resolutions regarding the emerging situation in the North Sea.\n\n\n\n//Expressing concern// at the recent data indicating that the entity, now known to be a lion's mane jellyfish, is further depleting the oxygen within the hypoxic dead zone, creating anoxic conditions.\n\n\n\n//Expressing its deepest concern// at the same data indicating that water affected by the entity does not regain oxygen once the entity has passed.\n\n\n\n//Welcoming// the proposal from the Great Barrier Reef delegate to send clownfish diplomats to establish dialogue, as their expertise in cnidarian communications is expected to allow for negotiations.\n\n\n\n1. Decides to send a delegation of clownfish diplomats to determine if the entity is sapient, and if so, attempt to communicate.\n\n\n\n2. Decides to remain seized of the matter.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1435\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1435 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7171st meeting, on 2026-04-29[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.\n\n\n\n//Expressing its deep concern// for the expanding and seemingly irreversibly anoxic zone surrounding the entity, which is projected to cover approximately 5% of the North Sea by the end of the coming winter season.\n\n\n\n//Reiterating// the need for a complete evacuation of all areas laid out in Report 534 by the Secretary General to prevent further casualties. Current projections indicating death tolls in the range of 100.000-200.000 sapient beings by the end of winter if evacuations are not carried out.\n\n\n\n//Recognizing// the role of eutrophication events amplified by terrestrial industrial activity in creating the initial hypoxic conditions in the affected area, which are hypothesized to have allowed the entity to manifest. \n\n\n\n//Expressing its deepest regret// at the deaths by cold shock of the clownfish diplomats who attempted to establish dialogue with the entity, despite them being equipped with protection against the cold and anoxia, which indicates that the entity has the additional property of cooling the temperature within the anoxic zone.\n\n\n\n//Welcoming// the proposal from Skagerrak to attempt to contain the entity within the current extent of the anoxic zone via sperm whales ramming its bell, pending a breakthrough in communications.\n\n\n\n//Recognizing// the growing need to establish communications with terrestrial civilization and anomalous organizations for \n\n\n\n1. //Decides// to approve [https://scp-wiki.wikidot.com/let-me-mend-the-past Project \"Let Me Mend the Past\"]\n\n\n\n2. //Decides// to enact proposed containment measures.\n\n\n\n3. //Decides// to remain seized of the matter.\n\n\n\n[[/div]]\n\n[[/div]]\n\n@@ @@\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1437\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1437 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7179th meeting, on 2026-05-11[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.\n\n\n\n//Expressing its deepest regret// at the deaths by envenomation of the sperm whale peacekeepers who were entangled in the tentacles of the entity in their attempts at containment.\n\n\n\n//Expressing its alarm and deep concern// at the growth spike observed in the entity following its consumption of the sperm whale peacekeepers, and the entity's subsequent change in course towards the southeast.\n\n\n\n1. //Decides// to suspend diplomatic efforts directed towards the entity for the time being pending further studies of it.\n\n\n\n2. //Decides// to remain seized of the matter.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1438\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1438 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7185th meeting, on 2026-05-18[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.\n\n\n\n//Expressing its alarm and deep concern// at the current projections that the entity will enter Kattegatt within 6 months, potentially cutting off the Baltic Sea community from the rest of the Atlantic Ocean.\n\n\n\n1. //Calls// for the drafting of evacuation plans for the entire Baltic Sea, should efforts to prevent the worst-case scenario fail.\n\n\n\n2. //Decides// to remain seized of the matter.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1441\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1441 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7193rd meeting, on 2026-06-13[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.\n\n\n\n//Expressing its alarm and deep concern// at the anoxic zone having already reached the size projected for late summer, and that while evacuations of sapient beings have succeeded, countless non-sapient beings have lost their lives.\n\n\n\n//Strongly condemning// the recent attempts at terminating the entity by a group of rogue leatherback sea turtles, which has had no discernible effect on the entity other than making it accelerate.\n\n\n\n//Noting// that non-sapient whales have been observed passing through the anoxic zone without suffering ill effects, and that the sperm whale peacekeepers who died attempting to enact containment measures did not die by asphyxiation.\n\n\n\n1. //Decides// to send a delegation of clownfish diplomats carried inside the mouth of a humpback whale, carrying oxygenated water from outside the anoxic zone and being isolated from the cooling effects previously observed within the anoxic zone.\n\n\n\n2. //Decides// to remain seized of the matter.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"docborder\"]]\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[span style=\"font-size: 1.2rem\"]]United Seas [[/span]]\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u2800\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0[[span style=\"font-size: 2rem; font-weight: bold\"]]S[[/span]]/RES/1443\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom\"]]\n\n[[f<image https://upload.wikimedia.org/wikipedia/commons/d/dd/Fish_icon_%28The_Noun_Project_27052%29.svg]]\n\n[[span style=\"font-size: 2rem; font-weight: bold;\"]]SECURITY GROUPERS[[/span]]\n\n[[/div]]\n\n@@ @@\n\n\n\n[[div class=\"docheadertop\"]]\n\n[[/div]]\n\n\n\n[[div class=\"docheaderbottom2\"]]\n\n[[span style=\"font-size: 2rem\"]]Resolution 1443 (2026)[[/span]]\n\n[[span style=\"font-weight: bold\"]]Adopted by the Security Groupers at its 7202nd meeting, on 2026-06-27[[/span]]\n\n[[/div]]\n\n\n\n[[div class=\"docbody\"]]\n\n//The Security Groupers,//\n\n\n\n//Recalling// its previous resolutions concerning the oxygen-depleting scyphozoan entity in the North Sea.\n\n\n\n//Expressing relief// at the clownfish delegation successfully establishing communication with the entity, and demonstrating that it is sapient.\n\n\n\n//Recognizing// that the entity requires the oxygen that it depletes to survive.\n\n\n\n//Welcoming// the proposal by the clownfish delegation to provide the entity with zooxanthellae, which would provide it with its own internal source of oxygen, removing or at least significantly reducing its need to deplete oxygen from surrounding waters.\n\n\n\n1. //Decides// to allocate funding towards providing the entity with zooxanthellae.\n\n\n\n2. //Decides// to redirect research efforts towards re-oxygenating impacted areas for eventual repopulation.\n\n\n\n3. //Decides// to remain seized of the matter.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** Fish_(27052)_-_The_Noun_Project.svg\n\n> **Author:** Studio f\u00fcr neue Gestaltu Sina & Marie\n\n> **License:** CC0 1.0\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Fish_(27052)_-_The_Noun_Project.svg Wikimedia]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "bureaucracy", "goi-format", "goicon-2026"], "title": "Collected Resolutions Concerning the \"Anoxia\" Entity - SCP Foundation", "url": "https://scp-wiki.wikidot.com/anoxia"}, "apocrypha-of-job": {"created_at": "2026-07-12T21:14:00", "creator": "Baronjoe", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "", "date": "2026-07-12T21:14:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "Parent page set to: \"horizon-initiative-hub\".", "date": "2026-07-12T21:17:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "Added tags: _horizon-initiative, alleged-god, broken-god, goi-format, horizon-initiative, sarkic, scarlet-king. ", "date": "2026-07-12T21:21:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image. ", "date": "2026-09-09T20:56:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-10-06T06:40:00"}], "hubs": ["goi-formats"], "images": [], "link": "apocrypha-of-job", "page_id": "1468972330", "rating": 11, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/theme:horizon-initiative-theme/code/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div style=\"display:block;margin:auto;width:50%;padding:20px;border:dashed 2px #112211;background:#FFFFFF;\">\n\n<p><em>Verifying Horizon Initiative credentials\u2026</em><br/>\n<em>Accessing Universal Texts\u2026</em><br/>\n<em>Querying \"Apocyphra of Job\"\u2026</em></p>\n<p><em>1 text found.</em><br/>\n<em>Apocyphra of Job</em></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"display:block;margin:auto;width:85%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p style=\"text-align: center;\"><span style=\"font-size:1.5em;\"><strong>Apocyphra of Job</strong></span></p>\n<hr/>\n<p><span style=\"font-size:1.25em;\"><strong>1</strong></span> Thrice the sons of God came before <a href=\"https://scp-wiki.wikidot.com/scp-343\">the Lord</a>, and <a href=\"https://scp-wiki.wikidot.com/scp-738\">Satan</a> also came with them. <span style=\"font-size:0.75em;\"><sup><strong>2</strong></sup></span> On the third the Lord said to Satan, \"Where have you come from?\"</p>\n<p>Satan answered the Lord, \"From roaming throughout the earth, going back and forth on it.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>3</strong></sup></span> Then the Lord said to Satan, \"Have you considered my servant Job? There is no one on earth like him; he is blameless and upright, a man who fears God and shuns evil. You have incited me to stretch out my hand against his worldly possessions and his very flesh. And yet he still maintains his integrity by not sinning against me.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>4</strong></sup></span> \"Pact for pact!\" Satan replied. \"Does Job witness the blessings of the other Gods who reward their servants? <span style=\"font-size:0.75em;\"><sup><strong>5</strong></sup></span> A man will shun his faith for the blessings and temptations that others can satisfy unto him. Stretch out your hand once again to test his devotion, and he will surely forsake you for other Gods.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>6</strong></sup></span> The Lord said to Satan, \"Very well, then, he is in your hands; but you must not tempt him. Only a mortal tongue may speak to Job.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>7</strong></sup></span> So Satan went out from the presence of the Lord to speak of Job across the land. <span style=\"font-size:0.75em;\"><sup><strong>8</strong></sup></span> Priests from near and far soon learned of the misfortune that befell Job, and they came to him in the land of Uz with their gospels.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>9</strong></sup></span> The iron priests of Mekhane came to Job from the city of Enoch with their mastery of machines. <span style=\"font-size:0.75em;\"><sup><strong>10</strong></sup></span> They said to Job, \"Lo! We have built wonders that surpass the works of flesh and bone. <span style=\"font-size:0.75em;\"><sup><strong>11</strong></sup></span> In the age of bronze, our forges constructed <a href=\"https://scp-wiki.wikidot.com/scp-2406\">Colossi</a> that crossed the wine-dark sea. <a href=\"https://scp-wiki.wikidot.com/scp-073\">Cain</a>, the firstborn son of Adam and Eve, became whole again by the angels of Mekhane. <span style=\"font-size:0.75em;\"><sup><strong>12</strong></sup></span> We can free you from the torment of flesh and bone with copper and iron. What is broken can be reforged if only you drink deep the silver blood of Mekhane.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>13</strong></sup></span> Job said to the priests of Mekhane, \"I reject your gospel for your path is marked by indifference and earthly possessions. <span style=\"font-size:0.75em;\"><sup><strong>14</strong></sup></span> Your grand machines can be broken by hammers and rust. <span style=\"font-size:0.75em;\"><sup><strong>15</strong></sup></span> Cain remains marked for the blood of his brother <a href=\"https://scp-wiki.wikidot.com/scp-076\">Abel</a> that still cries out to him from the earth. Even now the descendants of Cain in the city of Enoch improve upon his work through your gospel. <span style=\"font-size:0.75em;\"><sup><strong>16</strong></sup></span> Only the Lord can truly reforge those who are broken.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>17</strong></sup></span> The cursed priests of Yaldabaoth came to Job from the city of Adytum with their mastery of flesh. <span style=\"font-size:0.75em;\"><sup><strong>18</strong></sup></span> They said to Job, \"Lo! We are in league with the beasts and pestilences of the earth. <span style=\"font-size:0.75em;\"><sup><strong>19</strong></sup></span> Through our prophet Ion we broke the chains forced upon us by <a href=\"https://scp-wiki.wikidot.com/scp-140\">Daevite masters</a>. <span style=\"font-size:0.75em;\"><sup><strong>20</strong></sup></span> We will consume the wicked Gods who wish to stretch their hands against us in our deathless kingdom of flesh and bone. <span style=\"font-size:0.75em;\"><sup><strong>21</strong></sup></span> We can teach you how to shepherd the flesh, and become liberated from your aches caused by a wicked God.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>22</strong></sup></span> Job said to the priests of Yaldabaoth, \"I reject your gospel for your path is marked by hunger and vengeance. <span style=\"font-size:0.75em;\"><sup><strong>23</strong></sup></span> All your followers descend into madness until none remain to speak your gospel. <span style=\"font-size:0.75em;\"><sup><strong>24</strong></sup></span> Your people broke the mighty chains of your Daevite masters, but your prophet led you astray with the sins of the flesh. <span style=\"font-size:0.75em;\"><sup><strong>25</strong></sup></span> Those who partake in flesh will reap only destruction as the spirit that walks with the Lord inherits eternal life in his kingdom.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>26</strong></sup></span> The unclean priests of Namakhim came to Job from the land of Nod with their mastery of rot. <span style=\"font-size:0.75em;\"><sup><strong>27</strong></sup></span> They said to Job, \"Lo! We are in league with the great rot that will fester in all of Creation. <span style=\"font-size:0.75em;\"><sup><strong>28</strong></sup></span> <a href=\"https://scp-wiki.wikidot.com/scp-008\">We walk alongside the dead who have been blessed to walk the earth.</a> <span style=\"font-size:0.75em;\"><sup><strong>29</strong></sup></span> We do not fear any pestilence or the maggots that devour our weary flesh. <span style=\"font-size:0.75em;\"><sup><strong>30</strong></sup></span> The aching sores and dust that cover your skin can be a gift from the Rotten Lord if you so choose. <span style=\"font-size:0.75em;\"><sup><strong>31</strong></sup></span> Feast upon putrid flesh with us and find salvation in the rot that will claim us all.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>32</strong></sup></span> Job said to the priests of Namakhim, \"I reject your gospel for your path is marked by dust and uncleaniness. <span style=\"font-size:0.75em;\"><sup><strong>33</strong></sup></span> The fruit of a tree may rot, but it will bear fruit once more in the spring. <span style=\"font-size:0.75em;\"><sup><strong>34</strong></sup></span> If the tree itself rots another will rise from the earth where it once stood. <span style=\"font-size:0.75em;\"><sup><strong>35</strong></sup></span> The Lord grants healing and eternal life in his kingdom, which is a realm beyond corruption.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>36</strong></sup></span> <a href=\"https://scp-wiki.wikidot.com/the-virtue-of-resilience\">The gardening priests</a> of the Green God came to Job from the land of Egypt with their mastery of plants. <span style=\"font-size:0.75em;\"><sup><strong>37</strong></sup></span> They said to Job, \"Lo! We plant the seed of miracles into the earth that sprout for all. The pharaohs and their priests have failed to uproot us from our paradise. <span style=\"font-size:0.75em;\"><sup><strong>38</strong></sup></span> There is no man or beast of flesh that is pure as wood and figs. <a href=\"http://scp-int.wikidot.com/scp-es-041\">Come and receive blessings by eating the fruit of life from our most sacred gardens.</a>\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>39</strong></sup></span> Job said to the priests of the Green God, \"I reject your gospel for your path is marked by foolishness and idolatry. <span style=\"font-size:0.75em;\"><sup><strong>40</strong></sup></span> Why do you only see divinity in the trees and grass? Who made the earth for you to plant the seeds of your miracles? Are your hands divine like the Lord when his hand is outstretched to all of Creation? Does Lord God Almighty not provide your green idols with the rain they need to sprout from the earth? Who made the sun that grants the field a bountiful harvest in the spring? <span style=\"font-size:0.75em;\"><sup><strong>41</strong></sup></span> Man was cast out of paradise with the curse of death by eating fruit from the tree of the knowledge of good and evil. Only the Lord can deliver us from evil and bestow blessings that never wither to the righteous.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>42</strong></sup></span> The scarlet priests of Khahrahk came to Job from the land of the Daeva with their mastery of destruction. <span style=\"font-size:0.75em;\"><sup><strong>43</strong></sup></span> They said to Job, \"Lo! Our strength is mighty for we march in the endless horde of the Scarlet King. <span style=\"font-size:0.75em;\"><sup><strong>44</strong></sup></span> We are united with the Daevites and <a href=\"/the-zadotek\">the Zadotek</a> under the great banner of conquest. <span style=\"font-size:0.75em;\"><sup><strong>45</strong></sup></span> Give yourself as tribute to the Scarlet King and become one of his many apostles. In your heart you shall forever know his law of stone, blood and howling.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>46</strong></sup></span> Job said to the priests of Khahrahk, \"I reject your gospel for your path is marked by dust and blood. <span style=\"font-size:0.75em;\"><sup><strong>47</strong></sup></span> The wrath and folly of your merciless king shall be your undoing for who lives by the sword die by the sword. Blessed are the peacemakers.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>48</strong></sup></span> In all this, Job did not sin against God by rejecting him, and Job fell on his knees in worship of the Lord. <span style=\"font-size:0.75em;\"><sup><strong>49</strong></sup></span> He said, \"The Lord rewards his faithful servants who endure against wickedness. Man was made in his image, and only he can grant us salvation. None are as merciful as the Most High.\"</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"display:block;margin:auto;width:85%;padding:20px;border:double 3px #112211;background:#FFFFFF;\">\n<p><span style=\"font-size:1.25em;\"><strong>2</strong></span> As Job praised the Lord while covered in dust, more priests came with gospels. <span style=\"font-size:0.75em;\"><sup><strong>2</strong></sup></span> They were a infernal lot who mastered sin and praised the fallen sons of God.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>3</strong></sup></span> The Philistines among them spoke of <a href=\"/beelzebub\">Beelzebub</a> who reigned in Ekron, and Dagon who reigned from Ashdod to Gaza. <span style=\"font-size:0.75em;\"><sup><strong>4</strong></sup></span> Those with brazen hearts spoke of <a href=\"https://scp-wiki.wikidot.com/general-moloch\">Moloch</a> in Ammon and Jerusalem. <span style=\"font-size:0.75em;\"><sup><strong>5</strong></sup></span> <a href=\"https://scp-wiki.wikidot.com/scp-2518\">Nephilim priests from the land of Anakagir also came to Job, and they spoke to him the gospel of Samyaza and the Watchers.</a> <span style=\"font-size:0.75em;\"><sup><strong>6</strong></sup></span> Job rejected all their wicked gospels and remained faithful to the Most High.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>7</strong></sup></span> Satan returned to the presence of God, and the Lord said to Satan, \"Did I not tell you my faithful servant Job is upright and shuns evil? The servants of your kin and the false idols have failed to tempt him into wickedness.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>8</strong></sup></span> Satan said to the Lord, \"I would be able to tempt Job myself if you have permitted it, but he will eventually kneel before the might of the priests without your protection.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>9</strong></sup></span> \"Pact for pact!\" God replied. \"I will reward Job for his devotion to me with prosperity from before you approached me. <span style=\"font-size:0.75em;\"><sup><strong>10</strong></sup></span> As for the priests who came to Job they shall reap destruction lest they repent. None of them can bring harm to Job for I shall set my face against them, and smite the wicked where they stand. <span style=\"font-size:0.75em;\"><sup><strong>11</strong></sup></span> There is nothing more to be said for I am the Lord.\"</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>12</strong></sup></span> Satan left the presence of God to roam throughout the earth, and incite man to sin against God. <span style=\"font-size:0.75em;\"><sup><strong>13</strong></sup></span> After the Lord restored all the fortunes of Job and doubled it, the wicked priests coveted what belonged to Job so they may flaunt the might bestowed upon them by their Gods.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>14</strong></sup></span> The Mekhanites desired the pieces of silver and gold rings gifted to Job for their machines. <span style=\"font-size:0.75em;\"><sup><strong>15</strong></sup></span> As shepherds the Sarkics desired Job's fourteen thousand sheep, six thousand camels, a thousand yoke of oxen and a thousand donkeys. <span style=\"font-size:0.75em;\"><sup><strong>16</strong></sup></span> The Unclean of Namakhim desired the servants of Job to bear their festering rot with sores and dust. <span style=\"font-size:0.75em;\"><sup><strong>17</strong></sup></span> The Gardeners desired the fields where the oxen plowed and the donkeys grazed to plant their seeds. <span style=\"font-size:0.75em;\"><sup><strong>18</strong></sup></span> The Nephilim desired the three daughters of Job to bear their children for they were beautiful. <span style=\"font-size:0.75em;\"><sup><strong>19</strong></sup></span> As tribute the scarlet priests desired the seven sons of Job to become conquerors for their king.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>20</strong></sup></span> For their wickedness the Lord stretched out his hand against the priests and their followers. <span style=\"font-size:0.75em;\"><sup><strong>20</strong></sup></span> He plagued the Mekhanites with rust that stiffen their joints and broke them apart. <span style=\"font-size:0.75em;\"><sup><strong>21</strong></sup></span> The fire of God came down from Heaven to burn the Sarkics, the Gardeners, and the Unclean. <span style=\"font-size:0.75em;\"><sup><strong>22</strong></sup></span> A storm rained down a deluge that washed away the Nephilim into the depths of the sea. <span style=\"font-size:0.75em;\"><sup><strong>23</strong></sup></span> The wrath of God turned the priests of Khahrahk into dust carried off by the wind.</p>\n<p><span style=\"font-size:0.75em;\"><sup><strong>24</strong></sup></span> Job with his family and friends kneeled before the glory of the Lord. <span style=\"font-size:0.75em;\"><sup><strong>25</strong></sup></span> Then Job lived for many years and witnessed the fourth generation of his children. <span style=\"font-size:0.75em;\"><sup><strong>26</strong></sup></span> His spirit entered the kingdom of God for he walked upright and shunned evil.</p>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/theme:horizon-initiative-theme\">:scp-wiki:theme:horizon-initiative-theme</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[div style=\"display:block;margin:auto;width:50%;padding:20px;border:dashed 2px #112211;background:#FFFFFF;\"]]\n\n[[=image https://scp-wiki.wdfiles.com/local--files/horizon-initiative-hub/sun.jpg]]\n\n//Verifying Horizon Initiative credentials...//\n\n//Accessing Universal Texts...//\n\n//Querying \"Apocyphra of Job\"...//\n\n\n\n//1 text found.//\n\n//Apocyphra of Job//\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"display:block;margin:auto;width:85%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n\n\n= [[size 1.5em]]**Apocyphra of Job**[[/size]]\n\n\n\n------\n\n\n\n[[size 1.25em]]**1**[[/size]] Thrice the sons of God came before [https://scp-wiki.wikidot.com/scp-343 the Lord], and [https://scp-wiki.wikidot.com/scp-738 Satan] also came with them. [[size 0.75em]]^^**2**^^[[/size]] On the third the Lord said to Satan, \"Where have you come from?\"\n\n\n\nSatan answered the Lord, \"From roaming throughout the earth, going back and forth on it.\"\n\n\n\n[[size 0.75em]]^^**3**^^[[/size]] Then the Lord said to Satan, \"Have you considered my servant Job? There is no one on earth like him; he is blameless and upright, a man who fears God and shuns evil. You have incited me to stretch out my hand against his worldly possessions and his very flesh. And yet he still maintains his integrity by not sinning against me.\"\n\n\n\n[[size 0.75em]]^^**4**^^[[/size]] \"Pact for pact!\" Satan replied. \"Does Job witness the blessings of the other Gods who reward their servants? [[size 0.75em]]^^**5**^^[[/size]] A man will shun his faith for the blessings and temptations that others can satisfy unto him. Stretch out your hand once again to test his devotion, and he will surely forsake you for other Gods.\"\n\n\n\n[[size 0.75em]]^^**6**^^[[/size]] The Lord said to Satan, \"Very well, then, he is in your hands; but you must not tempt him. Only a mortal tongue may speak to Job.\"\n\n\n\n[[size 0.75em]]^^**7**^^[[/size]] So Satan went out from the presence of the Lord to speak of Job across the land. [[size 0.75em]]^^**8**^^[[/size]] Priests from near and far soon learned of the misfortune that befell Job, and they came to him in the land of Uz with their gospels.\n\n\n\n[[size 0.75em]]^^**9**^^[[/size]] The iron priests of Mekhane came to Job from the city of Enoch with their mastery of machines. [[size 0.75em]]^^**10**^^[[/size]] They said to Job, \"Lo! We have built wonders that surpass the works of flesh and bone. [[size 0.75em]]^^**11**^^[[/size]] In the age of bronze, our forges constructed [https://scp-wiki.wikidot.com/scp-2406 Colossi] that crossed the wine-dark sea. [https://scp-wiki.wikidot.com/scp-073 Cain], the firstborn son of Adam and Eve, became whole again by the angels of Mekhane. [[size 0.75em]]^^**12**^^[[/size]] We can free you from the torment of flesh and bone with copper and iron. What is broken can be reforged if only you drink deep the silver blood of Mekhane.\"\n\n\n\n[[size 0.75em]]^^**13**^^[[/size]] Job said to the priests of Mekhane, \"I reject your gospel for your path is marked by indifference and earthly possessions. [[size 0.75em]]^^**14**^^[[/size]] Your grand machines can be broken by hammers and rust. [[size 0.75em]]^^**15**^^[[/size]] Cain remains marked for the blood of his brother [https://scp-wiki.wikidot.com/scp-076 Abel] that still cries out to him from the earth. Even now the descendants of Cain in the city of Enoch improve upon his work through your gospel. [[size 0.75em]]^^**16**^^[[/size]] Only the Lord can truly reforge those who are broken.\"\n\n\n\n[[size 0.75em]]^^**17**^^[[/size]] The cursed priests of Yaldabaoth came to Job from the city of Adytum with their mastery of flesh. [[size 0.75em]]^^**18**^^[[/size]]\u00a0\u00a0They said to Job, \"Lo! We are in league with the beasts and pestilences of the earth. [[size 0.75em]]^^**19**^^[[/size]] Through our prophet Ion we broke the chains forced upon us by [https://scp-wiki.wikidot.com/scp-140 Daevite masters]. [[size 0.75em]]^^**20**^^[[/size]] We will consume the wicked Gods who wish to stretch their hands against us in our deathless kingdom of flesh and bone. [[size 0.75em]]^^**21**^^[[/size]] We can teach you how to shepherd the flesh, and become liberated from your aches caused by a wicked God.\"\n\n\n\n[[size 0.75em]]^^**22**^^[[/size]] Job said to the priests of Yaldabaoth, \"I reject your gospel for your path is marked by hunger and vengeance. [[size 0.75em]]^^**23**^^[[/size]] All your followers descend into madness until none remain to speak your gospel. [[size 0.75em]]^^**24**^^[[/size]] Your people broke the mighty chains of your Daevite masters, but your prophet led you astray with the sins of the flesh. [[size 0.75em]]^^**25**^^[[/size]] Those who partake in flesh will reap only destruction as the spirit that walks with the Lord inherits eternal life in his kingdom.\"\n\n\n\n[[size 0.75em]]^^**26**^^[[/size]] The unclean priests of Namakhim came to Job from the land of Nod with their mastery of rot. [[size 0.75em]]^^**27**^^[[/size]] They said to Job, \"Lo! We are in league with the great rot that will fester in all of Creation. [[size 0.75em]]^^**28**^^[[/size]] [https://scp-wiki.wikidot.com/scp-008 We walk alongside the dead who have been blessed to walk the earth.] [[size 0.75em]]^^**29**^^[[/size]] We do not fear any pestilence or the maggots that devour our weary flesh. [[size 0.75em]]^^**30**^^[[/size]] The aching sores and dust that cover your skin can be a gift from the Rotten Lord if you so choose. [[size 0.75em]]^^**31**^^[[/size]] Feast upon putrid flesh with us and find salvation in the rot that will claim us all.\"\n\n\n\n[[size 0.75em]]^^**32**^^[[/size]] Job said to the priests of Namakhim, \"I reject your gospel for your path is marked by dust and uncleaniness. [[size 0.75em]]^^**33**^^[[/size]] The fruit of a tree may rot, but it will bear fruit once more in the spring. [[size 0.75em]]^^**34**^^[[/size]] If the tree itself rots another will rise from the earth where it once stood. [[size 0.75em]]^^**35**^^[[/size]] The Lord grants healing and eternal life in his kingdom, which is a realm beyond corruption.\"\n\n\n\n[[size 0.75em]]^^**36**^^[[/size]] [https://scp-wiki.wikidot.com/the-virtue-of-resilience The gardening priests] of the Green God came to Job from the land of Egypt with their mastery of plants. [[size 0.75em]]^^**37**^^[[/size]] They said to Job, \"Lo! We plant the seed of miracles into the earth that sprout for all. The pharaohs and their priests have failed to uproot us from our paradise. [[size 0.75em]]^^**38**^^[[/size]]\u00a0\u00a0There is no man or beast of flesh that is pure as wood and figs. [http://scp-int.wikidot.com/scp-es-041 Come and receive blessings by eating the fruit of life from our most sacred gardens.]\"\n\n\n\n[[size 0.75em]]^^**39**^^[[/size]] Job said to the priests of the Green God, \"I reject your gospel for your path is marked by foolishness and idolatry. [[size 0.75em]]^^**40**^^[[/size]] Why do you only see divinity in the trees and grass? Who made the earth for you to plant the seeds of your miracles? Are your hands divine like the Lord when his hand is outstretched to all of Creation? Does Lord God Almighty not provide your green idols with the rain they need to sprout from the earth? Who made the sun that grants the field a bountiful harvest in the spring? [[size 0.75em]]^^**41**^^[[/size]] Man was cast out of paradise with the curse of death by eating fruit from the tree of the knowledge of good and evil. Only the Lord can deliver us from evil and bestow blessings that never wither to the righteous.\"\n\n\n\n[[size 0.75em]]^^**42**^^[[/size]] The scarlet priests of Khahrahk came to Job from the land of the Daeva with their mastery of destruction. [[size 0.75em]]^^**43**^^[[/size]] They said to Job, \"Lo! Our strength is mighty for we march in the endless horde of the Scarlet King. [[size 0.75em]]^^**44**^^[[/size]] We are united with the Daevites and [[[the Zadotek]]] under the great banner of conquest. [[size 0.75em]]^^**45**^^[[/size]] Give yourself as tribute to the Scarlet King and become one of his many apostles. In your heart you shall forever know his law of stone, blood and howling.\"\n\n\n\n[[size 0.75em]]^^**46**^^[[/size]] Job said to the priests of Khahrahk, \"I reject your gospel for your path is marked by dust and blood. [[size 0.75em]]^^**47**^^[[/size]] The wrath and folly of your merciless king shall be your undoing for who lives by the sword die by the sword. Blessed are the peacemakers.\"\n\n\n\n[[size 0.75em]]^^**48**^^[[/size]] In all this, Job did not sin against God by rejecting him, and Job fell on his knees in worship of the Lord. [[size 0.75em]]^^**49**^^[[/size]] He said, \"The Lord rewards his faithful servants who endure against wickedness. Man was made in his image, and only he can grant us salvation. None are as merciful as the Most High.\"\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"display:block;margin:auto;width:85%;padding:20px;border:double 3px #112211;background:#FFFFFF;\"]]\n\n\n\n[[size 1.25em]]**2**[[/size]] As Job praised the Lord while covered in dust, more priests came with gospels. [[size 0.75em]]^^**2**^^[[/size]] They were a infernal lot who mastered sin and praised the fallen sons of God.\n\n\n\n[[size 0.75em]]^^**3**^^[[/size]] The Philistines among them spoke of [[[Beelzebub]]] who reigned in Ekron, and Dagon who reigned from Ashdod to Gaza. [[size 0.75em]]^^**4**^^[[/size]] Those with brazen hearts spoke of [https://scp-wiki.wikidot.com/general-moloch Moloch] in Ammon and Jerusalem. [[size 0.75em]]^^**5**^^[[/size]] [https://scp-wiki.wikidot.com/scp-2518 Nephilim priests from the land of Anakagir also came to Job, and they spoke to him the gospel of Samyaza and the Watchers.] [[size 0.75em]]^^**6**^^[[/size]] Job rejected all their wicked gospels and remained faithful to the Most High.\n\n\n\n[[size 0.75em]]^^**7**^^[[/size]] Satan returned to the presence of God, and the Lord said to Satan, \"Did I not tell you my faithful servant Job is upright and shuns evil? The servants of your kin and the false idols have failed to tempt him into wickedness.\"\n\n\n\n[[size 0.75em]]^^**8**^^[[/size]] Satan said to the Lord, \"I would be able to tempt Job myself if you have permitted it, but he will eventually kneel before the might of the priests without your protection.\"\n\n\n\n[[size 0.75em]]^^**9**^^[[/size]] \"Pact for pact!\" God replied. \"I will reward Job for his devotion to me with prosperity from before you approached me. [[size 0.75em]]^^**10**^^[[/size]] As for the priests who came to Job they shall reap destruction lest they repent. None of them can bring harm to Job for I shall set my face against them, and smite the wicked where they stand. [[size 0.75em]]^^**11**^^[[/size]] There is nothing more to be said for I am the Lord.\"\n\n\n\n[[size 0.75em]]^^**12**^^[[/size]] Satan left the presence of God to roam throughout the earth, and incite man to sin against God. [[size 0.75em]]^^**13**^^[[/size]] After the Lord restored all the fortunes of Job and doubled it, the wicked priests coveted what belonged to Job so they may flaunt the might bestowed upon them by their Gods.\n\n\n\n[[size 0.75em]]^^**14**^^[[/size]] The Mekhanites desired the pieces of silver and gold rings gifted to Job for their machines. [[size 0.75em]]^^**15**^^[[/size]] As shepherds the Sarkics desired Job's fourteen thousand sheep, six thousand camels, a thousand yoke of oxen and a thousand donkeys. [[size 0.75em]]^^**16**^^[[/size]] The Unclean of Namakhim desired the servants of Job to bear their festering rot with sores and dust. [[size 0.75em]]^^**17**^^[[/size]] The Gardeners desired the fields where the oxen plowed and the donkeys grazed to plant their seeds. [[size 0.75em]]^^**18**^^[[/size]] The Nephilim desired the three daughters of Job to bear their children for they were beautiful. [[size 0.75em]]^^**19**^^[[/size]] As tribute the scarlet priests desired the seven sons of Job to become conquerors for their king.\n\n\n\n[[size 0.75em]]^^**20**^^[[/size]] For their wickedness the Lord stretched out his hand against the priests and their followers. [[size 0.75em]]^^**20**^^[[/size]] He plagued the Mekhanites with rust that stiffen their joints and broke them apart. [[size 0.75em]]^^**21**^^[[/size]] The fire of God came down from Heaven to burn the Sarkics, the Gardeners, and the Unclean. [[size 0.75em]]^^**22**^^[[/size]] A storm rained down a deluge that washed away the Nephilim into the depths of the sea. [[size 0.75em]]^^**23**^^[[/size]] The wrath of God turned the priests of Khahrahk into dust carried off by the wind.\n\n\n\n[[size 0.75em]]^^**24**^^[[/size]] Job with his family and friends kneeled before the glory of the Lord. [[size 0.75em]]^^**25**^^[[/size]] Then Job lived for many years and witnessed the fourth generation of his children. [[size 0.75em]]^^**26**^^[[/size]] His spirit entered the kingdom of God for he walked upright and shunned evil.\n\n\n\n[[/div]]\n", "tags": ["_cc", "_horizon-initiative", "alleged-god", "broken-god", "goi-format", "horizon-initiative", "sarkic", "scarlet-king"], "title": "Apocrypha of Job - SCP Foundation", "url": "https://scp-wiki.wikidot.com/apocrypha-of-job"}, "arcadia-s-offensive-joke": {"created_at": "2025-12-31T19:58:00", "creator": "vilsolad", "domain": "scp-wiki.wikidot.com", "history": [{"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "Uploaded file \"AV2.png\".", "date": "2025-12-31T19:58:00"}, {"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "Uploaded file \"AV1.png\".", "date": "2025-12-31T19:58:00"}, {"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "", "date": "2025-12-31T19:58:00"}, {"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "Uploaded file \"AV3.png\".", "date": "2025-12-31T19:59:00"}, {"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "Added tags: arcadia, wandsmen. ", "date": "2026-01-01T13:16:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: _image, _wandsmen, goi-format. ", "date": "2026-01-02T08:26:00"}, {"author": "Heck_Tech", "author_href": "https://www.wikidot.com/user:info/heck-tech", "comment": "Added tags: art-exchange, illustrated. ", "date": "2026-01-02T08:28:00"}, {"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "", "date": "2026-01-03T16:13:00"}, {"author": "Naepic", "author_href": "https://www.wikidot.com/user:info/naepic", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-01-25T16:29:00"}, {"author": "HisInfiniteMachine", "author_href": "https://www.wikidot.com/user:info/hisinfinitemachine", "comment": "fixing misspelling", "date": "2026-02-17T19:50:00"}, {"author": "vilsolad", "author_href": "https://www.wikidot.com/user:info/vilsolad", "comment": "Parent page set to: \"chaos-on-the-monolith-hub\".", "date": "2026-05-03T19:39:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: chaos-on-the-monolith. ", "date": "2026-05-18T04:22:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Added a license box.", "date": "2026-09-09T11:04:00"}, {"author": "battlecruiser12", "author_href": "https://www.wikidot.com/user:info/battlecruiser12", "comment": "Added tags: _licensebox. ", "date": "2026-09-09T11:05:00"}], "hubs": ["art-exchange-hub", "arcadia-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/arcadia-s-offensive-joke/AV1.png", "https://scp-wiki.wdfiles.com/local--files/arcadia-s-offensive-joke/AV2.png", "https://scp-wiki.wdfiles.com/local--files/arcadia-s-offensive-joke/AV3.png"], "link": "arcadia-s-offensive-joke", "page_id": "1467949179", "rating": 24, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"display: none\">\n<div class=\"code\">\n<div class=\"hl-main\">\n<pre><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">(</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">scp-wiki.wikidot.com</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">theme</span><span class=\"hl-special\">:shattered-thoughts</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">code</span><span class=\"hl-code\">/1);\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Words</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Wisdom</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\">\n    </span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">2021</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Wikidot</span><span class=\"hl-code\"> </span><span class=\"hl-var\">Theme</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">Created</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">by</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Cole</span><span class=\"hl-code\"> 13\n    </span><span class=\"hl-identifier\">CC</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BY-SA</span><span class=\"hl-code\"> 3.0\n</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-var\">@import</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">url</span><span class=\"hl-code\">('</span><span class=\"hl-identifier\">https</span><span class=\"hl-code\">://</span><span class=\"hl-identifier\">fonts.bunny.net</span><span class=\"hl-code\">/</span><span class=\"hl-identifier\">css2</span><span class=\"hl-code\">?</span><span class=\"hl-identifier\">family</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">Mate</span><span class=\"hl-code\">+</span><span class=\"hl-identifier\">SC</span><span class=\"hl-code\">&amp;</span><span class=\"hl-identifier\">display</span><span class=\"hl-code\">=</span><span class=\"hl-identifier\">swap</span><span class=\"hl-code\">');\n \n</span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">  \n    </span><span class=\"hl-reserved\">animation-name:</span><span class=\"hl-code\"> floating</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-duration:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">3</span><span class=\"hl-code\">s</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-iteration-count:</span><span class=\"hl-code\"> infinite</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">animation-timing-function:</span><span class=\"hl-code\"> ease-in-out</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">10</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">margin-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">5</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">pointer-events:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-var\">@keyframes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">floating</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">from</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">,  </span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    65%  </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">15</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\">   </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\"> </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translate(</span><span class=\"hl-number\">0</span><span class=\"hl-code\">, -</span><span class=\"hl-number\">0</span><span class=\"hl-string\">px</span><span class=\"hl-code\">)</span><span class=\"hl-code\">; </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">    \n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-bottom:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">1.860</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h1</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">inline-block</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">width:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-align:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">center</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"The Wandsmen\"</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">font-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">2.3</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">text-shadow:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0</span><span class=\"hl-code\">rem </span><span class=\"hl-number\">0.3125</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">position:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">absolute</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">transform:</span><span class=\"hl-code\"> translateX(-</span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">padding-top:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">56</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">h2</span><span class=\"hl-code\">:</span><span class=\"hl-special\">:before</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">content:</span><span class=\"hl-code\"> \"\"</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#header</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(http://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/WANDPNG%</span><span class=\"hl-number\">20</span><span class=\"hl-code\">.png) </span><span class=\"hl-string\">center</span><span class=\"hl-code\"> </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">no-repeat</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size :</span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">height:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">195</span><span class=\"hl-string\">px</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-var\">@media</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">prefers-reduced-motion</span><span class=\"hl-code\">) </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-identifier\">#header-extra-div-1</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n        </span><span class=\"hl-reserved\">animation:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">HEADER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BACKGROUND</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div#container-wrap</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> url(https://scp-wiki.wikidot.com/local--files/theme:words-of-wisdom/MRSTAR23.webp) </span><span class=\"hl-string\">top</span><span class=\"hl-code\"> </span><span class=\"hl-string\">left</span><span class=\"hl-code\"> </span><span class=\"hl-string\">repeat-x</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-size:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">LINKS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">a.newpage</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">BLOCKQUOTE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">div.blockquote</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">blockquote</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">OWINDOWS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">simply</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">karma</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colors</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">in</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">that</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">user</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">info</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">pop-up</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">menu</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">No</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">functional</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">purpose</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">besides</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">it</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">looks</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">neat</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">really</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">img</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">src</span><span class=\"hl-code\">*=</span><span class=\"hl-quotes\">\"</span><span class=\"hl-string\">userkarma.php</span><span class=\"hl-quotes\">\"</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">filter:</span><span class=\"hl-code\"> hue-rotate(-</span><span class=\"hl-number\">0.39</span><span class=\"hl-code\">turn)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.owindow</span><span class=\"hl-code\"> :</span><span class=\"hl-special\">:selection</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">RATING</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">MODULE</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rate-points</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> &gt; </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.rate-box-with-credit-button</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\"> !important</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.rateup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.ratedown</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.page-rate-widget-box</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.cancel</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#533a7f</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SEARCH</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-input</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#search-top-box-form</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">input</span><span class=\"hl-brackets\">[</span><span class=\"hl-var\">type</span><span class=\"hl-code\">=</span><span class=\"hl-var\">submit</span><span class=\"hl-brackets\">]</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TOP</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">BAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> linear-gradient(to </span><span class=\"hl-string\">right</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">50</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-var\">#6b5295</span><span class=\"hl-code\"> </span><span class=\"hl-number\">75</span><span class=\"hl-string\">%</span><span class=\"hl-code\">, </span><span class=\"hl-string\">transparent</span><span class=\"hl-code\"> </span><span class=\"hl-number\">100</span><span class=\"hl-string\">%</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#9477c7</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#e6e6e6</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">li</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n</span><span class=\"hl-identifier\">#top-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.open-menu</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#7853b8</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border-color:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#FFFFFF</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">SIDEBAR</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.heading</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n     </span><span class=\"hl-reserved\">font-family:</span><span class=\"hl-code\"> 'Mate SC', </span><span class=\"hl-string\">serif</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.menu-item</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">img</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">display:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">div.side-block</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.media</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.side-block.resources</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">padding-left:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.8125</span><span class=\"hl-code\">rem</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#side-bar</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:visited</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#D196eb</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABBERS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.selected</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:hover</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-nav</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-special\">:focus</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background-image:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">none</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#ffffff</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">.yui-navset</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">.yui-content</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\">rgba(</span><span class=\"hl-number\">38</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0</span><span class=\"hl-code\">, </span><span class=\"hl-number\">95</span><span class=\"hl-code\">, </span><span class=\"hl-number\">0.5</span><span class=\"hl-code\">)</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.125</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">dotted</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#624693</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">USER</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">INFO</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">#login-status</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#EDBAF5</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">#account-options</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">ul</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">TABLES</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">td</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n</span><span class=\"hl-identifier\">table.wiki-content-table</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">th</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">background:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">MISCELLANEOUS</span><span class=\"hl-code\"> -=- </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">Changes</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">top</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">border</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">of</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">section</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">which</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">typically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">colored</span><span class=\"hl-code\"> #888, </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">match</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">theme</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">better</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.page-tags</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">span</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">border-top:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#000000</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n/</span><span class=\"hl-identifier\">*</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">While</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">page</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">saving</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">loading</span><span class=\"hl-code\">, </span><span class=\"hl-identifier\">there</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">is</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">a</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">on</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">screen</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">This</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">popup</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">was</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">difficult</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">read</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">due</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">body</span><span class=\"hl-code\">'</span><span class=\"hl-identifier\">s</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">properties</span><span class=\"hl-code\"> (</span><span class=\"hl-identifier\">color</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">being</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">white</span><span class=\"hl-code\">), </span><span class=\"hl-identifier\">so</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">this</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">changed</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">the</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">background</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">to</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">be</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">more</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">thematically</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">appropriate</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">and</span><span class=\"hl-code\"> </span><span class=\"hl-identifier\">legible</span><span class=\"hl-code\">. </span><span class=\"hl-identifier\">*</span><span class=\"hl-code\">/\n</span><span class=\"hl-identifier\">.owait</span><span class=\"hl-code\">,\n</span><span class=\"hl-identifier\">.osuccess</span><span class=\"hl-code\"> </span><span class=\"hl-brackets\">{</span><span class=\"hl-code\">\n    </span><span class=\"hl-reserved\">background-color:</span><span class=\"hl-code\"> </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n    </span><span class=\"hl-reserved\">border:</span><span class=\"hl-code\"> </span><span class=\"hl-string\">solid</span><span class=\"hl-code\"> </span><span class=\"hl-number\">0.0625</span><span class=\"hl-code\">rem </span><span class=\"hl-var\">#825ec0</span><span class=\"hl-code\">;\n</span><span class=\"hl-brackets\">}</span><span class=\"hl-code\">\n \n}</span></pre></div>\n</div>\n</div>\n\n<div style=\"text-align: center;\">\n<h2 id=\"toc0\"><span>INTRODUCTION:</span></h2>\n</div>\n<p>Hello readers.</p>\n<p>Normally, I would leave this kind of review to the 15th Wandsman of Pasia's wonderful \"<a href=\"https://scp-wiki.wikidot.com/escape-from-your-greatest-fears-a-review\">Game On!</a>\" column, but this is a special case. Recently, it came to my attention that the video game company known as \"<a href=\"https://scp-wiki.wikidot.com/arcadia-hub\">Arcadia</a>\" has produced, in collaboration with a substantial amount of my colleagues, a trilogy of games based around and shamelessly titled after my homeland, The Astral Void.</p>\n<p>In this article, I will review each of the games in the trilogy in as much detail as I can without ripping my beak off in frustration.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc1\"><span>GAME 1:</span></h2>\n<h3 id=\"toc2\"><span>Temperance Of The Astral Void</span></h3>\n</div>\n<p style=\"text-align: center;\"><img alt=\"AV1.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/arcadia-s-offensive-joke/AV1.png\"/></p>\n<p style=\"text-align: center;\">The game's title card.</p>\n<p>To give credit where it is due, this first entry is certainly the series' strongest from a gameplay standpoint. The gunplay is decent, albeit quite simplistic, and the RPG elements are as engaging as Arcadia's typical affair, if lacking their usual depth. If the game's story held up to this mediocrity, that would've been fine. But it is here, where I draw my ire with this crap.</p>\n<p>The story follows one \"Ethan\" as he is tasked by the United States military with exploring the Astral Void and slaying an evil king. The game touts its story to be based of real events, but let me assure you, it is little more than offensive slander.</p>\n<p>The primary antagonist of this game, one \"Evil King Winterforth\", seemingly bears most resemblance to Forwinter the Bold, the King of the Nation of Boreas during the Ninth Tesseractica War. If this was an intentional comparison, this can be called nothing less than shameless defiling of a great man's legacy. Forwinter the Bold was well renowned as a progressive ruler who, unlike his bastard son and eventual successor, allowed cross kingdom travel and mating. He was one of the three founding members of the Onyx Calbllade and a forerunner in the starpunk movement. The game portrays him as a slobbering bigot without an ounce of common sense. This is not only incorrect, this is taking a shit on the ruler's grave.</p>\n<p>There are more problems with the story than its antagonist however. For instance, the protagonist and his allies evoke the symbolism of the O.R.K.D.E.R. republic. For those who don't know, they were the cause of the sixth, seventh and eighth Tesseractica wars, each of which were caused when they attempted to desecrate the grave of Sir Terwal, who (if you didn't know) CREATED THE ASTRAL VOID! Evoking the imagery of such a radical, unsympathetic group of blasphemous heretics, is nothing more than an insult to all of those who fought for the existence of the void and all of its people.</p>\n<p>These story choices alone are my reason for giving this game a 2/10.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc3\"><span>GAME 2:</span></h2>\n<h3 id=\"toc4\"><span>Inferno In The Astral Void</span></h3>\n</div>\n<p style=\"text-align: center;\"><img alt=\"AV2.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/arcadia-s-offensive-joke/AV2.png\"/></p>\n<p style=\"text-align: center;\">The game's title card.</p>\n<p>Surprisingly, Arcadia scrapped the gunplay entirely in this entry, instead leaning much harder into the RPG mechanics that the first game set up. However, the new systems introduced in this entry to balance the lack of gunplay (such as Espionage, Farming and more RTS mechanics) somehow are even more lacking in depth than the systems that were carried over.</p>\n<p>The story in this entry seems to immediately follow up the last. Ethan wakes up from a short coma after slaying the \"evil king\" only to realise he now must defend the newly formed nation from an incoming prophesised fate. It became clear to me through the course of the game that Ethan was meant to be a stand in for Max Slamagne, the tyrannical monarch of the O.R.K.D.E.R. Republic and slayer of Forwinter the Bold.</p>\n<p>With this realisation in hand, I realised that the first game's series of events rung eerily similar to the propaganda the Republic had churned out in its hay day. Regardless of intention, this is not the desirable outcome in any scenario. The antagonist of this game only makes this realisation worse, being a clear allegory for the resistance groups.</p>\n<p>All of this wrapped in a package that's visuals are a definitive downgrade from the prior game, despite a drastic increase in the hardware quality.</p>\n<p>This crap is a vulgar joke delivered via a middle finger. 1/10.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc5\"><span>GAME 3:</span></h2>\n<h3 id=\"toc6\"><span>War For The Astral Void</span></h3>\n</div>\n<p style=\"text-align: center;\"><img alt=\"AV3.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/arcadia-s-offensive-joke/AV3.png\"/></p>\n<p style=\"text-align: center;\">The game's title card.</p>\n<p>The gunplay returns in this entry, its even the first thing in the tutorial after the basic controls. While one would admire what this game is attempting, seemingly wanting to simultaneously be both a first person shooter and real-time strategy game, this ambition falls flat with Arcadia's continued inability to follow through on any promises they seem to make.</p>\n<p>The most surprising addition in this entry is the ability to play as \"Darstant\" for a \"new game plus\" challenge. This is clearly meant to evoke my mentor Tnatsrad, the Second Wandsman of The Astral Void, especially considering the character's androgynous figure and distinctive yellow scarf. Due to his unfortunate passing not so long ago, this portrayal solely comes off to me as a blatant mockery of all of his ideals and doctrine. My mentor would NEVER side with a dictatorial regime, let alone the one that killed his first husband and severely wounded his child.</p>\n<p>The story of this game, directly following the second entry's events, follows the now elder Ethan as he attempts to defend the Astral void from an almost imperceptibly powerful United States of America. This is a clear parallel to the Tenth and final Tesseractica war, wherein the O.R.K.D.E.R. Republic were wiped out by a group calling themselves the \"Galactic Occult Coalition\", not to be confused with the \"Global Occult Coalition\". Surprisingly for this trilogy, this is a quite accurate depiction of the wars order of events. Not surprisingly, these events are twisted on their head to make the O.R.K.D.E.R. Republic appear heroic!</p>\n<p>That's right, this game continues to push the propaganda of the prior entries that the Republic was \"misunderstood\" and \"of a different time\". The Republic lined its walls with the hands of the innocent as they dined on the guts of good value. The Republic slaughtered my friends, the Republic slaughtered my family, the Republic almost slayed me! And yet I live on! The Republic burned in the ashes of its ambition and buckled under the weight of divine retribution!</p>\n<p>The Republic was not the hero. The Republic wrote its history with the blood it spilled. The Republic spat in the face of fate and was rendered obsolete. This game uses the image of my mentor to spout Pro-O.R.K.D.E.R. rhetoric and that, my dear readers, will never be tolerated.</p>\n<p>0/10.</p>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"text-align: center;\">\n<h2 id=\"toc7\"><span>CONCLUSION:</span></h2>\n</div>\n<p>As this article comes to a close, I have one last point to make. Let it be known, I do not hold my grudge solely with Arcadia, they only draw a fraction of my disdain for producing this filth, but with those among us Wandsmen who partook in this orkwashing of my homeland's history. I shall not point fingers and spit the names of these individuals, for they know who they are, but let it be known, these games have no value as pieces of historical documentation and/or teaching tools. They serve no other purpose than to attempt to wash away the vile actions of the Republic. Rest be assured, I will not let the Republic's actions be relegated to the forgotten margins of history. I will not let their carnage be forgotten.</p>\n<p>For those who wish to read up on the TRUE history of The Astral Void, I recommend the following sources (which are also the ones I drew upon for the above review);</p>\n<ol>\n<li><strong>Magnum Tesseracticar Volumes 1-4</strong> by ILLILILL (This lengthy manuscript covers all 10 Tesseractica wars in excruciating detail.)</li>\n<li><strong>The Blade That Slayed The Heavens And Hells</strong> by Miy Wellhardy (Necessary reading for those who wish to learn of the Void's creation at the hands of Sir Terwal.)</li>\n<li><strong>Wellhell Flower</strong> by an anonymous author (Although the author of this tome is unknown, their usage of the stylings of ILLILILL and Quaytaia Kwomda make this look into the Republic's inner workings particularly engaging.)</li>\n<li><strong>The Galactic Overkill Coalition</strong> by the Galactic Occult Coalition (A simple, easy to read book showing of the Coalition's entire history.)</li>\n</ol>\n<p>Good morrow.</p>\n<p><em><strong>Mergrease the Sceptical, Third Wandsman of The Astral Void \u2014 Assessor of Quantum Infernos, Roamer of Greater Libraries, Devourer of Feathered Arachnids</strong></em></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/arcadia-s-offensive-joke\">ARCADIA'S \"ASTRAL VOID\" GAME TRILOGY IS NOTHING MORE THAN AN OFFENSIVE JOKE!</a>\" by vilsolad, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/arcadia-s-offensive-joke\">https://scpwiki.com/arcadia-s-offensive-joke</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> AV1.png, AV2.png, AV3.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/vilsolad\" onclick=\"WIKIDOT.page.listeners.userInfo(9050679); return false;\"><img alt=\"vilsolad\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=9050679&amp;amp;size=small&amp;amp;timestamp=1788951912\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=9050679)\"/></a><a href=\"http://www.wikidot.com/user:info/vilsolad\" onclick=\"WIKIDOT.page.listeners.userInfo(9050679); return false;\">vilsolad</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/arcadia-s-offensive-joke\">SCP Foundation Wiki</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"https://scp-wiki.wikidot.com/component:toggle-sidebar\">:scp-wiki:component:toggle-sidebar</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:words-of-wisdom\">:scp-wiki:theme:words-of-wisdom</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[=]]\n\n++ INTRODUCTION:\n\n[[/=]]\n\n\n\nHello readers.\n\n\n\nNormally, I would leave this kind of review to the 15th Wandsman of Pasia's wonderful \"[[[https://scp-wiki.wikidot.com/escape-from-your-greatest-fears-a-review|Game On!]]]\" column, but this is a special case. Recently, it came to my attention that the video game company known as \"[[[https://scp-wiki.wikidot.com/arcadia-hub|Arcadia]]]\" has produced, in collaboration with a substantial amount of my colleagues, a trilogy of games based around and shamelessly titled after my homeland, The Astral Void.\n\n\n\nIn this article, I will review each of the games in the trilogy in as much detail as I can without ripping my beak off in frustration.\n\n\n\n@@ @@\n\n\n\n[[=]]\n\n++ GAME 1:\n\n+++ Temperance Of The Astral Void\n\n[[/=]]\n\n\n\n= [[image AV1.png]]\n\n= The game's title card.\n\n\n\nTo give credit where it is due, this first entry is certainly the series' strongest from a gameplay standpoint. The gunplay is decent, albeit quite simplistic, and the RPG elements are as engaging as Arcadia's typical affair, if lacking their usual depth. If the game's story held up to this mediocrity, that would've been fine. But it is here, where I draw my ire with this crap. \n\n\n\nThe story follows one \"Ethan\" as he is tasked by the United States military with exploring the Astral Void and slaying an evil king. The game touts its story to be based of real events, but let me assure you, it is little more than offensive slander. \n\n\n\nThe primary antagonist of this game, one \"Evil King Winterforth\", seemingly bears most resemblance to Forwinter the Bold, the King of the Nation of Boreas during the Ninth Tesseractica War. If this was an intentional comparison, this can be called nothing less than shameless defiling of a great man's legacy. Forwinter the Bold was well renowned as a progressive ruler who, unlike his bastard son and eventual successor, allowed cross kingdom travel and mating. He was one of the three founding members of the Onyx Calbllade and a forerunner in the starpunk movement. The game portrays him as a slobbering bigot without an ounce of common sense. This is not only incorrect, this is taking a shit on the ruler's grave.\n\n\n\nThere are more problems with the story than its antagonist however. For instance, the protagonist and his allies evoke the symbolism of the O.R.K.D.E.R. republic. For those who don't know, they were the cause of the sixth, seventh and eighth Tesseractica wars, each of which were caused when they attempted to desecrate the grave of Sir Terwal, who (if you didn't know) CREATED THE ASTRAL VOID! Evoking the imagery of such a radical, unsympathetic group of blasphemous heretics, is nothing more than an insult to all of those who fought for the existence of the void and all of its people.\n\n\n\nThese story choices alone are my reason for giving this game a 2/10.\n\n\n\n@@ @@\n\n\n\n[[=]]\n\n++ GAME 2:\n\n+++ Inferno In The Astral Void \n\n[[/=]]\n\n\n\n= [[image AV2.png]]\n\n= The game's title card.\n\n\n\nSurprisingly, Arcadia scrapped the gunplay entirely in this entry, instead leaning much harder into the RPG mechanics that the first game set up. However, the new systems introduced in this entry to balance the lack of gunplay (such as Espionage, Farming and more RTS mechanics) somehow are even more lacking in depth than the systems that were carried over.\n\n\n\nThe story in this entry seems to immediately follow up the last. Ethan wakes up from a short coma after slaying the \"evil king\" only to realise he now must defend the newly formed nation from an incoming prophesised fate. It became clear to me through the course of the game that Ethan was meant to be a stand in for Max Slamagne, the tyrannical monarch of the O.R.K.D.E.R. Republic and slayer of Forwinter the Bold.\n\n\n\nWith this realisation in hand, I realised that the first game's series of events rung eerily similar to the propaganda the Republic had churned out in its hay day. Regardless of intention, this is not the desirable outcome in any scenario. The antagonist of this game only makes this realisation worse, being a clear allegory for the resistance groups. \n\n\n\nAll of this wrapped in a package that's visuals are a definitive downgrade from the prior game, despite a drastic increase in the hardware quality. \n\n\n\nThis crap is a vulgar joke delivered via a middle finger. 1/10.\n\n\n\n@@ @@\n\n\n\n[[=]]\n\n++ GAME 3:\n\n+++ War For The Astral Void\n\n[[/=]]\n\n\n\n= [[image AV3.png]]\n\n= The game's title card.\n\n\n\nThe gunplay returns in this entry, its even the first thing in the tutorial after the basic controls. While one would admire what this game is attempting, seemingly wanting to simultaneously be both a first person shooter and real-time strategy game, this ambition falls flat with Arcadia's continued inability to follow through on any promises they seem to make.\n\n\n\nThe most surprising addition in this entry is the ability to play as \"Darstant\" for a \"new game plus\" challenge. This is clearly meant to evoke my mentor Tnatsrad, the Second Wandsman of The Astral Void, especially considering the character's androgynous figure and distinctive yellow scarf. Due to his unfortunate passing not so long ago, this portrayal solely comes off to me as a blatant mockery of all of his ideals and doctrine. My mentor would NEVER side with a dictatorial regime, let alone the one that killed his first husband and severely wounded his child.\n\n\n\nThe story of this game, directly following the second entry's events, follows the now elder Ethan as he attempts to defend the Astral void from an almost imperceptibly powerful United States of America. This is a clear parallel to the Tenth and final Tesseractica war, wherein the O.R.K.D.E.R. Republic were wiped out by a group calling themselves the \"Galactic Occult Coalition\", not to be confused with the \"Global Occult Coalition\". Surprisingly for this trilogy, this is a quite accurate depiction of the wars order of events. Not surprisingly, these events are twisted on their head to make the O.R.K.D.E.R. Republic appear heroic!\n\n\n\nThat's right, this game continues to push the propaganda of the prior entries that the Republic was \"misunderstood\" and \"of a different time\". The Republic lined its walls with the hands of the innocent as they dined on the guts of good value. The Republic slaughtered my friends, the Republic slaughtered my family, the Republic almost slayed me! And yet I live on! The Republic burned in the ashes of its ambition and buckled under the weight of divine retribution! \n\n\n\nThe Republic was not the hero. The Republic wrote its history with the blood it spilled. The Republic spat in the face of fate and was rendered obsolete. This game uses the image of my mentor to spout Pro-O.R.K.D.E.R. rhetoric and that, my dear readers, will never be tolerated.\n\n\n\n0/10.\n\n\n\n@@ @@\n\n\n\n[[=]]\n\n++ CONCLUSION:\n\n[[/=]]\n\n\n\nAs this article comes to a close, I have one last point to make. Let it be known, I do not hold my grudge solely with Arcadia, they only draw a fraction of my disdain for producing this filth, but with those among us Wandsmen who partook in this orkwashing of my homeland's history. I shall not point fingers and spit the names of these individuals, for they know who they are, but let it be known, these games have no value as pieces of historical documentation and/or teaching tools. They serve no other purpose than to attempt to wash away the vile actions of the Republic. Rest be assured, I will not let the Republic's actions be relegated to the forgotten margins of history. I will not let their carnage be forgotten.\n\n\n\nFor those who wish to read up on the TRUE history of The Astral Void, I recommend the following sources (which are also the ones I drew upon for the above review);\n\n# **Magnum Tesseracticar Volumes 1-4** by ILLILILL (This lengthy manuscript covers all 10 Tesseractica wars in excruciating detail.)\n\n# **The Blade That Slayed The Heavens And Hells** by Miy Wellhardy (Necessary reading for those who wish to learn of the Void's creation at the hands of Sir Terwal.)\n\n# **Wellhell Flower** by an anonymous author (Although the author of this tome is unknown, their usage of the stylings of ILLILILL and Quaytaia Kwomda make this look into the Republic's inner workings particularly engaging.)\n\n# **The Galactic Overkill Coalition** by the Galactic Occult Coalition (A simple, easy to read book showing of the Coalition's entire history.)\n\n\n\nGood morrow.\n\n\n\n//**Mergrease the Sceptical, Third Wandsman of The Astral Void -- Assessor of Quantum Infernos, Roamer of Greater Libraries, Devourer of Feathered Arachnids**//\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n> **Filename:** AV1.png, AV2.png, AV3.png\n\n> **Author:** [[*user vilsolad]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/arcadia-s-offensive-joke SCP Foundation Wiki]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_wandsmen", "arcadia", "art-exchange", "chaos-on-the-monolith", "goi-format", "illustrated", "wandsmen"], "title": "ARCADIA'S \"ASTRAL VOID\" GAME TRILOGY IS NOTHING MORE THAN AN OFFENSIVE JOKE! - SCP Foundation", "url": "https://scp-wiki.wikidot.com/arcadia-s-offensive-joke"}, "archival-document-hsa-008-advent": {"created_at": "2018-06-13T21:36:00", "creator": "NatVoltaic", "domain": "scp-wiki.wikidot.com", "history": [{"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "TIME TO PUNCH SOME NAZIS", "date": "2018-06-13T21:36:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Uploaded multiple files.", "date": "2018-06-13T21:37:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Uploaded file \"Vemork_Hydroelectric_Plant_1935.jpg\".", "date": "2018-06-13T21:38:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Added tags: broken-god, doomsday2018, global-occult-coalition, goi-format, obskura, third-law. ", "date": "2018-06-13T21:49:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Included crosslink to my team's Obskuracorps memos tale.", "date": "2018-06-13T21:51:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Added team navigation bar", "date": "2018-06-13T22:50:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Added tags: _global-occult-coalition. ", "date": "2018-06-13T22:55:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "updated navigation bar for new team tale", "date": "2018-06-13T23:21:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Put additional navigation bar on the top of the page", "date": "2018-06-14T19:47:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "Parent page set to: \"third-law-hub\".", "date": "2018-06-28T14:03:00"}, {"author": "tapnek", "author_href": "https://www.wikidot.com/user:info/tapnek", "comment": "Replacing image with smaller version.", "date": "2018-08-15T05:09:00"}, {"author": "tapnek", "author_href": "https://www.wikidot.com/user:info/tapnek", "comment": "Uploaded file \"tyrfing-sm.jpg\".", "date": "2018-08-15T05:09:00"}, {"author": "deleted", "author_href": false, "comment": "", "date": "2018-11-27T21:50:00"}, {"author": "NatVoltaic", "author_href": "https://www.wikidot.com/user:info/natvoltaic", "comment": "", "date": "2019-02-18T20:59:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-25T01:27:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-04-05T00:26:00"}, {"author": "Ellie3", "author_href": "https://www.wikidot.com/user:info/ellie3", "comment": "", "date": "2019-05-17T01:12:00"}, {"author": "deleted", "author_href": false, "comment": "File \"tyrfing-sm.jpg\" deleted", "date": "2019-05-18T05:19:00"}, {"author": "Trank", "author_href": "https://www.wikidot.com/user:info/trank", "comment": "Nysigtuna -> Nyrsigtuna", "date": "2020-05-05T15:02:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "", "date": "2020-09-22T00:47:00"}, {"author": "Cerastes", "author_href": "https://www.wikidot.com/user:info/cerastes", "comment": "Added tags: _licensebox. ", "date": "2020-10-21T07:57:00"}, {"author": "Cerastes", "author_href": "https://www.wikidot.com/user:info/cerastes", "comment": "", "date": "2020-10-21T07:57:00"}, {"author": "Ralliston", "author_href": "https://www.wikidot.com/user:info/ralliston", "comment": "edit so that the \"\u2014\" in the title displays properly", "date": "2021-12-02T17:10:00"}, {"author": "psychicprogrammer", "author_href": "https://www.wikidot.com/user:info/psychicprogrammer", "comment": "Added tags: 7th-occult-war. ", "date": "2023-07-31T15:24:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: action, fantasy, military-fiction, mythological-fiction, period-piece. ", "date": "2024-09-25T21:42:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mythological. Removed tags: mythological-fiction. ", "date": "2024-10-11T18:56:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Parent page set to: \"black-sunrise\".", "date": "2025-11-19T02:49:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "", "date": "2025-11-19T02:49:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: golem-of-prague. ", "date": "2025-12-02T17:19:00"}], "hubs": ["black-sunrise", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/archival-document-hsa-008-advent/tyrfing.jpg", "https://scp-wiki.wdfiles.com/local--files/archival-document-hsa-008-advent/nyrsigtuna_sacred_v3.jpg", "https://scp-wiki.wdfiles.com/local--files/archival-document-hsa-008-advent/Vemork_Hydroelectric_Plant_1935.jpg"], "link": "archival-document-hsa-008-advent", "page_id": "86645541", "rating": 120, "raw_content": "<html><body><div id=\"page-content\">\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3A3law/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=2&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3A3law-7ow/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<div style=\"border: solid 5px #999999; background:#a0bdbf; padding: 0px; margin: auto; width: 640px; margin-bottom: 10px;\">\n<p style=\"text-align: center;\"><strong>\u00ab <a href=\"/obskuracorps-memos\">Obskuracorps Memos...</a> || <a href=\"/black-sunrise\">Black Sunrise</a> || <a href=\"/a-man-of-clay-and-men-formerly-men\">A Man of Clay and Men Formerly Men</a> \u00bb</strong></p>\n</div>\n<hr/>\n\n<div style=\"text-align: center;\">\n<blockquote>\n<h2 id=\"toc0\"><span><strong><tt>NOTICE</tt></strong></span></h2>\n<p><strong><tt>The following document was created by the Allied Occult Initiative, the precursor to the Global Occult Coalition active in the 7th Occult War. All information in this file is not reflective of the current status of High Security Artifact-008-Advent and High Security Ritual-001-Advent-Nox (\"The Rite of Solomon\"). Refer to the Threat Advent Dossier for further information.</tt></strong></p>\n</blockquote>\n</div>\n<p><br/></p>\n<div style=\"text-align: center;\">\n\n\n<h1 id=\"toc1\"><span>Allied Occult Initiative</span></h1>\n<p><span style=\"font-size:large;\"><strong>Operation GLEAMING COVENANT</strong></span></p>\n<table style=\"border: none; width: 100%;\">\n<tr>\n<td><strong>Prepared on 13/SEPT/1944</strong></td>\n<td style=\"text-align: right;\"><strong>SECURITY CLEARANCE 4</strong></td>\n</tr>\n</table>\n</div>\n\n\n<p><span style=\"color: #102141\"><span style=\"font-size:large;\"><strong>Anomaly Identifier:</strong></span></span></p>\n<p><strong>High Security Artifact-008-Advent \u2014 \"Mythical Sword Tyrfing\"</strong></p>\n<p><span style=\"color: #102141\"><span style=\"font-size:large;\"><strong>Security Status Level:</strong></span></span><br/>\n<br/>\n<span style=\"color: red\"><span style=\"font-size:250%;\">0</span></span> <strong>(In Provisional Storage)</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"tyrfing.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/archival-document-hsa-008-advent/tyrfing.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Artistic rendition of King Svafrlami retrieving the first version of HSA-008-Advent, created in 1906.</p>\n</div>\n</div>\n<p><span style=\"color: #102141\"><span style=\"font-size:large;\"><strong>Description:</strong></span></span></p>\n<p>The artifact is a sword similar in design to ancient Viking Age weaponry. The object's blade appears to be composed of steel and the hilt from gold, though tests to confirm this have not been performed out of risk of invoking thaumaturgic hexes from taking metal samples. Unidentified thaumaturgic runes are carved into the blade and hilt. A visual effect similar to fire can be seen surrounding the sword at times.</p>\n<p>Younger Futhark runes are engraved along the edges of the blade on both sides. The runes roughly translate to the following:</p>\n<blockquote>\n<p style=\"text-align: center;\"><em>Wield in the days victory is demanded</em></p>\n<p style=\"text-align: center;\"><em>Wield in the days your life is needless</em></p>\n</blockquote>\n<p>HSA-008-Advent, if in use in combat, will exhibit the following properties:</p>\n<ul>\n<li>The artifact will never miss an intended attack by its user if not blocked.</li>\n<li>Objects struck with the artifact will be cleanly split in half, regardless of material composition, based on the angle the blade strikes at. Size limits to what objects will be split are undetermined.</li>\n<li>Thaumaturgic workings can be disrupted and redirected if intended by the user.</li>\n<li>At least one entity will be killed by the weapon every time it is in use. The circumstances leading to the death are variable.</li>\n</ul>\n<p>Further properties may exist.</p>\n<p>Human users of HSA-008-Advent will be afflicted with a thaumaturgic hex. As few human users of the weapon have been well documented, full details are unavailable, though it is currently presumed that the hex in all cases ends in the death of the user. This appears to coincide with the failure of any major goals the user wished to accomplish. As such the usage of HSA-008-Advent by human personnel of the AOI (for combat, testing, or otherwise) is strictly forbidden.</p>\n<p>The weapon serves as a potential artifact for use in High Security Ritual-001-Advent-Nox (\"The Rite of Solomon\"). It can be used in conjunction with other artifacts of religious significance and seven high-importance occult artifacts (the \"keys of Solomon,\" identifiers HSA-001-Advent through HSA-007-Advent) to perform HSR-001-Advent-Nox. Completion results in the manifestation of a Code BLACK eschatological entity of significant thaumaturgic potential.</p>\n<p><strong>&lt;CLASSIFIED CLEARANCE 6 BY ORDER OF AOI HIGH COMMAND&gt;</strong></p>\n<p>Only one version of HSA-008-Advent (identifier 008-BETA) is known to presently exist. Destruction of the weapon and all other relevant artifacts will not be performed unless it is deemed necessary by the joint AOI-Foundation containment for HSR-001-Advent-Nox.</p>\n<p><span style=\"color: #102141\"><span style=\"font-size:large;\"><strong>History:</strong></span></span></p>\n<p>All details on the first version of HSA-008-Advent (identifier 008-ALPHA, known as \"Tyrfing\") have been provided by <em>Hervarar saga ok Hei\u00f0reks</em> (The Saga of Herv\u00f6r and Heidrek) and the <em>Poetic Edda</em>, sets of Norse legends. According to the texts, the mythological king Svafrlami captured two dwarves and demanded they craft a powerful sword for him, which they cursed in revenge. The hex killed Svafrlami and caused three evil deeds, later being taken by a Gothic group after the curse was said to have been removed. No further information on 008-ALPHA exists. Although dwarven ruins have been discovered in territory supposedly ruled by Svafrlami, no evidence for the existence of the characters from the tales and 008-ALPHA has been found.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"nyrsigtuna_sacred_v3.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/archival-document-hsa-008-advent/nyrsigtuna_sacred_v3.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>Site of a Nyrsigtuna ritual, circa 1870.</p>\n</div>\n</div>\n<p>A replica of Tyrfing (identifier 008-BETA) was constructed in the 1500s by the Scandinavian occult group Nyrsigtuna (or New Sigtuna) via thaumaturgic rituals. 008-BETA was a central aspect to Nyrsigtuna religious beliefs, revered as a link between humanity and the Norse deities, meant to be wielded by a warrior not belonging to any group of beings detailed in Norse mythology. However, losses in the Sixth Occult War<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> led to in-fighting among Nyrsigtuna leaders, culminating in a battle near present-day Rjukan, Norway, where 008-BETA was lost. The few details on the conflict suggest that one group disguised 008-BETA as a different sword to trick opposing factions into using it and cursing themselves.</p>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Manu Partanen (former Nyrsigtuna member), 1901</p>\n<p><em>We rode through the woods on horseback. An hour past one of our men was skewered by spears of Tyr, thrown by the cavalry of a rebelling faction. When we charged it came to our surprise that, by some miracle, the sword of Speaker Taisto held the abilities of mythical Tyrfing when he slew several rebels. I was certain it was a sign of the gods deciding we were to be the victors of the battle.</em></p>\n<p><em>It all changed too fast. First three of our archers misfired their blessed arrows, all colliding with trees next to them and tearing their forms from the blasts. Speaker Taisto accidentally severed the heads of several of our swordsmen who had cut between him and rebels to protect him. Trees fell on our warriors without warning. I swore the universe was conspiring against us.</em></p>\n<p><em>The final loss was when Speaker Taisto shattered the ancestor amulets he wore, his last effort to stave the rebel horde. Countless spirits of past Nordic warriors rose from the grounds around us and bared their axes at the rebels. They approached the rebels then shouted \"unworthy wielder,\" turning to Speaker Taisto. The spirits butchered Speaker Taisto for an hour.</em></p>\n<p><em>The sword was not a sign of victory. It was a sign of sabotage.</em></p>\n</blockquote>\n<p>Due to the deaths of most Nyrsigtuna leaders and its fragmenting into smaller offshoots, the group is considered defunct.</p>\n<p>The exact site of the battle was lost until discovery by the Thule Society<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> as part of their investigations into Nordic occult artifacts, occurring after Nazi Germany's occupation of Norway. In cooperation with the Ahnenerbe Obskuracorps<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup>, the secretive Facility 12 was constructed at the site to investigate military applications of 008-BETA and its use in HSR-001-Advent-Nox.</p>\n<p>After the Foundation's capture of Obskuracorps commander Konrad Weiss on 1/SEPT/1944, it was found that the Obskuracorps and Thule Society intend to perform HSR-001-Advent-Nox, aiming to remove thaumaturgic capabilities from any non-Germanic people and grant them to members of the German government. The effort against Thule and the Obskuracorps under Operation GLEAMING COVENANT was expanded to include joint Foundation-AOI operations in stopping the Rite.</p>\n<p>Documents recovered during Weiss's capture indicated the discovery of 008-BETA, corroborated by reports from AOI undercover agents. An operation to secure 008-BETA was then performed on 9/SEPT/1944, ending in a successful recovery. The artifact is currently in storage at an AOI provisional encampment.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"Vemork_Hydroelectric_Plant_1935.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/archival-document-hsa-008-advent/Vemork_Hydroelectric_Plant_1935.jpg\"/>\n<div class=\"scp-image-caption\">\n<p>The Vemork Hydroelectric Plant in 1935.</p>\n</div>\n</div>\n<p><span style=\"color: #102141\"><span style=\"font-size:large;\"><strong>Recovery:</strong></span></span></p>\n<p>Recovery was performed under Operation DREKAR MIRAGE. Four teams were organized:</p>\n<ul>\n<li><strong>Team Able:</strong> Squad trained in handling occult threats. Headed by Noble Templar Knight Javiera Solos and Special Operative Josef<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> with 8 members.</li>\n<li><strong>Team Baker:</strong> Squad composed of thaumaturges and Nordic occultists, 7 members in total. Headed by psionics specialist Captain Mathew Dell.</li>\n<li><strong>Team Charlie:</strong> General operations platoon, headed by First Lieutenant Horace Southers with 20 members.</li>\n<li><strong>Team Dog:</strong> Covert infiltration squad, headed by Runemaster Niklas Eklund with 6 members.</li>\n</ul>\n<p>Although no undercover agents had been able to enter Facility 12, reconnaissance teams had identified two entrances with low levels of security, which could be used as potential breaching points. Cables were observed connecting the compound to the nearby Vemork Hydroelectric Plant, which appeared to be continuing operation despite extensive sabotage actions taken by the Norwegian resistance.</p>\n<p>After preparations for general purpose occult operations, plans were devised for an initial covert infiltration of Facility 12, intended to undermine its security, followed by a full military assault to secure the compound. Operation DREKAR MIRAGE was initiated on 9/SEPT/1944.</p>\n<p><span style=\"text-decoration: underline;\"><strong>Operation DREKAR MIRAGE Timeline</strong></span></p>\n<p><strong>02:10-</strong> Team Dog enters the Vemork Hydroelectric Plant via an unguarded maintenance hatch. Unusually, few guards are observed. No generators or heavy water production machinery appear to be in operation.</p>\n<p><strong>02:12-</strong> Team Baker breaches a tunnel extending out of Facility 12, likely meant to serve as a method for facility personnel to escape in the event of disaster. Team Baker proceeds down the tunnel.</p>\n<p><strong>02:13-</strong> Team Able covertly sedate guards at a rear entrance with a ritually-summoned demon and enter Facility 12.</p>\n<p><strong>02:14-</strong> A previously unknown sublevel in the Vemork Hydroelectric Plant is discovered, with its entrance guarded by Thule Society priests. Runemaster Niklas Eklund establishes a cloaking barrier and begins surveying for an alternate entrance.</p>\n<p><strong>02:15-</strong> Team Charlie hijacks a German supply convoy heading to Facility 12, suffering minor casualties. Half of Team Charlie drives the convoy while the other half begins moving to the main entrance of Facility 12.</p>\n<p><strong>02:16-</strong> Team Baker enters a basement mechanical room of Facility 12, encountering two guards that quickly surrender.</p>\n<p><strong>02:17-</strong> Team Dog locates a maintenance shaft and enters the sublevel. Runemaster Eklund reports encountering a \"dwarven occult generator\" before communications are lost. Alarms go off in Facility 12. Teams Able, Baker, and Charlie are ordered to disregard plans for covert operations.</p>\n<p><strong>02:18-</strong> Teams Able and Baker come under attack from Obskuracorps soldiers, who are all armed with thaumic weapons.</p>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Operative Kjell Anthonsen (Team Baker)</p>\n<p><em>I turned the corner and several of them waited for us with bizarre weaponry. Their guns were things like assault rifles, the barrels swapped for mummified arms whose hands kept wriggling. All over their uniforms were mismatched pieces of equipment \u2014 stone slabs carved with sigils strapped on, rune-covered plate armor, belts of ritual daggers \u2014 like they threw it on in a scramble for defense.</em></p>\n<p><em>I barely stepped back when their mummy-guns shot volleys of thaumic energy. If we didn't have the barriers Seweryn and Morgan kept conjuring (and the oh so precious machinery around us) we would've been mowed down.</em></p>\n</blockquote>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Special Operative Josef (Team Able)</p>\n<p><em>Shortly after the assault began I spotted a soldier who tried to attack us from behind. The mummified arm of his weapon had wrung its fingers around his neck and writhed, taken by a spirit summoned from an Obskura demon grenade, only trying to kill with a violent fury. I tore it off of him and exorcised its demon.</em></p>\n<p><em>His position was weaker yet he retrieved the broken fragments of a bow and attempted to kill me by summoning volleys of arrows. When he failed he scrambled to other corridors. I had the opportunity to attack, grant our team one less opponent, but I let him run. He was with the enemy but not all confrontation need end in death.</em></p>\n<p><em>Instead I reminded him of his past deeds. I called to the spirits of his victims and let them return to him before I resumed protecting my teammates. I hope their hauntings serve him well.</em></p>\n</blockquote>\n<p><strong>02:19-</strong> One member of Team Able is killed, and they retreat into a room storing large numbers of occult artifacts. Thule Society priests enter and kill two members through the use of various artifacts in the area. A brief transmission is received from Runemaster Eklund.</p>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Noble Templar Knight Javiera Solos (Team Able)</p>\n<p><em>Once I believed that Obskuracorps treasured all they obtained. Now it is clear that the artifacts are solely a means to an end. Much of what lined the massive shelves around us was practically thrown at us, the priests running up the shelf sides to drop what they saw, evading our bullets all the while. Vases would shatter and unleash many-limbed demons \u2014 all more intimidating than challenging for my sword to vanquish \u2014 and weathered sculptures would crack and violently explode in vibrant hues, perhaps the last cries of ill-remembered deities.</em></p>\n<p><em>We fended the arcane flurry well until a cloaking barrier vanished and we discovered that a priest had completed a ritual without our noticing. Flaming mares emerged from the ritual circle and charged forth with unrivaled fury. Dores believed her holy water bullets would halt them but had her brain gouged out by a burning hoof and reduced to ash. I thank whoever climbed the shelves first, for that was our only way to survive.</em></p>\n<p><em>Our strategy worked until a priest lunged toward us, effortlessly walking along the shelf sides like a grim phantasm. He plunged his scepter through Ridley's legs and let him descend to the mares. Ridley nearly made it too, pushing himself into a lower alcove with an arcane nudge, but it was tragically inhabited by a hungering statue. I felt no remorse when I stabbed the priest, nor when his body began to cook around my sword.</em></p>\n</blockquote>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Transmission Transcript:</em></span> Runemaster Niklas Eklund [9/SEPT/1944 - 10] (Team Dog)</p>\n<p><strong>&lt;</strong>TRANSMISSION START<strong>&gt;</strong></p>\n<p><em>Eklund:</em> No. Too many arms. Too much movement.</p>\n<p>(white noise)</p>\n<p><em>Unknown Male:</em> (speaking in German) Voluntary soul loss is less painful.</p>\n<p>(white noise)</p>\n<p><em>Eklund:</em> Keep away from the arms. Keep away from the hands and ignore the generator's voices. (heavy breathing) Get to the crack. The gears are weaker there.</p>\n<p>(mechanical scraping sounds, gunshots)</p>\n<p><em>Eklund:</em> AOI Command, this is \u2014 (pained grunts) \u2014 Runemaster Niklas Eklund.</p>\n<p>(white noise)</p>\n<p><em>Unknown Male:</em> Step back from the generator or the guards \u2014 (white noise) \u2014 your soul will not reach rest if you \u2014 (pained screaming)</p>\n<p>(white noise, mechanical crunching sounds)</p>\n<p><em>Eklund:</em> Command, I don't know if you can hear this, but if you do I have one last message.</p>\n<p>(gunshots, screeching)</p>\n<p><em>Eklund:</em> I won't stop fighting\u2014</p>\n<p>(white noise)</p>\n<p><strong>&lt;</strong>END TRANSMISSION<strong>&gt;</strong></p>\n</blockquote>\n<p><strong>02:21-</strong> A large explosion of blue fire occurs near the Vemork Hydroelectric Plant. Facility 12 switches to using reserve generators for power. Team Dog is presumed to be killed in action. Special Operative Josef collapses a storage shelf, killing two priests, and Team Able exits the storage room while being pursued by soldiers.</p>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Special Operative Josef (Team Able)</p>\n<p><em>Ridley's death made me realize fleeing the priests was pointless. We would only lose more lives, and not fighting aggressors is against my purpose. When Javiera killed one of the priests I dropped from the shelf to handle the remaining two.</em></p>\n<p><em>The two infernal horses attacked first. Their fires and kicks could not harm me so I took their heads and broke them against each other until flickering remnants were left. One priest tore down an entire column of a shelf, unleashing writhing masses of tendrils and demons that radiated an aura intense enough that any attempt to approach pained me. The priest pushed me toward them with an excessive number of magical barriers, all of which I punched through with ease. Javiera aided with a grenade that tore through his legs, giving me a chance to throw him into the demon masses. None of my teammates saw what happened to his body.</em></p>\n<p><em>The last priest, wearing black robes instead the typical white, summoned lightning bolts, daggers of ice, and flaming bullets as he levitated above me. Normally I wouldn't care \u2014 it's nothing I haven't seen before \u2014 but he aimed for the words of life on my forehead, knowing any damage to it would disable me. As my teammates were defending themselves from the demon masses, I had to handle him alone.</em></p>\n<p><em>Much like before I climbed the shelf, avoiding the scrambling appendages of creatures the priest had awoken. I threw several towards him but all disintegrated from cleansing barriers he had raised around himself. His response was to summon numerous apparitions around him. I would later learn that all of the apparitions were facsimiles of the Norse pantheon, meant to intimidate, but at the time I thought it was only another obstacle. I lunged from the shelf and broke through each apparition but in my haste I forgot about the priest's ability to dodge. When I landed on the ground he flew toward me with an axe of lightning.</em></p>\n<p><em>Getting near me lost him his sole advantage. I grabbed onto his body and broke him against the shelf with the strength to fracture several of its columns. The section of the shelf crumbled slowly enough that I could escape the rain of artifacts it produced. It all combusted in an aetheric blast that eviscerated the demon masses and tore a hole into an adjacent chamber.</em><br/>\n<br/>\n<em>Figured we had to leave when streams of thaumic projectiles came from behind.</em></p>\n</blockquote>\n<p><strong>02:22-</strong> Team Baker uses explosives to destroy several pieces of equipment in the mechanical room. The group enters an elevator that brings them to a room on the main level containing statues of Norse deities and occult iconography. The area is presumed to have been used for Thule Society rituals. They break the elevator and momentarily rest.</p>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Operative Kjell Anthonsen (Team Baker)</p>\n<p><em>If Niklas had lived to see the chamber he would've had a heart attack. I never knew Norse legends as well as he did, but my time with him around the Universalist Order of the \u00c6sir made me see how wrong it was. Thor never wielded a sword, let alone Tyrfing, runic prayers don't belong on the statues of military commanders, renditions of Yggdrasil shouldn't be surrounded by animals guts. A few glances at my occultists friends and I could tell they felt the same. If we didn't have our mission we would've torn the place to the ground \u2014 though we did give the F\u00fchrer and Quisling's<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> effigies royal send offs down the elevator shaft.</em></p>\n</blockquote>\n<p><strong>02:23-</strong> The convoy controlled by Team Charlie arrives at the main entrance of Facility 12. Guards order them to turn it back due to the AOI incursion. Both halves of Team Charlie assault the main entrance, suffering one death and four casualties, then enter Facility 12.</p>\n<p><strong>02:26-</strong> Teams Able and Baker enter a spacious weapons testing chamber. An automaton wielding 008-BETA enters alongside Obskuracorps soldiers. Five AOI members are killed in the ensuing battle.</p>\n<blockquote>\n<p><span style=\"text-decoration: underline;\"><em>Written Testimony:</em></span> Captain Mathew Dell (Team Baker)</p>\n<p><em>In complete honesty I nearly shit myself when the automaton unsheathed the sword. We knew they had been testing the sword. We didn't know they found a way to actually use the damn thing. Its black armor and silver runic decorations didn't help to cool my nerves.</em></p>\n<p><em>Without hesitating it went straight for Gunvald. He pulled his hands-shooting-fire trick but the automaton just held the sword out and let the flames sweep around them. Only a single scratch landed on Gunvald's arm before it split in half. I watched him try to run to me for any sort of help but the sword's next swing just reached him (I don't know how to describe it \u2014 it should've missed but it still hit and it made sense) and he split apart. Oz went the same way. And Darion. And Jules.</em></p>\n<p><em>When it came for me next I tried thinking about throwing the automaton to the ground, but I suddenly pictured the sword and those thoughts started hurting. Right when it swung at me I panicked and thought about throwing a crate between us. I thought I was dead but the crate split clean in half while I didn't. I kept that up for a good minute with any junk I could find and it kept working. Problem was it was becoming such a burden on my mind I could've passed out any second. Couldn't think enough about attacking as well, so I figured I was screwed.</em></p>\n<p><em>Only got out when the automaton was distracted by some of Josef's spirits.</em></p>\n<p>[\u2026]</p>\n<p><em>Then Hal started singing an old <a href=\"http://www.scp-wiki.net/church-of-the-broken-god-hub\">Mekhanite</a> hymn. Didn't hold any weapon at all. I thought he'd gone mad until the automaton fumbled its swing and paused. I swear some gears in its chassis turned to mimic the hymn in response.</em></p>\n<p><em>Obskura never built that automaton. Definitely nobody Germanic for that matter. I thought the armor meant they had but Hal figured they added it on after (or he was at a loss for what to do). Ahnenerbe, Thule, whoever found it must've been so over their head with \"Aryan\" superiority that they were sure the machine was either their own heritage or could bend to their every will. Never imagined it wouldn't.</em></p>\n<p><em>Needless to say it is satisfying to imagine what their faces looked like when the automaton sliced itself.</em></p>\n</blockquote>\n<p><strong>02:30-</strong> Special Operative Josef obtains 008-BETA and destroys the automaton. Team Charlie spots several Thule Society priests and Obskuracorps researchers in a basement area, who open a Way and flee into the dimension it leads to. No operatives could enter before the Way spontaneously detonated.</p>\n<p>A majority of the remaining soldiers at Facility 12 surrendered. Documents detailing research were found, though most had been intentionally destroyed by soldiers prior to the facility's full capture. Interrogation of captured soldiers is in progress. Exploration of the destroyed sublevel to the Vemork Hydroelectric Plant yielded no information on the nature of the \"dwarven occult generator\" that had been in use.</p>\n<p>All members of Team Dog have been posthumously awarded the AOI Valiance Medal.</p>\n\n\n<br/>\n<span style=\"color: #102141\"><span style=\"font-size:large;\"><strong>IMPORTANT SECURITY NOTICE:</strong></span></span>\n<p>Undercover operatives embedded in the Ahnenerbe have reported that 008-ALPHA has been discovered by the Obskuracorps. An archaeology team found an underground tomb at the ruins of a Goth settlement, likely within German-occupied Polish territory, which contained a decayed corpse and a damaged sword. Descriptions of the sword are similar to the appearance of 008-BETA. It is unknown if a thaumaturgic hex is present on the artifact.</p>\n<p>It is now suspected that 008-ALPHA will be used as a substitute for 008-BETA in performing HSR-001-Advent-Nox. If reports of the Thule Society creating forgeries of the Keys and important religious artifacts are true, then it is likely that preparations for the Rite are nearing completion. An operation to halt the performance is being planned.</p>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. HSA-008-Advent may be transferred to Foundation jurisdiction upon the conclusion of the present war, depending on devised containment procedures for HSR-001-Advent-Nox.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Lasting from 1875 to 1882. Notably, the war resulted in the death of a Code BLACK entity that had been preventing the performance of HSR-001-Advent-Nox, which allows it to be performed now in the modern day.\n<blockquote>\n<p><tt><strong>Archival Note:</strong> Entity is now designated <a href=\"http://www.scp-wiki.net/goc-supplemental-threat-entities\">LTE-0913-Ex-Machina</a>.</tt></p>\n</blockquote>\n</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. A German occult group.</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. A branch of the German government's SS Ahnenerbe, focusing on the military use of anomalies.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. A golem whose body contains HSA-007-Advent (\"The Seventh Key of Solomon\"), <a href=\"/obskuracorps-memos\">discovered by Obskuracorps</a> in Prague, Czechoslovak Republic. Josef fought German forces in the area until recovery by the AOI.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Vidkun Quisling, head of the German-occupied Norwegian government.</div>\n</div>\n<hr/>\n<div style=\"border: solid 5px #999999; background:#a0bdbf; padding: 0px; margin: auto; width: 640px; margin-bottom: 10px;\">\n<p style=\"text-align: center;\"><strong>\u00ab <a href=\"/obskuracorps-memos\">Obskuracorps Memos...</a> || <a href=\"/black-sunrise\">Black Sunrise</a> || <a href=\"/a-man-of-clay-and-men-formerly-men\">A Man of Clay and Men Formerly Men</a> \u00bb</strong></p>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/archival-document-hsa-008-advent\">Archival Document \u2014 HSA-008-Advent</a>\" by NatVoltaic, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/archival-document-hsa-008-advent\">https://scpwiki.com/archival-document-hsa-008-advent</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> tyrfing.jpg<br/>\n<strong>Name:</strong> King Svafrlame Secures the Sword Tyrfing.jpg<br/>\n<strong>Author:</strong> Lorenz Fr\u00f8lich<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:King_Svafrlame_Secures_the_Sword_Tyrfing.jpg\">Wikimedia</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> nyrsigtuna_sacred_v3.jpg<br/>\n<strong>Name:</strong> (if different from filename)<br/>\n<strong>Author(s):</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/natvoltaic\" onclick=\"WIKIDOT.page.listeners.userInfo(2800867); return false;\"><img alt=\"NatVoltaic\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=2800867&amp;amp;size=small&amp;amp;timestamp=1788006097\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=2800867)\"/></a><a href=\"http://www.wikidot.com/user:info/natvoltaic\" onclick=\"WIKIDOT.page.listeners.userInfo(2800867); return false;\">NatVoltaic</a></span>, Otter<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Derivative of:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Jarlshof_20080821_-_wheelhouse.jpg\">Wikimedia</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> Vemork_Hydroelectric_Plant_1935.jpg<br/>\n<strong>Author:</strong> Anders Beer Wilse<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Vemork_Hydroelectric_Plant_1935.jpg\">Wikimedia</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[include <a href=\"/theme:3law\">theme:3law</a>]]\n\n[[include <a href=\"/theme:3law-7ow\">theme:3law-7ow</a>]]\n\n\n\n[[div style=\"border: solid 5px #999999; background:#a0bdbf; padding: 0px; margin: auto; width: 640px; margin-bottom: 10px;\"]]\n\n= **<< [[[obskuracorps-memos| Obskuracorps Memos...]]] || [[[Black Sunrise]]] || [[[a-man-of-clay-and-men-formerly-men| A Man of Clay and Men Formerly Men]]] >>**\n\n[[/div]]\n\n\n\n------\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n\n\n[[=]]\n\n> ++ **{{NOTICE}}**\n\n> \n\n> **{{The following document was created by the Allied Occult Initiative, the precursor to the Global Occult Coalition active in the 7th Occult War. All information in this file is not reflective of the current status of High Security Artifact-008-Advent and High Security Ritual-001-Advent-Nox (\"The Rite of Solomon\"). Refer to the Threat Advent Dossier for further information.}}**\n\n[[/=]]\n\n\n\n@@@@\n\n@@@@\n\n\n\n[[=]]\n\n[[div style=\"border-bottom:2px solid #777; margin-bottom:1px;\"]]\n\n[[/div]]\n\n[[div style=\"border-bottom:1px solid #777;\"]]\n\n[[/div]]\n\n+ Allied Occult Initiative\n\n[[size large]]**Operation GLEAMING COVENANT**[[/size]]\n\n[[table style=\"border: none; width: 100%;\"]]\n\n[[row]]\n\n[[cell]]\n\n**Prepared on 13/SEPT/1944**\n\n[[/cell]]\n\n[[cell style=\"text-align: right;\"]]\n\n**SECURITY CLEARANCE 4**\n\n[[/cell]]\n\n[[/row]]\n\n[[/table]]\n\n\n\n[[/=]]\n\n[[div style=\"border-bottom:2px solid #777; margin-bottom:1px;\"]]\n\n[[/div]]\n\n[[div style=\"border-bottom:1px solid #777;\"]]\n\n[[/div]]\n\n\n\n##102141|[[size large]]**Anomaly Identifier:**[[/size]]##\n\n\n\n**High Security Artifact-008-Advent -- \"Mythical Sword Tyrfing\"**\n\n\n\n##102141|[[size large]]**Security Status Level:**[[/size]]##\n\n[[size 0%]][[/size]]\n\n##red|[[size 250%]] 0 [[/size]]## **(In Provisional Storage)**[[footnote]]HSA-008-Advent may be transferred to Foundation jurisdiction upon the conclusion of the present war, depending on devised containment procedures for HSR-001-Advent-Nox.[[/footnote]]\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name= tyrfing.jpg|\n\n\u00a0\u00a0\u00a0\u00a0caption=Artistic rendition of King Svafrlami retrieving the first version of HSA-008-Advent, created in 1906.|\n\n]]\n\n##102141|[[size large]]**Description:**[[/size]]##\n\n\n\nThe artifact is a sword similar in design to ancient Viking Age weaponry. The object's blade appears to be composed of steel and the hilt from gold, though tests to confirm this have not been performed out of risk of invoking thaumaturgic hexes from taking metal samples. Unidentified thaumaturgic runes are carved into the blade and hilt. A visual effect similar to fire can be seen surrounding the sword at times.\n\n\n\nYounger Futhark runes are engraved along the edges of the blade on both sides. The runes roughly translate to the following:\n\n\n\n> = //Wield in the days victory is demanded//\n\n> = //Wield in the days your life is needless//\n\n\n\nHSA-008-Advent, if in use in combat, will exhibit the following properties:\n\n* The artifact will never miss an intended attack by its user if not blocked.\n\n* Objects struck with the artifact will be cleanly split in half, regardless of material composition, based on the angle the blade strikes at. Size limits to what objects will be split are undetermined.\n\n* Thaumaturgic workings can be disrupted and redirected if intended by the user.\n\n* At least one entity will be killed by the weapon every time it is in use. The circumstances leading to the death are variable.\n\n\n\nFurther properties may exist.\n\n\n\nHuman users of HSA-008-Advent will be afflicted with a thaumaturgic hex. As few human users of the weapon have been well documented, full details are unavailable, though it is currently presumed that the hex in all cases ends in the death of the user. This appears to coincide with the failure of any major goals the user wished to accomplish. As such the usage of HSA-008-Advent by human personnel of the AOI (for combat, testing, or otherwise) is strictly forbidden.\n\n\n\nThe weapon serves as a potential artifact for use in High Security Ritual-001-Advent-Nox (\"The Rite of Solomon\"). It can be used in conjunction with other artifacts of religious significance and seven high-importance occult artifacts (the \"keys of Solomon,\" identifiers HSA-001-Advent through HSA-007-Advent) to perform HSR-001-Advent-Nox. Completion results in the manifestation of a Code BLACK eschatological entity of significant thaumaturgic potential.\n\n\n\n**<CLASSIFIED CLEARANCE 6 BY ORDER OF AOI HIGH COMMAND>**\n\n\n\nOnly one version of HSA-008-Advent (identifier 008-BETA) is known to presently exist. Destruction of the weapon and all other relevant artifacts will not be performed unless it is deemed necessary by the joint AOI-Foundation containment for HSR-001-Advent-Nox.\n\n\n\n##102141|[[size large]]**History:**[[/size]]##\n\n\n\nAll details on the first version of HSA-008-Advent (identifier 008-ALPHA, known as \"Tyrfing\") have been provided by //Hervarar saga ok Hei\u00f0reks// (The Saga of Herv\u00f6r and Heidrek) and the //Poetic Edda//, sets of Norse legends. According to the texts, the mythological king Svafrlami captured two dwarves and demanded they craft a powerful sword for him, which they cursed in revenge. The hex killed Svafrlami and caused three evil deeds, later being taken by a Gothic group after the curse was said to have been removed. No further information on 008-ALPHA exists. Although dwarven ruins have been discovered in territory supposedly ruled by Svafrlami, no evidence for the existence of the characters from the tales and 008-ALPHA has been found.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name= nyrsigtuna_sacred_v3.jpg|\n\n\u00a0\u00a0\u00a0\u00a0caption=Site of a Nyrsigtuna ritual, circa 1870.|\n\n]]\n\n\n\nA replica of Tyrfing (identifier 008-BETA) was constructed in the 1500s by the Scandinavian occult group Nyrsigtuna (or New Sigtuna) via thaumaturgic rituals. 008-BETA was a central aspect to Nyrsigtuna religious beliefs, revered as a link between humanity and the Norse deities, meant to be wielded by a warrior not belonging to any group of beings detailed in Norse mythology. However, losses in the Sixth Occult War[[footnote]]Lasting from 1875 to 1882. Notably, the war resulted in the death of a Code BLACK entity that had been preventing the performance of HSR-001-Advent-Nox, which allows it to be performed now in the modern day.\n\n> {{**Archival Note:** Entity is now designated [http://www.scp-wiki.net/goc-supplemental-threat-entities LTE-0913-Ex-Machina].}}\n\n[[/footnote]] led to in-fighting among Nyrsigtuna leaders, culminating in a battle near present-day Rjukan, Norway, where 008-BETA was lost. The few details on the conflict suggest that one group disguised 008-BETA as a different sword to trick opposing factions into using it and cursing themselves.\n\n\n\n> __//Written Testimony://__ Manu Partanen (former Nyrsigtuna member), 1901\n\n> \n\n> //We rode through the woods on horseback. An hour past one of our men was skewered by spears of Tyr, thrown by the cavalry of a rebelling faction. When we charged it came to our surprise that, by some miracle, the sword of Speaker Taisto held the abilities of mythical Tyrfing when he slew several rebels. I was certain it was a sign of the gods deciding we were to be the victors of the battle.//\n\n> \n\n> //It all changed too fast. First three of our archers misfired their blessed arrows, all colliding with trees next to them and tearing their forms from the blasts. Speaker Taisto accidentally severed the heads of several of our swordsmen who had cut between him and rebels to protect him. Trees fell on our warriors without warning. I swore the universe was conspiring against us.//\n\n> \n\n> //The final loss was when Speaker Taisto shattered the ancestor amulets he wore, his last effort to stave the rebel horde. Countless spirits of past Nordic warriors rose from the grounds around us and bared their axes at the rebels. They approached the rebels then shouted \"unworthy wielder,\" turning to Speaker Taisto. The spirits butchered Speaker Taisto for an hour.//\n\n> \n\n> //The sword was not a sign of victory. It was a sign of sabotage.//\n\n\n\nDue to the deaths of most Nyrsigtuna leaders and its fragmenting into smaller offshoots, the group is considered defunct.\n\n\n\nThe exact site of the battle was lost until discovery by the Thule Society[[footnote]]A German occult group.[[/footnote]] as part of their investigations into Nordic occult artifacts, occurring after Nazi Germany's occupation of Norway. In cooperation with the Ahnenerbe Obskuracorps[[footnote]]A branch of the German government's SS Ahnenerbe, focusing on the military use of anomalies.[[/footnote]], the secretive Facility 12 was constructed at the site to investigate military applications of 008-BETA and its use in HSR-001-Advent-Nox.\n\n\n\nAfter the Foundation's capture of Obskuracorps commander Konrad Weiss on 1/SEPT/1944, it was found that the Obskuracorps and Thule Society intend to perform HSR-001-Advent-Nox, aiming to remove thaumaturgic capabilities from any non-Germanic people and grant them to members of the German government. The effort against Thule and the Obskuracorps under Operation GLEAMING COVENANT was expanded to include joint Foundation-AOI operations in stopping the Rite.\n\n\n\nDocuments recovered during Weiss's capture indicated the discovery of 008-BETA, corroborated by reports from AOI undercover agents. An operation to secure 008-BETA was then performed on 9/SEPT/1944, ending in a successful recovery. The artifact is currently in storage at an AOI provisional encampment.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name= Vemork_Hydroelectric_Plant_1935.jpg|\n\n\u00a0\u00a0\u00a0\u00a0caption=The Vemork Hydroelectric Plant in 1935.|\n\n]]\n\n##102141|[[size large]]**Recovery:**[[/size]]##\n\n\n\nRecovery was performed under Operation DREKAR MIRAGE. Four teams were organized:\n\n\n\n* **Team Able:** Squad trained in handling occult threats. Headed by Noble Templar Knight Javiera Solos and Special Operative Josef[[footnote]]A golem whose body contains HSA-007-Advent (\"The Seventh Key of Solomon\"), [[[obskuracorps-memos|discovered by Obskuracorps]]] in Prague, Czechoslovak Republic. Josef fought German forces in the area until recovery by the AOI.[[/footnote]] with 8 members.\n\n* **Team Baker:** Squad composed of thaumaturges and Nordic occultists, 7 members in total. Headed by psionics specialist Captain Mathew Dell.\n\n* **Team Charlie:** General operations platoon, headed by First Lieutenant Horace Southers with 20 members.\n\n* **Team Dog:** Covert infiltration squad, headed by Runemaster Niklas Eklund with 6 members.\n\n\n\nAlthough no undercover agents had been able to enter Facility 12, reconnaissance teams had identified two entrances with low levels of security, which could be used as potential breaching points. Cables were observed connecting the compound to the nearby Vemork Hydroelectric Plant, which appeared to be continuing operation despite extensive sabotage actions taken by the Norwegian resistance.\n\n\n\nAfter preparations for general purpose occult operations, plans were devised for an initial covert infiltration of Facility 12, intended to undermine its security, followed by a full military assault to secure the compound. Operation DREKAR MIRAGE was initiated on 9/SEPT/1944. \n\n\n\n__**Operation DREKAR MIRAGE Timeline**__\n\n\n\n**02:10-** Team Dog enters the Vemork Hydroelectric Plant via an unguarded maintenance hatch. Unusually, few guards are observed. No generators or heavy water production machinery appear to be in operation.\n\n\n\n**02:12-** Team Baker breaches a tunnel extending out of Facility 12, likely meant to serve as a method for facility personnel to escape in the event of disaster. Team Baker proceeds down the tunnel.\n\n\n\n**02:13-** Team Able covertly sedate guards at a rear entrance with a ritually-summoned demon and enter Facility 12.\n\n\n\n**02:14-** A previously unknown sublevel in the Vemork Hydroelectric Plant is discovered, with its entrance guarded by Thule Society priests. Runemaster Niklas Eklund establishes a cloaking barrier and begins surveying for an alternate entrance.\n\n\n\n**02:15-** Team Charlie hijacks a German supply convoy heading to Facility 12, suffering minor casualties. Half of Team Charlie drives the convoy while the other half begins moving to the main entrance of Facility 12.\n\n\n\n**02:16-** Team Baker enters a basement mechanical room of Facility 12, encountering two guards that quickly surrender.\n\n\n\n**02:17-** Team Dog locates a maintenance shaft and enters the sublevel. Runemaster Eklund reports encountering a \"dwarven occult generator\" before communications are lost. Alarms go off in Facility 12. Teams Able, Baker, and Charlie are ordered to disregard plans for covert operations.\n\n\n\n**02:18-** Teams Able and Baker come under attack from Obskuracorps soldiers, who are all armed with thaumic weapons.\n\n\n\n> __//Written Testimony://__ Operative Kjell Anthonsen (Team Baker)\n\n> \n\n> //I turned the corner and several of them waited for us with bizarre weaponry. Their guns were things like assault rifles, the barrels swapped for mummified arms whose hands kept wriggling. All over their uniforms were mismatched pieces of equipment -- stone slabs carved with sigils strapped on, rune-covered plate armor, belts of ritual daggers -- like they threw it on in a scramble for defense.//\n\n> \n\n> //I barely stepped back when their mummy-guns shot volleys of thaumic energy. If we didn't have the barriers Seweryn and Morgan kept conjuring (and the oh so precious machinery around us) we would've been mowed down.//\n\n\n\n> __//Written Testimony://__ Special Operative Josef (Team Able)\n\n> \n\n> //Shortly after the assault began I spotted a soldier who tried to attack us from behind. The mummified arm of his weapon had wrung its fingers around his neck and writhed, taken by a spirit summoned from an Obskura demon grenade, only trying to kill with a violent fury. I tore it off of him and exorcised its demon.//\n\n> \n\n> //His position was weaker yet he retrieved the broken fragments of a bow and attempted to kill me by summoning volleys of arrows. When he failed he scrambled to other corridors. I had the opportunity to attack, grant our team one less opponent, but I let him run. He was with the enemy but not all confrontation need end in death.//\n\n> \n\n> //Instead I reminded him of his past deeds. I called to the spirits of his victims and let them return to him before I resumed protecting my teammates. I hope their hauntings serve him well.//\n\n\n\n**02:19-** One member of Team Able is killed, and they retreat into a room storing large numbers of occult artifacts. Thule Society priests enter and kill two members through the use of various artifacts in the area. A brief transmission is received from Runemaster Eklund.\n\n\n\n> __//Written Testimony://__ Noble Templar Knight Javiera Solos (Team Able)\n\n> \n\n> //Once I believed that Obskuracorps treasured all they obtained. Now it is clear that the artifacts are solely a means to an end. Much of what lined the massive shelves around us was practically thrown at us, the priests running up the shelf sides to drop what they saw, evading our bullets all the while. Vases would shatter and unleash many-limbed demons -- all more intimidating than challenging for my sword to vanquish -- and weathered sculptures would crack and violently explode in vibrant hues, perhaps the last cries of ill-remembered deities.//\n\n> \n\n> //We fended the arcane flurry well until a cloaking barrier vanished and we discovered that a priest had completed a ritual without our noticing. Flaming mares emerged from the ritual circle and charged forth with unrivaled fury. Dores believed her holy water bullets would halt them but had her brain gouged out by a burning hoof and reduced to ash. I thank whoever climbed the shelves first, for that was our only way to survive.//\n\n> \n\n> //Our strategy worked until a priest lunged toward us, effortlessly walking along the shelf sides like a grim phantasm. He plunged his scepter through Ridley's legs and let him descend to the mares. Ridley nearly made it too, pushing himself into a lower alcove with an arcane nudge, but it was tragically inhabited by a hungering statue. I felt no remorse when I stabbed the priest, nor when his body began to cook around my sword.//\n\n\n\n> __//Transmission Transcript://__ Runemaster Niklas Eklund [9/SEPT/1944 - 10] (Team Dog)\n\n> \n\n> **<**TRANSMISSION START**>**\n\n> \n\n> //Eklund:// No. Too many arms. Too much movement.\n\n> \n\n> (white noise)\n\n> \n\n> //Unknown Male:// (speaking in German) Voluntary soul loss is less painful.\n\n> \n\n> (white noise)\n\n> \n\n> //Eklund:// Keep away from the arms. Keep away from the hands and ignore the generator's voices. (heavy breathing) Get to the crack. The gears are weaker there.\n\n> \n\n> (mechanical scraping sounds, gunshots)\n\n> \n\n> //Eklund:// AOI Command, this is -- (pained grunts) -- Runemaster Niklas Eklund.\n\n> \n\n> (white noise)\n\n> \n\n> //Unknown Male:// Step back from the generator or the guards -- (white noise) -- your soul will not reach rest if you -- (pained screaming)\n\n> \n\n> (white noise, mechanical crunching sounds)\n\n> \n\n> //Eklund:// Command, I don't know if you can hear this, but if you do I have one last message.\n\n> \n\n> (gunshots, screeching)\n\n> \n\n> //Eklund:// I won't stop fighting--\n\n> \n\n> (white noise)\n\n> \n\n> **<**END TRANSMISSION**>**\n\n\n\n**02:21-** A large explosion of blue fire occurs near the Vemork Hydroelectric Plant. Facility 12 switches to using reserve generators for power. Team Dog is presumed to be killed in action. Special Operative Josef collapses a storage shelf, killing two priests, and Team Able exits the storage room while being pursued by soldiers.\n\n\n\n> __//Written Testimony://__ Special Operative Josef (Team Able)\n\n> \n\n> //Ridley's death made me realize fleeing the priests was pointless. We would only lose more lives, and not fighting aggressors is against my purpose. When Javiera killed one of the priests I dropped from the shelf to handle the remaining two.//\n\n> \n\n> //The two infernal horses attacked first. Their fires and kicks could not harm me so I took their heads and broke them against each other until flickering remnants were left. One priest tore down an entire column of a shelf, unleashing writhing masses of tendrils and demons that radiated an aura intense enough that any attempt to approach pained me. The priest pushed me toward them with an excessive number of magical barriers, all of which I punched through with ease. Javiera aided with a grenade that tore through his legs, giving me a chance to throw him into the demon masses. None of my teammates saw what happened to his body.//\n\n> \n\n> //The last priest, wearing black robes instead the typical white, summoned lightning bolts, daggers of ice, and flaming bullets as he levitated above me. Normally I wouldn't care -- it's nothing I haven't seen before -- but he aimed for the words of life on my forehead, knowing any damage to it would disable me. As my teammates were defending themselves from the demon masses, I had to handle him alone.//\n\n> \n\n> //Much like before I climbed the shelf, avoiding the scrambling appendages of creatures the priest had awoken. I threw several towards him but all disintegrated from cleansing barriers he had raised around himself. His response was to summon numerous apparitions around him. I would later learn that all of the apparitions were facsimiles of the Norse pantheon, meant to intimidate, but at the time I thought it was only another obstacle. I lunged from the shelf and broke through each apparition but in my haste I forgot about the priest's ability to dodge. When I landed on the ground he flew toward me with an axe of lightning.//\n\n> \n\n> //Getting near me lost him his sole advantage. I grabbed onto his body and broke him against the shelf with the strength to fracture several of its columns. The section of the shelf crumbled slowly enough that I could escape the rain of artifacts it produced. It all combusted in an aetheric blast that eviscerated the demon masses and tore a hole into an adjacent chamber.//\n\n>\u00a0\u00a0\n\n> //Figured we had to leave when streams of thaumic projectiles came from behind.//\n\n\n\n**02:22-** Team Baker uses explosives to destroy several pieces of equipment in the mechanical room. The group enters an elevator that brings them to a room on the main level containing statues of Norse deities and occult iconography. The area is presumed to have been used for Thule Society rituals. They break the elevator and momentarily rest.\n\n\n\n> __//Written Testimony://__\u00a0\u00a0Operative Kjell Anthonsen (Team Baker)\n\n> \n\n> //If Niklas had lived to see the chamber he would've had a heart attack. I never knew Norse legends as well as he did, but my time with him around the Universalist Order of the \u00c6sir made me see how wrong it was. Thor never wielded a sword, let alone Tyrfing, runic prayers don't belong on the statues of military commanders, renditions of Yggdrasil shouldn't be surrounded by animals guts. A few glances at my occultists friends and I could tell they felt the same. If we didn't have our mission we would've torn the place to the ground -- though we did give the F\u00fchrer and Quisling's[[footnote]]Vidkun Quisling, head of the German-occupied Norwegian government.[[/footnote]] effigies royal send offs down the elevator shaft.//\n\n\n\n**02:23-** The convoy controlled by Team Charlie arrives at the main entrance of Facility 12. Guards order them to turn it back due to the AOI incursion. Both halves of Team Charlie assault the main entrance, suffering one death and four casualties, then enter Facility 12.\n\n\n\n**02:26-** Teams Able and Baker enter a spacious weapons testing chamber. An automaton wielding 008-BETA enters alongside Obskuracorps soldiers. Five AOI members are killed in the ensuing battle.\n\n\n\n> __//Written Testimony://__ Captain Mathew Dell (Team Baker)\n\n> \n\n> //In complete honesty I nearly shit myself when the automaton unsheathed the sword. We knew they had been testing the sword. We didn't know they found a way to actually use the damn thing. Its black armor and silver runic decorations didn't help to cool my nerves.//\n\n> \n\n> //Without hesitating it went straight for Gunvald. He pulled his hands-shooting-fire trick but the automaton just held the sword out and let the flames sweep around them. Only a single scratch landed on Gunvald's arm before it split in half. I watched him try to run to me for any sort of help but the sword's next swing just reached him (I don't know how to describe it -- it should've missed but it still hit and it made sense) and he split apart. Oz went the same way. And Darion. And Jules.//\n\n> \n\n> //When it came for me next I tried thinking about throwing the automaton to the ground, but I suddenly pictured the sword and those thoughts started hurting. Right when it swung at me I panicked and thought about throwing a crate between us. I thought I was dead but the crate split clean in half while I didn't. I kept that up for a good minute with any junk I could find and it kept working. Problem was it was becoming such a burden on my mind I could've passed out any second. Couldn't think enough about attacking as well, so I figured I was screwed.//\n\n> \n\n> //Only got out when the automaton was distracted by some of Josef's spirits.//\n\n> \n\n> [...]\n\n> \n\n> //Then Hal started singing an old [http://www.scp-wiki.net/church-of-the-broken-god-hub Mekhanite] hymn. Didn't hold any weapon at all. I thought he'd gone mad until the automaton fumbled its swing and paused. I swear some gears in its chassis turned to mimic the hymn in response.//\n\n> \n\n> //Obskura never built that automaton. Definitely nobody Germanic for that matter. I thought the armor meant they had but Hal figured they added it on after (or he was at a loss for what to do). Ahnenerbe, Thule, whoever found it must've been so over their head with \"Aryan\" superiority that they were sure the machine was either their own heritage or could bend to their every will. Never imagined it wouldn't.//\n\n> \n\n> //Needless to say it is satisfying to imagine what their faces looked like when the automaton sliced itself.//\n\n\n\n**02:30-** Special Operative Josef obtains 008-BETA and destroys the automaton. Team Charlie spots several Thule Society priests and Obskuracorps researchers in a basement area, who open a Way and flee into the dimension it leads to. No operatives could enter before the Way spontaneously detonated.\n\n\n\nA majority of the remaining soldiers at Facility 12 surrendered. Documents detailing research were found, though most had been intentionally destroyed by soldiers prior to the facility's full capture. Interrogation of captured soldiers is in progress. Exploration of the destroyed sublevel to the Vemork Hydroelectric Plant yielded no information on the nature of the \"dwarven occult generator\" that had been in use.\n\n\n\nAll members of Team Dog have been posthumously awarded the AOI Valiance Medal.\n\n\n\n[[div style=\"border-bottom:2px solid #777; margin-bottom:1px;\"]]\n\n[[/div]]\n\n[[div style=\"border-bottom:1px solid #777;\"]]\n\n[[/div]]\n\n##102141|[[size large]]**IMPORTANT SECURITY NOTICE:**[[/size]]##\n\n\n\nUndercover operatives embedded in the Ahnenerbe have reported that 008-ALPHA has been discovered by the Obskuracorps. An archaeology team found an underground tomb at the ruins of a Goth settlement, likely within German-occupied Polish territory, which contained a decayed corpse and a damaged sword. Descriptions of the sword are similar to the appearance of 008-BETA. It is unknown if a thaumaturgic hex is present on the artifact.\n\n\n\nIt is now suspected that 008-ALPHA will be used as a substitute for 008-BETA in performing HSR-001-Advent-Nox. If reports of the Thule Society creating forgeries of the Keys and important religious artifacts are true, then it is likely that preparations for the Rite are nearing completion. An operation to halt the performance is being planned.\n\n\n\n[[footnoteblock]]\n\n\n\n------\n\n\n\n[[div style=\"border: solid 5px #999999; background:#a0bdbf; padding: 0px; margin: auto; width: 640px; margin-bottom: 10px;\"]]\n\n= **<< [[[obskuracorps-memos| Obskuracorps Memos...]]] || [[[Black Sunrise]]] || [[[a-man-of-clay-and-men-formerly-men| A Man of Clay and Men Formerly Men]]] >>**\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** tyrfing.jpg\n\n> **Name:** King Svafrlame Secures the Sword Tyrfing.jpg\n\n> **Author:** Lorenz Fr\u00f8lich\n\n> **License:** Public Domain\n\n> **Source Link:** [[[https://commons.wikimedia.org/wiki/File:King_Svafrlame_Secures_the_Sword_Tyrfing.jpg|Wikimedia]]]\n\n\n\n> **Filename:** nyrsigtuna_sacred_v3.jpg\n\n> **Name:** (if different from filename)\n\n> **Author(s):** [[*user NatVoltaic]], Otter\n\n> **License:** CC BY-SA 3.0\n\n> **Derivative of:** [[[https://commons.wikimedia.org/wiki/File:Jarlshof_20080821_-_wheelhouse.jpg|Wikimedia]]]\n\n\n\n> **Filename:** Vemork_Hydroelectric_Plant_1935.jpg\n\n> **Author:** Anders Beer Wilse\n\n> **License:** Public Domain\n\n> **Source Link:** [[[https://commons.wikimedia.org/wiki/File:Vemork_Hydroelectric_Plant_1935.jpg|Wikimedia]]]\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["7th-occult-war", "_cc", "_global-occult-coalition", "_licensebox", "action", "broken-god", "doomsday2018", "fantasy", "global-occult-coalition", "goi-format", "golem-of-prague", "military-fiction", "mythological", "obskura", "period-piece", "third-law"], "title": "Archival Document \u2014 HSA-008-Advent - SCP Foundation", "url": "https://scp-wiki.wikidot.com/archival-document-hsa-008-advent"}, "arson-activism-and-mustaches": {"created_at": "2019-03-12T05:00:00", "creator": "OthellotheCat", "domain": "scp-wiki.wikidot.com", "history": [{"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "", "date": "2019-03-12T05:00:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: _pulp-fiction, goi-format, jam-con2019, marshall-carter-and-dark, nobody. ", "date": "2019-03-12T05:01:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "", "date": "2019-03-12T05:05:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "", "date": "2019-03-12T05:15:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "Added tags: _nobody. ", "date": "2019-03-12T06:31:00"}, {"author": "OthellotheCat", "author_href": "https://www.wikidot.com/user:info/othellothecat", "comment": "", "date": "2019-03-13T22:04:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "Added tags: _licensebox. ", "date": "2022-08-27T16:36:00"}, {"author": "NebulousStar", "author_href": "https://www.wikidot.com/user:info/nebulousstar", "comment": "", "date": "2022-08-27T16:36:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: spy-fiction. ", "date": "2024-10-03T21:29:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: breakout. ", "date": "2024-10-11T20:00:00"}], "hubs": ["144-hour-jam-contest", "goi-formats"], "images": [], "link": "arson-activism-and-mustaches", "page_id": "638229631", "rating": 66, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"page\">\n<p><span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">April 11th, 1993, 3:50 AM</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">Getting a beeper alert at 1 in the morning was definitely a bit inconvenient, but considering that it said a whole MCD facility went up in flames I'm glad that I actually woke up for it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nNow that I've actually seen it, whoo-wee was it a wreck. Apparently it was their cloning facility, which makes me think it might be on purpose, not an accident. I have a few ideas for who could have done it:<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n1. Former employee, wanted revenge<br/>\n<span style=\"text-decoration: line-through;\">2. Customer who got swindled</span> <span style=\"font-size:smaller;\">probably unlikely, wouldn't be able to get inside without getting noticed</span><br/>\n3. Activist that infiltrated the facility<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nIf I can find whoever did it, they could definitely be a good ally for the future. Anyone who wants to take down MCD and actually figured out how to hit them is someone worth being friends with.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nFigured that whoever this activist is, (maybe activists, could be a team) they probably would go after some customers. Liberation in the name of the revolution and such. Shame that I couldn't get my hands on any sales records, that would make my guesswork a lot easier.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nJust checked the Moore Estate, considering they were a repeat customer. No signs of anyone breaking in, left a bug to keep watch on the place just in case. If it's hit while I'm gone, I'll know.<br/></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">Houses to Check:</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">* <span style=\"text-decoration: line-through;\">Moore Estate</span></span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">* Coffey Estate</span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">* Waterbury Estate</span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">* Thoroughwood Estate</span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">* Gunderson Estate</span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">* Zommernacht (I think that's how it's spelled) Estate</span></p>\n</div>\n<div class=\"page\">\n<p><span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">April 11th, 1993, 9:38 AM</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">And here I was thinking that I wouldn't be finding anything today. Driving up to the Thoroughwood Estate, to my luck I happened to arrive right in the middle of a failed car chase. A car stuffed full of clones had hit a tree just off the property, and there were several guards running after it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nTwo not-clones were in the back, both completely knocked out. One looked a bit more rough than the other. Had a pretty cool mustache, too. Made him look a bit like Mark Twain (Twaine?) especially with that haircut. <span style=\"font-size:smaller;\">God I wish I could grow a mustache</span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nFired back on the guards and tried to unload all of the passengers. I figured that one of the two people in the back seat was the arsonist, so leaving the clones behind would probably not earn me any brownie points. It was a tight squeeze, but we all fit, even that Siamese one.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nClones insisted on dropping the guy without the mustache off at a hospital. When I asked about the other guy, they said not to worry about him. Thinking that Mr. Mustache is my guy.<br/></span></p>\n</div>\n<div class=\"page\">\n<p><span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">April 13th, 1993, 3:03 PM</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">Mustache is still out cold. Good thing for him that he's trying to liberate clone nurses, because they were able to bandage up his arms. Turns out they got pretty badly hurt trying to fight off a guard dog.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nClones aren't really ones for quality conversation, but I at least got a few words out of them. Turns out Mustache is named Gene, and he was trying to bust them out. Disappointed that his name wasn't something cooler, but at least that gave me a pretty solid conviction that he was the activist.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nThe other guy was Mr. Thoroughwood himself, who was shot by a 226-BPD, whatever that is. Something that seems to put people in comas, I guess? (might be good to get one myself)<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nLooked through Mustache's briefcase in the mean time. Clones didn't stop me so I figured it was okay. Blueprints, memos, sales records, just about everything that a person would need to have in order to find clones. If this guy isn't my guy, then I don't know what to think.<br/></span></p>\n</div>\n<div class=\"page\">\n<p><span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">April 15th, 1993, 2:55 PM</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">Mustache woke up today and I confronted him about that briefcase. He spilled before I could even tell him that I was a friend. Turns out he was the activist AND a former employee. Friends with the guy who made the cloning machine and couldn't bear to see what people were doing with them.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nTwitchy guy, but he's at least got enough smarts to commit arson against MCD and not get caught by them afterwards. He smells awful, though. Had to get him a breath mint before he clouded up my flat with vomit breath.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nMustache told me about what his plans are next. He's apparently trying to find a place to put the clones so they can be safe. Didn't think to have a proper safe house before robbing that estate, I guess. Honestly, not what I expected when I thought about the kind of person who could stick it to MCD<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nMight be good to keep him around here for a bit. Maybe MCD will mark the whole thing as an industrial accident.<br/></span></p>\n</div>\n<div class=\"page\">\n<p><span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">April 16th, 1993, 12:48 PM</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">Alright, turns out MCD actually had a pretty solid lead on what happened with that fire. Mustache left behind a note saying he did it to <span style=\"text-decoration: line-through;\">Rupert</span> RUPRECHT Carter himself. (god that's such a pretentious name)<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nNot a condusive (conducive?) way to get away with arson if you say that you did it. Confronted him about it and he said that he wanted to make a statement. At the very least he's in the mindset of an activist, even if his actions don't always reflect it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nHe's got potential, but I'm not sure what to do about him. Don't want to get myself compromised while people are searching for him, but I don't want to belittle him and stop the revolution. I'll sleep on it. For now, I'm a bit hungry. All this talk about MCD has made me want a different kind of Mickey D's.<br/></span></p>\n</div>\n<div class=\"page\">\n<p><span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"><br/>\n<span style=\"font-size:125%;\"><strong><span style=\"text-decoration: underline;\">April 30th, 1993, 5:22 PM</span></strong></span></span><br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\n<span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\">Finally got things arranged for Gene and the clones to fly to the states. Have a contact over there that can set them up with a proper base of operations.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nGene gave me a bit more perspective on his motives. Turns out those clones weren't just used for keeping old people alive, they were basically sex slaves for rich people. MCD knew that too, and they kept making those clones anyway.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nI offered a few ideas on how to stop MCD beyond just trying to rob houses, considering how well the first one went. He worked for MCD, so he knows business. I pitched the idea of him trying to make a rival company of his own, push out business. He seemed to like that.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nPromised I'd invest in them if they actually go through with it. We shook on it.<br/>\n<span style=\"white-space: pre-wrap;\"> </span><br/>\nThey're all heading over to take a private flight in a few hours. In the meantime, I'm going to try to grow some facial hair.<br/></span></p>\n</div>\n<div class=\"earthworm earthworm--old-syntax-first-false earthworm--old-syntax-last-false earthworm--old-syntax-hub-yes {$class}\">\n<div class=\"first earthworm__previous\" data-title=\"A Bit More of a Plan\">\n\n<p><a href=\"http://www.scp-wiki.net/a-bit-more-of-a-plan\">A Bit More of a Plan</a></p>\n</div>\n<div class=\"hub earthworm__hub\" data-title=\"Inevitability Industries\">\n<p><a href=\"http://www.scp-wiki.net\">Inevitability Industries</a></p>\n</div>\n<div class=\"last earthworm__next\" data-title=\"An Actual Plan\">\n\n<p><a href=\"http://www.scp-wiki.net/an-actual-plan\">An Actual Plan</a></p>\n</div>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/arson-activism-and-mustaches\">Nobody's Observations on Arson, Activism, and Mustaches</a>\" by OthellotheCat, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/arson-activism-and-mustaches\">https://scpwiki.com/arson-activism-and-mustaches</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[module CSS]]\n\n@import url('https://fonts.googleapis.com/css?family=Reenie+Beanie');\n\n[[/module]]\n\n\n\n[[module CSS]]\n\n#header {background-image: url(http://smlt.wdfiles.com/local--files/plaguebearer%3Anobody/%3F);}\n\n#header h1 a {\n\n\u00a0\u00a0\u00a0\u00a0display: block;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n\u00a0\u00a0\u00a0\u00a0padding: 80px 0 25px;\n\n\u00a0\u00a0\u00a0\u00a0line-height: 0px;\n\n\u00a0\u00a0\u00a0\u00a0max-height: 0px;\n\n\u00a0\u00a0\u00a0\u00a0color: transparent;\n\n\u00a0\u00a0\u00a0\u00a0background: transparent;\n\n\u00a0\u00a0\u00a0\u00a0font-family: BauhausLTDemi. 'Nanum Gothic'. Arial. sans-serif;\n\n\u00a0\u00a0\u00a0\u00a0text-decoration: none;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: none;\n\n\u00a0\u00a0\u00a0\u00a0letter-spacing: 0.9px;\n\n}\n\n\u00a0\n\n#header h1 a::before {\n\n\u00a0\u00a0\u00a0\u00a0content: \"Nobody\";\n\n\u00a0\u00a0\u00a0\u00a0color: #fff;\n\n\u00a0\u00a0\u00a0\u00a0letter-spacing: -0.02em;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 3px 3px 5px #000;\n\n}\n\n\u00a0\n\n#header h2 span {\n\n\u00a0\u00a0\u00a0\u00a0display: block;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n\u00a0\u00a0\u00a0\u00a0padding: 19px 0;\n\n\u00a0\u00a0\u00a0\u00a0line-height: 0px;\n\n\u00a0\u00a0\u00a0\u00a0max-height: 0px;\n\n\u00a0\u00a0\u00a0\u00a0font-weight: bold;\n\n\u00a0\u00a0\u00a0\u00a0color: transparent;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: none;\n\n}\n\n\u00a0\n\n#header h2 span::before {\n\n\u00a0\u00a0\u00a0\u00a0content: '...';\n\n\u00a0\u00a0\u00a0\u00a0color: #fff;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 1px 1px 1px #000;\n\n\u00a0\u00a0\u00a0\u00a0text-shadow: 1px 1px 1px rgba(0,0,0,.8);\n\n}\n\n\n\nsup {\n\n\u00a0\u00a0vertical-align: top;\n\n\u00a0\u00a0position: relative;\n\n\u00a0\u00a0top: -0.5em;\n\n}\n\n\n\n.scp-image-block.block-right { margin: 1em 2em 1em 1em; }\n\n\n\n[[/module]]\n\n\n\n[[module css]]\n\n.page {\n\n\u00a0\u00a0\u00a0\u00a0display: block;\n\n\u00a0\u00a0\u00a0\u00a0overflow: hidden;\n\n\u00a0\u00a0\u00a0\u00a0font-family: \"Monotype Corsiva\", \"Bradley Hand ITC\", sans-serif;\n\n\u00a0\u00a0\u00a0\u00a0font-style: normal;\n\n\n\n\u00a0\u00a0\u00a0\n\n\u00a0\u00a0\u00a0\u00a0background-attachment: scroll;\n\n\u00a0\u00a0\u00a0\u00a0background-clip: border-box;\n\n\u00a0\u00a0\u00a0\u00a0background-color: transparent;\n\n\u00a0\u00a0\u00a0\u00a0background-image: linear-gradient(to top ,rgb(202, 219, 228) 0%, rgb(231, 233, 220) 8%);\n\n\u00a0\u00a0\u00a0\u00a0background-origin: padding-box;\n\n\u00a0\u00a0\u00a0\u00a0background-position: 0px 8px;\n\n\u00a0\u00a0\u00a0\u00a0background-repeat: repeat;\n\n\u00a0\u00a0\u00a0\u00a0background-size: 100% 20px;\n\n\u00a0\u00a0\u00a0\u00a0\n\n\n\n\u00a0\u00a0\u00a0\u00a0border: 1px solid #CCC;\n\n\u00a0\u00a0\u00a0\u00a0border-radius: 10px;\n\n\u00a0\u00a0\u00a0\u00a0padding: 10px 10px;\n\n\u00a0\u00a0\u00a0\u00a0margin-bottom: 10px;\n\n\n\n\u00a0\u00a0\u00a0\u00a0box-shadow: 0px 1px 3px rgba(0, 0, 0, 0.2)\n\n\u00a0\u00a0\u00a0\u00a0}\n\n.page p {\n\n\u00a0\u00a0\u00a0\u00a0line-height: 20px;\n\n\u00a0\u00a0\u00a0\u00a0margin: 0;\n\n}\n\n[[/module]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[div class=\"page\"]]\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__April 11th, 1993, 3:50 AM__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]Getting a beeper alert at 1 in the morning was definitely a bit inconvenient, but considering that it said a whole MCD facility went up in flames I'm glad that I actually woke up for it.\n\n@@ @@\n\nNow that I've actually seen it, whoo-wee was it a wreck. Apparently it was their cloning facility, which makes me think it might be on purpose, not an accident. I have a few ideas for who could have done it:\n\n@@ @@\n\n1. Former employee, wanted revenge\n\n--2. Customer who got swindled-- [[size smaller]]probably unlikely, wouldn't be able to get inside without getting noticed[[/size]]\n\n3. Activist that infiltrated the facility\n\n@@ @@\n\nIf I can find whoever did it, they could definitely be a good ally for the future. Anyone who wants to take down MCD and actually figured out how to hit them is someone worth being friends with.\n\n@@ @@\n\nFigured that whoever this activist is, (maybe activists, could be a team) they probably would go after some customers. Liberation in the name of the revolution and such. Shame that I couldn't get my hands on any sales records, that would make my guesswork a lot easier.\n\n@@ @@\n\nJust checked the Moore Estate, considering they were a repeat customer. No signs of anyone breaking in, left a bug to keep watch on the place just in case. If it's hit while I'm gone, I'll know.\n\n[[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__Houses to Check:__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]* --Moore Estate--[[/span]]\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]* Coffey Estate[[/span]]\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]* Waterbury Estate[[/span]]\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]* Thoroughwood Estate[[/span]]\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]* Gunderson Estate[[/span]]\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]* Zommernacht (I think that's how it's spelled) Estate[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"page\"]]\n\n\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__April 11th, 1993, 9:38 AM__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]And here I was thinking that I wouldn't be finding anything today. Driving up to the Thoroughwood Estate, to my luck I happened to arrive right in the middle of a failed car chase. A car stuffed full of clones had hit a tree just off the property, and there were several guards running after it.\n\n@@ @@\n\nTwo not-clones were in the back, both completely knocked out. One looked a bit more rough than the other. Had a pretty cool mustache, too. Made him look a bit like Mark Twain (Twaine?) especially with that haircut. [[size smaller]]God I wish I could grow a mustache[[/size]]\n\n@@ @@\n\nFired back on the guards and tried to unload all of the passengers. I figured that one of the two people in the back seat was the arsonist, so leaving the clones behind would probably not earn me any brownie points. It was a tight squeeze, but we all fit, even that Siamese one.\n\n@@ @@\n\nClones insisted on dropping the guy without the mustache off at a hospital. When I asked about the other guy, they said not to worry about him. Thinking that Mr. Mustache is my guy.\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"page\"]]\n\n\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__April 13th, 1993, 3:03 PM__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]Mustache is still out cold. Good thing for him that he's trying to liberate clone nurses, because they were able to bandage up his arms. Turns out they got pretty badly hurt trying to fight off a guard dog.\n\n@@ @@\n\nClones aren't really ones for quality conversation, but I at least got a few words out of them. Turns out Mustache is named Gene, and he was trying to bust them out. Disappointed that his name wasn't something cooler, but at least that gave me a pretty solid conviction that he was the activist.\n\n@@ @@\n\nThe other guy was Mr. Thoroughwood himself, who was shot by a 226-BPD, whatever that is. Something that seems to put people in comas, I guess? (might be good to get one myself)\n\n@@ @@\n\nLooked through Mustache's briefcase in the mean time. Clones didn't stop me so I figured it was okay. Blueprints, memos, sales records, just about everything that a person would need to have in order to find clones. If this guy isn't my guy, then I don't know what to think.\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"page\"]]\n\n\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__April 15th, 1993, 2:55 PM__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]Mustache woke up today and I confronted him about that briefcase. He spilled before I could even tell him that I was a friend. Turns out he was the activist AND a former employee. Friends with the guy who made the cloning machine and couldn't bear to see what people were doing with them.\n\n@@ @@\n\nTwitchy guy, but he's at least got enough smarts to commit arson against MCD and not get caught by them afterwards. He smells awful, though. Had to get him a breath mint before he clouded up my flat with vomit breath.\n\n@@ @@\n\nMustache told me about what his plans are next. He's apparently trying to find a place to put the clones so they can be safe. Didn't think to have a proper safe house before robbing that estate, I guess. Honestly, not what I expected when I thought about the kind of person who could stick it to MCD\n\n@@ @@\n\nMight be good to keep him around here for a bit. Maybe MCD will mark the whole thing as an industrial accident.\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"page\"]]\n\n\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__April 16th, 1993, 12:48 PM__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]Alright, turns out MCD actually had a pretty solid lead on what happened with that fire. Mustache left behind a note saying he did it to --Rupert-- RUPRECHT Carter himself. (god that's such a pretentious name)\n\n@@ @@\n\nNot a condusive (conducive?) way to get away with arson if you say that you did it. Confronted him about it and he said that he wanted to make a statement. At the very least he's in the mindset of an activist, even if his actions don't always reflect it.\n\n@@ @@\n\nHe's got potential, but I'm not sure what to do about him. Don't want to get myself compromised while people are searching for him, but I don't want to belittle him and stop the revolution. I'll sleep on it. For now, I'm a bit hungry. All this talk about MCD has made me want a different kind of Mickey D's.\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[div class=\"page\"]]\n\n\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]\n\n[[size 125%]]**__April 30th, 1993, 5:22 PM__** [[/size]][[/span]]\n\n@@ @@\n\n[[span style=\"font-family: 'Reenie Beanie' ;font-size: 22px;\"]]Finally got things arranged for Gene and the clones to fly to the states. Have a contact over there that can set them up with a proper base of operations.\n\n@@ @@\n\nGene gave me a bit more perspective on his motives. Turns out those clones weren't just used for keeping old people alive, they were basically sex slaves for rich people. MCD knew that too, and they kept making those clones anyway.\n\n@@ @@\n\nI offered a few ideas on how to stop MCD beyond just trying to rob houses, considering how well the first one went. He worked for MCD, so he knows business. I pitched the idea of him trying to make a rival company of his own, push out business. He seemed to like that.\n\n@@ @@\n\nPromised I'd invest in them if they actually go through with it. We shook on it.\n\n@@ @@\n\nThey're all heading over to take a private flight in a few hours. In the meantime, I'm going to try to grow some facial hair.\n\n[[/span]]\n\n\n\n[[/div]]\n\n\n\n[[include <a href=\"/component:earthworm\">component:earthworm</a>\n\n\u00a0\u00a0first=false | last=false | hub=yes |\n\n\u00a0\u00a0previous-url=http://www.scp-wiki.net/a-bit-more-of-a-plan | previous-title=A Bit More of a Plan |\n\n\u00a0\u00a0next-url=http://www.scp-wiki.net/an-actual-plan | next-title=An Actual Plan |\n\n\u00a0\u00a0hub-url=http://www.scp-wiki.net | hub-title=Inevitability Industries |\n\n]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[!-- N/A (No Images)\u00a0\u00a0--]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_nobody", "_pulp-fiction", "breakout", "goi-format", "jam-con2019", "marshall-carter-and-dark", "nobody", "spy-fiction"], "title": "Nobody's Observations on Arson, Activism, and Mustaches - SCP Foundation", "url": "https://scp-wiki.wikidot.com/arson-activism-and-mustaches"}, "artificial-dragons-gate": {"created_at": "2016-07-28T19:53:00", "creator": "SpectralDragon", "domain": "scp-wiki.wikidot.com", "history": [{"author": "SpectralDragon", "author_href": "https://www.wikidot.com/user:info/spectraldragon", "comment": "", "date": "2016-07-28T19:53:00"}, {"author": "Decibelles", "author_href": "https://www.wikidot.com/user:info/decibelles", "comment": "Added tags: goi-format, serpents-hand. 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", "date": "2024-10-04T06:10:00"}], "hubs": ["goi-formats"], "images": [], "link": "artificial-dragons-gate", "page_id": "44793689", "rating": 97, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n\n<p><span style=\"font-size:150%;\"><strong>Artificial Dragon's Gate</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>A Dragon Creation Ritual, Carp Transformation, jump the waterfall already you wet puppy.</strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>A carp can transform into a dragon by successfully climbing up a Dragon's Gate waterfall. However, for people who aren't able to go to one of those waterfalls, or for someone who wants to transform a specific carp into a dragon, this is the way to go.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Illustration</strong></p>\n</div>\n\n<p><em>This is Sharkie,<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> an example of the shape and size of a typical adult female koi.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup></em></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong> This ritual must be performed outdoors or in an open-air environment, and with a body of water and waterfall which are not completely sterile<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup> except for the carp, or it will not work. An adult<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> carp<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> must be used in this ritual, or the best-case scenario is that it will not work<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup>. A sizable waterfall is necessary, but don't worry, it doesn't have to be nearly as big as the one at Henan. Simply create or find a waterfall large enough to be a challenge<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup> to the carp, and it will work.</p>\n<p><strong>Nature:</strong> This ritual is basically an emulation ritual for harnessing the natural transformative magic of the wild Dragon's Gate ritual and placing it in a smaller, more accessible scale. The reason it works is by convincing reality that this is an acceptable substitute for the real deal. It's certainly not the only way to turn a fish into a dragon, but it's the least risky<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> way to do it as long as you follow all the rules.</p>\n<p><strong>History &amp; Associated Parties:</strong> This ritual has been practically unchanged since it was discovered in China, at least according to whoever wrote the English language translation I use. Now if only they weren't allergic to providing names and dates\u2026</p>\n<p>Generally, it was used more politically than anything else. Create a dragon for a certain ruler's reign as a sign of heavenly approval or just a general good omen, and hope said ruler doesn't screw up enough to be eaten by said dragon. That being said, it's always been important to remember that these are made from carp, which can and will eat anything that fits in their mouth. Poking at a new dragon was and still is a good way to become the first meal of ascension.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup> Most of the time, rituals were performed away from anyone important who could get eaten.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup></p>\n<p><strong>Approach:</strong> As stated before, you're going to need a body of water, a waterfall, a suitable adult carp, and a lot of patience. Place two imbued carp effigies<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup> at the base of the waterfall, and two imbued dragons at the top of the waterfall. This tells reality that this is a Dragon's Gate waterfall, despite being smaller than most of the natural ones. These will also have patterns carved in to redirect the backlash from the working into something manageable. Once you've made all of the preparations, the only thing you can do is wait for the carp to jump the falls on its own time. You can use prior training to try and convince it to jump, but otherwise interfering with the ritual is a bad idea.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup></p>\n<p><strong>Other Detail:</strong> A general feature of the \"permitted\" carp to go through this ritual is that they are all very heavy-bodied, and very hungry. Goldfish and koi work best for this ritual because you can train them to jump the waterfall in return for a reward, while other carp may simply ignore the waterfall in favor of eating whatever they can find in the main body of water.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p>The Threshold of the Dragon's Gate</p>\n<p>\"Beneath the serene quiet of the water lilies<br/>\na young carp senses a calling \u2026 swelling up in her heart<br/>\nlike the swirling waters at the base of a great waterfall,<br/>\nSomehow summoned to go beyond the barrier<br/>\nof crashing water and veiled mist<br/>\nThe churning waters of the waterfall\u2019s bottom<br/>\nmatches that of the young carp\u2019s desires</p>\n<p>Finally with a burst of enthusiasm the carp has launched herself<br/>\nup the wall of rushing water<br/>\ncresting the first falls with a surge of effort<br/>\nonly to be met with relentless rushing water.<br/>\nPersevering from one cataract to the next<br/>\nthe carp makes it to the summit\u2019s last falls.<br/>\nRegrouping her energies in a pocket of scouring effervescence<br/>\nevery essence of strength, courage, and spirit is consumed<br/>\nin the launching over the fall\u2019s summit.</p>\n<p>And the dragon\u2019s gate accepts her efforts a transforming gate of fire<br/>\nRevealing the birth of a new Dragon<br/>\nborn of the seed of desire planted in the heart of a small carp<br/>\nthat once hid in the shallows.\"<br/>\n- Howard Schroeder, Threshold of the Dragon's Gate</p>\n<p>\"Redfin Carp pledged a solemn vow. \"I shall swim beyond the Dragon Gates. I shall brave the perilous bolts of fire and lightning. I shall transcend the estate of ordinary fish and achieve a place among the order of sacred dragons. I shall rid myself forever of the terrible suffering to which my race is heir, expunge every trace of our shame and humiliation.\"</p>\n<p>Waiting until the third day of the third month, when the peach blossoms are in flower and the river is full, he made his way to the entrance of the Y\u00fc Barrier. Then, with a flick of his tail, Redfin Carp swam forth.</p>\n<p>You men have never laid eyes on the awesome torrent of water that rolls through the Dragon Gates. It falls all the way from the summits of the far-off Kunlun Range with tremendous force. There are wild, thousand foot waves that rush down through gorges towering to dizzying heights on either side, carrying away whole hillsides as they go. Angry bolts of thunder beat down with a deafening roar. Moaning whirlwinds whip up poisonous mists and funnels of noisome vapor spitting flashing forks of lightening. The mountain spirits are stunned into senselessness; the river spirits turn limp with fright. Just a drop of this water will shatter the carapace of the giant tortoise, it will break the bones of the giant whale.</p>\n<p>It was into this maelstrom that Redfin Cary, his splendid golden-red scales girded to the full, his steely teeth thrumming like drums, made a direct all-out assault. Ah! Golden Carp! Golden Carp! You might have led an ordinary life out in the boundless ocean. It teems with lesser fish. You would not have gone hungry. Then why? What made you embark on this wild and bitter struggle: What was waiting for you up beyond the Barrier?</p>\n<p>Suddenly, after being seared by cliff-shattering bolts of lightning, after being battered by heaven scorching blast of thunder-fire, his scaly armor burnt from head to tail, his fins singed through, Redfin Carp perished into the Great Death and rose again as a divine dragon\u2500 a supreme lord of the waters. Now, with the thunder god at his head and a fire god at his rear, flanked right and left with the gods of rain and wind, he moves abroad with the clouds in one hand and mists in the other, bringing new life to the tender young shoots withering in the long parched desert lands, keeping the true Dharma safe amid the defilements of the degenerate world.</p>\n<p>Had he been content to pass his life like a lame turtle or blind tortoise, feeding on winkles and tiny shrimps, not even all the effort Vasuki, Manasvi, and the other Dragon Kings might muster on his behalf could have done him any good. He could never have achieved the great success that he did.\"<br/>\n- <a href=\"http://en.wikipedia.org/wiki/Hakuin_Ekaku\">Hakuin Ekaku</a> (1686-1769), Japanese Zen Master and artist, \"The Essential Teachings of Zen Master Hakuin,\" translated by Norman Waddell, 1994, p. 64</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>As the editor for this, and a witness to more than a few of these rituals, I can't really agree with the idea that they're stupider than wild dragons. I'd swear that they know more than they let on. -Speaker<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-18\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-18')\">18</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-19\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-19')\">19</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-20\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-20')\">20</a></sup><sup>,</sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-21\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-21')\">21</a></sup></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Or for someone with a great deal of patience, apparently. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Sharkie is a Doitsu koi. Fortunately, when bred with a properly-scaled male, the offspring are always scaled koi. Performing this ritual with a Doitsu koi is what I like to call a bad idea. Dragons generally need their scales, after all!</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. This koi is over two feet long, almost sixteen pounds, and will attempt to eat your fingers. Caution is advised. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. Yes, this means that it needs plants and other critters in there. Yes, this means that the carp is probably going to get distracted by eating instead of jumping the waterfall. Yes, this is frustrating as everything.</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. Adult in this case means of breeding age and exceeding a foot, although the fish in question can be sterile. \"Cheating\" the measurements by using a long-finned carp occasionally works, but it's best not to risk it.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Ctenopharyngodon, Cyprinus, Hypophthalmichthys, Mylopharyngodon, Carassius, and Cirrhinus carp are all viable options. Make sure you know what carp you are using before beginning the ritual.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. I still haven't found <a href=\"http://wanderers-library.wikidot.com/the-hybrid\">the tench/koi hybrid</a>, and quite frankly I don't know how it survived.</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. Some fish are better jumpers than others, and your ritual must take the jumping ability of that particular fish into account!</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. By least risky, Laurie means that the ritual will not explode in one's face and that the carp will remain completely unharmed. That being said, the foci can and will be destroyed if something goes wrong, and shrapnel is a concern. Wear goggles, or have a heavy meal after an accident. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. In my experience, dragons created by this ritual tend not to be as bright as their wild counterparts, so it's a very good idea to stay away from them until they get their bearings, unless the dragon recognizes you from being a carp.</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. Presuming you don't consider the practitioner important, which any sensible person should. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Preferably made of natural materials such as clay or wood. Stone and metal work too, although you have to put more magic into them. Anything really derived, like plastic, is more touch-and-go.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. These don't have to be good effigies, the practitioner simply needs to know what they represent. Obviously, since these are things Laurie's made herself. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. Wow, thanks. Asshole.</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. You can lose a hand if you aren't careful. Or a leg. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. I think you're supposed to use your initials, buddy.</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. I don't have initials, Laurie. Maybe I could add my previous nickname in there, but since I no longer believe in the idea of some \"grand justice,\" Judicator Speaker would look exceptionally stupid. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-18\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-18')\">18</a>. Wait, you called yourself Judicator?</div>\n<div class=\"footnote-footer\" id=\"footnote-19\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-19')\">19</a>. I was young. Everyone makes mistakes when they're young, even shapeshifters. -Speaker</div>\n<div class=\"footnote-footer\" id=\"footnote-20\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-20')\">20</a>. I'm never forgetting this.</div>\n<div class=\"footnote-footer\" id=\"footnote-21\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-21')\">21</a>. Of course you aren't. -Speaker</div>\n</div>\n\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/artificial-dragons-gate\">Artificial Dragons Gate</a>\" by SpectralDragon, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/artificial-dragons-gate\">https://scpwiki.com/artificial-dragons-gate</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> Sharkie.jpg<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/spectraldragon\" onclick=\"WIKIDOT.page.listeners.userInfo(1558329); return false;\"><img alt=\"SpectralDragon\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=1558329&amp;amp;size=small&amp;amp;timestamp=1788006895\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=1558329)\"/></a><a href=\"http://www.wikidot.com/user:info/spectraldragon\" onclick=\"WIKIDOT.page.listeners.userInfo(1558329); return false;\">SpectralDragon</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[size 150%]] **Artificial Dragon's Gate** [[/size]]\n\n\n\n[[>]]\n\n**A Dragon Creation Ritual, Carp Transformation, jump the waterfall already you wet puppy.**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nA carp can transform into a dragon by successfully climbing up a Dragon's Gate waterfall. However, for people who aren't able to go to one of those waterfalls, or for someone who wants to transform a specific carp into a dragon, this is the way to go.[[footnote]] Or for someone with a great deal of patience, apparently. -Speaker [[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Illustration**\n\n[[/=]]\n\n\n\n[[=image Sharkie.jpg]]\n\n\n\n//This is Sharkie,[[footnote]] Sharkie is a Doitsu koi. Fortunately, when bred with a properly-scaled male, the offspring are always scaled koi. Performing this ritual with a Doitsu koi is what I like to call a bad idea. Dragons generally need their scales, after all! [[/footnote]] an example of the shape and size of a typical adult female koi.[[footnote]] This koi is over two feet long, almost sixteen pounds, and will attempt to eat your fingers. Caution is advised. -Speaker [[/footnote]]//\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** This ritual must be performed outdoors or in an open-air environment, and with a body of water and waterfall which are not completely sterile[[footnote]] Yes, this means that it needs plants and other critters in there. Yes, this means that the carp is probably going to get distracted by eating instead of jumping the waterfall. Yes, this is frustrating as everything. [[/footnote]] except for the carp, or it will not work. An adult[[footnote]] Adult in this case means of breeding age and exceeding a foot, although the fish in question can be sterile. \"Cheating\" the measurements by using a long-finned carp occasionally works, but it's best not to risk it. [[/footnote]] carp[[footnote]] Ctenopharyngodon, Cyprinus, Hypophthalmichthys, Mylopharyngodon, Carassius, and Cirrhinus carp are all viable options. Make sure you know what carp you are using before beginning the ritual.\u00a0\u00a0[[/footnote]] must be used in this ritual, or the best-case scenario is that it will not work[[footnote]] I still haven't found [http://wanderers-library.wikidot.com/the-hybrid the tench/koi hybrid], and quite frankly I don't know how it survived. [[/footnote]]. A sizable waterfall is necessary, but don't worry, it doesn't have to be nearly as big as the one at Henan. Simply create or find a waterfall large enough to be a challenge[[footnote]] Some fish are better jumpers than others, and your ritual must take the jumping ability of that particular fish into account! [[/footnote]] to the carp, and it will work.\n\n\n\n**Nature:** This ritual is basically an emulation ritual for harnessing the natural transformative magic of the wild Dragon's Gate ritual and placing it in a smaller, more accessible scale. The reason it works is by convincing reality that this is an acceptable substitute for the real deal. It's certainly not the only way to turn a fish into a dragon, but it's the least risky[[footnote]] By least risky, Laurie means that the ritual will not explode in one's face and that the carp will remain completely unharmed. That being said, the foci can and will be destroyed if something goes wrong, and shrapnel is a concern. Wear goggles, or have a heavy meal after an accident. -Speaker [[/footnote]] way to do it as long as you follow all the rules.\n\n\n\n**History & Associated Parties:** This ritual has been practically unchanged since it was discovered in China, at least according to whoever wrote the English language translation I use. Now if only they weren't allergic to providing names and dates...\n\n\n\nGenerally, it was used more politically than anything else. Create a dragon for a certain ruler's reign as a sign of heavenly approval or just a general good omen, and hope said ruler doesn't screw up enough to be eaten by said dragon. That being said, it's always been important to remember that these are made from carp, which can and will eat anything that fits in their mouth. Poking at a new dragon was and still is a good way to become the first meal of ascension.[[footnote]] In my experience, dragons created by this ritual tend not to be as bright as their wild counterparts, so it's a very good idea to stay away from them until they get their bearings, unless the dragon recognizes you from being a carp. [[/footnote]] Most of the time, rituals were performed away from anyone important who could get eaten.[[footnote]] Presuming you don't consider the practitioner important, which any sensible person should. -Speaker [[/footnote]]\n\n\n\n**Approach:** As stated before, you're going to need a body of water, a waterfall, a suitable adult carp, and a lot of patience. Place two imbued carp effigies[[footnote]] Preferably made of natural materials such as clay or wood. Stone and metal work too, although you have to put more magic into them. Anything really derived, like plastic, is more touch-and-go.\u00a0\u00a0[[/footnote]]^^,^^[[footnote]] These don't have to be good effigies, the practitioner simply needs to know what they represent. Obviously, since these are things Laurie's made herself. -Speaker [[/footnote]]^^,^^[[footnote]] Wow, thanks. Asshole. [[/footnote]] at the base of the waterfall, and two imbued dragons at the top of the waterfall. This tells reality that this is a Dragon's Gate waterfall, despite being smaller than most of the natural ones. These will also have patterns carved in to redirect the backlash from the working into something manageable. Once you've made all of the preparations, the only thing you can do is wait for the carp to jump the falls on its own time. You can use prior training to try and convince it to jump, but otherwise interfering with the ritual is a bad idea.[[footnote]] You can lose a hand if you aren't careful. Or a leg. -Speaker [[/footnote]]\n\n\n\n**Other Detail:** A general feature of the \"permitted\" carp to go through this ritual is that they are all very heavy-bodied, and very hungry. Goldfish and koi work best for this ritual because you can train them to jump the waterfall in return for a reward, while other carp may simply ignore the waterfall in favor of eating whatever they can find in the main body of water.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\nThe Threshold of the Dragon's Gate\n\n\n\n\"Beneath the serene quiet of the water lilies \n\na young carp senses a calling ... swelling up in her heart \n\nlike the swirling waters at the base of a great waterfall, \n\nSomehow summoned to go beyond the barrier\n\nof crashing water and veiled mist\n\nThe churning waters of the waterfall\u2019s bottom\n\nmatches that of the young carp\u2019s desires\n\n\n\nFinally with a burst of enthusiasm the carp has launched herself \n\nup the wall of rushing water \n\ncresting the first falls with a surge of effort\n\nonly to be met with relentless rushing water.\n\nPersevering from one cataract to the next\n\nthe carp makes it to the summit\u2019s last falls.\n\nRegrouping her energies in a pocket of scouring effervescence\n\nevery essence of strength, courage, and spirit is consumed\n\nin the launching over the fall\u2019s summit.\n\n\n\nAnd the dragon\u2019s gate accepts her efforts a transforming gate of fire\n\nRevealing the birth of a new Dragon\n\nborn of the seed of desire planted in the heart of a small carp \n\nthat once hid in the shallows.\"\n\n-\u00a0\u00a0Howard Schroeder, Threshold of the Dragon's Gate\n\n\n\n\"Redfin Carp pledged a solemn vow.\u00a0\u00a0\"I shall swim beyond the Dragon Gates.\u00a0\u00a0I shall brave the perilous bolts of fire and lightning.\u00a0\u00a0I shall transcend the estate of ordinary fish and achieve a place among the order of sacred dragons.\u00a0\u00a0I shall rid myself forever of the terrible suffering to which my race is heir, expunge every trace of our shame and humiliation.\"\u00a0\u00a0\u00a0\u00a0\n\n\n\nWaiting until the third day of the third month, when the peach blossoms are in flower and the river is full, he made his way to the entrance of the Y\u00fc Barrier.\u00a0\u00a0Then, with a flick of his tail, Redfin Carp swam forth.\n\n\n\nYou men have never laid eyes on the awesome torrent of water that rolls through the Dragon Gates.\u00a0\u00a0It falls all the way from the summits of the far-off Kunlun Range with tremendous force.\u00a0\u00a0There are wild, thousand foot waves that rush down through gorges towering to dizzying heights on either side, carrying away whole hillsides as they go.\u00a0\u00a0Angry bolts of thunder beat down with a deafening roar.\u00a0\u00a0Moaning whirlwinds whip up poisonous mists and funnels of noisome vapor spitting flashing forks of lightening.\u00a0\u00a0The mountain spirits are stunned into senselessness; the river spirits turn limp with fright.\u00a0\u00a0Just a drop of this water will shatter the carapace of the giant tortoise, it will break the bones of the giant whale.\n\n\n\nIt was into this maelstrom that Redfin Cary, his splendid golden-red scales girded to the full, his steely teeth thrumming like drums, made a direct all-out assault.\u00a0\u00a0Ah!\u00a0\u00a0Golden Carp!\u00a0\u00a0Golden Carp!\u00a0\u00a0You might have led an ordinary life out in the boundless ocean.\u00a0\u00a0It teems with lesser fish.\u00a0\u00a0You would not have gone hungry.\u00a0\u00a0Then why?\u00a0\u00a0What made you embark on this wild and bitter struggle:\u00a0\u00a0What was waiting for you up beyond the Barrier?\n\n\n\nSuddenly, after being seared by cliff-shattering bolts of lightning, after being battered by heaven scorching blast of thunder-fire, his scaly armor burnt from head to tail, his fins singed through, Redfin Carp perished into the Great Death and rose again as a divine dragon\u2500 a supreme lord of the waters.\u00a0\u00a0Now, with the thunder god at his head and a fire god at his rear, flanked right and left with the gods of rain and wind, he moves abroad with the clouds in one hand and mists in the other, bringing new life to the tender young shoots withering in the long parched desert lands, keeping the true Dharma safe amid the defilements of the degenerate world.\n\n\n\nHad he been content to pass his life like a lame turtle or blind tortoise, feeding on winkles and tiny shrimps, not even all the effort Vasuki, Manasvi, and the other Dragon Kings might muster on his behalf could have done him any good.\u00a0\u00a0He could never have achieved the great success that he did.\"\n\n-\u00a0\u00a0\u00a0[http://en.wikipedia.org/wiki/Hakuin_Ekaku Hakuin Ekaku] (1686-1769), Japanese Zen Master and artist, \"The Essential Teachings of Zen Master Hakuin,\" translated by Norman Waddell, 1994, p. 64 \n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nAs the editor for this, and a witness to more than a few of these rituals, I can't really agree with the idea that they're stupider than wild dragons. I'd swear that they know more than they let on. -Speaker[[footnote]] I think you're supposed to use your initials, buddy. [[/footnote]]^^,^^[[footnote]] I don't have initials, Laurie. Maybe I could add my previous nickname in there, but since I no longer believe in the idea of some \"grand justice,\" Judicator Speaker would look exceptionally stupid. -Speaker [[/footnote]]^^,^^[[footnote]] Wait, you called yourself Judicator? [[/footnote]]^^,^^[[footnote]] I was young. Everyone makes mistakes when they're young, even shapeshifters. -Speaker [[/footnote]]^^,^^[[footnote]] I'm never forgetting this. [[/footnote]]^^,^^[[footnote]] Of course you aren't. -Speaker [[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n=====\n\n> **Filename:** Sharkie.jpg\n\n> **Author:** [[*user SpectralDragon]]\n\n> **License:** CC BY-SA 3.0\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_serpents-hand", "fantasy", "goi-format", "serpents-hand"], "title": "Artificial Dragons Gate - SCP Foundation", "url": "https://scp-wiki.wikidot.com/artificial-dragons-gate"}, "artist-formerly-known-as-chuck": {"created_at": "2018-05-18T04:02:00", "creator": "Monkeysky", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "", "date": "2018-05-18T04:02:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "Uploaded file \"stone.jpg\".", "date": "2018-05-18T04:03:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "Uploaded file \"Champion.jpg\".", "date": "2018-05-18T04:03:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "Uploaded file \"crown.png\".", "date": "2018-05-18T04:04:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "", "date": "2018-05-18T04:05:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "Added tags: doomsday2018. ", "date": "2018-05-18T04:06:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "", "date": "2018-05-18T04:06:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "Added tags: awcy, goi-format. ", "date": "2018-05-19T21:54:00"}, {"author": "Monkeysky", "author_href": "https://www.wikidot.com/user:info/monkeysky", "comment": "Added tags: are-we-cool-yet. Removed tags: awcy. ", "date": "2018-05-19T21:55:00"}, {"author": "stormbreath", "author_href": "https://www.wikidot.com/user:info/stormbreath", "comment": "Added tags: _are-we-cool-yet. ", "date": "2018-05-30T16:09:00"}, {"author": "Akumeoy", "author_href": "https://www.wikidot.com/user:info/akumeoy", "comment": "Parent page set to: \"like-toy-story-except-fucked-up\".", "date": "2018-06-04T06:54:00"}, {"author": "tapnek", "author_href": "https://www.wikidot.com/user:info/tapnek", "comment": "Replacing PNG with JPEG.", "date": "2018-08-19T23:59:00"}, {"author": "tapnek", "author_href": "https://www.wikidot.com/user:info/tapnek", "comment": "Uploaded file \"crown.jpg\".", "date": "2018-08-19T23:59:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _image. ", "date": "2019-02-25T01:41:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2019-03-20T12:07:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "", "date": "2019-05-16T14:04:00"}, {"author": "deleted", "author_href": false, "comment": "File \"crown.jpg\" deleted", "date": "2019-05-18T05:13:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: featured. ", "date": "2020-03-01T06:28:00"}, {"author": "BattleblockB0ss", "author_href": "https://www.wikidot.com/user:info/battleblockb0ss", "comment": "", "date": "2022-02-03T17:32:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: fantasy, illustrated, post-apocalyptic. ", "date": "2024-10-02T08:21:00"}], "hubs": ["are-we-cool-yet-hub", "goi-formats"], "images": ["https://scp-wiki.wdfiles.com/local--files/artist-formerly-known-as-chuck/Champion.jpg", "https://scp-wiki.wdfiles.com/local--files/artist-formerly-known-as-chuck/stone.jpg", "https://scp-wiki.wdfiles.com/local--files/artist-formerly-known-as-chuck/crown.png"], "link": "artist-formerly-known-as-chuck", "page_id": "78754676", "rating": 123, "raw_content": "<html><body><div id=\"page-content\">\n\n<blockquote>\n<p>The following digital documents were intercepted by outzone agents from Artist networks in the former United States territory of Bismarck, North Dakota between the dates of July 8th, 2033 and January 13th, 2036.<br/>\nAll three documents are believed to be written by Charley De Salvo, also known as \"The Artist Formerly Known As Chuck\". De Salvo was previously a known member of Artist collective \"Are We Cool Yet?\" prior to the <a href=\"http://www.scp-wiki.net/misery-makes-company\">MA-event</a>, but had no detectable activity between the event and 2033.</p>\n</blockquote>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-383c784bc42869c19882bf184604d7e7\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>Project Proposal 2034-012: The Champion of the New World</em></a></li>\n<li><a href=\"javascript:;\"><em>Project Proposal 2035-004: Stone Soldiers</em></a></li>\n<li><a href=\"javascript:;\"><em>Project Proposal 2044-029: Emperor's Golden Crown</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n<p><strong>Title:</strong> <em>The Champion of the New World</em></p>\n<p><strong>Material Requirements:</strong></p>\n<ul>\n<li>Six white canvas tarps</li>\n<li>50m flexible stainless steel tubing</li>\n<li>Two glass spheres (30-50cm diameter)</li>\n<li>Nylon cord</li>\n<li>~6 metric tons concrete</li>\n<li>12m stainless steel rods</li>\n<li>Latex paint</li>\n</ul>\n<p><strong>Abstract:</strong> <em>The Champion of the New World</em> is a 10m-tall statue and monument composed of concrete and steel, and ornamented with painted canvas and glass eyes (See enclosed pencil sketch). The base of this statue will be an 8m-tall concrete monolith, with three pieces of steel tubing attached at the upper edge to act as a neck and arms, with concrete hands (using the steel rods as fingers) and head (with set glass eyes) attached at the other ends. The head and upper \"body\" of this statue will be covered with the canvas.</p>\n<p>The canvas coverings of the statue will be painted by a team of anartists with patterns designed to enhance tactical, intellectual and artistic performance, as well as provide a number of other properties (not shown in sketch). These paintings on the canvas will <strong>not</strong> include any depictions of faces. The monolith will be engraved with the names of known Artists killed or detained by the United Front.</p>\n<p><em>The Champion of the New World</em> will be constructed within a properly-enclosed area in front of the capitol building to ensure proper development of its intelligence and personality, and will be revealed and activated at the initiation of the 2034 exhibition. The piece will remain public in the exhibition grounds indefinitely.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Pencil\u00a0Sketch\u00a0of\u00a0Proposed\u00a0Statue\u00a0[ENCLOSED]</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hide\u00a0Sketch</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"Champion.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/artist-formerly-known-as-chuck/Champion.jpg\"/>\n<div class=\"scp-image-caption\">\n<p><em>The Champion of the New World</em></p>\n</div>\n</div>\n</div>\n</div>\n</div>\n<p><strong>Intent:</strong> The past few years have been very challenging, even for non-figurative Artists. If the destruction/corruption of a large portion of our artwork during A-Day wasn't enough, the resulting rise of the United Front has since torn our community to shreds. Today, we are hunted by the UF for our artistic drive and ability. If it seems like I'm stating the obvious, it's only because I hope that this will one day act as a history lesson after everything has changed.</p>\n<p>After the 2024 exhibition was abruptly cancelled, it seems appropriate that the 2034 exhibition should be used to usher in a new age, and <em>The Champion of the New World</em> is intended to do just that. This monument will mark the date in which we make full use of this new artistic climate, instead of being held back by it, and rise to a new level of free artistic expression.</p>\n<p>I'll admit, our previous experiments within the new paradigm have not instilled confidence, especially with the recent collapse of the tattoo commune and the loss of Oregon. However, our current understanding of the methods of enclosure has given us a new tool which I strongly believe will revolutionize artwork. By keeping the work properly enclosed during creation and in the period afterward, the artist can control the development of the work's mind, a process which has previously only been possible for the most skilled anartists.</p>\n<p><em>The Champion of the New World</em> will be more than just a symbol and a proof of concept. All of our collective effort will focus on turning it into a formidable, immortal guardian of the arts. It will protect our community from the United Front and anyone else who would try to harm us, and carry our artistic vision with it into the future, until the date when we can create without restriction.</p>\n</div>\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n<p><strong>Title:</strong> <em>Stone Soldiers</em></p>\n<p><strong>Material Requirements:</strong></p>\n<ul>\n<li>~100 metric tons concrete</li>\n</ul>\n<p><strong>Abstract:</strong> <em>Stone Soldiers</em> will be 250 identical concrete statues in the rough shape of humans (See enclosed pencil sketch).</p>\n<p>These statues will be mass-produced using simple pouring-molds and immediately released to the 2034 exhibition grounds by the Bismarck capitol building.</p>\n<p>All existing statues will be destroyed as soon as possible after the neutralization of <em>The Champion of the New World</em>, and production will be stopped.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Pencil\u00a0Sketch\u00a0of\u00a0Proposed\u00a0Statues\u00a0[ENCLOSED]</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hide\u00a0Sketch</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"scp-image-block block-right\" style=\"width:180px;\"><img alt=\"stone.jpg\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/artist-formerly-known-as-chuck/stone.jpg\"/>\n<div class=\"scp-image-caption\">\n<p><em>Stone Soldiers</em></p>\n</div>\n</div>\n</div>\n</div>\n</div>\n<p><strong>Intent:</strong> I understand that most of you probably wish you'd never hear from me again after the 2034 exhibition, but I will refer to an ancient allegory:</p>\n<p>A rich man's servant was tasked with carrying a bag of gold to the market, and the servant decided to take a shortcut, where he was robbed. The servant returned to the rich man, empty-handed, and after explaining his responsibility in the gold's loss, he began to announce his resignation. The rich man stopped him, and said \"I'd rather you didn't leave. Your training cost me a full bag of gold.\"</p>\n<p>While the fall of Bismarck has been a major setback, we need to view it as an opportunity to learn, and I have learned more than anyone else.</p>\n<p>I have never been a parent before, and I had never learned the lesson that, although you can control your child's upbringing, you can't decide what they become. Hopefully, you will all someday forgive me for making my child over 30 feet tall with telepathic powers.</p>\n<p>I have also learned that, no matter how powerful the statue may be, it cannot create on its own, giving us the advantage. I'm not stupid or crazy enough to suggest that we create another being of equal power, but instead, we can create a large number of smaller statues. Each will only be a few times more powerful than a regular human, but immune to <em>Champion</em>'s abilities. After this new army has taken care of <em>Champion</em>, we can deal with each of them individually, and we'll be able to get on with our lives, and our art, just as we have before.</p>\n</div>\n<div id=\"wiki-tab-0-2\" style=\"display:none\">\n<p><strong>Title:</strong> <em>Emperor's Golden Crown</em></p>\n<p><strong>Material Requirements:</strong></p>\n<ul>\n<li>300kg copper</li>\n<li>50kg nickel</li>\n<li>25kg gold</li>\n</ul>\n<p><strong>Abstract:</strong> <em>Emperor's Golden Crown</em> will be a gold-plated copper crown (with a layer of nickel to prevent corrosion), approximately 1m in diameter and .75m tall. The outer surface of the crown will be decorated with minimalist relief images representing events in and leading up to the Emperor's life (see pencil sketch of crown surface):</p>\n<blockquote>\n<p>A: A-Day<br/>\nB: The rise of the United Front and the restriction of art<br/>\nC: The creation of the Emperor in 2034<br/>\nD: The creation of the Emperor's immortal stone army in 2035<br/>\nE: The Emperor's current eminence<br/>\nF: The Emperor's future as global leader of the New World</p>\n</blockquote>\n<p>The crown will be offered to the Emperor at the opening ceremony of the 2044 exhibition.</p>\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Pencil\u00a0Sketch\u00a0of\u00a0Proposed\u00a0Offering</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">Hide\u00a0Sketch</a></div>\n<div class=\"collapsible-block-content\">\n<div class=\"scp-image-block block-right\" style=\"width:660px;\"><img alt=\"crown.png\" class=\"image\" src=\"https://scp-wiki.wdfiles.com/local--files/artist-formerly-known-as-chuck/crown.png\"/>\n<div class=\"scp-image-caption\">\n<p><em>Emperor's Golden Crown</em></p>\n</div>\n</div>\n</div>\n</div>\n</div>\n<p><strong>Intent:</strong> It is important to remember what our lives were like before the rise of the Emperor and its unstoppable guards, living in fear and uncertainty, without any sort of guidance or support. Today, we are free from the constant threat of the United Front, and with our Eternal Muse, we will never lack inspiration for our artwork. In return, all we have to offer is our respect, loyalty and obedience.</p>\n<p>As the tenth-anniversary exhibition approaches, it is time for us to show our gratitude to the Emperor in any way that we can. With its unending leadership combined with our creative abilities, it is almost time, as it was intended since the fateful A-Day all those years ago, for artwork to dominate the world.</p>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabView383c784bc42869c19882bf184604d7e7 = new YAHOO.widget.TabView('wiki-tabview-383c784bc42869c19882bf184604d7e7');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n> The following digital documents were intercepted by outzone agents from Artist networks in the former United States territory of Bismarck, North Dakota between the dates of July 8th, 2033 and January 13th, 2036. \n\n> All three documents are believed to be written by Charley De Salvo, also known as \"The Artist Formerly Known As Chuck\". De Salvo was previously a known member of Artist collective \"Are We Cool Yet?\" prior to the [http://www.scp-wiki.net/misery-makes-company MA-event], but had no detectable activity between the event and 2033.\n\n\n\n[[tabview]]\n\n[[tab Project Proposal 2034-012: The Champion of the New World]]\n\n**Title:** //The Champion of the New World//\n\n\n\n**Material Requirements:** \n\n* Six white canvas tarps\n\n* 50m flexible stainless steel tubing\n\n* Two glass spheres (30-50cm diameter)\n\n* Nylon cord\n\n* ~6 metric tons concrete\n\n* 12m stainless steel rods\n\n* Latex paint\n\n\n\n**Abstract:** //The Champion of the New World// is a 10m-tall statue and monument composed of concrete and steel, and ornamented with painted canvas and glass eyes (See enclosed pencil sketch). The base of this statue will be an 8m-tall concrete monolith, with three pieces of steel tubing attached at the upper edge to act as a neck and arms, with concrete hands (using the steel rods as fingers) and head (with set glass eyes) attached at the other ends. The head and upper \"body\" of this statue will be covered with the canvas.\n\n\n\nThe canvas coverings of the statue will be painted by a team of anartists with patterns designed to enhance tactical, intellectual and artistic performance, as well as provide a number of other properties (not shown in sketch). These paintings on the canvas will **not** include any depictions of faces. The monolith will be engraved with the names of known Artists killed or detained by the United Front.\n\n\n\n//The Champion of the New World// will be constructed within a properly-enclosed area in front of the capitol building to ensure proper development of its intelligence and personality, and will be revealed and activated at the initiation of the 2034 exhibition. The piece will remain public in the exhibition grounds indefinitely.\n\n\n\n[[collapsible show=\"Pencil Sketch of Proposed Statue [ENCLOSED]\" hide=\"Hide Sketch\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name=Champion.jpg|\n\n\u00a0\u00a0\u00a0\u00a0caption=//The Champion of the New World//\n\n]]\n\n[[/collapsible]]\n\n\n\n**Intent:** The past few years have been very challenging, even for non-figurative Artists. If the destruction/corruption of a large portion of our artwork during A-Day wasn't enough, the resulting rise of the United Front has since torn our community to shreds. Today, we are hunted by the UF for our artistic drive and ability. If it seems like I'm stating the obvious, it's only because I hope that this will one day act as a history lesson after everything has changed.\n\n\n\nAfter the 2024 exhibition was abruptly cancelled, it seems appropriate that the 2034 exhibition should be used to usher in a new age, and //The Champion of the New World// is intended to do just that. This monument will mark the date in which we make full use of this new artistic climate, instead of being held back by it, and rise to a new level of free artistic expression. \n\n\n\nI'll admit, our previous experiments within the new paradigm have not instilled confidence, especially with the recent collapse of the tattoo commune and the loss of Oregon. However, our current understanding of the methods of enclosure has given us a new tool which I strongly believe will revolutionize artwork. By keeping the work properly enclosed during creation and in the period afterward, the artist can control the development of the work's mind, a process which has previously only been possible for the most skilled anartists.\n\n\n\n//The Champion of the New World// will be more than just a symbol and a proof of concept. All of our collective effort will focus on turning it into a formidable, immortal guardian of the arts. It will protect our community from the United Front and anyone else who would try to harm us, and carry our artistic vision with it into the future, until the date when we can create without restriction.\n\n[[/tab]]\n\n[[tab Project Proposal 2035-004: Stone Soldiers]]\n\n**Title:** //Stone Soldiers//\n\n\n\n**Material Requirements:** \n\n* ~100 metric tons concrete\n\n\n\n**Abstract:** //Stone Soldiers// will be 250 identical concrete statues in the rough shape of humans (See enclosed pencil sketch).\n\n\n\nThese statues will be mass-produced using simple pouring-molds and immediately released to the 2034 exhibition grounds by the Bismarck capitol building.\n\n\n\nAll existing statues will be destroyed as soon as possible after the neutralization of //The Champion of the New World//, and production will be stopped.\n\n\n\n[[collapsible show=\"Pencil Sketch of Proposed Statues [ENCLOSED]\" hide=\"Hide Sketch\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name=stone.jpg|\n\n\u00a0\u00a0\u00a0\u00a0caption=//Stone Soldiers//|\n\n\u00a0\u00a0\u00a0\u00a0width=180px\n\n]]\n\n[[/collapsible]]\n\n\n\n**Intent:** I understand that most of you probably wish you'd never hear from me again after the 2034 exhibition, but I will refer to an ancient allegory:\n\n\n\nA rich man's servant was tasked with carrying a bag of gold to the market, and the servant decided to take a shortcut, where he was robbed. The servant returned to the rich man, empty-handed, and after explaining his responsibility in the gold's loss, he began to announce his resignation. The rich man stopped him, and said \"I'd rather you didn't leave. Your training cost me a full bag of gold.\"\n\n\n\nWhile the fall of Bismarck has been a major setback, we need to view it as an opportunity to learn, and I have learned more than anyone else. \n\n\n\nI have never been a parent before, and I had never learned the lesson that, although you can control your child's upbringing, you can't decide what they become. Hopefully, you will all someday forgive me for making my child over 30 feet tall with telepathic powers.\n\n\n\nI have also learned that, no matter how powerful the statue may be, it cannot create on its own, giving us the advantage. I'm not stupid or crazy enough to suggest that we create another being of equal power, but instead, we can create a large number of smaller statues. Each will only be a few times more powerful than a regular human, but immune to //Champion//'s abilities. After this new army has taken care of //Champion//, we can deal with each of them individually, and we'll be able to get on with our lives, and our art, just as we have before.\n\n[[/tab]]\n\n[[tab Project Proposal 2044-029: Emperor's Golden Crown]]\n\n**Title:** //Emperor's Golden Crown//\n\n\n\n**Material Requirements:** \n\n* 300kg copper\n\n* 50kg nickel\n\n* 25kg gold\n\n\n\n**Abstract:** //Emperor's Golden Crown// will be a gold-plated copper crown (with a layer of nickel to prevent corrosion), approximately 1m in diameter and .75m tall. The outer surface of the crown will be decorated with minimalist relief images representing events in and leading up to the Emperor's life (see pencil sketch of crown surface):\n\n\n\n> A: A-Day\n\n> B: The rise of the United Front and the restriction of art\n\n> C: The creation of the Emperor in 2034\n\n> D: The creation of the Emperor's immortal stone army in 2035\n\n> E: The Emperor's current eminence\n\n> F: The Emperor's future as global leader of the New World\n\n\n\nThe crown will be offered to the Emperor at the opening ceremony of the 2044 exhibition.\n\n\n\n[[collapsible show=\"Pencil Sketch of Proposed Offering\" hide=\"Hide Sketch\"]]\n\n[[include <a href=\"/component:image-block\">component:image-block</a>\n\n\u00a0\u00a0\u00a0\u00a0name=crown.png|\n\n\u00a0\u00a0\u00a0\u00a0caption=//Emperor's Golden Crown//|\n\n\u00a0\u00a0\u00a0\u00a0width=660px\n\n]]\n\n[[/collapsible]]\n\n\n\n**Intent:** It is important to remember what our lives were like before the rise of the Emperor and its unstoppable guards, living in fear and uncertainty, without any sort of guidance or support. Today, we are free from the constant threat of the United Front, and with our Eternal Muse, we will never lack inspiration for our artwork. In return, all we have to offer is our respect, loyalty and obedience.\n\n\n\nAs the tenth-anniversary exhibition approaches, it is time for us to show our gratitude to the Emperor in any way that we can. With its unending leadership combined with our creative abilities, it is almost time, as it was intended since the fateful A-Day all those years ago, for artwork to dominate the world.\n\n[[/tab]]\n\n[[/tabview]]\n", "tags": ["_are-we-cool-yet", "_cc", "are-we-cool-yet", "doomsday2018", "fantasy", "featured", "goi-format", "illustrated", "post-apocalyptic"], "title": "The Three Documents of \"The Artist Formerly Known As Chuck\" - SCP Foundation", "url": "https://scp-wiki.wikidot.com/artist-formerly-known-as-chuck"}, "ballad-of-the-fifth-arcadian": {"created_at": "2020-02-01T20:32:00", "creator": "RJB_R", "domain": "scp-wiki.wikidot.com", "history": [{"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Fifth Church Arcadia Crossover", "date": "2020-02-01T20:32:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Uploaded file \"have_you_played_atari_today\".", "date": "2020-02-01T20:33:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "", "date": "2020-02-01T20:34:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "You successfully reverted the page to revision number 2", "date": "2020-02-01T20:35:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "", "date": "2020-02-01T20:35:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Uploaded file \"haveyouplayedataritoday.png\".", "date": "2020-02-01T20:39:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "", "date": "2020-02-01T20:40:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "", "date": "2020-02-01T20:40:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Added tags: fifthist, goi-format. ", "date": "2020-02-01T20:41:00"}, {"author": "Lt Flops", "author_href": "https://www.wikidot.com/user:info/lt-flops", "comment": "Added tags: _image. ", "date": "2020-02-01T21:04:00"}, {"author": "Rounderhouse", "author_href": "https://www.wikidot.com/user:info/rounderhouse", "comment": "Added tags: _fifthist. ", "date": "2020-02-01T22:05:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2020-02-03T02:22:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Added tags: arcadia. ", "date": "2020-02-12T18:10:00"}, {"author": "RJB_R", "author_href": "https://www.wikidot.com/user:info/rjb-r", "comment": "Added tags: atari-arcadia. Removed tags: arcadia. ", "date": "2020-02-12T18:16:00"}, {"author": "Deadly Bread", "author_href": "https://www.wikidot.com/user:info/deadly-bread", "comment": "Added tags: arcadia. Removed tags: atari-arcadia. ", "date": "2020-03-25T23:50:00"}, {"author": "CityToast", "author_href": "https://www.wikidot.com/user:info/citytoast", "comment": "", "date": "2020-10-20T21:09:00"}, {"author": "Calibold", "author_href": "https://www.wikidot.com/user:info/calibold", "comment": "", "date": "2021-04-07T05:34:00"}, {"author": "TSATPWTCOTTTADC", "author_href": "https://www.wikidot.com/user:info/tsatpwtcotttadc", "comment": "Updated a renamed user in licensebox.", "date": "2021-04-08T01:17:00"}, {"author": "YardBirdMe", "author_href": "https://www.wikidot.com/user:info/yardbirdme", "comment": "Added tags: first-person, no-dialogue, religious-fiction. ", "date": "2024-06-11T12:49:00"}, {"author": "YardBirdMe", "author_href": "https://www.wikidot.com/user:info/yardbirdme", "comment": "Removed tags: first-person, no-dialogue, religious-fiction. ", "date": "2024-06-11T12:51:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: illustrated, poetry, surrealist-fiction. ", "date": "2024-10-03T21:37:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: surrealism. Removed tags: surrealist-fiction. ", "date": "2024-10-11T19:32:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Saved page.", "date": "2026-03-27T22:05:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Uploaded file \"nyeYast.webp\".", "date": "2026-03-27T22:05:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox. ", "date": "2026-05-21T23:04:00"}], "hubs": ["goi-formats"], "images": [], "link": "ballad-of-the-fifth-arcadian", "page_id": "986538481", "rating": 67, "raw_content": "<html><body><div id=\"page-content\">\n\n<br/>\n\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/ballad-of-the-fifth-arcadian\">Ballad Of The Fifth Arcadian</a>\" by Anonymous, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/ballad-of-the-fifth-arcadian\">https://scpwiki.com/ballad-of-the-fifth-arcadian</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n\n<blockquote>\n<p><strong>Filename:</strong> have_you_played_atari_today.png<br/>\n<strong>Author:</strong> <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/rex-atlas\" onclick=\"WIKIDOT.page.listeners.userInfo(4057128); return false;\"><img alt=\"Rex Atlas\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=4057128&amp;amp;size=small&amp;amp;timestamp=1788006747\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=4057128)\"/></a><a href=\"http://www.wikidot.com/user:info/rex-atlas\" onclick=\"WIKIDOT.page.listeners.userInfo(4057128); return false;\">Rex Atlas</a></span><br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"http://www.scpwiki.com/ballad-of-the-fifth-arcadian\">http://www.scpwiki.com/ballad-of-the-fifth-arcadian</a></p>\n</blockquote>\n\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n[[=]]\n\n[[image https://scp-wiki.wikidot.com/local--files/ballad-of-the-fifth-arcadian/nyeYast.webp]]\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>\n\n|author=Anonymous]]\n\n=====\n\n> **Filename:** have_you_played_atari_today.png\n\n> **Author:** [[*user Rex Atlas]]\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** http://www.scpwiki.com/ballad-of-the-fifth-arcadian\n\n=====\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_fifthist", "_licensebox", "arcadia", "fifthist", "goi-format", "illustrated", "poetry", "surrealism"], "title": "Ballad Of The Fifth Arcadian - SCP Foundation", "url": "https://scp-wiki.wikidot.com/ballad-of-the-fifth-arcadian"}, "beelzebub": {"created_at": "2025-10-30T20:38:00", "creator": "Baronjoe", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "Parent page set to: \"serpent-s-hand-hub\".", "date": "2025-10-30T20:38:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "", "date": "2025-10-30T20:38:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "Added tags: serpents-hand. Removed tags: serpents-hand.. ", "date": "2025-10-30T20:40:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "Added tags: _serpents-hand, goi-format, serpents-hand.. ", "date": "2025-10-30T20:40:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "", "date": "2025-11-05T17:30:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "", "date": "2025-11-05T17:32:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image, _licensebox. ", "date": "2026-05-17T19:58:00"}, {"author": "Meta trouble", "author_href": "https://www.wikidot.com/user:info/meta-trouble", "comment": "Fixed \u201cmade a deal him\u201d to \u201cmade a deal with him\u201d", "date": "2026-05-24T09:23:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-07-10T17:05:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "adjusted license box link", "date": "2026-07-10T17:05:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "", "date": "2026-07-18T03:02:00"}, {"author": "Baronjoe", "author_href": "https://www.wikidot.com/user:info/baronjoe", "comment": "", "date": "2026-07-18T03:06:00"}], "hubs": ["goi-formats"], "images": [], "link": "beelzebub", "page_id": "1463847155", "rating": 9, "raw_content": "<html><body><div id=\"page-content\">\n<div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\">\n\n<p><span style=\"font-size:150%;\"><strong>Beelzebub</strong></span></p>\n<div style=\"text-align: right;\">\n<p><strong>Beelzebul, Belzebuth, Triel the Fallen Archangel, Lord of the Flies, God of Ekron, The Philistine's God, Archdemon of Gluttony, Great Devourer of Damned Souls, Chief Lieutenant of Lucifer, Great Prince Beelzebub, The Fly, <a href=\"/scp-3063\">SCP-3063</a><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></strong></p>\n</div>\n<div style=\"overflow:auto\">\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Conspectus</strong></p>\n</div>\n<p>Among the high ranking demons of Hell<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup> there is Beelzebub, the Lord of the Flies. His authority is second to <a href=\"https://scp-wiki.wikidot.com/scp-738\">Lucifer</a> himself, and he is just as feared across Creation. Many have foolishly damned their souls to him in exchange for whatever they desired.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Illustration</strong></p>\n</div>\n\n<div style=\"text-align: center;\">\n<p>Beelzebub as depicted in the <em>Dictionnaire Infernal</em> by Jacques Collin de Plancy.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup></p>\n</div>\n\n<div style=\"text-align: center;\">\n<p>Emblem used by the followers of Beelzebub.</p>\n</div>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Knowledge</strong></p>\n</div>\n<p><strong>Traits:</strong> Beelzebub is capable of changing forms, but his true appearance resembles a great insect with vast wings and fiery red eyes. It is a painful sight. Looking into his eyes can blind you. He constantly use avatars that resemble ordinary flies one would encounter; however, on very rare occasions, they can also have different forms. The demon may choose to possess bodies.</p>\n<p><strong>Nature:</strong> Beelzebub is a dangerous being that seeks to tempt mortals into a deal. He uses his avatars to approach potential victims, and offers to grant them their greatest desire. However, the bargain always comes with a terrible price. After 2,376 days from making an agreement the victim will perish by countless flies devouring them, and their soul becomes damned to Hell for further torment. Some have tried to outwit this fate, but they always fall prey to Beelzebub.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup></p>\n<p>Beelzebub is as prolific as Lucifer when it comes to collecting souls. He's also quite persistent at tempting his victims. They will be followed by distant <a href=\"/buzzing\">buzzing</a> and whispers until they finally give in to his offer. Destroying his avatars through conventional means<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup> does nothing for he will simply create another instance to harass potential victims.</p>\n<p>Contrary to popular belief, Beelzebub is not limited to the sin of gluttony. He delights in every sin. Others strongly associate him with gluttony for how many souls he can devour. It can be said that his nature enables excessive temptation in others, which summarizes the nature of gluttony.</p>\n<p>It's possible to contact Beelzebub by using a summoning ritual. Eager conjurers can make their requests known to him sooner without having to wait.</p>\n<p><strong>History &amp; Associated Parties:</strong> Beelzebub was born in Heaven as one of the seraphim.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup> Back then he was only known as Archangel Triel, and served the Almighty alongside his brother Lucifer. Beelzebub joined Lucifer's rebellion, which resulted in him being casted out of Heaven. In the hierarchy of Hell, Beelzebub is ranked as the chief lieutenant to Lucifer and greatly respected.</p>\n<p>Beelzebub had an intimate relationship with the demoness Nahemoth.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup> Their unholy union resulted in the birth of their son Abezethibou.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup> According to the Testament of Solomon, Beelzebub and Abezethibou were once captured and interrogated by King Solomon.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup></p>\n<p>The demonic legions of Beelzebub are known as the Order of the Fly. They are fiercely loyal, and a powerful force to be reckoned with. The denizens of Hell consider membership with the Order to be a great honor. Notable members include Adirael, Akium, Altanor, Amatia, Ambolon, Arcon, Arogor, Arolen, Balfori, Bilico, Bilifares, Bilifor, Borol, Carelena, Corilon, Dimirag, Diralisen, Dorak, Elponen, Ergamen, Gotifan, Gramon, Hacamuli, Holastri, Iamai, Igurim, Ikonok, Kabada, Kemal, Kipokis, Lamalon, Lamarion, Lamolon, Licanen, Lirochi, Magalast, Namiros, Natalis, Nimorup, Nominon, Orgosil, Pellipis, Plison, Raderaf, Samalo, Sorosma, Tachan, Tromes, Ukobach, and Zagalo.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-13\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-13')\">13</a></sup> The souls of mortal followers are sometimes recruited into their ranks. Beelzebub personally leads the Order whenever the armies of the Scarlet King attempts to invade Hell.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-14\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-14')\">14</a></sup></p>\n<p>The Pious Flies who pray to the Gangrenous God<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-15\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-15')\">15</a></sup> have sects that will worship Beelzebub. They consistently view him as an emissary spreading divine filth through his dealings. Occasionally, Beelzebub uses them to spread his demonic influence.</p>\n<p>Common people know the name of Beelzebub, but they are kept ignorant about his activities by the Jailors. They refer to him as SCP-3063.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-16\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-16')\">16</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-17\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-17')\">17</a></sup> Bookburners have likely encountered dangerous people who made deals with Beelzebub.</p>\n<p><strong>Approach:</strong> Never make a deal with Beelzebub. The price is simply not worth it. An Enochian ward will suffice in keeping his avatars away.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-18\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-18')\">18</a></sup> The instructions for how to make one are available at request.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-19\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-19')\">19</a></sup></p>\n<p>Be cautious of those who have made a deal with him. Sometimes their wishes can be detrimental to others. Assess the situation to decide the best course of action. Killing them may sometimes become necessary, but always take into consideration your strengths before doing so. If you happen to be present at their demise you may flee or use fire on the resulting flies.</p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Observations &amp; Stories</strong></p>\n</div>\n<p>Beelzebub is named in the Books of Kings, which the following excerpt is taken from. It concerns the Creator's judgement of King Ahaziah for seeking Beelzebub in the ancient city of Ekron.</p>\n<blockquote>\n<p>Now Ahaziah fell through the lattice in his upper chamber in Samaria, and lay sick; so he sent messengers, telling them, \u201cGo, inquire of Baal-zebub, the god of Ekron, whether I shall recover from this sickness.\u201d But the angel of the Lord said to Elijah the Tishbite, \u201cArise, go up to meet the messengers of the king of Samaria, and say to them, \u2018Is it because there is no God in Israel that you are going to inquire of Baal-zebub, the god of Ekron? Now therefore thus says the Lord, You shall not come down from the bed to which you have gone up, but you shall surely die.\u2019\u201d So Elijah went. - 2 Kings 1:2-4</p>\n</blockquote>\n<p>Beelzebub's name also appears in the Gospel of Matthew from the New Testament.</p>\n<blockquote>\n<p>It is enough for the disciple to be like his teacher, and the servant like his master. If they have called the master of the house Beelzebul, how much more will they malign those of his household. - Matthew 10:25</p>\n</blockquote>\n<p>The following excerpts are from the Testament of Solomon. The first excerpt occurs after King Solomon binds the demon Ornias<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-20\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-20')\">20</a></sup> with a magic ring from Archangel Michael, and commands him to bring out his fellow demons.</p>\n<blockquote>\n<p>So Ornias took the finger-ring, and went off to Beelzeboul, who has kingship over the demons. He said to him: \"Hither! Solomon calls thee.\" But Beelzeboul, having heard, said to him: \"Tell me, who is this Solomon of whom thou speakest to me?\" Then Ornias threw the ring at the chest of Beelzeboul, saying: \"Solomon the king calls thee.\" But Beelzeboul cried aloud with a mighty voice, and shot out a great burning flame of fire; and he arose, and followed Ornias, and came to Solomon.</p>\n<p>And when I saw the prince of demons, I glorified the Lord God, Maker of heaven and earth, and I said: \"Blessed art thou, Lord God Almighty, who hast given to Solomon thy servant wisdom, the assessor of the wise, and hast subjected unto me all the power of he devil.\"</p>\n<p>And I questioned him, and said: \"Who art thou?\" The demon replied: \"I am Beelzebub, the exarch of the demons. And all the demons have their chief seats close to me. And I it is who make manifest the apparition of each demon.\" And he promised to bring to me in bonds all the unclean spirits. And I again glorified the God of heaven and earth, as I do always give thanks to him.</p>\n<p>I then asked of the demon if there were females among them. And when he told me that there were, I said that I desired to see them. So Beelzeboul went off at high speed, and brought unto me Onoskelis,<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-21\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-21')\">21</a></sup> that had a very pretty shape, and the skin of a fair-hued woman; and she tossed her head.</p>\n</blockquote>\n<blockquote>\n<p>And I summoned again to stand before me Beelzeboul, the prince of demons, and I sat him down on a raised seat of honour, and said to him: \"Why art thou alone, prince of the demons?\" And he said to me: \"Because I alone am left of the angels of heaven that came down. For I was first angel in the first heaven being entitled Beelzeboul. And now I control all those who are bound in Tartarus. But I too have a child, and he haunts the Red Sea. And on any suitable occasion he comes up to me again, being subject to me; and reveals to me what he has done, and I support him.\"</p>\n<p>I Solomon said unto him: \"Beelzeboul, what is thy employment?\" And he answered me: \"I destroy kings. I ally myself with foreign tyrants. And my own demons I set on to men, in order that the latter may believe in them and be lost. And the chosen servants of God, priests and faithful men, I excite unto desires for wicked sins, and evil heresies, and lawless deeds; and they obey me, and I bear them on to destruction. And I inspire men with envy, and murder, and for wars and sodomy, and other evil things. And I will destroy the world.\"</p>\n<p>So I said to him: \"Bring to me thy child, who is, as thou sayest, in the Red Sea.\" But he said to me: \"I will not bring him to thee. But there shall come to me another demon called Ephippas.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-22\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-22')\">22</a></sup> Him will I bind, and he will bring him up from the deep unto me.\" And I said to him: \"How comes thy son to be in the depth of the sea, and what is his name? \"And he answered me: \"Ask me not, for thou canst not learn from me. However, he will come to thee by any command, and will tell thee openly.\"</p>\n<p>I said to him: \"Tell me by what angel thou art frustrated.\" And he answered: \"By the holy and precious name of the Almighty God, called by the Greeks by a row of numbers, of which the sum is 644, and among the Hebrews it is Emmanuel. And if one of the Romans adjure me by the great name of the power Ele\u00e9th, I disappear at once.\"</p>\n<p>I Solomon was astounded when I heard this; and I ordered him to saw up Theban marbles.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-23\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-23')\">23</a></sup> And when he began to saw the marbles, the other demons cried out with a loud voice, howling because of their king Beelzeboul.</p>\n<p>But I Solomon questioned him, saying: \"If thou wouldst gain a respite, discourse to me about the things in heaven.\" And Beelzeboul said: \"Hear, O king, if thou burn gum, and incense, and bulb of the sea, with nard and saffron, and light seven lamps in a row, thou wilt firmly fix thy house. And if, being pure, thou light them at dawn in the sun alight, then wilt thou see the heavenly dragons, how they wind themselves along and drag the chariot of the sun.\"</p>\n</blockquote>\n<hr/>\n<p>There is tale about Beelzebub helping a nameless warrior who cared only for battle. One day he laid on the ground dying after an arrow struck his body. Beelzebub approached the dying mercenary with the promise of a second chance. The demonic fly made the deal by offering great strength to the warror. He accepted the offer without worrying about the consequences, and continued fighting against many enemies.</p>\n<p>One day the warrior wanted to challenge the Daeva in the east. He battled them until his infernal bargain finally reached its end. The Daevites laughed at his agonizing death, and he went to burn in Hell. The story was told as a cautionary tale, but over the years it was forgotten. The demon prince <a href=\"/vassago\">Vassago</a><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-24\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-24')\">24</a></sup> is allegedly writing a screenplay adaptation of the story.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-25\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-25')\">25</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-26\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-26')\">26</a></sup></p>\n</div>\n<div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\">\n<div style=\"text-align: center;\">\n<p><strong>Doubt</strong></p>\n</div>\n<p>Many are skeptical of the information found in the Testament of Solomon because it is a pseudepigraph. Religious groups in particular are known to disregard it from the rest of holy scripture. However, the Testament of Solomon does contain genuine information found in other sources.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-27\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-27')\">27</a></sup></p>\n<p>The actions of Beelzebub can sometimes be mistaken for those of Lucifer and vice versa.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-28\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-28')\">28</a></sup> Some people will use their names interchangeably or mistakenly believe they are a single entity. Therefore, sources are to be treated with a respectful amount of skepticism.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-29\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-29')\">29</a></sup> Beelzebub and other demons are likely to spread lies to obscure the truth.</p>\n<p>Some speculate about whether or not Beelzebub is truly loyal to Lucifer. Demons are not usually known for having positive attributes such as loyalty.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-30\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-30')\">30</a></sup><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-31\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-31')\">31</a></sup> However, there is no evidence to support the claim. Beelzebub continues to serve Lucifer as one of his closest allies.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-32\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-32')\">32</a></sup></p>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. A designation by the Jailors.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Also known as the Darkness Above.</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. \"What is up with the skull and crossbones on the wings? They look ridiculous.\" - Kunj</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. \"The artist is trying to symbolicly represent danger with Beelzebub.\" - M</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. \"What happens if you wish not to be eaten alive by maggots?\" - Kunj</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. \"He will most likely have you be killed by something else or cheat you. Don't expect a demon to play fair.\" - H.J.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. \"For clarification, this refers to stuff like fly swatters or insecticides.\" - M</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. Seraphim are the oldest and most powerful class of angel. They notably have a fiery form, hence their title as the Burning Ones.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. More commonly known as Naamah, but others also possess that name in religious texts. She is not to be confused with Naamah the Ammonite, the wife of King Solomon who worshipped the demon <a href=\"https://scp-wiki.wikidot.com/general-moloch\">Moloch</a>; or the young sister of Tibul-cain the Mekhanite, both of whom were descendants of <a href=\"https://scp-wiki.wikidot.com/scp-073\">Cain the Accursed</a> through Lamech and Zillah in the ancient city of Enoch.</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. For further information consult the Hand's entry on Abezethibou.</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. Israelite king associated with occult practices such as the <a href=\"https://scp-wiki.wikidot.com/scp-3457\">Rite of Solomon</a>.</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. These demons are listed in the The Book of Abramelin. However, Ukobach and his affiliation with Beelzebub is found in the Dictionnaire Infernal. Both texts are not restricted by the Jailors.</div>\n<div class=\"footnote-footer\" id=\"footnote-13\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-13')\">13</a>. \"I'm thankful that they are listed alphabetically. Otherwise, it would have irked me.\" - H.J.</div>\n<div class=\"footnote-footer\" id=\"footnote-14\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-14')\">14</a>. For further information concerning the conflict between the Darkness Above and Below consult a Librarian for relevant sources.</div>\n<div class=\"footnote-footer\" id=\"footnote-15\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-15')\">15</a>. Also known as the Grotto of the Gangrenous God. For further information please see the Hand's entry on them.</div>\n<div class=\"footnote-footer\" id=\"footnote-16\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-16')\">16</a>. \"This information is courtesy of Prince Vassago.\" - M</div>\n<div class=\"footnote-footer\" id=\"footnote-17\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-17')\">17</a>. \"I'll try to get a copy of this document whenever I have the time.\" - L.S.</div>\n<div class=\"footnote-footer\" id=\"footnote-18\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-18')\">18</a>. \"A demonic fly constantly buzzing around is annoying so this is great to have.\" - Kunj</div>\n<div class=\"footnote-footer\" id=\"footnote-19\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-19')\">19</a>. \"We have plenty of books about how to make one in the Library. It is also one of the more easier Enochian practices.\" - W</div>\n<div class=\"footnote-footer\" id=\"footnote-20\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-20')\">20</a>. Also known as the Annoying Demon. Depending on the source his name is spelled either as Orias, Ornius, or Oriax.</div>\n<div class=\"footnote-footer\" id=\"footnote-21\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-21')\">21</a>. Onoskelis is a demoness known to seduce and torment prey.</div>\n<div class=\"footnote-footer\" id=\"footnote-22\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-22')\">22</a>. Ephippas is a powerful wind demon known for terrorizing Arabia.</div>\n<div class=\"footnote-footer\" id=\"footnote-23\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-23')\">23</a>. Referring to marble from Thebes, Egypt. Do not confuse it with the city of the same name in Greece.</div>\n<div class=\"footnote-footer\" id=\"footnote-24\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-24')\">24</a>. A friendly demon who is also a writer. Consult his entry written by the Hand for further information.</div>\n<div class=\"footnote-footer\" id=\"footnote-25\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-25')\">25</a>. \"Really? I'm interested.\" - Kunj</div>\n<div class=\"footnote-footer\" id=\"footnote-26\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-26')\">26</a>. \"If it's true he'll probably pitch it to the cultists in Hollywood or the <a href=\"https://scp-wiki.wikidot.com/factory-hub\">Robber Barons</a>.\" - H.J.</div>\n<div class=\"footnote-footer\" id=\"footnote-27\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-27')\">27</a>. \"I think it is an interesting text worth reading.\" - W</div>\n<div class=\"footnote-footer\" id=\"footnote-28\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-28')\">28</a>. \"Don't forget about the rest of Hell.\" - H.J.</div>\n<div class=\"footnote-footer\" id=\"footnote-29\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-29')\">29</a>. \"It's annoying. They already have plenty of names to go by. Why do some people have to make things confusing?\" - L.B.</div>\n<div class=\"footnote-footer\" id=\"footnote-30\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-30')\">30</a>. \"I feel like that only applies to anyone who isn't a demon of Hell. They ultimately want to damn mortals, and deception helps them to achieve that goal. If things like trust doesn't exist among them then I strongly doubt they would have fallen with Lucifer in the beginning.\" - H.N.</div>\n<div class=\"footnote-footer\" id=\"footnote-31\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-31')\">31</a>. \"I have to agree with H.N. on this. It sounds like a biased assumption.\" - C.V.</div>\n<div class=\"footnote-footer\" id=\"footnote-32\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-32')\">32</a>. \"They're brothers. I don't see why they wouldn't have each other's back.\" - H.J.</div>\n</div>\n\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/beelzebub\">Beelzebub</a>\" by Baronjoe, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/beelzebub\">https://scpwiki.com/beelzebub</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> Beelzebub.png<br/>\n<strong>Author:</strong> Jacques Collin de Plancy<br/>\n<strong>License:</strong> Public Domain<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Beelzebub.png\">Wikimedia Commons</a></p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> scp_3063_by_sunnyclockwork-dbn6p48.webp<br/>\n<strong>Author:</strong> SunnyClockwork<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Source Link:</strong> <a href=\"https://scp-wiki.wikidot.com/sunny-art-series-4\">SunnyClockwork's Artwork - Series IV</a></p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[div style=\"border:solid 2px #112211; background:#DDEEDD; padding:25px; margin-bottom: 25px;\"]]\n\n\n\n[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[size 150%]] **Beelzebub** [[/size]]\n\n\n\n[[>]]\n\n**Beelzebul, Belzebuth, Triel the Fallen Archangel, Lord of the Flies, God of Ekron, The Philistine's God, Archdemon of Gluttony, Great Devourer of Damned Souls, Chief Lieutenant of Lucifer, Great Prince Beelzebub, The Fly, [[[SCP-3063]]][[footnote]] A designation by the Jailors. [[/footnote]]**\n\n[[/>]]\n\n\n\n[[div style=\"overflow:auto\"]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Conspectus**\n\n[[/=]]\n\n\n\nAmong the high ranking demons of Hell[[footnote]] Also known as the Darkness Above. [[/footnote]] there is Beelzebub, the Lord of the Flies. His authority is second to [https://scp-wiki.wikidot.com/scp-738 Lucifer] himself, and he is just as feared across Creation. Many have foolishly damned their souls to him in exchange for whatever they desired.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Illustration**\n\n[[/=]]\n\n\n\n[[=image https://upload.wikimedia.org/wikipedia/commons/b/bf/Beelzebub.png]]\n\n[[=]]\n\nBeelzebub as depicted in the //Dictionnaire Infernal// by Jacques Collin de Plancy.[[footnote]] \"What is up with the skull and crossbones on the wings? They look ridiculous.\" - Kunj [[/footnote]][[footnote]] \"The artist is trying to symbolicly represent danger with Beelzebub.\" - M[[/footnote]]\n\n[[/=]]\n\n[[=image https://scp-wiki.wikidot.com/local--files/sunny-art-series-4/scp_3063_by_sunnyclockwork-dbn6p48.webp]]\n\n[[=]]\n\nEmblem used by the followers of Beelzebub.\n\n[[/=]]\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n[[=]]\n\n**Knowledge**\n\n[[/=]]\n\n\n\n**Traits:** Beelzebub is capable of changing forms, but his true appearance resembles a great insect with vast wings and fiery red eyes. It is a painful sight. Looking into his eyes can blind you. He constantly use avatars that resemble ordinary flies one would encounter; however, on very rare occasions, they can also have different forms. The demon may choose to possess bodies.\n\n\n\n**Nature:** Beelzebub is a dangerous being that seeks to tempt mortals into a deal. He uses his avatars to approach potential victims, and offers to grant them their greatest desire. However, the bargain always comes with a terrible price. After 2,376 days from making an agreement the victim will perish by countless flies devouring them, and their soul becomes damned to Hell for further torment. Some have tried to outwit this fate, but they always fall prey to Beelzebub.[[footnote]] \"What happens if you wish not to be eaten alive by maggots?\" - Kunj[[/footnote]][[footnote]] \"He will most likely have you be killed by something else or cheat you. Don't expect a demon to play fair.\" - H.J.[[/footnote]]\n\n\n\nBeelzebub is as prolific as Lucifer when it comes to collecting souls. He's also quite persistent at tempting his victims. They will be followed by distant [[[buzzing]]] and whispers until they finally give in to his offer. Destroying his avatars through conventional means[[footnote]] \"For clarification, this refers to stuff like fly swatters or insecticides.\" - M [[/footnote]] does nothing for he will simply create another instance to harass potential victims.\n\n\n\nContrary to popular belief, Beelzebub is not limited to the sin of gluttony. He delights in every sin. Others strongly associate him with gluttony for how many souls he can devour. It can be said that his nature enables excessive temptation in others, which summarizes the nature of gluttony.\n\n\n\nIt's possible to contact Beelzebub by using a summoning ritual. Eager conjurers can make their requests known to him sooner without having to wait.\n\n\n\n**History & Associated Parties:** Beelzebub was born in Heaven as one of the seraphim.[[footnote]] Seraphim are the oldest and most powerful class of angel. They notably have a fiery form, hence their title as the Burning Ones. [[/footnote]] Back then he was only known as Archangel Triel, and served the Almighty alongside his brother Lucifer. Beelzebub joined Lucifer's rebellion, which resulted in him being casted out of Heaven. In the hierarchy of Hell, Beelzebub is ranked as the chief lieutenant to Lucifer and greatly respected.\n\n\n\nBeelzebub had an intimate relationship with the demoness Nahemoth.[[footnote]] More commonly known as Naamah, but others also possess that name in religious texts. She is not to be confused with Naamah the Ammonite, the wife of King Solomon who worshipped the demon [https://scp-wiki.wikidot.com/general-moloch Moloch]; or the young sister of Tibul-cain the Mekhanite, both of whom were descendants of [https://scp-wiki.wikidot.com/scp-073 Cain the Accursed] through Lamech and Zillah in the ancient city of Enoch. [[/footnote]] Their unholy union resulted in the birth of their son Abezethibou.[[footnote]] For further information consult the Hand's entry on Abezethibou. [[/footnote]] According to the Testament of Solomon, Beelzebub and Abezethibou were once captured and interrogated by King Solomon.[[footnote]] Israelite king associated with occult practices such as the [https://scp-wiki.wikidot.com/scp-3457 Rite of Solomon]. [[/footnote]]\n\n\n\nThe demonic legions of Beelzebub are known as the Order of the Fly. They are fiercely loyal, and a powerful force to be reckoned with. The denizens of Hell consider membership with the Order to be a great honor. Notable members include Adirael, Akium, Altanor, Amatia, Ambolon, Arcon, Arogor, Arolen, Balfori, Bilico, Bilifares, Bilifor, Borol, Carelena, Corilon, Dimirag, Diralisen, Dorak, Elponen, Ergamen, Gotifan, Gramon, Hacamuli, Holastri, Iamai, Igurim, Ikonok, Kabada, Kemal, Kipokis, Lamalon, Lamarion, Lamolon, Licanen, Lirochi, Magalast, Namiros, Natalis, Nimorup, Nominon, Orgosil, Pellipis, Plison, Raderaf, Samalo, Sorosma, Tachan, Tromes, Ukobach, and Zagalo.[[footnote]] These demons are listed in the The Book of Abramelin. However, Ukobach and his affiliation with Beelzebub is found in the Dictionnaire Infernal. Both texts are not restricted by the Jailors. [[/footnote]][[footnote]] \"I'm thankful that they are listed alphabetically. Otherwise, it would have irked me.\" - H.J. [[/footnote]] The souls of mortal followers are sometimes recruited into their ranks. Beelzebub personally leads the Order whenever the armies of the Scarlet King attempts to invade Hell.[[footnote]] For further information concerning the conflict between the Darkness Above and Below consult a Librarian for relevant sources. [[/footnote]]\n\n\n\nThe Pious Flies who pray to the Gangrenous God[[footnote]] Also known as the Grotto of the Gangrenous God. For further information please see the Hand's entry on them. [[/footnote]] have sects that will worship Beelzebub. They consistently view him as an emissary spreading divine filth through his dealings. Occasionally, Beelzebub uses them to spread his demonic influence.\n\n\n\nCommon people know the name of Beelzebub, but they are kept ignorant about his activities by the Jailors. They refer to him as SCP-3063.[[footnote]] \"This information is courtesy of Prince Vassago.\" - M [[/footnote]][[footnote]] \"I'll try to get a copy of this document whenever I have the time.\" - L.S. [[/footnote]] Bookburners have likely encountered dangerous people who made deals with Beelzebub.\n\n\n\n**Approach:** Never make a deal with Beelzebub. The price is simply not worth it. An Enochian ward will suffice in keeping his avatars away.[[footnote]] \"A demonic fly constantly buzzing around is annoying so this is great to have.\" - Kunj[[/footnote]] The instructions for how to make one are available at request.[[footnote]] \"We have plenty of books about how to make one in the Library. It is also one of the more easier Enochian practices.\" - W [[/footnote]]\n\n\n\nBe cautious of those who have made a deal with him. Sometimes their wishes can be detrimental to others. Assess the situation to decide the best course of action. Killing them may sometimes become necessary, but always take into consideration your strengths before doing so. If you happen to be present at their demise you may flee or use fire on the resulting flies.\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Observations & Stories**\n\n[[/=]]\n\n\n\nBeelzebub is named in the Books of Kings, which the following excerpt is taken from. It concerns the Creator's judgement of King Ahaziah for seeking Beelzebub in the ancient city of Ekron.\n\n\n\n> Now Ahaziah fell through the lattice in his upper chamber in Samaria, and lay sick; so he sent messengers, telling them, \u201cGo, inquire of Baal-zebub, the god of Ekron, whether I shall recover from this sickness.\u201d But the angel of the Lord said to Elijah the Tishbite, \u201cArise, go up to meet the messengers of the king of Samaria, and say to them, \u2018Is it because there is no God in Israel that you are going to inquire of Baal-zebub, the god of Ekron? Now therefore thus says the Lord, You shall not come down from the bed to which you have gone up, but you shall surely die.\u2019\u201d So Elijah went. - 2 Kings 1:2-4\n\n\n\nBeelzebub's name also appears in the Gospel of Matthew from the New Testament.\n\n\n\n> It is enough for the disciple to be like his teacher, and the servant like his master. If they have called the master of the house Beelzebul, how much more will they malign those of his household. - Matthew 10:25\n\n\n\nThe following excerpts are from the Testament of Solomon. The first excerpt occurs after King Solomon binds the demon Ornias[[footnote]] Also known as the Annoying Demon. Depending on the source his name is spelled either as Orias, Ornius, or Oriax. [[/footnote]] with a magic ring from Archangel Michael, and commands him to bring out his fellow demons.\n\n\n\n> So Ornias took the finger-ring, and went off to Beelzeboul, who has kingship over the demons. He said to him: \"Hither! Solomon calls thee.\" But Beelzeboul, having heard, said to him: \"Tell me, who is this Solomon of whom thou speakest to me?\" Then Ornias threw the ring at the chest of Beelzeboul, saying: \"Solomon the king calls thee.\" But Beelzeboul cried aloud with a mighty voice, and shot out a great burning flame of fire; and he arose, and followed Ornias, and came to Solomon.\n\n> \n\n> And when I saw the prince of demons, I glorified the Lord God, Maker of heaven and earth, and I said: \"Blessed art thou, Lord God Almighty, who hast given to Solomon thy servant wisdom, the assessor of the wise, and hast subjected unto me all the power of he devil.\"\n\n> \n\n> And I questioned him, and said: \"Who art thou?\" The demon replied: \"I am Beelzebub, the exarch of the demons. And all the demons have their chief seats close to me. And I it is who make manifest the apparition of each demon.\" And he promised to bring to me in bonds all the unclean spirits. And I again glorified the God of heaven and earth, as I do always give thanks to him.\n\n> \n\n> I then asked of the demon if there were females among them. And when he told me that there were, I said that I desired to see them. So Beelzeboul went off at high speed, and brought unto me Onoskelis,[[footnote]] Onoskelis is a demoness known to seduce and torment prey. [[/footnote]] that had a very pretty shape, and the skin of a fair-hued woman; and she tossed her head.\n\n\n\n> And I summoned again to stand before me Beelzeboul, the prince of demons, and I sat him down on a raised seat of honour, and said to him: \"Why art thou alone, prince of the demons?\" And he said to me: \"Because I alone am left of the angels of heaven that came down. For I was first angel in the first heaven being entitled Beelzeboul. And now I control all those who are bound in Tartarus. But I too have a child, and he haunts the Red Sea. And on any suitable occasion he comes up to me again, being subject to me; and reveals to me what he has done, and I support him.\"\n\n> \n\n> I Solomon said unto him: \"Beelzeboul, what is thy employment?\" And he answered me: \"I destroy kings. I ally myself with foreign tyrants. And my own demons I set on to men, in order that the latter may believe in them and be lost. And the chosen servants of God, priests and faithful men, I excite unto desires for wicked sins, and evil heresies, and lawless deeds; and they obey me, and I bear them on to destruction. And I inspire men with envy, and murder, and for wars and sodomy, and other evil things. And I will destroy the world.\"\n\n> \n\n> So I said to him: \"Bring to me thy child, who is, as thou sayest, in the Red Sea.\" But he said to me: \"I will not bring him to thee. But there shall come to me another demon called Ephippas.[[footnote]] Ephippas is a powerful wind demon known for terrorizing Arabia. [[/footnote]] Him will I bind, and he will bring him up from the deep unto me.\" And I said to him: \"How comes thy son to be in the depth of the sea, and what is his name? \"And he answered me: \"Ask me not, for thou canst not learn from me. However, he will come to thee by any command, and will tell thee openly.\"\n\n> \n\n> I said to him: \"Tell me by what angel thou art frustrated.\" And he answered: \"By the holy and precious name of the Almighty God, called by the Greeks by a row of numbers, of which the sum is 644, and among the Hebrews it is Emmanuel. And if one of the Romans adjure me by the great name of the power Ele\u00e9th, I disappear at once.\"\n\n> \n\n> I Solomon was astounded when I heard this; and I ordered him to saw up Theban marbles.[[footnote]] Referring to marble from Thebes, Egypt. Do not confuse it with the city of the same name in Greece. [[/footnote]] And when he began to saw the marbles, the other demons cried out with a loud voice, howling because of their king Beelzeboul.\n\n> \n\n> But I Solomon questioned him, saying: \"If thou wouldst gain a respite, discourse to me about the things in heaven.\" And Beelzeboul said: \"Hear, O king, if thou burn gum, and incense, and bulb of the sea, with nard and saffron, and light seven lamps in a row, thou wilt firmly fix thy house. And if, being pure, thou light them at dawn in the sun alight, then wilt thou see the heavenly dragons, how they wind themselves along and drag the chariot of the sun.\"\n\n\n\n------\n\n\n\nThere is tale about Beelzebub helping a nameless warrior who cared only for battle. One day he laid on the ground dying after an arrow struck his body. Beelzebub approached the dying mercenary with the promise of a second chance. The demonic fly made the deal by offering great strength to the warror. He accepted the offer without worrying about the consequences, and continued fighting against many enemies.\n\n\n\nOne day the warrior wanted to challenge the Daeva in the east. He battled them until his infernal bargain finally reached its end. The Daevites laughed at his agonizing death, and he went to burn in Hell. The story was told as a cautionary tale, but over the years it was forgotten. The demon prince [[[Vassago]]][[footnote]] A friendly demon who is also a writer. Consult his entry written by the Hand for further information. [[/footnote]] is allegedly writing a screenplay adaptation of the story.[[footnote]] \"Really? I'm interested.\" - Kunj[[/footnote]][[footnote]] \"If it's true he'll probably pitch it to the cultists in Hollywood or the [https://scp-wiki.wikidot.com/factory-hub Robber Barons].\" - H.J.[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[div style=\"border:solid 1px #112211; background:#EEF6EE; padding: 20px; margin-bottom: 3px;\"]]\n\n\n\n[[=]]\n\n**Doubt**\n\n[[/=]]\n\n\n\nMany are skeptical of the information found in the Testament of Solomon because it is a pseudepigraph. Religious groups in particular are known to disregard it from the rest of holy scripture. However, the Testament of Solomon does contain genuine information found in other sources.[[footnote]] \"I think it is an interesting text worth reading.\" - W[[/footnote]]\n\n\n\nThe actions of Beelzebub can sometimes be mistaken for those of Lucifer and vice versa.[[footnote]] \"Don't forget about the rest of Hell.\" - H.J. [[/footnote]] Some people will use their names interchangeably or mistakenly believe they are a single entity. Therefore, sources are to be treated with a respectful amount of skepticism.[[footnote]] \"It's annoying. They already have plenty of names to go by. Why do some people have to make things confusing?\" - L.B. [[/footnote]] Beelzebub and other demons are likely to spread lies to obscure the truth.\n\n\n\nSome speculate about whether or not Beelzebub is truly loyal to Lucifer. Demons are not usually known for having positive attributes such as loyalty.[[footnote]] \"I feel like that only applies to anyone who isn't a demon of Hell. They ultimately want to damn mortals, and deception helps them to achieve that goal. If things like trust doesn't exist among them then I strongly doubt they would have fallen with Lucifer in the beginning.\" - H.N.[[/footnote]][[footnote]] \"I have to agree with H.N. on this. It sounds like a biased assumption.\" - C.V.\u00a0\u00a0[[/footnote]] However, there is no evidence to support the claim. Beelzebub continues to serve Lucifer as one of his closest allies.[[footnote]] \"They're brothers. I don't see why they wouldn't have each other's back.\" - H.J.[[/footnote]]\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[footnoteblock title=\"\"]]\n\n~~~~\n\n[[/div]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n> **Filename:** Beelzebub.png\n\n> **Author:** Jacques Collin de Plancy\n\n> **License:** Public Domain\n\n> **Source Link:** [https://commons.wikimedia.org/wiki/File:Beelzebub.png Wikimedia Commons]\n\n\n\n> **Filename:** scp_3063_by_sunnyclockwork-dbn6p48.webp\n\n> **Author:** SunnyClockwork\n\n> **License:** CC BY-SA 3.0\n\n> **Source Link:** [https://scp-wiki.wikidot.com/sunny-art-series-4 SunnyClockwork's Artwork - Series IV]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_serpents-hand", "goi-format", "serpents-hand"], "title": "Beelzebub - SCP Foundation", "url": "https://scp-wiki.wikidot.com/beelzebub"}, "best-rest-villa-myk7x-br05f-v9902": {"created_at": "2025-08-02T15:37:00", "creator": "mxsinister", "domain": "scp-wiki.wikidot.com", "history": [{"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T15:37:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "Added tags: black-diamond-billions, corporate, goi-format, marshall-carter-and-dark. ", "date": "2025-08-02T15:39:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Added tags: amos-marshall, ruprecht-carter. ", "date": "2025-08-02T18:31:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "Added tags: fifthist. Removed tags: amos-marshall, ruprecht-carter. ", "date": "2025-08-02T21:31:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "Added tags: ruprecht-carter. ", "date": "2025-08-02T21:33:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "Added tags: amos-marshall. ", "date": "2025-08-02T21:35:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "zillow has been removed as per licensing team. see comments for further information.", "date": "2025-08-02T21:45:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Parent page set to: \"black-diamond-billions-hub\".", "date": "2025-08-02T22:10:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:26:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:27:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:34:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:38:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:39:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:40:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:42:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:44:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:47:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:48:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:48:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-02T22:48:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "", "date": "2025-08-03T03:55:00"}, {"author": "Zyn", "author_href": "https://www.wikidot.com/user:info/zyn", "comment": "Added tags: reviewers-spotlight. ", "date": "2025-09-01T07:29:00"}, {"author": "xexnoncores", "author_href": "https://www.wikidot.com/user:info/xexnoncores", "comment": "Added tags: _marshall-carter-and-dark. ", "date": "2025-09-13T14:38:00"}, {"author": "mxsinister", "author_href": "https://www.wikidot.com/user:info/mxsinister", "comment": "memo no. fix", "date": "2025-10-16T20:30:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: lucas-monaco. ", "date": "2025-11-10T14:18:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _licensebox. ", "date": "2026-05-17T19:58:00"}], "hubs": ["black-diamond-billions-hub", "goi-formats"], "images": [], "link": "best-rest-villa-myk7x-br05f-v9902", "page_id": "1459995005", "rating": 53, "raw_content": "<html><body><div id=\"page-content\">\n\n<div class=\"preview\">\n<p>Mykonos is beautiful this time of year.</p>\n</div>\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Ablack-diamond/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n<div class=\"authorlink-wrapper\"><a href=\"javascript:;\">mxsinister</a>\n<div class=\"authorbox\">\n<div class=\"authorcontent\">\n<p><strong>This work contains CWs for:</strong> Violence, murder, suicide, and implicit sexual references.</p>\n<p>'Best-Rest Villa' (MYK7X/BR05F/V9902) by <span class=\"printuser avatarhover\"><a href=\"http://www.wikidot.com/user:info/mxsinister\" onclick=\"WIKIDOT.page.listeners.userInfo(7735264); return false;\"><img alt=\"mxsinister\" class=\"small\" src=\"https://www.wikidot.com/avatar.php?userid=7735264&amp;amp;size=small&amp;amp;timestamp=1788006113\" style=\"background-image:url(https://www.wikidot.com/userkarma.php?u=7735264)\"/></a><a href=\"http://www.wikidot.com/user:info/mxsinister\" onclick=\"WIKIDOT.page.listeners.userInfo(7735264); return false;\">mxsinister</a></span></p>\n</div>\n</div>\n</div>\n<div style=\"text-align: right;\">\n<div class=\"content-warning creditRate\">\u26a0\ufe0f content warning <span class=\"content-warning-arrow\"><span style=\"white-space: pre-wrap;\"> </span></span></div>\n</div>\n<div class=\"charm\">\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\">MYK7X/BR05F/V9902</th>\n</tr>\n<tr>\n<th>Status</th>\n<td>In Reserve</td>\n</tr>\n<tr>\n<th>Demand</th>\n<td>Low</td>\n</tr>\n<tr>\n<th>Value</th>\n<td>Not For Sale<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></td>\n</tr>\n<tr>\n<th>Availability</th>\n<td>1 Unit</td>\n</tr>\n<tr>\n<th>Identifier</th>\n<td>Best-Rest Villa</td>\n</tr>\n<tr>\n<th>Description</th>\n<td>A 1950\u00a0m<sup>2</sup>, 4-bedroom villa in Mykonos, Greece. The property is held in name by Miller &amp; Geer Realty through a binding, deed-based contract independent of eminent domain.<br/>\n<br/>\nShould someone fall asleep anywhere on the premises, they will wake up 9 hours later in one of the bedrooms feeling optimally rested. They will also experience health benefits such as improved circulation and organ function, as well as balanced vitamin and hormone levels.<br/>\n<br/>\nHowever, once someone who has slept on the premises departs, they are rendered physically incapable of falling asleep again. Following this, individuals will face the effects of sleep deprivation at an accelerated rate, becoming progressively more severe before death occurs, typically around three days after their last rest.</td>\n</tr>\n<tr>\n<th colspan=\"2\">Marshall, Carter &amp; Dark, Ltd.</th>\n</tr>\n</table>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"2\">Initial Writeup</th>\n</tr>\n<tr>\n<th>Penned by:</th>\n<td>Ruprecht Sidereal Carter</td>\n</tr>\n<tr>\n<th>Date</th>\n<td>July 02, 2018</td>\n</tr>\n<tr>\n<th>Interest</th>\n<td>Medium</td>\n</tr>\n<tr>\n<th>Identifier</th>\n<td>Best-Rest Villa</td>\n</tr>\n<tr>\n<td colspan=\"2\">As beautiful as Mykonos is this time of year, I\u2019m afraid the costs of a good night\u2019s sleep drastically outweigh the benefits here. That said, I appreciate that the architect thought to reach out to me earlier this year about giving me first dibs on this little project.<br/>\n<br/>\nAfter all, the demand is only low in the case of a fully informed buyer. This may easily be packaged as an exclusive getaway package and prove to have merit as an euthanasia service down the line.<br/>\n<br/>\nIt\u2019s a hassle, of course, to try and force someone into buying such a specific resort, but there are enough desperate insomniacs in the world to keep my faith that this is a good addition to our portfolio.</td>\n</tr>\n<tr>\n<th>File Opened Under:</th>\n<td colspan=\"2\">MYK7X/BR05F/V9902</td>\n</tr>\n<tr>\n<th colspan=\"2\">Marshall, Carter &amp; Dark Ltd.</th>\n</tr>\n</table>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 96779</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-01</p>\n<p><strong>DATE:</strong> 07/01/2020</p>\n<p><strong>TO:</strong> RUPRECHT S. CARTER</p>\n<p><strong>PENNED BY:</strong> LUCAS A. MONACO</p>\n<p>Would it be permissible to offer use of this villa to some kin of mine? Close enough to be irritating, distant enough not to bother you with consequences. I'm thinking the 15th\u201317th, but any weekend in January should work.</p>\n<p>If yes, I'll need a formal invitation from you or someone whose name is on the property deed. Pesky customs and all, as I'd not go so far as to make them sleep on the doorstep, even if it might have the same effects.</p>\n<p>As for compensation, I'm confident I can get them to pay the 45,000GBP a night for the trouble.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 96784</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-02</p>\n<p><strong>DATE:</strong> 07/01/2020</p>\n<p><strong>TO:</strong> LUCAS A. MONACO</p>\n<p><strong>PENNED BY:</strong> RUPRECHT S. CARTER</p>\n<p>Approved. Rent's appreciated, but don't worry about it. I know family can be pesky, and you've given me a chuckle over the thought of turning immortal creatures of the night into perpetual insomniacs. The image gets better if they're already the sort to sleep in coffins.</p>\n<p>I'll forward you a proper invitation this afternoon.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"email\">\n<div class=\"tofrom\">\n<p><strong>From:</strong> hcartwright@mcd_intmail.com<br/>\n<strong>To:</strong> amarsh@mcd_intmail.com<br/>\n<strong>Date Sent:</strong> 18/03/2021\u00a020:32 GMT<br/>\n<strong>Subject:</strong> Hole in the Boat</p>\n</div>\n<p>I've been going over the books forwarded to us from one of our private equity shells. I thought I might need to wait for quarterly reports to come in before I could be sure, but no, it's rather obvious that someone is stealing a good deal of money from you, Amos.</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"email\">\n<div class=\"tofrom\">\n<p><strong>From:</strong> amarsh@mcd_intmail.com<br/>\n<strong>To:</strong> hcartwright@mcd_intmail.mcd<br/>\n<strong>Date Sent:</strong> 19/03/2021\u00a009:12 GMT<br/>\n<strong>Subject:</strong> re: Hole in the Boat</p>\n</div>\n<p>From your vagueness, I expect you don't intend to tell me without some incentive?</p>\n<p>God forbid you simply do the job we pay you to do, Mr. Cartwright.</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"email\">\n<div class=\"tofrom\">\n<p><strong>From:</strong> hcartwright@mcd_intmail.com<br/>\n<strong>To:</strong> amarsh@mcd_intmail.com<br/>\n<strong>Date Sent:</strong> 19/03/2021\u00a009:40 GMT<br/>\n<strong>Subject:</strong> re: Hole in the Boat</p>\n</div>\n<p>You brought two tickets to a gallery opening tomorrow evening, no? I'd very much like to go view the works. I'm sure whoever you bought that other ticket for originally won't mind.</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"email\">\n<div class=\"tofrom\">\n<p><strong>From:</strong> amarsh@mcd_intmail.com<br/>\n<strong>To:</strong> hcartwright@mcd_intmail.com<br/>\n<strong>Date Sent:</strong> 19/03/2021\u00a011:36 GMT<br/>\n<strong>Subject:</strong> re: Hole in the Boat</p>\n</div>\n<p>Fine. Just take both tickets. I don't care.</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"email\">\n<div class=\"tofrom\">\n<p><strong>From:</strong> hcartwright@mcd_intmail.com<br/>\n<strong>To:</strong> amarsh@mcd_intmail.com<br/>\n<strong>Date Sent:</strong> 22/03/2021\u00a009:30 GMT<br/>\n<strong>Subject:</strong> re: Hole in the Boat</p>\n</div>\n<p>My concerns lie with Horizon Holdings. I'll be frank, the financials across the board are heinous, but the chief violator appears to be the company's CEO, Nikos Feldman. Attached, you'll find several instances of blatant reimbursement abuse and payroll fraud. I'll not even begin on his asset misappropriation\u2014you have access to my full assessment.</p>\n<p>According to his voicemail, Feldman is currently out of the office, but I expect you'll want him dealt with accordingly.</p>\n<p>Once that's behind us, I'd suggest cutting free from this particular shell entirely. Replacing a single board does little to treat the rot.</p>\n<p><tt>\ud83d\udd17 horizonholdings_financials.zip</tt></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"email\">\n<div class=\"tofrom\">\n<p><strong>From:</strong> amarsh@mcd_intmail.com<br/>\n<strong>To:</strong> hcartwright@mcd_intmail.mcd<br/>\n<strong>Date Sent:</strong> 22/03/2021\u00a010:09 GMT<br/>\n<strong>Subject:</strong> re: Hole in the Boat</p>\n</div>\n<p>He's still out of the office? Can't say I'm surprised. He split from his wife in Manhattan two months ago to go hide out in Mykonos with some mistress or another.</p>\n<p>I'm curious if he's deliberately hiding from us, or if that's just a pleasant bonus. Regardless, he's an idiot to suppose he can run off with our money.</p>\n<p>See about repossessing what's ours and then some. It's a bit late in his marriage for blackmail to do the trick, but I'm sure there's some other way to force his hand.</p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99142</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-03</p>\n<p><strong>DATE:</strong> 24/03/2021</p>\n<p><strong>TO:</strong> AMOS H. MARSHALL, DORIAN C. SLOAN</p>\n<p><strong>PENNED BY:</strong> HOGARTH M. CARTWRIGHT</p>\n<p>Amos, I'm moving this conversation into this file for relevance.</p>\n<p>You were right that Mr. Feldman is currently hiding out in Mykonos, and evidently, we've done something to make Lady Luck smile, as I've confirmed that his villa is just down the street from our own. Rich minds think alike, apparently.</p>\n<p>Dorian says that if we can get him a reliable number, he can talk Feldman into walking next door for a nap.</p>\n<p>This is an advantageous alternative to killing him outright. This way, we have a chance to get some of our money back, as I expect that after a few days of sleep deprivation, he'll be willing to pay a pretty penny for an antidote, if we tell him we have one.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99143</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-04</p>\n<p><strong>DATE:</strong> 24/03/2021</p>\n<p><strong>TO:</strong> AMOS H. MARSHALL, HOGARTH M. CARTWRIGHT</p>\n<p><strong>PENNED BY:</strong> DORIAN C. SLOAN</p>\n<p>Full transparency, I've never talked someone into falling asleep. Shouldn't be an issue, given the relative tameness of the request, but I'll go out and practice to verify.</p>\n<p>Just let me know whether this is going to have to be cell or landline.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99146</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-05</p>\n<p><strong>DATE:</strong> 24/03/2021</p>\n<p><strong>TO:</strong> HOGARTH M. CARTWRIGHT, DORIAN C. SLOAN</p>\n<p><strong>PENNED BY:</strong> AMOS H. MARSHALL</p>\n<p>This works. I'll send over Feldman's information and leave it to you two to sort out the details.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"court-document\">\n\n<div class=\"monospace court-document-content\">\n<p><strong>AUDIO FILE MYK7X/BR05F/V9902-01</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-2\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-2')\">2</a></sup></p>\n<p><em>DATE: 27/03/2021</em><br/>\n<em>TIME BEGIN: 2:04PM UTC -5</em></p>\n<p><strong>[BEGIN TRANSCRIPT]</strong></p>\n<p>[HOGARTH CARTWRIGHT sits across the desk from DORIAN SLOAN.]</p>\n<p><strong>HOGARTH:</strong> And\u2026we're rolling.</p>\n<p><strong>DORIAN:</strong> Wait\u2014you're recording this?</p>\n<p><strong>HOGARTH:</strong> Of course.</p>\n<p><strong>DORIAN:</strong> It's bad enough that you insist on sitting there and listening to me do this.</p>\n<p><strong>HOGARTH:</strong> Pfft. I know damn well you don't have stage fright, kid.</p>\n<p><strong>DORIAN:</strong> I\u2014Yeah, okay, I'll give you that.</p>\n<p>[DORIAN finishes a glass of water on his desk, then clears his throat.]</p>\n<p><strong>DORIAN:</strong> Let's do this.</p>\n<p>[HOGARTH provides an untraceable burner phone. There is only one contact saved, belonging to NIKOS FELDMAN. DORIAN picks up the phone and calls the number, playing the call on speaker. The line rings for three seconds before it is picked up.]</p>\n<p>[There is a brief static disruption to the audio as DORIAN begins to speak rapidly.]</p>\n<p><strong>DORIAN:</strong> Hey! You're going to stay on this line so I can talk to you about your homeowner's insurance, okay? Good, cool, nice to meet you. Please provide a yes or no answer to the following confirmation question: Am I speaking to Mr. Nikos Feldman, currently residing in Mykonos?</p>\n<p><strong>NIKOS:</strong> Y-Yes. Who is this?</p>\n<p><strong>DORIAN:</strong> Shh, doesn't matter who I am. I'm your best and most trusted friend in the whole wide world, and you're going to do exactly what I say. Yes or no, are you alone?</p>\n<p><strong>NIKOS:</strong> Yes, but my\u2014</p>\n<p><strong>DORIAN:</strong> Good. No one else matters but us. If you're inside, you're going to go outside. Don't worry, no one's out there to hurt you. Don't look scared or do anything to raise alarm. You're just taking a little walk down the street, yeah?</p>\n<p>[HOGARTH places a map in front of DORIAN, showing the area surrounding NIKOS. The path between the two villas is highlighted, with notes for giving verbal directions scribbled alongside. DORIAN gives a thumbs-up while continuing to speak.]</p>\n<p><strong>DORIAN:</strong> I hear Mykonos is beautiful this time of year. I'm sure that's why you chose to go, yes? No other reason at all. Not hiding, just vacationing, mm? Tell me\u2014are you outside enjoying the weather yet, Mr. Feldman?</p>\n<p><strong>NIKOS:</strong> I am, yes \u2026 It's nice tonight.</p>\n<p><strong>DORIAN:</strong> Wonderful. Front door, facing the beach, yes or no?</p>\n<p><strong>NIKOS:</strong> Facing the beach, yes.</p>\n<p><strong>DORIAN:</strong> Gorgeous, isn't it? Start walking to your right.</p>\n<p><strong>NIKOS:</strong> How are you doing this?</p>\n<p>[DORIAN kicks his feet up onto his desk.]</p>\n<p><strong>DORIAN:</strong> It's not a far walk, I promise. Only about a mile\u2014two kilometers, if you've already abandoned the imperial system. Forgive my being an American. Not important. What's important is that I'm gonna talk you through every step of the way, alright? Follow my voice, and I promise I won't lead you astray.</p>\n<p><strong>NIKOS:</strong> Where am I going?</p>\n<p><strong>DORIAN:</strong> Augh, god forbid this is as easy as me giving you an address, mm? Old roads and all, I guess. Do you keep up with what's new in architecture, Mr. Feldman? Surrounding real estate?</p>\n<p><strong>NIKOS:</strong> Yes. I try.</p>\n<p><strong>DORIAN:</strong> Kolya Sierpi\u0144ski designed the most remarkably beautiful villa just down the road from you. You're going to a viewing, is all. Consider me your real estate agent. It's got a better beach view than what you've got right now.</p>\n<p><strong>NIKOS:</strong> A viewing?</p>\n<p><strong>DORIAN:</strong> Yes. Open house. Nothing nefarious, don't worry. Keep walking, turn straight and down the mountain, then take a left right before the Caf\u00e9 Ax\u00edzei. Tell me when you get there, alright? You're not stopping for a drink, sorry. There should be a staircase behind the building.</p>\n<p><strong>NIKOS:</strong> I can see it now.</p>\n<p><strong>DORIAN:</strong> Wonderful. Be careful walking down. Don't trip on the stairs.</p>\n<p><strong>NIKOS:</strong> What's your name?</p>\n<p><strong>DORIAN:</strong> Whatever you want it to be, baby.</p>\n<p>[HOGARTH stifles a laugh, and DORIAN grins as he motions for him to be quiet.]</p>\n<p><strong>DORIAN:</strong> Ha, god, to hell with this job, I should have been a call girl. There's good money in that. But hey, you and I both know there's a difference between good money and great money, yeah?</p>\n<p><strong>HOGARTH:</strong> Don't rule it out yet. When Percival hears this\u2014</p>\n<p><strong>DORIAN:</strong> Shh\u2014! Anyway, this is fun. What do you think, Nikos? Are you having fun? Don't answer that, actually. Just tell me when you reach the bottom of the steps. There's an ATM right there.</p>\n<p><strong>NIKOS:</strong> How\u2014 Why am I doing this?</p>\n<p><strong>DORIAN:</strong> Because I've asked you very nicely, and because you want to do as I say. And hey, you're doing very well for me, you know that? I mean, truly, I can't tell you how much I appreciate you being this good at following directions.</p>\n<p><strong>NIKOS:</strong> Hey, mister?</p>\n<p><strong>DORIAN:</strong> Yes?</p>\n<p><strong>NIKOS:</strong> Do you want to hurt me?</p>\n<p><strong>DORIAN:</strong> I want you to keep doing as I tell you. Keep walking down the stairs.</p>\n<p><strong>NIKOS:</strong> Okay \u2026 You know, there are some people out there who really want to hurt me.</p>\n<p><strong>DORIAN:</strong> Oh, yes, there certainly are. But don't worry about them. Just listen to my voice. I've not told you to bash your head in on the rocks yet, have I?</p>\n<p><strong>NIKOS:</strong> No\u2026</p>\n<p><strong>DORIAN:</strong> Exactly. Now, would you walk a bit faster, please? I resent slow walkers. It's a pet peeve.</p>\n<p>[NIKOS speeds up.]</p>\n<p><strong>NIKOS:</strong> Hah. Definitely from the Big Apple, aren't you?</p>\n<p><strong>DORIAN:</strong> I\u2014Who the fuck calls it that? I've never heard anyone actually call it that. Are you trying to throw me off? I thought I told you to tell me when you\u2014</p>\n<p><strong>NIKOS:</strong> I'm at the bottom of the stairs.</p>\n<p><strong>DORIAN:</strong> Oh\u2014perfect! How easy was that? Now, there's a main path to your two o'clock. You should be able to see where to walk, but let me know if it's not clear. Is it clear?</p>\n<p><strong>NIKOS:</strong> Yes, it's clear.</p>\n<p><strong>DORIAN:</strong> Good! Now, you're pretty much on a straightaway from here. Bit steep, though, so I'm going to once again ask that you pretty please don't trip and fall. Your destination is a villa that will be on your right. White marble, three stories, very little surrounding it. According to the listing, there are even a few olive trees in the yard. For your convenience, we've left a British flag outside the door. Tacky, I know, but not my call. Can't have you going to the wrong property.</p>\n<p><strong>NIKOS:</strong> You \u2026 Oh, no \u2026</p>\n<p><strong>DORIAN:</strong> Mm?</p>\n<p><strong>NIKOS:</strong> No, no, no, please \u2026</p>\n<p><strong>DORIAN:</strong> Whatever has you sounding so frightened, you're not going to let it keep you from continuing to walk.</p>\n<p><strong>NIKOS:</strong> You work for Marshall, don't you?</p>\n<p>[DORIAN pauses, then laughs softly.]</p>\n<p><strong>DORIAN:</strong> You know, whenever I do this, I never like to name drop.</p>\n<p><strong>NIKOS:</strong> No, no, mister, please\u2014 Don't make me\u2014</p>\n<p><strong>DORIAN:</strong> Did you take him for someone who bluffs? Did you think you could fuck with his financials and then go hide in your pretty house on the sea without consequence? Well, here I am, sweetheart. Your motherfucking consequence, courtesy of Mr. Marshall.</p>\n<p><strong>NIKOS:</strong> Please\u2026</p>\n<p><strong>DORIAN:</strong> Stay en route, Nikos, or so help me god.</p>\n<p>[NIKOS continues to whimper softly, sniffling.]</p>\n<p><strong>DORIAN:</strong> Oh, don't cry. Please don't cry. Hey, I'm gonna take your mind off that nasty business, alright? Rather than sit here and threaten you or improv phone sex from here until you finish walking to the villa, I'm going to give you a free podcast! Or a bedtime story, whatever you want to think of this as.</p>\n<p>[DORIAN picks up a print of the day's Wall Street Journal, flipping to the front page.]</p>\n<p><strong>DORIAN:</strong> Now, I'm sure you keep up with the news, so forgive me if this information is outdated to you, but it's what I've got on hand. If you reach your destination before I'm finished, you cut me off, alright?</p>\n<p>[For the next eleven minutes and eight seconds, DORIAN proceeds to read the paper aloud in its entirety, pausing intermittently to keep NIKOS en route. Three minutes in, HOGARTH gets up and walks around the desk to take a pack of cigarettes from the top drawer. HOGARTH removes one and returns to his seat, smoking silently until DORIAN finishes the paper.]</p>\n<p><strong>DORIAN:</strong> In my mind, that was going to last longer. Shit. Sorry, I read fast. You still with me, Nikos?</p>\n<p><strong>NIKOS:</strong> Yes. You should do audiobooks.</p>\n<p><strong>DORIAN:</strong> Aww, thank you. And you should watch your step.</p>\n<p><strong>NIKOS:</strong> You don't have to do this, you know. I can pay you.</p>\n<p><strong>DORIAN:</strong> Pfft, please. You can't afford me. Now, describe where you are.</p>\n<p><strong>NIKOS:</strong> I see olive trees, the bright blue sea, stone beaches\u2026 It's all so beautiful \u2026 Please, mister, I'm not ready to die.</p>\n<p><strong>DORIAN:</strong> Tell me landmarks.</p>\n<p><strong>NIKOS:</strong> I walked past another resort about a minute ago. I can see the street you want me to go to.</p>\n<p><strong>DORIAN:</strong> That's good, very good. One foot in front of the other, Mr. Feldman. Deep breaths and relax.</p>\n<p><strong>NIKOS:</strong> C-Can you tell Marshall I'm sorry?</p>\n<p><strong>DORIAN:</strong> You can tell him yourself. You're not going to die today.</p>\n<p><strong>NIKOS:</strong> Maybe not, but something horrible will happen to me, won't it?</p>\n<p><strong>DORIAN:</strong> I'm not going to ruin a surprise. Now, you seem to know where you're going. I've been clear about what I want you to do. Keep walking and tell me when you reach the villa.</p>\n<p><strong>NIKOS:</strong> Even if I do die, my wife won't care. No one will. Maybe the kids, but they'll get over it. But whatever you intend to do to me, Esme would probably approve. She caught me cheating not too long ago.</p>\n<p><strong>DORIAN:</strong> Oh? Well, tell me <em>that</em> story while you walk.</p>\n<p><strong>NIKOS:</strong> I told Esme I was going to Chicago on business. Then our son broke his arm, and when she called, I didn't answer. She said she knew right then, said the <em>stars</em> told her. Can you believe that horseshit?</p>\n<p><strong>DORIAN:</strong> What, like your marriage was in retrograde?</p>\n<p><strong>NIKOS:</strong> Like hell. I bet she called my good-for-nothing colleagues, and one of them ratted on me.</p>\n<p><strong>DORIAN:</strong> You're a bastard. Keep walking. I bet you weren't even in Chicago.</p>\n<p><strong>NIKOS:</strong> No, no, I was. I'd just skipped the panel in the hotel lobby to go back to my suite and get head from a Greek woman with great legs.</p>\n<p>[DORIAN and HOGARTH look at each other with raised brows.]</p>\n<p><strong>DORIAN:</strong> My accountant wants to know if it was at least good head.</p>\n<p>[DORIAN starts laughing, as does HOGARTH. DORIAN immediately clears his throat and resumes.]</p>\n<p><strong>DORIAN:</strong> Sorry. Don't hang up. You're very brave for sharing that. Though why people feel compelled to tell me this sort of thing, I have no idea.</p>\n<p>[NIKOS sighs.]</p>\n<p><strong>NIKOS:</strong> Well, who else am I going to tell? Besides, it seems now's the time to get that sort of thing off my chest.</p>\n<p><strong>DORIAN:</strong> You know what? That's fair. Sure, this can be confessional, so long as you keep walking to the villa.</p>\n<p><strong>NIKOS:</strong> I can see it now. The villa.</p>\n<p><strong>DORIAN:</strong> Oh, that's great! Well done, Mr. Feldman. You're almost there.</p>\n<p><strong>NIKOS:</strong> It's beautiful. Has good bones, a lovely facade\u2026</p>\n<p><strong>DORIAN:</strong> Real <em>Architectural Digest</em> material, isn't it?</p>\n<p><strong>NIKOS:</strong> Yes. I'm here. Please don't make me go inside.</p>\n<p><strong>DORIAN:</strong> But it would be such a waste not to! You've walked all this way. Can you see the front door? Blue with the flag beside it?</p>\n<p><strong>NIKOS:</strong> Yes. Please don't do this. Please.<br/>\n.<br/>\n<strong>DORIAN:</strong> Just for you, my friend, it's unlocked. Walk inside.</p>\n<p>[The front door to the villa opens. NIKOS enters, then closes the door behind him. His breath shudders.]</p>\n<p><strong>NIKOS:</strong> I'm inside\u2026</p>\n<p><strong>DORIAN:</strong> Pick a bedroom\u2014doesn't matter to me which one. Just walk around until you find a bed. And what lovely beds, no? Feather pillows, linen sheets, whatever those geniuses put inside mattresses. Find one, then lie down for me.</p>\n<p>[A door opens. There are footsteps, followed by rustling sounds.]</p>\n<p><strong>DORIAN:</strong> See, I told you it was good real estate. Aren't you glad I brought you all this way?</p>\n<p><strong>NIKOS:</strong> Y-Yes. Okay.</p>\n<p><strong>DORIAN:</strong> Okay, good. Are you lying down?</p>\n<p><strong>NIKOS:</strong> Yes.</p>\n<p><strong>DORIAN:</strong> Are you comfortable?</p>\n<p><strong>NIKOS:</strong> Yes.</p>\n<p><strong>DORIAN:</strong> Very good. You're going to fall asleep now.</p>\n<p><strong>NIKOS:</strong> That's it?</p>\n<p><strong>DORIAN:</strong> That's it? Ha\u2014aww, god, don't sound so disappointed. I promise, this is about to be the best sleep of your life.</p>\n<p><strong>NIKOS:</strong> Will you stay on the line?</p>\n<p><strong>DORIAN:</strong> Oh, that's so sweet. Yes, of course I'll stay on the line. I'd read you a bedtime story, but I\u2014well, I guess I skipped the currency exchange. Dry enough to put anyone to sleep, right? Ha.</p>\n<p>[DORIAN picks up the newspaper again and flips to the exchange section.]</p>\n<p><strong>DORIAN:</strong> We'll start with the Americas. As of this morning on Wall Street, the Argentine peso is worth 0.0009 US dollars. Go to sleep. The Brazilian real is worth 0.1814 USD. Go to sleep. The Canadian dollar\u2014</p>\n<p>[This procedure continues for three minutes and twelve seconds. When DORIAN reaches the end of the page, there is silence for nine seconds, save for soft breathing from NIKOS.]</p>\n<p><strong>DORIAN:</strong> Nikos?</p>\n<p>[Silence and soft breathing continue for another forty-five seconds. DORIAN gives a questioning thumbs-up gesture, to which HOGARTH nods in confirmation. DORIAN ends the call and sighs deeply.]</p>\n<p><strong>HOGARTH:</strong> That was impressive.</p>\n<p><strong>DORIAN:</strong> You're too kind.</p>\n<p><strong>HOGARTH:</strong> No, I'm not. I'm not easily impressed, either.</p>\n<p>[DORIAN smiles and takes his legs off his desk. He proceeds to retrieve a medicinal, honey-flavored lozenge from his top drawer, which he places in his mouth.]</p>\n<p><strong>DORIAN:</strong> Want one?</p>\n<p><strong>HOGARTH:</strong> No, I'm fine, thanks. Do you talk to everyone you kill like you're trying to take them to bed?</p>\n<p>[DORIAN shrugs and removes a cigarette case containing Marlboro Blacks from the pocket of his suit jacket, extending it to HOGARTH.]</p>\n<p><strong>HOGARTH:</strong> That, I'll take you up on.</p>\n<p>[HOGARTH lights himself a cigarette as DORIAN stands up. HOGARTH returns the case, only for DORIAN to pocket it.]</p>\n<p><strong>HOGARTH:</strong> You're making me smoke alone? Bastard.</p>\n<p><strong>DORIAN:</strong> Course not. God knows I need one, just giving it a few minutes\u2014</p>\n<p>[DORIAN taps his cheek where the cough drop rests to emphasize that he is waiting for it to dissolve. HOGARTH scoffs, then stands up as well.]</p>\n<p><strong>HOGARTH:</strong> Don't those things cancel out?</p>\n<p><strong>DORIAN:</strong> Sure, but that doesn't really matter. I'm going to go have <a href=\"https://scp-wiki.wikidot.com/scp-7190\" target=\"_blank\">sushi</a> for lunch. Turn that thing off and come join me.</p>\n<p>[END STENOGRAPHER\u2019S STONE TRANSCRIPTION.]</p>\n<p><em>TIME CONCLUDED: 02:29PM UTC-5</em></p>\n</div>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:2px solid #472706;\">\n<div style=\"color:#032D38; font-size:11pt; background:#fffaf5;font-family: book;padding: 15px;\">\n<p><strong>INCIDENT REPORT MYK7X/BR05F/V9902-01</strong></p>\n<p><strong>DATE:</strong> 31/03/2021</p>\n<p><strong>PENNED BY:</strong> HOGARTH M. CARTWRIGHT</p>\n<p>By the time Nikos Feldman woke up, he had received an invoice from Enterprise Equity Partners for 750,000USD. As we expected, he had to liquidate his entire portfolio to scrounge up the sum, but the check cleared yesterday.</p>\n<p>This morning, he flew back to New York, only to drop dead of a heart attack in the FOB<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-3\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-3')\">3</a></sup> at JFK<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-4\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-4')\">4</a></sup>.</p>\n<p>Word on the street is that Nikos was right about one thing\u2014his wife seems perturbed by the news, but she's far from mourning.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99168</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-06</p>\n<p><strong>DATE:</strong> 31/03/2021</p>\n<p><strong>TO:</strong> RUPRECHT S. CARTER</p>\n<p><strong>PENNED BY:</strong> AMOS H. MARSHALL</p>\n<p>My thanks again for letting Nikos Feldman crash at your place. Glad to see we were able to get some use out of the property, unfortunate after-effects and awful floor plan aside.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99174</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-07</p>\n<p><strong>DATE:</strong> 31/03/2021</p>\n<p><strong>TO:</strong> AMOS H. MARSHALL</p>\n<p><strong>PENNED BY:</strong> RUPRECHT S. CARTER</p>\n<p>It's no trouble\u2014believe it or not, the linens in the place even change themselves.</p>\n<p>Although, since you've brought the family to my attention, I knew the name Esme Feldman rang a bell. Sure enough, she's a fairly prolific financial astrologer in Manhattan. A second-rate star-charter, really, who has spent the past decade crying wolf to her husband and his investment banker friends.</p>\n<p>I've never appreciated her meddling in certain markets, but this business with Nikos is making me wonder if I should tie up this loose end. I'm sure you'll scoff, but I do believe I can make a ritual out of it.</p>\n<p>I only ask as a courtesy, given she's more in your orbit than mine\u2014after all, I'd be offended if you went out and had some real estate mogul killed without giving me at least a heads up.</p>\n<p>Though if you shake your head at my astrological antics, I'll assume you have no love lost for Ms. Feldman. Last I checked, Percival still had John Maynard Keynes'<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-5\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-5')\">5</a></sup> soul trapped beneath the London office, and I can't imagine you consulting a superstitious nobody for economic forecasts when we have better Cassandras<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-6\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-6')\">6</a></sup> available via s\u00e9ance.</p>\n<p>I assure you, it'll all be very clean, assuming you don't mind my borrowing Dorian for this. It'll be no extra logistics on his part or yours.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99180</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-08</p>\n<p><strong>DATE:</strong> 31/03/2021</p>\n<p><strong>TO:</strong> RUPRECHT S. CARTER</p>\n<p><strong>PENNED BY:</strong> AMOS H. MARSHALL</p>\n<p>Be my guest. Do what you want.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99200</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-09</p>\n<p><strong>DATE:</strong> 01/04/2021</p>\n<p><strong>TO:</strong> DORIAN C. SLOAN</p>\n<p><strong>PENNED BY:</strong> RUPRECHT S. CARTER</p>\n<p>You will see I've updated the catalogue for this upcoming auction to include this villa. Now, since dead customers are not returning customers, you know this obviously isn't a retreat we send our friends on. This has an intended buyer.</p>\n<p>When the time comes to sell off Lot 25, it is imperative that you make sure Esme Feldman is the one to purchase it. Nikos' widow, if you were wondering. A hack, truly, and more profitable to us dead than alive.</p>\n<p>I will be in attendance on the fifth and will make sure to point her out to you. If I am unable to attend, Monaco will be there.</p>\n<p>Sell it however you wish, just make sure Feldman wins the bid. I would also like the final price to come out to be a multiple of five, so keep that in mind. It's for good luck, you see.</p>\n<p>Don't overthink it\u2014it's just some spring cleaning, is all. You can handle that, yes?</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<table class=\"wiki-content-table\">\n<tr>\n<th colspan=\"4\">Auction Record 01</th>\n</tr>\n<tr>\n<th colspan=\"4\">MYK7X/BR05F/V9902</th>\n</tr>\n<tr>\n<th>Date</th>\n<td>April 05, 2021</td>\n<th>Location</th>\n<td>New York</td>\n</tr>\n<tr>\n<th>Auctioneer</th>\n<td>Dorian Sloan</td>\n<th>Lot</th>\n<td>25 of 102</td>\n</tr>\n<tr>\n<th>Listing</th>\n<td colspan=\"3\">The best sleep of your life, guaranteed. A three-night stay in Mykonos, Greece, at a modern villa designed by renowned architect Nikolaj Sierpi\u0144ski. While your body rejuvenates, you'll experience effortlessly lucid dreams that invite you to wander white-sand beaches and ancient landmarks under the stars, unencumbered by crowds or waking-world stressors. A perfectly peaceful retreat for the whole family. <em>Marshall, Carter and Dark LTD takes no responsibility for the misuse of this item.</em></td>\n</tr>\n<tr>\n<th>Name</th>\n<th>Bid</th>\n<th colspan=\"2\">Comments</th>\n</tr>\n<tr>\n<td>Esme Feldman</td>\n<td>70000USD</td>\n<td colspan=\"2\"></td>\n</tr>\n<tr>\n<td>Vera Acevedo</td>\n<td>77000USD</td>\n<td colspan=\"2\">Contracted bid-raiser to increase cost.</td>\n</tr>\n<tr>\n<td>Beatrice Baines</td>\n<td>85000USD</td>\n<td colspan=\"2\">Proxy bidder for Leslie Morgan</td>\n</tr>\n<tr>\n<td>Faris Vanderbilt</td>\n<td>90000USD</td>\n<td colspan=\"2\"></td>\n</tr>\n<tr>\n<td>Vera Acevedo</td>\n<td>93000USD</td>\n<td colspan=\"2\">Contracted bid-raiser to increase cost.</td>\n</tr>\n<tr>\n<td>Esme Feldman</td>\n<td>95000USD</td>\n<td colspan=\"2\"></td>\n</tr>\n<tr>\n<td>Faris Vanderbilt</td>\n<td>99000USD</td>\n<td colspan=\"2\"></td>\n</tr>\n<tr>\n<td>Vera Acevedo</td>\n<td>100500USD</td>\n<td colspan=\"2\">Contracted bid-raiser to increase cost.</td>\n</tr>\n<tr>\n<td>Esme Feldman</td>\n<td>105500USD</td>\n<th colspan=\"2\">Winner of auction.</th>\n</tr>\n<tr>\n<th colspan=\"4\">Marshall, Carter &amp; Dark Ltd.</th>\n</tr>\n</table>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:4px double white;\">\n<div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\">\n<p><strong>INTERNAL MEMO No. 99362</strong></p>\n<p><strong>ATTACHMENT CODE:</strong> MYK7X/BR05F/V9902-10</p>\n<p><strong>DATE:</strong> 05/04/2021</p>\n<p><strong>TO:</strong> RUPRECHT S. CARTER</p>\n<p><strong>PENNED BY:</strong> DORIAN C. SLOAN</p>\n<p>I hope you found the margins from this show to be satisfactory. I thought about taking Feldman up to 155, but I figured it was better to be less conspicuous. I'm aware I can get carried away, and I didn't want you to have to deal with her demanding to return something she can't afford.</p>\n<p>She did ask after the show if there was a telescope on the premises, or if she would have to bring her own.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"zillow\">\n<p><span style=\"color:royalblue; font-size:400%;\"><strong><em>Zillow<span style=\"font-size:50%;\">\u00ae</span></em></strong></span></p>\n<p><strong>esmef05</strong><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-7\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-7')\">7</a></sup><br/>\n<span style=\"color:#505050;\">07/05/2021</span><br/>\n\u2605\u2605\u2605\u2605\u2605</p>\n<p>THESE WERE NOT THE DREAMS I WAS PROMISED.<br/>\nNOW I SHALL NEVER DREAM AGAIN.<br/>\nAD MORI PER ASTRA. AD MORI INTER ASTRA.<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-8\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-8')\">8</a></sup></p>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div style=\"border:2px solid #472706;\">\n<div style=\"color:#032D38; font-size:11pt; background:#fffaf5;font-family: book;padding: 15px;\">\n<p><strong>INCIDENT REPORT MYK7X/BR05F/V9902-02</strong></p>\n<p><strong>DATE:</strong> 08/05/2021</p>\n<p><strong>PENNED BY:</strong> RUPRECHT S. CARTER</p>\n<p>Esme Feldman, along with her three children, spent May 1\u20134 in Mykonos before returning to New York.</p>\n<p>At market open on the 6th, she rebalanced her portfolio to be invested entirely in CrudeShares Oil Fund LP (OXF), which we control. There is no indication she left her home until the morning of the 7th, when she took the subway to go lay down in the middle of the road on Fifth Avenue. Manhattan traffic does not stop for one woman.</p>\n<p>As for the children<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-9\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-9')\">9</a></sup><span class=\"invisible\">|</span><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-10\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-10')\">10</a></sup><span class=\"invisible\">|</span><sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-11\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-11')\">11</a></sup>, their bodies were not discovered until 5 this morning. All three were lying face up in a circle in Central Park. The imprints around their bodies suggest they had been making 'angels' in the dirt. If not for the light pollution, I'd say they died gazing upon the stars.</p>\n<p>Already, our REITs<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-12\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-12')\">12</a></sup> are up 0.55% for the month.</p>\n</div>\n</div>\n<p><span style=\"white-space: pre-wrap;\"> </span></p>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/best-rest-villa-myk7x-br05f-v9902\">'Best-Rest Villa' (MYK7X/BR05F/V9902)</a>\" by mxsinister, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/best-rest-villa-myk7x-br05f-v9902\">https://scpwiki.com/best-rest-villa-myk7x-br05f-v9902</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n</div>\n</div>\n</div>\n</div>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Advertised as 60000USD/45000GBP per night as needed.</div>\n<div class=\"footnote-footer\" id=\"footnote-2\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-2')\">2</a>. Don't worry, this isn't hazardous to listen to. For better or for worse, the magically persuasive qualities of Dorian's voice don't carry over into recordings. \u2014Hogarth</div>\n<div class=\"footnote-footer\" id=\"footnote-3\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-3')\">3</a>. \"Fixed-Base Operator\" or private plane terminal</div>\n<div class=\"footnote-footer\" id=\"footnote-4\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-4')\">4</a>. John F. Kennedy International Airport</div>\n<div class=\"footnote-footer\" id=\"footnote-5\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-5')\">5</a>. A 20th-century English economist known for significant contributions to modern economic theory and for the accuracy and insight of his predictions.</div>\n<div class=\"footnote-footer\" id=\"footnote-6\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-6')\">6</a>. Refers to an individual with prophetic gifts.</div>\n<div class=\"footnote-footer\" id=\"footnote-7\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-7')\">7</a>. We never created a Zillow listing for this property. Nonetheless, a page with a description and images matching our villa appeared with this review. This was saved for internal records, after which the listing was deleted. \u2014Ruprecht</div>\n<div class=\"footnote-footer\" id=\"footnote-8\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-8')\">8</a>. To die by the stars. To die with the stars.</div>\n<div class=\"footnote-footer\" id=\"footnote-9\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-9')\">9</a>. You didn't tell me she was bringing her kids. \u2014Dorian</div>\n<div class=\"footnote-footer\" id=\"footnote-10\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-10')\">10</a>. I wasn't sure she would, and even if I had known, it wouldn't have been relevant to you. Is there a problem? \u2014Ruprecht</div>\n<div class=\"footnote-footer\" id=\"footnote-11\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-11')\">11</a>. No. I guess not. \u2014Dorian</div>\n<div class=\"footnote-footer\" id=\"footnote-12\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-12')\">12</a>. Real estate investment trusts</div>\n</div>\n</div></body></html>", "raw_source": "\n\t====\n\n[[include <a href=\"/component:preview\">component:preview</a>\n\ntext=\n\nMykonos is beautiful this time of year.\n\n]]\n\n=====\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:black-diamond\">:scp-wiki:theme:black-diamond</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:text-style\">:scp-wiki:component:text-style</a>]]\n\n\n\n[[>]]\n\n[[module rate]]\n\n[[/>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> start=--\n\n|name=mxsinister]]\n\n**This work contains CWs for:** Violence, murder, suicide, and implicit sexual references.\n\n\n\n'Best-Rest Villa' (MYK7X/BR05F/V9902) by\u00a0\u00a0[[*user mxsinister]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:author-label-source\">:scp-wiki:component:author-label-source</a> end=--]]\n\n[[>]]\n\n[[include <a 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449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 636 637 638 639 640 641 642 643 644 645 646 647 648 649 650 651 652 653 654 655 656 657 658 659 660 661 662 663 664 665 666 667 668 669 670 671 672 673 674 675 676 677 678 679 680 681 682 683 684 685 686 687 688 689 690 691 692 693 694 695 696 697 698 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Value||Not For Sale[[footnote]] Advertised as 60000USD/45000GBP per night as needed. [[/footnote]]||\n\n||~ Availability || 1 Unit ||\n\n||~ Identifier||Best-Rest Villa||\n\n||~ Description|| A 1950 m^^2^^, 4-bedroom villa in Mykonos, Greece. The property is held in name by Miller & Geer Realty through a binding, deed-based contract independent of eminent domain. _\n\n\u00a0_\n\nShould someone fall asleep anywhere on the premises, they will wake up 9 hours later in one of the bedrooms feeling optimally rested. They will also experience health benefits such as improved circulation and organ function, as well as balanced vitamin and hormone levels. _\n\n\u00a0_\n\nHowever, once someone who has slept on the premises departs, they are rendered physically incapable of falling asleep again. Following this, individuals will face the effects of sleep deprivation at an accelerated rate, becoming progressively more severe before death occurs, typically around three days after their last rest.||\n\n||||~ Marshall, Carter & Dark, Ltd.||\n\n\n\n@@ @@\n\n\n\n||||~ Initial Writeup||||\n\n||~ Penned by: || Ruprecht Sidereal Carter ||\n\n||~ Date || July 02, 2018 ||\n\n||~ Interest|| Medium ||\n\n||~ Identifier|| Best-Rest Villa ||\n\n|||| As beautiful as Mykonos is this time of year, I\u2019m afraid the costs of a good night\u2019s sleep drastically outweigh the benefits here. That said, I appreciate that the architect thought to reach out to me earlier this year about giving me first dibs on this little project. _\n\n\u00a0_\n\nAfter all, the demand is only low in the case of a fully informed buyer. This may easily be packaged as an exclusive getaway package and prove to have merit as an euthanasia service down the line. _\n\n\u00a0_\n\nIt\u2019s a hassle, of course, to try and force someone into buying such a specific resort, but there are enough desperate insomniacs in the world to keep my faith that this is a good addition to our portfolio. ||\n\n||~ File Opened Under:|||| MYK7X/BR05F/V9902 ||\n\n||||~ Marshall, Carter & Dark Ltd.||\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 96779**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-01\n\n\n\n**DATE:** 07/01/2020\n\n\n\n**TO:** RUPRECHT S. CARTER\n\n\n\n**PENNED BY:** LUCAS A. MONACO\n\n\n\nWould it be permissible to offer use of this villa to some kin of mine? Close enough to be irritating, distant enough not to bother you with consequences. I'm thinking the 15th\u201317th, but any weekend in January should work. \n\n\n\nIf yes, I'll need a formal invitation from you or someone whose name is on the property deed. Pesky customs and all, as I'd not go so far as to make them sleep on the doorstep, even if it might have the same effects.\n\n\n\nAs for compensation, I'm confident I can get them to pay the 45,000GBP a night for the trouble. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 96784**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-02\n\n\n\n**DATE:** 07/01/2020\n\n\n\n**TO:** LUCAS A. MONACO\n\n\n\n**PENNED BY:** RUPRECHT S. CARTER\n\n\n\nApproved. Rent's appreciated, but don't worry about it. I know family can be pesky, and you've given me a chuckle over the thought of turning immortal creatures of the night into perpetual insomniacs. The image gets better if they're already the sort to sleep in coffins.\n\n\n\nI'll forward you a proper invitation this afternoon. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"email\"]]\n\n[[div class=\"tofrom\"]]\n\n**From:** hcartwright@mcd_intmail.com\n\n**To:** amarsh@mcd_intmail.com\n\n**Date Sent:** 18/03/2021 20:32 GMT\n\n**Subject:** Hole in the Boat \n\n[[/div]]\n\n\n\nI've been going over the books forwarded to us from one of our private equity shells. I thought I might need to wait for quarterly reports to come in before I could be sure, but no, it's rather obvious that someone is stealing a good deal of money from you, Amos.\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"email\"]]\n\n[[div class=\"tofrom\"]]\n\n**From:**\u00a0\u00a0amarsh@mcd_intmail.com\n\n**To:** hcartwright@mcd_intmail.mcd\n\n**Date Sent:** 19/03/2021 09:12 GMT\n\n**Subject:** re: Hole in the Boat\n\n[[/div]]\n\n\n\nFrom your vagueness, I expect you don't intend to tell me without some incentive?\n\n\n\nGod forbid you simply do the job we pay you to do, Mr. Cartwright.\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"email\"]]\n\n[[div class=\"tofrom\"]]\n\n**From:** hcartwright@mcd_intmail.com\n\n**To:** amarsh@mcd_intmail.com\n\n**Date Sent:** 19/03/2021 09:40 GMT\n\n**Subject:** re: Hole in the Boat \n\n[[/div]]\n\n\n\nYou brought two tickets to a gallery opening tomorrow evening, no? I'd very much like to go view the works. I'm sure whoever you bought that other ticket for originally won't mind. \n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"email\"]]\n\n[[div class=\"tofrom\"]]\n\n**From:** amarsh@mcd_intmail.com\n\n**To:** hcartwright@mcd_intmail.com\n\n**Date Sent:** 19/03/2021 11:36 GMT\n\n**Subject:** re: Hole in the Boat \n\n[[/div]]\n\n\n\nFine. Just take both tickets. I don't care.\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"email\"]]\n\n[[div class=\"tofrom\"]]\n\n**From:** hcartwright@mcd_intmail.com\n\n**To:** amarsh@mcd_intmail.com\n\n**Date Sent:** 22/03/2021 09:30 GMT\n\n**Subject:** re: Hole in the Boat \n\n[[/div]]\n\n\n\nMy concerns lie with Horizon Holdings. I'll be frank, the financials across the board are heinous, but the chief violator appears to be the company's CEO, Nikos Feldman. Attached, you'll find several instances of blatant reimbursement abuse and payroll fraud. I'll not even begin on his asset misappropriation\u2014you have access to my full assessment. \n\n\n\nAccording to his voicemail, Feldman is currently out of the office, but I expect you'll want him dealt with accordingly. \n\n\n\nOnce that's behind us, I'd suggest cutting free from this particular shell entirely. Replacing a single board does little to treat the rot. \n\n\n\n{{\ud83d\udd17 horizonholdings_financials.zip}}\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"email\"]]\n\n[[div class=\"tofrom\"]]\n\n**From:**\u00a0\u00a0amarsh@mcd_intmail.com\n\n**To:** hcartwright@mcd_intmail.mcd\n\n**Date Sent:** 22/03/2021 10:09 GMT\n\n**Subject:** re: Hole in the Boat\n\n[[/div]]\n\n\n\nHe's still out of the office? Can't say I'm surprised. He split from his wife in Manhattan two months ago to go hide out in Mykonos with some mistress or another. \n\n\n\nI'm curious if he's deliberately hiding from us, or if that's just a pleasant bonus. Regardless, he's an idiot to suppose he can run off with our money.\n\n\n\nSee about repossessing what's ours and then some. It's a bit late in his marriage for blackmail to do the trick, but I'm sure there's some other way to force his hand.\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99142**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-03\n\n\n\n**DATE:** 24/03/2021\n\n\n\n**TO:** AMOS H. MARSHALL, DORIAN C. SLOAN\n\n\n\n**PENNED BY:** HOGARTH M. CARTWRIGHT\n\n\n\nAmos, I'm moving this conversation into this file for relevance. \n\n\n\nYou were right that Mr. Feldman is currently hiding out in Mykonos, and evidently, we've done something to make Lady Luck smile, as I've confirmed that his villa is just down the street from our own. Rich minds think alike, apparently.\n\n\n\nDorian says that if we can get him a reliable number, he can talk Feldman into walking next door for a nap. \n\n\n\nThis is an advantageous alternative to killing him outright. This way, we have a chance to get some of our money back, as I expect that after a few days of sleep deprivation, he'll be willing to pay a pretty penny for an antidote, if we tell him we have one.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99143**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-04\n\n\n\n**DATE:** 24/03/2021\n\n\n\n**TO:** AMOS H. MARSHALL, HOGARTH M. CARTWRIGHT\n\n\n\n**PENNED BY:** DORIAN C. SLOAN\n\n\n\nFull transparency, I've never talked someone into falling asleep. Shouldn't be an issue, given the relative tameness of the request, but I'll go out and practice to verify.\n\n\n\nJust let me know whether this is going to have to be cell or landline. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99146**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-05\n\n\n\n**DATE:** 24/03/2021\n\n\n\n**TO:** HOGARTH M. CARTWRIGHT, DORIAN C. SLOAN\n\n\n\n**PENNED BY:** AMOS H. MARSHALL\n\n\n\nThis works. I'll send over Feldman's information and leave it to you two to sort out the details.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"court-document\"]]\n\n\n\n[[div class=\"lineno-container\"]]\n\n[[div class=\"monospace linenos\"]]\n\n[[div class=\"nums\"]]\n\n[[/div]]\n\n[[/div]]\n\n[[/div]]\n\n\n\n[[div class=\"monospace court-document-content\"]]\n\n\n\n**AUDIO FILE MYK7X/BR05F/V9902-01**[[footnote]] Don't worry, this isn't hazardous to listen to. For better or for worse, the magically persuasive qualities of Dorian's voice don't carry over into recordings. \u2014Hogarth [[/footnote]]\n\n\n\n//DATE: 27/03/2021//\n\n//TIME BEGIN: 2:04PM UTC -5//\n\n\n\n**[BEGIN TRANSCRIPT]** \n\n\n\n[HOGARTH CARTWRIGHT sits across the desk from DORIAN SLOAN.]\n\n\n\n**HOGARTH:** And...we're rolling.\n\n\n\n**DORIAN:** Wait\u2014you're recording this?\n\n\n\n**HOGARTH:** Of course.\n\n\n\n**DORIAN:** It's bad enough that you insist on sitting there and listening to me do this. \n\n\n\n**HOGARTH:** Pfft. I know damn well you don't have stage fright, kid. \n\n\n\n**DORIAN:** I\u2014Yeah, okay, I'll give you that.\n\n\n\n[DORIAN finishes a glass of water on his desk, then clears his throat.]\n\n\n\n**DORIAN:** Let's do this. \n\n\n\n[HOGARTH provides an untraceable burner phone. There is only one contact saved, belonging to NIKOS FELDMAN. DORIAN picks up the phone and calls the number, playing the call on speaker. The line rings for three seconds before it is picked up.]\n\n\n\n[There is a brief static disruption to the audio as DORIAN begins to speak rapidly.]\n\n\n\n**DORIAN:** Hey! You're going to stay on this line so I can talk to you about your homeowner's insurance, okay? Good, cool, nice to meet you. Please provide a yes or no answer to the following confirmation question: Am I speaking to Mr. Nikos Feldman, currently residing in Mykonos?\n\n\n\n**NIKOS:** Y-Yes. Who is this?\n\n\n\n**DORIAN:** Shh, doesn't matter who I am. I'm your best and most trusted friend in the whole wide world, and you're going to do exactly what I say. Yes or no, are you alone?\n\n\n\n**NIKOS:** Yes, but my\u2014\n\n\n\n**DORIAN:** Good. No one else matters but us. If you're inside, you're going to go outside. Don't worry, no one's out there to hurt you. Don't look scared or do anything to raise alarm. You're just taking a little walk down the street, yeah?\n\n\n\n[HOGARTH places a map in front of DORIAN, showing the area surrounding NIKOS. The path between the two villas is highlighted, with notes for giving verbal directions scribbled alongside. DORIAN gives a thumbs-up while continuing to speak.]\n\n\n\n**DORIAN:** I hear Mykonos is beautiful this time of year. I'm sure that's why you chose to go, yes? No other reason at all. Not hiding, just vacationing, mm? Tell me\u2014are you outside enjoying the weather yet, Mr. Feldman?\n\n\n\n**NIKOS:** I am, yes . . . It's nice tonight. \n\n\n\n**DORIAN:** Wonderful. Front door, facing the beach, yes or no?\n\n\n\n**NIKOS:** Facing the beach, yes. \n\n\n\n**DORIAN:** Gorgeous, isn't it? Start walking to your right. \n\n\n\n**NIKOS:** How are you doing this? \n\n\n\n[DORIAN kicks his feet up onto his desk.]\n\n\n\n**DORIAN:** It's not a far walk, I promise. Only about a mile\u2014two kilometers, if you've already abandoned the imperial system. Forgive my being an American. Not important. What's important is that I'm gonna talk you through every step of the way, alright? Follow my voice, and I promise I won't lead you astray.\n\n\n\n**NIKOS:** Where am I going?\n\n\n\n**DORIAN:** Augh, god forbid this is as easy as me giving you an address, mm? Old roads and all, I guess. Do you keep up with what's new in architecture, Mr. Feldman? Surrounding real estate?\n\n\n\n**NIKOS:** Yes. I try. \n\n\n\n**DORIAN:** Kolya Sierpi\u0144ski designed the most remarkably beautiful villa just down the road from you. You're going to a viewing, is all. Consider me your real estate agent. It's got a better beach view than what you've got right now. \n\n\n\n**NIKOS:** A viewing? \n\n\n\n**DORIAN:** Yes. Open house. Nothing nefarious, don't worry. Keep walking, turn straight and down the mountain, then take a left right before the Caf\u00e9 Ax\u00edzei. Tell me when you get there, alright? You're not stopping for a drink, sorry. There should be a staircase behind the building. \n\n\n\n**NIKOS:** I can see it now.\n\n\n\n**DORIAN:**\u00a0\u00a0Wonderful. Be careful walking down. Don't trip on the stairs. \n\n\n\n**NIKOS:** What's your name? \n\n\n\n**DORIAN:** Whatever you want it to be, baby.\n\n\n\n[HOGARTH stifles a laugh, and DORIAN grins as he motions for him to be quiet.]\n\n\n\n**DORIAN:** Ha, god, to hell with this job, I should have been a call girl. There's good money in that. But hey, you and I both know there's a difference between good money and great money, yeah? \n\n\n\n**HOGARTH:** Don't rule it out yet. When Percival hears this\u2014\n\n\n\n**DORIAN:** Shh\u2014! Anyway, this is fun. What do you think, Nikos? Are you having fun? Don't answer that, actually. Just tell me when you reach the bottom of the steps. There's an ATM right there.\n\n\n\n**NIKOS:** How\u2014 Why am I doing this?\n\n\n\n**DORIAN:** Because I've asked you very nicely, and because you want to do as I say. And hey, you're doing very well for me, you know that? I mean, truly, I can't tell you how much I appreciate you being this good at following directions.\n\n\n\n**NIKOS:** Hey, mister? \n\n\n\n**DORIAN:** Yes?\n\n\n\n**NIKOS:** Do you want to hurt me?\n\n\n\n**DORIAN:** I want you to keep doing as I tell you. Keep walking down the stairs. \n\n\n\n**NIKOS:** Okay . . . You know, there are some people out there who really want to hurt me.\n\n\n\n**DORIAN:** Oh, yes, there certainly are. But don't worry about them. Just listen to my voice. I've not told you to bash your head in on the rocks yet, have I? \n\n\n\n**NIKOS:** No...\n\n\n\n**DORIAN:** Exactly. Now, would you walk a bit faster, please? I resent slow walkers. It's a pet peeve.\n\n\n\n[NIKOS speeds up.]\n\n\n\n**NIKOS:** Hah. Definitely from the Big Apple, aren't you?\n\n\n\n**DORIAN:** I\u2014Who the fuck calls it that? I've never heard anyone actually call it that. Are you trying to throw me off? I thought I told you to tell me when you\u2014\n\n\n\n**NIKOS:** I'm at the bottom of the stairs.\n\n\n\n**DORIAN:** Oh\u2014perfect! How easy was that? Now, there's a main path to your two o'clock. You should be able to see where to walk, but let me know if it's not clear. Is it clear? \n\n\n\n**NIKOS:** Yes, it's clear. \n\n\n\n**DORIAN:** Good! Now, you're pretty much on a straightaway from here. Bit steep, though, so I'm going to once again ask that you pretty please don't trip and fall. Your destination is a villa that will be on your right. White marble, three stories, very little surrounding it. According to the listing, there are even a few olive trees in the yard. For your convenience, we've left a British flag outside the door. Tacky, I know, but not my call. Can't have you going to the wrong property.\n\n\n\n**NIKOS:** You . . . Oh, no . . .\n\n\n\n**DORIAN:** Mm?\n\n\n\n**NIKOS:** No, no, no, please . . . \n\n\n\n**DORIAN:** Whatever has you sounding so frightened, you're not going to let it keep you from continuing to walk. \n\n\n\n**NIKOS:** You work for Marshall, don't you?\n\n\n\n[DORIAN pauses, then laughs softly.]\n\n\n\n**DORIAN:** You know, whenever I do this, I never like to name drop. \n\n\n\n**NIKOS:** No, no, mister, please\u2014 Don't make me\u2014\n\n\n\n**DORIAN:** Did you take him for someone who bluffs? Did you think you could fuck with his financials and then go hide in your pretty house on the sea without consequence? Well, here I am, sweetheart. Your motherfucking consequence, courtesy of Mr. Marshall. \n\n\n\n**NIKOS:** Please... \n\n\n\n**DORIAN:** Stay en route, Nikos, or so help me god. \n\n\n\n[NIKOS continues to whimper softly, sniffling.]\n\n\n\n**DORIAN:** Oh, don't cry. Please don't cry. Hey, I'm gonna take your mind off that nasty business, alright? Rather than sit here and threaten you or improv phone sex from here until you finish walking to the villa, I'm going to give you a free podcast! Or a bedtime story, whatever you want to think of this as.\n\n\n\n[DORIAN picks up a print of the day's Wall Street Journal, flipping to the front page.]\n\n\n\n**DORIAN:** Now, I'm sure you keep up with the news, so forgive me if this information is outdated to you, but it's what I've got on hand. If you reach your destination before I'm finished, you cut me off, alright? \n\n\n\n[For the next eleven minutes and eight seconds, DORIAN proceeds to read the paper aloud in its entirety, pausing intermittently to keep NIKOS en route. Three minutes in, HOGARTH gets up and walks around the desk to take a pack of cigarettes from the top drawer. HOGARTH removes one and returns to his seat, smoking silently until DORIAN finishes the paper.]\n\n\n\n**DORIAN:** In my mind, that was going to last longer. Shit. Sorry, I read fast. You still with me, Nikos? \n\n\n\n**NIKOS:** Yes. You should do audiobooks.\n\n\n\n**DORIAN:** Aww, thank you. And you should watch your step. \n\n\n\n**NIKOS:** You don't have to do this, you know. I can pay you. \n\n\n\n**DORIAN:** Pfft, please. You can't afford me. Now, describe where you are.\n\n\n\n**NIKOS:** I see olive trees, the bright blue sea, stone beaches. . . It's all so beautiful . . . Please, mister, I'm not ready to die.\n\n\n\n**DORIAN:** Tell me landmarks.\n\n\n\n**NIKOS:** I walked past another resort about a minute ago. I can see the street you want me to go to. \n\n\n\n**DORIAN:** That's good, very good. One foot in front of the other, Mr. Feldman. Deep breaths and relax. \n\n\n\n**NIKOS:** C-Can you tell Marshall I'm sorry?\n\n\n\n**DORIAN:** You can tell him yourself. You're not going to die today. \n\n\n\n**NIKOS:** Maybe not, but something horrible will happen to me, won't it?\n\n\n\n**DORIAN:** I'm not going to ruin a surprise. Now, you seem to know where you're going. I've been clear about what I want you to do. Keep walking and tell me when you reach the villa.\n\n\n\n**NIKOS:** Even if I do die, my wife won't care. No one will. Maybe the kids, but they'll get over it. But whatever you intend to do to me, Esme would probably approve. She caught me cheating not too long ago.\n\n\n\n**DORIAN:** Oh? Well, tell me //that// story while you walk.\n\n\n\n**NIKOS:** I told Esme I was going to Chicago on business. Then our son broke his arm, and when she called, I didn't answer. She said she knew right then, said the //stars// told her. Can you believe that horseshit?\n\n\n\n**DORIAN:** What, like your marriage was in retrograde?\n\n\n\n**NIKOS:** Like hell. I bet she called my good-for-nothing colleagues, and one of them ratted on me.\n\n\n\n\u00a0**DORIAN:** You're a bastard. Keep walking. I bet you weren't even in Chicago.\n\n\n\n**NIKOS:** No, no, I was. I'd just skipped the panel in the hotel lobby to go back to my suite and get head from a Greek woman with great legs. \n\n\n\n[DORIAN and HOGARTH look at each other with raised brows.]\n\n\n\n**DORIAN:** My accountant wants to know if it was at least good head.\n\n\n\n[DORIAN starts laughing, as does HOGARTH. DORIAN immediately clears his throat and resumes.]\n\n\n\n**DORIAN:** Sorry. Don't hang up. You're very brave for sharing that. Though why people feel compelled to tell me this sort of thing, I have no idea. \n\n\n\n[NIKOS sighs.]\n\n\n\n**NIKOS:** Well, who else am I going to tell? Besides, it seems now's the time to get that sort of thing off my chest.\n\n\n\n**DORIAN:** You know what? That's fair. Sure, this can be confessional, so long as you keep walking to the villa. \n\n\n\n**NIKOS:** I can see it now. The villa.\n\n\n\n**DORIAN:** Oh, that's great! Well done, Mr. Feldman. You're almost there.\n\n\n\n**NIKOS:** It's beautiful. Has good bones, a lovely facade. . . \n\n\n\n**DORIAN:** Real //Architectural Digest// material, isn't it?\n\n\n\n**NIKOS:** Yes. I'm here. Please don't make me go inside.\n\n\n\n**DORIAN:** But it would be such a waste not to! You've walked all this way.\u00a0\u00a0Can you see the front door? Blue with the flag beside it?\n\n\n\n**NIKOS:** Yes. Please don't do this. Please.\n\n. \n\n**DORIAN:** Just for you, my friend, it's unlocked. Walk inside. \n\n\n\n[The front door to the villa opens. NIKOS enters, then closes the door behind him. His breath shudders.]\n\n\n\n**NIKOS:** I'm inside...\n\n\n\n**DORIAN:** Pick a bedroom\u2014doesn't matter to me which one. Just walk around until you find a bed. And what lovely beds, no? Feather pillows, linen sheets, whatever those geniuses put inside mattresses.\u00a0\u00a0Find one, then lie down for me. \n\n\n\n[A door opens. There are footsteps, followed by rustling sounds.]\n\n\n\n**DORIAN:** See, I told you it was good real estate. Aren't you glad I brought you all this way?\n\n\n\n**NIKOS:** Y-Yes. Okay.\n\n\n\n**DORIAN:** Okay, good. Are you lying down?\n\n\n\n**NIKOS:** Yes.\n\n\n\n**DORIAN:** Are you comfortable?\n\n\n\n**NIKOS:** Yes.\n\n\n\n**DORIAN:** Very good. You're going to fall asleep now. \n\n\n\n**NIKOS:** That's it?\n\n\n\n**DORIAN:** That's it? Ha\u2014aww, god, don't sound so disappointed. I promise, this is about to be the best sleep of your life. \n\n\n\n**NIKOS:** Will you stay on the line?\n\n\n\n**DORIAN:** Oh, that's so sweet. Yes, of course I'll stay on the line. I'd read you a bedtime story, but I\u2014well, I guess I skipped the currency exchange. Dry enough to put anyone to sleep, right? Ha.\n\n\n\n[DORIAN picks up the newspaper again and flips to the exchange section.]\n\n\n\n**DORIAN:** We'll start with the Americas. As of this morning on Wall Street, the Argentine peso is worth 0.0009 US dollars. Go to sleep. The Brazilian real is worth 0.1814 USD. Go to sleep. The Canadian dollar\u2014\n\n\n\n[This procedure continues for three minutes and twelve seconds. When DORIAN reaches the end of the page, there is silence for nine seconds, save for soft breathing from NIKOS.]\n\n\n\n**DORIAN:** Nikos?\n\n\n\n[Silence and soft breathing continue for another forty-five seconds. DORIAN gives a questioning thumbs-up gesture, to which HOGARTH nods in confirmation. DORIAN ends the call and sighs deeply.]\n\n\n\n**HOGARTH:** That was impressive. \n\n\n\n**DORIAN:** You're too kind. \n\n\n\n**HOGARTH:** No, I'm not. I'm not easily impressed, either.\n\n\n\n[DORIAN smiles and takes his legs off his desk. He proceeds to retrieve a medicinal, honey-flavored lozenge from his top drawer, which he places in his mouth.]\n\n\n\n**DORIAN:** Want one?\n\n\n\n**HOGARTH:** No, I'm fine, thanks. Do you talk to everyone you kill like you're trying to take them to bed?\n\n\n\n[DORIAN shrugs and removes a cigarette case containing Marlboro Blacks from the pocket of his suit jacket, extending it to HOGARTH.]\n\n\n\n**HOGARTH:** That, I'll take you up on.\n\n\n\n[HOGARTH lights himself a cigarette as DORIAN stands up. HOGARTH returns the case, only for DORIAN to pocket it.]\n\n\n\n**HOGARTH:** You're making me smoke alone? Bastard.\n\n\n\n**DORIAN:** Course not. God knows I need one, just giving it a few minutes\u2014\n\n\n\n[DORIAN taps his cheek where the cough drop rests to emphasize that he is waiting for it to dissolve. HOGARTH scoffs, then stands up as well.]\n\n\n\n**HOGARTH:** Don't those things cancel out?\n\n\n\n**DORIAN:** Sure, but that doesn't really matter. I'm going to go have [*https://scp-wiki.wikidot.com/scp-7190 sushi] for lunch. Turn that thing off and come join me.\n\n\n\n[END STENOGRAPHER\u2019S STONE TRANSCRIPTION.]\n\n\n\n//TIME CONCLUDED: 02:29PM UTC-5//\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:2px solid #472706;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:#fffaf5;font-family: book;padding: 15px;\"]] \n\n\n\n**INCIDENT REPORT MYK7X/BR05F/V9902-01**\n\n\n\n**DATE:** 31/03/2021\n\n\n\n**PENNED BY:** HOGARTH M. CARTWRIGHT\n\n\n\nBy the time Nikos Feldman woke up, he had received an invoice from Enterprise Equity Partners for 750,000USD. As we expected, he had to liquidate his entire portfolio to scrounge up the sum, but the check cleared yesterday.\n\n\n\nThis morning, he flew back to New York, only to drop dead of a heart attack in the FOB[[footnote]] \"Fixed-Base Operator\" or private plane terminal [[/footnote]] at JFK[[footnote]] John F. Kennedy International Airport [[/footnote]].\n\n\n\nWord on the street is that Nikos was right about one thing\u2014his wife seems perturbed by the news, but she's far from mourning.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99168**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-06\n\n\n\n**DATE:** 31/03/2021\n\n\n\n**TO:** RUPRECHT S. CARTER\n\n\n\n**PENNED BY:** AMOS H. MARSHALL\n\n\n\nMy thanks again for letting Nikos Feldman crash at your place. Glad to see we were able to get some use out of the property, unfortunate after-effects and awful floor plan aside.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99174**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-07\n\n\n\n**DATE:** 31/03/2021\n\n\n\n**TO:** AMOS H. MARSHALL\n\n\n\n**PENNED BY:** RUPRECHT S. CARTER\n\n\n\nIt's no trouble\u2014believe it or not, the linens in the place even change themselves. \n\n\n\nAlthough, since you've brought the family to my attention, I knew the name Esme Feldman rang a bell. Sure enough, she's a fairly prolific financial astrologer in Manhattan. A second-rate star-charter, really, who has spent the past decade crying wolf to her husband and his investment banker friends. \n\n\n\nI've never appreciated her meddling in certain markets, but this business with Nikos is making me wonder if I should tie up this loose end. I'm sure you'll scoff, but I do believe I can make a ritual out of it. \n\n\n\nI only ask as a courtesy, given she's more in your orbit than mine\u2014after all, I'd be offended if you went out and had some real estate mogul killed without giving me at least a heads up.\n\n\n\nThough if you shake your head at my astrological antics, I'll assume you have no love lost for Ms. Feldman. Last I checked, Percival still had John Maynard Keynes'[[footnote]] A 20th-century English economist known for significant contributions to modern economic theory and for the accuracy and insight of his predictions. [[/footnote]] soul trapped beneath the London office, and I can't imagine you consulting a superstitious nobody for economic forecasts when we have better Cassandras[[footnote]] Refers to an individual with prophetic gifts. [[/footnote]] available via s\u00e9ance.\n\n\n\nI assure you, it'll all be very clean, assuming you don't mind my borrowing Dorian for this. It'll be no extra logistics on his part or yours. \n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99180**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-08\n\n\n\n**DATE:** 31/03/2021\n\n\n\n**TO:** RUPRECHT S. CARTER\n\n\n\n**PENNED BY:** AMOS H. MARSHALL\n\n\n\nBe my guest. Do what you want.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99200**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-09\n\n\n\n**DATE:** 01/04/2021\n\n\n\n**TO:** DORIAN C. SLOAN\n\n\n\n**PENNED BY:** RUPRECHT S. CARTER\n\n\n\nYou will see I've updated the catalogue for this upcoming auction to include this villa. Now, since dead customers are not returning customers, you know this obviously isn't a retreat we send our friends on. This has an intended buyer. \n\n\n\nWhen the time comes to sell off Lot 25, it is imperative that you make sure Esme Feldman is the one to purchase it. Nikos' widow, if you were wondering. A hack, truly, and more profitable to us dead than alive. \n\n\n\nI will be in attendance on the fifth and will make sure to point her out to you. If I am unable to attend, Monaco will be there.\n\n\n\nSell it however you wish, just make sure Feldman wins the bid. I would also like the final price to come out to be a multiple of five, so keep that in mind. It's for good luck, you see.\n\n\n\nDon't overthink it\u2014it's just some spring cleaning, is all. You can handle that, yes?\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n||||||||~ Auction Record 01||\n\n||||||||~ MYK7X/BR05F/V9902 ||\n\n||~ Date || April 05, 2021 ||~ Location || New York ||\n\n||~ Auctioneer || Dorian Sloan ||~ Lot || 25 of 102 ||\n\n||~ Listing ||||||\u00a0\u00a0The best sleep of your life, guaranteed. A three-night stay in Mykonos, Greece, at a modern villa designed by renowned architect Nikolaj Sierpi\u0144ski. While your body rejuvenates, you'll experience effortlessly lucid dreams that invite you to wander white-sand beaches and ancient landmarks under the stars, unencumbered by crowds or waking-world stressors. A perfectly peaceful retreat for the whole family. //Marshall, Carter and Dark LTD takes no responsibility for the misuse of this item.// ||\n\n||~ Name ||~ Bid ||||~ Comments||\n\n|| Esme Feldman || 70000USD ||||\u00a0\u00a0||\n\n|| Vera Acevedo || 77000USD |||| Contracted bid-raiser to increase cost. ||\n\n|| Beatrice Baines || 85000USD |||| Proxy bidder for Leslie Morgan ||\n\n|| Faris Vanderbilt || 90000USD ||||\u00a0\u00a0||\n\n|| Vera Acevedo || 93000USD |||| Contracted bid-raiser to increase cost. ||\n\n|| Esme Feldman || 95000USD |||| ||\n\n|| Faris Vanderbilt || 99000USD ||||\u00a0\u00a0||\n\n|| Vera Acevedo || 100500USD |||| Contracted bid-raiser to increase cost. ||\n\n|| Esme Feldman\u00a0\u00a0|| 105500USD ||||~ Winner of auction. ||\n\n||||||||~ Marshall, Carter & Dark Ltd.||\n\n\n\n@@ @@\n\n\n\n[[div style=\"border:4px double white;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:rgb(232, 244, 250);font-family: book;padding: 15px;\"]]\n\n\n\n**INTERNAL MEMO No. 99362**\n\n\u00a0\n\n**ATTACHMENT CODE:** MYK7X/BR05F/V9902-10\n\n\n\n**DATE:** 05/04/2021\n\n\n\n**TO:** RUPRECHT S. CARTER\n\n\n\n**PENNED BY:** DORIAN C. SLOAN\n\n\n\nI hope you found the margins from this show to be satisfactory. I thought about taking Feldman up to 155, but I figured it was better to be less conspicuous. I'm aware I can get carried away, and I didn't want you to have to deal with her demanding to return something she can't afford. \n\n\n\nShe did ask after the show if there was a telescope on the premises, or if she would have to bring her own.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[div class=\"zillow\"]]\n\n[[span style=\"color:royalblue; font-size:400%;\"]]**//Zillow[[span style=\"font-size:50%;\"]]\u00ae//**[[/span]] [[/span]]\n\n\n\n**esmef05**[[footnote]] We never created a Zillow listing for this property. Nonetheless, a page with a description and images matching our villa appeared with this review. This was saved for internal records, after which the listing was deleted. \u2014Ruprecht [[/footnote]]\n\n[[span style=\"color:#505050;\"]] 07/05/2021 [[/span]]\n\n\u2605\u2605\u2605\u2605\u2605\n\n\n\nTHESE WERE NOT THE DREAMS I WAS PROMISED.\n\nNOW I SHALL NEVER DREAM AGAIN.\n\nAD MORI PER ASTRA. AD MORI INTER ASTRA.[[footnote]] To die by the stars. To die with the stars. [[/footnote]]\n\n\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n\n\n\n\n[[div style=\"border:2px solid #472706;\"]]\n\n[[div style=\"color:#032D38; font-size:11pt; background:#fffaf5;font-family: book;padding: 15px;\"]] \n\n\n\n**INCIDENT REPORT MYK7X/BR05F/V9902-02**\n\n\n\n**DATE:** 08/05/2021\n\n\n\n**PENNED BY:** RUPRECHT S. CARTER\n\n\n\nEsme Feldman, along with her three children, spent May 1\u20134\u00a0\u00a0in Mykonos before returning to New York. \n\n\n\nAt market open on the 6th, she rebalanced her portfolio to be invested entirely in CrudeShares Oil Fund LP (OXF), which we control. There is no indication she left her home until the morning of the 7th, when she took the subway to go lay down in the middle of the road on Fifth Avenue. Manhattan traffic does not stop for one woman.\n\n\n\nAs for the children[[footnote]] You didn't tell me she was bringing her kids. \u2014Dorian[[/footnote]][[span class=\"invisible\"]]|[[/span]][[footnote]] I wasn't sure she would, and even if I had known, it wouldn't have been relevant to you. Is there a problem? \u2014Ruprecht [[/footnote]][[span class=\"invisible\"]]|[[/span]][[footnote]] No. I guess not. \u2014Dorian [[/footnote]], their bodies were not discovered until 5 this morning. All three were lying face up in a circle in Central Park. The imprints around their bodies suggest they had been making 'angels' in the dirt. If not for the light pollution, I'd say they died gazing upon the stars.\n\n\n\nAlready, our REITs[[footnote]] Real estate investment trusts [[/footnote]] are up 0.55% for the month.\n\n\n\n[[/div]]\n\n[[/div]]\n\n\n\n@@ @@\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_licensebox", "_marshall-carter-and-dark", "amos-marshall", "black-diamond-billions", "corporate", "fifthist", "goi-format", "lucas-monaco", "marshall-carter-and-dark", "reviewers-spotlight", "ruprecht-carter"], "title": "'Best-Rest Villa' (MYK7X/BR05F/V9902) - SCP Foundation", "url": "https://scp-wiki.wikidot.com/best-rest-villa-myk7x-br05f-v9902"}, "beyond-the-veil": {"created_at": "2026-08-23T22:03:00", "creator": "Dr0Shadow", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "", "date": "2026-08-23T22:03:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Uploaded file \"polaroid4.png\".", "date": "2026-08-23T22:04:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Uploaded file \"polaroid2.png\".", "date": "2026-08-23T22:04:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Uploaded file \"polaroid1.png\".", "date": "2026-08-23T22:04:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Uploaded file \"crayondrawing.png\".", "date": "2026-08-23T22:04:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Uploaded file \"floorplanandreceipt.png\".", "date": "2026-08-23T22:05:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Uploaded file \"polaroid7.png\".", "date": "2026-08-23T22:06:00"}, {"author": "BattleSpikes", "author_href": "https://www.wikidot.com/user:info/battlespikes", "comment": "Added tags: goicon-2026. ", "date": "2026-08-23T22:08:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Added tags: horror, series-0. 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", "date": "2026-08-24T14:00:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Removed tags: series-0. ", "date": "2026-08-24T19:52:00"}, {"author": "Dr0Shadow", "author_href": "https://www.wikidot.com/user:info/dr0shadow", "comment": "Removing from the series 0 canon", "date": "2026-08-24T19:52:00"}, {"author": "Ethagon", "author_href": "https://www.wikidot.com/user:info/ethagon", "comment": "Added tags: _other, goi-format. Removed tags: tale. ", "date": "2026-08-26T16:02:00"}, {"author": "Byzantophile", "author_href": "https://www.wikidot.com/user:info/byzantophile", "comment": "Added tags: _cc. Removed tags: _image. ", "date": "2026-09-28T21:10:00"}], "hubs": ["goi-formats", "news"], "images": [], "link": "beyond-the-veil", "page_id": "1469219856", "rating": 4, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wdfiles.com/local--code/theme%3Aclassic/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n\n\n\n\n\n\n\n<div style=\"text-align: center;\">\n<blockquote>\n<p><span style=\"font-size:larger;\">\u062a\u0645\u0627\u0645 \u0634\u062f</span></p>\n</blockquote>\n</div>\n<div class=\"licensebox\">\n<div class=\"collapsible-block\">\n<div class=\"collapsible-block-folded\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-unfolded\" style=\"display:none\">\n<div class=\"collapsible-block-unfolded-link\"><a class=\"collapsible-block-link\" href=\"javascript:;\">\u2021\u00a0Hide\u00a0Licensing\u00a0/\u00a0Citation</a></div>\n<div class=\"collapsible-block-content\">\n<p>Cite this page as:</p>\n<div class=\"list-pages-box\"> <div class=\"list-pages-item\">\n<blockquote>\n<p>\"<a href=\"/beyond-the-veil\">Beyond The Veil</a>\" by Dr0Shadow, from the <a href=\"https://scpwiki.com\">SCP Wiki</a>. Source: <a href=\"https://scpwiki.com/beyond-the-veil\">https://scpwiki.com/beyond-the-veil</a>. Licensed under <a href=\"https://creativecommons.org/licenses/by-sa/3.0/\">CC BY-SA</a>.</p>\n</blockquote>\n</div>\n</div>\n<p>For information on how to use this component, see the <a href=\"/component:license-box\">License Box component</a>. To read about licensing policy, see the <a href=\"/licensing-guide\">Licensing Guide</a>.</p>\n<blockquote>\n<p><strong>Filename:</strong> heartbeatsinthesuitcase.png<br/>\n<strong>Author:</strong> Dr0Shadow<br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> polaroid1.png<br/>\n<strong>Name:</strong> Night Paris Street<br/>\n<strong>Author:</strong> Bradley Weber<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/41294655@N00/48110709312/\">https://www.flickr.com/photos/41294655@N00/48110709312/</a><br/>\n<strong>Additional Notes:</strong> Cropped and edited in GIMP. All polariod images (including this one) use a frame extracted with permission from JackalRelated's 228-XX from SCP-228, which is under CC BY SA 3.0.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> polaroid2.png<br/>\n<strong>Name:</strong> Steampunk Kids<br/>\n<strong>Author:</strong> Brida Anderson<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/triggerhappy09/3569097475/\">https://www.flickr.com/photos/triggerhappy09/3569097475/</a><br/>\n<strong>Additional Notes:</strong> Cropped and edited in GIMP.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> polaroid4.png<br/>\n<strong>Name:</strong> Teenage girl wearing jeans and Kasper shirt in Madison, Wisconsin 2017<br/>\n<strong>Author:</strong> John Benson<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://commons.wikimedia.org/wiki/File:Teenage_girl_wearing_jeans_and_Kasper_shirt_in_Madison,_Wisconsin_2017.jpg\">https://commons.wikimedia.org/wiki/File:Teenage_girl_wearing_jeans_and_Kasper_shirt_in_Madison,_Wisconsin_2017.jpg</a><br/>\n<strong>Additional Notes:</strong> Cropped and edited in GIMP.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> floorplanandreceipt.png<br/>\n<strong>Author:</strong> Dr0Shadow<br/>\n<strong>License:</strong> CC BY-SA 3.0<br/>\n<strong>Additional Notes:</strong> Receipt uses the following links as reference for its creation: <a href=\"https://images.sampletemplates.com/wp-content/uploads/2018/04/Detailed-Grocery-Payment-Receipt-Samples.jpg\">https://images.sampletemplates.com/wp-content/uploads/2018/04/Detailed-Grocery-Payment-Receipt-Samples.jpg</a> <a href=\"https://commons.wikimedia.org/wiki/File:Family_Dollar_store_receipt.jpg\">https://commons.wikimedia.org/wiki/File:Family_Dollar_store_receipt.jpg</a> <a href=\"https://www.amazon.com/Polaroid-Color-Film-Triple-Photos/dp/B0BW9PMS1C\">https://www.amazon.com/Polaroid-Color-Film-Triple-Photos/dp/B0BW9PMS1C</a>. Font is <a href=\"https://fontesk.com/quaxiculo-font/\">https://fontesk.com/quaxiculo-font/</a>, which is under OFL, and tax was calculated using these <a href=\"https://www.salestaxhandbook.com/new-jersey/rates\">https://www.salestaxhandbook.com/new-jersey/rates</a> <a href=\"https://www.calculatorsoup.com/calculators/financial/sales-tax-calculator.php\">https://www.calculatorsoup.com/calculators/financial/sales-tax-calculator.php</a>. Cropped and edited in GIMP.</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> crayondrawing.png<br/>\n<strong>Author:</strong> Dr0Shadow<br/>\n<strong>License:</strong> CC BY-SA 3.0</p>\n</blockquote>\n<blockquote>\n<p><strong>Filename:</strong> polaroid7.png<br/>\n<strong>Name:</strong> das geheimnis V1<br/>\n<strong>Author:</strong> Gi\u00f2<br/>\n<strong>License:</strong> CC BY 2.0<br/>\n<strong>Source Link:</strong> <a href=\"https://www.flickr.com/photos/pixelspin/120648182/in/faves-195000367@N08/\">https://www.flickr.com/photos/pixelspin/120648182/in/faves-195000367@N08/</a><br/>\n<strong>Additional Notes:</strong> Cropped and edited in GIMP.</p>\n</blockquote>\n</div>\n</div>\n</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/theme:classic\">:scp-wiki:theme:classic</a>]]\n\n[[module css]]\n\n\n\n:root {\n\n\u00a0\u00a0\u00a0\u00a0--gunmetal: #2a3439;\n\n}\n\n\n\nbody {\n\n\u00a0\u00a0\u00a0\u00a0background-color: var(--gunmetal);\n\n}\n\n\n\ndiv#container-wrap {\n\n\u00a0\u00a0\u00a0\u00a0background-image: url(https://scp-sandbox-3.wdfiles.com/local--files/dr0shadow/classic_body_bgmodifiedTS.png);\n\n\u00a0\u00a0\u00a0\u00a0background-repeat: repeat-x;\n\n\u00a0\u00a0\u00a0\u00a0background-size: auto;\n\n}\n\n\n\n[[/module]]\n\n\n\n[[=image heartbeatsinthesuitcase.png width=\"729px\"]]\n\n\n\n[[=image polaroid1.png width=\"462px\" link=\"https://scp-wiki.wikidot.com/scp-9073\"]]\n\n\n\n[[=image polaroid2.png width=\"462px\"]]\n\n\n\n[[=image polaroid4.png width=\"462px\"]]\n\n\n\n[[=image floorplanandreceipt.png width=\"729px\"]]\n\n\n\n[[=image crayondrawing.png width=\"729px\"]]\n\n\n\n[[=image polaroid7.png width=\"462px\"]]\n\n\n\n[[=]]\n\n> [[size larger]]\u062a\u0645\u0627\u0645 \u0634\u062f[[/size]]\n\n[[/=]]\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box\">:scp-wiki:component:license-box</a>]]\n\n\n\n> **Filename:** heartbeatsinthesuitcase.png\n\n> **Author:** Dr0Shadow\n\n> **License:** CC BY-SA 3.0 \n\n\n\n> **Filename:** polaroid1.png\n\n> **Name:** Night Paris Street\n\n> **Author:** Bradley Weber\n\n> **License:** CC BY 2.0\n\n> **Source Link:** https://www.flickr.com/photos/41294655@N00/48110709312/\n\n> **Additional Notes:** Cropped and edited in GIMP. All polariod images (including this one) use a frame extracted with permission from JackalRelated's 228-XX from SCP-228, which is under CC BY SA 3.0.\n\n\n\n> **Filename:** polaroid2.png\n\n> **Name:** Steampunk Kids\n\n> **Author:** Brida Anderson\n\n> **License:** CC BY 2.0\n\n> **Source Link:** https://www.flickr.com/photos/triggerhappy09/3569097475/\n\n> **Additional Notes:** Cropped and edited in GIMP.\n\n\n\n> **Filename:** polaroid4.png\n\n> **Name:** Teenage girl wearing jeans and Kasper shirt in Madison, Wisconsin 2017\n\n> **Author:** John Benson\n\n> **License:** CC BY 2.0\n\n> **Source Link:** https://commons.wikimedia.org/wiki/File:Teenage_girl_wearing_jeans_and_Kasper_shirt_in_Madison,_Wisconsin_2017.jpg\n\n> **Additional Notes:** Cropped and edited in GIMP.\n\n\n\n> **Filename:** floorplanandreceipt.png\n\n> **Author:** Dr0Shadow\n\n> **License:** CC BY-SA 3.0\n\n> **Additional Notes:** Receipt uses the following links as reference for its creation: https://images.sampletemplates.com/wp-content/uploads/2018/04/Detailed-Grocery-Payment-Receipt-Samples.jpg\u00a0\u00a0https://commons.wikimedia.org/wiki/File:Family_Dollar_store_receipt.jpg https://www.amazon.com/Polaroid-Color-Film-Triple-Photos/dp/B0BW9PMS1C. Font is https://fontesk.com/quaxiculo-font/, which is under OFL, and tax was calculated using these https://www.salestaxhandbook.com/new-jersey/rates https://www.calculatorsoup.com/calculators/financial/sales-tax-calculator.php. Cropped and edited in GIMP.\n\n\n\n> **Filename:** crayondrawing.png\n\n> **Author:** Dr0Shadow\n\n> **License:** CC BY-SA 3.0\n\n\n\n> **Filename:** polaroid7.png\n\n> **Name:** das geheimnis V1\n\n> **Author:** Gi\u00f2\n\n> **License:** CC BY 2.0\n\n> **Source Link:** https://www.flickr.com/photos/pixelspin/120648182/in/faves-195000367@N08/\n\n> **Additional Notes:** Cropped and edited in GIMP.\n\n\n\n[[include <a href=\"https://scp-wiki.wikidot.com/component:license-box-end\">:scp-wiki:component:license-box-end</a>]]\n", "tags": ["_cc", "_licensebox", "_other", "goi-format", "goicon-2026", "horror", "illustrated"], "title": "Beyond The Veil - SCP Foundation", "url": "https://scp-wiki.wikidot.com/beyond-the-veil"}, "black-retribution-scpv-213": {"created_at": "2019-03-11T13:23:00", "creator": "Bolterpyre", "domain": "scp-wiki.wikidot.com", "history": [{"author": "Bolterpyre", "author_href": "https://www.wikidot.com/user:info/bolterpyre", "comment": "", "date": "2019-03-11T13:23:00"}, {"author": "Bolterpyre", "author_href": "https://www.wikidot.com/user:info/bolterpyre", "comment": "Added tags: goi2019. ", "date": "2019-03-11T13:41:00"}, {"author": "Bolterpyre", "author_href": "https://www.wikidot.com/user:info/bolterpyre", "comment": "", "date": "2019-03-11T13:50:00"}, {"author": "Bolterpyre", "author_href": "https://www.wikidot.com/user:info/bolterpyre", "comment": "", "date": "2019-03-11T13:52:00"}, {"author": "Uncle Nicolini", "author_href": "https://www.wikidot.com/user:info/uncle-nicolini", "comment": "Added tags: goi-format. ", "date": "2019-03-11T14:11:00"}, {"author": "Bolterpyre", "author_href": "https://www.wikidot.com/user:info/bolterpyre", "comment": "", "date": "2019-03-11T16:49:00"}, {"author": "GreenWolf", "author_href": "https://www.wikidot.com/user:info/greenwolf", "comment": "Added tags: _other. ", "date": "2019-03-11T17:03:00"}, {"author": "Elenee FishTruck", "author_href": "https://www.wikidot.com/user:info/elenee-fishtruck", "comment": "Added tags: _cc. ", "date": "2019-03-12T00:11:00"}, {"author": "Bolterpyre", "author_href": "https://www.wikidot.com/user:info/bolterpyre", "comment": "", "date": "2019-05-23T12:41:00"}, {"author": "Mafiew", "author_href": "https://www.wikidot.com/user:info/mafiew", "comment": "Removed the reminder about the International Contest.", "date": "2019-06-28T15:57:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mythological-fiction. ", "date": "2024-10-06T12:54:00"}, {"author": "Jerden", "author_href": "https://www.wikidot.com/user:info/jerden", "comment": "Added tags: mythological. Removed tags: mythological-fiction. ", "date": "2024-10-11T19:21:00"}], "hubs": ["goi-formats"], "images": ["https://upload.wikimedia.org/wikipedia/commons/8/88/Redon_-_Was_ist_der_Sinn.jpeg", "https://en.wahooart.com/Art.nsf/O/8XYN46/$File/Odilon-Redon-Everywhere-eyeballs-are-aflame.JPG"], "link": "black-retribution-scpv-213", "page_id": "637939803", "rating": 17, "raw_content": "<html><body><div id=\"page-content\">\n\n<p><strong>Codename:</strong> Black Retribution</p>\n<p><strong>Code:</strong> SCPV-213</p>\n<p><strong>Utility:</strong> Samael<sup class=\"footnoteref\"><a class=\"footnoteref\" href=\"javascript:;\" id=\"footnoteref-1\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnote-1')\">1</a></sup></p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"Redon_-_Was_ist_der_Sinn.jpeg\" class=\"image\" src=\"https://upload.wikimedia.org/wikipedia/commons/8/88/Redon_-_Was_ist_der_Sinn.jpeg\"/>\n<div class=\"scp-image-caption\">\n<p>Depiction of Bathala in the <em>Dark Bathala</em>.</p>\n</div>\n</div>\n<p><strong>Method of Operation:</strong> SCPV-213 was stored in a 2\u00a0m x 2\u00a0m x 2\u00a0m marble concrete box. When on display, warning runes are to be imprinted on the surface of the box where it is visible to viewers coming from any direction. SCPV-213 was restricted to Conservators only with permission from a Curator.</p>\n<p>When in use, SCPV-213 is to be handled with gloves of any material. Under no circumstances should the user touch the object with his bare hands to avoid falling under its effect. Should the user becomes affected, he is to be terminated with a gunshot to the head five seconds after the initial contact. Users were prohibited to gaze at the item for more than thirty seconds.</p>\n<p>Users were allowed to practice with the item for one hour every day but are advised that frequent usage of SCPV-213 will result in the user succumbing to its effect.</p>\n<p><strong>Morphology:</strong> SCPV-213 is a spherical object. It is 9 centimeters in diameter and appeared to be constructed from a solidified transparent liquid matter. All attempts to identify the composition of the object were met with failure.</p>\n<p>SCPV-213 was illuminated by an unknown source from the interior. The light is drawn to any part of the surface that had made contact with any object. The surface was soft to the touch and the item was notably indestructible.</p>\n<p>SCPV-213-1 is a designation for a collective group of humanoid entities mentioned in the \"Book of Dark Bathala\". SCPV-213-1 can be conjured if SCPV-213 was properly utilized. Depending on the mood of the user and his current mental state, the attitude of SCPV-213-1 ranges from benevolent to hostile.</p>\n<div class=\"scp-image-block block-right\" style=\"width:300px;\"><img alt=\"Odilon-Redon-Everywhere-eyeballs-are-aflame.JPG\" class=\"image\" src=\"https://en.wahooart.com/Art.nsf/O/8XYN46/$File/Odilon-Redon-Everywhere-eyeballs-are-aflame.JPG\"/>\n<div class=\"scp-image-caption\">\n<p>An illustration of an object presumed to be SCPV-213.</p>\n</div>\n</div>\n<p><strong>Method of Use:</strong> The item was restricted only to the members of The Reliquary, primarily those who hold the rank of Conservators.</p>\n<p>To activate the item, the user is to hold the object with gloved hands and gaze at it for thirty seconds. When the user felt a tingling sensation in the forehead, he is to look away to avoid falling under its corruptive effect.</p>\n<p>To conjure instances of SCPV-213-1, the user is to project his thoughts and emotions into an empty space. Once conjured, SCPV-213-1 instances are only allowed to perform mundane tasks. They are only allowed the existence of two hours.</p>\n<p>The helpful way to dissolve an instance of SCPV-213-1 is to visualize them as machines in disassembly until it ceased to exist.</p>\n<p>Users were advised to rest for five hours before utilizing the object again.</p>\n<p><strong>Discovery:</strong> The existence of SCPV-213 was learned when the Librarians and Archivists of The Reliquary carried out a raid against a Horizon Initiative-controlled museum and retrieved the Book of Dark Bathala, a tale expunged from the Philippine literature. It was about the country\u2019s chief god, Bathala and his brother, Hindi-Mapangalanan. It mentioned an item that matched SCPV-213\u2019s description and the location where it could be found.</p>\n<p>As of 09/12/2016, SCPV-213 was discovered to be in the possession of an antique collector in Lipa, Batangas, Philippines. A group of Librarians and Archivists under the leadership of Conservator Suarez was dispatched to retrieve the item for cataloging.</p>\n<p><strong>Additional Documents:</strong></p>\n<script src=\"https://d3g0gp89917ko0.cloudfront.net/v--c5ce02208cf9/common--javascript/yahooui/tabview-min.js\" type=\"text/javascript\"></script>\n<div class=\"yui-navset\" id=\"wiki-tabview-59b921e87d5c7731d849accd15c29edc\">\n<ul class=\"yui-nav\">\n<li class=\"selected\"><a href=\"javascript:;\"><em>Original Excerpt from the Book of Dark Bathala</em></a></li>\n<li><a href=\"javascript:;\"><em>Translated Version</em></a></li>\n</ul>\n<div class=\"yui-content\">\n<div id=\"wiki-tab-0-0\">\n<p><em>\"Nang ibigay ng Hindi-Mapangalanan ang apoy sa mga unang tao, nagalit ang Panginoong Bathala at pinarusahan ang kanyang kapatid. Gumanti ang Hindi-Mapangalanan at tinanggal ang kaliwang mata ng Panginoong Bathala gamit ang sibat na ibinigay ng kanyang kapatid.\"</em></p>\n</div>\n<div id=\"wiki-tab-0-1\" style=\"display:none\">\n<p>\"When the One That Cannot Be Named gave fire to the first humans, the Lord Bathala became angry and punished his brother. The One That Cannot Be Named retaliated by gouging the Lord Bathala's left eye with the spear that his brother gave him.\"</p>\n</div>\n</div>\n</div>\n<script type=\"text/javascript\">\n//<![CDATA[\nOZONE.dom.onDomReady(function(){\n        var tabView59b921e87d5c7731d849accd15c29edc = new YAHOO.widget.TabView('wiki-tabview-59b921e87d5c7731d849accd15c29edc');\n                }, \"dummy-ondomready-block\");\n        \n//]]>\n</script>\n<p><strong>Method of Recovery:</strong> Recovery is currently underway.</p>\n<div class=\"footnotes-footer\">\n<div class=\"title\">Footnotes</div>\n<div class=\"footnote-footer\" id=\"footnote-1\"><a href=\"javascript:;\" onclick=\"WIKIDOT.page.utils.scrollToReference('footnoteref-1')\">1</a>. Items with this designation can affect the mental state of the user if not properly handled or if safety precautions are neglected.</div>\n</div>\n</div></body></html>", "raw_source": "\n\t[[>]]\n\n[[module Rate]]\n\n[[/>]]\n\n\n\n\n\n**Codename:** Black Retribution\n\n\n\n**Code:** SCPV-213\n\n\n\n**Utility:** Samael [[footnote]] Items with this designation can affect the mental state of the user if not properly handled or if safety precautions are neglected. [[/footnote]]\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=https://upload.wikimedia.org/wikipedia/commons/8/88/Redon_-_Was_ist_der_Sinn.jpeg|caption=Depiction of Bathala in the //Dark Bathala//.]]\n\n\n\n\n\n**Method of Operation:** SCPV-213 was stored in a 2 m x 2 m x 2 m marble concrete box. When on display, warning runes are to be imprinted on the surface of the box where it is visible to viewers coming from any direction. SCPV-213 was restricted to Conservators only with permission from a Curator.\n\n\n\nWhen in use, SCPV-213 is to be handled with gloves of any material. Under no circumstances should the user touch the object with his bare hands to avoid falling under its effect. Should the user becomes affected, he is to be terminated with a gunshot to the head five seconds after the initial contact. Users were prohibited to gaze at the item for more than thirty seconds.\n\n\n\nUsers were allowed to practice with the item for one hour every day but are advised that frequent usage of SCPV-213 will result in the user succumbing to its effect.\n\n\u00a0\n\n**Morphology:** SCPV-213 is a spherical object. It is 9 centimeters in diameter and appeared to be constructed from a solidified transparent liquid matter. All attempts to identify the composition of the object were met with failure.\n\n\n\nSCPV-213 was illuminated by an unknown source from the interior. The light is drawn to any part of the surface that had made contact with any object. The surface was soft to the touch and the item was notably indestructible.\n\n\n\nSCPV-213-1 is a designation for a collective group of humanoid entities mentioned in the \"Book of Dark Bathala\". SCPV-213-1 can be conjured if SCPV-213 was properly utilized. Depending on the mood of the user and his current mental state, the attitude of SCPV-213-1 ranges from benevolent to hostile.\n\n\n\n[[include <a href=\"/component:image-block\">component:image-block</a> name=https://en.wahooart.com/Art.nsf/O/8XYN46/$File/Odilon-Redon-Everywhere-eyeballs-are-aflame.JPG|caption=An illustration of an object presumed to be SCPV-213.]]\n\n\n\n\n\n**Method of Use:** The item was restricted only to the members of The Reliquary, primarily those who hold the rank of Conservators.\n\n\n\nTo activate the item, the user is to hold the object with gloved hands and gaze at it for thirty seconds. When the user felt a tingling sensation in the forehead, he is to look away to avoid falling under its corruptive effect.\n\n\n\nTo conjure instances of SCPV-213-1, the user is to project his thoughts and emotions into an empty space. Once conjured, SCPV-213-1 instances are only allowed to perform mundane tasks. They are only allowed the existence of two hours.\n\n\n\nThe helpful way to dissolve an instance of SCPV-213-1 is to visualize them as machines in disassembly until it ceased to exist.\n\n\n\nUsers were advised to rest for five hours before utilizing the object again.\n\n\n\n**Discovery:** The existence of SCPV-213 was learned when the Librarians and Archivists of The Reliquary carried out a raid against a Horizon Initiative-controlled museum and retrieved the Book of Dark Bathala, a tale expunged from the Philippine literature. It was about the country\u2019s chief god, Bathala and his brother, Hindi-Mapangalanan. It mentioned an item that matched SCPV-213\u2019s description and the location where it could be found.\n\n\n\nAs of 09/12/2016, SCPV-213 was discovered to be in the possession of an antique collector in Lipa, Batangas, Philippines. A group of Librarians and Archivists under the leadership of Conservator Suarez was dispatched to retrieve the item for cataloging.\n\n\n\n\n\n**Additional Documents:**\n\n\u00a0\n\n[[tabview]]\n\n\n\n[[tab Original Excerpt from the Book of Dark Bathala]]\n\n\n\n//\"Nang ibigay ng Hindi-Mapangalanan ang apoy sa mga unang tao, nagalit ang Panginoong Bathala at pinarusahan ang kanyang kapatid. Gumanti ang Hindi-Mapangalanan at tinanggal ang kaliwang mata ng Panginoong Bathala gamit ang sibat na ibinigay ng kanyang kapatid.\"//\n\n\n\n\n\n[[/tab]]\n\n\n\n[[tab Translated Version]]\n\n\n\n\"When the One That Cannot Be Named gave fire to the first humans, the Lord Bathala became angry and punished his brother. The One That Cannot Be Named retaliated by gouging the Lord Bathala's left eye with the spear that his brother gave him.\"\n\n\n\n[[/tab]]\n\n\n\n[[/tabview]]\n\n\n\n**Method of Recovery:** Recovery is currently underway.\n", "tags": ["_cc", "_other", "goi-format", "goi2019", "mythological"], "title": "Black Retribution | SCPV-213 - SCP Foundation", "url": "https://scp-wiki.wikidot.com/black-retribution-scpv-213"}, "blind-the-all-seeing-eye": {"created_at": "2026-08-09T19:00:00", "creator": "TyGently", "domain": "scp-wiki.wikidot.com", "history": [{"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "BLIND THE ALL-SEEING EYE", "date": "2026-08-09T19:00:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "Parent page set to: \"hollow-hydra-revolution\".", "date": "2026-08-09T19:03:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "Added tags: chaos-insurgency, goi-format, goicon-2026, oneiroi, third-law. ", "date": "2026-08-09T19:09:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2026-08-09T19:24:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2026-08-09T19:28:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2026-08-09T19:28:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "You successfully reverted the page to revision number 3", "date": "2026-08-09T19:29:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2026-08-09T19:31:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2026-08-09T19:32:00"}, {"author": "TyGently", "author_href": "https://www.wikidot.com/user:info/tygently", "comment": "", "date": "2026-08-09T19:33:00"}, {"author": "whenwerewe", "author_href": "https://www.wikidot.com/user:info/whenwerewe", "comment": "", "date": "2026-08-09T19:41:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _chaos-insurgency. ", "date": "2026-08-09T19:43:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _image, interactive. ", "date": "2026-08-09T19:44:00"}, {"author": "whenwerewe", "author_href": "https://www.wikidot.com/user:info/whenwerewe", "comment": "", "date": "2026-08-09T19:45:00"}, {"author": "HaydenSaintPascal", "author_href": "https://www.wikidot.com/user:info/haydensaintpascal", "comment": "", "date": "2026-08-13T07:06:00"}, {"author": "ObsoleteCorpse", "author_href": "https://www.wikidot.com/user:info/obsoletecorpse", "comment": "Added tags: _cc, _cc4. Removed tags: _image. ", "date": "2026-09-12T19:30:00"}], "hubs": ["goi-formats"], "images": [], "link": "blind-the-all-seeing-eye", "page_id": "1469127259", "rating": 68, "raw_content": "<html><body><div id=\"page-content\">\n<div class=\"preview\">\n<p>The Pod swings open, revealing the body-shaped cavity that fits you so well.</p>\n<p>You enter.</p>\n</div>\n<p><iframe src=\"//interwiki.scpwiki.com/styleFrame.html?priority=1&amp;theme=https://scp-wiki.wikidot.com/theme:chaos/code/1&amp;css={$css}\" style=\"display: none\"></iframe></p>\n<p style=\"text-align: center;\"><strong>\u00ab <a href=\"/heartburn\">Heartburn</a> |</strong></p>\n<ul class=\"creditRate\">\n<li class=\"rateBox folded\">\n<div class=\"rate-box-with-credit-button\">\n<div class=\"creditButton foldable-list-container\">\n<p><a href=\"javascript:;\">i</a></p>\n</div>\n</div>\n<div id=\"u-credit-view\">\n<div class=\"fader foldable-list-container\"><a href=\"javascript:;\">close</a></div>\n<div class=\"modalcontainer\">\n<div class=\"modalbox\">\n<div style=\"text-align: center;\">\n<h2><span>Info</span></h2>\n</div>\n<hr/>\n<div class=\"close-credits foldable-list-container\"><a href=\"javascript:;\">X</a></div>\n<div class=\"credit first\">\n<p><span style=\"color: red\"><a href=\"/tygently-author-page\">TyGently's Author Page</a></span><br/>\nIf you liked this tale, you may enjoy: <span style=\"color: red\"><a href=\"/alone-together\">Alone, Together</a></span></p>\n</div>\n</div>\n</div>\n</div>\n<br/></li>\n</ul>\n<span style=\"white-space: pre-wrap;\"> </span>\n<p>You never could feel at ease in the belly of the beast.</p>\n<p>Your feet squelch on slick streets as you trudge past sweating laborers who move with queer synchronicity. You realize they're following Xiangyao's heartbeat. Your own pounds in your ears, arrhythmic. There are so few of you, now.</p>\n<p>The directions exist within your mind as a fractal idea, a folded memetic agent that shot behind your eyes when those four demons raided your home and killed your friends. It unravels on a need to know basis, and your feet follow the way as best they can.</p>\n<p>You're led down a capillary alleyway. At the back, cracked concrete rests on heaving walls of flesh. Silent laborers smoke next to an unmarked metal door. You take a place beside them, pressing your back against it.</p>\n<p>You feel a buzz, and words hiss into your skull. \"Does the black moon howl?\"</p>\n<p>Your voice is nearly imperceptible. \"It lies and lies and lies.\"</p>\n<p>The door opens, and you disappear within.</p>\n<p>In the only shred of light in the room stands your Commander. She is gaunt and her uniform carries dark brown stains. \"Good,\" she says. \"You're alive. Command can't take many more losses.\"</p>\n<p>You nod. She sighs. \"I've been coordinating with the communists. They're verified Insurgents, at least, but the choices in this city are piss-poor. We're run aground. Shot in the streets by the so-called Foundation.\"</p>\n<p>\"Those damn impostors,\" she spits with venom, \"crushing the only ones left who still believe in the mission. As if we aren't their only hope. Those poor imbeciles.\" Her fists clench, then slowly uncurl. \"It doesn't matter. We have a job to do. Since the <em>Pangara</em> sank, half the Cells in the hemisphere are decapitated. They lack an operator on duty.\"</p>\n<p>The lights flicker on. The Coordination Pod stands in the center of the chamber, smooth as a river stone and beset with dim rainbows of cables.</p>\n<p>You can't believe it. How did any make it out?</p>\n<p>The Commander nods. \"We had this hidden in the city as a contingency. The true Foundation never operates without a backup.\"</p>\n<p>\"We need you in there. Someone has to untangle the knots the satellite groups have woven in our absence. I'll handle affairs in Xiangyao while you're under. Protect the mission.\"</p>\n<p>The Pod swings open, revealing the body-shaped cavity that fits you so well.</p>\n<p>You enter.</p>\n<div class=\"terminal\">\n\n<div class=\"text\">\n<p><span style=\"margin-left:2em\">Booting\u2026</span><br/>\n<span style=\"margin-left:2em\"><span style=\"color: red\">Error!</span> SCiPnet encryption key invalid!</span><br/>\n<span style=\"margin-left:2em\"><span style=\"color: red\">Error!</span> Foundation uplink not found!</span><br/>\n<span style=\"margin-left:2em\"><span style=\"color: red\">Error!</span></span></p>\n<p><span style=\"margin-left:2em\">\u2026</span><br/>\n<span style=\"margin-left:2em\">Booting\u2026</span><br/>\n<span style=\"margin-left:2em\">Loa